1 00:00:00,720 --> 00:00:03,759 Speaker 1: W m n H rip the noble sis. 2 00:00:06,519 --> 00:00:11,199 Speaker 2: You're listening to Matt Connorton unleash w m n H 3 00:00:11,320 --> 00:01:00,159 ninety five point three. 4 00:01:01,159 --> 00:01:13,159 Speaker 3: Of course, vampires, of course, children of the night. 5 00:01:17,480 --> 00:01:21,480 Speaker 4: Of course, sleep walkers. 6 00:01:25,560 --> 00:01:34,159 Speaker 5: Of course, living day. 7 00:01:35,000 --> 00:01:45,400 Speaker 6: Hi, hi, Hi, we are the great yard Shift. 8 00:01:49,439 --> 00:01:59,359 Speaker 7: We dare you to join us to bring out the 9 00:01:59,599 --> 00:02:01,040 dark this again. 10 00:02:05,400 --> 00:02:06,079 Speaker 1: For tonight. 11 00:02:07,159 --> 00:02:41,240 Speaker 8: Bye the sun, just like just like well what beacon, bye. 12 00:02:46,439 --> 00:02:50,479 Speaker 5: Dads, until the day wreaks. 13 00:02:55,039 --> 00:03:03,879 Speaker 1: We are not to know, n. 14 00:03:05,719 --> 00:03:11,479 Speaker 9: I we ure. 15 00:03:12,439 --> 00:03:15,039 Speaker 4: The grank godship. 16 00:03:18,199 --> 00:03:21,199 Speaker 8: With day to join us. 17 00:03:26,120 --> 00:03:29,639 Speaker 4: Bring out the darkness again. 18 00:03:33,960 --> 00:03:38,280 Speaker 8: For tonight. But by the sons. 19 00:04:12,319 --> 00:04:15,639 Speaker 6: We are the great yard Ship. 20 00:04:19,759 --> 00:04:22,720 Speaker 10: We tell him to join us. 21 00:04:27,800 --> 00:04:31,279 Speaker 4: Bring out the darkness again. 22 00:04:35,519 --> 00:04:36,160 Speaker 8: For tonight. 23 00:04:37,199 --> 00:04:39,000 Speaker 6: But by the sun. 24 00:05:06,040 --> 00:05:07,000 Speaker 8: Of course. 25 00:05:08,560 --> 00:05:09,000 Speaker 11: That I. 26 00:05:16,000 --> 00:05:26,199 Speaker 8: Some course children of the night, some. 27 00:05:28,600 --> 00:05:55,040 Speaker 5: Street walks, I colors believing right, alright, we are the 28 00:05:55,199 --> 00:05:56,639 great yard Ship. 29 00:06:00,839 --> 00:06:03,839 Speaker 8: With that you to join us. 30 00:06:08,759 --> 00:06:14,199 Speaker 4: To bring out the gardeness again. 31 00:06:17,040 --> 00:06:29,079 Speaker 12: Tonight with by the sun, we are the cry out ship. 32 00:06:35,279 --> 00:06:38,519 Speaker 8: Without you to join. 33 00:06:38,360 --> 00:06:49,120 Speaker 13: Us, Oh, bring out the dogs. 34 00:06:50,759 --> 00:06:55,720 Speaker 4: Forget for tonight? 35 00:06:59,399 --> 00:07:00,040 Speaker 14: What night. 36 00:07:02,319 --> 00:07:02,680 Speaker 15: Fie? 37 00:07:39,759 --> 00:07:41,759 Speaker 16: I love it. That is the darkness. The band is 38 00:07:41,839 --> 00:07:44,199 Dead Harrison, and we're gonna talk with Dead Harrison in 39 00:07:44,240 --> 00:07:46,480 just a moment, but welcome everybody. We have entered our 40 00:07:46,519 --> 00:07:49,199 number three New Marrow trace of Matt Connorton Unleashed and 41 00:07:49,240 --> 00:07:52,560 we are live in studio here at w M n 42 00:07:52,759 --> 00:07:55,600 H ninety five point three f M and Glorious Manchester, 43 00:07:55,680 --> 00:07:57,279 New Hampshire. And of course you can stream the show 44 00:07:57,279 --> 00:07:59,519 from anywhere. Just go to Matt conorton dot com slash 45 00:07:59,639 --> 00:08:02,399 live for all your live streaming options, social media links, 46 00:08:02,399 --> 00:08:05,759 contact Infosho, archives, et cetera, et cetera. Today is Saturday, 47 00:08:05,800 --> 00:08:09,560 October eighteen, twenty twenty five, and Dad Harrison is here. 48 00:08:09,560 --> 00:08:13,079 Welcome guys. You guys got to be in the five 49 00:08:13,120 --> 00:08:16,519 timers club by now right for Unleashed, Maybe more than. 50 00:08:16,399 --> 00:08:20,759 Speaker 17: That over our long history together, I'm sure. 51 00:08:20,920 --> 00:08:22,759 Speaker 16: Yeah, yeah, I feel like you've been on the show, 52 00:08:22,879 --> 00:08:25,399 like might be in the double digits. I don't know. 53 00:08:27,360 --> 00:08:29,160 I love that song though, I love the ending. That's 54 00:08:29,160 --> 00:08:29,600 so cool. 55 00:08:29,759 --> 00:08:38,159 Speaker 18: It's thank you, It's definitely it's definitely got a little 56 00:08:38,240 --> 00:08:43,759 ode typo negative. Yes, you know one of our great influencers. 57 00:08:43,879 --> 00:08:46,120 Speaker 16: Yes, yes, what album is that? From? 58 00:08:46,919 --> 00:08:47,399 Speaker 18: Which one? 59 00:08:47,519 --> 00:08:48,399 Speaker 16: The Darkness? 60 00:08:48,519 --> 00:08:51,320 Speaker 18: Yeah? That would be the story of the Mold Trust 61 00:08:51,399 --> 00:08:53,480 Oldest Yes, yes. 62 00:08:53,840 --> 00:08:55,600 Speaker 19: So it's not from that at all. 63 00:08:56,240 --> 00:09:06,879 Speaker 18: Oh no, the Darkness, that would be the single, that 64 00:09:06,879 --> 00:09:08,879 would be, that would be. 65 00:09:10,120 --> 00:09:12,720 Speaker 11: We've been doing this too long, guys, Yeah, yeah, you 66 00:09:12,720 --> 00:09:14,759 guys have You guys have a lot of music. 67 00:09:14,879 --> 00:09:17,720 Speaker 16: You have a large catalog of music. Uh so let's 68 00:09:17,720 --> 00:09:20,519 start here, you know, you know the tradition. Andre will 69 00:09:20,519 --> 00:09:22,919 start with you if you could eat. Please introduce yourselves, 70 00:09:23,080 --> 00:09:24,600 tell us who you are, what you do in the band. 71 00:09:25,360 --> 00:09:29,120 Speaker 18: I am Andre also known as Dre the Undead. Uh 72 00:09:29,639 --> 00:09:36,600 lead singer and uh some rhythm guitar playing. Yes, yeah, 73 00:09:36,759 --> 00:09:41,320 uh yeah, just uh being out there a whole lot 74 00:09:41,360 --> 00:09:43,639 more than behind the kit. Yes, we have the next 75 00:09:43,679 --> 00:09:46,080 person in line that's taken that place. 76 00:09:46,399 --> 00:09:50,720 Speaker 20: Yes, yes, I am Thrax and I am one of 77 00:09:51,000 --> 00:09:54,159 one of the the drummers in this band, because obviously 78 00:09:54,399 --> 00:09:59,080 you you are a we're the drummer for for Dead Harrison. 79 00:09:59,120 --> 00:10:02,279 But here I am. I think I've been in since 80 00:10:02,360 --> 00:10:08,600 what twenty nineteen, Yes, I think it was wave Breakers. Yeah, 81 00:10:08,600 --> 00:10:11,840 but yeah, it's been wave Breakers on in Hampton. Be 82 00:10:12,039 --> 00:10:15,159 that the place doesn't exist anymore Cloud nine, Oh no, 83 00:10:15,480 --> 00:10:20,399 rest of the Teeth. But to the next to me, Hey. 84 00:10:20,240 --> 00:10:22,279 Speaker 17: I am Sean the Dead. I am the lead guitar 85 00:10:22,399 --> 00:10:26,600 player and do a lot of backup singing and screaming 86 00:10:26,799 --> 00:10:28,120 and fun stuff like that. 87 00:10:28,399 --> 00:10:32,080 Speaker 11: Yes, yes, Jason, and I'm Jason Skull's the bass player, 88 00:10:32,120 --> 00:10:34,600 and I also do some backup vocals as well. 89 00:10:34,840 --> 00:10:35,639 Speaker 8: Yes, yes. 90 00:10:36,080 --> 00:10:37,799 Speaker 16: So when did Dead Harrison start? How long is that 91 00:10:37,840 --> 00:10:38,320 Harrison in? 92 00:10:38,960 --> 00:10:39,960 Speaker 20: Uh? 93 00:10:40,159 --> 00:10:40,600 Speaker 18: In total? 94 00:10:40,799 --> 00:10:45,240 Speaker 16: Because originally because there was before before tracks? 95 00:10:45,519 --> 00:10:46,440 Speaker 18: Is that? 96 00:10:46,120 --> 00:10:46,320 Speaker 17: Yeah? 97 00:10:46,759 --> 00:10:48,360 Speaker 20: Well you went through three names before. 98 00:10:49,799 --> 00:10:53,279 Speaker 16: Well I used to call you at I know, but 99 00:10:53,399 --> 00:10:55,480 are you? Are you officially like you're just Thracks for 100 00:10:55,519 --> 00:10:56,480 everything now including this. 101 00:10:56,600 --> 00:10:58,679 Speaker 20: I mean I'm trying to but no, I like it. 102 00:10:58,720 --> 00:10:59,120 Speaker 16: I like it. 103 00:10:59,120 --> 00:10:59,519 Speaker 18: It's cool. 104 00:10:59,759 --> 00:11:02,279 Speaker 16: But so before before Thrax was in the band though, 105 00:11:02,320 --> 00:11:04,200 so when you were, because you guys were at three 106 00:11:04,200 --> 00:11:05,960 piece for a long time, right you were, you were 107 00:11:05,960 --> 00:11:09,039 playing drums and that was so that was the original 108 00:11:09,159 --> 00:11:11,120 iteration of the band. So when did that start? It 109 00:11:11,120 --> 00:11:12,799 seems like you guys have been around a long time. 110 00:11:12,879 --> 00:11:16,080 Speaker 17: Yeah, two thousand and eight time frame two thousand and eight. 