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<v Speaker 1>Before we dive in, here's another show you can enjoy

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<v Speaker 1>in the True Story FM Family of Entertainment podcasts.

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<v Speaker 2>Ever wondered what happens when a Zoomer who grew up

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<v Speaker 2>on the Clone.

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<v Speaker 3>Wars, millennial, Anakin Defender.

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<v Speaker 4>And a grumpy old gen Xer walking to a canteen

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<v Speaker 4>and at talk Star Wars.

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<v Speaker 5>Then we've got the podcast for you.

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<v Speaker 3>Star Wars Generations is a place for fans of all

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<v Speaker 3>backgrounds to come together talk about what we love the franchise

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<v Speaker 3>and what we can learn from each other.

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<v Speaker 4>With so much new Star Wars content coming out, we

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<v Speaker 4>take a deep dive into all of it. We talk

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<v Speaker 4>stories and characters, what we learned about the Force and

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<v Speaker 4>the Empire, Republics old and new, and how each story

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<v Speaker 4>adds to the larger picture.

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<v Speaker 6>Besides episode by episode coverage of the new shows, we've

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<v Speaker 6>been going.

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<v Speaker 4>Back to watch the movies and release order.

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<v Speaker 5>We talk about Star Wars novels and video games, along

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<v Speaker 5>with fam content and cosplay.

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<v Speaker 3>And with each episode, we're just starting the conversation and

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<v Speaker 3>we hope you jump in. We'll read your feedback, answer

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<v Speaker 3>your questions. We've had full episodes dedicated to questions and

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<v Speaker 3>raised by listeners.

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<v Speaker 4>Like you find us under Star Wars Generations on your

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<v Speaker 4>favorite podcast app or by going to the Ethical Pana

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<v Speaker 4>dot com. May the Force be with you Now, this

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<v Speaker 4>is podcasting.

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<v Speaker 1>Hey, there are true believers. Andy Nelson here from the

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<v Speaker 1>Marvel Movie Minute Podcast with the rest of the team

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<v Speaker 1>mate right, Kyle Wilson, Rob Cobosco, and Matthew Fox. This

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<v Speaker 1>is the podcast where we dissect the Marvel cinematic universe,

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<v Speaker 1>one minute at a time, exploring every detail of this

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<v Speaker 1>epic superhero franchise.

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<v Speaker 7>In our season, looking at Ironman three, we're gonna mix

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<v Speaker 7>things up a bit.

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<v Speaker 4>That's right.

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<v Speaker 1>Rob and I are your guide, but instead of our

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<v Speaker 1>usual minute by minute format, we dive into five minutes

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<v Speaker 1>of the film in each weekly episode.

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<v Speaker 7>It's a totally new approach, but one that still allows

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<v Speaker 7>us to explore all the depth and detail that makes

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<v Speaker 7>these movies so special, even if Ironman three isn't all

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<v Speaker 7>that's special. Hold on, that's where you're wrong, extremists. Shane Black, Yeah,

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<v Speaker 7>would you like to look at the Mandarin and Maya Hanson?

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<v Speaker 2>So, whether you're a die hard Marvel fan or just

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<v Speaker 2>love deep dives into movies, there's something for everyone on

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<v Speaker 2>Marvel Movie Minute.

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<v Speaker 4>Suit up and join us on this epic audio adventure.

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<v Speaker 4>You can find us a true story dot FM or

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<v Speaker 4>by searching Marvelmovie Minute on your favorite podcatcher.

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<v Speaker 1>Because in the Marvel Cinematic Universe, every minute is packed

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<v Speaker 1>with excitement.

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<v Speaker 8>Enough said, Hello and welcome to this episode of Superhero Ethics.

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<v Speaker 4>Today, we're kicking off something we've been talking about doing

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<v Speaker 4>for far too long, our special members only series on

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<v Speaker 4>the fundamental ethical questions that come up all the time

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<v Speaker 4>in Superhero Ethics. Now, if you're listening to this and

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<v Speaker 4>you're not a member, you're probably thinking what's going on.

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<v Speaker 4>Because this is the first one of these episodes we're doing,

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<v Speaker 4>we wanted to make it available for everyone to give

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<v Speaker 4>you a taste of the kind of content that our

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<v Speaker 4>members is going to get going forward. We're going to

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<v Speaker 4>keep doing all of our awesome week to week episodes,

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<v Speaker 4>but once a month, we're going to take a special

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<v Speaker 4>time to step back from talking about one specific movie

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<v Speaker 4>or TV show or thing, or even one specific, like

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<v Speaker 4>very specific question and look at what are the kind

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<v Speaker 4>of general questions that come up again and again and

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<v Speaker 4>again as we look at superhero media along with all

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<v Speaker 4>the other kind of genre media that have we've expanded

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<v Speaker 4>that to include such as sci fi, fantasy, chess and kids,

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<v Speaker 4>karate and all the like. And because on these topics,

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<v Speaker 4>Because on these topics, we are going to be talking

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<v Speaker 4>about all the things that we love to talk about.

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<v Speaker 4>Here on Superhero Ethics, we are going to be talking

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<v Speaker 4>specifically about superheroes quite a lot. To really help kick

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<v Speaker 4>us off, I've brought back comic book expert Extraordinaire Jessica Plumber. Jessica,

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<v Speaker 4>how are you doing today?

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<v Speaker 9>I'm doing good.

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<v Speaker 4>How are you good? I'm good? So really, thank you

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<v Speaker 4>so much. You've been giving so much your time to

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<v Speaker 4>the show. I've not figured out exactly how much of

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<v Speaker 4>Jessica's time and going to dragoon once the Daredevil show

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<v Speaker 4>comes out, but we will definitely be having Jessica on

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<v Speaker 4>for a couple episodes around that time, so I really

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<v Speaker 4>looking forward to that. Today, we're talking about one that

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<v Speaker 4>I think goes to the heart of so many of

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<v Speaker 4>the things we've talked about, which is the idea of

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<v Speaker 4>vengeance and the role that vengeance plays in our superhero

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<v Speaker 4>and science fiction media like that. And we're talking about

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<v Speaker 4>vengeance as a motivation for a hero, for a motivation

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<v Speaker 4>for a villain or an anti hero, the role, how

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<v Speaker 4>we think about it, and things like that, and in

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<v Speaker 4>further framing the discussion we're about to have and why

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<v Speaker 4>we chose vengeance for this particular month, I think it's

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<v Speaker 4>important that I kind of take a step back and

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<v Speaker 4>talk about like why we like doing especially I like

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<v Speaker 4>doing this question this topic of superhero ethics, And part

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<v Speaker 4>of it's because for me, like these are kind of

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<v Speaker 4>fun trolley problems talking about you know, like, well, you know,

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<v Speaker 4>what do you do with a superpowered person and the

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<v Speaker 4>jail system or you know, kind of person with telepathy

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<v Speaker 4>play poker? Like I mean, there are fun intellectual exercises.

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<v Speaker 4>But as I've said many times, what I love most

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<v Speaker 4>about superheroes, about science fiction, about any of this kind

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<v Speaker 4>of media is when it holds up a mirror to

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<v Speaker 4>our own world, When it takes an issue from our

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<v Speaker 4>own world and says, okay, well let's use the context

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<v Speaker 4>of superheroes or something like that and change things, but still,

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<v Speaker 4>you know, give you a chance to think about something

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<v Speaker 4>in a new way. For example, the way you know,

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<v Speaker 4>the X Men comics have at times been a metaphor

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<v Speaker 4>for racism or a metaphor for LGBT issues or things

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<v Speaker 4>like that, depending on the different times it was used.

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<v Speaker 4>So before we start talking about vengeance specifically, just kind

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<v Speaker 4>of this general idea of these fundamental questions, what are

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<v Speaker 4>other kind of questions that are of interest to you

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<v Speaker 4>all or that you see coming up again and again

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<v Speaker 4>in the media we talk about.

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<v Speaker 5>This is sort of related to today's topic. But one

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<v Speaker 5>thing that I think about a lot is.

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<v Speaker 9>Who going to say?

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<v Speaker 5>Who gives superheroes permission to do what they do? That

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<v Speaker 5>might not be the best way of framing it, but

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<v Speaker 5>like what authority do they have? And is it okay

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<v Speaker 5>that they're taking that authority on themselves? I think Civil

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<v Speaker 5>War is a huge example of how that gets really messy.

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<v Speaker 9>But like.

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<v Speaker 5>There are plenty of stories where characters are going into

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<v Speaker 5>countries that they are not citizens of and involving themselves

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<v Speaker 5>in the politics and governance of those countries. Like do

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<v Speaker 5>they have a right to do that? Do they have

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<v Speaker 5>an obligation to do that? If there are human.

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<v Speaker 9>Rights violations at play?

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<v Speaker 5>Like there's these are big questions and there's a lot

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<v Speaker 5>that we can talk about there.

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<v Speaker 4>For sure, For sure. Yeah.

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<v Speaker 6>I mean when we're talking about these things, there's a

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<v Speaker 6>question of law, like whose laws, And even if we're

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<v Speaker 6>just talking about human law, there are different countries. There

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<v Speaker 6>are international organizations that are kind of conglomerates, like the

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<v Speaker 6>United Nations, that decree things to be against the law,

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<v Speaker 6>and yet you know, some people defy that, or some

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<v Speaker 6>countries maybe are so powerful that no one can enforce

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<v Speaker 6>the laws is they are written right. And I think

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<v Speaker 6>a similar thing comes up in especially in superhero media,

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<v Speaker 6>because these beings are often so powerful that the humans

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<v Speaker 6>are powerless against them, and it's like, well, you're doing

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<v Speaker 6>stuff that is against the law, but we can't actually

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<v Speaker 6>stop you. So I think it brings up a question

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<v Speaker 6>of does the law matter? Like power makes right is

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<v Speaker 6>a thing that comes up a lot in these situations.

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<v Speaker 6>And that's why like Superman, right, when there are evil

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<v Speaker 6>versions of Superman, like an Injustice, He's like, I'm just

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<v Speaker 6>going to make my own law, and people are like, well,

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<v Speaker 6>guess that's it. We're for living in a dictatorship now, right.

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<v Speaker 4>Yeah. No, I think I think those are all great ones,

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<v Speaker 4>and I think a lot of the you know, the

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<v Speaker 4>questions of do we see superheroes as metaphor for law enforcements.

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<v Speaker 4>Do we see them as metaphor for soldiers? Do we

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<v Speaker 4>see them in something totally different? Ties into all that, Rikiana,

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<v Speaker 4>you often talk about the idea of whether killing should

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<v Speaker 4>be a part of superhero media or whether the importance

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<v Speaker 4>of not non lethal violence being used, and I of

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<v Speaker 4>course have questions about the viability of that.

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<v Speaker 6>Yeah, well for me, like it really comes down to

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<v Speaker 6>the media neess of it. And this is like an anime.

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<v Speaker 6>Why I love it so much is that Japanese anime

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<v Speaker 6>is you know, is enjoyed by older people, but it's

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<v Speaker 6>still always like with a mind towards the younger audience

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<v Speaker 6>and trying to teach certain fundamental lessons. So I really

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<v Speaker 6>enjoy that an anime most well, I'll just say most

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<v Speaker 6>of the protagonists don't kill, and that's like a very

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<v Speaker 6>clear demarcation line between you know, the hero and the

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<v Speaker 6>villain and the story, and I think it's an important

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<v Speaker 6>lesson to draw from that media and to impart upon

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<v Speaker 6>the audience.

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<v Speaker 5>Right well, and still thought of like ohole, Like I

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<v Speaker 5>got really excited about this, but I'm just going to

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<v Speaker 5>throw out the ethics of time travel which is not

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<v Speaker 5>really relevant to us, but like, should you go back

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<v Speaker 5>and change things or should you not go back and

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<v Speaker 5>change things even if it means that a woman you

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<v Speaker 5>love has to die, which.

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<v Speaker 9>Kind of seems like how that plot line always goes.

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<v Speaker 5>Number two when the villain goes, we're not so different

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<v Speaker 5>you and I, which they always do. And number three

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<v Speaker 5>does a superhero create super villains? And please have me

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<v Speaker 5>on if you do that one, because so mad.

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<v Speaker 4>I think it's a really good one. You know, the

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<v Speaker 4>vision line from Civil War of you know, do vite

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<v Speaker 4>conflict and stuff like that, which is a really good one.

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<v Speaker 4>And to me that those also tie into.

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<v Speaker 6>I mean, Matthew knows the time travel is Mike, Yeah,

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<v Speaker 6>so I'll always I'll always talk about that time.

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<v Speaker 5>Yeah.

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<v Speaker 4>Well, I think it does create lots of questions, especially

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<v Speaker 4>with the ideas of you know, when you have timelines,

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<v Speaker 4>is like erasing a timeline? Are you killing the people

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<v Speaker 4>in that? You know? And I think that comes up

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<v Speaker 4>a lot with also things like AI you know, Ages

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<v Speaker 4>of Shield, the great plot line. So yeah, all these

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<v Speaker 4>kind of great questions and I think, and like you.

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<v Speaker 5>Were saying, very relevant to the real world.

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<v Speaker 4>Exactly the exactly one exactly so, you know, and and

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<v Speaker 4>it's with that relevance to the real world is why

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<v Speaker 4>I think we're talking about vengeance today. And I think

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<v Speaker 4>for many people it's probably not a far grasp to find,

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<v Speaker 4>but just kind of spell it out. I think late

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<v Speaker 4>last year, we had the killing of a healthcare CEO

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<v Speaker 4>that brought up a lot of feelings for a lot

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<v Speaker 4>of people about you know, how do we feel about

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<v Speaker 4>you know, the healthcare industry, and a lot of people

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<v Speaker 4>not really feeling too bad about this because of those

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<v Speaker 4>feelings or praising the person who did that. And I think,

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<v Speaker 4>you know, to be clear, we're not going to go

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<v Speaker 4>into a deep analysis of all that. I think I'm

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<v Speaker 4>pretty confident in saying all of us say that, you know,

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<v Speaker 4>murder is wrong, killing is wrong, but we also understand

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<v Speaker 4>kind of the wealth of emotions that this has brought

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<v Speaker 4>up for people. And I think for me, the reason

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<v Speaker 4>why that's interesting for us today is that what we

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<v Speaker 4>saw was an act of vigilanteism in the real world.

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<v Speaker 4>We saw an act of a punisher type of a

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<v Speaker 4>person who has said, you know, for whatever reasons, like

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<v Speaker 4>this is someone I decided was bad and I'm going

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<v Speaker 4>to act on that kind of just go to what

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<v Speaker 4>you were saying, like one person creating that own authority.

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<v Speaker 4>And to me, my goal today isn't for us to

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<v Speaker 4>decide the ethics of that. It's that I want us

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<v Speaker 4>to discuss how those ethical questions play out in the

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<v Speaker 4>media we discussed, because I think that helps shape how

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<v Speaker 4>we think about these things and how we Because for me,

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<v Speaker 4>at least, I've always been kind of fascinated that there's

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<v Speaker 4>a lot of revenge fantasy vengeance fantasy type things that

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<v Speaker 4>I can find really enjoyable, even though sometimes I'd be

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<v Speaker 4>goot horrified of it happening in our own world. And

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<v Speaker 4>so there's just so much there to play in. And

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<v Speaker 4>there's got three fundamental questions I wanted us to get

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<v Speaker 4>into today, and I was just gonna spell them out

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<v Speaker 4>and go through them one by one, and the first

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<v Speaker 4>being like, you know, how is vengeance a motivator for

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<v Speaker 4>some of the characters we love? Why do we enjoy

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<v Speaker 4>vengeance stories if we do, which I don't want to

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<v Speaker 4>speak for all of us, I will admit that I

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<v Speaker 4>do at times, and sometimes I'm troubled by that, sometimes

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<v Speaker 4>I'm not. And then lastly, like, what are the differences

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<v Speaker 4>between what we can enjoy on screen and what we're

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<v Speaker 4>okay with in real life, and how do those things

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<v Speaker 4>blend into each other. So let me first just kind

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<v Speaker 4>of start by it. Let's kind of just throw them

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<v Speaker 4>things out. What are examples you see? And we can

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<v Speaker 4>focus mostly on superhero comic book media specifically where vengeance

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<v Speaker 4>is an important part of the story for a hero

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<v Speaker 4>of villain and anti hero anyone like that, and I'll

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<v Speaker 4>throw out the Punisher. To me, the Punisher is a

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<v Speaker 4>great example of there's often this kind of veneer of

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<v Speaker 4>I'm doing this to make the world a better place,

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<v Speaker 4>doing this to prevent these people from harming others. But

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<v Speaker 4>also like Frank Cassel, you know, had his family killed

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<v Speaker 4>and he was portrayed and he wants vengeance. What are

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<v Speaker 4>other kind of examples do you guys see a lot

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<v Speaker 4>or do you that think interesting?

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<v Speaker 6>Well, you and I just did Full Metal Alchemist slash Brotherhood,

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<v Speaker 6>and the character of Scar who was the survivor of

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<v Speaker 6>a massacre slash genocide coming to the nation that institute

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<v Speaker 6>at that tragedy and taking vengeance upon people soldiers from

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<v Speaker 6>that nation for that I think was one of the

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<v Speaker 6>most interesting parts of that show, and he was a

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<v Speaker 6>very fascinating character.

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<v Speaker 5>Yeah, I mean the Punisher is a big one for me.

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<v Speaker 5>I feel like, if you scratch any superhero, you can

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<v Speaker 5>find a story about vengeance, and it works for some

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<v Speaker 5>of them better than others. And I have I have

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<v Speaker 5>a lot of thoughts about vengeance as a structural tool

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<v Speaker 5>and how.

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<v Speaker 9>Like the difficulties that it causes.

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<v Speaker 5>But the other thing that immediately came to mind was

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<v Speaker 5>I don't know if either of you ever watched the

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<v Speaker 5>TV show Revenge with Emily Van Camp from like fifteen

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<v Speaker 5>years ago.

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<v Speaker 9>It was great.

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<v Speaker 5>My friends and I used to call it a revenge procedural.

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<v Speaker 5>It's like very very loosely based on the Count of

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<v Speaker 5>Money Cristo, but not really, and it's Emily Van Camp

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<v Speaker 5>plays It's like what if the Count of Money Cristo

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<v Speaker 5>was set in.

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<v Speaker 4>The Hampton's Fair And.

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<v Speaker 5>Emily Van Camp plays this woman who, like as a child,

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<v Speaker 5>her father was framed for funding terrorists by these rich

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<v Speaker 5>Hampton's people, and so she's come back to the Hamptons

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<v Speaker 5>under a false name to destroy their lives systematically. And

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<v Speaker 5>it was so over the top ridiculous and so much fun.

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<v Speaker 4>Well, and that point you just made I think actually

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<v Speaker 4>ties into something you were saying a little bit ago

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<v Speaker 4>wreaky about anime, and something I think we're gonna talk

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<v Speaker 4>about a lot is that. I think, for me, at least,

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<v Speaker 4>my feeling about how I view vengeance, particularly from a

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<v Speaker 4>hero type, has a lot to do with how seriously

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<v Speaker 4>I'm being asked to take it. And then sometimes I

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<v Speaker 4>feel like the more ridiculous it is, the more over

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<v Speaker 4>the top it is. I've often talked about the movie Desperado,

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<v Speaker 4>which I absolutely love, which is one a brutal murder

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<v Speaker 4>spree for vengeance, but it's played so much for humor.

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<v Speaker 4>You know, the the a guy gets shot and a

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<v Speaker 4>criminal baddie gets killed because they shoot the ceiling fan

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<v Speaker 4>that's above him and it hits him. And you see this,

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<v Speaker 4>this shot of the fan continuing to go because the

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<v Speaker 4>motor hasn't stopped, hitting this dead guy in the face.

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<v Speaker 4>I say that it sounds horrific. If you want, you

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<v Speaker 4>could shoot that as a horrific scene. But in Desperado

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<v Speaker 4>it's done purely for comedy, and there are times when

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<v Speaker 4>I'm like, why in the world I'm not laughing at this?

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<v Speaker 4>Oh wait, there's Antonio ben Eras in Black Leather. I'm

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<v Speaker 4>not thinking anymore. You know, that's the whole point of

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<v Speaker 4>that movie.

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<v Speaker 5>I mean, kill Bill. It's not a comedy, but it is.

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<v Speaker 5>It also steers very hard into being as over the

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<v Speaker 5>top as possible, so you stop taking the violence seriously.

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<v Speaker 4>I think those are all great examples. I think one

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<v Speaker 4>of the one that I see a lot in particularly

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<v Speaker 4>in Batman, but I think I've also seen this with Arrow,

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<v Speaker 4>A Bunch and others, is when you have a character

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<v Speaker 4>who is a vigilante, who is their claim is that

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<v Speaker 4>they're doing for justice. It does seem like a lot

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<v Speaker 4>of times the writers will introduce another character who is

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<v Speaker 4>more on the vengeance side as kind of a foil

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<v Speaker 4>to our hero. And Batman Mask of the Phantasm is

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<v Speaker 4>one of my favorite examples of this, but I think

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<v Speaker 4>you also see it in Birds of Prey with the

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<v Speaker 4>Huntress character kind of shifting from a vengeance and then

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<v Speaker 4>having her kind of redemption as she moves more into

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<v Speaker 4>a justice mindset. Talk about that in terms of how

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<v Speaker 4>you guys feel about this kind of examples of where

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<v Speaker 4>vengeance is used as the our hero could fall into that.

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<v Speaker 4>So we're gonna show the an example of someone who

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<v Speaker 4>does that to keep them away from it.

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<v Speaker 6>Well, this kind of encapsulates what I've been thinking about

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<v Speaker 6>on this topic, which is the question of when does

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<v Speaker 6>vengeance end? Because you all mentioned the Punisher. I believe

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<v Speaker 6>his family was killed by some crime boss, and so

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<v Speaker 6>like in the Punisher movie, we see him go after

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<v Speaker 6>the crime boss, gain vengeance by killing him and his minions,

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<v Speaker 6>and then the movie ends. But like for comic books

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00:17:35.319 --> 00:17:39.680
<v Speaker 6>that the story keeps going. He keeps doing stuff no

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<v Speaker 6>longer against the people who personally harmed him and his family.

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<v Speaker 6>So is his vengeance over and what is he doing

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<v Speaker 6>after that?

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<v Speaker 5>Right?

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<v Speaker 6>Like, that's kind of my question about vengeance and justice

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<v Speaker 6>because after that, I think we can argue that Frank

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<v Speaker 6>Castle is pursuing justice in a kind of way to

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<v Speaker 6>prevent other similar tragedies from happening. I guess, like a

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<v Speaker 6>preventative justice or vengeance on behalf of other people who

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<v Speaker 6>have been wrong perhaps, But it is that still vengeance

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<v Speaker 6>at that point.

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<v Speaker 5>And I think the Punisher is a really interesting character

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<v Speaker 5>to bring up in that context of like is he

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<v Speaker 5>a cautionary tale for other heroes Because the answer to

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<v Speaker 5>that depends entirely on whose name.

