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<v Speaker 1>Hello, and welcome to the Deep Blue Sea the podcast. I

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<v Speaker 1>am Mark and I'm raring to talk Halfmeyer.

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<v Speaker 2>Oh Jay, and I'm rare to play clue. Welcome Deeply.

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<v Speaker 1>Was that your introg? Did I still your intro?

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<v Speaker 2>No? We both did it. It works. It's I like it.

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<v Speaker 2>I was like, is he going to do it? I reckon?

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<v Speaker 2>He cook is Deeply of the podcast. On this show,

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<v Speaker 2>we've been through the entire Deeply See trilogy Seen by scene.

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<v Speaker 2>We're doing it again, but not today. Today we're talking

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<v Speaker 2>about a Deep bluecy adjacent film and continuing our twenty

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<v Speaker 2>twenty six euar of reptiles with Eaten Alive also known

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<v Speaker 2>as Death Trap s His nineteen seventy six is Eaten Alive,

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<v Speaker 2>not to be confused with nineteen eighties Eaten Live, both

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<v Speaker 2>starring the same actor Mel Ferrer, who's in both of them.

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<v Speaker 2>What is Eating Life nineteen seventy six. It's directed by

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<v Speaker 2>Toby Hooper, stars Neville brown And as Judd, the owner

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<v Speaker 2>and proprietor of the worst motel, just the worst motel,

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<v Speaker 2>horrible place. Anyone that comes there, he'll feed you to

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<v Speaker 2>his alligator crocodile. I'm sure which one of it is

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<v Speaker 2>it's claim to be both. Throughout the film, it stars

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<v Speaker 2>the likes of Karen Jones, Milfairy, Nobill Brand, Marilyn Burns,

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<v Speaker 2>William Finley, Stewart Whitman, Kyle Richards, a bunch of Robert

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<v Speaker 2>England of course, Rennie Harden regular Robert England as Buck

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<v Speaker 2>who likes to do things that rhyme with his name.

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<v Speaker 1>Borrows, Yes, exactly and yeah.

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<v Speaker 2>Hilarity ensues when random people come to this hotel and

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<v Speaker 2>don't leave except in an alligator. So we need someone

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<v Speaker 2>who requested suggested I can't remember. We'll get into it.

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<v Speaker 2>This film mentioned I think mentioned this film in.

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<v Speaker 1>Part years ago.

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<v Speaker 2>And when you mentioned a film that we could cover

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<v Speaker 2>this podcast, I will put it in ours bridgheet and

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<v Speaker 2>I'll put your name next to it. And that's where

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<v Speaker 2>we are today. So back from two fust two forever

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<v Speaker 2>is Joey Dowandowski. Joe Joey, welcome back to the show.

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<v Speaker 3>Well, thank you for having me. I do want to

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<v Speaker 3>clarify this is not a movie that I'm like, I

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<v Speaker 3>cannot wait to talk about this movie with you guys.

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<v Speaker 3>I want to watch this movie again, this movie And

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<v Speaker 3>she's like, hey, there's a crocodile in this movie, and

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<v Speaker 3>you years ago were just like okay, and then like

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<v Speaker 3>six months ago, said hey, remember that movie you really

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<v Speaker 3>wanted to talk about? And I said, no, I don't,

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<v Speaker 3>But here I am talking about Eating a Lie by

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<v Speaker 3>Tobe Hooper.

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<v Speaker 1>See Joey's lying because his entire house has always been

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<v Speaker 1>lit red. Like it's just whenever I've recorded with you

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<v Speaker 1>for years, you've always just had a really red bedroom.

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<v Speaker 1>You Like, the first thing you ever said to me

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<v Speaker 1>was like, I'm Joey and I'm rare into something, Like

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<v Speaker 1>I thought you like live this movie. I do have.

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<v Speaker 3>It's not hung up now because I changed offices, but

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<v Speaker 3>my sister got me for years ago for our Cage

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<v Speaker 3>Club podcast network. It's a cage club laid up like

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<v Speaker 3>led Sign or whatever, and it is red. So when

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<v Speaker 3>that was on, it was red. So you are right,

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<v Speaker 3>So I was caught in the lie. I do love

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<v Speaker 3>this movie.

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<v Speaker 1>You've just adopted your whole personality around it, which I

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<v Speaker 1>kind of have a question. So Jay watches a lot

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<v Speaker 1>of movies on trains. He makes a lot of journeys

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<v Speaker 1>on trains, and I was like, do not watch this

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<v Speaker 1>on the train?

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<v Speaker 2>Don't.

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<v Speaker 1>I didn't do not put this on a train, just

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<v Speaker 1>don't do it. So I got I got wondering, Joey,

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<v Speaker 1>since you're you know you're you're the co host of

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<v Speaker 1>the Too Fast You Forever podcast, which Fast and Furious

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<v Speaker 1>movie would be the worst to watch on a train?

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<v Speaker 1>Now I've broken it down for you, Okay, I want

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<v Speaker 1>to hear your thoughts. Do you want me to give

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<v Speaker 1>your thoughts or do you want me to give a

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<v Speaker 1>couple of the movies I've thought about.

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<v Speaker 3>I would love to hear your opinions first, so I

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<v Speaker 3>have time to think about this because I have an

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<v Speaker 3>initial idea, but I.

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<v Speaker 1>I want to hear what you have to think, all right,

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<v Speaker 1>So the first Fast and Furious movie has like a

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<v Speaker 1>sex scene, probably one of the few to have a

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<v Speaker 1>sex scene, and it was just a making out scene.

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<v Speaker 1>A lot of butt grabbing in that. And then there's

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<v Speaker 1>Furious seven where James wand went but crazy, like we

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<v Speaker 1>had to analyze, like you just watched that movie and

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<v Speaker 1>every outfit's just blowing up in the air. So there's

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<v Speaker 1>not a lot of you know, there's nothing like eating alive,

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<v Speaker 1>but there's still a lot of that going on. I

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<v Speaker 1>feel like eight, nine, and ten not bad. Six probably

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<v Speaker 1>fine fast, five has some some uh you know, vin

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<v Speaker 1>in Elsa stuff, but that's four is fine. I think

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<v Speaker 1>three is good, but yeah, I think one or seven

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<v Speaker 1>might be.

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<v Speaker 3>So my initial thought was five because the same for

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<v Speaker 3>the same reason that six is not on in flight

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<v Speaker 3>monitors because six is a plane crash, and so they

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<v Speaker 3>don't have plane crash movies on planes, like you can

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<v Speaker 3>watch Faster Fear of six on your iPad or whatever.

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<v Speaker 3>But like they when I was flying years ago, they're like, oh,

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<v Speaker 3>they have five, seven, eight. I'm like, going, what did

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<v Speaker 3>there's no six. I was like, oh, because they don't

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<v Speaker 3>want to show as a thing like when people are

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<v Speaker 3>freaked out about they're gonna crash or whatever. So I'm

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<v Speaker 3>thinking maybe five because there is the hijacking at the

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<v Speaker 3>beginning where they're trying to get the cars off, and

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<v Speaker 3>then you know, Dom shows somebody to the sides. Like

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<v Speaker 3>I wonder if people are watching your screen and they're

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<v Speaker 3>seeing a train get jacked into or broken into or

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<v Speaker 3>you know whatever, and they're like, is that gonna happen

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<v Speaker 3>to us? And then and then that's like taking watching it.

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<v Speaker 3>I don't think that there's really any of the movies

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<v Speaker 3>that you have a problem with watching on on I do.

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<v Speaker 3>I watched We Bury the Dead on a recent flight,

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<v Speaker 3>which is the Daisy Ridley movie, and there's nothing like

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<v Speaker 3>too bad, but it does start with like a like

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<v Speaker 3>literally the first minute is like the US has dropped

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<v Speaker 3>a bomb outside of Tasmania and it like decimated all

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<v Speaker 3>of Australia. I'm just like, oh, like this is like

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<v Speaker 3>a choice for you know, people just be looking at

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<v Speaker 3>my screen. But yeah, whenever there's need to your things,

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<v Speaker 3>I try to like awkwardly like no, I'm not like

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<v Speaker 3>a total pervert. I just I'm a cinephile or whatever. Right,

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<v Speaker 3>But I think short story, fast and furious. I think

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<v Speaker 3>they're all fine to watching a train. This movie not

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<v Speaker 3>so much.

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<v Speaker 1>And then jay I put together a top five from

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<v Speaker 1>Deep Bluesy. But I will let you covid okay, okay

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<v Speaker 1>that we've covered on Deep Bluesy. Eaten Live is number one.

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<v Speaker 2>Uh sure, yes, I think that's fair just.

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<v Speaker 1>Because all right, number two Pana three double D. Absolutely, yes,

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<v Speaker 1>Number three is Pana three D because I put d

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<v Speaker 1>D because's just more it's just a worse movie, you know,

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<v Speaker 1>it's there in the tunnel.

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<v Speaker 2>Yeah, it's not the embarrassment factor of like he's watching booth,

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<v Speaker 2>but also he's watching Piranha three double D.

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<v Speaker 1>People are watching Piranha. You know that'd be interesting if

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<v Speaker 1>a kid like people behind you are watching your screen

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<v Speaker 1>it's Parana three D. I wonder if halfway through they'd

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<v Speaker 1>be like, this is a good movie, and then they

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<v Speaker 1>sort of get in.

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<v Speaker 3>He's reaching for his like I mean this I I

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<v Speaker 3>kind of completed, but I have a big Piranha stack.

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<v Speaker 3>So I've got Piranha Parana two, Parana three D, and

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<v Speaker 3>Piranha three double D. The bottom two I recommend, the

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<v Speaker 3>top two I recommend less, but you know all of

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<v Speaker 3>them are good.

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<v Speaker 1>When you turn around, the entire plane is behind you,

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<v Speaker 1>just watching with you, and I like super into it.

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<v Speaker 1>One thing?

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<v Speaker 3>Would you would you count this? I on a plane

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<v Speaker 3>about a year ago. I don't remember where's flying back from,

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<v Speaker 3>but I was just listening to a podcast and the

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<v Speaker 3>woman ahead of me across the aisle was watching a

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<v Speaker 3>movie with subtitles, and I read the entire movie as

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<v Speaker 3>she watched it, and I was like, I watched this,

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<v Speaker 3>so I logged it on letterbox I didn't hear something

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<v Speaker 3>sound from it, but I watched it and I read it.

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<v Speaker 2>Yeah, I mean I think I would count that. I

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<v Speaker 2>would pretty do the same.

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<v Speaker 1>That's fair. I watched Regretting You while I was watching

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<v Speaker 1>another movie, and I was like, this is crazy. This

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<v Speaker 1>movie's nuts, and I had a good I found myself

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<v Speaker 1>watching Regarding You two aisles away rather than the movie

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<v Speaker 1>I was watching. Oh you watched it on a plane

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<v Speaker 1>on a Colleen Hoover with no sound. But while watching him,

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<v Speaker 1>like something weird's happening, I got just not even. I

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<v Speaker 1>was like, what's happening in this movie? I was good, Yeah,

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<v Speaker 1>it was enthralling.

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<v Speaker 3>Sometimes I try to, like, if I go to the bathroom,

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<v Speaker 3>like just like you walk by like a bunch of

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<v Speaker 3>people watching things. I try to like pick out as

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<v Speaker 3>many as I recognize. I'm like, oh, this person's wearing

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<v Speaker 3>the market watching the Mark Marin documentary, which is available

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<v Speaker 3>on United flights, now, I'm like, okay, cool, like good

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<v Speaker 3>for them. So I try to like identify and be like, oh,

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<v Speaker 3>fast and furious, cool, very cool.

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<v Speaker 1>I'm happy they took off smoke signals because I guess

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<v Speaker 1>kept watching that over and over every flight. I'd watch

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<v Speaker 1>Smoke Signals because I love that movie. Not sure why,

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<v Speaker 1>but it's like, hey, Smoke Signals is on, I'll watch that.

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<v Speaker 1>So I'm kind of glad they took it off because

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<v Speaker 1>I can watch new movies but not out there. Number

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<v Speaker 1>four J deep Water with uh yeah show Aflac Yeah.

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<v Speaker 2>Yeah that deep Water. Yeah, because like the new one.

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<v Speaker 2>I'd love to watch Down the Plane souse.

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<v Speaker 1>I just didn't watch it plane crash with sharks. That'd

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<v Speaker 1>be amazing.

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<v Speaker 2>I just want to see it.

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<v Speaker 1>I just want to see it.

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<v Speaker 2>I just want to see it.

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<v Speaker 1>Nose four Nightmare and Elmtree four. I think there's some

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<v Speaker 1>there's just you know, like the waterbed scene and stuff,

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<v Speaker 1>and then there's Tentacles, which Tentacles has some Tentacles has

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<v Speaker 1>some stuff right kind of yeah, it follows. I think

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<v Speaker 1>there's some it follows stuff in there that with throw

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<v Speaker 1>some people up. But Eaten Live is the worst. We

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<v Speaker 1>have you train or automobile movie?

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<v Speaker 3>Have you started expanding to like emotional water, because like

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<v Speaker 3>deep water, there's not literal water. Do you cover just

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<v Speaker 3>because it's in the title, I didn't know.

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<v Speaker 2>Yeah, it was called deep water and like that sounds

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<v Speaker 2>like dev Jason and Mark wasn't an episode, but I

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<v Speaker 2>found someone who would want to talk about it, and

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<v Speaker 2>then we watched it and we're like, this isn't this

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<v Speaker 2>doesn't really apply. There's some pool stuff.

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<v Speaker 3>No, but I like that, you're I like that they

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<v Speaker 3>don't ever expand, like you know, in the business term

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<v Speaker 3>I hate. I'm sorry you came on like screep on

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<v Speaker 3>some scope creep where it just like it just gets

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<v Speaker 3>a little bit, but be like, oh there's water in

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<v Speaker 3>the title. That's nothing to do with water. There's no

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<v Speaker 3>water scenes. But I like that the scope creep of

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<v Speaker 3>it all or whatever.

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<v Speaker 2>Yes, I mean. In my massive spreadsheet of potential films

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<v Speaker 2>we cover, I do have a column that is films

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<v Speaker 2>with deep in the title, films with blue in the title,

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<v Speaker 2>films would see in it? Will we cover three colors blue?

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<v Speaker 2>At some point I'm not rolling it out. I haven't

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<v Speaker 2>seen it.

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<v Speaker 3>It isn't a years in advanced sneak preview for Too

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<v Speaker 3>Fast You Forever listeners. If they're listening to this, all

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<v Speaker 3>the patrons know they're the ones I think it would

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<v Speaker 3>probably be like want you follow me over here? But

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<v Speaker 3>we are doing a lap from years from now either

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<v Speaker 3>Fast in the title, four in the title Ever in

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<v Speaker 3>the title Forever in the title. So you know that's it.

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<v Speaker 3>We're right there with you. I think you should do

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<v Speaker 3>Deep Blue or See the same time the Fast Forever

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<v Speaker 3>comes out, so we can be doing the same thing,

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<v Speaker 3>but totally separate sets of movies.

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<v Speaker 2>Sure, yeah, I'm in. I'm just scrolling through the list

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<v Speaker 2>of films that cover See there anything worse to watch

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<v Speaker 2>on public transport because, as Michael saying, I have watched

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<v Speaker 2>a bunch of stuff on trains recently because I have

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<v Speaker 2>two like six hour train journeys a week at the moment.

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<v Speaker 2>Not recommended, don't recommend it, don't do it. So I

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<v Speaker 2>think the worst films or the most inappropriate films I

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<v Speaker 2>have watched recently, I've made a little list. Number five

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<v Speaker 2>is a personal one was Train Dreams, A great film,

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<v Speaker 2>love I love the film Train Dreams, but a bad

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<v Speaker 2>film to watch when you're on a train being taken

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<v Speaker 2>away from your family to go and walk somewhere for

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<v Speaker 2>a week. What do you want to do is stay

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<v Speaker 2>with them? And then what happens over the course of

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<v Speaker 2>that film is that it is making me sad, but

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<v Speaker 2>it still made like my top five of last year.

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<v Speaker 2>Number four, I watched like half of Die My Love

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<v Speaker 2>and I half of Mother exclamation mark on on on trains,

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<v Speaker 2>but the kin of them both.

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<v Speaker 1>Confused some people.

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<v Speaker 2>Yeah, I mean it confused me. I didn't enjoy it.

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<v Speaker 2>Number three I watched the entirety of Inland Empire on

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<v Speaker 2>in one one one mass train journey, well, four trains journey, Well,

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<v Speaker 2>there was four trains, A little breaks here on there.

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<v Speaker 2>It's an odd film. I didn't like it. Stuff happens

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<v Speaker 2>on screen that isn't good. It's like some sex work

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<v Speaker 2>going on. And then two recent ones. I watched Monkey

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<v Speaker 2>Shines recently, a not great film, but that has a

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<v Speaker 2>very graphic oral sex sequence in it with a paraplegic

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<v Speaker 2>providing pleasure to a lady.

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<v Speaker 1>And then eyes back on the train watching his movies.

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<v Speaker 2>Yeah, No, one's real animation which I was recently on

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<v Speaker 2>the train, a whole naked zombies once, various sex scenes.

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<v Speaker 2>I had this all on an iPad, and you know,

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<v Speaker 2>I've got a cover for it, so I was like

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<v Speaker 2>watching some of it holding it like a V shape

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<v Speaker 2>with the cover, just like peeking down and like peeping

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<v Speaker 2>at my own iPad to watch. So, yeah, I have

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<v Speaker 2>made some mistakes in my life recently.

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<v Speaker 1>We need to get you one of those VR headsets

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<v Speaker 1>for the train, just so you put it on the

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<v Speaker 1>front and put the goggles on and then you just

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<v Speaker 1>watch it.

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<v Speaker 2>And then I find out that my audio wasn't going

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<v Speaker 2>through the headphones. It's speaking broadcast for everybody the hotel.

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<v Speaker 1>You're watching Reservoir Dogs.

