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<v Speaker 1>We're Turbulerin, dude, and this is the Bitter Kitten Movie

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<v Speaker 1>Club hellicit and is welcome back to another edition of

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<v Speaker 1>the BKMC, a supplemental edition of the Pop Style Opinion

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<v Speaker 1>Pest podcast where we take a look at one film

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<v Speaker 1>per week and dissect it and hope to get a

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<v Speaker 1>discussion started on it. This week's well, thanks for interrupting.

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<v Speaker 1>This week's film is Practical Magic nineteen ninety eight's Practical Magic,

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<v Speaker 1>directed by Griffin Dunn and starring Nicole Kidman and Sandra

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<v Speaker 1>Bullock and a bunch of other people and a bunch

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<v Speaker 1>of other people. I'm not an IMTV list anyway.

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<v Speaker 2>So a couple of things.

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<v Speaker 1>One is that I don't know what Lorenzo's going to

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<v Speaker 1>say today, although I think it's going to be somewhat negative.

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<v Speaker 2>No, it's not.

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<v Speaker 1>And second thing, I just wanted to talk about why

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<v Speaker 1>we picked this film and what my reaction to it. Okay,

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<v Speaker 1>so with the BKMC, we explain this. We probably over

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<v Speaker 1>explain this if you listen to this every week, but

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<v Speaker 1>we try to pick a range of films across genres,

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<v Speaker 1>across decades, and we try to pick a mix of

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<v Speaker 1>films that we have seen many times, as well as

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<v Speaker 1>films we maybe saw once and don't remember, and films

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<v Speaker 1>that we've never seen at all, because there's a different

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<v Speaker 1>reaction for each one, and it's interesting to unpack these things.

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<v Speaker 1>So Practical Magic is a film I have seen many times.

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<v Speaker 1>I cannot remember the last time I saw it, but

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<v Speaker 1>as it was unfolding, I was like, yeah, I remember

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<v Speaker 1>exactly how this ends. Actually, I remember everything about the story.

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<v Speaker 2>Go ahead. I had never seen it before.

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<v Speaker 1>Oh yes, Oh that's crazy. See I didn't know that.

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<v Speaker 1>How have I seen it many times?

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<v Speaker 2>And you've never seen? No, that can't be right? And

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<v Speaker 2>the dark and a closet by yourself. No, I have

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<v Speaker 2>never I've never seen this movie with you. I have

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<v Speaker 2>never seen the movie. When did I see it? That

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<v Speaker 2>I done knew before you met me? No, I mean

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<v Speaker 2>we were together when this movie came out. Anyway, I

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<v Speaker 2>knew the scene where they're all drinking and dancing, right,

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<v Speaker 2>but I had no idea where from.

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<v Speaker 1>That's crazy, I had no idea. You didn't see this film,

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<v Speaker 1>so that.

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<v Speaker 2>Scene is very famous. I knew about the scene, but

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<v Speaker 2>it had no Yeah.

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<v Speaker 1>So my whole thing with a film like this and

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<v Speaker 1>it was similar when we chose like Memento or Marie

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<v Speaker 1>Antoinette or other films where I sat there unpacking my

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<v Speaker 1>reaction to what I thought I remembered about the film,

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<v Speaker 1>as well as how different the film looks in twenty

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<v Speaker 1>twenty six. So when you're looking at a film in

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<v Speaker 1>nineteen ninety eight film, and this isn't true of all

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<v Speaker 1>films from nineteen ninety eight, but we are in a

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<v Speaker 1>moment culturally where romanticy and which stories are very very

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<v Speaker 1>very very popular, right, And so it's interesting to die

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<v Speaker 1>to look at a film like this that sort of

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<v Speaker 1>predates this current trend. You made a disparaging comment the

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<v Speaker 1>other night when you watched it, where you said it's

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<v Speaker 1>very Hallmark movie.

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<v Speaker 2>Do you want to unpack that? Well, here's the thing.

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<v Speaker 2>It's interesting because I'm thinking about the movie and I'm like, Wow,

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<v Speaker 2>I would never watch this movie now if it came out.

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<v Speaker 2>It's not my thing. But I can see myself watching

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<v Speaker 2>it because back then, in the eighties nineties, you watched

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<v Speaker 2>a movie because of the actors too, right, right, So

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<v Speaker 2>I would have definitely watched it back then. I don't

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<v Speaker 2>know why I didn't. I think you might have seen

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<v Speaker 2>that if I don't remember anything about it. So I

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<v Speaker 2>didn't remember anything about it. Anyway, I would have watched

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<v Speaker 2>it because of Nicole Kidman. I'm not very crazy about

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<v Speaker 2>Sarah what's her name against Sandra bo Bullet, I'm not

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<v Speaker 2>very crazy about her. But anyway, Nicole Kidman, I would

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<v Speaker 2>watch it because of her. So that's my point. It's

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<v Speaker 2>interesting because I think at least i'm you know, I

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<v Speaker 2>can only speak for myself. Back then, I would watch

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<v Speaker 2>anything depending on the actors, you know, like, because that's

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<v Speaker 2>how it went. I don't know. Today, I'm more picky

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<v Speaker 2>about what I watch because I guess I don't know.

