1 00:00:00,880 --> 00:00:03,439 Speaker 1: Frankly, I'm not too wild about this next event, but 2 00:00:03,520 --> 00:00:07,679 it has become a tradition here at Adams, the Belching Contest. 3 00:00:10,119 --> 00:00:13,199 Speaker 2: This is Mike Carmen and April Harmont. You're listening to 4 00:00:13,240 --> 00:00:16,120 another Shirley you Can't Be Serious podcast with my buddy 5 00:00:16,199 --> 00:00:38,200 Jason Colvin and de Graves. Jason, what is the worst 6 00:00:38,240 --> 00:00:40,840 episode of the Shirley you Can't Be Serious Podcast? 7 00:00:41,159 --> 00:00:43,880 Speaker 3: Well, that would be hard to say, sir. They're each 8 00:00:43,920 --> 00:00:45,560 outstanding in their way. 9 00:00:45,679 --> 00:00:49,200 Speaker 2: Cut the horse hit Son. I've got the analytical files 10 00:00:49,280 --> 00:00:51,679 right here. We had an episode that dropped a whole 11 00:00:51,679 --> 00:00:54,880 truckload of phizzies in the varsity swim mate, an episode 12 00:00:54,880 --> 00:00:58,719 that medical school cadavers went to the alumni dinner. Every 13 00:00:59,079 --> 00:01:01,640 dad gum hallow, and this thing pops up and the 14 00:01:01,679 --> 00:01:05,719 trees are filled with underwear, and every spring the toilets explode. 15 00:01:05,959 --> 00:01:08,519 Speaker 3: You're talking about the best Super Bowl commercials of twenty 16 00:01:08,519 --> 00:01:09,439 twenty one, so for. 17 00:01:09,359 --> 00:01:11,760 Speaker 2: Of course, I'm talking about the best Super Bowl commercials 18 00:01:11,760 --> 00:01:15,239 of twenty twenty one to TWERP. Hello everybody, and welcome 19 00:01:15,280 --> 00:01:18,280 back to the Shurely you Can't Be Serious Podcast, where 20 00:01:18,319 --> 00:01:20,239 even we get one wrong from time to time. 21 00:01:20,640 --> 00:01:23,000 Speaker 3: Hey, you know you can't hit home runs all the time. 22 00:01:23,439 --> 00:01:26,560 Speaker 2: We are back with a second part to our comparison 23 00:01:26,719 --> 00:01:32,760 of National Lampoon, Animal House versus Revenge of the Nerd. 24 00:01:33,959 --> 00:01:34,920 Speaker 4: Nerds. 25 00:01:35,159 --> 00:01:36,959 Speaker 3: Yeah, this is gonna be fun. I enjoy both of 26 00:01:36,959 --> 00:01:38,760 these movies. They're funny, they're classics. 27 00:01:38,959 --> 00:01:41,920 Speaker 2: I love it that our guys are Shirley fans who 28 00:01:41,959 --> 00:01:45,280 we communicate with on Patreon and texting and all sorts 29 00:01:45,280 --> 00:01:48,280 of things. As soon as this episode we're over, like, hey, 30 00:01:48,280 --> 00:01:50,400 you guys miss this, and you forgot about that, and 31 00:01:50,439 --> 00:01:52,799 there are some some things that you and guys, it's 32 00:01:52,840 --> 00:01:55,079 a two part episode. We gotta leave some gas in 33 00:01:55,120 --> 00:01:58,799 the tank to get home. Okay, right, good gracious So 34 00:01:59,079 --> 00:02:03,560 two Patreon member deaf Dave, David Wright and Chris Webber 35 00:02:03,719 --> 00:02:08,280 both pointed out that Bruce McGill the d Day from 36 00:02:08,400 --> 00:02:12,719 Animal House was the sheriff in my cousin Vinnie, My 37 00:02:12,800 --> 00:02:13,759 cousin Vinny. Great movie. 38 00:02:13,800 --> 00:02:14,840 Speaker 3: We haven't covered that one yet. 39 00:02:15,000 --> 00:02:18,400 Speaker 2: I shot the clerk. I shot the clerk. I shot 40 00:02:18,400 --> 00:02:20,039 the clerk, is what he said. 41 00:02:20,439 --> 00:02:20,759 Speaker 3: That's it. 42 00:02:21,080 --> 00:02:22,039 Speaker 4: Yeah, Bruce McGill. 43 00:02:22,120 --> 00:02:24,479 Speaker 2: Bruce McGill, Yes, thank you, guys. We didn't know that 44 00:02:24,520 --> 00:02:27,680 and then def Dave also pointed out that Bernie Casey, 45 00:02:27,719 --> 00:02:29,800 in addition into being in spies like Us and Bill 46 00:02:29,840 --> 00:02:32,199 and Ted's excellent adventure, was in I'm Going to Get 47 00:02:32,240 --> 00:02:35,159 You Sucker, and def Dad pointed out that John Vernon 48 00:02:35,319 --> 00:02:39,039 Dean Vernon Warmer also when I'm Going to Get You Sucker. 49 00:02:39,280 --> 00:02:41,360 I haven't seen that movie, so I did not know that. 50 00:02:41,800 --> 00:02:43,719 Speaker 4: Wow, you haven't seen it. I'm gonna get you Sucker. 51 00:02:43,759 --> 00:02:45,319 Speaker 2: You've seen you've seen it? Sure? 52 00:02:45,520 --> 00:02:48,520 Speaker 3: How much for one rib that's from that movie? 53 00:02:48,560 --> 00:02:49,039 Speaker 5: So? Yeah? 54 00:02:49,199 --> 00:02:50,280 Speaker 2: Okay, all right. 55 00:02:50,240 --> 00:02:52,319 Speaker 3: Chris Rock early early Chris Rock. 56 00:02:52,159 --> 00:02:55,400 Speaker 2: Yes, yeah, okay, if I may nerd out here for 57 00:02:55,479 --> 00:02:58,960 just a second, please. There is an elementary particle that 58 00:02:59,199 --> 00:03:04,879 is atum of the electromagnetic field, including electromagnetic radiation such 59 00:03:04,879 --> 00:03:08,479 as light and radio waves, and is the force carrier 60 00:03:08,639 --> 00:03:14,560 for the electromagnetic force. And the idea of this particle 61 00:03:15,240 --> 00:03:20,120 was postulated by mattch Planck, who then that theory was 62 00:03:20,280 --> 00:03:25,280 expounded upon by Albert Einstein, and then ultimately this particle 63 00:03:25,439 --> 00:03:29,280 was given a name, and the name was a photon, 64 00:03:29,960 --> 00:03:33,080 and the guy who gave it that name was a 65 00:03:33,240 --> 00:03:39,039 physicist named Gilbert Lewis, which is where we get the 66 00:03:39,120 --> 00:03:41,919 names for our two nerds in Revenge of Thing? 67 00:03:42,000 --> 00:03:42,759 Speaker 4: Are you kidding me? 68 00:03:42,960 --> 00:03:43,479 Speaker 2: There you go? 69 00:03:43,680 --> 00:03:48,000 Speaker 3: That is a great story, man. I liked your nerd voice. 70 00:03:47,840 --> 00:03:55,639 Speaker 2: To thank you, okay. And last week, you know, throwing 71 00:03:55,680 --> 00:03:59,240 some credit to another Patreon member, James Buckley counselor the 72 00:03:59,319 --> 00:04:03,360 vyou Bears, Yeah, exactly, the Cajun counselor when we discussed 73 00:04:03,520 --> 00:04:08,680 the plethora of crimes which are committed within Revenge of 74 00:04:08,719 --> 00:04:11,240 the Nerds, not mentioning any from Animal House, which is 75 00:04:11,280 --> 00:04:15,719 also copious. But so, there's a rather infamous scene in 76 00:04:15,919 --> 00:04:21,000 Revenge of the Nerds where our hero, hero of the movie, yeah, 77 00:04:21,079 --> 00:04:23,720 hero of the movie, if you will, dons the mask 78 00:04:23,920 --> 00:04:27,600 of the villain of the movie in order to gain 79 00:04:27,720 --> 00:04:31,040 carnal knowledge of the villain's girlfriend, who has been a 80 00:04:31,079 --> 00:04:34,279 total bee to him the whole time. Right, but Betty 81 00:04:34,360 --> 00:04:37,319 Child's Betty Child's and they go to the fun house 82 00:04:37,399 --> 00:04:39,399 and he says he wants to leave the mask on, 83 00:04:39,839 --> 00:04:42,319 and it's kind of they try to tame it a 84 00:04:42,360 --> 00:04:45,600 little bit by being like, this wonderful experience for her 85 00:04:45,759 --> 00:04:48,000 and it causes her change over and all of this 86 00:04:48,040 --> 00:04:50,680 other stuff. Right, But what we have is a case 87 00:04:50,720 --> 00:04:51,920 of rape by deception. 88 00:04:52,160 --> 00:04:55,000 Speaker 3: Yeah, so I emailed James, I think you, I think 89 00:04:55,040 --> 00:04:58,639 you and I both contacted him separately, independent of each other, 90 00:04:58,680 --> 00:05:02,240 and I said, what is is the legality of that? 91 00:05:02,399 --> 00:05:02,560 Speaker 1: Right? 92 00:05:02,600 --> 00:05:07,000 Speaker 3: Because he didn't force her, but he deceived her. 93 00:05:07,319 --> 00:05:09,240 Speaker 2: Right, and so what is you know, what is he. 94 00:05:09,240 --> 00:05:10,040 Speaker 4: Really guilty of? 95 00:05:10,319 --> 00:05:13,920 Speaker 3: He sent me this case and it blew my doors off. 96 00:05:14,199 --> 00:05:18,720 Speaker 2: Right. Yeah, the case is called Borow versus Superior Court. 97 00:05:18,920 --> 00:05:23,040 Here's the facts of this case. Okay, Yeah, there was 98 00:05:24,079 --> 00:05:30,040 Daniel Borrow who was the defendant who was charged with rape. 99 00:05:30,480 --> 00:05:35,800 But the circumstances were that his quote unquote victim had 100 00:05:35,839 --> 00:05:40,720 been fooled by him. He called her and posed as 101 00:05:40,759 --> 00:05:44,639 a doctor, told her that she had a significant disease, 102 00:05:45,600 --> 00:05:49,279 and he called himself doctor Stevens. So that's a little 103 00:05:49,279 --> 00:05:52,519 bit iffy, but she didn't know any other doctor Stephens. 104 00:05:52,560 --> 00:05:54,600 So that's what that's an important factor in this, okay. 105 00:05:55,319 --> 00:05:57,959 And so as doctor Stevens, he says, you have this 106 00:05:58,199 --> 00:06:01,560 rare condition and the only way to cure it is 107 00:06:01,600 --> 00:06:07,199 a rather long and expensive and painful surgery, or you 108 00:06:07,240 --> 00:06:10,319 can have sex with someone who has the antibodies for 109 00:06:10,480 --> 00:06:14,199 this disease. Yes, and that will cure you as well. 110 00:06:14,399 --> 00:06:17,199 And as it turns out, I am somebody who has 111 00:06:17,319 --> 00:06:22,839 the antibodies for this disease. Just so happens, just coincidence. 