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<v Speaker 2>Yeah, that's a lot of day, all right, Eaten alive, Yes,

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<v Speaker 2>even alive. This one a horrible film.

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<v Speaker 1>Tolby Hooper. I love him. So I've been listening to

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<v Speaker 1>interviews and he called himself my topic and I'm like, boy,

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<v Speaker 1>are you right about that? Because I feel like he

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<v Speaker 1>has a self destructive side, where like, hey, go make

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<v Speaker 1>Texas Chainsaw Masks a sequel to Texas Chainsaw Masker. I mean,

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<v Speaker 1>turns out TCM two, which is amazing, but not what

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<v Speaker 1>can films wanted, Like go make Life Force about a

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<v Speaker 1>naked space vampire and it kind of makes it classy.

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<v Speaker 1>I think, if you're gonna hire Toby, you better be

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<v Speaker 1>ready to get a Toby movie. And so on this

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<v Speaker 1>one they hired him. There, we wrote the script. They're like,

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<v Speaker 1>you can't go anywhere so he just shot a He

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<v Speaker 1>called it a surrealist Twilight world in the grim fairy tale.

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<v Speaker 1>So he turned a Jaws rip off into this and

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<v Speaker 1>I kind of love it. And it's really gross and

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<v Speaker 1>it's very raunchy, and there's a slap fight and a

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<v Speaker 1>lot of bad wigs and some barking and makeup.

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<v Speaker 2>But I listened to commentary today with a bunch of

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<v Speaker 2>the people that made it, including like the one of

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<v Speaker 2>the making people, some of the actors, one of the writers,

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<v Speaker 2>and yeah, this wasn't a pleasant film to make. They

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<v Speaker 2>got on with it flam but it's like entirely shot

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<v Speaker 2>in one on the set for the most part. I

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<v Speaker 2>don't want the like put out do a pool in

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<v Speaker 2>the forest, but on a set that's fun.

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<v Speaker 1>They couldn't move the camera. It was filmed in like

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<v Speaker 1>a blimp. They called it a blimp Mitchell and I

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<v Speaker 1>looked that up if you just look it up. Huge,

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<v Speaker 1>So they couldn't move the camera. They're in a sound

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<v Speaker 1>stage and they're making the growdiest film ever. And Robert

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<v Speaker 1>England know, he's like, I liked working on it.

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<v Speaker 2>It was his first film pretty much, so he had

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<v Speaker 2>made a.

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<v Speaker 1>Bunch of the seventies, and then he was like the

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<v Speaker 1>sixties seventies, and then he was But I was like,

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<v Speaker 1>I know you liked it, Robert, you get out of here.

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<v Speaker 1>But yeah, Joey, what are your thoughts about you? You

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<v Speaker 1>recommended it, It's one of your favorite movies, so what

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<v Speaker 1>do you think about it?

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<v Speaker 3>I first saw it a couple of years ago. I

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<v Speaker 3>don't know if you guys have talked about this. I

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<v Speaker 3>think at least Mark you're aware of it, and Jay

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00:14:27.919 --> 00:14:30.159
<v Speaker 3>I assume you are too. But there's the ooptober on

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<v Speaker 3>letterbox where in honor of Toby Hooper, and so part

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00:14:33.360 --> 00:14:36.360
<v Speaker 3>of that, there's a challenge every September fifteenth through Halloween

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00:14:36.360 --> 00:14:38.080
<v Speaker 3>where you're trying to watch thirty one different movies. You

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00:14:38.120 --> 00:14:40.600
<v Speaker 3>need to pick your list at meet certain criteria. But

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<v Speaker 3>one of the criteria is always there must be a

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<v Speaker 3>Tobe Hooper movie. So like, I've done this four or

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<v Speaker 3>five times by now, and I'm just looking through and

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00:14:46.480 --> 00:14:48.360
<v Speaker 3>I'm like, oh, I don't know what this is, but

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<v Speaker 3>I'm always down for like a creature feature, and maybe

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<v Speaker 3>like sometime there were like creature features whatever. I found

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<v Speaker 3>other great movies that way through that thing. But I

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<v Speaker 3>saw this, I'm just like, oh, this is kind of

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<v Speaker 3>a gnarly movie. And I think probably shortly thereafter I

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00:14:59.720 --> 00:15:01.519
<v Speaker 3>was like, hey, you know this, and then he put

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<v Speaker 3>down the book, the big Book of lists.

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<v Speaker 2>Here we are.

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<v Speaker 3>I like this movie. I liked it less this time

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00:15:07.720 --> 00:15:11.200
<v Speaker 3>than the first time, but I still enjoy, if that's

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00:15:11.240 --> 00:15:13.480
<v Speaker 3>the right word, watching it. I think the fact that

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<v Speaker 3>they're on a set really works because it feels surreal

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<v Speaker 3>in a way that does not feel like if you

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<v Speaker 3>were just shooting this at some like ranch next to

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00:15:21.000 --> 00:15:25.720
<v Speaker 3>like a swamp, it would feel different, worse. But like

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<v Speaker 3>this is like creepy and like claustrophobic in a way

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<v Speaker 3>that being outside kind of shouldn't. And I think that

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00:15:32.320 --> 00:15:35.960
<v Speaker 3>there is something really just like icky about this. I

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<v Speaker 3>mean like Texas Chainsaw, Like he goes from a movie

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00:15:38.279 --> 00:15:39.919
<v Speaker 3>that I don't know, I don't remember the item right down,

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00:15:39.919 --> 00:15:41.960
<v Speaker 3>but then then it goes to Texas Chainsaw and then this,

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00:15:42.159 --> 00:15:43.960
<v Speaker 3>so like this is right on the heels of that,

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<v Speaker 3>and like it's just this is a feel bad movie

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<v Speaker 3>and it does the job.

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<v Speaker 1>Yeah. Yeah, Like I love Hooper because with TCM and this,

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<v Speaker 1>he puts you through it and he he knows how

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<v Speaker 1>to make you feel gross while watching a movie. And

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<v Speaker 1>I think that's the key to what Texas Chainsaw Masker

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<v Speaker 1>does well and something that you can't really recreate. When

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<v Speaker 1>he did the sequel, he did Him and Cry, that

358
00:16:06.200 --> 00:16:09.279
<v Speaker 1>was just such a fair summer Texas low budget movie,

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00:16:09.799 --> 00:16:12.000
<v Speaker 1>and so watching him move to La and try something

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<v Speaker 1>different with this film, Yeah, but from the opening scene

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<v Speaker 1>and then you know, you think it's maybe gonna be

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<v Speaker 1>like Psycho, but the lady just spoilers, gets wiped out immediately,

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<v Speaker 1>I mean immediately and just killed. And then a family

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<v Speaker 1>comes in and they're insane. I don't even they're criminals.

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<v Speaker 1>Maybe the lady has a wig. The guy's barking is

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<v Speaker 1>looking for the eyeball. The poor girl. It's good she

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<v Speaker 1>got away from them. And then you just you get

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<v Speaker 1>all these really sort of tawdry characters and odd people

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<v Speaker 1>coming around, and you know, the guy has a scythe

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00:16:43.799 --> 00:16:46.600
<v Speaker 1>which you know, the Toby kind of compared to, you know,

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<v Speaker 1>like someone in the underworld, and there's just these themes

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<v Speaker 1>of like it's almost like, yeah, like like Joey said,

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<v Speaker 1>a fairy tale world. Hooper called it a sy realistic

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<v Speaker 1>Twilight surrealistic Twilight World in it. I guess it worked

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<v Speaker 1>because he's trying something here. At least this is a

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<v Speaker 1>film that try something, and I'll always give that the

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<v Speaker 1>benefit of the doubt.

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<v Speaker 2>William Finley, who's Roy, who's the dad of that family,

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00:17:15.559 --> 00:17:16.599
<v Speaker 2>he was one of the people on the on the

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00:17:16.640 --> 00:17:19.680
<v Speaker 2>commentary and he talked about he saw the script and

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00:17:19.839 --> 00:17:21.559
<v Speaker 2>he was like reading through it, like what is what

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00:17:22.119 --> 00:17:25.519
<v Speaker 2>is this? And he kind of picked up the vibe

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00:17:25.519 --> 00:17:27.680
<v Speaker 2>that there's a few different characters in here who just

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00:17:27.799 --> 00:17:30.440
<v Speaker 2>kind of do things weirdly, and it's him, and it's Judd,

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00:17:30.480 --> 00:17:32.079
<v Speaker 2>and it's the guy doing the slap fight in the bar,

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00:17:32.720 --> 00:17:36.720
<v Speaker 2>and that that's surrealist a world view kind of makes sense.

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00:17:37.079 --> 00:17:38.759
<v Speaker 2>And he just kind of took that and goes, well,

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00:17:38.799 --> 00:17:41.279
<v Speaker 2>what if at some point my character is looking for

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00:17:41.400 --> 00:17:44.400
<v Speaker 2>his eye and they just he brought that to the room,

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00:17:45.000 --> 00:17:48.079
<v Speaker 2>just like yeah, sure, throw it in, do what you want. Yeah.

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<v Speaker 2>I didn't know what to expect. This is only this

392
00:17:50.319 --> 00:17:52.640
<v Speaker 2>is only the third Toby I've seen takes a chance

393
00:17:52.680 --> 00:17:55.720
<v Speaker 2>for the same podcast, so I knew I felt like

394
00:17:55.799 --> 00:17:58.440
<v Speaker 2>it was going to fit somewhere between that spectrum of

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<v Speaker 2>like a film that makes sense and a film that's

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00:18:00.160 --> 00:18:03.519
<v Speaker 2>just grody as well, and it goes beyond Texas Chase.

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<v Speaker 3>I have not seen a lot, but I would say

398
00:18:06.759 --> 00:18:08.839
<v Speaker 3>see Life Force. Do Life Force next whenever you get

399
00:18:08.839 --> 00:18:10.880
<v Speaker 3>to that. Life Force is a crazy one and.

400
00:18:10.960 --> 00:18:12.799
<v Speaker 1>Texas Massacre too is good.

401
00:18:13.839 --> 00:18:15.480
<v Speaker 2>I think next, I think we should make a pledge

402
00:18:15.519 --> 00:18:18.319
<v Speaker 2>for for Hoopoba Mark, we should do Crocodile, and we

403
00:18:18.359 --> 00:18:21.720
<v Speaker 2>should do Venom. Oh yeah, this year, two more hoop

404
00:18:21.759 --> 00:18:25.839
<v Speaker 2>of films crocs and snakes. I will do that this

405
00:18:26.079 --> 00:18:28.680
<v Speaker 2>this October. We'll cross off two more.

406
00:18:28.960 --> 00:18:30.440
<v Speaker 1>And I was I was reading, I was doing some

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<v Speaker 1>more research and I found an interview with Toby where

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<v Speaker 1>he just started jabbering on about solar flares making people weird.

409
00:18:37.279 --> 00:18:39.720
<v Speaker 1>So I'm kind of wondering if this movie takes place

410
00:18:39.839 --> 00:18:42.039
<v Speaker 1>during a solar flare. And he said that there's a

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00:18:42.119 --> 00:18:47.680
<v Speaker 1>strange energy with all the red, so that's I don't know,

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00:18:48.079 --> 00:18:49.519
<v Speaker 1>that's that's just what he was He said that there

413
00:18:49.559 --> 00:18:52.119
<v Speaker 1>was a strange energy in the movie, and he started

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<v Speaker 1>talking about solar flares. So I wonder if in his

415
00:18:54.720 --> 00:18:57.279
<v Speaker 1>head he was like, yeah, everyone, there's some there's some

416
00:18:57.359 --> 00:19:00.599
<v Speaker 1>odd odd ones here, and it's because it's whatever's going

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00:19:00.680 --> 00:19:02.200
<v Speaker 1>on in this world.

418
00:19:03.799 --> 00:19:05.240
<v Speaker 3>But I mean that's just like a Stephen King thing

419
00:19:05.319 --> 00:19:07.759
<v Speaker 3>to do, right, Like that's that feels like maximum overdrive.

420
00:19:07.839 --> 00:19:09.680
<v Speaker 3>That feels like there's another movie that I'm thinking of

421
00:19:09.759 --> 00:19:12.000
<v Speaker 3>where it's just like weird stuff is. Oh wait, what's

422
00:19:12.039 --> 00:19:14.039
<v Speaker 3>the movie where they go to a mall when there's

423
00:19:14.039 --> 00:19:16.599
<v Speaker 3>like a solo there's like a thing mist no not

424
00:19:16.759 --> 00:19:20.079
<v Speaker 3>of the comment, Yeah, that's the word rules or just

425
00:19:20.200 --> 00:19:22.400
<v Speaker 3>like celestial things or like making people weird.

426
00:19:23.640 --> 00:19:26.279
<v Speaker 1>Yeah, but also so like we're also talking about how

427
00:19:26.359 --> 00:19:29.519
<v Speaker 1>this movie is, but it's also oddly put together though,

428
00:19:29.599 --> 00:19:31.640
<v Speaker 1>because if you did you guys, listen to the country songs,

429
00:19:32.920 --> 00:19:36.039
<v Speaker 1>how can you know in the background like so many

430
00:19:36.279 --> 00:19:38.359
<v Speaker 1>he can't go back to Houston because he murdered somebody

431
00:19:38.640 --> 00:19:41.319
<v Speaker 1>most of these songs. And I can't take credit for this.

432
00:19:41.400 --> 00:19:43.279
<v Speaker 1>I found this in the research and then I started

433
00:19:43.319 --> 00:19:45.119
<v Speaker 1>listening to the songs. But most of them are about

434
00:19:45.400 --> 00:19:48.680
<v Speaker 1>like people making terrible decisions or murder or death. So

435
00:19:48.799 --> 00:19:53.519
<v Speaker 1>you think they're kind of like melancholic songs and loaded

436
00:19:53.599 --> 00:19:56.440
<v Speaker 1>with sadness and you know, where's my dog? But most

437
00:19:56.440 --> 00:19:59.519
<v Speaker 1>of them about murder, So I like they the core

438
00:19:59.599 --> 00:20:01.440
<v Speaker 1>this movie. Year were a license for this movie a

439
00:20:01.519 --> 00:20:04.279
<v Speaker 1>licensed He just went and found them. But I that

440
00:20:04.480 --> 00:20:09.400
<v Speaker 1>takes some thought to what he you know, took some thought.

441
00:20:09.720 --> 00:20:12.640
<v Speaker 1>But but for every smart decision, there's just a really

442
00:20:12.720 --> 00:20:15.839
<v Speaker 1>random scene of a woman undressing and you know, being naked.

443
00:20:15.960 --> 00:20:18.559
<v Speaker 1>There's a there's a long bathroom scene. There's a long

444
00:20:18.880 --> 00:20:20.880
<v Speaker 1>scene with Robert England. There's a long scene with just

445
00:20:20.920 --> 00:20:21.599
<v Speaker 1>a naked woman.

446
00:20:22.240 --> 00:20:23.400
<v Speaker 2>It's a couple of things.

447
00:20:24.559 --> 00:20:26.960
<v Speaker 1>England, Yeah, yeah, in no wonders that he loved it.

448
00:20:27.079 --> 00:20:31.680
<v Speaker 1>But I mean it's uh so for all the interesting choices,

449
00:20:31.720 --> 00:20:34.440
<v Speaker 1>then there's those and you're just sort of.

450
00:20:35.119 --> 00:20:37.519
<v Speaker 3>Even that first scene with Buck, who is here to

451
00:20:37.640 --> 00:20:40.279
<v Speaker 3>do a thing, like we get like crotch shots of

452
00:20:40.400 --> 00:20:43.400
<v Speaker 3>him like not you know, like but just with the geetings,

453
00:20:43.440 --> 00:20:46.400
<v Speaker 3>like the first eight seconds of the movie were just

454
00:20:46.519 --> 00:20:48.279
<v Speaker 3>like on his crotch. It's like, oh, okay, like this

455
00:20:48.440 --> 00:20:51.160
<v Speaker 3>is this is a very specific way to open this movie.

456
00:20:52.279 --> 00:20:54.119
<v Speaker 3>I you know, you made that joke, but I was like,

457
00:20:54.200 --> 00:20:56.759
<v Speaker 3>I can't. I guess Tarantine is tarantined though, like assuming

458
00:20:56.759 --> 00:20:58.559
<v Speaker 3>that people have not seen this movie because or is

459
00:20:58.559 --> 00:21:00.200
<v Speaker 3>he just like oh I pay you, oh my to

460
00:21:00.359 --> 00:21:04.000
<v Speaker 3>the movie. But it's literally the same name the same joke,

461
00:21:04.119 --> 00:21:06.039
<v Speaker 3>the same I don't.

462
00:21:05.839 --> 00:21:10.039
<v Speaker 1>Know this thing about Tarantino where when I watched his movies,

463
00:21:10.079 --> 00:21:12.640
<v Speaker 1>I was young, eleven twelve, so I wasn't a cinephile,

464
00:21:12.720 --> 00:21:14.480
<v Speaker 1>so I just thought he was doing it. But I

465
00:21:14.559 --> 00:21:16.480
<v Speaker 1>bet in his head it was like, yeah, guys, like

466
00:21:16.480 --> 00:21:18.759
<v Speaker 1>everyone's he Eating Alive? Like everyone loves that movie. Like

467
00:21:18.880 --> 00:21:20.759
<v Speaker 1>so everyone, I'm just gonna I'm gonna mention it. Everyone's

468
00:21:20.799 --> 00:21:23.079
<v Speaker 1>gonna know it. But then I think his movies became

469
00:21:23.119 --> 00:21:26.359
<v Speaker 1>so mainstream no one really knew about Eating Alive. Mm hm.

