WEBVTT

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<v Speaker 1>Good morning.

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<v Speaker 2>Today is December fourth, twenty twenty four, about I don't

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<v Speaker 2>know eight fifteen am, give or take, and I just

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<v Speaker 2>got word Dwayne has hurt his back and he tried

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<v Speaker 2>laying down the laptop and he said it wasn't working out.

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<v Speaker 2>And I thought to myself, I could tell you that

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<v Speaker 2>that wouldn't work out. You two come from two different worlds.

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<v Speaker 2>You can't bed down your laptop. It's you're just there's

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<v Speaker 2>too many differences.

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<v Speaker 3>You know.

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<v Speaker 1>Anyway, So now I'm solo today.

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<v Speaker 2>And my daughter, just before she left for school, I

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<v Speaker 2>found out last night that she was going to sing

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<v Speaker 2>for Grandma's and Grandpa's is how she said it. She

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<v Speaker 2>was handsome by her teacher. When the choir teachers, I

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<v Speaker 2>think she also might be when the principles. That could

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<v Speaker 2>be mixing those two together, though maybe that's a different name.

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<v Speaker 2>But anyway, she was hand selected, hand selected choir to

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<v Speaker 2>go sing at nursing homes and stuff like that.

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<v Speaker 1>So they were doing that at noon today. So just

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<v Speaker 1>before she.

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<v Speaker 2>Left, she had her sheet lyrics there and she sang

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<v Speaker 2>to me, I want a hippoponymous for Christmas. And I

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<v Speaker 2>have heard her sing that before at the Christmas gatherings

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<v Speaker 2>we've done each.

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<v Speaker 1>Year over at the school.

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<v Speaker 2>So it's a cool school, like that's what they're doing today.

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<v Speaker 2>It's nice, you know. That's counteracting the lack of family

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<v Speaker 2>and good nature that most public schools provide. Right, it's

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<v Speaker 2>the antithesis of the public of the public school atmosphere.

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<v Speaker 2>So here we are and I am by myself. So

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<v Speaker 2>last night, if anybody cares, I spent four hours trying

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<v Speaker 2>to install the operating system to the new computer. Four hours.

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<v Speaker 2>Guess how far I got. Yeah, So the whole thing

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<v Speaker 2>is like a catch twenty two with Windows eleven. It's

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<v Speaker 2>telling me I don't have a network driver in the

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<v Speaker 2>computer already, which you'd think these things would be firmware

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<v Speaker 2>or something like that. Just they get you started and

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<v Speaker 2>then you can update after you're on. But they wanted

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<v Speaker 2>me to continue the process after two steps to go

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<v Speaker 2>online to do it. But then it's telling me it

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<v Speaker 2>doesn't have the driver. I try to install it and

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<v Speaker 2>it doesn't. It doesn't even recognize the ex file and

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<v Speaker 2>there is no DRV or whatever the hell file that

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<v Speaker 2>it might. They don't it doesn't exist. So what am

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<v Speaker 2>I gonna supposed to convert? It like that doesn't make sense. Obviously,

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<v Speaker 2>they set these things out and they have these on

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<v Speaker 2>available on the websites. You would think the majority of

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<v Speaker 2>people would be using Windows, so it should be working,

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<v Speaker 2>but it's not. So you would think they would format

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<v Speaker 2>it in a manner which it could be received and understood,

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<v Speaker 2>but it isn't. So now I have opened up on

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<v Speaker 2>my computer a rufous tab here and I was about

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<v Speaker 2>to do the the iOS onto for Linux Mint Cinnamon,

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<v Speaker 2>which means I'm going to go into a world of

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<v Speaker 2>hell trying to get da vincire resolved to be formatted,

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<v Speaker 2>be formatted to Debian in order to use it on

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<v Speaker 2>this computer because Windows has failed me. So that's where

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<v Speaker 2>I'm at, and I don't even know if I want

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<v Speaker 2>to do that.

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<v Speaker 1>It's very very upsetting.

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<v Speaker 2>But hey, since we're on top of of family and

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<v Speaker 2>how cool that was this morning, and how nice that was, good,

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<v Speaker 2>good dad moment for me, I want to show you

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<v Speaker 2>this because I have before, but I'm going to show

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<v Speaker 2>you again and I hope that this time there's actually

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<v Speaker 2>a response to it.

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<v Speaker 1>So I'm looking right now at the rumble version.

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<v Speaker 2>Okay, now there's only fourteen people here, so this will

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<v Speaker 2>be repeated later on. I did to have all this

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<v Speaker 2>crap as I so short. Anyway, do you constantly change

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<v Speaker 2>formats or it's this this processor on the new TV

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<v Speaker 2>that's changing out the layout. Anyhow, when you scroll all

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<v Speaker 2>the way down to the very bottom here you see

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<v Speaker 2>family channel, YouTube dot com backslash at go for it

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<v Speaker 2>no limits, okay. I've asked people to please go ahead

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<v Speaker 2>and click that, okay, and then it's this little subscribe button.

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<v Speaker 2>You don't have to turn on the notifications if you

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<v Speaker 2>don't want them, but help the damn channel out.

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<v Speaker 1>Please.

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<v Speaker 2>It doesn't cost you a thing to do that. It

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<v Speaker 2>shows that you give a shit, and you know it

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<v Speaker 2>would be nice because it's my daughter's channel.

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<v Speaker 1>In mind that she sees it build. You know, it's

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<v Speaker 1>not monetized or anything.

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<v Speaker 2>It's just something for us, for our family, our family stuff,

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<v Speaker 2>dad moments.

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<v Speaker 1>So I mean, I'm not sure what the hesitance is here.

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<v Speaker 2>It's not like it's cutting into your budget to do so,

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<v Speaker 2>so please do that.

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<v Speaker 1>I want everybody the hell's this month also being a

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<v Speaker 1>dick right now?

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<v Speaker 2>So there it is. It's called go for it or

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<v Speaker 2>at go for it no limits, all right? I put

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<v Speaker 2>up some new stuff on it recently, and I'm thought

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<v Speaker 2>to do more. Some of the stuff was carried over

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<v Speaker 2>from other channels, but like these four on top or new.

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<v Speaker 2>This one you may have seen before if you're on

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<v Speaker 2>my awesome Hot Sauce YouTube channel, or if I think

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<v Speaker 2>I also put this on at my Instagram.

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<v Speaker 1>But man, you know, it's like, what does it take?

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<v Speaker 2>So I'm not quite the influencer if I can't even

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<v Speaker 2>influence somebody to do something as simple as that. And

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<v Speaker 2>there's four and forty subscribers here, of which about a

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<v Speaker 2>little over half typically watch the videos here, so I

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<v Speaker 2>don't see why half of that can't bring this subscriber

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<v Speaker 2>count to over a thousand.

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<v Speaker 1>So let's do that. Please, Merry Christmas.

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<v Speaker 2>That's all you gotta do, right, Yeah, this one was

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<v Speaker 2>an interesting one.

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<v Speaker 1>It's kind of fun.

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<v Speaker 2>We're showcasing my family's Italian wine from Italy. My grandfather's

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<v Speaker 2>directly related to them. It's actually his last name on

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<v Speaker 2>the bottles, Rauci. He said, I don't know why our

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<v Speaker 2>family ever left. We came here just to be poor.

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<v Speaker 2>His dad, my great grandfather, was working on smokestacks and

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<v Speaker 2>a brick fell from very high and landed on his

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<v Speaker 2>base of his neck and crippled them for the rest

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<v Speaker 2>of his life. So the family was poor because he

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<v Speaker 2>couldn't do anything anymore.

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<v Speaker 1>So that's how that went down. Okay, so we are

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<v Speaker 1>here and I do have some things to share. You're

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<v Speaker 1>just gonna have.

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<v Speaker 2>To bear with the fact that I had a whole

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<v Speaker 2>other play on going on, and then it got changed

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<v Speaker 2>five minutes prior to me going on. That's when I

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<v Speaker 2>saw the message I messaged him last night, and then

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<v Speaker 2>today it looked like he was I mean, apparently he

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<v Speaker 2>was trying to make it happen, but then he just

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<v Speaker 2>couldn't be comfortable with his hurt back.

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<v Speaker 1>So all right, what am I remember? Say?

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<v Speaker 4>Oh?

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<v Speaker 1>Cuts, I hate the way it cuts out. Let's see

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<v Speaker 1>where was I looking? Oh yeah, Instagram, you can't even

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<v Speaker 1>hear the keys strokes anymore. Interesting? Where am I looking?

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<v Speaker 1>Where am I looking? Not that one? Probably this one?

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<v Speaker 1>Things are loading slow. We already saw that one there is.

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<v Speaker 1>That's a good one. All right, So this is interesting.

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<v Speaker 1>It's in keeping with the seasons. It's just so quiet,

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<v Speaker 1>like I don't hear any background anymore, and it's just

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<v Speaker 1>I have to figure out how to take the sensitivity

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<v Speaker 1>off of this a little bit. So that's only I.

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<v Speaker 2>Mean, I'm gonna be doing that documentary, so I'm like, yeah,

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<v Speaker 2>don't mess with it because you don't want a background noise.

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<v Speaker 1>You want it to be like a sewing room when

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<v Speaker 1>you do that.

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<v Speaker 2>But I mean, I can't even like turn my head

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<v Speaker 2>slightly away from this mic without it cutting my voice out.

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<v Speaker 5>Thank helda, Coca Cola was doing the math on its sales.

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<v Speaker 5>I believe by that point it had already abandoned the

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<v Speaker 5>cocaine content. It was just Cola at that point, where

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<v Speaker 5>once you name something cocaine cola, how do.

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<v Speaker 6>You ever walk back from that? You know what I mean,

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<v Speaker 6>It's still good of a name.

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<v Speaker 2>So yeah, don't mind the guy up on top who

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<v Speaker 2>randomly pops in just to nod his head. I don't

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<v Speaker 2>know why people do that. Just replay the video of

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<v Speaker 2>what do you have to have your headitet.

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<v Speaker 7>They noticed something people.

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<v Speaker 5>Bought Coca Cola in the summer, a little bit in

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<v Speaker 5>the fall, a little bit in spring, not in the winter.

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<v Speaker 5>People didn't think of it as a winter drink. So

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<v Speaker 5>the Coca Cola advertisers were like, Wow, wouldn't it be great,

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<v Speaker 5>if we could somehow trick people, or convince people, or

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<v Speaker 5>talk people, or cokes or whatever brainwash people into drinking coca.

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<v Speaker 7>Cola in the winter too.

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<v Speaker 5>So here's what Coca Cola advertisers came up with. They thought,

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<v Speaker 5>what if we somehow worked Coca cola into Christmas. Now,

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<v Speaker 5>I know what you're thinking. Christmas is such a big deal.

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<v Speaker 5>Not back then. Back then, Easter was the big deal.

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<v Speaker 5>Christmas was important. People would go do mass to commemorate

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<v Speaker 5>Christ's birth, but everybody's poor. The real interesting thing is

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<v Speaker 5>to be killed, executed and then come back two days later.

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<v Speaker 5>That's fascinating, which is why people had focused on Easter.

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<v Speaker 5>So what the Coca Cola advertisers did was they found

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<v Speaker 5>a saint who was about to be decanonized, Santa Claus.

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<v Speaker 7>The Catholic Church.

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<v Speaker 5>Like, he hasn't performed a miracle in a while, let's

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<v Speaker 5>unemploy him.

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<v Speaker 6>They grabbed him.

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<v Speaker 5>They merge with the story of Saint Nick, and then

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<v Speaker 5>they got it. They got somebody got inspired, and the

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<v Speaker 5>inspiration was to merge him with Chris Kringle. Chris Kringle

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<v Speaker 5>was a Danish thief whose job in the day was

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<v Speaker 5>a chimney sweep.

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<v Speaker 8>He could pop his shoulders out and he could fit

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<v Speaker 8>down a chimney. He would rob your house and then

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<v Speaker 8>work his way back up, but you'd have a clean chimney.

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<v Speaker 5>And they merged this together. But they then took Saint

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<v Speaker 5>Nicholas out. He was usually portrayed as a young man

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<v Speaker 5>and skinny young man in green and brown clothing. They

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<v Speaker 5>stuck him in Coca Cola colors red and white. They

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<v Speaker 5>even decided to give him.

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<v Speaker 1>That red and white also, you know, reflects the m

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<v Speaker 1>and he had muscaria mushroom and the whole reindeer thing too,

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<v Speaker 1>so that was also part of the whole, the whole symbolism.

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<v Speaker 5>There him some pink in his skin to keep the

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<v Speaker 5>Coca Cola colors going, so they made him an old

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<v Speaker 5>mats they could have white hair, and then they stuck

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<v Speaker 5>them on the bottom. That's why periodically you'll see Sarah

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<v Speaker 5>Claus on a cocoabab or a Coca Cola cat around

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<v Speaker 5>Christmas time.

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<v Speaker 9>Because they made him up and they transformed Chris Christmas.

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<v Speaker 9>So instead of Christmas being an important event but not

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<v Speaker 9>an especially emotional event and especially involved event necessarily, I mean,

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<v Speaker 9>there were nice traditions around it, stockings and maybe a

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<v Speaker 9>Christmas tree.

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<v Speaker 7>They turned it into this.

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<v Speaker 5>Thing where all of a sudden, this mythical being who

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<v Speaker 5>drinks a lot of Coca Cola is bringing you presents.

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<v Speaker 5>I guess that's how he stays up so late because

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<v Speaker 5>think about how many hours it would take to bring

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<v Speaker 5>presents to everybody and in the process.

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<v Speaker 6>Now the average Christian in the United.

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<v Speaker 5>States at least thinks Christmas is the important Christian holiday,

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<v Speaker 5>and it's forced other religions to think about what holiday

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<v Speaker 5>they could promote during that time period. Like Honko is

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<v Speaker 5>never especially important. I mean, it's important, but not like

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<v Speaker 5>you wouldn't evolve like a whole bunch of time and

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<v Speaker 5>energy and effort round it.

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<v Speaker 6>But then, right, if you're Jewish and you're like looking

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<v Speaker 6>at your kids, going, we wish we had a.

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<v Speaker 5>Christmas tree, you need something to compete with this, And

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<v Speaker 5>the next thing you know, there's a Kwanza because a

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<v Speaker 5>Coca Cola advertisers trying to get you to drink more cocla.

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<v Speaker 5>They've changed our religion, they've changed our culture, they've changed

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<v Speaker 5>us economically. So you can imagine what happens when you

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<v Speaker 5>have a government deliberately thinking about these things one hundred.

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<v Speaker 2>That point at the end is pretty interesting, right, the

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<v Speaker 2>implications there Now, imagine a government, especially a malicious one

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<v Speaker 2>that wants to harm the people, thinking along those terms

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<v Speaker 2>of how they can manipulate in Social Engineer and Cana actually.

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<v Speaker 10>Play this.

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<v Speaker 1>Before before what you call it.

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<v Speaker 2>Duane spoke today because it actually was related to what

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<v Speaker 2>he was going to talk about.

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<v Speaker 1>But we'll probably just hold on to that until next time.

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<v Speaker 6>M hmm.

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<v Speaker 2>There's a there's a couple of good ones in here.

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<v Speaker 2>I might have to hit up a couple here. Yeah,

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<v Speaker 2>this is a I mean, it's just it's just showing

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<v Speaker 2>you something. But look, if you haven't seen this, are.

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<v Speaker 11>You how many say.

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<v Speaker 7>Are you?

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<v Speaker 1>Yeah?

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<v Speaker 2>Simple enough can face the message. I think we already

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<v Speaker 2>played that one the other day. Now, there's two about parasites.

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<v Speaker 2>I'm gonna add here, and we may have heard one

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<v Speaker 2>of them, but it's worth repeating. I don't think you

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<v Speaker 2>actually did this one. This is another clip from the

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<v Speaker 2>same presentation, but it's different.

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<v Speaker 1>It's a different segment of it.

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<v Speaker 12>They take pictures of the parasites they get out of

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<v Speaker 12>you on these different j warming programs. Woman got eighteen

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<v Speaker 12>inch long critters out there that were so thick she

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<v Speaker 12>couldn't get them into a top of the juice bottle.

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<v Speaker 12>They're usually translucent, they're usually white, and there's some of

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<v Speaker 12>them that look like tarantula spiders.

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<v Speaker 6>Some of them look like grasshoppers.

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<v Speaker 12>Some of them look like little tiny miniature sailboats. Some

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<v Speaker 12>of them look like little spacecraft.

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<v Speaker 13>This is truly gonna blow you. It will change the

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<v Speaker 13>way that you view health altogether. This guy looked through

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<v Speaker 13>these books from the eighteen hundreds and he noticed they

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<v Speaker 13>all had parasite cleanses.

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<v Speaker 6>And what did they know back then? What were they doing? Guessing?

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<v Speaker 12>I started finding books that were published by doctors through

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<v Speaker 12>the eighteen hundreds, books that they read in books that

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<v Speaker 12>they learned from, and loan behold out of every single

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<v Speaker 12>book were deworming programs, parasite programs, or doctors in those

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<v Speaker 12>days did optopsis and they found parasites. And I looked

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<v Speaker 12>at that, and I got a hold of doctors and

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<v Speaker 12>they said, no, we don't have parasites today. So we

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<v Speaker 12>started to search for parasite programs just to see what

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<v Speaker 12>was going on, to see if something was happening that

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<v Speaker 12>we really didn't understand. So I did myself first, and

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<v Speaker 12>lo and behold, I got eight and ten inch critters

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<v Speaker 12>out of me. They were white. First of all, they

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<v Speaker 12>were in the toilet water and they were all bunched up.

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<v Speaker 6>It look.

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<v Speaker 12>I thought it was mucus until just for a curiosity,

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<v Speaker 12>I threw hot water and the toilet warm it up,

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<v Speaker 12>and then went and.

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<v Speaker 6>Gosh, they strung up. They were swimming all over.

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<v Speaker 12>We're now doing pictures in color out of clinics where

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<v Speaker 12>you go potty on a special screen in it and

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<v Speaker 12>they take pictures of the parasites they get out of

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<v Speaker 12>you on these different dere worming programs.

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<v Speaker 6>Yeah, this is really strange stuff.

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<v Speaker 12>I have never yet he wormed anyone where they didn't

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<v Speaker 12>tell me, Hey, I feel twenty five percent better.

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<v Speaker 6>Maybe got helloposis.

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<v Speaker 12>You're loaded because that's where urin and weren't droppings that

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<v Speaker 12>you're reading up. So it's no wonder you arrest that

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<v Speaker 12>when they pee, that's called ammonia. So just go to

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<v Speaker 12>a doctor, have a blood test and see what level

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<v Speaker 12>of ammonia is in your blood. If you have ammonia

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<v Speaker 12>in your blood, that's called worm urine. You get a headache.

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<v Speaker 12>You got the headache because the worms are all peeing

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<v Speaker 12>trying to get you to eat something else, so trying

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<v Speaker 12>to make you sick, so you'll get off of what

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<v Speaker 12>you're doing and start eating. So you take some argentina

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<v Speaker 12>and orthanine, and of twenty minutes, if the headache's gone,

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<v Speaker 12>you've neutralized the worm urn and you know that you're loaded.

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<v Speaker 12>All have little tiny pimples on the backs of their arms,

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<v Speaker 12>or little tiny pimples here on the edges of their cheeks,

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<v Speaker 12>have five varieties of critters in them.

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<v Speaker 6>Five varieties. It's time to do. It's time to get

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<v Speaker 6>them out.

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<v Speaker 2>They too, So there's that wonderful thought. And then to

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<v Speaker 2>follow up with that, here we go.

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<v Speaker 7>I can't believe it.

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<v Speaker 14>Next.

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<v Speaker 1>Oh my god, this is annoying this beginning here. But

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<v Speaker 1>uh yeah, you know, Geographic admitted this about parasites.

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<v Speaker 7>I was it really shocked when I.

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<v Speaker 15>Found out that this is something that affects every single

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<v Speaker 15>living human. In fact, every single living organism on the

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<v Speaker 15>face of the earth.

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<v Speaker 10>Could be leading a healthy lifestyle.

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<v Speaker 15>You could be jogging, eating raw food, taking vitamins and

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<v Speaker 15>all those kinds of things.

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<v Speaker 10>But these guys don't.

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<v Speaker 15>Care These guys are persistent, they're dangerous, they're deadly. They've

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<v Speaker 15>been around for millions of years. They know what they're doing,

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<v Speaker 15>and they're inside of all of us. And we're constantly

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<v Speaker 15>being exposed to this going on, and it's going on

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<v Speaker 15>inside every one of us. And this is something that

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<v Speaker 15>we all need to take very seriously. This is not

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<v Speaker 15>science fiction. This is scary. It's real, and it's serious.

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<v Speaker 15>Monsters living insidius. They eat our bodies and control our emotions, urges.

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<v Speaker 10>And thoughts.

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<v Speaker 9>As a colon hydrotherapist for approximately twenty twenty one years now.

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<v Speaker 15>You wouldn't believe what I see coming out of people's bodies.

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<v Speaker 10>This is not just a third world country thing.

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<v Speaker 15>Everybody has them, even normal people with lots of money

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<v Speaker 15>living in some burbia who take showers three times a day.

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<v Speaker 10>If you eat sushi, you have parasites.

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<v Speaker 15>One square inch of the raw sushi meat can contain

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<v Speaker 15>ten thousand parasite larvin eggs that begin hatching inside you

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<v Speaker 15>the minute you eat it. The most common kind is tapeworms,

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<v Speaker 15>which can grow to sixty feet long live in your

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<v Speaker 15>intestines for decades. If you have pets, you're guaranteed to

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<v Speaker 15>have parasites. It doesn't matter if your vegetarian raw food

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<v Speaker 15>is vegan or macrobiotic. Even the healthiest and richest people

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<v Speaker 15>on earth have parasites. You can't kill them all, only

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<v Speaker 15>control them because our bodies have trillions of cells which

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<v Speaker 15>rely on helpful bacteria like probiotics to work. Right, if

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<v Speaker 15>we kill all the organisms in our body, we kill ourselves.

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<v Speaker 15>The secret is to keep the bad guys to a minimum,

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<v Speaker 15>make our bodies so healthy and clean the undesirable guests

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<v Speaker 15>won't want to stick around.

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<v Speaker 1>Parasites are living, and how do you do that? By

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<v Speaker 1>being fully neutrified with the ninety essentials and Doctor Peter

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00:21:41.680 --> 00:21:46.960
<v Speaker 1>Glynnen on his website for members, has a detox protocol

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<v Speaker 1>and a parasite cleanse, a full Moon Cleanse.

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<v Speaker 2>You should check it out. The link is us in

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<v Speaker 2>the description. You may need to be a member or

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<v Speaker 2>you might be able to access it on the outside.

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<v Speaker 15>I don't know alien creatures who live off of others.

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<v Speaker 15>They eat your food, They poop their waist inside you,

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<v Speaker 15>making your blood, limp and tissues toxic.

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<v Speaker 10>Common signs of parasites.

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<v Speaker 15>Are you're tired a lot, sleeping problems, constant itching, weakness, headaches,

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<v Speaker 15>lack of appetite or hungry all the time, especially for

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<v Speaker 15>sweet foods and carbs. Flu like symptoms, depressions, skin problems,

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00:22:19.279 --> 00:22:23.839
<v Speaker 15>acne arthritis, joint pains, egzima, dermatitis, sinus problems, breathing and

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<v Speaker 15>lung problems like pneumonia, then uncontrollable coughing, lumps under the skin, cysts, diarrheam, constipation,

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<v Speaker 15>sometimes alternating back and forth, mucus in your stool, irritable

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<v Speaker 15>bowel syndrome, stomach aches, cramps, digestion problems, nausea, overly dry lips,

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<v Speaker 15>vision and eye of problems, gas bloating. Parasites can burrow

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<v Speaker 15>into your brain and cause nerve damage and eye problems.

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<v Speaker 2>They can multi burrow into your brain. RFK Junior on

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<v Speaker 2>a dead one in his brain. According to the folklore.

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<v Speaker 15>There's applied so much in your gut what you think

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<v Speaker 15>is fat may in fact the entire nests of parasites.

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<v Speaker 15>Parasites can even contribute to infra utility and trialbirth difficult

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<v Speaker 15>subject too.

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<v Speaker 1>There you go.

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<v Speaker 2>If we're not, if we're not all just you know,

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<v Speaker 2>reflexibly scratching ourselves right now. Yeah, it happens, all right,

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<v Speaker 2>So I check a couple of other things. I think

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<v Speaker 2>I may have no, I think that's it. Yep, that's it. Okay,

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<v Speaker 2>there we go.

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<v Speaker 1>Mm hmmmmmmmm. So let's do this.

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<v Speaker 2>I'm going to be going into discussion today, but you

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<v Speaker 2>know it was pretty popular on Saturday. So I'm going

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<v Speaker 2>to drop the Lincoln here. But you're just gonna have

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00:23:54.599 --> 00:23:56.680
<v Speaker 2>to give me a second to go find my phone.

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00:23:56.720 --> 00:23:58.759
<v Speaker 2>If you guys, call one. Otherwise you can use this

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00:23:58.839 --> 00:24:02.920
<v Speaker 2>link and just jump in to this live stream.

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<v Speaker 6>I think. There.

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<v Speaker 2>There's that, and then we go over to FDJ and

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00:24:05.680 --> 00:24:11.599
<v Speaker 2>do the same. Yes we started here real thick. Oh

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00:24:11.640 --> 00:24:15.680
<v Speaker 2>I didn't carry over my thumbdail again bastwards. Oh well,

396
00:24:18.240 --> 00:24:19.839
<v Speaker 2>this one runs a little slow. It's just gotta get

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00:24:19.839 --> 00:24:24.359
<v Speaker 2>to it. Hold on, and then we will get on

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00:24:24.799 --> 00:24:28.640
<v Speaker 2>with ourselves. If anyone knows what's going on with that

399
00:24:28.680 --> 00:24:35.039
<v Speaker 2>whole computer thing, please feel free to enlighten me. I mean,

400
00:24:35.039 --> 00:24:37.240
<v Speaker 2>it's gonna be a pain in the you know what

401
00:24:37.359 --> 00:24:39.559
<v Speaker 2>either way, because it doesn't want to it doesn't want

402
00:24:39.599 --> 00:24:40.720
<v Speaker 2>to help, it doesn't want.

403
00:24:40.559 --> 00:24:43.680
<v Speaker 1>To work, and this is taking for evidence and over.

404
00:24:46.839 --> 00:24:46.960
<v Speaker 6>All.

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00:24:47.079 --> 00:24:49.960
<v Speaker 2>Right, there we go, And now I don't see the

406
00:24:50.279 --> 00:24:51.400
<v Speaker 2>chat button anymore?

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00:24:51.400 --> 00:24:51.960
<v Speaker 1>Where did that go?

408
00:24:52.880 --> 00:24:53.079
<v Speaker 6>Chat?

409
00:24:53.119 --> 00:24:57.160
<v Speaker 2>But out there it is. It just magically appeared. Okay, cool,

410
00:24:59.799 --> 00:25:03.759
<v Speaker 2>if you're over there on FTJ, I'm dropping in here.

411
00:25:03.960 --> 00:25:07.119
<v Speaker 2>Also the link if you want to jump into the

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00:25:07.240 --> 00:25:09.599
<v Speaker 2>show today. It's just taken a little while to do stuff.

413
00:25:10.880 --> 00:25:13.400
<v Speaker 2>I already sent it, but it hasn't populated yet.

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00:25:14.160 --> 00:25:14.759
<v Speaker 1>Well that's there.

415
00:25:14.759 --> 00:25:15.400
<v Speaker 6>It goes.

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00:25:16.759 --> 00:25:24.640
<v Speaker 2>Very very very deleted. Yeah, Project Spirit. You keep on

417
00:25:24.720 --> 00:25:28.759
<v Speaker 2>going on about Tony Pantella Rasco. That guy is one

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<v Speaker 2>of the biggest assholes on the planet.

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<v Speaker 10>He is.

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<v Speaker 2>Vindictively an asshole to people for like no reason, because

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00:25:39.240 --> 00:25:41.400
<v Speaker 2>he has to be the authority. He's got a very

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00:25:42.160 --> 00:25:47.839
<v Speaker 2>very fragile ego, very fragile, and he jumps to conclusions

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<v Speaker 2>and wants to tell everybody how stupid they are all

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00:25:50.000 --> 00:25:53.319
<v Speaker 2>the time. He literally hates mankind, even though he's pretending

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00:25:53.359 --> 00:25:55.640
<v Speaker 2>to like want to help them. He wants everybody to

426
00:25:55.640 --> 00:25:58.599
<v Speaker 2>die except for him. And that's that's the truth of it.

427
00:25:59.200 --> 00:26:03.480
<v Speaker 2>So how however he gets to his information and however

428
00:26:03.559 --> 00:26:07.000
<v Speaker 2>valid it is, is not my question here. It's it's

429
00:26:07.119 --> 00:26:10.960
<v Speaker 2>him and his mentality that I do not like. So

430
00:26:11.000 --> 00:26:14.200
<v Speaker 2>I'm just gonna leave it there. With Tony Pantellaresco in

431
00:26:14.519 --> 00:26:19.960
<v Speaker 2>the Remedy or whatever new variant of his podcast or

432
00:26:20.000 --> 00:26:23.319
<v Speaker 2>whatever he's doing now is I've watched his videos. I've

433
00:26:23.319 --> 00:26:25.920
<v Speaker 2>watched his videos on YouTube for you long long ago

434
00:26:25.960 --> 00:26:30.240
<v Speaker 2>and all that. It's very unfortunate face and maybe that's

435
00:26:30.240 --> 00:26:32.279
<v Speaker 2>why he hates me in kind, but I don't know.

436
00:26:33.079 --> 00:26:36.920
<v Speaker 2>He's he's quite quite an asshole, and I've had interactions

437
00:26:36.920 --> 00:26:40.000
<v Speaker 2>with him. That's why I'm saying that it wasn't pleasant.

438
00:26:40.559 --> 00:26:42.759
<v Speaker 2>He wanted to tell me how stupid I was because

439
00:26:42.759 --> 00:26:47.119
<v Speaker 2>I asked a question, because I was presenting a question

440
00:26:47.160 --> 00:26:49.240
<v Speaker 2>that I knew the answer to, but also like trying

441
00:26:49.240 --> 00:26:51.759
<v Speaker 2>to like remind him that there is also a detail

442
00:26:51.799 --> 00:26:53.880
<v Speaker 2>that should be considered, and he just went off on

443
00:26:53.920 --> 00:26:55.839
<v Speaker 2>a tangent about how well then.

444
00:26:55.759 --> 00:26:59.559
<v Speaker 1>You're gonna die had blah blah blahlah blah. I'm like, no,

445
00:26:59.680 --> 00:27:00.400
<v Speaker 1>you don't get it.

446
00:27:00.440 --> 00:27:02.000
<v Speaker 2>You're not you're not you're not picking up on this

447
00:27:02.119 --> 00:27:04.799
<v Speaker 2>on the on the cues here, buddy, And it just

448
00:27:04.880 --> 00:27:07.039
<v Speaker 2>went on from there, like and then him just like

449
00:27:07.640 --> 00:27:11.240
<v Speaker 2>constantly barraging because he has to be the only authority.

450
00:27:12.000 --> 00:27:15.440
<v Speaker 2>He can't accept other people's information because if it doesn't

451
00:27:15.440 --> 00:27:18.559
<v Speaker 2>come from him. He feels very very threatened, and it's

452
00:27:18.799 --> 00:27:25.680
<v Speaker 2>very strange. It's a very very unstable, unstable personality.

453
00:27:27.519 --> 00:27:31.839
<v Speaker 1>He's got some problems. So that's what I think about

454
00:27:31.839 --> 00:27:32.880
<v Speaker 1>Tony Pantella Risco.

455
00:27:33.799 --> 00:27:37.480
<v Speaker 2>Otherwise, maybe the information's good, but I wouldn't I wouldn't

456
00:27:37.559 --> 00:27:39.640
<v Speaker 2>tolerate the attitude, So it doesn't matter.

457
00:27:43.480 --> 00:27:47.240
<v Speaker 1>Okay, so it's out there kick. What the hell?

458
00:27:47.839 --> 00:27:52.440
<v Speaker 2>Hello, sir, I am a new follower. Done, I just subscribed. Cool, Okay,

459
00:27:52.480 --> 00:27:55.119
<v Speaker 2>well here you go, my friend. I'm gonna send this

460
00:27:55.240 --> 00:27:57.759
<v Speaker 2>out over here on Kick too. It looks like we

461
00:27:57.839 --> 00:28:00.599
<v Speaker 2>got something's going on over on Kick. That's the stream

462
00:28:00.640 --> 00:28:04.960
<v Speaker 2>yard link. People's all right, go ahead and jump in

463
00:28:05.000 --> 00:28:06.960
<v Speaker 2>if you want to talk, you want to bring up anything.

