WEBVTT

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<v Speaker 1>This episode from the life of Sherlock Holmes will be.

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<v Speaker 2>Transmitted to our men and women overseas by shortwave and

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<v Speaker 2>through the worldwide facilities of the Armed Forces Radio Service.

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<v Speaker 1>Petree Wine brings.

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<v Speaker 2>You Basil Rockborne and Nigel Bruce and the new adventures

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<v Speaker 2>of Sherlock Holmes. The Petrie family, the family that took

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<v Speaker 2>time to bring you good wine, invites you to listen

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<v Speaker 2>to Doctor Watson tell us another exciting adventure he shared

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<v Speaker 2>with his old friend, that Master Detective Sherlock Holmes.

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<v Speaker 1>Tonight, instead of joining the doctor at his home, we're

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<v Speaker 1>all meeting here at Camp.

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<v Speaker 2>Roberts in California, where the Doctor is going to tell

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<v Speaker 2>his story before a large audience of GI's And as usual,

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<v Speaker 2>I'm going to tell my story right now. It's about

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<v Speaker 2>Petrie California Sherry.

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<v Speaker 1>And I want you to know.

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<v Speaker 2>That Petrie Sherry is the best beginning a good meal

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<v Speaker 2>ever had. Before you sit down to dinner some evening soon,

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<v Speaker 2>just pour yourself a glass of Petrie. Look at that rich,

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<v Speaker 2>dark amber color, Just smell the fragrance of those wonderful grapes,

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<v Speaker 2>and then take that Petrie Sherry.

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<v Speaker 1>Does that ever good?

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<v Speaker 2>And say if you like your Chevy on the dry side,

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<v Speaker 2>you know, not sweet the just wait till you taste

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<v Speaker 2>Petree pale dry sherry. If some of the family like

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<v Speaker 2>regular sherry and some like pale dry, don't buy one,

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<v Speaker 2>buy two. It didn't go wrong so long as you

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<v Speaker 2>buy Petrie p e t R I Petrie Sherry. And

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<v Speaker 2>now let's join Doctor Watson and get on.

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<v Speaker 1>With that story. Good evening, Well doctor, your study seems

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<v Speaker 1>a little bitter than usual this week.

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<v Speaker 3>I felt it as tonight's new Sherlock Holmes adventure was

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<v Speaker 3>rather than an exciting one. The men here at Camp

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<v Speaker 3>Roberts might like me.

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<v Speaker 4>To set collect for them in first I'm sure they

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<v Speaker 4>will doctor.

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<v Speaker 2>Which particular story of your selected Why would I fall

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<v Speaker 2>the string?

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<v Speaker 3>Which case of the murder in wex It concerns one

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<v Speaker 3>of the most sinister mass murderers whoever threatened the peace

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<v Speaker 3>of London.

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<v Speaker 5>It's in the summer of nineteen.

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<v Speaker 6>Hundred and the set had been roped by a series

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<v Speaker 6>of gustly murders on Hampstead Heath. Hampstead Heath, Yes, Hampstead

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<v Speaker 6>He's that's a large rambling park in the suburbs of London.

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<v Speaker 6>Mister Bartell and noted as a rendezvous for young lovers.

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<v Speaker 3>It was here the the elusive murderer, knife in hand,

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<v Speaker 3>was wont to roam at nighttime searching for his prey.

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<v Speaker 3>All of his victims were young girls, and despite the

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<v Speaker 3>frantic efforts of the peace, each murder seemed to be

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<v Speaker 3>as dating as the one that preceded. Finally, of course,

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<v Speaker 3>as usual, scottland Yard came to Sherlock Holmes for help.

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<v Speaker 3>It seems almost like yesterday mister Bartell and.

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<v Speaker 6>His speculus guards poot in our Baker.

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<v Speaker 5>Street rooms in boring home.

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<v Speaker 1>Okay, it's true, you've got to help us. I don't

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<v Speaker 1>mind telling you over the yards at the end of

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<v Speaker 1>its rope. I sympathize with it was John, but I

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<v Speaker 1>don't see that as much that I can do.

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<v Speaker 7>None of the police can handle the widespread, detailed work

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<v Speaker 7>necessary to this case.

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<v Speaker 1>The private detective is.

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<v Speaker 3>Helpless, and as perhaps if you'd come to mister Holmes

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<v Speaker 3>the first placeless study, you might have helped you.

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<v Speaker 1>But the murderer hasn't finished yet. There've been more kiddings.

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<v Speaker 8>If we don't catch him, you mark my words, mister Oaks,

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<v Speaker 8>please help us.

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<v Speaker 7>Won't you before I commit myself a star. Give me

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<v Speaker 7>the exact chronology of events, will you. All my information

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<v Speaker 7>on the murders has been derived from the London newspapers,

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<v Speaker 7>notoriously inaccurate in matters of fact.

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<v Speaker 8>I can give you all the particular sir. I've been

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<v Speaker 8>on the case right from the beginning. All the murders

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<v Speaker 8>have taken place.

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<v Speaker 1>On Amsteady at night time, and all the victims of

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<v Speaker 1>the young women was the first one a girl by

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<v Speaker 1>the name of Oakley and Bethy Oakley. She was a

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<v Speaker 1>shop girl who worked at Derry and Tom's in Kensington

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<v Speaker 1>h Street.

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<v Speaker 8>Three weeks ago she was out on the east for

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<v Speaker 8>the young fellow by the name of Alfred Smith.

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<v Speaker 1>For what he told me. It was a moonlight night

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<v Speaker 1>that night as they sat there out on the Bessie,

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<v Speaker 1>give us a kiss? How gone tell me this southing life? Slapie?

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<v Speaker 1>Come on, bess.

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<v Speaker 2>Hello, Hello, he's coming towards us, blooming prowler here?

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<v Speaker 1>Yeah, what you want? Who caught your tast a car?

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<v Speaker 1>Bessie's got her life? No, you don't, you hit Mark bad?

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<v Speaker 1>Keep a wife from me, Keep a wife from me.

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<v Speaker 1>You and that's all I know. Inspector of Strawa. I

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<v Speaker 1>never got a good look at him. He caught me

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<v Speaker 1>on the head, and when I come to there was

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<v Speaker 1>poor Bessie with her broke cut. Yeah, that's your story.

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<v Speaker 8>Don't kill him ahead all right, sergeant, you can book

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<v Speaker 8>it on suspicion of murder.

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<v Speaker 1>Thoughts. We shouldn't be walking on the heap. Didn't you

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<v Speaker 1>read about the murder here two days ago? It's a

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<v Speaker 1>fine thing.