470
00:21:27.240 --> 00:21:29.039
<v Speaker 1>You know in your head, you just think people watch

471
00:21:29.119 --> 00:21:31.039
<v Speaker 1>movies and then you talk to somebody and they're like, yeah,

472
00:21:31.039 --> 00:21:32.759
<v Speaker 1>I just watch Love Island and you're like, oh cool,

473
00:21:33.319 --> 00:21:37.319
<v Speaker 1>but it's it's you. It's nothing wrong with that, like

474
00:21:37.440 --> 00:21:40.279
<v Speaker 1>different worlds, like we're all different. But I think he's

475
00:21:40.319 --> 00:21:42.359
<v Speaker 1>just in a That's my Tarantino thing where I think

476
00:21:42.440 --> 00:21:46.240
<v Speaker 1>he he's so blatant with him and he would probably

477
00:21:46.319 --> 00:21:49.720
<v Speaker 1>tell you if if you asked, but you just sort

478
00:21:49.759 --> 00:21:52.880
<v Speaker 1>of assume it's him doing it. Does that make sense?

479
00:21:52.960 --> 00:21:53.680
<v Speaker 1>You assume it's him?

480
00:21:53.759 --> 00:21:53.839
<v Speaker 2>Right?

481
00:21:53.960 --> 00:21:56.480
<v Speaker 3>Yeah? Yeah, Well I think that the older, the older

482
00:21:56.480 --> 00:21:57.920
<v Speaker 3>I get in the more movies and I watched, the

483
00:21:58.000 --> 00:22:00.839
<v Speaker 3>more I realized, like, most of what he's doing is

484
00:22:01.079 --> 00:22:05.279
<v Speaker 3>it's less creation and more pastiche like in not necessarily

485
00:22:05.319 --> 00:22:07.480
<v Speaker 3>in a derogatory way, but just like he is taking

486
00:22:07.519 --> 00:22:09.039
<v Speaker 3>his favorite things from a bunch of different movies and

487
00:22:09.079 --> 00:22:12.200
<v Speaker 3>combining them into a new, remixed version of a thing.

488
00:22:12.279 --> 00:22:14.079
<v Speaker 3>And like, I don't he has a problem, but like

489
00:22:14.480 --> 00:22:16.240
<v Speaker 3>if you are to your point mark eleven and you're like,

490
00:22:16.279 --> 00:22:17.920
<v Speaker 3>this is the coolest thing I've ever seen, it's like, well,

491
00:22:18.240 --> 00:22:20.240
<v Speaker 3>it's actually forty five different things and he just put together.

492
00:22:20.279 --> 00:22:22.440
<v Speaker 1>It's like, oh, it's cool. It's just cool in a

493
00:22:22.480 --> 00:22:25.599
<v Speaker 1>different way exactly. And the nice thing is he's never

494
00:22:25.680 --> 00:22:28.079
<v Speaker 1>hit it. We just I was never cinema literate when

495
00:22:28.079 --> 00:22:29.519
<v Speaker 1>I was younger. So now when I get older and

496
00:22:29.519 --> 00:22:31.960
<v Speaker 1>I know more about cinema, I pick up the references. Yeah,

497
00:22:32.119 --> 00:22:33.720
<v Speaker 1>actually rewatches more fun.

498
00:22:34.559 --> 00:22:38.079
<v Speaker 2>Yeah, he's just making the films that he wants to make. Yeah, so,

499
00:22:38.200 --> 00:22:40.200
<v Speaker 2>and he wants to make films referencing other films that

500
00:22:40.240 --> 00:22:41.920
<v Speaker 2>he likes. And yeah, fine, so good.

501
00:22:43.200 --> 00:22:45.240
<v Speaker 1>I mean, yeah they do pretty well.

502
00:22:45.599 --> 00:22:49.559
<v Speaker 2>So it's you know, but yeah, I reckon he's expecting

503
00:22:49.599 --> 00:22:52.000
<v Speaker 2>people to be watching Kilgill and the line has said

504
00:22:52.039 --> 00:22:56.680
<v Speaker 2>and be like, yeah, I've come on the cinema, just

505
00:22:57.640 --> 00:22:58.759
<v Speaker 2>like everyone's just jerity.

506
00:22:59.079 --> 00:23:03.240
<v Speaker 1>He referenced, Yeah, Jock Jams comes on and everyone starts dancing.

507
00:23:06.319 --> 00:23:08.240
<v Speaker 1>I didn't pick that up until I watched this, so

508
00:23:08.880 --> 00:23:11.079
<v Speaker 1>you know, and I was I was doing an episode

509
00:23:11.079 --> 00:23:12.599
<v Speaker 1>for movies on some Flix about life for us, and

510
00:23:12.640 --> 00:23:14.240
<v Speaker 1>I realized that this was a blind spot. So I

511
00:23:14.319 --> 00:23:16.119
<v Speaker 1>went and checked it out and I went that mother.

512
00:23:16.440 --> 00:23:20.359
<v Speaker 1>But also this movie lays the gauntlet early, which I

513
00:23:20.480 --> 00:23:22.720
<v Speaker 1>kind of like, remember when you watch a Nora and

514
00:23:22.799 --> 00:23:25.599
<v Speaker 1>it lays the gauntlet down super early to let you

515
00:23:25.759 --> 00:23:29.640
<v Speaker 1>know what it goes hard in the beginning. I think

516
00:23:29.680 --> 00:23:32.359
<v Speaker 1>Babylon does that as well. So I kind of appreciate

517
00:23:32.480 --> 00:23:35.720
<v Speaker 1>movies that like, hey, this is us, Like this is

518
00:23:35.759 --> 00:23:40.759
<v Speaker 1>what you're getting, and so it sets a really groady tone.

519
00:23:40.960 --> 00:23:46.079
<v Speaker 1>But also it's pretty successful in what it does, if

520
00:23:46.119 --> 00:23:46.759
<v Speaker 1>that makes sense.

521
00:23:48.680 --> 00:23:50.240
<v Speaker 2>I mean, yeah, I think I feel like, tell you

522
00:23:50.279 --> 00:23:53.160
<v Speaker 2>whop have made the film we wanted to make. I

523
00:23:53.160 --> 00:23:53.799
<v Speaker 2>don't want to watch it.

524
00:23:53.920 --> 00:23:58.559
<v Speaker 1>No one else wanted that. Producers were like, no, I didn't.

525
00:23:58.559 --> 00:24:02.839
<v Speaker 2>I didn't have a fun time watching it was unpleasant.

526
00:24:03.880 --> 00:24:07.000
<v Speaker 2>But I think that was what he was aiming for, Like, yeah,

527
00:24:07.759 --> 00:24:09.359
<v Speaker 2>so what did you agree to watch this again, Joey?

528
00:24:09.599 --> 00:24:10.440
<v Speaker 1>What did you like? Yeah?

529
00:24:10.519 --> 00:24:10.680
<v Speaker 2>Show?

530
00:24:10.759 --> 00:24:14.720
<v Speaker 1>Do you guys like when movies take you into the gutter,

531
00:24:16.119 --> 00:24:19.000
<v Speaker 1>Like I remember, I remember watching I Saw the Devil

532
00:24:19.599 --> 00:24:22.000
<v Speaker 1>and I needed a walk in the sunlight after watching

533
00:24:22.079 --> 00:24:25.720
<v Speaker 1>it and it and I remember sort of it was

534
00:24:25.759 --> 00:24:29.240
<v Speaker 1>a grueling experience, but I like that it made me

535
00:24:29.440 --> 00:24:34.079
<v Speaker 1>feel so gross, Like that means it's successful filmmaking. I

536
00:24:34.119 --> 00:24:37.920
<v Speaker 1>don't think this is quite that level, but I do

537
00:24:38.319 --> 00:24:40.680
<v Speaker 1>like when you watch a movie and they just feel

538
00:24:41.400 --> 00:24:44.359
<v Speaker 1>the vibe is almost unhealthy, and you're like, why why

539
00:24:44.440 --> 00:24:46.200
<v Speaker 1>do I do this to myself? Like why am I

540
00:24:47.000 --> 00:24:47.559
<v Speaker 1>watching this?

541
00:24:48.279 --> 00:24:49.039
<v Speaker 3>Why am I like this?

542
00:24:49.440 --> 00:24:53.400
<v Speaker 1>Yeah? But it's but I think there's that successful there's

543
00:24:53.440 --> 00:24:57.200
<v Speaker 1>success there on the filmmaker side when they just take

544
00:24:57.240 --> 00:24:59.200
<v Speaker 1>it to you, And I think this movie does that.

545
00:25:00.200 --> 00:25:01.799
<v Speaker 3>It probably didn't help that I watch it like I

546
00:25:01.839 --> 00:25:03.839
<v Speaker 3>finished it at like seven thirty this morning, which feels

547
00:25:03.839 --> 00:25:05.920
<v Speaker 3>like not necessarily a morning, Like you don't be in

548
00:25:05.920 --> 00:25:07.240
<v Speaker 3>the guttle that early in the day.

549
00:25:08.559 --> 00:25:10.839
<v Speaker 2>That's gonna put a powder over the rest of the day.

550
00:25:10.920 --> 00:25:14.039
<v Speaker 2>I think, yeah, yeah, yeah, Toby Hoop is not a

551
00:25:14.119 --> 00:25:14.920
<v Speaker 2>morning director.

552
00:25:17.680 --> 00:25:19.559
<v Speaker 3>I mean, I've seen it before I started last night.

553
00:25:19.599 --> 00:25:21.680
<v Speaker 3>I'm just like, I'll finish in the morning, not realizing,

554
00:25:22.240 --> 00:25:25.240
<v Speaker 3>not really grasping what finishing this movie in the morning

555
00:25:25.440 --> 00:25:27.839
<v Speaker 3>is like. But you know, I guess there's a happy ending,

556
00:25:27.920 --> 00:25:29.519
<v Speaker 3>like I could start my day on a positive note,

557
00:25:29.799 --> 00:25:31.000
<v Speaker 3>sort of a happy ending.

558
00:25:31.720 --> 00:25:34.400
<v Speaker 2>Where did you break it up? At what point did

559
00:25:34.440 --> 00:25:35.039
<v Speaker 2>you stop?

560
00:25:35.039 --> 00:25:37.960
<v Speaker 3>Oh, there wasn't a part where like it was about

561
00:25:38.000 --> 00:25:39.359
<v Speaker 3>half an hour, and I think, oh, it's when they

562
00:25:39.440 --> 00:25:42.079
<v Speaker 3>get the girl inside after the dog is eaten and

563
00:25:42.240 --> 00:25:44.480
<v Speaker 3>they bring the girl inside and they're just like, we

564
00:25:44.559 --> 00:25:46.400
<v Speaker 3>got to deal with this now. So it's before the

565
00:25:46.480 --> 00:25:48.839
<v Speaker 3>dad gets killed, before a lot of people get killed.

566
00:25:50.720 --> 00:25:51.119
<v Speaker 1>I did.

567
00:25:52.519 --> 00:25:54.319
<v Speaker 3>I don't know. I was reminded of this quote recently,

568
00:25:54.440 --> 00:25:55.960
<v Speaker 3>but you know, I'm sure you guys both know, like

569
00:25:56.079 --> 00:26:00.559
<v Speaker 3>Hitchcock talking about suspense versus surprise, and like suspense is

570
00:26:00.640 --> 00:26:02.240
<v Speaker 3>like when like you know, there's a bomber to the table,

571
00:26:02.240 --> 00:26:04.119
<v Speaker 3>surprises when the bomb goes off and it's like, oh,

572
00:26:04.200 --> 00:26:06.720
<v Speaker 3>like it changes, like knowing there's a crocodile in that water,

573
00:26:06.839 --> 00:26:08.559
<v Speaker 3>like when the little girl and dog in other carts,

574
00:26:08.599 --> 00:26:10.599
<v Speaker 3>like oh, like told people knows she's doing, Like that's like,

575
00:26:10.680 --> 00:26:13.160
<v Speaker 3>if you didn't know there was a crocodile there, it's

576
00:26:13.200 --> 00:26:14.799
<v Speaker 3>way less scary. It's just like, oh, this is like

577
00:26:14.799 --> 00:26:16.720
<v Speaker 3>a creepy place to be. But when you know there's

578
00:26:16.720 --> 00:26:18.440
<v Speaker 3>a crocodile there and there's like a little girl and

579
00:26:18.559 --> 00:26:21.039
<v Speaker 3>a dog running around, it's like, oh, something bad is

580
00:26:21.079 --> 00:26:22.079
<v Speaker 3>going to happen very soon.

581
00:26:22.279 --> 00:26:25.119
<v Speaker 2>Yes, I was very concerned for the dog, and I

582
00:26:25.359 --> 00:26:30.079
<v Speaker 2>was the concern was short lived because that dog. I'm

583
00:26:30.079 --> 00:26:32.519
<v Speaker 2>not not happy with your joy. I know you're coming

584
00:26:32.519 --> 00:26:34.599
<v Speaker 2>through saying you didn't what you didn't recommend this film,

585
00:26:34.839 --> 00:26:35.680
<v Speaker 2>which I we talked.

586
00:26:35.559 --> 00:26:38.039
<v Speaker 1>About would have covered it eventually, though, Sure.

587
00:26:37.920 --> 00:26:40.440
<v Speaker 2>We talked about Rogue. I thought about Rogue with Jess

588
00:26:40.519 --> 00:26:43.119
<v Speaker 2>Manzo recently. And there's a spoiler for Rogue the two

589
00:26:43.119 --> 00:26:45.079
<v Speaker 2>thousand and seven out of Get a Crocodile film. There's

590
00:26:45.119 --> 00:26:47.440
<v Speaker 2>a dog in it and the dog dies and it's

591
00:26:47.480 --> 00:26:49.920
<v Speaker 2>like near the end, and I was watching it with

592
00:26:50.000 --> 00:26:52.559
<v Speaker 2>my wife and with both big dog people, and she

593
00:26:53.519 --> 00:26:56.680
<v Speaker 2>was not happy. This person who is like both of

594
00:26:56.759 --> 00:27:01.960
<v Speaker 2>our friends, I just visited us. He recommended this film

595
00:27:02.000 --> 00:27:04.039
<v Speaker 2>for us to watch. She went to docnies. So I

596
00:27:04.160 --> 00:27:06.559
<v Speaker 2>just have to cool out any any guests who recommends

597
00:27:06.640 --> 00:27:08.279
<v Speaker 2>we watch a film with a dog dying. But you didn't,

598
00:27:08.359 --> 00:27:08.920
<v Speaker 2>so it's fine.

599
00:27:09.519 --> 00:27:09.880
<v Speaker 1>I'll you.

600
00:27:10.279 --> 00:27:11.599
<v Speaker 2>He didn't recommend this film.

601
00:27:12.319 --> 00:27:14.559
<v Speaker 1>He just mentioned it in passing. And years later we

602
00:27:14.640 --> 00:27:18.400
<v Speaker 1>brought him back and I forgot that I even mentioned it.

603
00:27:20.400 --> 00:27:22.720
<v Speaker 2>You may have mentioned it, like on your your own podcast.

604
00:27:22.960 --> 00:27:24.880
<v Speaker 2>It's been like a film you've watched, that hatty crocodile.

605
00:27:25.480 --> 00:27:27.799
<v Speaker 1>I don't know, yeah, but that when that thing gets

606
00:27:28.000 --> 00:27:30.720
<v Speaker 1>But so much happens in this movie. This movie never

607
00:27:30.880 --> 00:27:33.920
<v Speaker 1>slows up, because so this is the beginning. And I

608
00:27:34.039 --> 00:27:36.559
<v Speaker 1>know I'm I'm stealing from Wikipedia, but I love this.

609
00:27:36.960 --> 00:27:39.440
<v Speaker 1>After refusing a demand from for anal sex from a

610
00:27:39.480 --> 00:27:42.119
<v Speaker 1>scummy customer named Buck, and now you've prostituted Clara what

611
00:27:42.279 --> 00:27:44.839
<v Speaker 1>is evicted from the town brothel by the madam Miss Hattie.

612
00:27:45.240 --> 00:27:47.960
<v Speaker 1>Clara makes her way to the Crepit Starlight Hotel, located

613
00:27:48.000 --> 00:27:50.160
<v Speaker 1>deep in the remote swamp land of rural Texas, where

614
00:27:50.160 --> 00:27:53.799
<v Speaker 1>she encounters the hotel's mentally disturbed a brider Judge Jude Chasons,

615
00:27:53.799 --> 00:27:55.319
<v Speaker 1>are outside, the attacks her and kills her with a

616
00:27:55.359 --> 00:27:57.920
<v Speaker 1>pitchfork before feeding towards pet nile crocodile. It lives in

617
00:27:57.960 --> 00:28:02.440
<v Speaker 1>a swamp beside the hotel, and then like and then

618
00:28:02.559 --> 00:28:05.480
<v Speaker 1>later like a fractious couple pop up, pill popping. Fate

619
00:28:05.559 --> 00:28:08.079
<v Speaker 1>and her disturbed US husband Roy show up and as

620
00:28:08.079 --> 00:28:10.400
<v Speaker 1>soon as they get there, their dog's murdered. And then

621
00:28:10.440 --> 00:28:13.799
<v Speaker 1>they go upstairs and she takes off her wig, which

622
00:28:13.799 --> 00:28:16.079
<v Speaker 1>I don't know why she's wearing the wig, and then

623
00:28:16.119 --> 00:28:18.000
<v Speaker 1>he just starts going for it, and you're just what

624
00:28:18.240 --> 00:28:21.640
<v Speaker 1>is what's happening here? And then more more people show up,

625
00:28:22.200 --> 00:28:26.559
<v Speaker 1>so it's well, actually Roy like like he's wait, then

626
00:28:26.599 --> 00:28:28.960
<v Speaker 1>the dad's gonna go kill the dragon. He gets murdered.

