Speaker 1: W m n H rip the noble sis.
Speaker 2: You're listening to Matt Connorton unleash w m n H
ninety five point three.
Speaker 3: Of course, vampires, of course, children of the night.
Speaker 4: Of course, sleep walkers.
Speaker 5: Of course, living day.
Speaker 6: Hi, hi, Hi, we are the great yard Shift.
Speaker 7: We dare you to join us to bring out the
dark this again.
Speaker 1: For tonight.
Speaker 8: Bye the sun, just like just like well what beacon, bye.
Speaker 5: Dads, until the day wreaks.
Speaker 1: We are not to know, n.
Speaker 9: I we ure.
Speaker 4: The grank godship.
Speaker 8: With day to join us.
Speaker 4: Bring out the darkness again.
Speaker 8: For tonight. But by the sons.
Speaker 6: We are the great yard Ship.
Speaker 10: We tell him to join us.
Speaker 4: Bring out the darkness again.
Speaker 8: For tonight.
Speaker 6: But by the sun.
Speaker 8: Of course.
Speaker 11: That I.
Speaker 8: Some course children of the night, some.
Speaker 5: Street walks, I colors believing right, alright, we are the
great yard Ship.
Speaker 8: With that you to join us.
Speaker 4: To bring out the gardeness again.
Speaker 12: Tonight with by the sun, we are the cry out ship.
Speaker 8: Without you to join.
Speaker 13: Us, Oh, bring out the dogs.
Speaker 4: Forget for tonight?
Speaker 14: What night.
Speaker 15: Fie?
Speaker 16: I love it. That is the darkness. The band is
Dead Harrison, and we're gonna talk with Dead Harrison in
just a moment, but welcome everybody. We have entered our
number three New Marrow trace of Matt Connorton Unleashed and
we are live in studio here at w M n
H ninety five point three f M and Glorious Manchester,
New Hampshire. And of course you can stream the show
from anywhere. Just go to Matt conorton dot com slash
live for all your live streaming options, social media links,
contact Infosho, archives, et cetera, et cetera. Today is Saturday,
October eighteen, twenty twenty five, and Dad Harrison is here.
Welcome guys. You guys got to be in the five
timers club by now right for Unleashed, Maybe more than.
Speaker 17: That over our long history together, I'm sure.
Speaker 16: Yeah, yeah, I feel like you've been on the show,
like might be in the double digits. I don't know.
I love that song though, I love the ending. That's
so cool.
Speaker 18: It's thank you, It's definitely it's definitely got a little
ode typo negative. Yes, you know one of our great influencers.
Speaker 16: Yes, yes, what album is that? From?
Speaker 18: Which one?
Speaker 16: The Darkness?
Speaker 18: Yeah? That would be the story of the Mold Trust
Oldest Yes, yes.
Speaker 19: So it's not from that at all.
Speaker 18: Oh no, the Darkness, that would be the single, that
would be, that would be.
Speaker 11: We've been doing this too long, guys, Yeah, yeah, you
guys have You guys have a lot of music.
Speaker 16: You have a large catalog of music. Uh so let's
start here, you know, you know the tradition. Andre will
start with you if you could eat. Please introduce yourselves,
tell us who you are, what you do in the band.
Speaker 18: I am Andre also known as Dre the Undead. Uh
lead singer and uh some rhythm guitar playing. Yes, yeah,
uh yeah, just uh being out there a whole lot
more than behind the kit. Yes, we have the next
person in line that's taken that place.
Speaker 20: Yes, yes, I am Thrax and I am one of
one of the the drummers in this band, because obviously
you you are a we're the drummer for for Dead Harrison.
But here I am. I think I've been in since
what twenty nineteen, Yes, I think it was wave Breakers. Yeah,
but yeah, it's been wave Breakers on in Hampton. Be
that the place doesn't exist anymore Cloud nine, Oh no,
rest of the Teeth. But to the next to me, Hey.
Speaker 17: I am Sean the Dead. I am the lead guitar
player and do a lot of backup singing and screaming
and fun stuff like that.
Speaker 11: Yes, yes, Jason, and I'm Jason Skull's the bass player,
and I also do some backup vocals as well.
Speaker 8: Yes, yes.
Speaker 16: So when did Dead Harrison start? How long is that
Harrison in?
