WEBVTT

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<v Speaker 1>Fluid Fluent RG.

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<v Speaker 2>Welcome to Fluent Fiction Spanish, the podcast where we bring

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<v Speaker 2>you bilingual stories to supercharge your listening comprehension. In each episode,

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<v Speaker 2>we'll present a short story in both English and Spanish

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<v Speaker 2>with the aim of helping you to improve your listening comprehension.

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<v Speaker 3>Explore the triumphant drama behind Matteo's summer play as egos clash,

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<v Speaker 3>nerves are tested, and a young director discovers the true

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<v Speaker 3>essence of leadership and collaboration.

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<v Speaker 4>Right after this commercial break, At fluent Fiction, we're not

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<v Speaker 4>just telling stories, We're bringing the world together by learning

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<v Speaker 4>to understand each other. By subscribing to Fluent Fiction Plus.

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<v Speaker 4>At plus dot fluentfiction dot org, you do more than

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<v Speaker 4>just remove ads. You support a platform bridging global language differences,

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<v Speaker 4>one story at a time. Your subscription not only guarantees

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<v Speaker 4>you an uninterrupted narrative, it also sustains our mission to

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<v Speaker 4>bring stories in diverse languages to everyone. It's simple. Visit

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<v Speaker 4>Plus dot Fluentfiction dot org and become a Plus subscriber today.

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<v Speaker 4>When you do, you become a champion for global language

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<v Speaker 4>learning and enjoy an ad free experience. So please join

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<v Speaker 4>us at Plus dot fluentfiction dot org. Let's transform the

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<v Speaker 4>way we experience the power of stories. Your journey awaits

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<v Speaker 4>at plus dot fluentfiction dot org. Together we can keep

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<v Speaker 4>the world's stories flowing.

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<v Speaker 5>Els ares los pasadosta finales in millieves, regin know matteo,

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<v Speaker 5>caa minavacnu libreto, la mano revizandosus not as elensagio del

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<v Speaker 5>di anterior. Let's call a estava de corrada parlava, delfin

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<v Speaker 5>de curso, cartels coloridos, colos, nombrezlos personas es sena sestava

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<v Speaker 5>pegados and las pardes las a la servian de camarinos

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<v Speaker 5>in provisados on the san murmujo siriess nerbosas Matteo, ral

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<v Speaker 5>director de laura, supassion peltro, ra conocida pero tambi and

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<v Speaker 5>suceedad estraso portunida de brigariga ursell respecto the sus companerosi,

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<v Speaker 5>professors asulado, stava, catalina, suamiga yactris principal a kera talentosa

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<v Speaker 5>lie there the act to our friend at todos la

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<v Speaker 5>in timidava el problema restevan unestu the ante sego siismo tanseguruke,

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<v Speaker 5>menudo caria to maril control the toto, crea fimmentekel de villa,

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<v Speaker 5>ce rel protagonista, esto crevatnsion and el grupo especial mane paramtateo, Ketenia,

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<v Speaker 5>cad ministradstosvos e losens aggos, mateo no tava q stevan

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<v Speaker 5>intentava in fluir mas de loke devilla meen trastanto, Catalina, sevella,

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<v Speaker 5>cadavez mas angustiada, lucendo, contrasus nervios, matteo, savilla, Ketenia, cactual durantella,

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<v Speaker 5>ultima practica and zellestreno susediolo in esperado, estevan en suconfienza,

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<v Speaker 5>vees medida, olvidosus lina senuna, senna clavi elsilenzio, foe in

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<v Speaker 5>commodo pero Catalina conun profundo espiro interveno in provincandosus linas

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<v Speaker 5>soctacion de juatodos, impressionados, mostrona, seguridad, qununca and xavia de

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<v Speaker 5>mostrado esofom punto the inflexion paramto sedio ConA de caparelvi

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<v Speaker 5>and del grupo Elexito de la ova Necessitavato mar decisions