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<v Speaker 2>You have TV at home, you have computer, you know,

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<v Speaker 2>there are the ways of watching movies, and so I

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<v Speaker 2>would I would say no to that now. In fact,

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<v Speaker 2>I don't even know if I'm watching the Practical Magika

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<v Speaker 2>too well, I have to say, and we can unpack

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<v Speaker 2>that in a little bit.

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<v Speaker 1>Uh.

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<v Speaker 2>I have some.

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<v Speaker 1>I don't want to say fear because I really don't

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<v Speaker 1>feel very strongly about it either way, but I suspect

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<v Speaker 1>that the sequel is not going to be very good,

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<v Speaker 1>just based on some decisions that they have made for it. Oh,

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<v Speaker 1>the Well, the big one is and I just read this.

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<v Speaker 1>Aiden Quinn is not in the sequel. Oh, and he

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<v Speaker 1>said this just this week. He said, I would have

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<v Speaker 1>done it in a second, but nobody asked me. He's adorable,

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<v Speaker 1>like he's aged.

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<v Speaker 2>He is.

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<v Speaker 1>I just looked him up this morning. He's sixty eight

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<v Speaker 1>and he looks sixty eight.

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<v Speaker 2>Well, they all age. The difference is that he shows

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<v Speaker 2>and they don't.

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<v Speaker 1>Well, that's just my point is he's sixty eight and

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<v Speaker 1>he looks sixty eight. Sandra Bullock is sixty two and

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<v Speaker 1>she looks forty five.

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<v Speaker 2>Yeah, there's a reason.

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<v Speaker 1>They're casting Lee Pace, who's fifteen years younger than her.

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<v Speaker 1>As I guess he's her love interest.

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<v Speaker 2>I don't know.

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<v Speaker 1>But you know what, we're not gonna talk about that.

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<v Speaker 1>We're gonna talk about nineteen ninety eight film. So, like

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<v Speaker 1>I said, I kept sitting through it and thinking you

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<v Speaker 1>said rather disparagingly that it was a it was very

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<v Speaker 1>Hallmark movie. And I was thinking about that as I

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<v Speaker 1>was watching it, because Lorenzo watched it one night and

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<v Speaker 1>then I watched it the next night. I feel so

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<v Speaker 1>bad when we say stuff like that, because people must

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<v Speaker 1>think our marriage is so and now now we are

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<v Speaker 1>joined at the hip on everything. We work together all

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<v Speaker 1>day long. So actually things like watching movies and watching TV,

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<v Speaker 1>that's usually our alone time.

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<v Speaker 2>And let me explain. We have three TVs and Tom

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<v Speaker 2>likes to watch things on his.

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<v Speaker 1>Computer sometimes because I have you know, I'm partially deaf.

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<v Speaker 2>I still enjoy watching things on TV, so I like

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<v Speaker 2>to just sit and watch on our biggest TVs. But

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<v Speaker 2>so that's why sometimes you we watch a lot of

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<v Speaker 2>stuff together. But you may you make a very good point.

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<v Speaker 2>We work together. We do everything together.

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<v Speaker 1>So sometimes sometimes we just at night we just want

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<v Speaker 1>to be just like get away from me. Anyway, So

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<v Speaker 1>he said it looked like a Hallmark film, and so

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<v Speaker 1>then I started watching it, and I thought that was

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<v Speaker 1>both accurate and a little unfair.

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<v Speaker 2>It is accurate, but the.

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<v Speaker 1>I mean, the one thing one of the things I

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<v Speaker 1>was struck with with this film was esthetic. Oh my god,

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<v Speaker 1>there is such a strong aesthetic with this film, very

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<v Speaker 1>much in that Nancy Meyer's rom com mode, which was

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<v Speaker 1>established in the eighties and the nineties, so it didn't

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<v Speaker 1>invent that sort of ultra cozy, cozy cozy aesthetic that

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<v Speaker 1>the film is practically dripping with But it's very much

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<v Speaker 1>in that mode and that mode that Nancy Meyer's Practical

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<v Speaker 1>Magic kind of cozy romance mode. It actually created the

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<v Speaker 1>Hallmark channel aesthetic as we know it. So when you're

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<v Speaker 1>looking at Practical Magic and you're thinking, well, this looks

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<v Speaker 1>like a Hallmark movie, it predates Hallmark movies by about

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<v Speaker 1>ten years. And you can make the argument that a

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<v Speaker 1>lot of what we see in Hallmark movies, a lot

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<v Speaker 1>of that cozy sort of sweater and falling leaves and

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<v Speaker 1>cups of tea and that sort of thing very much,

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<v Speaker 1>very much present in this film.

