Speaker 1: Good morning.
Speaker 2: Today is December fourth, twenty twenty four, about I don't
Speaker 2: know eight fifteen am, give or take, and I just
Speaker 2: got word Dwayne has hurt his back and he tried
Speaker 2: laying down the laptop and he said it wasn't working out.
Speaker 2: And I thought to myself, I could tell you that
Speaker 2: that wouldn't work out. You two come from two different worlds.
Speaker 2: You can't bed down your laptop. It's you're just there's
Speaker 2: too many differences.
Speaker 3: You know.
Speaker 1: Anyway, So now I'm solo today.
Speaker 2: And my daughter, just before she left for school, I
Speaker 2: found out last night that she was going to sing
Speaker 2: for Grandma's and Grandpa's is how she said it. She
Speaker 2: was handsome by her teacher. When the choir teachers, I
Speaker 2: think she also might be when the principles. That could
Speaker 2: be mixing those two together, though maybe that's a different name.
Speaker 2: But anyway, she was hand selected, hand selected choir to
Speaker 2: go sing at nursing homes and stuff like that.
Speaker 1: So they were doing that at noon today. So just
Speaker 1: before she.
Speaker 2: Left, she had her sheet lyrics there and she sang
Speaker 2: to me, I want a hippoponymous for Christmas. And I
Speaker 2: have heard her sing that before at the Christmas gatherings
Speaker 2: we've done each.
Speaker 1: Year over at the school.
Speaker 2: So it's a cool school, like that's what they're doing today.
Speaker 2: It's nice, you know. That's counteracting the lack of family
Speaker 2: and good nature that most public schools provide. Right, it's
Speaker 2: the antithesis of the public of the public school atmosphere.
Speaker 2: So here we are and I am by myself. So
Speaker 2: last night, if anybody cares, I spent four hours trying
Speaker 2: to install the operating system to the new computer. Four hours.
Speaker 2: Guess how far I got. Yeah, So the whole thing
Speaker 2: is like a catch twenty two with Windows eleven. It's
Speaker 2: telling me I don't have a network driver in the
Speaker 2: computer already, which you'd think these things would be firmware
Speaker 2: or something like that. Just they get you started and
Speaker 2: then you can update after you're on. But they wanted
Speaker 2: me to continue the process after two steps to go
Speaker 2: online to do it. But then it's telling me it
Speaker 2: doesn't have the driver. I try to install it and
Speaker 2: it doesn't. It doesn't even recognize the ex file and
Speaker 2: there is no DRV or whatever the hell file that
Speaker 2: it might. They don't it doesn't exist. So what am
Speaker 2: I gonna supposed to convert? It like that doesn't make sense. Obviously,
Speaker 2: they set these things out and they have these on
Speaker 2: available on the websites. You would think the majority of
Speaker 2: people would be using Windows, so it should be working,
Speaker 2: but it's not. So you would think they would format
Speaker 2: it in a manner which it could be received and understood,
Speaker 2: but it isn't. So now I have opened up on
Speaker 2: my computer a rufous tab here and I was about
Speaker 2: to do the the iOS onto for Linux Mint Cinnamon,
Speaker 2: which means I'm going to go into a world of
Speaker 2: hell trying to get da vincire resolved to be formatted,
Speaker 2: be formatted to Debian in order to use it on
Speaker 2: this computer because Windows has failed me. So that's where
Speaker 2: I'm at, and I don't even know if I want
Speaker 2: to do that.
Speaker 1: It's very very upsetting.
Speaker 2: But hey, since we're on top of of family and
Speaker 2: how cool that was this morning, and how nice that was, good,
Speaker 2: good dad moment for me, I want to show you
Speaker 2: this because I have before, but I'm going to show
Speaker 2: you again and I hope that this time there's actually
Speaker 2: a response to it.
Speaker 1: So I'm looking right now at the rumble version.
Speaker 2: Okay, now there's only fourteen people here, so this will
Speaker 2: be repeated later on. I did to have all this
Speaker 2: crap as I so short. Anyway, do you constantly change
Speaker 2: formats or it's this this processor on the new TV
Speaker 2: that's changing out the layout. Anyhow, when you scroll all
Speaker 2: the way down to the very bottom here you see
Speaker 2: family channel, YouTube dot com backslash at go for it
Speaker 2: no limits, okay. I've asked people to please go ahead
Speaker 2: and click that, okay, and then it's this little subscribe button.
Speaker 2: You don't have to turn on the notifications if you
Speaker 2: don't want them, but help the damn channel out.
Speaker 1: Please.
Speaker 2: It doesn't cost you a thing to do that. It
Speaker 2: shows that you give a shit, and you know it
Speaker 2: would be nice because it's my daughter's channel.
Speaker 1: In mind that she sees it build. You know, it's
Speaker 1: not monetized or anything.
Speaker 2: It's just something for us, for our family, our family stuff,
Speaker 2: dad moments.
Speaker 1: So I mean, I'm not sure what the hesitance is here.
Speaker 2: It's not like it's cutting into your budget to do so,
Speaker 2: so please do that.
Speaker 1: I want everybody the hell's this month also being a
Speaker 1: dick right now?
Speaker 2: So there it is. It's called go for it or
Speaker 2: at go for it no limits, all right? I put
Speaker 2: up some new stuff on it recently, and I'm thought
Speaker 2: to do more. Some of the stuff was carried over
Speaker 2: from other channels, but like these four on top or new.
Speaker 2: This one you may have seen before if you're on
Speaker 2: my awesome Hot Sauce YouTube channel, or if I think
Speaker 2: I also put this on at my Instagram.
Speaker 1: But man, you know, it's like, what does it take?
Speaker 2: So I'm not quite the influencer if I can't even
Speaker 2: influence somebody to do something as simple as that. And
Speaker 2: there's four and forty subscribers here, of which about a
Speaker 2: little over half typically watch the videos here, so I
Speaker 2: don't see why half of that can't bring this subscriber
Speaker 2: count to over a thousand.
Speaker 1: So let's do that. Please, Merry Christmas.
Speaker 2: That's all you gotta do, right, Yeah, this one was
Speaker 2: an interesting one.
Speaker 1: It's kind of fun.
Speaker 2: We're showcasing my family's Italian wine from Italy. My grandfather's
Speaker 2: directly related to them. It's actually his last name on
Speaker 2: the bottles, Rauci. He said, I don't know why our
Speaker 2: family ever left. We came here just to be poor.
Speaker 2: His dad, my great grandfather, was working on smokestacks and
Speaker 2: a brick fell from very high and landed on his
Speaker 2: base of his neck and crippled them for the rest
Speaker 2: of his life. So the family was poor because he
Speaker 2: couldn't do anything anymore.
Speaker 1: So that's how that went down. Okay, so we are
Speaker 1: here and I do have some things to share. You're
Speaker 1: just gonna have.
Speaker 2: To bear with the fact that I had a whole
Speaker 2: other play on going on, and then it got changed
Speaker 2: five minutes prior to me going on. That's when I
Speaker 2: saw the message I messaged him last night, and then
Speaker 2: today it looked like he was I mean, apparently he
Speaker 2: was trying to make it happen, but then he just
Speaker 2: couldn't be comfortable with his hurt back.
Speaker 1: So all right, what am I remember? Say?
Speaker 4: Oh?
Speaker 1: Cuts, I hate the way it cuts out. Let's see
Speaker 1: where was I looking? Oh yeah, Instagram, you can't even
Speaker 1: hear the keys strokes anymore. Interesting? Where am I looking?
Speaker 1: Where am I looking? Not that one? Probably this one?
Speaker 1: Things are loading slow. We already saw that one there is.
Speaker 1: That's a good one. All right, So this is interesting.
Speaker 1: It's in keeping with the seasons. It's just so quiet,
Speaker 1: like I don't hear any background anymore, and it's just
Speaker 1: I have to figure out how to take the sensitivity
Speaker 1: off of this a little bit. So that's only I.
Speaker 2: Mean, I'm gonna be doing that documentary, so I'm like, yeah,
Speaker 2: don't mess with it because you don't want a background noise.
Speaker 1: You want it to be like a sewing room when
Speaker 1: you do that.
Speaker 2: But I mean, I can't even like turn my head
Speaker 2: slightly away from this mic without it cutting my voice out.
Speaker 5: Thank helda, Coca Cola was doing the math on its sales.
Speaker 5: I believe by that point it had already abandoned the
Speaker 5: cocaine content. It was just Cola at that point, where
Speaker 5: once you name something cocaine cola, how do.
Speaker 6: You ever walk back from that? You know what I mean,
Speaker 6: It's still good of a name.
Speaker 2: So yeah, don't mind the guy up on top who
Speaker 2: randomly pops in just to nod his head. I don't
Speaker 2: know why people do that. Just replay the video of
Speaker 2: what do you have to have your headitet.
Speaker 7: They noticed something people.
Speaker 5: Bought Coca Cola in the summer, a little bit in
Speaker 5: the fall, a little bit in spring, not in the winter.
Speaker 5: People didn't think of it as a winter drink. So
Speaker 5: the Coca Cola advertisers were like, Wow, wouldn't it be great,
Speaker 5: if we could somehow trick people, or convince people, or
Speaker 5: talk people, or cokes or whatever brainwash people into drinking coca.
Speaker 7: Cola in the winter too.
Speaker 5: So here's what Coca Cola advertisers came up with. They thought,
Speaker 5: what if we somehow worked Coca cola into Christmas. Now,
Speaker 5: I know what you're thinking. Christmas is such a big deal.
Speaker 5: Not back then. Back then, Easter was the big deal.
Speaker 5: Christmas was important. People would go do mass to commemorate
Speaker 5: Christ's birth, but everybody's poor. The real interesting thing is
Speaker 5: to be killed, executed and then come back two days later.
Speaker 5: That's fascinating, which is why people had focused on Easter.
Speaker 5: So what the Coca Cola advertisers did was they found
Speaker 5: a saint who was about to be decanonized, Santa Claus.
Speaker 7: The Catholic Church.
Speaker 5: Like, he hasn't performed a miracle in a while, let's
Speaker 5: unemploy him.
Speaker 6: They grabbed him.
Speaker 5: They merge with the story of Saint Nick, and then
Speaker 5: they got it. They got somebody got inspired, and the
Speaker 5: inspiration was to merge him with Chris Kringle. Chris Kringle
Speaker 5: was a Danish thief whose job in the day was
Speaker 5: a chimney sweep.
Speaker 8: He could pop his shoulders out and he could fit
Speaker 8: down a chimney. He would rob your house and then
Speaker 8: work his way back up, but you'd have a clean chimney.
Speaker 5: And they merged this together. But they then took Saint
Speaker 5: Nicholas out. He was usually portrayed as a young man
Speaker 5: and skinny young man in green and brown clothing. They
Speaker 5: stuck him in Coca Cola colors red and white. They
Speaker 5: even decided to give him.
Speaker 1: That red and white also, you know, reflects the m
Speaker 1: and he had muscaria mushroom and the whole reindeer thing too,
Speaker 1: so that was also part of the whole, the whole symbolism.
Speaker 5: There him some pink in his skin to keep the
Speaker 5: Coca Cola colors going, so they made him an old
Speaker 5: mats they could have white hair, and then they stuck
Speaker 5: them on the bottom. That's why periodically you'll see Sarah
Speaker 5: Claus on a cocoabab or a Coca Cola cat around
Speaker 5: Christmas time.
Speaker 9: Because they made him up and they transformed Chris Christmas.
Speaker 9: So instead of Christmas being an important event but not
Speaker 9: an especially emotional event and especially involved event necessarily, I mean,
Speaker 9: there were nice traditions around it, stockings and maybe a
Speaker 9: Christmas tree.
Speaker 7: They turned it into this.
Speaker 5: Thing where all of a sudden, this mythical being who
Speaker 5: drinks a lot of Coca Cola is bringing you presents.
Speaker 5: I guess that's how he stays up so late because
Speaker 5: think about how many hours it would take to bring
Speaker 5: presents to everybody and in the process.
Speaker 6: Now the average Christian in the United.
Speaker 5: States at least thinks Christmas is the important Christian holiday,
Speaker 5: and it's forced other religions to think about what holiday
Speaker 5: they could promote during that time period. Like Honko is
Speaker 5: never especially important. I mean, it's important, but not like
Speaker 5: you wouldn't evolve like a whole bunch of time and
Speaker 5: energy and effort round it.
Speaker 6: But then, right, if you're Jewish and you're like looking
Speaker 6: at your kids, going, we wish we had a.
Speaker 5: Christmas tree, you need something to compete with this, And
Speaker 5: the next thing you know, there's a Kwanza because a
Speaker 5: Coca Cola advertisers trying to get you to drink more cocla.
Speaker 5: They've changed our religion, they've changed our culture, they've changed
Speaker 5: us economically. So you can imagine what happens when you
Speaker 5: have a government deliberately thinking about these things one hundred.
Speaker 2: That point at the end is pretty interesting, right, the
Speaker 2: implications there Now, imagine a government, especially a malicious one
Speaker 2: that wants to harm the people, thinking along those terms
Speaker 2: of how they can manipulate in Social Engineer and Cana actually.
Speaker 10: Play this.
Speaker 1: Before before what you call it.
Speaker 2: Duane spoke today because it actually was related to what
Speaker 2: he was going to talk about.
Speaker 1: But we'll probably just hold on to that until next time.
Speaker 6: M hmm.
Speaker 2: There's a there's a couple of good ones in here.
Speaker 2: I might have to hit up a couple here. Yeah,
Speaker 2: this is a I mean, it's just it's just showing
Speaker 2: you something. But look, if you haven't seen this, are.
Speaker 11: You how many say.
Speaker 7: Are you?
Speaker 1: Yeah?
Speaker 2: Simple enough can face the message. I think we already
Speaker 2: played that one the other day. Now, there's two about parasites.
Speaker 2: I'm gonna add here, and we may have heard one
Speaker 2: of them, but it's worth repeating. I don't think you
Speaker 2: actually did this one. This is another clip from the
Speaker 2: same presentation, but it's different.
Speaker 1: It's a different segment of it.
Speaker 12: They take pictures of the parasites they get out of
Speaker 12: you on these different j warming programs. Woman got eighteen
Speaker 12: inch long critters out there that were so thick she
Speaker 12: couldn't get them into a top of the juice bottle.
Speaker 12: They're usually translucent, they're usually white, and there's some of
Speaker 12: them that look like tarantula spiders.
Speaker 6: Some of them look like grasshoppers.
Speaker 12: Some of them look like little tiny miniature sailboats. Some
Speaker 12: of them look like little spacecraft.
Speaker 13: This is truly gonna blow you. It will change the
Speaker 13: way that you view health altogether. This guy looked through
Speaker 13: these books from the eighteen hundreds and he noticed they
Speaker 13: all had parasite cleanses.
Speaker 6: And what did they know back then? What were they doing? Guessing?
Speaker 12: I started finding books that were published by doctors through
Speaker 12: the eighteen hundreds, books that they read in books that
Speaker 12: they learned from, and loan behold out of every single
Speaker 12: book were deworming programs, parasite programs, or doctors in those
Speaker 12: days did optopsis and they found parasites. And I looked
Speaker 12: at that, and I got a hold of doctors and
Speaker 12: they said, no, we don't have parasites today. So we
Speaker 12: started to search for parasite programs just to see what
Speaker 12: was going on, to see if something was happening that
Speaker 12: we really didn't understand. So I did myself first, and
Speaker 12: lo and behold, I got eight and ten inch critters
Speaker 12: out of me. They were white. First of all, they
Speaker 12: were in the toilet water and they were all bunched up.
Speaker 6: It look.
Speaker 12: I thought it was mucus until just for a curiosity,
Speaker 12: I threw hot water and the toilet warm it up,
Speaker 12: and then went and.
Speaker 6: Gosh, they strung up. They were swimming all over.
Speaker 12: We're now doing pictures in color out of clinics where
Speaker 12: you go potty on a special screen in it and
Speaker 12: they take pictures of the parasites they get out of
Speaker 12: you on these different dere worming programs.
Speaker 6: Yeah, this is really strange stuff.
Speaker 12: I have never yet he wormed anyone where they didn't
Speaker 12: tell me, Hey, I feel twenty five percent better.
Speaker 6: Maybe got helloposis.
Speaker 12: You're loaded because that's where urin and weren't droppings that
Speaker 12: you're reading up. So it's no wonder you arrest that
Speaker 12: when they pee, that's called ammonia. So just go to
Speaker 12: a doctor, have a blood test and see what level
Speaker 12: of ammonia is in your blood. If you have ammonia
Speaker 12: in your blood, that's called worm urine. You get a headache.
Speaker 12: You got the headache because the worms are all peeing
Speaker 12: trying to get you to eat something else, so trying
Speaker 12: to make you sick, so you'll get off of what
Speaker 12: you're doing and start eating. So you take some argentina
Speaker 12: and orthanine, and of twenty minutes, if the headache's gone,
Speaker 12: you've neutralized the worm urn and you know that you're loaded.
Speaker 12: All have little tiny pimples on the backs of their arms,
Speaker 12: or little tiny pimples here on the edges of their cheeks,
Speaker 12: have five varieties of critters in them.
Speaker 6: Five varieties. It's time to do. It's time to get
Speaker 6: them out.
Speaker 2: They too, So there's that wonderful thought. And then to
Speaker 2: follow up with that, here we go.
Speaker 7: I can't believe it.
Speaker 14: Next.
Speaker 1: Oh my god, this is annoying this beginning here. But
Speaker 1: uh yeah, you know, Geographic admitted this about parasites.
Speaker 7: I was it really shocked when I.
Speaker 15: Found out that this is something that affects every single
Speaker 15: living human. In fact, every single living organism on the
Speaker 15: face of the earth.
