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Speaker 1: James Stewart as the six Shooter. The man in the

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saddle is angular and long lead. His skin is sun

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dried brown. The gun and his holster is gray steel

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and rainbow, mother of curl handle and marked.

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Speaker 2: People call them book The Six Shooters.

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Speaker 1: Coleman, America's leader in modern automatic home heating equipment, and

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the National Broadcasting Company present James Stewart as the Six Shooter,

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a transcribed series of dramas based on the life of

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Brick Constant, the Texas trainsman who wandered to the Western

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territories leading behind a trail of steel remembered legends. Now,

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in just the moment immediately following this important announcement, you'll

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hear Act one.

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Speaker 2: Of the six Shooter.

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Speaker 1: In a few years, our public schools will be as

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behind the times as the Little Red Schoolhouse. And it's

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estimated that by nineteen fifty six there will be some

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seven million more children in elementary schools than there are now.

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More equipment will be needed, and above all, more elementary

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school teachers. To help assure your child of proper education,

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join and work with local groups and schoolboys and for

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free information about how people in other communities are improving

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their schools. Right to this address, National Citizens Commission.

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Speaker 2: For the Public Schools. Two West forty fifth Street.

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Speaker 1: New York, nineteen, New York now Act one of the

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six Shooter starring James Stewart.

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Speaker 3: It was hot that afternoon, a low, falling kind of

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heat that seemed to be following us as we rode along.

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The sun hadn't come out in the morning, but about

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noon had pushed through the cloud about four o'clock, when

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I should have been cooling off just and I we

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still had about fifteen miles ago before we'd hit Lead Craig.

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That be where I figured on getting a job helping

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laid track on that new spur line of Salt Lake

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Study and not scar On. I frankly headed down a

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little gully. His ears pricked up and he jerked his head,

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and I wasn't sure whether they'd heard something or just sensed.

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You know, with a horse, it's pretty hard to tell

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where hearing leads off and sense and begins. It's my boy,

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and I heard it too. A wheeled scar off the

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trail about twenty yards before I saw him. He was

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lying in the shade of a yellow boulder and a

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pump of mesked young fella, just lying there. He looked

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comfortable and relaxed, like he was taking a siesta. But

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he couldn't have been enjoying himself too much, not with

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a big red stain like that across the front of

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his shirt. Ah ah, what's the trouble?

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Speaker 4: I had a little accent.

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Speaker 3: Yeah, yeah, it looks that way. What happened?

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Speaker 4: My horse threw me a couple hours ago, much landed

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on my garness, went on. See he hadn't got any water?

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Speaker 3: Sure? Sure? Uh oh, thanks lucky, lucky you came back.

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Speaker 4: Mister, you're a stranger range.

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Speaker 3: I'm just passing through. Yeah, not much of a start.

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Maybe I can fix the bandage for you for the time. Then,

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already fixed for.

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Speaker 4: There's my shirt tail. Don't seem to be doing much good.

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Speaker 3: Let me see if I can type it.

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Speaker 5: Hold on now, Uh.

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Speaker 3: You think you can ride? I don't know. You ain't

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seen my pony.

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Speaker 4: Uh, I don't know with a half.

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Speaker 3: Moon on his leg. No, No, I can't say. I

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have not run off, and I just don't worry about him.

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My horse will get us into the lead Craig, Lead Craig. Yeah,

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it's close to town, isn't it. Yeah, I guess it

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is all right. Now, let me give you a hand here.

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It ain't no use, miss, no, no, you gotta try it.

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I just just lean your weight on me, make it okay, okay,

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there's a cabin so west. I'm my labor right that. Why, oh,

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that'd be better than stand here. Now. I'm I'm gonna

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flift your feet out on that. Don't hurt plenty once

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you're in the saddle, and you'll be all right here, y'all.

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I'll take it real slow and I'll walk alongside the west.

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Speaker 6: You said, yeah, I should you appreciate this, mister, I should.

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Speaker 3: Over in the saddle, and I used to keep from

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the sliding on. We started off. About fifteen minutes later,

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I saw a cabin he's been talking about. It wasn't

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much more on her shack, only two three rolls and

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a couple of acres of fenced and pasture on a barn.