112 00:06:22,959 --> 00:06:24,959 I mean, plus, look at this. 113 00:06:25,399 --> 00:06:28,439 Speaker 3: Plus he coerced her to pay him a thousand bucks 114 00:06:28,959 --> 00:06:31,759 for the pleasure of banging her brains out. 115 00:06:32,040 --> 00:06:36,199 Speaker 2: So this victim agrees to meet with him at a 116 00:06:36,240 --> 00:06:39,519 hotel room. They do the deed, and then later on 117 00:06:39,560 --> 00:06:42,800 I'm sure she's, hey, wait, he vaccinates her, he injects her, 118 00:06:42,959 --> 00:06:46,920 he inoculates her. Yes, they do the deed, and then 119 00:06:47,000 --> 00:06:49,920 I guess later on she's telling somebody about this, and 120 00:06:49,959 --> 00:06:52,879 they're like, you gotta be kidding to really fall for this, 121 00:06:53,600 --> 00:06:56,279 And so they try to pursue charges against this guy. 122 00:06:56,399 --> 00:07:00,319 But what the court said is that fraud and the 123 00:07:00,319 --> 00:07:05,040 inducement of sexual intercourse does not vitiate consent. And what 124 00:07:05,079 --> 00:07:08,360 that means is just because I lied to you to 125 00:07:08,439 --> 00:07:11,639 get you in bed, doesn't mean that your consent to 126 00:07:11,720 --> 00:07:16,079 sex is not real consent, and so it's not rape. 127 00:07:16,160 --> 00:07:17,399 Speaker 4: That is so shocking to me. 128 00:07:17,519 --> 00:07:20,879 Speaker 2: It is a bit weird. But if you think how 129 00:07:20,920 --> 00:07:24,319 many girls that you probably fledged the truth on a 130 00:07:24,319 --> 00:07:26,839 little bit as you were trying to learn how to 131 00:07:26,920 --> 00:07:30,079 unclasp their bra strap. Then you would see how any 132 00:07:30,319 --> 00:07:32,879 any way that this becomes a crime puts people in 133 00:07:32,959 --> 00:07:36,399 a lot of danger of going to jail. Specifically, I'm 134 00:07:36,399 --> 00:07:39,160 thinking of the scene in Animal House when he goes 135 00:07:39,319 --> 00:07:44,560 posing as Fitz. Yes, when he goes posing as fond 136 00:07:44,680 --> 00:07:48,399 Lebowitz is, well, they were engaged to be engaged and 137 00:07:48,399 --> 00:07:52,160 engaged to be engaged, you know, because he absolutely lies 138 00:07:52,439 --> 00:07:55,000 to get her roommate into bed and it works. But 139 00:07:55,240 --> 00:07:57,639 it's the same thing. Just because you're lying to get 140 00:07:57,720 --> 00:07:59,319 sex doesn't make it rape. 141 00:07:59,480 --> 00:08:02,319 Speaker 3: All right, Let's talk about some other scenes from the movie. Okay, 142 00:08:02,399 --> 00:08:04,800 you know we talked about Doug Kenny. Doug Kenny is 143 00:08:04,800 --> 00:08:07,639 the guy who started National Lampoon magazine, or it was 144 00:08:07,639 --> 00:08:10,480 Harvard Lampoon then became National Lampoon. He has a couple 145 00:08:10,519 --> 00:08:12,639 of lines in Animal House. 146 00:08:12,920 --> 00:08:15,560 Speaker 2: Yeah, he's one of the frat guys, just to kind 147 00:08:15,560 --> 00:08:18,839 of in the background, very nerdy looking frat guy at. 148 00:08:18,759 --> 00:08:20,879 Speaker 3: That his haircut is so weird in this movie. 149 00:08:21,000 --> 00:08:24,000 Speaker 2: Yeah, he's got the big glasses. But everybody, I mean, 150 00:08:24,079 --> 00:08:25,800 his line is one of the most famous lines for 151 00:08:25,879 --> 00:08:26,399 the movie. 152 00:08:26,680 --> 00:08:28,519 Speaker 3: What the hell was supposed to do you moron. 153 00:08:28,720 --> 00:08:31,959 Speaker 2: Yeah, that's Doug Kenny. God rest his soul. Yeah. 154 00:08:32,000 --> 00:08:35,039 Speaker 3: And then you know we've talked before, he fell tragically 155 00:08:35,080 --> 00:08:38,200 to his death. Now whether or not that was suicide 156 00:08:38,279 --> 00:08:38,519 or not. 157 00:08:39,000 --> 00:08:41,279 Speaker 2: But it was. It was Harold Ramis. I believe that 158 00:08:41,399 --> 00:08:45,639 said Doug fell while looking for a place to jump off. 159 00:08:45,759 --> 00:08:46,559 Speaker 4: Yeah, that's right. 160 00:08:46,759 --> 00:08:49,960 Speaker 3: He also takes over the band at the end of 161 00:08:49,960 --> 00:08:53,039 the movie. You know they have that marching band when 162 00:08:53,080 --> 00:08:54,879 all the chaos is about to break out and the 163 00:08:54,919 --> 00:08:57,679 guy tosses his baton in the air and mid toss, 164 00:08:57,960 --> 00:09:00,320 Doug Kenny shoves him out of the way, catch the 165 00:09:00,360 --> 00:09:02,200 baton and leads the band. 166 00:09:02,399 --> 00:09:02,679 Speaker 2: Nice. 167 00:09:03,039 --> 00:09:03,679 Speaker 4: So there you go. 168 00:09:04,279 --> 00:09:08,559 Speaker 3: Let's talk about the fun Lebowitz scene. Okay, it's super funny, 169 00:09:08,759 --> 00:09:12,360 but again, it kind of relates to when Lewis impersonates Stan. 170 00:09:12,600 --> 00:09:16,320 So you have Otter that goes to the Emily Dickinson College, 171 00:09:16,360 --> 00:09:19,720 the all girls' school, right, and they know that this 172 00:09:20,039 --> 00:09:21,399 girl has passed away. 173 00:09:21,600 --> 00:09:24,320 Speaker 2: Yeah, they're looking at the newspaper article as they're driving 174 00:09:24,360 --> 00:09:25,960 to the Emily Dickens what's. 175 00:09:25,759 --> 00:09:28,519 Speaker 3: This girl's name again? Von Lebowitz, Yeah, and he's like, 176 00:09:28,559 --> 00:09:30,559 I'll be right back, and so he goes inside and 177 00:09:30,600 --> 00:09:32,960 he says, Hi, I'm here to pick up vun Leebowitz. 178 00:09:33,080 --> 00:09:36,200 I'm her fiance, and of course everybody's like what. And 179 00:09:36,279 --> 00:09:38,559 so they called down her roommate and I don't know 180 00:09:38,600 --> 00:09:40,519 this girl's name, but boy, she is stunning. 181 00:09:41,720 --> 00:09:42,840 Speaker 4: And she comes down and. 182 00:09:42,799 --> 00:09:44,840 Speaker 3: She's like, I am so sorry to tell you this, 183 00:09:44,919 --> 00:09:47,840 but Fawn passed away tragically. And she hands him a 184 00:09:47,840 --> 00:09:51,759 newspaper and it's like sophomore killed in Kilne explosion. And 185 00:09:51,759 --> 00:09:55,240 he's like, she was making me a pot and she's 186 00:09:55,279 --> 00:09:57,240 trying to comfort him. Of course, Otter is working her 187 00:09:57,240 --> 00:09:59,000 the whole way, and he's like, I just don't think 188 00:09:59,000 --> 00:10:01,120 I should be alone to see evening, and so she 189 00:10:01,159 --> 00:10:03,240 agrees to go out with him, and he says, oh, 190 00:10:03,279 --> 00:10:06,120 by the way, grab three dates for my friends. Yeah, 191 00:10:06,159 --> 00:10:09,360 And that's when they go to the Otis Day concert 192 00:10:09,720 --> 00:10:12,200 right where they're the only white people in the entire 193 00:10:12,240 --> 00:10:15,000 place and there's a record scratch and that whole thing. 194 00:10:15,159 --> 00:10:17,879 So then Otter takes a girl's name is Shelley, takes 195 00:10:17,879 --> 00:10:20,159 her to the car, starts working her over in the 196 00:10:20,200 --> 00:10:22,120 back seat, and he's like. 197 00:10:22,519 --> 00:10:23,919 Speaker 4: I used to touch fun this way. 198 00:10:24,200 --> 00:10:26,559 Speaker 3: She's like, I know, she told me. He kind of 199 00:10:26,559 --> 00:10:27,080 looks at her. 200 00:10:27,120 --> 00:10:30,039 Speaker 2: Oh my gosh, she did. Yeah, okay, yea, she was 201 00:10:30,120 --> 00:10:32,679 rare to go, just like as she was. 202 00:10:33,320 --> 00:10:35,519 Speaker 3: And then of course everybody gets kicked out of the club, 203 00:10:35,600 --> 00:10:38,039 and then she's half naked when they all jump in 204 00:10:38,039 --> 00:10:40,000 the car and they're crashing the car around the parking lot. 205 00:10:40,159 --> 00:10:41,639 Speaker 4: Funny, funny scene. 206 00:10:41,679 --> 00:10:46,360 Speaker 3: That scene, Chris Miller said absolute truth actually happened in 207 00:10:46,399 --> 00:10:46,919 real life. 208 00:10:47,000 --> 00:10:48,720 Speaker 2: Oh my gosh, all of it. 209 00:10:49,039 --> 00:10:49,799 Speaker 4: That's what he said. 210 00:10:49,879 --> 00:10:51,879 Speaker 2: Wow, can we dance with your women? 211 00:10:52,480 --> 00:10:54,799 Speaker 3: Do you mind if we dance with your dads? 212 00:10:55,919 --> 00:10:58,240 Speaker 6: Do you mind if we dance with your dates? 213 00:11:00,559 --> 00:11:01,840 Speaker 7: Well, no, not at all. 214 00:11:02,039 --> 00:11:06,519 Speaker 3: My Chris Bauer Patreon member Chris Bauer aka Bomber my 215 00:11:06,600 --> 00:11:08,799 buddy in high school, he would come up out of 216 00:11:08,879 --> 00:11:11,480 nowhere while you're in math class or whatever, and you'd 217 00:11:11,519 --> 00:11:12,759 come up behind you and he'd be like. 218 00:11:13,200 --> 00:11:14,919 Speaker 4: Do you mind if we dance with you? 219 00:11:15,600 --> 00:11:15,879 Speaker 7: Okay? 220 00:11:15,960 --> 00:11:17,559 Speaker 3: I want to talk about a certain scene when they're 221 00:11:17,600 --> 00:11:20,960 all visiting Dean Warmer's office. He's going through the grade 222 00:11:21,000 --> 00:11:24,480 point averages. You know, you're like a zero point one 223 00:11:24,559 --> 00:11:26,360 and you're a zero point two. You know, you're the 224 00:11:26,360 --> 00:11:28,679 best one at a one point two, and basically he's 225 00:11:28,679 --> 00:11:31,000 telling them they're kicked out, and he's looking at Flounder, 226 00:11:31,039 --> 00:11:33,159 and Flounder's getting more and more upset, and you could 227 00:11:33,159 --> 00:11:34,120 tell he's. 228 00:11:33,919 --> 00:11:36,720 Speaker 2: Trying and stupid. There's no way to go through life sod. 229 00:11:37,080 --> 00:11:39,799 Speaker 3: And so he's trying to say something and Warmer's like, 230 00:11:40,159 --> 00:11:41,240 out with it, what is it? 231 00:11:41,320 --> 00:11:41,440 Speaker 5: You know? 232 00:11:41,720 --> 00:11:46,320 Speaker 3: Speak and it's obviously he bars all over the place. 233 00:11:47,320 --> 00:11:50,360 They had to cut that because that was too much 234 00:11:50,840 --> 00:11:54,279 for the viewing audiences of nineteen seventy eight. They actually 235 00:11:54,360 --> 00:11:56,879 pointed out that just a few years later and stand 236 00:11:56,879 --> 00:11:59,159 by me, there's a giant vomiting scene. 