111 00:11:16,159 --> 00:11:20,720 Speaker 18: Yeah, at least ten years of us, like just the 112 00:11:20,799 --> 00:11:23,759 three or fifteen Yeah, here's just the three of us yea. 113 00:11:23,759 --> 00:11:26,159 And it was like after like the ten and eleven years, 114 00:11:26,240 --> 00:11:30,360 just like I want somebody behind the kit. Yeah, I 115 00:11:30,360 --> 00:11:33,240 feel like it needs something a little bit more. 116 00:11:33,240 --> 00:11:38,039 Speaker 16: Right, right. So then, so this configuration has existed for 117 00:11:38,279 --> 00:11:41,879 so since twenty nineteen. Yes, yeah, okay, okay, and then 118 00:11:42,720 --> 00:11:45,320 we should talk about and we'll we'll circle back to it. 119 00:11:45,360 --> 00:11:47,480 Of course, we'll mention it a couple of times during 120 00:11:47,480 --> 00:11:50,080 this hour. But you got a big show tonight and 121 00:11:50,120 --> 00:11:51,840 you're even giving away some CDs for it, so we 122 00:11:51,879 --> 00:11:54,480 should tell people about that. And for those watching online, 123 00:11:54,519 --> 00:11:56,399 if you're watching on Facebook or YouTube or any of 124 00:11:56,399 --> 00:11:59,159 the other various platforms that we stream the video to, 125 00:11:59,399 --> 00:12:01,799 you do have some CDs right there in your hands. 126 00:12:01,840 --> 00:12:05,879 Speaker 18: I have, and there will be more whoever comes to 127 00:12:05,960 --> 00:12:09,559 the show tonight at Terminus Underground for the Shadow Lounge event, 128 00:12:09,919 --> 00:12:16,919 which is also Eleanor's birthday, Happy birthday, Happy birth Happy birthday. 129 00:12:17,039 --> 00:12:20,879 And uh so uh this is uh is gonna be 130 00:12:20,919 --> 00:12:26,080 a fun little gothy dance party night, and uh yeah, 131 00:12:26,200 --> 00:12:29,159 we'll have some CDs for you. You come over there, you 132 00:12:29,200 --> 00:12:32,399 come and enjoy some tunes, You come and dance with us, 133 00:12:32,720 --> 00:12:34,919 and you just say, hey, I heard you on the show, 134 00:12:35,000 --> 00:12:37,919 and guess what you get a free CD? 135 00:12:38,399 --> 00:12:43,240 Speaker 16: Very nice, very nice? Yes, uh the new CD of course, uh, 136 00:12:43,679 --> 00:12:47,039 None for All? And this is how many songs are. 137 00:12:47,159 --> 00:12:47,840 There's a lot of songs. 138 00:12:49,320 --> 00:12:52,399 Speaker 19: Yeah yeah, there's a couple extra tracks, but basically ten songs. 139 00:12:52,440 --> 00:12:55,120 Speaker 16: Okay, okay, great you guys. You guys have done a 140 00:12:55,159 --> 00:12:57,159 lot of If you've done any EPs or has it 141 00:12:57,200 --> 00:12:58,879 all been full length albums? I don't remember. 142 00:12:59,080 --> 00:12:59,240 Speaker 6: No. 143 00:12:59,759 --> 00:13:02,240 Speaker 18: The thing is is like, so where the Darkness came 144 00:13:02,279 --> 00:13:06,360 from was kind of based off of an EP, and 145 00:13:06,440 --> 00:13:10,440 so what ended up without what did? There was a 146 00:13:10,559 --> 00:13:14,240 couple of different recording sessions that we did the Darkness 147 00:13:14,399 --> 00:13:19,840 came out of. Was that the one with Connor, so 148 00:13:19,879 --> 00:13:20,399 that was. 149 00:13:23,159 --> 00:13:25,720 Speaker 17: Did the Darkness? We did our Bad Moon Rising cover then, 150 00:13:26,279 --> 00:13:31,200 and then we also did Black Collar Worker in the 151 00:13:31,240 --> 00:13:32,000 Struggle in the. 152 00:13:31,960 --> 00:13:36,879 Speaker 18: Struggle, and then we did a later session with Joel 153 00:13:37,240 --> 00:13:43,879 which was Nameless Dream and End of the Bloodline. Those 154 00:13:45,039 --> 00:13:50,279 two EPs technically will eventually be put together to be 155 00:13:50,879 --> 00:13:56,600 the first half of None for All. So that EP sect, 156 00:13:57,120 --> 00:13:59,879 because you have the story of the Mortuus Ortis, was 157 00:14:00,120 --> 00:14:02,320 the first CD, so that's its own. Then there was 158 00:14:03,279 --> 00:14:07,360 the six songs that were only put out digitally, never physically. 159 00:14:07,559 --> 00:14:11,440 Oh okay, so those will eventually be put onto physical gotcha, 160 00:14:11,639 --> 00:14:14,159 and that will be the first part off for none 161 00:14:14,679 --> 00:14:15,440 and none for all? 162 00:14:15,679 --> 00:14:21,679 Speaker 16: Oh interesting, interesting, okay? And Mortuous Artists. That was so 163 00:14:21,840 --> 00:14:23,440 when I when I first met you guys, that was 164 00:14:23,480 --> 00:14:26,840 the original. That was like the precursor to Dead Harrison, right, correct? 165 00:14:26,960 --> 00:14:29,519 And then what was the change to becoming Dead Harrison. 166 00:14:29,519 --> 00:14:32,279 I don't know, and I'm sure you've told the story 167 00:14:32,279 --> 00:14:34,480 before on the show. I don't remember exactly how it went, 168 00:14:34,559 --> 00:14:36,799 and of course, you know, new our listeners won't know, like, like, 169 00:14:36,840 --> 00:14:39,679 how did how did you go from from uh, mortuous 170 00:14:39,759 --> 00:14:41,039 Artists to becoming Dead Harrison. 171 00:14:41,759 --> 00:14:47,679 Speaker 18: It was nameplay basically, in the first incarnation of trying 172 00:14:48,399 --> 00:14:52,559 and putting together the guys, I was thinking of a 173 00:14:52,600 --> 00:14:56,039 Halloween feel and I was just like, oh, you know, 174 00:14:56,159 --> 00:14:58,679 dead Rising would be cool, But at the same time 175 00:14:58,720 --> 00:15:01,360 it was a video game. It was yeah, that's not so. 176 00:15:01,440 --> 00:15:04,679 I just threw Dead Rising through a Latin translator and 177 00:15:04,720 --> 00:15:08,840 it came back with mortuous okay, and so I was like, oh, 178 00:15:09,000 --> 00:15:12,159 that sounds cool. We ran with that for like three years. 179 00:15:12,679 --> 00:15:16,399 Like as the name problem is is everybody kept misspelling it. 180 00:15:16,440 --> 00:15:19,840 All I remember that they couldn't remember it, and they 181 00:15:19,840 --> 00:15:24,399 couldn't pronounce it. So it was like, ah, we got 182 00:15:24,399 --> 00:15:26,960 to do something different. And so that was a brainstorming 183 00:15:27,039 --> 00:15:29,080 thing where I went back home and I was just like, 184 00:15:29,159 --> 00:15:31,720 I'm going to throw this back into an English translator 185 00:15:31,759 --> 00:15:35,600 from Latin. And it gave me Dead having a risen. 186 00:15:36,840 --> 00:15:40,639 And as I was saying Dead having a risen in 187 00:15:40,720 --> 00:15:44,759 my head, for some reason, George Harrison popped into my 188 00:15:44,799 --> 00:15:48,519 head and I was like, Dead having a risen. Dead Harrison, Yep, 189 00:15:49,080 --> 00:15:51,879 I like that, yeah, and uh yeah, So it had 190 00:15:51,919 --> 00:15:57,200 like a little bit of a dark dive with beginning 191 00:15:57,200 --> 00:15:59,799 with Dead, but then Harrison was just kind of like uplifting. 192 00:15:59,840 --> 00:16:02,480 And I mean we could put Harrison too, like different 193 00:16:03,200 --> 00:16:05,600 names and faces and whatnot, but it was just like 194 00:16:05,840 --> 00:16:09,080 it was just developing a character now, you know. Now 195 00:16:09,120 --> 00:16:12,159 it's a little bit more than just a name. 196 00:16:12,360 --> 00:16:12,519 Speaker 21: Well. 197 00:16:12,519 --> 00:16:14,000 Speaker 16: The great thing too about having a name like that 198 00:16:14,080 --> 00:16:16,039 is you don't have to worry that somebody else is 199 00:16:16,080 --> 00:16:19,879 going to have it, you know, whereas what Dead having 200 00:16:19,879 --> 00:16:22,159 a risen, you know, there's probably some there's probably some 201 00:16:22,279 --> 00:16:24,240 death metal band somewhere that has that name already, you 202 00:16:24,240 --> 00:16:26,519 know what I mean, you know, and then then you know, 203 00:16:26,600 --> 00:16:28,519 you go to upload it to Spotify and oh, somebody 204 00:16:28,559 --> 00:16:31,000 already has his name, but but Dad Harrison, you know, 205 00:16:31,200 --> 00:16:33,159 chances are I mean, I assume you have not encountered 206 00:16:33,200 --> 00:16:33,840 another week. 207 00:16:35,000 --> 00:16:38,679 Speaker 17: And we've trademarked the website name and everything. So yeah, 208 00:16:38,879 --> 00:16:43,000 were someone else snagging it right? Yeah, that's good. 209 00:16:43,080 --> 00:16:43,919 Speaker 18: Yeah, And that was. 210 00:16:43,879 --> 00:16:46,080 Speaker 17: Another reason why we change it too, because like the 211 00:16:46,200 --> 00:16:49,159 mortuous orders, you think it's probably some like really heavy. 