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<v Speaker 9>I take you out in the moonlight and you talk

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<v Speaker 9>of murders and talk about our Spilett Sally.

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<v Speaker 1>It seems to me we should talk about your wife.

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<v Speaker 1>My wife doesn't mean anything to me anymore, Varlett. If

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<v Speaker 1>I could get a divorce. There's someone behind that tree.

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<v Speaker 1>She's coming to me for your sern But you know

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<v Speaker 1>you don't get it.

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<v Speaker 5>Don't tell you any don't.

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<v Speaker 9>Inspector stro She's she's dead, poor girl, I know. But

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<v Speaker 9>a scandal can't bring her back. It is any way

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<v Speaker 9>to keep my name out of the papers.

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<v Speaker 8>I ah, I'm afraid you'll have to take your chances,

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<v Speaker 8>said George. And sergeant Inspector, you can turn that boy

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<v Speaker 8>loose weed hell for questioning. The man who did this

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<v Speaker 8>is obviously the same killer on the paper. Going to

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<v Speaker 8>hear a lot more.

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<v Speaker 1>From him, add Piper Empson rest for fifth.

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<v Speaker 10>Addition, Bunny, look here, miss, you can't go walk in

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<v Speaker 10>by yourself up on the eath.

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<v Speaker 5>It ain't safe.

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<v Speaker 1>Thank you can't without that frightened, I want to be

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<v Speaker 1>by myself.

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<v Speaker 10>Well, I can't stop you by Laura, I suppose, but

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<v Speaker 10>you shouldn't do it. I don't know how to handle

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<v Speaker 10>it modern young things. And that's a fact, inspected AUSTRALI.

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<v Speaker 10>He must have killed in the moment you got out

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<v Speaker 10>of my sight.

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<v Speaker 1>So I searched the already heath, but I couldn't find

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<v Speaker 1>the murderer, but did startle him. He left his height

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<v Speaker 1>in the body.

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<v Speaker 8>Good Jackson. The body is not being identified yet. Ain't

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<v Speaker 8>no expect we'll print a photograph in all the papers.

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<v Speaker 8>We've got to find out who she is. Uh, mister Bishop,

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<v Speaker 8>is this the body of your missing daughter?

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<v Speaker 1>It's rosy My Rose's speaking the strat the favor na

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<v Speaker 1>my hands on his murdering feet. I'll kill him. I'll

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<v Speaker 1>kill him with the bare hand. Where's the story, mister Roones.

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<v Speaker 1>Rose Bishop was the tenth and last girl murdered, which

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<v Speaker 1>was the first girl murdered and when she was alone

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<v Speaker 1>in astride.

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<v Speaker 8>Yes, sir, you found no clues where none had proved

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<v Speaker 8>anything when we checked on them, and he asked you

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<v Speaker 8>a question of too l astride anything you like?

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<v Speaker 1>Say've taken the obvious precautions, of course, How do you

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<v Speaker 1>mean so to.

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<v Speaker 8>The heavy police guard on heath Why, yes, sir, he

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<v Speaker 8>had a hundred plain clothesmen walking there at night ever

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<v Speaker 8>since the second murder.

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<v Speaker 1>But he seems to slip through our fingers. I suppose

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<v Speaker 1>to also posted policemen dressed in women's.

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<v Speaker 8>Clothes, Yes, miss rooms, and we've had girls to walk

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<v Speaker 8>the eath in couples with our playing clothesmen.

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<v Speaker 1>But the murderer, it won't seem to rise to our bait,

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<v Speaker 1>the cunning.

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<v Speaker 7>Brut, Yes, he is rosson obviously, I'm morbid, madman, obsessed

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<v Speaker 7>by a hatred of love.

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<v Speaker 1>You'll be how to catch the stride. You mentioned clues

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<v Speaker 1>that amunted to nothing when you checked them. What were

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<v Speaker 1>these clues?

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<v Speaker 8>Well, footprints, a couple of cigarette butts dropped at the

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<v Speaker 8>scene of the crime.

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<v Speaker 1>Thing that helped us.

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<v Speaker 8>The only important clue was the knofe We founded the

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<v Speaker 8>body of Rose Bishop of the last girl murder got.

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<v Speaker 1>The experts of the yard examined him. Yes, sir, didn't

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<v Speaker 1>tell us a thing, though you have a knight with

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<v Speaker 1>you here. It is miss Lmees. I knew you wouldn't

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<v Speaker 1>trust us, you'd want to look at each yourself. Thank you, lestrade. Yeah,

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<v Speaker 1>mm hmm interesting. What is it?

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<v Speaker 5>Harm?

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<v Speaker 7>This knife is a collector's item. It's at least one

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<v Speaker 7>hundred years old. I should say, NI keep us of

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<v Speaker 7>a night astrida. I should like to conduct a few

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<v Speaker 7>experiments my own.

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<v Speaker 1>Why, of course you can, sir, And.

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<v Speaker 5>You are going to take on the case home and.

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<v Speaker 1>Let us say that.

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<v Speaker 7>I'll take it under advisement. I'll do my best, less child,

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<v Speaker 7>I'll do my best.

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<v Speaker 5>Well. Thanks.

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<v Speaker 7>If any further developments occur, communicating it months below, Yes, sir.

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<v Speaker 1>In the meanwhile, I'll smoke a few pipes on the problem.

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<v Speaker 7>But I promise nothing, my dear fellow, I promise absolutely nothing.

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<v Speaker 5>Three couple of.

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<v Speaker 3>Morning home, you're still peering through your microscope with that

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<v Speaker 3>knife for straw.

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<v Speaker 1>True, chat, that's quite true. It must be a very

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<v Speaker 1>dull opinion. Why don't you go to bed? Oh?

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<v Speaker 3>Because I'm afraid I missed something confounded, Have you discovered me?

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<v Speaker 1>Yes? I think so?

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<v Speaker 5>Oh what?

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<v Speaker 7>The handle of this knife is corrogated on the underside.

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<v Speaker 7>I observed the slight diffusion in the markings and of

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<v Speaker 7>the peretrating eye of the microscope. I found a newte

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<v Speaker 7>deposit which had caused the diffusion. I have just analyzed

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<v Speaker 7>that deposit. It's wax, colored wax, colored wax. Well what

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<v Speaker 7>does that sit about by itself?

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<v Speaker 1>Very little?

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<v Speaker 7>But when you can find it for the knife, it

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<v Speaker 7>definitely belongs to another century. It does suggest a certain

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<v Speaker 7>origin I got my dear.

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<v Speaker 5>Perhaps it came from the theater.