627
00:28:29.119 --> 00:28:31.799
<v Speaker 1>Then a woman gets kidnapped in a bathroom. Then a

628
00:28:31.880 --> 00:28:33.680
<v Speaker 1>father and daughter show up. They go to this bar

629
00:28:33.759 --> 00:28:36.119
<v Speaker 1>and see a slap fight. Then the dad gets killed

630
00:28:36.519 --> 00:28:38.359
<v Speaker 1>and then the woman comes back. It's all chaos with

631
00:28:38.400 --> 00:28:40.640
<v Speaker 1>three women being chased around by a crocodile and a

632
00:28:41.559 --> 00:28:45.599
<v Speaker 1>shell shot World War two vet who just mumbles and

633
00:28:45.920 --> 00:28:48.200
<v Speaker 1>he was actually played by a World War like a guy.

634
00:28:48.680 --> 00:28:51.480
<v Speaker 1>Devil Brand was in World War Two and apparently he

635
00:28:51.519 --> 00:28:54.440
<v Speaker 1>took out like a he he got in, really got

636
00:28:54.480 --> 00:28:57.359
<v Speaker 1>into character, decorated his own room, did all that. But yeah,

637
00:28:57.519 --> 00:29:01.519
<v Speaker 1>so much of this this movie moves really quickly. It's

638
00:29:01.640 --> 00:29:03.880
<v Speaker 1>there's a lot in this film.

639
00:29:04.240 --> 00:29:06.759
<v Speaker 2>And it's eighty nine minutes. Yeah, so it's it's a

640
00:29:06.799 --> 00:29:09.000
<v Speaker 2>lot packed into a little which we loved when it happens.

641
00:29:09.240 --> 00:29:11.559
<v Speaker 1>And I guess there's so many moments that are shocking

642
00:29:11.839 --> 00:29:14.920
<v Speaker 1>or crazy or random that you don't even remember the

643
00:29:15.039 --> 00:29:19.000
<v Speaker 1>dog dying at the fifteen minute mark, Okay, because I

644
00:29:19.079 --> 00:29:23.000
<v Speaker 1>remember that, got it. You're just sitting there, what is happening?

645
00:29:23.160 --> 00:29:25.960
<v Speaker 1>Like what these people are crazy? And then they put

646
00:29:26.000 --> 00:29:28.960
<v Speaker 1>you in that hotel room and it's it's with the

647
00:29:29.039 --> 00:29:33.240
<v Speaker 1>family and it I don't know what he was I

648
00:29:33.319 --> 00:29:36.000
<v Speaker 1>guess I did research what Toby was thinking while making this,

649
00:29:36.799 --> 00:29:39.240
<v Speaker 1>But I think the one thing I pulled from all

650
00:29:39.279 --> 00:29:41.160
<v Speaker 1>this that makes me understand his filmography more, and I'm

651
00:29:41.160 --> 00:29:42.880
<v Speaker 1>gonna say it again, is he said he was like myopic.

652
00:29:43.480 --> 00:29:46.319
<v Speaker 1>So I think his short sightedness, he when he looked

653
00:29:46.319 --> 00:29:48.160
<v Speaker 1>at movies, he didn't think about his career. He just

654
00:29:48.240 --> 00:29:51.519
<v Speaker 1>looked about looked at the movie. And so you know,

655
00:29:51.599 --> 00:29:54.400
<v Speaker 1>when Poltergeist came out, I bet he wasn't thinking about, oh, yeah,

656
00:29:54.400 --> 00:29:56.519
<v Speaker 1>I'm just gonna make this movie and move on to

657
00:29:56.599 --> 00:29:58.880
<v Speaker 1>a big career. He's probably like I'm gonna make Poltergeist's

658
00:29:59.000 --> 00:30:01.039
<v Speaker 1>as my movie, and then he Spielberg, you know, had

659
00:30:01.079 --> 00:30:02.559
<v Speaker 1>their issues and it turned out to be a classic.

660
00:30:03.079 --> 00:30:07.519
<v Speaker 1>But I like that he he makes these movies almost

661
00:30:07.559 --> 00:30:10.559
<v Speaker 1>in a self destructive manner, not thinking about long term career,

662
00:30:10.720 --> 00:30:12.920
<v Speaker 1>almost just this is the movie, and I'm gonna make

663
00:30:12.960 --> 00:30:16.279
<v Speaker 1>the movie I want. I think that's a pretty interesting

664
00:30:17.240 --> 00:30:20.440
<v Speaker 1>directorial style that I can relate to a little bit.

665
00:30:21.039 --> 00:30:23.720
<v Speaker 2>Absolutely. Yeah, I am concerned by how many of his

666
00:30:24.279 --> 00:30:26.920
<v Speaker 2>directing credits and the m tob are have like replaced

667
00:30:27.000 --> 00:30:29.759
<v Speaker 2>by somebody else at the end of them, which that

668
00:30:29.960 --> 00:30:32.440
<v Speaker 2>that happened, like part of this was shot by somebody

669
00:30:32.480 --> 00:30:34.640
<v Speaker 2>else when he had his creati differences and he walked

670
00:30:34.680 --> 00:30:36.319
<v Speaker 2>off the set for a bit, someone else directed bits

671
00:30:36.359 --> 00:30:36.480
<v Speaker 2>of it.

672
00:30:37.319 --> 00:30:39.319
<v Speaker 3>I did like reading on the Wikipedia about that, where

673
00:30:39.359 --> 00:30:41.200
<v Speaker 3>it's like he left it, like you know, the st

674
00:30:41.240 --> 00:30:43.119
<v Speaker 3>basically the shoot ended poorly because he left the set,

675
00:30:43.160 --> 00:30:44.960
<v Speaker 3>but like it's okay, Like he's still friends with the producers,

676
00:30:45.000 --> 00:30:46.920
<v Speaker 3>Like you can't like walk off a set that still

677
00:30:46.920 --> 00:30:49.359
<v Speaker 3>be friends, Like it feels like those both kids toggain.

678
00:30:49.960 --> 00:30:52.640
<v Speaker 1>If I'm a producer and I watched this movie, if

679
00:30:52.720 --> 00:30:55.599
<v Speaker 1>I gave him six hundred thousand dollars to make a

680
00:30:55.799 --> 00:30:59.240
<v Speaker 1>Jaws rip off, and he made this, I would be

681
00:30:59.319 --> 00:31:02.480
<v Speaker 1>so pissed. I would Yeah, if I was a producer. Yo,

682
00:31:03.200 --> 00:31:06.440
<v Speaker 1>I got the guy from Texas Chainsaw Massacre. He's coming

683
00:31:06.480 --> 00:31:09.359
<v Speaker 1>out here. We got all these big names like mel Farr,

684
00:31:09.519 --> 00:31:11.920
<v Speaker 1>we got we got we got Marilyn Burns, like we

685
00:31:11.960 --> 00:31:13.680
<v Speaker 1>got her in this movie. We got Stuart Whittman, we

686
00:31:13.720 --> 00:31:18.039
<v Speaker 1>have some multici we have some big names in this movie.

687
00:31:18.240 --> 00:31:20.960
<v Speaker 1>We got a crocodile, an alligator. We're gonna, we're gonna

688
00:31:20.960 --> 00:31:23.000
<v Speaker 1>make this thing rock. And then you see the dailies

689
00:31:23.079 --> 00:31:26.000
<v Speaker 1>and you're like, oh no, so Red.

690
00:31:29.039 --> 00:31:30.759
<v Speaker 3>I also thought it was funny in terms of like

691
00:31:30.880 --> 00:31:32.880
<v Speaker 3>the reception. It's like it didn't do very well in

692
00:31:32.920 --> 00:31:35.519
<v Speaker 3>the box office. Then there's like you know then like

693
00:31:35.599 --> 00:31:37.319
<v Speaker 3>it still didn't do very well. Then like after the fact,

694
00:31:37.359 --> 00:31:39.359
<v Speaker 3>it's still like didn't do very well, but like wikip,

695
00:31:39.480 --> 00:31:42.119
<v Speaker 3>it keeps like breaking out, like how people think about

696
00:31:42.119 --> 00:31:44.240
<v Speaker 3>it over time, and like it never really changes, like

697
00:31:44.279 --> 00:31:46.119
<v Speaker 3>people like it a little bit more as time goes on.

698
00:31:46.240 --> 00:31:48.720
<v Speaker 3>It's like you're gonna like this or you're not. It's

699
00:31:48.759 --> 00:31:50.599
<v Speaker 3>not like, oh, we missed the boat, like that was

700
00:31:50.599 --> 00:31:53.079
<v Speaker 3>a hidden gem. It's like no, like people still kind

701
00:31:53.119 --> 00:31:55.559
<v Speaker 3>of don't really like it. It's kind of a nasty movie.

702
00:31:56.279 --> 00:31:58.240
<v Speaker 3>And even though six hundred thousand dollars is not a

703
00:31:58.359 --> 00:32:02.119
<v Speaker 3>lot of money and movie making terms, it was then

704
00:32:02.720 --> 00:32:06.400
<v Speaker 3>it was then yeah, yeah, this, you can't reappraise this.

705
00:32:07.160 --> 00:32:11.799
<v Speaker 1>There's no metaphors to be missed, right, there's no I

706
00:32:11.839 --> 00:32:13.599
<v Speaker 1>think when the more you learn about you go, huh,

707
00:32:13.680 --> 00:32:15.880
<v Speaker 1>that was interesting, Yeah, this is I.

708
00:32:15.880 --> 00:32:19.920
<v Speaker 2>Think to remake it, you would dig which shouldn't be done,

709
00:32:20.319 --> 00:32:22.200
<v Speaker 2>and you would like dig more into why is jud

710
00:32:22.440 --> 00:32:25.960
<v Speaker 2>like this, and like dig into the horrors of PTSD

711
00:32:26.759 --> 00:32:28.119
<v Speaker 2>and like explore that.

712
00:32:28.440 --> 00:32:28.920
<v Speaker 1>But then.

713
00:32:30.559 --> 00:32:33.160
<v Speaker 2>Do you want someone with PTSD to then be a

714
00:32:33.359 --> 00:32:37.480
<v Speaker 2>villain in like a war hero to be a villain

715
00:32:37.759 --> 00:32:39.680
<v Speaker 2>in this kind of film? And he's insane, he's getting

716
00:32:39.680 --> 00:32:44.079
<v Speaker 2>everyone with the crocodile? Ah, do you need to redeem

717
00:32:44.160 --> 00:32:46.920
<v Speaker 2>him in some way? But then I don't don't remake

718
00:32:46.960 --> 00:32:49.559
<v Speaker 2>this listening, but I.

719
00:32:49.599 --> 00:32:52.359
<v Speaker 1>Think the reason why is films have had such long lives.

720
00:32:52.400 --> 00:32:55.640
<v Speaker 1>I mean, so TCM's a stone cold classic. We were

721
00:32:55.680 --> 00:32:57.839
<v Speaker 1>talking about night movies and day movies. I watched this

722
00:32:57.920 --> 00:32:59.519
<v Speaker 1>when I was eighteen with a group of my friends

723
00:32:59.559 --> 00:33:02.200
<v Speaker 1>in high school and it was like five of us

724
00:33:03.119 --> 00:33:05.119
<v Speaker 1>and we watched it, and I remember all of us

725
00:33:05.200 --> 00:33:07.079
<v Speaker 1>left the house not saying a word to each other.

726
00:33:08.000 --> 00:33:12.200
<v Speaker 1>It really like hits a primal side. And we were

727
00:33:12.200 --> 00:33:14.839
<v Speaker 1>a bunch of like cocky maniacs and we all just

728
00:33:14.920 --> 00:33:17.279
<v Speaker 1>were a little shell shocked. After watching and driving home,

729
00:33:17.319 --> 00:33:19.240
<v Speaker 1>I got stuck at this red light. I was like,

730
00:33:19.240 --> 00:33:21.359
<v Speaker 1>I'm gonna run it. I'm gonna run because it was

731
00:33:21.400 --> 00:33:22.759
<v Speaker 1>in the woods. I was like in the in the

732
00:33:23.240 --> 00:33:26.279
<v Speaker 1>Florida Country and I was read. I was like, I

733
00:33:26.359 --> 00:33:28.279
<v Speaker 1>got I'm the only one here. I should go like

734
00:33:28.440 --> 00:33:30.960
<v Speaker 1>someone's the chainsaw is gonna come after me. And I

735
00:33:31.000 --> 00:33:34.720
<v Speaker 1>think his films they're so singular and and you know,

736
00:33:34.799 --> 00:33:37.200
<v Speaker 1>Poultergeist was a Spielberg joint, but people still love it.

737
00:33:37.680 --> 00:33:40.200
<v Speaker 1>I think TCM has had a repraisal. I think that's

738
00:33:40.359 --> 00:33:43.680
<v Speaker 1>one of his films that you could actually reappraise because

739
00:33:43.680 --> 00:33:46.119
<v Speaker 1>a lot of people were expecting the first film and

740
00:33:46.160 --> 00:33:48.559
<v Speaker 1>then what they got was like this Bonker's family comedy

741
00:33:48.759 --> 00:33:52.279
<v Speaker 1>with Dennis Hopper being Dennis Hopper. And I think also

742
00:33:52.400 --> 00:33:55.799
<v Speaker 1>Life Force, it's actually quite it's known for, but what

743
00:33:56.039 --> 00:34:00.480
<v Speaker 1>the the naked Naked Space Vampire. But it's quite a classy,

744
00:34:01.319 --> 00:34:05.400
<v Speaker 1>unclassy sci fi film, and that's had a long life.

745
00:34:05.519 --> 00:34:08.960
<v Speaker 1>So this guy hasn't made many movies. And he said

746
00:34:08.960 --> 00:34:12.760
<v Speaker 1>that he was a little bit self destructive and near sighted,

747
00:34:12.800 --> 00:34:15.960
<v Speaker 1>short sighted when he made his films. But when it

748
00:34:16.039 --> 00:34:18.559
<v Speaker 1>comes to his films having a long life, and he

749
00:34:18.599 --> 00:34:19.719
<v Speaker 1>made a long time, so of course I can have

750
00:34:19.760 --> 00:34:21.880
<v Speaker 1>a long life. But I think some of his films

751
00:34:22.119 --> 00:34:24.719
<v Speaker 1>still linger, and that's a pretty that's a testament to

752
00:34:24.800 --> 00:34:28.079
<v Speaker 1>who he was as a singular voice. Like love or

753
00:34:28.159 --> 00:34:30.400
<v Speaker 1>hate it, these these films have stayed in the conversation

754
00:34:30.519 --> 00:34:35.480
<v Speaker 1>with cinophiles. Am I making more sense than normal? J?

755
00:34:36.559 --> 00:34:39.760
<v Speaker 2>Yeah, I happening to add because you've made so much sense.

756
00:34:39.800 --> 00:34:41.320
<v Speaker 2>You've just you fully and kept it at the point

757
00:34:41.320 --> 00:34:47.920
<v Speaker 2>and say yeah, I don't yeah, you did it. I

758
00:34:48.039 --> 00:34:48.679
<v Speaker 2>just think he's said.

759
00:34:49.159 --> 00:34:51.920
<v Speaker 1>I think he's an interesting director. I really do. I

760
00:34:52.079 --> 00:34:55.639
<v Speaker 1>if you're going to analyze film, I love looking at

761
00:34:55.679 --> 00:34:58.159
<v Speaker 1>his career. I love looking at end Light Shyamalan's career.

762
00:34:58.760 --> 00:35:02.280
<v Speaker 1>There's certain careers that and I love analyzing because you

763
00:35:02.360 --> 00:35:04.280
<v Speaker 1>can just watch the peaks and valleys and ups and

764
00:35:04.400 --> 00:35:08.400
<v Speaker 1>downs and where they went and and I think he's

765
00:35:08.440 --> 00:35:12.840
<v Speaker 1>just one of those guys who Yeah, I mean, there's

766
00:35:12.840 --> 00:35:15.199
<v Speaker 1>not too many people out there like him, now, that's

767
00:35:15.239 --> 00:35:17.039
<v Speaker 1>for sure. He's a singular voice.

768
00:35:18.280 --> 00:35:19.559
<v Speaker 2>Yeah, who's making.

769
00:35:21.760 --> 00:35:24.920
<v Speaker 1>No, he's too stylish, but he told me he's not stylish.

770
00:35:26.000 --> 00:35:28.519
<v Speaker 2>I think he has a style. It's just a very

771
00:35:28.599 --> 00:35:34.280
<v Speaker 2>low budget style. I think, yeah, it's kind of a

772
00:35:35.199 --> 00:35:39.599
<v Speaker 2>coupled together kind of style. Well, you know the crocodile

773
00:35:39.639 --> 00:35:42.400
<v Speaker 2>and this didn't work. They left it water over the

774
00:35:42.440 --> 00:35:45.239
<v Speaker 2>weekend that it became huge and to wait for the

775
00:35:45.320 --> 00:35:48.280
<v Speaker 2>dry again. And it's just they just kind of made

776
00:35:48.320 --> 00:35:50.199
<v Speaker 2>do with what they could, with what they had. And

777
00:35:50.360 --> 00:35:51.639
<v Speaker 2>you can kind of tell that.

778
00:35:53.280 --> 00:35:56.599
<v Speaker 1>When you look at Panos Cosmatos and then you look

779
00:35:56.679 --> 00:36:00.400
<v Speaker 1>at Nicholas winning Refin they have only God for gives,

780
00:36:00.880 --> 00:36:03.719
<v Speaker 1>they have Mandy. And then there's this one, which is

781
00:36:03.760 --> 00:36:07.760
<v Speaker 1>like the Red Trilogy. We've just kind of messed up movies.

782
00:36:09.039 --> 00:36:12.199
<v Speaker 2>But Yogos, what did you say Yogas is similar?

783
00:36:12.320 --> 00:36:13.239
<v Speaker 1>Does he have a Red movie?

784
00:36:14.599 --> 00:36:16.239
<v Speaker 3>He's doing a different thing. I don't think it's the

785
00:36:16.280 --> 00:36:16.719
<v Speaker 3>same thing.