212 00:16:49,120 --> 00:16:50,919 Speaker 18: Everybody a black metal band. 213 00:16:51,080 --> 00:16:53,039 Speaker 17: Yeah, you know you listen to us. No, it's not 214 00:16:53,120 --> 00:16:54,039 quite what we are. 215 00:16:55,840 --> 00:16:56,399 Speaker 18: Just a point. 216 00:16:59,759 --> 00:17:01,919 Speaker 16: So the show tonight, like who else is playing? 217 00:17:01,960 --> 00:17:02,200 Speaker 20: Is it? 218 00:17:02,240 --> 00:17:02,960 Speaker 17: Is it just you guys? 219 00:17:03,039 --> 00:17:05,799 Speaker 22: Or is that the show tonight that we're doing on 220 00:17:06,000 --> 00:17:09,799 DJ and oh you are so oh okay, Dred the 221 00:17:10,000 --> 00:17:14,079 Dad's going to be spinning some oh club classics, oh 222 00:17:14,119 --> 00:17:15,079 club class. 223 00:17:14,839 --> 00:17:17,359 Speaker 17: Oh wow, okay, And we have a show next. 224 00:17:17,119 --> 00:17:20,720 Speaker 18: Week is oh point, that'll be us, That'll be the 225 00:17:21,200 --> 00:17:24,039 oh okay on the twenty fifth. 226 00:17:24,240 --> 00:17:25,680 Speaker 16: Oh so tell us about that. 227 00:17:26,279 --> 00:17:30,279 Speaker 18: Oh that's going to be fun. Uh. I have to 228 00:17:30,359 --> 00:17:32,240 kind of pull up the events so I can make 229 00:17:32,240 --> 00:17:33,200 sure that I get well able. 230 00:17:33,240 --> 00:17:36,559 Speaker 20: Blood's going to be on there, but nice realm oh yeah, 231 00:17:36,680 --> 00:17:38,039 yeah with septic. 232 00:17:39,160 --> 00:17:42,039 Speaker 16: Benthic Realm. Yeah, they were on last week. They came 233 00:17:42,039 --> 00:17:45,000 in and played acoustic. I was like, wow, this is impressive. 234 00:17:45,240 --> 00:17:48,359 Speaker 18: Actually, I think Able Blood is not able to play. 235 00:17:48,519 --> 00:17:52,759 Speaker 17: Oh yeah, but we have which is joined oh love 236 00:17:52,799 --> 00:17:53,279 which Trot. 237 00:17:53,440 --> 00:17:55,599 Speaker 18: Yeah, they're going to be joining us for that one. 238 00:17:55,839 --> 00:18:00,640 Speaker 17: Benthic Realm, Psychomancium that was the other one. Then the 239 00:18:00,880 --> 00:18:04,000 Concept Core they're really good, and then we'll be we'll 240 00:18:04,039 --> 00:18:06,960 be headlining. Yeah, and that one starts at seven pm 241 00:18:07,039 --> 00:18:10,079 and it's the ritual of Sam Hayne. 242 00:18:12,799 --> 00:18:23,680 Speaker 16: Who's Sam Hayne. No, I'm kidding, Harrison's brother. Yeah, very cool. 243 00:18:23,799 --> 00:18:25,359 We should talk a little bit more too about so 244 00:18:25,400 --> 00:18:29,079 people who aren't familiar with Terminus Underground, like like what 245 00:18:29,119 --> 00:18:31,000 should people know about that? But people haven't been there. 246 00:18:31,039 --> 00:18:32,480 You know what I tell everybody. I always say, the 247 00:18:32,480 --> 00:18:34,400 first time you walk into that, into that room, it's 248 00:18:34,440 --> 00:18:35,720 like walking into a different world. 249 00:18:36,519 --> 00:18:39,880 Speaker 18: Yeah, I mean it's pretty much how it is. Because 250 00:18:41,400 --> 00:18:46,960 what people don't realize is like that place is actually 251 00:18:47,039 --> 00:18:50,440 our rehearsal spot, and so it's grown as like an 252 00:18:50,559 --> 00:18:53,000 art of spot. Also because it's like I have my 253 00:18:53,119 --> 00:18:56,039 art up on the wall. The guys all like we 254 00:18:56,119 --> 00:19:00,799 have all made it into like this cool room, you know, 255 00:19:00,920 --> 00:19:03,079 so it has its own feeling it has. I mean, 256 00:19:03,119 --> 00:19:06,640 granted I spent countless hours in there just decorating, putting 257 00:19:06,640 --> 00:19:09,799 stuff off feelings. I mean, it's just because that's what 258 00:19:09,839 --> 00:19:10,160 I do. 259 00:19:10,319 --> 00:19:12,000 Speaker 16: I remember when you were when you were kind of 260 00:19:12,039 --> 00:19:12,839 still building it. 261 00:19:13,000 --> 00:19:14,160 Speaker 17: Yeah, oh yeah. 262 00:19:14,200 --> 00:19:17,240 Speaker 18: So as it grows, as it like gets new things 263 00:19:17,279 --> 00:19:20,559 and new pieces and moving stuff around, and like it's 264 00:19:20,640 --> 00:19:25,599 keeping a very uh homey feel, but at the same 265 00:19:25,680 --> 00:19:30,240 time it kind of has like a cool little nod 266 00:19:30,319 --> 00:19:34,559 to horror vibe, Like it has a creepy element, but 267 00:19:34,680 --> 00:19:37,720 at the same time, like has this really comfortable, like 268 00:19:37,960 --> 00:19:39,640 you're going to be comfortable dying here. 269 00:19:41,519 --> 00:19:45,720 Speaker 11: It's very it's very inviting there. Yeah, yeah, really inviting spot. 270 00:19:45,880 --> 00:19:46,400 Speaker 16: Yeah yeah. 271 00:19:46,680 --> 00:19:47,559 Speaker 19: Everybody loves it. 272 00:19:48,039 --> 00:19:50,319 Speaker 11: Every every single person I've talked to who's been there, 273 00:19:51,519 --> 00:19:52,480 they're just blown away. 274 00:19:52,599 --> 00:19:52,920 Speaker 23: You know. 275 00:19:52,960 --> 00:19:55,359 Speaker 11: They come in they're just like, I don't believe how 276 00:19:55,359 --> 00:19:57,720 incredible this is. And you can tell that, you know, 277 00:19:57,759 --> 00:20:00,480 Andrea and Ellen or just really care about the scene. 278 00:20:00,799 --> 00:20:03,279 I really want to make everybody feel part of it. 279 00:20:03,319 --> 00:20:07,160 Whether you're in a band performing or you're an audience member. 280 00:20:07,799 --> 00:20:09,599 You know, it's just there, you know, it's just a 281 00:20:09,640 --> 00:20:11,279 good vibe all around, yeah. 282 00:20:11,200 --> 00:20:11,960 Speaker 16: One hundred percent. 283 00:20:12,160 --> 00:20:17,519 Speaker 18: Yeah, make sure it's loud, impeccable sound, yep, an atmosphere. Yeah, 284 00:20:17,680 --> 00:20:20,440 and that community of people that are there. I mean 285 00:20:20,440 --> 00:20:23,920 it's always just been everybody is always because you you 286 00:20:24,000 --> 00:20:28,079 are a smaller group. So like when you have the 287 00:20:28,680 --> 00:20:31,599 smaller group of people that people have to bump into 288 00:20:31,640 --> 00:20:35,319 each other, it stirs conversations, people make new friends. Yeah, 289 00:20:35,480 --> 00:20:40,240 you know. So yeah, that's what makes it like fun 290 00:20:40,279 --> 00:20:40,920 and inviting. 291 00:20:41,400 --> 00:20:43,960 Speaker 16: Well, it's kind of a big part of the mission too, right, yeah, 292 00:20:44,079 --> 00:20:47,200 you know of can you talk a little bit about 293 00:20:47,200 --> 00:20:49,039 that too, because you know, you mentioned community, which is 294 00:20:49,079 --> 00:20:50,839 an important word when you're talking about a place like 295 00:20:50,880 --> 00:20:53,400 that because it's not you know, obviously a sniotypical venue, 296 00:20:53,559 --> 00:20:55,039 you know, and it's not for people who don't know. 297 00:20:55,079 --> 00:20:59,000 It's not a bar, it's not you know, it's uh, 298 00:20:59,039 --> 00:21:01,039 I mean, what how do you describe it to people? 299 00:21:01,240 --> 00:21:02,200 Speaker 17: Private music club? 300 00:21:02,319 --> 00:21:05,200 Speaker 18: Yeah, it's a private music club. It's like for people 301 00:21:05,240 --> 00:21:08,880 who really want music, they don't want to go to 302 00:21:08,960 --> 00:21:11,720 a place that's just like the bar vibe, right, you know, 303 00:21:11,799 --> 00:21:13,640 this is not a place for the bar vibe. This 304 00:21:13,680 --> 00:21:16,640 is a place to have that experience, like you can 305 00:21:16,680 --> 00:21:18,519 get comfortable, you can sit on a couch, you can 306 00:21:18,519 --> 00:21:20,920 get right up and be right there with the band, 307 00:21:21,559 --> 00:21:25,960 you know, yeah, bring your own drinks. So it makes 308 00:21:26,000 --> 00:21:29,920 it so much more cost effective, and at the same time, 309 00:21:31,160 --> 00:21:36,480 the cover pays the bands. You know, we're not a 310 00:21:36,519 --> 00:21:39,359 bar trying to get people to come in and feed 311 00:21:39,400 --> 00:21:43,240 our business by having bands play. We are about the 312 00:21:43,279 --> 00:21:46,559 bands and showing the talent to the world and also 313 00:21:46,599 --> 00:21:49,400 for them to feel like they are able to be 314 00:21:49,599 --> 00:21:53,440 rewarded with what they do, whether it's you know, monetarily, 315 00:21:53,839 --> 00:21:58,799 but mainly it's like, if you're a band and you 316 00:21:58,960 --> 00:22:05,160 play there, your stage sound is mint oh yeah, and 317 00:22:05,240 --> 00:22:09,920 so getting your stage sound you just play so much better. 