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I lead scarf with the front stoop and left the

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young collar off. He was still unconscious, which was all

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of it good, of course. I carried him up to

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the front door and gave it a couple of kicks,

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and kicked again, and the front opened. My home. Oh,

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and now you just lay there? Got to get some

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rest all around where where he passed out again, covered

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him with a blanket line across the foot of the cots.

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The supper was on the kitchen stove, beef stew snow

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pretty good. I opened the back door. I thought somebody

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cutting up a pile of kindling over near the barn.

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Whoever it was, she knew how to handle an act. Uh,

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where'd you come from? Now? I'm sorry if I frightened you, ma'am.

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I knocked on the front door, but I guess you

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couldn't hear me. Huh. I ain't got no hand up

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for tramps. Do on get out? Well, I'm not exactly

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a tramp, ma'am, although I'm not blaming you for a

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thinking that I've been riding.

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Speaker 6: For quite a spell. Well what do you want? Uh?

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Speaker 3: I run across the full a little while ago, and

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a gully just eased to hear. He'd been shot up,

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shot and he said his gun went off accidental. He

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hurt pretty bad. And since this place her was was

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the closest where is it? I put the liberty of

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putting them in the cart inside there? So I hope

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you don't like. She didn't wait even for me to finish.

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She just marched past me like I wasn't even there.

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I watched her a second that I followed he out

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of the house. H I'd never run into a woman

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exactly like her before. At first I thought she was

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a man, you know, the pants and check her shirt

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she was wearing. The boy she chopped up kindling, and

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they fooled me. She walked like a man.

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Speaker 5: Too, his stiff, square shoulders and.

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Speaker 3: All right, they were a woman's eyes, all right, kind

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of saw and young and frightened. Yeah, the rest of

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her been pretty in her eyes. You do be a

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fine little girl.

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Speaker 5: Take that rag off while I fixed a new bandage.

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Speaker 3: That's uh ah, it's a shame to tear up a

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fancy petticoat like that. I got no need for petticoats.

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Speaker 1: Can you turn him on his side?

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Speaker 3: That's better.

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Speaker 4: If I can just.

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Speaker 3: Get the bleeding to stuff. You know him, ma'am?

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Speaker 2: No?

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Speaker 3: Why should have I just thought, since you was in

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your neighborhood, not to postest by here.

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Speaker 6: That don't mean I know him.

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Speaker 3: I don't know you needed. Oh oh sorry, my name's

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Ponset Brick ponset. I'm pretty use somewhere, haven't I. No, No,

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not likely. The first time I've been around ed Craig.

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Here get a pocket knife. Uh yeah, thanks, I enjoyed.

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You're doing a real good job on him. You know

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your your husband off somewhere today.

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Speaker 1: I'm not married.

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Speaker 3: Oh, I must get kind of lonely out here all

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by yourself. Do I like being alone? I don't want

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a lot of people around me. No, I can't say

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I blame you. I never been much on congregating myself.

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I always suld of like to Well, yeah, that's bleeding's

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letting up of. Oh, I just help his off man

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when I get into town. I'll find the doctor out here.

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Speaker 6: No, no, you can't.

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Speaker 3: What I mean, is there there is no doctor in

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Lead Creek?

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Speaker 5: Oh he moved away a couple of years ago.

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Speaker 3: Well there must be a doctor somewhere, Robby. No, not

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within one hundred miles.

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Speaker 2: I have to take care of him myself.

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Speaker 3: Well, maybe I can find somewhere to help you. You know,

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since I brought him in here, I'd rather do it alone.

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I'll manager right. Well, that's pretty decent of you, but

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I him being a stranger. Ah, go on, mister. Yes, ma'am,

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you won't.

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Speaker 4: Tell the folks in counties here.

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Speaker 3: M hmm. Well he's a stranger, like you said, he

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don't concern them, and I don't want him laughing at me.

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They'd say Jenny Garbs finally got her stuff am in

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if he wasn't unconscious.

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Speaker 6: He's never a manage So you won't tell him, will you.

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Speaker 3: Well, I guy, don't suppose anybody will asks me about it?

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All right? Easy, boys, easy, what are you looking at? Well,

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I've just noticed on those horses over in the pasture

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there though, we'll go yours. Yes, yes they are why

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no reason? No tenth dog looks like go do animal

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to them? What do you call them? Names?

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Speaker 6: Moon? Because of the mocking on his flank looks like

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a high moon.