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<v Speaker 9>Is on the cover of the comic book. Yeah, so

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<v Speaker 9>if he's showing up.

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<v Speaker 5>In a Spider Man or Daredevil comic, then he's absolutely

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<v Speaker 5>in the wrong and he's a cautionary tale and they

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<v Speaker 5>can't cross that line. There's literally a Daredevil story where

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<v Speaker 5>Daredevil goes to jail and the Punisher gets himself arrested

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<v Speaker 5>and sent to jail so he can be like, don't

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<v Speaker 5>be like me. It's very funny. But if it's a

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<v Speaker 5>Punisher story, then all of a sudden, Matt Murdocher Peter

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<v Speaker 5>Parker is ridiculous and naive and they're completely wrong about everything,

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<v Speaker 5>and the Punisher is going to kick their ass. So

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<v Speaker 5>it really is very much about framing.

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<v Speaker 4>Well. And it's funny that you say whose name is

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<v Speaker 4>on the comic book because what I felt you were

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<v Speaker 4>going to say was whose name is on the Netflix

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<v Speaker 4>MCU show, because I think that perhaps my favorite scene

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<v Speaker 4>in all of the Netflix MCU and not my favorite,

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<v Speaker 4>definitely in the top five. He is the Punisher in

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<v Speaker 4>the Daredevil TV show where he's pushing Daredevil on. You know,

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<v Speaker 4>you arrest people and then they go to jail and

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<v Speaker 4>they get out when I kill them and they never

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<v Speaker 4>get back up. I'm butchering the line, but something like that,

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<v Speaker 4>and it's this wonderful moment yea, yeah, yeah, exactly, and

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00:19:41.240 --> 00:19:44.200
<v Speaker 4>where we you know, And he's, uh, why can't remember

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00:19:44.200 --> 00:19:48.640
<v Speaker 4>the name of the actor who plays Frank Castle phenomenal

388
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<v Speaker 4>at that and I I disagree with him, but he's

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<v Speaker 4>so close to convincing me, and I get that he's

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00:19:53.960 --> 00:19:56.599
<v Speaker 4>so close convincing man. And then we had the Punisher

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<v Speaker 4>TV show, which I liked, but frankly, by the end,

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<v Speaker 4>I couldn't believe him as a hero anymore because I

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00:20:02.759 --> 00:20:05.119
<v Speaker 4>thought he was too far into vengeance. And we had

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00:20:05.119 --> 00:20:07.839
<v Speaker 4>some great discussions about that, and I think you're right. Yeah,

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<v Speaker 4>it's that when he's there for Daredevil, he's the foil

396
00:20:11.440 --> 00:20:15.960
<v Speaker 4>for Daredevil, but when he has his own show. And

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00:20:16.000 --> 00:20:17.359
<v Speaker 4>this is kind of a related question I want to

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<v Speaker 4>talk about, which is like, is is Vengeon something that

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00:20:19.880 --> 00:20:21.839
<v Speaker 4>should be for heroes, for anti heroes, for villains or

400
00:20:21.880 --> 00:20:24.279
<v Speaker 4>all three? Because for me, at least with a Punisher,

401
00:20:25.119 --> 00:20:27.799
<v Speaker 4>it works for him as an anti hero or as

402
00:20:27.799 --> 00:20:30.960
<v Speaker 4>a foil when they tried to make him the hero

403
00:20:31.960 --> 00:20:33.400
<v Speaker 4>for me at least that show which went too far.

404
00:20:33.440 --> 00:20:34.559
<v Speaker 4>I couldn't I couldn't buy.

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00:20:34.359 --> 00:20:38.559
<v Speaker 5>It well also, and I want to go back with

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00:20:38.680 --> 00:20:41.319
<v Speaker 5>this just something that Riki said before about when does

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<v Speaker 5>vengeance stop? And what I was saying before about the

408
00:20:44.440 --> 00:20:48.160
<v Speaker 5>structural issues with vengeance, which is again like when does

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<v Speaker 5>it stop?

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00:20:48.680 --> 00:20:51.440
<v Speaker 9>And who are you avenging? And so.

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<v Speaker 5>In the comics, Frank's mission is very much framed as

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<v Speaker 5>eradicating all organized crime, or sometimes just eradicating crime, because

413
00:21:00.480 --> 00:21:03.599
<v Speaker 5>he's not after the guy who pulled the trigger that

414
00:21:03.720 --> 00:21:08.119
<v Speaker 5>killed his family, He's after the system that killed his family,

415
00:21:09.240 --> 00:21:12.200
<v Speaker 5>which I think was a smart choice because it allows

416
00:21:12.240 --> 00:21:18.960
<v Speaker 5>you to keep telling Punisher stories indefinitely, Whereas and one

417
00:21:19.000 --> 00:21:21.440
<v Speaker 5>of the problems with the TV shows was that they

418
00:21:21.440 --> 00:21:24.119
<v Speaker 5>were like, you know, in season two of Daredevil, he's

419
00:21:24.160 --> 00:21:27.200
<v Speaker 5>after the guys who were behind his family Seath, and

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<v Speaker 5>then he gets them. And then in the season one

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<v Speaker 5>and The Punisher, he finds out there was a whole

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00:21:31.960 --> 00:21:34.279
<v Speaker 5>different thing behind that, and so he gets those guys,

423
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<v Speaker 5>and then in season two it's like, oh no, there

424
00:21:36.240 --> 00:21:38.200
<v Speaker 5>was a whole It's like how deep does the rabbit

425
00:21:38.240 --> 00:21:40.920
<v Speaker 5>hole go? Like how many people were in Central Park

426
00:21:41.000 --> 00:21:44.079
<v Speaker 5>that day trying to kill Frank Castle for this like

427
00:21:44.200 --> 00:21:46.279
<v Speaker 5>Russian nesting doll of reasons.

428
00:21:46.400 --> 00:21:48.480
<v Speaker 4>Yeah, and so when.

429
00:21:48.359 --> 00:21:51.720
<v Speaker 5>You're doing these ongoing stories when it's comics, it's a

430
00:21:51.759 --> 00:21:54.720
<v Speaker 5>TV show. I mean, if we have a Superhero movie,

431
00:21:54.799 --> 00:21:58.880
<v Speaker 5>you know, the Marvel Studios is going to bleed that dry.

432
00:21:58.920 --> 00:22:00.400
<v Speaker 5>You're going to get five more movies.

433
00:22:01.039 --> 00:22:01.559
<v Speaker 9>You have to.

434
00:22:01.519 --> 00:22:03.480
<v Speaker 5>Figure out a way if you want a character to

435
00:22:03.519 --> 00:22:07.720
<v Speaker 5>be motivated by vengeance that they're you can't have it

436
00:22:07.759 --> 00:22:10.839
<v Speaker 5>be against one guy or one group of guys, because

437
00:22:10.839 --> 00:22:12.799
<v Speaker 5>then either they get them and the story is over,

438
00:22:13.559 --> 00:22:15.200
<v Speaker 5>or they don't get them. And you're like, why does

439
00:22:15.200 --> 00:22:16.519
<v Speaker 5>this guy suck at vengeance?

440
00:22:16.839 --> 00:22:20.119
<v Speaker 4>Right? Well, it's interesting that you say that that's what

441
00:22:20.160 --> 00:22:22.960
<v Speaker 4>you meant by where does vengeance end? Because I completely

442
00:22:23.000 --> 00:22:25.039
<v Speaker 4>agree with you, but Riki I actually thought you were

443
00:22:25.039 --> 00:22:27.039
<v Speaker 4>going to go in a different direction, which is that

444
00:22:27.960 --> 00:22:30.079
<v Speaker 4>a lot of times also, when we scratch the surface,

445
00:22:30.119 --> 00:22:33.039
<v Speaker 4>we find out, you know, this person wants to kill

446
00:22:33.079 --> 00:22:36.720
<v Speaker 4>Frank Castle or you know Frank Castle kills those people,

447
00:22:37.200 --> 00:22:39.599
<v Speaker 4>and then the ten year old son of that guy

448
00:22:40.039 --> 00:22:42.200
<v Speaker 4>grows up and wants to come back and kill Frank,

449
00:22:42.240 --> 00:22:44.680
<v Speaker 4>and then that person's need you know where It's just

450
00:22:44.680 --> 00:22:46.880
<v Speaker 4>a going back and forth and back and forth. And

451
00:22:47.839 --> 00:22:50.759
<v Speaker 4>I love that we're getting more and more motivations for villains,

452
00:22:51.160 --> 00:22:53.400
<v Speaker 4>and often it's vengeance. Now that is the motivation for

453
00:22:53.440 --> 00:22:56.680
<v Speaker 4>a villain, and a lot of times it's kind of justified,

454
00:22:56.759 --> 00:22:59.400
<v Speaker 4>you know, not where we might say like, okay, we

455
00:22:59.640 --> 00:23:01.799
<v Speaker 4>I don't want you going this far with your vengeance.

456
00:23:01.880 --> 00:23:04.160
<v Speaker 4>But I get why you're that pissed at Tony Stark.

457
00:23:04.160 --> 00:23:06.640
<v Speaker 4>I get why you're that pissed at you know, Bruce

458
00:23:06.640 --> 00:23:09.599
<v Speaker 4>Wayne or whoever it is. And I think that's another

459
00:23:09.680 --> 00:23:12.799
<v Speaker 4>kind of interesting question, is about you the ethics of

460
00:23:12.880 --> 00:23:16.119
<v Speaker 4>vengeance in general. Is it never stopped?

461
00:23:16.119 --> 00:23:16.279
<v Speaker 2>You know?

462
00:23:16.640 --> 00:23:19.720
<v Speaker 4>How does it just become a cycle of every time

463
00:23:19.839 --> 00:23:22.319
<v Speaker 4>someone from the side that just got vengeanced upon them

464
00:23:22.559 --> 00:23:25.119
<v Speaker 4>now wants vengeance upon that person and on and on

465
00:23:25.160 --> 00:23:25.480
<v Speaker 4>and on.

466
00:23:27.240 --> 00:23:29.799
<v Speaker 6>No, I mean, it doesn't stop. And that's what made

467
00:23:29.880 --> 00:23:34.160
<v Speaker 6>the story in Full Metal Alchemists with Scars so powerful,

468
00:23:34.559 --> 00:23:38.440
<v Speaker 6>is that Winry chose not to take vengeance upon him

469
00:23:38.839 --> 00:23:42.400
<v Speaker 6>for literally killing her parents, and then that opened his

470
00:23:42.559 --> 00:23:47.759
<v Speaker 6>eyes and made him choose a different path himself. So yeah, absolutely.

471
00:23:48.799 --> 00:23:51.039
<v Speaker 6>I also I was also reminded with the whole like

472
00:23:51.440 --> 00:23:56.400
<v Speaker 6>who's responsible for Frank Castle's family dying? Thing? Of Drax

473
00:23:56.519 --> 00:24:00.759
<v Speaker 6>the Destroyer and Guardians of the Galaxy, where they're yeah, well,

474
00:24:00.799 --> 00:24:04.039
<v Speaker 6>now you've avenged your family because we killed Ronin the Accuser.

475
00:24:04.359 --> 00:24:06.720
<v Speaker 6>He's like, well, but Ronan was working for Thanos, so

476
00:24:06.920 --> 00:24:08.920
<v Speaker 6>we still got to go after Thano's.

477
00:24:08.960 --> 00:24:12.359
<v Speaker 4>Right, Yeah, well, and the flip side of that. And

478
00:24:12.359 --> 00:24:14.279
<v Speaker 4>this is actually the only one I can think of

479
00:24:14.279 --> 00:24:17.720
<v Speaker 4>of the character got vengeance? Now what do they do?

480
00:24:19.160 --> 00:24:21.440
<v Speaker 4>Moving outside of the realm, although I think it's fairly

481
00:24:21.480 --> 00:24:26.519
<v Speaker 4>comic bookie in Ingo Montoya a Ningo Montoya want vengeance

482
00:24:26.559 --> 00:24:29.119
<v Speaker 4>on the six Fingered Man because he killed his father,

483
00:24:29.519 --> 00:24:33.160
<v Speaker 4>very clear vengeance story. And in this, by the way, again,

484
00:24:33.200 --> 00:24:36.000
<v Speaker 4>I think because it's fantasy, we're okay with it. And

485
00:24:36.079 --> 00:24:38.359
<v Speaker 4>Ningo Montoya is straight up a hero. He's not an

486
00:24:38.400 --> 00:24:41.319
<v Speaker 4>anti hero at all. I mean, he's an antagonist who

487
00:24:41.359 --> 00:24:44.160
<v Speaker 4>becomes a protagonist, but he's straight up a heroic character.

488
00:24:44.720 --> 00:24:47.440
<v Speaker 4>There's never a moment of moral doubt about the goodness

489
00:24:47.480 --> 00:24:50.599
<v Speaker 4>of his quest. And then he kills the you know,

490
00:24:50.640 --> 00:24:52.559
<v Speaker 4>the sixth Fingered Man, and he literally goes, I don't

491
00:24:52.559 --> 00:24:54.039
<v Speaker 4>know what to do with myself. Now this has been

492
00:24:54.079 --> 00:24:56.640
<v Speaker 4>my quest for twenty years. What comes next? Well, have

493
00:24:56.720 --> 00:25:00.599
<v Speaker 4>you thought of piracy something of it. I can't think

494
00:25:00.640 --> 00:25:02.839
<v Speaker 4>of anyone else in fiction of the kind of as

495
00:25:02.839 --> 00:25:05.480
<v Speaker 4>we're talking about at least who gets that vengeance and

496
00:25:05.519 --> 00:25:07.680
<v Speaker 4>then has that honest moment of what do I do now?

497
00:25:08.799 --> 00:25:11.480
<v Speaker 5>Well, and he does, but he also I don't think

498
00:25:11.559 --> 00:25:14.680
<v Speaker 5>it's not framed as like, oh, I've wasted my life.

499
00:25:14.720 --> 00:25:17.559
<v Speaker 5>He's like, well, that's done. Maybe I'll take up gardening.

500
00:25:17.640 --> 00:25:21.759
<v Speaker 5>Like he's super happy about it. He's very satisfied, and

501
00:25:21.799 --> 00:25:23.400
<v Speaker 5>the audience is satisfied.

502
00:25:23.960 --> 00:25:28.519
<v Speaker 4>Right, well, and let's talk about that, because I like,

503
00:25:28.559 --> 00:25:29.960
<v Speaker 4>at least I was saying that I am a little

504
00:25:29.960 --> 00:25:32.599
<v Speaker 4>bit troubled by the Punisher in the TV show when

505
00:25:32.640 --> 00:25:36.400
<v Speaker 4>it becomes he's so focused on vengeance and I'm a

506
00:25:36.400 --> 00:25:38.119
<v Speaker 4>lot of other problems, like I think the collateral damage

507
00:25:38.119 --> 00:25:40.440
<v Speaker 4>that he tolerates and stuff like that. But Ingo Montoya

508
00:25:41.079 --> 00:25:44.720
<v Speaker 4>I'm totally rooting for, Like I'm totally rooting for. I

509
00:25:45.160 --> 00:25:47.920
<v Speaker 4>think I'm saying I don't want a world of vigilantes

510
00:25:48.440 --> 00:25:50.920
<v Speaker 4>each killing the people they think of wrong them. But

511
00:25:51.000 --> 00:25:55.480
<v Speaker 4>when Inga Montoya does it, When Antonio Benderas in Desperado,

512
00:25:56.559 --> 00:25:58.039
<v Speaker 4>I think the only character name he ever gets is

513
00:25:58.039 --> 00:26:03.079
<v Speaker 4>am Mariachi. You know when when Poison Ivy is killing

514
00:26:03.119 --> 00:26:06.839
<v Speaker 4>off corporate CEOs. Like, I think there's another great example

515
00:26:06.880 --> 00:26:09.160
<v Speaker 4>I've been thinking about a lot, in the very first

516
00:26:09.200 --> 00:26:12.559
<v Speaker 4>episode of the new Harley Quinn Quinn Show. Here here's

517
00:26:12.559 --> 00:26:14.839
<v Speaker 4>the one that's probably actually the most equivalent to the

518
00:26:15.119 --> 00:26:18.920
<v Speaker 4>events that happened last year. You know, Poison Ivy has

519
00:26:18.960 --> 00:26:22.680
<v Speaker 4>found these CEOs of companies that are polluting the environment,

520
00:26:22.799 --> 00:26:25.359
<v Speaker 4>killing off vegetation that she obviously loves so much, and

521
00:26:25.400 --> 00:26:28.119
<v Speaker 4>she's brutally murdering them. And Harley finds it and it's

522
00:26:28.160 --> 00:26:30.599
<v Speaker 4>like cool, you go girl, and we the audience are

523
00:26:30.599 --> 00:26:34.160
<v Speaker 4>one hundred feeling like, yeah, you go girl. Why is

524
00:26:34.200 --> 00:26:36.200
<v Speaker 4>it you think that that that? Sometimes vengeance can be

525
00:26:36.200 --> 00:26:38.599
<v Speaker 4>troubling and sometimes it can be like yeah, we're totally

526
00:26:38.640 --> 00:26:39.160
<v Speaker 4>rooting for it.

527
00:26:41.559 --> 00:26:45.079
<v Speaker 6>Well, to me, that's on the storyteller, like how the

528
00:26:45.160 --> 00:26:49.640
<v Speaker 6>story is told, like what the world building that they do,

529
00:26:50.240 --> 00:26:54.559
<v Speaker 6>and then the way that they are framing the villain

530
00:26:55.079 --> 00:27:00.400
<v Speaker 6>or whoever's gaining the vengeance and the the uh the

531
00:27:00.519 --> 00:27:05.000
<v Speaker 6>victims that they are killing hurting right, Like you can

532
00:27:05.119 --> 00:27:08.720
<v Speaker 6>tell these stories in a way where your sympathies lie

533
00:27:08.759 --> 00:27:11.839
<v Speaker 6>in one direction, like the Inigo Montoya one. We don't

534
00:27:11.880 --> 00:27:14.480
<v Speaker 6>know anything about the six Finger man. Heck, I can't

535
00:27:14.480 --> 00:27:20.559
<v Speaker 6>even remember his name, right, Like, so he's oh, well,

536
00:27:20.559 --> 00:27:21.039
<v Speaker 6>there you go.

537
00:27:21.640 --> 00:27:23.480
<v Speaker 4>My father read that story to me every night when

538
00:27:23.480 --> 00:27:26.079
<v Speaker 4>I was a kid, since the reason I know it.

539
00:27:26.680 --> 00:27:32.200
<v Speaker 6>But at least in the movie, he's not really a character, right, Like,

540
00:27:32.400 --> 00:27:36.920
<v Speaker 6>he is a he is the subject of Enigo Montoya's vengeance,

541
00:27:37.599 --> 00:27:40.160
<v Speaker 6>and and that's really the only context we see him in.

542
00:27:40.720 --> 00:27:42.680
<v Speaker 5>We do know one other thing about him, which is

543
00:27:42.680 --> 00:27:45.240
<v Speaker 5>that he likes to torture people, like he tortures Leslie.

544
00:27:45.240 --> 00:27:48.240
<v Speaker 5>And that's the only other piece of information, which, right

545
00:27:49.000 --> 00:27:52.279
<v Speaker 5>it continues to make us feel a certain way about him.

546
00:27:52.680 --> 00:27:56.359
<v Speaker 6>Yeah, And then so in this story, like, he is

547
00:27:56.599 --> 00:28:01.039
<v Speaker 6>very much framed as a bad, bad guy. And I'm

548
00:28:01.079 --> 00:28:03.680
<v Speaker 6>not saying that there are good aspects to him. We

549
00:28:04.119 --> 00:28:05.920
<v Speaker 6>don't know anything. We don't like, we don't know anything.

550
00:28:05.920 --> 00:28:07.880
<v Speaker 6>We're not told anything about him. So I like to

551
00:28:07.880 --> 00:28:10.279
<v Speaker 6>think it's very easy to be like, yeah, that guy

552
00:28:10.319 --> 00:28:14.119
<v Speaker 6>should die, especially when Indiego has been repeating the line

553
00:28:14.160 --> 00:28:17.160
<v Speaker 6>over and over, and you know, we get behind that,

554
00:28:17.240 --> 00:28:21.720
<v Speaker 6>We're like, yeah, okay, Like I think the repetition of

555
00:28:21.759 --> 00:28:24.640
<v Speaker 6>that line is in fact meant to get you into

556
00:28:24.640 --> 00:28:27.960
<v Speaker 6>that mindset of like if it were me, yeah, I

557
00:28:27.960 --> 00:28:30.240
<v Speaker 6>wouldn't want to kill the guy who killed my father, right,

558
00:28:30.319 --> 00:28:32.359
<v Speaker 6>Like that's that's the whole point of all that.

559
00:28:32.599 --> 00:28:35.519
<v Speaker 4>Right, because right it's very humanizing. And I think that's

560
00:28:35.559 --> 00:28:38.319
<v Speaker 4>why part of what I love so much about the

561
00:28:38.319 --> 00:28:41.799
<v Speaker 4>Netflix MCU and other kind of media like that that

562
00:28:41.920 --> 00:28:44.519
<v Speaker 4>is really trying to be so realistic is that there's

563
00:28:44.519 --> 00:28:47.839
<v Speaker 4>nobody who's a cardboard cutout. You know. Every character we find,

564
00:28:48.640 --> 00:28:53.240
<v Speaker 4>for the most part, they try has their own motivation,

565
00:28:53.359 --> 00:28:55.279
<v Speaker 4>you see, why they're the hero of their own story.

566
00:28:55.960 --> 00:28:57.680
<v Speaker 4>Like I kind of feel like if we had the

567
00:28:57.720 --> 00:29:01.160
<v Speaker 4>Netflix MCU version of The Princess Bride, which please God,

568
00:29:01.200 --> 00:29:04.000
<v Speaker 4>don't anyone make, but we'd find out that an Ingo's

569
00:29:04.000 --> 00:29:08.359
<v Speaker 4>father was actually this like exorbitantly priced, like had you know,

570
00:29:08.480 --> 00:29:10.440
<v Speaker 4>made a deal with Count Rugen and then tripled the

571
00:29:10.480 --> 00:29:12.839
<v Speaker 4>price and you know, or like he had done something

572
00:29:12.920 --> 00:29:15.680
<v Speaker 4>terrible with Count Rugan's family or Count Rugan you know,

573
00:29:15.720 --> 00:29:18.440
<v Speaker 4>because he was a six fingered man, was so treated

574
00:29:18.519 --> 00:29:21.559
<v Speaker 4>terribly in the world because of his physical deformity, you know,

575
00:29:21.599 --> 00:29:23.960
<v Speaker 4>whatever it was, Like, we'd have that kind of a backstory.