Speaker 10: Could be leading a healthy lifestyle.
Speaker 15: You could be jogging, eating raw food, taking vitamins and
Speaker 15: all those kinds of things.
Speaker 10: But these guys don't.
Speaker 15: Care These guys are persistent, they're dangerous, they're deadly. They've
Speaker 15: been around for millions of years. They know what they're doing,
Speaker 15: and they're inside of all of us. And we're constantly
Speaker 15: being exposed to this going on, and it's going on
Speaker 15: inside every one of us. And this is something that
Speaker 15: we all need to take very seriously. This is not
Speaker 15: science fiction. This is scary. It's real, and it's serious.
Speaker 15: Monsters living insidius. They eat our bodies and control our emotions, urges.
Speaker 10: And thoughts.
Speaker 9: As a colon hydrotherapist for approximately twenty twenty one years now.
Speaker 15: You wouldn't believe what I see coming out of people's bodies.
Speaker 10: This is not just a third world country thing.
Speaker 15: Everybody has them, even normal people with lots of money
Speaker 15: living in some burbia who take showers three times a day.
Speaker 10: If you eat sushi, you have parasites.
Speaker 15: One square inch of the raw sushi meat can contain
Speaker 15: ten thousand parasite larvin eggs that begin hatching inside you
Speaker 15: the minute you eat it. The most common kind is tapeworms,
Speaker 15: which can grow to sixty feet long live in your
Speaker 15: intestines for decades. If you have pets, you're guaranteed to
Speaker 15: have parasites. It doesn't matter if your vegetarian raw food
Speaker 15: is vegan or macrobiotic. Even the healthiest and richest people
Speaker 15: on earth have parasites. You can't kill them all, only
Speaker 15: control them because our bodies have trillions of cells which
Speaker 15: rely on helpful bacteria like probiotics to work. Right, if
Speaker 15: we kill all the organisms in our body, we kill ourselves.
Speaker 15: The secret is to keep the bad guys to a minimum,
Speaker 15: make our bodies so healthy and clean the undesirable guests
Speaker 15: won't want to stick around.
Speaker 1: Parasites are living, and how do you do that? By
Speaker 1: being fully neutrified with the ninety essentials and Doctor Peter
Speaker 1: Glynnen on his website for members, has a detox protocol
Speaker 1: and a parasite cleanse, a full Moon Cleanse.
Speaker 2: You should check it out. The link is us in
Speaker 2: the description. You may need to be a member or
Speaker 2: you might be able to access it on the outside.
Speaker 15: I don't know alien creatures who live off of others.
Speaker 15: They eat your food, They poop their waist inside you,
Speaker 15: making your blood, limp and tissues toxic.
Speaker 10: Common signs of parasites.
Speaker 15: Are you're tired a lot, sleeping problems, constant itching, weakness, headaches,
Speaker 15: lack of appetite or hungry all the time, especially for
Speaker 15: sweet foods and carbs. Flu like symptoms, depressions, skin problems,
Speaker 15: acne arthritis, joint pains, egzima, dermatitis, sinus problems, breathing and
Speaker 15: lung problems like pneumonia, then uncontrollable coughing, lumps under the skin, cysts, diarrheam, constipation,
Speaker 15: sometimes alternating back and forth, mucus in your stool, irritable
Speaker 15: bowel syndrome, stomach aches, cramps, digestion problems, nausea, overly dry lips,
Speaker 15: vision and eye of problems, gas bloating. Parasites can burrow
Speaker 15: into your brain and cause nerve damage and eye problems.
Speaker 2: They can multi burrow into your brain. RFK Junior on
Speaker 2: a dead one in his brain. According to the folklore.
Speaker 15: There's applied so much in your gut what you think
Speaker 15: is fat may in fact the entire nests of parasites.
Speaker 15: Parasites can even contribute to infra utility and trialbirth difficult
Speaker 15: subject too.
Speaker 1: There you go.
Speaker 2: If we're not, if we're not all just you know,
Speaker 2: reflexibly scratching ourselves right now. Yeah, it happens, all right,
Speaker 2: So I check a couple of other things. I think
Speaker 2: I may have no, I think that's it. Yep, that's it. Okay,
Speaker 2: there we go.
Speaker 1: Mm hmmmmmmmm. So let's do this.
Speaker 2: I'm going to be going into discussion today, but you
Speaker 2: know it was pretty popular on Saturday. So I'm going
Speaker 2: to drop the Lincoln here. But you're just gonna have
Speaker 2: to give me a second to go find my phone.
Speaker 2: If you guys, call one. Otherwise you can use this
Speaker 2: link and just jump in to this live stream.
Speaker 6: I think. There.
Speaker 2: There's that, and then we go over to FDJ and
Speaker 2: do the same. Yes we started here real thick. Oh
Speaker 2: I didn't carry over my thumbdail again bastwards. Oh well,
Speaker 2: this one runs a little slow. It's just gotta get
Speaker 2: to it. Hold on, and then we will get on
Speaker 2: with ourselves. If anyone knows what's going on with that
Speaker 2: whole computer thing, please feel free to enlighten me. I mean,
Speaker 2: it's gonna be a pain in the you know what
Speaker 2: either way, because it doesn't want to it doesn't want
Speaker 2: to help, it doesn't want.
Speaker 1: To work, and this is taking for evidence and over.
Speaker 6: All.
Speaker 2: Right, there we go, And now I don't see the
Speaker 2: chat button anymore?
Speaker 1: Where did that go?
Speaker 6: Chat?
Speaker 2: But out there it is. It just magically appeared. Okay, cool,
Speaker 2: if you're over there on FTJ, I'm dropping in here.
Speaker 2: Also the link if you want to jump into the
Speaker 2: show today. It's just taken a little while to do stuff.
Speaker 2: I already sent it, but it hasn't populated yet.
Speaker 1: Well that's there.
Speaker 6: It goes.
Speaker 2: Very very very deleted. Yeah, Project Spirit. You keep on
Speaker 2: going on about Tony Pantella Rasco. That guy is one
Speaker 2: of the biggest assholes on the planet.
Speaker 10: He is.
Speaker 2: Vindictively an asshole to people for like no reason, because
Speaker 2: he has to be the authority. He's got a very
Speaker 2: very fragile ego, very fragile, and he jumps to conclusions
Speaker 2: and wants to tell everybody how stupid they are all
Speaker 2: the time. He literally hates mankind, even though he's pretending
Speaker 2: to like want to help them. He wants everybody to
Speaker 2: die except for him. And that's that's the truth of it.
Speaker 2: So how however he gets to his information and however
Speaker 2: valid it is, is not my question here. It's it's
Speaker 2: him and his mentality that I do not like. So
Speaker 2: I'm just gonna leave it there. With Tony Pantellaresco in
Speaker 2: the Remedy or whatever new variant of his podcast or
Speaker 2: whatever he's doing now is I've watched his videos. I've
Speaker 2: watched his videos on YouTube for you long long ago
Speaker 2: and all that. It's very unfortunate face and maybe that's
Speaker 2: why he hates me in kind, but I don't know.
Speaker 2: He's he's quite quite an asshole, and I've had interactions
Speaker 2: with him. That's why I'm saying that it wasn't pleasant.
Speaker 2: He wanted to tell me how stupid I was because
Speaker 2: I asked a question, because I was presenting a question
Speaker 2: that I knew the answer to, but also like trying
Speaker 2: to like remind him that there is also a detail
Speaker 2: that should be considered, and he just went off on
Speaker 2: a tangent about how well then.
Speaker 1: You're gonna die had blah blah blahlah blah. I'm like, no,
Speaker 1: you don't get it.
Speaker 2: You're not you're not you're not picking up on this
Speaker 2: on the on the cues here, buddy, And it just
Speaker 2: went on from there, like and then him just like
Speaker 2: constantly barraging because he has to be the only authority.
Speaker 2: He can't accept other people's information because if it doesn't
Speaker 2: come from him. He feels very very threatened, and it's
Speaker 2: very strange. It's a very very unstable, unstable personality.
Speaker 1: He's got some problems. So that's what I think about
Speaker 1: Tony Pantella Risco.
Speaker 2: Otherwise, maybe the information's good, but I wouldn't I wouldn't
Speaker 2: tolerate the attitude, So it doesn't matter.
Speaker 1: Okay, so it's out there kick. What the hell?
Speaker 2: Hello, sir, I am a new follower. Done, I just subscribed. Cool, Okay,
Speaker 2: well here you go, my friend. I'm gonna send this
Speaker 2: out over here on Kick too. It looks like we
Speaker 2: got something's going on over on Kick. That's the stream
Speaker 2: yard link. People's all right, go ahead and jump in
Speaker 2: if you want to talk, you want to bring up anything.
Speaker 2: Otherwise I'll just have to keep going tracking along here.
Speaker 1: Yeah.
Speaker 2: Well, like, so what Dwayne was going to discuss today
Speaker 2: was it kind of kind of a little complicated.
Speaker 1: But I'll read what he had written. Let's see what
Speaker 1: he says.
Speaker 2: Yeah, okay, yeah, let's let's looks like he might come in.
Speaker 2: Hold on, hold on, let me get him. All right,
Speaker 2: there's diggity Dwayne. We might have Dwayne after all. Look
Speaker 2: at that isn't that splended It's very splendid. Looks like
Speaker 2: you said, he's getting a little bit more comfortable. The
Speaker 2: back problems suck. Sometimes you can't lay right, you can't
Speaker 2: stand right, you can't crouch right. It is nothing. Nothing
Speaker 2: makes the not go away or whatever the problem.
Speaker 1: Happens to be. I've had lower back lumbar issues a lot.
Speaker 2: And it's usually from twisting like I can lift heavy, heavy,
Speaker 2: heavy ass weight, you know, into proper motion. But if
Speaker 2: I twist with like so much as like a pencil
Speaker 2: in my hand like that, sometimes I'll throw off my back.
Speaker 2: It's it's crazy. It's crazy how that works, twisting of
Speaker 2: the waist. Three days later, I'm finally like able to
Speaker 2: walk again.
Speaker 1: It's good times. Yeah. Oh so.
Speaker 2: Also, if you have experience with Linux Mint, or if
Speaker 2: you've ever had to try to convert you know, Da
Speaker 2: Vinci Resolve into Deban or Debian or whatever the hell
Speaker 2: it's called. I'm not sure how the let me know too.
Speaker 2: You can send me an email Ballbusters at outlook dot com.
Speaker 2: All right, and then let's see if Dwayne pops in here.
Speaker 2: We'll we'll keep an eye out for that. Also, I
Speaker 2: gotta say this because of what's going on with the
Speaker 2: computer currently, I'm going to have to tackle this by
Speaker 2: a different means in the meantime because I have a
Speaker 2: lot of thoughts here and I don't want to slow
Speaker 2: down and bottleneck my workflow. So what I'm going to
Speaker 2: try to do, because once I have the the license
Speaker 2: for it, I can put it on multiple devices, is
Speaker 2: I need to get an upgrade on my RAM, because
Speaker 2: I try to do digital editing on that laptop and
Speaker 2: it is ridiculously slow, super slow. And it's not the
Speaker 2: chip reader or the or the SD card itself and
Speaker 2: how fast the bitrate is. It's not that because I
Speaker 2: I already made sure I had a really good one,
Speaker 2: but it's the RAM. I think there's only sixteen gig
Speaker 2: in there and it should really have thirty two for
Speaker 2: doing the video editing. So that being said, and the
Speaker 2: license itself. If you guys are you know, you guys
Speaker 2: did an amazing job. Thank you so much for what
Speaker 2: you did for the computer build itself. But right now
Speaker 2: there's a.
Speaker 1: A goal.
Speaker 2: It's a multi goal for the time that I spend here,
Speaker 2: But if six hundred of that would go directly to
Speaker 2: getting the laptop ready to do the documentary stuff that
Speaker 2: I want to do, and that can be found again
Speaker 2: just by clicking wherever you are scrolling down to gibs
Speaker 2: and go, or if you're up here, you can click
Speaker 2: that one and it brings you here. Right, So there's
Speaker 2: that from that way, that method, and then there's also
Speaker 2: going right too, give us something, go here, stripe is there,
Speaker 2: buy me a coffee the Patreon.
Speaker 1: Get on Patreon.
Speaker 2: That way you get the woo done it, and then
Speaker 2: you get something for it in return, right, five bucks
Speaker 2: a month whatever it's and then actually it's the second
Speaker 2: tier for the wo done It, but you get commercial.
Speaker 1: Free podcasts regardless.
Speaker 2: So there's that and some some additional information and additional
Speaker 2: stuff when I post it, some exclusive content. Money Tree
Speaker 2: Publishing is right here, and the code ball for ten
Speaker 2: percent already already, and.
Speaker 1: Just for spoof.
Speaker 2: I think I'm probably going to pick up one of
Speaker 2: these stew Crew shirts myself as soon as I figure
Speaker 2: out how to get it from Gelato. And I'm so
Speaker 2: there's some one of the ones I created never showed
Speaker 2: up as an option for me to buy a sample of,
Speaker 2: and that was the one I wanted, So I'm trying
Speaker 2: to get it to work. So yeahs, as soon as
Speaker 2: I figured that out, then I will totally do that.
Speaker 2: They broke this create Spring one, but it's it's probably
Speaker 2: not in this.
Speaker 1: I mean there is.
Speaker 2: There's like tank tops and all kinds of cool stuff,
Speaker 2: and these mug like the mug that I'm using here,
Speaker 2: and there's another mug, one of the old school mugs,
Speaker 2: and then a funny one with what's his name kissinger.
Speaker 2: This is still cooking, regardless if he's dead or not. No,
Speaker 2: he's still cooking. So all right, and then right up
Speaker 2: on top, I moved this up to the top to
Speaker 2: Semper fryllc dot com. Get pre Scrapped Beyond Babylon Awesome
Speaker 2: hot sauce and creatate and hydrochloride, use code Helper Holiday
Speaker 2: Helper for twelve percent off and that for those out
Speaker 2: in the podcast, it's all caps, no spaces, Holiday Helper
Speaker 2: and it's Simper s E M P E R f
Speaker 2: R y llc dot com.
Speaker 1: Let's see what Dwayne did he come back yet? Let's
Speaker 1: see it doesn't show me my response? Isn't that weird?
Speaker 14: Okay?
Speaker 2: Make sure you saw it, yes, come in and then
Speaker 2: let's see.
Speaker 1: Maybe I should just do this one more time.
Speaker 2: Give me a second here, trying to get Dwayne on
Speaker 2: so we can continue. So social engineering was going to
Speaker 2: be the topic today, and let me read what he said. Says, Hey, buddy,
Speaker 2: I've got an idea for Wednesdays show. I wanted to
Speaker 2: show the origins of the popular music industry from its beginnings.
Speaker 1: In tin pan Alley.
Speaker 2: Is shows how they replaced the piano with the television
Speaker 2: as the centerpiece of furniture in the home. It shows
Speaker 2: how they form the beginning, wrote songs of debauchery and
Speaker 2: debasement meant to demoralize America. They replaced any positive music
Speaker 2: with negative songs by owning the publishing houses of course,
Speaker 2: the media, media, Media Media or evay right, and exploiting
Speaker 2: the intelligent, creative songwriters of the day. Right, if you
Speaker 2: want to be popular, you write about what and sing
Speaker 2: about what they want. Same as gangster rap recruit from
Speaker 2: jail to put more people in jail for the you know,
Speaker 2: the what do you call it, the prison industrial complex,
Speaker 2: the slave labor. So that's that's a black slaver, basically
Speaker 2: enslaving other blacks by you know, influencing and encouraging them
Speaker 2: to do criminal acts that will get them in trouble.
Speaker 1: And also the violence that goes along with that.
Speaker 2: And this would then leads look at like think of
Speaker 2: all the all the glorification of gangster and uh drug
Speaker 2: dealer stuff that you see and how I mean granted,
Speaker 2: the police are the bad, but still, I mean, they're
Speaker 2: not supposed to be. So when you continue to, like,
Speaker 2: you know, show that an influence, you know, it's it's
Speaker 2: it's it's influencing people to always.
Speaker 1: See a negative.
Speaker 2: I mean, police are terrible. I'm not I'm not giving
Speaker 2: them any I'm not I'm not trying to I'm not
Speaker 2: trying to put you know, put any type of spin
Speaker 2: on that like, oh police are awesome.
Speaker 1: No they're not. They sucktics.
Speaker 2: But you know what I mean, when you when you're
Speaker 2: constantly showing the negative in everything that you're you're getting,
Speaker 2: you're you're inspiring a type of archetype that people are
Speaker 2: going to always associate that way. So being the renegade,
Speaker 2: it's all, it's all very it's all very poetic until
Speaker 2: you get the cuffs on and then you're stuck in
Speaker 2: a in jail because he did something stupid and not
Speaker 2: thinking you could get caught, it, says, and this would
Speaker 2: even this would then lead us to show how zi
Speaker 2: Jews replaced all of our Christmas carols and deliberately removed
Speaker 2: God from them.
Speaker 1: They removed Christmas trees. We talked about that with.
Speaker 2: The henry Ford, the henry Ford Papers, the Deerborn, how
Speaker 2: they were petitioning municipalities all throughout New York to get
Speaker 2: rid of the Christmas trees in the city because they
Speaker 2: were offensive.
Speaker 1: To the Jews, the two percent.
Speaker 2: If we're going to be generous, they're offended. They're offended.
Speaker 2: You know, it's okay to suck a baby penis and
Speaker 2: spinning people's faces, but hey, they're offended. Mind you if
Speaker 2: you put a Christmas tree out in public where the
Speaker 2: people could see it, or Christmas lights, because I've got
Speaker 2: incredible videos with Sarah Silvermane talking about it just in
Speaker 2: time for the holidays, what do you think?