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<v Speaker 3>An eighteenth century dagger could belong in a period play,

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<v Speaker 3>and the colored wax might easily be part of an

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<v Speaker 3>actor's maker excellent direction, wats oh thanks.

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<v Speaker 7>However, my own theory would be that this dagger came

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<v Speaker 7>from a wax works exhibition.

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<v Speaker 5>Oh wrong again.

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<v Speaker 7>Putty is used in theatrical disguises, but I don't recall

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<v Speaker 7>the use of colored wex, whereas.

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<v Speaker 3>It is used in making wax and effiges, and of

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<v Speaker 3>course the dagger would belong as part of the costume.

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<v Speaker 1>BERSI can idea below.

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<v Speaker 7>It's a long chance, but I think in the morning

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<v Speaker 7>we'll make a tour of various London wax works exhibitions.

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<v Speaker 1>If my deduction is.

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<v Speaker 7>A postman, at least we'll have the pleasure of a

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<v Speaker 7>bustman's holiday. We can visit all our old friends who

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<v Speaker 7>died on the gallows, can tad o Jack, I'm a

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<v Speaker 7>seminal ware.

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<v Speaker 5>This is the fourth X Works exhibition.

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<v Speaker 1>That we've been the poor from the last.

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<v Speaker 7>We failed to find any clues here at the X Museum.

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<v Speaker 7>We can return to Big Street.

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<v Speaker 3>Oh, thank heaven, this is our last port of call.

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<v Speaker 3>I'm so dizzy from looking at waxworks that they begin

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<v Speaker 3>to human beings to me? Did you notice that I

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<v Speaker 3>asked directions from the wax policeman the entrance daughter.

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<v Speaker 1>How many people have been deceived in the same way

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<v Speaker 1>here we are? Levek doesn't believe in understatement?

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<v Speaker 5>Does he look look at that sign.

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<v Speaker 1>The Chamber of.

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<v Speaker 7>Horrors coming and see the pateant of murder, all the

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<v Speaker 7>killers of history re enacting their famous crimes.

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<v Speaker 1>Well, it's Queen Watson. We should feel thoroughly at home.

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<v Speaker 5>Creepy and here is it.

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<v Speaker 3>I've heard that mister Levec could pay one hundred pounds

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<v Speaker 3>anyone who will spend all night alone in the chamber

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<v Speaker 3>of horrors, as.

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<v Speaker 1>I've heard of that challenge too.

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<v Speaker 3>Are you thinking of accepting the best birds to spend

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<v Speaker 3>a night here for a thousand?

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<v Speaker 7>Very comprehensive collection of killers, aren't they? See Williams wain Wrights,

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00:11:49.919 --> 00:11:54.840
<v Speaker 7>ah nationalist georgious.

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<v Speaker 5>She was an attractive woman runching the stream a pair

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<v Speaker 5>of ankles a scene.

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<v Speaker 7>Yes, but you wouldn't have liked her cooking Watson to

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<v Speaker 7>use the most lethal condiments of almost any woman in history.

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<v Speaker 1>Well, what is it over there?

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<v Speaker 3>I was wondering when we'd come to twenty of your cases,

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<v Speaker 3>Doctor Grimsby Riolet and the murders took Moran, or the

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00:12:19.120 --> 00:12:22.240
<v Speaker 3>case of the Speckle Band by Joe Holmes.

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<v Speaker 5>The tabler's extraordinarialistic.

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00:12:24.200 --> 00:12:26.639
<v Speaker 1>Isn't it here? And of a lot of old friends

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<v Speaker 1>of mine are represented here?

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<v Speaker 7>She rather liked her a new acquaintance with the Ricolette

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<v Speaker 7>of the club Foot and his unpominable wife Ricoletti. I

256
00:12:33.440 --> 00:12:35.759
<v Speaker 7>don't remember him, oh, one of my earlier cases, old Philip,

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<v Speaker 7>I must tell you that story.

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<v Speaker 1>Sometimes I wish you.

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00:12:37.799 --> 00:12:42.559
<v Speaker 3>Would have off Holmes. Look that veiled figure over there,

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00:12:43.679 --> 00:12:48.360
<v Speaker 3>read the packard in front of it, the Hampstead Heath murderer. Well,

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00:12:49.559 --> 00:12:52.279
<v Speaker 3>how very interesting the face is coming with a black veil?

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<v Speaker 3>Is this pure showmans? If I wonder on, does Michell

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00:12:54.679 --> 00:12:57.320
<v Speaker 3>le peck no more than Scotland yard and die?

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<v Speaker 1>A good day to you? Gentlemen?

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<v Speaker 5>Metty you startle Missel.

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<v Speaker 1>Are you admiring my collection of murderers?

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<v Speaker 11>Mister le bec yes, sir, and heaven say the distinction

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<v Speaker 11>of addressing mister Sherlock Holmes.

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<v Speaker 1>This is my name, This is my friend, doctor Watson.

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<v Speaker 5>How do you do?

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<v Speaker 1>Doctor? I am greatly honored to meet your vote. What

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<v Speaker 1>do you think of my chamber of horror? It's very impressive.

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<v Speaker 7>We're particularly interested in this veiled figure of the Hampstead

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<v Speaker 7>Heath murder.

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<v Speaker 5>Is a face behine beneath that veil.

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<v Speaker 1>I'll let you in on a trade.

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<v Speaker 4>Secret, gentlemen. There are no recognizable features behind that veil.

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<v Speaker 4>This is purely for publicity purposes. The public always expects

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00:13:34.000 --> 00:13:36.720
<v Speaker 4>to see the latest towers here, and I thought I

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00:13:36.840 --> 00:13:39.919
<v Speaker 4>titilate there more bills by by having a mysterious figure

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00:13:39.960 --> 00:13:42.759
<v Speaker 4>representing the killer. Of course, if he is captured, I

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00:13:42.799 --> 00:13:45.320
<v Speaker 4>shall add his effergy to my collection. You think he

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00:13:45.360 --> 00:13:48.200
<v Speaker 4>will be captured, then one can only speculate. He's a

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00:13:48.240 --> 00:13:49.120
<v Speaker 4>clever man, mister Hewn.

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00:13:49.200 --> 00:13:51.279
<v Speaker 7>By the way, mister de bec, does your offer of

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00:13:51.320 --> 00:13:53.279
<v Speaker 7>one hundred pounds to anyone who will spend a night

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00:13:53.320 --> 00:13:54.960
<v Speaker 7>in the Chamber of Horrors still a whole good?