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Speaker 3: Yeah, yeah, I can say. Yeah. Well, I hope the

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patient doesn't give you too much trouble.

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Speaker 5: All right, the don went down, but it didn't cool

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off much.

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Speaker 3: Maybe when the moon came out there'd be a little breeze.

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I've been riding for a couple of hours since I

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left the cabin. They don't had five or six miles

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go for a hip leg chick. Well, coming to a

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nast canyon when I heard a little rustling down. The

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first of talking about it is I breeze. I've been

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waiting for the next thing.

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Speaker 6: I know.

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Speaker 3: I was behind the rock. I wasn't quite sure how

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I got there. I guess my legs sort of took

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over without me having to tell him what to do.

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Speaker 6: You ain't got a chance next, well come out from

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behind gold Roxton keeps your hands up. I'll be glad

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to ablige, but I ain't nest whoever he is closing

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that surf.

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Speaker 5: Hmm.

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Speaker 6: Oh well, it's like they made a little mistake.

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Speaker 3: Boy. You are right, mister, and I was very damage.

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Speaker 6: I guess I had to bother at you. What are

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you doing out here?

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Speaker 2: Anyway?

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Speaker 3: I was heading for town. I heard there might be

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some work on the new railroad, so I.

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Speaker 6: Might sign up for a style. I guess they can

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always use another man. My name's geort Urff.

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Speaker 2: Jim York, I have place make your shaff.

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Speaker 3: I'm Britt Ponted.

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Speaker 6: Ponted.

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Speaker 5: Some want to call sick shooter.

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Speaker 2: I didn't know you were in these parts.

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Speaker 6: Boys. Meet Britt Ponton, Brits. This is Sam Norvile, Tom Jackson,

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Harry Potter alright, how Britt the man who brought him

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the Phoenix kid kid had the drop on him too,

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but he never got a chance full of trigger. At

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least that's the way folks tell us.

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Speaker 3: Between the dawn and the talon, you know, there's to

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be some exaggeration.

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Speaker 6: Well, anyway, I'm sure glad we run into you tonight.

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That six gun of yours might come in handy. Oh yeah,

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we're looking for net Landy. That's who we thought you

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was at first.

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Speaker 3: I figure something like that. I watched this landing enough.

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Speaker 6: To trouble for the last three months, pulled up a

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couple of shooting spreeze poke into Harry's bank last night.

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Kill Harry's brother. I've taken a post. He asked him before,

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but we always seemed to lose him in these hills.

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We weren't getting to night though, picked up his trail

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this morning, even spotted him for a minute or two

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on the fire side the Devil's canon.

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Speaker 2: Over the trees.

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Speaker 6: I got off a shot, thought out hit him for sure,

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but again heam was off anyway. He gave us the

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slip again.

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Speaker 3: What you look like?

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Speaker 6: Oh he's young, about twenty three, I say, George wiry

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white hair rides the pindle.

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Speaker 2: You ain't seen him?

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Speaker 3: Yeah, yeah, I guess I have.

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Speaker 6: Yeah, where was it?

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Speaker 3: I left another cabin about nine miles back, and your

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aim was all right this morning the sheriff, he's kind

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of bullet in his stich because he said he'd shot

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himself by acting.

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Speaker 6: The only cabin out.

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Speaker 2: Just where is Jenny Garbs.

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Speaker 3: That's that's the woman. That's the woman who lived there.

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Speaker 2: Well, come on, boys, let's cool.

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Speaker 3: You coming to b oh no, you want to need

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any help. Shaft of land. He's not likely to last

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line affore, you get him into town.

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Speaker 6: And I was saying, well, we'll get him in all right,

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will see to that the doc.

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Speaker 3: But I understood what honey.

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Speaker 6: Damn, here's the doctor. See that's what he's been claiming

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for the past twenty years.

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Speaker 3: Yeah, just waite a minute, shaft, Come on, you know

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I've changed my mind.

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Speaker 6: I think that that will ride a fair way.

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Speaker 3: Here.

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Speaker 2: We'll return to James Stewart as the six shooter in

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a moment. First, a word from Coleman, America's leader in

254
00:15:17,480 --> 00:15:23,919
modern automatic home heating equipment. You'll be glad this winter

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00:15:24,039 --> 00:15:25,639
you bought a Coleman heater this fall.