318 00:22:10,000 --> 00:22:13,559 So when people see musicians there, they're seeing them at 319 00:22:13,599 --> 00:22:17,839 like the top of their game because it's all encompassing 320 00:22:17,920 --> 00:22:19,519 the feeling of that. 321 00:22:19,920 --> 00:22:20,920 Speaker 20: Yeah. Yeah. 322 00:22:21,279 --> 00:22:24,920 Speaker 16: My favorite night there that the Jenny and I have 323 00:22:24,920 --> 00:22:26,680 been at was Green Jello of course. 324 00:22:28,000 --> 00:22:28,559 Speaker 18: Oh yeah. 325 00:22:28,720 --> 00:22:29,319 Speaker 20: It was fun. 326 00:22:29,359 --> 00:22:31,839 Speaker 16: And although I was nervous for you guys too, because 327 00:22:31,960 --> 00:22:33,519 because the whole night, I just it's just how my 328 00:22:33,559 --> 00:22:35,519 mind works. The whole night I was thinking, I hope 329 00:22:35,519 --> 00:22:38,319 nothing gets broken. I really hope nothing gets broken. It 330 00:22:38,440 --> 00:22:41,759 was so many pool noodles, and apparently something did get broken, 331 00:22:42,119 --> 00:22:43,839 but it wasn't anything anybody was worried about. 332 00:22:43,880 --> 00:22:50,200 Speaker 18: I guess, yeah, just an artifact, but. 333 00:22:50,200 --> 00:22:52,559 Speaker 16: That was a lot of fun. What are kind of 334 00:22:52,559 --> 00:22:55,519 the criteria for, like, because it seems like you've had 335 00:22:55,599 --> 00:23:00,319 quite a few different different kinds of of artists play there, Like, 336 00:23:00,759 --> 00:23:03,559 it's been a wide variety of artists. It's not in 337 00:23:03,559 --> 00:23:05,799 other words, it's not just all it's not just all metal, 338 00:23:05,799 --> 00:23:07,400 it's not just all hard rocks. 339 00:23:07,440 --> 00:23:11,599 Speaker 18: That's gonna probably change though, I really yeah. Next year, 340 00:23:11,680 --> 00:23:16,119 moving forward, I think we're gonna go because fortunately like 341 00:23:16,200 --> 00:23:18,160 the things, and that was the whole thing, is the 342 00:23:18,160 --> 00:23:22,039 thing that we wanted to do was just fill that 343 00:23:22,200 --> 00:23:26,039 hole that was happening in our local community of like 344 00:23:26,160 --> 00:23:28,799 places to go to see original music and see good 345 00:23:28,799 --> 00:23:34,160 original music, and everything has been so shut down still 346 00:23:34,279 --> 00:23:37,279 or dialed back that people just are not going out 347 00:23:37,359 --> 00:23:40,480 to shows as much. But now things are kind of 348 00:23:40,480 --> 00:23:44,160 coming back, and we've inspired a couple of other places 349 00:23:44,200 --> 00:23:48,279 in town to actually start doing shows there, so we're 350 00:23:48,279 --> 00:23:52,000 gonna start hosting some of them outside of our place. 351 00:23:52,079 --> 00:23:53,599 Speaker 16: Oh excellent, so excellent. 352 00:23:53,640 --> 00:23:55,920 Speaker 18: We have a couple of plays like The Spot and 353 00:23:56,079 --> 00:24:02,279 kettle Head over there in Nashville are like focusing more 354 00:24:02,359 --> 00:24:08,920 on like having good equipment and really providing a better 355 00:24:09,000 --> 00:24:11,039 experienced music listening experience. 356 00:24:11,119 --> 00:24:11,359 Speaker 20: Good. 357 00:24:11,680 --> 00:24:14,640 Speaker 18: So we're kind of like, it's nice to see that 358 00:24:15,000 --> 00:24:18,480 start happening. But the thing is is, like, you know, 359 00:24:19,079 --> 00:24:22,240 a main street venue is going to be less inclined 360 00:24:22,400 --> 00:24:28,559 to do metal and darker rock, right, So now that 361 00:24:28,640 --> 00:24:32,240 we have those other places out there, we can all 362 00:24:32,279 --> 00:24:35,400 the musicians that have been looking for and where we've 363 00:24:35,440 --> 00:24:39,599 been hosting that void can now go out there to 364 00:24:39,680 --> 00:24:42,799 the general public a little bit easier. But we want 365 00:24:42,839 --> 00:24:46,440 to continue like staying into like the dark and heavy 366 00:24:46,480 --> 00:24:48,680 and so we're going to kind of keep it that 367 00:24:48,880 --> 00:24:51,799 but focus our attention a little bit more into that 368 00:24:51,920 --> 00:24:55,200 genre for the places that are missing in the public realm. 369 00:24:55,279 --> 00:24:58,480 Speaker 16: Interesting. Yeah, yeah, no, I think that's great. That's very exciting. 370 00:25:00,000 --> 00:25:00,440 Speaker 1: Well, I think we. 371 00:25:00,440 --> 00:25:03,119 Speaker 16: Should play So we're gonna play another Dad Harrison track 372 00:25:03,799 --> 00:25:06,279 and we're gonna play one three nine. But tell us 373 00:25:06,279 --> 00:25:08,480 about this. What should we know about this song? Because 374 00:25:08,480 --> 00:25:10,400 this is an older one, right, this is. 375 00:25:10,359 --> 00:25:13,559 Speaker 11: A much older one from when we used to practice 376 00:25:13,559 --> 00:25:19,599 at the Morgue over here, you know, Morgan's and and 377 00:25:20,160 --> 00:25:22,400 we were practicing in this tiny room, like one of 378 00:25:22,400 --> 00:25:24,839 the smallest rooms you could possibly be in. This was 379 00:25:25,240 --> 00:25:26,799 this is when we're a three piece, you know, so 380 00:25:26,920 --> 00:25:29,119 long ago, and it was so small. I'm like I 381 00:25:29,160 --> 00:25:32,240 had to stand in front of the door to perform 382 00:25:32,519 --> 00:25:35,000 or you know, to play. Yeah, and I'd have to 383 00:25:35,079 --> 00:25:37,680 like you know, physically not be in front of the 384 00:25:37,680 --> 00:25:40,279 door so that we could get in and out. But 385 00:25:40,480 --> 00:25:43,920 we were in room one thirty nine, and I just yeah, 386 00:25:43,920 --> 00:25:45,640 and I just had this idea because it was early 387 00:25:45,680 --> 00:25:48,200 on and we're trying to write songs for a first 388 00:25:48,240 --> 00:25:51,079 album and songs you know, to play out live. Yeah, 389 00:25:51,079 --> 00:25:52,480 and I just had this song. You know, like what 390 00:25:52,519 --> 00:25:55,440 if I wrote something about this room and the music 391 00:25:55,480 --> 00:25:58,200 the stuff that comes out of this Yeah. And so 392 00:25:58,240 --> 00:26:00,880 it just kind of came together as a store where 393 00:26:01,680 --> 00:26:04,680 it turned into this you know, this guy going down 394 00:26:05,240 --> 00:26:08,799 like a dark cord or like you know, way deep underground, 395 00:26:09,240 --> 00:26:12,240 just like someplace where nobody is and just in there 396 00:26:12,319 --> 00:26:16,440 and you know it's just dark as hell, and you know, 397 00:26:16,480 --> 00:26:20,000 it comes upon a door that's just like like what 398 00:26:20,240 --> 00:26:22,279 is this? It's just different than everything else. It's just 399 00:26:22,279 --> 00:26:24,599 like there's something about it, and you know, he's like 400 00:26:24,640 --> 00:26:26,599 there and he's like checking it out, and it's just like, 401 00:26:27,680 --> 00:26:28,559 you know, it's like a portal. 402 00:26:28,599 --> 00:26:29,400 Speaker 19: It's like dark. 403 00:26:29,480 --> 00:26:32,799 Speaker 11: It's dark, but there's a glow to it. It's hot 404 00:26:32,880 --> 00:26:33,799 but it's cold at. 405 00:26:33,759 --> 00:26:34,359 Speaker 19: The same time. 406 00:26:34,839 --> 00:26:37,720 Speaker 11: And then basically he ends up going inside this room 407 00:26:38,200 --> 00:26:40,720 and then he goes mad, like in the room, he 408 00:26:40,759 --> 00:26:43,279 can't get out. It's just, you know, all this evil 409 00:26:43,279 --> 00:26:44,799 stuff is happening. You know. 410 00:26:44,839 --> 00:26:46,559 Speaker 19: I was like, I took the. 411 00:26:46,519 --> 00:26:48,759 Speaker 11: Idea of us performing and then it's like, you know, 412 00:26:49,000 --> 00:26:51,279 it made it a lot darker, not about us at all, 413 00:26:52,759 --> 00:26:55,599 but yeah, it turned out really well. And you know, 414 00:26:56,279 --> 00:26:57,799 I'm proud of of writing that one. 415 00:26:58,039 --> 00:26:58,839 Speaker 19: Yeah, for sure. 416 00:26:59,039 --> 00:26:59,880 Speaker 16: Nice. 417 00:27:00,039 --> 00:27:02,480 Speaker 17: That one's from the story of Mortuus ortis our first album. 