576
00:29:24.000 --> 00:29:25.880
<v Speaker 4>But you're right, and it's it's a lot easier to

577
00:29:25.880 --> 00:29:28.480
<v Speaker 4>hate someone and to just enjoy the idea of their

578
00:29:28.599 --> 00:29:31.480
<v Speaker 4>vengeance when they're not a character, when they're just that person.

579
00:29:31.519 --> 00:29:34.640
<v Speaker 4>They're just the corporate ceo the poison ivy is going after,

580
00:29:34.799 --> 00:29:37.519
<v Speaker 4>or the six fingered man, or the dawn of the

581
00:29:37.559 --> 00:29:39.559
<v Speaker 4>mafia family that killed your parents or whatever.

582
00:29:39.599 --> 00:29:39.839
<v Speaker 2>It is.

583
00:29:41.160 --> 00:29:42.920
<v Speaker 5>Well, and I think it also has to do with

584
00:29:43.200 --> 00:29:45.359
<v Speaker 5>a couple of things that we've touched on, and one

585
00:29:45.400 --> 00:29:47.880
<v Speaker 5>of those things is tone.

586
00:29:48.559 --> 00:29:50.640
<v Speaker 9>Like The Princess Bride.

587
00:29:50.440 --> 00:29:53.759
<v Speaker 5>Is a comedy. Yeah, Hard Quinn is a comedy, like

588
00:29:54.039 --> 00:29:59.920
<v Speaker 5>we're right, And like I think that the Punisher often

589
00:30:00.079 --> 00:30:03.319
<v Speaker 5>works best, Like obviously the TV show is not a comedy.

590
00:30:03.359 --> 00:30:04.519
<v Speaker 9>The movies are not comedies.

591
00:30:04.599 --> 00:30:08.960
<v Speaker 5>Even the comics are not, but they are often so ridiculous,

592
00:30:09.000 --> 00:30:14.920
<v Speaker 5>Like they are so completely over the top that you

593
00:30:14.920 --> 00:30:16.480
<v Speaker 5>you get swept up in it. It's like I was

594
00:30:16.480 --> 00:30:19.480
<v Speaker 5>saying about the show Revenge before, like it's so zany,

595
00:30:19.559 --> 00:30:22.680
<v Speaker 5>it's so ridiculous that you're just along for the ride.

596
00:30:23.400 --> 00:30:28.480
<v Speaker 5>And the other thing is collateral damage. And I mean,

597
00:30:28.640 --> 00:30:33.279
<v Speaker 5>Enigo Montoya is not killing other people. He's killing the

598
00:30:33.319 --> 00:30:36.000
<v Speaker 5>one guy that he's after. He's not like slaughtering his

599
00:30:36.039 --> 00:30:39.440
<v Speaker 5>way through armies to get to the Six Fingered Man, kills.

600
00:30:39.200 --> 00:30:41.160
<v Speaker 4>One of the things Man's personal guards. But yes, I

601
00:30:41.240 --> 00:30:41.759
<v Speaker 4>agree with.

602
00:30:41.680 --> 00:30:45.160
<v Speaker 5>You, You're right he does. I mean, like.

603
00:30:47.039 --> 00:30:48.400
<v Speaker 4>He's not killing civilians.

604
00:30:49.160 --> 00:30:53.559
<v Speaker 5>No, no, you know he does kidnap Buttercup, but they're

605
00:30:53.599 --> 00:30:57.400
<v Speaker 5>friends after that, so it's fine. I don't know how

606
00:30:57.440 --> 00:31:01.079
<v Speaker 5>it's handled on Harley Quinn, but it sounds like she's

607
00:31:01.519 --> 00:31:05.519
<v Speaker 5>targeting the CEOs very specifically. And it made me think

608
00:31:05.599 --> 00:31:09.160
<v Speaker 5>of the first season of Arrow, when they were trying

609
00:31:09.279 --> 00:31:12.640
<v Speaker 5>really hard to like do some kind of occupy Wall

610
00:31:12.680 --> 00:31:14.799
<v Speaker 5>Street thing, but they weren't very good at it and

611
00:31:14.839 --> 00:31:17.119
<v Speaker 5>it was like way too complex of a topic for

612
00:31:17.200 --> 00:31:20.359
<v Speaker 5>them to handle, and so every episode you just had

613
00:31:20.400 --> 00:31:24.759
<v Speaker 5>Oliver killing a bunch of hired bodyguards and getting to

614
00:31:24.799 --> 00:31:29.160
<v Speaker 5>the CEO and being like be less greedy, okay bye.

615
00:31:28.920 --> 00:31:32.880
<v Speaker 9>And leaving and like okay, this city right, like doing.

616
00:31:32.720 --> 00:31:35.839
<v Speaker 5>Absolutely nothing about the people causing a harm. But I

617
00:31:35.920 --> 00:31:39.160
<v Speaker 5>remember once keeping track, and I think he murdered forty

618
00:31:39.200 --> 00:31:42.920
<v Speaker 5>seven people in season one if you don't count explosions

619
00:31:42.960 --> 00:31:45.319
<v Speaker 5>where you can't count how many people it is, but

620
00:31:45.400 --> 00:31:50.880
<v Speaker 5>like none of them was the actual person doing something bad.

621
00:31:51.400 --> 00:31:52.200
<v Speaker 4>Yeah, well, it's.

622
00:31:52.119 --> 00:31:56.200
<v Speaker 6>Because Oliver Queen himself is rich, so like those are

623
00:31:56.200 --> 00:31:56.759
<v Speaker 6>his pains.

624
00:31:57.319 --> 00:32:00.799
<v Speaker 4>Yeah, and I think doesn't doesn't the Huntress actual characters

625
00:32:00.799 --> 00:32:03.640
<v Speaker 4>show up in in like season two or season three

626
00:32:03.640 --> 00:32:05.119
<v Speaker 4>of Era, she does.

627
00:32:05.559 --> 00:32:06.359
<v Speaker 9>And they use it.

628
00:32:06.799 --> 00:32:09.799
<v Speaker 5>They use it that way to have to have her

629
00:32:09.799 --> 00:32:12.400
<v Speaker 5>as a character where it's like, don't cross the line, Oliver,

630
00:32:12.519 --> 00:32:15.319
<v Speaker 5>and it's like, what line? He can't even see the

631
00:32:15.359 --> 00:32:16.279
<v Speaker 5>line anymore?

632
00:32:17.279 --> 00:32:19.079
<v Speaker 4>Well, And I think that's sometimes the point is that

633
00:32:19.359 --> 00:32:23.039
<v Speaker 4>you will sometimes have like someone is not our character

634
00:32:23.079 --> 00:32:25.759
<v Speaker 4>is bad, but this person is clearly worse, and so

635
00:32:25.880 --> 00:32:28.640
<v Speaker 4>that like it kind of makes our person better by association.

636
00:32:29.519 --> 00:32:31.519
<v Speaker 4>And yeah, I'll say it's one thing that I really

637
00:32:31.640 --> 00:32:35.240
<v Speaker 4>liked about as a contrast to that Black Panther, because

638
00:32:36.000 --> 00:32:38.759
<v Speaker 4>in that I think there is a good deal of

639
00:32:38.880 --> 00:32:43.680
<v Speaker 4>vengeance behind the feeling of kill Monger. But but but

640
00:32:43.759 --> 00:32:47.359
<v Speaker 4>also there's clearly an idea of his his bare his

641
00:32:47.480 --> 00:32:51.599
<v Speaker 4>base critique that Black Panther is wrong, that Wakanda needs

642
00:32:51.640 --> 00:32:53.720
<v Speaker 4>to be more involved in the world is correct, and

643
00:32:53.759 --> 00:32:56.319
<v Speaker 4>by the end of the movie, you know T'Challa is

644
00:32:56.319 --> 00:32:57.240
<v Speaker 4>doing exactly that.

645
00:32:59.200 --> 00:33:02.240
<v Speaker 5>But then what do you do with like, you know,

646
00:33:02.319 --> 00:33:05.319
<v Speaker 5>we have so many villains now who are from some

647
00:33:05.359 --> 00:33:13.200
<v Speaker 5>sort of marginalized identity and or tragic backstory, and they're

648
00:33:14.200 --> 00:33:15.319
<v Speaker 5>attacking like.

649
00:33:16.759 --> 00:33:18.799
<v Speaker 9>Someone who is powerful and privilege.

650
00:33:18.799 --> 00:33:20.799
<v Speaker 5>And then the superhero steps and is like, no, no,

651
00:33:20.839 --> 00:33:23.519
<v Speaker 5>you can't kill Lex Luthor. That's wrong. And it's like,

652
00:33:23.759 --> 00:33:27.000
<v Speaker 5>but Lex Luthor ate my family. Well, if you do this,

653
00:33:27.079 --> 00:33:30.200
<v Speaker 5>you're just as bad as him. Like I just I

654
00:33:30.839 --> 00:33:34.000
<v Speaker 5>struggle with that because I feel like it's a way

655
00:33:34.079 --> 00:33:40.119
<v Speaker 5>to dismiss the valid points that the villain is making,

656
00:33:40.240 --> 00:33:42.200
<v Speaker 5>and it's all in the framing of the story, Like

657
00:33:42.240 --> 00:33:44.559
<v Speaker 5>you take those valid points and you put them into

658
00:33:44.559 --> 00:33:47.559
<v Speaker 5>the mouth of a character that you can then disregard

659
00:33:47.680 --> 00:33:51.200
<v Speaker 5>because they are evengeful vigilante and we don't have to

660
00:33:51.279 --> 00:33:52.559
<v Speaker 5>listen to them, right.

661
00:33:53.640 --> 00:33:53.839
<v Speaker 4>Yeah.

662
00:33:53.880 --> 00:33:59.880
<v Speaker 6>I actually think there's a really pertinent example at the

663
00:34:00.200 --> 00:34:03.759
<v Speaker 6>end of Falcon in the Winter Soldier or Captain America

664
00:34:03.799 --> 00:34:07.720
<v Speaker 6>in the Winter Soldier, right where the flag smashers are

665
00:34:07.759 --> 00:34:11.239
<v Speaker 6>seeking vengeance against the rich people and the politicians for

666
00:34:11.559 --> 00:34:15.480
<v Speaker 6>the things that are wrong in the world and Captain

667
00:34:15.519 --> 00:34:19.440
<v Speaker 6>America Sam stops them. But then he makes that speech

668
00:34:20.000 --> 00:34:22.960
<v Speaker 6>and he turns to I believe a senator and he says, Senator,

669
00:34:23.000 --> 00:34:26.719
<v Speaker 6>you need to do better for these people. I think

670
00:34:26.840 --> 00:34:31.079
<v Speaker 6>that to me, like in this discussion is the follow

671
00:34:31.159 --> 00:34:34.880
<v Speaker 6>up is like, yes, I one hundred percent believe that

672
00:34:35.079 --> 00:34:39.199
<v Speaker 6>murder is wrong, like even in even in the pursuit

673
00:34:39.239 --> 00:34:43.199
<v Speaker 6>of vengeance against someone who has wronged you or a

674
00:34:43.239 --> 00:34:46.800
<v Speaker 6>lot of people, but those with power have to do

675
00:34:46.880 --> 00:34:50.360
<v Speaker 6>better to stop the bad things from happening in the

676
00:34:50.360 --> 00:34:51.840
<v Speaker 6>first place or in the future.

677
00:34:52.679 --> 00:34:55.599
<v Speaker 5>I mean, I get your point, but to me, Falcon

678
00:34:55.639 --> 00:34:59.719
<v Speaker 5>in the Winter Soldier is like it fails at doing

679
00:34:59.760 --> 00:35:03.719
<v Speaker 5>that because it the face of the flag smashers is

680
00:35:03.719 --> 00:35:07.079
<v Speaker 5>a young woman of color who's lost everything, and it's like, well,

681
00:35:07.159 --> 00:35:11.400
<v Speaker 5>ultimately she was irredeemable, and the other antagonist is a

682
00:35:11.440 --> 00:35:14.360
<v Speaker 5>white guy who just like gets too full of himself

683
00:35:14.400 --> 00:35:17.840
<v Speaker 5>and then causes a lot of problems, and they're like, well,

684
00:35:18.840 --> 00:35:22.639
<v Speaker 5>he can get he can be redeemed, he can become better,

685
00:35:23.199 --> 00:35:27.440
<v Speaker 5>which like really did not sit well with me. And

686
00:35:27.480 --> 00:35:30.239
<v Speaker 5>then to turn around and like give that lip service

687
00:35:30.360 --> 00:35:33.639
<v Speaker 5>to the person in power and be like, but you know,

688
00:35:34.079 --> 00:35:38.320
<v Speaker 5>they had a point. It to me, it's it undercuts

689
00:35:38.360 --> 00:35:45.239
<v Speaker 5>the point that was made because you can have the

690
00:35:45.320 --> 00:35:48.679
<v Speaker 5>hero make a speech, but the actual actions of the

691
00:35:48.719 --> 00:35:52.559
<v Speaker 5>plot are about stopping this person because they're wrong, and

692
00:35:52.599 --> 00:35:55.480
<v Speaker 5>it's sort of like making a speech about justice after

693
00:35:55.719 --> 00:35:58.760
<v Speaker 5>the you know, it's closing the barn door after all

694
00:35:58.760 --> 00:36:02.639
<v Speaker 5>the animals are ound like it. It's they've already shown

695
00:36:02.960 --> 00:36:05.199
<v Speaker 5>visually that that person.

696
00:36:06.400 --> 00:36:08.679
<v Speaker 9>Is not righteous.

697
00:36:09.960 --> 00:36:14.079
<v Speaker 4>Yeah, talking our Soldiers. Probably my most disappointing of the

698
00:36:15.440 --> 00:36:18.559
<v Speaker 4>uh MCU shows that are the MCU shows on Disney,

699
00:36:18.599 --> 00:36:21.159
<v Speaker 4>and for exactly the reason. And I think, Rique, I

700
00:36:21.239 --> 00:36:22.480
<v Speaker 4>very much here what you're saying. I think there's a

701
00:36:22.519 --> 00:36:24.599
<v Speaker 4>lot of truth to that, but I think I also

702
00:36:24.639 --> 00:36:27.880
<v Speaker 4>think it kind of proves what Jessica, what you were

703
00:36:27.880 --> 00:36:30.599
<v Speaker 4>saying there about, like how it's a way of undercutting

704
00:36:30.599 --> 00:36:34.960
<v Speaker 4>the villains, because for me, the way they set that up,

705
00:36:35.360 --> 00:36:38.559
<v Speaker 4>the villains were really trying to do a We're doing

706
00:36:38.599 --> 00:36:41.719
<v Speaker 4>these acts so that people understand how much anger there is,

707
00:36:41.760 --> 00:36:45.039
<v Speaker 4>that people understand how broken things are. And when it

708
00:36:45.079 --> 00:36:48.199
<v Speaker 4>became vengeance, I just didn't believe it. Like I was

709
00:36:48.239 --> 00:36:51.840
<v Speaker 4>watching it, going, this is horrible pr which until now

710
00:36:51.840 --> 00:36:54.400
<v Speaker 4>the people have been very good about pr. This is

711
00:36:54.440 --> 00:36:57.360
<v Speaker 4>absoline going to backfire, and all of a sudden, this

712
00:36:57.480 --> 00:37:00.880
<v Speaker 4>character has this motivation of vengeance that they have not

713
00:37:01.000 --> 00:37:04.239
<v Speaker 4>shown in the past. And I know that was a

714
00:37:04.280 --> 00:37:06.159
<v Speaker 4>show that got very affected by the pandemic, and they

715
00:37:06.159 --> 00:37:07.719
<v Speaker 4>did a lot of rewrites, and I think that the

716
00:37:07.760 --> 00:37:10.159
<v Speaker 4>original version it probably would have really thread the need

717
00:37:10.199 --> 00:37:12.280
<v Speaker 4>a lot better. Yeah. I think that's a great example

718
00:37:12.280 --> 00:37:18.880
<v Speaker 4>where it feels like the fact that sometimes that if

719
00:37:18.880 --> 00:37:21.199
<v Speaker 4>a person has a very legitimate point about how angry

720
00:37:21.199 --> 00:37:23.840
<v Speaker 4>they are, the fact that that anger can turn to

721
00:37:23.960 --> 00:37:28.119
<v Speaker 4>vengeance is then used to delegitimize the anger, which which

722
00:37:28.159 --> 00:37:30.039
<v Speaker 4>to me is really frustrating because I do want to

723
00:37:30.079 --> 00:37:33.119
<v Speaker 4>see kind of more what you're saying Riki of Winter

724
00:37:33.199 --> 00:37:36.159
<v Speaker 4>Soldiers speech there, Falcon speech there, Now we're so Captain

725
00:37:36.159 --> 00:37:39.840
<v Speaker 4>America's speech there is him saying like, Yo, we may

726
00:37:39.880 --> 00:37:41.679
<v Speaker 4>disagree with what they did about the anger, but we

727
00:37:41.760 --> 00:37:44.159
<v Speaker 4>have to pay attention to the anger and realize our

728
00:37:44.199 --> 00:37:46.880
<v Speaker 4>fault and causing so much harm that's leading people to

729
00:37:46.880 --> 00:37:50.440
<v Speaker 4>be so angry.

730
00:37:51.440 --> 00:37:54.719
<v Speaker 6>Yeah, I mean, I agree with all the points you

731
00:37:54.800 --> 00:38:01.119
<v Speaker 6>made about the character herself, Carly right more Morgenthau and

732
00:38:01.159 --> 00:38:04.360
<v Speaker 6>the Flag Smashers like being kind of a jumbled mess

733
00:38:04.400 --> 00:38:09.480
<v Speaker 6>in terms of motivation and basically like taking the actions

734
00:38:09.519 --> 00:38:12.760
<v Speaker 6>they did to serve the plot, which is never great

735
00:38:12.840 --> 00:38:15.920
<v Speaker 6>versus you know, kind of being true to your own

736
00:38:16.039 --> 00:38:19.400
<v Speaker 6>character and doing things that make sense logically for that character.

737
00:38:20.360 --> 00:38:20.800
<v Speaker 4>Yeah.

738
00:38:20.840 --> 00:38:25.639
<v Speaker 6>Absolutely, I think it could have been much better. And

739
00:38:25.800 --> 00:38:29.880
<v Speaker 6>the whole thing about us Agent too, right, the failed

740
00:38:29.920 --> 00:38:35.440
<v Speaker 6>Captain America being exonerated like getting I guess joining the

741
00:38:35.480 --> 00:38:40.920
<v Speaker 6>Thunderbolts now, it's it did not sit right, especially given

742
00:38:41.480 --> 00:38:44.719
<v Speaker 6>what else that show was trying to tell us about

743
00:38:45.159 --> 00:38:47.559
<v Speaker 6>race and all that. But maybe it was being true

744
00:38:47.599 --> 00:38:50.599
<v Speaker 6>to the real world in that sense that this guy

745
00:38:50.800 --> 00:38:55.199
<v Speaker 6>like basically failed up and did like the most despicable

746
00:38:55.239 --> 00:38:59.519
<v Speaker 6>thing possible in that situation, and yet he's he's being

747
00:38:59.519 --> 00:39:00.760
<v Speaker 6>given yet another chance.

748
00:39:01.519 --> 00:39:02.599
<v Speaker 4>Yeah.

749
00:39:03.079 --> 00:39:07.039
<v Speaker 6>I like, we'll see, We'll see what happens with that character.

750
00:39:07.280 --> 00:39:09.800
<v Speaker 6>I'm actually probably the most curious to see what they

751
00:39:09.840 --> 00:39:12.199
<v Speaker 6>do with him in the in the movie.

752
00:39:12.480 --> 00:39:14.559
<v Speaker 4>Yeah. I have such mixed feelings about the Thunderbout movie

753
00:39:14.559 --> 00:39:16.960
<v Speaker 4>because there's some of the characters that really love so much,

754
00:39:17.000 --> 00:39:18.840
<v Speaker 4>and then some might have no interest in where.

755
00:39:18.960 --> 00:39:20.039
<v Speaker 6>Where's Baron Zimo?

756
00:39:20.719 --> 00:39:23.760
<v Speaker 4>Right? Right? Obviously I just watch him dance for two

757
00:39:23.760 --> 00:39:27.599
<v Speaker 4>more hours? But that's a whole other story. So let's

758
00:39:27.599 --> 00:39:30.000
<v Speaker 4>talk about another aspect of this. Uh, this kind of

759
00:39:30.000 --> 00:39:31.480
<v Speaker 4>ties you into a question about why do we why

760
00:39:31.480 --> 00:39:34.159
<v Speaker 4>do we sometimes enjoy it? And but also it was

761
00:39:34.159 --> 00:39:35.800
<v Speaker 4>about kind of like when when it's right or when

762
00:39:35.840 --> 00:39:37.679
<v Speaker 4>it's wrong in terms of how we see it, uh

763
00:39:37.920 --> 00:39:41.840
<v Speaker 4>revenge fantasy, And Jessica, I wonder if you would talk

764
00:39:41.880 --> 00:39:43.679
<v Speaker 4>a bit about, like, we have a lot more attention

765
00:39:43.760 --> 00:39:47.599
<v Speaker 4>being paid recently to uh movies that are often being

766
00:39:47.639 --> 00:39:50.280
<v Speaker 4>referred to as like the coming of rage story that

767
00:39:50.280 --> 00:39:54.079
<v Speaker 4>that we're seeing a lot more like women's vengeance, women's

768
00:39:54.159 --> 00:39:58.719
<v Speaker 4>violence being portrayed as like a you know, uh heroic,

769
00:39:59.239 --> 00:40:02.039
<v Speaker 4>and I think really import I'm curious about your thoughts

770
00:40:02.039 --> 00:40:03.320
<v Speaker 4>on that trend and how that kind of plays in

771
00:40:03.400 --> 00:40:03.599
<v Speaker 4>all this.

772
00:40:05.760 --> 00:40:06.559
<v Speaker 9>Yeah, I mean.

773
00:40:08.920 --> 00:40:12.079
<v Speaker 5>Women are angry. Like not to speak for all women,

774
00:40:12.280 --> 00:40:14.679
<v Speaker 5>but I think I speak for all women when I

775
00:40:14.719 --> 00:40:24.480
<v Speaker 5>say women are angry. And it is not always easy

776
00:40:24.519 --> 00:40:32.679
<v Speaker 5>to get those stories through, given especially like film and television,

777
00:40:32.719 --> 00:40:37.119
<v Speaker 5>given how many layers that are to get through and gatekeepers,

778
00:40:37.639 --> 00:40:43.079
<v Speaker 5>but it is it isn't a narrative that we see

779
00:40:43.320 --> 00:40:51.400
<v Speaker 5>audiences responding to, especially female audiences. And I think you know,

780
00:40:52.960 --> 00:40:54.360
<v Speaker 5>the last time I was on here, we were talking

781
00:40:54.360 --> 00:40:59.960
<v Speaker 5>about Superman, and Superman is a power fantasy, but specifically

782
00:41:00.199 --> 00:41:04.320
<v Speaker 5>the fantasy of like what if you could protect people,

783
00:41:04.360 --> 00:41:06.559
<v Speaker 5>what if you could keep people safe? What if you

784
00:41:06.559 --> 00:41:08.519
<v Speaker 5>could make the world better? Not a fantasy of like

785
00:41:08.639 --> 00:41:14.760
<v Speaker 5>violence or harming others, right, And this is the flip

786
00:41:14.800 --> 00:41:17.719
<v Speaker 5>side of that that, like there's also an equally valid

787
00:41:17.760 --> 00:41:22.880
<v Speaker 5>power fantasy of like what if I could go after

788
00:41:22.960 --> 00:41:25.400
<v Speaker 5>everyone that hurt me and go after everyone who hurt

789
00:41:25.480 --> 00:41:32.039
<v Speaker 5>people like me and kick their ass. Like we've talked

790
00:41:32.039 --> 00:41:34.679
<v Speaker 5>about kill Bill, We've talked about the Birds of Prey movie,

791
00:41:35.800 --> 00:41:41.840
<v Speaker 5>also Harley Quinn's flotline in the Second Suicide Squad movie.