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00:13:55.039 --> 00:13:57.960
<v Speaker 1>Yes? Are you thinking of accepting the bet, mister Helen? No,

289
00:13:58.159 --> 00:14:00.279
<v Speaker 1>but Dr Watson would like to. All right.

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00:14:00.279 --> 00:14:03.279
<v Speaker 4>I don't recommend the experience, doctor, It's an ordeal. It

291
00:14:03.440 --> 00:14:06.440
<v Speaker 4>calls for nerves of steel. However, I shall be glad

292
00:14:06.480 --> 00:14:09.120
<v Speaker 4>to arrange. I haven't the slightest in turnary backing down now?

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00:14:09.159 --> 00:14:11.279
<v Speaker 4>Of course you haven't, Overallo, What time will my friend

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00:14:11.320 --> 00:14:14.279
<v Speaker 4>return to About eleven thirty tonight. I'll be waiting for

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00:14:14.360 --> 00:14:16.519
<v Speaker 4>him at the meet Sanday, Come on, Button Holmes, are

296
00:14:16.600 --> 00:14:19.200
<v Speaker 4>till David vec today? Gentlemen, I shall be waiting for

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00:14:19.279 --> 00:14:21.679
<v Speaker 4>you tonight, Doctor Holmes.

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00:14:21.720 --> 00:14:23.039
<v Speaker 5>What the places do you thinkeep doing? I have the

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00:14:23.080 --> 00:14:24.919
<v Speaker 5>slightest intension of keeping that appointment tonight.

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00:14:25.080 --> 00:14:29.480
<v Speaker 1>Well, of course you haven't. I shall keep it disguised

301
00:14:29.639 --> 00:14:30.799
<v Speaker 1>as you you keep.

302
00:14:31.480 --> 00:14:32.720
<v Speaker 5>Heaven's sake, tell her what you're up to.

303
00:14:32.799 --> 00:14:36.039
<v Speaker 7>Hose you didn't even mention that missing Daggett vill bec no,

304
00:14:36.279 --> 00:14:37.879
<v Speaker 7>because he knows something about the murderer.

305
00:14:38.000 --> 00:14:38.720
<v Speaker 1>I'm convinced of it.

306
00:14:39.080 --> 00:14:39.679
<v Speaker 5>Why do you say that?

307
00:14:40.039 --> 00:14:41.919
<v Speaker 7>As we were standing there talking to him, a breath

308
00:14:41.919 --> 00:14:44.039
<v Speaker 7>of hair from the open window blew back the corner

309
00:14:44.080 --> 00:14:47.919
<v Speaker 7>of the veil. I'll swear that there are clearly defined

310
00:14:47.960 --> 00:14:48.799
<v Speaker 7>features beneath it.

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00:14:48.919 --> 00:14:51.440
<v Speaker 5>And so you're going back there tonight to find.

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00:14:51.240 --> 00:14:52.360
<v Speaker 1>Out that's right.

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00:14:52.399 --> 00:14:52.799
<v Speaker 5>Old color.

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00:14:53.559 --> 00:14:56.200
<v Speaker 7>The superstitious used to believe they could use a waxen

315
00:14:56.240 --> 00:14:58.679
<v Speaker 7>image to kill a man. Tonight, Watson, we shall prove

316
00:14:58.720 --> 00:15:01.440
<v Speaker 7>that a waxen image can be use to trap a killer.

317
00:15:10.480 --> 00:15:13.159
<v Speaker 2>Doctor Watson will continue his story in just a second.

318
00:15:13.279 --> 00:15:15.519
<v Speaker 2>So I'm just going to remind you that there are

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00:15:15.639 --> 00:15:19.039
<v Speaker 2>lots of ways to make good food taste better, but

320
00:15:19.120 --> 00:15:21.519
<v Speaker 2>the easiest way is to serve that food with a

321
00:15:21.559 --> 00:15:25.240
<v Speaker 2>good wine, a Petree wine. If you like a white

322
00:15:25.279 --> 00:15:29.159
<v Speaker 2>wine with chicken or with fish, you love that wonderful

323
00:15:29.240 --> 00:15:32.840
<v Speaker 2>Petrie California. So turned if you like a red wine,

324
00:15:33.440 --> 00:15:37.480
<v Speaker 2>then rich Harty Petrie California Burgundy is your wine. But

325
00:15:37.600 --> 00:15:39.919
<v Speaker 2>if you don't know which you prefer, why not.

326
00:15:39.960 --> 00:15:40.600
<v Speaker 5>Try them both.

327
00:15:41.159 --> 00:15:45.639
<v Speaker 2>Petri Burgundy and Petrie so turned red and white. Don't

328
00:15:45.679 --> 00:15:51.360
<v Speaker 2>buy one by two, but always buy Petrie. Well doctor,

329
00:15:51.480 --> 00:15:54.720
<v Speaker 2>So Sherlock Holmes decided to disguise himself as you and

330
00:15:55.120 --> 00:15:56.639
<v Speaker 2>spend a night in the Chamber of Horrors.

331
00:15:58.039 --> 00:16:00.240
<v Speaker 5>To dinner. That night he began to fight to make yeah,

332
00:16:00.639 --> 00:16:01.440
<v Speaker 5>some try.

333
00:16:01.279 --> 00:16:04.039
<v Speaker 3>To sit there in Vacer Street and watch home, slowly

334
00:16:04.159 --> 00:16:08.639
<v Speaker 3>turning into a very convincing replica of myself, and he did.

335
00:16:08.720 --> 00:16:08.759
<v Speaker 5>So.

336
00:16:09.000 --> 00:16:15.360
<v Speaker 7>We discussed, Watson, if I'm not back here by two o'clock,

337
00:16:15.399 --> 00:16:16.080
<v Speaker 7>you'd better come out to me.

338
00:16:16.240 --> 00:16:18.240
<v Speaker 5>So then we can't wait outside of Fuller, just in

339
00:16:18.360 --> 00:16:19.159
<v Speaker 5>case it's in trouble.

340
00:16:19.240 --> 00:16:21.240
<v Speaker 7>Oh no, no, no, you'd attract attention. By the way,

341
00:16:22.480 --> 00:16:24.679
<v Speaker 7>do you recall the name of the last girl murdered

342
00:16:24.720 --> 00:16:25.159
<v Speaker 7>on the heath?

343
00:16:26.039 --> 00:16:29.279
<v Speaker 5>Yes, Bishop Rose, the.