418 00:27:02,519 --> 00:27:03,880 Speaker 16: Okay, gotcha, gotcha? 419 00:27:03,920 --> 00:27:07,440 Speaker 18: That is the one then my wrong Call. 420 00:27:08,440 --> 00:27:12,000 Speaker 16: Yes, yes, all right, fantastic. If you're just joining us, 421 00:27:12,079 --> 00:27:14,200 Dad Harrison is here and we're going to give this 422 00:27:14,200 --> 00:29:30,440 a spand this is called one three nine. 423 00:28:47,160 --> 00:28:56,960 Speaker 21: Don't days to do the s long Dog cordor. 424 00:29:00,839 --> 00:29:10,240 Speaker 1: It was then I came afore a door, not none. 425 00:29:11,079 --> 00:30:09,640 Speaker 9: The love sis. 426 00:29:41,480 --> 00:29:46,839 Speaker 21: As hot, don't know, should I open it A Holls 427 00:29:47,839 --> 00:29:50,160 doesn't well, but it's so very dull. 428 00:29:51,160 --> 00:29:53,559 Speaker 1: I think I give a starve sooner. 429 00:29:53,359 --> 00:30:25,440 Speaker 14: Dollar this song deep like I do ain't my side, 430 00:30:25,640 --> 00:30:27,519 m nah. 431 00:30:32,759 --> 00:30:35,279 Speaker 9: You more flooded guys. 432 00:30:48,559 --> 00:30:51,559 Speaker 10: Like your voice is like being side. 433 00:30:52,400 --> 00:30:54,720 Speaker 1: This is where about this begins. 434 00:30:54,920 --> 00:30:56,880 Speaker 10: This room is so. 435 00:30:57,359 --> 00:31:08,759 Speaker 1: Foo seems. 436 00:31:05,799 --> 00:31:07,920 Speaker 8: Do the snob for no. 437 00:31:55,839 --> 00:31:59,799 Speaker 14: This some I Not'm losing the by. 438 00:32:01,519 --> 00:33:59,000 Speaker 24: No sting as something stung as. 439 00:34:00,119 --> 00:34:06,680 Speaker 15: M stoke up. 440 00:34:07,720 --> 00:34:10,199 Speaker 9: I got use it for good, don't. 441 00:34:21,639 --> 00:34:24,039 Speaker 14: Know my god, then. 442 00:34:32,239 --> 00:34:38,360 Speaker 1: The stout be high would develop the best. 443 00:34:48,599 --> 00:35:36,199 Speaker 16: Lo that is one three nine and the band is 444 00:35:36,320 --> 00:35:38,440 dead Harrison and we have Dad Harrison here with us 445 00:35:38,920 --> 00:35:43,679 live in studio, and that that truck goes back aways 446 00:35:44,360 --> 00:35:48,280 and Jason, you were talking off here about why why 447 00:35:48,320 --> 00:35:49,559 you guys wanted to play that today? 448 00:35:49,880 --> 00:35:52,440 Speaker 11: Yeah, I would like to tracks to get a little 449 00:35:52,440 --> 00:35:54,159 airtime and discuss that song. 450 00:35:54,920 --> 00:35:59,119 Speaker 20: That was a one of the harder songs back in 451 00:35:59,159 --> 00:36:01,639 the day, at least from when I when I was 452 00:36:02,000 --> 00:36:04,840 first starting off that Uh, that was like one of 453 00:36:04,920 --> 00:36:08,239 the the more challenging songs. That and Evil Things too, 454 00:36:09,159 --> 00:36:13,079 That was a when I was getting into playing these 455 00:36:13,199 --> 00:36:17,360 songs like those are like the very challenging songs because 456 00:36:17,360 --> 00:36:22,440 they're not They're not just uh regular like rock metal songs, 457 00:36:22,480 --> 00:36:26,079 like yeah, there's a there's crescendos de crescendos, there's arts, 458 00:36:26,119 --> 00:36:28,440 there's stops, there's goes in like, yeah. 459 00:36:28,280 --> 00:36:29,519 Speaker 16: There's a lot of dynamics to it. 460 00:36:29,719 --> 00:36:32,360 Speaker 20: Back then I did, I didn't have that mindset, I 461 00:36:32,440 --> 00:36:35,639 guess really I wasn't. I was more like an ald 462 00:36:35,760 --> 00:36:39,599 kid at least getting into like just getting into regular 463 00:36:39,679 --> 00:36:44,039 punk again. And yeah, uh like even back then, like 464 00:36:44,119 --> 00:36:46,519 I wasn't really like a big Typo fan. Back then 465 00:36:46,599 --> 00:36:48,400 I liked them, but I wasn't like a huge fan. 466 00:36:48,480 --> 00:36:52,280 But now that I've grown accustomed to like how Drey 467 00:36:52,400 --> 00:36:55,960 used to play and how these guys jam, well yeah 468 00:36:56,159 --> 00:36:58,960 that like I've I've had to not only like make 469 00:36:59,159 --> 00:37:04,039 my drumming better, but also like my musicianship, my composition 470 00:37:04,199 --> 00:37:07,039 because these guys don't think the same way as like 471 00:37:07,239 --> 00:37:10,960 oh ab ab here you go. There's many different like 472 00:37:11,119 --> 00:37:15,639 nuances that they do on purpose. So with one three nine, 473 00:37:15,719 --> 00:37:19,800 it was very you know, step by step, like it 474 00:37:19,880 --> 00:37:22,400 wasn't good when I did it the first first time, 475 00:37:22,599 --> 00:37:28,119 wasn't good. These guys have allowed me to make myself 476 00:37:28,199 --> 00:37:31,199 better and put my own stamp on it. Eventually, Like 477 00:37:31,280 --> 00:37:34,400 the first like year year, maybe two years, I was 478 00:37:34,519 --> 00:37:38,239 like meticulously just playing what what what what Dre would play. 479 00:37:38,920 --> 00:37:41,199 But after after a while I was kind of like, 480 00:37:41,400 --> 00:37:44,679 all right, well I could do this this, but I 481 00:37:44,760 --> 00:37:48,119 still play to the same you know, idea, the same 482 00:37:48,679 --> 00:37:51,000 vibe as it is. I don't I don't like go 483 00:37:51,320 --> 00:37:53,920 too much out of the realm of it. And that 484 00:37:54,000 --> 00:37:57,039 goes with all the songs too, So like whatever I 485 00:37:57,159 --> 00:37:58,960 try to do, I try to do in earnest to 486 00:37:59,559 --> 00:38:02,000 what you did first, and then like try to like 487 00:38:02,159 --> 00:38:04,519 all right, maybe I can punch in here or yeah, 488 00:38:04,519 --> 00:38:05,480 you know, Meldon. 489 00:38:05,199 --> 00:38:07,480 Speaker 18: Will differently we have a little of your own flavor. 490 00:38:07,599 --> 00:38:09,079 Speaker 20: Yeah, yeah, yeah, of course, yeah. 491 00:38:09,519 --> 00:38:11,480 Speaker 17: Well and that I think it was driven a lot 492 00:38:11,599 --> 00:38:14,280 by what we would choose to play live too write. 493 00:38:14,440 --> 00:38:17,840 So a song like one thirty nine is a longer song. 494 00:38:19,039 --> 00:38:22,159 We've really only mostly recently started to bring it out 495 00:38:22,199 --> 00:38:25,000 and play it live, so it was really never prioritized. 496 00:38:25,960 --> 00:38:29,039 But when we wrote our new album None for All, 497 00:38:30,599 --> 00:38:34,960 that is where Thraxel really really shines, because those are 498 00:38:35,039 --> 00:38:37,960 songs he took part in a writing, yeah, right, in 499 00:38:38,039 --> 00:38:40,320 the creation process. There may have been one or two 500 00:38:40,400 --> 00:38:43,679 that were previous carryovers that we didn't necessarily record, but 501 00:38:45,639 --> 00:38:48,079 that is where first it was him learning everything, this 502 00:38:48,199 --> 00:38:50,400 is what we've recorded so far so you can play 503 00:38:50,480 --> 00:38:52,960 it live. And then with none for all, it was like, Okay, 504 00:38:53,039 --> 00:38:56,519 now you get to put your creative touch into defining 505 00:38:56,599 --> 00:38:59,280 like what these songs are. Yeah, from the rhythm. 