792
00:41:42.199 --> 00:41:48.280
<v Speaker 5>These are really satisfying things to watch. They're cathartic in

793
00:41:48.320 --> 00:41:49.400
<v Speaker 5>a lot of ways.

794
00:41:50.119 --> 00:41:51.800
<v Speaker 4>Yeah. I don't remember it was you who said this

795
00:41:51.840 --> 00:41:53.599
<v Speaker 4>when we talked about Birds of Prey or someone I read,

796
00:41:53.599 --> 00:41:56.639
<v Speaker 4>but I remember someone talking about that. Like the power

797
00:41:56.719 --> 00:42:00.119
<v Speaker 4>of the Harley Quinn storyline in Birds of Prey is

798
00:42:00.119 --> 00:42:02.599
<v Speaker 4>anyone who's had a shitty X, anyone who's been broken

799
00:42:02.679 --> 00:42:04.800
<v Speaker 4>up with in a terrible way, and it just you know,

800
00:42:04.880 --> 00:42:07.920
<v Speaker 4>you have the fantasy of like, you know, going like

801
00:42:08.239 --> 00:42:10.199
<v Speaker 4>the person from TLC. I think it was Left Eye,

802
00:42:10.239 --> 00:42:12.920
<v Speaker 4>you know, burning down David Justice's house or you know

803
00:42:13.079 --> 00:42:16.880
<v Speaker 4>what Harley Quinn does of just like yeah, and that

804
00:42:16.920 --> 00:42:19.199
<v Speaker 4>cathartic point to me is so interesting because I think

805
00:42:20.280 --> 00:42:22.679
<v Speaker 4>often these kind of revenge fantasies we think of, like

806
00:42:22.719 --> 00:42:24.599
<v Speaker 4>the term guilty pleasure comes to mind. But I think

807
00:42:24.599 --> 00:42:27.400
<v Speaker 4>it's important to go beyond that, that there is something

808
00:42:27.559 --> 00:42:31.599
<v Speaker 4>useful and helpful about not that, like, you know, I

809
00:42:31.599 --> 00:42:34.440
<v Speaker 4>don't think millions of people went out and watched Harley

810
00:42:34.480 --> 00:42:36.800
<v Speaker 4>Quinn and then went out and burned down their x'es

811
00:42:36.840 --> 00:42:40.440
<v Speaker 4>homes or you know, did terrible things. But the chance

812
00:42:40.480 --> 00:42:44.440
<v Speaker 4>to imagine that, to imagine, oh, you know, wouldn't it

813
00:42:44.440 --> 00:42:46.960
<v Speaker 4>be satisfactory to see that horrible thing happen or to

814
00:42:47.000 --> 00:42:49.519
<v Speaker 4>me to do the horrible thing to this person who

815
00:42:49.800 --> 00:42:52.079
<v Speaker 4>in my mind has wronged me with a capital W.

816
00:42:52.800 --> 00:42:54.760
<v Speaker 4>That that can tick a box in a way that

817
00:42:54.760 --> 00:42:58.599
<v Speaker 4>people can be psychologically healthy, for people can be can

818
00:42:58.639 --> 00:43:03.559
<v Speaker 4>be well.

819
00:43:03.679 --> 00:43:09.400
<v Speaker 6>I also think it's important like talking specifically about like

820
00:43:09.519 --> 00:43:14.800
<v Speaker 6>women's revenge movies. Like there's a French movie that's literally

821
00:43:14.840 --> 00:43:19.719
<v Speaker 6>called Revenge about a woman who goes after men who

822
00:43:19.760 --> 00:43:23.960
<v Speaker 6>have sexually assaulted her. It's a very heavy movie, but

823
00:43:24.039 --> 00:43:28.239
<v Speaker 6>it's the violence in it like serves this purpose of

824
00:43:29.280 --> 00:43:34.079
<v Speaker 6>reflecting back the violence that was done to her, right,

825
00:43:35.239 --> 00:43:40.000
<v Speaker 6>And I think it's important for me, like as a man,

826
00:43:40.039 --> 00:43:44.000
<v Speaker 6>like to think about that and what the world is

827
00:43:44.119 --> 00:43:49.559
<v Speaker 6>like for women specifically like in these situations and obviously

828
00:43:49.639 --> 00:43:53.840
<v Speaker 6>like to not do that and perpetrate that, but also

829
00:43:53.880 --> 00:43:56.480
<v Speaker 6>to think about the way that when we talk about

830
00:43:56.559 --> 00:44:02.320
<v Speaker 6>issues like this, that we often excuse things. Maybe not literally,

831
00:44:02.559 --> 00:44:06.800
<v Speaker 6>but there are ways that discussions about these topics happen

832
00:44:07.280 --> 00:44:12.760
<v Speaker 6>that minimize the damage or you know, sometimes exonerate manner

833
00:44:13.239 --> 00:44:17.400
<v Speaker 6>all the stuff you know that happened around what was

834
00:44:17.440 --> 00:44:21.920
<v Speaker 6>it the depth heard trial, right, and the discussions on that.

835
00:44:23.599 --> 00:44:30.039
<v Speaker 6>It was men excusing other men's actions, whether it was

836
00:44:30.079 --> 00:44:32.519
<v Speaker 6>literally saying like well, he didn't do it, or just

837
00:44:32.559 --> 00:44:35.280
<v Speaker 6>like oh, that's just you know, we've heard terms like

838
00:44:35.400 --> 00:44:38.480
<v Speaker 6>locker room talk, like all of that kind of stuff

839
00:44:38.880 --> 00:44:46.880
<v Speaker 6>is is wrong. And these movies or these fantasies, these

840
00:44:46.920 --> 00:44:53.840
<v Speaker 6>revenge fantasies should not only highlight, you know, how vengeance

841
00:44:53.880 --> 00:44:57.360
<v Speaker 6>is taken, but what they are taken for and what

842
00:44:57.400 --> 00:45:00.400
<v Speaker 6>we need to do to correct it. Like I I

843
00:45:00.519 --> 00:45:03.159
<v Speaker 6>still like come back to that of we need to

844
00:45:03.199 --> 00:45:06.039
<v Speaker 6>be better, right, like Captain America is at Senator, you

845
00:45:06.079 --> 00:45:09.639
<v Speaker 6>need to be better. But these are cases where all

846
00:45:09.679 --> 00:45:12.920
<v Speaker 6>of us need to be better in a sense because

847
00:45:12.960 --> 00:45:17.239
<v Speaker 6>we all have power over very personal situations like this.

848
00:45:18.199 --> 00:45:20.280
<v Speaker 4>Well, there's two things that come to mind here, and

849
00:45:21.519 --> 00:45:23.159
<v Speaker 4>I'll say the first and then and then get into

850
00:45:23.159 --> 00:45:24.800
<v Speaker 4>a second like you guys talk about it and get in

851
00:45:24.840 --> 00:45:27.320
<v Speaker 4>a second. But the first one being I feel like

852
00:45:27.360 --> 00:45:31.800
<v Speaker 4>a lot of times vengeance movies really hit us and

853
00:45:32.159 --> 00:45:37.360
<v Speaker 4>I fulfill that revenge fantasy when we see people getting

854
00:45:37.440 --> 00:45:42.159
<v Speaker 4>away with doing bad things and that the system that

855
00:45:42.199 --> 00:45:46.760
<v Speaker 4>we would want that would have a fairly reasonable consequence

856
00:45:47.159 --> 00:45:52.199
<v Speaker 4>isn't happening. And so the fantasy of the completely unreasonable

857
00:45:52.280 --> 00:45:56.760
<v Speaker 4>or not unreasonable, but completely like you know, far over

858
00:45:56.800 --> 00:46:00.639
<v Speaker 4>the top happening is incredibly Part of why we want

859
00:46:00.679 --> 00:46:03.079
<v Speaker 4>that is because nothing else is happening. You know, we

860
00:46:03.159 --> 00:46:06.679
<v Speaker 4>want someone to shoot the bad guy because the justice

861
00:46:06.679 --> 00:46:09.159
<v Speaker 4>system has failed and they've gone free. We want someone

862
00:46:09.239 --> 00:46:13.800
<v Speaker 4>to you know, finally figure out that the the white

863
00:46:13.840 --> 00:46:16.280
<v Speaker 4>guy is not actually being very successful and do something

864
00:46:16.320 --> 00:46:19.400
<v Speaker 4>about that, because they do keep failing upward. You know

865
00:46:19.440 --> 00:46:21.440
<v Speaker 4>how much you think that is part of revenge fantasy

866
00:46:21.440 --> 00:46:24.079
<v Speaker 4>as well, is that it's the someone has to do

867
00:46:24.119 --> 00:46:26.159
<v Speaker 4>something because the normal systems aren't working.

868
00:46:30.960 --> 00:46:33.159
<v Speaker 5>Yeah, yeah, go ahead.

869
00:46:34.800 --> 00:46:37.639
<v Speaker 6>Well, yeah, I think like in the case of like

870
00:46:37.719 --> 00:46:41.599
<v Speaker 6>a big picture thing like that, like a CEO or

871
00:46:41.639 --> 00:46:44.880
<v Speaker 6>a politician, right, Like, those are people we think of

872
00:46:45.000 --> 00:46:47.960
<v Speaker 6>as having a lot of power, and when there's a

873
00:46:48.239 --> 00:46:54.039
<v Speaker 6>revenge story against them, it's because like we are so powerless, yeah,

874
00:46:54.039 --> 00:46:57.000
<v Speaker 6>in our in our regular lives to really do anything

875
00:46:57.559 --> 00:47:00.360
<v Speaker 6>against them. So it's like, oh, well, like someone actually

876
00:47:00.400 --> 00:47:06.800
<v Speaker 6>did something and that can resonate due to our powerlessness.

877
00:47:07.280 --> 00:47:09.880
<v Speaker 5>Yeah, And I want to bring that back to a

878
00:47:10.000 --> 00:47:14.400
<v Speaker 5>gendered framing for a minute, because when you talk about

879
00:47:14.400 --> 00:47:19.719
<v Speaker 5>these vengeance stories, like we were just talking about stories

880
00:47:19.760 --> 00:47:23.079
<v Speaker 5>where a female character is getting vengeance, but that's not

881
00:47:23.239 --> 00:47:26.559
<v Speaker 5>the role women usually play in vengeance stories. The role

882
00:47:26.599 --> 00:47:31.119
<v Speaker 5>they usually play is the object that's being avenged. I mean,

883
00:47:31.920 --> 00:47:34.840
<v Speaker 5>look at the punisher, his family, including his wife and

884
00:47:34.880 --> 00:47:38.039
<v Speaker 5>daughter are killed. Look at Drax, his family is like

885
00:47:38.840 --> 00:47:41.519
<v Speaker 5>the over and over again. I mean that's where the

886
00:47:41.599 --> 00:47:44.800
<v Speaker 5>term friging comes from. When you talk about frigging, it's

887
00:47:44.840 --> 00:47:48.199
<v Speaker 5>not just a woman dying. It's a woman dying or

888
00:47:48.360 --> 00:47:53.079
<v Speaker 5>being sexually assaulted or beaten or kidnapped or whatever in

889
00:47:53.199 --> 00:47:56.840
<v Speaker 5>order to further a male story. And so there's something

890
00:47:57.199 --> 00:48:02.880
<v Speaker 5>particularly cathartic about sort of coming out of the fridge

891
00:48:03.039 --> 00:48:06.840
<v Speaker 5>and going after your own yourself exactly.

892
00:48:07.599 --> 00:48:09.679
<v Speaker 4>Well, there was, and that kind of ties into the

893
00:48:09.679 --> 00:48:11.119
<v Speaker 4>other thing. I was gonna raise that this is what

894
00:48:11.920 --> 00:48:15.320
<v Speaker 4>you know, brought it from me. The term punching up

895
00:48:15.360 --> 00:48:18.159
<v Speaker 4>is often used in humor. You know that, like people

896
00:48:18.199 --> 00:48:20.840
<v Speaker 4>making fun of their oppressors feels a lot better than

897
00:48:20.920 --> 00:48:23.880
<v Speaker 4>making fun of the oppressed people. And I wonder can

898
00:48:23.920 --> 00:48:26.760
<v Speaker 4>we use the same framework for vengeance movies, because like it,

899
00:48:26.840 --> 00:48:30.480
<v Speaker 4>You know, there are men who have been wronged and

900
00:48:30.559 --> 00:48:34.400
<v Speaker 4>cheated on or treated terribly by women in relationships. You know,

901
00:48:34.440 --> 00:48:37.280
<v Speaker 4>it can happen in any kind of gender combination. But

902
00:48:37.719 --> 00:48:39.559
<v Speaker 4>as I'm thinking about it, like and I was in

903
00:48:39.679 --> 00:48:41.400
<v Speaker 4>this happened to me once or twice. I've also been

904
00:48:41.400 --> 00:48:43.800
<v Speaker 4>a terrible partner of times. But like the idea of

905
00:48:43.880 --> 00:48:45.960
<v Speaker 4>a movie about a man whose head is heart broken

906
00:48:46.000 --> 00:48:48.159
<v Speaker 4>by a woman and thus goes on a revenge fantasy

907
00:48:48.199 --> 00:48:51.400
<v Speaker 4>quest that's horrific to me in the same way of

908
00:48:51.519 --> 00:48:54.119
<v Speaker 4>like you know, but yet I'm sure that's a power

909
00:48:54.119 --> 00:48:56.920
<v Speaker 4>fantasy that unfortunately is very popular among some folks.

910
00:48:58.000 --> 00:49:03.360
<v Speaker 6>And they exist, but they're weirdly romantic comedies. Yeah, that's

911
00:49:03.360 --> 00:49:07.000
<v Speaker 6>the problem is that these men go on like do

912
00:49:07.159 --> 00:49:10.239
<v Speaker 6>terrible things in this quote unquote comedic context because they

913
00:49:10.239 --> 00:49:13.519
<v Speaker 6>were wronged by a woman there there, because their feelings

914
00:49:13.559 --> 00:49:15.599
<v Speaker 6>were hurt by a woman, right, Like, so they don't

915
00:49:15.639 --> 00:49:18.440
<v Speaker 6>fit into this vengeance thing we're talking about.

916
00:49:18.559 --> 00:49:21.400
<v Speaker 4>Right and like with humor, Like there isn't the systemic

917
00:49:21.519 --> 00:49:25.280
<v Speaker 4>system of sexism that's playing into it. And and like

918
00:49:25.559 --> 00:49:28.920
<v Speaker 4>another good example I think of this is the movie Shaft,

919
00:49:29.000 --> 00:49:30.800
<v Speaker 4>which any of you u seeing the documentary about the

920
00:49:30.800 --> 00:49:33.320
<v Speaker 4>movie Shaft, They make a really big deal about how

921
00:49:33.360 --> 00:49:36.559
<v Speaker 4>it was turned into the beginning of this black exploitation

922
00:49:37.159 --> 00:49:39.679
<v Speaker 4>uh genre, which you know is the whole lot of

923
00:49:39.679 --> 00:49:41.559
<v Speaker 4>complicated stuff about that I'm not even gonna get into.

924
00:49:41.840 --> 00:49:44.840
<v Speaker 4>But like the director very much wanted a movie where

925
00:49:44.880 --> 00:49:46.960
<v Speaker 4>the black guy gets to get away with all the

926
00:49:46.960 --> 00:49:48.920
<v Speaker 4>things that the white guys normally get to do. You know,

927
00:49:48.960 --> 00:49:51.559
<v Speaker 4>that he sleeps with the white woman, he kills a cop,

928
00:49:51.920 --> 00:49:53.960
<v Speaker 4>he's a drug dealer, he's not but he's but he's

929
00:49:53.960 --> 00:49:56.440
<v Speaker 4>a heroic guy, and he gets away with it because

930
00:49:56.440 --> 00:50:00.599
<v Speaker 4>that had never been seen And is this a fair

931
00:50:00.639 --> 00:50:02.280
<v Speaker 4>framework to think about then? Like the kind of we

932
00:50:02.320 --> 00:50:04.159
<v Speaker 4>feel a lot better about vengeance movies when it kept

933
00:50:04.159 --> 00:50:04.760
<v Speaker 4>punching up.

934
00:50:06.519 --> 00:50:10.280
<v Speaker 5>I mean, to bring back arrow, Like Oliver Queen is

935
00:50:10.280 --> 00:50:13.440
<v Speaker 5>a member of the one percent, so seeing him scolding

936
00:50:13.480 --> 00:50:16.360
<v Speaker 5>other members of the one percent is not that satisfying.

937
00:50:17.960 --> 00:50:21.760
<v Speaker 6>Yeah, that's fair, And yeah, I don't even know if

938
00:50:21.800 --> 00:50:26.079
<v Speaker 6>it would be a vengeance plot if some powerful person

939
00:50:26.119 --> 00:50:29.280
<v Speaker 6>I mean, like Bruce, Bruce Wayne. Okay, we're gonna talk

940
00:50:29.280 --> 00:50:29.920
<v Speaker 6>about Batman.

941
00:50:30.519 --> 00:50:34.800
<v Speaker 4>Yeah, and he is the Knight, so yeah, but he's

942
00:50:34.960 --> 00:50:36.719
<v Speaker 4>not right.

943
00:50:37.119 --> 00:50:40.760
<v Speaker 6>Like that line is very famous from Batman, the animated series,

944
00:50:40.800 --> 00:50:43.559
<v Speaker 6>and they they riffed on it again and the patentson

945
00:50:43.639 --> 00:50:46.960
<v Speaker 6>Batman of calling himself vengeance. But I feel like in

946
00:50:47.199 --> 00:50:54.039
<v Speaker 6>comics he has not been vengeance really ever. So it's

947
00:50:54.119 --> 00:50:57.360
<v Speaker 6>kind of weird that like the modern version of Batman

948
00:50:57.440 --> 00:50:58.360
<v Speaker 6>has become.

949
00:50:58.079 --> 00:51:00.800
<v Speaker 5>This well, and that goes back to sort of the

950
00:51:00.880 --> 00:51:04.159
<v Speaker 5>structural thing of like who would he be avenging? Because

951
00:51:04.199 --> 00:51:06.480
<v Speaker 5>if he's going after the guy who killed his parents,

952
00:51:06.559 --> 00:51:10.519
<v Speaker 5>that's just like a mugger. Like, I mean, we know

953
00:51:10.559 --> 00:51:12.360
<v Speaker 5>who he is. His name's Joe Chill. They've done a

954
00:51:12.400 --> 00:51:14.960
<v Speaker 5>million comics with him, and they all suck because who cares.

955
00:51:15.159 --> 00:51:19.920
<v Speaker 6>But they've also weird storylines where Joe Chill was hired

956
00:51:20.000 --> 00:51:25.719
<v Speaker 6>by I know, it's.

957
00:51:23.480 --> 00:51:24.800
<v Speaker 9>The worst, It's the worst.

958
00:51:24.840 --> 00:51:27.079
<v Speaker 6>It's the thing we're talking about earlier, like you gain

959
00:51:27.199 --> 00:51:30.679
<v Speaker 6>vengeance on the person who personally wronged you, and then

960
00:51:30.719 --> 00:51:33.000
<v Speaker 6>what like well, like they're part of an organization.

961
00:51:33.960 --> 00:51:36.159
<v Speaker 5>Well, and then I think it also goes back to

962
00:51:36.280 --> 00:51:39.960
<v Speaker 5>like it's a way to make Batman the underdog, like

963
00:51:40.039 --> 00:51:47.719
<v Speaker 5>Bruce Wayne is a an insanely wealthy white man, like

964
00:51:47.800 --> 00:51:51.840
<v Speaker 5>he has almost every access of privilege available to him.

965
00:51:52.159 --> 00:51:56.400
<v Speaker 5>But what he's fighting is the notion of crime itself,

966
00:51:56.519 --> 00:51:58.920
<v Speaker 5>and that allows to be punching up in a way

967
00:51:58.960 --> 00:52:01.559
<v Speaker 5>that any indi of ctual villain, Like.

968
00:52:01.480 --> 00:52:02.639
<v Speaker 9>When he fights the Joker.

969
00:52:02.760 --> 00:52:05.079
<v Speaker 5>I mean, I'm on record as nothing Joker fan, but

970
00:52:05.119 --> 00:52:07.159
<v Speaker 5>also that guy can't throw a punch, look at him

971
00:52:07.320 --> 00:52:12.960
<v Speaker 5>like one. But when he's fighting against like the the

972
00:52:13.079 --> 00:52:17.199
<v Speaker 5>evil and depravity within the human spirit, then it's like, ah,

973
00:52:18.320 --> 00:52:20.599
<v Speaker 5>you can do it, little buddy. Like that's when we

974
00:52:20.719 --> 00:52:22.960
<v Speaker 5>want to root for him because that is something that

975
00:52:23.000 --> 00:52:24.400
<v Speaker 5>he can punch up against.

976
00:52:25.280 --> 00:52:27.639
<v Speaker 4>I think some of my favorite Batman stories are the

977
00:52:27.679 --> 00:52:29.320
<v Speaker 4>ones that I think, I think this is kind of

978
00:52:29.320 --> 00:52:31.840
<v Speaker 4>the year one idea. Often where he does start out

979
00:52:31.920 --> 00:52:34.679
<v Speaker 4>very motivated by vengeance, but then gets to a point

980
00:52:34.679 --> 00:52:38.599
<v Speaker 4>where he realizes, like, I, you know, this isn't going

981
00:52:38.639 --> 00:52:41.280
<v Speaker 4>to serve me at all. Often because he does the

982
00:52:41.360 --> 00:52:44.079
<v Speaker 4>vengeance or someone else does, you know, someone kills Joe Chill,

983
00:52:44.599 --> 00:52:47.400
<v Speaker 4>or he realizes Joe Chill just you know, was just

984
00:52:47.679 --> 00:52:49.880
<v Speaker 4>looking to score for that night, to get money, to

985
00:52:50.079 --> 00:52:51.679
<v Speaker 4>get his next fix, or to get a meal or

986
00:52:51.679 --> 00:52:54.320
<v Speaker 4>whatever it is. And now we say that, you know,

987
00:52:54.679 --> 00:52:57.679
<v Speaker 4>maybe what should have happened is Bruce willis Bruce Wayne

988
00:52:57.679 --> 00:52:59.719
<v Speaker 4>should realize that, like the best way to fix Joe

989
00:52:59.800 --> 00:53:02.039
<v Speaker 4>Chill to give him a job instead of beating him up.