Speaker 20: Uh?
Speaker 18: In total?
Speaker 16: Because originally because there was before before tracks?
Speaker 18: Is that?
Speaker 17: Yeah?
Speaker 20: Well you went through three names before.
Speaker 16: Well I used to call you at I know, but
are you? Are you officially like you're just Thracks for
everything now including this.
Speaker 20: I mean I'm trying to but no, I like it.
Speaker 16: I like it.
Speaker 18: It's cool.
Speaker 16: But so before before Thrax was in the band though,
so when you were, because you guys were at three
piece for a long time, right you were, you were
playing drums and that was so that was the original
iteration of the band. So when did that start? It
seems like you guys have been around a long time.
Speaker 17: Yeah, two thousand and eight time frame two thousand and eight.
Speaker 18: Yeah, at least ten years of us, like just the
three or fifteen Yeah, here's just the three of us yea.
And it was like after like the ten and eleven years,
just like I want somebody behind the kit. Yeah, I
feel like it needs something a little bit more.
Speaker 16: Right, right. So then, so this configuration has existed for
so since twenty nineteen. Yes, yeah, okay, okay, and then
we should talk about and we'll we'll circle back to it.
Of course, we'll mention it a couple of times during
this hour. But you got a big show tonight and
you're even giving away some CDs for it, so we
should tell people about that. And for those watching online,
if you're watching on Facebook or YouTube or any of
the other various platforms that we stream the video to,
you do have some CDs right there in your hands.
Speaker 18: I have, and there will be more whoever comes to
the show tonight at Terminus Underground for the Shadow Lounge event,
which is also Eleanor's birthday, Happy birthday, Happy birth Happy birthday.
And uh so uh this is uh is gonna be
a fun little gothy dance party night, and uh yeah,
we'll have some CDs for you. You come over there, you
come and enjoy some tunes, You come and dance with us,
and you just say, hey, I heard you on the show,
and guess what you get a free CD?
Speaker 16: Very nice, very nice? Yes, uh the new CD of course, uh,
None for All? And this is how many songs are.
There's a lot of songs.
Speaker 19: Yeah yeah, there's a couple extra tracks, but basically ten songs.
Speaker 16: Okay, okay, great you guys. You guys have done a
lot of If you've done any EPs or has it
all been full length albums? I don't remember.
Speaker 6: No.
Speaker 18: The thing is is like, so where the Darkness came
from was kind of based off of an EP, and
so what ended up without what did? There was a
couple of different recording sessions that we did the Darkness
came out of. Was that the one with Connor, so
that was.
Speaker 17: Did the Darkness? We did our Bad Moon Rising cover then,
and then we also did Black Collar Worker in the
Struggle in the.
Speaker 18: Struggle, and then we did a later session with Joel
which was Nameless Dream and End of the Bloodline. Those
two EPs technically will eventually be put together to be
the first half of None for All. So that EP sect,
because you have the story of the Mortuus Ortis, was
the first CD, so that's its own. Then there was
the six songs that were only put out digitally, never physically.
Oh okay, so those will eventually be put onto physical gotcha,
and that will be the first part off for none
and none for all?
Speaker 16: Oh interesting, interesting, okay? And Mortuous Artists. That was so
when I when I first met you guys, that was
the original. That was like the precursor to Dead Harrison, right, correct?
And then what was the change to becoming Dead Harrison.
I don't know, and I'm sure you've told the story
before on the show. I don't remember exactly how it went,
and of course, you know, new our listeners won't know, like, like,
how did how did you go from from uh, mortuous
Artists to becoming Dead Harrison.
Speaker 18: It was nameplay basically, in the first incarnation of trying
and putting together the guys, I was thinking of a
Halloween feel and I was just like, oh, you know,
dead Rising would be cool, But at the same time
it was a video game. It was yeah, that's not so.
I just threw Dead Rising through a Latin translator and
it came back with mortuous okay, and so I was like, oh,
that sounds cool. We ran with that for like three years.
Like as the name problem is is everybody kept misspelling it.
All I remember that they couldn't remember it, and they
couldn't pronounce it. So it was like, ah, we got
to do something different. And so that was a brainstorming
thing where I went back home and I was just like,
I'm going to throw this back into an English translator
from Latin. And it gave me Dead having a risen.