237 00:11:59,559 --> 00:12:03,000 Speaker 2: Well, I was just sitting here thinking, hadn't The Exorcist 238 00:12:03,000 --> 00:12:04,679 start to come out at this point? 239 00:12:04,799 --> 00:12:05,120 Speaker 4: I guess? 240 00:12:05,159 --> 00:12:05,240 Speaker 5: So? 241 00:12:05,960 --> 00:12:08,000 Speaker 2: Was it seventy nine? When did the Exorcist cheme? 242 00:12:08,320 --> 00:12:08,919 Speaker 4: Seventy three? 243 00:12:09,279 --> 00:12:12,120 Speaker 2: Yeah, so five years earlier. You got a girl spitting 244 00:12:12,639 --> 00:12:15,960 pea soup as her head spins around. But one drunk 245 00:12:16,039 --> 00:12:17,799 frat boy vomiting is too much. 246 00:12:17,879 --> 00:12:20,440 Speaker 3: They would not show that scene. They wouldn't show the barfing. 247 00:12:20,639 --> 00:12:22,919 Speaker 4: Weird Okay, I definitely want to talk about. 248 00:12:22,720 --> 00:12:25,720 Speaker 3: The end scene when the Deltas finally get back at 249 00:12:25,759 --> 00:12:30,480 everybody by taking over and like terrorizing this town. Parade, right, 250 00:12:30,759 --> 00:12:33,840 they cause all this commotion. All these floats are are crashing, 251 00:12:33,879 --> 00:12:36,320 and there's a little boy in his bedroom looking at 252 00:12:36,320 --> 00:12:40,600 a playboy. And when they crash, like it launches a 253 00:12:40,639 --> 00:12:43,919 half naked woman into his room and he's looking at 254 00:12:43,919 --> 00:12:45,960 the playboy. She lands on his bed. He's like, thank 255 00:12:46,000 --> 00:12:49,320 you God. On the float for the Deltas and on 256 00:12:49,399 --> 00:12:52,200 the side of it, like in tissue paper, it says 257 00:12:52,399 --> 00:12:54,879 eat me. And then you've got Kevin Bacon who's standing there. 258 00:12:54,879 --> 00:12:57,120 He's trying to keep everybody calm, and he's like, all 259 00:12:57,279 --> 00:13:00,639 is good, All is good. And this is the only 260 00:13:00,639 --> 00:13:02,440 part of the whole movie where I think the realism 261 00:13:02,480 --> 00:13:04,919 goes right out the window. They trample over him and 262 00:13:04,960 --> 00:13:08,000 then he looks like a cartoon. He's like flattened on 263 00:13:08,039 --> 00:13:08,759 the sidewalk. 264 00:13:08,919 --> 00:13:10,600 Speaker 2: The dead horse wasn't cartoony? 265 00:13:11,799 --> 00:13:12,320 Speaker 4: The dead horse. 266 00:13:12,879 --> 00:13:15,360 Speaker 3: Yeah, Actually, I want to talk about that scene as well. 267 00:13:15,440 --> 00:13:17,799 So you know, they're at the University of Oregon. The 268 00:13:17,879 --> 00:13:20,960 dean of the college has allowed them access to his office, 269 00:13:21,200 --> 00:13:24,360 and so they drag that horse that's his actual office, 270 00:13:24,399 --> 00:13:26,320 the guy that agreed to let them shoot, and all 271 00:13:26,320 --> 00:13:29,480 that stuff. So they're like, well, I guess it's okay. 272 00:13:29,600 --> 00:13:31,799 So they drag that horse in there, and that's his 273 00:13:31,840 --> 00:13:32,480 real office. 274 00:13:32,600 --> 00:13:32,960 Speaker 2: Wow. 275 00:13:33,080 --> 00:13:33,639 Speaker 4: And then of. 276 00:13:33,559 --> 00:13:36,480 Speaker 3: Course they're terrorizing Flounder, trying to get him. They want 277 00:13:36,519 --> 00:13:38,399 him to think he's killing the horse, but they gave 278 00:13:38,440 --> 00:13:39,000 him blanks. 279 00:13:39,679 --> 00:13:41,000 Speaker 4: He fired it up in the air. Of course, the 280 00:13:41,080 --> 00:13:43,840 horse has a heart attack and dies. Funny. 281 00:13:43,879 --> 00:13:45,000 Speaker 2: That's good comedy, right there. 282 00:13:45,080 --> 00:13:45,519 Speaker 4: That's funny. 283 00:13:45,559 --> 00:13:47,399 Speaker 3: All right, let's flip over to Revenge of the Nerds 284 00:13:47,399 --> 00:13:48,759 and talk about a few funny scenes there. 285 00:13:48,840 --> 00:13:51,360 Speaker 4: Yeah, okay, Takashi, what do you got? Well, I think 286 00:13:51,399 --> 00:13:54,960 I have a frush? Is a frush? 287 00:13:55,080 --> 00:13:57,679 Speaker 2: So, as I was watching this movie, it's been nearly 288 00:13:57,720 --> 00:13:59,840 forty years since I've seen the movie, you know, right. 289 00:14:00,320 --> 00:14:02,360 I saw it early on when it had been released 290 00:14:02,399 --> 00:14:04,480 on VHS, when I could sneak it by my parents 291 00:14:04,480 --> 00:14:07,799 because I wasn't allowed to watch rated our movies. But 292 00:14:08,200 --> 00:14:10,200 it's been a long time, and when I was watching it, 293 00:14:10,639 --> 00:14:13,759 for the first good half hour of the movie, I 294 00:14:13,840 --> 00:14:17,799 was just like, oh, this is just not even kind 295 00:14:17,799 --> 00:14:20,759 of mildly funny. It's just okay. But it was a 296 00:14:20,799 --> 00:14:23,480 slow build. It was a slow built but the movie 297 00:14:24,000 --> 00:14:27,600 takes off at the party scene when they invite the 298 00:14:27,639 --> 00:14:30,960 moves over right, that is where it takes off. And 299 00:14:31,000 --> 00:14:34,039 I think that's due. I mean, number one, the comedy 300 00:14:34,080 --> 00:14:37,480 starts because they you have the Lamb to Lamb de Lambda, 301 00:14:37,559 --> 00:14:41,000 you n Bernie Casey guy there and his little you know, 302 00:14:41,080 --> 00:14:44,559 helper who's laughing things up. And then they pull out 303 00:14:44,559 --> 00:14:47,840 the joints, the wonder joints, and they and then they 304 00:14:47,879 --> 00:14:50,600 put on the music, and I couldn't believe this. I'm 305 00:14:50,639 --> 00:14:55,759 listening to Thriller, like the original Michael Jackson Thriller music 306 00:14:55,960 --> 00:15:00,000 for at least three minutes. Sure, I mean it's crazy. 307 00:15:00,080 --> 00:15:03,000 See how long they play this as just music that 308 00:15:03,039 --> 00:15:05,720 they're all just dancing to. And the dancing is hysterical, 309 00:15:06,039 --> 00:15:08,360 and the girls coming onto the guys and the guys 310 00:15:08,399 --> 00:15:11,320 coming onder the girls. It's all fantastic. But it just 311 00:15:11,480 --> 00:15:14,480 takes off at that moment, and I was just like, wow, 312 00:15:14,559 --> 00:15:18,000 how did they manage I mean, this tiny budget little movie, 313 00:15:18,360 --> 00:15:22,320 how did they manage to get the rights to Thriller? Well? 314 00:15:22,360 --> 00:15:24,639 Crap that that was just the beginning, right. 315 00:15:24,879 --> 00:15:27,440 Speaker 3: They played Burning Down the House by the Talking Heads. 316 00:15:27,159 --> 00:15:31,440 Speaker 2: Which was huge in nineteen eighty four. It was, and 317 00:15:31,480 --> 00:15:34,480 then they played a throwback to the seventies but still 318 00:15:34,480 --> 00:15:37,639 a fantastic song, We are the Champions like Queen. 319 00:15:38,320 --> 00:15:39,440 Speaker 4: It was mind blowing. 320 00:15:39,559 --> 00:15:41,840 Speaker 2: I mean, key moments in the movie and they get 321 00:15:42,080 --> 00:15:44,639 full so I don't I couldn't believe that they had 322 00:15:44,759 --> 00:15:47,279 access to all of this incredible music. 323 00:15:47,360 --> 00:15:49,480 Speaker 3: The budget of this movie is six million dollars. Yeah, 324 00:15:49,559 --> 00:15:51,480 you can't get thriller today for six million dollars. 325 00:15:51,559 --> 00:15:52,000 Speaker 2: Probably not. 326 00:15:52,200 --> 00:15:54,399 Speaker 3: Yeah, I don't know how they did. I think maybe 327 00:15:54,480 --> 00:15:57,200 it just wasn't a big deal to play, so. 328 00:15:57,240 --> 00:15:57,600 Speaker 2: I don't know. 329 00:15:57,639 --> 00:15:59,960 Speaker 3: I mean, nineteen eighty four playing Michael Jackson, that seems 330 00:16:00,080 --> 00:16:00,879 like a pretty big deal. 331 00:16:01,080 --> 00:16:03,360 Speaker 2: Yeah, it's a big deal. They had to have I 332 00:16:03,399 --> 00:16:05,639 don't know. They had to have had the inside track somehow. 333 00:16:06,000 --> 00:16:07,600 I don't know how they did it, but it was 334 00:16:07,799 --> 00:16:08,639 I was impressed. 335 00:16:08,919 --> 00:16:11,480 Speaker 3: But yeah, that's when it really takes off. The scene 336 00:16:11,480 --> 00:16:14,639 that I always thought was hilarious is when they get 337 00:16:14,639 --> 00:16:16,399 the liquid heat and they put it all over the 338 00:16:16,480 --> 00:16:20,279 jockstraps for the football team, right right right. I think 339 00:16:20,360 --> 00:16:23,480 you even said this is a use of a chemical weapon. Yes, 340 00:16:23,799 --> 00:16:25,960 And they're all standing there and as a kid I 341 00:16:26,000 --> 00:16:27,799 was watching this, I'm thinking, this is the funniest thing 342 00:16:27,799 --> 00:16:29,600 I've ever seen. They're standing there and they start to 343 00:16:29,639 --> 00:16:32,480 kind of fidget, yeah, and the coach is speaking talking 344 00:16:32,480 --> 00:16:34,480 to him, giving him pep talk, and they start to 345 00:16:34,480 --> 00:16:36,759 fidget more and more and more, and then they started 346 00:16:36,759 --> 00:16:38,879 throwing the cups on it, and then they take off running. 347 00:16:38,919 --> 00:16:40,639 Speaker 2: He's like, just go get them, and they all take 348 00:16:40,679 --> 00:16:43,799 off to the locker room and and he's like, we 349 00:16:43,879 --> 00:16:45,440 forgot to practice. 350 00:16:45,240 --> 00:16:47,080 Speaker 3: Improvd line by John Goodman. 