990
00:53:02.079 --> 00:53:05.199
<v Speaker 4>But that's that's another story. But I think I really

991
00:53:05.239 --> 00:53:07.480
<v Speaker 4>love those stories where he starts out wanting that and

992
00:53:07.519 --> 00:53:10.000
<v Speaker 4>then has that flip of realizing, no, I shouldn't be

993
00:53:10.039 --> 00:53:12.679
<v Speaker 4>about trying to punish. I should be about trying to protect.

994
00:53:12.719 --> 00:53:15.440
<v Speaker 4>And You're right, that is about It's not about one

995
00:53:15.519 --> 00:53:18.039
<v Speaker 4>particular crime family. It's about how do I fix the corruption,

996
00:53:18.159 --> 00:53:20.440
<v Speaker 4>how do I fix the police department? How do I

997
00:53:20.480 --> 00:53:23.480
<v Speaker 4>give people hope again, which where I think is so

998
00:53:23.519 --> 00:53:27.519
<v Speaker 4>revolutionary about the end of the Robert Pattinson movie. And

999
00:53:27.559 --> 00:53:29.920
<v Speaker 4>also I love the Penguin TV show. I want to

1000
00:53:29.920 --> 00:53:32.159
<v Speaker 4>talk about it, but it kind of ignores the most

1001
00:53:32.159 --> 00:53:34.760
<v Speaker 4>important part the Batman movie in ways that make me frustrated,

1002
00:53:34.800 --> 00:53:38.920
<v Speaker 4>but the whole other story. But yeah, and it to

1003
00:53:39.000 --> 00:53:40.920
<v Speaker 4>pull it back into the real world. One of the

1004
00:53:40.920 --> 00:53:43.679
<v Speaker 4>political causes that I've been most involved with is anti

1005
00:53:43.679 --> 00:53:46.840
<v Speaker 4>death penalty work, especially when I was in California, a

1006
00:53:46.880 --> 00:53:49.800
<v Speaker 4>state that has the death penalty and carried out the

1007
00:53:49.840 --> 00:53:51.679
<v Speaker 4>death penalty a number of times while I was a

1008
00:53:51.679 --> 00:53:55.719
<v Speaker 4>citizen there, and there was something I was very very

1009
00:53:55.760 --> 00:53:57.440
<v Speaker 4>opposed to and did a lot of protesting work. And

1010
00:53:57.480 --> 00:53:59.559
<v Speaker 4>one person I saw at a number of protests was

1011
00:54:00.639 --> 00:54:03.719
<v Speaker 4>the father of I think it was a daughter, I'm

1012
00:54:03.760 --> 00:54:06.559
<v Speaker 4>not sure, but someone who had been killed, and he

1013
00:54:06.639 --> 00:54:10.000
<v Speaker 4>had been as the father of the murder victim, campaigning

1014
00:54:10.039 --> 00:54:12.920
<v Speaker 4>for the murderer to get the death penalty, and the

1015
00:54:12.920 --> 00:54:15.519
<v Speaker 4>person he it happened, they were caught, they were given

1016
00:54:15.519 --> 00:54:18.480
<v Speaker 4>the death penalty, they were killed. He was there and

1017
00:54:18.519 --> 00:54:20.840
<v Speaker 4>he now speaks in anti death penalty rallies because he

1018
00:54:20.880 --> 00:54:23.880
<v Speaker 4>talked about how he kept telling himself that he would

1019
00:54:23.920 --> 00:54:27.719
<v Speaker 4>feel better once he saw the son the murderer of

1020
00:54:27.719 --> 00:54:30.719
<v Speaker 4>his child killed, but then he said that he's just

1021
00:54:30.800 --> 00:54:32.480
<v Speaker 4>haunting words I'll never forget. You know, I woke up

1022
00:54:32.480 --> 00:54:34.760
<v Speaker 4>and my son was still dead. I'm say done. I

1023
00:54:34.760 --> 00:54:36.519
<v Speaker 4>think it was son, but whatever it was, but you know,

1024
00:54:36.559 --> 00:54:38.920
<v Speaker 4>I woke up and my child was still dead, and

1025
00:54:40.159 --> 00:54:41.679
<v Speaker 4>that hit me really hard. And I think, is it

1026
00:54:41.760 --> 00:54:43.320
<v Speaker 4>kind of flip side a lot of these things of

1027
00:54:43.360 --> 00:54:45.880
<v Speaker 4>that that that's kind of also the difference between the

1028
00:54:45.960 --> 00:54:49.920
<v Speaker 4>personal vengeance story and this kind of like striking a

1029
00:54:49.960 --> 00:54:53.400
<v Speaker 4>blow for the oppressed group, you know, or the abused group,

1030
00:54:53.559 --> 00:54:56.519
<v Speaker 4>is that it's not about I want to kill this

1031
00:54:56.559 --> 00:54:58.599
<v Speaker 4>person to deal with my grief. It's about I want

1032
00:54:58.599 --> 00:55:00.639
<v Speaker 4>to kill this person or do the thing, or bring

1033
00:55:00.719 --> 00:55:03.440
<v Speaker 4>this person down so that this doesn't happen to somebody again.

1034
00:55:09.119 --> 00:55:13.079
<v Speaker 5>But then I think that that's no longer vengeance. If

1035
00:55:13.119 --> 00:55:14.360
<v Speaker 5>you're doing it to make.

1036
00:55:14.239 --> 00:55:17.719
<v Speaker 9>A better world, that's justice.

1037
00:55:18.239 --> 00:55:23.559
<v Speaker 4>Yeah, right, well, And I think that's where one of

1038
00:55:23.599 --> 00:55:25.920
<v Speaker 4>the things that I think is most interesting when these

1039
00:55:25.920 --> 00:55:28.000
<v Speaker 4>stories explore it, because I think it happens all the time,

1040
00:55:28.079 --> 00:55:30.719
<v Speaker 4>is self deception. And I think that in the same

1041
00:55:30.760 --> 00:55:33.519
<v Speaker 4>way everyone thinks that they're the hero, I do think

1042
00:55:33.559 --> 00:55:37.559
<v Speaker 4>almost everyone who's out for vengeance is can convince themselves

1043
00:55:37.559 --> 00:55:40.719
<v Speaker 4>that they're doing it for justice, and sometimes you know,

1044
00:55:40.719 --> 00:55:42.000
<v Speaker 4>and there's a question of like who are we to

1045
00:55:42.039 --> 00:55:43.880
<v Speaker 4>sit and judge them? But the whole point of the

1046
00:55:43.880 --> 00:55:45.960
<v Speaker 4>podcast is that we sit and judge them, you know.

1047
00:55:46.000 --> 00:55:49.159
<v Speaker 4>I think that's an interesting example. It's an interesting exercise

1048
00:55:49.280 --> 00:55:51.000
<v Speaker 4>in when when do we think they're right? When do

1049
00:55:51.000 --> 00:55:53.400
<v Speaker 4>we think they're wrong? And with someone like Batman, I think,

1050
00:55:53.760 --> 00:55:55.400
<v Speaker 4>for the most part, I think he's right, but I

1051
00:55:55.400 --> 00:55:57.400
<v Speaker 4>think a lot of times he does stumble and get

1052
00:55:57.400 --> 00:56:00.199
<v Speaker 4>it wrong. And this pains me to say, Jessica, but

1053
00:56:00.280 --> 00:56:03.039
<v Speaker 4>there are times in the Justice League cartoon, for example,

1054
00:56:03.079 --> 00:56:05.079
<v Speaker 4>where I think Superman is the one who has to

1055
00:56:05.079 --> 00:56:06.920
<v Speaker 4>pull him back some And yes.

1056
00:56:08.639 --> 00:56:11.800
<v Speaker 5>I I've had to sit in so many episodes to

1057
00:56:11.880 --> 00:56:15.000
<v Speaker 5>get to this point.

1058
00:56:16.440 --> 00:56:16.639
<v Speaker 4>Well.

1059
00:56:16.639 --> 00:56:21.800
<v Speaker 5>And I also think there's different, for lack of a

1060
00:56:21.800 --> 00:56:24.400
<v Speaker 5>better word, there's different ways of somebody.

1061
00:56:24.000 --> 00:56:25.440
<v Speaker 9>Being quote unquote right.

1062
00:56:26.880 --> 00:56:32.800
<v Speaker 5>There's like what we would want to happen in reality,

1063
00:56:33.119 --> 00:56:36.679
<v Speaker 5>and there's what we would want to happen in an

1064
00:56:36.760 --> 00:56:42.920
<v Speaker 5>abstract like moral exercise, and there is what is satisfying emotionally,

1065
00:56:42.960 --> 00:56:45.480
<v Speaker 5>and those are not always the same thing. And it's like,

1066
00:56:45.559 --> 00:56:48.480
<v Speaker 5>I mean, you started this episode saying that you know

1067
00:56:48.800 --> 00:56:51.320
<v Speaker 5>none of us are here going oooh, murders the solution

1068
00:56:51.440 --> 00:56:55.920
<v Speaker 5>to everything. But certainly in fiction there are times that

1069
00:56:56.480 --> 00:56:59.920
<v Speaker 5>you're not even going well, you know, of course I

1070
00:57:00.159 --> 00:57:02.440
<v Speaker 5>would disapprove of this. In real life you're like, yeah,

1071
00:57:02.480 --> 00:57:05.840
<v Speaker 5>I get him, Frank like, it's it's fun and it's satisfying,

1072
00:57:06.400 --> 00:57:09.360
<v Speaker 5>and it feels right. I mean, Inigo Montoya killing the

1073
00:57:09.360 --> 00:57:13.880
<v Speaker 5>six Fingered Man feels right, is it.

1074
00:57:14.320 --> 00:57:16.280
<v Speaker 9>That's a different question, yeah.

1075
00:57:16.519 --> 00:57:19.679
<v Speaker 6>I mean what's shocking to me is the number of

1076
00:57:19.800 --> 00:57:26.000
<v Speaker 6>Disney movies that end with a villain dying. Like I

1077
00:57:26.159 --> 00:57:29.000
<v Speaker 6>was watching what is it? Beauty and the Beast, and

1078
00:57:30.480 --> 00:57:33.000
<v Speaker 6>I was like, oh, he just fell from the top

1079
00:57:33.039 --> 00:57:34.960
<v Speaker 6>of this tower. He's he's dead, right.

1080
00:57:34.840 --> 00:57:37.800
<v Speaker 4>He's like yeah, But I think that's the key. Is

1081
00:57:37.840 --> 00:57:40.440
<v Speaker 4>that an awful lot of them. And I read something

1082
00:57:40.440 --> 00:57:42.199
<v Speaker 4>about this that this was a very intentional policy for

1083
00:57:42.239 --> 00:57:46.400
<v Speaker 4>a while. The hero never kills the villain right feeling

1084
00:57:46.559 --> 00:57:49.519
<v Speaker 4>kills himself like I'm the The best example that's used

1085
00:57:49.679 --> 00:57:53.000
<v Speaker 4>is that the dragon in Sleeping Beauty, which I think

1086
00:57:53.039 --> 00:57:55.679
<v Speaker 4>is maleficent, I don't I maybe mixing up my uh,

1087
00:57:55.960 --> 00:57:59.480
<v Speaker 4>but she charges at the Prince Prince Philip, I think,

1088
00:57:59.800 --> 00:58:02.039
<v Speaker 4>and he dodges and she falls off the edge of

1089
00:58:02.079 --> 00:58:04.719
<v Speaker 4>a cliff and dies well.

1090
00:58:04.760 --> 00:58:07.679
<v Speaker 5>And also the sword like magically flies into her heart.

1091
00:58:07.719 --> 00:58:12.079
<v Speaker 5>But that's a magic sword. That's yeah. But there's a

1092
00:58:12.119 --> 00:58:15.719
<v Speaker 5>lot of gaston falls to it, like, and I think

1093
00:58:15.760 --> 00:58:18.039
<v Speaker 5>there's even a moment where the Beast is trying to

1094
00:58:18.079 --> 00:58:18.760
<v Speaker 5>save him and.

1095
00:58:18.719 --> 00:58:25.639
<v Speaker 6>He stabs the beast, which causes him. It's his own fault.

1096
00:58:25.920 --> 00:58:30.280
<v Speaker 5>But my point was, like act of God, She's on

1097
00:58:30.360 --> 00:58:33.239
<v Speaker 5>a cliff that gets hit by lightning. She falls, like, yeah,

1098
00:58:35.000 --> 00:58:37.440
<v Speaker 5>I didn't do it, sorry, go ahead.

1099
00:58:38.440 --> 00:58:40.840
<v Speaker 6>Well, my point was that the death like of a

1100
00:58:40.920 --> 00:58:44.760
<v Speaker 6>villain is so satisfying to audiences that it's happened. It

1101
00:58:44.800 --> 00:58:48.199
<v Speaker 6>happens even in Disney movies that we think of as

1102
00:58:48.239 --> 00:58:51.480
<v Speaker 6>like these clean, happy things. It's like, oh, like yeah,

1103
00:58:51.639 --> 00:58:54.719
<v Speaker 6>like this is this is just part of our cultural thing,

1104
00:58:55.199 --> 00:58:57.119
<v Speaker 6>is that we that guy is so bad we wanted

1105
00:58:57.199 --> 00:58:58.199
<v Speaker 6>to die.

1106
00:58:58.320 --> 00:59:02.599
<v Speaker 5>I mean, in the Little made Ursula gets skewered with

1107
00:59:02.960 --> 00:59:04.039
<v Speaker 5>a boat.

1108
00:59:04.440 --> 00:59:06.679
<v Speaker 9>I couldn't watch that scene until I was like twelve.

1109
00:59:06.840 --> 00:59:07.960
<v Speaker 9>It messed me up so bad.

1110
00:59:09.199 --> 00:59:11.280
<v Speaker 6>It's a lot, it's a lot.

1111
00:59:11.679 --> 00:59:14.840
<v Speaker 4>Yeah. Well, and it's funny because I've come to realize

1112
00:59:14.880 --> 00:59:17.559
<v Speaker 4>that I no longer find those satisfying. But it's not

1113
00:59:17.559 --> 00:59:20.320
<v Speaker 4>for some like morality reason. It's that what I want

1114
00:59:20.400 --> 00:59:22.559
<v Speaker 4>is I want the villain to realize they were wrong,

1115
00:59:22.800 --> 00:59:24.880
<v Speaker 4>you know, that that the person they thought would never

1116
00:59:24.920 --> 00:59:26.800
<v Speaker 4>come back to get them has come back to get them,

1117
00:59:26.920 --> 00:59:30.360
<v Speaker 4>or that the police would would never actually rise against them,

1118
00:59:30.440 --> 00:59:33.559
<v Speaker 4>or whatever it is, you know, like you know, you

1119
00:59:33.599 --> 00:59:36.239
<v Speaker 4>know whatever, that that that the people they think they've

1120
00:59:36.280 --> 00:59:39.199
<v Speaker 4>bought don't stay bought, And so I'm always frustrated when

1121
00:59:39.199 --> 00:59:41.360
<v Speaker 4>they just die instead of having that moment of realization

1122
00:59:41.440 --> 00:59:43.840
<v Speaker 4>of like, oh no, I was wrong. But yeah, it's

1123
00:59:43.840 --> 00:59:47.880
<v Speaker 4>the same kind of thing. Well, we've been talking for

1124
00:59:47.920 --> 00:59:49.360
<v Speaker 4>a while here, and I want to kind of just

1125
00:59:49.840 --> 00:59:51.280
<v Speaker 4>I think we've already been kind of touching on this

1126
00:59:51.320 --> 00:59:55.000
<v Speaker 4>a lot, but maybe kind of get into the this

1127
00:59:55.079 --> 00:59:57.639
<v Speaker 4>is aur wrap up question. So how do you see,

1128
00:59:57.679 --> 00:59:59.639
<v Speaker 4>like where are the difference what are the things that

1129
00:59:59.639 --> 01:00:02.679
<v Speaker 4>that create differences between like what we might say like, yeah,

1130
01:00:02.679 --> 01:00:05.159
<v Speaker 4>I'm actually like in a real world, I totally want

1131
01:00:05.159 --> 01:00:07.639
<v Speaker 4>this to happen versus what we enjoy on screen.

1132
01:00:12.480 --> 01:00:15.039
<v Speaker 5>I mean, there's a lot of things that I enjoy

1133
01:00:15.440 --> 01:00:17.719
<v Speaker 5>in media that I don't want, Like I also don't

1134
01:00:17.760 --> 01:00:21.320
<v Speaker 5>want kids sidekicks to exist in reality, like go to school.

1135
01:00:21.480 --> 01:00:25.880
<v Speaker 4>This is too dangerous. Yeah, but watching it when you're twelve,

1136
01:00:25.960 --> 01:00:28.920
<v Speaker 4>watching Riaki and I've talked about this that when you're twelve,

1137
01:00:28.960 --> 01:00:31.239
<v Speaker 4>like watching a twelve year old step into a mecca

1138
01:00:31.599 --> 01:00:34.760
<v Speaker 4>is awesome. Later you're like, no, no, kids shouldn't be

1139
01:00:34.760 --> 01:00:37.199
<v Speaker 4>piloting death robots. That's a bad idea.

1140
01:00:38.360 --> 01:00:42.199
<v Speaker 6>No, it is awesome. It's what I've always wanted to do. Yeah,

1141
01:00:42.239 --> 01:00:44.920
<v Speaker 6>But at least when we're talking about Gundam, like it

1142
01:00:45.000 --> 01:00:47.920
<v Speaker 6>shows you why we shouldn't do that, right, because every

1143
01:00:47.920 --> 01:00:50.639
<v Speaker 6>one of those kids, at least, like in the first

1144
01:00:50.639 --> 01:00:54.159
<v Speaker 6>half of Gundam's history, like, they end up severely traumatized

1145
01:00:54.239 --> 01:00:59.719
<v Speaker 6>by war. And I like, I don't know, Like I

1146
01:01:00.400 --> 01:01:06.559
<v Speaker 6>prefer my vengeance a I prefer when they are either

1147
01:01:06.599 --> 01:01:10.800
<v Speaker 6>a villain or as we said, an anti hero a foil, like,

1148
01:01:11.000 --> 01:01:14.880
<v Speaker 6>not the primary protagonist. And then I think I prefer

1149
01:01:15.119 --> 01:01:23.599
<v Speaker 6>vengeance to be less bloody. I guess the I don't

1150
01:01:23.639 --> 01:01:28.679
<v Speaker 6>know how to put this, but scenes where someone just

1151
01:01:28.840 --> 01:01:32.480
<v Speaker 6>like beats the person of their eyre to a bloody

1152
01:01:32.480 --> 01:01:35.920
<v Speaker 6>pulp like make me deeply uncomfortable in a way. And

1153
01:01:35.960 --> 01:01:39.320
<v Speaker 6>I would prefer just like a laser blast or just

1154
01:01:39.360 --> 01:01:43.320
<v Speaker 6>an explosion to take them out. So like, I guess

1155
01:01:43.360 --> 01:01:47.639
<v Speaker 6>the personal the personalness of vengeance, like when someone takes

1156
01:01:47.679 --> 01:01:50.199
<v Speaker 6>their vengeance and just like gets in the face of

1157
01:01:50.480 --> 01:01:53.840
<v Speaker 6>the person that they're upset with, and and and just

1158
01:01:53.920 --> 01:01:57.559
<v Speaker 6>like we see like too much of that. It makes

1159
01:01:57.559 --> 01:01:59.960
<v Speaker 6>me uncomfortable and I'm frankly like, I don't like this

1160
01:02:00.039 --> 01:02:00.360
<v Speaker 6>see that.

1161
01:02:02.519 --> 01:02:05.679
<v Speaker 4>Probably one of, if not my top three favorite superhero

1162
01:02:05.719 --> 01:02:09.400
<v Speaker 4>movies is Logan, and part of it's because I think

1163
01:02:09.440 --> 01:02:11.480
<v Speaker 4>one of the most upsetting scenes I've ever seen, and

1164
01:02:11.519 --> 01:02:15.800
<v Speaker 4>it's so chilling, is when these superpowered little kids get

1165
01:02:15.840 --> 01:02:20.400
<v Speaker 4>a chance to enact vengeance on the person who's done

1166
01:02:20.440 --> 01:02:23.320
<v Speaker 4>terrible things to them. And it's shot like a horror movie,

1167
01:02:23.719 --> 01:02:26.159
<v Speaker 4>this like group of kids coming around and exactly you're

1168
01:02:26.159 --> 01:02:29.199
<v Speaker 4>talking about brutally killing a person who I have no

1169
01:02:29.280 --> 01:02:31.880
<v Speaker 4>sympathy and no love for, and like, you know, any

1170
01:02:31.880 --> 01:02:34.800
<v Speaker 4>other circumstance, I'd be like, oh my god, yes you go, kids,

1171
01:02:35.159 --> 01:02:37.039
<v Speaker 4>But instead I'm like, oh my god, these kids are

1172
01:02:37.039 --> 01:02:40.079
<v Speaker 4>now trapped in the same cycle of brutality. It's a

1173
01:02:40.119 --> 01:02:44.079
<v Speaker 4>heartbreaking scene while also feeling like justified vengeance, and it's

1174
01:02:44.679 --> 01:02:46.199
<v Speaker 4>it's one of those heroin scenes and the fact that

1175
01:02:46.199 --> 01:02:47.679
<v Speaker 4>I'm so conflicted about it as part of I think

1176
01:02:47.679 --> 01:02:48.199
<v Speaker 4>it's so good.

1177
01:02:49.800 --> 01:02:55.800
<v Speaker 6>Yeah, and that is good storytelling. I say it makes

1178
01:02:55.800 --> 01:02:58.239
<v Speaker 6>me uncomfortable. I don't want to see it, but when

1179
01:02:58.280 --> 01:03:01.119
<v Speaker 6>I do see it, like you you can and should

1180
01:03:01.159 --> 01:03:03.719
<v Speaker 6>acknowledge like that it makes you feel a certain way,

1181
01:03:03.760 --> 01:03:05.079
<v Speaker 6>and that is often the intention.

