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Speaker 1: Welcome to the fairy Tales of Princess Power. With me,

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Melody B. Class is in session. But this isn't just

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any school. This is the Princess Academy. And you, honey,

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are a Princess Professor. I am Melody B. And I

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will be a fly on the wall or a bee

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on the wall while you and your best friend Princess

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Power teach the next generation of princesses how to princess.

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Speaker 2: Give me a crown and a rule book. I'll take

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a both. If it can't be questioned, it can't be princessed.

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It might get messy, but that's always more fun.

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Speaker 1: Today at the Princess Academy, the Princess Professors prepare for

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one of the most highly anticipated days of the school year,

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open house, and they do this by accidentally turning the

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Grand Banquet Hall into three completely different kingdoms to teach

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about harmony, survival, and innovation at the same time in

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the same exact room, and not exactly on purpose. I

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think this will be fun. I can't say as much

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for the principle of the Academy. Whoops. All you have

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to do is close your eyes, get cozy and listen

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to the sound of my voice, Melody Bee, will be

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your guide. Let's begin. You are here approaching the grand

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baquet hall of the Honeybee Princess Academy, where the stone

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walls hold centuries of wisdom and the floor shines with

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the sparkling toil of a thousand nervous fairies. Looking down

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at your favorite pair of glittering shoes you picked out

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for this special occasion, you soften your already careful footsteps

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so as to not scuff the shine. As you make

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your way through the awe inspiring threshold, take a slow,

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deep breath in through your feel your chest and your

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spirits lift, lightened by the fresh scent of lemon polish

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wafting through the rows of ceremonial books that line the

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heavy wooden shelves. Then slowly breathe all the way out

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for your mouth. If you tilt your head just a little,

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you can feel something rather unexpected in the air. What

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is that you sense is that a breeze inside in

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a room with no open windows. Look your head all

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the way up until you can feel a little stretch

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and see that a portion of the roof is now

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a sun roof. Typically, this room has a full roof. Typically,

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this elegant regal room is used for dignified assemblies, inspiring speeches,

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and is host to only the most polite volume of applause.

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But today today is open house. More specifically, the house

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is open for loved ones of the pupils to meet

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the professors. The loved ones are set to arrive mere

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minutes from now in preparation, but without the Principle's knowledge,

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the banquet hall has been divided into three quote unquote

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learning realms, not by a committee or a plan, but

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by three princess professors who all had the same thought

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at the same time, without any prompting it, giving ex

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On your left stands Princess Petra, pure elegance, that has

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been here preparing her realm since sunrise. On your right

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their survival. Princess Pia is not currently here, but you

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can tell this is her doing, and above your head

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a brand new problem caused by none other.

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Speaker 3: Than honey, it's me, Princess Powell. Over here, no here.

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Speaker 1: Before you can make your way to Princess Powa, you

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are whisked away in a flurry of rose petals, which

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are actually Princess Petra's fairies, her gal pals who have

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been with her since dawn preparing her portion of the presentation.

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Speaker 4: Ladies, this is a curated experience. Remember, not a muddy

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dog pile like that side of the room. Be gentle

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with the guests. Oh, Honey, I see you've met the

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welcoming committee Galandria, the new gals haven't yet met. Honey,

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Honey is not a guest, but the most distinguished Princess

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professor on the faculty. Please rectify this grave error. Accept

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my sincerest apologies, my dearest Honey. Galentha, Galicia, Golowin, Galfia

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and Galencia are a little excitable.

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Speaker 2: The rose petals are kind of nice, though.

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Speaker 1: Right in a sparkling blink, the fairies rebundled the rose

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petal confetti and straighten up your hair and outfit for you,

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as Princess Petra gives you the grand tour of what

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she's deemed the Finer Realm. The chairs are velvet, the

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tables polished, and the teacups appear to be too antique

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to actually touch. Everything is in such order. This is

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so pristine that Princess Petra can see a single speck

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of dust floating on the air. The only speck not

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to reflect the light of the sparkle clouds emanating from

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the fairies ck.

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Speaker 4: Please pardon our disgust. Galindra Dust now.