464
00:28:09.759 --> 00:28:14.440
<v Speaker 2>Otherwise I'll just have to keep going tracking along here.

465
00:28:17.039 --> 00:28:17.279
<v Speaker 1>Yeah.

466
00:28:17.319 --> 00:28:20.119
<v Speaker 2>Well, like, so what Dwayne was going to discuss today

467
00:28:20.279 --> 00:28:24.599
<v Speaker 2>was it kind of kind of a little complicated.

468
00:28:25.200 --> 00:28:29.640
<v Speaker 1>But I'll read what he had written. Let's see what

469
00:28:29.640 --> 00:28:31.039
<v Speaker 1>he says.

470
00:28:33.200 --> 00:28:37.440
<v Speaker 2>Yeah, okay, yeah, let's let's looks like he might come in.

471
00:28:37.480 --> 00:28:52.799
<v Speaker 2>Hold on, hold on, let me get him. All right,

472
00:28:54.000 --> 00:28:57.680
<v Speaker 2>there's diggity Dwayne. We might have Dwayne after all. Look

473
00:28:57.720 --> 00:29:03.079
<v Speaker 2>at that isn't that splended It's very splendid. Looks like

474
00:29:03.160 --> 00:29:05.839
<v Speaker 2>you said, he's getting a little bit more comfortable. The

475
00:29:05.839 --> 00:29:08.359
<v Speaker 2>back problems suck. Sometimes you can't lay right, you can't

476
00:29:08.359 --> 00:29:11.240
<v Speaker 2>stand right, you can't crouch right. It is nothing. Nothing

477
00:29:11.279 --> 00:29:14.119
<v Speaker 2>makes the not go away or whatever the problem.

478
00:29:14.079 --> 00:29:17.599
<v Speaker 1>Happens to be. I've had lower back lumbar issues a lot.

479
00:29:17.559 --> 00:29:21.079
<v Speaker 2>And it's usually from twisting like I can lift heavy, heavy,

480
00:29:21.119 --> 00:29:24.839
<v Speaker 2>heavy ass weight, you know, into proper motion. But if

481
00:29:24.880 --> 00:29:27.559
<v Speaker 2>I twist with like so much as like a pencil

482
00:29:27.599 --> 00:29:30.079
<v Speaker 2>in my hand like that, sometimes I'll throw off my back.

483
00:29:31.039 --> 00:29:36.839
<v Speaker 2>It's it's crazy. It's crazy how that works, twisting of

484
00:29:36.839 --> 00:29:40.839
<v Speaker 2>the waist. Three days later, I'm finally like able to

485
00:29:40.880 --> 00:29:41.400
<v Speaker 2>walk again.

486
00:29:41.680 --> 00:29:47.160
<v Speaker 1>It's good times. Yeah. Oh so.

487
00:29:48.160 --> 00:29:51.680
<v Speaker 2>Also, if you have experience with Linux Mint, or if

488
00:29:51.680 --> 00:29:55.119
<v Speaker 2>you've ever had to try to convert you know, Da

489
00:29:55.200 --> 00:29:58.640
<v Speaker 2>Vinci Resolve into Deban or Debian or whatever the hell

490
00:29:58.680 --> 00:30:02.119
<v Speaker 2>it's called. I'm not sure how the let me know too.

491
00:30:02.279 --> 00:30:04.920
<v Speaker 2>You can send me an email Ballbusters at outlook dot com.

492
00:30:05.440 --> 00:30:08.920
<v Speaker 2>All right, and then let's see if Dwayne pops in here.

493
00:30:09.079 --> 00:30:13.880
<v Speaker 2>We'll we'll keep an eye out for that. Also, I

494
00:30:13.920 --> 00:30:15.960
<v Speaker 2>gotta say this because of what's going on with the

495
00:30:15.960 --> 00:30:20.319
<v Speaker 2>computer currently, I'm going to have to tackle this by

496
00:30:20.359 --> 00:30:25.400
<v Speaker 2>a different means in the meantime because I have a

497
00:30:25.400 --> 00:30:27.359
<v Speaker 2>lot of thoughts here and I don't want to slow

498
00:30:27.400 --> 00:30:31.279
<v Speaker 2>down and bottleneck my workflow. So what I'm going to

499
00:30:31.359 --> 00:30:35.200
<v Speaker 2>try to do, because once I have the the license

500
00:30:35.960 --> 00:30:39.359
<v Speaker 2>for it, I can put it on multiple devices, is

501
00:30:39.599 --> 00:30:42.160
<v Speaker 2>I need to get an upgrade on my RAM, because

502
00:30:42.160 --> 00:30:46.359
<v Speaker 2>I try to do digital editing on that laptop and

503
00:30:46.640 --> 00:30:53.960
<v Speaker 2>it is ridiculously slow, super slow. And it's not the

504
00:30:54.039 --> 00:30:57.440
<v Speaker 2>chip reader or the or the SD card itself and

505
00:30:57.559 --> 00:31:00.000
<v Speaker 2>how fast the bitrate is. It's not that because I

506
00:31:00.000 --> 00:31:01.640
<v Speaker 2>I already made sure I had a really good one,

507
00:31:02.519 --> 00:31:05.039
<v Speaker 2>but it's the RAM. I think there's only sixteen gig

508
00:31:05.039 --> 00:31:06.880
<v Speaker 2>in there and it should really have thirty two for

509
00:31:07.960 --> 00:31:12.799
<v Speaker 2>doing the video editing. So that being said, and the

510
00:31:12.839 --> 00:31:18.240
<v Speaker 2>license itself. If you guys are you know, you guys

511
00:31:18.240 --> 00:31:20.200
<v Speaker 2>did an amazing job. Thank you so much for what

512
00:31:20.240 --> 00:31:24.799
<v Speaker 2>you did for the computer build itself. But right now

513
00:31:24.839 --> 00:31:25.200
<v Speaker 2>there's a.

514
00:31:27.200 --> 00:31:27.720
<v Speaker 1>A goal.

515
00:31:28.880 --> 00:31:32.240
<v Speaker 2>It's a multi goal for the time that I spend here,

516
00:31:32.279 --> 00:31:36.400
<v Speaker 2>But if six hundred of that would go directly to

517
00:31:37.319 --> 00:31:40.400
<v Speaker 2>getting the laptop ready to do the documentary stuff that

518
00:31:40.440 --> 00:31:43.279
<v Speaker 2>I want to do, and that can be found again

519
00:31:43.480 --> 00:31:47.799
<v Speaker 2>just by clicking wherever you are scrolling down to gibs

520
00:31:47.839 --> 00:31:50.680
<v Speaker 2>and go, or if you're up here, you can click

521
00:31:50.720 --> 00:31:55.680
<v Speaker 2>that one and it brings you here. Right, So there's

522
00:31:55.920 --> 00:31:58.759
<v Speaker 2>that from that way, that method, and then there's also

523
00:31:59.240 --> 00:32:03.839
<v Speaker 2>going right too, give us something, go here, stripe is there,

524
00:32:03.880 --> 00:32:05.200
<v Speaker 2>buy me a coffee the Patreon.

525
00:32:05.680 --> 00:32:06.440
<v Speaker 1>Get on Patreon.

526
00:32:06.480 --> 00:32:08.599
<v Speaker 2>That way you get the woo done it, and then

527
00:32:08.640 --> 00:32:11.119
<v Speaker 2>you get something for it in return, right, five bucks

528
00:32:11.160 --> 00:32:14.079
<v Speaker 2>a month whatever it's and then actually it's the second

529
00:32:14.079 --> 00:32:17.000
<v Speaker 2>tier for the wo done It, but you get commercial.

530
00:32:16.559 --> 00:32:18.000
<v Speaker 1>Free podcasts regardless.

531
00:32:18.720 --> 00:32:22.440
<v Speaker 2>So there's that and some some additional information and additional

532
00:32:22.480 --> 00:32:28.799
<v Speaker 2>stuff when I post it, some exclusive content. Money Tree

533
00:32:28.799 --> 00:32:32.119
<v Speaker 2>Publishing is right here, and the code ball for ten

534
00:32:32.160 --> 00:32:36.400
<v Speaker 2>percent already already, and.

535
00:32:36.400 --> 00:32:37.079
<v Speaker 1>Just for spoof.

536
00:32:37.119 --> 00:32:38.480
<v Speaker 2>I think I'm probably going to pick up one of

537
00:32:38.480 --> 00:32:40.720
<v Speaker 2>these stew Crew shirts myself as soon as I figure

538
00:32:40.759 --> 00:32:44.759
<v Speaker 2>out how to get it from Gelato. And I'm so

539
00:32:44.759 --> 00:32:46.839
<v Speaker 2>there's some one of the ones I created never showed

540
00:32:46.920 --> 00:32:49.359
<v Speaker 2>up as an option for me to buy a sample of,

541
00:32:49.400 --> 00:32:51.279
<v Speaker 2>and that was the one I wanted, So I'm trying

542
00:32:51.319 --> 00:32:54.440
<v Speaker 2>to get it to work. So yeahs, as soon as

543
00:32:54.440 --> 00:32:57.640
<v Speaker 2>I figured that out, then I will totally do that.

544
00:32:57.680 --> 00:33:00.319
<v Speaker 2>They broke this create Spring one, but it's it's probably

545
00:33:00.319 --> 00:33:00.599
<v Speaker 2>not in this.

546
00:33:00.759 --> 00:33:01.319
<v Speaker 1>I mean there is.

547
00:33:01.359 --> 00:33:03.799
<v Speaker 2>There's like tank tops and all kinds of cool stuff,

548
00:33:03.799 --> 00:33:05.480
<v Speaker 2>and these mug like the mug that I'm using here,

549
00:33:05.480 --> 00:33:08.480
<v Speaker 2>and there's another mug, one of the old school mugs,

550
00:33:08.519 --> 00:33:13.119
<v Speaker 2>and then a funny one with what's his name kissinger.

551
00:33:13.240 --> 00:33:16.119
<v Speaker 2>This is still cooking, regardless if he's dead or not. No,

552
00:33:16.319 --> 00:33:22.240
<v Speaker 2>he's still cooking. So all right, and then right up

553
00:33:22.279 --> 00:33:23.680
<v Speaker 2>on top, I moved this up to the top to

554
00:33:23.720 --> 00:33:27.599
<v Speaker 2>Semper fryllc dot com. Get pre Scrapped Beyond Babylon Awesome

555
00:33:27.640 --> 00:33:31.039
<v Speaker 2>hot sauce and creatate and hydrochloride, use code Helper Holiday

556
00:33:31.079 --> 00:33:33.880
<v Speaker 2>Helper for twelve percent off and that for those out

557
00:33:33.920 --> 00:33:36.839
<v Speaker 2>in the podcast, it's all caps, no spaces, Holiday Helper

558
00:33:37.680 --> 00:33:39.480
<v Speaker 2>and it's Simper s E M P E R f

559
00:33:39.559 --> 00:33:41.359
<v Speaker 2>R y llc dot com.

560
00:33:41.880 --> 00:33:45.680
<v Speaker 1>Let's see what Dwayne did he come back yet? Let's

561
00:33:45.680 --> 00:33:51.039
<v Speaker 1>see it doesn't show me my response? Isn't that weird?

562
00:33:52.200 --> 00:33:56.799
<v Speaker 14>Okay?

563
00:33:57.079 --> 00:33:59.880
<v Speaker 2>Make sure you saw it, yes, come in and then

564
00:34:00.079 --> 00:34:00.680
<v Speaker 2>let's see.

565
00:34:01.000 --> 00:34:05.440
<v Speaker 1>Maybe I should just do this one more time.

566
00:34:05.519 --> 00:34:07.440
<v Speaker 2>Give me a second here, trying to get Dwayne on

567
00:34:07.720 --> 00:34:11.159
<v Speaker 2>so we can continue. So social engineering was going to

568
00:34:11.239 --> 00:34:13.960
<v Speaker 2>be the topic today, and let me read what he said. Says, Hey, buddy,

569
00:34:14.119 --> 00:34:15.960
<v Speaker 2>I've got an idea for Wednesdays show. I wanted to

570
00:34:15.960 --> 00:34:20.280
<v Speaker 2>show the origins of the popular music industry from its beginnings.

571
00:34:19.679 --> 00:34:20.880
<v Speaker 1>In tin pan Alley.

572
00:34:20.960 --> 00:34:24.599
<v Speaker 2>Is shows how they replaced the piano with the television

573
00:34:24.639 --> 00:34:27.440
<v Speaker 2>as the centerpiece of furniture in the home. It shows

574
00:34:27.480 --> 00:34:30.800
<v Speaker 2>how they form the beginning, wrote songs of debauchery and

575
00:34:30.840 --> 00:34:36.000
<v Speaker 2>debasement meant to demoralize America. They replaced any positive music

576
00:34:36.039 --> 00:34:40.239
<v Speaker 2>with negative songs by owning the publishing houses of course,

577
00:34:40.320 --> 00:34:44.320
<v Speaker 2>the media, media, Media Media or evay right, and exploiting

578
00:34:44.400 --> 00:34:47.519
<v Speaker 2>the intelligent, creative songwriters of the day. Right, if you

579
00:34:47.559 --> 00:34:49.559
<v Speaker 2>want to be popular, you write about what and sing

580
00:34:49.599 --> 00:34:53.239
<v Speaker 2>about what they want. Same as gangster rap recruit from

581
00:34:53.320 --> 00:34:56.360
<v Speaker 2>jail to put more people in jail for the you know,

582
00:34:57.719 --> 00:34:59.840
<v Speaker 2>the what do you call it, the prison industrial complex,

583
00:35:00.079 --> 00:35:04.000
<v Speaker 2>the slave labor. So that's that's a black slaver, basically

584
00:35:04.639 --> 00:35:09.199
<v Speaker 2>enslaving other blacks by you know, influencing and encouraging them

585
00:35:09.280 --> 00:35:12.000
<v Speaker 2>to do criminal acts that will get them in trouble.

586
00:35:13.239 --> 00:35:15.360
<v Speaker 1>And also the violence that goes along with that.

587
00:35:15.679 --> 00:35:18.000
<v Speaker 2>And this would then leads look at like think of

588
00:35:18.039 --> 00:35:21.199
<v Speaker 2>all the all the glorification of gangster and uh drug

589
00:35:21.239 --> 00:35:23.800
<v Speaker 2>dealer stuff that you see and how I mean granted,

590
00:35:23.840 --> 00:35:26.920
<v Speaker 2>the police are the bad, but still, I mean, they're

591
00:35:26.960 --> 00:35:28.960
<v Speaker 2>not supposed to be. So when you continue to, like,

592
00:35:29.880 --> 00:35:34.159
<v Speaker 2>you know, show that an influence, you know, it's it's

593
00:35:34.239 --> 00:35:36.320
<v Speaker 2>it's it's influencing people to always.

594
00:35:36.039 --> 00:35:36.639
<v Speaker 1>See a negative.

595
00:35:36.719 --> 00:35:39.039
<v Speaker 2>I mean, police are terrible. I'm not I'm not giving

596
00:35:39.079 --> 00:35:43.440
<v Speaker 2>them any I'm not I'm not trying to I'm not

597
00:35:43.440 --> 00:35:45.519
<v Speaker 2>trying to put you know, put any type of spin

598
00:35:45.599 --> 00:35:47.079
<v Speaker 2>on that like, oh police are awesome.

599
00:35:47.079 --> 00:35:48.159
<v Speaker 1>No they're not. They sucktics.

600
00:35:48.639 --> 00:35:51.920
<v Speaker 2>But you know what I mean, when you when you're

601
00:35:51.920 --> 00:35:55.719
<v Speaker 2>constantly showing the negative in everything that you're you're getting,

602
00:35:55.760 --> 00:35:58.880
<v Speaker 2>you're you're inspiring a type of archetype that people are

603
00:35:58.920 --> 00:36:02.000
<v Speaker 2>going to always associate that way. So being the renegade,

604
00:36:02.119 --> 00:36:04.199
<v Speaker 2>it's all, it's all very it's all very poetic until

605
00:36:04.239 --> 00:36:05.840
<v Speaker 2>you get the cuffs on and then you're stuck in

606
00:36:05.880 --> 00:36:09.599
<v Speaker 2>a in jail because he did something stupid and not

607
00:36:09.719 --> 00:36:12.440
<v Speaker 2>thinking you could get caught, it, says, and this would

608
00:36:12.480 --> 00:36:16.639
<v Speaker 2>even this would then lead us to show how zi

609
00:36:16.760 --> 00:36:23.039
<v Speaker 2>Jews replaced all of our Christmas carols and deliberately removed

610
00:36:23.039 --> 00:36:23.840
<v Speaker 2>God from them.

611
00:36:23.880 --> 00:36:27.239
<v Speaker 1>They removed Christmas trees. We talked about that with.

612
00:36:29.320 --> 00:36:34.519
<v Speaker 2>The henry Ford, the henry Ford Papers, the Deerborn, how

613
00:36:34.559 --> 00:36:38.760
<v Speaker 2>they were petitioning municipalities all throughout New York to get

614
00:36:38.800 --> 00:36:40.599
<v Speaker 2>rid of the Christmas trees in the city because they

615
00:36:40.639 --> 00:36:41.679
<v Speaker 2>were offensive.

616
00:36:41.239 --> 00:36:45.280
<v Speaker 1>To the Jews, the two percent.

617
00:36:45.280 --> 00:36:50.840
<v Speaker 2>If we're going to be generous, they're offended. They're offended.

618
00:36:51.719 --> 00:36:53.519
<v Speaker 2>You know, it's okay to suck a baby penis and

619
00:36:53.559 --> 00:36:57.840
<v Speaker 2>spinning people's faces, but hey, they're offended. Mind you if

620
00:36:57.840 --> 00:36:59.599
<v Speaker 2>you put a Christmas tree out in public where the

621
00:36:59.599 --> 00:37:04.320
<v Speaker 2>people could see it, or Christmas lights, because I've got

622
00:37:04.360 --> 00:37:08.679
<v Speaker 2>incredible videos with Sarah Silvermane talking about it just in

623
00:37:08.719 --> 00:37:10.440
<v Speaker 2>time for the holidays, what do you think?

624
00:37:11.039 --> 00:37:13.519
<v Speaker 1>And I said yes, and then he said no. And

625
00:37:13.559 --> 00:37:17.599
<v Speaker 1>now here we are hopefully that'll it'll work out. But

626
00:37:17.880 --> 00:37:19.800
<v Speaker 1>let me just put this back in here again.

627
00:37:32.880 --> 00:37:35.559
<v Speaker 2>Unless it just wasn't being serious, didn't expect me to say, yes,

628
00:37:38.559 --> 00:37:40.000
<v Speaker 2>it happens.

629
00:37:42.679 --> 00:37:45.239
<v Speaker 1>Now you got to see my email. That's ball busterers

630
00:37:45.280 --> 00:37:46.679
<v Speaker 1>at Josh dot Nat.

631
00:37:46.719 --> 00:37:48.760
<v Speaker 2>But I would it's better to it's more stable to

632
00:37:48.760 --> 00:37:52.440
<v Speaker 2>go to either Christo's cast at Gmail or to go

633
00:37:52.559 --> 00:37:58.639
<v Speaker 2>to ball busterers at Outlook, because when things do not work,

634
00:37:59.079 --> 00:38:01.719
<v Speaker 2>and then that's a potential might happen again. Because since

635
00:38:01.719 --> 00:38:03.960
<v Speaker 2>it's the end after the first of the month, I'm

636
00:38:04.000 --> 00:38:06.000
<v Speaker 2>not sure if the bills are getting paid over there

637
00:38:06.000 --> 00:38:06.760
<v Speaker 2>on the whole.

638
00:38:08.719 --> 00:38:11.719
<v Speaker 1>Site there for or the server for the for the emails,

639
00:38:11.719 --> 00:38:15.079
<v Speaker 1>so I might lose that again soon. There you have it.

640
00:38:15.960 --> 00:38:20.880
<v Speaker 2>So, okay, we are here. We're still waiting. I'm gonna

641
00:38:20.880 --> 00:38:22.440
<v Speaker 2>play a little bit of this. Go get my phone

642
00:38:22.639 --> 00:38:24.440
<v Speaker 2>so if people call in, I'll have it. I'll have

643
00:38:24.440 --> 00:38:27.960
<v Speaker 2>it by my side. Now we're not gonna play all

644
00:38:27.960 --> 00:38:29.960
<v Speaker 2>of it, but we're just gonna get this crank and

645
00:38:30.039 --> 00:38:32.760
<v Speaker 2>so I have a chance to go grab the phone.

646
00:38:34.239 --> 00:38:38.000
<v Speaker 1>This one is ridiculously long. Let's see. Come on, spin

647
00:38:38.079 --> 00:38:43.760
<v Speaker 1>and spin and spin and spinning. Alright, hold on, we

648
00:38:43.880 --> 00:38:44.519
<v Speaker 1>have to get it better.

649
00:38:47.719 --> 00:38:51.760
<v Speaker 2>The Truth about Socialism, The Detailed History of United States

650
00:38:51.760 --> 00:38:54.599
<v Speaker 2>America immuntated is we already saw that one.

651
00:38:55.400 --> 00:38:57.199
<v Speaker 1>It's gonna spin again, and it's gonna try to start

652
00:38:57.239 --> 00:38:58.679
<v Speaker 1>now fucking piece of shit.

653
00:39:07.159 --> 00:39:10.239
<v Speaker 2>An American talks about learning the truth about Adolf Hitler

654
00:39:10.400 --> 00:39:14.960
<v Speaker 2>in National Socialism by a truth gone viral. Maybe we'll

655
00:39:15.000 --> 00:39:23.960
<v Speaker 2>do that one. That sounds like a good one. All right, now,

656
00:39:24.000 --> 00:39:25.519
<v Speaker 2>let's go ahead and take a look at that, because

657
00:39:25.519 --> 00:39:28.880
<v Speaker 2>this looks like it's gonna be good. And if Dwayne

658
00:39:28.880 --> 00:39:32.400
<v Speaker 2>pops in, I will put him on. But let me

659
00:39:32.480 --> 00:39:37.039
<v Speaker 2>just go get my phone so we can do some

660
00:39:37.119 --> 00:39:40.719
<v Speaker 2>interaction if that ends up being a thing, it's too

661
00:39:40.719 --> 00:39:41.679
<v Speaker 2>early for people already.

662
00:39:43.400 --> 00:39:45.679
<v Speaker 1>All right, let's do that. Let's get my head out

663
00:39:45.679 --> 00:39:46.000
<v Speaker 1>of the way.

664
00:39:47.440 --> 00:39:47.719
<v Speaker 7>Think.

665
00:39:47.880 --> 00:39:50.239
<v Speaker 2>All right, there we go. I'll be back in that movement.

666
00:39:50.239 --> 00:39:52.559
<v Speaker 2>I almost hit the n stream button. I make mistakes

667
00:39:52.599 --> 00:39:55.079
<v Speaker 2>like that a lot. No wonder I can't get the

668
00:39:55.119 --> 00:39:55.840
<v Speaker 2>computer to go.

669
00:39:58.559 --> 00:39:58.760
<v Speaker 6>With that.

670
00:40:00.119 --> 00:40:04.760
<v Speaker 16>I mean, I'm simply floored. And I think that this.

671
00:40:04.719 --> 00:40:13.480
<v Speaker 11>Is an example of the kind of lies that these

672
00:40:13.480 --> 00:40:14.239
<v Speaker 11>people are telling.

673
00:40:15.840 --> 00:40:21.320
<v Speaker 16>And this is something that you know clearly you can hear.

674
00:40:21.679 --> 00:40:26.280
<v Speaker 11>They don't want me to tell you, but this is

675
00:40:26.360 --> 00:40:30.760
<v Speaker 11>one of the biggest, most disgusting lies that I believe

676
00:40:30.800 --> 00:40:32.440
<v Speaker 11>has ever been told.

677
00:40:33.679 --> 00:40:39.679
<v Speaker 16>And we have all been duped, the American people have

678
00:40:39.760 --> 00:40:40.960
<v Speaker 16>been completely duped.

679
00:40:41.280 --> 00:40:47.480
<v Speaker 11>Friends this thing about Adolf Hitler and the Nazi Party.

680
00:40:47.719 --> 00:40:51.800
<v Speaker 11>I was growing up in a situation of being saturated

681
00:40:51.920 --> 00:40:57.639
<v Speaker 11>with this lie that he was a crazy mass murderer.

682
00:40:58.400 --> 00:41:01.719
<v Speaker 11>I even heard that he was addicted to meth and

683
00:41:01.760 --> 00:41:04.239
<v Speaker 11>he was strung out in the last days of the war.

684
00:41:05.480 --> 00:41:08.079
<v Speaker 16>And when you see those pictures of.

685
00:41:08.000 --> 00:41:12.440
<v Speaker 11>The people, uh that are starving in the death camps

686
00:41:12.440 --> 00:41:17.639
<v Speaker 11>and the prisoner of war camps, Uh, those it turns

687
00:41:17.679 --> 00:41:22.079
<v Speaker 11>out were just people that were starving because because of

688
00:41:22.159 --> 00:41:27.920
<v Speaker 11>the British and American bombings of their cities and the

689
00:41:28.000 --> 00:41:32.239
<v Speaker 11>German cities, and so the German people were starving. And

690
00:41:32.320 --> 00:41:36.760
<v Speaker 11>the whole thing I now realized was a total lie.

691
00:41:36.840 --> 00:41:38.639
<v Speaker 16>The Holocaust was a complete lie.

692
00:41:39.039 --> 00:41:41.159
<v Speaker 11>I used to think all the people that were saying

693
00:41:41.840 --> 00:41:47.239
<v Speaker 11>that the Holocaust was was didn't happen, and uh, you know,

694
00:41:47.320 --> 00:41:54.320
<v Speaker 11>Holocaust deniers like the Iranian president Achmadina jod And I

695
00:41:54.400 --> 00:41:57.519
<v Speaker 11>used to think that, you know, they were just complete

696
00:41:58.039 --> 00:42:06.639
<v Speaker 11>racist idiots and and didn't subscribe any any credit to them.

697
00:42:07.280 --> 00:42:12.239
<v Speaker 11>But I now realized that they were right and I

698
00:42:12.320 --> 00:42:12.719
<v Speaker 11>was wrong.

699
00:42:13.559 --> 00:42:15.960
<v Speaker 16>And I want to make that clear that.

700
00:42:16.800 --> 00:42:19.719
<v Speaker 11>In many cases I said things about at Al Hiller

701
00:42:20.079 --> 00:42:24.360
<v Speaker 11>and the Nazis, albeit in ignorance. But I spoke against them,

702
00:42:24.800 --> 00:42:27.679
<v Speaker 11>and I apologize for that because.

703
00:42:28.840 --> 00:42:29.800
<v Speaker 16>It's clear now.

704
00:42:31.519 --> 00:42:33.760
<v Speaker 11>If they if they went through all this trouble to

705
00:42:33.800 --> 00:42:38.400
<v Speaker 11>lie about them this much, Can it really mean that

706
00:42:38.639 --> 00:42:43.639
<v Speaker 11>it was because he was, you know, the evil person

707
00:42:43.679 --> 00:42:46.440
<v Speaker 11>that he said, or that they that they said, or

708
00:42:46.480 --> 00:42:49.679
<v Speaker 11>is it that he was a good person, a person

709
00:42:49.719 --> 00:42:52.840
<v Speaker 11>who was fighting for freedom and justice for his people.

710
00:42:53.639 --> 00:42:55.880
<v Speaker 11>And the more I look into this, the more it

711
00:42:55.960 --> 00:42:57.360
<v Speaker 11>matches with the feeling that I.

712
00:42:57.360 --> 00:43:01.159
<v Speaker 16>Always had about him. I'll say this, I was afraid

713
00:43:01.239 --> 00:43:06.280
<v Speaker 16>to say that I like that a Hitler because you.

714
00:43:06.320 --> 00:43:08.800
<v Speaker 11>Get you know, you look like somebody who you know,

715
00:43:08.800 --> 00:43:14.239
<v Speaker 11>you're somebody who likes a insane mass murderer. Now what

716
00:43:14.400 --> 00:43:17.480
<v Speaker 11>I realized watching some of these movies now that are

717
00:43:17.519 --> 00:43:19.400
<v Speaker 11>telling the truth. And by the way, this is what

718
00:43:19.519 --> 00:43:21.360
<v Speaker 11>this is what's good about you two guys. I mean,

719
00:43:22.360 --> 00:43:24.679
<v Speaker 11>until I saw the movies about nine to eleven, I

720
00:43:24.719 --> 00:43:28.000
<v Speaker 11>didn't believe it. Until I saw the movies about Hitler,

721
00:43:28.119 --> 00:43:32.079
<v Speaker 11>I didn't believe it. And the truth about him, and

722
00:43:32.079 --> 00:43:36.199
<v Speaker 11>and what you see is he was he was a

723
00:43:36.239 --> 00:43:41.199
<v Speaker 11>morally upstanding man. He he didn't even like dirty jokes

724
00:43:41.719 --> 00:43:44.000
<v Speaker 11>or political jokes, but he liked other jokes. He had

725
00:43:44.000 --> 00:43:47.599
<v Speaker 11>a sense of humor and and but he was if

726
00:43:47.639 --> 00:43:51.119
<v Speaker 11>you look at him and you you listen to him.

727
00:43:51.119 --> 00:43:52.559
<v Speaker 16>And the and the things that he said and the

728
00:43:52.599 --> 00:43:54.519
<v Speaker 16>things that he did, he was.

729
00:43:54.719 --> 00:43:59.559
<v Speaker 11>He was a a strong morally minded person.

730
00:44:00.159 --> 00:44:03.519
<v Speaker 16>He would never have consented to starving people, no matter

731
00:44:03.519 --> 00:44:04.199
<v Speaker 16>of who they were.

732
00:44:04.239 --> 00:44:06.920
<v Speaker 11>And the whole thing about Alschwitz, all you gotta do

733
00:44:06.960 --> 00:44:09.599
<v Speaker 11>is watch the David Cole movie. But there's a lot more.

734
00:44:09.960 --> 00:44:13.400
<v Speaker 11>They had all these amenities there. There's no way that

735
00:44:13.440 --> 00:44:17.039
<v Speaker 11>they were starving about. The gas chambers was a complete

736
00:44:18.719 --> 00:44:21.519
<v Speaker 11>mixing of a lie between the Russians and the Americans.

737
00:44:21.559 --> 00:44:24.280
<v Speaker 11>And what I can't believe is that Americans.

738
00:44:55.039 --> 00:45:00.000
<v Speaker 2>Hey, I didn't know that happened. Hold on, oh, hold on, anyway,

739
00:45:00.480 --> 00:45:07.840
<v Speaker 2>we're good. Let me, uh bring Delane and then I

740
00:45:07.920 --> 00:45:09.960
<v Speaker 2>can get this out of here. I'm not sure why

741
00:45:10.000 --> 00:45:14.000
<v Speaker 2>I did that. I stepped away for a second, and

742
00:45:14.360 --> 00:45:15.800
<v Speaker 2>so it's just good to stop that screen.

743
00:45:16.599 --> 00:45:17.039
<v Speaker 1>What's up to?

744
00:45:20.119 --> 00:45:28.000
<v Speaker 7>Good morning everybody. Sorry, the conditions here just threw up

745
00:45:28.000 --> 00:45:32.280
<v Speaker 7>my back. It's not a big deal, but uh, I've

746
00:45:32.280 --> 00:45:33.880
<v Speaker 7>been listening to you and I just wanted to join

747
00:45:33.960 --> 00:45:37.000
<v Speaker 7>in because I feel like I can here. But we

748
00:45:37.039 --> 00:45:39.039
<v Speaker 7>won't have lighting and all of that. So can you

749
00:45:39.079 --> 00:45:39.400
<v Speaker 7>hear me?

750
00:45:39.480 --> 00:45:40.880
<v Speaker 1>Okay, Oh yeah, that's great.

751
00:45:41.199 --> 00:45:45.880
<v Speaker 7>Okay, awesome, So I am trivia method in the chat,

752
00:45:46.199 --> 00:45:47.039
<v Speaker 7>so everybody knows.

753
00:45:48.519 --> 00:45:50.920
<v Speaker 2>Yep, I put your think up on the screen. I

754
00:45:50.960 --> 00:45:53.599
<v Speaker 2>didn't announce that it was you because there's something playing

755
00:45:53.639 --> 00:45:54.039
<v Speaker 2>but yet.

756
00:45:54.440 --> 00:46:00.719
<v Speaker 7>Okay, so you were just talking about Tin Pan Alley.

757
00:46:01.679 --> 00:46:05.639
<v Speaker 2>Yeah, I've read your email.