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<v Speaker 2>I enjoyed it, but it's not my thing and it's

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<v Speaker 2>too sugary to me in the sense that everything is perfect,

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<v Speaker 2>and they play into every stereotype of of people enjoying

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<v Speaker 2>themselves and have fun, like like there's a lot of

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<v Speaker 2>music in the movie. Yeah, and there's a lot of

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<v Speaker 2>music like in the car and dancing and it's all

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<v Speaker 2>that stuff. Drinking. Oh no, people are dancing and listening

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<v Speaker 2>to music. Oh, it's just like you're the hard thing

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<v Speaker 2>about letting your hair down and dancing around the you know,

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<v Speaker 2>the dining room table and drinking and the do do

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<v Speaker 2>do do do. It's cute, but it's not. It's I

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<v Speaker 2>don't know, but it's not what finished that. It's cute,

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<v Speaker 2>but it I don't think it's movie material. It felt

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<v Speaker 2>every now and then it felt like an MTV video,

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<v Speaker 2>like a musical video. I don't know. It's just yeah,

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<v Speaker 2>I'm not kidding that. It just felt a little too

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<v Speaker 2>I don't know, and substantial. It didn't feel like a

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<v Speaker 2>movie every now and then it felt like I'm not

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<v Speaker 2>watching at all, like watching like just just I don't know.

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<v Speaker 2>It felt like that's why.

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<v Speaker 1>They didn't feel like a TV show to me. So

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<v Speaker 1>I don't I don't really get that. But whatever, you know,

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<v Speaker 1>you're letto.

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<v Speaker 2>But it's it's interesting. I thought it could have been

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<v Speaker 2>a little more interesting in terms of darker.

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<v Speaker 1>You know, yes, I listen. I don't want to give

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<v Speaker 1>the impression that I think this film is perfect, because

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<v Speaker 1>I don't. I do think it's extremely enjoyable time, and

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<v Speaker 1>ninety nine percent of that comes down to Sondra and Nicole.

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<v Speaker 1>I'm like you, I actually love Sondra Bullock. I think

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<v Speaker 1>she's a lot of fun to watch. I think she's

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<v Speaker 1>perfect in this movie. I think she's also gorgeous in this.

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<v Speaker 2>Well, they're both beautiful.

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<v Speaker 1>They're both a couple of times, you know, not to

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<v Speaker 1>get into ageism or anything, but a couple of times like,

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<v Speaker 1>holy shit, they were both so gorgeous back then.

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<v Speaker 2>That's what I like. The club, the bit of kid

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<v Speaker 2>in a club and watching these old movies that you

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<v Speaker 2>go back and ate. You get to watch actors that

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<v Speaker 2>you don't see anymore. Yeah, they kind of disappear Quinn, Yes,

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<v Speaker 2>or they or people you love very very young, yeah,

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<v Speaker 2>or you forget that some people are in certain movies

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<v Speaker 2>and like, oh my god, I forgot you. That's why

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<v Speaker 2>early in the movie I was like, oh wow, they.

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<v Speaker 1>Are both beautiful, so stunning in this movie.

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<v Speaker 2>At the costume to make sure to show that there.

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<v Speaker 1>Yeah, I uh no, I like Sondra Bullock. I What

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<v Speaker 1>I think is interesting is how I remember thinking this

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<v Speaker 1>back in the day whenever I did see it, and

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<v Speaker 1>I actually still feel this way. I almost feel like

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<v Speaker 1>the casting is is wrong, Like Sondra should have been

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<v Speaker 1>playing the sexy bad girl and n Cole should have

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<v Speaker 1>been playing the good girl with the children who's.

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<v Speaker 2>Just looking for love. It's not really in.

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<v Speaker 1>I mean n Cole does play bad girls. That's it's

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<v Speaker 1>not that she hasn't played bad girls, but she's fine

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<v Speaker 1>in this role. It just feels like she's she's trying

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<v Speaker 1>to make the role happen for her. And I keep

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<v Speaker 1>thinking every time, I'm like, I think Sandra Bullock would

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<v Speaker 1>have been more fun as the sexy, irresponsible sister, and

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<v Speaker 1>the Cole would have made more sense as the I

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<v Speaker 1>don't want to say, repressed the sister who's looking for

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<v Speaker 1>love whatever. And I remember also thinking back in the day,

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<v Speaker 1>I was like, I have a hard time buying these two.

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<v Speaker 2>His sisters, just about saying that, Oh, they're supposed to

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<v Speaker 2>be sister's sisters, like yet, No, no, they are little sisters.

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<v Speaker 2>No they're not. They sorry, And that is.

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<v Speaker 1>I mean, it's possible for two women in the same

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<v Speaker 1>family to look like that, but they they really don't

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<v Speaker 1>look like.

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<v Speaker 2>Oh it is possible. They kill men left and right,

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<v Speaker 2>so maybe they're two different fathers.