Speaker 1: And I said yes, and then he said no. And
Speaker 1: now here we are hopefully that'll it'll work out. But
Speaker 1: let me just put this back in here again.
Speaker 2: Unless it just wasn't being serious, didn't expect me to say, yes,
Speaker 2: it happens.
Speaker 1: Now you got to see my email. That's ball busterers
Speaker 1: at Josh dot Nat.
Speaker 2: But I would it's better to it's more stable to
Speaker 2: go to either Christo's cast at Gmail or to go
Speaker 2: to ball busterers at Outlook, because when things do not work,
Speaker 2: and then that's a potential might happen again. Because since
Speaker 2: it's the end after the first of the month, I'm
Speaker 2: not sure if the bills are getting paid over there
Speaker 2: on the whole.
Speaker 1: Site there for or the server for the for the emails,
Speaker 1: so I might lose that again soon. There you have it.
Speaker 2: So, okay, we are here. We're still waiting. I'm gonna
Speaker 2: play a little bit of this. Go get my phone
Speaker 2: so if people call in, I'll have it. I'll have
Speaker 2: it by my side. Now we're not gonna play all
Speaker 2: of it, but we're just gonna get this crank and
Speaker 2: so I have a chance to go grab the phone.
Speaker 1: This one is ridiculously long. Let's see. Come on, spin
Speaker 1: and spin and spin and spinning. Alright, hold on, we
Speaker 1: have to get it better.
Speaker 2: The Truth about Socialism, The Detailed History of United States
Speaker 2: America immuntated is we already saw that one.
Speaker 1: It's gonna spin again, and it's gonna try to start
Speaker 1: now fucking piece of shit.
Speaker 2: An American talks about learning the truth about Adolf Hitler
Speaker 2: in National Socialism by a truth gone viral. Maybe we'll
Speaker 2: do that one. That sounds like a good one. All right, now,
Speaker 2: let's go ahead and take a look at that, because
Speaker 2: this looks like it's gonna be good. And if Dwayne
Speaker 2: pops in, I will put him on. But let me
Speaker 2: just go get my phone so we can do some
Speaker 2: interaction if that ends up being a thing, it's too
Speaker 2: early for people already.
Speaker 1: All right, let's do that. Let's get my head out
Speaker 1: of the way.
Speaker 7: Think.
Speaker 2: All right, there we go. I'll be back in that movement.
Speaker 2: I almost hit the n stream button. I make mistakes
Speaker 2: like that a lot. No wonder I can't get the
Speaker 2: computer to go.
Speaker 6: With that.
Speaker 16: I mean, I'm simply floored. And I think that this.
Speaker 11: Is an example of the kind of lies that these
Speaker 11: people are telling.
Speaker 16: And this is something that you know clearly you can hear.
Speaker 11: They don't want me to tell you, but this is
Speaker 11: one of the biggest, most disgusting lies that I believe
Speaker 11: has ever been told.
Speaker 16: And we have all been duped, the American people have
Speaker 16: been completely duped.
Speaker 11: Friends this thing about Adolf Hitler and the Nazi Party.
Speaker 11: I was growing up in a situation of being saturated
Speaker 11: with this lie that he was a crazy mass murderer.
Speaker 11: I even heard that he was addicted to meth and
Speaker 11: he was strung out in the last days of the war.
Speaker 16: And when you see those pictures of.
Speaker 11: The people, uh that are starving in the death camps
Speaker 11: and the prisoner of war camps, Uh, those it turns
Speaker 11: out were just people that were starving because because of
Speaker 11: the British and American bombings of their cities and the
Speaker 11: German cities, and so the German people were starving. And
Speaker 11: the whole thing I now realized was a total lie.
Speaker 16: The Holocaust was a complete lie.
Speaker 11: I used to think all the people that were saying
Speaker 11: that the Holocaust was was didn't happen, and uh, you know,
Speaker 11: Holocaust deniers like the Iranian president Achmadina jod And I
Speaker 11: used to think that, you know, they were just complete
Speaker 11: racist idiots and and didn't subscribe any any credit to them.
Speaker 11: But I now realized that they were right and I
Speaker 11: was wrong.
Speaker 16: And I want to make that clear that.
Speaker 11: In many cases I said things about at Al Hiller
Speaker 11: and the Nazis, albeit in ignorance. But I spoke against them,
Speaker 11: and I apologize for that because.
Speaker 16: It's clear now.
Speaker 11: If they if they went through all this trouble to
Speaker 11: lie about them this much, Can it really mean that
Speaker 11: it was because he was, you know, the evil person
Speaker 11: that he said, or that they that they said, or
Speaker 11: is it that he was a good person, a person
Speaker 11: who was fighting for freedom and justice for his people.
Speaker 11: And the more I look into this, the more it
Speaker 11: matches with the feeling that I.
Speaker 16: Always had about him. I'll say this, I was afraid
Speaker 16: to say that I like that a Hitler because you.
Speaker 11: Get you know, you look like somebody who you know,
Speaker 11: you're somebody who likes a insane mass murderer. Now what
Speaker 11: I realized watching some of these movies now that are
Speaker 11: telling the truth. And by the way, this is what
Speaker 11: this is what's good about you two guys. I mean,
Speaker 11: until I saw the movies about nine to eleven, I
Speaker 11: didn't believe it. Until I saw the movies about Hitler,
Speaker 11: I didn't believe it. And the truth about him, and
Speaker 11: and what you see is he was he was a
Speaker 11: morally upstanding man. He he didn't even like dirty jokes
Speaker 11: or political jokes, but he liked other jokes. He had
Speaker 11: a sense of humor and and but he was if
Speaker 11: you look at him and you you listen to him.
Speaker 16: And the and the things that he said and the
Speaker 16: things that he did, he was.
Speaker 11: He was a a strong morally minded person.
Speaker 16: He would never have consented to starving people, no matter
Speaker 16: of who they were.
Speaker 11: And the whole thing about Alschwitz, all you gotta do
Speaker 11: is watch the David Cole movie. But there's a lot more.
Speaker 11: They had all these amenities there. There's no way that
Speaker 11: they were starving about. The gas chambers was a complete
Speaker 11: mixing of a lie between the Russians and the Americans.
Speaker 11: And what I can't believe is that Americans.
Speaker 2: Hey, I didn't know that happened. Hold on, oh, hold on, anyway,
Speaker 2: we're good. Let me, uh bring Delane and then I
Speaker 2: can get this out of here. I'm not sure why
Speaker 2: I did that. I stepped away for a second, and
Speaker 2: so it's just good to stop that screen.
Speaker 1: What's up to?
Speaker 7: Good morning everybody. Sorry, the conditions here just threw up
Speaker 7: my back. It's not a big deal, but uh, I've
Speaker 7: been listening to you and I just wanted to join
Speaker 7: in because I feel like I can here. But we
Speaker 7: won't have lighting and all of that. So can you
Speaker 7: hear me?
Speaker 1: Okay, Oh yeah, that's great.
Speaker 7: Okay, awesome, So I am trivia method in the chat,
Speaker 7: so everybody knows.
Speaker 2: Yep, I put your think up on the screen. I
Speaker 2: didn't announce that it was you because there's something playing
Speaker 2: but yet.
Speaker 7: Okay, so you were just talking about Tin Pan Alley.
Speaker 2: Yeah, I've read your email.
Speaker 7: Beautiful. Okay. So I'm not sure if we'll get through
Speaker 7: the whole half an hour video, but uh, we'll throw
Speaker 7: up the link, and I would say that everybody's got
Speaker 7: to if we don't get through this half an hour,
Speaker 7: definitely go through this because it shows you the origins
Speaker 7: of popular music starting in Tin Pan Alley. So we're
Speaker 7: talking about publishing houses that are owned by a certain
Speaker 7: ethnic demographic, almost disproportionately, and then they they they find
Speaker 7: the intelligent, creative songwriters, the ones that are able to
Speaker 7: invoke emotion in the listener the best. Just like today,
Speaker 7: we have a team of songwriters. So if anybody's never
Speaker 7: heard of Max Martin, he's probably got the most number
Speaker 7: one hit songs in history, more than Michael Jackson and
Speaker 7: Lennon m and McCartney. But They're all songs written for
Speaker 7: bands like in Sync, Taylor Swift, The Weekend, you know,
Speaker 7: bands like this, the more modern pop culture stuff. And
Speaker 7: so if anybody's I would I would be surprised if
Speaker 7: anybody's even heard of Max Martin. And there's a series
Speaker 7: of these people, including one of the ladies that is
Speaker 7: interviewed for this Tin Pan Alley show. She writes all
Speaker 7: kinds of music. She may be more well known to
Speaker 7: your viewership, but she's written songs for Aerosmith. And it
Speaker 7: was a song that she wrote about her relationship with
Speaker 7: her father, but Aerosmith was able to use it in
Speaker 7: a way that it was portrayed it I think as
Speaker 7: a love song. So yet me see if I can.
Speaker 2: Find that Aerosmith's always about some kind of innuendo for sex,
Speaker 2: kind of like kissing.
Speaker 7: Well, the whole pop culture this is what we're gonna
Speaker 7: show is that from the very beginning, it was about
Speaker 7: the double entendre, the sexual references. You know, if you're
Speaker 7: talking like fifties rock and roll, bebopa loo bapa, wap
Speaker 7: bam boom. Even the term rock and roll is meant
Speaker 7: as a double entendre for sex. Yeap and it's meant
Speaker 7: to generate, to take us away from our previous moral
Speaker 7: ethical values, and we see it even more pronounced today
Speaker 7: in you know, people like Taylor Swift. She writes songs
Speaker 7: complaining about the relationships she's had with men, yet men
Speaker 7: write most of her songs up until now. Her latest
Speaker 7: album she has a good portion of it songwriting credits for.
Speaker 7: But you'll see that in sync the Backstreet Boys, Britney Spears,
Speaker 7: all of these popular culture UH singers that have been
Speaker 7: thrown or imposed upon us over the last twenty years
Speaker 7: are all having their songs written by teams of songwriters.
Speaker 7: Because I don't know if anybody out there has ever
Speaker 7: tried to write a song. It's probably the most difficult
Speaker 7: thing you can do. It's something I've never been able
Speaker 7: to master. I'm a struggling guitarist and.
Speaker 1: Uh coming from sorry, I'm hearing it clapping again.
Speaker 7: You're hearing Clapton.
Speaker 1: You guys don't hear that.
Speaker 7: I don't hear clapping.
Speaker 2: With stream Yard where every once in a while it
Speaker 2: starts cheering like there's clapping in the background.
Speaker 1: I hear it. I don't know where it's coming from,
Speaker 1: but it keeps having.
Speaker 7: From another dimension.
Speaker 1: Right.
Speaker 7: Wow, it's image three seventy listening to our program right now.
Speaker 1: There you go.
Speaker 7: Uh so, tin pan alley. We've all heard that term.
Speaker 7: But what they're referencing there is this little area in
Speaker 7: New York of publishing houses. Okay, so you can see that.
Speaker 7: Mm hm tin pan alley. So I'm just gonna let
Speaker 7: this roll from here and let them introduce pop culture
Speaker 7: to you guys. Hopefully everybody's listening. You can hear the sound.
Speaker 7: If it's a little low, let me know.
Speaker 17: Perhaps no artistic median has acted as a more accurate
Speaker 17: cultural barometer than the popular song, charting the nation's passions
Speaker 17: and pastimes with color and immediacy.
Speaker 4: A great song will transcend genre, We'll transcend time, We'll
Speaker 4: transcend the.
Speaker 1: Artists that first popularized it.
Speaker 18: By that's it.
Speaker 19: On some level, a three minute song can communicate across cultural,
Speaker 19: social political lines in a way that almost nothing else can.
Speaker 19: We can't underestimate the importance of these artifacts of our lives.
Speaker 10: Really.
Speaker 11: Memories made up of songs, the songs we knew as kids,
Speaker 11: the songs we had been our girlfriends of boyfriends.
Speaker 3: They call it the soundtrack of America.
Speaker 17: Nearly every song that became part of that soundtrack, including
Speaker 17: take Me Out to the Ballgame, was crafted by some
Speaker 17: of America's most talented composers and lyricists, and between eighteen
Speaker 17: eighty five and nineteen thirty five they were employed by
Speaker 17: the publishers of Tin Pan Alley.
Speaker 18: Great stacheray All.
Speaker 17: At the turn of the twentieth century, Americans reveled in
Speaker 17: newfound comfort, convenience, and prosperity. The automobile and airplane made
Speaker 17: their debut, and along with the rest of the country,
Speaker 17: a group of creative businessmen on Tin Pan Alley celebrated
Speaker 17: their arrival.
Speaker 1: Ohy, with me in my Mamial.
Speaker 20: Mobyle, life will blame, Mine.
Speaker 5: Will be.
Speaker 21: You can go as far as you like with me
Speaker 21: in My Mary. One of the big selling songs about
Speaker 21: the turn of the century was a song called Daisy Bell.
Speaker 3: Nobody knows daisy Bell if.
Speaker 21: You call it that, But if you say it's called
Speaker 21: a bicycle built for two, most people are familiar with it.
Speaker 1: But your love upon of a bicycle belt or two.
Speaker 21: We can't be sure today whether that song sold bicycles
Speaker 21: or whether those bicycles sold songs. They were so tightly together,
Speaker 21: but they both went into the millions.
Speaker 3: Everybody wanted a bicycle. Everybody was singing Daisy.
Speaker 13: Bello Street on the set of a bicycle.
Speaker 7: Okay, so that Daisy the Bicycle Built for two is
Speaker 7: the song that Hal sings Dave when he's when Dave
Speaker 7: is killing him in two thousand and one Space Odyssey. Now, uh,
Speaker 7: Daisy is also that the first song ever sang by
Speaker 7: a computer at Bell Laboratories. Just to give some background
Speaker 7: on that song, so you can see there's an ominous continuity.
Speaker 7: It's one of the first songs to create marketing. Really,
Speaker 7: they're bringing merchandise and songs together, and and the theme
Speaker 7: hasn't changed. It's still dudes picking up girls in their cars.
Speaker 1: Look at that. Look at that shield on the window.
Speaker 2: There that crest, right, what's that all about?
Speaker 1: That? Let's there's an eagle on the top.
Speaker 2: It looks very much like uh, filmily crest of some
Speaker 2: other sorts that I've seen before, or maybe uh, I
Speaker 2: don't know, it looks yeah, some kind of Christian jesuit
Speaker 2: condent it to me.
Speaker 7: You're talking on the front main window there, Yeah, yeah, yeah, yeah,
Speaker 7: I don't know. You know what. Maybe somewhere along the
Speaker 7: way in the thirty minutes, we've got a better view of.
Speaker 17: That only fifteen years earlier. This thriving music publishing industry
Speaker 17: didn't exist.
Speaker 22: Before ten Panelle, there really wasn't a popular music business.
Speaker 22: There were song publishers all over the country, but their
Speaker 22: main line of business was selling sheet music for piano
Speaker 22: lessons in church hymnals. They were not terribly interested in
Speaker 22: popular songs.
Speaker 17: That changed at the end of the nineteenth century went.
Speaker 7: Up so the piano, and I think they say that
Speaker 7: this in this video was the centerpiece of furniture in
Speaker 7: a living room, but eventually the television the radio replaced it.
Speaker 7: So you can see, like traditional wholesome values of singing
Speaker 7: around a piano and singing hymns totally gets commandeered, like
Speaker 7: everything else we're familiar with today.
Speaker 2: Bringing the family together versus having them all in their
Speaker 2: own little individual world, staring.
Speaker 1: At it at a screen right exactly upright.
Speaker 17: Pianos, mass produced and affordably priced, began to appear in
Speaker 17: American middle class living rooms.
Speaker 3: Beautiful, and that was the center of home entertainment.
Speaker 22: Because before the early twentieth century there were no phonographs, obviously,
Speaker 22: no radio, no TV. The only way you could have
Speaker 22: music in your home was to produce it yourself on
Speaker 22: the piano. So family entertainment consisted of people sitting around
Speaker 22: the piano singing popular songs.
Speaker 17: Growing demands spurred some New York City entrepreneurs to hire
Speaker 17: composers and lyricists and start publishing sheet music.
Speaker 21: One thing Tim pinally learned, like all businesses, do something
Speaker 21: say successful, you copy it. You make your own version
Speaker 21: as fast as you can. Something shut up in the news,
Speaker 21: Get a song about it right away. I don't think
Speaker 21: Lindberg would touched the ground before they were singing Lucky Lindy.
Speaker 22: Little girl picks up the telephone after her mother died
Speaker 22: and says, Hello, Central, give me Heaven, that's where mommy is.
Speaker 3: That's a newspaper story. Turn that into a song.
Speaker 21: This is what was in the news, This is what
Speaker 21: people knew about, This is what they want to hear
Speaker 21: a song about.
Speaker 22: I always like to think of almost like an assembly
Speaker 22: line composer.
Speaker 2: Sorry, I said, hey, look that guy that was just
Speaker 2: talking was annoive surprise, surprise that you owned that industry
Speaker 2: before it became a big thing too.
Speaker 1: Ah right, Yeah, the Abbott.
Speaker 22: Working on a melody a lyricists would be working right
Speaker 22: beside him on a lyric, the publisher will be looking
Speaker 22: at over. And when you walked into a department store,
Speaker 22: the first two things you saw with a candy counter
Speaker 22: and the sheet music racks, and they were both delectable.
Speaker 17: But sheet music couldn't sell itself. Someone had to play
Speaker 17: the song. So Tin pan Alley's publishers hired uniquely talented
Speaker 17: salesman called song pluggers to help them make the sale.