And as I was saying Dead having a risen in
my head, for some reason, George Harrison popped into my
head and I was like, Dead having a risen. Dead Harrison, Yep,
I like that, yeah, and uh yeah, So it had
like a little bit of a dark dive with beginning
with Dead, but then Harrison was just kind of like uplifting.
And I mean we could put Harrison too, like different
names and faces and whatnot, but it was just like
it was just developing a character now, you know. Now
it's a little bit more than just a name.
Speaker 21: Well.
Speaker 16: The great thing too about having a name like that
is you don't have to worry that somebody else is
going to have it, you know, whereas what Dead having
a risen, you know, there's probably some there's probably some
death metal band somewhere that has that name already, you
know what I mean, you know, and then then you know,
you go to upload it to Spotify and oh, somebody
already has his name, but but Dad Harrison, you know,
chances are I mean, I assume you have not encountered
another week.
Speaker 17: And we've trademarked the website name and everything. So yeah,
were someone else snagging it right? Yeah, that's good.
Speaker 18: Yeah, And that was.
Speaker 17: Another reason why we change it too, because like the
mortuous orders, you think it's probably some like really heavy.
Speaker 18: Everybody a black metal band.
Speaker 17: Yeah, you know you listen to us. No, it's not
quite what we are.
Speaker 18: Just a point.
Speaker 16: So the show tonight, like who else is playing?
Speaker 20: Is it?
Speaker 17: Is it just you guys?
Speaker 22: Or is that the show tonight that we're doing on
DJ and oh you are so oh okay, Dred the
Dad's going to be spinning some oh club classics, oh
club class.
Speaker 17: Oh wow, okay, And we have a show next.
Speaker 18: Week is oh point, that'll be us, That'll be the
oh okay on the twenty fifth.
Speaker 16: Oh so tell us about that.
Speaker 18: Oh that's going to be fun. Uh. I have to
kind of pull up the events so I can make
sure that I get well able.
Speaker 20: Blood's going to be on there, but nice realm oh yeah,
yeah with septic.
Speaker 16: Benthic Realm. Yeah, they were on last week. They came
in and played acoustic. I was like, wow, this is impressive.
Speaker 18: Actually, I think Able Blood is not able to play.
Speaker 17: Oh yeah, but we have which is joined oh love
which Trot.
Speaker 18: Yeah, they're going to be joining us for that one.
Speaker 17: Benthic Realm, Psychomancium that was the other one. Then the
Concept Core they're really good, and then we'll be we'll
be headlining. Yeah, and that one starts at seven pm
and it's the ritual of Sam Hayne.
Speaker 16: Who's Sam Hayne. No, I'm kidding, Harrison's brother. Yeah, very cool.
We should talk a little bit more too about so
people who aren't familiar with Terminus Underground, like like what
should people know about that? But people haven't been there.
You know what I tell everybody. I always say, the
first time you walk into that, into that room, it's
like walking into a different world.
Speaker 18: Yeah, I mean it's pretty much how it is. Because
what people don't realize is like that place is actually
our rehearsal spot, and so it's grown as like an
art of spot. Also because it's like I have my
art up on the wall. The guys all like we
have all made it into like this cool room, you know,
so it has its own feeling it has. I mean,
granted I spent countless hours in there just decorating, putting
stuff off feelings. I mean, it's just because that's what
I do.
Speaker 16: I remember when you were when you were kind of
still building it.
Speaker 17: Yeah, oh yeah.
Speaker 18: So as it grows, as it like gets new things
and new pieces and moving stuff around, and like it's
keeping a very uh homey feel, but at the same
time it kind of has like a cool little nod
to horror vibe, Like it has a creepy element, but
at the same time, like has this really comfortable, like
you're going to be comfortable dying here.
Speaker 11: It's very it's very inviting there. Yeah, yeah, really inviting spot.
Speaker 16: Yeah yeah.
Speaker 19: Everybody loves it.
Speaker 11: Every every single person I've talked to who's been there,
they're just blown away.
Speaker 23: You know.
Speaker 11: They come in they're just like, I don't believe how
incredible this is. And you can tell that, you know,
Andrea and Ellen or just really care about the scene.
I really want to make everybody feel part of it.
Whether you're in a band performing or you're an audience member.