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<v Speaker 1>Yeah, no, all right, let's take a short break because

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<v Speaker 1>I actually do want to get back and talk about

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<v Speaker 1>what you just brought up about them killing men, and

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<v Speaker 1>we'll be right back. We're back talking about practical magic

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<v Speaker 1>and one of the other things I wanted to address,

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<v Speaker 1>for to Lorenzo's unfair critique about this being a Hallmark

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<v Speaker 1>movie esque is that it is esthetically very much in

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<v Speaker 1>that mode. But then you watch the movie and you're like, well, okay,

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<v Speaker 1>there's two deaths in the first twenty minutes, one of

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<v Speaker 1>which is a little violent. There's domestic abuse, there's a murder,

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<v Speaker 1>and then there's an exorcism.

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<v Speaker 2>Right, so all done very lightly. Well, that's just it.

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<v Speaker 1>They can't handle the ships. And one of the critiques

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<v Speaker 1>I have of this film is, first off, it relies

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<v Speaker 1>too much on the fact that its leads are gorgeous

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<v Speaker 1>and incredibly charming. So the director is Griffin Dune, and

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<v Speaker 1>it's very clear that he's like, well, I've got two

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<v Speaker 1>amazing movie stars on my hand, let's just shoot them

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<v Speaker 1>and we'll just make the film about that. But then

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<v Speaker 1>you have to do these tonal ships where you know

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<v Speaker 1>she's getting you know, Nicole Kimmon's getting beat up, or

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<v Speaker 1>they're killing a man, or they're burying a body, or

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<v Speaker 1>there there's an exorcism happening and there's this evil spirit

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<v Speaker 1>that's trying to kill.

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<v Speaker 2>Right.

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<v Speaker 1>It doesn't handle those juxtapositions very well, and part of

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<v Speaker 1>that comes down to you're right, the film is too

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<v Speaker 1>sugary at times and needs to be a little bit darker.

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<v Speaker 2>I mean kill men, right, and and and that is

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<v Speaker 2>just like, oh, you know, I want to I want

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<v Speaker 2>to feel loved, so they don't men. Oh come on,

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<v Speaker 2>if you know that if you're dating someone, it would

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<v Speaker 2>be like you knowing that if you dated men, you'd

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<v Speaker 2>kill them. And then now it's if you fall in

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<v Speaker 2>love with him, Well there you go.

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<v Speaker 1>Nicole Kidman doesn't fall in love with the men that

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<v Speaker 1>she dates, so none of them are in any danger.

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<v Speaker 1>And Sondra Bullock, and this wasn't the film mister pay attention,

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<v Speaker 1>spent her life denying the whole witch thing and denying

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<v Speaker 1>the family curse. So she wasn't killing men. She just

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<v Speaker 1>didn't believe that it was going to happen.

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<v Speaker 2>I know. But they all go through the same thing

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<v Speaker 2>that we don't see, I mean, even the older generation

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<v Speaker 2>and all that. It would be interesting if they had

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<v Speaker 2>had a third character, you know, a third sister, and

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<v Speaker 2>she was lesbian. That would be fun. No, I don't

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<v Speaker 2>think so, yeah, I mean I don't. I think that

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<v Speaker 2>muddies the waters. The story is trying to tell it

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<v Speaker 2>would be hysterical that one doesn't have to worry about men.

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<v Speaker 1>The well now because I think it really comes pardon me,

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<v Speaker 1>it really comes down to love, not the gender of

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<v Speaker 1>the person involved. And that actually brings me to my

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<v Speaker 1>next point. There were a couple times watching this film

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<v Speaker 1>where I was like, Wow, you can tell him man

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<v Speaker 1>directed this, because the sequel is directed by a woman.

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<v Speaker 1>And I just feel like any in this day and age,

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<v Speaker 1>any romanticies about witches and falling in love, any storyline,

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<v Speaker 1>would almost certainly be directed by a woman. And I

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<v Speaker 1>don't mean that in a reductive sense, but I feel

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<v Speaker 1>like Griffin Dunn very talented director. First off, for instance,

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<v Speaker 1>there's a very subtle sort of judgment against Nicole Kimmens's

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<v Speaker 1>character in the film. So there's one sister who's the

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<v Speaker 1>good sister who wants babies and husbands, and then there's

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<v Speaker 1>the other sister who's the bad sister who likes sex

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<v Speaker 1>and bad boyfriend and doesn't want to get married, and

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<v Speaker 1>the film punishes her for two hours. And I feel

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<v Speaker 1>like a female director would have handled that a little

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<v Speaker 1>bit more, would have actually made it about the man

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<v Speaker 1>and not about Nicole Kimmen's bad decisions would have made

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<v Speaker 1>it about shitty men and not women making bad decisions,

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<v Speaker 1>which is kind of what this film does. And that's

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<v Speaker 1>what I mean about a female perspective would have helped. Similarly,

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<v Speaker 1>there's only one scene I absolutely hate in the film.