344
00:16:30.919 --> 00:16:33.799
<v Speaker 7>Only girl who was murdered when she was unescorted. The

345
00:16:33.879 --> 00:16:38.080
<v Speaker 7>body was identified by her at home. Levec is a

346
00:16:38.120 --> 00:16:40.320
<v Speaker 7>French name, and yet the gentleman had a decided lead

347
00:16:40.360 --> 00:16:43.559
<v Speaker 7>English accent. I should say that he adopted a foreign

348
00:16:43.639 --> 00:16:46.360
<v Speaker 7>name as being more suited to his professional What you're

349
00:16:46.399 --> 00:16:46.759
<v Speaker 7>driving it?

350
00:16:47.120 --> 00:16:49.759
<v Speaker 3>What's the connection between the Vec, the owner of the waxworks,

351
00:16:49.960 --> 00:16:50.879
<v Speaker 3>and the father of Rose.

352
00:16:50.919 --> 00:16:52.320
<v Speaker 5>Bishop the murdered girl.

353
00:16:53.679 --> 00:16:56.240
<v Speaker 1>Is the French word for Bishop frick Scott.

354
00:16:57.000 --> 00:16:59.000
<v Speaker 5>You think that he knows who the murder isn't?

355
00:16:59.200 --> 00:17:02.320
<v Speaker 1>I know only one thing I miss see if it's

356
00:17:02.360 --> 00:17:05.839
<v Speaker 1>beneath that black veil. Now now that's my disguise.

357
00:17:07.880 --> 00:17:11.640
<v Speaker 5>Look exactly like David. How you manage about the voice?

358
00:17:11.880 --> 00:17:17.039
<v Speaker 5>We are will be two difficult men, will God under

359
00:17:17.079 --> 00:17:19.359
<v Speaker 5>tell what you say in your own case?

360
00:17:19.400 --> 00:17:21.039
<v Speaker 7>Old Chap, that's a handicapped and I stuff at my

361
00:17:21.319 --> 00:17:22.559
<v Speaker 7>years rubbish.

362
00:17:22.920 --> 00:17:24.160
<v Speaker 5>I'm personally until let me.

363
00:17:24.160 --> 00:17:27.319
<v Speaker 7>See the bullseye lantern. Yes, once, and I think i'll

364
00:17:27.359 --> 00:17:30.200
<v Speaker 7>borrow your volter too. I probably won't need it but ten,

365
00:17:30.640 --> 00:17:31.160
<v Speaker 7>but once.

366
00:17:31.000 --> 00:17:32.359
<v Speaker 1>I think it might be safer for me to go

367
00:17:32.480 --> 00:17:35.720
<v Speaker 1>on here homes out, do be careful. I have a lot, Chap,

368
00:17:35.759 --> 00:17:36.440
<v Speaker 1>don't body goodbye?

369
00:17:36.440 --> 00:17:37.839
<v Speaker 7>And if I'm not back by two o'clock, you better

370
00:17:37.880 --> 00:17:39.559
<v Speaker 7>come to the waxworks and see what's happened to me.

371
00:17:51.039 --> 00:17:54.920
<v Speaker 1>Doctor Watson, you don't mind if I search you? Of

372
00:17:55.000 --> 00:17:55.279
<v Speaker 1>course not.

373
00:17:55.720 --> 00:17:59.039
<v Speaker 11>And no lampon pleas the moonlight will give you all

374
00:17:59.079 --> 00:18:02.000
<v Speaker 11>the illumination at tuney, dear me a.

375
00:18:02.079 --> 00:18:04.680
<v Speaker 1>Revolver in your pocket. I'm afraid I can't allow that.

376
00:18:05.359 --> 00:18:08.319
<v Speaker 4>Once before, a young man who unwisely accepted my bet

377
00:18:08.599 --> 00:18:11.720
<v Speaker 4>left bullet holes in some of my finest waxworks before

378
00:18:11.799 --> 00:18:12.920
<v Speaker 4>he finally went raving.

379
00:18:13.039 --> 00:18:13.200
<v Speaker 5>Men.

380
00:18:16.119 --> 00:18:19.319
<v Speaker 4>Don't be frightened, Dr Watson. Many of the waxwork murderers

381
00:18:19.359 --> 00:18:21.839
<v Speaker 4>here are all friends of yours. They will be good company.

382
00:18:22.440 --> 00:18:24.519
<v Speaker 4>I shall come and release you at eight in the morning.

383
00:18:28.119 --> 00:18:30.759
<v Speaker 4>I've steeled all the windows with string and wax. I

384
00:18:30.839 --> 00:18:32.319
<v Speaker 4>shall seal the door behind me.

385
00:18:32.359 --> 00:18:37.880
<v Speaker 1>As I leave midnight the betty ar doctor, You still

386
00:18:37.960 --> 00:18:41.279
<v Speaker 1>wish to go through with it? Very well? Then I

387
00:18:41.319 --> 00:19:04.559
<v Speaker 1>shall leave you now. Good night, Dr Watson. What's that?

388
00:19:05.799 --> 00:19:08.119
<v Speaker 5>Who's there? Who?

389
00:19:08.160 --> 00:19:12.279
<v Speaker 1>Little smaller? And we spring it up the shadows? Who's

390
00:19:12.319 --> 00:19:13.160
<v Speaker 1>going with me?

391
00:19:18.079 --> 00:19:24.839
<v Speaker 7>The window? Fick Scott's Watson? Now before it's time? Well,

392
00:19:25.519 --> 00:19:26.920
<v Speaker 7>he got the seeds in the strain.

393
00:19:28.680 --> 00:19:28.920
<v Speaker 2>With him.

394
00:19:29.799 --> 00:19:34.799
<v Speaker 1>Hos Homes. You are right, I'm all right, be honey.

395
00:19:35.319 --> 00:19:37.839
<v Speaker 1>But it's just as well you're carrying the lantern and

396
00:19:38.039 --> 00:19:38.920
<v Speaker 1>they took mine with him.

397
00:19:38.960 --> 00:19:39.359
<v Speaker 5>Come on in.

398
00:19:46.799 --> 00:19:49.599
<v Speaker 1>There, we'll wand over a quad. I'm glad to see

399
00:19:49.640 --> 00:19:52.599
<v Speaker 1>you watching. But what made you decide to come here

400
00:19:52.680 --> 00:19:53.240
<v Speaker 1>at like you.

401
00:19:53.319 --> 00:19:53.839
<v Speaker 5>Left the start?

402
00:19:53.920 --> 00:19:56.359
<v Speaker 1>Take the Bay Street? He told her, there's another murder

403
00:19:56.400 --> 00:19:58.880
<v Speaker 1>on the heath, and a seven o'clock to night, another murderer.