You know, it's just there, you know, it's just a
good vibe all around, yeah.
Speaker 16: One hundred percent.
Speaker 18: Yeah, make sure it's loud, impeccable sound, yep, an atmosphere. Yeah,
and that community of people that are there. I mean
it's always just been everybody is always because you you
are a smaller group. So like when you have the
smaller group of people that people have to bump into
each other, it stirs conversations, people make new friends. Yeah,
you know. So yeah, that's what makes it like fun
and inviting.
Speaker 16: Well, it's kind of a big part of the mission too, right, yeah,
you know of can you talk a little bit about
that too, because you know, you mentioned community, which is
an important word when you're talking about a place like
that because it's not you know, obviously a sniotypical venue,
you know, and it's not for people who don't know.
It's not a bar, it's not you know, it's uh,
I mean, what how do you describe it to people?
Speaker 17: Private music club?
Speaker 18: Yeah, it's a private music club. It's like for people
who really want music, they don't want to go to
a place that's just like the bar vibe, right, you know,
this is not a place for the bar vibe. This
is a place to have that experience, like you can
get comfortable, you can sit on a couch, you can
get right up and be right there with the band,
you know, yeah, bring your own drinks. So it makes
it so much more cost effective, and at the same time,
the cover pays the bands. You know, we're not a
bar trying to get people to come in and feed
our business by having bands play. We are about the
bands and showing the talent to the world and also
for them to feel like they are able to be
rewarded with what they do, whether it's you know, monetarily,
but mainly it's like, if you're a band and you
play there, your stage sound is mint oh yeah, and
so getting your stage sound you just play so much better.
So when people see musicians there, they're seeing them at
like the top of their game because it's all encompassing
the feeling of that.
Speaker 20: Yeah. Yeah.
Speaker 16: My favorite night there that the Jenny and I have
been at was Green Jello of course.
Speaker 18: Oh yeah.
Speaker 20: It was fun.
Speaker 16: And although I was nervous for you guys too, because
because the whole night, I just it's just how my
mind works. The whole night I was thinking, I hope
nothing gets broken. I really hope nothing gets broken. It
was so many pool noodles, and apparently something did get broken,
but it wasn't anything anybody was worried about.
Speaker 18: I guess, yeah, just an artifact, but.
Speaker 16: That was a lot of fun. What are kind of
the criteria for, like, because it seems like you've had
quite a few different different kinds of of artists play there, Like,
it's been a wide variety of artists. It's not in
other words, it's not just all it's not just all metal,
it's not just all hard rocks.
Speaker 18: That's gonna probably change though, I really yeah. Next year,
moving forward, I think we're gonna go because fortunately like
the things, and that was the whole thing, is the
thing that we wanted to do was just fill that
hole that was happening in our local community of like
places to go to see original music and see good
original music, and everything has been so shut down still
or dialed back that people just are not going out
to shows as much. But now things are kind of
coming back, and we've inspired a couple of other places
in town to actually start doing shows there, so we're
gonna start hosting some of them outside of our place.
Speaker 16: Oh excellent, so excellent.
Speaker 18: We have a couple of plays like The Spot and
kettle Head over there in Nashville are like focusing more
on like having good equipment and really providing a better
experienced music listening experience.
Speaker 20: Good.
Speaker 18: So we're kind of like, it's nice to see that
start happening. But the thing is is, like, you know,
a main street venue is going to be less inclined
to do metal and darker rock, right, So now that
we have those other places out there, we can all
the musicians that have been looking for and where we've
been hosting that void can now go out there to
the general public a little bit easier. But we want
to continue like staying into like the dark and heavy
and so we're going to kind of keep it that
but focus our attention a little bit more into that
genre for the places that are missing in the public realm.
Speaker 16: Interesting. Yeah, yeah, no, I think that's great. That's very exciting.
Speaker 1: Well, I think we.
Speaker 16: Should play So we're gonna play another Dad Harrison track
and we're gonna play one three nine. But tell us
about this. What should we know about this song? Because
this is an older one, right, this is.