351 00:16:47,279 --> 00:16:49,759 Speaker 2: Yeah, by the way, I hope I don't get too 352 00:16:49,799 --> 00:16:51,240 graphic on this. When I was a little kid, just 353 00:16:51,279 --> 00:16:54,279 to talk about the chemical burn thing. Yeah, it's it's 354 00:16:54,799 --> 00:16:58,600 unsettling how uncomfortable that can be. But I remember going 355 00:16:58,639 --> 00:17:02,879 to a fununction with my mother and they had some 356 00:17:02,960 --> 00:17:06,039 salsa on the table that included some jalapenos, and I 357 00:17:06,039 --> 00:17:08,319 guess I had picked one of the jalapenos up. And 358 00:17:08,359 --> 00:17:11,079 then I'm a kid of like five or six years old, right, 359 00:17:11,240 --> 00:17:12,640 and then I went and you know, went to the 360 00:17:12,640 --> 00:17:15,480 bathroom and it came back and then like I'm like 361 00:17:16,039 --> 00:17:18,279 it was it was exactly like the movie where it's 362 00:17:18,319 --> 00:17:20,480 like you're like thinking about it, you know, You're like, 363 00:17:20,680 --> 00:17:23,200 what's going on and you're like you kind of you 364 00:17:23,240 --> 00:17:25,279 move to one side, and then you moved to the 365 00:17:25,319 --> 00:17:28,720 other side, and then it's like, I can't just reach 366 00:17:28,839 --> 00:17:32,119 down there and grab I gotta what am I gonna? Oh? 367 00:17:32,720 --> 00:17:35,839 This is getting worse. And finally my mother turns to 368 00:17:35,880 --> 00:17:37,480 me and she's like, do we need to leave? And 369 00:17:37,480 --> 00:17:40,319 I was like, yes, yes we do. She's like, oh, 370 00:17:40,400 --> 00:17:44,119 okay and Schooville's I was like, I don't know what happened, 371 00:17:44,119 --> 00:17:47,119 and she was like, you held the jalapeno bro Yeah, 372 00:17:47,160 --> 00:17:50,000 of course it bro because that was nineteen three. But whatever. 373 00:17:50,160 --> 00:17:53,519 Speaker 3: Okay, let's talk about the carnival of events where they 374 00:17:53,519 --> 00:17:56,440 have to try and win the fraternity. 375 00:17:56,000 --> 00:17:57,759 Speaker 2: Prize, the contest. 376 00:17:57,319 --> 00:17:59,759 Speaker 3: The contest, right, so they do they do some funny 377 00:17:59,759 --> 00:18:02,640 things like they have the beer tricycle race. 378 00:18:02,759 --> 00:18:02,960 Speaker 2: Yep. 379 00:18:03,000 --> 00:18:05,400 Speaker 3: We talked about how the guy who played Takashi really 380 00:18:05,519 --> 00:18:09,400 was drinking actual beers and so he was actually hammered 381 00:18:09,720 --> 00:18:13,279 from doing those tricycle races, right, which was hilarious. 382 00:18:13,359 --> 00:18:17,359 Speaker 2: Not to mention this absurdity was endorsed by the university there. 383 00:18:17,920 --> 00:18:20,319 Speaker 3: The coaches up there is like, at which point everyone's 384 00:18:20,359 --> 00:18:22,319 gonna chug a beer? Then they have the bull riding, 385 00:18:22,519 --> 00:18:25,359 they have the tug of war, they have arm wrestling. 386 00:18:25,079 --> 00:18:26,480 Speaker 4: Then they have the belching contest. 387 00:18:26,839 --> 00:18:28,960 Speaker 3: Yeah, and you get a kind of a half hearted 388 00:18:29,000 --> 00:18:32,720 effort from Ogre right, and then you have the booger belch. 389 00:18:33,440 --> 00:18:36,039 Speaker 1: Frankly, I'm not too wild about this next event, but 390 00:18:36,079 --> 00:18:42,880 it has become a tradition here at Adams. The belching contest. 391 00:18:43,079 --> 00:18:47,759 Speaker 2: Now, there's a rumor that some say is untrue, but 392 00:18:48,519 --> 00:18:51,759 in my estimation I like to believe the urban legend 393 00:18:51,759 --> 00:18:54,680 if it is one on where they get this burp sound? 394 00:18:54,759 --> 00:18:55,759 Do you know this story? No? 395 00:18:55,799 --> 00:18:56,200 Speaker 4: I don't. 396 00:18:56,519 --> 00:19:00,200 Speaker 2: Okay, well, I mean part of it is actually a 397 00:19:01,039 --> 00:19:06,119 man burping, but if you listen, it extends out some distance. 398 00:19:07,119 --> 00:19:12,000 And apparently what they used was a sound clip from 399 00:19:12,039 --> 00:19:18,599 a National geographic where there was one camel copulating with 400 00:19:19,359 --> 00:19:23,400 another camel. And so this is the this is the 401 00:19:23,480 --> 00:19:27,119 sound of camel marital bliss if you will. That makes 402 00:19:27,160 --> 00:19:28,720 the sound for this extended burn. 403 00:19:38,039 --> 00:19:39,640 Speaker 4: That's funny, that's funny. 404 00:19:40,279 --> 00:19:42,160 Speaker 3: And then you have the javelin throw. 405 00:19:42,440 --> 00:19:43,880 Speaker 2: Wait, do you see Lamar's throw? 406 00:19:44,160 --> 00:19:47,880 Speaker 5: How cong worms is a mastered aerodynamics and he designed 407 00:19:47,880 --> 00:19:51,319 the javelin to go along with Lamar's limpriested throwing style. 408 00:19:53,880 --> 00:19:57,559 Speaker 2: Where we see Stan knows what he's doing and they've 409 00:19:57,759 --> 00:20:02,920 aerodynamically designed the javelin for or Lamar's we limp risted 410 00:20:02,960 --> 00:20:06,759 to throw his limp risted through is not PC anymore. 411 00:20:06,839 --> 00:20:09,559 Boys and Girls forty years makes a lot of differences. 412 00:20:09,599 --> 00:20:11,079 Speaker 4: Just tell you that's funny. 413 00:20:11,359 --> 00:20:15,119 Speaker 2: By the way, that actor had to go and play 414 00:20:15,160 --> 00:20:18,039 some of the manliest parts after this, just to establish 415 00:20:18,079 --> 00:20:18,400 that he. 416 00:20:18,480 --> 00:20:20,079 Speaker 4: Wasn't over correcting. 417 00:20:20,160 --> 00:20:22,720 Speaker 2: Huh, yes, that he wasn't limp wristed, so to speak. 418 00:20:23,160 --> 00:20:26,079 Speaker 3: There's another funny scene where worms are I thought, so, 419 00:20:26,240 --> 00:20:29,200 Worms is the little kid, like the brainiac little kid 420 00:20:29,599 --> 00:20:34,119 who's like in college at age twelve, and I saw 421 00:20:34,119 --> 00:20:36,720 an interview where the members of the crew and the 422 00:20:36,759 --> 00:20:40,079 director supposedly watched out for him and made sure that 423 00:20:40,119 --> 00:20:42,440 this twelve year old didn't get into any trouble. They 424 00:20:42,480 --> 00:20:47,240 didn't want him exposed to any kind of unnecessary sexual stuff. 425 00:20:47,000 --> 00:20:48,240 Speaker 4: Or alcohol and drugs or whatever. 426 00:20:48,400 --> 00:20:51,160 Speaker 3: Right, But there is one really funny scene where he's 427 00:20:51,200 --> 00:20:54,279 having a conversation between two giant sets of boobs. 428 00:20:54,519 --> 00:20:55,359 Speaker 4: He's talking to. 429 00:20:55,400 --> 00:20:57,559 Speaker 3: One set of boobs and then he turns and he talks 430 00:20:57,599 --> 00:21:00,519 to another set of boobs and he gives this great 431 00:21:00,599 --> 00:21:01,240 cheesy smile. 432 00:21:01,319 --> 00:21:04,720 Speaker 2: Is really funny, breaks the fourth wall and let you 433 00:21:04,759 --> 00:21:06,599 in on the joke. Yes, he does a great job 434 00:21:06,640 --> 00:21:09,000 with that. Yeah, so he was. He was a part 435 00:21:09,039 --> 00:21:12,400 of the scene where they go into the sorority house 436 00:21:12,599 --> 00:21:16,200 and are planting all the cameras, right right, Well, it 437 00:21:16,200 --> 00:21:19,079 turns out that sorority house that they use was actually 438 00:21:19,400 --> 00:21:24,960 a rat infested, dilapidated, abandoned apartment. They all they did 439 00:21:25,119 --> 00:21:29,720 was take one hallway, repaint that hallway, and that's that's 440 00:21:29,720 --> 00:21:32,279 what they used for that scene as they're chasing them around, 441 00:21:32,640 --> 00:21:35,599 panty rating if you will, the sorority Wow. 442 00:21:35,720 --> 00:21:37,400 Speaker 4: Yeah, wow, that's crazy. 443 00:21:37,559 --> 00:21:39,359 Speaker 2: Okay. So we talked a little bit about the music 444 00:21:39,599 --> 00:21:42,319 in Revenge of the Nerds. Let's jump back. Let's talk 445 00:21:42,319 --> 00:21:44,720 about some of the songs that we get in National 446 00:21:44,839 --> 00:21:48,640 Lampoon Animal Houses. I mean, there are some freaking amazing 447 00:21:48,759 --> 00:21:50,119 songs in this one, no doubt. 448 00:21:50,200 --> 00:21:50,680 Speaker 4: Let's do it. 449 00:21:50,720 --> 00:21:52,799 Speaker 2: Okay. So we mentioned last time that the composer for 450 00:21:52,839 --> 00:21:56,680 this one was Elmer Bernstein, friend of John Landers's family, 451 00:21:56,759 --> 00:21:59,799 composer for The Ten Commandments. But they pulled some songs 452 00:21:59,799 --> 00:22:02,519 in some of the time, it was songs sung by 453 00:22:02,720 --> 00:22:05,759 the cast, but one and one of those moments was 454 00:22:06,079 --> 00:22:09,319 a song called money That's what I Want, which was 455 00:22:09,359 --> 00:22:12,480 made very popular by the Beatles, of course, but was 456 00:22:12,519 --> 00:22:15,359 originally and they the Beatles covered that song and it 457 00:22:15,400 --> 00:22:18,000 was it's John Belushi that's singing it in this one. 458 00:22:18,119 --> 00:22:19,440 Speaker 4: Really okay, yes. 459 00:22:19,200 --> 00:22:22,400 Speaker 2: But the writer for the original song is a guy 460 00:22:22,440 --> 00:22:24,640 that we've talked about in one of our Patreon episodes 461 00:22:24,720 --> 00:22:25,880 named Verry Gordy. 462 00:22:26,480 --> 00:22:28,240 Speaker 4: Really how about that? 463 00:22:28,599 --> 00:22:31,319 Speaker 2: So if you guys are interested in hearing the very 464 00:22:31,319 --> 00:22:36,000 Gordy family tree and a special song that made it 465 00:22:36,000 --> 00:22:39,680 had a special appearance by mister Michael Jackson on it, 466 00:22:39,839 --> 00:22:42,720 you should go check out our Patreon episodes. For as 467 00:22:42,759 --> 00:22:44,599 little as five bucks a month, you can join our 468 00:22:44,640 --> 00:22:48,200 Patreon family and hear all of those one hit Wonder episodes. 469 00:22:48,640 --> 00:22:52,200 Patreon dot com slash Surely Podcast. 470 00:22:52,519 --> 00:22:53,799 Speaker 4: You ready to talk about Louis Louis? 