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<v Speaker 5>if silist condetermination avloc Estevan and Privado Lexplicoava parts roles

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<v Speaker 5>correct meneval mucho mascomo parte del poke to Mando todol protagonismo,

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<v Speaker 5>Stevan accept a reganadientes pero comprendio, Matteo t and Viennavlo

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<v Speaker 5>con Catalina and Imandola yaando le Talento incredibly centralie jacepto

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<v Speaker 5>esta vescon mas confienza, el dia de la ora, el teatro, Stava, Geno,

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<v Speaker 5>los nervius rampal pablos peroesta Veestavana, Compagnado and Sason the

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<v Speaker 5>anticipation and Positiva Catalina and pressional construct Yes Stevan and

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<v Speaker 5>Son role agrego alva carel tellon losa plaso resonnavan e

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<v Speaker 5>la sala, Matteo agradecido is attis veechio seduto via prendidos

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<v Speaker 5>of rele the rasco vaipo laxo je la via de

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<v Speaker 5>MOSTRADOSU capasid como director conela migosila gratitu to lecipo Matteo, Bio, comoloses, forsos,

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<v Speaker 5>moto von Alexito, Icola, calidlreddo, compridoke, revo, covinzo, marcado porla

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<v Speaker 5>confienza je la prendisage combardido.

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<v Speaker 3>Let's take another listen. Listen closely to any parts you

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<v Speaker 3>may have missed.

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<v Speaker 1>El Calor del Verano, in Flava lat mons Vera, and

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<v Speaker 1>Eliseo de Buenos Aires.

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<v Speaker 3>The summer heat swelled within the atmosphere at Aliseo and

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<v Speaker 3>Buenos Aires.

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<v Speaker 5>Los pasigios estavangenoses, tudene semosionados, preparados, parasus, vaciones, pero tam

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<v Speaker 5>vienerbosos porlos s exaes finales.

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<v Speaker 3>The hallways were filled with excited students ready for their vacations,

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<v Speaker 3>but also nervous about their final exams.

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<v Speaker 5>In Mellio dis de tor Reggino, Matio caa Minva conu,

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<v Speaker 5>libret la Mano, Revisendo.

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<v Speaker 1>Suz No ta Zelen, Sagio del Dia and Therio.

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<v Speaker 3>In the midst of this whirlwind, Matteo walked with a

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<v Speaker 3>script in hand, reviewing his notes from the previous day's rehearsal.

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<v Speaker 1>Les Colestava de corrada pa lao ra del fin de curso.

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<v Speaker 3>The school was decorated for the end of your play cartiles.

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<v Speaker 1>Col ridos, coulos, nombrezilos, persona jesi, sina sistava and pegado

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<v Speaker 1>selas pareris.

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<v Speaker 3>Colorful posters with the names of the characters and scenes

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<v Speaker 3>were taped on the walls.

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<v Speaker 1>La soula servien de camerino, s impro vicedo, zun de

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<v Speaker 1>senmurmurio sirisas nerbosas.

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<v Speaker 3>The classrooms served as improvised dressing rooms where murmurs and

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<v Speaker 3>nervous laughter could be heard.

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<v Speaker 1>Mateo re dirict de la.

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<v Speaker 3>Matteo was the director of the play.

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<v Speaker 1>Upasion consida piro tam viens seda.

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<v Speaker 3>His passion for theater was well known, as was his anxiety.

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<v Speaker 5>Is theres port rilleria narsel res perto di sus comberosi professoris.

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<v Speaker 3>This was his chance to shine and earn the respect

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<v Speaker 3>of his peers and teachers.

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<v Speaker 1>Asu la lusa Catalina Samiga yec tris principal.

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<v Speaker 3>Beside him was Catalina, his friend and the lead actress.

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<v Speaker 5>Queerra Tlinosa Lea there rectur friente todos la Tidava.

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<v Speaker 3>Although she was talented, the idea of acting in front

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<v Speaker 3>of everyone intimidated her.