758
00:46:05.880 --> 00:46:10.280
<v Speaker 7>Beautiful. Okay. So I'm not sure if we'll get through

759
00:46:10.320 --> 00:46:14.400
<v Speaker 7>the whole half an hour video, but uh, we'll throw

760
00:46:14.480 --> 00:46:17.679
<v Speaker 7>up the link, and I would say that everybody's got

761
00:46:17.679 --> 00:46:20.159
<v Speaker 7>to if we don't get through this half an hour,

762
00:46:20.239 --> 00:46:22.719
<v Speaker 7>definitely go through this because it shows you the origins

763
00:46:22.719 --> 00:46:27.519
<v Speaker 7>of popular music starting in Tin Pan Alley. So we're

764
00:46:27.559 --> 00:46:32.280
<v Speaker 7>talking about publishing houses that are owned by a certain

765
00:46:32.320 --> 00:46:42.320
<v Speaker 7>ethnic demographic, almost disproportionately, and then they they they find

766
00:46:42.320 --> 00:46:48.119
<v Speaker 7>the intelligent, creative songwriters, the ones that are able to

767
00:46:48.159 --> 00:46:52.440
<v Speaker 7>invoke emotion in the listener the best. Just like today,

768
00:46:53.760 --> 00:46:57.440
<v Speaker 7>we have a team of songwriters. So if anybody's never

769
00:46:57.480 --> 00:47:00.400
<v Speaker 7>heard of Max Martin, he's probably got the most number

770
00:47:00.440 --> 00:47:05.320
<v Speaker 7>one hit songs in history, more than Michael Jackson and

771
00:47:05.400 --> 00:47:09.000
<v Speaker 7>Lennon m and McCartney. But They're all songs written for

772
00:47:09.679 --> 00:47:15.760
<v Speaker 7>bands like in Sync, Taylor Swift, The Weekend, you know,

773
00:47:16.519 --> 00:47:21.599
<v Speaker 7>bands like this, the more modern pop culture stuff. And

774
00:47:21.679 --> 00:47:24.320
<v Speaker 7>so if anybody's I would I would be surprised if

775
00:47:24.320 --> 00:47:26.639
<v Speaker 7>anybody's even heard of Max Martin. And there's a series

776
00:47:26.679 --> 00:47:29.599
<v Speaker 7>of these people, including one of the ladies that is

777
00:47:30.119 --> 00:47:34.360
<v Speaker 7>interviewed for this Tin Pan Alley show. She writes all

778
00:47:34.440 --> 00:47:37.519
<v Speaker 7>kinds of music. She may be more well known to

779
00:47:37.599 --> 00:47:43.000
<v Speaker 7>your viewership, but she's written songs for Aerosmith. And it

780
00:47:43.039 --> 00:47:45.559
<v Speaker 7>was a song that she wrote about her relationship with

781
00:47:45.599 --> 00:47:50.760
<v Speaker 7>her father, but Aerosmith was able to use it in

782
00:47:50.800 --> 00:47:54.840
<v Speaker 7>a way that it was portrayed it I think as

783
00:47:54.880 --> 00:47:59.559
<v Speaker 7>a love song. So yet me see if I can.

784
00:47:59.440 --> 00:48:03.800
<v Speaker 2>Find that Aerosmith's always about some kind of innuendo for sex,

785
00:48:03.880 --> 00:48:05.280
<v Speaker 2>kind of like kissing.

786
00:48:05.719 --> 00:48:07.840
<v Speaker 7>Well, the whole pop culture this is what we're gonna

787
00:48:07.840 --> 00:48:10.280
<v Speaker 7>show is that from the very beginning, it was about

788
00:48:10.559 --> 00:48:15.920
<v Speaker 7>the double entendre, the sexual references. You know, if you're

789
00:48:15.920 --> 00:48:19.159
<v Speaker 7>talking like fifties rock and roll, bebopa loo bapa, wap

790
00:48:19.159 --> 00:48:22.639
<v Speaker 7>bam boom. Even the term rock and roll is meant

791
00:48:22.679 --> 00:48:26.440
<v Speaker 7>as a double entendre for sex. Yeap and it's meant

792
00:48:26.440 --> 00:48:29.920
<v Speaker 7>to generate, to take us away from our previous moral

793
00:48:30.000 --> 00:48:34.519
<v Speaker 7>ethical values, and we see it even more pronounced today

794
00:48:35.000 --> 00:48:38.840
<v Speaker 7>in you know, people like Taylor Swift. She writes songs

795
00:48:38.880 --> 00:48:42.400
<v Speaker 7>complaining about the relationships she's had with men, yet men

796
00:48:42.480 --> 00:48:46.159
<v Speaker 7>write most of her songs up until now. Her latest

797
00:48:46.159 --> 00:48:51.480
<v Speaker 7>album she has a good portion of it songwriting credits for.

798
00:48:51.960 --> 00:48:57.880
<v Speaker 7>But you'll see that in sync the Backstreet Boys, Britney Spears,

799
00:48:58.280 --> 00:49:01.920
<v Speaker 7>all of these popular culture UH singers that have been

800
00:49:01.960 --> 00:49:04.960
<v Speaker 7>thrown or imposed upon us over the last twenty years

801
00:49:05.239 --> 00:49:08.960
<v Speaker 7>are all having their songs written by teams of songwriters.

802
00:49:09.239 --> 00:49:11.239
<v Speaker 7>Because I don't know if anybody out there has ever

803
00:49:11.320 --> 00:49:14.920
<v Speaker 7>tried to write a song. It's probably the most difficult

804
00:49:14.920 --> 00:49:17.800
<v Speaker 7>thing you can do. It's something I've never been able

805
00:49:17.840 --> 00:49:21.239
<v Speaker 7>to master. I'm a struggling guitarist and.

806
00:49:22.159 --> 00:49:28.039
<v Speaker 1>Uh coming from sorry, I'm hearing it clapping again.

807
00:49:28.960 --> 00:49:30.000
<v Speaker 7>You're hearing Clapton.

808
00:49:30.719 --> 00:49:31.480
<v Speaker 1>You guys don't hear that.

809
00:49:33.199 --> 00:49:35.199
<v Speaker 7>I don't hear clapping.

810
00:49:34.719 --> 00:49:39.599
<v Speaker 2>With stream Yard where every once in a while it

811
00:49:39.719 --> 00:49:43.679
<v Speaker 2>starts cheering like there's clapping in the background.

812
00:49:43.880 --> 00:49:46.280
<v Speaker 1>I hear it. I don't know where it's coming from,

813
00:49:46.320 --> 00:49:47.559
<v Speaker 1>but it keeps having.

814
00:49:48.159 --> 00:49:49.199
<v Speaker 7>From another dimension.

815
00:49:49.920 --> 00:49:50.159
<v Speaker 1>Right.

816
00:49:51.039 --> 00:49:54.440
<v Speaker 7>Wow, it's image three seventy listening to our program right now.

817
00:49:54.599 --> 00:49:55.079
<v Speaker 1>There you go.

818
00:49:58.559 --> 00:50:03.719
<v Speaker 7>Uh so, tin pan alley. We've all heard that term.

819
00:50:03.840 --> 00:50:06.880
<v Speaker 7>But what they're referencing there is this little area in

820
00:50:06.960 --> 00:50:13.679
<v Speaker 7>New York of publishing houses. Okay, so you can see that.

821
00:50:14.360 --> 00:50:16.679
<v Speaker 7>Mm hm tin pan alley. So I'm just gonna let

822
00:50:16.679 --> 00:50:20.320
<v Speaker 7>this roll from here and let them introduce pop culture

823
00:50:20.360 --> 00:50:22.880
<v Speaker 7>to you guys. Hopefully everybody's listening. You can hear the sound.

824
00:50:22.920 --> 00:50:24.800
<v Speaker 7>If it's a little low, let me know.

825
00:50:32.320 --> 00:50:35.360
<v Speaker 17>Perhaps no artistic median has acted as a more accurate

826
00:50:35.400 --> 00:50:39.840
<v Speaker 17>cultural barometer than the popular song, charting the nation's passions

827
00:50:39.840 --> 00:50:45.960
<v Speaker 17>and pastimes with color and immediacy.

828
00:50:46.559 --> 00:50:50.760
<v Speaker 4>A great song will transcend genre, We'll transcend time, We'll

829
00:50:50.760 --> 00:50:51.239
<v Speaker 4>transcend the.

830
00:50:51.320 --> 00:50:52.719
<v Speaker 1>Artists that first popularized it.

831
00:50:52.920 --> 00:50:53.880
<v Speaker 18>By that's it.

832
00:51:06.599 --> 00:51:10.400
<v Speaker 19>On some level, a three minute song can communicate across cultural,

833
00:51:10.840 --> 00:51:13.880
<v Speaker 19>social political lines in a way that almost nothing else can.

834
00:51:18.239 --> 00:51:22.639
<v Speaker 19>We can't underestimate the importance of these artifacts of our lives.

835
00:51:22.280 --> 00:51:22.760
<v Speaker 10>Really.

836
00:51:26.840 --> 00:51:30.559
<v Speaker 11>Memories made up of songs, the songs we knew as kids,

837
00:51:30.920 --> 00:51:35.559
<v Speaker 11>the songs we had been our girlfriends of boyfriends.

838
00:51:37.639 --> 00:51:39.840
<v Speaker 3>They call it the soundtrack of America.

839
00:51:41.320 --> 00:51:44.679
<v Speaker 17>Nearly every song that became part of that soundtrack, including

840
00:51:44.800 --> 00:51:47.199
<v Speaker 17>take Me Out to the Ballgame, was crafted by some

841
00:51:47.280 --> 00:51:52.039
<v Speaker 17>of America's most talented composers and lyricists, and between eighteen

842
00:51:52.079 --> 00:51:55.239
<v Speaker 17>eighty five and nineteen thirty five they were employed by

843
00:51:55.280 --> 00:52:03.000
<v Speaker 17>the publishers of Tin Pan Alley.

844
00:52:00.159 --> 00:52:02.239
<v Speaker 18>Great stacheray All.

845
00:52:11.880 --> 00:52:14.880
<v Speaker 17>At the turn of the twentieth century, Americans reveled in

846
00:52:15.000 --> 00:52:21.239
<v Speaker 17>newfound comfort, convenience, and prosperity. The automobile and airplane made

847
00:52:21.239 --> 00:52:23.880
<v Speaker 17>their debut, and along with the rest of the country,

848
00:52:24.079 --> 00:52:27.639
<v Speaker 17>a group of creative businessmen on Tin Pan Alley celebrated

849
00:52:27.679 --> 00:52:28.320
<v Speaker 17>their arrival.

850
00:52:29.039 --> 00:52:35.239
<v Speaker 1>Ohy, with me in my Mamial.

851
00:52:35.039 --> 00:52:51.079
<v Speaker 20>Mobyle, life will blame, Mine.

852
00:52:48.840 --> 00:52:49.199
<v Speaker 5>Will be.

853
00:52:50.239 --> 00:52:53.400
<v Speaker 21>You can go as far as you like with me

854
00:52:53.719 --> 00:53:01.639
<v Speaker 21>in My Mary. One of the big selling songs about

855
00:53:01.679 --> 00:53:04.960
<v Speaker 21>the turn of the century was a song called Daisy Bell.

856
00:53:12.360 --> 00:53:13.920
<v Speaker 3>Nobody knows daisy Bell if.

857
00:53:13.840 --> 00:53:15.920
<v Speaker 21>You call it that, But if you say it's called

858
00:53:16.360 --> 00:53:19.639
<v Speaker 21>a bicycle built for two, most people are familiar with it.

859
00:53:19.840 --> 00:53:27.639
<v Speaker 1>But your love upon of a bicycle belt or two.

860
00:53:34.920 --> 00:53:39.960
<v Speaker 21>We can't be sure today whether that song sold bicycles

861
00:53:41.119 --> 00:53:45.880
<v Speaker 21>or whether those bicycles sold songs. They were so tightly together,

862
00:53:45.960 --> 00:53:47.559
<v Speaker 21>but they both went into the millions.

863
00:53:48.079 --> 00:53:51.320
<v Speaker 3>Everybody wanted a bicycle. Everybody was singing Daisy.

864
00:53:51.000 --> 00:53:57.079
<v Speaker 13>Bello Street on the set of a bicycle.

865
00:54:02.480 --> 00:54:06.960
<v Speaker 7>Okay, so that Daisy the Bicycle Built for two is

866
00:54:07.000 --> 00:54:10.639
<v Speaker 7>the song that Hal sings Dave when he's when Dave

867
00:54:10.719 --> 00:54:14.679
<v Speaker 7>is killing him in two thousand and one Space Odyssey. Now, uh,

868
00:54:15.199 --> 00:54:19.320
<v Speaker 7>Daisy is also that the first song ever sang by

869
00:54:19.320 --> 00:54:22.320
<v Speaker 7>a computer at Bell Laboratories. Just to give some background

870
00:54:22.320 --> 00:54:24.440
<v Speaker 7>on that song, so you can see there's an ominous continuity.

871
00:54:24.440 --> 00:54:29.800
<v Speaker 7>It's one of the first songs to create marketing. Really,

872
00:54:29.840 --> 00:54:34.679
<v Speaker 7>they're bringing merchandise and songs together, and and the theme

873
00:54:34.760 --> 00:54:37.840
<v Speaker 7>hasn't changed. It's still dudes picking up girls in their cars.

874
00:54:38.239 --> 00:54:40.960
<v Speaker 1>Look at that. Look at that shield on the window.

875
00:54:41.039 --> 00:54:46.400
<v Speaker 2>There that crest, right, what's that all about?

876
00:54:45.800 --> 00:54:47.639
<v Speaker 1>That? Let's there's an eagle on the top.

877
00:54:47.719 --> 00:54:52.599
<v Speaker 2>It looks very much like uh, filmily crest of some

878
00:54:52.639 --> 00:54:55.760
<v Speaker 2>other sorts that I've seen before, or maybe uh, I

879
00:54:55.760 --> 00:54:59.519
<v Speaker 2>don't know, it looks yeah, some kind of Christian jesuit

880
00:54:59.599 --> 00:55:00.760
<v Speaker 2>condent it to me.

881
00:55:01.320 --> 00:55:05.079
<v Speaker 7>You're talking on the front main window there, Yeah, yeah, yeah, yeah,

882
00:55:05.119 --> 00:55:08.559
<v Speaker 7>I don't know. You know what. Maybe somewhere along the

883
00:55:08.599 --> 00:55:10.840
<v Speaker 7>way in the thirty minutes, we've got a better view of.

884
00:55:10.719 --> 00:55:21.480
<v Speaker 17>That only fifteen years earlier. This thriving music publishing industry

885
00:55:21.639 --> 00:55:22.920
<v Speaker 17>didn't exist.

886
00:55:23.400 --> 00:55:27.639
<v Speaker 22>Before ten Panelle, there really wasn't a popular music business.

887
00:55:28.159 --> 00:55:31.199
<v Speaker 22>There were song publishers all over the country, but their

888
00:55:31.280 --> 00:55:35.400
<v Speaker 22>main line of business was selling sheet music for piano

889
00:55:35.480 --> 00:55:40.079
<v Speaker 22>lessons in church hymnals. They were not terribly interested in

890
00:55:40.159 --> 00:55:41.440
<v Speaker 22>popular songs.

891
00:55:42.480 --> 00:55:45.719
<v Speaker 17>That changed at the end of the nineteenth century went.

892
00:55:45.599 --> 00:55:50.559
<v Speaker 7>Up so the piano, and I think they say that

893
00:55:51.039 --> 00:55:55.000
<v Speaker 7>this in this video was the centerpiece of furniture in

894
00:55:55.039 --> 00:55:59.559
<v Speaker 7>a living room, but eventually the television the radio replaced it.

895
00:56:00.000 --> 00:56:03.719
<v Speaker 7>So you can see, like traditional wholesome values of singing

896
00:56:03.760 --> 00:56:07.880
<v Speaker 7>around a piano and singing hymns totally gets commandeered, like

897
00:56:07.920 --> 00:56:09.760
<v Speaker 7>everything else we're familiar with today.

898
00:56:09.519 --> 00:56:11.639
<v Speaker 2>Bringing the family together versus having them all in their

899
00:56:11.639 --> 00:56:13.840
<v Speaker 2>own little individual world, staring.

900
00:56:13.559 --> 00:56:17.840
<v Speaker 1>At it at a screen right exactly upright.

901
00:56:17.880 --> 00:56:22.079
<v Speaker 17>Pianos, mass produced and affordably priced, began to appear in

902
00:56:22.159 --> 00:56:23.960
<v Speaker 17>American middle class living rooms.

903
00:56:24.119 --> 00:56:26.519
<v Speaker 3>Beautiful, and that was the center of home entertainment.

904
00:56:27.000 --> 00:56:31.960
<v Speaker 22>Because before the early twentieth century there were no phonographs, obviously,

905
00:56:31.960 --> 00:56:36.679
<v Speaker 22>no radio, no TV. The only way you could have

906
00:56:36.800 --> 00:56:38.719
<v Speaker 22>music in your home was to produce it yourself on

907
00:56:38.760 --> 00:56:42.480
<v Speaker 22>the piano. So family entertainment consisted of people sitting around

908
00:56:42.519 --> 00:56:45.320
<v Speaker 22>the piano singing popular songs.

909
00:56:48.440 --> 00:56:51.960
<v Speaker 17>Growing demands spurred some New York City entrepreneurs to hire

910
00:56:52.000 --> 00:56:55.199
<v Speaker 17>composers and lyricists and start publishing sheet music.

911
00:56:56.000 --> 00:56:59.719
<v Speaker 21>One thing Tim pinally learned, like all businesses, do something

912
00:56:59.800 --> 00:57:03.360
<v Speaker 21>say successful, you copy it. You make your own version

913
00:57:03.400 --> 00:57:06.199
<v Speaker 21>as fast as you can. Something shut up in the news,

914
00:57:06.360 --> 00:57:09.119
<v Speaker 21>Get a song about it right away. I don't think

915
00:57:09.159 --> 00:57:12.400
<v Speaker 21>Lindberg would touched the ground before they were singing Lucky Lindy.

916
00:57:13.159 --> 00:57:16.920
<v Speaker 22>Little girl picks up the telephone after her mother died

917
00:57:17.320 --> 00:57:20.480
<v Speaker 22>and says, Hello, Central, give me Heaven, that's where mommy is.

918
00:57:20.719 --> 00:57:22.679
<v Speaker 3>That's a newspaper story. Turn that into a song.

919
00:57:22.880 --> 00:57:24.639
<v Speaker 21>This is what was in the news, This is what

920
00:57:24.679 --> 00:57:26.679
<v Speaker 21>people knew about, This is what they want to hear

921
00:57:26.719 --> 00:57:27.480
<v Speaker 21>a song about.

922
00:57:27.639 --> 00:57:30.480
<v Speaker 22>I always like to think of almost like an assembly

923
00:57:30.559 --> 00:57:32.199
<v Speaker 22>line composer.

924
00:57:32.599 --> 00:57:34.559
<v Speaker 2>Sorry, I said, hey, look that guy that was just

925
00:57:34.599 --> 00:57:37.760
<v Speaker 2>talking was annoive surprise, surprise that you owned that industry

926
00:57:37.800 --> 00:57:39.280
<v Speaker 2>before it became a big thing too.

927
00:57:39.400 --> 00:57:41.920
<v Speaker 1>Ah right, Yeah, the Abbott.

928
00:57:41.599 --> 00:57:43.800
<v Speaker 22>Working on a melody a lyricists would be working right

929
00:57:43.840 --> 00:57:46.159
<v Speaker 22>beside him on a lyric, the publisher will be looking

930
00:57:46.159 --> 00:57:49.000
<v Speaker 22>at over. And when you walked into a department store,

931
00:57:49.039 --> 00:57:51.400
<v Speaker 22>the first two things you saw with a candy counter

932
00:57:52.079 --> 00:57:55.039
<v Speaker 22>and the sheet music racks, and they were both delectable.

933
00:57:55.639 --> 00:57:59.519
<v Speaker 17>But sheet music couldn't sell itself. Someone had to play

934
00:57:59.559 --> 00:58:04.320
<v Speaker 17>the song. So Tin pan Alley's publishers hired uniquely talented

935
00:58:04.320 --> 00:58:07.920
<v Speaker 17>salesman called song pluggers to help them make the sale.

936
00:58:08.320 --> 00:58:11.239
<v Speaker 19>A song plugger is simply somebody who takes a written

937
00:58:11.320 --> 00:58:14.719
<v Speaker 19>song and essentially auditions it in one form or another

938
00:58:14.920 --> 00:58:17.960
<v Speaker 19>for potential artists to sing. I started off plugging my

939
00:58:18.000 --> 00:58:22.079
<v Speaker 19>own songs, so I know something of walking in humbly with.

940
00:58:22.599 --> 00:58:27.119
<v Speaker 7>Glenn Ballard is one of those songwriters that has written

941
00:58:27.199 --> 00:58:30.639
<v Speaker 7>for a multitude of famous people.

942
00:58:32.840 --> 00:58:37.320
<v Speaker 19>Hat in hand with a song under my belt saying here,

943
00:58:37.519 --> 00:58:38.760
<v Speaker 19>you know, would you like to try this?

944
00:58:39.079 --> 00:58:41.119
<v Speaker 4>You still go in a room and you know, convincing

945
00:58:41.159 --> 00:58:41.960
<v Speaker 4>somebody to do that song.

946
00:58:42.440 --> 00:58:46.559
<v Speaker 7>Diane Warren is the one that has written songs for Aerosmith.

947
00:58:47.760 --> 00:58:48.559
<v Speaker 3>Oh aren't you.

948
00:58:48.599 --> 00:58:51.519
<v Speaker 4>Whether it's Al Jolson or Share, you still have to

949
00:58:51.599 --> 00:58:54.079
<v Speaker 4>sell a song. You still have to be passionate about

950
00:58:54.079 --> 00:58:57.159
<v Speaker 4>it and convince somebody and say this isn't the right

951
00:58:57.199 --> 00:58:58.760
<v Speaker 4>song for you, It's a great, great song for you.

952
00:58:58.760 --> 00:58:59.480
<v Speaker 14>Come on try it out.

953
00:59:01.519 --> 00:59:05.000
<v Speaker 17>For the late nineteenth century, the Alley's business methods were

954
00:59:05.000 --> 00:59:10.039
<v Speaker 17>cutting edge, but the music was old fashioned. Sentimental ballads,

955
00:59:10.239 --> 00:59:14.000
<v Speaker 17>popular since the Revolutionary War were the Alley's Bread and Butter.

956
00:59:14.960 --> 00:59:19.320
<v Speaker 14>A sentimental ballad was a long, detailed piece of drama.

957
00:59:19.800 --> 00:59:23.239
<v Speaker 14>It had to tell a story, and it had to

958
00:59:23.280 --> 00:59:25.119
<v Speaker 14>be a story with some detail.

959
00:59:25.159 --> 00:59:27.039
<v Speaker 21>It couldn't just be I met the girl, I'm in

960
00:59:27.039 --> 00:59:28.960
<v Speaker 21>love with her, and I'm going to sing about it. No,

961
00:59:29.079 --> 00:59:31.880
<v Speaker 21>I met the girl, I lost the girl, the girl

962
00:59:31.880 --> 00:59:35.800
<v Speaker 21>went away, the girl froze in the winter. I found

963
00:59:35.800 --> 00:59:39.480
<v Speaker 21>her tombstone six months later. It had to be a complete,

964
00:59:40.039 --> 00:59:41.480
<v Speaker 21>melodramatic story.

965
00:59:41.800 --> 00:59:49.800
<v Speaker 17>After the Ball, Tin Pan Alley's first big hit was

966
00:59:49.800 --> 00:59:56.199
<v Speaker 17>a sentimental ballad published in eighteen ninety two. After the

967
00:59:56.199 --> 01:00:00.360
<v Speaker 17>Ball was a poignant story of lost love.

968
01:00:00.400 --> 01:00:07.320
<v Speaker 16>Had this wonderful melody and feeling that after the ball

969
01:00:07.400 --> 01:00:07.760
<v Speaker 16>and how.

970
01:00:07.760 --> 01:00:12.440
<v Speaker 2>You the every just about and maybe every person that

971
01:00:12.440 --> 01:00:14.159
<v Speaker 2>they popped up on the screen that wasn't an actual

972
01:00:14.199 --> 01:00:17.559
<v Speaker 2>songwriter has been annoy and I just wanted up putting

973
01:00:17.599 --> 01:00:20.880
<v Speaker 2>that out. But they have to turn a love story

974
01:00:21.159 --> 01:00:23.199
<v Speaker 2>like only in this only in the mind of annoy

975
01:00:23.639 --> 01:00:25.079
<v Speaker 2>do they have to make it out to be a

976
01:00:25.159 --> 01:00:28.440
<v Speaker 2>death or a tragedy or something horrific and traumatic.

977
01:00:28.840 --> 01:00:31.880
<v Speaker 1>That's that's what sells. No, that's what you're selling. It's not.

978
01:00:32.000 --> 01:00:34.960
<v Speaker 1>That's what sells. Wholesomeness sells too.

979
01:00:35.039 --> 01:00:37.599
<v Speaker 2>It's what they're choosing to sell and put down pushed

980
01:00:37.639 --> 01:00:39.280
<v Speaker 2>on people's floats throats.

981
01:00:39.599 --> 01:00:41.679
<v Speaker 7>Yeah, and this is what you'll hear even today that

982
01:00:42.039 --> 01:00:44.960
<v Speaker 7>you know, the movie industry, the music industry sort of

983
01:00:46.119 --> 01:00:51.079
<v Speaker 7>caters to people's tastes and wishes and wants. But we

984
01:00:51.159 --> 01:00:53.480
<v Speaker 7>know clearly that that's not the case. Edward Brenees in

985
01:00:53.559 --> 01:00:58.800
<v Speaker 7>nineteen twenty twenty ro Ow Propaganda said that it's people

986
01:00:58.840 --> 01:01:01.480
<v Speaker 7>that we've never met that form our tastes and tell

987
01:01:01.559 --> 01:01:05.880
<v Speaker 7>us what to think. And so yeah, it's it's them

988
01:01:05.920 --> 01:01:11.719
<v Speaker 7>infiltrating pop music and then uh, determining what values that

989
01:01:11.800 --> 01:01:15.440
<v Speaker 7>they want to promote, and they just happen to choose

990
01:01:15.519 --> 01:01:17.840
<v Speaker 7>degenerative ones all the time.

991
01:01:18.159 --> 01:01:21.480
<v Speaker 2>Right, Yeah, exactly because there's a rude society and they're

992
01:01:21.480 --> 01:01:25.840
<v Speaker 2>trying to destroy morality even though there's allegedly the ones

993
01:01:25.840 --> 01:01:28.119
<v Speaker 2>that brought morality to the to the world, of course,

994
01:01:28.320 --> 01:01:32.679
<v Speaker 2>you know, right, And so I'm how factor in baby

995
01:01:32.719 --> 01:01:36.880
<v Speaker 2>penis sucking and uh child murder into that or or

996
01:01:37.000 --> 01:01:39.519
<v Speaker 2>raping a little girl at the flour she's the age

997
01:01:39.519 --> 01:01:41.760
<v Speaker 2>of three. I'm not sure how how that factors into

998
01:01:41.800 --> 01:01:45.400
<v Speaker 2>their morality, but you know, yeah, you always have continuity.

999
01:01:46.079 --> 01:01:48.320
<v Speaker 7>Everybody has a friend that steps over the line. All

1000
01:01:48.360 --> 01:01:50.480
<v Speaker 7>the time. You'll be joking and having fun and one

1001
01:01:50.519 --> 01:01:52.599
<v Speaker 7>one person always has to step over the line. It

1002
01:01:52.639 --> 01:01:57.920
<v Speaker 7>seems like these are those people. So the other thing

1003
01:01:58.000 --> 01:02:04.039
<v Speaker 7>is I just shared on Facebook, uh video of Sarah

1004
01:02:04.039 --> 01:02:07.239
<v Speaker 7>Silverman on the Tonight Show. Now the Tonight Show used

1005
01:02:07.239 --> 01:02:10.960
<v Speaker 7>to be Johnny Carson but now it's seth something or other.

1006
01:02:12.119 --> 01:02:14.320
<v Speaker 7>Used to be Saturday Live Guy. But she's on there

1007
01:02:14.360 --> 01:02:16.840
<v Speaker 7>talking about how every Christmas song that we listened to

1008
01:02:16.840 --> 01:02:22.840
<v Speaker 7>today is written by a jew. Yep uh Rudolph the

1009
01:02:22.840 --> 01:02:27.519
<v Speaker 7>Red Nose Reindeer. I'm dreaming of a white Christmas. I

1010
01:02:27.559 --> 01:02:31.800
<v Speaker 7>saw mommy kissing Santa Claus.

1011
01:02:30.280 --> 01:02:33.000
<v Speaker 1>It is dead actually in that.

1012
01:02:33.320 --> 01:02:37.119
<v Speaker 7>Which is which is a disturbing sort of storyline, right,

1013
01:02:37.159 --> 01:02:39.400
<v Speaker 7>It's implying that your mom in the middle of the

1014
01:02:39.519 --> 01:02:42.880
<v Speaker 7>night was having some sort of flirtatious affair with Santa

1015
01:02:42.880 --> 01:02:48.159
<v Speaker 7>Claus or or it's the Dad, right, Okay, yeah, sure,

1016
01:02:49.079 --> 01:02:53.000
<v Speaker 7>And so all of those songs have replaced ones like

1017
01:02:53.119 --> 01:02:57.480
<v Speaker 7>Silent Night or Oh come ye all ye faithful, these

1018
01:02:57.960 --> 01:03:04.440
<v Speaker 7>Christian based Christmas songs. Now, I'm not saying one way

1019
01:03:04.519 --> 01:03:06.920
<v Speaker 7>or the other. I'm just explaining to you the history

1020
01:03:06.960 --> 01:03:12.519
<v Speaker 7>and showing this shifting of importance, and it coincides with

1021
01:03:12.559 --> 01:03:14.519
<v Speaker 7>everything else at the same time. You can see the

1022
01:03:14.599 --> 01:03:17.840
<v Speaker 7>Tinpanaley Turn of the nineteenth or turn of the twentieth centuries.

1023
01:03:17.920 --> 01:03:21.920
<v Speaker 7>You can see this degenerative program started even before the

1024
01:03:21.960 --> 01:03:23.639
<v Speaker 7>creation of Hollywood.

1025
01:03:23.679 --> 01:03:28.400
<v Speaker 2>Right Like, if you're a bakery and people won't want rye,

1026
01:03:29.400 --> 01:03:32.239
<v Speaker 2>they want wheat, and all you're selling is white bread,

1027
01:03:33.320 --> 01:03:36.199
<v Speaker 2>and that's all they can get anywhere, eventually buy white

1028
01:03:36.199 --> 01:03:38.920
<v Speaker 2>bread because that's what's there, right right, So it's not

1029
01:03:38.960 --> 01:03:42.559
<v Speaker 2>about what people want. You're molding their wants and desires

1030
01:03:42.559 --> 01:03:44.679
<v Speaker 2>and then you're advertising and making the white bread seem

1031
01:03:44.679 --> 01:03:45.599
<v Speaker 2>like it's an amazing thing.

1032
01:03:45.840 --> 01:03:51.760
<v Speaker 7>So that was the role that Burnet's pioneered. They call

1033
01:03:51.800 --> 01:03:55.480
<v Speaker 7>it the Bernesian creation of circumstances, And you can see

1034
01:03:55.480 --> 01:04:00.039
<v Speaker 7>that it is tightly wound with our materialistic urges. That

1035
01:04:00.199 --> 01:04:02.800
<v Speaker 7>is what Buddy says at the beginning. And so you

1036
01:04:02.840 --> 01:04:05.400
<v Speaker 7>can't tell if bikes were sold because of the music

1037
01:04:05.519 --> 01:04:08.800
<v Speaker 7>or the music sold because of the bicycles. And you

1038
01:04:08.880 --> 01:04:12.360
<v Speaker 7>see it the same in car commercials today. You'll see

1039
01:04:12.519 --> 01:04:15.280
<v Speaker 7>a person driving a car down the Pacific Highway and

1040
01:04:15.320 --> 01:04:18.519
<v Speaker 7>the hair on their arms are standing on end, and

1041
01:04:18.559 --> 01:04:21.719
<v Speaker 7>it's about how you feel in this vehicle and how

1042
01:04:21.760 --> 01:04:24.559
<v Speaker 7>you feel when you're driving, and it's accompanied with music

1043
01:04:24.679 --> 01:04:28.639
<v Speaker 7>that helps to accelerate and to emphasize those feelings so

1044
01:04:28.679 --> 01:04:30.639
<v Speaker 7>that in the hope that you get in your car

1045
01:04:30.760 --> 01:04:32.400
<v Speaker 7>or and go buy another one.

1046
01:04:33.199 --> 01:04:38.840
<v Speaker 2>They literally, what I was gonna say, spend so much

1047
01:04:38.920 --> 01:04:43.559
<v Speaker 2>time manipulating. It's like it's treachery all the time. It's

1048
01:04:43.559 --> 01:04:45.760
<v Speaker 2>always a deception no matter what way you look at it.