471 00:22:54,000 --> 00:22:56,160 Speaker 2: Sure, Yeah, as we can talk about Louis Louis. 472 00:22:56,359 --> 00:22:58,720 Speaker 3: So, before we were recording today, you and I were 473 00:22:58,720 --> 00:23:00,720 looking at some stuff and I told you that American 474 00:23:00,759 --> 00:23:05,799 songwriter said, this is the most influential, most important. 475 00:23:05,279 --> 00:23:06,960 Speaker 4: Rock song of all time. 476 00:23:07,160 --> 00:23:08,160 Speaker 2: That's a pretty big statement. 477 00:23:08,200 --> 00:23:10,000 Speaker 4: That is a big state, the big statement. This song 478 00:23:10,000 --> 00:23:11,119 came out in nineteen. 479 00:23:10,880 --> 00:23:13,319 Speaker 3: Sixty three, which you've been the rules a little bit 480 00:23:13,319 --> 00:23:14,680 because Animal House was set. 481 00:23:14,519 --> 00:23:15,640 Speaker 4: In nineteen sixty two. 482 00:23:15,839 --> 00:23:16,119 Speaker 2: Correct. 483 00:23:16,160 --> 00:23:18,359 Speaker 3: It was originally written in nineteen fifty five by an 484 00:23:18,480 --> 00:23:22,400 RB guy named Richard Barry. Okay, now the lyrics are 485 00:23:22,519 --> 00:23:26,279 basically unintelligible, right, you can't tell what they're saying. 486 00:23:26,400 --> 00:23:28,279 Speaker 4: Yeah, And so the FBI. 487 00:23:29,480 --> 00:23:32,640 Speaker 3: Launched an investigation into the lyrics of this song. 488 00:23:32,759 --> 00:23:33,640 Speaker 4: This is a true. 489 00:23:33,400 --> 00:23:57,400 Speaker 3: Story because the Governor of Indiana, Matthew Welsh, declared that 490 00:23:57,440 --> 00:24:00,400 it was pornographic in early nineteen sixty four and wanted 491 00:24:00,400 --> 00:24:03,160 the India in a Broadcasters Association to ban it. And 492 00:24:03,240 --> 00:24:07,480 the investigation spanned offices in several states, with technicians listening 493 00:24:07,559 --> 00:24:12,400 to the song at different speeds trying to discern obscene lyrics. 494 00:24:12,519 --> 00:24:17,079 Speaker 2: So this band, the Kingsman IMDb literally refers to them 495 00:24:17,200 --> 00:24:21,680 as a frat rock group. Okay, it's great. But Louie 496 00:24:21,759 --> 00:24:24,519 Louie was their debut single, as You Said, came out 497 00:24:24,519 --> 00:24:27,839 in nineteen sixty three. The recording They did it for 498 00:24:27,920 --> 00:24:32,839 thirty six dollars at Portland's Northwest Recorders Studio thirty six 499 00:24:32,920 --> 00:24:36,279 dollars thirty six bucks, solid investment, Kingsman, well done. 500 00:24:36,559 --> 00:24:38,799 Speaker 3: Gosh, that is an incredible return. 501 00:24:39,000 --> 00:24:41,640 Speaker 2: It went on to hit number two on the Billboard 502 00:24:41,640 --> 00:24:45,200 Pop Charts in nineteen sixty four. Gosh, I don't think 503 00:24:45,200 --> 00:24:47,240 there's been a decade gone by that they haven't used 504 00:24:47,279 --> 00:24:47,960 it in a movie. 505 00:24:48,000 --> 00:24:50,839 Speaker 3: Since its release, this became a national hit when a 506 00:24:50,880 --> 00:24:53,359 disc jockey in Boston played it and declared that it 507 00:24:53,440 --> 00:24:55,240 was the worst song that he had ever heard. 508 00:24:55,799 --> 00:24:57,599 Speaker 2: I love it all right, what else you got for me? 509 00:24:57,920 --> 00:25:00,839 So there are a couple of awe some Sam Cook 510 00:25:00,960 --> 00:25:03,880 tunes on here. We've got Twist in the Night Away. 511 00:25:03,960 --> 00:25:06,200 Definitely love that song. And then we got a song 512 00:25:06,240 --> 00:25:08,920 called Wonderful World, which whenever I hear that title, I 513 00:25:08,920 --> 00:25:11,359 always think of the Louis Armstrong for sure, But this 514 00:25:11,400 --> 00:25:14,720 one is the one that he starts out. Don't know 515 00:25:14,839 --> 00:25:19,759 much about his story, Yeah, don't know much biology that 516 00:25:20,440 --> 00:25:22,640 that song's Wonderful World. I would not have guessed that 517 00:25:22,839 --> 00:25:24,759 was the title of that song, but there you go. 518 00:25:24,799 --> 00:25:28,839 But Sam Cook again, an incredibly good song. But as 519 00:25:28,920 --> 00:25:33,400 with other movies, I think that the pinnacle song for 520 00:25:33,720 --> 00:25:38,440 this movie has to be the Isley Brothers singing shout 521 00:25:38,839 --> 00:25:40,279 you know to make me won. 522 00:25:50,400 --> 00:25:53,839 Speaker 3: Oh yeah, it's fantastic. They played that at every fraternity party. 523 00:25:53,559 --> 00:25:55,680 Speaker 4: Known to man ever since nineteen sixty three. 524 00:25:56,000 --> 00:25:59,960 Speaker 2: Yes, it is a it's a great mix of early 525 00:26:00,119 --> 00:26:02,319 rock and roll. This came out in like nineteen fifty nine, 526 00:26:02,799 --> 00:26:08,240 early rock and roll and R and B and gospel 527 00:26:08,279 --> 00:26:12,880 like it was his. We actually got calls from from 528 00:26:12,920 --> 00:26:17,240 black churches saying we please stop playing that song because 529 00:26:17,279 --> 00:26:21,359 it sounds like a black gospel church song. We don't 530 00:26:21,359 --> 00:26:23,359 want you playing it on the rock and roll stations. 531 00:26:23,799 --> 00:26:25,559 Speaker 4: Here's a quick trivia question for you. 532 00:26:25,759 --> 00:26:29,400 Speaker 3: In the movie Witness with Harrison Ford and Kelly. 533 00:26:29,200 --> 00:26:31,039 Speaker 2: McGillis, Yes, okay, I'm familiar with them. 534 00:26:31,079 --> 00:26:34,839 Speaker 3: Harrison Ford's character, John Book is staying at the Amish 535 00:26:35,279 --> 00:26:37,079 place and kind of getting ready to put the moves 536 00:26:37,119 --> 00:26:40,799 on Kelly mcgillis's character, right, He sings a song and 537 00:26:40,839 --> 00:26:41,799 they end up in bed. 538 00:26:42,359 --> 00:26:46,680 Speaker 4: The song Sam Cook's What a Wonderful World? 539 00:26:47,039 --> 00:26:49,920 Speaker 2: Nice, nice, good trivia. 540 00:26:50,119 --> 00:26:54,599 Speaker 4: There you go. By the way, the Sam Cook story tragic. 541 00:26:55,160 --> 00:26:57,400 Speaker 3: Yeah, okay, So I just want to tell you quickly 542 00:26:57,440 --> 00:26:59,640 about the Sam Cook story. I can't remember what episode 543 00:26:59,640 --> 00:27:00,599 we could have touched on this. 544 00:27:00,759 --> 00:27:01,400 Speaker 2: Yeah, But on. 545 00:27:01,319 --> 00:27:04,720 Speaker 3: December eleventh, nineteen sixty four, he was at a hotel room. 546 00:27:04,759 --> 00:27:06,519 He had brought a girl back to the hotel and 547 00:27:06,559 --> 00:27:09,000 then she wandered off, and he went down to the 548 00:27:09,000 --> 00:27:12,559 hotel manager's office, banged on the door and said, where's 549 00:27:12,559 --> 00:27:14,599 the girl. Where's the girl. She's like, what girl? What 550 00:27:14,640 --> 00:27:16,960 are you talking about? Busted in the door. This is, 551 00:27:17,000 --> 00:27:20,240 according to the hotel manager, wearing nothing but one shoe 552 00:27:20,279 --> 00:27:23,799 and a sports jacket and nothing else. He grabs her 553 00:27:24,000 --> 00:27:25,559 and is like, where's the girl, where's the girl? 554 00:27:25,599 --> 00:27:27,119 Speaker 4: And she's like, I don't know what you're talking about. 555 00:27:27,160 --> 00:27:29,200 Speaker 3: And they wrestle and fight. She pulls out a gun, 556 00:27:29,240 --> 00:27:32,519 she shoots him and kills him. Nineteen sixty four. Wow, 557 00:27:32,680 --> 00:27:34,720 of course, Sam Cook one of the great voices. 558 00:27:35,000 --> 00:27:38,640 Speaker 2: Absolutely, that's tragic story. There you go, tragic. Okay, So 559 00:27:38,839 --> 00:27:45,799 two small budget, low expectation movies turn into monumental successes. 560 00:27:45,880 --> 00:27:47,759 Both of these movies some of. 561 00:27:47,680 --> 00:27:50,240 Speaker 4: The biggest college comedies of all time. 562 00:27:50,400 --> 00:27:53,519 Speaker 2: Yeah, I mean, yeah, the biggest. I couldn't tell you 563 00:27:53,519 --> 00:27:54,279 bigger at this point. 564 00:27:54,319 --> 00:27:57,720 Speaker 3: Now, Animal House is the godfather of college comedies. 565 00:27:57,759 --> 00:27:59,680 Speaker 2: It very much is yes, Okay. 566 00:27:59,640 --> 00:28:03,920 Speaker 3: Before you get to the success of Animal House, I 567 00:28:03,920 --> 00:28:06,079 want to circle back on a story that I started 568 00:28:06,279 --> 00:28:09,880 in part one. So, the one of the head executives 569 00:28:10,039 --> 00:28:12,960 at Universal, a guy's name was Ned Tannon. He was grumpy, 570 00:28:13,119 --> 00:28:15,880 didn't believe in the project, didn't really want to do it. 571 00:28:16,039 --> 00:28:20,039 You finally agreed because Tom Mount and Sean Daniel at 572 00:28:20,200 --> 00:28:22,839 Universal we're big fans of the magazine. He's like, fine, 573 00:28:23,160 --> 00:28:26,039 three million bucks. Let's throw three million bucks at him. 574 00:28:26,319 --> 00:28:28,440 Maybe we can make a couple of dollars in the 575 00:28:28,480 --> 00:28:29,079 college crowd. 576 00:28:29,119 --> 00:28:29,440 Speaker 4: Okay. 577 00:28:29,519 --> 00:28:32,720 Speaker 3: So the original cut of Animal House one hundred and 578 00:28:32,759 --> 00:28:33,880 thirty five minutes long. 579 00:28:34,000 --> 00:28:39,119 Speaker 2: Oh hello, that's right. That's not comedy length, right, that's 580 00:28:39,160 --> 00:28:42,480 just two hours and fifteen minutes long. That's a lot. Yeah. 581 00:28:42,519 --> 00:28:44,160 Speaker 3: And so I told you they went to the editor 582 00:28:44,279 --> 00:28:46,000 and they're like, we think this is all great. And 583 00:28:46,039 --> 00:28:47,880 the editor says, well, here's what we're gonna do. We're 584 00:28:47,880 --> 00:28:50,920 gonna shake the tree and everything that's unnecessary to this 585 00:28:51,039 --> 00:28:54,000 movie we're going to shake off, and then whatever's left is. 586 00:28:53,920 --> 00:28:57,000 Speaker 4: Going to be great, perfectly prune tree, perfectly prune tree. 587 00:28:57,039 --> 00:28:57,440 Speaker 2: Perfect. 