786
00:36:17.760 --> 00:36:20.760
<v Speaker 1>He cries and whispers, but that's not it's a Red movie,

787
00:36:20.840 --> 00:36:23.920
<v Speaker 1>but it's not one of those movies. But even I

788
00:36:23.920 --> 00:36:25.760
<v Speaker 1>don't know. I like that they're like, hey, make this

789
00:36:25.880 --> 00:36:29.400
<v Speaker 1>stock movie, and instead he turned out this that's what's

790
00:36:29.440 --> 00:36:32.320
<v Speaker 1>interesting to me. And he kind of blew up his

791
00:36:32.400 --> 00:36:37.079
<v Speaker 1>career multiple times. But I guess he was gonna do

792
00:36:37.159 --> 00:36:40.440
<v Speaker 1>what he was gonna do. What would a what would

793
00:36:40.519 --> 00:36:42.960
<v Speaker 1>a Toby Hooper Fast and Furious movie look like?

794
00:36:44.119 --> 00:36:46.159
<v Speaker 3>There's probably no cars, Like it's just like just.

795
00:36:49.159 --> 00:36:51.440
<v Speaker 2>That's that's that is causing a bunch of its films.

796
00:36:51.760 --> 00:36:53.599
<v Speaker 2>They're not like prominent, but they're.

797
00:36:54.599 --> 00:36:57.000
<v Speaker 3>Yeah, there's there's the van that they arrived at the

798
00:36:57.000 --> 00:36:58.880
<v Speaker 3>house in Texas chainsaw, and there's like the truck that

799
00:36:58.920 --> 00:37:01.480
<v Speaker 3>they get away on. Right, so there's a good car

800
00:37:01.639 --> 00:37:03.440
<v Speaker 3>chase in CCM two.

801
00:37:04.960 --> 00:37:09.400
<v Speaker 1>Mm hmm, Well tell us would it be a criminal?

802
00:37:09.639 --> 00:37:13.039
<v Speaker 1>Would it be like a deranged madman? And if someone

803
00:37:13.119 --> 00:37:15.480
<v Speaker 1>has to go under cover? But then he starts feeding

804
00:37:15.599 --> 00:37:18.480
<v Speaker 1>into that person's insanity almost like a cult. Then he

805
00:37:18.639 --> 00:37:24.840
<v Speaker 1>joins the cult. So instead of Vin's character Dom being

806
00:37:25.000 --> 00:37:29.119
<v Speaker 1>a regular family man, he's a cult leader cult like

807
00:37:29.239 --> 00:37:32.320
<v Speaker 1>Race with the Devil, and then they he joins this

808
00:37:32.519 --> 00:37:34.159
<v Speaker 1>cult to go under cover and they go on these

809
00:37:34.280 --> 00:37:36.119
<v Speaker 1>late night raids with cars.

810
00:37:37.280 --> 00:37:39.599
<v Speaker 2>It's just sounding kind of fast and fear like number.

811
00:37:39.400 --> 00:37:44.840
<v Speaker 1>Four, like, oh yeah, well, working for a mad.

812
00:37:44.880 --> 00:37:49.760
<v Speaker 2>Could be the closes the closest jay.

813
00:37:50.679 --> 00:37:53.920
<v Speaker 1>Yeah, that's the closest one to a Toby Hooper movie.

814
00:37:55.280 --> 00:37:57.480
<v Speaker 3>You need a creepy location and like that's the creepiest

815
00:37:57.480 --> 00:37:58.360
<v Speaker 3>location that they've had.

816
00:37:58.920 --> 00:38:02.760
<v Speaker 1>Yeah, cave. So yeah, you have these drug runners who

817
00:38:02.760 --> 00:38:05.159
<v Speaker 1>are in a cult, but he gets drawn into it,

818
00:38:05.440 --> 00:38:09.119
<v Speaker 1>and then there's just a lot of It's like Crash

819
00:38:09.519 --> 00:38:17.920
<v Speaker 1>meets Fast Forward, which Crash the coronaberg car, Yeah meets

820
00:38:18.440 --> 00:38:23.159
<v Speaker 1>Crash meets Fast and Furious meets cult movies.

821
00:38:24.840 --> 00:38:30.360
<v Speaker 3>I also feel like maybe if we're focusing on this

822
00:38:30.440 --> 00:38:32.639
<v Speaker 3>movie specifically in the Crocodile I also before I before

823
00:38:32.679 --> 00:38:35.119
<v Speaker 3>get to this point, is there a difference between alligators?

824
00:38:35.119 --> 00:38:36.920
<v Speaker 3>And I know there's a difference between alligators and crocodiles,

825
00:38:36.960 --> 00:38:39.159
<v Speaker 3>but like the way that they distinguish this like crocodiles

826
00:38:39.239 --> 00:38:40.960
<v Speaker 3>can't die, It's like, I don't think that's the distinction

827
00:38:41.039 --> 00:38:43.760
<v Speaker 3>between alligators and crocodiles. This one's from Africa, like in

828
00:38:43.880 --> 00:38:46.760
<v Speaker 3>this era of reptiles. Have you guys heard that.

829
00:38:47.800 --> 00:38:51.280
<v Speaker 2>The main difference that's coming up is location. If it's

830
00:38:51.320 --> 00:38:53.760
<v Speaker 2>in America, it's an alligator. If it's in Australia, it's

831
00:38:53.760 --> 00:38:54.280
<v Speaker 2>a crocodile.

832
00:38:54.679 --> 00:38:57.239
<v Speaker 1>But there's crocodiles in the Keys though.

833
00:39:00.000 --> 00:39:02.199
<v Speaker 3>Specific to say this is not an alligator, this is

834
00:39:02.239 --> 00:39:02.840
<v Speaker 3>a crocodile.

835
00:39:04.079 --> 00:39:07.119
<v Speaker 2>But well that's that is said. But also various people

836
00:39:07.159 --> 00:39:09.000
<v Speaker 2>call it a gator or a crocodile throughout the course

837
00:39:09.000 --> 00:39:10.239
<v Speaker 2>of the film. I think it just cout a cross

838
00:39:10.400 --> 00:39:14.079
<v Speaker 2>more often than a gator, Okay, but yeah, I.

839
00:39:14.079 --> 00:39:16.280
<v Speaker 3>Also do like when the crocodile like comes for the camera,

840
00:39:16.360 --> 00:39:19.039
<v Speaker 3>the caption says ominous sound and parentheses, which is like, yeah,

841
00:39:19.079 --> 00:39:22.159
<v Speaker 3>it's pretty dominous. I think if we focus specifically on this,

842
00:39:22.440 --> 00:39:24.639
<v Speaker 3>I think Fast for is pretty good. But I also

843
00:39:24.719 --> 00:39:27.679
<v Speaker 3>think we're never closer to like where alligators would be

844
00:39:27.760 --> 00:39:29.960
<v Speaker 3>then in Too Fast Right, like if Roman takes a

845
00:39:30.039 --> 00:39:32.760
<v Speaker 3>wrong time instead of going to Cardiff Own's house here,

846
00:39:32.800 --> 00:39:34.199
<v Speaker 3>that goes to the middle of the swamp and it's

847
00:39:34.199 --> 00:39:36.199
<v Speaker 3>just like a shack with some gators here. It's like,

848
00:39:36.280 --> 00:39:40.480
<v Speaker 3>that's that's where there's a Toby Hooper movie living on

849
00:39:40.599 --> 00:39:44.039
<v Speaker 3>the periphery of John Singleton's Too Fast, Too Furious.

850
00:39:44.840 --> 00:39:47.320
<v Speaker 2>What if Roman got eaten by a gator? I might

851
00:39:47.440 --> 00:39:48.519
<v Speaker 2>prefer the franchise.

852
00:39:48.840 --> 00:39:57.599
<v Speaker 3>Oh but it's fine, I still need to rewatch. Would

853
00:39:57.639 --> 00:39:58.880
<v Speaker 3>it be happier? Would you be happier?

854
00:39:58.920 --> 00:39:59.039
<v Speaker 1>Mark?

855
00:39:59.079 --> 00:40:01.199
<v Speaker 3>I know you love Roman, I know you. Okay, if

856
00:40:01.639 --> 00:40:04.599
<v Speaker 3>the gator eats Roman, but then the gator joins the family,

857
00:40:05.360 --> 00:40:06.280
<v Speaker 3>Oh hell yes.

858
00:40:06.440 --> 00:40:07.480
<v Speaker 1>Voice by Tyrens.

859
00:40:08.320 --> 00:40:11.320
<v Speaker 3>Sure, and well it is, but it's like really muffled

860
00:40:11.320 --> 00:40:13.199
<v Speaker 3>that he has to speak his lines from inside of

861
00:40:13.239 --> 00:40:14.800
<v Speaker 3>a thing that like it's like you can only hear

862
00:40:14.880 --> 00:40:15.800
<v Speaker 3>him through the gater skin.

863
00:40:17.320 --> 00:40:18.480
<v Speaker 2>Oh, when it's got his mouth open.

864
00:40:18.800 --> 00:40:22.199
<v Speaker 1>So if this happens at the end of Too Fast,

865
00:40:22.239 --> 00:40:25.840
<v Speaker 1>because Roman's arc, Brian and Roman are great together and

866
00:40:25.880 --> 00:40:28.679
<v Speaker 1>Too Fast, too furious, and so I would never want

867
00:40:28.719 --> 00:40:31.800
<v Speaker 1>to lose that relationship. But Roman doesn't have much to

868
00:40:31.920 --> 00:40:35.199
<v Speaker 1>do in five six seven, So if he was replaced

869
00:40:35.280 --> 00:40:39.960
<v Speaker 1>by an alligator and voiced by him, that's fine, But

870
00:40:40.599 --> 00:40:42.960
<v Speaker 1>it has to happen. So at the end when we're

871
00:40:43.000 --> 00:40:45.559
<v Speaker 1>like Pacissi and empty cuz Mine in either and then

872
00:40:45.599 --> 00:40:49.719
<v Speaker 1>they're walking and then just an alligator swallows Roman whole

873
00:40:50.920 --> 00:40:53.039
<v Speaker 1>and then the movie you know, it goes to the

874
00:40:53.239 --> 00:40:56.800
<v Speaker 1>it goes to the credits, and then he comes back

875
00:40:56.800 --> 00:41:00.320
<v Speaker 1>as an alligator in five on a motorcycle or car.

876
00:41:00.480 --> 00:41:02.000
<v Speaker 1>How does he arrive in Fast five?

877
00:41:03.760 --> 00:41:07.159
<v Speaker 3>I think he m I think the warehouse next to

878
00:41:07.239 --> 00:41:12.320
<v Speaker 3>some water. He just like swims up, yeah, because I

879
00:41:12.400 --> 00:41:16.519
<v Speaker 3>think from Florida, what I'm picturing is it's all of

880
00:41:16.599 --> 00:41:18.440
<v Speaker 3>too fast as it is, but instead, you know, like

881
00:41:18.480 --> 00:41:20.000
<v Speaker 3>there's that one shot where there's like that kid in

882
00:41:20.039 --> 00:41:21.719
<v Speaker 3>the middle of the street and the cars race by,

883
00:41:21.800 --> 00:41:23.280
<v Speaker 3>Like instead of the kid, it's just like a gator

884
00:41:23.440 --> 00:41:24.840
<v Speaker 3>or something like, Oh, that's weird that there's a gator.

885
00:41:24.840 --> 00:41:26.199
<v Speaker 3>That there's like a couple of times start the movie

886
00:41:26.239 --> 00:41:28.000
<v Speaker 3>there's like a gator. Just like there's a shot of

887
00:41:28.039 --> 00:41:30.400
<v Speaker 3>a gator. Like it's kind of like bad Lieutenant Portcal

888
00:41:30.440 --> 00:41:33.719
<v Speaker 3>in New Orleans where he's like got the he's I

889
00:41:33.760 --> 00:41:35.559
<v Speaker 3>don't know it's going, I don't know, just weird, right,

890
00:41:35.639 --> 00:41:38.239
<v Speaker 3>but like there's gaters and then when pocketing they do

891
00:41:38.320 --> 00:41:40.760
<v Speaker 3>the fist bump and then gator just jumps up eats

892
00:41:40.920 --> 00:41:42.679
<v Speaker 3>Roman and then cut the credits the same way that

893
00:41:42.760 --> 00:41:44.599
<v Speaker 3>we do because I think it's the last shot of

894
00:41:44.639 --> 00:41:46.639
<v Speaker 3>the movie. But just like you're saying it eats him,

895
00:41:46.639 --> 00:41:51.079
<v Speaker 3>I like that idea that you had. Eats Roman goes off,

896
00:41:51.239 --> 00:41:52.920
<v Speaker 3>movie ends and then he returns.

897
00:41:53.119 --> 00:41:53.920
<v Speaker 1>You know, we get like a.

898
00:41:55.440 --> 00:41:58.199
<v Speaker 3>Nick Fury will return or whatever, but it's like Roman

899
00:41:58.239 --> 00:42:02.119
<v Speaker 3>Pierce will return. Anybody in the alle a aigatory past five.

900
00:42:02.679 --> 00:42:04.360
<v Speaker 1>This is a great idea. And so let's say a

901
00:42:04.440 --> 00:42:07.800
<v Speaker 1>member of Souki's crew is an alligator that's just cleaning

902
00:42:07.880 --> 00:42:11.199
<v Speaker 1>the car in the background. Never looked at Yeah, the

903
00:42:11.280 --> 00:42:13.199
<v Speaker 1>person in the road that gets driven past.

904
00:42:13.639 --> 00:42:17.480
<v Speaker 3>Wait wait, hold on, where you started as anthropomorphic gator

905
00:42:17.480 --> 00:42:20.960
<v Speaker 3>who's cleaning a car? Yeah, okay, yeah, and then.

906
00:42:22.880 --> 00:42:26.599
<v Speaker 1>Because then the gator's gonna talk, so we need to

907
00:42:26.679 --> 00:42:29.559
<v Speaker 1>leave bread crumbs here. And so as you're watching it,

908
00:42:30.039 --> 00:42:32.280
<v Speaker 1>like you know, thirty years from now in our movie,

909
00:42:32.360 --> 00:42:33.719
<v Speaker 1>someone's gonna be like, if you look deep in the

910
00:42:33.760 --> 00:42:38.039
<v Speaker 1>background of Too Fast, Too Furious, you'll see an alligator

911
00:42:38.079 --> 00:42:40.199
<v Speaker 1>in the background cleaning a car. You know, I never

912
00:42:40.320 --> 00:42:43.480
<v Speaker 1>saw that. If you look at the if you look

913
00:42:43.519 --> 00:42:46.000
<v Speaker 1>in the club in the background, you'll see a gator

914
00:42:46.519 --> 00:42:50.599
<v Speaker 1>grinding on one of the patrons, like whoa singles and

915
00:42:50.719 --> 00:42:53.800
<v Speaker 1>did it? And then when it gets eaten and comes back,

916
00:42:54.039 --> 00:42:58.639
<v Speaker 1>they laid the bread crumbs for it, the gator, the

917
00:42:58.679 --> 00:43:01.159
<v Speaker 1>gator nuggets the gator.

918
00:43:01.199 --> 00:43:03.199
<v Speaker 2>Oh yes, they like yeah, sure.

919
00:43:04.159 --> 00:43:05.880
<v Speaker 1>They did miss a trick by not putting a gator,

920
00:43:05.920 --> 00:43:08.760
<v Speaker 1>because anywhere you went down there in the keys, there

921
00:43:08.760 --> 00:43:14.000
<v Speaker 1>were gators just anywhere behind you.

922
00:43:14.280 --> 00:43:18.800
<v Speaker 2>So where should they have incorporated a gator into Fast Too?

923
00:43:19.280 --> 00:43:21.039
<v Speaker 1>Well? I like the crossing the road. That was funny.

924
00:43:21.159 --> 00:43:22.599
<v Speaker 1>That's that's the most logical.

925
00:43:24.880 --> 00:43:28.199
<v Speaker 3>Well, so I'm looking so in on Too Fast two Forever.

926
00:43:28.280 --> 00:43:30.039
<v Speaker 3>Joe and I have done the first two and a

927
00:43:30.079 --> 00:43:33.320
<v Speaker 3>half movies minute by minute, and we've taken notes on everything,

928
00:43:33.400 --> 00:43:35.599
<v Speaker 3>and so I'm looking for the word gator in our document.

929
00:43:36.119 --> 00:43:39.599
<v Speaker 3>And they're driving along Alligator Alley, which is an east

930
00:43:39.639 --> 00:43:42.679
<v Speaker 3>West Everglades Parkway section of I seventy five, So like

931
00:43:42.800 --> 00:43:45.360
<v Speaker 3>there is it's not necessarily mean, but there's Alligator Alley.

932
00:43:45.920 --> 00:43:49.480
<v Speaker 3>To talk about that a lot. We talked about Alligator

933
00:43:49.480 --> 00:43:54.079
<v Speaker 3>Alley a lot Navigator Navigator has the word gator in it,

934
00:43:54.679 --> 00:44:01.239
<v Speaker 3>cart of gater, but yeah, there's no actual eater, even

935
00:44:01.320 --> 00:44:03.000
<v Speaker 3>in our notes, Like it's not like, oh, this would

936
00:44:03.000 --> 00:44:04.280
<v Speaker 3>be a good place for a gater, but there's just

937
00:44:04.280 --> 00:44:07.280
<v Speaker 3>Alligator Alley, which is you know, the eponymous whatever, and

938
00:44:07.400 --> 00:44:12.719
<v Speaker 3>then have a gaeter. Yeah, there should be gear throughout.

939
00:44:12.719 --> 00:44:14.320
<v Speaker 3>That was what I want to see if their ward

940
00:44:14.360 --> 00:44:16.239
<v Speaker 3>that we were we weren't remembering him. There are not.

941
00:44:16.599 --> 00:44:18.880
<v Speaker 1>Instead of the mustang getting taken out by the two trucks,

942
00:44:18.960 --> 00:44:24.559
<v Speaker 1>the mustang speed like hops a gator and then just crashes.

943
00:44:25.159 --> 00:44:27.119
<v Speaker 1>It steers out of the way and then crashes.