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Speaker 6: Yes, as you sit back in your easy chair, snug

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00:15:28,639 --> 00:15:31,240
and comfortable, you'll be glad you bought a Coleman heater.

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00:15:31,480 --> 00:15:33,879
You'll enjoy a floridacealing want in those rooms you could

259
00:15:33,919 --> 00:15:36,720
never heat before. Yes, you're Coleman oil or gas heater.

260
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Now during Coleman's Big Bonus fail, here's what you gas.

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First bonus a new low price Yes, now you can

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00:15:42,519 --> 00:15:45,679
get a dependable Coleman automatic heater. The new low price.

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Second bonus a new low operating costs.

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00:15:47,919 --> 00:15:48,879
Speaker 2: Coleman saves you.

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00:15:48,960 --> 00:15:51,679
Speaker 6: Up to twenty five percent on heating bills because Coleman

266
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gives you maximum heat from your fuel. Third bonus a

267
00:15:54,559 --> 00:15:57,320
thirty two piece set of Libby's Safe Edge glassware worth

268
00:15:57,440 --> 00:16:00,679
fourteen dollars. It's free with your new coal eater. Get

269
00:16:00,759 --> 00:16:04,320
three big bonuses. Get your Coleman oil or gas heater

270
00:16:04,480 --> 00:16:07,480
now during Coleman Big Bonus fails. This fails for a

271
00:16:07,559 --> 00:16:10,840
limited time only. So see you're Coleman dealer. Tomorrow you'll

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00:16:10,879 --> 00:16:13,440
find his name and addressing your telephone directory.

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Speaker 3: Now.

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Speaker 1: Act two of the six shooters, starring James Stewart, About

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an hour and a half.

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Speaker 3: After I met up with a sheriff. We came to

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a little stream trickling down the hill, just off the trail.

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I'd nursed when I passed five before. I hadn't there's

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any water around, and scar hadn't smaller either. Air there's

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the quiet and everything. And he pulled up together the horses.

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Chance got a drink.

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Speaker 6: Well, I guess ain't no rush.

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Speaker 3: And that's the bad off.

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Speaker 6: As you say, something funny, I was just thinking about

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Jenny Garbage. Oh yep, she's finally got her help a man.

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He's going to be real temporary. Can't take you there.

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Speaker 1: Yeah, And if he didn't have a bullet in him,

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I bet he'd take off the first time he got

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to look at her.

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Speaker 6: Well, I said, Dick Wren, a bullet to keep me there?

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Speaker 3: Me too, Jo The something wrong with Jenny, Well you

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see the eurasi. Yeah. Well, well I guess she's no beauty.

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Speaker 6: Now that's given her the benefit of the doubt. Now,

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if you asked me, my horse is better looking.

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Speaker 3: You know, Shaft and a lot of plain women seem

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to get along all life. But I done some plenty

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on't you know.

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Speaker 2: Well, it ain't justice.

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Speaker 6: Jenny's ugly but she's a darned awkward and big Why

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even when she was a little girl living in town,

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she was always a head tall in any boy parade,

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and stronger too. I guess they've had enough.

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Speaker 2: Everything was her post to procure about.

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Speaker 6: Jenny wouldn't admit she was any different from the other girl.

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You remember how they used to dress her, all those

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fancy clothes with frills and ribbons. One made her looked

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twice as who said she would have otherwise? You know

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her father used to speak of the party to the

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square dancers, but he was the only one whoever dance

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with it. No, sir, I don't think a single boy

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in town courted her, not one. You're you're forgetting Willie Franklin.

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Oh sure, well Franklin, Yeah, he's quite a cut up

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made of that one night with some of the fellas

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and said he'd get Jenny to agree to marry him.

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He took her out, and he's waggon and proposed. Of course,

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she said yes, But I know that Willie's friends was

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all hidden in the back of the wave. At leastwise

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she didn't know it until they all busted out laughing.

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Speaker 2: It was right after that folk jard wasn't here.

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Speaker 6: Yeah, yeah, that's when she bought this cabin about five

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years ago. Come to think of us, So Jenny can't

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be more than twenty five or six. Looks a whole

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lot older, though, wouldn't you say so?

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Speaker 3: Britt? Oh, I don't know. I'm not much good to

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judging agees Bankfually a.