Speaker 19: A song plugger is simply somebody who takes a written
Speaker 19: song and essentially auditions it in one form or another
Speaker 19: for potential artists to sing. I started off plugging my
Speaker 19: own songs, so I know something of walking in humbly with.
Speaker 7: Glenn Ballard is one of those songwriters that has written
Speaker 7: for a multitude of famous people.
Speaker 19: Hat in hand with a song under my belt saying here,
Speaker 19: you know, would you like to try this?
Speaker 4: You still go in a room and you know, convincing
Speaker 4: somebody to do that song.
Speaker 7: Diane Warren is the one that has written songs for Aerosmith.
Speaker 3: Oh aren't you.
Speaker 4: Whether it's Al Jolson or Share, you still have to
Speaker 4: sell a song. You still have to be passionate about
Speaker 4: it and convince somebody and say this isn't the right
Speaker 4: song for you, It's a great, great song for you.
Speaker 14: Come on try it out.
Speaker 17: For the late nineteenth century, the Alley's business methods were
Speaker 17: cutting edge, but the music was old fashioned. Sentimental ballads,
Speaker 17: popular since the Revolutionary War were the Alley's Bread and Butter.
Speaker 14: A sentimental ballad was a long, detailed piece of drama.
Speaker 14: It had to tell a story, and it had to
Speaker 14: be a story with some detail.
Speaker 21: It couldn't just be I met the girl, I'm in
Speaker 21: love with her, and I'm going to sing about it. No,
Speaker 21: I met the girl, I lost the girl, the girl
Speaker 21: went away, the girl froze in the winter. I found
Speaker 21: her tombstone six months later. It had to be a complete,
Speaker 21: melodramatic story.
Speaker 17: After the Ball, Tin Pan Alley's first big hit was
Speaker 17: a sentimental ballad published in eighteen ninety two. After the
Speaker 17: Ball was a poignant story of lost love.
Speaker 16: Had this wonderful melody and feeling that after the ball
Speaker 16: and how.
Speaker 2: You the every just about and maybe every person that
Speaker 2: they popped up on the screen that wasn't an actual
Speaker 2: songwriter has been annoy and I just wanted up putting
Speaker 2: that out. But they have to turn a love story
Speaker 2: like only in this only in the mind of annoy
Speaker 2: do they have to make it out to be a
Speaker 2: death or a tragedy or something horrific and traumatic.
Speaker 1: That's that's what sells. No, that's what you're selling. It's not.
Speaker 1: That's what sells. Wholesomeness sells too.
Speaker 2: It's what they're choosing to sell and put down pushed
Speaker 2: on people's floats throats.
Speaker 7: Yeah, and this is what you'll hear even today that
Speaker 7: you know, the movie industry, the music industry sort of
Speaker 7: caters to people's tastes and wishes and wants. But we
Speaker 7: know clearly that that's not the case. Edward Brenees in
Speaker 7: nineteen twenty twenty ro Ow Propaganda said that it's people
Speaker 7: that we've never met that form our tastes and tell
Speaker 7: us what to think. And so yeah, it's it's them
Speaker 7: infiltrating pop music and then uh, determining what values that
Speaker 7: they want to promote, and they just happen to choose
Speaker 7: degenerative ones all the time.
Speaker 2: Right, Yeah, exactly because there's a rude society and they're
Speaker 2: trying to destroy morality even though there's allegedly the ones
Speaker 2: that brought morality to the to the world, of course,
Speaker 2: you know, right, And so I'm how factor in baby
Speaker 2: penis sucking and uh child murder into that or or
Speaker 2: raping a little girl at the flour she's the age
Speaker 2: of three. I'm not sure how how that factors into
Speaker 2: their morality, but you know, yeah, you always have continuity.
Speaker 7: Everybody has a friend that steps over the line. All
Speaker 7: the time. You'll be joking and having fun and one
Speaker 7: one person always has to step over the line. It
Speaker 7: seems like these are those people. So the other thing
Speaker 7: is I just shared on Facebook, uh video of Sarah
Speaker 7: Silverman on the Tonight Show. Now the Tonight Show used
Speaker 7: to be Johnny Carson but now it's seth something or other.
Speaker 7: Used to be Saturday Live Guy. But she's on there
Speaker 7: talking about how every Christmas song that we listened to
Speaker 7: today is written by a jew. Yep uh Rudolph the
Speaker 7: Red Nose Reindeer. I'm dreaming of a white Christmas. I
Speaker 7: saw mommy kissing Santa Claus.
Speaker 1: It is dead actually in that.
Speaker 7: Which is which is a disturbing sort of storyline, right,
Speaker 7: It's implying that your mom in the middle of the
Speaker 7: night was having some sort of flirtatious affair with Santa
Speaker 7: Claus or or it's the Dad, right, Okay, yeah, sure,
Speaker 7: And so all of those songs have replaced ones like
Speaker 7: Silent Night or Oh come ye all ye faithful, these
Speaker 7: Christian based Christmas songs. Now, I'm not saying one way
Speaker 7: or the other. I'm just explaining to you the history
Speaker 7: and showing this shifting of importance, and it coincides with
Speaker 7: everything else at the same time. You can see the
Speaker 7: Tinpanaley Turn of the nineteenth or turn of the twentieth centuries.
Speaker 7: You can see this degenerative program started even before the
Speaker 7: creation of Hollywood.
Speaker 2: Right Like, if you're a bakery and people won't want rye,
Speaker 2: they want wheat, and all you're selling is white bread,
Speaker 2: and that's all they can get anywhere, eventually buy white
Speaker 2: bread because that's what's there, right right, So it's not
Speaker 2: about what people want. You're molding their wants and desires
Speaker 2: and then you're advertising and making the white bread seem
Speaker 2: like it's an amazing thing.
Speaker 7: So that was the role that Burnet's pioneered. They call
Speaker 7: it the Bernesian creation of circumstances, And you can see
Speaker 7: that it is tightly wound with our materialistic urges. That
Speaker 7: is what Buddy says at the beginning. And so you
Speaker 7: can't tell if bikes were sold because of the music
Speaker 7: or the music sold because of the bicycles. And you
Speaker 7: see it the same in car commercials today. You'll see
Speaker 7: a person driving a car down the Pacific Highway and
Speaker 7: the hair on their arms are standing on end, and
Speaker 7: it's about how you feel in this vehicle and how
Speaker 7: you feel when you're driving, and it's accompanied with music
Speaker 7: that helps to accelerate and to emphasize those feelings so
Speaker 7: that in the hope that you get in your car
Speaker 7: or and go buy another one.
Speaker 2: They literally, what I was gonna say, spend so much
Speaker 2: time manipulating. It's like it's treachery all the time. It's
Speaker 2: always a deception no matter what way you look at it.
Speaker 2: You know, advertising marketing is deception, even if you're I mean,
Speaker 2: it's the it's the method that they go about it,
Speaker 2: even if it's you know, like an honest person with
Speaker 2: a business and and a product may tell you all
Speaker 2: the good things about it, but the the psychological manipulation
Speaker 2: when it comes to like molding your your wants to
Speaker 2: have something that you didn't didn't want before.
Speaker 1: That's a whole other thing, you know. And that's that's
Speaker 1: what they spend their.
Speaker 2: Entire, their entire existence on, just constantly trying to deceive
Speaker 2: and manipulate and steer and social engineer and condition people
Speaker 2: all the time. It's constant treachery, it's constant deception. That's
Speaker 2: and it's entire They're devoted their entire, their entire existence
Speaker 2: to that very thing.
Speaker 7: Yep. And it's woven now into the fabric of America.
Speaker 7: When we start talking pop culture, I mean, how many
Speaker 7: of us that are consider ourselves awake still listen to
Speaker 7: our favorite bands, right? I I do a lot less
Speaker 7: of that now, especially the heavier music. I like to
Speaker 7: go to classical music more so now. It keeps me
Speaker 7: calm and keeps me focused. It's more creative atmosphere. I
Speaker 7: immerse myself in with the music that doesn't isn't repetitive.
Speaker 7: So let's song structure has never changed. It's verse chorus,
Speaker 7: verse chorus, solo or bridge, and then an outro. And
Speaker 7: each song is meant to leave you in the exact
Speaker 7: same place you were when you first started hearing it.
Speaker 7: Three minutes or four minutes prior to that, m it's
Speaker 7: it's meant to waste your time, and we're gonna get
Speaker 7: to uh before the end of the show. I want
Speaker 7: to show you one of the greatest modern examples of
Speaker 7: this degenerativeness.
Speaker 2: At least your time, but us and distract you because
Speaker 2: you know, your your mind plit, you know, paints the pictures.
Speaker 2: So you're manifesting these thoughts in your head. So it's
Speaker 2: also it's also occupying space where you may have been
Speaker 2: thinking about something else. Now you're not anymore. Now you're
Speaker 2: thinking about this thing that's great, you know. Did you
Speaker 2: do you mean to take that down?
Speaker 7: Yes? And Michael Jackson talks about how all of these
Speaker 7: songs are mantras that because it gets stuck in your head.
Speaker 7: This is you know, this is something that we've normaliz
Speaker 7: to say. All that song's just stuck in my head. Well,
Speaker 7: it's it's a it's a mind worm. It's got some
Speaker 7: ability to stick in there. And when we start saying
Speaker 7: those same things over and over again, think about going
Speaker 7: off the rails on the crazy train, Like, how many
Speaker 7: times have you actually said that in your mind? Myself?
Speaker 7: I grew up listening to construction rock. So every construction site,
Speaker 7: if you work there for an eight hour day, you're
Speaker 7: probably gonna hear Ozzy Osbourne and some of this music,
Speaker 7: and so it gets stuck in your head, and so
Speaker 7: you're walking around saying those things that aren't conducive to
Speaker 7: success in your mind. So if anybody's ever heard of
Speaker 7: I'm sure you've heard of the band Lit the song
Speaker 7: yeah my Own Worst Enemy yep. So this is what
Speaker 7: I want to show, and.
Speaker 2: It's yeah, in the contrast there between what he's singing
Speaker 2: about and what's happening in the video.
Speaker 7: Yeah, yes, Okay, Now let's if I can get this
Speaker 7: up because it is very important to see how they
Speaker 7: show you all of the fun times. Okay, So now
Speaker 7: I'm going back to the Hedonic calculus. We talked about
Speaker 7: Jeremy Bentham being of good utility utilitarianism and being of
Speaker 7: good utility for the greater good, and so you see
Speaker 7: in the Hordonic calculus, and this is how our modern
Speaker 7: world is shaped. That we we when we are calculating
Speaker 7: our choices in life, we are largely calculating it on
Speaker 7: the amount of pleasure that we're going to gain or
Speaker 7: the diminishing of pain. This is hedonic calculus. It comes
Speaker 7: straight out of Jeremy Bentham's work that we've shown in
Speaker 7: our work. Okay, so what you see in this video
Speaker 7: lit my own worst enemy, and I'll full size it here.
Speaker 7: Do you see it? There is?
Speaker 3: Yes?
Speaker 1: Okay, So, and this thing's going so fast.
Speaker 2: I try to click on one and it was four
Speaker 2: down from the trying to go an oder.
Speaker 1: Yeah it goes.
Speaker 7: So keep in mind here that everything that is negative, right,
Speaker 7: Can we forget about the things I said when I
Speaker 7: was drunk? I didn't mean to call you that, right?
Speaker 7: And he talks about all of the things that happened
Speaker 7: in the middle of the night that he has no
Speaker 7: memory of, while all you're watching is them having fun,
Speaker 7: bowling and picking up girls.
Speaker 1: Yeah, there's no continuity there for sure.
Speaker 7: So much.
Speaker 10: Yeah, let me see.
Speaker 2: Well, I mean even even that song, hey, whatever the
Speaker 2: hell it is. Yeah, that's a really depressing, horrible song,
Speaker 2: but it hung with a with an upbeatness to it, right, yes, yeah,
Speaker 2: and hundred five thousand does stuff like that on purpose,
Speaker 2: just to you know, get people.
Speaker 7: You know.
Speaker 1: Well, it's very layered.
Speaker 7: And I'll tell you this, Daniel, that is a key
Speaker 7: ingredient to proper songwriting in our modern world is that
Speaker 7: you have negative lyrics with a positive beat or a
Speaker 7: positive lyric with a negative beat. This is the contradiction
Speaker 7: that sells records. This is one of the major aspects
Speaker 7: of it. Yeah.
Speaker 2: Yeah, and you you can get right down to the
Speaker 2: tones as well as being an element as to why
Speaker 2: it sticks in your head because these tones have been
Speaker 2: used since they were beating drums at fires around these
Speaker 2: freaking rituals. You know, there's certain tones that operate the
Speaker 2: brain and make it a frenzied or you know, you
Speaker 2: can inspire it to be kind of like taken over
Speaker 2: by an emotion.
Speaker 7: Yeah, and they've perfected it and you're going to experience
Speaker 7: exactly what you just said. When you hear the opening
Speaker 7: guitar riff of this song. It's that's what it does.
Speaker 7: It hooks you. That's why it's called a hookah. Hold on,
Speaker 7: we forget about.
Speaker 2: So there's something going on with either stream yard or
Speaker 2: it's the board itself, but it keeps on like it's
Speaker 2: like listening to a tape that's been worn out. So
Speaker 2: it goes, it goes. It's sinally like you hear it
Speaker 2: perfectly fine. Then it'll dip the audio down then I'll
Speaker 2: come back. I think it stream Yard has its freaking problems.
Speaker 1: I think that might be the biggest issue.
Speaker 2: I don't think it's the board or the processing on it,
Speaker 2: but yeah, you'll hear it like kind of like if
Speaker 2: you're listening to a worn out tape that you've recorded
Speaker 2: over songs multiple times and then it's trying to play
Speaker 2: it after like you know, many years of playing it.
Speaker 1: It kind of has that sound to it.
Speaker 7: Okay, is it worth going forward?
Speaker 6: Yeah?
Speaker 2: Yeah, it is enough. The polka, Yeah, I did mention
Speaker 2: that earlier. Yeah, the four thirty two, two four forty
Speaker 2: is something I replied back with a with a dayne
Speaker 2: about so we'll probably get into that too.
Speaker 1: And the whole Rockefeller scam there.
Speaker 7: It's a key aspect not just for modern day but
Speaker 7: any rulers of our world and over the past thousand years.
Speaker 7: It's frequencies people will, you.
Speaker 1: Know, resonate with it that boom exactly exactly exactly.
Speaker 18: Didn't call you.
Speaker 5: That I can't.
Speaker 18: Play the wind, Jane Wind. It's no surprised me.
Speaker 7: I am in my own sanity because now and then
Speaker 7: I can't believe it's scabby.
Speaker 18: Soom's going with up this sigh?
Speaker 2: No, He's like it looks like he was strumming an
Speaker 2: arraga time. I'm like, you're a singer. If you want
Speaker 2: to to play the fucking you know the thing, if
Speaker 2: you're gonna looks so lame?
Speaker 18: Does play the wind?
Speaker 4: Can?
Speaker 11: Where does.
Speaker 6: Do go?
Speaker 7: Please?
Speaker 18: Don't care where?
Speaker 16: It's so spely.
Speaker 18: I have my own, said Ko cans Ca.
Speaker 7: Didn't get it.
Speaker 1: They were repeating the court now.
Speaker 2: Either right, yeah, yeah, yeah, No, I'm saying, yeah, we
Speaker 2: get it. I mean we got the uh, we got
Speaker 2: the gist of the lyrics and all that.
Speaker 1: So let's see.
Speaker 7: Yes, okay, So give me one second here, So can
Speaker 7: we forget about the things I said when I was drunk.
Speaker 7: I didn't mean to call you that. I can't remember
Speaker 7: what was said or what you threw at me. Please
Speaker 7: tell me.
Speaker 6: So.
Speaker 7: I think we've all been there, hopefully not in your
Speaker 7: thirties and forties and fifties, but in your teen years.
Speaker 7: This played out for me. I was in a rock
Speaker 7: band myself from twenty one twenty two, twenty three, twenty four,
Speaker 7: and we toured all over Western Canada, and this was
Speaker 7: basically every day for us. We would just drink until
Speaker 7: we passed out, and we would pick up the pieces
Speaker 7: in the morning. And I'm pretty sure this is a
Speaker 7: familiar sort of thing in America and in our Western culture.
Speaker 7: So please tell me why my car is in the
Speaker 7: front yard and I'm sleeping with my clothes on. I
Speaker 7: came in through the window last night and you're gone,
Speaker 7: So it's it's his girlfriend has left him because of
Speaker 7: his totally dysfunctional, toxic behavior. Yet he looks at you
Speaker 7: with these eyebrows that makes you want to fall in
Speaker 7: love with the kid, and he's aloof and laughing about
Speaker 7: it all. So it's light. And yet the music itself
Speaker 7: is so much more powerful than people give it credit
Speaker 7: for the hook of that guitar riff and then the
Speaker 7: feel of the song in general. This was one of
Speaker 7: the biggest songs during this time. It was played everywhere
Speaker 7: all the time, and still today I'll hear it in
Speaker 7: between periods in a hockey game or just somewhere out
Speaker 7: you know it.
Speaker 2: It encourages people, but it also, I guess, justifies the
Speaker 2: act of that of the people that are already doing
Speaker 2: it anyway.
Speaker 1: But it's also you know, behavior like, what's the big deal,
Speaker 1: It's not a big deal.
Speaker 7: Come on it, Hell, come on, he's doing it. And
Speaker 7: that is really the way it is. It's because you
Speaker 7: see other people doing it, you do it like this
Speaker 7: this idea that we go to a bar. It's like
Speaker 7: you phone up your buddy and you're like, hey, you
Speaker 7: want to go to the bar and have a beer.