404
00:19:59.160 --> 00:20:01.119
<v Speaker 1>I started wiring a about your homes. I had a

405
00:20:01.200 --> 00:20:03.279
<v Speaker 1>pumlition of impending danger and I.

406
00:20:03.319 --> 00:20:04.319
<v Speaker 5>Decided to come over here.

407
00:20:04.599 --> 00:20:06.960
<v Speaker 12>You're you're not angry with me, of course, not, my

408
00:20:07.039 --> 00:20:08.759
<v Speaker 12>dear fellow. I'm going to be your company, and I

409
00:20:08.880 --> 00:20:11.000
<v Speaker 12>appreciate your concern. Have you looked under the veil of

410
00:20:11.039 --> 00:20:13.640
<v Speaker 12>the waxwork figure but the Hampstead Heath murder yet? Now

411
00:20:13.720 --> 00:20:16.079
<v Speaker 12>it's just about to your lantern, will be most useful.

412
00:20:16.240 --> 00:20:19.839
<v Speaker 5>Come on? What oh what have you been doing? Just

413
00:20:20.440 --> 00:20:21.079
<v Speaker 5>just doing nothing?

414
00:20:21.599 --> 00:20:23.599
<v Speaker 7>As I wanted to give the impression that I was

415
00:20:23.759 --> 00:20:25.079
<v Speaker 7>here for the knights, and I also wanted to do

416
00:20:25.200 --> 00:20:27.880
<v Speaker 7>some serious thinking. I smoked too piped in the problem, Watson,

417
00:20:27.920 --> 00:20:30.319
<v Speaker 7>and I think I know the answer. Now I'm willing

418
00:20:30.319 --> 00:20:32.160
<v Speaker 7>to swear you'll know the face you see and I

419
00:20:32.200 --> 00:20:35.359
<v Speaker 7>lift the veil from the wax and dummy hates a

420
00:20:35.400 --> 00:20:39.400
<v Speaker 7>figure now a lantern, little high will, don't that's it?

421
00:20:40.480 --> 00:20:43.920
<v Speaker 1>I left the veil land Or to see good lord.

422
00:20:43.799 --> 00:20:47.839
<v Speaker 7>It's waxwork figure for the VEC himself, precisely, Watson, An

423
00:20:47.880 --> 00:20:50.359
<v Speaker 7>I'm a paralleled example of the self detrail inherent in

424
00:20:50.480 --> 00:20:52.559
<v Speaker 7>criminal egotism that Beck.

425
00:20:52.440 --> 00:20:56.319
<v Speaker 1>Couldn't resist the homes. The waxwork is moving, It's got it.

426
00:20:56.400 --> 00:20:59.359
<v Speaker 1>It's a larst, gentlemen, which is more than either of

427
00:20:59.440 --> 00:21:01.640
<v Speaker 1>you will be in a few minutes. You re entered

428
00:21:01.680 --> 00:21:03.720
<v Speaker 1>this room by a secret doors. Both listened to Holmes.

429
00:21:04.079 --> 00:21:06.200
<v Speaker 4>And since you've displayed such a flattering interest in the

430
00:21:06.240 --> 00:21:09.480
<v Speaker 4>Hampsteon Heath murderer, I decided to remove the wax figure

431
00:21:09.519 --> 00:21:10.240
<v Speaker 4>and appeared in purse.

432
00:21:10.279 --> 00:21:11.440
<v Speaker 5>We cut homes. You got a revolver?

433
00:21:11.480 --> 00:21:13.960
<v Speaker 1>Oh no, no, no, doctor, this isn't a revolver in

434
00:21:14.039 --> 00:21:16.559
<v Speaker 1>my pocket. What would the Hampstead Heath murderer want for

435
00:21:16.680 --> 00:21:20.200
<v Speaker 1>the revolver? This is a knight. I feel so much

436
00:21:20.240 --> 00:21:22.440
<v Speaker 1>booked home with a knife. Two of us sick, remember that,

437
00:21:22.640 --> 00:21:25.599
<v Speaker 1>and both unarmed. Which one of you met us wants today?

438
00:21:30.599 --> 00:21:33.359
<v Speaker 1>The lesson smart yets and the moon's fading. What a

439
00:21:33.480 --> 00:21:36.640
<v Speaker 1>pity homes we over here by the epide at Macbeth.

440
00:21:36.920 --> 00:21:39.480
<v Speaker 1>I'm very thoughtful of you to provide him with a dagger. Effc.

441
00:21:39.519 --> 00:21:42.279
<v Speaker 4>I wouldn't want my dear homes. You can't escape me.

442
00:21:42.599 --> 00:21:44.759
<v Speaker 4>I can feel my way in the dark here. I

443
00:21:44.920 --> 00:21:47.960
<v Speaker 4>know every inch of this room. You're doomed, both of you.

444
00:21:48.880 --> 00:21:50.279
<v Speaker 4>Don't stuck them out, homes, You'll make.

445
00:21:50.160 --> 00:21:50.920
<v Speaker 7>A target of yourself.

446
00:21:50.960 --> 00:21:52.480
<v Speaker 1>Tell the bet I'm writing.

447
00:21:52.279 --> 00:21:54.200
<v Speaker 7>This newspapers and make an excellent torch to step the

448
00:21:54.240 --> 00:21:55.319
<v Speaker 7>light of the nearest waxwork.

449
00:21:55.680 --> 00:21:59.680
<v Speaker 1>Now, don't burn my wax wor wax and I wouldn't

450
00:21:59.680 --> 00:22:02.000
<v Speaker 1>frame so plays brilliantly.

451
00:22:01.799 --> 00:22:02.200
<v Speaker 8>Very hard.

452
00:22:02.680 --> 00:22:04.960
<v Speaker 1>Will you tell them you're just drying my life work.

453
00:22:05.119 --> 00:22:07.160
<v Speaker 3>Homes are running wort, just pulling along the fat.

454
00:22:07.759 --> 00:22:10.759
<v Speaker 5>The courtains are touching light. The whole paper bunder half.

455
00:22:11.200 --> 00:22:14.880
<v Speaker 1>I talk with you. I thought that's what smokes you up?

456
00:22:15.000 --> 00:22:15.960
<v Speaker 1>Quick watch that ever again?

457
00:22:16.079 --> 00:22:17.119
<v Speaker 5>What that knife home?

458
00:22:29.559 --> 00:22:33.079
<v Speaker 8>Well, mister Romes, you've done it again. You solve the

459
00:22:33.200 --> 00:22:38.440
<v Speaker 8>case in a blaze of glory. Get the points a

460
00:22:38.720 --> 00:22:41.880
<v Speaker 8>blaze of gloryscad.