Speaker 11: A much older one from when we used to practice
at the Morgue over here, you know, Morgan's and and
we were practicing in this tiny room, like one of
the smallest rooms you could possibly be in. This was
this is when we're a three piece, you know, so
long ago, and it was so small. I'm like I
had to stand in front of the door to perform
or you know, to play. Yeah, and I'd have to
like you know, physically not be in front of the
door so that we could get in and out. But
we were in room one thirty nine, and I just yeah,
and I just had this idea because it was early
on and we're trying to write songs for a first
album and songs you know, to play out live. Yeah,
and I just had this song. You know, like what
if I wrote something about this room and the music
the stuff that comes out of this Yeah. And so
it just kind of came together as a store where
it turned into this you know, this guy going down
like a dark cord or like you know, way deep underground,
just like someplace where nobody is and just in there
and you know it's just dark as hell, and you know,
it comes upon a door that's just like like what
is this? It's just different than everything else. It's just
like there's something about it, and you know, he's like
there and he's like checking it out, and it's just like,
you know, it's like a portal.
Speaker 19: It's like dark.
Speaker 11: It's dark, but there's a glow to it. It's hot
but it's cold at.
Speaker 19: The same time.
Speaker 11: And then basically he ends up going inside this room
and then he goes mad, like in the room, he
can't get out. It's just, you know, all this evil
stuff is happening. You know.
Speaker 19: I was like, I took the.
Speaker 11: Idea of us performing and then it's like, you know,
it made it a lot darker, not about us at all,
but yeah, it turned out really well. And you know,
I'm proud of of writing that one.
Speaker 19: Yeah, for sure.
Speaker 16: Nice.
Speaker 17: That one's from the story of Mortuus ortis our first album.
Speaker 16: Okay, gotcha, gotcha?
Speaker 18: That is the one then my wrong Call.
Speaker 16: Yes, yes, all right, fantastic. If you're just joining us,
Dad Harrison is here and we're going to give this
a spand this is called one three nine.
Speaker 21: Don't days to do the s long Dog cordor.
Speaker 1: It was then I came afore a door, not none.
Speaker 9: The love sis.
Speaker 21: As hot, don't know, should I open it A Holls
doesn't well, but it's so very dull.
Speaker 1: I think I give a starve sooner.
Speaker 14: Dollar this song deep like I do ain't my side,
m nah.
Speaker 9: You more flooded guys.
Speaker 10: Like your voice is like being side.
Speaker 1: This is where about this begins.
Speaker 10: This room is so.
Speaker 1: Foo seems.
Speaker 8: Do the snob for no.
Speaker 14: This some I Not'm losing the by.
Speaker 24: No sting as something stung as.
Speaker 15: M stoke up.
Speaker 9: I got use it for good, don't.
Speaker 14: Know my god, then.
Speaker 1: The stout be high would develop the best.
Speaker 16: Lo that is one three nine and the band is
dead Harrison and we have Dad Harrison here with us
live in studio, and that that truck goes back aways
and Jason, you were talking off here about why why
you guys wanted to play that today?
Speaker 11: Yeah, I would like to tracks to get a little
airtime and discuss that song.
Speaker 20: That was a one of the harder songs back in
the day, at least from when I when I was
first starting off that Uh, that was like one of
the the more challenging songs. That and Evil Things too,
That was a when I was getting into playing these
songs like those are like the very challenging songs because
they're not They're not just uh regular like rock metal songs,
like yeah, there's a there's crescendos de crescendos, there's arts,
there's stops, there's goes in like, yeah.
Speaker 16: There's a lot of dynamics to it.
Speaker 20: Back then I did, I didn't have that mindset, I
guess really I wasn't. I was more like an ald
kid at least getting into like just getting into regular
punk again. And yeah, uh like even back then, like
I wasn't really like a big Typo fan. Back then
I liked them, but I wasn't like a huge fan.
But now that I've grown accustomed to like how Drey
used to play and how these guys jam, well yeah
that like I've I've had to not only like make
my drumming better, but also like my musicianship, my composition
because these guys don't think the same way as like
oh ab ab here you go. There's many different like
nuances that they do on purpose. So with one three nine,
it was very you know, step by step, like it
wasn't good when I did it the first first time,
wasn't good. These guys have allowed me to make myself
better and put my own stamp on it. Eventually, Like
the first like year year, maybe two years, I was
like meticulously just playing what what what what Dre would play.