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<v Speaker 1>El progle Restevan unistu viente semo thence vurro nudo ri

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<v Speaker 1>to maril controdo.

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<v Speaker 3>The problem was a Stevan, a self assured student, so

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<v Speaker 3>confident that he often wanted to take control all of everything.

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<v Speaker 1>Crea fiermente, qul de ville selta.

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<v Speaker 3>He firmly believed that he should be the protagonist.

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<v Speaker 5>Esto crevall rupo especilmente parramatteo qui ministra resto sevos.

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<v Speaker 3>This created tension in the group, especially for Matteo, who

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<v Speaker 3>had to manage these egos.

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<v Speaker 1>In loss agus mateo no tava, Questeva Nina in flui

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<v Speaker 1>mazel ke de Villa.

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<v Speaker 3>During rehearsals, Matteo noticed that Estevan tried to exert more

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<v Speaker 3>influence than he should.

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<v Speaker 5>Mien trastanto, Catalina, Sevella, Cara vez maas Angustilla lucendo contra

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<v Speaker 5>sus nevius.

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<v Speaker 3>Meanwhile, Catalina seemed increasingly anxious, struggling against her nerves.

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<v Speaker 1>Mateus saville quetnia cacti.

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<v Speaker 3>Matteo knew he had to act.

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<v Speaker 1>Durente la ultima practica and tezelistre reno su sevio luines perrado.

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<v Speaker 3>During the final rehearsal before the premiere, the unexpected happened

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<v Speaker 3>is deevan is.

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<v Speaker 1>Su confiencea vez mevida lvidosus lina sune senatlave.

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<v Speaker 3>Estevan, in his overconfidence, forgot his lines in a key scene.

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<v Speaker 1>El silenzio fu in comodo. The silence was uncomfortable perro

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<v Speaker 1>Catalina conun profundo respiro in tervino in pro vicendosus linees.

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<v Speaker 1>But Catalina, taking a deep breath, stepped in by improvising

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<v Speaker 1>her lines so judos. Her performance left everyone impressed Mostrona

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<v Speaker 1>see Kenunka and the sa vie de mostrado.

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<v Speaker 3>She showed a confidence she had never demonstrated before.

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<v Speaker 1>Esolfu punto the influxion Parramato. That was a turning point

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<v Speaker 1>for Mattel sla Lis.

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<v Speaker 3>He realized that for the good of the group and

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<v Speaker 3>the success of the play, he needed to make tough decisions.

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<v Speaker 1>Conde der minacion avloprivado.

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<v Speaker 3>With determination. He spoke with Estevan privately.

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<v Speaker 5>Lix Plicoteva mucho masco parte Mando.

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<v Speaker 3>He explained that roles needed to be allocated properly and

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<v Speaker 3>that Stevan was much more valuable as part of the

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<v Speaker 3>team than by taking all the spotlight.

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<v Speaker 1>Isteventis viro combrindio.

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<v Speaker 3>Estevan reluctantly agreed, but understood.

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<v Speaker 1>Mato ta vienna an imando lenin krebl.

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<v Speaker 3>Matteo also spoke with Catalina, encouraging her and assuring her

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<v Speaker 3>that she had incredible talent.

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<v Speaker 5>Le frisilentra lie ja cepto ista vescon masconfienza.

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<v Speaker 3>He offered her the central role and she accepted, this

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<v Speaker 3>time with more confidence.

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<v Speaker 1>Elville de laovre il te trusta vagino. On the day

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<v Speaker 1>of the play, the theater was full los.

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<v Speaker 5>Nervous, rampalpables peruista visistavana, compagno zuna sin sacn and tissibacion positiva.

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<v Speaker 3>The nerves were palpable, but this time they were accompanied

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<v Speaker 3>by a sense of positive anticipation.

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<v Speaker 1>Catalina impressiono consutacion Istevan in sunvol a rego profundid the laore.