Speaker 7: You know, we used to do all kinds of other things,
Speaker 7: but this seems to be the general, uh place that
Speaker 7: we all centralize and gravitate towards.
Speaker 2: And not a lot of good relationships come out of bars.
Speaker 2: Right now, they were there for a reason in the
Speaker 2: first place. Now, normally that wasn't always the case because
Speaker 2: everybody went there because that's where you found people. But
Speaker 2: there's an element, there's an element there. It's usually a
Speaker 2: dysfunctional element, and then you somehow think that it's going
Speaker 2: to be different once you're in a relationship.
Speaker 6: Yeah.
Speaker 7: My cousin famously used to phone me all the time
Speaker 7: because he valued my opinion and my take on people.
Speaker 7: So he would meet a girl and the first thing
Speaker 7: he'd want to do. He's older than me. He would
Speaker 7: bring his new girlfriend over to have her meet me
Speaker 7: so that he could find out what I thought of her.
Speaker 7: And it got to the point where our huge phone
Speaker 7: me says, hey, cousin, I'm coming over. I got a
Speaker 7: new girlfriend. I want you to meet her. And I'd say,
Speaker 7: where did you meet her? Well, I met her at
Speaker 7: the bar. It's like, okay, I don't need the meter her.
Speaker 7: That's not where you meet women that you want to
Speaker 7: be with the rest of your life, or at least
Speaker 7: you know, it would be a rarity if you did,
Speaker 7: because they're all intoxicated.
Speaker 1: Yeah, for a lot of reasons.
Speaker 2: Yeah, every once in a while, the nice girl gets
Speaker 2: dragged out by her her degenerate friend, so her you know,
Speaker 2: that's happened quite a few times with me, Like yeah,
Speaker 2: I got the knife one out of the bunch, But
Speaker 2: there's there's still an element there because she was dragged out,
Speaker 2: so uh, you know, she's also able to be influenced
Speaker 2: to be dragged out again while you're in the relationship
Speaker 2: and do other fucked up shit.
Speaker 1: So it's not good.
Speaker 7: That's a slippery slope, and it's normalized this thing that
Speaker 7: we do to go out and we get unconscious literally
Speaker 7: because if once I have a beer, there's I don't
Speaker 7: sit down and read books. It's almost impossible for me
Speaker 7: to do that even with one beer, and you know,
Speaker 7: I would.
Speaker 1: Much shit going out of my head.
Speaker 2: There there was usually, you know, the ambitious side of me,
Speaker 2: like the like the million projects that I have in
Speaker 2: the creative aspect of it gets really inflamed. And then
Speaker 2: also the frustration of none of it going anywhere a
Speaker 2: lot of times, having the ideas but not any of
Speaker 2: the way to show people. You know, it's the same
Speaker 2: thing that like being on social media. It's like so
Speaker 2: that frustration then sets it and then the next thing,
Speaker 2: you know, you're throwing shit.
Speaker 1: It went from good to bad.
Speaker 7: So I'm gonna go back to this tin pan alley.
Speaker 7: We'll just keep going down, you know. If there's anything
Speaker 7: you want to stop and talk about, just let me know.
Speaker 1: Okay, oh look frozen Face.
Speaker 16: People love that and the sentimental but in a very
Speaker 16: sweet real way.
Speaker 2: Yeah, it's a very nice and sweet way. And then
Speaker 2: that's the other thing too, the manipulation. Right, the people
Speaker 2: who are the most degenerate sociopaths with absolutely no connection
Speaker 2: to human emotions really know how to to you know,
Speaker 2: recreate that feeling. Even though it's completely insincere with them
Speaker 2: to emotionally drive view which is crazy because that's again
Speaker 2: they had to research that because they're not human in
Speaker 2: the sense of having actual emotions or empathy. But yet
Speaker 2: they study humans or other humans who have that aspect
Speaker 2: in trade or they talk to ones that do, and
Speaker 2: then they just emulate that so that you think it's
Speaker 2: sincere and honest and it isn't. So then you feel,
Speaker 2: you know, if you know that you're you feel duped. Yes,
Speaker 2: Like I just went through this whole emotional experience and
Speaker 2: it was all fucking bullshit.
Speaker 1: Really excuse my language.
Speaker 7: Yeah, And so Theodore Adno a lot of your viewers
Speaker 7: would know that name. He's sort of been linked to
Speaker 7: Tavistock and the Beatles and all of these things that
Speaker 7: I've never been able to confirm. But Theodore aDNA is
Speaker 7: very important in the creation of our uh pop culture.
Speaker 7: You know, he talked about pop music being only of
Speaker 7: like four or five or maybe six different topics. One was, uh,
Speaker 7: you know, he's talking about sentimentality. This is a key part,
Speaker 7: so sentimentality of missing home. So you'll you'll hear a
Speaker 7: lot of songs about coming home, going home, missing.
Speaker 1: Home, Yeah, Milanke, that's all about It's all about the sad, low,
Speaker 1: low vibration state.
Speaker 7: Yeah, there's very very lucky.
Speaker 2: Encouraging because they don't want people to be encouraged because
Speaker 2: then you'll start looking around and be like, why the
Speaker 2: heck am I following this crap? Why am I part
Speaker 2: of this system? You know, they want you to keep
Speaker 2: on the low levels, focus on your personal problems, so
Speaker 2: you don't address the bigger ones.
Speaker 7: Right, and so, uh, long Lost Love is another one.
Speaker 7: And then there's also nonsense songs that we we get
Speaker 7: and that's another category. But they're all and whether you
Speaker 7: are talking genres of country music or hip hop or
Speaker 7: rap or heavy metal thrash metal, they're all basically the same.
Speaker 7: Uh chassis if you will, to a car, and then
Speaker 7: you just put a different model car on that chassis.
Speaker 7: So we're all being influenced by this verse chorus, verse chorus,
Speaker 7: repetitive thing. But it's all done to suit our personal preferences,
Speaker 7: whether we come from Arkansas, or we come from New
Speaker 7: York City or wherever we come from. Inundated with this
Speaker 7: this degenerative the word what was the word that you used?
Speaker 7: I can't remember now but it's all meant to mean
Speaker 7: to keep us from trying to do more in our world.
Speaker 7: So this is where you start to see that everything
Speaker 7: is a lie. Everything that is in our world right
Speaker 7: now works against us to keep us demoralized.
Speaker 1: To keep us easily.
Speaker 2: Yeah, because even when they're they're expressing a good moral value,
Speaker 2: they're doing it to manipulate, right.
Speaker 1: They're not doing it to.
Speaker 2: Sympathize or to bring to a better place. No, they're
Speaker 2: just using that as an emotional steering mechanism. I don't
Speaker 2: want to call it triggered, but more of a steering
Speaker 2: mechanism to lead you down the path that they want
Speaker 2: you to go.
Speaker 7: Yep. And one other thing about that, let my own
Speaker 7: worst enemy is that you don't see all of the
Speaker 7: bad stuff happen. It's all implied. That's a famous Hollywood scam.
Speaker 7: This is how they were able to put degenerative subplots
Speaker 7: and plot lines into movies without showing people having sex
Speaker 7: or so that's some more people getting murdered. It was
Speaker 7: all implied. So you can see it's still going on
Speaker 7: very strong today. That's one of the most well known
Speaker 7: songs of the nineties.
Speaker 2: For sure, and that's all you need to do because
Speaker 2: the mind, when it's engaged in this, is going to
Speaker 2: create the imagery that assumes happened off screen. So you're
Speaker 2: already creating it, and it's actually forcing you to participate
Speaker 2: in that condition manifestation.
Speaker 7: Yes, and it is totally accustomed to you because it's
Speaker 7: you that is coming up with the phantasms and images
Speaker 7: in your head. So you totally relate to this. And
Speaker 7: and so you're going to be probably having memories flood
Speaker 7: through your mind of when you acted the same way.
Speaker 7: And you brought this up earlier that because other people
Speaker 7: are doing it, or because they have popular videos and
Speaker 7: rock stars and people that we admire and follow and
Speaker 7: relate with are doing it, that makes it okay for us.
Speaker 7: And I remember being driven by that.
Speaker 2: Yeah, you personalize the experience. And then you said to yourself, oh,
Speaker 2: so I have to be I have to be successful,
Speaker 2: I have to be famous before I'm allowed to have fun,
Speaker 2: you know, Like now you know.
Speaker 7: And you'll see that this is what attracts people to bands,
Speaker 7: is that they relate with the music. They relate with so.
Speaker 2: They think, but when you find out other people are
Speaker 2: writing the music, crazy because you think that this is
Speaker 2: the artist's expression. So what are they doing just singing?
Speaker 2: I mean, because seriously, like why are other people writing
Speaker 2: their songs? And then so it's not it's a public image.
Speaker 2: It's the image that they portray and then someone else
Speaker 2: filling it in. And why would anyone do that? Why
Speaker 2: would anybody write songs for other people? Because the itself
Speaker 2: owns you, and you're just you're just the marketing tool.
Speaker 2: You're just like you're just a talking head, just like
Speaker 2: the person on TV delivering the news. It's not about
Speaker 2: your own personal beliefs, it's not about your You're just
Speaker 2: there to say the words yeah sous, because people will,
Speaker 2: you know, they like your persona. You're you're just a persona.
Speaker 2: Now you're not real. So everybody gets all involved in
Speaker 2: this music and they're like all amped up and they're
Speaker 2: wearing the shirts. You're getting you're getting corn holed.
Speaker 7: It's happened perfect timing for that Daniel to say all
Speaker 7: of that, because here's the guy that nobody knows about.
Speaker 2: Oh yeah, and now, Dwayne, let me just ask this
Speaker 2: question to you real quick, Dwayne, is there something to
Speaker 2: certain genres maybe kind that use the same chords in
Speaker 2: every song?
Speaker 6: Yep.
Speaker 1: Is there something to the manipulation is but Paul Gay asked, yeah, I.
Speaker 7: Would say, you know, you can you can basically write
Speaker 7: or play any popular song with three or four chords.
Speaker 1: Oh, look at Sandberg.
Speaker 7: Yeah, surprise, right, Max Martin Burn Sandberg. Okay, now, yes,
Speaker 7: there's much to the fourth forty. One thing I want
Speaker 7: to say about that is that on a guitar, if
Speaker 7: and I've done this many times, you can read too. Yeah, yeah,
Speaker 7: you read. You take a little battery powered tuner and
Speaker 7: you can set your parameter so you can go to
Speaker 7: A four forty, which is standard tuning, and it's been
Speaker 7: that way since Rockfeller changed it. Now you can go
Speaker 7: down to what they call the gods frequency, A four
Speaker 7: thirty two. But it is less than an eighth of
Speaker 7: a turn on the guitars on the guitar nut It
Speaker 7: is such a subtle and slight little move. But I
Speaker 7: can tell the difference when I play one song when
Speaker 7: I get wrong and it's and it's four forty, and
Speaker 7: then I tune it the guitar to the A four
Speaker 7: thirty two and then play that same song. It's almost indistinguishable.
Speaker 1: But do you get more buzz like it's a looser string, right,
Speaker 1: so you get more bug when you're plucking. So that's
Speaker 1: a different sense.
Speaker 7: It's a different tense. It's a different, different feel.
Speaker 2: Because I know when you're hitting the when you're hitting
Speaker 2: like when the bass, that happens. But you know, more
Speaker 2: often you'll get that tinmy buzz if you're not, you know,
Speaker 2: sometimes if it's if the string's too loose.
Speaker 1: But obviously that's also a thing.
Speaker 7: When you look at cimatics, right, the sound being thrown
Speaker 7: through sand, I'm sure a lot of people see it
Speaker 7: and it creates patterns.
Speaker 2: Well, that's only the two dimensional that's a three dimensional shape,
Speaker 2: but they're only two dimensional on the plate.
Speaker 7: Oh wow, that's cool. Yeah, four forty shows you took
Speaker 7: completely different geometric shape than four thirty two. So there's
Speaker 7: definitely substance to it. All Throughout history, people have controlled
Speaker 7: others by changing frequencies of orchestras, of instruments. They've mandated
Speaker 7: that you can't play certain instruments with you know, the
Speaker 7: wrong tunings, or you'll get it taken away or worse.
Speaker 7: I'm not sure what happened in the days of the
Speaker 7: feudal system, but it was something that they all used.
Speaker 1: Yeah, and oh man, you just said something that I
Speaker 1: lost it. I was reading.
Speaker 7: Like when when kings take over or new rulers take
Speaker 7: over an area, they will change the frequencies of the
Speaker 7: instruments on purpose to sort of promote a different feel
Speaker 7: within their They're subjugated.
Speaker 2: A little vibration, right, not inspirational, but the negative of that.
Speaker 2: And oh yeah, I was gonna say doctor Monzo actually
Speaker 2: when it comes when it comes to the cimatics in
Speaker 2: the plates, yeah, he'd I think he demonstrated that a
Speaker 2: couple of times when he was on here too. We've
Speaker 2: gone over the cymatics a few times. You know, I've
Speaker 2: familiar with with the sand and stuff like. That's pretty
Speaker 2: cool looking.
Speaker 7: I would love to see the three dimensional model. I've
Speaker 7: only ever seen it on the you know, two dimensional flat.
Speaker 1: Plate, right.
Speaker 2: That that's the statement that they make is because it's
Speaker 2: you know, it's a three dimensional object shape, but which also,
Speaker 2: funny enough, goes right back to that whole ren Fan star,
Speaker 2: right because it's really a two dimensional model. Or when
Speaker 2: you see the the print of the hexagram, it's actually
Speaker 2: a cube like that type of stuff.
Speaker 7: Yeah, right, right, so we can see Carl Martin Sandberg,
Speaker 7: known professionally as Mac Martin, is a Swedish record producer
Speaker 7: and songwriter. He rose the prominence in the late nineties
Speaker 7: with songwriting credits on a string of hit singles like
Speaker 7: Baby One More Time, I wanted it that way, That's
Speaker 7: the way it is, in sincts, It's gonna be me.
Speaker 7: These are all songs that if we heard put them on,
Speaker 7: they would be so familiar to everybody.
Speaker 1: Hey, I still have he Man figures, Masters and universe
Speaker 1: I had. My grandmother was really good to me.
Speaker 2: I got all pretty much everything, vehicles to the castles
Speaker 2: at one time.
Speaker 6: Wow.
Speaker 7: Yeah.
Speaker 1: And then my.
Speaker 2: Stepfather kind of threw a bunch of shit out when
Speaker 2: we moved and didn't tell me. It didn't give me
Speaker 2: an option to check and see what I wanted out
Speaker 2: of it. And then also I was an idiot when
Speaker 2: I was older and thought I was going to get
Speaker 2: a better I don't know why I try to sell
Speaker 2: but eBay kind of my own fault, but I should
Speaker 2: have never even put it up as an offer. I
Speaker 2: still have a couple of things, but now I bought
Speaker 2: the newer one, so silly.
Speaker 7: Yeah, I regret not holding on to all kinds of things.
Speaker 7: I had pretty much all of the Star Wars figures
Speaker 7: in the seventies hockey cards. I had so many Wayne
Speaker 7: Gretzky rookie cards it's not even funny. Uh So shake
Speaker 7: it off by Taylor Swift.
Speaker 1: Tailor made by the Earth Swift. Yeah, my daughter sings
Speaker 1: that song and I didn't like that.
Speaker 7: I kissed a Girl and I liked it. Should be
Speaker 7: the subtitle because that's what she says. Listen to me,
Speaker 7: roar roon five one more night. So this guy has
Speaker 7: the primary songwriting credits.
Speaker 1: He's the one that's who wrote that I kissed a
Speaker 1: Girl and I liked it. Yeah, he's a lot I
Speaker 1: gave from him, but you.
Speaker 7: Know, right, but he's never mentioned. So he's worked with
Speaker 7: all kinds. You can see he's worked. Next, he's hip hop.
Speaker 2: Yeah, he's a product of the of the of the
Speaker 2: of the what do you call it, the record label.
Speaker 2: So that's part of his job. His job is to
Speaker 2: make the other guys who don't have any talent look good.
Speaker 7: What he is is what they said in the Tin
Speaker 7: Pan Alley video of Plugger. He's a song plugger. He's
Speaker 7: taking these songs and finding the proper. Actually he's he's
Speaker 7: kind of like this. Why he's so huge is because
Speaker 7: he is creative. He's writing these songs, but he's also
Speaker 7: the song plugger. He is looking and writing for specific people.
Speaker 7: And this is this goes way deeper than most people understand.
Speaker 7: This crosses all genres. So I invite people to look
Speaker 7: into the Wrecking Crew in Los Angeles. Almost every single
Speaker 7: hit song that came out of there, it is people
Speaker 7: in suit and bow ties that are writing these songs
Speaker 7: and playing the instruments. It's not actually, you know Nicky
Speaker 7: six and Tommy Lee from Motley Cruel. Though those guys
Speaker 7: do play a lot of their own, there is a
Speaker 7: lot that is done by people you've never met.
Speaker 1: Yeah, and some of the.
Speaker 7: Yeah, it's like Michael Jackson's Thriller is basically written by Toto.
Speaker 7: You'd think it was a bunch of black artists, and
Speaker 7: that is happening when they write Thriller with Quincy Jones.
Speaker 7: But Toto, the Pacerro Brothers, Steve Lucather, you know, uh,
Speaker 7: these are the guys that are are writing the famous
Speaker 7: songs and and doing and so Steve Lucather's close friends
Speaker 7: with Eddie Van Halen. This is when Eddie van Halen
Speaker 7: does the the solo for beat It, Yeah, and it
Speaker 7: becomes a total social phenomenon. He didn't where Eddie van
Speaker 7: Haalen gets put into superstardom.