506 00:38:59,079 --> 00:39:04,280 Speaker 20: Standpoint, especially with even the early concepts. It kind of 507 00:39:04,320 --> 00:39:07,280 has a story to it too, because doom Train was 508 00:39:07,360 --> 00:39:13,320 the first one that I was like incorporated into because 509 00:39:13,360 --> 00:39:15,039 like as you said, some of the other songs were 510 00:39:15,079 --> 00:39:17,800 already like there already, but like you guys didn't do 511 00:39:17,840 --> 00:39:20,800 anything with doom Train was like an organic song that 512 00:39:20,960 --> 00:39:23,760 just happened out of not out of nowhere, but it 513 00:39:24,360 --> 00:39:30,360 just random. So like I think that was the my 514 00:39:30,599 --> 00:39:34,679 third gig I had with these guys up in northern 515 00:39:34,719 --> 00:39:39,400 Maine somewhere for Doom Days. It was like three days 516 00:39:39,400 --> 00:39:43,119 of like just the most awesome doom rock and metal 517 00:39:43,920 --> 00:39:45,880 but also like one of the some of the most 518 00:39:45,960 --> 00:39:49,000 like caring people to at a lot of good people. Yeah, 519 00:39:50,159 --> 00:39:52,800 but like one morning me and Jason were just like 520 00:39:53,039 --> 00:39:55,840 just waking up trying to have coffee, and like there 521 00:39:55,920 --> 00:39:59,840 was a a train offset from the property and it 522 00:39:59,880 --> 00:40:01,440 was coming in, but it was making it like a 523 00:40:01,559 --> 00:40:06,719 certain uh beat just naturally happen, and me and him 524 00:40:06,760 --> 00:40:08,679 were like, man, we should probably like make a song 525 00:40:08,719 --> 00:40:09,079 about that. 526 00:40:09,840 --> 00:40:10,320 Speaker 16: That's cool. 527 00:40:10,440 --> 00:40:14,480 Speaker 20: And then like like we really thought everything about it, 528 00:40:14,599 --> 00:40:16,800 Like we didn't want to just make it a bam bam, 529 00:40:16,920 --> 00:40:21,079 here's a song. He really wanted to have something to present. 530 00:40:21,159 --> 00:40:24,400 It took it took us what two years to make 531 00:40:25,400 --> 00:40:29,840 that make that song fully into fruition, between jamming it 532 00:40:30,719 --> 00:40:34,800 uh creating the different platforms that it would it would 533 00:40:34,880 --> 00:40:38,280 jump up to the lyrics of itself, and you know, 534 00:40:39,320 --> 00:40:43,400 that creativity that I didn't think would like not even 535 00:40:43,480 --> 00:40:45,440 just come from me, but like organically from all of 536 00:40:45,519 --> 00:40:49,039 us was like a very unique experience I didn't have 537 00:40:49,199 --> 00:40:51,800 up until that point. That that kind of like the 538 00:40:51,920 --> 00:40:55,280 precursor of the of that album, because there's a lot 539 00:40:55,480 --> 00:40:57,639 that goes into that album. There's a lot of things 540 00:40:58,039 --> 00:41:01,320 that you can take from it. Sure, a lot of dissonance, 541 00:41:01,360 --> 00:41:03,239 but there's a lot of like good stuff that happens, 542 00:41:03,280 --> 00:41:05,360 and it kind of wraps up at the end and yeah, 543 00:41:05,760 --> 00:41:07,639 anything you really wanted, Yeah. 544 00:41:07,679 --> 00:41:12,039 Speaker 11: Yeah, yeah, that's actually another song that I personally put 545 00:41:12,079 --> 00:41:15,840 the lyrics to Ye, I'm not the primary songwriter, but 546 00:41:16,360 --> 00:41:19,559 you know, Sean writes songs on Relight writes songs too, 547 00:41:19,639 --> 00:41:22,199 so I'm just one of the pieces. But that particular 548 00:41:22,360 --> 00:41:24,199 one I kind of took the helmet. I was like, okay, 549 00:41:24,320 --> 00:41:26,719 doom train, we'll call it doom train. And then I 550 00:41:26,800 --> 00:41:28,559 had to think, well, what is a doom train? And 551 00:41:29,039 --> 00:41:31,840 I kind of went from there, and you know, it's like, 552 00:41:32,519 --> 00:41:34,880 on the surface, it's just about this train that rolls 553 00:41:34,960 --> 00:41:39,039 through like and just causes destruction and devastation everywhere it goes, 554 00:41:39,159 --> 00:41:39,880 just in its wake. 555 00:41:40,559 --> 00:41:45,920 Speaker 19: Now to me, you know, whether anyone out there believes 556 00:41:46,000 --> 00:41:46,239 us or. 557 00:41:46,280 --> 00:41:48,800 Speaker 11: Not, it doesn't matter. But you know, for me, it 558 00:41:48,960 --> 00:41:51,679 was more about climate change is what the doom train became. 559 00:41:52,159 --> 00:41:54,039 So it's like it's off in the distance, it doesn't 560 00:41:54,079 --> 00:41:58,039 really mean anything. Most people dismiss it, but then it, 561 00:41:58,360 --> 00:41:59,960 you know, it rolls through and it's like, oh, here 562 00:42:00,239 --> 00:42:02,559 it is. You know, this thing is upon us now 563 00:42:02,599 --> 00:42:06,639 and that's and it's just like everything behind it is 564 00:42:07,159 --> 00:42:09,760 destructive and you know, what have you. So that's where 565 00:42:10,239 --> 00:42:15,039 lyrically that came from. But yeah, to Thracks's point, musically, organically. 566 00:42:15,079 --> 00:42:17,440 It just kind of came together. It's like, okay, let's 567 00:42:17,480 --> 00:42:20,519 start slow where the lyrics are slow and it's like 568 00:42:20,639 --> 00:42:22,719 in the distance, and then it picks up and it 569 00:42:22,960 --> 00:42:24,440 you know, it ramps up and turns on like a 570 00:42:24,519 --> 00:42:25,039 metal song. 571 00:42:25,239 --> 00:42:25,440 Speaker 20: Yeah. 572 00:42:25,440 --> 00:42:28,239 Speaker 11: And then by the end when all the destructions come 573 00:42:28,280 --> 00:42:31,199 and it's just going full bores, going off the rails, 574 00:42:31,239 --> 00:42:34,719 it's just you know, here we go, and then it 575 00:42:34,840 --> 00:42:36,039 just moves on to the next town. 576 00:42:36,280 --> 00:42:36,519 Speaker 4: Yeah. 577 00:42:37,159 --> 00:42:41,559 Speaker 16: Oh no, I like that. Wow, that's great. Let's see 578 00:42:41,559 --> 00:42:43,199 how much time. I want to make sure we get 579 00:42:43,679 --> 00:42:45,440 so before we run out of time. I want to 580 00:42:45,480 --> 00:42:49,440 make sure we talk about tonight again. Tonight and the 581 00:42:49,480 --> 00:42:52,000 twenty fifth, but tonight first. 582 00:42:52,519 --> 00:42:57,320 Speaker 18: Saturday Saturday Night. Saturday Saturday, come to Terminus Underground for 583 00:42:57,639 --> 00:43:01,960 Shadow Lounge Golf Dance, where you can come and pick 584 00:43:02,079 --> 00:43:04,519 up your free CD Dead Hairson. 585 00:43:06,519 --> 00:43:09,239 Speaker 19: Tell people where it is. They don't know the address one. 586 00:43:09,760 --> 00:43:15,719 Speaker 18: Four Haynes Street, Nashaua, New Hampshire, and uh yeah, you're 587 00:43:15,719 --> 00:43:18,320 gonna have some fun trying to find the place. It's 588 00:43:18,400 --> 00:43:22,039 a uh, it's definitely. Google Maps will send you on 589 00:43:22,119 --> 00:43:25,519 a little uh chase and you'll be figuring out where 590 00:43:25,679 --> 00:43:28,840 the heck you're going. You're like, is this the end 591 00:43:28,920 --> 00:43:31,599 of the building. And if you're at the place and 592 00:43:31,719 --> 00:43:34,480 you don't see a bunch of cars parked in front, 593 00:43:34,679 --> 00:43:37,440 if you don't see a big sign that says Predium 594 00:43:37,559 --> 00:43:40,239 packaging up on the building, you're at the wrong end 595 00:43:40,320 --> 00:43:40,840 of the building. 596 00:43:41,519 --> 00:43:44,559 Speaker 20: Now you're an actual terminus, and you might possibly. 597 00:43:44,159 --> 00:43:50,760 Speaker 18: And then oh, I'm true old terminous. I'm trying to see. 598 00:43:50,840 --> 00:43:51,800 Speaker 20: Oh look. 599 00:43:59,000 --> 00:44:02,960 Speaker 18: We talked about that, did it. You know what, nobody's 600 00:44:03,039 --> 00:44:06,000 gonna hear it. Nobody's gonna hear my mistake. 601 00:44:06,719 --> 00:44:09,719 Speaker 16: Well, they'll hear it on the podcast for a mistake. 602 00:44:12,119 --> 00:44:14,880 Speaker 18: But yeah, I mean Google will try and send you 603 00:44:15,119 --> 00:44:18,039 around the block and put you at the wrong end 604 00:44:18,079 --> 00:44:20,599 of the building. Sometimes it'll put people right at the 605 00:44:20,639 --> 00:44:24,119 front door, and then other times it won't. And I 606 00:44:24,280 --> 00:44:28,039 discovered why because if you look at the map itself, 607 00:44:28,159 --> 00:44:30,719 if not the satellite view, but you look at like 608 00:44:31,119 --> 00:44:34,119 the topographical kind of map of the roads or the 609 00:44:34,280 --> 00:44:40,239 drawn out Yeah, it doesn't show our driveway connecting with 610 00:44:40,480 --> 00:44:44,280 Hain Street. There's like a dead spot. Oh and I 611 00:44:44,400 --> 00:44:47,679 think Google is seeing that dead spot and sends them 612 00:44:47,840 --> 00:44:50,239 down the other connecting roads. 