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<v Speaker 1>It's when all the towns women come with their brooms

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<v Speaker 1>and they have the little coven again. There's just an

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<v Speaker 1>implied sort of mocking going on. Look at these silly

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<v Speaker 1>women in their sweater sets, showing up with dustbusters and giggling,

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<v Speaker 1>And I think a female director would have leaned way

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<v Speaker 1>into the whole coven aspect, the sisterhood aspect, the womanhood

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<v Speaker 1>aspect of that scene, instead of making fun of a

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<v Speaker 1>bunch of housewives with Karen hare Cuts. That scene actually

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<v Speaker 1>pissed me off. I was like, this whole movie builds

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<v Speaker 1>to this moment of sisterhood, and you're kind of mocking

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<v Speaker 1>them and making them look silly.

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<v Speaker 2>Not only that it implies that they're only joining them

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<v Speaker 2>because they're going to get rid of a man again. Well,

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<v Speaker 2>I mean, I don't mind that.

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<v Speaker 1>I mean I think there is a point there, like

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<v Speaker 1>these women were prejudiced and they feared right the Owen

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<v Speaker 1>sisters and everything. But when women hear that a woman's

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<v Speaker 1>in trouble because of a man, they.

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<v Speaker 2>Will all come running. And again that's probably a little reductive,

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<v Speaker 2>but I didn't mind that's that aspect of it.

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<v Speaker 1>I actually liked that aspect of it. It's just that

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<v Speaker 1>when they got there, they made them all look kind

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<v Speaker 1>of silly, right, anything else?

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<v Speaker 2>What else?

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<v Speaker 1>I think I've covered most of what I I said

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<v Speaker 1>to Lorenzo at the start of before we even flipped

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<v Speaker 1>on the mics, I was like, this isn't going to

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<v Speaker 1>be a long, in depth conversation because this is not

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<v Speaker 1>a heavy, deep film. It is a very pleasant film.

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<v Speaker 1>I love it, loved watching it.

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<v Speaker 2>I agree it's a door horrible every now and then,

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00:17:01.200 --> 00:17:03.840
<v Speaker 2>and very pleasant. It's it's sweet. It's sweet.

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<v Speaker 1>And we haven't even mentioned Diane Weed since Soccer Channing,

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<v Speaker 1>which in my memory of this film, I thought they

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00:17:09.839 --> 00:17:11.640
<v Speaker 1>were in it way more, but they're actually not in

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00:17:11.720 --> 00:17:13.400
<v Speaker 1>it that much. They're only in it for like a

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<v Speaker 1>half hour.

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<v Speaker 2>I adore this.

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<v Speaker 1>They're both fantastic and one subtle bit of costuming in

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<v Speaker 1>the film is, if you pay attention, all of their

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00:17:22.960 --> 00:17:25.960
<v Speaker 1>clothes are about one hundred years old. Oh right, they're

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00:17:26.000 --> 00:17:29.240
<v Speaker 1>wearing clothes from like the early late eighteen hundreds, early

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<v Speaker 1>nineteen hundreds, and the implication there is that they're very old.

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<v Speaker 2>They're very old, and that actually.

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<v Speaker 1>Gets into I think my final sort of critique of

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<v Speaker 1>the film is, and again I think the sequel will

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<v Speaker 1>probably be very different in this sense, is that there

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<v Speaker 1>wasn't enough magic. They were very you know, circumspect about

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<v Speaker 1>showing anything too, like so you saw a tea spoon

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<v Speaker 1>and she blows on a candle and you know, they

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00:17:56.079 --> 00:17:58.039
<v Speaker 1>fly off the roop. They don't even show them flying

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<v Speaker 1>off the root, right, And again I think a female

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00:18:02.799 --> 00:18:06.680
<v Speaker 1>director would have wanted more show more demonstrations of their power.

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<v Speaker 1>They are powerful. That is the part of the point

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<v Speaker 1>of the story is that they are powerful, and you

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<v Speaker 1>are not showing them as powerful at any time during

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<v Speaker 1>the film. They're all like bumbling, you know. So I

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<v Speaker 1>would have liked that.

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<v Speaker 2>I agree, And I think those tonal changes would have

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<v Speaker 2>worked better. Like when that goes evil spirit suddenly comes

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<v Speaker 2>out of her body, I'm like, Okay, this is weird.

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<v Speaker 2>This is just weird. It doesn't feel like any other

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<v Speaker 2>part of the film. But if you had actually done

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<v Speaker 2>more magic on camera. If you had shown them to

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<v Speaker 2>be a little bit more powerful then the I think

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<v Speaker 2>those shifts might have worked a little better.

360
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<v Speaker 1>But I agree with your point is it's an interesting

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<v Speaker 1>story that should have sort of dispensed with the romance

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<v Speaker 1>aspect and gone a little darker.

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<v Speaker 2>With a little darker, I mean the fact that the

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<v Speaker 2>last man, you know, the one sent a bulk is dating.