But after after a while I was kind of like,
all right, well I could do this this, but I
still play to the same you know, idea, the same
vibe as it is. I don't I don't like go
too much out of the realm of it. And that
goes with all the songs too, So like whatever I
try to do, I try to do in earnest to
what you did first, and then like try to like
all right, maybe I can punch in here or yeah,
you know, Meldon.
Speaker 18: Will differently we have a little of your own flavor.
Speaker 20: Yeah, yeah, yeah, of course, yeah.
Speaker 17: Well and that I think it was driven a lot
by what we would choose to play live too write.
So a song like one thirty nine is a longer song.
We've really only mostly recently started to bring it out
and play it live, so it was really never prioritized.
But when we wrote our new album None for All,
that is where Thraxel really really shines, because those are
songs he took part in a writing, yeah, right, in
the creation process. There may have been one or two
that were previous carryovers that we didn't necessarily record, but
that is where first it was him learning everything, this
is what we've recorded so far so you can play
it live. And then with none for all, it was like, Okay,
now you get to put your creative touch into defining
like what these songs are. Yeah, from the rhythm.
Speaker 20: Standpoint, especially with even the early concepts. It kind of
has a story to it too, because doom Train was
the first one that I was like incorporated into because
like as you said, some of the other songs were
already like there already, but like you guys didn't do
anything with doom Train was like an organic song that
just happened out of not out of nowhere, but it
just random. So like I think that was the my
third gig I had with these guys up in northern
Maine somewhere for Doom Days. It was like three days
of like just the most awesome doom rock and metal
but also like one of the some of the most
like caring people to at a lot of good people. Yeah,
but like one morning me and Jason were just like
just waking up trying to have coffee, and like there
was a a train offset from the property and it
was coming in, but it was making it like a
certain uh beat just naturally happen, and me and him
were like, man, we should probably like make a song
about that.
Speaker 16: That's cool.
Speaker 20: And then like like we really thought everything about it,
Like we didn't want to just make it a bam bam,
here's a song. He really wanted to have something to present.
It took it took us what two years to make
that make that song fully into fruition, between jamming it
uh creating the different platforms that it would it would
jump up to the lyrics of itself, and you know,
that creativity that I didn't think would like not even
just come from me, but like organically from all of
us was like a very unique experience I didn't have
up until that point. That that kind of like the
precursor of the of that album, because there's a lot
that goes into that album. There's a lot of things
that you can take from it. Sure, a lot of dissonance,
but there's a lot of like good stuff that happens,
and it kind of wraps up at the end and yeah,
anything you really wanted, Yeah.
Speaker 11: Yeah, yeah, that's actually another song that I personally put
the lyrics to Ye, I'm not the primary songwriter, but
you know, Sean writes songs on Relight writes songs too,
so I'm just one of the pieces. But that particular
one I kind of took the helmet. I was like, okay,
doom train, we'll call it doom train. And then I
had to think, well, what is a doom train? And
I kind of went from there, and you know, it's like,
on the surface, it's just about this train that rolls
through like and just causes destruction and devastation everywhere it goes,
just in its wake.
Speaker 19: Now to me, you know, whether anyone out there believes
us or.
Speaker 11: Not, it doesn't matter. But you know, for me, it
was more about climate change is what the doom train became.
So it's like it's off in the distance, it doesn't
really mean anything. Most people dismiss it, but then it,
you know, it rolls through and it's like, oh, here
it is. You know, this thing is upon us now
and that's and it's just like everything behind it is
destructive and you know, what have you. So that's where
lyrically that came from. But yeah, to Thracks's point, musically, organically.
It just kind of came together. It's like, okay, let's
start slow where the lyrics are slow and it's like
in the distance, and then it picks up and it
you know, it ramps up and turns on like a
metal song.
Speaker 20: Yeah.
Speaker 11: And then by the end when all the destructions come
and it's just going full bores, going off the rails,
it's just you know, here we go, and then it
just moves on to the next town.
Speaker 4: Yeah.
Speaker 16: Oh no, I like that. Wow, that's great. Let's see
how much time. I want to make sure we get
so before we run out of time. I want to
make sure we talk about tonight again. Tonight and the
twenty fifth, but tonight first.
Speaker 18: Saturday Saturday Night. Saturday Saturday, come to Terminus Underground for
Shadow Lounge Golf Dance, where you can come and pick
up your free CD Dead Hairson.