588 00:28:57,480 --> 00:28:57,839 Speaker 1: Yeah. 589 00:28:57,880 --> 00:29:00,279 Speaker 3: And so they're like, great, let's do it. So they 590 00:29:00,319 --> 00:29:01,839 cut it down to what is an hour and forty 591 00:29:01,839 --> 00:29:03,200 five minutes, forty minutes. 592 00:29:03,039 --> 00:29:05,079 Speaker 2: Something like that. I think John Landis said he learned 593 00:29:05,079 --> 00:29:08,720 a lot from that experience, that idea of you can't 594 00:29:08,759 --> 00:29:12,079 just dump the whole thing, no matter how good they are, right, 595 00:29:12,200 --> 00:29:14,039 you can't dump that whole thing on somebody. Right. 596 00:29:14,599 --> 00:29:17,079 Speaker 3: So they go to show it to Ned Tannant and 597 00:29:17,680 --> 00:29:21,480 he's got his arms crossed, not laughing, not enjoying it. 598 00:29:21,920 --> 00:29:24,400 And it gets to the part where Otter has been 599 00:29:24,480 --> 00:29:27,359 sent to the hotel room to meet up with the 600 00:29:27,400 --> 00:29:29,839 bad guys, right, and they jump him and they beat 601 00:29:29,839 --> 00:29:33,000 the crap out of him, and he's like, this is 602 00:29:33,039 --> 00:29:35,880 not funny. And John Lindas is like, well, it's not 603 00:29:36,079 --> 00:29:38,599 supposed to be funny because this is the part where 604 00:29:38,599 --> 00:29:41,720 he gets beat up and it sort of gives them 605 00:29:41,720 --> 00:29:44,480 the incentive to get back and you know, and Ned 606 00:29:44,519 --> 00:29:47,039 Tennant says, oh, so we're making comedies that are supposed 607 00:29:47,039 --> 00:29:47,759 to not be funny. 608 00:29:48,119 --> 00:29:50,039 Speaker 4: John Lennas is like, man, this is not going well 609 00:29:50,079 --> 00:29:51,200 at all, right. 610 00:29:51,359 --> 00:29:53,759 Speaker 3: And so finally he gets up, he leaves. They're like, fine, 611 00:29:53,799 --> 00:29:55,599 do whatever you want with it, you know, make your 612 00:29:55,839 --> 00:29:58,480 unfunny comedy, like man, this guy doesn't get it at all, 613 00:29:58,640 --> 00:30:00,559 Like he does not think it's funny. So they pre 614 00:30:00,640 --> 00:30:03,160 screen it and it's a bunch of college kids, a 615 00:30:03,200 --> 00:30:05,440 bunch of fraternity guys in fact, uh huh. And John 616 00:30:05,480 --> 00:30:07,960 Lanna says it's the greatest reception of any movie he's 617 00:30:08,000 --> 00:30:08,680 ever seen. 618 00:30:08,480 --> 00:30:09,200 Speaker 2: In his life. 619 00:30:09,799 --> 00:30:13,359 Speaker 3: They were going bananas, he said, they were laughing so 620 00:30:13,480 --> 00:30:16,279 much that they were missing jokes and missing funny scenes 621 00:30:16,279 --> 00:30:19,559 that were coming right, and they were just howling at 622 00:30:19,559 --> 00:30:22,039 this movie. Once that happened, he's like, I think we 623 00:30:22,079 --> 00:30:24,519 got a hit, Fellas. Yeah, and it goes from a 624 00:30:24,680 --> 00:30:27,440 three million dollar budget movie to was it make one 625 00:30:27,480 --> 00:30:29,519 hundred and forty one million dollars worldwide? 626 00:30:29,720 --> 00:30:32,519 Speaker 4: Yeah, And it's the godfather of college comedies. 627 00:30:32,039 --> 00:30:35,519 Speaker 2: It is. Yeah. Sometimes movie studio executives don't know what 628 00:30:35,519 --> 00:30:36,400 the heck they're talking about. 629 00:30:36,480 --> 00:30:37,000 Speaker 4: That's true. 630 00:30:37,119 --> 00:30:37,480 Speaker 2: Yeah. 631 00:30:37,599 --> 00:30:40,720 Speaker 3: John Landis made one comment that I thought was particularly interesting. 632 00:30:40,880 --> 00:30:43,200 He said, when we started out with Animal House, for 633 00:30:43,240 --> 00:30:46,599 a while, this movie belonged to Mattie Simmons and to 634 00:30:46,680 --> 00:30:50,519 Ivan Rightman, and then it became Harold Ramis's, Doug Kenney's, 635 00:30:50,599 --> 00:30:53,240 and Chris Miller's, and then for a little while it 636 00:30:53,279 --> 00:30:56,640 became mine, like it was my movie, right, But once 637 00:30:56,680 --> 00:31:00,759 it was released, it became John Blushi's movie. Oh yeah, 638 00:31:00,799 --> 00:31:02,160 and I just thought that's really cool. 639 00:31:02,319 --> 00:31:06,240 Speaker 2: Well said, yeah, that's very good. Well said so Revenge 640 00:31:06,240 --> 00:31:09,440 of the Nerds. As I mentioned earlier, I could not 641 00:31:09,480 --> 00:31:11,960 figure out how this movie got made, And it turns 642 00:31:11,960 --> 00:31:13,759 out it was because it had a producer that was 643 00:31:13,839 --> 00:31:18,440 the air of a fortune, right right. And its budget 644 00:31:18,480 --> 00:31:23,440 in nineteen eighty four was eight million, and it's gross 645 00:31:23,440 --> 00:31:27,559 worldwide was forty million, almost forty one million. Okay, so 646 00:31:27,720 --> 00:31:32,440 one hundred million less than Animal House. Sure, but we're 647 00:31:32,480 --> 00:31:37,440 talking about nineteen eighty four arguably the best year in 648 00:31:38,000 --> 00:31:39,519 eighties movie history. 649 00:31:39,839 --> 00:31:42,559 Speaker 3: Yes, deff Dave is happy to hear you say that, Yes, yes, 650 00:31:42,599 --> 00:31:46,640 but you're right. It was a jam packed year at 651 00:31:46,640 --> 00:31:49,160 the movie theater. In talking about Revenge of the Nerds, 652 00:31:49,240 --> 00:31:52,240 it was kind of under the radar because the studio 653 00:31:52,359 --> 00:31:54,880 thought the big comedy that year was going to be 654 00:31:54,920 --> 00:31:55,839 Johnny Dangerously. 655 00:31:56,160 --> 00:31:58,720 Speaker 2: I love Johnny Dangers I do too, right, Michael Keen. 656 00:31:58,759 --> 00:32:01,240 Speaker 3: It's got some stars in it, but they were paying 657 00:32:01,279 --> 00:32:04,160 more attention to Johnny Dangerously, and this is this one 658 00:32:04,240 --> 00:32:06,039 kind of flew under the radar as just kind of 659 00:32:06,039 --> 00:32:10,519 a dumb boob college funny movie, right, and it ends 660 00:32:10,559 --> 00:32:13,200 up being one of the big comedy successes of. 661 00:32:13,200 --> 00:32:13,960 Speaker 4: Nineteen eighty four. 662 00:32:14,519 --> 00:32:15,240 Speaker 2: Very memorable. 663 00:32:15,319 --> 00:32:18,839 Speaker 3: Yeah yeah, and Johnny dangerously I liked it. 664 00:32:18,920 --> 00:32:20,799 Speaker 2: I liked it too, But people don't talk about it. 665 00:32:20,799 --> 00:32:24,160 It doesn't have the stay power as far as iconic movies. 666 00:32:24,319 --> 00:32:26,480 It doesn't have the stay power of Revenge of the Nerds. 667 00:32:27,279 --> 00:32:28,960 Speaker 4: I agree, Yeah, I agree. 668 00:32:29,359 --> 00:32:32,000 Speaker 2: Okay, So we know that both of these movies were successes, 669 00:32:32,079 --> 00:32:35,799 and both of them made attempts to pour out that 670 00:32:35,839 --> 00:32:39,279 success if you will. Right, there were no follow up 671 00:32:39,640 --> 00:32:45,160 movies for National Lampoon Animal House, but many people may 672 00:32:45,160 --> 00:32:49,519 not know there was a follow up TV series. 673 00:32:50,039 --> 00:32:53,319 Speaker 3: Yes, the TV series which they owned the rights to, 674 00:32:53,519 --> 00:32:55,880 so they could have easily called it Animal House, they 675 00:32:55,960 --> 00:32:58,920 chose to make the ridiculous decision of changing the title 676 00:32:58,960 --> 00:33:02,440 to the Dell to House Delta House. And get this, 677 00:33:02,839 --> 00:33:04,400 so I told you this story the other day. So 678 00:33:04,680 --> 00:33:06,480 they kind of get members of the cast. 679 00:33:06,599 --> 00:33:09,920 Speaker 2: Yeah, they get Flounder, they get d Day, they get 680 00:33:10,240 --> 00:33:13,279 Dean Warmer. Yeah, you get Dean Warmer. I mean they 681 00:33:13,440 --> 00:33:15,519 got a lot of the original cast in there. You know, 682 00:33:15,640 --> 00:33:17,559 they didn't get it was John Landis. They did not 683 00:33:17,920 --> 00:33:20,799 and they didn't get John Belushi, right. A guy named 684 00:33:20,880 --> 00:33:24,519 Josh Mostel played the Blue Tarski part and a guy 685 00:33:24,599 --> 00:33:27,960 named Peter Fox played the Otter part. But as a 686 00:33:28,000 --> 00:33:31,519 short lived show, there is one interesting feature of a 687 00:33:31,640 --> 00:33:35,599 new actor or actress in this movie. You were telling 688 00:33:35,599 --> 00:33:37,960 me about how crazy it is, how they got this, 689 00:33:38,319 --> 00:33:39,319 how they got this actress. 690 00:33:39,359 --> 00:33:41,599 Speaker 3: So they're looking for the pretty girl to fill the 691 00:33:41,640 --> 00:33:44,160 Babs role, and they found this girl working at a 692 00:33:44,200 --> 00:33:48,000 grocery store, working at the supermarkets, working at the supermarket. 693 00:33:48,160 --> 00:33:51,279 They hired her to be in this TV show and 694 00:33:51,359 --> 00:33:53,319 she's like, what do I do about my job at 695 00:33:53,319 --> 00:33:55,519 the grocery store? And they're, well, honey, you need to 696 00:33:55,599 --> 00:33:59,799 quit because you've got a future in TV and film. 697 00:34:00,119 --> 00:34:00,519 Speaker 2: Huh. 698 00:34:00,599 --> 00:34:02,960 Speaker 4: That woman's name is Michelle Pfeiffer. 699 00:34:04,599 --> 00:34:05,240 Speaker 2: Mind blown. 700 00:34:05,839 --> 00:34:10,599 Speaker 3: What Michelle Pfiffer got her start her first images on 701 00:34:10,719 --> 00:34:12,119 any kind of camera? 