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<v Speaker 2>I forget the character's name. Oh so everything, it's fine,

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<v Speaker 2>and she's dating now and then the movie ends, Okay,

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<v Speaker 2>so we know he's gonna be dead, right, No, they

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<v Speaker 2>broke the curse.

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<v Speaker 1>Oh okay, they brought that whole I was saying, yeah,

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<v Speaker 1>the coven thing. They said that they broke the curse.

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<v Speaker 1>So but of course Aiden Quinn's not in the sequel,

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<v Speaker 1>so I guess they didn't break the carr.

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<v Speaker 2>I know that. That's my point. Not everything is clear,

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<v Speaker 2>and and it's just done very quickly and they move

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<v Speaker 2>on to something else. I agree, it's not a very

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<v Speaker 2>substantial film now. I mean, I wish we were a

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<v Speaker 2>little dark every now and then they have they wish

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<v Speaker 2>they had done something bad for the town, you know

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<v Speaker 2>that side a little more, Yeah, cynical a little more,

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<v Speaker 2>but I guess. But obviously that wasn't the goal. Oh no,

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00:19:37.440 --> 00:19:39.559
<v Speaker 2>that wasn't what the movie was trying to achieve. It

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<v Speaker 2>was this sweet story about these gorgeous ladies with power

383
00:19:43.839 --> 00:19:46.720
<v Speaker 2>and you know, and love love, love, love love, which

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<v Speaker 2>is whatever.

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<v Speaker 1>And one final thing is I have to laugh because

386
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<v Speaker 1>again the difference is between nineteen ninety eight and twenty

387
00:19:54.880 --> 00:19:57.039
<v Speaker 1>twenty six. Now, don't get me wrong, Aiden Quinn is

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<v Speaker 1>very very cute in this movie, but.

389
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<v Speaker 2>He it was a mess.

390
00:20:00.759 --> 00:20:02.599
<v Speaker 1>His hair was a mess, his clothes were a mess,

391
00:20:02.640 --> 00:20:04.640
<v Speaker 1>none of his clothes fitting correctly. And I'm like, I

392
00:20:04.680 --> 00:20:07.680
<v Speaker 1>bet you that guy doesn't have abs. And who's the

393
00:20:07.720 --> 00:20:10.519
<v Speaker 1>guy in the sequel? Lee Pace of course? And that's

394
00:20:10.839 --> 00:20:14.359
<v Speaker 1>that's my point, is that twenty eight years ago, the

395
00:20:14.440 --> 00:20:18.519
<v Speaker 1>lead guy in a romance movie didn't have to be,

396
00:20:18.759 --> 00:20:20.000
<v Speaker 1>you know, physically flawed.

397
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<v Speaker 2>So they're still playing the same characters like all these

398
00:20:22.400 --> 00:20:22.920
<v Speaker 2>years later.

399
00:20:23.000 --> 00:20:27.039
<v Speaker 1>Have you Oh okay, wow, you really sat down not

400
00:20:27.079 --> 00:20:28.000
<v Speaker 1>knowing anything about what.

401
00:20:28.440 --> 00:20:30.440
<v Speaker 2>No, I'm talking we were talking about. I'm talking about

402
00:20:30.480 --> 00:20:32.799
<v Speaker 2>the new movie. Yeah, it's a sequel. I know it's

403
00:20:32.839 --> 00:20:35.079
<v Speaker 2>a sequel, but I haven't read too much about it,

404
00:20:35.480 --> 00:20:37.400
<v Speaker 2>and I didn't think it had anything to do with

405
00:20:37.440 --> 00:20:38.880
<v Speaker 2>the first one. I'm just I thought it was a

406
00:20:38.920 --> 00:20:42.240
<v Speaker 2>different story or a different thing anyway. I mean, I

407
00:20:42.279 --> 00:20:44.359
<v Speaker 2>know they're playing the Owen sisters that much, and I

408
00:20:44.400 --> 00:20:48.279
<v Speaker 2>know they have cast Joey King and Mayzie Williams is

409
00:20:48.319 --> 00:20:50.359
<v Speaker 2>the daughter, which is adorable. They're great.

410
00:20:51.440 --> 00:20:54.039
<v Speaker 1>Daughter should be a lot older than Joey King and Mazie.

411
00:20:54.240 --> 00:20:56.920
<v Speaker 1>I mean, I don't know Evan Rachel Wood plays the

412
00:20:56.960 --> 00:20:59.160
<v Speaker 1>one daughter in the original film. Did you know that

413
00:20:59.200 --> 00:21:02.119
<v Speaker 1>the red girl saving Rachel would And I don't know.

414
00:21:02.200 --> 00:21:04.680
<v Speaker 1>She's about thirty five thirty six now, so yeah, they

415
00:21:04.680 --> 00:21:07.119
<v Speaker 1>should be a little bit older anyway, that doesn't matter.