461
00:22:40.839 --> 00:22:43.079
<v Speaker 1>I guess fine, Thank you very much, marmalade.

462
00:22:43.079 --> 00:22:45.559
<v Speaker 5>Will you want some homes? Is that the morning paper

463
00:22:45.640 --> 00:22:46.799
<v Speaker 5>you brought with you the stone?

464
00:22:46.920 --> 00:22:50.319
<v Speaker 1>Yes? Doctor, want me to read the advice.

465
00:22:52.119 --> 00:22:57.440
<v Speaker 8>M steady murderer captured in fire that destroys bex work exhibition.

466
00:22:58.839 --> 00:23:01.559
<v Speaker 8>You know, mister Romes, you and doctor were lucky. You

467
00:23:01.720 --> 00:23:04.640
<v Speaker 8>went burnt to death. Never mind the chance he ran of.

468
00:23:04.720 --> 00:23:07.359
<v Speaker 1>Having your throat cut by that Romaniet.

469
00:23:06.920 --> 00:23:08.799
<v Speaker 7>Was watunate that the police and farman were on the

470
00:23:08.880 --> 00:23:11.039
<v Speaker 7>scene as quickly as they were, That they have the

471
00:23:11.039 --> 00:23:12.079
<v Speaker 7>strength of ten men.

472
00:23:12.039 --> 00:23:13.200
<v Speaker 5>Yes, the strength of a man's man.

473
00:23:13.240 --> 00:23:16.680
<v Speaker 8>You'll never stand trial, of course, now, doctor, you'll end

474
00:23:16.799 --> 00:23:17.759
<v Speaker 8>up in an asylum.

475
00:23:17.880 --> 00:23:23.400
<v Speaker 1>War he belongs, Miss Dones. What made you suspect levi.

476
00:23:23.240 --> 00:23:26.599
<v Speaker 7>It you first came in to yourself, the strang you

477
00:23:26.920 --> 00:23:29.000
<v Speaker 7>and told me that all the murdered girls were accompanied

478
00:23:29.000 --> 00:23:33.359
<v Speaker 7>by men when they were attacked oliveon save one Rose Bishop. Therefore,

479
00:23:33.480 --> 00:23:36.559
<v Speaker 7>if the murderer was then hated of love, he had

480
00:23:36.599 --> 00:23:39.480
<v Speaker 7>to it be someone that close to Rose Bishop to

481
00:23:39.559 --> 00:23:41.839
<v Speaker 7>know that she was a suitable victim. That point alone,

482
00:23:41.880 --> 00:23:45.039
<v Speaker 7>which I was shocking. The Sloman observing should have told

483
00:23:45.119 --> 00:23:47.319
<v Speaker 7>us to focus our attention on the father, mister Bishop.

484
00:23:47.519 --> 00:23:51.440
<v Speaker 8>He yes, well, your theory was certainly right. Mister Robes,

485
00:23:52.279 --> 00:23:55.480
<v Speaker 8>you should have heard these ravings after the arrest. East

486
00:23:55.559 --> 00:23:58.839
<v Speaker 8>wore his daughter had been ruined, and so he'd killed.

487
00:23:58.880 --> 00:24:01.359
<v Speaker 3>A tomsy work figure of the killer, the one with

488
00:24:01.440 --> 00:24:04.200
<v Speaker 3>a veil of rich face. The features underneath were those

489
00:24:04.279 --> 00:24:05.920
<v Speaker 3>of the levequ himself.

490
00:24:05.960 --> 00:24:06.319
<v Speaker 5>Weren't there.

491
00:24:06.759 --> 00:24:07.880
<v Speaker 1>I'm certain of it, old fellow.

492
00:24:08.119 --> 00:24:10.440
<v Speaker 7>You see, he had two great prides, the first his

493
00:24:10.640 --> 00:24:14.000
<v Speaker 7>natural pride as a fine craftsman in wax, the second

494
00:24:14.119 --> 00:24:18.000
<v Speaker 7>his perverted pride as a prominent and successful murderer. These

495
00:24:18.039 --> 00:24:21.079
<v Speaker 7>two prides combined suggested to his praised mind, you make

496
00:24:21.160 --> 00:24:23.599
<v Speaker 7>a waxwork figure of himself and range it for the

497
00:24:23.640 --> 00:24:25.079
<v Speaker 7>other great killers of history.

498
00:24:25.559 --> 00:24:27.640
<v Speaker 3>But he was cunning enough to protect himself by placing

499
00:24:27.680 --> 00:24:29.039
<v Speaker 3>a veil over the price.

500
00:24:29.319 --> 00:24:29.920
<v Speaker 1>My dear fellow.

501
00:24:30.119 --> 00:24:32.599
<v Speaker 7>And when he saw us yesterday and we accepted the wager,

502
00:24:32.640 --> 00:24:35.559
<v Speaker 7>he undoubtedly became suspicious and removed the wax figure last

503
00:24:35.640 --> 00:24:38.359
<v Speaker 7>night and made his personal appearance as the murderer, with

504
00:24:38.599 --> 00:24:40.440
<v Speaker 7>every intention of killing us both.

505
00:24:41.400 --> 00:24:43.119
<v Speaker 1>Yes, we were very lucky, old Chap.

506
00:24:43.200 --> 00:24:43.359
<v Speaker 8>Yeah.

507
00:24:43.359 --> 00:24:45.960
<v Speaker 1>If you ask me, mister Elms, you've been very smart.

508
00:24:46.160 --> 00:24:47.920
<v Speaker 5>I quite agree to, sir. And I think you solve

509
00:24:47.960 --> 00:24:48.759
<v Speaker 5>the case brilliantly.

510
00:24:48.880 --> 00:24:50.799
<v Speaker 1>No, no, no, no no, I've been very stuggish.

511
00:24:50.839 --> 00:24:54.240
<v Speaker 7>I solved by circumstance and melodrama what should have been

512
00:24:54.240 --> 00:24:57.319
<v Speaker 7>a purely intellectual problem. I'm not pleased with myself, John.

513
00:24:57.359 --> 00:24:59.160
<v Speaker 7>I hope that my name has not been used in

514
00:24:59.240 --> 00:24:59.720
<v Speaker 7>that newspaper.

515
00:24:59.759 --> 00:25:02.720
<v Speaker 1>A bot. No, it doesn't excellent. I want no credit

516
00:25:02.799 --> 00:25:03.200
<v Speaker 1>in this case.