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Speaker 2: Woman there's a place, got ahead, last lines must be up.

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Sure she's up all right?

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Speaker 6: First time she ever had a man within touching distancing?

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Speaker 3: What's not?

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Speaker 5: Yah?

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Speaker 6: Better leave the horses here and go the rest away

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on foot.

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Speaker 3: Oh no, Liane's not after giving any trouble.

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Speaker 6: Oh, you never can tell. You may be feeling better

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by now.

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Speaker 3: Yeah, I'm not that much.

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Speaker 6: He's seen us.

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Speaker 3: Didn't waste no time about him either.

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Speaker 6: He wasn't sick, you thought, Rick or else? You made

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a mighty fast recovery. You'll never hit him from down here?

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Speaker 2: What are you suppose happened to Jenny? I don't know

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nothing about her.

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Speaker 6: He's probably got her half scared to death. Well we'll

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have to rush him.

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Speaker 2: Ain't gonna be easy, sheriff for this moon. He should

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have spottedus.

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Speaker 6: What's all we can do?

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Speaker 3: Sam?

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00:20:19,680 --> 00:20:21,119
Speaker 6: You and Harry Seth who can make it up to

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00:20:21,119 --> 00:20:21,759
the fence over there?

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Speaker 3: Right?

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Speaker 5: Okay, okay, how far twice?

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Speaker 3: That'll be the signal to close in hold on a man.

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Speaker 2: Yeah, just hold up there now.

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Speaker 3: If we go plowing up in front of that cabin,

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somebody's gonna get hurt.

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Speaker 6: Well, what's a man of pot You've been shot at before?

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Speaker 3: Well that doesn't mean exactly. I like the idea. And besides,

359
00:20:45,759 --> 00:20:47,759
there's another way of getting in the door around back,

360
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and there are a couple of trees back.

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Speaker 2: Oh no, he'll be watching the back door.

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Speaker 3: That's no fool, I know, but it's worth a try.

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All right, I'll go with you, no way, Just let

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me go along. One man may have to be so mean.

365
00:21:00,599 --> 00:21:03,000
You just keep firing. And if I ain't back in

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five minutes, so we'll take them your way.

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Speaker 6: Huh, I been, I won't wait, No want.

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Speaker 3: Yeah. I hunched down a long and I started circling

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through the rear of the cabin and it was much

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covered and just rocks a couple of scrub pines. Anyway,

371
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nobody was shooting at me, yet still find nobody to

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00:21:29,720 --> 00:21:32,799
see me. I come up along the side of the barn,

373
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and the back door was just just ahead. Now I

374
00:21:37,079 --> 00:21:40,599
still had about twenty years to go. I ran forward

375
00:21:40,680 --> 00:21:44,240
in my foot corf. I tripped over some of my

376
00:21:44,400 --> 00:21:47,039
kindling Jenny stacked up there in the afternoon. I lay

377
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I like quiet from it. I just waited. It sounded

378
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to me like I made enough noise so they could

379
00:21:55,720 --> 00:22:01,680
hear it down the lead Craig huh huh. Shooting wasn't

380
00:22:01,680 --> 00:22:03,880
in my direction. So I got up on my knees

381
00:22:03,920 --> 00:22:07,279
and I raced for the Cabins opened up the door.

382
00:22:07,640 --> 00:22:10,079
I kept on going. When I got into the living

383
00:22:10,200 --> 00:22:16,400
room life, I'm sorry. I figured Ride that was on

384
00:22:16,480 --> 00:22:20,519
the cop just where I left him hadn't moved. It

385
00:22:20,680 --> 00:22:24,319
was Jenny who was during the fire, and she swung around.

386
00:22:24,400 --> 00:22:26,839
She pointed the revolver outd me. Her eyes weren't soft,

387
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not anymore.

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00:22:27,759 --> 00:22:31,519
Speaker 6: You told him you brought him here. I would have

389
00:22:31,599 --> 00:22:33,319
taken him away as soon as he was well enough.

390
00:22:33,640 --> 00:22:35,200
Why couldn't you let us alone?

391
00:22:36,400 --> 00:22:38,440
Speaker 3: I killed a man last night. I don't care.

392
00:22:38,680 --> 00:22:39,920
Speaker 5: I don't care what he does.