613 00:44:51,119 --> 00:44:53,280 Speaker 16: The map it is hit or missed though, because for 614 00:44:53,440 --> 00:44:55,360 some reason, I seem to remember the first time Jenny 615 00:44:55,400 --> 00:44:57,719 and I went there, it did. It worked like it 616 00:44:57,840 --> 00:45:00,519 took us straight there, It brought us straight there. But 617 00:45:01,280 --> 00:45:03,239 but maybe it wasn't the first time. Maybe it was 618 00:45:03,280 --> 00:45:04,760 the second time, maybe the first time we had to 619 00:45:04,800 --> 00:45:07,079 look for it. I don't know, but I feel like 620 00:45:07,159 --> 00:45:09,079 there was a time where it actually did bring us 621 00:45:09,079 --> 00:45:09,400 straight there. 622 00:45:09,480 --> 00:45:10,039 Speaker 20: But who knows. 623 00:45:10,400 --> 00:45:13,280 Speaker 18: So just remember when you're going down Haynes Street and 624 00:45:13,360 --> 00:45:16,039 you go past the big ball fields on your left 625 00:45:16,400 --> 00:45:19,480 and you start going down the hill, keep going straight. 626 00:45:19,719 --> 00:45:23,320 Do not turn with the road it turns into another road. Yeah, 627 00:45:23,519 --> 00:45:26,679 going straight, you'll see a big brick building straight in 628 00:45:26,719 --> 00:45:28,400 front of you. And that's the side that we're on. 629 00:45:28,719 --> 00:45:30,679 Speaker 16: Yeah, yeah, outstanding. 630 00:45:30,800 --> 00:45:32,239 Speaker 20: It's an uber driver's nightmare. 631 00:45:32,800 --> 00:45:33,599 Speaker 16: Oh I can imagine. 632 00:45:33,639 --> 00:45:34,880 Speaker 20: It's an over driver's nightmare. 633 00:45:35,119 --> 00:45:38,880 Speaker 16: I can I can imagine, no doubt, no doubt. So 634 00:45:39,039 --> 00:45:42,719 that what time does that start tonight? I believe seven o'clock, 635 00:45:42,800 --> 00:45:43,599 doors seventh. 636 00:45:43,719 --> 00:45:46,000 Speaker 18: Yeah, we're gonna just like and it's just going to 637 00:45:46,039 --> 00:45:49,119 be a night of fun Cothy dance music and yep 638 00:45:50,000 --> 00:45:50,559 party end. 639 00:45:50,519 --> 00:45:52,159 Speaker 16: It up and they get a free CD if they 640 00:45:52,199 --> 00:45:55,880 mentioned that they heard the show abs outstanding, outstanding, and 641 00:45:55,960 --> 00:45:57,320 then what's coming up the twenty fifth? 642 00:45:57,599 --> 00:46:01,000 Speaker 18: Twenty fifth is our Halloween show? Also a terminus underground 643 00:46:01,440 --> 00:46:05,480 which you would be able to catch. Somebody say all the. 644 00:46:05,559 --> 00:46:10,519 Speaker 20: Names again, my brain is the ethnic realm. 645 00:46:12,079 --> 00:46:17,239 Speaker 19: Witch Trot, yes, and that herrions. 646 00:46:19,480 --> 00:46:27,679 Speaker 20: They oh, oh psychomantheum okay, okay, yeah, witch Trot. 647 00:46:27,719 --> 00:46:29,159 Speaker 16: It's funny, you know, they were on the show, like Jues. 648 00:46:29,199 --> 00:46:31,079 It must have been three years ago now, but I 649 00:46:31,239 --> 00:46:32,400 but I still have the shirt. And I was wearing 650 00:46:32,400 --> 00:46:33,880 the shirt one day and Jenny and I were doing 651 00:46:33,920 --> 00:46:36,719 our grocery shopping at Market Basket and Bedford, and somebody 652 00:46:37,079 --> 00:46:39,719 stopped me and said, hey, witch Trot. Somebody knew the band, 653 00:46:39,760 --> 00:46:42,239 and it was very excited to see me wearing the shirt. 654 00:46:42,679 --> 00:46:42,880 Speaker 8: Yeah. 655 00:46:43,000 --> 00:46:43,960 Speaker 16: Absolutely, yeah. 656 00:46:44,320 --> 00:46:46,639 Speaker 11: I actually have a little funny story similar to that. 657 00:46:46,920 --> 00:46:49,840 So a few weeks ago, my sister was visiting from 658 00:46:49,880 --> 00:46:52,760 Colorado and I was with the family and we went 659 00:46:52,840 --> 00:46:55,400 out to Parker's Maple Barn as some people probably know 660 00:46:55,679 --> 00:46:59,360 in Mason, and you know, I come home and you know, 661 00:46:59,440 --> 00:47:01,039 I'm just like whatever, and I'm like, oh, you know, 662 00:47:01,199 --> 00:47:03,039 chat from the band, you know, what's going on? 663 00:47:03,559 --> 00:47:08,679 Speaker 19: And Thrax had a picture of my back at Parker's 664 00:47:09,119 --> 00:47:09,320 and I. 665 00:47:09,400 --> 00:47:10,800 Speaker 17: Just like, huh. 666 00:47:11,320 --> 00:47:13,920 Speaker 19: It was like kind of did not really compute. 667 00:47:14,400 --> 00:47:17,079 Speaker 11: And it turned out like one of his friends saw me, 668 00:47:17,199 --> 00:47:20,000 and I don't know if if they knew it was 669 00:47:20,159 --> 00:47:21,639 me or if they just thought it was a fan, 670 00:47:21,760 --> 00:47:23,719 but they saw Dead Harrison on the back of my shirt, 671 00:47:23,760 --> 00:47:26,360 which is why it says dead Harrison on my shirt, 672 00:47:26,400 --> 00:47:28,840 so people see it. And it was just kind of 673 00:47:28,880 --> 00:47:31,599 this this funny thing that's like wow, it's like, you know, 674 00:47:31,639 --> 00:47:33,400 I haven't been here in like a couple of years. 675 00:47:33,440 --> 00:47:35,800 I'm hearing this other guy at the exact same time, 676 00:47:35,840 --> 00:47:38,920 and he recognized the shirt friends with Tracks and like 677 00:47:39,360 --> 00:47:42,159 sends him the picture. So so your point with the 678 00:47:42,199 --> 00:47:43,960 witch Trot shirt, it was like one of those things 679 00:47:44,000 --> 00:47:46,800 that I just recognized. Yeah, you just ever know, You 680 00:47:46,920 --> 00:47:49,280 just never know, That's what and that's why we wear 681 00:47:49,360 --> 00:47:49,840 these shirts. 682 00:47:49,960 --> 00:47:53,800 Speaker 20: Yes, Yes, shout out to Don Richardson for being at 683 00:47:53,920 --> 00:47:56,280 Parkers at the exact same time. So he's also like 684 00:47:56,320 --> 00:47:57,679 a recorder producer. 685 00:47:57,400 --> 00:48:00,039 Speaker 16: And I've heard the name Don Richardson. 686 00:48:00,360 --> 00:48:04,760 Speaker 20: Has shout outs to Midlife Crisis Production Productions, Okay Studios, 687 00:48:04,880 --> 00:48:07,000 he has his own recording studio and. 688 00:48:07,760 --> 00:48:09,440 Speaker 17: Oh okay, very cool, very cool. 689 00:48:10,840 --> 00:48:12,800 Speaker 16: Where should people go online to keep up with everything 690 00:48:12,880 --> 00:48:13,760 Dad Harrison is doing? 691 00:48:13,920 --> 00:48:16,360 Speaker 17: So they should go to our website dead Harrison dot com. 692 00:48:17,119 --> 00:48:20,760 Also our Facebook page gets a ton of updates on there, 693 00:48:21,239 --> 00:48:23,360 and then you can listen to us. We're on Spotify, 694 00:48:24,280 --> 00:48:28,480 you know, We're on Pandora, most streaming platforms, iTunes, and 695 00:48:28,559 --> 00:48:30,840 then we have physical copies of discs, mostly just of 696 00:48:30,920 --> 00:48:33,320 the new one. You know, if you if you come 697 00:48:33,360 --> 00:48:35,119 see us in person, we have a bunch of copies 698 00:48:35,159 --> 00:48:36,559 of the new one. And I do want to talk 699 00:48:36,559 --> 00:48:39,159 a little bit about the new album. Yeah, yeah, absolutely 700 00:48:39,360 --> 00:48:41,920 none for all. So that's that's Uh. We recorded that 701 00:48:42,599 --> 00:48:43,400 twenty fourteen. 702 00:48:43,920 --> 00:48:44,039 Speaker 13: Uh. 703 00:48:44,760 --> 00:48:47,880 Speaker 17: This was done at Blackheart Sound in Manchester. 704 00:48:48,159 --> 00:48:50,119 Speaker 16: Oh yeah, that's a name that comes up a lot 705 00:48:50,280 --> 00:48:50,719 on the show. 706 00:48:50,800 --> 00:48:51,000 Speaker 13: Yeah. 707 00:48:51,079 --> 00:48:53,960 Speaker 17: Yeah, So definitely this was like the probably the most 708 00:48:54,039 --> 00:48:56,960 that we've put into for an album. Okay, but both 709 00:48:57,039 --> 00:49:02,039 financially and just I think preparation of writing new material 710 00:49:02,679 --> 00:49:04,920 for an album, making sure we were super sharp with it, 711 00:49:05,039 --> 00:49:07,559 and then really having a professional experience to put it 712 00:49:07,599 --> 00:49:12,000 together and have some really good sounding music for people 713 00:49:12,079 --> 00:49:14,840 to listen to. Not that what we did before didn't 714 00:49:14,920 --> 00:49:17,440 sound good, but it was more of a d DIY 715 00:49:17,880 --> 00:49:20,480 type of setup that we had done before with our 716 00:49:20,519 --> 00:49:24,599 previous stuff. So this was really doing the legit studio experience. 