517
00:25:03.319 --> 00:25:04.799
<v Speaker 5>Do you mean to say that you can let's couple

518
00:25:04.880 --> 00:25:06.400
<v Speaker 5>yard get the praise for catching him home?

519
00:25:06.480 --> 00:25:11.039
<v Speaker 1>Why not? That's very generous of you, mister Rosey. It'll

520
00:25:11.079 --> 00:25:12.720
<v Speaker 1>make us things a lot easier for me.

521
00:25:12.960 --> 00:25:13.079
<v Speaker 2>Is it?

522
00:25:13.160 --> 00:25:13.720
<v Speaker 1>Certainly? Well?

523
00:25:13.920 --> 00:25:17.160
<v Speaker 7>Holmes? A, I can't see why you reproach yourself because

524
00:25:17.240 --> 00:25:20.359
<v Speaker 7>my dear Watson, like the Hampsteadieth murderer, I too have

525
00:25:20.559 --> 00:25:22.000
<v Speaker 7>my pride as a craftsman.

526
00:25:22.839 --> 00:25:25.160
<v Speaker 1>This case had a clearly defined pattern, and I was

527
00:25:25.200 --> 00:25:26.160
<v Speaker 1>unable to recognize it.

528
00:25:26.799 --> 00:25:28.880
<v Speaker 7>If you should have occasional to chronicle this story, Watson,

529
00:25:28.960 --> 00:25:30.200
<v Speaker 7>and I suld prefer that you didn't.

530
00:25:30.240 --> 00:25:33.440
<v Speaker 1>I I would like you to entitle it the education

531
00:25:33.720 --> 00:25:34.400
<v Speaker 1>of an idiot.

532
00:25:34.599 --> 00:25:39.119
<v Speaker 5>Oh kamla Holmes, education of an idiot? That's absurd, I know.

533
00:25:40.279 --> 00:25:44.000
<v Speaker 7>But if you do tell this story, it'll probably end

534
00:25:44.079 --> 00:25:48.480
<v Speaker 7>up as a strange case of the murderer in wax.

535
00:25:58.839 --> 00:25:58.960
<v Speaker 5>Well.

536
00:25:59.079 --> 00:26:01.640
<v Speaker 1>Doctor. That was sure as well story. You know, that's

537
00:26:01.680 --> 00:26:03.640
<v Speaker 1>the kind of story I like. Lots of actions.

538
00:26:03.680 --> 00:26:05.720
<v Speaker 5>Well, that's the kind of story I like to tell,

539
00:26:06.039 --> 00:26:06.960
<v Speaker 5>you know what's about tell.

540
00:26:07.279 --> 00:26:10.680
<v Speaker 3>Although our broadcasts were heard overseas every week through Armed

541
00:26:10.720 --> 00:26:13.279
<v Speaker 3>Forces Radio. This is one of the few occasions that

542
00:26:13.319 --> 00:26:15.960
<v Speaker 3>I've had the privilege of really telling my story directly

543
00:26:16.039 --> 00:26:19.240
<v Speaker 3>to the boys, and it's been a great pleasure for

544
00:26:19.319 --> 00:26:21.680
<v Speaker 3>me to be here at Cap Roberts Well.

545
00:26:21.759 --> 00:26:24.279
<v Speaker 2>That not only goes for you, but for me the doctor,

546
00:26:24.720 --> 00:26:28.160
<v Speaker 2>and for the Patrick family. There are no words to

547
00:26:28.240 --> 00:26:31.519
<v Speaker 2>describe how much our country owes our servicemen and to

548
00:26:31.720 --> 00:26:34.519
<v Speaker 2>all of you. The Patrie family wants to say, just

549
00:26:34.599 --> 00:26:40.079
<v Speaker 2>as every American wants to say, thanks for a swell job. Well,

550
00:26:40.160 --> 00:26:42.279
<v Speaker 2>doctor Watson, what story you're planning to tell us next week?

551
00:26:42.359 --> 00:26:42.759
<v Speaker 5>Next week?

552
00:26:42.839 --> 00:26:44.640
<v Speaker 3>Well, now, next week, mister Boutell, I'm going to tell

553
00:26:44.640 --> 00:26:46.359
<v Speaker 3>you one of the strangers.

554
00:26:45.920 --> 00:26:48.000
<v Speaker 1>Adventures that ever happened to Sherlock Holmes.

555
00:26:48.640 --> 00:26:51.240
<v Speaker 3>It takes place in her in a monastery high in

556
00:26:51.319 --> 00:26:54.720
<v Speaker 3>the mountains of Tibet, and concerns itself with an avalanche,

557
00:26:55.480 --> 00:26:58.920
<v Speaker 3>an execution, and the murder.

558
00:27:12.000 --> 00:27:12.319
<v Speaker 5>Tonight.

559
00:27:12.400 --> 00:27:15.640
<v Speaker 2>Sherlock Holmes's adventure was written by Dennis Green and Anthony Boucher,

560
00:27:16.000 --> 00:27:18.400
<v Speaker 2>and was suggested by an incident in Sir Arthur Conan

561
00:27:18.480 --> 00:27:22.640
<v Speaker 2>Doyle's story. The Adventure of the Second Stain Music is

562
00:27:22.720 --> 00:27:26.119
<v Speaker 2>by Dean Foster. Mister Rathbourne appears through the courtesy of

563
00:27:26.160 --> 00:27:28.839
<v Speaker 2>Metro Boldin Mayor and mister Bruce through the courtesy of

564
00:27:28.920 --> 00:27:31.720
<v Speaker 2>Universal Pictures, where they are now starring in the Sherlock

565
00:27:31.759 --> 00:27:32.400
<v Speaker 2>Holms series.

566
00:27:45.799 --> 00:27:47.200
<v Speaker 1>The Petry Wine Company.

567
00:27:46.920 --> 00:27:49.839
<v Speaker 2>Of San Francisco, California invites you to tune in again

568
00:27:49.920 --> 00:28:02.720
<v Speaker 2>next week, same time, same station. This is Harry Bartell's

569
00:28:02.839 --> 00:28:07.960
<v Speaker 2>in Good Night for the Petrie Family for a solid

570
00:28:08.000 --> 00:28:10.799
<v Speaker 2>hour of exciting mystery dramas. Listen every Monday night on

571
00:28:10.880 --> 00:28:13.519
<v Speaker 2>most of these same stations at eight o'clock to Michael Shane,

572
00:28:13.960 --> 00:28:15.839
<v Speaker 2>followed immediately by Sherlock Hole.

573
00:28:18.720 --> 00:28:20.720
<v Speaker 1>This is the Mutual Broadcasting System.