393
00:22:40,319 --> 00:22:42,039
Speaker 3: As long as he needs me, I'll stand by him

394
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and help him. Neither to hide that. I must have

395
00:22:45,440 --> 00:22:47,440
been staying here for some time, or his pony wouldn't

396
00:22:47,440 --> 00:22:49,640
have had enough sense to come back here with zwing

397
00:22:49,680 --> 00:22:54,240
a cord. I'm gonna start closing in, Jenny.

398
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Speaker 6: You're not gonna take him away from me.

399
00:22:57,160 --> 00:22:59,400
Speaker 2: I won't let net.

400
00:22:59,640 --> 00:23:02,799
Speaker 3: Like he told me, he likes me, and he's the

401
00:23:02,880 --> 00:23:06,920
first person who ever did, even if it isn't true,

402
00:23:07,440 --> 00:23:08,759
even if he didn't really mean it.

403
00:23:09,039 --> 00:23:10,720
Speaker 2: He didn't laugh at me like the others.

404
00:23:11,240 --> 00:23:15,480
Speaker 3: He didn't mind my look. Even my mother said it.

405
00:23:15,920 --> 00:23:19,279
Speaker 6: But I won't not now never thank me with it.

406
00:23:19,920 --> 00:23:20,839
Speaker 3: You'll marry me.

407
00:23:21,400 --> 00:23:30,200
Speaker 6: I know he Willand I can't let you take him away, no.

408
00:23:30,359 --> 00:23:34,240
Speaker 3: Matter what, not even if I ever won't help him.

409
00:23:34,240 --> 00:23:39,400
That the only way I can keep you. God to

410
00:23:39,519 --> 00:23:45,839
stop you somehow, you and the others out there. Oh,

411
00:23:45,880 --> 00:23:49,640
there's no way you can keep him, Johnny, He's dead.

412
00:23:52,519 --> 00:23:56,440
I'll turn around, turn around looking. I'm not trying to

413
00:23:56,519 --> 00:24:00,720
catch you off guard. Just turn around. Hadn't been breathing

414
00:24:00,839 --> 00:24:01,559
up since I came in.

415
00:24:07,279 --> 00:24:12,039
Speaker 5: He loved me, love me.

416
00:24:18,720 --> 00:24:19,480
Speaker 2: Oh my god, I'm not.

417
00:24:20,640 --> 00:24:22,559
Speaker 3: I might have known you take ar That was me

418
00:24:22,680 --> 00:24:25,880
shure asked with you, huh your bullets from this afternoon.

419
00:24:26,240 --> 00:24:26,960
I'll be done.

420
00:24:27,400 --> 00:24:27,880
Speaker 5: I told you.

421
00:24:27,880 --> 00:24:30,119
Speaker 6: I was sure I'd hit him, Remember Tom, I told you.

422
00:24:30,359 --> 00:24:32,200
Speaker 2: And how come he was able to hold us off?

423
00:24:32,319 --> 00:24:34,319
Speaker 6: Just now, Well, he was a tough one to kill.

424
00:24:34,519 --> 00:24:36,599
He wouldn't give up the strain of shooting that as

425
00:24:36,680 --> 00:24:38,960
much to finally finished him. Ain't that the way you figured,

426
00:24:39,000 --> 00:24:48,480
brit something like that. What's the matter with her gun played, Bobby, Jimmy,

427
00:24:50,279 --> 00:25:00,640
Come on, sure is funny how women are scared of gunfires. Everyone,

428
00:25:01,440 --> 00:25:06,880
even Jinny. Well he just goes destoyer that underneath they're

429
00:25:06,920 --> 00:25:08,079
all pretty much alike.

430
00:25:08,680 --> 00:25:23,599
Speaker 3: Yeah, yeah, I guess there. Well that was very the

431
00:25:23,720 --> 00:25:27,400
next day, and there was one bunch of flowers at

432
00:25:27,440 --> 00:25:32,559
the funeral, wild daisies. Folks just couldn't figure out who son.

433
00:25:34,880 --> 00:25:38,240
And you know that. They tell me that it was

434
00:25:38,400 --> 00:25:42,480
right about then that Jenny Garver started acting different.

435
00:25:42,759 --> 00:25:42,880
Speaker 5: Oh.