702 00:34:12,360 --> 00:34:16,880 Speaker 2: Yeah, the Delta House yep. Nineteen seventy nine through nineteen 703 00:34:16,960 --> 00:34:20,239 seventy nine. That's how long this one lasts, right, She 704 00:34:20,519 --> 00:34:24,239 was the key hottie in the Delta House and then 705 00:34:24,480 --> 00:34:28,000 within just what like a year, she is acting with 706 00:34:28,079 --> 00:34:29,960 al Pacino and freaking Scarface. 707 00:34:31,000 --> 00:34:34,800 Speaker 3: Yeah, Scarface eighty three, Catwoman ninety two. 708 00:34:35,519 --> 00:34:39,400 Speaker 2: Yeah, Delta House not a not a big success. So 709 00:34:40,079 --> 00:34:42,760 what about Revenge of the Nerds. 710 00:34:42,760 --> 00:34:44,239 Speaker 7: Ow Nerds as good as you? 711 00:34:44,920 --> 00:34:48,920 Speaker 3: Yes, okay, So here's what I'm gonna say about Revenge 712 00:34:48,920 --> 00:34:50,800 of the Nerds. Our buddy Jeff Johnson told me he's 713 00:34:50,800 --> 00:34:53,400 got the four pack Nerd collection. 714 00:34:53,719 --> 00:34:53,920 Speaker 2: Right. 715 00:34:54,440 --> 00:34:56,239 Speaker 3: So in nineteen eighty seven you get Revenge of the 716 00:34:56,280 --> 00:35:00,360 Nerds Part two yep, which actually it has Courtney Thorn's Smith. 717 00:35:00,400 --> 00:35:01,159 Speaker 4: They go to the beach. 718 00:35:01,280 --> 00:35:03,880 Speaker 3: There's kind of a funny joke about them staying at 719 00:35:03,960 --> 00:35:08,800 the hotel Coral Essex. But that movie had its laughs. 720 00:35:08,840 --> 00:35:09,599 Speaker 4: It was funny. 721 00:35:09,840 --> 00:35:12,280 Speaker 3: Now Gilbert broke his leg and so he couldn't go 722 00:35:12,360 --> 00:35:14,599 with them. So you're you're down goose right, you don't 723 00:35:14,599 --> 00:35:15,280 have anything anwa. 724 00:35:15,320 --> 00:35:17,760 Speaker 2: Anthony Edwards was like, I am a bigger star than this. 725 00:35:17,880 --> 00:35:19,719 Speaker 3: Now I just did Top Gun in case you guys 726 00:35:19,760 --> 00:35:22,159 don't know that. But then you have two others. One 727 00:35:22,159 --> 00:35:23,480 of them is like Nerds in Love. 728 00:35:24,639 --> 00:35:27,559 Speaker 2: Revenge of the Nerds three, the Next Generation came out 729 00:35:27,639 --> 00:35:33,440 in nineteen ninety two, and Revenge of the Nerds. Nerds 730 00:35:33,440 --> 00:35:35,519 in Love came out in nineteen. 731 00:35:35,239 --> 00:35:37,039 Speaker 4: Four, nineteen ninety four. 732 00:35:37,599 --> 00:35:41,199 Speaker 2: Wow, so riding that for all that they could. I'm 733 00:35:41,239 --> 00:35:44,000 pretty sure that that last one was a made for 734 00:35:44,079 --> 00:35:48,760 TV movie. But three point eight on IMDb, Matt, I have. 735 00:35:48,760 --> 00:35:50,559 Speaker 4: Not watched that one. I have no plans to see 736 00:35:50,599 --> 00:35:50,880 that one. 737 00:35:51,119 --> 00:35:54,320 Speaker 2: Well, they got back Robert Carrodine for that, Curtis Armstrong, 738 00:35:54,480 --> 00:35:58,119 Julie Montgomery, what, yeah, all back for that. It's just 739 00:35:58,159 --> 00:35:58,960 that it was terrible. 740 00:35:59,280 --> 00:36:01,599 Speaker 3: Hey, By the way, I one other story I need 741 00:36:01,599 --> 00:36:03,840 to follow up on before we do our final judgment. Yes, 742 00:36:04,199 --> 00:36:07,639 at the end of Animal House, in the closing credits, 743 00:36:07,760 --> 00:36:10,920 there's a you know this is a Universal picture when 744 00:36:10,920 --> 00:36:13,760 it talks about who did what at the end, you know, 745 00:36:14,159 --> 00:36:16,119 at the end of the movie when it shows Babs 746 00:36:16,880 --> 00:36:21,119 says that she worked as a tour guide at Universal Studios, right, 747 00:36:21,280 --> 00:36:23,840 and it says ask for Babs. 748 00:36:23,480 --> 00:36:25,199 Speaker 4: When you go to Universal Studios. 749 00:36:25,440 --> 00:36:25,519 Speaker 5: Right. 750 00:36:25,800 --> 00:36:31,079 Speaker 3: Yeah, so Universal Studios actually had some sort of incentive 751 00:36:31,320 --> 00:36:35,440 when you ask for Babs at Universal Studios. Okay, now 752 00:36:35,440 --> 00:36:38,599 here's the deal. I couldn't find anywhere concrete where it 753 00:36:38,679 --> 00:36:41,280 said you got ten dollars off your ticket or you 754 00:36:41,360 --> 00:36:44,000 got an extra ride or you got free popcorn or anything. 755 00:36:44,039 --> 00:36:44,840 Speaker 4: I couldn't find. 756 00:36:44,679 --> 00:36:47,360 Speaker 2: Anything signed picture of Babs well. 757 00:36:47,320 --> 00:36:52,199 Speaker 3: Right, right, but I did see a press release that 758 00:36:52,280 --> 00:36:55,559 had been released in nineteen eighty nine, ten years later. 759 00:36:55,719 --> 00:36:58,360 Over ten years later, they were no longer honoring the 760 00:36:58,519 --> 00:37:01,440 ask for Bab's incentive at Universal Studios. 761 00:37:01,440 --> 00:37:02,400 Speaker 2: Stupid Universal. 762 00:37:03,000 --> 00:37:03,840 Speaker 4: So I don't know. 763 00:37:03,880 --> 00:37:06,639 Speaker 3: I think maybe it was kind of the discretion of 764 00:37:06,639 --> 00:37:08,280 the manager on duty at that day. 765 00:37:08,480 --> 00:37:11,239 Speaker 2: Yeah, and probably it had become what do they say, viral, 766 00:37:11,760 --> 00:37:15,119 not back then, but that it was like everybody knew 767 00:37:15,239 --> 00:37:17,800 the secret at this point. It wasn't an inside joke anymore. 768 00:37:18,119 --> 00:37:20,480 Speaker 3: If I go to Universal Studios, you can guarantee I'm 769 00:37:20,519 --> 00:37:21,760 gonna ask for Rabs. 770 00:37:21,920 --> 00:37:24,639 Speaker 2: Okay, before we get into final judgment, I got a 771 00:37:24,719 --> 00:37:27,599 question for you. Okay, you've just gone through Pledge Week. Yes, 772 00:37:27,679 --> 00:37:30,079 and you've got two offers. Yes, one is from the 773 00:37:30,079 --> 00:37:33,079 Delta House and the others from the try Lamps. Yeah, 774 00:37:33,119 --> 00:37:34,599 which one are you going to pledge with? 775 00:37:35,239 --> 00:37:40,119 Speaker 3: I'm pledging try lamb Okay, why because I care about 776 00:37:40,159 --> 00:37:43,599 graduating and that's full of smart people who are going 777 00:37:43,679 --> 00:37:44,239 to graduate. 778 00:37:44,519 --> 00:37:44,679 Speaker 2: Huh. 779 00:37:44,800 --> 00:37:46,840 Speaker 3: The Delta House is full of people are about. 780 00:37:46,639 --> 00:37:47,639 Speaker 4: To get kicked out of school. 781 00:37:47,760 --> 00:37:50,880 Speaker 3: Yeah, and I want to graduate and get my college degree. 782 00:37:51,079 --> 00:37:55,880 Speaker 2: Right. If I had confidence in my own bootstraps success, right, 783 00:37:55,960 --> 00:37:58,239 then I definitely would go with the Delta House. That 784 00:37:58,280 --> 00:38:02,119 would be the most fun. But if I wanted the 785 00:38:02,159 --> 00:38:06,599 most likelihood of financial success, you bet your booty. Not 786 00:38:06,639 --> 00:38:08,360 only that I'm going to get good grades, but I'm 787 00:38:08,360 --> 00:38:10,159 going to meet all the guys who are going to 788 00:38:10,239 --> 00:38:14,280 be running the world in the next twenty years. 789 00:38:14,400 --> 00:38:17,760 Speaker 3: Oh guaranteed, Wormser is out there. He's a CEO of 790 00:38:17,760 --> 00:38:18,960 some tech company somewhere. 791 00:38:18,960 --> 00:38:22,960 Speaker 2: Absolutely. Probably not, he is probably retired, sitting on a 792 00:38:23,000 --> 00:38:25,400 beach earning twenty percent nice. 793 00:38:25,559 --> 00:38:28,119 Speaker 3: All right, well here we are. It's final judgment time. 794 00:38:28,679 --> 00:38:29,960 I think it's your turn to go first. 795 00:38:30,280 --> 00:38:33,599 Speaker 2: Okay, Well, as I mentioned when I watched The Revenge 796 00:38:33,639 --> 00:38:36,679 of the Nerds, I was kind of a board a 797 00:38:36,719 --> 00:38:39,159 little bit for the first half hour. Then they came 798 00:38:39,199 --> 00:38:42,320 in strong on the party scene. I mean, all of 799 00:38:42,360 --> 00:38:45,440 a sudden, I'm laughing out loud multiple times. I'm like, okay, good, 800 00:38:45,559 --> 00:38:50,079 the movie has come alive. We've built our character relationship 801 00:38:50,119 --> 00:38:53,480 and now we're really seeing them take off. And they 802 00:38:53,519 --> 00:38:56,320 had good funny scenes after that the competition was good, 803 00:38:56,719 --> 00:39:03,480 and then they finished a pretty weak note. It was 804 00:39:04,199 --> 00:39:08,199 not you know, when you have a Cinderella story, which 805 00:39:08,280 --> 00:39:10,320 both of these movies are, she's got to have the 806 00:39:10,320 --> 00:39:12,320 Prince chaser at the end, right, you got to have 807 00:39:12,440 --> 00:39:16,159 Rocky fighting his way to go in the distance. And 808 00:39:16,760 --> 00:39:19,559 with this you just kind of get a whisper end, 809 00:39:19,719 --> 00:39:22,119 you know. And I think that they they had shot 810 00:39:22,199 --> 00:39:25,440 scenes where it was going to be a more aggressive ending, 811 00:39:25,480 --> 00:39:28,719 a more powerful ending for the nerds, and even we 812 00:39:28,719 --> 00:39:30,880 were going to learn that Stan was actually a nerd 813 00:39:30,880 --> 00:39:32,719 at heart and had a brother who was a nerd 814 00:39:32,719 --> 00:39:35,559 who would come save him from the toughness of the 815 00:39:35,639 --> 00:39:38,079 other nerds. This is what these are the deleted scenes 816 00:39:38,119 --> 00:39:40,800 that we're getting to wow, okay, but instead we just 817 00:39:40,920 --> 00:39:45,079 kind of have this awkward, ad libbed speech by Anthony 818 00:39:45,199 --> 00:39:50,119 Edwards and a not very cathartic ending. It's just it's like, hey, 819 00:39:50,400 --> 00:39:52,360 we're here now, when we're here to stay the end? 820 00:39:52,440 --> 00:39:55,800 And on the other side of that, you've got Animal House, 821 00:39:56,000 --> 00:39:59,760 which ends in what I would describe as a battle scene. 