416
00:21:08.000 --> 00:21:12.880
<v Speaker 1>It was an enjoyable two hours. I actually was happy

417
00:21:12.920 --> 00:21:16.079
<v Speaker 1>to watch this after last week's entry Blue Moon, which

418
00:21:16.160 --> 00:21:20.480
<v Speaker 1>was kind of frustrating and depressing. This was just fun

419
00:21:20.559 --> 00:21:23.519
<v Speaker 1>and light and I'm looking at two stunningly gorgeous women

420
00:21:24.519 --> 00:21:26.680
<v Speaker 1>basically at the height of their movie stardom.

421
00:21:26.759 --> 00:21:29.039
<v Speaker 2>Right now. I was that's not a bad time. I

422
00:21:29.160 --> 00:21:32.000
<v Speaker 2>was watching the movie at the same time, I was thinking, wow,

423
00:21:32.240 --> 00:21:34.799
<v Speaker 2>I understand why this movie was so popular and we.

424
00:21:34.839 --> 00:21:38.000
<v Speaker 1>Didn't know it was a flop. Really, Yes, that's the

425
00:21:38.039 --> 00:21:42.279
<v Speaker 1>other thing. It's so large in the culture. Everyone remembers

426
00:21:42.400 --> 00:21:45.519
<v Speaker 1>the blender scene and the blowing on the candle and everything.

427
00:21:45.960 --> 00:21:48.200
<v Speaker 1>You mentioned these iconic scenes and I went and looked

428
00:21:48.240 --> 00:21:50.440
<v Speaker 1>it up. It was a flop. It didn't make back

429
00:21:50.480 --> 00:21:52.839
<v Speaker 1>its production budget, and the critics didn't like it.

430
00:21:52.960 --> 00:21:54.640
<v Speaker 2>Wow. Interesting, So it's.

431
00:21:54.519 --> 00:21:58.960
<v Speaker 1>One of those films that has just gained power generationally.

432
00:21:59.000 --> 00:22:01.720
<v Speaker 1>It's one of those things where I think young gen

433
00:22:01.960 --> 00:22:03.920
<v Speaker 1>X and older millennial women they just look at that

434
00:22:04.000 --> 00:22:06.279
<v Speaker 1>film as Yeah, that was something I watched a million

435
00:22:06.279 --> 00:22:09.680
<v Speaker 1>times when I was thirteen years old or whatever, and

436
00:22:09.759 --> 00:22:12.359
<v Speaker 1>it's stuck in their minds as But it was not

437
00:22:12.440 --> 00:22:13.279
<v Speaker 1>popular at the time.

438
00:22:13.480 --> 00:22:16.000
<v Speaker 2>See because I that's all they talk about on TikTok

439
00:22:16.039 --> 00:22:18.160
<v Speaker 2>and social media and everything. You know, they can't wait

440
00:22:18.200 --> 00:22:21.359
<v Speaker 2>to see the sequel. And I was like, wow, So

441
00:22:22.240 --> 00:22:24.079
<v Speaker 2>that's why I thought it was so popular back down,

442
00:22:24.119 --> 00:22:26.200
<v Speaker 2>because I was like, all right, this exploded. But I

443
00:22:26.200 --> 00:22:29.440
<v Speaker 2>guess it exploded later, yeah, not when they launched it.

444
00:22:29.440 --> 00:22:32.759
<v Speaker 1>I don't have a lot of I don't have thoughts

445
00:22:32.799 --> 00:22:34.960
<v Speaker 1>either way. I mean, like the Devil Wears product too.

446
00:22:35.039 --> 00:22:36.519
<v Speaker 1>I was like, all right, this needs to be good.

447
00:22:36.519 --> 00:22:37.880
<v Speaker 1>If it's not going to be good, I'm gonna be

448
00:22:37.960 --> 00:22:41.319
<v Speaker 1>pissed this. I don't have a lot of thoughts on

449
00:22:41.640 --> 00:22:43.160
<v Speaker 1>whether and I'm certainly not going to go see it

450
00:22:43.200 --> 00:22:45.400
<v Speaker 1>in the theater, but I suspect it's not.

451
00:22:46.279 --> 00:22:46.799
<v Speaker 2>I don't know.

452
00:22:47.079 --> 00:22:50.599
<v Speaker 1>I like I said, the twenty twenty sixth version of

453
00:22:50.640 --> 00:22:53.079
<v Speaker 1>this nineteen ninety eight film would have been a very

454
00:22:53.119 --> 00:22:55.559
<v Speaker 1>different movie, and I suspect that's what we're going to get,

455
00:22:56.039 --> 00:22:59.000
<v Speaker 1>which we're going to get way more magic, right, It's

456
00:22:59.000 --> 00:23:03.880
<v Speaker 1>going to be sexier, you know, And we'll see. I

457
00:23:03.920 --> 00:23:07.079
<v Speaker 1>love I still love Nicole and Sondra, but there is

458
00:23:07.200 --> 00:23:10.519
<v Speaker 1>a difference watching them now where they can't really move

459
00:23:10.559 --> 00:23:13.519
<v Speaker 1>their faces all that much as opposed to in nineteen

460
00:23:13.559 --> 00:23:16.200
<v Speaker 1>ninety eight when they were these beautifully young women.