436
00:25:42,960 --> 00:25:44,799
Speaker 3: I don't mean she got pretty or anything like that,

437
00:25:45,000 --> 00:25:49,720
but she didn't seem more confident. She just seemed a

438
00:25:49,759 --> 00:25:50,720
little more sure.

439
00:25:50,839 --> 00:25:51,119
Speaker 6: For so.

440
00:25:52,960 --> 00:25:55,279
Speaker 3: People said, if they didn't know about it, they'd swear

441
00:25:55,359 --> 00:25:56,839
that a man had something to do with the way

442
00:25:56,920 --> 00:25:58,920
she'd changed. But of course they all knew better.

443
00:26:14,759 --> 00:26:16,559
Speaker 1: I'd like to take a minute here to remind you

444
00:26:16,640 --> 00:26:18,759
about some of the great entertainment in store for you

445
00:26:18,920 --> 00:26:19,240
later in.

446
00:26:19,279 --> 00:26:20,559
Speaker 2: The week on NBC Radio.

447
00:26:21,079 --> 00:26:23,279
Speaker 1: Next Friday Night marks the fall return to the air

448
00:26:23,359 --> 00:26:25,440
of both The Bob Hope Show and The Phil Harris

449
00:26:25,480 --> 00:26:29,079
Alas Fay Show. Both these great comedy programs, formerly heard

450
00:26:29,119 --> 00:26:32,079
on different days, now join forces to make Friday Night

451
00:26:32,119 --> 00:26:34,240
a talk listening night on NBC Radio.

452
00:26:34,839 --> 00:26:37,480
Speaker 2: The new Bob Hope Friday Night Show will feature well known.

453
00:26:37,359 --> 00:26:40,640
Speaker 1: Guest artists, the music of Les Brown and his Band

454
00:26:40,680 --> 00:26:43,839
of Renown, and the vocal talents of Lovely Margaret Whiting,

455
00:26:44,359 --> 00:26:45,559
and of course Bob will be.

456
00:26:45,640 --> 00:26:48,400
Speaker 2: In there delivering his rapid fire topical humor.

457
00:26:49,000 --> 00:26:51,440
Speaker 1: You find that The Bob Hope Show is most enjoyable

458
00:26:51,519 --> 00:26:55,799
listening each Friday Night on NBC Radio, and immediately following

459
00:26:55,880 --> 00:26:58,880
Bob Hope, listen to The Phil Harris Alas Fay Show,

460
00:26:59,200 --> 00:27:01,720
and Alice has brother William to keep her informed of

461
00:27:01,839 --> 00:27:03,160
Phil's hilarious actions.

462
00:27:03,799 --> 00:27:06,680
Speaker 6: Also in the talent Field cast, you will hear Julius

463
00:27:06,720 --> 00:27:10,960
Abrugio and Little Alice and Phillips. You'll hear wonderful comedy

464
00:27:11,039 --> 00:27:13,160
every Friday Night, beginning this Friday Night.

465
00:27:13,119 --> 00:27:16,480
Speaker 2: On NBC Radio. Yes for the best in Friday Night

466
00:27:16,599 --> 00:27:19,720
radio entertainment Remember the tune where you hear the familiar

467
00:27:19,759 --> 00:27:21,279
three Giants for The.

468
00:27:21,319 --> 00:27:23,680
Speaker 1: Bob Hope Show and The Phil Harris Aalas Face Show,

469
00:27:24,119 --> 00:27:38,039
two great programs returning this Friday to NBC Radio. Coleman,

470
00:27:38,359 --> 00:27:41,880
America's leader in modern automatic home heating equipment, and the

471
00:27:41,960 --> 00:27:43,599
National Broadcasting.

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Speaker 2: Company have presented James Stewart as the six Shooter.

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Speaker 1: Mister Stewart may currently be seen in the Universal International

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picture thunder Bay. The Six Shooter is an NBC Radio

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Network production in association with Review Production. It is based

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on the character created by Frankfurt, and today's transcribed story

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was written by him. Special music was by Basil Adlam and.

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Speaker 6: Heard in the cast were d. J.

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Speaker 2: Thompton, Jess Kirkpatrick, George Need, and Terry Parker.

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Speaker 1: The entire production is under the direction of Jack Johnstone.

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All characters and incidents were fictitious, and any resemblance to

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actual characters or incidents is purely coincidental.

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Speaker 3: Hell get me speaking