944
00:44:28.639 --> 00:44:31.719
<v Speaker 2>There's there's not many animals at too in that franchise.

945
00:44:32.000 --> 00:44:36.360
<v Speaker 2>The rat m in one of them and does does.

946
00:44:37.880 --> 00:44:38.840
<v Speaker 3>Wana at the start of four.

947
00:44:41.519 --> 00:44:43.719
<v Speaker 2>Does my mom have a pet? Bud have a pet?

948
00:44:43.760 --> 00:44:47.400
<v Speaker 1>Bud imaginings a corpse that he paints the man it's.

949
00:44:47.320 --> 00:44:47.960
<v Speaker 2>A different thing.

950
00:44:48.480 --> 00:44:54.960
<v Speaker 1>There's no shop that, there's no shocks, there's no furious.

951
00:44:55.800 --> 00:44:59.920
<v Speaker 1>Some really animal life franchise like Mission Impossible has fish,

952
00:45:02.840 --> 00:45:05.239
<v Speaker 1>John Wick dogs. Wow, that's an animal heavy one.

953
00:45:05.880 --> 00:45:06.920
<v Speaker 2>James Bond does a bunch.

954
00:45:07.239 --> 00:45:10.880
<v Speaker 3>Yeah, don't watch John Wick if you're about the dog.

955
00:45:11.079 --> 00:45:12.199
<v Speaker 2>See I've seen Joan Wick.

956
00:45:12.920 --> 00:45:13.039
<v Speaker 1>Uh.

957
00:45:13.559 --> 00:45:15.519
<v Speaker 2>He gets revenge, he gets another dog. That's fine.

958
00:45:15.840 --> 00:45:16.719
<v Speaker 1>What else you so much?

959
00:45:17.199 --> 00:45:19.519
<v Speaker 2>You see the shot of the gator thrashing the dog around.

960
00:45:19.519 --> 00:45:23.039
<v Speaker 2>It was not pleasant so much close up so that

961
00:45:23.119 --> 00:45:23.719
<v Speaker 2>dog being eaten.

962
00:45:24.280 --> 00:45:26.880
<v Speaker 1>No animals and fate f nine. I can't think of

963
00:45:26.960 --> 00:45:31.800
<v Speaker 1>any dogs Tokyo drift.

964
00:45:33.800 --> 00:45:36.360
<v Speaker 3>No, I don't think so. I think that's the issue

965
00:45:36.400 --> 00:45:37.840
<v Speaker 3>with a lot of movies. It's like, these people are

966
00:45:37.880 --> 00:45:39.039
<v Speaker 3>so busy they can't have a pet.

967
00:45:39.679 --> 00:45:41.639
<v Speaker 1>True, sure, yeah, that makes sense.

968
00:45:42.000 --> 00:45:42.880
<v Speaker 2>You preach out a bud.

969
00:45:44.840 --> 00:45:46.639
<v Speaker 1>I don't know why I thought about this, but since

970
00:45:46.800 --> 00:45:48.800
<v Speaker 1>you know Fast Various as the Tuna Shop, I was

971
00:45:48.880 --> 00:45:51.760
<v Speaker 1>driving some talent once through Alligator Alley. I was on

972
00:45:51.880 --> 00:45:55.000
<v Speaker 1>a reality show and I remember telling the guy, I'm like, yes,

973
00:45:55.000 --> 00:45:56.960
<v Speaker 1>this is Alligator al You're gonna see a lot of alligators,

974
00:45:57.400 --> 00:45:59.360
<v Speaker 1>and we saw none. But he also was eating two

975
00:45:59.360 --> 00:46:01.559
<v Speaker 1>and Oney almost choked on it, like he was legitimately

976
00:46:01.800 --> 00:46:04.440
<v Speaker 1>turning blue. So that was like one of the more

977
00:46:04.480 --> 00:46:05.679
<v Speaker 1>interesting rhydes I ever had.

978
00:46:05.840 --> 00:46:09.280
<v Speaker 3>On allegation, there is a pet bird in the Fast

979
00:46:09.320 --> 00:46:12.679
<v Speaker 3>and Furious Spy Racers animated series on Netflix for kids

980
00:46:12.760 --> 00:46:16.559
<v Speaker 3>that is five or six seasons. In the first season,

981
00:46:16.679 --> 00:46:19.920
<v Speaker 3>I think so Tony Touretto, played by Tyler Posey, is

982
00:46:20.039 --> 00:46:25.000
<v Speaker 3>Dom's cousin and Tony's mom. I believe has a pet

983
00:46:25.159 --> 00:46:26.639
<v Speaker 3>bird in like one episode.

984
00:46:28.000 --> 00:46:28.119
<v Speaker 1>HM.

985
00:46:29.119 --> 00:46:30.920
<v Speaker 3>I googled animals in Fast and furiors. I think the

986
00:46:31.000 --> 00:46:33.679
<v Speaker 3>AI overview said that there's the French bulldog Hobbs in

987
00:46:33.760 --> 00:46:35.599
<v Speaker 3>Hobbs and Shaw that Hobbs is a dog named Hobbes,

988
00:46:35.599 --> 00:46:38.159
<v Speaker 3>which isn't true. That's what it leaves list off with,

989
00:46:38.320 --> 00:46:39.840
<v Speaker 3>So I don't know.

990
00:46:40.639 --> 00:46:44.840
<v Speaker 2>That's yeah, another advert for AI if more we needed.

991
00:46:46.239 --> 00:46:48.800
<v Speaker 2>So yeah, I think I don't think we gotta. We're

992
00:46:48.800 --> 00:46:50.519
<v Speaker 2>not going to cover the Feast and furiost films that's

993
00:46:50.599 --> 00:46:54.039
<v Speaker 2>creature features anytime soon. But yeah, this is a tricky

994
00:46:54.079 --> 00:46:57.159
<v Speaker 2>film to talk about because it's very varied film.

995
00:46:57.400 --> 00:47:02.559
<v Speaker 1>There's no themes. It's very ex tative. Mm hmm. It's

996
00:47:03.920 --> 00:47:06.119
<v Speaker 1>I mean, the one guy just you know, the villain

997
00:47:06.280 --> 00:47:09.760
<v Speaker 1>mumbles pretty much the entire time. Judge just mumbles, you

998
00:47:09.840 --> 00:47:10.880
<v Speaker 1>have a bunch of maniacs.

999
00:47:12.199 --> 00:47:12.679
<v Speaker 2>I liked.

1000
00:47:13.039 --> 00:47:14.679
<v Speaker 1>Uh, there's Robert.

1001
00:47:16.559 --> 00:47:20.280
<v Speaker 2>Yeah, male Ferro's death with the with the scythe into

1002
00:47:20.320 --> 00:47:22.800
<v Speaker 2>his neck and he's just kind of wandering around with

1003
00:47:22.840 --> 00:47:26.039
<v Speaker 2>a scythe in its throat for a while. It's memorable.

1004
00:47:26.400 --> 00:47:28.280
<v Speaker 3>I feel like that needs to be sharpened. It feels

1005
00:47:28.280 --> 00:47:29.679
<v Speaker 3>like it should not get stuck in neck.

1006
00:47:30.519 --> 00:47:34.639
<v Speaker 2>Sure, Yeah, but when's the last time he has he

1007
00:47:34.719 --> 00:47:35.159
<v Speaker 2>been using it?

1008
00:47:35.239 --> 00:47:35.639
<v Speaker 1>For long?

1009
00:47:36.599 --> 00:47:39.199
<v Speaker 2>Is is that his regular go to? How many people

1010
00:47:39.239 --> 00:47:42.280
<v Speaker 2>has he killed? By alligates a crocodile? Prior to the

1011
00:47:42.480 --> 00:47:45.239
<v Speaker 2>sex will go who shows up?

1012
00:47:45.480 --> 00:47:45.840
<v Speaker 3>I don't know.

1013
00:47:46.760 --> 00:47:48.400
<v Speaker 1>Do you feel like that place that it's like a

1014
00:47:48.480 --> 00:47:51.519
<v Speaker 1>place of death though, isn't it where Buck shows up?

1015
00:47:52.559 --> 00:47:55.119
<v Speaker 1>You know? The woman shows up there after like she

1016
00:47:55.480 --> 00:47:58.239
<v Speaker 1>gets lost. There. You have a couple who are maybe hiding.

1017
00:47:58.400 --> 00:47:58.840
<v Speaker 2>They die.

1018
00:47:59.280 --> 00:48:01.519
<v Speaker 1>The dad is done eventually, he wants to find his daughter.

1019
00:48:02.400 --> 00:48:03.480
<v Speaker 1>That monkey's just dead.

1020
00:48:04.440 --> 00:48:04.960
<v Speaker 2>He's just dead.

1021
00:48:05.119 --> 00:48:06.239
<v Speaker 1>It's a place of death.

1022
00:48:08.039 --> 00:48:10.360
<v Speaker 2>Well killed the monkey. Why is the monkey dead?

1023
00:48:10.599 --> 00:48:15.280
<v Speaker 1>He said that, he said the world. The quote from

1024
00:48:15.920 --> 00:48:18.880
<v Speaker 1>Toby was that the monkey knew what it was time

1025
00:48:18.960 --> 00:48:19.360
<v Speaker 1>to die.

1026
00:48:21.440 --> 00:48:22.119
<v Speaker 2>Horrifying.

1027
00:48:22.400 --> 00:48:24.840
<v Speaker 1>That's exactly what he said. The monkey just was like,

1028
00:48:25.480 --> 00:48:29.039
<v Speaker 1>it's time to die.

1029
00:48:29.159 --> 00:48:34.199
<v Speaker 2>I'm not satisfied with that, as that's not like that

1030
00:48:34.360 --> 00:48:36.320
<v Speaker 2>may be what people have said, but I don't. I don't.

1031
00:48:36.719 --> 00:48:37.480
<v Speaker 2>I'm not happy with that.

1032
00:48:37.639 --> 00:48:39.760
<v Speaker 1>One thing I learned to about Toby is no one

1033
00:48:39.840 --> 00:48:42.159
<v Speaker 1>understood what he was talking about. So he would say

1034
00:48:42.400 --> 00:48:45.559
<v Speaker 1>several things to people, and so Robert England said he

1035
00:48:45.559 --> 00:48:47.559
<v Speaker 1>would say four things so when he would understand one,

1036
00:48:48.239 --> 00:48:51.559
<v Speaker 1>so Toby would be very obtuse or just anything he

1037
00:48:51.719 --> 00:48:55.719
<v Speaker 1>explained to you was yeah. So I think with this one,

1038
00:48:55.800 --> 00:48:58.760
<v Speaker 1>we need to see through the soul of the break

1039
00:48:58.840 --> 00:49:02.880
<v Speaker 1>light and push through the heart of darkness, and then

1040
00:49:02.920 --> 00:49:06.000
<v Speaker 1>when we plow through, we'll think about it and wonder

1041
00:49:06.639 --> 00:49:08.599
<v Speaker 1>if it was real. And then the guy's like, oh,

1042
00:49:08.599 --> 00:49:09.800
<v Speaker 1>so you want me a chew bubble gum. In the

1043
00:49:09.840 --> 00:49:13.159
<v Speaker 1>scene he's like, yeah, like, I think that's Toby's style.

1044
00:49:15.719 --> 00:49:19.119
<v Speaker 2>Which motel would you rather stay at?

1045
00:49:19.559 --> 00:49:19.960
<v Speaker 1>This one?

1046
00:49:20.320 --> 00:49:21.599
<v Speaker 2>Psycho or identity?

1047
00:49:23.079 --> 00:49:28.960
<v Speaker 1>I Dodniti's last, right, is that like real? It's in?

1048
00:49:29.119 --> 00:49:34.599
<v Speaker 2>Yeah, sure does. I didn't see your fragment of someone

1049
00:49:34.599 --> 00:49:36.960
<v Speaker 2>else of prout Taylor Van's his mind.

1050
00:49:37.320 --> 00:49:41.280
<v Speaker 1>That's last. I don't think. I don't think Norman Bates

1051
00:49:41.280 --> 00:49:42.159
<v Speaker 1>would make a run at me.

1052
00:49:43.920 --> 00:49:45.920
<v Speaker 2>You're not his type. I think, yeah, but it depends

1053
00:49:45.960 --> 00:49:52.920
<v Speaker 2>he takes out Ah, the one dude's up in his house, right,

1054
00:49:53.239 --> 00:49:56.480
<v Speaker 2>Martin Bosom, it takes that mind Bosom. Yeah, yes, if

1055
00:49:56.480 --> 00:49:58.079
<v Speaker 2>you don't go looking for him, you'll you'll.

1056
00:49:58.000 --> 00:49:59.800
<v Speaker 1>Find he's not going to take a look at me.

1057
00:50:00.559 --> 00:50:03.559
<v Speaker 1>He's not He's not gonna run. I wouldn't need to

1058
00:50:03.559 --> 00:50:04.199
<v Speaker 1>say judge with.

1059
00:50:04.239 --> 00:50:07.519
<v Speaker 2>Them Jed Aimes for the men first, it seems.

1060
00:50:07.679 --> 00:50:12.159
<v Speaker 1>Yeah, I wouldn't want to be in that place. That's

1061
00:50:12.320 --> 00:50:15.119
<v Speaker 1>its last. I'd take a vacancy place over this one.

1062
00:50:15.960 --> 00:50:17.960
<v Speaker 2>I haven't seen vacancy. That's why didn't put on most.

1063
00:50:19.679 --> 00:50:20.039
<v Speaker 1>Not good.

1064
00:50:20.599 --> 00:50:23.159
<v Speaker 3>Did either of you read? This is not a motel thing,

1065
00:50:23.199 --> 00:50:24.719
<v Speaker 3>but this is a bar thing, So I would hang

1066
00:50:24.760 --> 00:50:27.360
<v Speaker 3>out in that bar Like that bar is kind of

1067
00:50:27.440 --> 00:50:28.079
<v Speaker 3>cool at the end.

1068
00:50:28.119 --> 00:50:30.159
<v Speaker 2>It's a few too many racial slurs for my liking.

1069
00:50:30.239 --> 00:50:32.559
<v Speaker 3>But look, I understand that that. I'm not saying that

1070
00:50:32.559 --> 00:50:33.639
<v Speaker 3>I want to hang out with the people there, but

1071
00:50:33.679 --> 00:50:36.039
<v Speaker 3>I would only hang out in the bar on my own, yes,

1072
00:50:36.199 --> 00:50:39.480
<v Speaker 3>et cetera. But this got so off Wikipedia. The plot

1073
00:50:39.599 --> 00:50:42.039
<v Speaker 3>was loosely based on the story Very sorry, very loosely

1074
00:50:42.039 --> 00:50:44.199
<v Speaker 3>based on the story of Joe Story known as the

1075
00:50:44.239 --> 00:50:46.880
<v Speaker 3>Alligator Man, or the Butcher of Elmendorf, who owned a

1076
00:50:46.920 --> 00:50:49.239
<v Speaker 3>bar with a live alligator attraction in the nineteen thirties

1077
00:50:49.280 --> 00:50:53.000
<v Speaker 3>in Elmendorf, Texas. During this time, Ball murdered several women.

1078
00:50:53.239 --> 00:50:55.480
<v Speaker 3>Legend has it that he disposed the victim's botties by

1079
00:50:55.519 --> 00:50:59.039
<v Speaker 3>feeding them to his pet alligators, but this was never proven.

1080
00:51:00.119 --> 00:51:03.119
<v Speaker 2>Yes, I did see that, and that does make me

1081
00:51:03.159 --> 00:51:04.679
<v Speaker 2>appreciate the film more. I think.

1082
00:51:06.159 --> 00:51:08.280
<v Speaker 3>It feels like that's a good like you hear that story, like, oh,

1083
00:51:08.280 --> 00:51:09.519
<v Speaker 3>I got to tell a movie about that, Like that's

1084
00:51:09.599 --> 00:51:12.239
<v Speaker 3>that's a good Like this guy is like a murderer

1085
00:51:12.639 --> 00:51:15.440
<v Speaker 3>and just dumb bodies and gaiters.

1086
00:51:16.519 --> 00:51:19.400
<v Speaker 1>This is a slam dunk movie to make, either as

1087
00:51:19.480 --> 00:51:22.719
<v Speaker 1>a Jaws rip off or that's like a real life

1088
00:51:22.760 --> 00:51:25.199
<v Speaker 1>serial killing. You know, ed Deane inspired so many things,

1089
00:51:25.239 --> 00:51:29.639
<v Speaker 1>so as a producer you're pretty jazzed if you're going

1090
00:51:29.679 --> 00:51:32.719
<v Speaker 1>with either idea. And then it wasn't any of those.

1091
00:51:34.239 --> 00:51:40.159
<v Speaker 1>So yeah, I think I kind of love it. I do.

1092
00:51:41.320 --> 00:51:44.519
<v Speaker 1>I'd never show anybody this. I would never be at

1093
00:51:44.639 --> 00:51:47.400
<v Speaker 1>a venue and be like, hey, guys, I got a

1094
00:51:47.440 --> 00:51:47.880
<v Speaker 1>movie for you.

1095
00:51:48.239 --> 00:51:50.199
<v Speaker 2>I wouldn't put it by the Steel Book.

1096
00:51:50.800 --> 00:51:53.920
<v Speaker 1>I wouldn't. I wouldn't buy the Steel Book. I would not.

1097
00:51:55.320 --> 00:51:56.840
<v Speaker 3>I do it the raw video blue Righte And like

1098
00:51:56.840 --> 00:51:57.639
<v Speaker 3>I do own this movie.

1099
00:51:57.679 --> 00:52:00.599
<v Speaker 2>Oh nice, Yeah I watched it on YouTube. Yeah I'm

1100
00:52:00.639 --> 00:52:03.320
<v Speaker 2>fine with that where all the best movies live to be.