717 00:49:25,119 --> 00:49:28,440 So we're super proud of that. And we talked about 718 00:49:28,480 --> 00:49:31,000 doom Train earlier that there's a few other songs where 719 00:49:31,039 --> 00:49:34,760 we really got to put some of our experimentation into 720 00:49:34,840 --> 00:49:38,599 play where you really get kind of an auditory journey 721 00:49:38,760 --> 00:49:41,320 when you're listening through the song. We really kind of 722 00:49:41,400 --> 00:49:43,760 spent that time to take care and make sure everything 723 00:49:43,880 --> 00:49:47,400 flowed together well right, Yeah, and we had that creative 724 00:49:47,440 --> 00:49:50,440 license to do that there with a really good recording 725 00:49:50,480 --> 00:49:54,000 engineer and mastering Eric amazing. 726 00:49:54,119 --> 00:49:58,000 Speaker 16: Yeah, Absolutely everything he does is great and well in 727 00:49:58,079 --> 00:50:00,639 a moment, So we're gonna yea the time time goes quick, 728 00:50:00,679 --> 00:50:03,360 but in a moment we're gonna wrap up with Terror 729 00:50:03,440 --> 00:50:06,719 Grinder and anything we should know about that specifically other 730 00:50:06,719 --> 00:50:08,760 than sure my personal favorite, it sounds like it's a 731 00:50:08,800 --> 00:50:09,719 favorite of a lot of people. 732 00:50:10,119 --> 00:50:13,119 Speaker 17: Yeah, and I actually wrote that song quite a few 733 00:50:13,320 --> 00:50:18,119 years back, but we never really materialized it into kind 734 00:50:18,119 --> 00:50:19,679 of the heavy song that it was. It was when 735 00:50:19,760 --> 00:50:21,920 we kind of just played with that first probably a 736 00:50:21,960 --> 00:50:24,119 good I don't know, five or six years ago, yeah, 737 00:50:24,159 --> 00:50:26,960 maybe even longer. And and we for this one, we 738 00:50:27,079 --> 00:50:29,760 really put it together, made sure we had some turn 739 00:50:29,800 --> 00:50:31,719 into kind of this heavy song and it's sort of 740 00:50:31,760 --> 00:50:34,679 about this this terror Grinder, this big sort of hard 741 00:50:34,719 --> 00:50:37,760 to describe but massive force, just kind of going through 742 00:50:37,840 --> 00:50:42,559 and destroying everything in its wake. And you can probably 743 00:50:42,639 --> 00:50:45,239 draw different analogies too. Is this something physical? Is this 744 00:50:45,320 --> 00:50:47,840 something like with the world around us right now? Stuff 745 00:50:47,880 --> 00:50:50,199 like that. I'll leave that for the listener to decide 746 00:50:50,199 --> 00:50:51,760 how they feel about it. But it more is just 747 00:50:52,079 --> 00:50:54,239 it's a cool tune as well to listen to and 748 00:50:54,400 --> 00:50:57,360 kind of go you know oo, you know, you kind 749 00:50:57,360 --> 00:50:58,519 of go around with it, and we have a good 750 00:50:58,559 --> 00:51:00,639 time with it live like getting people to get involved 751 00:51:00,679 --> 00:51:03,079 with it and stuff. So yeah, that's why I think 752 00:51:03,639 --> 00:51:06,280 it's it's a favorite, because people like singing along with 753 00:51:06,400 --> 00:51:08,800 songs and you know, yeah, going along with it. 754 00:51:08,960 --> 00:51:12,320 Speaker 16: So yeah, absolutely, no, great great track. Well Dead, Harrison, 755 00:51:12,360 --> 00:51:13,800 thank you all so much, Thank you all four of 756 00:51:13,880 --> 00:51:15,639 you for coming in. This has been amazing, Thanks for 757 00:51:15,679 --> 00:51:19,280 having us, having us absolutely absolutely we will close out 758 00:51:19,360 --> 00:51:22,519 the segment with Tara Grinder and by Dead Harrison And 759 00:51:22,639 --> 00:51:24,760 thanks to everyone who uh checked us out today, everyone 760 00:51:24,760 --> 00:51:27,079 who listened, and of course are our wonderful guests. 761 00:51:27,719 --> 00:51:27,880 Speaker 25: Uh. 762 00:51:28,199 --> 00:51:30,599 Speaker 16: And if you miss any part of today's show, it 763 00:51:30,639 --> 00:51:31,920 will be up in just a little bit at w 764 00:51:32,199 --> 00:51:34,639 M and hradio dot org and at my website Matt 765 00:51:34,679 --> 00:51:36,400 Connorton dot com. And that's gonna do it for us. 766 00:51:36,440 --> 00:51:37,760 For now, we'll talk to ya a little bit later. 767 00:51:37,880 --> 00:51:38,480 Speaker 12: Bye, everybody. 768 00:51:38,960 --> 00:51:49,239 Speaker 1: Yeah, song the gates and all the city. 769 00:51:52,440 --> 00:52:00,719 Speaker 26: The chamber rob God, we see a sleep out time 770 00:52:02,679 --> 00:52:06,159 the days a round jobs on far. 771 00:52:20,559 --> 00:52:29,119 Speaker 1: Far ahead, receive basic. That's with the mastive handle. 772 00:52:31,760 --> 00:52:35,079 Speaker 14: I'll be bread take by. 773 00:52:37,519 --> 00:52:45,480 Speaker 1: But the biternoty of a row. Let's sil riders rolling. 774 00:52:46,320 --> 00:52:47,159 It's tasteful. 775 00:52:47,360 --> 00:52:48,199 Speaker 4: God, it's real. 776 00:52:49,159 --> 00:52:51,159 Speaker 8: But go and I trail and. 777 00:52:51,280 --> 00:52:54,039 Speaker 1: It's quick and victory you can feel. 778 00:52:55,000 --> 00:53:00,960 Speaker 23: But so let's settle ryder your milkings on its wrong. Now, 779 00:53:01,000 --> 00:53:05,079 I'm John, don send this battle by make goods. 780 00:53:05,119 --> 00:53:13,360 Speaker 14: It's no said, open. 781 00:53:17,599 --> 00:53:49,320 Speaker 1: My guy knows and make journey to see there. 782 00:53:49,559 --> 00:53:51,360 Speaker 14: He brought to ways. 783 00:53:53,199 --> 00:54:00,599 Speaker 1: Of thous the self turn of the US, A. 784 00:54:00,760 --> 00:54:12,119 Speaker 23: Long tagan race, not bride spans lad. It came to 785 00:54:12,519 --> 00:54:14,039 us about us space. 786 00:54:16,480 --> 00:54:23,000 Speaker 1: It's bid. The rage had to around there and came 787 00:54:23,760 --> 00:54:25,840 to a human race. 788 00:54:28,079 --> 00:54:30,400 Speaker 10: Looked up the sky around us. 789 00:54:31,000 --> 00:54:32,840 Speaker 1: It's falling through the sea. 790 00:54:33,960 --> 00:54:38,079 Speaker 4: This thing you call your nighttime will soon be just 791 00:54:38,199 --> 00:54:38,679 a tree. 792 00:54:39,719 --> 00:54:43,960 Speaker 24: The tror line the taken and give it up to 793 00:54:44,239 --> 00:54:49,239 the When all the world is gadic gone, one thing. 794 00:54:49,360 --> 00:54:52,280 Speaker 1: Was still Rookie said. 795 00:54:56,280 --> 00:54:56,880 Speaker 9: Rider. 796 00:54:58,519 --> 00:54:59,360 Speaker 15: Still fine? 797 00:55:00,039 --> 00:55:01,000 Speaker 1: Oh say. 798 00:55:02,320 --> 00:55:03,519 Speaker 15: I got t. 799 00:55:05,639 --> 00:55:12,480 Speaker 24: Got ta. 800 00:55:38,599 --> 00:56:16,320 Speaker 15: Sa sa. 801 00:56:45,199 --> 00:56:48,360 Speaker 14: Sa sa. 802 00:56:51,039 --> 00:56:57,159 Speaker 8: Sa sad. 803 00:57:16,320 --> 00:57:20,519 Speaker 16: Today's show is dedicated to the memory of Ace Frehley. 804 00:57:23,119 --> 00:57:28,960 Speaker 2: If you're listening to macconnorton Unleashed on WM and Ahnwy. 805 00:57:28,440 --> 00:57:32,119 Speaker 16: Five point three and now the world radio premiere of 806 00:57:32,199 --> 00:57:35,599 the new single from Box of Trash, This is called Nightmare. 807 00:58:02,639 --> 00:58:06,199 Speaker 6: Hello, wis me how you playing dinner? 808 00:58:07,719 --> 00:58:12,119 Speaker 1: It's my bye, not only time. UH leave. 809 00:58:15,880 --> 00:58:21,639 Speaker 25: That before I say it's meaning this, it said Jazz. 810 00:58:22,199 --> 00:58:30,800 Picky Jazz reassesses now as something checks me, awaken out 811 00:58:30,880 --> 00:58:31,519 and rouse me. 812 00:58:31,800 --> 00:58:35,639 Speaker 14: By I left you. 813 00:58:36,480 --> 00:58:38,039 Speaker 6: I'm such a hot there. 814 00:58:40,719 --> 00:58:49,440 Speaker 27: I just swam to the best, she said. She said me, Yeah, 815 00:58:49,800 --> 00:58:54,679 what you wish for the games, saying. 816 00:58:54,599 --> 00:58:57,559 Speaker 14: That I will. 817 00:59:00,679 --> 00:59:01,719 Speaker 1: When I've sold you. 818 00:59:02,079 --> 00:59:03,760 Speaker 12: Wow, So right now. 819 00:59:05,440 --> 00:59:06,440 Speaker 8: I still town. 820 00:59:07,000 --> 00:59:10,840 Speaker 6: Were the crown of the lonely crowd. 821 00:59:12,639 --> 00:59:16,920 Speaker 14: Sething chasing me awake, you let it roused me from 822 00:59:17,079 --> 00:59:18,239 the book over. 823 00:59:19,119 --> 00:59:22,159 Speaker 4: I never you know I was such a. 824 00:59:22,280 --> 00:59:22,800 Speaker 6: Din Now 825 00:59:25,519 --> 00:59:28,679 Speaker 14: I just swamped you to car