822 00:40:00,039 --> 00:40:02,920 I mean, it was amazing what they did in the carnival. 823 00:40:03,280 --> 00:40:06,800 Carnival they've got you know, Kevin Bacon has smashed flat. 824 00:40:07,280 --> 00:40:10,119 Things are exploding, people are flying up in the air. 825 00:40:10,360 --> 00:40:14,559 Building buildings are being knocked over, dogs and cats living together, 826 00:40:15,079 --> 00:40:19,400 mass hysteria. Right, And so to me, this was a landslide, 827 00:40:19,519 --> 00:40:22,000 a landslide for National lampoon. 828 00:40:22,159 --> 00:40:24,800 Speaker 3: Animal House really okay, all right, Well, I'm going to 829 00:40:24,880 --> 00:40:28,159 disagree with you. So I do believe that Animal House 830 00:40:28,280 --> 00:40:32,400 is the godfather of college comedies. There is no denying. 831 00:40:32,480 --> 00:40:36,440 It is way more impactful. It's given birth to more movies, 832 00:40:36,559 --> 00:40:38,760 way more movies than Revenge of the Nerds. But I 833 00:40:38,800 --> 00:40:42,719 can't escape my eleven year old self of wanting to 834 00:40:42,760 --> 00:40:45,519 catch this movie on Cinemax because it was just naughty 835 00:40:45,599 --> 00:40:48,239 enough for me at the time to want to watch 836 00:40:48,480 --> 00:40:51,079 a little bit of you know, Revenge from. 837 00:40:50,960 --> 00:40:53,800 Speaker 2: The Nerds, a little bit of voyeurism, a little bit 838 00:40:53,800 --> 00:40:55,239 of inappropriateness for me. 839 00:40:55,599 --> 00:40:58,639 Speaker 3: The comedy of Booger really worked for me at that time. 840 00:40:59,360 --> 00:41:00,599 Speaker 2: It is eleven year old humor. 841 00:41:01,400 --> 00:41:04,360 Speaker 3: Eleven year old me is voting for Revenge of the Notes. 842 00:41:04,800 --> 00:41:07,480 Speaker 2: Well, very good, very good, All right, guys, Well tell 843 00:41:07,559 --> 00:41:11,199 us what you think. Check us out. We're on Facebook obviously. 844 00:41:11,599 --> 00:41:14,840 You can reach us at Shirley Podcast on Twitter you 845 00:41:14,880 --> 00:41:17,159 can email us. We've had more and more emails lately. 846 00:41:17,199 --> 00:41:20,639 It has been fantastic. Had an email from a new 847 00:41:20,639 --> 00:41:24,880 friend in Australia we had just gotten introduced to our podcast, 848 00:41:25,199 --> 00:41:29,519 who gave us warm and wonderful reviews from down under. 849 00:41:29,800 --> 00:41:33,400 Thank you very much. That's Jason mack down in Australia. 850 00:41:33,760 --> 00:41:35,440 Speaker 3: Yeah, and then we also got an email from a 851 00:41:35,440 --> 00:41:37,800 guy named David Kaisse I think I pronounced that kiss 852 00:41:38,239 --> 00:41:40,239 and he likes to listen to us when he goes 853 00:41:40,239 --> 00:41:43,000 on walks, and he wanted us to do a podcast 854 00:41:43,000 --> 00:41:44,079 on Dave Matthews Band. 855 00:41:44,119 --> 00:41:47,719 Speaker 2: So yeah, and I mean hey, I was a huge 856 00:41:48,119 --> 00:41:51,599 Dave Matthews band fan back in the day. But Under 857 00:41:51,639 --> 00:41:53,920 the Table and Dreaming one of my favorite albums of 858 00:41:53,920 --> 00:41:57,360 all time. I would as I would love to talk 859 00:41:57,400 --> 00:41:59,599 about the Dave Matthews Band and it may I mean 860 00:41:59,639 --> 00:42:01,599 heck that maybe one of those. Are they worth the 861 00:42:01,639 --> 00:42:05,199 hate albums? Because as powerful and popular as they were, 862 00:42:05,360 --> 00:42:07,440 they get a lot of bad press these days. It's 863 00:42:07,559 --> 00:42:12,199 kind of disturbing because they're amazing musicians, amazing. 864 00:42:12,559 --> 00:42:13,880 Speaker 3: That'd be if I want to do maybe we'll do 865 00:42:13,920 --> 00:42:14,639 that one down the road. 866 00:42:14,760 --> 00:42:15,800 Speaker 2: Yeah, be fantastic. 867 00:42:16,519 --> 00:42:18,760 Speaker 3: Can you believe what we got on the horizon For 868 00:42:18,800 --> 00:42:21,239 the next five weeks. 869 00:42:23,559 --> 00:42:28,519 Speaker 2: Guys, we are jumping feet first into the incredible albums 870 00:42:28,840 --> 00:42:29,840 of nineteen four. 871 00:42:30,119 --> 00:42:33,400 Speaker 3: Yeah, we're gonna cover Eezer the Blue album. We're covering 872 00:42:33,480 --> 00:42:38,360 Green Days, Dookie, We're covering Bush sixteen Stone, We're covering 873 00:42:38,440 --> 00:42:43,119 Collective Soul the Blue Album, and we're covering Live Growing Copper. 874 00:42:43,360 --> 00:42:47,159 Speaker 2: Yeah, amazing, all amazing albums that came out in ninety four. 875 00:42:47,320 --> 00:42:50,400 And that's just a smattering, you know, that's just a 876 00:42:50,599 --> 00:42:55,159 sample size of the incredible albums that came out that year. So, guys, 877 00:42:55,239 --> 00:42:57,480 if you you know you've heard us talk eighties for 878 00:42:58,559 --> 00:43:01,320 several several episodes, Now we are going to jump into 879 00:43:01,360 --> 00:43:04,320 the nineties, as we seem to do every fall, and 880 00:43:04,760 --> 00:43:09,079 jump into some of the incredible albums of nineteen ninety four. 881 00:43:09,199 --> 00:43:13,400 And that'd be in the case we have another Surely song. 882 00:43:13,760 --> 00:43:17,239 So since our Surely you Can't Be Serious band has 883 00:43:17,400 --> 00:43:21,320 done eighties versions of our theme song and we're about 884 00:43:21,360 --> 00:43:24,400 to move into the nineties, I said, hey, guys, can 885 00:43:24,440 --> 00:43:29,360 you do a more post grunge Weezer esque style? And 886 00:43:29,440 --> 00:43:31,039 I gave them a whole new set of lyrics that 887 00:43:31,079 --> 00:43:34,679 I wrote, and guys, here it is, say it ain't 888 00:43:34,719 --> 00:43:37,400 surely by the surely you can't be serious? Podcast band? 889 00:43:37,519 --> 00:43:38,920 Speaker 4: Oh Yes, can't wait to hear this? 890 00:43:40,480 --> 00:43:53,760 Speaker 7: Yeah, attention with the breakfast club guys, a boombox blasting. 891 00:43:53,400 --> 00:43:54,280 Speaker 5: In your eyes? 892 00:43:54,760 --> 00:44:01,559 Speaker 7: This some kind of movie scene. Earn my dancing shoes. 893 00:44:01,960 --> 00:44:05,039 Speaker 5: I guess I'm about to cut one loose because I'm 894 00:44:05,079 --> 00:44:09,239 living my eighties dream. So let's take a builder day 895 00:44:09,559 --> 00:44:15,039 when July to get away? Is it really so mystery? 896 00:44:17,000 --> 00:44:21,440 Let surely take you back in time? Lets surely push me? 897 00:44:21,679 --> 00:44:21,920 Speaker 1: Why? 898 00:44:22,400 --> 00:44:31,679 Speaker 5: Sure you can't? You can't be serious? No Google, no Face, 899 00:44:31,920 --> 00:44:35,760 no Amazon, just nineteen eighty four Jumping Panama. Are we 900 00:44:36,000 --> 00:44:42,119 safety flash or dirty dancing? We love a crush groove 901 00:44:43,280 --> 00:44:47,639 and the romance is true, but it's the stone we're romance. 902 00:44:48,400 --> 00:44:52,400 So let's take a bueller day when July to get 903 00:44:52,440 --> 00:44:57,079 away just trenck away Captain James's time near us? 904 00:44:58,320 --> 00:45:00,679 Speaker 7: Lest surely take you Sime. 905 00:45:01,480 --> 00:45:06,000 Speaker 5: Let's surely push free wine. Sure you can't, you can't 906 00:45:06,039 --> 00:45:12,559 be serious. He's a party with the don't go. 907 00:45:12,800 --> 00:45:16,280 Speaker 6: Girls and lost boys, So come on field the noise, 908 00:45:17,000 --> 00:45:23,360 let's sultar grants your nostalgia wish. The girls just want 909 00:45:23,360 --> 00:45:25,920 to have fun playing with the boys, to be the 910 00:45:26,039 --> 00:45:30,119 top gun. No, surely you can't be serious, or to 911 00:45:30,199 --> 00:45:34,039 stand by me, because I'll be there for you. 912 00:45:35,079 --> 00:45:40,239 Speaker 5: This winter shade is hazy, so let's go crazy. But 913 00:45:40,400 --> 00:45:45,360 a coupits as you wish. It's surely, surely you can't 914 00:45:45,400 --> 00:45:53,639 be serious. Surely you can't. You can't be serious. Sure 915 00:45:53,840 --> 00:45:57,599 you can't. You can't be sure you can't. You can't 916 00:45:57,639 --> 00:45:59,519 be Surely you can't. 917 00:45:59,559 --> 00:46:01,039 Speaker 4: You can't can be serious. 918 00:46:03,679 --> 00:46:07,960 Speaker 5: Sure you can you can't be you can you can't 919 00:46:07,960 --> 00:46:19,519 be serious? Looks like I'm miss seven. 920 00:46:21,199 --> 00:46:21,880 Speaker 1: Yeah you did. 921 00:46:22,719 --> 00:46:24,519 Speaker 3: We're all officially kicked out of school. 922 00:46:25,119 --> 00:46:26,559 Speaker 5: Wormer just got our grades. 923 00:46:27,960 --> 00:46:32,320 Speaker 2: They kicked us out of school. That makes sense. 924 00:46:32,559 --> 00:46:37,480 Speaker 8: Hey, let's just slide around. Shit, what the hell is 925 00:46:37,519 --> 00:46:38,920 supposed to do you moron? 926 00:46:39,199 --> 00:46:39,760 Speaker 1: War is over? 927 00:46:39,800 --> 00:46:39,960 Speaker 5: Man? 928 00:46:40,000 --> 00:46:41,119 Speaker 2: Wermer dropped a big one. 929 00:46:41,760 --> 00:46:43,320 Speaker 4: What over? 930 00:46:44,480 --> 00:46:48,440 Speaker 8: You say over? Nothing is over until we decided? 931 00:46:48,599 --> 00:46:49,880 Speaker 2: Is was it over? 932 00:46:50,000 --> 00:46:51,760 Speaker 8: When the German's bomb prolter? 933 00:46:52,760 --> 00:46:55,559 Speaker 2: Hello German, forget it? 934 00:46:55,599 --> 00:46:57,679 Speaker 7: He's rolling and hey over now? 935 00:46:58,840 --> 00:47:08,880 Speaker 8: Because why I'm not going gets tough? The tough get gone? 936 00:47:09,440 --> 00:47:10,079 Speaker 4: Who's with me? 937 00:47:11,199 --> 00:47:12,360 Speaker 8: Let's go gone?