1049
01:04:46.039 --> 01:04:51.079
<v Speaker 2>You know, advertising marketing is deception, even if you're I mean,

1050
01:04:51.320 --> 01:04:53.079
<v Speaker 2>it's the it's the method that they go about it,

1051
01:04:53.119 --> 01:04:55.360
<v Speaker 2>even if it's you know, like an honest person with

1052
01:04:55.400 --> 01:04:57.920
<v Speaker 2>a business and and a product may tell you all

1053
01:04:57.960 --> 01:05:01.519
<v Speaker 2>the good things about it, but the the psychological manipulation

1054
01:05:01.639 --> 01:05:04.119
<v Speaker 2>when it comes to like molding your your wants to

1055
01:05:04.360 --> 01:05:06.840
<v Speaker 2>have something that you didn't didn't want before.

1056
01:05:07.840 --> 01:05:10.280
<v Speaker 1>That's a whole other thing, you know. And that's that's

1057
01:05:10.280 --> 01:05:11.199
<v Speaker 1>what they spend their.

1058
01:05:11.239 --> 01:05:15.199
<v Speaker 2>Entire, their entire existence on, just constantly trying to deceive

1059
01:05:15.679 --> 01:05:19.880
<v Speaker 2>and manipulate and steer and social engineer and condition people

1060
01:05:20.400 --> 01:05:25.159
<v Speaker 2>all the time. It's constant treachery, it's constant deception. That's

1061
01:05:25.320 --> 01:05:28.760
<v Speaker 2>and it's entire They're devoted their entire, their entire existence

1062
01:05:28.760 --> 01:05:29.519
<v Speaker 2>to that very thing.

1063
01:05:30.079 --> 01:05:33.559
<v Speaker 7>Yep. And it's woven now into the fabric of America.

1064
01:05:33.639 --> 01:05:36.639
<v Speaker 7>When we start talking pop culture, I mean, how many

1065
01:05:36.639 --> 01:05:39.639
<v Speaker 7>of us that are consider ourselves awake still listen to

1066
01:05:39.960 --> 01:05:44.440
<v Speaker 7>our favorite bands, right? I I do a lot less

1067
01:05:44.599 --> 01:05:47.320
<v Speaker 7>of that now, especially the heavier music. I like to

1068
01:05:47.320 --> 01:05:49.639
<v Speaker 7>go to classical music more so now. It keeps me

1069
01:05:49.719 --> 01:05:55.039
<v Speaker 7>calm and keeps me focused. It's more creative atmosphere. I

1070
01:05:55.039 --> 01:05:58.559
<v Speaker 7>immerse myself in with the music that doesn't isn't repetitive.

1071
01:05:58.760 --> 01:06:02.519
<v Speaker 7>So let's song structure has never changed. It's verse chorus,

1072
01:06:02.639 --> 01:06:08.280
<v Speaker 7>verse chorus, solo or bridge, and then an outro. And

1073
01:06:08.880 --> 01:06:11.400
<v Speaker 7>each song is meant to leave you in the exact

1074
01:06:11.480 --> 01:06:14.159
<v Speaker 7>same place you were when you first started hearing it.

1075
01:06:14.239 --> 01:06:18.519
<v Speaker 7>Three minutes or four minutes prior to that, m it's

1076
01:06:18.559 --> 01:06:21.199
<v Speaker 7>it's meant to waste your time, and we're gonna get

1077
01:06:21.239 --> 01:06:23.480
<v Speaker 7>to uh before the end of the show. I want

1078
01:06:23.480 --> 01:06:27.199
<v Speaker 7>to show you one of the greatest modern examples of

1079
01:06:27.239 --> 01:06:30.199
<v Speaker 7>this degenerativeness.

1080
01:06:29.760 --> 01:06:32.039
<v Speaker 2>At least your time, but us and distract you because

1081
01:06:32.079 --> 01:06:35.119
<v Speaker 2>you know, your your mind plit, you know, paints the pictures.

1082
01:06:35.480 --> 01:06:37.599
<v Speaker 2>So you're manifesting these thoughts in your head. So it's

1083
01:06:37.639 --> 01:06:41.840
<v Speaker 2>also it's also occupying space where you may have been

1084
01:06:41.840 --> 01:06:44.119
<v Speaker 2>thinking about something else. Now you're not anymore. Now you're

1085
01:06:44.159 --> 01:06:47.880
<v Speaker 2>thinking about this thing that's great, you know. Did you

1086
01:06:48.119 --> 01:06:49.199
<v Speaker 2>do you mean to take that down?

1087
01:06:49.719 --> 01:06:53.400
<v Speaker 7>Yes? And Michael Jackson talks about how all of these

1088
01:06:53.400 --> 01:06:56.920
<v Speaker 7>songs are mantras that because it gets stuck in your head.

1089
01:06:56.960 --> 01:06:59.960
<v Speaker 7>This is you know, this is something that we've normaliz

1090
01:07:00.039 --> 01:07:01.920
<v Speaker 7>to say. All that song's just stuck in my head. Well,

1091
01:07:02.480 --> 01:07:05.159
<v Speaker 7>it's it's a it's a mind worm. It's got some

1092
01:07:05.880 --> 01:07:08.920
<v Speaker 7>ability to stick in there. And when we start saying

1093
01:07:08.960 --> 01:07:11.880
<v Speaker 7>those same things over and over again, think about going

1094
01:07:12.119 --> 01:07:15.679
<v Speaker 7>off the rails on the crazy train, Like, how many

1095
01:07:15.679 --> 01:07:19.760
<v Speaker 7>times have you actually said that in your mind? Myself?

1096
01:07:20.000 --> 01:07:24.360
<v Speaker 7>I grew up listening to construction rock. So every construction site,

1097
01:07:24.400 --> 01:07:26.199
<v Speaker 7>if you work there for an eight hour day, you're

1098
01:07:26.239 --> 01:07:30.199
<v Speaker 7>probably gonna hear Ozzy Osbourne and some of this music,

1099
01:07:30.480 --> 01:07:31.800
<v Speaker 7>and so it gets stuck in your head, and so

1100
01:07:31.880 --> 01:07:36.280
<v Speaker 7>you're walking around saying those things that aren't conducive to

1101
01:07:37.280 --> 01:07:41.800
<v Speaker 7>success in your mind. So if anybody's ever heard of

1102
01:07:42.000 --> 01:07:45.440
<v Speaker 7>I'm sure you've heard of the band Lit the song

1103
01:07:45.840 --> 01:07:49.320
<v Speaker 7>yeah my Own Worst Enemy yep. So this is what

1104
01:07:49.400 --> 01:07:51.079
<v Speaker 7>I want to show, and.

1105
01:07:51.440 --> 01:07:55.199
<v Speaker 2>It's yeah, in the contrast there between what he's singing

1106
01:07:55.239 --> 01:07:56.800
<v Speaker 2>about and what's happening in the video.

1107
01:07:57.000 --> 01:08:00.599
<v Speaker 7>Yeah, yes, Okay, Now let's if I can get this

1108
01:08:01.039 --> 01:08:08.519
<v Speaker 7>up because it is very important to see how they

1109
01:08:08.599 --> 01:08:11.760
<v Speaker 7>show you all of the fun times. Okay, So now

1110
01:08:11.800 --> 01:08:17.840
<v Speaker 7>I'm going back to the Hedonic calculus. We talked about

1111
01:08:18.039 --> 01:08:25.119
<v Speaker 7>Jeremy Bentham being of good utility utilitarianism and being of

1112
01:08:25.119 --> 01:08:32.479
<v Speaker 7>good utility for the greater good, and so you see

1113
01:08:33.520 --> 01:08:37.039
<v Speaker 7>in the Hordonic calculus, and this is how our modern

1114
01:08:37.079 --> 01:08:41.600
<v Speaker 7>world is shaped. That we we when we are calculating

1115
01:08:41.800 --> 01:08:45.560
<v Speaker 7>our choices in life, we are largely calculating it on

1116
01:08:45.680 --> 01:08:49.560
<v Speaker 7>the amount of pleasure that we're going to gain or

1117
01:08:49.600 --> 01:08:53.760
<v Speaker 7>the diminishing of pain. This is hedonic calculus. It comes

1118
01:08:53.760 --> 01:08:57.880
<v Speaker 7>straight out of Jeremy Bentham's work that we've shown in

1119
01:08:57.920 --> 01:09:00.760
<v Speaker 7>our work. Okay, so what you see in this video

1120
01:09:02.079 --> 01:09:04.840
<v Speaker 7>lit my own worst enemy, and I'll full size it here.

1121
01:09:04.880 --> 01:09:07.520
<v Speaker 7>Do you see it? There is?

1122
01:09:08.119 --> 01:09:08.439
<v Speaker 3>Yes?

1123
01:09:08.760 --> 01:09:10.800
<v Speaker 1>Okay, So, and this thing's going so fast.

1124
01:09:10.800 --> 01:09:12.239
<v Speaker 2>I try to click on one and it was four

1125
01:09:12.319 --> 01:09:14.159
<v Speaker 2>down from the trying to go an oder.

1126
01:09:14.439 --> 01:09:15.000
<v Speaker 1>Yeah it goes.

1127
01:09:15.319 --> 01:09:23.039
<v Speaker 7>So keep in mind here that everything that is negative, right,

1128
01:09:23.680 --> 01:09:25.680
<v Speaker 7>Can we forget about the things I said when I

1129
01:09:25.720 --> 01:09:29.159
<v Speaker 7>was drunk? I didn't mean to call you that, right?

1130
01:09:29.199 --> 01:09:31.640
<v Speaker 7>And he talks about all of the things that happened

1131
01:09:31.680 --> 01:09:32.960
<v Speaker 7>in the middle of the night that he has no

1132
01:09:33.119 --> 01:09:36.560
<v Speaker 7>memory of, while all you're watching is them having fun,

1133
01:09:36.640 --> 01:09:38.760
<v Speaker 7>bowling and picking up girls.

1134
01:09:38.960 --> 01:09:41.079
<v Speaker 1>Yeah, there's no continuity there for sure.

1135
01:09:43.479 --> 01:09:44.319
<v Speaker 7>So much.

1136
01:09:44.920 --> 01:09:46.279
<v Speaker 10>Yeah, let me see.

1137
01:09:46.760 --> 01:09:49.840
<v Speaker 2>Well, I mean even even that song, hey, whatever the

1138
01:09:49.840 --> 01:09:53.399
<v Speaker 2>hell it is. Yeah, that's a really depressing, horrible song,

1139
01:09:54.079 --> 01:09:57.479
<v Speaker 2>but it hung with a with an upbeatness to it, right, yes, yeah,

1140
01:09:57.720 --> 01:09:59.920
<v Speaker 2>and hundred five thousand does stuff like that on purpose,

1141
01:10:00.119 --> 01:10:01.520
<v Speaker 2>just to you know, get people.

1142
01:10:01.840 --> 01:10:02.000
<v Speaker 7>You know.

1143
01:10:02.239 --> 01:10:04.000
<v Speaker 1>Well, it's very layered.

1144
01:10:04.520 --> 01:10:07.600
<v Speaker 7>And I'll tell you this, Daniel, that is a key

1145
01:10:08.920 --> 01:10:12.199
<v Speaker 7>ingredient to proper songwriting in our modern world is that

1146
01:10:12.279 --> 01:10:16.520
<v Speaker 7>you have negative lyrics with a positive beat or a

1147
01:10:16.560 --> 01:10:20.159
<v Speaker 7>positive lyric with a negative beat. This is the contradiction

1148
01:10:20.239 --> 01:10:22.680
<v Speaker 7>that sells records. This is one of the major aspects

1149
01:10:22.720 --> 01:10:23.359
<v Speaker 7>of it. Yeah.

1150
01:10:23.399 --> 01:10:24.960
<v Speaker 2>Yeah, and you you can get right down to the

1151
01:10:25.039 --> 01:10:28.640
<v Speaker 2>tones as well as being an element as to why

1152
01:10:28.680 --> 01:10:30.520
<v Speaker 2>it sticks in your head because these tones have been

1153
01:10:30.600 --> 01:10:34.159
<v Speaker 2>used since they were beating drums at fires around these

1154
01:10:34.439 --> 01:10:38.319
<v Speaker 2>freaking rituals. You know, there's certain tones that operate the

1155
01:10:38.359 --> 01:10:42.119
<v Speaker 2>brain and make it a frenzied or you know, you

1156
01:10:42.159 --> 01:10:44.359
<v Speaker 2>can inspire it to be kind of like taken over

1157
01:10:44.439 --> 01:10:45.479
<v Speaker 2>by an emotion.

1158
01:10:46.239 --> 01:10:49.439
<v Speaker 7>Yeah, and they've perfected it and you're going to experience

1159
01:10:49.479 --> 01:10:52.199
<v Speaker 7>exactly what you just said. When you hear the opening

1160
01:10:52.199 --> 01:10:54.640
<v Speaker 7>guitar riff of this song. It's that's what it does.

1161
01:10:54.720 --> 01:11:21.840
<v Speaker 7>It hooks you. That's why it's called a hookah. Hold on,

1162
01:11:28.159 --> 01:11:33.600
<v Speaker 7>we forget about.

1163
01:11:33.760 --> 01:11:37.520
<v Speaker 2>So there's something going on with either stream yard or

1164
01:11:37.680 --> 01:11:40.720
<v Speaker 2>it's the board itself, but it keeps on like it's

1165
01:11:40.760 --> 01:11:42.880
<v Speaker 2>like listening to a tape that's been worn out. So

1166
01:11:42.920 --> 01:11:46.159
<v Speaker 2>it goes, it goes. It's sinally like you hear it

1167
01:11:46.319 --> 01:11:49.279
<v Speaker 2>perfectly fine. Then it'll dip the audio down then I'll

1168
01:11:49.319 --> 01:11:53.079
<v Speaker 2>come back. I think it stream Yard has its freaking problems.

1169
01:11:53.079 --> 01:11:54.760
<v Speaker 1>I think that might be the biggest issue.

1170
01:11:54.800 --> 01:11:57.399
<v Speaker 2>I don't think it's the board or the processing on it,

1171
01:11:57.640 --> 01:11:59.520
<v Speaker 2>but yeah, you'll hear it like kind of like if

1172
01:11:59.520 --> 01:12:02.199
<v Speaker 2>you're listening to a worn out tape that you've recorded

1173
01:12:02.319 --> 01:12:05.680
<v Speaker 2>over songs multiple times and then it's trying to play

1174
01:12:05.680 --> 01:12:08.199
<v Speaker 2>it after like you know, many years of playing it.

1175
01:12:08.199 --> 01:12:09.560
<v Speaker 1>It kind of has that sound to it.

1176
01:12:09.760 --> 01:12:11.520
<v Speaker 7>Okay, is it worth going forward?

1177
01:12:11.640 --> 01:12:11.840
<v Speaker 6>Yeah?

1178
01:12:11.880 --> 01:12:14.039
<v Speaker 2>Yeah, it is enough. The polka, Yeah, I did mention

1179
01:12:14.119 --> 01:12:16.359
<v Speaker 2>that earlier. Yeah, the four thirty two, two four forty

1180
01:12:16.359 --> 01:12:20.119
<v Speaker 2>is something I replied back with a with a dayne

1181
01:12:20.159 --> 01:12:21.840
<v Speaker 2>about so we'll probably get into that too.

1182
01:12:21.840 --> 01:12:23.840
<v Speaker 1>And the whole Rockefeller scam there.

1183
01:12:25.560 --> 01:12:27.880
<v Speaker 7>It's a key aspect not just for modern day but

1184
01:12:27.960 --> 01:12:31.800
<v Speaker 7>any rulers of our world and over the past thousand years.

1185
01:12:32.319 --> 01:12:34.600
<v Speaker 7>It's frequencies people will, you.

1186
01:12:34.600 --> 01:12:39.079
<v Speaker 1>Know, resonate with it that boom exactly exactly exactly.

1187
01:12:40.359 --> 01:12:41.800
<v Speaker 18>Didn't call you.

1188
01:12:41.920 --> 01:12:44.840
<v Speaker 5>That I can't.

1189
01:13:01.159 --> 01:13:22.680
<v Speaker 18>Play the wind, Jane Wind. It's no surprised me.

1190
01:13:23.119 --> 01:13:27.479
<v Speaker 7>I am in my own sanity because now and then

1191
01:13:27.720 --> 01:13:29.680
<v Speaker 7>I can't believe it's scabby.

1192
01:13:30.800 --> 01:13:37.880
<v Speaker 18>Soom's going with up this sigh?

1193
01:13:48.199 --> 01:13:49.880
<v Speaker 2>No, He's like it looks like he was strumming an

1194
01:13:49.920 --> 01:13:51.640
<v Speaker 2>arraga time. I'm like, you're a singer. If you want

1195
01:13:51.680 --> 01:13:54.479
<v Speaker 2>to to play the fucking you know the thing, if

1196
01:13:54.479 --> 01:13:56.640
<v Speaker 2>you're gonna looks so lame?

1197
01:14:00.119 --> 01:14:01.880
<v Speaker 18>Does play the wind?

1198
01:14:05.800 --> 01:14:06.000
<v Speaker 4>Can?

1199
01:14:06.840 --> 01:14:09.439
<v Speaker 11>Where does.

1200
01:14:12.239 --> 01:14:14.600
<v Speaker 6>Do go?

1201
01:14:28.359 --> 01:14:28.720
<v Speaker 7>Please?

1202
01:14:37.159 --> 01:14:44.159
<v Speaker 18>Don't care where?

1203
01:14:48.960 --> 01:14:50.359
<v Speaker 16>It's so spely.

1204
01:14:50.800 --> 01:14:59.159
<v Speaker 18>I have my own, said Ko cans Ca.

1205
01:15:01.399 --> 01:15:01.920
<v Speaker 7>Didn't get it.

1206
01:15:02.199 --> 01:15:03.920
<v Speaker 1>They were repeating the court now.

1207
01:15:16.239 --> 01:15:27.800
<v Speaker 2>Either right, yeah, yeah, yeah, No, I'm saying, yeah, we

1208
01:15:28.359 --> 01:15:30.479
<v Speaker 2>get it. I mean we got the uh, we got

1209
01:15:30.520 --> 01:15:32.199
<v Speaker 2>the gist of the lyrics and all that.

1210
01:15:32.479 --> 01:15:33.760
<v Speaker 1>So let's see.

1211
01:15:33.880 --> 01:15:42.000
<v Speaker 7>Yes, okay, So give me one second here, So can

1212
01:15:42.039 --> 01:15:43.800
<v Speaker 7>we forget about the things I said when I was drunk.

1213
01:15:43.800 --> 01:15:45.680
<v Speaker 7>I didn't mean to call you that. I can't remember

1214
01:15:45.760 --> 01:15:48.119
<v Speaker 7>what was said or what you threw at me. Please

1215
01:15:48.159 --> 01:15:48.479
<v Speaker 7>tell me.

1216
01:15:49.359 --> 01:15:49.399
<v Speaker 6>So.

1217
01:15:49.640 --> 01:15:52.960
<v Speaker 7>I think we've all been there, hopefully not in your

1218
01:15:53.000 --> 01:15:56.079
<v Speaker 7>thirties and forties and fifties, but in your teen years.

1219
01:15:57.319 --> 01:15:59.159
<v Speaker 7>This played out for me. I was in a rock

1220
01:15:59.199 --> 01:16:03.279
<v Speaker 7>band myself from twenty one twenty two, twenty three, twenty four,

1221
01:16:03.920 --> 01:16:06.600
<v Speaker 7>and we toured all over Western Canada, and this was

1222
01:16:06.680 --> 01:16:11.880
<v Speaker 7>basically every day for us. We would just drink until

1223
01:16:12.039 --> 01:16:15.239
<v Speaker 7>we passed out, and we would pick up the pieces

1224
01:16:15.239 --> 01:16:16.960
<v Speaker 7>in the morning. And I'm pretty sure this is a

1225
01:16:17.039 --> 01:16:21.479
<v Speaker 7>familiar sort of thing in America and in our Western culture.

1226
01:16:23.119 --> 01:16:24.800
<v Speaker 7>So please tell me why my car is in the

1227
01:16:24.840 --> 01:16:26.600
<v Speaker 7>front yard and I'm sleeping with my clothes on. I

1228
01:16:26.680 --> 01:16:28.520
<v Speaker 7>came in through the window last night and you're gone,

1229
01:16:28.600 --> 01:16:31.439
<v Speaker 7>So it's it's his girlfriend has left him because of

1230
01:16:31.520 --> 01:16:36.800
<v Speaker 7>his totally dysfunctional, toxic behavior. Yet he looks at you

1231
01:16:37.000 --> 01:16:39.920
<v Speaker 7>with these eyebrows that makes you want to fall in

1232
01:16:40.000 --> 01:16:43.600
<v Speaker 7>love with the kid, and he's aloof and laughing about

1233
01:16:43.640 --> 01:16:47.680
<v Speaker 7>it all. So it's light. And yet the music itself

1234
01:16:47.920 --> 01:16:50.760
<v Speaker 7>is so much more powerful than people give it credit

1235
01:16:50.840 --> 01:16:53.880
<v Speaker 7>for the hook of that guitar riff and then the

1236
01:16:54.039 --> 01:16:56.439
<v Speaker 7>feel of the song in general. This was one of

1237
01:16:56.479 --> 01:17:02.199
<v Speaker 7>the biggest songs during this time. It was played everywhere

1238
01:17:02.279 --> 01:17:04.680
<v Speaker 7>all the time, and still today I'll hear it in

1239
01:17:04.760 --> 01:17:08.560
<v Speaker 7>between periods in a hockey game or just somewhere out

1240
01:17:09.279 --> 01:17:09.720
<v Speaker 7>you know it.

1241
01:17:11.079 --> 01:17:17.079
<v Speaker 2>It encourages people, but it also, I guess, justifies the

1242
01:17:17.199 --> 01:17:19.119
<v Speaker 2>act of that of the people that are already doing

1243
01:17:19.159 --> 01:17:19.640
<v Speaker 2>it anyway.

1244
01:17:19.720 --> 01:17:23.079
<v Speaker 1>But it's also you know, behavior like, what's the big deal,

1245
01:17:23.079 --> 01:17:23.800
<v Speaker 1>It's not a big deal.

1246
01:17:24.159 --> 01:17:30.479
<v Speaker 7>Come on it, Hell, come on, he's doing it. And

1247
01:17:30.600 --> 01:17:33.800
<v Speaker 7>that is really the way it is. It's because you

1248
01:17:33.880 --> 01:17:36.439
<v Speaker 7>see other people doing it, you do it like this

1249
01:17:36.680 --> 01:17:39.239
<v Speaker 7>this idea that we go to a bar. It's like

1250
01:17:39.479 --> 01:17:40.800
<v Speaker 7>you phone up your buddy and you're like, hey, you

1251
01:17:40.800 --> 01:17:41.920
<v Speaker 7>want to go to the bar and have a beer.

1252
01:17:42.439 --> 01:17:44.239
<v Speaker 7>You know, we used to do all kinds of other things,

1253
01:17:44.520 --> 01:17:48.319
<v Speaker 7>but this seems to be the general, uh place that

1254
01:17:48.439 --> 01:17:50.920
<v Speaker 7>we all centralize and gravitate towards.

1255
01:17:51.640 --> 01:17:55.560
<v Speaker 2>And not a lot of good relationships come out of bars.

1256
01:17:56.239 --> 01:17:58.760
<v Speaker 2>Right now, they were there for a reason in the

1257
01:17:58.800 --> 01:18:01.279
<v Speaker 2>first place. Now, normally that wasn't always the case because

1258
01:18:01.279 --> 01:18:03.399
<v Speaker 2>everybody went there because that's where you found people. But

1259
01:18:04.439 --> 01:18:07.159
<v Speaker 2>there's an element, there's an element there. It's usually a

1260
01:18:07.239 --> 01:18:10.159
<v Speaker 2>dysfunctional element, and then you somehow think that it's going

1261
01:18:10.199 --> 01:18:12.199
<v Speaker 2>to be different once you're in a relationship.

1262
01:18:12.640 --> 01:18:12.840
<v Speaker 6>Yeah.

1263
01:18:13.079 --> 01:18:16.560
<v Speaker 7>My cousin famously used to phone me all the time

1264
01:18:16.600 --> 01:18:19.720
<v Speaker 7>because he valued my opinion and my take on people.

1265
01:18:20.199 --> 01:18:22.560
<v Speaker 7>So he would meet a girl and the first thing

1266
01:18:22.600 --> 01:18:25.640
<v Speaker 7>he'd want to do. He's older than me. He would

1267
01:18:26.239 --> 01:18:29.159
<v Speaker 7>bring his new girlfriend over to have her meet me

1268
01:18:29.439 --> 01:18:32.119
<v Speaker 7>so that he could find out what I thought of her.

1269
01:18:33.039 --> 01:18:35.159
<v Speaker 7>And it got to the point where our huge phone

1270
01:18:35.159 --> 01:18:36.960
<v Speaker 7>me says, hey, cousin, I'm coming over. I got a

1271
01:18:37.000 --> 01:18:39.119
<v Speaker 7>new girlfriend. I want you to meet her. And I'd say,

1272
01:18:39.159 --> 01:18:41.359
<v Speaker 7>where did you meet her? Well, I met her at

1273
01:18:41.399 --> 01:18:44.039
<v Speaker 7>the bar. It's like, okay, I don't need the meter her.

1274
01:18:44.560 --> 01:18:46.399
<v Speaker 7>That's not where you meet women that you want to

1275
01:18:46.840 --> 01:18:48.520
<v Speaker 7>be with the rest of your life, or at least

1276
01:18:48.800 --> 01:18:51.079
<v Speaker 7>you know, it would be a rarity if you did,

1277
01:18:51.319 --> 01:18:53.159
<v Speaker 7>because they're all intoxicated.

1278
01:18:53.479 --> 01:18:55.479
<v Speaker 1>Yeah, for a lot of reasons.

1279
01:18:55.760 --> 01:18:57.640
<v Speaker 2>Yeah, every once in a while, the nice girl gets

1280
01:18:57.720 --> 01:19:01.800
<v Speaker 2>dragged out by her her degenerate friend, so her you know,

1281
01:19:01.920 --> 01:19:03.960
<v Speaker 2>that's happened quite a few times with me, Like yeah,

1282
01:19:04.239 --> 01:19:05.640
<v Speaker 2>I got the knife one out of the bunch, But

1283
01:19:05.680 --> 01:19:08.159
<v Speaker 2>there's there's still an element there because she was dragged out,

1284
01:19:08.840 --> 01:19:12.760
<v Speaker 2>so uh, you know, she's also able to be influenced

1285
01:19:12.800 --> 01:19:14.800
<v Speaker 2>to be dragged out again while you're in the relationship

1286
01:19:14.840 --> 01:19:15.840
<v Speaker 2>and do other fucked up shit.

1287
01:19:15.920 --> 01:19:16.560
<v Speaker 1>So it's not good.

1288
01:19:17.760 --> 01:19:22.199
<v Speaker 7>That's a slippery slope, and it's normalized this thing that

1289
01:19:22.319 --> 01:19:26.640
<v Speaker 7>we do to go out and we get unconscious literally

1290
01:19:26.760 --> 01:19:29.319
<v Speaker 7>because if once I have a beer, there's I don't

1291
01:19:29.319 --> 01:19:32.760
<v Speaker 7>sit down and read books. It's almost impossible for me

1292
01:19:32.840 --> 01:19:36.520
<v Speaker 7>to do that even with one beer, and you know,

1293
01:19:36.600 --> 01:19:37.079
<v Speaker 7>I would.

1294
01:19:37.159 --> 01:19:38.439
<v Speaker 1>Much shit going out of my head.

1295
01:19:38.640 --> 01:19:42.479
<v Speaker 2>There there was usually, you know, the ambitious side of me,

1296
01:19:42.640 --> 01:19:44.920
<v Speaker 2>like the like the million projects that I have in

1297
01:19:44.960 --> 01:19:48.520
<v Speaker 2>the creative aspect of it gets really inflamed. And then

1298
01:19:48.640 --> 01:19:51.800
<v Speaker 2>also the frustration of none of it going anywhere a

1299
01:19:51.880 --> 01:19:55.119
<v Speaker 2>lot of times, having the ideas but not any of

1300
01:19:55.239 --> 01:19:57.560
<v Speaker 2>the way to show people. You know, it's the same

1301
01:19:57.600 --> 01:20:00.119
<v Speaker 2>thing that like being on social media. It's like so

1302
01:20:00.239 --> 01:20:02.640
<v Speaker 2>that frustration then sets it and then the next thing,

1303
01:20:02.720 --> 01:20:03.840
<v Speaker 2>you know, you're throwing shit.

1304
01:20:05.479 --> 01:20:06.560
<v Speaker 1>It went from good to bad.

1305
01:20:08.359 --> 01:20:10.159
<v Speaker 7>So I'm gonna go back to this tin pan alley.

1306
01:20:10.239 --> 01:20:12.079
<v Speaker 7>We'll just keep going down, you know. If there's anything

1307
01:20:12.119 --> 01:20:14.640
<v Speaker 7>you want to stop and talk about, just let me know.

1308
01:20:15.119 --> 01:20:20.079
<v Speaker 1>Okay, oh look frozen Face.

1309
01:20:27.680 --> 01:20:31.159
<v Speaker 16>People love that and the sentimental but in a very

1310
01:20:31.520 --> 01:20:32.800
<v Speaker 16>sweet real way.

1311
01:20:37.960 --> 01:20:41.319
<v Speaker 2>Yeah, it's a very nice and sweet way. And then

1312
01:20:41.920 --> 01:20:45.640
<v Speaker 2>that's the other thing too, the manipulation. Right, the people

1313
01:20:45.680 --> 01:20:50.039
<v Speaker 2>who are the most degenerate sociopaths with absolutely no connection

1314
01:20:50.159 --> 01:20:55.119
<v Speaker 2>to human emotions really know how to to you know,

1315
01:20:55.960 --> 01:20:59.119
<v Speaker 2>recreate that feeling. Even though it's completely insincere with them

1316
01:20:59.479 --> 01:21:03.159
<v Speaker 2>to emotionally drive view which is crazy because that's again

1317
01:21:03.520 --> 01:21:06.279
<v Speaker 2>they had to research that because they're not human in

1318
01:21:06.399 --> 01:21:09.800
<v Speaker 2>the sense of having actual emotions or empathy. But yet

1319
01:21:09.880 --> 01:21:13.800
<v Speaker 2>they study humans or other humans who have that aspect

1320
01:21:13.880 --> 01:21:16.279
<v Speaker 2>in trade or they talk to ones that do, and

1321
01:21:16.359 --> 01:21:18.439
<v Speaker 2>then they just emulate that so that you think it's

1322
01:21:18.479 --> 01:21:20.920
<v Speaker 2>sincere and honest and it isn't. So then you feel,

1323
01:21:21.079 --> 01:21:23.760
<v Speaker 2>you know, if you know that you're you feel duped. Yes,

1324
01:21:23.880 --> 01:21:26.239
<v Speaker 2>Like I just went through this whole emotional experience and

1325
01:21:26.319 --> 01:21:27.640
<v Speaker 2>it was all fucking bullshit.

1326
01:21:27.800 --> 01:21:30.680
<v Speaker 1>Really excuse my language.

1327
01:21:31.680 --> 01:21:35.239
<v Speaker 7>Yeah, And so Theodore Adno a lot of your viewers

1328
01:21:35.279 --> 01:21:37.880
<v Speaker 7>would know that name. He's sort of been linked to

1329
01:21:37.960 --> 01:21:40.279
<v Speaker 7>Tavistock and the Beatles and all of these things that

1330
01:21:40.840 --> 01:21:44.039
<v Speaker 7>I've never been able to confirm. But Theodore aDNA is

1331
01:21:44.159 --> 01:21:48.680
<v Speaker 7>very important in the creation of our uh pop culture.

1332
01:21:49.079 --> 01:21:52.000
<v Speaker 7>You know, he talked about pop music being only of

1333
01:21:52.319 --> 01:21:57.199
<v Speaker 7>like four or five or maybe six different topics. One was, uh,

1334
01:21:57.600 --> 01:22:00.880
<v Speaker 7>you know, he's talking about sentimentality. This is a key part,

1335
01:22:01.000 --> 01:22:06.800
<v Speaker 7>so sentimentality of missing home. So you'll you'll hear a

1336
01:22:06.880 --> 01:22:10.279
<v Speaker 7>lot of songs about coming home, going home, missing.

1337
01:22:10.039 --> 01:22:13.920
<v Speaker 1>Home, Yeah, Milanke, that's all about It's all about the sad, low,

1338
01:22:14.119 --> 01:22:15.359
<v Speaker 1>low vibration state.

1339
01:22:15.960 --> 01:22:17.880
<v Speaker 7>Yeah, there's very very lucky.