1101
00:52:04.480 --> 00:52:07.599
<v Speaker 1>But yeah, I think if there's cinophiles out there, I'll

1102
00:52:07.639 --> 00:52:11.239
<v Speaker 1>be like, yeah, guys, like kill Bill references this, it's

1103
00:52:11.320 --> 00:52:13.960
<v Speaker 1>Toby Hooper. He's a really singular filmmaker. If you're looking

1104
00:52:14.039 --> 00:52:18.599
<v Speaker 1>for something that is nasty and effective and very kind

1105
00:52:18.639 --> 00:52:22.239
<v Speaker 1>of punk rock in its own regard. Watch it, but

1106
00:52:22.360 --> 00:52:26.920
<v Speaker 1>I wouldn't recommend it to non cinophiles, And I wouldn't

1107
00:52:26.920 --> 00:52:31.000
<v Speaker 1>recommend the cinophiles who are like only with mainstream stuff,

1108
00:52:31.039 --> 00:52:33.280
<v Speaker 1>like I'm a cinophile, like, well, what do you watch Nolan?

1109
00:52:33.480 --> 00:52:36.199
<v Speaker 1>Like No, not that, But I would. I would if

1110
00:52:36.360 --> 00:52:38.960
<v Speaker 1>I know that people out there like stuff like this

1111
00:52:39.159 --> 00:52:42.519
<v Speaker 1>and like Toby Hooper and exploring back catalogs, I would

1112
00:52:42.519 --> 00:52:44.800
<v Speaker 1>recommend it. But yeah, you would never see me wearing

1113
00:52:44.840 --> 00:52:45.519
<v Speaker 1>a T shirt of it.

1114
00:52:47.840 --> 00:52:50.480
<v Speaker 2>If you're out there doing a complete test of every

1115
00:52:50.920 --> 00:52:55.320
<v Speaker 2>every film starring the Little Girl from Halloween, then great,

1116
00:52:55.360 --> 00:52:58.039
<v Speaker 2>this is you know, there's pretty worst films on that CV.

1117
00:52:59.079 --> 00:53:02.400
<v Speaker 2>But yeah, she was in the Hungover Games for instance.

1118
00:53:04.800 --> 00:53:07.599
<v Speaker 2>Really yeah, you know the parody, not the not the

1119
00:53:08.159 --> 00:53:09.960
<v Speaker 2>the hung the Games, the Hungover Games.

1120
00:53:10.079 --> 00:53:12.360
<v Speaker 1>Yeah, he always knows about that.

1121
00:53:15.039 --> 00:53:16.719
<v Speaker 3>I do want to add my one other note that

1122
00:53:16.760 --> 00:53:18.559
<v Speaker 3>I have in my doc. I'm just glossing over what

1123
00:53:18.639 --> 00:53:21.079
<v Speaker 3>Marc has said. Jay. You mentioned this also known as

1124
00:53:21.119 --> 00:53:23.400
<v Speaker 3>death Trap. It was originally released also a Starlight Slaughter,

1125
00:53:23.440 --> 00:53:24.800
<v Speaker 3>which I think is also a cool name. Maybe not

1126
00:53:24.880 --> 00:53:27.440
<v Speaker 3>for this movie, but I like Starlight Slaughter given that

1127
00:53:27.639 --> 00:53:32.159
<v Speaker 3>the motela's named the Starlight pretty good, not evocative, but

1128
00:53:32.440 --> 00:53:32.880
<v Speaker 3>cool name.

1129
00:53:33.840 --> 00:53:35.559
<v Speaker 2>Look. I like death Trap as a name as well.

1130
00:53:35.559 --> 00:53:37.679
<v Speaker 2>But I think another film was going to come out

1131
00:53:37.719 --> 00:53:40.559
<v Speaker 2>with the same title and they just had a rights

1132
00:53:40.599 --> 00:53:43.679
<v Speaker 2>issue and he was paid on to do Caught Eating Alive.

1133
00:53:44.199 --> 00:53:48.280
<v Speaker 3>But there's a nineteen eighty Like you said before, there's

1134
00:53:48.280 --> 00:53:51.360
<v Speaker 3>another Eating Alive that it's just nothing.

1135
00:53:51.480 --> 00:53:54.639
<v Speaker 2>That's a cannibal film. It's a cannibal film which happens

1136
00:53:54.679 --> 00:53:57.840
<v Speaker 2>to have Miguel Miguel Fair mal Faerir Migael Fair, a

1137
00:53:57.840 --> 00:54:01.920
<v Speaker 2>different person. Mel Fair is in both of them. Just coincidence,

1138
00:54:02.119 --> 00:54:07.039
<v Speaker 2>I guess. And yeah, so having will Adams Karen Jones

1139
00:54:07.079 --> 00:54:09.800
<v Speaker 2>as the madam of the brothel, miss miss Hattie. They

1140
00:54:10.000 --> 00:54:13.920
<v Speaker 2>plasted her with like thick rubber makeup. You cannot tell,

1141
00:54:14.400 --> 00:54:15.840
<v Speaker 2>you cannot recognize who that is.

1142
00:54:16.280 --> 00:54:18.840
<v Speaker 1>She is just under a mask and she's straight lies

1143
00:54:18.920 --> 00:54:19.760
<v Speaker 1>and I love it too.

1144
00:54:20.400 --> 00:54:24.000
<v Speaker 2>She's trying to set him real estate, real estate, Got a.

1145
00:54:23.960 --> 00:54:26.239
<v Speaker 1>Great oak tree, got a great oak tree out there. Yeah,

1146
00:54:26.800 --> 00:54:34.119
<v Speaker 1>like never seen her. Ali's got a gangster. Yeah, I

1147
00:54:34.199 --> 00:54:41.039
<v Speaker 1>think Alligator Death Hotel or the Texas Crocodile Massacre because

1148
00:54:41.079 --> 00:54:42.119
<v Speaker 1>still teaching them.

1149
00:54:44.079 --> 00:54:49.280
<v Speaker 2>Yeah, leaning into lean into the franchise show Texas Crocodile Massacre.

1150
00:54:49.519 --> 00:54:52.440
<v Speaker 1>Are they killing crocodiles? Are crocodiles killing people?

1151
00:54:52.920 --> 00:54:54.199
<v Speaker 3>Gotta watch the movie to find out.

1152
00:54:54.679 --> 00:54:57.079
<v Speaker 2>Yeah, does the crocodile have a chainsaw?

1153
00:54:57.559 --> 00:54:59.599
<v Speaker 3>I like that Mark was impressed by his like the

1154
00:55:00.039 --> 00:55:01.480
<v Speaker 3>the initials of the same one. He kept two with

1155
00:55:01.519 --> 00:55:03.320
<v Speaker 3>the same words. He just grew chainsaw and just to

1156
00:55:03.360 --> 00:55:05.199
<v Speaker 3>put it in the crocodile. Can you just believe it's

1157
00:55:05.199 --> 00:55:07.000
<v Speaker 3>still TCM. It's like he'm two of the three words

1158
00:55:07.000 --> 00:55:07.559
<v Speaker 3>of the same.

1159
00:55:08.320 --> 00:55:11.239
<v Speaker 1>Listen, y'all, I'm bringing it today. I feel pretty lucid.

1160
00:55:11.800 --> 00:55:12.480
<v Speaker 3>You are on fire.

1161
00:55:12.960 --> 00:55:17.519
<v Speaker 1>Yeah, yeah, there's a it won't happen much. I do

1162
00:55:17.800 --> 00:55:19.320
<v Speaker 1>relate though that Toby. I know we got to get

1163
00:55:19.360 --> 00:55:20.719
<v Speaker 1>out of here, but I do relate to Toby in

1164
00:55:20.800 --> 00:55:26.480
<v Speaker 1>that like he just doesn't I don't. I don't think

1165
00:55:26.519 --> 00:55:29.039
<v Speaker 1>he ever wanted to be a really big mainstream person.

1166
00:55:29.119 --> 00:55:30.960
<v Speaker 1>He had his style and he liked sticking to it,

1167
00:55:31.119 --> 00:55:32.480
<v Speaker 1>and he didn't I don't know.

1168
00:55:32.559 --> 00:55:33.760
<v Speaker 3>I like that about him.

1169
00:55:34.280 --> 00:55:37.519
<v Speaker 1>I think I think he kind of went out on

1170
00:55:37.599 --> 00:55:41.159
<v Speaker 1>his own laurels a little bit, and so I kind

1171
00:55:41.159 --> 00:55:44.199
<v Speaker 1>of I like that he didn't try to ever fit in.

1172
00:55:44.519 --> 00:55:46.920
<v Speaker 1>Maybe later in life for money. But he in the beginning,

1173
00:55:46.960 --> 00:55:50.840
<v Speaker 1>I don't think he tried to be like everyone else,

1174
00:55:51.039 --> 00:55:53.519
<v Speaker 1>and I like that. I like that about him.

1175
00:55:54.320 --> 00:55:58.000
<v Speaker 2>He made his films good. So, listeners, if this is

1176
00:55:58.039 --> 00:56:01.400
<v Speaker 2>your first listen to this show, welcome, a odd film

1177
00:56:01.440 --> 00:56:03.360
<v Speaker 2>to start with, but hey, welcome. Actually, there's probably not

1178
00:56:03.400 --> 00:56:05.360
<v Speaker 2>a lot of podcasts. Actually, no, I reckon there probably

1179
00:56:05.360 --> 00:56:06.920
<v Speaker 2>are quite a lot of podcasts out there of Eating Alive.

1180
00:56:06.920 --> 00:56:08.320
<v Speaker 2>And I think about it'snna be a lot of horror.

1181
00:56:08.800 --> 00:56:10.639
<v Speaker 1>Should we bring this a guess? So we might have

1182
00:56:10.719 --> 00:56:12.760
<v Speaker 1>a lot of new listeners from this episode.

1183
00:56:13.480 --> 00:56:16.039
<v Speaker 2>So, because this is Deeplucy the podcast, every film we

1184
00:56:16.119 --> 00:56:18.599
<v Speaker 2>look at, I go through and work out on average

1185
00:56:18.639 --> 00:56:21.199
<v Speaker 2>how deep everything on screen takes place at, how blue

1186
00:56:21.239 --> 00:56:22.920
<v Speaker 2>everything on screen is, and how much of it takes

1187
00:56:22.960 --> 00:56:25.880
<v Speaker 2>place at sea. So, of course deep with sea is

1188
00:56:25.880 --> 00:56:28.199
<v Speaker 2>approximately fourteen and a half meters or forty seven and

1189
00:56:28.239 --> 00:56:30.840
<v Speaker 2>a half feet deep, about thirty one percent blue, and

1190
00:56:30.920 --> 00:56:33.960
<v Speaker 2>about eighteen nine percent of it takes place at sea. Joey,

1191
00:56:34.079 --> 00:56:36.400
<v Speaker 2>do you think Eaten Alive is deeper blue or more

1192
00:56:36.400 --> 00:56:37.519
<v Speaker 2>at sea than deep Blue? Sy?

1193
00:56:38.320 --> 00:56:41.840
<v Speaker 3>No, I think it is shallower, redder, and more land.

1194
00:56:42.639 --> 00:56:43.480
<v Speaker 2>Yes, that is correct.

1195
00:56:43.800 --> 00:56:44.800
<v Speaker 1>Shallow red Land.

1196
00:56:45.480 --> 00:56:50.760
<v Speaker 2>Shallow red Land it is. They don't go underwater underground

1197
00:56:50.760 --> 00:56:52.719
<v Speaker 2>at any point, so they're always like at best, on

1198
00:56:52.880 --> 00:56:55.119
<v Speaker 2>the surface, and even then that's not for very long.

1199
00:56:55.400 --> 00:56:57.320
<v Speaker 2>So this works out being one and a half meters

1200
00:56:57.480 --> 00:57:00.599
<v Speaker 2>or about five feet up in the air, slightly higher

1201
00:57:00.639 --> 00:57:02.400
<v Speaker 2>than the deep blue, so he's slightly lower than Renny

1202
00:57:02.440 --> 00:57:05.159
<v Speaker 2>Hard and it's five days of war, so it's one

1203
00:57:05.239 --> 00:57:08.840
<v Speaker 2>hundred and tenth in our ranking. Blueness very not blue

1204
00:57:08.880 --> 00:57:11.039
<v Speaker 2>at all for quite a long time, for like the

1205
00:57:11.079 --> 00:57:14.840
<v Speaker 2>first hour, the only blue bit is Robert England's genes

1206
00:57:15.559 --> 00:57:16.599
<v Speaker 2>for like ages.

1207
00:57:16.920 --> 00:57:19.440
<v Speaker 3>And then there's a see through neglige it too is

1208
00:57:19.519 --> 00:57:21.840
<v Speaker 3>kind of like blue too, So it's just that it's

1209
00:57:21.840 --> 00:57:23.039
<v Speaker 3>still that first scene and that's it.

1210
00:57:23.800 --> 00:57:26.400
<v Speaker 2>Yeah, that's about it. But then there's a scene where

1211
00:57:27.480 --> 00:57:32.039
<v Speaker 2>the daughter, I forget her name, she probably had, not

1212
00:57:32.079 --> 00:57:36.880
<v Speaker 2>a little girl, not a little girl. The other daughter who.

1213
00:57:37.199 --> 00:57:41.599
<v Speaker 3>Adult daughter, Yes she has. I know you're wrapping up.

1214
00:57:41.599 --> 00:57:42.960
<v Speaker 3>I'm sorry, but I'm glad that the guys I never

1215
00:57:43.039 --> 00:57:44.400
<v Speaker 3>hit a room for me and my daughter, because it's

1216
00:57:44.440 --> 00:57:46.440
<v Speaker 3>like that age gap of like fifty five year old

1217
00:57:46.480 --> 00:57:48.480
<v Speaker 3>and twenty five year old daughter, just like is this

1218
00:57:49.079 --> 00:57:50.960
<v Speaker 3>what's the relationship here? It's like no, we're looking for

1219
00:57:51.360 --> 00:57:51.920
<v Speaker 3>her sister.

1220
00:57:52.000 --> 00:57:54.320
<v Speaker 2>It's like okay, okay, and he shows up and he

1221
00:57:54.440 --> 00:57:58.440
<v Speaker 2>equals book old old sorry called Judd old Timer, and

1222
00:57:58.599 --> 00:58:01.280
<v Speaker 2>like the guy's the I saying old Timer is three

1223
00:58:01.360 --> 00:58:09.639
<v Speaker 2>years older than Jedd, same age as you, fron So.

1224
00:58:09.760 --> 00:58:13.199
<v Speaker 2>But so the sister and the sheriff have a comversation.

1225
00:58:13.239 --> 00:58:16.199
<v Speaker 2>It's just entirely blue, and then there's like a bunch

1226
00:58:16.280 --> 00:58:18.079
<v Speaker 2>of stuff at the end we're running through the forest.

1227
00:58:18.119 --> 00:58:20.199
<v Speaker 2>It's kind of blue lit as well. So it's worked

1228
00:58:20.239 --> 00:58:24.400
<v Speaker 2>out being five point one one percent blue, slightly less

1229
00:58:24.480 --> 00:58:28.360
<v Speaker 2>blue than Nicholas Cage in Primal, slightly more blue than

1230
00:58:28.760 --> 00:58:33.119
<v Speaker 2>Alligator to the mutation. So it says, yeah, so it's

1231
00:58:33.239 --> 00:58:36.039
<v Speaker 2>one hundred and twenty fifth on our list, and it's

1232
00:58:36.119 --> 00:58:40.199
<v Speaker 2>never at the any point zero sentency. It's at water

1233
00:58:40.440 --> 00:58:43.679
<v Speaker 2>a little bit. Four point twenty four percent of it

1234
00:58:43.840 --> 00:58:47.400
<v Speaker 2>is on water, which is slightly less than Shark Naded

1235
00:58:47.400 --> 00:58:50.639
<v Speaker 2>of four the fourth awakens slightly more than Rennie Harlan's Driven,

1236
00:58:51.960 --> 00:58:55.239
<v Speaker 2>the last film Joe's on here to talk about love

1237
00:58:55.320 --> 00:59:00.519
<v Speaker 2>it of course, Yes, my favorite Rennie Harland film that

1238
00:59:00.599 --> 00:59:04.920
<v Speaker 2>features Gina Gersham A true statement. So yeah, it's I

1239
00:59:05.000 --> 00:59:06.920
<v Speaker 2>haven't got the ranking because I'm still missing like half

1240
00:59:06.960 --> 00:59:08.960
<v Speaker 2>the films and the sea ranking. But that's fine, not

1241
00:59:09.280 --> 00:59:12.840
<v Speaker 2>very at sea, never at sea. It's also the first

1242
00:59:12.880 --> 00:59:16.000
<v Speaker 2>film we've covered that is zero percent in the void,

1243
00:59:16.960 --> 00:59:20.000
<v Speaker 2>because which is where the credits exist. Credits exists in

1244
00:59:20.000 --> 00:59:22.119
<v Speaker 2>the void. There are credits in this film, but they

1245
00:59:22.159 --> 00:59:26.280
<v Speaker 2>are over there, over the top of footage, so there's

1246
00:59:26.320 --> 00:59:29.679
<v Speaker 2>never like black screen credits, it's just the stuff behind it.

1247
00:59:29.960 --> 00:59:31.679
<v Speaker 2>So the first film to never be in the void.

1248
00:59:32.159 --> 00:59:37.360
<v Speaker 2>We've broken the ground here today, isn't that fun? Ninety

1249
00:59:37.880 --> 00:59:45.000
<v Speaker 2>Sea on land even which is very very high And Mark,

1250
00:59:45.000 --> 00:59:49.000
<v Speaker 2>should we do thematic the thematic rankings, it's not as deep.

1251
00:59:50.039 --> 00:59:55.880
<v Speaker 1>You know what? It does explore mania and I would

1252
00:59:55.920 --> 01:00:00.360
<v Speaker 1>say it's deeper than Deep Blue Sea because of hang.

1253
01:00:00.320 --> 01:00:01.599
<v Speaker 2>Should we explain thematics?