1182
01:03:06.639 --> 01:03:11.679
<v Speaker 5>Yeah, I think it's about like committing to either going

1183
01:03:11.679 --> 01:03:17.840
<v Speaker 5>in that direction where you're like you're exposing like how

1184
01:03:18.559 --> 01:03:21.760
<v Speaker 5>this is not a real solution, how it's just repeating

1185
01:03:21.760 --> 01:03:25.480
<v Speaker 5>the cycle of violence and vengeance and you know how

1186
01:03:25.840 --> 01:03:29.960
<v Speaker 5>traumatic it is, et cetera, or you go completely goofy

1187
01:03:30.000 --> 01:03:32.639
<v Speaker 5>over the top. It's when you try to thread the

1188
01:03:32.679 --> 01:03:35.519
<v Speaker 5>needle in between that you end up with something that's

1189
01:03:35.960 --> 01:03:38.760
<v Speaker 5>just sort of incoherent, like Falcon in the Winter Soldier,

1190
01:03:39.119 --> 01:03:44.760
<v Speaker 5>like Arrow, where it's like you you haven't you haven't

1191
01:03:44.800 --> 01:03:46.719
<v Speaker 5>thought through what you're trying to say. And I think

1192
01:03:46.760 --> 01:03:48.760
<v Speaker 5>the ones that are over the top do also think

1193
01:03:48.800 --> 01:03:52.000
<v Speaker 5>through what they're trying to say. It's they're very thoughtful approaches,

1194
01:03:52.039 --> 01:03:54.880
<v Speaker 5>they're just not living in the shades of gray. I

1195
01:03:54.880 --> 01:03:57.199
<v Speaker 5>think you have to go all shades of gray are

1196
01:03:57.239 --> 01:03:59.679
<v Speaker 5>all black and white. But if you try to be like, oh,

1197
01:03:59.719 --> 01:04:02.239
<v Speaker 5>this is messy, but this guy can do no wrong,

1198
01:04:02.840 --> 01:04:05.679
<v Speaker 5>then it doesn't make sense and it doesn't work.

1199
01:04:06.320 --> 01:04:10.400
<v Speaker 4>There's a scene in the movie Desperado where after brutally

1200
01:04:10.480 --> 01:04:15.639
<v Speaker 4>killing all these people in hilariously awful, wonderful ways, you know,

1201
01:04:15.760 --> 01:04:17.480
<v Speaker 4>someone comes up to him and it's like, that's awesome

1202
01:04:17.480 --> 01:04:19.599
<v Speaker 4>that you did this, and our hero says, yes, but

1203
01:04:20.000 --> 01:04:23.800
<v Speaker 4>everyone I killed was someone's husband, someone's father, someone's son,

1204
01:04:24.480 --> 01:04:27.840
<v Speaker 4>and you're just like, okay, you filmers, you try to

1205
01:04:27.880 --> 01:04:29.639
<v Speaker 4>have it both ways. You know, you're trying to like

1206
01:04:29.800 --> 01:04:32.679
<v Speaker 4>put this in here, and it's either like incredibly brilliant

1207
01:04:32.760 --> 01:04:35.719
<v Speaker 4>or incredibly cynical filmmaking. I'm not quite sure which, but

1208
01:04:35.800 --> 01:04:37.920
<v Speaker 4>because it does expose that you know that, like, yes,

1209
01:04:37.960 --> 01:04:40.360
<v Speaker 4>it's true, And I think maybe that's kind of where

1210
01:04:40.400 --> 01:04:42.519
<v Speaker 4>my final comment on all this is, and I want

1211
01:04:42.519 --> 01:04:45.599
<v Speaker 4>to hear you from you all as well. It feels

1212
01:04:45.599 --> 01:04:48.400
<v Speaker 4>like one of the essential parts of vengeance is that

1213
01:04:48.440 --> 01:04:50.679
<v Speaker 4>we're able to see the person we're getting vengeance on

1214
01:04:51.639 --> 01:04:53.719
<v Speaker 4>not as a real person, but as a two D

1215
01:04:53.840 --> 01:04:57.840
<v Speaker 4>cutout of just the evil ex boyfriend, the evil CEO,

1216
01:04:58.079 --> 01:05:00.960
<v Speaker 4>the evil whatever. It is, like you said about kat Rugan,

1217
01:05:01.000 --> 01:05:04.599
<v Speaker 4>we don't know anything else about him, and I think

1218
01:05:04.679 --> 01:05:07.480
<v Speaker 4>kind of when I like, for me, I've always said

1219
01:05:07.480 --> 01:05:09.559
<v Speaker 4>that's kind of like the thing I find most troubling,

1220
01:05:09.599 --> 01:05:11.480
<v Speaker 4>and that that I think I love so much about

1221
01:05:11.480 --> 01:05:13.239
<v Speaker 4>the whole idea of the dark Side and Star Wars

1222
01:05:13.320 --> 01:05:15.719
<v Speaker 4>is for me, the essence of the dark side is

1223
01:05:15.760 --> 01:05:18.880
<v Speaker 4>when you're anger at someone allows you to not see

1224
01:05:18.920 --> 01:05:20.679
<v Speaker 4>any other part of them, to just see them as

1225
01:05:20.679 --> 01:05:23.519
<v Speaker 4>the two D cutout and and and kind I guess

1226
01:05:23.599 --> 01:05:25.800
<v Speaker 4>that that's part of where I see it all in

1227
01:05:25.840 --> 01:05:31.159
<v Speaker 4>real life, is that I I feel like we're in

1228
01:05:31.199 --> 01:05:33.199
<v Speaker 4>a world more and more where it's easier to see

1229
01:05:33.199 --> 01:05:35.400
<v Speaker 4>people as two D cutouts, in part because sometimes like

1230
01:05:36.880 --> 01:05:38.159
<v Speaker 4>and I'm not gonna get in that so it could

1231
01:05:38.159 --> 01:05:41.599
<v Speaker 4>be too complex, but yeah, so just that that to me,

1232
01:05:41.719 --> 01:05:43.679
<v Speaker 4>that's one of the essentials of all of this is

1233
01:05:43.760 --> 01:05:48.480
<v Speaker 4>like it can be helpful to have a a person

1234
01:05:48.519 --> 01:05:50.480
<v Speaker 4>that is a stand in of that stereotype that it's

1235
01:05:50.519 --> 01:05:54.199
<v Speaker 4>cathartic to fight against, or can it be so ridiculously

1236
01:05:54.199 --> 01:05:56.639
<v Speaker 4>over the top that it's fun to fight against, but

1237
01:05:56.880 --> 01:05:59.880
<v Speaker 4>that that it's that dehumanization that has to go into

1238
01:06:00.039 --> 01:06:02.920
<v Speaker 4>engines that when it becomes more real, becomes a lot

1239
01:06:02.960 --> 01:06:03.559
<v Speaker 4>harder to watch.

1240
01:06:04.079 --> 01:06:12.679
<v Speaker 5>Yes, I not to get to I know, we don't

1241
01:06:12.679 --> 01:06:17.920
<v Speaker 5>want to get too into what happened last year, but

1242
01:06:18.039 --> 01:06:24.679
<v Speaker 5>I do think all of the people who died because

1243
01:06:24.760 --> 01:06:28.159
<v Speaker 5>their claims were denied were three dimensional human beings too,

1244
01:06:28.880 --> 01:06:32.719
<v Speaker 5>and that was dehumanization on a massive scale, literally with

1245
01:06:32.840 --> 01:06:38.039
<v Speaker 5>AI denying claims. And I'm not saying that what happened

1246
01:06:38.199 --> 01:06:43.519
<v Speaker 5>was the solution, but I think dehumanizing anybody in like,

1247
01:06:43.559 --> 01:06:48.199
<v Speaker 5>it's just I just want to note the dehumanizing anybody ever,

1248
01:06:49.000 --> 01:06:51.719
<v Speaker 5>is not going to end anywhere good.

1249
01:06:52.199 --> 01:06:54.400
<v Speaker 4>I appreciate that, and I that's what I was trying

1250
01:06:54.440 --> 01:06:55.840
<v Speaker 4>to say, but also having a lot of trouble putting

1251
01:06:55.840 --> 01:06:59.159
<v Speaker 4>into words, because to me, it's that there are There

1252
01:06:59.199 --> 01:07:02.000
<v Speaker 4>was something I read that said that the killing of

1253
01:07:02.079 --> 01:07:03.559
<v Speaker 4>CEO can be seen more than I think is a

1254
01:07:03.599 --> 01:07:05.719
<v Speaker 4>symptom of a larger problem, and that a part of

1255
01:07:05.719 --> 01:07:08.280
<v Speaker 4>that is that and again this is a much more

1256
01:07:08.320 --> 01:07:13.079
<v Speaker 4>complicated issue, but the the way that the lives of

1257
01:07:13.119 --> 01:07:15.719
<v Speaker 4>the powerful have become more and more and more separated

1258
01:07:15.760 --> 01:07:18.639
<v Speaker 4>from the lives of everyone else, I think adds to

1259
01:07:18.679 --> 01:07:20.119
<v Speaker 4>a lot of this. And that, yeah, I think that

1260
01:07:20.360 --> 01:07:23.679
<v Speaker 4>the cycle of dehumanization that leads to that certainly does

1261
01:07:23.719 --> 01:07:28.599
<v Speaker 4>not start with someone thinking of an evil CEO. And

1262
01:07:28.599 --> 01:07:30.679
<v Speaker 4>I think that's that's a very important point to keep

1263
01:07:30.719 --> 01:07:31.960
<v Speaker 4>in mind with all of this, and that I think

1264
01:07:32.000 --> 01:07:34.880
<v Speaker 4>plays into all these discussions.

1265
01:07:36.199 --> 01:07:41.079
<v Speaker 6>Yeah, I think I think rich people are dehumanizing us absolutely,

1266
01:07:41.199 --> 01:07:45.119
<v Speaker 6>Like that's a thing that they are so out of

1267
01:07:45.199 --> 01:07:48.480
<v Speaker 6>touch with reality. Like I was talking with my wife

1268
01:07:48.559 --> 01:07:51.920
<v Speaker 6>about the how much could a banana cost? Ten dollars?

1269
01:07:51.960 --> 01:07:56.599
<v Speaker 6>Michael Meme right from Arrested Development, And that's the thing,

1270
01:07:56.719 --> 01:07:59.239
<v Speaker 6>Like they are so out of touch with the reality

1271
01:07:59.280 --> 01:08:01.880
<v Speaker 6>of what an or married person deals with the price

1272
01:08:01.920 --> 01:08:05.400
<v Speaker 6>of a banana in this Memes case, but like anything

1273
01:08:05.480 --> 01:08:09.800
<v Speaker 6>right like that they don't understand like what the average

1274
01:08:10.079 --> 01:08:13.119
<v Speaker 6>or the majority of the people in life go through,

1275
01:08:14.079 --> 01:08:17.880
<v Speaker 6>and so like they make decisions, whether it's healthcare or

1276
01:08:17.920 --> 01:08:22.279
<v Speaker 6>politics or or anything, and it's like they don't touch

1277
01:08:22.319 --> 01:08:23.520
<v Speaker 6>reality at all.

1278
01:08:24.560 --> 01:08:28.359
<v Speaker 4>What I think we're seeing another example of that right

1279
01:08:28.399 --> 01:08:32.279
<v Speaker 4>now in the you know, massive move of you know,

1280
01:08:32.520 --> 01:08:35.880
<v Speaker 4>we've had our government telling us for months that TikTok

1281
01:08:35.960 --> 01:08:38.319
<v Speaker 4>is super dangerous because it could give our data to

1282
01:08:38.640 --> 01:08:40.760
<v Speaker 4>you know, the Chinese government, and so a lot of

1283
01:08:40.760 --> 01:08:43.640
<v Speaker 4>people in response is okay, cool, I'm gonna find it. Yeah,

1284
01:08:43.720 --> 01:08:46.039
<v Speaker 4>that directly gives the information to the Chinese government or

1285
01:08:46.079 --> 01:08:48.079
<v Speaker 4>the meme of it. I'm just gonna start printing out

1286
01:08:48.079 --> 01:08:50.720
<v Speaker 4>my search history and sending it to the Chinese consulate

1287
01:08:50.800 --> 01:08:54.479
<v Speaker 4>or whatever. Yeah. I think that what undergirds a lot

1288
01:08:54.520 --> 01:08:58.319
<v Speaker 4>of these things is the and just to tie it

1289
01:08:58.399 --> 01:09:01.079
<v Speaker 4>even more, like some of the analysis that read about

1290
01:09:01.439 --> 01:09:04.319
<v Speaker 4>the movie Jennifer's Body, which I think is often seen

1291
01:09:04.359 --> 01:09:06.600
<v Speaker 4>as like one of the beginnings of this modern version

1292
01:09:06.640 --> 01:09:09.840
<v Speaker 4>of the coming of rage stories. Fantastic movie that got

1293
01:09:09.880 --> 01:09:13.600
<v Speaker 4>totally mismarketed and is really a great exploration of this

1294
01:09:13.760 --> 01:09:17.159
<v Speaker 4>kind of you know, revenge fantasy. And one thing that

1295
01:09:17.159 --> 01:09:20.079
<v Speaker 4>the reviewer said is that she thought the most important

1296
01:09:20.239 --> 01:09:23.960
<v Speaker 4>part of the reaction was men who didn't get it,

1297
01:09:24.600 --> 01:09:26.199
<v Speaker 4>Like who just were like, I don't get it. Why

1298
01:09:26.199 --> 01:09:29.279
<v Speaker 4>would someone be this angry? And that that's the point

1299
01:09:29.399 --> 01:09:32.119
<v Speaker 4>is that, like the movie is supposed to be about

1300
01:09:32.119 --> 01:09:35.479
<v Speaker 4>helping you see like this, this is how angry people are.

1301
01:09:35.680 --> 01:09:37.880
<v Speaker 4>This is how angry women are. This is how angry

1302
01:09:38.039 --> 01:09:41.079
<v Speaker 4>people are at racism, at sexism, and at what's happening

1303
01:09:41.079 --> 01:09:43.760
<v Speaker 4>in healthcare, what's happening in international policy stuff like that,

1304
01:09:43.840 --> 01:09:47.560
<v Speaker 4>and I, you know, vengeance isn't what I'm gonna choose

1305
01:09:47.600 --> 01:09:50.960
<v Speaker 4>as a method, but I I think for me, one

1306
01:09:50.960 --> 01:09:53.239
<v Speaker 4>of the essential questions I'm always gonna ask when I

1307
01:09:53.279 --> 01:09:56.000
<v Speaker 4>see an act of vengeance is was a person given

1308
01:09:56.039 --> 01:09:59.600
<v Speaker 4>a chance to get the message across that something was

1309
01:09:59.640 --> 01:10:02.960
<v Speaker 4>wrong in some other way before they chose vengeance? And

1310
01:10:03.000 --> 01:10:05.520
<v Speaker 4>if not, then I'm not gonna condone it. But I

1311
01:10:05.520 --> 01:10:06.279
<v Speaker 4>can understand it.

1312
01:10:14.920 --> 01:10:20.319
<v Speaker 6>Well, I've got kind of a broad shift, if I may.

1313
01:10:21.800 --> 01:10:21.880
<v Speaker 2>Like.

1314
01:10:22.119 --> 01:10:24.800
<v Speaker 6>I took some notes and I did some research on

1315
01:10:25.760 --> 01:10:29.119
<v Speaker 6>the character of the Specter, who's a DC Comics character,

1316
01:10:29.680 --> 01:10:33.920
<v Speaker 6>and then Ghostwriter right, who's from Marvel, and I was

1317
01:10:34.079 --> 01:10:42.359
<v Speaker 6>most interested. They're both supernatural agents of vengeance. They inhabit

1318
01:10:42.520 --> 01:10:47.640
<v Speaker 6>like human bodies or to interact with the world. But

1319
01:10:48.520 --> 01:10:52.800
<v Speaker 6>the Specter is an agent of quote unquote God is

1320
01:10:52.840 --> 01:10:55.640
<v Speaker 6>my understanding, And I don't know how deep that goes,

1321
01:10:55.680 --> 01:10:58.119
<v Speaker 6>and like how connected it is to a specific god.

1322
01:10:58.359 --> 01:11:00.479
<v Speaker 6>They just say God, that's.

1323
01:11:00.319 --> 01:11:02.520
<v Speaker 9>The Christian God. He's okay, Well they don't.

1324
01:11:02.800 --> 01:11:04.960
<v Speaker 5>I don't know that they specify, but basically, yeah, he's

1325
01:11:05.000 --> 01:11:09.279
<v Speaker 5>the embodiment like his like tagline or whatever. Is the

1326
01:11:09.279 --> 01:11:12.880
<v Speaker 5>embodiment of God's vengeance specifically.

1327
01:11:12.520 --> 01:11:17.600
<v Speaker 6>And then Ghostwriter originally was given his powers by Satan,

1328
01:11:18.079 --> 01:11:20.760
<v Speaker 6>but I think it's been retcon to being Befisto, which

1329
01:11:20.800 --> 01:11:25.600
<v Speaker 6>is just marvel Satan, let's be honest. But that to me,

1330
01:11:25.800 --> 01:11:29.079
<v Speaker 6>like we've talked a lot about human vengeance, but this

1331
01:11:29.239 --> 01:11:33.640
<v Speaker 6>is like supernatural vengeance, and so I find it interesting

1332
01:11:33.680 --> 01:11:37.359
<v Speaker 6>because it seems to me like that gives it more

1333
01:11:37.439 --> 01:11:42.479
<v Speaker 6>license to be correct, Like how does that how does

1334
01:11:42.520 --> 01:11:44.840
<v Speaker 6>that sound to you in terms of vengeance.

1335
01:11:46.399 --> 01:11:49.560
<v Speaker 5>Yeah, I'm not super familiar with Ghostwriter. I haven't read

1336
01:11:49.640 --> 01:11:52.560
<v Speaker 5>many Ghostwriter comics, but in what I've seen of the Specter,

1337
01:11:52.680 --> 01:11:57.600
<v Speaker 5>it's very much like the Specter knows what's, yeah, the

1338
01:11:57.720 --> 01:12:03.439
<v Speaker 5>right thing to do, because he is imbued with divine

1339
01:12:03.520 --> 01:12:06.560
<v Speaker 5>knowledge and like enacts like I know there was a

1340
01:12:06.640 --> 01:12:10.840
<v Speaker 5>run in the seventies that's like infamous for like the horrific,

1341
01:12:11.119 --> 01:12:16.640
<v Speaker 5>horrific consequences that he visited on Like, oh, this logger

1342
01:12:16.720 --> 01:12:18.960
<v Speaker 5>is cutting down a forest, I'll turn him into a

1343
01:12:19.000 --> 01:12:21.479
<v Speaker 5>tree and then he gets fed into a wood chipper

1344
01:12:21.760 --> 01:12:25.439
<v Speaker 5>like that kind of and like is conscious while that's happening.

1345
01:12:25.520 --> 01:12:29.119
<v Speaker 5>Like those are the kinds of acts of vengeance that

1346
01:12:29.199 --> 01:12:33.399
<v Speaker 5>he would enact, and I it was less certain of

1347
01:12:33.439 --> 01:12:35.600
<v Speaker 5>what he was doing when how Jordan was the specter

1348
01:12:35.720 --> 01:12:38.119
<v Speaker 5>for a bit and then there was a lot of like, oh,

1349
01:12:38.119 --> 01:12:40.039
<v Speaker 5>what's the right thing to do? But yeah, usually it's

1350
01:12:40.079 --> 01:12:42.720
<v Speaker 5>like I just know because I'm the specter and God

1351
01:12:42.800 --> 01:12:48.279
<v Speaker 5>told me, and now that guy is gonna melt or whatever.

1352
01:12:49.159 --> 01:12:54.079
<v Speaker 4>Yeah, I think for me it's funny. My favorite comicot

1353
01:12:54.119 --> 01:12:56.840
<v Speaker 4>hero is still Daredevil, and a part of why I

1354
01:12:56.880 --> 01:12:58.439
<v Speaker 4>love him so much is that he has so much

1355
01:12:58.479 --> 01:13:06.159
<v Speaker 4>doubt and that for me, I'm a very religious person.

1356
01:13:06.199 --> 01:13:08.399
<v Speaker 4>I'm also a deeply agnostic person, and I kind of

1357
01:13:08.399 --> 01:13:10.600
<v Speaker 4>think you have to be agnostic to actually be a

1358
01:13:10.600 --> 01:13:12.720
<v Speaker 4>person of faith. I think if you have certainty, that's

1359
01:13:12.720 --> 01:13:16.319
<v Speaker 4>no longer faith, that's you're telling yourself a fairy tale. Wow,

1360
01:13:16.359 --> 01:13:18.560
<v Speaker 4>he's probably lost a whole bunch of listeners. But my

1361
01:13:19.119 --> 01:13:22.119
<v Speaker 4>point being that because I think that there's a line

1362
01:13:22.119 --> 01:13:26.039
<v Speaker 4>in a Billy Joel's song Shades of Gray, which is

1363
01:13:26.239 --> 01:13:29.279
<v Speaker 4>a wonderful, wonderful song, and there's a line in it

1364
01:13:29.319 --> 01:13:31.520
<v Speaker 4>that the only people I fear are those who never

1365
01:13:31.560 --> 01:13:35.199
<v Speaker 4>have doubts. And I think that if you believe that

1366
01:13:35.279 --> 01:13:38.520
<v Speaker 4>God has put you on this earth to right wrongs,

1367
01:13:39.560 --> 01:13:41.520
<v Speaker 4>kind of going to what you were saying Jessica about like,

1368
01:13:41.560 --> 01:13:46.399
<v Speaker 4>what's the authority that you adhere to you? Now you

1369
01:13:46.439 --> 01:13:49.399
<v Speaker 4>are literally you've given yourself the ultimate authority and nothing

1370
01:13:49.399 --> 01:13:54.680
<v Speaker 4>can question you. And that's not always bad. I mean

1371
01:13:55.279 --> 01:13:59.960
<v Speaker 4>John Brown freed slaves and led uprisings to murder slaveholders

1372
01:14:00.279 --> 01:14:03.239
<v Speaker 4>because he believed God told him to. And on the

1373
01:14:03.279 --> 01:14:06.239
<v Speaker 4>same token, people blow up abortion clinics and murder abortion

1374
01:14:06.359 --> 01:14:09.520
<v Speaker 4>doctors and see themselves as modern day John Brown's because

1375
01:14:09.560 --> 01:14:12.239
<v Speaker 4>they think God told them to. And that's true in

1376
01:14:12.279 --> 01:14:15.479
<v Speaker 4>almost every religion of some degree another. And yeah, I

1377
01:14:18.000 --> 01:14:23.880
<v Speaker 4>for me, I think characters like that are really interesting.