1340
01:22:17.880 --> 01:22:19.960
<v Speaker 2>Encouraging because they don't want people to be encouraged because

1341
01:22:19.960 --> 01:22:22.039
<v Speaker 2>then you'll start looking around and be like, why the

1342
01:22:22.119 --> 01:22:24.880
<v Speaker 2>heck am I following this crap? Why am I part

1343
01:22:24.920 --> 01:22:26.800
<v Speaker 2>of this system? You know, they want you to keep

1344
01:22:26.840 --> 01:22:29.760
<v Speaker 2>on the low levels, focus on your personal problems, so

1345
01:22:29.800 --> 01:22:31.199
<v Speaker 2>you don't address the bigger ones.

1346
01:22:31.800 --> 01:22:35.399
<v Speaker 7>Right, and so, uh, long Lost Love is another one.

1347
01:22:37.880 --> 01:22:40.800
<v Speaker 7>And then there's also nonsense songs that we we get

1348
01:22:41.840 --> 01:22:45.399
<v Speaker 7>and that's another category. But they're all and whether you

1349
01:22:45.560 --> 01:22:50.600
<v Speaker 7>are talking genres of country music or hip hop or

1350
01:22:50.880 --> 01:22:56.760
<v Speaker 7>rap or heavy metal thrash metal, they're all basically the same.

1351
01:22:57.520 --> 01:23:01.880
<v Speaker 7>Uh chassis if you will, to a car, and then

1352
01:23:01.920 --> 01:23:05.039
<v Speaker 7>you just put a different model car on that chassis.

1353
01:23:05.800 --> 01:23:09.640
<v Speaker 7>So we're all being influenced by this verse chorus, verse chorus,

1354
01:23:09.840 --> 01:23:15.560
<v Speaker 7>repetitive thing. But it's all done to suit our personal preferences,

1355
01:23:16.119 --> 01:23:18.159
<v Speaker 7>whether we come from Arkansas, or we come from New

1356
01:23:18.239 --> 01:23:22.479
<v Speaker 7>York City or wherever we come from. Inundated with this

1357
01:23:23.359 --> 01:23:28.760
<v Speaker 7>this degenerative the word what was the word that you used?

1358
01:23:31.800 --> 01:23:35.880
<v Speaker 7>I can't remember now but it's all meant to mean

1359
01:23:37.000 --> 01:23:39.920
<v Speaker 7>to keep us from trying to do more in our world.

1360
01:23:40.039 --> 01:23:42.840
<v Speaker 7>So this is where you start to see that everything

1361
01:23:43.199 --> 01:23:46.560
<v Speaker 7>is a lie. Everything that is in our world right

1362
01:23:46.640 --> 01:23:50.600
<v Speaker 7>now works against us to keep us demoralized.

1363
01:23:50.239 --> 01:23:52.640
<v Speaker 1>To keep us easily.

1364
01:23:53.199 --> 01:23:57.319
<v Speaker 2>Yeah, because even when they're they're expressing a good moral value,

1365
01:23:57.760 --> 01:24:00.359
<v Speaker 2>they're doing it to manipulate, right.

1366
01:24:00.439 --> 01:24:01.359
<v Speaker 1>They're not doing it to.

1367
01:24:02.920 --> 01:24:05.960
<v Speaker 2>Sympathize or to bring to a better place. No, they're

1368
01:24:06.039 --> 01:24:09.920
<v Speaker 2>just using that as an emotional steering mechanism. I don't

1369
01:24:09.920 --> 01:24:11.520
<v Speaker 2>want to call it triggered, but more of a steering

1370
01:24:11.600 --> 01:24:15.000
<v Speaker 2>mechanism to lead you down the path that they want

1371
01:24:15.039 --> 01:24:15.319
<v Speaker 2>you to go.

1372
01:24:15.880 --> 01:24:18.880
<v Speaker 7>Yep. And one other thing about that, let my own

1373
01:24:18.920 --> 01:24:21.119
<v Speaker 7>worst enemy is that you don't see all of the

1374
01:24:21.159 --> 01:24:26.760
<v Speaker 7>bad stuff happen. It's all implied. That's a famous Hollywood scam.

1375
01:24:28.279 --> 01:24:31.079
<v Speaker 7>This is how they were able to put degenerative subplots

1376
01:24:31.119 --> 01:24:35.359
<v Speaker 7>and plot lines into movies without showing people having sex

1377
01:24:35.520 --> 01:24:38.520
<v Speaker 7>or so that's some more people getting murdered. It was

1378
01:24:38.560 --> 01:24:41.159
<v Speaker 7>all implied. So you can see it's still going on

1379
01:24:41.359 --> 01:24:43.439
<v Speaker 7>very strong today. That's one of the most well known

1380
01:24:43.520 --> 01:24:45.000
<v Speaker 7>songs of the nineties.

1381
01:24:44.720 --> 01:24:47.199
<v Speaker 2>For sure, and that's all you need to do because

1382
01:24:47.279 --> 01:24:50.239
<v Speaker 2>the mind, when it's engaged in this, is going to

1383
01:24:50.479 --> 01:24:54.479
<v Speaker 2>create the imagery that assumes happened off screen. So you're

1384
01:24:54.479 --> 01:24:57.439
<v Speaker 2>already creating it, and it's actually forcing you to participate

1385
01:24:57.680 --> 01:24:59.399
<v Speaker 2>in that condition manifestation.

1386
01:25:00.079 --> 01:25:04.760
<v Speaker 7>Yes, and it is totally accustomed to you because it's

1387
01:25:04.920 --> 01:25:07.800
<v Speaker 7>you that is coming up with the phantasms and images

1388
01:25:08.000 --> 01:25:11.319
<v Speaker 7>in your head. So you totally relate to this. And

1389
01:25:11.560 --> 01:25:15.760
<v Speaker 7>and so you're going to be probably having memories flood

1390
01:25:15.840 --> 01:25:18.600
<v Speaker 7>through your mind of when you acted the same way.

1391
01:25:18.720 --> 01:25:22.000
<v Speaker 7>And you brought this up earlier that because other people

1392
01:25:22.039 --> 01:25:25.000
<v Speaker 7>are doing it, or because they have popular videos and

1393
01:25:25.159 --> 01:25:28.279
<v Speaker 7>rock stars and people that we admire and follow and

1394
01:25:28.439 --> 01:25:31.199
<v Speaker 7>relate with are doing it, that makes it okay for us.

1395
01:25:31.279 --> 01:25:34.119
<v Speaker 7>And I remember being driven by that.

1396
01:25:34.520 --> 01:25:37.800
<v Speaker 2>Yeah, you personalize the experience. And then you said to yourself, oh,

1397
01:25:37.960 --> 01:25:40.520
<v Speaker 2>so I have to be I have to be successful,

1398
01:25:40.560 --> 01:25:43.039
<v Speaker 2>I have to be famous before I'm allowed to have fun,

1399
01:25:43.399 --> 01:25:45.960
<v Speaker 2>you know, Like now you know.

1400
01:25:47.000 --> 01:25:51.039
<v Speaker 7>And you'll see that this is what attracts people to bands,

1401
01:25:51.600 --> 01:25:54.279
<v Speaker 7>is that they relate with the music. They relate with so.

1402
01:25:54.479 --> 01:25:56.760
<v Speaker 2>They think, but when you find out other people are

1403
01:25:56.760 --> 01:26:00.319
<v Speaker 2>writing the music, crazy because you think that this is

1404
01:26:00.359 --> 01:26:02.720
<v Speaker 2>the artist's expression. So what are they doing just singing?

1405
01:26:03.800 --> 01:26:05.880
<v Speaker 2>I mean, because seriously, like why are other people writing

1406
01:26:05.920 --> 01:26:09.439
<v Speaker 2>their songs? And then so it's not it's a public image.

1407
01:26:09.640 --> 01:26:12.119
<v Speaker 2>It's the image that they portray and then someone else

1408
01:26:12.199 --> 01:26:14.560
<v Speaker 2>filling it in. And why would anyone do that? Why

1409
01:26:14.600 --> 01:26:17.960
<v Speaker 2>would anybody write songs for other people? Because the itself

1410
01:26:18.039 --> 01:26:21.039
<v Speaker 2>owns you, and you're just you're just the marketing tool.

1411
01:26:21.079 --> 01:26:22.840
<v Speaker 2>You're just like you're just a talking head, just like

1412
01:26:22.880 --> 01:26:25.960
<v Speaker 2>the person on TV delivering the news. It's not about

1413
01:26:25.960 --> 01:26:28.359
<v Speaker 2>your own personal beliefs, it's not about your You're just

1414
01:26:28.399 --> 01:26:32.600
<v Speaker 2>there to say the words yeah sous, because people will,

1415
01:26:33.119 --> 01:26:36.199
<v Speaker 2>you know, they like your persona. You're you're just a persona.

1416
01:26:36.279 --> 01:26:38.960
<v Speaker 2>Now you're not real. So everybody gets all involved in

1417
01:26:39.000 --> 01:26:40.760
<v Speaker 2>this music and they're like all amped up and they're

1418
01:26:40.760 --> 01:26:44.159
<v Speaker 2>wearing the shirts. You're getting you're getting corn holed.

1419
01:26:44.560 --> 01:26:49.600
<v Speaker 7>It's happened perfect timing for that Daniel to say all

1420
01:26:49.680 --> 01:26:53.840
<v Speaker 7>of that, because here's the guy that nobody knows about.

1421
01:26:54.239 --> 01:26:56.159
<v Speaker 2>Oh yeah, and now, Dwayne, let me just ask this

1422
01:26:56.319 --> 01:26:58.640
<v Speaker 2>question to you real quick, Dwayne, is there something to

1423
01:26:58.760 --> 01:27:02.159
<v Speaker 2>certain genres maybe kind that use the same chords in

1424
01:27:02.239 --> 01:27:02.760
<v Speaker 2>every song?

1425
01:27:03.319 --> 01:27:03.479
<v Speaker 6>Yep.

1426
01:27:03.600 --> 01:27:07.239
<v Speaker 1>Is there something to the manipulation is but Paul Gay asked, yeah, I.

1427
01:27:07.199 --> 01:27:12.760
<v Speaker 7>Would say, you know, you can you can basically write

1428
01:27:13.399 --> 01:27:16.760
<v Speaker 7>or play any popular song with three or four chords.

1429
01:27:16.920 --> 01:27:17.880
<v Speaker 1>Oh, look at Sandberg.

1430
01:27:18.159 --> 01:27:25.359
<v Speaker 7>Yeah, surprise, right, Max Martin Burn Sandberg. Okay, now, yes,

1431
01:27:25.479 --> 01:27:28.640
<v Speaker 7>there's much to the fourth forty. One thing I want

1432
01:27:28.640 --> 01:27:32.520
<v Speaker 7>to say about that is that on a guitar, if

1433
01:27:32.720 --> 01:27:36.880
<v Speaker 7>and I've done this many times, you can read too. Yeah, yeah,

1434
01:27:36.960 --> 01:27:40.960
<v Speaker 7>you read. You take a little battery powered tuner and

1435
01:27:41.119 --> 01:27:43.239
<v Speaker 7>you can set your parameter so you can go to

1436
01:27:43.319 --> 01:27:45.359
<v Speaker 7>A four forty, which is standard tuning, and it's been

1437
01:27:45.439 --> 01:27:48.960
<v Speaker 7>that way since Rockfeller changed it. Now you can go

1438
01:27:49.079 --> 01:27:52.439
<v Speaker 7>down to what they call the gods frequency, A four

1439
01:27:52.960 --> 01:27:56.279
<v Speaker 7>thirty two. But it is less than an eighth of

1440
01:27:56.359 --> 01:28:01.359
<v Speaker 7>a turn on the guitars on the guitar nut It

1441
01:28:01.479 --> 01:28:05.960
<v Speaker 7>is such a subtle and slight little move. But I

1442
01:28:06.159 --> 01:28:10.039
<v Speaker 7>can tell the difference when I play one song when

1443
01:28:10.079 --> 01:28:13.479
<v Speaker 7>I get wrong and it's and it's four forty, and

1444
01:28:13.600 --> 01:28:15.800
<v Speaker 7>then I tune it the guitar to the A four

1445
01:28:15.920 --> 01:28:19.720
<v Speaker 7>thirty two and then play that same song. It's almost indistinguishable.

1446
01:28:20.239 --> 01:28:22.880
<v Speaker 1>But do you get more buzz like it's a looser string, right,

1447
01:28:22.960 --> 01:28:25.359
<v Speaker 1>so you get more bug when you're plucking. So that's

1448
01:28:25.359 --> 01:28:26.399
<v Speaker 1>a different sense.

1449
01:28:26.479 --> 01:28:29.920
<v Speaker 7>It's a different tense. It's a different, different feel.

1450
01:28:31.359 --> 01:28:33.840
<v Speaker 2>Because I know when you're hitting the when you're hitting

1451
01:28:33.920 --> 01:28:36.279
<v Speaker 2>like when the bass, that happens. But you know, more

1452
01:28:36.359 --> 01:28:38.960
<v Speaker 2>often you'll get that tinmy buzz if you're not, you know,

1453
01:28:39.239 --> 01:28:41.600
<v Speaker 2>sometimes if it's if the string's too loose.

1454
01:28:41.680 --> 01:28:43.319
<v Speaker 1>But obviously that's also a thing.

1455
01:28:43.840 --> 01:28:49.479
<v Speaker 7>When you look at cimatics, right, the sound being thrown

1456
01:28:49.520 --> 01:28:51.680
<v Speaker 7>through sand, I'm sure a lot of people see it

1457
01:28:51.960 --> 01:28:53.079
<v Speaker 7>and it creates patterns.

1458
01:28:53.439 --> 01:28:56.239
<v Speaker 2>Well, that's only the two dimensional that's a three dimensional shape,

1459
01:28:56.239 --> 01:28:57.920
<v Speaker 2>but they're only two dimensional on the plate.

1460
01:28:58.039 --> 01:29:01.560
<v Speaker 7>Oh wow, that's cool. Yeah, four forty shows you took

1461
01:29:01.600 --> 01:29:05.840
<v Speaker 7>completely different geometric shape than four thirty two. So there's

1462
01:29:05.960 --> 01:29:09.760
<v Speaker 7>definitely substance to it. All Throughout history, people have controlled

1463
01:29:09.800 --> 01:29:15.760
<v Speaker 7>others by changing frequencies of orchestras, of instruments. They've mandated

1464
01:29:15.840 --> 01:29:21.079
<v Speaker 7>that you can't play certain instruments with you know, the

1465
01:29:21.199 --> 01:29:24.880
<v Speaker 7>wrong tunings, or you'll get it taken away or worse.

1466
01:29:24.920 --> 01:29:27.039
<v Speaker 7>I'm not sure what happened in the days of the

1467
01:29:27.119 --> 01:29:31.319
<v Speaker 7>feudal system, but it was something that they all used.

1468
01:29:33.199 --> 01:29:36.880
<v Speaker 1>Yeah, and oh man, you just said something that I

1469
01:29:37.079 --> 01:29:38.159
<v Speaker 1>lost it. I was reading.

1470
01:29:40.680 --> 01:29:44.439
<v Speaker 7>Like when when kings take over or new rulers take

1471
01:29:44.479 --> 01:29:48.359
<v Speaker 7>over an area, they will change the frequencies of the

1472
01:29:48.479 --> 01:29:52.119
<v Speaker 7>instruments on purpose to sort of promote a different feel

1473
01:29:52.319 --> 01:29:55.199
<v Speaker 7>within their They're subjugated.

1474
01:29:55.199 --> 01:29:59.479
<v Speaker 2>A little vibration, right, not inspirational, but the negative of that.

1475
01:30:00.319 --> 01:30:02.520
<v Speaker 2>And oh yeah, I was gonna say doctor Monzo actually

1476
01:30:02.680 --> 01:30:04.439
<v Speaker 2>when it comes when it comes to the cimatics in

1477
01:30:04.479 --> 01:30:07.720
<v Speaker 2>the plates, yeah, he'd I think he demonstrated that a

1478
01:30:07.800 --> 01:30:10.159
<v Speaker 2>couple of times when he was on here too. We've

1479
01:30:10.159 --> 01:30:12.600
<v Speaker 2>gone over the cymatics a few times. You know, I've

1480
01:30:13.199 --> 01:30:15.279
<v Speaker 2>familiar with with the sand and stuff like. That's pretty

1481
01:30:15.279 --> 01:30:15.720
<v Speaker 2>cool looking.

1482
01:30:16.199 --> 01:30:18.119
<v Speaker 7>I would love to see the three dimensional model. I've

1483
01:30:18.159 --> 01:30:21.000
<v Speaker 7>only ever seen it on the you know, two dimensional flat.

1484
01:30:20.840 --> 01:30:21.840
<v Speaker 1>Plate, right.

1485
01:30:22.000 --> 01:30:24.399
<v Speaker 2>That that's the statement that they make is because it's

1486
01:30:24.479 --> 01:30:27.640
<v Speaker 2>you know, it's a three dimensional object shape, but which also,

1487
01:30:28.520 --> 01:30:31.640
<v Speaker 2>funny enough, goes right back to that whole ren Fan star,

1488
01:30:31.920 --> 01:30:34.840
<v Speaker 2>right because it's really a two dimensional model. Or when

1489
01:30:34.880 --> 01:30:38.600
<v Speaker 2>you see the the print of the hexagram, it's actually

1490
01:30:38.600 --> 01:30:40.000
<v Speaker 2>a cube like that type of stuff.

1491
01:30:40.079 --> 01:30:43.920
<v Speaker 7>Yeah, right, right, so we can see Carl Martin Sandberg,

1492
01:30:44.079 --> 01:30:46.880
<v Speaker 7>known professionally as Mac Martin, is a Swedish record producer

1493
01:30:46.880 --> 01:30:49.000
<v Speaker 7>and songwriter. He rose the prominence in the late nineties

1494
01:30:49.039 --> 01:30:52.119
<v Speaker 7>with songwriting credits on a string of hit singles like

1495
01:30:52.279 --> 01:30:57.239
<v Speaker 7>Baby One More Time, I wanted it that way, That's

1496
01:30:57.279 --> 01:30:59.640
<v Speaker 7>the way it is, in sincts, It's gonna be me.

1497
01:31:01.279 --> 01:31:03.159
<v Speaker 7>These are all songs that if we heard put them on,

1498
01:31:03.279 --> 01:31:04.840
<v Speaker 7>they would be so familiar to everybody.

1499
01:31:05.600 --> 01:31:10.640
<v Speaker 1>Hey, I still have he Man figures, Masters and universe

1500
01:31:10.680 --> 01:31:12.399
<v Speaker 1>I had. My grandmother was really good to me.

1501
01:31:12.800 --> 01:31:16.840
<v Speaker 2>I got all pretty much everything, vehicles to the castles

1502
01:31:17.680 --> 01:31:18.359
<v Speaker 2>at one time.

1503
01:31:18.680 --> 01:31:18.920
<v Speaker 6>Wow.

1504
01:31:19.359 --> 01:31:19.560
<v Speaker 7>Yeah.

1505
01:31:19.760 --> 01:31:20.159
<v Speaker 1>And then my.

1506
01:31:20.359 --> 01:31:22.319
<v Speaker 2>Stepfather kind of threw a bunch of shit out when

1507
01:31:22.359 --> 01:31:24.079
<v Speaker 2>we moved and didn't tell me. It didn't give me

1508
01:31:24.119 --> 01:31:25.760
<v Speaker 2>an option to check and see what I wanted out

1509
01:31:25.800 --> 01:31:28.800
<v Speaker 2>of it. And then also I was an idiot when

1510
01:31:28.800 --> 01:31:31.079
<v Speaker 2>I was older and thought I was going to get

1511
01:31:31.119 --> 01:31:33.159
<v Speaker 2>a better I don't know why I try to sell

1512
01:31:33.239 --> 01:31:36.600
<v Speaker 2>but eBay kind of my own fault, but I should

1513
01:31:36.640 --> 01:31:38.439
<v Speaker 2>have never even put it up as an offer. I

1514
01:31:38.560 --> 01:31:40.159
<v Speaker 2>still have a couple of things, but now I bought

1515
01:31:40.199 --> 01:31:42.119
<v Speaker 2>the newer one, so silly.

1516
01:31:42.760 --> 01:31:45.319
<v Speaker 7>Yeah, I regret not holding on to all kinds of things.

1517
01:31:45.399 --> 01:31:47.600
<v Speaker 7>I had pretty much all of the Star Wars figures

1518
01:31:48.039 --> 01:31:51.640
<v Speaker 7>in the seventies hockey cards. I had so many Wayne

1519
01:31:51.680 --> 01:31:56.479
<v Speaker 7>Gretzky rookie cards it's not even funny. Uh So shake

1520
01:31:56.520 --> 01:31:58.840
<v Speaker 7>it off by Taylor Swift.

1521
01:32:00.319 --> 01:32:03.439
<v Speaker 1>Tailor made by the Earth Swift. Yeah, my daughter sings

1522
01:32:03.479 --> 01:32:04.880
<v Speaker 1>that song and I didn't like that.

1523
01:32:06.800 --> 01:32:09.760
<v Speaker 7>I kissed a Girl and I liked it. Should be

1524
01:32:09.880 --> 01:32:14.319
<v Speaker 7>the subtitle because that's what she says. Listen to me,

1525
01:32:14.520 --> 01:32:19.239
<v Speaker 7>roar roon five one more night. So this guy has

1526
01:32:19.359 --> 01:32:21.000
<v Speaker 7>the primary songwriting credits.

1527
01:32:21.359 --> 01:32:23.199
<v Speaker 1>He's the one that's who wrote that I kissed a

1528
01:32:23.239 --> 01:32:25.680
<v Speaker 1>Girl and I liked it. Yeah, he's a lot I

1529
01:32:25.840 --> 01:32:27.039
<v Speaker 1>gave from him, but you.

1530
01:32:27.079 --> 01:32:33.600
<v Speaker 7>Know, right, but he's never mentioned. So he's worked with

1531
01:32:33.680 --> 01:32:36.720
<v Speaker 7>all kinds. You can see he's worked. Next, he's hip hop.

1532
01:32:37.279 --> 01:32:39.000
<v Speaker 2>Yeah, he's a product of the of the of the

1533
01:32:40.199 --> 01:32:42.640
<v Speaker 2>of the what do you call it, the record label.

1534
01:32:42.840 --> 01:32:44.840
<v Speaker 2>So that's part of his job. His job is to

1535
01:32:45.000 --> 01:32:47.159
<v Speaker 2>make the other guys who don't have any talent look good.

1536
01:32:47.720 --> 01:32:49.920
<v Speaker 7>What he is is what they said in the Tin

1537
01:32:50.000 --> 01:32:54.319
<v Speaker 7>Pan Alley video of Plugger. He's a song plugger. He's

1538
01:32:54.680 --> 01:32:58.960
<v Speaker 7>taking these songs and finding the proper. Actually he's he's

1539
01:32:59.079 --> 01:33:01.520
<v Speaker 7>kind of like this. Why he's so huge is because

1540
01:33:01.560 --> 01:33:05.119
<v Speaker 7>he is creative. He's writing these songs, but he's also

1541
01:33:05.199 --> 01:33:09.159
<v Speaker 7>the song plugger. He is looking and writing for specific people.

1542
01:33:09.279 --> 01:33:12.199
<v Speaker 7>And this is this goes way deeper than most people understand.

1543
01:33:12.279 --> 01:33:16.359
<v Speaker 7>This crosses all genres. So I invite people to look

1544
01:33:16.439 --> 01:33:20.680
<v Speaker 7>into the Wrecking Crew in Los Angeles. Almost every single

1545
01:33:20.760 --> 01:33:23.640
<v Speaker 7>hit song that came out of there, it is people

1546
01:33:24.000 --> 01:33:26.479
<v Speaker 7>in suit and bow ties that are writing these songs

1547
01:33:26.520 --> 01:33:29.399
<v Speaker 7>and playing the instruments. It's not actually, you know Nicky

1548
01:33:29.439 --> 01:33:32.199
<v Speaker 7>six and Tommy Lee from Motley Cruel. Though those guys

1549
01:33:32.279 --> 01:33:34.880
<v Speaker 7>do play a lot of their own, there is a

1550
01:33:35.039 --> 01:33:38.319
<v Speaker 7>lot that is done by people you've never met.

1551
01:33:39.560 --> 01:33:40.600
<v Speaker 1>Yeah, and some of the.

1552
01:33:42.399 --> 01:33:47.239
<v Speaker 7>Yeah, it's like Michael Jackson's Thriller is basically written by Toto.

1553
01:33:48.960 --> 01:33:50.680
<v Speaker 7>You'd think it was a bunch of black artists, and

1554
01:33:50.800 --> 01:33:54.039
<v Speaker 7>that is happening when they write Thriller with Quincy Jones.

1555
01:33:54.560 --> 01:34:01.359
<v Speaker 7>But Toto, the Pacerro Brothers, Steve Lucather, you know, uh,

1556
01:34:02.079 --> 01:34:04.840
<v Speaker 7>these are the guys that are are writing the famous

1557
01:34:04.920 --> 01:34:09.159
<v Speaker 7>songs and and doing and so Steve Lucather's close friends

1558
01:34:09.159 --> 01:34:11.640
<v Speaker 7>with Eddie Van Halen. This is when Eddie van Halen

1559
01:34:11.720 --> 01:34:16.199
<v Speaker 7>does the the solo for beat It, Yeah, and it

1560
01:34:16.239 --> 01:34:19.680
<v Speaker 7>becomes a total social phenomenon. He didn't where Eddie van

1561
01:34:19.760 --> 01:34:22.119
<v Speaker 7>Haalen gets put into superstardom.

1562
01:34:23.199 --> 01:34:25.960
<v Speaker 1>Yeah, he did. He he had an issue with Michael

1563
01:34:26.000 --> 01:34:28.359
<v Speaker 1>for some reason. They had it falling out. It's the

1564
01:34:28.439 --> 01:34:30.079
<v Speaker 1>same thing with that same thing.

1565
01:34:30.239 --> 01:34:33.279
<v Speaker 2>Well, I know why, Paul McCartney, because because Michael went

1566
01:34:33.319 --> 01:34:34.920
<v Speaker 2>and bought all the rights to their songs.

1567
01:34:34.920 --> 01:34:36.119
<v Speaker 1>That's why they had falling out.

1568
01:34:36.159 --> 01:34:39.479
<v Speaker 7>But the one and this is a great point too.

1569
01:34:39.760 --> 01:34:41.920
<v Speaker 7>I'm glad you brought up McCartney because it reminds me

1570
01:34:42.439 --> 01:34:46.239
<v Speaker 7>that it's all about crossover. So Quincy Jones was all

1571
01:34:46.359 --> 01:34:53.039
<v Speaker 7>about crossover artists, artists that appealed to one market, like

1572
01:34:53.159 --> 01:34:56.479
<v Speaker 7>Michael Jackson to the black market, but they wanted him

1573
01:34:56.520 --> 01:34:58.640
<v Speaker 7>to cross over into the white market. And this is

1574
01:34:58.720 --> 01:35:03.359
<v Speaker 7>what Thriller did. And so this is another one of

1575
01:35:03.399 --> 01:35:05.880
<v Speaker 7>the things. You can see all of the music, just

1576
01:35:06.119 --> 01:35:10.800
<v Speaker 7>like we look at the food industry or the movie industry,

1577
01:35:10.960 --> 01:35:14.000
<v Speaker 7>all being owned by five or six corporations, they are

1578
01:35:14.079 --> 01:35:18.720
<v Speaker 7>boiling all music down into world music. So you can

1579
01:35:18.760 --> 01:35:23.439
<v Speaker 7>see there's key additions throughout history seventies, eighties and into

1580
01:35:23.479 --> 01:35:26.279
<v Speaker 7>the nineties where they're and the Beatles did this famously

1581
01:35:26.920 --> 01:35:31.039
<v Speaker 7>where they introduced Eastern Hinduism into their music by introducing

1582
01:35:31.079 --> 01:35:34.439
<v Speaker 7>a star. This was George Harrison. So it's this move

1583
01:35:34.600 --> 01:35:38.880
<v Speaker 7>towards world music and the crossover artist was the.

1584
01:35:38.960 --> 01:35:43.600
<v Speaker 1>Key that wasn't just straight to acid doing that. There

1585
01:35:43.720 --> 01:35:44.760
<v Speaker 1>was a manipulation be.

1586
01:35:46.399 --> 01:35:50.720
<v Speaker 7>The Beatles were deeply manipulated. And some people say by

1587
01:35:50.800 --> 01:35:54.680
<v Speaker 7>Theodore d'no and this disinterested clinician. I would say there

1588
01:35:54.800 --> 01:35:57.239
<v Speaker 7>is definitely something to that. I just I've never been

1589
01:35:57.279 --> 01:36:00.119
<v Speaker 7>able to substantiate or doorno being with the Beatles, I'm

1590
01:36:00.119 --> 01:36:00.880
<v Speaker 7>not sure if you ever.

1591
01:36:01.880 --> 01:36:03.239
<v Speaker 1>I mean, that's that's a straight connection.

1592
01:36:03.520 --> 01:36:06.800
<v Speaker 7>Yeah. Tavistok is just down the road. And when you

1593
01:36:06.880 --> 01:36:09.279
<v Speaker 7>start hearing some of the stories of how John Lennon

1594
01:36:09.960 --> 01:36:13.399
<v Speaker 7>wrote songs and Paul McCartney came about songs, you know

1595
01:36:13.520 --> 01:36:17.880
<v Speaker 7>there's even they are being assisted and aided by others

1596
01:36:18.359 --> 01:36:22.920
<v Speaker 7>that are you know, song crafters, people with experience and

1597
01:36:24.079 --> 01:36:28.520
<v Speaker 7>how to do it. And uh so this actually he

1598
01:36:28.880 --> 01:36:36.720
<v Speaker 7>he incorporates like Shakespearean rules of grammar and and uh communication.

1599
01:36:37.439 --> 01:36:39.560
<v Speaker 7>So even a song like Britney Spears Baby One More

1600
01:36:39.600 --> 01:36:42.960
<v Speaker 7>Time actually has some extreme sophistication to it, even though

1601
01:36:42.960 --> 01:36:45.000
<v Speaker 7>we think it's just a bubblegum pop song that she

1602
01:36:45.159 --> 01:36:49.520
<v Speaker 7>wrote in the basement or something. No, there is substance

1603
01:36:49.600 --> 01:36:52.079
<v Speaker 7>to this. It's like the daft punk song.

1604
01:36:52.560 --> 01:36:55.760
<v Speaker 2>You gotta also take into consideration that people that were

1605
01:36:55.800 --> 01:36:59.199
<v Speaker 2>products of of Disney are being assisted in their careers.

1606
01:36:59.439 --> 01:37:00.199
<v Speaker 1>Yes, have it.

1607
01:37:00.319 --> 01:37:02.399
<v Speaker 2>They have a team, they have they have producers. They

1608
01:37:02.479 --> 01:37:03.880
<v Speaker 2>just need to get them to sing and queue and

1609
01:37:03.920 --> 01:37:04.479
<v Speaker 2>the rest of they do.

1610
01:37:05.279 --> 01:37:08.079
<v Speaker 7>Great point, Daniel, because what happens to all of these

1611
01:37:08.640 --> 01:37:13.399
<v Speaker 7>musketeers They turn into sluts and horrors and and players.

1612
01:37:13.600 --> 01:37:17.359
<v Speaker 1>If they're man, they want to turn your children into Yes, yeah.

1613
01:37:17.479 --> 01:37:21.000
<v Speaker 7>Because then your children go to the bar thinking that

1614
01:37:21.000 --> 01:37:24.520
<v Speaker 7>they're going to find their husband or wife. So you

1615
01:37:24.600 --> 01:37:29.000
<v Speaker 7>can see that Breaking Apartment has written or co written

1616
01:37:29.079 --> 01:37:32.479
<v Speaker 7>twenty seven Billboard Hot one hundred number one singles singles,

1617
01:37:32.520 --> 01:37:34.880
<v Speaker 7>twenty five of which he has produced and co produced.

1618
01:37:34.880 --> 01:37:37.720
<v Speaker 7>So he's not just writing, he's producing. And so now

1619
01:37:37.760 --> 01:37:42.359
<v Speaker 7>you're talking about engineering. And when you get into the engineering, yeah,

1620
01:37:42.600 --> 01:37:45.279
<v Speaker 7>even when you get into the grunch bands, into the

1621
01:37:45.359 --> 01:37:48.279
<v Speaker 7>eighties hair bands, uh bands.

1622
01:37:48.880 --> 01:37:50.880
<v Speaker 2>Sound that's a big one because you have all the

1623
01:37:50.960 --> 01:37:52.840
<v Speaker 2>tones in the bass and all that stuff. That bassis

1624
01:37:53.039 --> 01:37:55.039
<v Speaker 2>got a darkness to it. It's more that beating of

1625
01:37:55.079 --> 01:37:57.159
<v Speaker 2>the drum thing like I was talking about Run the Fire.