1254
01:00:01.880 --> 01:00:02.079
<v Speaker 1>Yeah?

1255
01:00:02.159 --> 01:00:06.960
<v Speaker 2>Yeah, oh okay. Thematically deep is they're like more to

1256
01:00:07.079 --> 01:00:09.239
<v Speaker 2>these characters than there isn't the characters of the deepacy

1257
01:00:09.840 --> 01:00:13.239
<v Speaker 2>thematically Blue which is are they sadder than the characters intepacy?

1258
01:00:13.559 --> 01:00:16.000
<v Speaker 2>And thematically at sea? Are they more lost than the

1259
01:00:16.079 --> 01:00:17.000
<v Speaker 2>characters in Deepucy?

1260
01:00:17.920 --> 01:00:20.760
<v Speaker 1>So Mark piece continue, I mean, yeah, I think Judd

1261
01:00:20.880 --> 01:00:24.440
<v Speaker 1>is a really interesting character, just shell shocked and brutal

1262
01:00:24.519 --> 01:00:27.480
<v Speaker 1>and puritanical and lost. And so I do think the

1263
01:00:27.599 --> 01:00:32.360
<v Speaker 1>characters are deeper. Is it bluer? Yeah?

1264
01:00:32.559 --> 01:00:33.880
<v Speaker 2>No one's happy, no one, no one.

1265
01:00:33.920 --> 01:00:34.840
<v Speaker 1>Everyone's miserable.

1266
01:00:34.960 --> 01:00:37.840
<v Speaker 2>Judd's very happy. Jud's very happy when people are being

1267
01:00:37.880 --> 01:00:38.760
<v Speaker 2>eaten by the alliator.

1268
01:00:39.119 --> 01:00:41.880
<v Speaker 1>Miserable people in this movie Bucks live in a dream.

1269
01:00:41.960 --> 01:00:45.719
<v Speaker 1>But other than like a miserable people, you can't there's

1270
01:00:45.800 --> 01:00:47.639
<v Speaker 1>nowhere in this world where you can have a good time.

1271
01:00:47.880 --> 01:00:51.039
<v Speaker 1>You'll get you'll get slapped in a bar, you'll have

1272
01:00:51.199 --> 01:00:54.280
<v Speaker 1>Robert England threatening you. It's terrible. And then are they lost? Yeah?

1273
01:00:54.280 --> 01:00:56.480
<v Speaker 1>I don't think that couple like they're lost in their marriage.

1274
01:00:56.760 --> 01:00:59.559
<v Speaker 1>That one lady's lost in life, that one guy lost

1275
01:00:59.599 --> 01:01:01.280
<v Speaker 1>is sand So yeah, I think they're lost.

1276
01:01:01.320 --> 01:01:03.199
<v Speaker 3>That's se and also like a literal plot point. I

1277
01:01:03.239 --> 01:01:05.440
<v Speaker 3>know it's metaphorically lost, but like they're looking for a

1278
01:01:05.760 --> 01:01:06.320
<v Speaker 3>lost one.

1279
01:01:07.599 --> 01:01:09.199
<v Speaker 2>Yeah, sure, absolutely all three.

1280
01:01:10.320 --> 01:01:10.519
<v Speaker 1>Yeah.

1281
01:01:10.719 --> 01:01:12.400
<v Speaker 2>The scene where they're in the bar and you have

1282
01:01:12.519 --> 01:01:15.199
<v Speaker 2>the slap fight, it was one of those scenes like

1283
01:01:16.440 --> 01:01:19.960
<v Speaker 2>there's no one to root for because the guy sat

1284
01:01:20.320 --> 01:01:23.360
<v Speaker 2>at the bar is like ogling. This lady playing pool

1285
01:01:23.760 --> 01:01:26.000
<v Speaker 2>and then a guy comes up like her friend comes

1286
01:01:26.079 --> 01:01:28.000
<v Speaker 2>up to him, like what are you looking at? But

1287
01:01:28.119 --> 01:01:31.079
<v Speaker 2>then he just wants to fight so so much, he

1288
01:01:31.119 --> 01:01:33.519
<v Speaker 2>wants to fight and so weirdly, I was just watching

1289
01:01:33.559 --> 01:01:37.119
<v Speaker 2>this scene, like, who do I m? None of these people.

1290
01:01:37.480 --> 01:01:39.679
<v Speaker 2>I don't want took root for anybody? What is going

1291
01:01:39.719 --> 01:01:41.679
<v Speaker 2>on here? Just kill each other and it's good at

1292
01:01:41.719 --> 01:01:45.079
<v Speaker 2>here and then we never see we never see them again.

1293
01:01:45.480 --> 01:01:51.400
<v Speaker 2>I think, Yeah, odd film, odd characters.

1294
01:01:52.079 --> 01:01:52.599
<v Speaker 3>You're welcome.

1295
01:01:53.519 --> 01:01:54.400
<v Speaker 2>Thanks, Joey.

1296
01:01:55.880 --> 01:01:59.960
<v Speaker 1>Joey MFF. Joey picks movies that have a long one,

1297
01:02:00.400 --> 01:02:02.800
<v Speaker 1>so this episode might have a long listening life for us.

1298
01:02:02.920 --> 01:02:06.159
<v Speaker 2>Jay I hope so. And I'm up for anything that

1299
01:02:06.239 --> 01:02:08.599
<v Speaker 2>he picks in the future. I can't remember if I

1300
01:02:08.679 --> 01:02:10.119
<v Speaker 2>got an your name against anything else. I'm trying to

1301
01:02:10.119 --> 01:02:10.760
<v Speaker 2>find my spreadshet.

1302
01:02:10.760 --> 01:02:14.639
<v Speaker 1>It's not like Donkey Punch or something Joey which has

1303
01:02:14.719 --> 01:02:15.400
<v Speaker 1>been requested.

1304
01:02:15.719 --> 01:02:20.559
<v Speaker 2>Yeah, Professor Mike Felan said he'll cover on, He'll come

1305
01:02:20.599 --> 01:02:21.639
<v Speaker 2>on and do Donkey Punch.

1306
01:02:22.400 --> 01:02:26.000
<v Speaker 3>I just assume that Marcus covered every movie I might

1307
01:02:26.039 --> 01:02:28.800
<v Speaker 3>want to talk about for MFF, and that you're talking

1308
01:02:28.800 --> 01:02:31.440
<v Speaker 3>about these movies where you're like ranked one and twenty fifth, Like,

1309
01:02:32.280 --> 01:02:34.000
<v Speaker 3>that's a lot of things. I mean, we cover you know,

1310
01:02:34.119 --> 01:02:36.239
<v Speaker 3>hundreds on too fast, So I just assume that like

1311
01:02:36.400 --> 01:02:40.679
<v Speaker 3>most films I would recommend, have been covered. So now especially,

1312
01:02:40.679 --> 01:02:42.400
<v Speaker 3>I don't have to be very careful with like what

1313
01:02:42.559 --> 01:02:44.639
<v Speaker 3>I say around Jay, otherwise I'm going to be talking

1314
01:02:44.679 --> 01:02:49.519
<v Speaker 3>about it for an hour and three years. So I'll

1315
01:02:49.559 --> 01:02:51.840
<v Speaker 3>keep my eye out to Deep Blue and or sea stuff.

1316
01:02:52.920 --> 01:02:56.679
<v Speaker 2>Great. I I kind of ignored my own key to

1317
01:02:56.800 --> 01:02:58.960
<v Speaker 2>my spreadsheet, which is I have your name, but I

1318
01:02:59.039 --> 01:03:02.400
<v Speaker 2>have a question mark. Have like Joey doingdowski as and

1319
01:03:02.480 --> 01:03:05.519
<v Speaker 2>the question mark when he's like, they've mentioned it, but

1320
01:03:05.760 --> 01:03:09.920
<v Speaker 2>maybe so I do have that against one other film

1321
01:03:10.320 --> 01:03:12.400
<v Speaker 2>for you, which is one that we are definitely going

1322
01:03:12.480 --> 01:03:12.719
<v Speaker 2>to cover.

1323
01:03:13.440 --> 01:03:16.840
<v Speaker 3>Actually two I haven't been one of those you can

1324
01:03:16.880 --> 01:03:18.119
<v Speaker 3>do it matter or he can cut this out. I'm

1325
01:03:18.119 --> 01:03:18.679
<v Speaker 3>just curious what else.

1326
01:03:19.599 --> 01:03:24.880
<v Speaker 2>One of them is Into the Blue? Oh, yeah, that's

1327
01:03:24.920 --> 01:03:31.079
<v Speaker 2>Michelle Madriguez. Is that? Sorry? Put poor Paul Walker WA's Yeah,

1328
01:03:31.079 --> 01:03:33.400
<v Speaker 2>is Michelle Rodriguez Lue crush? I should put question mark

1329
01:03:33.440 --> 01:03:35.159
<v Speaker 2>next someone as well. And the other one is a

1330
01:03:35.199 --> 01:03:37.360
<v Speaker 2>film that Mark mentions every other week on the show,

1331
01:03:37.400 --> 01:03:41.880
<v Speaker 2>which is Bats. I don't know. I haven't seen Bats.

1332
01:03:42.320 --> 01:03:44.320
<v Speaker 2>There we go, that question mark is being removed.

1333
01:03:44.960 --> 01:03:47.440
<v Speaker 3>We did Bats for a nineteen ninety podcast when I

1334
01:03:47.599 --> 01:03:49.400
<v Speaker 3>was co hosting that, and we had out my friend

1335
01:03:49.599 --> 01:03:53.639
<v Speaker 3>because he is the number one fan of the movie Brats,

1336
01:03:53.679 --> 01:03:55.840
<v Speaker 3>and so his top four like Bats, Cats, Brats and

1337
01:03:56.239 --> 01:03:58.239
<v Speaker 3>something else. And I was like, oh, you come talk

1338
01:03:58.239 --> 01:03:59.559
<v Speaker 3>about Bats. You love the movie. He's like, oh, I've

1339
01:03:59.559 --> 01:04:01.000
<v Speaker 3>never seen it. I just like went for the rhyme

1340
01:04:01.119 --> 01:04:03.880
<v Speaker 3>on letterbox. I was like, oh, but no, that's is great.

1341
01:04:03.920 --> 01:04:05.719
<v Speaker 3>That's the second X Files episode. That is great. I

1342
01:04:05.760 --> 01:04:06.679
<v Speaker 3>will definitely do Bath of You.

1343
01:04:07.639 --> 01:04:11.360
<v Speaker 2>Great. Question mark removed. It will be whenever we do

1344
01:04:11.440 --> 01:04:15.920
<v Speaker 2>mamm all year, we'll do Bats. Yeah, not this year

1345
01:04:16.360 --> 01:04:16.760
<v Speaker 2>soon though.

1346
01:04:18.440 --> 01:04:18.679
<v Speaker 3>Great.

1347
01:04:18.760 --> 01:04:22.800
<v Speaker 2>Well, Joey, did you have anything else on on Eating Alive?

1348
01:04:23.400 --> 01:04:24.559
<v Speaker 1>No, I am not.

1349
01:04:24.679 --> 01:04:26.559
<v Speaker 3>I'm just going to keep my eye open for new

1350
01:04:26.719 --> 01:04:30.199
<v Speaker 3>reptile movies. I did surprise Mark with the steel Book

1351
01:04:30.280 --> 01:04:32.280
<v Speaker 3>four K release of Crawl. I sent that to him

1352
01:04:33.199 --> 01:04:35.119
<v Speaker 3>that I could break that news to him so nice

1353
01:04:35.760 --> 01:04:38.559
<v Speaker 3>and immediately Jay, yeah, he said, you sent me the link.

1354
01:04:38.920 --> 01:04:42.760
<v Speaker 2>I haven't I know. I have it on Blu Ray

1355
01:04:42.760 --> 01:04:44.199
<v Speaker 2>and I haven't watched the Blue Rays since I bought it.

1356
01:04:44.239 --> 01:04:45.639
<v Speaker 2>So I'm going to keep the blue ray I've got,

1357
01:04:46.519 --> 01:04:49.679
<v Speaker 2>but I'm we're going to cover that soon with the

1358
01:04:51.880 --> 01:04:54.599
<v Speaker 2>great Well, Joey, thank you for joining us. What would

1359
01:04:54.599 --> 01:04:56.400
<v Speaker 2>you like to plug? Where can the listeners find you?

1360
01:04:56.920 --> 01:04:59.519
<v Speaker 3>Every Tuesday, Too Fast, two Forever, we talk about car

1361
01:04:59.679 --> 01:05:01.880
<v Speaker 3>movies and also not car movies, although currently we are

1362
01:05:01.880 --> 01:05:03.480
<v Speaker 3>talking about Carr movies, but we cover a lot of

1363
01:05:03.480 --> 01:05:06.519
<v Speaker 3>different things on there. That is anywhere you find podcasts

1364
01:05:06.519 --> 01:05:08.840
<v Speaker 3>Too Fast, Too Forever. And then every other Thursday of

1365
01:05:08.880 --> 01:05:12.280
<v Speaker 3>a book podcast my friend Bob. We do all sorts

1366
01:05:12.280 --> 01:05:14.239
<v Speaker 3>of different kind of genres of books. We don't stick

1367
01:05:14.280 --> 01:05:16.119
<v Speaker 3>in one lane. That's called How to Win the Lottery,

1368
01:05:16.440 --> 01:05:19.159
<v Speaker 3>which is both a Shirley Shackson reference and Ay Simpsons reference.

1369
01:05:19.280 --> 01:05:20.880
<v Speaker 3>So if you want either of those things, there's a

1370
01:05:20.920 --> 01:05:22.480
<v Speaker 3>little bit of both of those. How to Win the

1371
01:05:22.519 --> 01:05:25.840
<v Speaker 3>Lottery every other Thursday, new book every episode, and a

1372
01:05:25.920 --> 01:05:28.480
<v Speaker 3>new movie most weeks on Too Fast. But thank you

1373
01:05:28.599 --> 01:05:29.519
<v Speaker 3>both for having me.

1374
01:05:30.760 --> 01:05:32.719
<v Speaker 2>Thank you for joining us. Mock any books.

1375
01:05:33.159 --> 01:05:35.199
<v Speaker 1>Well, speaking of books, I read the whole Red Rising

1376
01:05:35.239 --> 01:05:38.119
<v Speaker 1>franchise series. That's good, and I'm working on Dune Crawl Carl,

1377
01:05:38.480 --> 01:05:41.000
<v Speaker 1>and I just read the latest murder Bot book. So

1378
01:05:41.599 --> 01:05:44.039
<v Speaker 1>read those and then I got a new thing with

1379
01:05:44.119 --> 01:05:46.719
<v Speaker 1>shake Out. I don't know, a couple of weeks ago.

1380
01:05:47.440 --> 01:05:49.880
<v Speaker 1>So when this episode comes out, it's about how far

1381
01:05:50.000 --> 01:05:54.239
<v Speaker 1>Harry when Harry met Sally. So read that and then

1382
01:05:54.480 --> 01:05:57.719
<v Speaker 1>uh the movies, films and flicks pod, listen to that.

1383
01:05:58.440 --> 01:05:58.880
<v Speaker 1>It's there.

1384
01:06:00.679 --> 01:06:03.400
<v Speaker 2>I've just finished the stand. We're talking about books. We've

1385
01:06:03.440 --> 01:06:06.519
<v Speaker 2>just finished. It took me a long time because it's

1386
01:06:06.519 --> 01:06:10.519
<v Speaker 2>a freaking huge book, but I liked it. You can

1387
01:06:10.599 --> 01:06:12.239
<v Speaker 2>have my pity is life versus Film dot com. But

1388
01:06:12.280 --> 01:06:14.079
<v Speaker 2>there's not a lot there, so that's fine. You can

1389
01:06:14.119 --> 01:06:16.719
<v Speaker 2>follow it this show all over social media at Deep

1390
01:06:16.800 --> 01:06:20.320
<v Speaker 2>Blue seapod or email us deep Bucypod at gmail dot com.

1391
01:06:20.519 --> 01:06:25.119
<v Speaker 2>Next week, continuing Reptiles with Boa versus Python Fun show.

1392
01:06:25.119 --> 01:06:27.519
<v Speaker 2>I already recorded it. Did not realize it was part

1393
01:06:27.559 --> 01:06:30.760
<v Speaker 2>four on a franchise until after I had seen it,

1394
01:06:31.480 --> 01:06:34.239
<v Speaker 2>So recover the rest of that franchise. Maybe one of

1395
01:06:34.280 --> 01:06:38.639
<v Speaker 2>them is like the film Boa know, it's like New Alcatraz.

1396
01:06:38.639 --> 01:06:41.000
<v Speaker 2>It's an underground prison with a big snake in it.

1397
01:06:41.239 --> 01:06:42.840
<v Speaker 2>It's like, hell, yes, I need to watch this film now.

1398
01:06:43.639 --> 01:06:45.559
<v Speaker 2>So we're gonna cover that at some point. But next

1399
01:06:45.599 --> 01:06:49.519
<v Speaker 2>week is Boa USUS Python with Matt Parrie from DTV Connoisseur,

1400
01:06:49.639 --> 01:06:52.519
<v Speaker 2>So come back next week for that. But as for

1401
01:06:53.400 --> 01:06:55.719
<v Speaker 2>Eden Alive, thank you once again to a wonderful guest,

1402
01:06:55.800 --> 01:06:56.639
<v Speaker 2>Joey Lewandowski.

1403
01:06:57.199 --> 01:06:57.880
<v Speaker 3>Thank you guys.

1404
01:06:58.559 --> 01:07:04.559
<v Speaker 2>I have been Ja Klutz and I'm Mark Hoffleruse you're

1405
01:07:04.639 --> 01:07:08.039
<v Speaker 2>gonna do a nickname for you? I was, I was, Yeah,

1406
01:07:10.000 --> 01:07:16.320
<v Speaker 2>I will deeply see you next week. Hmm