461
00:23:17.359 --> 00:23:17.920
<v Speaker 2>We'll see.

462
00:23:19.000 --> 00:23:21.400
<v Speaker 1>Maybe we'll review it when it comes out or at

463
00:23:21.400 --> 00:23:25.880
<v Speaker 1>it OPENKMC in a year, whatever, But I'm not like

464
00:23:26.200 --> 00:23:28.519
<v Speaker 1>panting waiting for this film to come out, much as

465
00:23:28.519 --> 00:23:30.720
<v Speaker 1>I love these two actresses, and I do think the

466
00:23:30.759 --> 00:23:32.720
<v Speaker 1>original is very pleasant.

467
00:23:32.759 --> 00:23:35.680
<v Speaker 2>But yeah, I mean I'm probably not. I like, Yeah,

468
00:23:35.759 --> 00:23:39.799
<v Speaker 2>I said as sugary, I said, hiss, Hallmark kind of movie,

469
00:23:39.799 --> 00:23:41.640
<v Speaker 2>and yeah, I stand by what I said. But I

470
00:23:41.640 --> 00:23:44.960
<v Speaker 2>also thought it was sweet lovely and of the time

471
00:23:45.039 --> 00:23:48.720
<v Speaker 2>you can so. I mean so I burst out laughing

472
00:23:48.839 --> 00:23:53.119
<v Speaker 2>when Faith Hills this kiss started wow, because I was like,

473
00:23:53.240 --> 00:23:54.160
<v Speaker 2>oh my god, that.

474
00:23:54.240 --> 00:23:57.519
<v Speaker 1>Is such a cliche. But this is probably where the

475
00:23:57.519 --> 00:24:04.039
<v Speaker 1>cliche started. Yeah, it's so nineties and that's fine. Did

476
00:24:04.039 --> 00:24:06.640
<v Speaker 1>you know the house was completely fake? They built a shell,

477
00:24:06.880 --> 00:24:11.039
<v Speaker 1>really and they put fake silk blossoms on all the

478
00:24:11.039 --> 00:24:13.039
<v Speaker 1>trees around the hell Like, when you see that the

479
00:24:13.079 --> 00:24:14.720
<v Speaker 1>shots of that house and everything, that's what I mean

480
00:24:14.759 --> 00:24:17.640
<v Speaker 1>about aesthetic. It looks like a Thomas Kincaid painting. I

481
00:24:17.640 --> 00:24:19.759
<v Speaker 1>mean it is so overly pretty.

482
00:24:19.799 --> 00:24:22.440
<v Speaker 2>I mean the leaves blowing. I was like, wow, yeah,

483
00:24:22.519 --> 00:24:27.440
<v Speaker 2>I know, there's so much brown around it. It's cute.

484
00:24:27.559 --> 00:24:30.799
<v Speaker 1>It's very cute, and it's I had no problem watching

485
00:24:30.799 --> 00:24:33.519
<v Speaker 1>this again. But like I said, I'm not breathlessly waiting

486
00:24:33.519 --> 00:24:37.079
<v Speaker 1>for the puck for the sequel, all right, should that is.

487
00:24:37.039 --> 00:24:39.680
<v Speaker 2>That all we have to say? All right, Lovely. I

488
00:24:39.720 --> 00:24:41.519
<v Speaker 2>didn't hate it. It was something I was like, I have

489
00:24:41.599 --> 00:24:44.200
<v Speaker 2>to watch. No, I enjoyed it, yeah, but it was like, wow,

490
00:24:44.279 --> 00:24:45.640
<v Speaker 2>this is really really really.

491
00:24:45.640 --> 00:24:48.359
<v Speaker 1>I'm really interested in seeing what some of the kittens

492
00:24:48.400 --> 00:24:50.880
<v Speaker 1>think about how the film has aged, whether it would

493
00:24:50.920 --> 00:24:53.319
<v Speaker 1>be done differently now and what you think the sequel

494
00:24:53.359 --> 00:24:55.519
<v Speaker 1>is going to be like, So please come to our

495
00:24:55.559 --> 00:24:58.319
<v Speaker 1>site and weigh in. We'll be back next week with

496
00:24:58.400 --> 00:25:00.359
<v Speaker 1>some other film that I forgot to look up before

497
00:25:00.359 --> 00:25:03.279
<v Speaker 1>we recorded this and it's listed on our site, but

498
00:25:03.319 --> 00:25:06.240
<v Speaker 1>I'm sure it's a fantastic selection, and we'll also be

499
00:25:06.279 --> 00:25:08.640
<v Speaker 1>back next week with another edition of the Pop Style

500
00:25:08.680 --> 00:25:11.799
<v Speaker 1>Opinion Best Podcasts. So until then, take care of yourselves,

501
00:25:11.880 --> 00:25:13.480
<v Speaker 1>love you mean it, Bye bye bye by