Speaker 1: Yeah, he did. He he had an issue with Michael
Speaker 1: for some reason. They had it falling out. It's the
Speaker 1: same thing with that same thing.
Speaker 2: Well, I know why, Paul McCartney, because because Michael went
Speaker 2: and bought all the rights to their songs.
Speaker 1: That's why they had falling out.
Speaker 7: But the one and this is a great point too.
Speaker 7: I'm glad you brought up McCartney because it reminds me
Speaker 7: that it's all about crossover. So Quincy Jones was all
Speaker 7: about crossover artists, artists that appealed to one market, like
Speaker 7: Michael Jackson to the black market, but they wanted him
Speaker 7: to cross over into the white market. And this is
Speaker 7: what Thriller did. And so this is another one of
Speaker 7: the things. You can see all of the music, just
Speaker 7: like we look at the food industry or the movie industry,
Speaker 7: all being owned by five or six corporations, they are
Speaker 7: boiling all music down into world music. So you can
Speaker 7: see there's key additions throughout history seventies, eighties and into
Speaker 7: the nineties where they're and the Beatles did this famously
Speaker 7: where they introduced Eastern Hinduism into their music by introducing
Speaker 7: a star. This was George Harrison. So it's this move
Speaker 7: towards world music and the crossover artist was the.
Speaker 1: Key that wasn't just straight to acid doing that. There
Speaker 1: was a manipulation be.
Speaker 7: The Beatles were deeply manipulated. And some people say by
Speaker 7: Theodore d'no and this disinterested clinician. I would say there
Speaker 7: is definitely something to that. I just I've never been
Speaker 7: able to substantiate or doorno being with the Beatles, I'm
Speaker 7: not sure if you ever.
Speaker 1: I mean, that's that's a straight connection.
Speaker 7: Yeah. Tavistok is just down the road. And when you
Speaker 7: start hearing some of the stories of how John Lennon
Speaker 7: wrote songs and Paul McCartney came about songs, you know
Speaker 7: there's even they are being assisted and aided by others
Speaker 7: that are you know, song crafters, people with experience and
Speaker 7: how to do it. And uh so this actually he
Speaker 7: he incorporates like Shakespearean rules of grammar and and uh communication.
Speaker 7: So even a song like Britney Spears Baby One More
Speaker 7: Time actually has some extreme sophistication to it, even though
Speaker 7: we think it's just a bubblegum pop song that she
Speaker 7: wrote in the basement or something. No, there is substance
Speaker 7: to this. It's like the daft punk song.
Speaker 2: You gotta also take into consideration that people that were
Speaker 2: products of of Disney are being assisted in their careers.
Speaker 1: Yes, have it.
Speaker 2: They have a team, they have they have producers. They
Speaker 2: just need to get them to sing and queue and
Speaker 2: the rest of they do.
Speaker 7: Great point, Daniel, because what happens to all of these
Speaker 7: musketeers They turn into sluts and horrors and and players.
Speaker 1: If they're man, they want to turn your children into Yes, yeah.
Speaker 7: Because then your children go to the bar thinking that
Speaker 7: they're going to find their husband or wife. So you
Speaker 7: can see that Breaking Apartment has written or co written
Speaker 7: twenty seven Billboard Hot one hundred number one singles singles,
Speaker 7: twenty five of which he has produced and co produced.
Speaker 7: So he's not just writing, he's producing. And so now
Speaker 7: you're talking about engineering. And when you get into the engineering, yeah,
Speaker 7: even when you get into the grunch bands, into the
Speaker 7: eighties hair bands, uh bands.
Speaker 2: Sound that's a big one because you have all the
Speaker 2: tones in the bass and all that stuff. That bassis
Speaker 2: got a darkness to it. It's more that beating of
Speaker 2: the drum thing like I was talking about Run the Fire.
Speaker 6: Yes, there's that.
Speaker 1: There's that darkness too, makes makes you want to do
Speaker 1: bad stuff, you know, it's kind of you.
Speaker 7: Know, grunge is all of those bands are influenced by
Speaker 7: two main ones, Black Sabbath and led Zeppelin. And what
Speaker 7: is Black Sabbath mostly known for, but the triad down
Speaker 7: down like a real brutal, imposing, dark D tuned. Okay,
Speaker 7: all of this music is D tuned, so it's it's
Speaker 7: a standard guitar is e a d G B E
Speaker 7: at a four forty, but they take that the thick
Speaker 7: string the low e and they drop it a full
Speaker 7: step down to a D and that's where you get
Speaker 7: that melodic undertone that is imposing. And and you know,
Speaker 7: bands like Kiss used it, but most famously Black Sabbath,
Speaker 7: led Zeppelin, Deep Purple, all of those bands started using it.
Speaker 7: And and so the grunge, Nirvana, Sound Garden, Allis and Chains,
Speaker 7: they're all using this. I've proven it because I've gone
Speaker 7: in and learned these songs on guitar and you've had
Speaker 7: to downtune them to the proper tunings, and so yeah,
Speaker 7: it's all degenerative. And you'll see great examples in the
Speaker 7: grunge where it's like positive like we talked about earlier,
Speaker 7: the lyrics will all be positive, but the music is
Speaker 7: really demeaning and dark. Like say Hello to Heaven by
Speaker 7: Temple of the Dog, written by all of the founders
Speaker 7: of Pearl Jam and Soundgarden was saying goodbye to Anthony
Speaker 7: Wood from Mother Lovebone just at the beginning of the
Speaker 7: Seattle Sound coming into prominence. And so that is the
Speaker 7: music that I really loved. Yet now in my fifties,
Speaker 7: I'm starting to see that, Yeah, it wasn't necessarily the
Speaker 7: guys from Soundgarden and Pearl Jam deliberately going out and
Speaker 7: demoralizing America. No, these were the intelligent creatives these as
Speaker 7: were Cohurst. You can see that Pearl Jam actually was
Speaker 7: went after Ticketmaster like Metallica did.
Speaker 2: Yeah, but also there so freaking ultra liberal when it
Speaker 2: comes to what they would promote, Like He's had the
Speaker 2: stupid T shirt on Saturday Night Live with the open
Speaker 2: coat hanker, which is an abortion symbol.
Speaker 1: It's like he's a piece of piece of shit.
Speaker 2: And then he also helps u Vetter also helped get
Speaker 2: the West Bemfist three out. You know what I mean
Speaker 2: that the child murders, the ritual Satanic child murders, regardless
Speaker 2: if he's told to you, and put his face on
Speaker 2: it to influence people who are not He's involved.
Speaker 1: He did it, you know.
Speaker 7: Yeah. And Lane Staley and Alison Chains is one of
Speaker 7: the greatest bands for this and and they are one
Speaker 7: of my favorite bands of all time. Lane Staley is
Speaker 7: probably my favorite singer.
Speaker 1: He's just but this again appealing. I was living in
Speaker 1: Seattle when he died.
Speaker 7: Really yeah, wow, you know that was when I was
Speaker 7: in a band in the nineties early nineties. When Alison
Speaker 7: Chains and all this broke, we were in Vancouver trying
Speaker 7: to make it work too, and so a lot of
Speaker 7: guys came up to Vancouver from that Seattle sound and
Speaker 7: I met guys that knew Alison Chains, and you know,
Speaker 7: it was all a major thing. We all changed how
Speaker 7: we were dressing, we changed how we were tuning our guitars,
Speaker 7: we changed everything to be more with this new more
Speaker 7: popular rendition of rock and roll. So Max Martin so
Speaker 7: oh yeah.
Speaker 2: So one other thing I was gonna say is, so
Speaker 2: let's just say you're a band, like you have a
Speaker 2: George Harrison.
Speaker 1: In your band, that type of thing, like if you
Speaker 1: if you're like the Beatles and.
Speaker 2: Somebody is writing your your poppy, catchy you know, lyrics
Speaker 2: or whatever, there's still an element of the musician there.
Speaker 2: I mean, maybe I don't think people you know, grabbed
Speaker 2: George's riffs and gave him to him. I think he like,
Speaker 2: uh and I love you done dun dune do Like.
Speaker 2: I don't think somebody else did that, you know. But
Speaker 2: here's the thing that makes me that that also if
Speaker 2: that's the only thing that they're contributing, though, is the
Speaker 2: is the what do you call it, the soundtrack to
Speaker 2: the lyrics that somebody else is produced is producing. And
Speaker 2: that's not always true either, because they get full songs
Speaker 2: from these studio bands. You know, Garbage was a freaking
Speaker 2: corporate band that was doing that for other people, and
Speaker 2: then they became their own. It's yeah, which and aptly
Speaker 2: named Garbage.
Speaker 7: But uh, well the drummer was the guy that produced
Speaker 7: the new Venta album.
Speaker 2: Yeah yeah, So, but I mean, when you're just a
Speaker 2: freaking singer, and you don't have you don't have any
Speaker 2: other musical talents.
Speaker 1: What the hell are you besides an image? You're just
Speaker 1: an image, you know.
Speaker 2: You know when they sing live, lots of times it's
Speaker 2: lip syncing because they're not good.
Speaker 1: They're just the image they're They're there to dance with
Speaker 1: scantily clad clothing, you know, and and and and press
Speaker 1: upon your young children this horrible, degenerated image. And that's all.
Speaker 1: Like I'm thinking tell a Swifts when I'm saying this,
Speaker 1: But there is millions of people that do this. You know,
Speaker 1: they don't even they don't even sing their own shittio.
Speaker 1: It's very very produced in studio, and studio is not reality,
Speaker 1: just as anybody who's there been a Green Day concert
Speaker 1: and they're like, yeah, I wish I bashed my head
Speaker 1: against the wall instead of listening to them live.
Speaker 7: Right, So what is what is the mantra that's repeated
Speaker 7: when you think of garbage. I'm only happy when it
Speaker 7: rains stupid girl, right, these are the two main songs
Speaker 7: that I.
Speaker 1: Remember Stupid Girl, negative thoughts.
Speaker 7: I'm only happy when.
Speaker 1: It's the only thing they're selling.
Speaker 7: Yeah, and so it's a positive forward, aggressive riff, but
Speaker 7: it's very negative in its connotations and its implications. So
Speaker 7: I just want to introduce you also to Diane Warrant.
Speaker 7: She's probably known in some of your viewers more so
Speaker 7: than Max Martin. Okay, so, uh, Diane Eve Warren. That
Speaker 7: seems to be her real born name.
Speaker 1: She's part of the Warren Commission.
Speaker 4: Just kidding.
Speaker 7: Yeah, I just made a connection to George Martin was
Speaker 7: the manager for the Beatles or the engineer, and we
Speaker 7: just went over Max Martin. I don't think there's a connection.
Speaker 7: There may not be, yeah, right, right, right right? And
Speaker 7: and then I wonder why was his name? Was Martin
Speaker 7: in his name? Yes, his middle name is Martin, so
Speaker 7: that's why. Okay. So Diane Warren I saw her on
Speaker 7: OPRAH in the nineties and she was talking about how
Speaker 7: many artists she's written songs for, and they got into
Speaker 7: a smith I don't want to miss a thing. And
Speaker 7: this song was written by Diane Warren about her father.
Speaker 7: But then is actually sung by Aerosmith as a love
Speaker 7: song or is it? Perhaps?
Speaker 1: But no, I think it's another relationship between Liv Tyler
Speaker 1: and yes, and uh, what do you call it? Liv
Speaker 1: Tyler and John Tyler, Bruce Willis in the movie right,
Speaker 1: because I was a mother died.
Speaker 15: Yes.
Speaker 7: Yeah, So you can see where they almost like a vaccine.
Speaker 7: They can use it over here for this, but they
Speaker 7: can then cross advertise it for some other symptom. Well,
Speaker 7: they're doing that here. It was actually written by Diane
Speaker 7: Warren in memories of her father. But they're like, well,
Speaker 7: the lyrics were to use it this way as a
Speaker 7: I guess it works exactly right in this context.
Speaker 11: Right.
Speaker 7: It's just weird that at the same time, Steven Tyler
Speaker 7: is the lead singer of Aerosmith, while it's his daughter
Speaker 7: playing the lead role in Armaged. So this is where
Speaker 7: it just kind of gets a little bit messed up,
Speaker 7: kind of like brand I is marrying his second cousin
Speaker 7: just right on the precipice here.
Speaker 1: You know, it's just attractive daughters.
Speaker 2: I don't know how that works, but I've noticed this
Speaker 2: a lot, like John Voight look at hey, you know
Speaker 2: Steven Tyler with his freaking frog face, you know, and
Speaker 2: it's it's like, yeah, it's probably because it's probably because
Speaker 2: they're banging supermodels.
Speaker 1: I'm guessing that's probably what it is.
Speaker 7: Right, So you can see that she's got all kinds
Speaker 7: of number one hits, songs that you'd remember, songs that
Speaker 7: you've heard, and she's one of the more famous ones.
Speaker 7: But you know, uh, Max Martin, her and this other
Speaker 7: guy from the Tin Pan Alley are kind of the
Speaker 7: three main guys that I've three main songwriters that I
Speaker 7: see that the music industry has been using to then
Speaker 7: take like there the real intelligent creatives. Except mac Martin
Speaker 7: has been able to like parlay that into a career
Speaker 7: as an engineer in the studio, not just a songwriter.
Speaker 7: So when I was in a band, it was, you know,
Speaker 7: one of the toughest things to find was somebody that
Speaker 7: was a good guitar player and could write songs. This
Speaker 7: is a rarity in our world. This somebody that can
Speaker 7: write a catchy song and play it back to you
Speaker 7: is an intelligent creative beyond category in in my estimate,
Speaker 7: because I realize and I've attempted to try to write songs,
Speaker 7: and it is difficult to be able to come up
Speaker 7: with something that you like and enjoy, that resonates with people,
Speaker 7: that makes sense and serves a purpose. It's difficult, and
Speaker 7: so you know, these people just are born it because
Speaker 7: when you're around people like I was that just come
Speaker 7: up with songs out of the blue, it's incredible.
Speaker 1: To watch just the lyrics you mean, or the.
Speaker 7: I've been around songwriter's.
Speaker 2: Write the poetry pretty quickly. If it's if it's inspired
Speaker 2: like that, I can do that. But as far as
Speaker 2: like the you know, how do I want it to sounds,
Speaker 2: that's someone else's thing.
Speaker 7: Yes, I remember distinctly in the nineties being with a
Speaker 7: buddy named Aaron who was the lead lead singer, and
Speaker 7: I would go home after a rehearsal, come back the
Speaker 7: next day or two days later, and he'd have two
Speaker 7: more songs written that made me bounce around the room.
Speaker 7: I was just like, wow, are those ever good? How
Speaker 7: did you do that? And he's like, I don't know.
Speaker 7: I just sat here and smoked a cigarette and came
Speaker 7: up with some stuff. And it's like, do you understand
Speaker 7: how talented that is. It's it's a really an amazing accomplishment.
Speaker 7: You should be proud of yourself to do that, because
Speaker 7: many of us out here are struggling to do what
Speaker 7: you just amazingly did in twenty four hours. And so
Speaker 7: those people are the ones that are identified much like
Speaker 7: in school. Just like the education systems, the filter systems
Speaker 7: see the ones they call the best and brightest are
Speaker 7: the ones that regirch, date and repeat the best, and
Speaker 7: then they put those into managerial positions into society. It's
Speaker 7: the same thing here. They identify the money to do it.
Speaker 2: They don't want, they don't want anybody with who's free
Speaker 2: thinking in any position to make decisions. People who need
Speaker 2: it a manual, a manual or digital manual to go
Speaker 2: off of directly and have absolutely no discernment or human
Speaker 2: qualities whatsoever.
Speaker 7: Right, So I don't know what time we got for nine? Yeah,
Speaker 7: you want to keep going, or you got somewhere.
Speaker 1: To be, Uh, you go ahead for like a I
Speaker 1: don't know, like ten to fifteen more minutes, and then
Speaker 1: I got to jump up.
Speaker 7: Okay, So I'm going to just keep playing this tin
Speaker 7: pan alley because it's important to understand where all of
Speaker 7: this comes from so that you can relate it back
Speaker 7: to a time before or even Hollywood.
Speaker 2: And and you know, David Geffen, I gotta get it
Speaker 2: for something, well for just a moment. So when you
Speaker 2: put it up on the screen, I'm just gonna put
Speaker 2: it full screen until it back, so it's not.
Speaker 1: Just an empty chair.
Speaker 7: Floor. Here we go.
Speaker 1: It goes all right, go for it, and you could
Speaker 1: obviously you'll still be able to be heard if you
Speaker 1: know you're at the screen.
Speaker 4: You know, I love songs on door. People are always
Speaker 4: gonna fall in love in two thousand and seven, eighteen ninety.
Speaker 3: I mean, that doesn't change, that doesn't change.
Speaker 1: That's the same girl, You're just.
Speaker 11: Four.
Speaker 17: Tin pan Alley hits sold in the tens of thousands.
Speaker 17: After the ball sold more than five million copies, and
Speaker 17: it earned the songs.
Speaker 1: Writer Charles K.
Speaker 17: Harris of Fortune. His office sign became tin pan Alley's
Speaker 17: mantra songs written to order. Around the turn of the
Speaker 17: twentieth century, Harris and his competitors moved into a block
Speaker 17: of undistinguished brownstones on a side street in Lower Manhattan.
Speaker 21: People assumed that there was no tin panel It was
Speaker 21: just a reference. They didn't realize there was a tinpanelle.
Speaker 21: There was a place that was the heart of the
Speaker 21: music business.
Speaker 22: If you can imagine a street where almost all the
Speaker 22: buildings are music publishing offices, and in those offices were
Speaker 22: tiny little cubicles, an.