1626
01:37:57.399 --> 01:37:58.520
<v Speaker 6>Yes, there's that.

1627
01:37:58.720 --> 01:38:00.840
<v Speaker 1>There's that darkness too, makes makes you want to do

1628
01:38:00.920 --> 01:38:03.199
<v Speaker 1>bad stuff, you know, it's kind of you.

1629
01:38:03.239 --> 01:38:06.800
<v Speaker 7>Know, grunge is all of those bands are influenced by

1630
01:38:06.920 --> 01:38:10.640
<v Speaker 7>two main ones, Black Sabbath and led Zeppelin. And what

1631
01:38:10.800 --> 01:38:14.479
<v Speaker 7>is Black Sabbath mostly known for, but the triad down

1632
01:38:15.479 --> 01:38:25.159
<v Speaker 7>down like a real brutal, imposing, dark D tuned. Okay,

1633
01:38:25.399 --> 01:38:27.760
<v Speaker 7>all of this music is D tuned, so it's it's

1634
01:38:29.000 --> 01:38:32.359
<v Speaker 7>a standard guitar is e a d G B E

1635
01:38:32.760 --> 01:38:36.560
<v Speaker 7>at a four forty, but they take that the thick

1636
01:38:36.720 --> 01:38:39.279
<v Speaker 7>string the low e and they drop it a full

1637
01:38:39.319 --> 01:38:42.600
<v Speaker 7>step down to a D and that's where you get

1638
01:38:42.680 --> 01:38:47.640
<v Speaker 7>that melodic undertone that is imposing. And and you know,

1639
01:38:47.760 --> 01:38:52.560
<v Speaker 7>bands like Kiss used it, but most famously Black Sabbath,

1640
01:38:52.680 --> 01:38:56.319
<v Speaker 7>led Zeppelin, Deep Purple, all of those bands started using it.

1641
01:38:56.399 --> 01:39:00.760
<v Speaker 7>And and so the grunge, Nirvana, Sound Garden, Allis and Chains,

1642
01:39:00.840 --> 01:39:04.720
<v Speaker 7>they're all using this. I've proven it because I've gone

1643
01:39:04.760 --> 01:39:07.960
<v Speaker 7>in and learned these songs on guitar and you've had

1644
01:39:08.039 --> 01:39:12.640
<v Speaker 7>to downtune them to the proper tunings, and so yeah,

1645
01:39:12.680 --> 01:39:16.199
<v Speaker 7>it's all degenerative. And you'll see great examples in the

1646
01:39:16.239 --> 01:39:20.319
<v Speaker 7>grunge where it's like positive like we talked about earlier,

1647
01:39:20.640 --> 01:39:23.000
<v Speaker 7>the lyrics will all be positive, but the music is

1648
01:39:23.119 --> 01:39:28.079
<v Speaker 7>really demeaning and dark. Like say Hello to Heaven by

1649
01:39:28.399 --> 01:39:31.239
<v Speaker 7>Temple of the Dog, written by all of the founders

1650
01:39:31.279 --> 01:39:34.439
<v Speaker 7>of Pearl Jam and Soundgarden was saying goodbye to Anthony

1651
01:39:34.479 --> 01:39:37.520
<v Speaker 7>Wood from Mother Lovebone just at the beginning of the

1652
01:39:37.600 --> 01:39:43.560
<v Speaker 7>Seattle Sound coming into prominence. And so that is the

1653
01:39:43.680 --> 01:39:47.159
<v Speaker 7>music that I really loved. Yet now in my fifties,

1654
01:39:47.279 --> 01:39:51.439
<v Speaker 7>I'm starting to see that, Yeah, it wasn't necessarily the

1655
01:39:51.479 --> 01:39:56.680
<v Speaker 7>guys from Soundgarden and Pearl Jam deliberately going out and

1656
01:39:56.720 --> 01:40:00.199
<v Speaker 7>demoralizing America. No, these were the intelligent creatives these as

1657
01:40:00.199 --> 01:40:03.119
<v Speaker 7>were Cohurst. You can see that Pearl Jam actually was

1658
01:40:03.560 --> 01:40:05.720
<v Speaker 7>went after Ticketmaster like Metallica did.

1659
01:40:07.000 --> 01:40:10.119
<v Speaker 2>Yeah, but also there so freaking ultra liberal when it

1660
01:40:10.159 --> 01:40:12.720
<v Speaker 2>comes to what they would promote, Like He's had the

1661
01:40:12.760 --> 01:40:15.479
<v Speaker 2>stupid T shirt on Saturday Night Live with the open

1662
01:40:15.560 --> 01:40:17.359
<v Speaker 2>coat hanker, which is an abortion symbol.

1663
01:40:17.920 --> 01:40:19.399
<v Speaker 1>It's like he's a piece of piece of shit.

1664
01:40:19.439 --> 01:40:22.680
<v Speaker 2>And then he also helps u Vetter also helped get

1665
01:40:22.720 --> 01:40:25.920
<v Speaker 2>the West Bemfist three out. You know what I mean

1666
01:40:26.000 --> 01:40:30.760
<v Speaker 2>that the child murders, the ritual Satanic child murders, regardless

1667
01:40:30.760 --> 01:40:32.880
<v Speaker 2>if he's told to you, and put his face on

1668
01:40:32.960 --> 01:40:35.840
<v Speaker 2>it to influence people who are not He's involved.

1669
01:40:36.039 --> 01:40:37.439
<v Speaker 1>He did it, you know.

1670
01:40:38.239 --> 01:40:42.680
<v Speaker 7>Yeah. And Lane Staley and Alison Chains is one of

1671
01:40:42.720 --> 01:40:46.439
<v Speaker 7>the greatest bands for this and and they are one

1672
01:40:46.439 --> 01:40:48.399
<v Speaker 7>of my favorite bands of all time. Lane Staley is

1673
01:40:48.399 --> 01:40:49.600
<v Speaker 7>probably my favorite singer.

1674
01:40:49.680 --> 01:40:53.800
<v Speaker 1>He's just but this again appealing. I was living in

1675
01:40:53.880 --> 01:40:54.680
<v Speaker 1>Seattle when he died.

1676
01:40:55.279 --> 01:41:00.439
<v Speaker 7>Really yeah, wow, you know that was when I was

1677
01:41:00.479 --> 01:41:03.560
<v Speaker 7>in a band in the nineties early nineties. When Alison

1678
01:41:03.600 --> 01:41:06.039
<v Speaker 7>Chains and all this broke, we were in Vancouver trying

1679
01:41:06.079 --> 01:41:08.319
<v Speaker 7>to make it work too, and so a lot of

1680
01:41:08.359 --> 01:41:10.439
<v Speaker 7>guys came up to Vancouver from that Seattle sound and

1681
01:41:10.520 --> 01:41:13.439
<v Speaker 7>I met guys that knew Alison Chains, and you know,

1682
01:41:13.520 --> 01:41:16.880
<v Speaker 7>it was all a major thing. We all changed how

1683
01:41:16.920 --> 01:41:21.079
<v Speaker 7>we were dressing, we changed how we were tuning our guitars,

1684
01:41:21.119 --> 01:41:25.159
<v Speaker 7>we changed everything to be more with this new more

1685
01:41:25.239 --> 01:41:32.039
<v Speaker 7>popular rendition of rock and roll. So Max Martin so

1686
01:41:32.199 --> 01:41:32.560
<v Speaker 7>oh yeah.

1687
01:41:32.640 --> 01:41:34.520
<v Speaker 2>So one other thing I was gonna say is, so

1688
01:41:35.279 --> 01:41:39.600
<v Speaker 2>let's just say you're a band, like you have a

1689
01:41:39.640 --> 01:41:40.680
<v Speaker 2>George Harrison.

1690
01:41:40.399 --> 01:41:41.920
<v Speaker 1>In your band, that type of thing, like if you

1691
01:41:42.039 --> 01:41:43.079
<v Speaker 1>if you're like the Beatles and.

1692
01:41:43.680 --> 01:41:48.039
<v Speaker 2>Somebody is writing your your poppy, catchy you know, lyrics

1693
01:41:48.119 --> 01:41:51.279
<v Speaker 2>or whatever, there's still an element of the musician there.

1694
01:41:51.520 --> 01:41:54.840
<v Speaker 2>I mean, maybe I don't think people you know, grabbed

1695
01:41:55.239 --> 01:41:57.640
<v Speaker 2>George's riffs and gave him to him. I think he like,

1696
01:41:58.199 --> 01:42:00.199
<v Speaker 2>uh and I love you done dun dune do Like.

1697
01:42:00.199 --> 01:42:02.680
<v Speaker 2>I don't think somebody else did that, you know. But

1698
01:42:03.119 --> 01:42:05.960
<v Speaker 2>here's the thing that makes me that that also if

1699
01:42:06.000 --> 01:42:08.960
<v Speaker 2>that's the only thing that they're contributing, though, is the

1700
01:42:09.239 --> 01:42:12.560
<v Speaker 2>is the what do you call it, the soundtrack to

1701
01:42:12.600 --> 01:42:15.239
<v Speaker 2>the lyrics that somebody else is produced is producing. And

1702
01:42:15.319 --> 01:42:18.359
<v Speaker 2>that's not always true either, because they get full songs

1703
01:42:18.399 --> 01:42:21.119
<v Speaker 2>from these studio bands. You know, Garbage was a freaking

1704
01:42:21.159 --> 01:42:22.720
<v Speaker 2>corporate band that was doing that for other people, and

1705
01:42:22.720 --> 01:42:26.359
<v Speaker 2>then they became their own. It's yeah, which and aptly

1706
01:42:26.479 --> 01:42:27.119
<v Speaker 2>named Garbage.

1707
01:42:27.560 --> 01:42:30.720
<v Speaker 7>But uh, well the drummer was the guy that produced

1708
01:42:30.720 --> 01:42:31.399
<v Speaker 7>the new Venta album.

1709
01:42:32.039 --> 01:42:35.920
<v Speaker 2>Yeah yeah, So, but I mean, when you're just a

1710
01:42:36.039 --> 01:42:39.560
<v Speaker 2>freaking singer, and you don't have you don't have any

1711
01:42:39.640 --> 01:42:41.119
<v Speaker 2>other musical talents.

1712
01:42:41.439 --> 01:42:44.319
<v Speaker 1>What the hell are you besides an image? You're just

1713
01:42:44.359 --> 01:42:45.039
<v Speaker 1>an image, you know.

1714
01:42:45.439 --> 01:42:48.840
<v Speaker 2>You know when they sing live, lots of times it's

1715
01:42:49.680 --> 01:42:51.479
<v Speaker 2>lip syncing because they're not good.

1716
01:42:52.039 --> 01:42:55.079
<v Speaker 1>They're just the image they're They're there to dance with

1717
01:42:55.520 --> 01:43:00.319
<v Speaker 1>scantily clad clothing, you know, and and and and press

1718
01:43:00.479 --> 01:43:05.720
<v Speaker 1>upon your young children this horrible, degenerated image. And that's all.

1719
01:43:05.840 --> 01:43:07.239
<v Speaker 1>Like I'm thinking tell a Swifts when I'm saying this,

1720
01:43:07.279 --> 01:43:09.560
<v Speaker 1>But there is millions of people that do this. You know,

1721
01:43:09.720 --> 01:43:13.439
<v Speaker 1>they don't even they don't even sing their own shittio.

1722
01:43:14.199 --> 01:43:17.600
<v Speaker 1>It's very very produced in studio, and studio is not reality,

1723
01:43:18.720 --> 01:43:21.159
<v Speaker 1>just as anybody who's there been a Green Day concert

1724
01:43:21.279 --> 01:43:23.960
<v Speaker 1>and they're like, yeah, I wish I bashed my head

1725
01:43:23.960 --> 01:43:25.600
<v Speaker 1>against the wall instead of listening to them live.

1726
01:43:26.960 --> 01:43:30.640
<v Speaker 7>Right, So what is what is the mantra that's repeated

1727
01:43:31.039 --> 01:43:33.560
<v Speaker 7>when you think of garbage. I'm only happy when it

1728
01:43:33.720 --> 01:43:37.319
<v Speaker 7>rains stupid girl, right, these are the two main songs

1729
01:43:37.359 --> 01:43:37.479
<v Speaker 7>that I.

1730
01:43:37.479 --> 01:43:40.920
<v Speaker 1>Remember Stupid Girl, negative thoughts.

1731
01:43:41.880 --> 01:43:43.399
<v Speaker 7>I'm only happy when.

1732
01:43:44.720 --> 01:43:45.840
<v Speaker 1>It's the only thing they're selling.

1733
01:43:46.319 --> 01:43:50.439
<v Speaker 7>Yeah, and so it's a positive forward, aggressive riff, but

1734
01:43:50.560 --> 01:43:55.600
<v Speaker 7>it's very negative in its connotations and its implications. So

1735
01:43:56.239 --> 01:43:58.640
<v Speaker 7>I just want to introduce you also to Diane Warrant.

1736
01:43:59.520 --> 01:44:04.920
<v Speaker 7>She's probably known in some of your viewers more so

1737
01:44:05.079 --> 01:44:11.920
<v Speaker 7>than Max Martin. Okay, so, uh, Diane Eve Warren. That

1738
01:44:12.159 --> 01:44:14.279
<v Speaker 7>seems to be her real born name.

1739
01:44:17.520 --> 01:44:18.800
<v Speaker 1>She's part of the Warren Commission.

1740
01:44:18.960 --> 01:44:19.359
<v Speaker 4>Just kidding.

1741
01:44:23.199 --> 01:44:26.319
<v Speaker 7>Yeah, I just made a connection to George Martin was

1742
01:44:26.439 --> 01:44:29.880
<v Speaker 7>the manager for the Beatles or the engineer, and we

1743
01:44:30.039 --> 01:44:32.479
<v Speaker 7>just went over Max Martin. I don't think there's a connection.

1744
01:44:32.600 --> 01:44:38.239
<v Speaker 7>There may not be, yeah, right, right, right right? And

1745
01:44:38.319 --> 01:44:41.720
<v Speaker 7>and then I wonder why was his name? Was Martin

1746
01:44:41.880 --> 01:44:45.800
<v Speaker 7>in his name? Yes, his middle name is Martin, so

1747
01:44:45.880 --> 01:44:50.359
<v Speaker 7>that's why. Okay. So Diane Warren I saw her on

1748
01:44:50.600 --> 01:44:55.880
<v Speaker 7>OPRAH in the nineties and she was talking about how

1749
01:44:55.920 --> 01:44:59.359
<v Speaker 7>many artists she's written songs for, and they got into

1750
01:44:59.680 --> 01:45:05.960
<v Speaker 7>a smith I don't want to miss a thing. And

1751
01:45:06.159 --> 01:45:10.479
<v Speaker 7>this song was written by Diane Warren about her father.

1752
01:45:11.800 --> 01:45:16.399
<v Speaker 7>But then is actually sung by Aerosmith as a love

1753
01:45:16.520 --> 01:45:18.920
<v Speaker 7>song or is it? Perhaps?

1754
01:45:19.720 --> 01:45:22.319
<v Speaker 1>But no, I think it's another relationship between Liv Tyler

1755
01:45:22.439 --> 01:45:25.920
<v Speaker 1>and yes, and uh, what do you call it? Liv

1756
01:45:25.960 --> 01:45:29.920
<v Speaker 1>Tyler and John Tyler, Bruce Willis in the movie right,

1757
01:45:29.920 --> 01:45:31.159
<v Speaker 1>because I was a mother died.

1758
01:45:32.000 --> 01:45:32.159
<v Speaker 15>Yes.

1759
01:45:32.840 --> 01:45:38.479
<v Speaker 7>Yeah, So you can see where they almost like a vaccine.

1760
01:45:39.439 --> 01:45:40.920
<v Speaker 7>They can use it over here for this, but they

1761
01:45:40.960 --> 01:45:44.000
<v Speaker 7>can then cross advertise it for some other symptom. Well,

1762
01:45:44.039 --> 01:45:47.239
<v Speaker 7>they're doing that here. It was actually written by Diane

1763
01:45:47.279 --> 01:45:49.840
<v Speaker 7>Warren in memories of her father. But they're like, well,

1764
01:45:49.920 --> 01:45:52.680
<v Speaker 7>the lyrics were to use it this way as a

1765
01:45:54.039 --> 01:45:57.079
<v Speaker 7>I guess it works exactly right in this context.

1766
01:45:57.199 --> 01:45:57.279
<v Speaker 11>Right.

1767
01:45:57.960 --> 01:46:01.880
<v Speaker 7>It's just weird that at the same time, Steven Tyler

1768
01:46:01.960 --> 01:46:04.600
<v Speaker 7>is the lead singer of Aerosmith, while it's his daughter

1769
01:46:05.079 --> 01:46:08.600
<v Speaker 7>playing the lead role in Armaged. So this is where

1770
01:46:08.640 --> 01:46:10.199
<v Speaker 7>it just kind of gets a little bit messed up,

1771
01:46:11.239 --> 01:46:13.239
<v Speaker 7>kind of like brand I is marrying his second cousin

1772
01:46:16.840 --> 01:46:18.479
<v Speaker 7>just right on the precipice here.

1773
01:46:18.720 --> 01:46:21.279
<v Speaker 1>You know, it's just attractive daughters.

1774
01:46:21.279 --> 01:46:22.960
<v Speaker 2>I don't know how that works, but I've noticed this

1775
01:46:23.039 --> 01:46:26.560
<v Speaker 2>a lot, like John Voight look at hey, you know

1776
01:46:29.720 --> 01:46:32.640
<v Speaker 2>Steven Tyler with his freaking frog face, you know, and

1777
01:46:32.720 --> 01:46:36.119
<v Speaker 2>it's it's like, yeah, it's probably because it's probably because

1778
01:46:36.119 --> 01:46:37.199
<v Speaker 2>they're banging supermodels.

1779
01:46:37.239 --> 01:46:38.479
<v Speaker 1>I'm guessing that's probably what it is.

1780
01:46:39.000 --> 01:46:41.439
<v Speaker 7>Right, So you can see that she's got all kinds

1781
01:46:41.439 --> 01:46:44.439
<v Speaker 7>of number one hits, songs that you'd remember, songs that

1782
01:46:44.479 --> 01:46:47.439
<v Speaker 7>you've heard, and she's one of the more famous ones.

1783
01:46:47.520 --> 01:46:56.840
<v Speaker 7>But you know, uh, Max Martin, her and this other

1784
01:46:56.880 --> 01:46:58.800
<v Speaker 7>guy from the Tin Pan Alley are kind of the

1785
01:46:58.840 --> 01:47:01.520
<v Speaker 7>three main guys that I've three main songwriters that I

1786
01:47:01.640 --> 01:47:05.720
<v Speaker 7>see that the music industry has been using to then

1787
01:47:06.319 --> 01:47:09.760
<v Speaker 7>take like there the real intelligent creatives. Except mac Martin

1788
01:47:09.800 --> 01:47:14.399
<v Speaker 7>has been able to like parlay that into a career

1789
01:47:14.439 --> 01:47:17.840
<v Speaker 7>as an engineer in the studio, not just a songwriter.

1790
01:47:18.079 --> 01:47:22.359
<v Speaker 7>So when I was in a band, it was, you know,

1791
01:47:23.640 --> 01:47:26.000
<v Speaker 7>one of the toughest things to find was somebody that

1792
01:47:26.239 --> 01:47:29.399
<v Speaker 7>was a good guitar player and could write songs. This

1793
01:47:30.039 --> 01:47:34.920
<v Speaker 7>is a rarity in our world. This somebody that can

1794
01:47:34.960 --> 01:47:37.600
<v Speaker 7>write a catchy song and play it back to you

1795
01:47:39.079 --> 01:47:44.279
<v Speaker 7>is an intelligent creative beyond category in in my estimate,

1796
01:47:44.760 --> 01:47:47.840
<v Speaker 7>because I realize and I've attempted to try to write songs,

1797
01:47:47.880 --> 01:47:49.920
<v Speaker 7>and it is difficult to be able to come up

1798
01:47:49.960 --> 01:47:53.199
<v Speaker 7>with something that you like and enjoy, that resonates with people,

1799
01:47:53.359 --> 01:47:58.079
<v Speaker 7>that makes sense and serves a purpose. It's difficult, and

1800
01:47:58.199 --> 01:48:02.039
<v Speaker 7>so you know, these people just are born it because

1801
01:48:02.119 --> 01:48:06.680
<v Speaker 7>when you're around people like I was that just come

1802
01:48:06.760 --> 01:48:11.680
<v Speaker 7>up with songs out of the blue, it's incredible.

1803
01:48:11.159 --> 01:48:13.279
<v Speaker 1>To watch just the lyrics you mean, or the.

1804
01:48:14.800 --> 01:48:17.119
<v Speaker 7>I've been around songwriter's.

1805
01:48:16.359 --> 01:48:19.119
<v Speaker 2>Write the poetry pretty quickly. If it's if it's inspired

1806
01:48:19.439 --> 01:48:21.520
<v Speaker 2>like that, I can do that. But as far as

1807
01:48:21.600 --> 01:48:23.680
<v Speaker 2>like the you know, how do I want it to sounds,

1808
01:48:23.880 --> 01:48:25.479
<v Speaker 2>that's someone else's thing.

1809
01:48:25.720 --> 01:48:30.279
<v Speaker 7>Yes, I remember distinctly in the nineties being with a

1810
01:48:30.359 --> 01:48:33.640
<v Speaker 7>buddy named Aaron who was the lead lead singer, and

1811
01:48:34.239 --> 01:48:37.079
<v Speaker 7>I would go home after a rehearsal, come back the

1812
01:48:37.159 --> 01:48:39.159
<v Speaker 7>next day or two days later, and he'd have two

1813
01:48:39.239 --> 01:48:42.079
<v Speaker 7>more songs written that made me bounce around the room.

1814
01:48:42.279 --> 01:48:44.319
<v Speaker 7>I was just like, wow, are those ever good? How

1815
01:48:44.359 --> 01:48:45.760
<v Speaker 7>did you do that? And he's like, I don't know.

1816
01:48:45.800 --> 01:48:48.039
<v Speaker 7>I just sat here and smoked a cigarette and came

1817
01:48:48.119 --> 01:48:50.840
<v Speaker 7>up with some stuff. And it's like, do you understand

1818
01:48:51.199 --> 01:48:56.199
<v Speaker 7>how talented that is. It's it's a really an amazing accomplishment.

1819
01:48:56.239 --> 01:48:57.840
<v Speaker 7>You should be proud of yourself to do that, because

1820
01:48:58.000 --> 01:48:59.840
<v Speaker 7>many of us out here are struggling to do what

1821
01:48:59.920 --> 01:49:02.479
<v Speaker 7>you just amazingly did in twenty four hours. And so

1822
01:49:03.920 --> 01:49:08.239
<v Speaker 7>those people are the ones that are identified much like

1823
01:49:08.319 --> 01:49:11.960
<v Speaker 7>in school. Just like the education systems, the filter systems

1824
01:49:12.000 --> 01:49:14.319
<v Speaker 7>see the ones they call the best and brightest are

1825
01:49:14.439 --> 01:49:16.239
<v Speaker 7>the ones that regirch, date and repeat the best, and

1826
01:49:16.279 --> 01:49:18.960
<v Speaker 7>then they put those into managerial positions into society. It's

1827
01:49:19.000 --> 01:49:21.680
<v Speaker 7>the same thing here. They identify the money to do it.

1828
01:49:22.960 --> 01:49:24.840
<v Speaker 2>They don't want, they don't want anybody with who's free

1829
01:49:24.920 --> 01:49:29.600
<v Speaker 2>thinking in any position to make decisions. People who need

1830
01:49:29.680 --> 01:49:33.479
<v Speaker 2>it a manual, a manual or digital manual to go

1831
01:49:33.720 --> 01:49:36.039
<v Speaker 2>off of directly and have absolutely no discernment or human

1832
01:49:36.199 --> 01:49:36.960
<v Speaker 2>qualities whatsoever.

1833
01:49:37.520 --> 01:49:41.560
<v Speaker 7>Right, So I don't know what time we got for nine? Yeah,

1834
01:49:42.159 --> 01:49:43.960
<v Speaker 7>you want to keep going, or you got somewhere.

1835
01:49:43.680 --> 01:49:47.439
<v Speaker 1>To be, Uh, you go ahead for like a I

1836
01:49:47.439 --> 01:49:49.680
<v Speaker 1>don't know, like ten to fifteen more minutes, and then

1837
01:49:49.720 --> 01:49:50.560
<v Speaker 1>I got to jump up.

1838
01:49:50.920 --> 01:49:53.840
<v Speaker 7>Okay, So I'm going to just keep playing this tin

1839
01:49:53.920 --> 01:49:56.920
<v Speaker 7>pan alley because it's important to understand where all of

1840
01:49:57.000 --> 01:49:59.000
<v Speaker 7>this comes from so that you can relate it back

1841
01:49:59.079 --> 01:50:00.920
<v Speaker 7>to a time before or even Hollywood.

1842
01:50:01.000 --> 01:50:05.520
<v Speaker 2>And and you know, David Geffen, I gotta get it

1843
01:50:05.600 --> 01:50:07.840
<v Speaker 2>for something, well for just a moment. So when you

1844
01:50:07.880 --> 01:50:09.840
<v Speaker 2>put it up on the screen, I'm just gonna put

1845
01:50:09.880 --> 01:50:11.720
<v Speaker 2>it full screen until it back, so it's not.

1846
01:50:11.760 --> 01:50:12.600
<v Speaker 1>Just an empty chair.

1847
01:50:14.640 --> 01:50:16.199
<v Speaker 7>Floor. Here we go.

1848
01:50:19.199 --> 01:50:23.600
<v Speaker 1>It goes all right, go for it, and you could

1849
01:50:23.760 --> 01:50:25.319
<v Speaker 1>obviously you'll still be able to be heard if you

1850
01:50:25.439 --> 01:50:26.239
<v Speaker 1>know you're at the screen.

1851
01:50:29.760 --> 01:50:31.960
<v Speaker 4>You know, I love songs on door. People are always

1852
01:50:31.960 --> 01:50:35.359
<v Speaker 4>gonna fall in love in two thousand and seven, eighteen ninety.

1853
01:50:35.640 --> 01:50:38.199
<v Speaker 3>I mean, that doesn't change, that doesn't change.

1854
01:50:38.239 --> 01:50:39.239
<v Speaker 1>That's the same girl, You're just.

1855
01:50:40.920 --> 01:50:41.079
<v Speaker 11>Four.

1856
01:50:41.159 --> 01:50:44.199
<v Speaker 17>Tin pan Alley hits sold in the tens of thousands.

1857
01:50:45.279 --> 01:50:48.840
<v Speaker 17>After the ball sold more than five million copies, and

1858
01:50:48.960 --> 01:50:50.159
<v Speaker 17>it earned the songs.

1859
01:50:49.880 --> 01:50:50.840
<v Speaker 1>Writer Charles K.

1860
01:50:51.039 --> 01:50:56.000
<v Speaker 17>Harris of Fortune. His office sign became tin pan Alley's

1861
01:50:56.039 --> 01:51:03.039
<v Speaker 17>mantra songs written to order. Around the turn of the

1862
01:51:03.079 --> 01:51:06.880
<v Speaker 17>twentieth century, Harris and his competitors moved into a block

1863
01:51:06.960 --> 01:51:10.640
<v Speaker 17>of undistinguished brownstones on a side street in Lower Manhattan.

1864
01:51:12.199 --> 01:51:15.239
<v Speaker 21>People assumed that there was no tin panel It was

1865
01:51:15.439 --> 01:51:19.239
<v Speaker 21>just a reference. They didn't realize there was a tinpanelle.

1866
01:51:19.359 --> 01:51:21.439
<v Speaker 21>There was a place that was the heart of the

1867
01:51:21.520 --> 01:51:22.279
<v Speaker 21>music business.

1868
01:51:23.680 --> 01:51:26.800
<v Speaker 22>If you can imagine a street where almost all the

1869
01:51:26.880 --> 01:51:30.960
<v Speaker 22>buildings are music publishing offices, and in those offices were

1870
01:51:31.000 --> 01:51:32.680
<v Speaker 22>tiny little cubicles, an.

1871
01:51:32.680 --> 01:51:36.920
<v Speaker 21>Upright piano, a cheap one crammed in a room, banging

1872
01:51:36.960 --> 01:51:39.399
<v Speaker 21>away all day long, different songs.

1873
01:51:40.560 --> 01:51:43.520
<v Speaker 22>Lan Monroe k Rosenfeld was doing a story on this

1874
01:51:43.920 --> 01:51:47.520
<v Speaker 22>incredible new thriving industry, the popular music business. He was

1875
01:51:47.800 --> 01:51:50.640
<v Speaker 22>up on West twenty eighth Street listening to this cacophone

1876
01:51:51.319 --> 01:51:55.399
<v Speaker 22>of tiny piano sounds coming out of the windows and

1877
01:51:55.680 --> 01:51:58.159
<v Speaker 22>compared it to the clanging of tin pans.

1878
01:51:58.840 --> 01:52:02.199
<v Speaker 14>So it was nickname tinpan Alley. Once it got into

1879
01:52:02.239 --> 01:52:04.399
<v Speaker 14>the newspaper that way, it stuck.

1880
01:52:07.880 --> 01:52:12.159
<v Speaker 17>Soon Tinpan Alley was credited with popularizing a dynamic new sound,

1881
01:52:12.720 --> 01:52:15.560
<v Speaker 17>rag time, and it was.

1882
01:52:15.760 --> 01:52:20.800
<v Speaker 10>Very exciting music. It had a great streak sound through it.

1883
01:52:21.680 --> 01:52:24.960
<v Speaker 7>Very much like rock and roll has, at least rock

1884
01:52:25.000 --> 01:52:26.359
<v Speaker 7>and roll had in the beginning.

1885
01:52:27.000 --> 01:52:30.520
<v Speaker 19>To me, ragtime was the beginning of this huge evolution

1886
01:52:30.800 --> 01:52:34.880
<v Speaker 19>of American music. It's heavily influenced from a part of

1887
01:52:34.880 --> 01:52:36.920
<v Speaker 19>the world that I'm from, the American South, with this

1888
01:52:37.000 --> 01:52:40.960
<v Speaker 19>sort of left hand stride piano technique which one could

1889
01:52:41.000 --> 01:52:43.520
<v Speaker 19>hear in New Orleans probably in the eighteen sixties and

1890
01:52:43.560 --> 01:52:48.600
<v Speaker 19>eighteen seventies, and it has a huge African American influence.

1891
01:52:49.000 --> 01:52:51.520
<v Speaker 19>Is a rhythmic influence that's not available to a lot

1892
01:52:51.560 --> 01:52:53.159
<v Speaker 19>of Western music up to that point.

1893
01:52:54.119 --> 01:52:57.600
<v Speaker 21>The music itself ragged the notes, which is the expression

1894
01:52:57.600 --> 01:53:00.119
<v Speaker 21>of rag team came from it took the note and

1895
01:53:00.239 --> 01:53:02.960
<v Speaker 21>you bent it. You have slung it over here a

1896
01:53:03.000 --> 01:53:03.359
<v Speaker 21>little bit.

1897
01:53:03.479 --> 01:53:04.199
<v Speaker 3>You came back.

1898
01:53:05.279 --> 01:53:07.520
<v Speaker 21>Rag Time fooled around with music, but it also fooled

1899
01:53:07.560 --> 01:53:10.760
<v Speaker 21>around with words, and it used all the slang, the

1900
01:53:10.920 --> 01:53:13.800
<v Speaker 21>latest slang that you can have. It made up words,

1901
01:53:14.239 --> 01:53:23.439
<v Speaker 21>and people just loved it. You get hello my baby

1902
01:53:24.359 --> 01:53:26.279
<v Speaker 21>instead of you know, your dearest heart.

1903
01:53:26.720 --> 01:53:28.920
<v Speaker 18>If you refuse me, honey, you lose me.

1904
01:53:29.119 --> 01:53:31.960
<v Speaker 22>Then you just want a little short verse that says

1905
01:53:32.960 --> 01:53:34.800
<v Speaker 22>I got a telephone and now I'm going to use

1906
01:53:34.880 --> 01:53:36.319
<v Speaker 22>it too, and go into the course.

1907
01:53:36.640 --> 01:53:39.640
<v Speaker 3>Hello my baby, Hello my honey, Hello my Ragtime gal.

1908
01:53:40.039 --> 01:53:43.199
<v Speaker 7>Send me a kiss by why Okay, So now you

1909
01:53:43.239 --> 01:53:45.960
<v Speaker 7>can take this is at the turn of the twentieth century.