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<v Speaker 3>Catalina dazzled with her performance, and Estevan, in his new role,

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<v Speaker 3>added depth to the play.

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<v Speaker 5>Alva calteln sa plalla sala.

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<v Speaker 3>As the curtain fell, applause echoed in the room.

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<v Speaker 1>Matteo add tis fecho se prendo soo.

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<v Speaker 3>Matteo, grateful and satisfied, realized how much he had learned

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<v Speaker 3>about leadership and the value of teamwork.

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<v Speaker 5>Laxito ye la vie de mostradosua com director.

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<v Speaker 3>The play was a success, and he had proven his

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<v Speaker 3>capability as a director.

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<v Speaker 5>Conel migos rat quipo mateo vio comloses forsos moto sito.

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<v Speaker 3>With the embrace of his friends and the gratitude of

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<v Speaker 3>the entire team, Matteo saw how their mutual efforts led

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<v Speaker 3>to success.

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<v Speaker 5>Icola cador comprinvio ke co mienso marcavo por la confianza

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<v Speaker 5>ye la prindsage combardido, And.

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<v Speaker 3>With the warmth of summer surrounding him, he understood it

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<v Speaker 3>was a new beginning, marked by trust and shared learning.

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<v Speaker 4>Today's vocabulary words are coming up right after this commercial break.

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<v Speaker 4>Here are today's vocabulary words, first in Spanish, then.

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<v Speaker 1>In English, blood mos erra, blood, mos ferra, blao mos ferra,

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<v Speaker 1>the atmosphere, ilto regino ilto, regino iltor regino, the whirlwind, illbreto, ilbreto,

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<v Speaker 1>ill libreto, the script ilin saggio, Elin sagio, Elin saggio,

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<v Speaker 1>the rehearsal pil camerino il camerino il came.

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<v Speaker 3>The dressing room.

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<v Speaker 1>Los more mujos, los more mujus, los more, murius, the

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<v Speaker 1>murmurs blaod encion latinsion, latinsion, the tension heeherser he heers

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<v Speaker 1>to exert, improviser improviser, I provice to improvise helpunto the inflection,

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<v Speaker 1>el punto the inflection, el punto the inflexi the turning point.

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<v Speaker 1>Blave terminacion, lave terminacion, la veterminacion, the determination, preparati, preparatir

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<v Speaker 1>p reparti to allocate hell protagonista, el protagonista, el protagonista,

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<v Speaker 1>the protagonist, anima, anima, anima to encourage loos nervus los

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<v Speaker 1>nervous los use the nerves balpabli balpably bal babli palpable, land,

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<v Speaker 1>dici passion land dic basion, land d c basion, the anticipation.

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<v Speaker 1>This loumbra, this loumbre, this lumbra, to dazzle. Le profundida,

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<v Speaker 1>le profundida, la profundi.

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<v Speaker 6>The the depth, prisonal prisona prissonal to echo, agra, decido, agra, decido,

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<v Speaker 6>agra decido, grateful seti vetu set this vitu sertis vetu satisfied.

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<v Speaker 1>Avarca avargar avarca, to encompass black a passida, lac a passida,

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<v Speaker 1>lack a passida, the capability he la braso e la

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<v Speaker 1>brasso e lavrasso, the embrace black tooth, la gratitooth leagrati tooth,

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<v Speaker 1>the gratitude ele cito elexito elexitu. The success ili ve rasco, ilive.

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<v Speaker 5>Rasco, eli verrasco, The leadership iltrava, iltrava, iltrava.

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<v Speaker 1>The teamwork pro the are bro there rod are to surround.

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<v Speaker 2>We hope you've enjoyed this episode of Fluent Fiction Spanish.

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<v Speaker 2>Our team works tirelessly to bring you high quality, engaging

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<v Speaker 2>content that will help you to reach your goals, but

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<v Speaker 2>dot org Premium Spanish. Thanks for listening, and now a

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<v Speaker 2>final word from our sponsors.