Speaker 19: Tell people where it is. They don't know the address one.
Speaker 18: Four Haynes Street, Nashaua, New Hampshire, and uh yeah, you're
gonna have some fun trying to find the place. It's
a uh, it's definitely. Google Maps will send you on
a little uh chase and you'll be figuring out where
the heck you're going. You're like, is this the end
of the building. And if you're at the place and
you don't see a bunch of cars parked in front,
if you don't see a big sign that says Predium
packaging up on the building, you're at the wrong end
of the building.
Speaker 20: Now you're an actual terminus, and you might possibly.
Speaker 18: And then oh, I'm true old terminous. I'm trying to see.
Speaker 20: Oh look.
Speaker 18: We talked about that, did it. You know what, nobody's
gonna hear it. Nobody's gonna hear my mistake.
Speaker 16: Well, they'll hear it on the podcast for a mistake.
Speaker 18: But yeah, I mean Google will try and send you
around the block and put you at the wrong end
of the building. Sometimes it'll put people right at the
front door, and then other times it won't. And I
discovered why because if you look at the map itself,
if not the satellite view, but you look at like
the topographical kind of map of the roads or the
drawn out Yeah, it doesn't show our driveway connecting with
Hain Street. There's like a dead spot. Oh and I
think Google is seeing that dead spot and sends them
down the other connecting roads.
Speaker 16: The map it is hit or missed though, because for
some reason, I seem to remember the first time Jenny
and I went there, it did. It worked like it
took us straight there, It brought us straight there. But
but maybe it wasn't the first time. Maybe it was
the second time, maybe the first time we had to
look for it. I don't know, but I feel like
there was a time where it actually did bring us
straight there.
Speaker 20: But who knows.
Speaker 18: So just remember when you're going down Haynes Street and
you go past the big ball fields on your left
and you start going down the hill, keep going straight.
Do not turn with the road it turns into another road. Yeah,
going straight, you'll see a big brick building straight in
front of you. And that's the side that we're on.
Speaker 16: Yeah, yeah, outstanding.
Speaker 20: It's an uber driver's nightmare.
Speaker 16: Oh I can imagine.
Speaker 20: It's an over driver's nightmare.
Speaker 16: I can I can imagine, no doubt, no doubt. So
that what time does that start tonight? I believe seven o'clock,
doors seventh.
Speaker 18: Yeah, we're gonna just like and it's just going to
be a night of fun Cothy dance music and yep
party end.
Speaker 16: It up and they get a free CD if they
mentioned that they heard the show abs outstanding, outstanding, and
then what's coming up the twenty fifth?
Speaker 18: Twenty fifth is our Halloween show? Also a terminus underground
which you would be able to catch. Somebody say all the.
Speaker 20: Names again, my brain is the ethnic realm.
Speaker 19: Witch Trot, yes, and that herrions.
Speaker 20: They oh, oh psychomantheum okay, okay, yeah, witch Trot.
Speaker 16: It's funny, you know, they were on the show, like Jues.
It must have been three years ago now, but I
but I still have the shirt. And I was wearing
the shirt one day and Jenny and I were doing
our grocery shopping at Market Basket and Bedford, and somebody
stopped me and said, hey, witch Trot. Somebody knew the band,
and it was very excited to see me wearing the shirt.
Speaker 8: Yeah.
Speaker 16: Absolutely, yeah.
Speaker 11: I actually have a little funny story similar to that.
So a few weeks ago, my sister was visiting from
Colorado and I was with the family and we went
out to Parker's Maple Barn as some people probably know
in Mason, and you know, I come home and you know,
I'm just like whatever, and I'm like, oh, you know,
chat from the band, you know, what's going on?
Speaker 19: And Thrax had a picture of my back at Parker's
and I.
Speaker 17: Just like, huh.
Speaker 19: It was like kind of did not really compute.
Speaker 11: And it turned out like one of his friends saw me,
and I don't know if if they knew it was
me or if they just thought it was a fan,
but they saw Dead Harrison on the back of my shirt,
which is why it says dead Harrison on my shirt,
so people see it. And it was just kind of
this this funny thing that's like wow, it's like, you know,
I haven't been here in like a couple of years.