1910
01:53:46.079 --> 01:53:51.319
<v Speaker 7>Tinpanale Ragtime that evolves through the Brill Building. Tinpanale actually

1911
01:53:51.439 --> 01:53:54.520
<v Speaker 7>moves into Upper New York, and we're gonna touch on

1912
01:53:54.640 --> 01:53:56.279
<v Speaker 7>that in the next ten minutes here before.

1913
01:53:56.039 --> 01:53:56.520
<v Speaker 6>We got to go.

1914
01:53:58.199 --> 01:54:02.000
<v Speaker 7>And leads to sixties music in the Wall of Sound,

1915
01:54:08.479 --> 01:54:10.600
<v Speaker 7>And what I was gonna say there actually is that

1916
01:54:11.239 --> 01:54:15.439
<v Speaker 7>we're all familiar with Metallica, in the eighties and nineties

1917
01:54:17.000 --> 01:54:21.720
<v Speaker 7>and the Black Album. Many Metallica fans point to this

1918
01:54:21.920 --> 01:54:24.119
<v Speaker 7>is the moment that Metallica has sold out. And this

1919
01:54:24.279 --> 01:54:26.800
<v Speaker 7>is really what happened, is that Metallica was doing their

1920
01:54:26.840 --> 01:54:29.800
<v Speaker 7>own thing. They were writing eleven and a half minute songs,

1921
01:54:29.840 --> 01:54:35.760
<v Speaker 7>twelve minute songs, and they they were corralled. This thrash

1922
01:54:35.880 --> 01:54:43.000
<v Speaker 7>metal movement of San Francisco included except Slayer, Metallica, and Megadeath.

1923
01:54:43.359 --> 01:54:46.239
<v Speaker 7>Those were the big four and so you can see

1924
01:54:46.279 --> 01:54:50.319
<v Speaker 7>that they've all been corralled. Now there you know, Dave

1925
01:54:50.399 --> 01:54:53.880
<v Speaker 7>Mustaine is still touring with Megadeaths, and Metallica is one

1926
01:54:53.920 --> 01:54:57.079
<v Speaker 7>of the biggest bands of all time, still touring or

1927
01:54:57.199 --> 01:54:59.039
<v Speaker 7>just got off of one of their biggest world tours

1928
01:54:59.039 --> 01:55:02.239
<v Speaker 7>I've ever seen. And what did they do to Metallica?

1929
01:55:02.319 --> 01:55:05.319
<v Speaker 7>But they titled them with Bob Rock. They sent them

1930
01:55:05.359 --> 01:55:08.319
<v Speaker 7>to Vancouver to work at Little Mountain Sound and crafted

1931
01:55:08.319 --> 01:55:10.279
<v Speaker 7>all of their music into three and a half four

1932
01:55:10.359 --> 01:55:14.039
<v Speaker 7>minute songs. This is where we get Metallica's biggest music ever.

1933
01:55:16.439 --> 01:55:21.880
<v Speaker 7>And it's the same same record companies, publishing houses that

1934
01:55:22.399 --> 01:55:26.199
<v Speaker 7>existed during Tinpanaley and the brill building eras that were

1935
01:55:26.239 --> 01:55:30.399
<v Speaker 7>controlling Metallica, Slayer and these other bands to get them

1936
01:55:30.520 --> 01:55:36.119
<v Speaker 7>into radio friendly size three and a half minute pop songs, so.

1937
01:55:36.199 --> 01:55:40.800
<v Speaker 22>That the chorus becomes this exuberant, lyrical, very rhythmic expression

1938
01:55:41.039 --> 01:55:47.520
<v Speaker 22>which sounds fresh and dynamic, like a new century, like

1939
01:55:47.640 --> 01:55:48.399
<v Speaker 22>a new central.

1940
01:55:51.319 --> 01:55:55.640
<v Speaker 17>Scott Joplin, one of several African American composers on Tinpanelley,

1941
01:55:55.960 --> 01:55:59.560
<v Speaker 17>became known as the King of Ragtime. He went on

1942
01:55:59.680 --> 01:56:07.600
<v Speaker 17>to write nearly forty rags. Maple Leaf Rag was his

1943
01:56:07.760 --> 01:56:08.520
<v Speaker 17>most popular.

1944
01:56:18.760 --> 01:56:22.760
<v Speaker 7>Okay, so I'm gonna stop this video here, but definitely

1945
01:56:22.800 --> 01:56:25.520
<v Speaker 7>everybody continue to watch this, watch this till the end

1946
01:56:25.560 --> 01:56:29.159
<v Speaker 7>because it does get into the evolution of this into

1947
01:56:29.199 --> 01:56:31.920
<v Speaker 7>the later years. But what I want to do here

1948
01:56:31.960 --> 01:56:35.880
<v Speaker 7>before we got to go is show you where it

1949
01:56:36.000 --> 01:56:40.680
<v Speaker 7>evolved next. Okay, So after Tinpanale, they move it up

1950
01:56:40.800 --> 01:56:44.079
<v Speaker 7>into Upper New York, which is what I just stated,

1951
01:56:45.000 --> 01:56:49.760
<v Speaker 7>and it's centralized in this place called the Brill Building.

1952
01:56:50.640 --> 01:56:53.720
<v Speaker 1>I was big into the hardcore scene in upstate New York.

1953
01:56:55.119 --> 01:57:01.119
<v Speaker 1>Hardcore punk, uh no, just like thrash metal, Oh yeah yeah.

1954
01:57:01.159 --> 01:57:02.239
<v Speaker 7>And I would say that all of that.

1955
01:57:03.239 --> 01:57:04.960
<v Speaker 1>When it was there, But it wasn't like there was

1956
01:57:05.000 --> 01:57:06.800
<v Speaker 1>a band called the vultures that I liked. There were.

1957
01:57:07.039 --> 01:57:07.239
<v Speaker 15>Yeah.

1958
01:57:07.600 --> 01:57:09.920
<v Speaker 1>I worked at McDonald's with most of the crew of

1959
01:57:10.039 --> 01:57:15.479
<v Speaker 1>the of the band No Way. Yeah, so I went

1960
01:57:15.520 --> 01:57:16.920
<v Speaker 1>to a lot of concerts, obviously, I went to a

1961
01:57:16.960 --> 01:57:18.000
<v Speaker 1>lot of concerts back.

1962
01:57:17.840 --> 01:57:20.079
<v Speaker 7>In the day. Right, And so you can see the

1963
01:57:20.119 --> 01:57:25.199
<v Speaker 7>Brill Building still exists. It's an office building sixteen nineteen Broadway,

1964
01:57:25.319 --> 01:57:29.039
<v Speaker 7>forty ninth Street. It's actually, oh no it's not. It's

1965
01:57:29.159 --> 01:57:31.479
<v Speaker 7>quite a ways from the AGS Building, but it is

1966
01:57:31.560 --> 01:57:34.119
<v Speaker 7>on Broadway, so it's in Manhattan.

1967
01:57:36.159 --> 01:57:40.479
<v Speaker 1>Therill Building, Brill. That's that's I know, I know Brill,

1968
01:57:40.560 --> 01:57:44.239
<v Speaker 1>but oh that was that was for Polka out there, the.

1969
01:57:48.399 --> 01:57:50.960
<v Speaker 7>Rill Society, right, yep.

1970
01:57:51.760 --> 01:57:52.159
<v Speaker 3>Completely.

1971
01:57:53.039 --> 01:57:55.760
<v Speaker 7>It starts with big band era World War two. So

1972
01:57:55.800 --> 01:57:58.079
<v Speaker 7>we're talking thirties forties. This is coming out of the

1973
01:57:58.560 --> 01:58:00.880
<v Speaker 7>booming twenties and the ragged that we were listening to,

1974
01:58:01.560 --> 01:58:04.439
<v Speaker 7>and it starts to evolve into other things. We see

1975
01:58:05.439 --> 01:58:09.119
<v Speaker 7>Glenn Miller orchestras, Benny Goodman orchestras are now the thing.

1976
01:58:10.760 --> 01:58:15.199
<v Speaker 7>Rather than just a single entertainer singing one song, you've

1977
01:58:15.239 --> 01:58:19.000
<v Speaker 7>got an entire orchestra. The Brial Building sound.

1978
01:58:19.039 --> 01:58:21.399
<v Speaker 1>I'd like big band, Big band was good stuff. Yeah,

1979
01:58:21.479 --> 01:58:26.359
<v Speaker 1>I like it too, like cocaine, cocaine field jazz.

1980
01:58:26.319 --> 01:58:26.399
<v Speaker 6>Like.

1981
01:58:29.439 --> 01:58:32.920
<v Speaker 7>All of those guys were on heroin, felonious Monk, you know,

1982
01:58:33.079 --> 01:58:36.720
<v Speaker 7>Ray Charles. They were all being totally just like they

1983
01:58:36.840 --> 01:58:40.640
<v Speaker 7>did to to Jim Morrison in the sixties counterculture and

1984
01:58:40.680 --> 01:58:42.680
<v Speaker 7>got them all addicted to drugs. You see the same

1985
01:58:42.720 --> 01:58:45.000
<v Speaker 7>thing happening with all the black artists back in that day.

1986
01:58:45.399 --> 01:58:53.079
<v Speaker 1>Yeah, Morrison was a product of naval intelligence, sure, dad too. Yeah, no, no, no, no, no,

1987
01:58:53.359 --> 01:58:58.159
<v Speaker 1>uh mystical uh oh, I just grassrooted myself into the doors.

1988
01:58:58.279 --> 01:59:00.159
<v Speaker 1>No no, no, that was put together just like something

1989
01:59:00.199 --> 01:59:02.840
<v Speaker 1>else was in in California at the time.

1990
01:59:03.479 --> 01:59:03.600
<v Speaker 6>Right.

1991
01:59:04.199 --> 01:59:10.239
<v Speaker 7>So you see who's here, you know, Dion Warwick. You

1992
01:59:10.319 --> 01:59:12.119
<v Speaker 7>can when you look here, you can start to see

1993
01:59:12.199 --> 01:59:18.359
<v Speaker 7>the genre of music. Liza Minelli and the key name

1994
01:59:18.479 --> 01:59:23.840
<v Speaker 7>here being Phil Spector. Yes, okay, so Phil Spector, he's

1995
01:59:24.199 --> 01:59:27.560
<v Speaker 7>the guy that creates the wall of sound, and he's

1996
01:59:27.640 --> 01:59:31.279
<v Speaker 7>working in Los Angeles with the Wrecking Crew, this group

1997
01:59:31.359 --> 01:59:33.720
<v Speaker 7>that I told you about earlier that aren't famous at all,

1998
01:59:33.840 --> 01:59:36.039
<v Speaker 7>that wear bow ties when they show up, and they're

1999
01:59:37.239 --> 01:59:41.960
<v Speaker 7>very technical, efficient musicians. They are studio musicians, and Phil

2000
01:59:42.039 --> 01:59:46.079
<v Speaker 7>Spector uses them works with the Beach Boys because Brian

2001
01:59:46.119 --> 01:59:50.000
<v Speaker 7>Wilson was one of these intelligent creatives, but they coerce

2002
01:59:50.119 --> 01:59:51.680
<v Speaker 7>him too, And a lot of the things that actually

2003
01:59:51.760 --> 01:59:53.760
<v Speaker 7>end up happening to the Beach Boys are because of

2004
01:59:53.840 --> 01:59:57.800
<v Speaker 7>this degenerative process that they got involved with. You see

2005
01:59:57.920 --> 02:00:01.119
<v Speaker 7>the Charles Manson starts showing up up and then everything

2006
02:00:01.159 --> 02:00:03.439
<v Speaker 7>of course that comes out of the sixties counterculture. There's

2007
02:00:03.640 --> 02:00:07.479
<v Speaker 7>Phil Spector and he's there. Isn't he involved with the

2008
02:00:07.760 --> 02:00:09.199
<v Speaker 7>murder of Sharon Tate?

2009
02:00:09.359 --> 02:00:14.720
<v Speaker 2>Like he's he's hold on it was it was Keith

2010
02:00:14.800 --> 02:00:17.680
<v Speaker 2>Moon who ran over his own chauffeur or something like that.

2011
02:00:18.000 --> 02:00:21.479
<v Speaker 1>Then he died. But yes, Bill Spector was on trial

2012
02:00:21.560 --> 02:00:23.239
<v Speaker 1>for some other type of murder, wasn't he Did he

2013
02:00:23.359 --> 02:00:26.520
<v Speaker 1>kill somebody too? I thought he was maybe I can't

2014
02:00:26.520 --> 02:00:29.079
<v Speaker 1>remember now, but more recently when when he looks even

2015
02:00:29.159 --> 02:00:32.439
<v Speaker 1>more freakish with his blown out haired Right.

2016
02:00:33.000 --> 02:00:35.920
<v Speaker 7>So the most important thing to understand here before we go,

2017
02:00:36.079 --> 02:00:38.199
<v Speaker 7>and my battery on my computer is actually dying. So

2018
02:00:38.279 --> 02:00:40.319
<v Speaker 7>I don't know how much longer I got, but I

2019
02:00:40.439 --> 02:00:42.800
<v Speaker 7>want to make this point that Phil Spector creates the

2020
02:00:42.840 --> 02:00:46.319
<v Speaker 7>wall of sound. Uh, he's working with all of these

2021
02:00:46.680 --> 02:00:49.640
<v Speaker 7>studio musicians out of Los Angeles writing all these songs

2022
02:00:49.720 --> 02:00:52.680
<v Speaker 7>that we love that we think are written by somebody

2023
02:00:52.720 --> 02:00:56.960
<v Speaker 7>else that aren't. Now that happens. There's there's the Muscle Shoals.

2024
02:00:57.399 --> 02:01:01.239
<v Speaker 7>So this is where Lynyrd Skynyrd is from. This Muscle

2025
02:01:01.319 --> 02:01:04.680
<v Speaker 7>Shoals studio does the same thing. R and B and Detroit,

2026
02:01:04.840 --> 02:01:06.920
<v Speaker 7>they have the same thing as the Wrecking Crew. They're

2027
02:01:07.000 --> 02:01:09.359
<v Speaker 7>just a bunch of artists that play a certain genre.

2028
02:01:09.800 --> 02:01:12.840
<v Speaker 7>And so anytime a musician comes in these intelligent creatives

2029
02:01:12.880 --> 02:01:16.640
<v Speaker 7>that have ideas that are workable and usable, but hasn't

2030
02:01:16.720 --> 02:01:19.159
<v Speaker 7>completed his thoughts and it hasn't been able to find

2031
02:01:19.199 --> 02:01:22.399
<v Speaker 7>finishing like to be able to finish his work. This

2032
02:01:22.520 --> 02:01:24.640
<v Speaker 7>is where they call in these professionals and they'll finish

2033
02:01:24.720 --> 02:01:28.039
<v Speaker 7>engineering the song. They'll even add lyrics, they'll change the

2034
02:01:28.119 --> 02:01:31.600
<v Speaker 7>direction of the song or the album entirely. We see

2035
02:01:31.640 --> 02:01:32.680
<v Speaker 7>that with Soundgarden.

2036
02:01:34.479 --> 02:01:35.640
<v Speaker 1>And then they rob the artist.

2037
02:01:36.399 --> 02:01:39.399
<v Speaker 7>And then this is a great point that in the

2038
02:01:39.520 --> 02:01:42.760
<v Speaker 7>end the artist is often left with nothing, just like then,

2039
02:01:44.119 --> 02:01:49.399
<v Speaker 7>nothing has changed. So the final point I also want

2040
02:01:49.399 --> 02:01:51.279
<v Speaker 7>to make here is that Phil Spectra makes this wall

2041
02:01:51.359 --> 02:01:56.840
<v Speaker 7>of sound and this turns into you know, live performances

2042
02:01:56.960 --> 02:02:01.760
<v Speaker 7>The Grateful Dead and als Lee Stanley Ousley or The Bear.

2043
02:02:02.279 --> 02:02:07.079
<v Speaker 7>He's the sound guy engineer for The Grateful Dead. He's

2044
02:02:07.640 --> 02:02:11.319
<v Speaker 7>hanging out with the father of Courtney Love, which.

2045
02:02:13.600 --> 02:02:17.920
<v Speaker 2>Strange because she is totally a product of the military

2046
02:02:17.960 --> 02:02:18.960
<v Speaker 2>intelligence operators.

2047
02:02:19.000 --> 02:02:23.079
<v Speaker 7>Absolutely she is, and and what is what's what happens

2048
02:02:23.119 --> 02:02:28.800
<v Speaker 7>with hers? Kurt Cobain's murdered and she tries to distroll

2049
02:02:28.960 --> 02:02:32.479
<v Speaker 7>all the songwriting credits. We see this even with Sound Garden,

2050
02:02:32.600 --> 02:02:35.720
<v Speaker 7>we see you know, Yoko, Oh no, we see that

2051
02:02:35.880 --> 02:02:38.039
<v Speaker 7>there are these strange.

2052
02:02:38.079 --> 02:02:42.680
<v Speaker 2>Under that she got all sex over sexed as a

2053
02:02:42.760 --> 02:02:44.960
<v Speaker 2>young child, and you know, passed around and got into

2054
02:02:45.000 --> 02:02:47.119
<v Speaker 2>the drugs because her dad was appalled by it when

2055
02:02:47.159 --> 02:02:49.640
<v Speaker 2>he found out with Courtney.

2056
02:02:50.760 --> 02:02:53.079
<v Speaker 1>Really, yeah, at least that's how the story goes.

2057
02:02:53.720 --> 02:02:55.399
<v Speaker 7>Yeah, well you can see where that all led. And

2058
02:02:55.479 --> 02:02:59.119
<v Speaker 7>you can see that here he's using a de facto

2059
02:02:59.199 --> 02:03:02.520
<v Speaker 7>house band they call the Wrecking Crew. So can I

2060
02:03:02.600 --> 02:03:04.720
<v Speaker 7>click on that, you'll see the Wrecking Crew.

2061
02:03:05.000 --> 02:03:06.520
<v Speaker 1>Let's see. Did you click it already?

2062
02:03:07.279 --> 02:03:07.439
<v Speaker 7>Yeah?

2063
02:03:07.479 --> 02:03:09.439
<v Speaker 1>No, I didn't you. Oh yeah, there's it is?

2064
02:03:09.960 --> 02:03:14.880
<v Speaker 7>So yeah? Oh yeah, sweet sweet. So that's it right there.

2065
02:03:15.039 --> 02:03:17.079
<v Speaker 7>I invite everybody to go and read The Wrecking Crew

2066
02:03:17.119 --> 02:03:21.359
<v Speaker 7>and look at the music that they wrote, and so

2067
02:03:21.840 --> 02:03:27.439
<v Speaker 7>here they are. These are people that that steer our tastes,

2068
02:03:28.840 --> 02:03:36.119
<v Speaker 7>that our thoughts, that we've never met, and famous musicians

2069
02:03:36.279 --> 02:03:40.600
<v Speaker 7>inside the field of music, but not outside in the

2070
02:03:40.760 --> 02:03:42.920
<v Speaker 7>in the world of pop culture that we're familiar with

2071
02:03:43.039 --> 02:03:47.079
<v Speaker 7>and that we engage with. Nobody here is known.

2072
02:03:48.079 --> 02:03:53.880
<v Speaker 2>Right, Yeah, and that's uh, it's always funny to think

2073
02:03:53.920 --> 02:03:58.319
<v Speaker 2>that you know, the minstrels behind the music, the musicians

2074
02:03:58.720 --> 02:04:03.760
<v Speaker 2>doing all the work yep, and all the ideas like

2075
02:04:03.840 --> 02:04:07.640
<v Speaker 2>a little like a little uh, you know, brain trust,

2076
02:04:08.079 --> 02:04:10.920
<v Speaker 2>a little a little brainstorming factor, a little you know.

2077
02:04:11.239 --> 02:04:13.199
<v Speaker 2>It's almost as if the people who actually have all

2078
02:04:13.239 --> 02:04:15.880
<v Speaker 2>the talent have a shackle underleags, you know.

2079
02:04:16.479 --> 02:04:20.000
<v Speaker 7>Yeah, absolutely, because they're they're within a construct of the

2080
02:04:20.119 --> 02:04:24.159
<v Speaker 7>song verse chorus, verse, chorus. And there's even if you're metallical,

2081
02:04:24.239 --> 02:04:28.960
<v Speaker 7>like I said earlier, there's no uh, deviating from the plan.

2082
02:04:29.119 --> 02:04:30.720
<v Speaker 7>If you want to be famous, you have to make

2083
02:04:30.760 --> 02:04:33.960
<v Speaker 7>the deal with the devil and formulate all of your

2084
02:04:34.000 --> 02:04:40.600
<v Speaker 7>songs into a systematic, systematized, standardized formula that Theodor Adorno

2085
02:04:40.680 --> 02:04:44.560
<v Speaker 7>said has to be slightly unnatural, but not so unnatural,

2086
02:04:44.640 --> 02:04:49.159
<v Speaker 7>that it's uncomfortable. So this is the formula that you

2087
02:04:49.319 --> 02:04:53.800
<v Speaker 7>hear musicians talk about. Like Chad Kroger from Nickelback. He says, Yeah,

2088
02:04:53.800 --> 02:04:55.479
<v Speaker 7>I was able to write songs because I figured the

2089
02:04:55.560 --> 02:05:02.760
<v Speaker 7>formula out. That's it. So wallup sound here, uh again, wall.

2090
02:05:02.600 --> 02:05:03.560
<v Speaker 3>Of sound helps them.

2091
02:05:04.079 --> 02:05:07.560
<v Speaker 2>They promote particular people. So regardless if you got anything

2092
02:05:07.640 --> 02:05:10.680
<v Speaker 2>right or not, if it's pouring out of every fucking

2093
02:05:10.800 --> 02:05:13.000
<v Speaker 2>radio station, it's going to become popular.

2094
02:05:13.520 --> 02:05:15.000
<v Speaker 7>Yes, you know what I mean.

2095
02:05:15.039 --> 02:05:18.600
<v Speaker 1>It's like it's the exposure that makes make somebody something.

2096
02:05:18.720 --> 02:05:21.119
<v Speaker 1>Because I can tell you there's a lot of talentless

2097
02:05:21.159 --> 02:05:24.319
<v Speaker 1>people out there that are multi multi millionaires because they

2098
02:05:24.359 --> 02:05:26.960
<v Speaker 1>were created, they were promoted, they were showing everywhere, and

2099
02:05:27.039 --> 02:05:29.279
<v Speaker 1>that's what you know. If that's all you're fed, that's

2100
02:05:29.279 --> 02:05:29.720
<v Speaker 1>what you eat.

2101
02:05:30.359 --> 02:05:34.199
<v Speaker 7>The crazy thing, Daniel, is that the untalented ones are

2102
02:05:34.279 --> 02:05:37.520
<v Speaker 7>usually the ones out front and the face of whatever

2103
02:05:37.640 --> 02:05:42.479
<v Speaker 7>it is. You know, like Katy Perry, she's not talented whatsoever.

2104
02:05:42.600 --> 02:05:45.119
<v Speaker 7>I've never seen a guitar in her hand. She just

2105
02:05:45.359 --> 02:05:48.279
<v Speaker 7>sings the songs that and the lyrics that are given

2106
02:05:48.359 --> 02:05:53.560
<v Speaker 7>to her generally, and she's a pretty face that attracts

2107
02:05:54.119 --> 02:05:56.439
<v Speaker 7>right this is what it's about. Beauty attracts. This is

2108
02:05:56.479 --> 02:05:58.159
<v Speaker 7>how they use it. So you can see the mama's

2109
02:05:58.159 --> 02:06:02.880
<v Speaker 7>and the papas and chaer Jan and Dean, the Fifth Dimension,

2110
02:06:02.960 --> 02:06:06.359
<v Speaker 7>Frank Sinatra, Nancy Sinatra. These books were made for walking.

2111
02:06:06.960 --> 02:06:11.000
<v Speaker 1>So Clasha over on on FTJ Media helped us out.

2112
02:06:11.159 --> 02:06:13.960
<v Speaker 2>She said, Uh, I think it's maybe it's a yege

2113
02:06:14.000 --> 02:06:16.239
<v Speaker 2>out of well, Clasha, let's just say it that Phil

2114
02:06:16.279 --> 02:06:20.319
<v Speaker 2>Spector killed Patricia Clarkson, an actress, right, that was what

2115
02:06:20.399 --> 02:06:20.680
<v Speaker 2>he did.

2116
02:06:20.920 --> 02:06:25.840
<v Speaker 7>Yeah, Yeah, and he's I'm sure he's he's somehow zero

2117
02:06:25.920 --> 02:06:31.520
<v Speaker 7>degrees of separation from the Tate murders, the Manson stuff

2118
02:06:31.560 --> 02:06:34.520
<v Speaker 7>that was going on, or the what is it, the

2119
02:06:34.640 --> 02:06:39.760
<v Speaker 7>adventure Land murders. Remember there was under there. Yeah, he

2120
02:06:39.880 --> 02:06:42.840
<v Speaker 7>may be connected to those. He's he's definitely connected in

2121
02:06:42.960 --> 02:06:46.720
<v Speaker 7>some way to Laurel Canyon and murders that happened there.

2122
02:06:47.720 --> 02:06:47.840
<v Speaker 5>Uh.

2123
02:06:47.920 --> 02:06:51.119
<v Speaker 7>And because he left, he had to leave America, he

2124
02:06:51.199 --> 02:06:53.239
<v Speaker 7>went back to Europe for a while. And I'm not

2125
02:06:53.279 --> 02:06:55.119
<v Speaker 7>sure if Gay.

2126
02:06:55.680 --> 02:06:58.119
<v Speaker 2>You no, I think you're you're not thinking about Phil Spector.

2127
02:06:58.159 --> 02:07:02.479
<v Speaker 2>You're talking about the director of Rosemary's Baby.

2128
02:07:02.760 --> 02:07:08.359
<v Speaker 7>That was his wife, Kenneth Anger you're talking about.

2129
02:07:08.680 --> 02:07:14.640
<v Speaker 2>No, no, no, uh, the director of Rosemary's Baby. No, no,

2130
02:07:14.840 --> 02:07:17.199
<v Speaker 2>it's what's his name? Oh my god, I can anything

2131
02:07:17.239 --> 02:07:18.720
<v Speaker 2>of it? Hold on, I'll tell you in two seconds.

2132
02:07:19.039 --> 02:07:25.640
<v Speaker 7>I thought it was Kenneth Anger. Lana Clarkson right, trials

2133
02:07:25.680 --> 02:07:27.840
<v Speaker 7>and conviction for the murder of Lanta Clarkson in the

2134
02:07:27.920 --> 02:07:30.239
<v Speaker 7>two thousands. Now there's something that happened.

2135
02:07:30.479 --> 02:07:36.079
<v Speaker 1>You're Roman, that's it. Yeah, when they did all that shit,

2136
02:07:36.199 --> 02:07:39.079
<v Speaker 1>he also did ninth Gate with Johnny Depp, which is

2137
02:07:39.119 --> 02:07:40.800
<v Speaker 1>a very right range movie.

2138
02:07:41.199 --> 02:07:43.800
<v Speaker 7>Okay, so Roman Polanski's filling the exact same role that

2139
02:07:43.800 --> 02:07:47.279
<v Speaker 7>Phil Spector is. Really right, it's the same thing. They're

2140
02:07:47.359 --> 02:07:50.880
<v Speaker 7>producing music, they're involved with musicians, they're creating pop culture

2141
02:07:51.720 --> 02:07:54.000
<v Speaker 7>and very seedy underground for sure.

2142
02:07:55.239 --> 02:07:57.880
<v Speaker 1>Yeah, I'm pretty sure that the tam murders were ritual murder. Obviously.

2143
02:07:58.479 --> 02:08:01.359
<v Speaker 2>Oh, I'm pretty sure that she may have been Uh,

2144
02:08:02.319 --> 02:08:05.600
<v Speaker 2>I don't know. There's some things that point to she

2145
02:08:05.680 --> 02:08:08.840
<v Speaker 2>didn't actually die and the other people did. There's some

2146
02:08:09.000 --> 02:08:12.520
<v Speaker 2>things that point to, uh, it was a willful sacrifice.

2147
02:08:12.800 --> 02:08:17.199
<v Speaker 2>There's all kinds of really weird, uh elements to that story.

2148
02:08:17.399 --> 02:08:20.359
<v Speaker 2>But I'm pretty I'm pretty positive that Roman Pulanski was

2149
02:08:20.439 --> 02:08:20.960
<v Speaker 2>involved in it.

2150
02:08:21.000 --> 02:08:22.479
<v Speaker 1>It was quite aware that was gonna happen.

2151
02:08:22.760 --> 02:08:27.800
<v Speaker 7>Yeah. Yeah, So you can see here Specters hanging out

2152
02:08:27.800 --> 02:08:31.000
<v Speaker 7>with the Beatles on the Let It B album he's producing,

2153
02:08:31.319 --> 02:08:35.399
<v Speaker 7>John Lennon, George Harrison. You've lost that loving feeling. The

2154
02:08:35.560 --> 02:08:37.800
<v Speaker 7>Long and Winding Road.

2155
02:08:38.079 --> 02:08:40.319
<v Speaker 2>You know that you've lost that loving feeling. Would been

2156
02:08:40.359 --> 02:08:42.520
<v Speaker 2>a great erectile dysfunction commercial.

2157
02:08:42.840 --> 02:08:49.479
<v Speaker 7>Yeah, I'm surprised that they didn't, you know, probably costing much. Right.

2158
02:08:50.880 --> 02:08:54.640
<v Speaker 7>So the Wall of Sound then, like I said, probably

2159
02:08:54.680 --> 02:08:57.239
<v Speaker 7>this is where we should end. It moves into the

2160
02:08:57.399 --> 02:09:04.000
<v Speaker 7>temporary autonomous zone what we call rock concerts. And so

2161
02:09:04.840 --> 02:09:07.560
<v Speaker 7>I started looking at you know, you see these famous

2162
02:09:08.439 --> 02:09:12.720
<v Speaker 7>pictures of studios and musicians in studios, and you have

2163
02:09:12.880 --> 02:09:16.159
<v Speaker 7>the engineers and producers sitting around aboard and they've got

2164
02:09:16.199 --> 02:09:20.560
<v Speaker 7>the tapes rolling. I started looking at that like a

2165
02:09:20.680 --> 02:09:25.760
<v Speaker 7>CIA operation more so than you know, an entertainment industry.

2166
02:09:26.199 --> 02:09:30.920
<v Speaker 7>This is a psychological operation, and it's a mind war.

2167
02:09:31.239 --> 02:09:33.520
<v Speaker 7>This is how I look now at these pictures that I.

2168
02:09:33.640 --> 02:09:33.920
<v Speaker 6>Used to.

2169
02:09:36.359 --> 02:09:37.399
<v Speaker 1>Intelligence for the most part.

2170
02:09:37.479 --> 02:09:39.239
<v Speaker 2>Yeah, and you know what's really messed up, Like there's

2171
02:09:39.279 --> 02:09:41.880
<v Speaker 2>that Dave McGowan book that's out there and I think

2172
02:09:41.920 --> 02:09:43.520
<v Speaker 2>a lot of people are pulling that there are these

2173
02:09:43.560 --> 02:09:46.720
<v Speaker 2>elements out of you know, things that he covered. But

2174
02:09:46.920 --> 02:09:49.199
<v Speaker 2>the one thing he didn't cover in that book was

2175
02:09:49.279 --> 02:09:53.600
<v Speaker 2>the element of the cult, right, you know, and not

2176
02:09:53.920 --> 02:09:55.960
<v Speaker 2>deep enough at least like may have touched on it.

2177
02:09:56.079 --> 02:09:58.439
<v Speaker 2>But there was a lot of like when if you're

2178
02:09:58.439 --> 02:10:00.680
<v Speaker 2>going to talk about Crosby, you gotta tell about you know,

2179
02:10:01.600 --> 02:10:06.359
<v Speaker 2>the uh, the rituals that the that the music producers

2180
02:10:06.479 --> 02:10:09.279
<v Speaker 2>would do over the the what do you call it,

2181
02:10:09.920 --> 02:10:12.199
<v Speaker 2>the master copies and stuff like that, you know, in

2182
02:10:12.319 --> 02:10:15.119
<v Speaker 2>order to put their jiuju on it before they would

2183
02:10:15.119 --> 02:10:17.439
<v Speaker 2>release it and stuff like that. So obviously they're using

2184
02:10:17.520 --> 02:10:21.960
<v Speaker 2>tones there, specific tones to capture the mind and bring

2185
02:10:22.039 --> 02:10:22.760
<v Speaker 2>it on a journey.

2186
02:10:23.439 --> 02:10:26.560
<v Speaker 7>Yeah. And Crosby's a Van Cortland. He's a blue blood,

2187
02:10:27.079 --> 02:10:31.000
<v Speaker 7>which is a real strange sort of addition to the

2188
02:10:31.079 --> 02:10:33.439
<v Speaker 7>Laurel Canyon to have a figure that's a blue blood

2189
02:10:33.479 --> 02:10:36.239
<v Speaker 7>Van Cortland hanging around and to have the influence that

2190
02:10:36.319 --> 02:10:36.720
<v Speaker 7>he did.