1378
01:14:23.920 --> 01:14:25.680
<v Speaker 4>And I don't know the specter very much, but I

1379
01:14:25.720 --> 01:14:28.880
<v Speaker 4>think that I would not want to see a character

1380
01:14:28.960 --> 01:14:32.119
<v Speaker 4>presented as a hero who is told that God is

1381
01:14:32.279 --> 01:14:34.960
<v Speaker 4>telling them what to do and we are supposed to

1382
01:14:35.000 --> 01:14:38.560
<v Speaker 4>agree with that. I'm a big believer that God should

1383
01:14:38.600 --> 01:14:41.800
<v Speaker 4>never appear on stage, you know, and that should always

1384
01:14:41.800 --> 01:14:45.119
<v Speaker 4>be portrayed as a problem, a self justification, and then

1385
01:14:45.119 --> 01:14:46.520
<v Speaker 4>maybe we'll be true in the case the spectru I'm

1386
01:14:46.520 --> 01:14:48.680
<v Speaker 4>not saying it isn't, but like to me, someone like

1387
01:14:48.760 --> 01:14:52.720
<v Speaker 4>Daredevil or Nightcrawler, for whom their faith is something they're

1388
01:14:52.760 --> 01:14:56.199
<v Speaker 4>constantly wrestling with and wondering should they be doing what

1389
01:14:56.239 --> 01:14:59.720
<v Speaker 4>they're doing. Is what I want to see because I think, yeah,

1390
01:14:59.760 --> 01:15:03.840
<v Speaker 4>it's it's well, probably going to do a whole other

1391
01:15:03.840 --> 01:15:05.720
<v Speaker 4>episode on it. But to me, one of the other

1392
01:15:05.760 --> 01:15:09.319
<v Speaker 4>fundamental questions is accountability. And I think if you're if

1393
01:15:09.319 --> 01:15:11.319
<v Speaker 4>you're someone who's gonna say I have this power, I'm

1394
01:15:11.319 --> 01:15:13.760
<v Speaker 4>going to try and do right, there has to be

1395
01:15:13.760 --> 01:15:16.479
<v Speaker 4>to some degree that you are accountable to others, whether

1396
01:15:16.520 --> 01:15:19.359
<v Speaker 4>that's the law, whether that's your community, whether that's you know,

1397
01:15:19.399 --> 01:15:23.119
<v Speaker 4>your law clerk and your secretary, whatever it is. You know,

1398
01:15:23.199 --> 01:15:24.720
<v Speaker 4>there has to be other people who you're going to

1399
01:15:24.800 --> 01:15:27.720
<v Speaker 4>listen to when they say I think you're wrong, And

1400
01:15:27.760 --> 01:15:29.640
<v Speaker 4>the closer you get to God telling you, the harder

1401
01:15:29.720 --> 01:15:30.000
<v Speaker 4>that is.

1402
01:15:32.000 --> 01:15:34.239
<v Speaker 5>But I think the difference between like a character like

1403
01:15:34.359 --> 01:15:39.399
<v Speaker 5>dared Devil or Nightcrawler, like Garden Variety Catholics like it's

1404
01:15:39.840 --> 01:15:41.600
<v Speaker 5>it is literally true in the case of the Specter

1405
01:15:41.720 --> 01:15:42.600
<v Speaker 5>that God told them.

1406
01:15:42.439 --> 01:15:45.239
<v Speaker 6>To do that, like that's yeah, this is why I

1407
01:15:45.279 --> 01:15:48.079
<v Speaker 6>like I mentioned this in the concept It's Supernatural.

1408
01:15:48.640 --> 01:15:49.199
<v Speaker 4>Yeah, that.

1409
01:15:51.359 --> 01:15:54.239
<v Speaker 6>It's similar to the TV show the fall of the

1410
01:15:54.279 --> 01:15:57.960
<v Speaker 6>House of Usher, and that the character in that is

1411
01:15:58.000 --> 01:16:01.560
<v Speaker 6>a some kind of spirit of vengeance. We don't know

1412
01:16:02.279 --> 01:16:04.760
<v Speaker 6>how or why, Like that's not explained in the same

1413
01:16:04.800 --> 01:16:08.279
<v Speaker 6>way that the Specter is. But I feel like characters

1414
01:16:08.439 --> 01:16:14.399
<v Speaker 6>like that give us some moral clarity and that we

1415
01:16:14.399 --> 01:16:18.159
<v Speaker 6>we trust them, right, Like, I understand what Matthew is

1416
01:16:18.199 --> 01:16:20.880
<v Speaker 6>saying that if there was a human character who says

1417
01:16:20.880 --> 01:16:24.520
<v Speaker 6>that they are acting on behalf of God, that is

1418
01:16:24.800 --> 01:16:28.560
<v Speaker 6>that is uncomfortable and that should be questioned, at least

1419
01:16:28.600 --> 01:16:31.239
<v Speaker 6>in the context of these fictions. Like, I think we

1420
01:16:31.439 --> 01:16:35.079
<v Speaker 6>just believe that this is happening because the supernatural thing

1421
01:16:35.239 --> 01:16:37.119
<v Speaker 6>is allowing for it, right.

1422
01:16:37.199 --> 01:16:40.159
<v Speaker 5>Yeah, I think the better word for it is maybe karma,

1423
01:16:41.000 --> 01:16:45.000
<v Speaker 5>Like it's you know, there's there is a proud tradition

1424
01:16:45.359 --> 01:16:49.359
<v Speaker 5>in comic books which was briefly stifled because the comics

1425
01:16:49.399 --> 01:16:52.359
<v Speaker 5>coulde but horror comics, which are just like, hey, here's

1426
01:16:52.399 --> 01:16:55.960
<v Speaker 5>a terrible person. They're doing terrible things. Now an ironic

1427
01:16:56.199 --> 01:16:58.760
<v Speaker 5>terrible thing is going to happen to them, and everybody

1428
01:16:58.760 --> 01:17:00.119
<v Speaker 5>goes away feeling great about it.

1429
01:17:00.600 --> 01:17:01.880
<v Speaker 9>I mean, maybe freaked out.

1430
01:17:01.840 --> 01:17:05.520
<v Speaker 5>But also like, yes, that's how it's supposed to work.

1431
01:17:05.600 --> 01:17:10.039
<v Speaker 5>And the specter is the agent through which Inspector stories

1432
01:17:11.079 --> 01:17:15.119
<v Speaker 5>that consequence is karmically visited on the person who deserves it.

1433
01:17:16.079 --> 01:17:16.319
<v Speaker 4>Yeah.

1434
01:17:16.399 --> 01:17:19.840
<v Speaker 6>I found it interesting because that actually, like the revision

1435
01:17:19.880 --> 01:17:23.479
<v Speaker 6>of the Comics Code in nineteen seventy one is what

1436
01:17:23.600 --> 01:17:28.039
<v Speaker 6>is cited as when the specter turned to what you're describing,

1437
01:17:28.439 --> 01:17:32.600
<v Speaker 6>and ghostwriter was creating a character around the same time. Yeah,

1438
01:17:32.760 --> 01:17:35.760
<v Speaker 6>so it was like the loosening of the comics Code,

1439
01:17:35.800 --> 01:17:38.239
<v Speaker 6>and they're like, well, I think we can have characters

1440
01:17:38.359 --> 01:17:44.159
<v Speaker 6>that go a little more deeper, I guess, into the

1441
01:17:44.239 --> 01:17:47.039
<v Speaker 6>violence of it all.

1442
01:17:47.239 --> 01:17:50.039
<v Speaker 4>Yeah, I surely think, like, you know, kind of a

1443
01:17:50.039 --> 01:17:52.279
<v Speaker 4>part of the revenge fantasy is the shouten freud of

1444
01:17:52.319 --> 01:17:53.800
<v Speaker 4>it all, you know, and that we want to see that.

1445
01:17:53.840 --> 01:17:56.000
<v Speaker 4>But I think for me, I would have I think

1446
01:17:56.000 --> 01:17:57.319
<v Speaker 4>it's kind of the same way that, like, because my

1447
01:17:57.359 --> 01:17:59.399
<v Speaker 4>parents are lawyers, they have real trouble with law and order,

1448
01:17:59.520 --> 01:18:01.760
<v Speaker 4>you know. I I just would have real trouble watching

1449
01:18:01.760 --> 01:18:04.159
<v Speaker 4>that because I have so much the TV show. Yeah, Like,

1450
01:18:04.159 --> 01:18:06.000
<v Speaker 4>I would have so much trouble watching a TV show

1451
01:18:06.039 --> 01:18:09.720
<v Speaker 4>about a character who I'm being told I can believe

1452
01:18:09.760 --> 01:18:11.960
<v Speaker 4>they're vengeance because God is telling them to do that

1453
01:18:12.359 --> 01:18:15.560
<v Speaker 4>because I just that that idea is so horrifically dangerous,

1454
01:18:15.720 --> 01:18:17.960
<v Speaker 4>you know, uh, and and and and so rife to

1455
01:18:18.079 --> 01:18:23.800
<v Speaker 4>question because you know it's it's again, it's the to me,

1456
01:18:23.840 --> 01:18:26.319
<v Speaker 4>once you are at all certain of anything about God,

1457
01:18:26.560 --> 01:18:30.560
<v Speaker 4>then then we're into days with high body counts. But

1458
01:18:30.640 --> 01:18:31.239
<v Speaker 4>I can see the.

1459
01:18:31.560 --> 01:18:34.439
<v Speaker 5>I think the Specter TV show would be unwatchable anyway,

1460
01:18:34.520 --> 01:18:35.880
<v Speaker 5>so you're probably safe.

1461
01:18:36.640 --> 01:18:38.880
<v Speaker 4>Is there a Spector type character in the m CU,

1462
01:18:38.960 --> 01:18:41.079
<v Speaker 4>like I would love to see Daredevil have a conversation

1463
01:18:41.119 --> 01:18:42.359
<v Speaker 4>with a person like that, You know.

1464
01:18:43.239 --> 01:18:46.199
<v Speaker 6>Well, I think it's I mean, not in the MCU yet.

1465
01:18:46.279 --> 01:18:49.279
<v Speaker 6>But ghost Writer to me is the equivalent of the Specter,

1466
01:18:49.880 --> 01:18:54.800
<v Speaker 6>and it's less. It's weird because he's imbued by Mephisto,

1467
01:18:54.960 --> 01:18:58.560
<v Speaker 6>who is evil, and you know, in this context of

1468
01:18:58.560 --> 01:19:02.079
<v Speaker 6>the Specter, we think of God as good. But I'm

1469
01:19:03.399 --> 01:19:07.159
<v Speaker 6>I don't know, like Ghostwriter, I guess has more of

1470
01:19:07.199 --> 01:19:12.119
<v Speaker 6>a human element to him that makes him more unpredictable

1471
01:19:12.159 --> 01:19:12.760
<v Speaker 6>than the Specter.

1472
01:19:14.479 --> 01:19:14.720
<v Speaker 4>Right.

1473
01:19:15.159 --> 01:19:18.880
<v Speaker 5>Yeah, I'm trying to think of like a good comparable

1474
01:19:18.960 --> 01:19:24.000
<v Speaker 5>character in the Marvel universe, and yeah, I can't think

1475
01:19:24.039 --> 01:19:29.479
<v Speaker 5>of anybody who. I mean, there have definitely been stories

1476
01:19:29.520 --> 01:19:35.359
<v Speaker 5>where Matt meets someone. You know what, The closest thing

1477
01:19:35.399 --> 01:19:39.279
<v Speaker 5>I can think of is the Guardian Devil storyline by

1478
01:19:40.159 --> 01:19:47.439
<v Speaker 5>Kevin Smith in nineteen ninety nine, where basically Matt is

1479
01:19:47.479 --> 01:19:50.760
<v Speaker 5>given custody of a baby and is like, this baby

1480
01:19:50.800 --> 01:19:53.079
<v Speaker 5>is the Antichrist thing. You need to kill it, and

1481
01:19:53.119 --> 01:19:55.159
<v Speaker 5>he's like, I guess I better kill this baby and

1482
01:19:55.199 --> 01:19:58.079
<v Speaker 5>everybody that acts very erratically for a long time, and

1483
01:19:58.119 --> 01:20:02.840
<v Speaker 5>long story short, it turns out that it is an

1484
01:20:02.880 --> 01:20:06.960
<v Speaker 5>elaborate hoax by Mysterio, who has been drugging the entire

1485
01:20:07.079 --> 01:20:11.800
<v Speaker 5>cast with extremely powerful, extremely specific drugs for days and

1486
01:20:11.960 --> 01:20:15.640
<v Speaker 5>days to make Matt think that he has been spoken

1487
01:20:15.760 --> 01:20:19.119
<v Speaker 5>to by God. But it's all a lie. And this

1488
01:20:19.239 --> 01:20:22.239
<v Speaker 5>is also the storyline where Karen Page dies, so like

1489
01:20:22.920 --> 01:20:26.880
<v Speaker 5>things end very badly, the baby survives, And I think.

1490
01:20:26.760 --> 01:20:32.039
<v Speaker 9>That's an interesting like difference between the.

1491
01:20:33.840 --> 01:20:36.680
<v Speaker 5>Sort of very epic, not that the Marvel universe is

1492
01:20:36.680 --> 01:20:41.239
<v Speaker 5>an epic, but like the very epic and often very

1493
01:20:41.279 --> 01:20:44.000
<v Speaker 5>clear cut good and bad world of the DC universe,

1494
01:20:44.079 --> 01:20:50.199
<v Speaker 5>and like Daredevil's world, where the closest comparison is actually

1495
01:20:50.399 --> 01:20:54.760
<v Speaker 5>just some weasel drugging everybody and lying and saying that

1496
01:20:54.920 --> 01:20:56.039
<v Speaker 5>God spoke to him.

1497
01:20:56.079 --> 01:21:00.640
<v Speaker 4>Right, Well, yeah, I mean there's a a pastor who

1498
01:21:00.680 --> 01:21:02.239
<v Speaker 4>I know who who's done a lot of stuff on

1499
01:21:02.359 --> 01:21:05.000
<v Speaker 4>MCU stuff and has talked about how like there's absolutely

1500
01:21:05.039 --> 01:21:08.560
<v Speaker 4>no such thing as a single like theology that understands

1501
01:21:08.600 --> 01:21:11.520
<v Speaker 4>the MCU because it is both like there's references to

1502
01:21:11.560 --> 01:21:15.840
<v Speaker 4>the monotheistic god of Islam and Judaism and Christianity, and

1503
01:21:15.840 --> 01:21:19.039
<v Speaker 4>then also like Loki and and all the Egyptian gods

1504
01:21:19.119 --> 01:21:24.199
<v Speaker 4>of Mark Spector wasn't moon moon night Moon night, you know,

1505
01:21:24.319 --> 01:21:27.600
<v Speaker 4>like all this you know, there's so yeah, it's very confusing.

1506
01:21:27.760 --> 01:21:29.359
<v Speaker 5>I mean, the best take on it is when the

1507
01:21:29.359 --> 01:21:31.560
<v Speaker 5>Fantastic Four went to heaven and they met God and

1508
01:21:31.600 --> 01:21:32.560
<v Speaker 5>he was Jack Kirby.

1509
01:21:33.199 --> 01:21:33.760
<v Speaker 9>It was great.

1510
01:21:34.439 --> 01:21:35.560
<v Speaker 4>I can get that.

1511
01:21:35.760 --> 01:21:35.880
<v Speaker 5>Well.

1512
01:21:35.880 --> 01:21:37.920
<v Speaker 4>I was saying, if someone wanted to write a comic

1513
01:21:37.920 --> 01:21:41.680
<v Speaker 4>book about like vengeance, like the Book of Exodus is

1514
01:21:41.760 --> 01:21:44.920
<v Speaker 4>kind of a good version, you know, like the drowning

1515
01:21:44.920 --> 01:21:47.359
<v Speaker 4>of all the people in the sea. Uh, there's an

1516
01:21:47.359 --> 01:21:50.079
<v Speaker 4>awful lot of vengines in that story, and and yet

1517
01:21:50.119 --> 01:21:52.319
<v Speaker 4>also a lot of critique of it that that.

1518
01:21:52.760 --> 01:21:55.520
<v Speaker 5>Listen, he said, let my people go, Bara didn't let

1519
01:21:55.560 --> 01:21:55.880
<v Speaker 5>us go.

1520
01:21:57.039 --> 01:21:59.880
<v Speaker 4>You know, I this is gonna get Rayosoteric here. But

1521
01:22:00.239 --> 01:22:02.279
<v Speaker 4>this is one for me, one of the most powerful

1522
01:22:02.319 --> 01:22:05.359
<v Speaker 4>moments of understanding, like a change in my understanding of vengeance.

1523
01:22:06.000 --> 01:22:07.479
<v Speaker 4>And I think a lot of young kids who grow

1524
01:22:07.520 --> 01:22:10.000
<v Speaker 4>up in Jewish families may go through this. There's a

1525
01:22:10.039 --> 01:22:12.560
<v Speaker 4>moment in the Satyr, which is the celebration of Passover,

1526
01:22:12.640 --> 01:22:17.880
<v Speaker 4>the celebration of the Exodus story, where as you recount

1527
01:22:17.920 --> 01:22:21.119
<v Speaker 4>the ten plagues, you're supposed to dip your finger into

1528
01:22:21.159 --> 01:22:24.680
<v Speaker 4>a glass of wine and spill out a drop onto

1529
01:22:24.680 --> 01:22:27.840
<v Speaker 4>your plate for everyone. And I thought that was badass

1530
01:22:27.880 --> 01:22:30.079
<v Speaker 4>as hell. You know. It was like, yeah, we're putting

1531
01:22:30.119 --> 01:22:32.359
<v Speaker 4>blood up because red wine looks like blood. We're putting

1532
01:22:32.439 --> 01:22:34.760
<v Speaker 4>blood on our plate to be a big like you know,

1533
01:22:34.920 --> 01:22:39.279
<v Speaker 4>few Egyptians like our God got you. And what I

1534
01:22:39.359 --> 01:22:42.520
<v Speaker 4>later came to learn and and you know, my no

1535
01:22:42.560 --> 01:22:44.239
<v Speaker 4>one in my family had known this until we kind

1536
01:22:44.239 --> 01:22:46.520
<v Speaker 4>of looked more into it, because the Hagata we'd worked

1537
01:22:46.520 --> 01:22:50.159
<v Speaker 4>with was very much not making this lesson is that

1538
01:22:50.239 --> 01:22:53.000
<v Speaker 4>the point is to say that you are reducing the

1539
01:22:53.039 --> 01:22:55.840
<v Speaker 4>amount of wine and thus the amount of joy you have,

1540
01:22:56.560 --> 01:22:59.000
<v Speaker 4>because we have to remember that the celebration of our

1541
01:22:59.039 --> 01:23:01.279
<v Speaker 4>freedom came at the death of others, and that should

1542
01:23:01.279 --> 01:23:04.479
<v Speaker 4>reduce the amount of our celebration, which I think is

1543
01:23:04.520 --> 01:23:07.680
<v Speaker 4>a gorgeous, gorgeous lesson and it's a complete rejection of

1544
01:23:07.720 --> 01:23:10.159
<v Speaker 4>the idea of celebrating vengeance. And yeah, that's not how

1545
01:23:10.159 --> 01:23:12.239
<v Speaker 4>the ritual appears to a lot of people. And when

1546
01:23:12.239 --> 01:23:14.399
<v Speaker 4>I've talked to people about this, like that's a lot

1547
01:23:14.399 --> 01:23:15.680
<v Speaker 4>of people are like, yeah, of course I knew that.

1548
01:23:15.800 --> 01:23:17.800
<v Speaker 4>And I was like, oh no, I thought that was

1549
01:23:17.800 --> 01:23:20.119
<v Speaker 4>a big like you know, raw Rock, God, you sent

1550
01:23:20.159 --> 01:23:21.880
<v Speaker 4>the plagues, you sent the boils. That's awesome.

1551
01:23:22.560 --> 01:23:24.640
<v Speaker 5>Yeah, No, that's that's my favorite part of the Stay

1552
01:23:24.720 --> 01:23:27.159
<v Speaker 5>or two And it is for exactly that reason, because

1553
01:23:27.199 --> 01:23:29.119
<v Speaker 5>of the meaning behind it. And we cannot have a

1554
01:23:29.159 --> 01:23:31.680
<v Speaker 5>full cup when it came at the cost of other

1555
01:23:31.880 --> 01:23:32.720
<v Speaker 5>people suffering.

1556
01:23:33.199 --> 01:23:36.880
<v Speaker 4>Right, all right, Well, we've now wandered very far from

1557
01:23:36.880 --> 01:23:39.399
<v Speaker 4>the topic, So any last thoughts from either of you

1558
01:23:39.520 --> 01:23:42.359
<v Speaker 4>on this topic. I think we completely wrapped up the

1559
01:23:42.359 --> 01:23:44.119
<v Speaker 4>topic of vengeance. Everything is solved. We can move on

1560
01:23:44.119 --> 01:23:44.600
<v Speaker 4>to the next thing.

1561
01:23:44.640 --> 01:23:55.680
<v Speaker 2>Next month is going to cost episode and the cycle

1562
01:23:55.720 --> 01:23:57.439
<v Speaker 2>of podcast vengeance will begin.

1563
01:23:57.720 --> 01:24:00.000
<v Speaker 4>Oh my god, Oh my god. Don't talk about vengeance

1564
01:24:00.199 --> 01:24:03.520
<v Speaker 4>and being wrong, Just just hang out on podcast Twitter,

1565
01:24:03.600 --> 01:24:07.960
<v Speaker 4>and you'll see all sorts of things. I'll say, I'd

1566
01:24:08.000 --> 01:24:11.880
<v Speaker 4>make this the last question for each of you. Favorite

1567
01:24:11.920 --> 01:24:14.920
<v Speaker 4>and least favorite example of vengeance as a character motivator.

1568
01:24:17.159 --> 01:24:19.159
<v Speaker 4>Oh gosh, and Riki hates when I don't let him

1569
01:24:19.159 --> 01:24:21.079
<v Speaker 4>prepare for questions like this, so I apologize.

1570
01:24:21.640 --> 01:24:23.840
<v Speaker 6>I mean, it's less that I hate, it is that

1571
01:24:23.880 --> 01:24:25.920
<v Speaker 6>I don't know where to start.

1572
01:24:28.319 --> 01:24:31.359
<v Speaker 4>I'll give mine. I think my least favorite is Punisher.

1573
01:24:31.399 --> 01:24:33.479
<v Speaker 4>I've talked a lot about the MCU Punisher because I

1574
01:24:33.479 --> 01:24:36.239
<v Speaker 4>feel like they really try to frame him as heroic

1575
01:24:36.319 --> 01:24:39.960
<v Speaker 4>in ways that are I guess to me, because again,

1576
01:24:40.079 --> 01:24:43.840
<v Speaker 4>like where I have a problem with vengeance is when

1577
01:24:43.880 --> 01:24:45.600
<v Speaker 4>it does blind you to the things that I think

1578
01:24:45.640 --> 01:24:48.479
<v Speaker 4>should be taken into account. When it's you you're looking

1579
01:24:48.479 --> 01:24:52.399
<v Speaker 4>for vengeance, you know, like the person who killed your

1580
01:24:52.439 --> 01:24:55.960
<v Speaker 4>father because they fundamentally believe that your father had done

1581
01:24:55.960 --> 01:24:58.560
<v Speaker 4>wrong and they had been lied to, manipulated, and now

1582
01:24:58.560 --> 01:25:01.119
<v Speaker 4>you want to kill that person like that. That, to me

1583
01:25:01.239 --> 01:25:03.159
<v Speaker 4>is what really happened a lot in the Punisher story.