I'm hearing this other guy at the exact same time,
and he recognized the shirt friends with Tracks and like
sends him the picture. So so your point with the
witch Trot shirt, it was like one of those things
that I just recognized. Yeah, you just ever know, You
just never know, That's what and that's why we wear
these shirts.
Speaker 20: Yes, Yes, shout out to Don Richardson for being at
Parkers at the exact same time. So he's also like
a recorder producer.
Speaker 16: And I've heard the name Don Richardson.
Speaker 20: Has shout outs to Midlife Crisis Production Productions, Okay Studios,
he has his own recording studio and.
Speaker 17: Oh okay, very cool, very cool.
Speaker 16: Where should people go online to keep up with everything
Dad Harrison is doing?
Speaker 17: So they should go to our website dead Harrison dot com.
Also our Facebook page gets a ton of updates on there,
and then you can listen to us. We're on Spotify,
you know, We're on Pandora, most streaming platforms, iTunes, and
then we have physical copies of discs, mostly just of
the new one. You know, if you if you come
see us in person, we have a bunch of copies
of the new one. And I do want to talk
a little bit about the new album. Yeah, yeah, absolutely
none for all. So that's that's Uh. We recorded that
twenty fourteen.
Speaker 13: Uh.
Speaker 17: This was done at Blackheart Sound in Manchester.
Speaker 16: Oh yeah, that's a name that comes up a lot
on the show.
Speaker 13: Yeah.
Speaker 17: Yeah, So definitely this was like the probably the most
that we've put into for an album. Okay, but both
financially and just I think preparation of writing new material
for an album, making sure we were super sharp with it,
and then really having a professional experience to put it
together and have some really good sounding music for people
to listen to. Not that what we did before didn't
sound good, but it was more of a d DIY
type of setup that we had done before with our
previous stuff. So this was really doing the legit studio experience.
So we're super proud of that. And we talked about
doom Train earlier that there's a few other songs where
we really got to put some of our experimentation into
play where you really get kind of an auditory journey
when you're listening through the song. We really kind of
spent that time to take care and make sure everything
flowed together well right, Yeah, and we had that creative
license to do that there with a really good recording
engineer and mastering Eric amazing.
Speaker 16: Yeah, Absolutely everything he does is great and well in
a moment, So we're gonna yea the time time goes quick,
but in a moment we're gonna wrap up with Terror
Grinder and anything we should know about that specifically other
than sure my personal favorite, it sounds like it's a
favorite of a lot of people.
Speaker 17: Yeah, and I actually wrote that song quite a few
years back, but we never really materialized it into kind
of the heavy song that it was. It was when
we kind of just played with that first probably a
good I don't know, five or six years ago, yeah,
maybe even longer. And and we for this one, we
really put it together, made sure we had some turn
into kind of this heavy song and it's sort of
about this this terror Grinder, this big sort of hard
to describe but massive force, just kind of going through
and destroying everything in its wake. And you can probably
draw different analogies too. Is this something physical? Is this
something like with the world around us right now? Stuff
like that. I'll leave that for the listener to decide
how they feel about it. But it more is just
it's a cool tune as well to listen to and
kind of go you know oo, you know, you kind
of go around with it, and we have a good
time with it live like getting people to get involved
with it and stuff. So yeah, that's why I think
it's it's a favorite, because people like singing along with
songs and you know, yeah, going along with it.
Speaker 16: So yeah, absolutely, no, great great track. Well Dead, Harrison,
thank you all so much, Thank you all four of
you for coming in. This has been amazing, Thanks for
having us, having us absolutely absolutely we will close out
the segment with Tara Grinder and by Dead Harrison And
thanks to everyone who uh checked us out today, everyone
who listened, and of course are our wonderful guests.
Speaker 25: Uh.
Speaker 16: And if you miss any part of today's show, it
will be up in just a little bit at w
M and hradio dot org and at my website Matt
Connorton dot com. And that's gonna do it for us.
For now, we'll talk to ya a little bit later.
Speaker 12: Bye, everybody.
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the days a round jobs on far.
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a tree.
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Speaker 16: Today's show is dedicated to the memory of Ace Frehley.
Speaker 2: If you're listening to macconnorton Unleashed on WM and Ahnwy.
Speaker 16: Five point three and now the world radio premiere of
the new single from Box of Trash, This is called Nightmare.
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