Speaker 21: Upright piano, a cheap one crammed in a room, banging
Speaker 21: away all day long, different songs.
Speaker 22: Lan Monroe k Rosenfeld was doing a story on this
Speaker 22: incredible new thriving industry, the popular music business. He was
Speaker 22: up on West twenty eighth Street listening to this cacophone
Speaker 22: of tiny piano sounds coming out of the windows and
Speaker 22: compared it to the clanging of tin pans.
Speaker 14: So it was nickname tinpan Alley. Once it got into
Speaker 14: the newspaper that way, it stuck.
Speaker 17: Soon Tinpan Alley was credited with popularizing a dynamic new sound,
Speaker 17: rag time, and it was.
Speaker 10: Very exciting music. It had a great streak sound through it.
Speaker 7: Very much like rock and roll has, at least rock
Speaker 7: and roll had in the beginning.
Speaker 19: To me, ragtime was the beginning of this huge evolution
Speaker 19: of American music. It's heavily influenced from a part of
Speaker 19: the world that I'm from, the American South, with this
Speaker 19: sort of left hand stride piano technique which one could
Speaker 19: hear in New Orleans probably in the eighteen sixties and
Speaker 19: eighteen seventies, and it has a huge African American influence.
Speaker 19: Is a rhythmic influence that's not available to a lot
Speaker 19: of Western music up to that point.
Speaker 21: The music itself ragged the notes, which is the expression
Speaker 21: of rag team came from it took the note and
Speaker 21: you bent it. You have slung it over here a
Speaker 21: little bit.
Speaker 3: You came back.
Speaker 21: Rag Time fooled around with music, but it also fooled
Speaker 21: around with words, and it used all the slang, the
Speaker 21: latest slang that you can have. It made up words,
Speaker 21: and people just loved it. You get hello my baby
Speaker 21: instead of you know, your dearest heart.
Speaker 18: If you refuse me, honey, you lose me.
Speaker 22: Then you just want a little short verse that says
Speaker 22: I got a telephone and now I'm going to use
Speaker 22: it too, and go into the course.
Speaker 3: Hello my baby, Hello my honey, Hello my Ragtime gal.
Speaker 7: Send me a kiss by why Okay, So now you
Speaker 7: can take this is at the turn of the twentieth century.
Speaker 7: Tinpanale Ragtime that evolves through the Brill Building. Tinpanale actually
Speaker 7: moves into Upper New York, and we're gonna touch on
Speaker 7: that in the next ten minutes here before.
Speaker 6: We got to go.
Speaker 7: And leads to sixties music in the Wall of Sound,
Speaker 7: And what I was gonna say there actually is that
Speaker 7: we're all familiar with Metallica, in the eighties and nineties
Speaker 7: and the Black Album. Many Metallica fans point to this
Speaker 7: is the moment that Metallica has sold out. And this
Speaker 7: is really what happened, is that Metallica was doing their
Speaker 7: own thing. They were writing eleven and a half minute songs,
Speaker 7: twelve minute songs, and they they were corralled. This thrash
Speaker 7: metal movement of San Francisco included except Slayer, Metallica, and Megadeath.
Speaker 7: Those were the big four and so you can see
Speaker 7: that they've all been corralled. Now there you know, Dave
Speaker 7: Mustaine is still touring with Megadeaths, and Metallica is one
Speaker 7: of the biggest bands of all time, still touring or
Speaker 7: just got off of one of their biggest world tours
Speaker 7: I've ever seen. And what did they do to Metallica?
Speaker 7: But they titled them with Bob Rock. They sent them
Speaker 7: to Vancouver to work at Little Mountain Sound and crafted
Speaker 7: all of their music into three and a half four
Speaker 7: minute songs. This is where we get Metallica's biggest music ever.
Speaker 7: And it's the same same record companies, publishing houses that
Speaker 7: existed during Tinpanaley and the brill building eras that were
Speaker 7: controlling Metallica, Slayer and these other bands to get them
Speaker 7: into radio friendly size three and a half minute pop songs, so.
Speaker 22: That the chorus becomes this exuberant, lyrical, very rhythmic expression
Speaker 22: which sounds fresh and dynamic, like a new century, like
Speaker 22: a new central.
Speaker 17: Scott Joplin, one of several African American composers on Tinpanelley,
Speaker 17: became known as the King of Ragtime. He went on
Speaker 17: to write nearly forty rags. Maple Leaf Rag was his
Speaker 17: most popular.
Speaker 7: Okay, so I'm gonna stop this video here, but definitely
Speaker 7: everybody continue to watch this, watch this till the end
Speaker 7: because it does get into the evolution of this into
Speaker 7: the later years. But what I want to do here
Speaker 7: before we got to go is show you where it
Speaker 7: evolved next. Okay, So after Tinpanale, they move it up
Speaker 7: into Upper New York, which is what I just stated,
Speaker 7: and it's centralized in this place called the Brill Building.
Speaker 1: I was big into the hardcore scene in upstate New York.
Speaker 1: Hardcore punk, uh no, just like thrash metal, Oh yeah yeah.
Speaker 7: And I would say that all of that.
Speaker 1: When it was there, But it wasn't like there was
Speaker 1: a band called the vultures that I liked. There were.
Speaker 15: Yeah.
Speaker 1: I worked at McDonald's with most of the crew of
Speaker 1: the of the band No Way. Yeah, so I went
Speaker 1: to a lot of concerts, obviously, I went to a
Speaker 1: lot of concerts back.
Speaker 7: In the day. Right, And so you can see the
Speaker 7: Brill Building still exists. It's an office building sixteen nineteen Broadway,
Speaker 7: forty ninth Street. It's actually, oh no it's not. It's
Speaker 7: quite a ways from the AGS Building, but it is
Speaker 7: on Broadway, so it's in Manhattan.
Speaker 1: Therill Building, Brill. That's that's I know, I know Brill,
Speaker 1: but oh that was that was for Polka out there, the.
Speaker 7: Rill Society, right, yep.
Speaker 3: Completely.
Speaker 7: It starts with big band era World War two. So
Speaker 7: we're talking thirties forties. This is coming out of the
Speaker 7: booming twenties and the ragged that we were listening to,
Speaker 7: and it starts to evolve into other things. We see
Speaker 7: Glenn Miller orchestras, Benny Goodman orchestras are now the thing.
Speaker 7: Rather than just a single entertainer singing one song, you've
Speaker 7: got an entire orchestra. The Brial Building sound.
Speaker 1: I'd like big band, Big band was good stuff. Yeah,
Speaker 1: I like it too, like cocaine, cocaine field jazz.
Speaker 6: Like.
Speaker 7: All of those guys were on heroin, felonious Monk, you know,
Speaker 7: Ray Charles. They were all being totally just like they
Speaker 7: did to to Jim Morrison in the sixties counterculture and
Speaker 7: got them all addicted to drugs. You see the same
Speaker 7: thing happening with all the black artists back in that day.
Speaker 1: Yeah, Morrison was a product of naval intelligence, sure, dad too. Yeah, no, no, no, no, no,
Speaker 1: uh mystical uh oh, I just grassrooted myself into the doors.
Speaker 1: No no, no, that was put together just like something
Speaker 1: else was in in California at the time.
Speaker 6: Right.
Speaker 7: So you see who's here, you know, Dion Warwick. You
Speaker 7: can when you look here, you can start to see
Speaker 7: the genre of music. Liza Minelli and the key name
Speaker 7: here being Phil Spector. Yes, okay, so Phil Spector, he's
Speaker 7: the guy that creates the wall of sound, and he's
Speaker 7: working in Los Angeles with the Wrecking Crew, this group
Speaker 7: that I told you about earlier that aren't famous at all,
Speaker 7: that wear bow ties when they show up, and they're
Speaker 7: very technical, efficient musicians. They are studio musicians, and Phil
Speaker 7: Spector uses them works with the Beach Boys because Brian
Speaker 7: Wilson was one of these intelligent creatives, but they coerce
Speaker 7: him too, And a lot of the things that actually
Speaker 7: end up happening to the Beach Boys are because of
Speaker 7: this degenerative process that they got involved with. You see
Speaker 7: the Charles Manson starts showing up up and then everything
Speaker 7: of course that comes out of the sixties counterculture. There's
Speaker 7: Phil Spector and he's there. Isn't he involved with the
Speaker 7: murder of Sharon Tate?
Speaker 2: Like he's he's hold on it was it was Keith
Speaker 2: Moon who ran over his own chauffeur or something like that.
Speaker 1: Then he died. But yes, Bill Spector was on trial
Speaker 1: for some other type of murder, wasn't he Did he
Speaker 1: kill somebody too? I thought he was maybe I can't
Speaker 1: remember now, but more recently when when he looks even
Speaker 1: more freakish with his blown out haired Right.
Speaker 7: So the most important thing to understand here before we go,
Speaker 7: and my battery on my computer is actually dying. So
Speaker 7: I don't know how much longer I got, but I
Speaker 7: want to make this point that Phil Spector creates the
Speaker 7: wall of sound. Uh, he's working with all of these
Speaker 7: studio musicians out of Los Angeles writing all these songs
Speaker 7: that we love that we think are written by somebody
Speaker 7: else that aren't. Now that happens. There's there's the Muscle Shoals.
Speaker 7: So this is where Lynyrd Skynyrd is from. This Muscle
Speaker 7: Shoals studio does the same thing. R and B and Detroit,
Speaker 7: they have the same thing as the Wrecking Crew. They're
Speaker 7: just a bunch of artists that play a certain genre.
Speaker 7: And so anytime a musician comes in these intelligent creatives
Speaker 7: that have ideas that are workable and usable, but hasn't
Speaker 7: completed his thoughts and it hasn't been able to find
Speaker 7: finishing like to be able to finish his work. This
Speaker 7: is where they call in these professionals and they'll finish
Speaker 7: engineering the song. They'll even add lyrics, they'll change the
Speaker 7: direction of the song or the album entirely. We see
Speaker 7: that with Soundgarden.
Speaker 1: And then they rob the artist.
Speaker 7: And then this is a great point that in the
Speaker 7: end the artist is often left with nothing, just like then,
Speaker 7: nothing has changed. So the final point I also want
Speaker 7: to make here is that Phil Spectra makes this wall
Speaker 7: of sound and this turns into you know, live performances
Speaker 7: The Grateful Dead and als Lee Stanley Ousley or The Bear.
Speaker 7: He's the sound guy engineer for The Grateful Dead. He's
Speaker 7: hanging out with the father of Courtney Love, which.
Speaker 2: Strange because she is totally a product of the military
Speaker 2: intelligence operators.
Speaker 7: Absolutely she is, and and what is what's what happens
Speaker 7: with hers? Kurt Cobain's murdered and she tries to distroll
Speaker 7: all the songwriting credits. We see this even with Sound Garden,
Speaker 7: we see you know, Yoko, Oh no, we see that
Speaker 7: there are these strange.
Speaker 2: Under that she got all sex over sexed as a
Speaker 2: young child, and you know, passed around and got into
Speaker 2: the drugs because her dad was appalled by it when
Speaker 2: he found out with Courtney.
Speaker 1: Really, yeah, at least that's how the story goes.
Speaker 7: Yeah, well you can see where that all led. And
Speaker 7: you can see that here he's using a de facto
Speaker 7: house band they call the Wrecking Crew. So can I
Speaker 7: click on that, you'll see the Wrecking Crew.
Speaker 1: Let's see. Did you click it already?
Speaker 7: Yeah?
Speaker 1: No, I didn't you. Oh yeah, there's it is?
Speaker 7: So yeah? Oh yeah, sweet sweet. So that's it right there.
Speaker 7: I invite everybody to go and read The Wrecking Crew
Speaker 7: and look at the music that they wrote, and so
Speaker 7: here they are. These are people that that steer our tastes,
Speaker 7: that our thoughts, that we've never met, and famous musicians
Speaker 7: inside the field of music, but not outside in the
Speaker 7: in the world of pop culture that we're familiar with
Speaker 7: and that we engage with. Nobody here is known.
Speaker 2: Right, Yeah, and that's uh, it's always funny to think
Speaker 2: that you know, the minstrels behind the music, the musicians
Speaker 2: doing all the work yep, and all the ideas like
Speaker 2: a little like a little uh, you know, brain trust,
Speaker 2: a little a little brainstorming factor, a little you know.
Speaker 2: It's almost as if the people who actually have all
Speaker 2: the talent have a shackle underleags, you know.
Speaker 7: Yeah, absolutely, because they're they're within a construct of the
Speaker 7: song verse chorus, verse, chorus. And there's even if you're metallical,
Speaker 7: like I said earlier, there's no uh, deviating from the plan.
Speaker 7: If you want to be famous, you have to make
Speaker 7: the deal with the devil and formulate all of your
Speaker 7: songs into a systematic, systematized, standardized formula that Theodor Adorno
Speaker 7: said has to be slightly unnatural, but not so unnatural,
Speaker 7: that it's uncomfortable. So this is the formula that you
Speaker 7: hear musicians talk about. Like Chad Kroger from Nickelback. He says, Yeah,
Speaker 7: I was able to write songs because I figured the
Speaker 7: formula out. That's it. So wallup sound here, uh again, wall.
Speaker 3: Of sound helps them.
Speaker 2: They promote particular people. So regardless if you got anything
Speaker 2: right or not, if it's pouring out of every fucking
Speaker 2: radio station, it's going to become popular.
Speaker 7: Yes, you know what I mean.
Speaker 1: It's like it's the exposure that makes make somebody something.
Speaker 1: Because I can tell you there's a lot of talentless
Speaker 1: people out there that are multi multi millionaires because they
Speaker 1: were created, they were promoted, they were showing everywhere, and
Speaker 1: that's what you know. If that's all you're fed, that's
Speaker 1: what you eat.
Speaker 7: The crazy thing, Daniel, is that the untalented ones are
Speaker 7: usually the ones out front and the face of whatever
Speaker 7: it is. You know, like Katy Perry, she's not talented whatsoever.
Speaker 7: I've never seen a guitar in her hand. She just
Speaker 7: sings the songs that and the lyrics that are given
Speaker 7: to her generally, and she's a pretty face that attracts
Speaker 7: right this is what it's about. Beauty attracts. This is
Speaker 7: how they use it. So you can see the mama's
Speaker 7: and the papas and chaer Jan and Dean, the Fifth Dimension,
Speaker 7: Frank Sinatra, Nancy Sinatra. These books were made for walking.
Speaker 1: So Clasha over on on FTJ Media helped us out.
Speaker 2: She said, Uh, I think it's maybe it's a yege
Speaker 2: out of well, Clasha, let's just say it that Phil
Speaker 2: Spector killed Patricia Clarkson, an actress, right, that was what
Speaker 2: he did.
Speaker 7: Yeah, Yeah, and he's I'm sure he's he's somehow zero
Speaker 7: degrees of separation from the Tate murders, the Manson stuff
Speaker 7: that was going on, or the what is it, the
Speaker 7: adventure Land murders. Remember there was under there. Yeah, he
Speaker 7: may be connected to those. He's he's definitely connected in
Speaker 7: some way to Laurel Canyon and murders that happened there.
Speaker 5: Uh.
Speaker 7: And because he left, he had to leave America, he
Speaker 7: went back to Europe for a while. And I'm not
Speaker 7: sure if Gay.
Speaker 2: You no, I think you're you're not thinking about Phil Spector.
Speaker 2: You're talking about the director of Rosemary's Baby.
Speaker 7: That was his wife, Kenneth Anger you're talking about.
Speaker 2: No, no, no, uh, the director of Rosemary's Baby. No, no,
Speaker 2: it's what's his name? Oh my god, I can anything
Speaker 2: of it? Hold on, I'll tell you in two seconds.
Speaker 7: I thought it was Kenneth Anger. Lana Clarkson right, trials
Speaker 7: and conviction for the murder of Lanta Clarkson in the
Speaker 7: two thousands. Now there's something that happened.
Speaker 1: You're Roman, that's it. Yeah, when they did all that shit,
Speaker 1: he also did ninth Gate with Johnny Depp, which is
Speaker 1: a very right range movie.
Speaker 7: Okay, so Roman Polanski's filling the exact same role that
Speaker 7: Phil Spector is. Really right, it's the same thing. They're
Speaker 7: producing music, they're involved with musicians, they're creating pop culture
Speaker 7: and very seedy underground for sure.
Speaker 1: Yeah, I'm pretty sure that the tam murders were ritual murder. Obviously.
Speaker 2: Oh, I'm pretty sure that she may have been Uh,
Speaker 2: I don't know. There's some things that point to she
Speaker 2: didn't actually die and the other people did. There's some
Speaker 2: things that point to, uh, it was a willful sacrifice.
Speaker 2: There's all kinds of really weird, uh elements to that story.
Speaker 2: But I'm pretty I'm pretty positive that Roman Pulanski was
Speaker 2: involved in it.
Speaker 1: It was quite aware that was gonna happen.
Speaker 7: Yeah. Yeah, So you can see here Specters hanging out
Speaker 7: with the Beatles on the Let It B album he's producing,
Speaker 7: John Lennon, George Harrison. You've lost that loving feeling. The
Speaker 7: Long and Winding Road.
Speaker 2: You know that you've lost that loving feeling. Would been
Speaker 2: a great erectile dysfunction commercial.
Speaker 7: Yeah, I'm surprised that they didn't, you know, probably costing much. Right.
Speaker 7: So the Wall of Sound then, like I said, probably
Speaker 7: this is where we should end. It moves into the
Speaker 7: temporary autonomous zone what we call rock concerts. And so
Speaker 7: I started looking at you know, you see these famous
Speaker 7: pictures of studios and musicians in studios, and you have
Speaker 7: the engineers and producers sitting around aboard and they've got
Speaker 7: the tapes rolling. I started looking at that like a
Speaker 7: CIA operation more so than you know, an entertainment industry.