1584
01:25:03.880 --> 01:25:07.840
<v Speaker 4>My favorite is I think because I see the word

1585
01:25:07.880 --> 01:25:10.239
<v Speaker 4>the words vendetta and vengeance is pretty much you know

1586
01:25:10.279 --> 01:25:13.239
<v Speaker 4>in Vendetta is an attempt to get vengeance is V

1587
01:25:13.239 --> 01:25:17.720
<v Speaker 4>for Vendetta because the biggest thing that I feel about vengeance,

1588
01:25:17.720 --> 01:25:19.520
<v Speaker 4>and here's the whole other thing that we haven't got into,

1589
01:25:19.640 --> 01:25:22.800
<v Speaker 4>is that vengeance is about destroying, it's not about building.

1590
01:25:23.000 --> 01:25:26.079
<v Speaker 4>And the fundamental thing I think that that V for

1591
01:25:26.199 --> 01:25:30.039
<v Speaker 4>Vendetta holds true is that, like, if if you're acting

1592
01:25:30.079 --> 01:25:33.600
<v Speaker 4>out of vengeance against one system, if that sense of

1593
01:25:33.680 --> 01:25:37.319
<v Speaker 4>vengeance is carried into the attempt to build the new system,

1594
01:25:37.479 --> 01:25:39.319
<v Speaker 4>you know, whether it's a new relationship, a new family,

1595
01:25:39.359 --> 01:25:41.760
<v Speaker 4>and new country, then everything is still gonna be about,

1596
01:25:41.800 --> 01:25:45.520
<v Speaker 4>you know, getting getting justice against the people who wronged you.

1597
01:25:46.359 --> 01:25:48.760
<v Speaker 4>And and the character of V fundamentally understands he is

1598
01:25:48.800 --> 01:25:51.279
<v Speaker 4>motivated by vengeance and so therefore he shouldn't be part

1599
01:25:51.319 --> 01:25:53.600
<v Speaker 4>of He's going to destroy the things he hates, but

1600
01:25:53.640 --> 01:25:55.800
<v Speaker 4>someone else should protect the things that they should love.

1601
01:25:56.560 --> 01:26:01.159
<v Speaker 4>So that that's my personal favorite.

1602
01:26:01.399 --> 01:26:02.399
<v Speaker 5>Freaky you got one?

1603
01:26:02.960 --> 01:26:07.399
<v Speaker 6>Okay, I had to google best stories of vengeance just

1604
01:26:07.439 --> 01:26:10.000
<v Speaker 6>to see like what was out there and to kind

1605
01:26:10.000 --> 01:26:15.640
<v Speaker 6>of have my my brain triggered looking at this. Absolutely

1606
01:26:15.720 --> 01:26:22.000
<v Speaker 6>like one of my favorites is Gladiator Maximis I foind

1607
01:26:22.079 --> 01:26:24.760
<v Speaker 6>It was just like a beautiful story, like he gets

1608
01:26:24.760 --> 01:26:31.239
<v Speaker 6>his vengeance upon the emperor, but then you know himself dies,

1609
01:26:32.119 --> 01:26:34.760
<v Speaker 6>but has also along the way, like helped other people,

1610
01:26:34.960 --> 01:26:38.640
<v Speaker 6>inspired people in a way. I've not seen Gladiator too.

1611
01:26:38.680 --> 01:26:41.880
<v Speaker 6>I don't know what happens, whether it's even a follow

1612
01:26:42.000 --> 01:26:44.920
<v Speaker 6>up to that story or not, but I just I

1613
01:26:44.960 --> 01:26:48.399
<v Speaker 6>love that movie. I love that character, and it's a

1614
01:26:48.720 --> 01:26:53.680
<v Speaker 6>it's a satisfying act of vengeance that is not doesn't

1615
01:26:53.880 --> 01:26:55.880
<v Speaker 6>trigger me in the ways that I talked about of

1616
01:26:55.920 --> 01:26:58.880
<v Speaker 6>like you know, like being too personal and bloody and

1617
01:26:58.920 --> 01:27:01.760
<v Speaker 6>all that. I think it's it's bloody like, but but

1618
01:27:01.800 --> 01:27:06.199
<v Speaker 6>it's a it's a nice, clean fight. My least favorite

1619
01:27:06.840 --> 01:27:10.960
<v Speaker 6>looking at this list, John Wick, Like, what the heck?

1620
01:27:12.840 --> 01:27:15.640
<v Speaker 6>I know, I know, like people love dogs and like

1621
01:27:15.920 --> 01:27:20.920
<v Speaker 6>does the dog dies a thing? But my dude, it's

1622
01:27:20.960 --> 01:27:24.399
<v Speaker 6>a dog. And I know it's a gift from your wife,

1623
01:27:24.680 --> 01:27:26.560
<v Speaker 6>but teacher, really like.

1624
01:27:28.159 --> 01:27:29.079
<v Speaker 4>Over the top.

1625
01:27:30.520 --> 01:27:32.119
<v Speaker 6>I love the heck John Wick.

1626
01:27:32.359 --> 01:27:34.600
<v Speaker 4>My girlfriend literally got a dog a week ago, so

1627
01:27:34.680 --> 01:27:36.760
<v Speaker 4>I have to kind of but it's funny. I was

1628
01:27:36.800 --> 01:27:39.000
<v Speaker 4>gonna mention John Wick earlier because I've offered heard people

1629
01:27:39.000 --> 01:27:41.800
<v Speaker 4>bring it up as it Yes, there's a connection to

1630
01:27:41.840 --> 01:27:44.960
<v Speaker 4>his wife, but it's not whose wife gets killed, and

1631
01:27:45.000 --> 01:27:47.560
<v Speaker 4>that it's not that they kind of take romance off

1632
01:27:47.560 --> 01:27:49.680
<v Speaker 4>the table entirely, and yes it is connected to her,

1633
01:27:50.119 --> 01:27:53.119
<v Speaker 4>but that it's not yet again a pretty woman who's

1634
01:27:53.119 --> 01:27:55.279
<v Speaker 4>brought on screen just to be fridged and be a

1635
01:27:55.359 --> 01:27:56.159
<v Speaker 4>character motivator.

1636
01:27:57.239 --> 01:27:59.840
<v Speaker 5>What's the line from Brooklyn ninety nine where Rosa gets

1637
01:27:59.840 --> 01:28:02.039
<v Speaker 5>the puppy and she's like, I've only had this puppy

1638
01:28:02.039 --> 01:28:03.680
<v Speaker 5>for a day and a half and if anything ever

1639
01:28:03.680 --> 01:28:05.640
<v Speaker 5>happened to him, I'd kill everyone in this room and

1640
01:28:05.640 --> 01:28:06.319
<v Speaker 5>then myself.

1641
01:28:06.640 --> 01:28:13.399
<v Speaker 4>I think that's exactly the liar, very popular meme. Jessica.

1642
01:28:13.479 --> 01:28:16.479
<v Speaker 4>You you very very slyly deflected on Jermiki, So you

1643
01:28:16.479 --> 01:28:17.880
<v Speaker 4>can think about it for another minute or two. Do

1644
01:28:18.199 --> 01:28:19.119
<v Speaker 4>you have yours?

1645
01:28:19.840 --> 01:28:22.960
<v Speaker 5>Yeah, so my least I knew my least favorite right away.

1646
01:28:23.000 --> 01:28:24.760
<v Speaker 5>I thought about it when you sent the topic over.

1647
01:28:24.840 --> 01:28:30.319
<v Speaker 9>I was like, I know Barry Allen, Oh god.

1648
01:28:30.239 --> 01:28:32.399
<v Speaker 4>I can't imagine him going for oh yeah.

1649
01:28:32.319 --> 01:28:35.039
<v Speaker 5>No, yeah you can, yeah you can because they don't

1650
01:28:35.039 --> 01:28:40.920
<v Speaker 5>stop doing that stupid story. So yeah, Barry Allen, like

1651
01:28:42.119 --> 01:28:46.600
<v Speaker 5>was introduced in nineteen fifty six, died in nineteen eighty

1652
01:28:46.640 --> 01:28:50.479
<v Speaker 5>five maybe eighty six. I don't know what month came

1653
01:28:50.520 --> 01:28:53.359
<v Speaker 5>back in what two thousand and five. Up until that point,

1654
01:28:53.760 --> 01:28:58.319
<v Speaker 5>he had a perfectly like happy home life. He had

1655
01:28:58.359 --> 01:29:03.079
<v Speaker 5>a very wholesome backstory, had no great tragedies. His wife died,

1656
01:29:03.119 --> 01:29:05.239
<v Speaker 5>but then it turned out she actually time traveled and

1657
01:29:05.319 --> 01:29:06.199
<v Speaker 5>she was fine.

1658
01:29:06.520 --> 01:29:07.840
<v Speaker 9>Like he didn't have.

1659
01:29:08.039 --> 01:29:11.319
<v Speaker 5>That the yeah, it's always time travel. He didn't have

1660
01:29:11.439 --> 01:29:15.920
<v Speaker 5>that like motivating tragedy. So in two thousand and five,

1661
01:29:15.960 --> 01:29:18.439
<v Speaker 5>when they brought him back and everybody was like, why

1662
01:29:18.439 --> 01:29:21.199
<v Speaker 5>would you bring back Barry Allen, He's so boring, they

1663
01:29:21.239 --> 01:29:23.479
<v Speaker 5>were like, no, we're gonna make him interesting. We're going

1664
01:29:23.560 --> 01:29:26.479
<v Speaker 5>to kill his mom, And all of a sudden, his

1665
01:29:26.560 --> 01:29:28.800
<v Speaker 5>story became about how his mom was murdered when he

1666
01:29:28.840 --> 01:29:30.680
<v Speaker 5>was a child. This was a retcon that had never

1667
01:29:30.720 --> 01:29:36.119
<v Speaker 5>been true before. And now he's like a gritty, very

1668
01:29:36.159 --> 01:29:39.079
<v Speaker 5>fast cop and he has to figure out who killed her.

1669
01:29:39.600 --> 01:29:41.920
<v Speaker 5>And that's how he got the Flashpoint story in the

1670
01:29:41.920 --> 01:29:43.840
<v Speaker 5>comics where he goes back in time to try to

1671
01:29:43.880 --> 01:29:45.720
<v Speaker 5>save her and he breaks the universe.

1672
01:29:45.760 --> 01:29:47.439
<v Speaker 9>And it led to the New fifty two, which I've

1673
01:29:47.439 --> 01:29:48.560
<v Speaker 9>never forgiven DC for.

1674
01:29:49.239 --> 01:29:51.560
<v Speaker 5>And then we got a Flashpoint animated movie, and then

1675
01:29:51.560 --> 01:29:53.640
<v Speaker 5>we got Flashpoint in the TV show, and then we

1676
01:29:53.640 --> 01:29:56.800
<v Speaker 5>got Flashpoint in the live action movie, and like, the

1677
01:29:56.880 --> 01:30:00.880
<v Speaker 5>thing is, it just doesn't fit Barry Allen's Like you said,

1678
01:30:01.199 --> 01:30:03.680
<v Speaker 5>I can't picture Barry Allen doing that. That's the only

1679
01:30:03.720 --> 01:30:06.640
<v Speaker 5>story they ever tell with Barry Allen. But it doesn't

1680
01:30:06.680 --> 01:30:10.279
<v Speaker 5>work for him because that's not the kind of character

1681
01:30:10.359 --> 01:30:13.279
<v Speaker 5>he is. And I just it makes me so mad,

1682
01:30:13.279 --> 01:30:14.560
<v Speaker 5>and they won't stop telling it.

1683
01:30:15.279 --> 01:30:19.159
<v Speaker 4>Yeah, no, that's very true. And it's funny because I love,

1684
01:30:19.479 --> 01:30:22.600
<v Speaker 4>you know, Grant Gusterson's flash, you know, the CW Flash.

1685
01:30:22.680 --> 01:30:25.880
<v Speaker 4>I think it's so good and it's funny that I've

1686
01:30:25.920 --> 01:30:28.159
<v Speaker 4>just blanked out how big a part of his story

1687
01:30:28.159 --> 01:30:31.239
<v Speaker 4>that is. But you know that, and you know, I think,

1688
01:30:31.239 --> 01:30:32.640
<v Speaker 4>do you try to tell some of the stories with him?

1689
01:30:32.640 --> 01:30:35.119
<v Speaker 4>They let him Gaslight Iris over and over and over

1690
01:30:35.159 --> 01:30:35.640
<v Speaker 4>again and.

1691
01:30:35.560 --> 01:30:40.159
<v Speaker 9>Horrible refreshing break from vengeance. Yes, letting your one true love.

1692
01:30:40.520 --> 01:30:41.680
<v Speaker 4>So what's your favorite?

1693
01:30:42.880 --> 01:30:45.640
<v Speaker 5>Well, I was gonna say Aego Montoya, and then I

1694
01:30:45.680 --> 01:30:48.760
<v Speaker 5>copied Riki and I googled best stories of vengeance just

1695
01:30:48.800 --> 01:30:50.520
<v Speaker 5>to see what popped up. And I do want to

1696
01:30:50.520 --> 01:30:52.319
<v Speaker 5>say that one of the results I got was just

1697
01:30:52.800 --> 01:30:56.560
<v Speaker 5>Aaron Burr No further explanation, which is hilarious.

1698
01:30:56.600 --> 01:31:02.079
<v Speaker 6>It is on this list for some reason. I ignored that, But.

1699
01:31:02.439 --> 01:31:04.399
<v Speaker 9>Who is the one getting the vengeance? Anyway?

1700
01:31:05.199 --> 01:31:07.359
<v Speaker 5>But two popped up that I really really loved, and

1701
01:31:07.439 --> 01:31:08.880
<v Speaker 5>I was like, oh, yeah, I wasn't even thinking of

1702
01:31:08.880 --> 01:31:12.600
<v Speaker 5>those because they're not at all superhero stories. One is

1703
01:31:13.039 --> 01:31:16.439
<v Speaker 5>Murder on the Orient Express Oh okay, which I think

1704
01:31:16.560 --> 01:31:18.640
<v Speaker 5>is a really I'm not going to spoil it for anybody,

1705
01:31:18.640 --> 01:31:21.279
<v Speaker 5>but you should read it if you haven't. But it's

1706
01:31:21.319 --> 01:31:26.319
<v Speaker 5>a really interesting way of We've been talking about how

1707
01:31:26.880 --> 01:31:30.439
<v Speaker 5>vengeance is extra judicial and it's outside of the rule

1708
01:31:30.479 --> 01:31:34.119
<v Speaker 5>of law, and there is a way in which the

1709
01:31:34.800 --> 01:31:41.159
<v Speaker 5>murder in this story there is an attempt to replicate

1710
01:31:41.560 --> 01:31:45.279
<v Speaker 5>the legal proceedings that cannot be gotten the normal way,

1711
01:31:46.239 --> 01:31:49.560
<v Speaker 5>which I think is really interesting and I will say

1712
01:31:49.560 --> 01:31:50.960
<v Speaker 5>no more highly recommended.

1713
01:31:51.479 --> 01:31:52.399
<v Speaker 9>And then the other one.

1714
01:31:52.279 --> 01:31:54.079
<v Speaker 5>That showed up on here, and I was like, oh, yeah,

1715
01:31:54.079 --> 01:31:55.920
<v Speaker 5>that's the one First Wives Club.

1716
01:31:57.279 --> 01:32:00.720
<v Speaker 4>Oh interesting, okay, yeah, because that's about I remember the

1717
01:32:00.760 --> 01:32:02.680
<v Speaker 4>first time I saw that, I thought it was about like,

1718
01:32:03.279 --> 01:32:05.920
<v Speaker 4>you know, wives of presidents, but no, it's about a

1719
01:32:05.960 --> 01:32:09.199
<v Speaker 4>bunch of women. It's about women whose husbands have divorced

1720
01:32:09.279 --> 01:32:11.520
<v Speaker 4>them for younger, younger, younger second wives.

1721
01:32:11.600 --> 01:32:15.760
<v Speaker 5>Right, yeah, yeah, it's it's well, this is the book

1722
01:32:15.800 --> 01:32:18.840
<v Speaker 5>that's popping up, but the movie is Diane Keaton and

1723
01:32:19.039 --> 01:32:23.520
<v Speaker 5>Bett Middler and Goldie Hawn and yes, all their husbands

1724
01:32:23.520 --> 01:32:25.720
<v Speaker 5>are leaving them for younger women and they decide to

1725
01:32:25.720 --> 01:32:29.359
<v Speaker 5>get revenge. Crucially, they are not murdering these men. They

1726
01:32:29.359 --> 01:32:31.680
<v Speaker 5>are just like stealing all their money and then they

1727
01:32:31.760 --> 01:32:35.640
<v Speaker 5>use it like their motivation is that their fourth best

1728
01:32:35.680 --> 01:32:38.199
<v Speaker 5>friend killed herself when this happened to her, and so

1729
01:32:38.199 --> 01:32:40.640
<v Speaker 5>they are using it to create like a I believe

1730
01:32:40.680 --> 01:32:44.479
<v Speaker 5>it's like a it's some nonprofit that's like in her

1731
01:32:44.560 --> 01:32:47.920
<v Speaker 5>name and is going to help women in similar situations.

1732
01:32:48.520 --> 01:32:53.560
<v Speaker 5>And it is very much about revenge, just like reclaiming

1733
01:32:53.560 --> 01:32:55.399
<v Speaker 5>one's agency and personhood.

1734
01:32:57.079 --> 01:32:58.279
<v Speaker 9>And it's also a comedy.

1735
01:32:58.359 --> 01:33:00.680
<v Speaker 5>Like I said, I like revenge, Calm is best and

1736
01:33:00.720 --> 01:33:03.279
<v Speaker 5>this one is very silly and again highly recommended.

1737
01:33:03.279 --> 01:33:04.840
<v Speaker 9>If you haven't seen it, you should.

1738
01:33:05.079 --> 01:33:06.439
<v Speaker 4>It is funny when you say that, because it also

1739
01:33:06.479 --> 01:33:08.760
<v Speaker 4>it reminds me of how many of like I love

1740
01:33:08.840 --> 01:33:11.319
<v Speaker 4>rom comms, and especially love like high school rom comms

1741
01:33:11.319 --> 01:33:13.920
<v Speaker 4>from like the eighties and nineties and an awful lot

1742
01:33:13.960 --> 01:33:17.000
<v Speaker 4>of them. Your main character gets bullied a lot, and

1743
01:33:17.000 --> 01:33:19.600
<v Speaker 4>that it's in the process of working out a revenge

1744
01:33:19.640 --> 01:33:23.359
<v Speaker 4>fantasy against the bully with the girl next door that

1745
01:33:23.399 --> 01:33:25.239
<v Speaker 4>they fall for each other. And that's just a very

1746
01:33:25.640 --> 01:33:29.000
<v Speaker 4>common but really fun, fun thing. So all right, well,

1747
01:33:29.039 --> 01:33:30.960
<v Speaker 4>it's just been great and to our listeners, thank you

1748
01:33:30.960 --> 01:33:33.039
<v Speaker 4>so much. We're hopefully not always going to be this long,

1749
01:33:33.079 --> 01:33:34.600
<v Speaker 4>but we're gonna have a lot to talk about, and

1750
01:33:34.640 --> 01:33:37.880
<v Speaker 4>I think the uh you know that that it's be

1751
01:33:37.920 --> 01:33:40.199
<v Speaker 4>fun to explore these What are your thoughts on vengeance,

1752
01:33:40.199 --> 01:33:42.520
<v Speaker 4>what are your thoughts on your favorite ways doesn't pay

1753
01:33:42.560 --> 01:33:44.840
<v Speaker 4>it out in stories, or how it applies to real life,

1754
01:33:44.880 --> 01:33:46.840
<v Speaker 4>or any of these things. Would love to hear from you.

1755
01:33:47.039 --> 01:33:48.800
<v Speaker 4>We'll also going to hear from you. What are other

1756
01:33:50.039 --> 01:33:53.159
<v Speaker 4>fundamental ethical questions of superheroes that you'd like us to explore.

1757
01:33:53.479 --> 01:33:55.439
<v Speaker 4>And of course this has been for everybody, but going forth,

1758
01:33:55.439 --> 01:33:57.600
<v Speaker 4>these will be members only episodes and you can become

1759
01:33:57.600 --> 01:34:00.000
<v Speaker 4>a member for only five dollars a month fifty five

1760
01:34:00.039 --> 01:34:02.039
<v Speaker 4>dollars a year. Write in the show notes you'll see

1761
01:34:02.079 --> 01:34:03.600
<v Speaker 4>the link, or if you just go to the Ethical

1762
01:34:03.640 --> 01:34:07.079
<v Speaker 4>Panda dot com that'll take you to the link. For

1763
01:34:07.159 --> 01:34:10.359
<v Speaker 4>that five dollars a month, you get ad free episodes.

1764
01:34:10.399 --> 01:34:12.960
<v Speaker 4>Every episode will be ad free and a member's only feed.

1765
01:34:13.319 --> 01:34:15.680
<v Speaker 4>Most of our episodes will have a bonus content from members,

1766
01:34:15.960 --> 01:34:18.079
<v Speaker 4>not this one, because this whole thing was bonus content.

1767
01:34:18.920 --> 01:34:20.600
<v Speaker 4>And also you get to know your support and you'll

1768
01:34:20.640 --> 01:34:23.680
<v Speaker 4>get the bonus episodes going forward. It is one membership

1769
01:34:23.760 --> 01:34:26.279
<v Speaker 4>for both this and the Star Wars Generations podcast. You

1770
01:34:26.319 --> 01:34:28.199
<v Speaker 4>get all that content, although you can choose not to

1771
01:34:28.239 --> 01:34:30.760
<v Speaker 4>if you're not a Star Wars fan. You can have

1772
01:34:30.840 --> 01:34:32.800
<v Speaker 4>just this one or just that one or both, totally

1773
01:34:32.880 --> 01:34:34.760
<v Speaker 4>up to you. And of course you get to help

1774
01:34:34.840 --> 01:34:37.359
<v Speaker 4>us keep the lights on, help us keep you know,

1775
01:34:37.439 --> 01:34:39.920
<v Speaker 4>good good microphones and other things like that, and just

1776
01:34:39.960 --> 01:34:41.800
<v Speaker 4>help us, you know, do all the things that go

1777
01:34:41.920 --> 01:34:44.600
<v Speaker 4>into helping us make this podcast for you and start

1778
01:34:44.640 --> 01:34:47.159
<v Speaker 4>these great conversations. So I'm half of myself. Thank you

1779
01:34:47.199 --> 01:34:49.600
<v Speaker 4>so much to our wonderful guests and wonderful co host.

1780
01:34:49.760 --> 01:34:52.039
<v Speaker 4>Thank you to you all for listening. We have spoken