2191
02:10:36.880 --> 02:10:39.079
<v Speaker 1>He was a buddies with with Manson.

2192
02:10:40.039 --> 02:10:41.479
<v Speaker 7>Yeah, a lot of people.

2193
02:10:41.840 --> 02:10:43.399
<v Speaker 1>He was an amazing musician.

2194
02:10:44.239 --> 02:10:52.479
<v Speaker 7>Who yeh, And I don't think Crosby was one of

2195
02:10:52.520 --> 02:10:57.159
<v Speaker 7>these intelligent creatives. He was a possibly a manipulator or

2196
02:10:57.199 --> 02:11:00.159
<v Speaker 7>an organizer or a bringer together of people. But I've

2197
02:11:00.199 --> 02:11:02.960
<v Speaker 7>never looked at him and said, wow, what talent. No,

2198
02:11:03.520 --> 02:11:06.119
<v Speaker 7>it's more so like a guy like Neil Young or

2199
02:11:06.159 --> 02:11:09.319
<v Speaker 7>whoever was writing those songs, even though I don't appreciate

2200
02:11:09.399 --> 02:11:12.479
<v Speaker 7>Neil Young either, but you can see that they're coming

2201
02:11:12.560 --> 02:11:19.199
<v Speaker 7>up with these songs and then they're being coerced into directions.

2202
02:11:18.680 --> 02:11:21.079
<v Speaker 1>And you can see theories match up either, like they

2203
02:11:21.199 --> 02:11:23.880
<v Speaker 1>just randomly met each other from like, oh, I'm from Canada,

2204
02:11:24.079 --> 02:11:25.479
<v Speaker 1>I'm from over here, and we all just met a

2205
02:11:25.560 --> 02:11:27.439
<v Speaker 1>little again and started the band and now we're rich.

2206
02:11:27.600 --> 02:11:31.119
<v Speaker 7>Yeah yeah, I think I think the story of uh,

2207
02:11:32.119 --> 02:11:34.760
<v Speaker 7>David Crosby and Neil Young meeting is one of those

2208
02:11:34.840 --> 02:11:38.199
<v Speaker 7>that they passed each other on Santa Monica Boulevard and they're.

2209
02:11:38.039 --> 02:11:40.600
<v Speaker 1>Like, yeah, that was in Dave McGowan's book.

2210
02:11:40.640 --> 02:11:43.560
<v Speaker 7>Yeah, yeah, right. So you know, there's a lot to

2211
02:11:43.680 --> 02:11:47.000
<v Speaker 7>be left, a lot left to be uh searched out there,

2212
02:11:47.319 --> 02:11:50.760
<v Speaker 7>and uh, you know, the music industry for sure isn't

2213
02:11:50.800 --> 02:11:53.880
<v Speaker 7>what I grew up thinking it was. I loved it

2214
02:11:54.000 --> 02:11:56.760
<v Speaker 7>so much that I actually started practicing drums and guitar

2215
02:11:57.239 --> 02:11:59.600
<v Speaker 7>got into a band started playing all of those songs.

2216
02:11:59.640 --> 02:12:01.880
<v Speaker 7>We were a cover band. We never were able to

2217
02:12:02.119 --> 02:12:06.520
<v Speaker 7>write our own music, you know, through that era. But yeah,

2218
02:12:06.680 --> 02:12:10.399
<v Speaker 7>it's a it's an incredible thing to realize that this,

2219
02:12:10.920 --> 02:12:13.319
<v Speaker 7>even the pop music industry, is meant to demoralize you.

2220
02:12:13.760 --> 02:12:17.239
<v Speaker 7>So I think twice before you start listening to all

2221
02:12:17.279 --> 02:12:20.399
<v Speaker 7>of this stuff. I'm not a what do you call

2222
02:12:20.439 --> 02:12:24.680
<v Speaker 7>it pious? I'm not saying stay away from all things, right,

2223
02:12:24.800 --> 02:12:27.760
<v Speaker 7>but because I still participate in music, and I'll still

2224
02:12:27.800 --> 02:12:29.439
<v Speaker 7>crank a song when I hear it because it makes

2225
02:12:29.479 --> 02:12:32.119
<v Speaker 7>me feel good. But we also must be aware of

2226
02:12:33.359 --> 02:12:35.760
<v Speaker 7>what that is in reality and where it comes from

2227
02:12:35.800 --> 02:12:37.000
<v Speaker 7>and who created and why.

2228
02:12:37.560 --> 02:12:40.920
<v Speaker 2>Yeah, there's there's certain music Like I stopped doing this

2229
02:12:41.000 --> 02:12:42.520
<v Speaker 2>at the gym, but for the longest time, I would

2230
02:12:42.520 --> 02:12:45.640
<v Speaker 2>listen to music I needed it to get like really,

2231
02:12:46.399 --> 02:12:47.720
<v Speaker 2>you know, put the extra.

2232
02:12:47.520 --> 02:12:49.000
<v Speaker 1>Effort in it. I don't. I don't really need to

2233
02:12:49.039 --> 02:12:49.640
<v Speaker 1>do that anymore.

2234
02:12:49.720 --> 02:12:52.520
<v Speaker 2>But I used to have the ear budget all the time,

2235
02:12:52.600 --> 02:12:55.199
<v Speaker 2>or the headphones back in the day. Yeah, and yeah,

2236
02:12:55.399 --> 02:12:55.760
<v Speaker 2>I mean.

2237
02:12:56.479 --> 02:12:58.600
<v Speaker 1>System of a down. Who was one of them? It's

2238
02:12:59.079 --> 02:13:01.600
<v Speaker 1>static X you know anything fast?

2239
02:13:01.720 --> 02:13:01.840
<v Speaker 6>You know?

2240
02:13:03.520 --> 02:13:07.399
<v Speaker 1>Yes, No, I'm ready even listen to Nirvana when I

2241
02:13:07.520 --> 02:13:09.319
<v Speaker 1>was you know, some of their songs are pretty kick ass.

2242
02:13:09.720 --> 02:13:13.439
<v Speaker 7>Yeah. System of a Down too works with Rick Rubin.

2243
02:13:14.000 --> 02:13:16.600
<v Speaker 7>You know. Rick Rubin's another guy that's super key to

2244
02:13:16.680 --> 02:13:18.880
<v Speaker 7>understanding because he's working with the Red Hot Chili Peppers.

2245
02:13:18.920 --> 02:13:22.560
<v Speaker 7>He's the guy that popular Ronnie Cash. He does some

2246
02:13:22.680 --> 02:13:26.119
<v Speaker 7>crossover with the song Hurt, but he goes all the

2247
02:13:26.159 --> 02:13:26.600
<v Speaker 7>way back.

2248
02:13:28.039 --> 02:13:28.199
<v Speaker 1>Uh.

2249
02:13:28.520 --> 02:13:35.000
<v Speaker 7>You know. He brings Aerosmith and Run DMC together Walk

2250
02:13:35.119 --> 02:13:38.439
<v Speaker 7>this Way, So he's a crossover artist as well. He's

2251
02:13:38.600 --> 02:13:40.920
<v Speaker 7>very popular today he does. He's got his own podcast.

2252
02:13:41.640 --> 02:13:44.159
<v Speaker 7>And when Rick Rubin talk about those days with the

2253
02:13:44.199 --> 02:13:47.039
<v Speaker 7>Red Hot Chili Peppers or his work, you start to

2254
02:13:47.119 --> 02:13:49.479
<v Speaker 7>see that they admit a lot of these things. They

2255
02:13:49.600 --> 02:13:54.119
<v Speaker 7>just aren't completely aware of what purpose some of these

2256
02:13:54.159 --> 02:13:54.520
<v Speaker 7>things are.

2257
02:13:56.439 --> 02:13:59.439
<v Speaker 2>Rick Rubin was part of getting what do you call it,

2258
02:14:00.319 --> 02:14:05.960
<v Speaker 2>Jeff jam Well Danzig, Right, Yeah, he met Glenn and

2259
02:14:06.000 --> 02:14:09.399
<v Speaker 2>then Moldo came out, you know, right. I think there

2260
02:14:09.479 --> 02:14:11.239
<v Speaker 2>was a resurrected song too. I think that was like

2261
02:14:11.319 --> 02:14:13.680
<v Speaker 2>one of the one of the It may have been

2262
02:14:13.720 --> 02:14:17.920
<v Speaker 2>pulled over from from the Misfits Misfit Days, or maybe

2263
02:14:18.000 --> 02:14:21.680
<v Speaker 2>not put on the album, but then re introduced or

2264
02:14:21.720 --> 02:14:24.039
<v Speaker 2>whatever for some reason. I think it was a shelved

2265
02:14:24.159 --> 02:14:26.199
<v Speaker 2>song or something like that if I remember correctly.

2266
02:14:27.119 --> 02:14:30.680
<v Speaker 7>Here is a small piece of interesting Rubinstein.

2267
02:14:30.960 --> 02:14:32.159
<v Speaker 1>Yeah, exactly right.

2268
02:14:32.520 --> 02:14:37.079
<v Speaker 7>Trivia is that Jan so Let the web designer for

2269
02:14:37.159 --> 02:14:39.880
<v Speaker 7>Bulletproof pub dot com. He lives in New Jersey. He

2270
02:14:40.000 --> 02:14:43.000
<v Speaker 7>lives really close to the rehearsal studio of the Misfits,

2271
02:14:43.079 --> 02:14:47.840
<v Speaker 7>and he knows those guys very personally, and they are

2272
02:14:48.800 --> 02:14:51.720
<v Speaker 7>He tells me about him going over there in the

2273
02:14:51.760 --> 02:14:55.960
<v Speaker 7>conversations that he's had with those guys and they see

2274
02:14:56.000 --> 02:14:57.600
<v Speaker 7>everything that's going on in the world today too.

2275
02:14:58.560 --> 02:14:59.159
<v Speaker 1>Is that you're Doug.

2276
02:15:00.119 --> 02:15:06.359
<v Speaker 7>Yeah, slapping her ears. She's a German short hair pointer,

2277
02:15:06.640 --> 02:15:10.119
<v Speaker 7>so she's trying to get my attention right now. Yeah,

2278
02:15:10.199 --> 02:15:12.600
<v Speaker 7>she's got to go peace, So she's probably a good

2279
02:15:12.640 --> 02:15:14.479
<v Speaker 7>time for me to get out of here. But I'm

2280
02:15:14.520 --> 02:15:16.239
<v Speaker 7>glad to be here, Daniel. I'm glad that you went

2281
02:15:16.279 --> 02:15:17.680
<v Speaker 7>on with your show today and I was able to

2282
02:15:17.720 --> 02:15:17.920
<v Speaker 7>get in.

2283
02:15:18.239 --> 02:15:19.960
<v Speaker 2>Yeah, man, thanks for coming on, even though you're a

2284
02:15:20.000 --> 02:15:21.960
<v Speaker 2>guy down. Hopefully you're not out.

2285
02:15:22.640 --> 02:15:25.439
<v Speaker 7>No, No, I am actually on the recovery. It seems

2286
02:15:25.479 --> 02:15:27.159
<v Speaker 7>to be getting better. So in the next couple of days,

2287
02:15:27.159 --> 02:15:28.840
<v Speaker 7>I hope to be back at the farm finishing the

2288
02:15:28.920 --> 02:15:31.600
<v Speaker 7>construction that we have there, and then as soon as

2289
02:15:31.640 --> 02:15:33.079
<v Speaker 7>we're done that, I'm going to give an update as

2290
02:15:33.159 --> 02:15:35.920
<v Speaker 7>to what our farmer's status is. I don't even think

2291
02:15:35.960 --> 02:15:40.000
<v Speaker 7>you know, I haven't even told you, so I want everybody.

2292
02:15:40.359 --> 02:15:42.640
<v Speaker 7>It's very exciting what's going on. We've found new land

2293
02:15:42.720 --> 02:15:45.640
<v Speaker 7>and all of these things. But I am actually expressing

2294
02:15:45.720 --> 02:15:49.520
<v Speaker 7>my free will openly right now creating my environment. We've

2295
02:15:49.960 --> 02:15:54.680
<v Speaker 7>bought a bunch of framing material. I'm creating a shed

2296
02:15:54.840 --> 02:16:01.840
<v Speaker 7>slash seed starter slash cabin, slash store front. Uh, it's multipurpose,

2297
02:16:02.439 --> 02:16:05.720
<v Speaker 7>and so you know, we're gorilla gardeners. We can be

2298
02:16:05.920 --> 02:16:08.319
<v Speaker 7>anywhere and set up within a few days and be

2299
02:16:08.439 --> 02:16:11.560
<v Speaker 7>growing food, and so we're trying to be as compact

2300
02:16:11.600 --> 02:16:15.279
<v Speaker 7>as possible. We're now able to put everything we own

2301
02:16:15.520 --> 02:16:17.439
<v Speaker 7>onto a flat deck truck and get it out of

2302
02:16:17.439 --> 02:16:20.840
<v Speaker 7>there within you know, twenty four hours, just in case

2303
02:16:20.960 --> 02:16:24.000
<v Speaker 7>when shit hits the fan. So we've got a lot

2304
02:16:24.079 --> 02:16:28.760
<v Speaker 7>of very interesting, very positive information coming, and so I

2305
02:16:28.920 --> 02:16:30.640
<v Speaker 7>look forward to sharing that with all of you guys,

2306
02:16:31.560 --> 02:16:34.319
<v Speaker 7>and to everybody that's been sitting watching and listening, thank you.

2307
02:16:35.239 --> 02:16:41.079
<v Speaker 1>Cool man as a side project heirloom seeds on a website.

2308
02:16:44.120 --> 02:16:48.280
<v Speaker 7>You know you're talking about me, Yeah, offering heirloom seeds. Yeah,

2309
02:16:48.760 --> 02:16:50.680
<v Speaker 7>that's not a bad idea. It's something that I have

2310
02:16:50.879 --> 02:16:52.079
<v Speaker 7>had thoughts of.

2311
02:16:52.719 --> 02:16:55.319
<v Speaker 1>We do want to, especially hot peppers, because then I

2312
02:16:55.440 --> 02:16:55.879
<v Speaker 1>buy them.

2313
02:16:56.159 --> 02:16:59.799
<v Speaker 7>Right, Yeah, that's cool. You don't grow your own, eh.

2314
02:17:00.239 --> 02:17:00.920
<v Speaker 1>I don't have the room.

2315
02:17:01.079 --> 02:17:03.840
<v Speaker 2>I don't have, and I don't have the climate really.

2316
02:17:04.040 --> 02:17:05.879
<v Speaker 2>I mean it's super dry and super windy, and we

2317
02:17:06.000 --> 02:17:11.079
<v Speaker 2>have multiple horn what they call the hornworms, the ones

2318
02:17:11.120 --> 02:17:13.719
<v Speaker 2>that freaking you know, the moths drop the seeds on

2319
02:17:13.840 --> 02:17:15.719
<v Speaker 2>and the next day you have twigs where you once

2320
02:17:15.799 --> 02:17:16.360
<v Speaker 2>had a nice.

2321
02:17:16.440 --> 02:17:17.280
<v Speaker 1>Great green bush.

2322
02:17:18.799 --> 02:17:21.159
<v Speaker 2>We know about them, these ship little things that look

2323
02:17:21.159 --> 02:17:22.920
<v Speaker 2>like little grenades, because.

2324
02:17:22.680 --> 02:17:24.159
<v Speaker 7>It's that's how you know that they're around.

2325
02:17:24.799 --> 02:17:25.440
<v Speaker 1>Yeah, exactly.

2326
02:17:25.639 --> 02:17:27.280
<v Speaker 7>You'll be picking your tomatoes and you'll be like, oh,

2327
02:17:27.840 --> 02:17:30.319
<v Speaker 7>there's hornworm here, and then you have to look really

2328
02:17:30.719 --> 02:17:32.239
<v Speaker 7>more deep too.

2329
02:17:32.559 --> 02:17:34.120
<v Speaker 1>It's it's like, I don't even know where they come from.

2330
02:17:34.159 --> 02:17:36.079
<v Speaker 1>But the ape it's just like swarm everything.

2331
02:17:38.319 --> 02:17:41.239
<v Speaker 7>It's a little white if it's come from a stressed

2332
02:17:41.239 --> 02:17:43.479
<v Speaker 7>out plant. So if it's it's stressed out because it

2333
02:17:43.479 --> 02:17:46.879
<v Speaker 7>doesn't have enough water. It's not enough light. That's what attracts.

2334
02:17:46.920 --> 02:17:48.600
<v Speaker 1>Aphis interesting.

2335
02:17:48.920 --> 02:17:51.040
<v Speaker 7>And you can get beneficials and I'm sure you can

2336
02:17:51.159 --> 02:17:55.559
<v Speaker 7>in your area that take care of white fly. You

2337
02:17:55.680 --> 02:17:57.000
<v Speaker 7>just have to buy them at the right time of

2338
02:17:57.040 --> 02:17:59.200
<v Speaker 7>the year. And they come in a little box and

2339
02:17:59.280 --> 02:18:02.040
<v Speaker 7>you just open the ball and they will hatch themselves

2340
02:18:02.120 --> 02:18:04.680
<v Speaker 7>and fly out their little tiny wasps that you can

2341
02:18:04.719 --> 02:18:07.840
<v Speaker 7>barely see both the size of a white fire or naphid,

2342
02:18:08.200 --> 02:18:10.479
<v Speaker 7>but you'll see once you release those, in about a week,

2343
02:18:10.639 --> 02:18:12.559
<v Speaker 7>all of your aphed and white fly will be taken

2344
02:18:12.639 --> 02:18:16.920
<v Speaker 7>care of. Because this beneficial insect goes in kills the

2345
02:18:16.959 --> 02:18:18.840
<v Speaker 7>white fly and lays its eggs inside.

2346
02:18:20.319 --> 02:18:26.680
<v Speaker 2>That's there's another wasp that does that, the cocker roach,

2347
02:18:26.719 --> 02:18:29.200
<v Speaker 2>And while it's still dying, while still alive like the

2348
02:18:29.280 --> 02:18:31.879
<v Speaker 2>other things like eating the eggs, hatch and they start

2349
02:18:31.920 --> 02:18:34.200
<v Speaker 2>eating the freakin roatrium in the inside.

2350
02:18:34.639 --> 02:18:34.760
<v Speaker 6>Right.

2351
02:18:34.879 --> 02:18:37.799
<v Speaker 7>They just go nasty on these white fly and and

2352
02:18:38.000 --> 02:18:40.239
<v Speaker 7>us farmers appreciate that. So we'll sit there and we'll

2353
02:18:40.319 --> 02:18:43.479
<v Speaker 7>cheer them on, like you lay those eggs right in there.

2354
02:18:43.399 --> 02:18:46.760
<v Speaker 1>Baby, beneficial of parasites.

2355
02:18:47.360 --> 02:18:51.479
<v Speaker 2>Yeah, yeah, I love it, Nick Cage, I have stories

2356
02:18:51.520 --> 02:18:54.639
<v Speaker 2>he rolled up with JP two brand fit.

2357
02:18:55.079 --> 02:18:57.040
<v Speaker 1>I don't know what that means, but that sounds funny. Okay,

2358
02:18:57.760 --> 02:19:00.760
<v Speaker 1>all right man, thank you so much better and we

2359
02:19:00.840 --> 02:19:02.719
<v Speaker 1>will talk to you next week.

2360
02:19:03.079 --> 02:19:05.959
<v Speaker 7>Sure, thanks everybody, allguys dot com.

2361
02:19:06.559 --> 02:19:08.600
<v Speaker 2>Well, it's a big list of all the information that

2362
02:19:08.680 --> 02:19:12.479
<v Speaker 2>he goes over. Lots of blog posts, lots of information

2363
02:19:12.600 --> 02:19:15.280
<v Speaker 2>to read there, and also links to a lot of

2364
02:19:15.360 --> 02:19:17.120
<v Speaker 2>the Struc's been on.

2365
02:19:17.440 --> 02:19:18.440
<v Speaker 1>I think pretty much all of them.

2366
02:19:18.719 --> 02:19:21.280
<v Speaker 7>Pretty much all of them except for the last month

2367
02:19:21.399 --> 02:19:24.399
<v Speaker 7>or so. I'll get those up there for everybody. Yeah,

2368
02:19:24.559 --> 02:19:27.840
<v Speaker 7>bulletproofpub dot com and the history of propaganda on YouTube.

2369
02:19:27.879 --> 02:19:30.360
<v Speaker 7>You can find me in some short little documentary films

2370
02:19:30.559 --> 02:19:37.840
<v Speaker 7>that further threshout progressivism, progress progresses, war pieces, stagnation, making

2371
02:19:37.920 --> 02:19:42.840
<v Speaker 7>these points that preparedness, efficiency, and trust. The science is

2372
02:19:43.600 --> 02:19:47.760
<v Speaker 7>whole cloth born out of progressivism of nineteen twelve, the

2373
02:19:47.799 --> 02:19:49.600
<v Speaker 7>turn of the twentieth century. We've gone through a lot

2374
02:19:49.639 --> 02:19:51.559
<v Speaker 7>of that, so your viewers are familiar with. But yeah,

2375
02:19:51.639 --> 02:19:55.440
<v Speaker 7>the historypropaganda bulletproofpub dot com. Go check those out, subscribe,

2376
02:19:56.399 --> 02:19:59.360
<v Speaker 7>leave comments, share and find me.

2377
02:20:00.120 --> 02:20:04.600
<v Speaker 1>I'm just here. What I said, I told people to

2378
02:20:04.680 --> 02:20:07.000
<v Speaker 1>do the same here, you know, subscribe.

2379
02:20:07.440 --> 02:20:12.319
<v Speaker 7>Sure ballusters for sure, very important show. Guys. Not many

2380
02:20:12.360 --> 02:20:12.879
<v Speaker 7>people are.

2381
02:20:15.200 --> 02:20:19.920
<v Speaker 1>His battery is down. That was perfect timing. It's just

2382
02:20:20.040 --> 02:20:22.879
<v Speaker 1>at the end. He's lasted as long as this did,

2383
02:20:23.000 --> 02:20:29.479
<v Speaker 1>and that's that. But let me do this. I'm leaving

2384
02:20:29.479 --> 02:20:31.399
<v Speaker 1>this box open just in case he's able too come back,

2385
02:20:31.399 --> 02:20:34.280
<v Speaker 1>but I don't think he will be able to, and

2386
02:20:35.120 --> 02:20:40.520
<v Speaker 1>that will be pretty much it. Just do this one

2387
02:20:40.600 --> 02:20:47.440
<v Speaker 1>last time here, Let's get it FDJ real quick and yes, cool, Clasha,

2388
02:20:47.559 --> 02:20:50.319
<v Speaker 1>thank you God, I got it right. I always say,

2389
02:20:51.479 --> 02:20:57.399
<v Speaker 1>misrepresent So scrolling down here, we've got at the bottom

2390
02:20:57.799 --> 02:21:03.000
<v Speaker 1>family channel YouTube. Okay, I said that at this at

2391
02:21:03.040 --> 02:21:03.479
<v Speaker 1>the beginning.

2392
02:21:03.959 --> 02:21:07.440
<v Speaker 2>Cool, two more people out of two thousand, Well, I'm sorry,

2393
02:21:07.479 --> 02:21:10.639
<v Speaker 2>out of four four and forty, you know, that's that's

2394
02:21:11.120 --> 02:21:11.520
<v Speaker 2>we're getting.

2395
02:21:11.520 --> 02:21:13.680
<v Speaker 1>We're getting there. But let's put a little love on

2396
02:21:13.719 --> 02:21:15.879
<v Speaker 1>this channel. Right, it's my daughter and my channel. This

2397
02:21:16.079 --> 02:21:18.600
<v Speaker 1>is me and in all the dad moments. You don't

2398
02:21:18.639 --> 02:21:19.600
<v Speaker 1>have to ever look at it again.

2399
02:21:19.760 --> 02:21:22.440
<v Speaker 2>Don't put on the notifications if you don't want to,

2400
02:21:22.520 --> 02:21:26.360
<v Speaker 2>but at least, you know, at the very least, just

2401
02:21:26.440 --> 02:21:28.200
<v Speaker 2>hit a subscribe on there so other people can see

2402
02:21:28.239 --> 02:21:32.559
<v Speaker 2>it more. Yeah, all right, cool, that'd be awesome. And

2403
02:21:33.440 --> 02:21:35.559
<v Speaker 2>there's also shorts. Don't forget about the shorts.

2404
02:21:35.559 --> 02:21:37.879
<v Speaker 1>The shorts. Anybody's got shorts.

2405
02:21:38.600 --> 02:21:40.479
<v Speaker 2>It's weird because every one of the ones that have

2406
02:21:40.600 --> 02:21:42.639
<v Speaker 2>my daughter in it, and I notice is on TikTok too,

2407
02:21:43.239 --> 02:21:46.079
<v Speaker 2>there's except for this one. This one on TikTok has

2408
02:21:46.120 --> 02:21:49.440
<v Speaker 2>like two thousand views. And I don't really mess with

2409
02:21:49.479 --> 02:21:51.079
<v Speaker 2>TikTok because it focks with me all the time. But

2410
02:21:51.799 --> 02:21:54.440
<v Speaker 2>here it's three. You know, nothing is consistent and makes

2411
02:21:54.479 --> 02:21:56.239
<v Speaker 2>any sense, but all the ones that have my daughter

2412
02:21:56.319 --> 02:21:58.920
<v Speaker 2>in it, they're always low. And then look this stupid

2413
02:21:58.959 --> 02:22:04.120
<v Speaker 2>one right here with the tricep thing. Five seventy, this

2414
02:22:04.239 --> 02:22:07.840
<v Speaker 2>one up here four or eleven, and it's like there's

2415
02:22:07.959 --> 02:22:10.879
<v Speaker 2>there's fourteens of subscribers in you that gets that many

2416
02:22:11.040 --> 02:22:13.000
<v Speaker 2>views because of the shorts. But when it comes to

2417
02:22:13.120 --> 02:22:14.920
<v Speaker 2>children they have they do some kind of filtering thing

2418
02:22:15.000 --> 02:22:18.520
<v Speaker 2>with that. It's weird, very weird. This one's six't eighteen.

2419
02:22:18.600 --> 02:22:20.159
<v Speaker 2>But I'm also the one talking in it, so it's

2420
02:22:20.760 --> 02:22:25.840
<v Speaker 2>I don't know if you can qualify that, but anyhow, yes, please,

2421
02:22:26.000 --> 02:22:28.840
<v Speaker 2>let's let's get this up to one thousand subscribers. Yeah,

2422
02:22:29.040 --> 02:22:32.479
<v Speaker 2>that way, it's see, it's not being monetized or anything

2423
02:22:32.520 --> 02:22:34.000
<v Speaker 2>like that. But it's going to be a good place

2424
02:22:34.079 --> 02:22:37.639
<v Speaker 2>for us to expand some of the ideas that I

2425
02:22:37.719 --> 02:22:43.639
<v Speaker 2>have for you know, off topic content and especially like

2426
02:22:43.680 --> 02:22:45.159
<v Speaker 2>I'm going to I have all kinds of go pro

2427
02:22:45.440 --> 02:22:48.440
<v Speaker 2>videos of my daughter and myself, and that's going to

2428
02:22:48.479 --> 02:22:51.959
<v Speaker 2>be the collection area for all this our little picture album.

2429
02:22:52.879 --> 02:22:55.639
<v Speaker 2>In addition to probably you know, I have a link

2430
02:22:55.680 --> 02:22:58.040
<v Speaker 2>set on there for our website too for the hot Sauce,

2431
02:22:58.079 --> 02:23:03.479
<v Speaker 2>So that helps too. Already there you go, but also

2432
02:23:03.639 --> 02:23:06.479
<v Speaker 2>you know all those other links that make the show

2433
02:23:06.559 --> 02:23:10.680
<v Speaker 2>go round. And thank you to I think this Bushmaster,

2434
02:23:11.600 --> 02:23:13.200
<v Speaker 2>now I know, and thank you for letting me know

2435
02:23:13.239 --> 02:23:16.959
<v Speaker 2>what that sound was. It's when somebody donates to the FTJ.

2436
02:23:17.760 --> 02:23:19.799
<v Speaker 2>I didn't know that's what that clapping was, but now

2437
02:23:19.840 --> 02:23:21.559
<v Speaker 2>I know. Thank you for letting me know.

2438
02:23:22.440 --> 02:23:24.239
<v Speaker 1>Trying to figure that out the other day too, it

2439
02:23:24.280 --> 02:23:26.479
<v Speaker 1>happened like what is that? Why is that happening?

2440
02:23:27.040 --> 02:23:30.200
<v Speaker 2>Money Tree Publishing ball v a a l for ten

2441
02:23:30.239 --> 02:23:35.200
<v Speaker 2>percent off lots of holiday items there for people on

2442
02:23:35.319 --> 02:23:38.159
<v Speaker 2>your list that you already have like minded, you know,

2443
02:23:38.239 --> 02:23:40.799
<v Speaker 2>and you can show that, share them, share stuff with them,

2444
02:23:41.040 --> 02:23:42.040
<v Speaker 2>do Europa series.

2445
02:23:42.639 --> 02:23:47.200
<v Speaker 1>That's a no brainer. The help help Helstorm book another

2446
02:23:47.239 --> 02:23:49.760
<v Speaker 1>no brainer. You can get a copy that signed, which

2447
02:23:49.760 --> 02:23:51.159
<v Speaker 1>would make it even more of like a you know,

2448
02:23:51.280 --> 02:23:55.840
<v Speaker 1>Christmas gift idea. And then you know, there's a simper

2449
02:23:55.920 --> 02:23:59.440
<v Speaker 1>fry lc dot com where you get my book as

2450
02:23:59.520 --> 02:24:02.040
<v Speaker 1>well as creating and and the Hot Sauce. And then

2451
02:24:02.040 --> 02:24:04.799
<v Speaker 1>if you want to get to doctor Glaydon, you can

2452
02:24:04.879 --> 02:24:06.680
<v Speaker 1>just click this and then use that code. It goes

2453
02:24:06.760 --> 02:24:08.959
<v Speaker 1>right to the affiliate link. This one you don't need

2454
02:24:09.000 --> 02:24:09.680
<v Speaker 1>a code for anymore.

2455
02:24:09.719 --> 02:24:11.600
<v Speaker 2>It's already fifteen percent off as soon as he clicked

2456
02:24:11.639 --> 02:24:14.680
<v Speaker 2>Doctor Manzo and then azure. Well if you want the

2457
02:24:16.079 --> 02:24:19.479
<v Speaker 2>whole food vitamin selpmates that he designed, and BB five's

2458
02:24:19.520 --> 02:24:23.079
<v Speaker 2>for five percent, and then there's the try blue and

2459
02:24:23.239 --> 02:24:24.600
<v Speaker 2>you just click that and it should give you a

2460
02:24:24.600 --> 02:24:26.559
<v Speaker 2>little box that you also hit a button and it

2461
02:24:26.600 --> 02:24:30.719
<v Speaker 2>copies automatically for the code for checkout for seventeen percent off.

2462
02:24:30.799 --> 02:24:37.239
<v Speaker 2>There all those things, all those things, alrighty, alrighty, and

2463
02:24:37.360 --> 02:24:42.120
<v Speaker 2>these SA sauces. Anybody has any questions about them, anything

2464
02:24:42.159 --> 02:24:48.079
<v Speaker 2>about him, let me know. All right, cool, we're out

2465
02:24:49.200 --> 02:24:52.440
<v Speaker 2>the most part and you guys have a wonderful day.

2466
02:24:52.719 --> 02:24:56.799
<v Speaker 2>Thank you for being here. It turned out to be fun.

2467
02:24:56.879 --> 02:24:59.360
<v Speaker 2>I'm glad he got in and I'm glad I shared that.

2468
02:25:00.000 --> 02:25:03.040
<v Speaker 2>Now you understand why I said. It was relative to

2469
02:25:03.200 --> 02:25:06.159
<v Speaker 2>what he was talking about when I shared that clip

2470
02:25:06.159 --> 02:25:09.479
<v Speaker 2>about Coca Cola in Santa and how our minds are manipulated,

2471
02:25:09.639 --> 02:25:13.840
<v Speaker 2>our conditions are social engineering to accept certain things and

2472
02:25:13.879 --> 02:25:17.239
<v Speaker 2>then have that. Then we identify with it, right, like

2473
02:25:17.360 --> 02:25:20.159
<v Speaker 2>Christmas is ours. You know, it's like it was created

2474
02:25:20.200 --> 02:25:24.120
<v Speaker 2>by a marketing team. For the most part, at least,

2475
02:25:24.120 --> 02:25:28.559
<v Speaker 2>the key aspects of it were right, all right, But

2476
02:25:30.479 --> 02:25:31.040
<v Speaker 1>There's my hand