Speaker 7: This is a psychological operation, and it's a mind war.
Speaker 7: This is how I look now at these pictures that I.
Speaker 6: Used to.
Speaker 1: Intelligence for the most part.
Speaker 2: Yeah, and you know what's really messed up, Like there's
Speaker 2: that Dave McGowan book that's out there and I think
Speaker 2: a lot of people are pulling that there are these
Speaker 2: elements out of you know, things that he covered. But
Speaker 2: the one thing he didn't cover in that book was
Speaker 2: the element of the cult, right, you know, and not
Speaker 2: deep enough at least like may have touched on it.
Speaker 2: But there was a lot of like when if you're
Speaker 2: going to talk about Crosby, you gotta tell about you know,
Speaker 2: the uh, the rituals that the that the music producers
Speaker 2: would do over the the what do you call it,
Speaker 2: the master copies and stuff like that, you know, in
Speaker 2: order to put their jiuju on it before they would
Speaker 2: release it and stuff like that. So obviously they're using
Speaker 2: tones there, specific tones to capture the mind and bring
Speaker 2: it on a journey.
Speaker 7: Yeah. And Crosby's a Van Cortland. He's a blue blood,
Speaker 7: which is a real strange sort of addition to the
Speaker 7: Laurel Canyon to have a figure that's a blue blood
Speaker 7: Van Cortland hanging around and to have the influence that
Speaker 7: he did.
Speaker 1: He was a buddies with with Manson.
Speaker 7: Yeah, a lot of people.
Speaker 1: He was an amazing musician.
Speaker 7: Who yeh, And I don't think Crosby was one of
Speaker 7: these intelligent creatives. He was a possibly a manipulator or
Speaker 7: an organizer or a bringer together of people. But I've
Speaker 7: never looked at him and said, wow, what talent. No,
Speaker 7: it's more so like a guy like Neil Young or
Speaker 7: whoever was writing those songs, even though I don't appreciate
Speaker 7: Neil Young either, but you can see that they're coming
Speaker 7: up with these songs and then they're being coerced into directions.
Speaker 1: And you can see theories match up either, like they
Speaker 1: just randomly met each other from like, oh, I'm from Canada,
Speaker 1: I'm from over here, and we all just met a
Speaker 1: little again and started the band and now we're rich.
Speaker 7: Yeah yeah, I think I think the story of uh,
Speaker 7: David Crosby and Neil Young meeting is one of those
Speaker 7: that they passed each other on Santa Monica Boulevard and they're.
Speaker 1: Like, yeah, that was in Dave McGowan's book.
Speaker 7: Yeah, yeah, right. So you know, there's a lot to
Speaker 7: be left, a lot left to be uh searched out there,
Speaker 7: and uh, you know, the music industry for sure isn't
Speaker 7: what I grew up thinking it was. I loved it
Speaker 7: so much that I actually started practicing drums and guitar
Speaker 7: got into a band started playing all of those songs.
Speaker 7: We were a cover band. We never were able to
Speaker 7: write our own music, you know, through that era. But yeah,
Speaker 7: it's a it's an incredible thing to realize that this,
Speaker 7: even the pop music industry, is meant to demoralize you.
Speaker 7: So I think twice before you start listening to all
Speaker 7: of this stuff. I'm not a what do you call
Speaker 7: it pious? I'm not saying stay away from all things, right,
Speaker 7: but because I still participate in music, and I'll still
Speaker 7: crank a song when I hear it because it makes
Speaker 7: me feel good. But we also must be aware of
Speaker 7: what that is in reality and where it comes from
Speaker 7: and who created and why.
Speaker 2: Yeah, there's there's certain music Like I stopped doing this
Speaker 2: at the gym, but for the longest time, I would
Speaker 2: listen to music I needed it to get like really,
Speaker 2: you know, put the extra.
Speaker 1: Effort in it. I don't. I don't really need to
Speaker 1: do that anymore.
Speaker 2: But I used to have the ear budget all the time,
Speaker 2: or the headphones back in the day. Yeah, and yeah,
Speaker 2: I mean.
Speaker 1: System of a down. Who was one of them? It's
Speaker 1: static X you know anything fast?
Speaker 6: You know?
Speaker 1: Yes, No, I'm ready even listen to Nirvana when I
Speaker 1: was you know, some of their songs are pretty kick ass.
Speaker 7: Yeah. System of a Down too works with Rick Rubin.
Speaker 7: You know. Rick Rubin's another guy that's super key to
Speaker 7: understanding because he's working with the Red Hot Chili Peppers.
Speaker 7: He's the guy that popular Ronnie Cash. He does some
Speaker 7: crossover with the song Hurt, but he goes all the
Speaker 7: way back.
Speaker 1: Uh.
Speaker 7: You know. He brings Aerosmith and Run DMC together Walk
Speaker 7: this Way, So he's a crossover artist as well. He's
Speaker 7: very popular today he does. He's got his own podcast.
Speaker 7: And when Rick Rubin talk about those days with the
Speaker 7: Red Hot Chili Peppers or his work, you start to
Speaker 7: see that they admit a lot of these things. They
Speaker 7: just aren't completely aware of what purpose some of these
Speaker 7: things are.
Speaker 2: Rick Rubin was part of getting what do you call it,
Speaker 2: Jeff jam Well Danzig, Right, Yeah, he met Glenn and
Speaker 2: then Moldo came out, you know, right. I think there
Speaker 2: was a resurrected song too. I think that was like
Speaker 2: one of the one of the It may have been
Speaker 2: pulled over from from the Misfits Misfit Days, or maybe
Speaker 2: not put on the album, but then re introduced or
Speaker 2: whatever for some reason. I think it was a shelved
Speaker 2: song or something like that if I remember correctly.
Speaker 7: Here is a small piece of interesting Rubinstein.
Speaker 1: Yeah, exactly right.
Speaker 7: Trivia is that Jan so Let the web designer for
Speaker 7: Bulletproof pub dot com. He lives in New Jersey. He
Speaker 7: lives really close to the rehearsal studio of the Misfits,
Speaker 7: and he knows those guys very personally, and they are
Speaker 7: He tells me about him going over there in the
Speaker 7: conversations that he's had with those guys and they see
Speaker 7: everything that's going on in the world today too.
Speaker 1: Is that you're Doug.
Speaker 7: Yeah, slapping her ears. She's a German short hair pointer,
Speaker 7: so she's trying to get my attention right now. Yeah,
Speaker 7: she's got to go peace, So she's probably a good
Speaker 7: time for me to get out of here. But I'm
Speaker 7: glad to be here, Daniel. I'm glad that you went
Speaker 7: on with your show today and I was able to
Speaker 7: get in.
Speaker 2: Yeah, man, thanks for coming on, even though you're a
Speaker 2: guy down. Hopefully you're not out.
Speaker 7: No, No, I am actually on the recovery. It seems
Speaker 7: to be getting better. So in the next couple of days,
Speaker 7: I hope to be back at the farm finishing the
Speaker 7: construction that we have there, and then as soon as
Speaker 7: we're done that, I'm going to give an update as
Speaker 7: to what our farmer's status is. I don't even think
Speaker 7: you know, I haven't even told you, so I want everybody.
Speaker 7: It's very exciting what's going on. We've found new land
Speaker 7: and all of these things. But I am actually expressing
Speaker 7: my free will openly right now creating my environment. We've
Speaker 7: bought a bunch of framing material. I'm creating a shed
Speaker 7: slash seed starter slash cabin, slash store front. Uh, it's multipurpose,
Speaker 7: and so you know, we're gorilla gardeners. We can be
Speaker 7: anywhere and set up within a few days and be
Speaker 7: growing food, and so we're trying to be as compact
Speaker 7: as possible. We're now able to put everything we own
Speaker 7: onto a flat deck truck and get it out of
Speaker 7: there within you know, twenty four hours, just in case
Speaker 7: when shit hits the fan. So we've got a lot
Speaker 7: of very interesting, very positive information coming, and so I
Speaker 7: look forward to sharing that with all of you guys,
Speaker 7: and to everybody that's been sitting watching and listening, thank you.
Speaker 1: Cool man as a side project heirloom seeds on a website.
Speaker 7: You know you're talking about me, Yeah, offering heirloom seeds. Yeah,
Speaker 7: that's not a bad idea. It's something that I have
Speaker 7: had thoughts of.
Speaker 1: We do want to, especially hot peppers, because then I
Speaker 1: buy them.
Speaker 7: Right, Yeah, that's cool. You don't grow your own, eh.
Speaker 1: I don't have the room.
Speaker 2: I don't have, and I don't have the climate really.
Speaker 2: I mean it's super dry and super windy, and we
Speaker 2: have multiple horn what they call the hornworms, the ones
Speaker 2: that freaking you know, the moths drop the seeds on
Speaker 2: and the next day you have twigs where you once
Speaker 2: had a nice.
Speaker 1: Great green bush.
Speaker 2: We know about them, these ship little things that look
Speaker 2: like little grenades, because.
Speaker 7: It's that's how you know that they're around.
Speaker 1: Yeah, exactly.
Speaker 7: You'll be picking your tomatoes and you'll be like, oh,
Speaker 7: there's hornworm here, and then you have to look really
Speaker 7: more deep too.
Speaker 1: It's it's like, I don't even know where they come from.
Speaker 1: But the ape it's just like swarm everything.
Speaker 7: It's a little white if it's come from a stressed
Speaker 7: out plant. So if it's it's stressed out because it
Speaker 7: doesn't have enough water. It's not enough light. That's what attracts.
Speaker 1: Aphis interesting.
Speaker 7: And you can get beneficials and I'm sure you can
Speaker 7: in your area that take care of white fly. You
Speaker 7: just have to buy them at the right time of
Speaker 7: the year. And they come in a little box and
Speaker 7: you just open the ball and they will hatch themselves
Speaker 7: and fly out their little tiny wasps that you can
Speaker 7: barely see both the size of a white fire or naphid,
Speaker 7: but you'll see once you release those, in about a week,
Speaker 7: all of your aphed and white fly will be taken
Speaker 7: care of. Because this beneficial insect goes in kills the
Speaker 7: white fly and lays its eggs inside.
Speaker 2: That's there's another wasp that does that, the cocker roach,
Speaker 2: And while it's still dying, while still alive like the
Speaker 2: other things like eating the eggs, hatch and they start
Speaker 2: eating the freakin roatrium in the inside.
Speaker 6: Right.
Speaker 7: They just go nasty on these white fly and and
Speaker 7: us farmers appreciate that. So we'll sit there and we'll
Speaker 7: cheer them on, like you lay those eggs right in there.
Speaker 1: Baby, beneficial of parasites.
Speaker 2: Yeah, yeah, I love it, Nick Cage, I have stories
Speaker 2: he rolled up with JP two brand fit.
Speaker 1: I don't know what that means, but that sounds funny. Okay,
Speaker 1: all right man, thank you so much better and we
Speaker 1: will talk to you next week.
Speaker 7: Sure, thanks everybody, allguys dot com.
Speaker 2: Well, it's a big list of all the information that
Speaker 2: he goes over. Lots of blog posts, lots of information
Speaker 2: to read there, and also links to a lot of
Speaker 2: the Struc's been on.
Speaker 1: I think pretty much all of them.
Speaker 7: Pretty much all of them except for the last month
Speaker 7: or so. I'll get those up there for everybody. Yeah,
Speaker 7: bulletproofpub dot com and the history of propaganda on YouTube.
Speaker 7: You can find me in some short little documentary films
Speaker 7: that further threshout progressivism, progress progresses, war pieces, stagnation, making
Speaker 7: these points that preparedness, efficiency, and trust. The science is
Speaker 7: whole cloth born out of progressivism of nineteen twelve, the
Speaker 7: turn of the twentieth century. We've gone through a lot
Speaker 7: of that, so your viewers are familiar with. But yeah,
Speaker 7: the historypropaganda bulletproofpub dot com. Go check those out, subscribe,
Speaker 7: leave comments, share and find me.
Speaker 1: I'm just here. What I said, I told people to
Speaker 1: do the same here, you know, subscribe.
Speaker 7: Sure ballusters for sure, very important show. Guys. Not many
Speaker 7: people are.
Speaker 1: His battery is down. That was perfect timing. It's just
Speaker 1: at the end. He's lasted as long as this did,
Speaker 1: and that's that. But let me do this. I'm leaving
Speaker 1: this box open just in case he's able too come back,
Speaker 1: but I don't think he will be able to, and
Speaker 1: that will be pretty much it. Just do this one
Speaker 1: last time here, Let's get it FDJ real quick and yes, cool, Clasha,
Speaker 1: thank you God, I got it right. I always say,
Speaker 1: misrepresent So scrolling down here, we've got at the bottom
Speaker 1: family channel YouTube. Okay, I said that at this at
Speaker 1: the beginning.
Speaker 2: Cool, two more people out of two thousand, Well, I'm sorry,
Speaker 2: out of four four and forty, you know, that's that's
Speaker 2: we're getting.
Speaker 1: We're getting there. But let's put a little love on
Speaker 1: this channel. Right, it's my daughter and my channel. This
Speaker 1: is me and in all the dad moments. You don't
Speaker 1: have to ever look at it again.
Speaker 2: Don't put on the notifications if you don't want to,
Speaker 2: but at least, you know, at the very least, just
Speaker 2: hit a subscribe on there so other people can see
Speaker 2: it more. Yeah, all right, cool, that'd be awesome. And
Speaker 2: there's also shorts. Don't forget about the shorts.
Speaker 1: The shorts. Anybody's got shorts.
Speaker 2: It's weird because every one of the ones that have
Speaker 2: my daughter in it, and I notice is on TikTok too,
Speaker 2: there's except for this one. This one on TikTok has
Speaker 2: like two thousand views. And I don't really mess with
Speaker 2: TikTok because it focks with me all the time. But
Speaker 2: here it's three. You know, nothing is consistent and makes
Speaker 2: any sense, but all the ones that have my daughter
Speaker 2: in it, they're always low. And then look this stupid
Speaker 2: one right here with the tricep thing. Five seventy, this
Speaker 2: one up here four or eleven, and it's like there's
Speaker 2: there's fourteens of subscribers in you that gets that many
Speaker 2: views because of the shorts. But when it comes to
Speaker 2: children they have they do some kind of filtering thing
Speaker 2: with that. It's weird, very weird. This one's six't eighteen.
Speaker 2: But I'm also the one talking in it, so it's
Speaker 2: I don't know if you can qualify that, but anyhow, yes, please,
Speaker 2: let's let's get this up to one thousand subscribers. Yeah,
Speaker 2: that way, it's see, it's not being monetized or anything
Speaker 2: like that. But it's going to be a good place
Speaker 2: for us to expand some of the ideas that I
Speaker 2: have for you know, off topic content and especially like
Speaker 2: I'm going to I have all kinds of go pro
Speaker 2: videos of my daughter and myself, and that's going to
Speaker 2: be the collection area for all this our little picture album.
Speaker 2: In addition to probably you know, I have a link
Speaker 2: set on there for our website too for the hot Sauce,
Speaker 2: So that helps too. Already there you go, but also
Speaker 2: you know all those other links that make the show
Speaker 2: go round. And thank you to I think this Bushmaster,
Speaker 2: now I know, and thank you for letting me know
Speaker 2: what that sound was. It's when somebody donates to the FTJ.
Speaker 2: I didn't know that's what that clapping was, but now
Speaker 2: I know. Thank you for letting me know.
Speaker 1: Trying to figure that out the other day too, it
Speaker 1: happened like what is that? Why is that happening?
Speaker 2: Money Tree Publishing ball v a a l for ten
Speaker 2: percent off lots of holiday items there for people on
Speaker 2: your list that you already have like minded, you know,
Speaker 2: and you can show that, share them, share stuff with them,
Speaker 2: do Europa series.
Speaker 1: That's a no brainer. The help help Helstorm book another
Speaker 1: no brainer. You can get a copy that signed, which
Speaker 1: would make it even more of like a you know,
Speaker 1: Christmas gift idea. And then you know, there's a simper
Speaker 1: fry lc dot com where you get my book as
Speaker 1: well as creating and and the Hot Sauce. And then
Speaker 1: if you want to get to doctor Glaydon, you can
Speaker 1: just click this and then use that code. It goes
Speaker 1: right to the affiliate link. This one you don't need
Speaker 1: a code for anymore.
Speaker 2: It's already fifteen percent off as soon as he clicked
Speaker 2: Doctor Manzo and then azure. Well if you want the
Speaker 2: whole food vitamin selpmates that he designed, and BB five's
Speaker 2: for five percent, and then there's the try blue and
Speaker 2: you just click that and it should give you a
Speaker 2: little box that you also hit a button and it
Speaker 2: copies automatically for the code for checkout for seventeen percent off.
Speaker 2: There all those things, all those things, alrighty, alrighty, and
Speaker 2: these SA sauces. Anybody has any questions about them, anything
Speaker 2: about him, let me know. All right, cool, we're out
Speaker 2: the most part and you guys have a wonderful day.
Speaker 2: Thank you for being here. It turned out to be fun.
Speaker 2: I'm glad he got in and I'm glad I shared that.
Speaker 2: Now you understand why I said. It was relative to
Speaker 2: what he was talking about when I shared that clip
Speaker 2: about Coca Cola in Santa and how our minds are manipulated,
Speaker 2: our conditions are social engineering to accept certain things and
Speaker 2: then have that. Then we identify with it, right, like
Speaker 2: Christmas is ours. You know, it's like it was created
Speaker 2: by a marketing team. For the most part, at least,
Speaker 2: the key aspects of it were right, all right, But
Speaker 1: There's my hand