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Speaker 1: Just as horrified by the spec as Petra. The head

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fairy in charge of tidiness, captures the nearly invisible speck

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from the air with an impossibly tiny net and holds

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her breath as she escorts the dust outside.

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Speaker 4: Galpals, Please, we are hosting open house to show the

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loved ones of our beloved pupils exactly what we are about.

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Everything needs to be perfect. Continue your tidy.

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Speaker 2: Excuse me, mams.

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Speaker 4: We do not fly at that speed near the antique china.

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Do you want to create a breeze? My porcelain cannot

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withstand such violence.

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Speaker 1: Princess Petra briskly walks over to the flurry of fairies

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who fly well above her yet look up to her

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for every little thing. They part just enough for her

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to run through and place tiny signs on each teacup,

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one by one with utmost seriousness.

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Speaker 4: Do not touch, do not breathe, and this one says,

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do not think about touching.

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Speaker 5: Did you hear that, Galensia.

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Speaker 3: This new generation of fairies are so diffined, they'll fall

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in line.

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Speaker 2: They always do at what cost.

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Speaker 1: Honey. You blink slowly because you're polite, but also because

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you're wondering if this house is perhaps too open, and

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then you hear it. Not Petra's fall to the ground,

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which was broken by thousands of fairies who promptly recovered

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her consciousness after fainting, but Princess Pia arriving to the

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open house in her own particular style, that is, with

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muddy feet and a wheelbarrow in tow. She winks at

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you as she walks by, mud squelching beneath her feet,

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and dumps a wheelbarrow full of dirt onto the hardwood floor.

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The polish wood boards disappear under mud, like the room

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is being swallowed by a swamp.

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Speaker 2: This is a BiVO whack. I know what you're thinking, honey.

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Speaker 6: But shoes muddle you're thinking you would know that if

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you weren't wearing shoes.

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Speaker 1: Pia sits on the upturned wheelbarrow like it's a throne,

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because for all intents and purposes it is. She sits

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in perfect silence, sharpening a stick with a rock, calmly, patiently,

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slightly annoyed at having to do so.

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Speaker 6: The loved ones of our students need to know we're

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teaching the princesses valuable lessons survival, shelter, foraging, tactical silence.

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Speaker 1: You think her list of concerns has come to an end,

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and open your mouth to speak.

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Speaker 6: How to stare down a threat without blue.

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Speaker 1: Princess Pias stares unblinkingly at Princess Petra, who has been

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revived and is approaching quite rapidly.

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Speaker 6: Loved ones will respect this, will respect us for this

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is that? Is she?

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Speaker 3: How?

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Speaker 1: Why faster than even ps reflexes? The fairies rush to

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Princess Petra's side, her right side specifically, or what she

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calls her best side for fainting. Princess Pia nods approvingly

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at her former roommate's instincts. You look up, wide eyed

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and astonished, as if you can look through your own

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mind for an answer that could possibly solve what's happening

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right now, wondering if you will need to carry this

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entire open house on your own when your gaze meets

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princess palace. Finally, wait, why is Princess Paua up so

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high with a woodworking saw?

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Speaker 3: Okay, so great news. The classroom renovations are going to

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be done on time. Here is the open air observatory workshop.

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Speaker 1: A beam of daylight pours through the opening. You can

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feel it warm your cheeks. You can hear birds outside

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close enough that it almost sounds like they're part of

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the lesson plan. Take another slow, deep breath in through

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your nose. Feel the cool air coming in through your nose,

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expand in your chest as your heart beats once three times,

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then slowly breathe all the way out through your mouth.

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Princess Petra and Princess Pia run over to join you,

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and standing beneath two double stacked wooden ladders held together

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by two rather large and even more helpful ogres, you

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ready yourself for the slew bickering that will surely start

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to fly from each of the princesses at your side. Instead,

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in a remarkable feat of harmony, this brings them together.

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Speaker 3: Incredible, You've outgone yourself, Paula. Thanks, I feel really good

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about this open house. Now we can study the stars

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and the clouds and the constellations that look like an archer,

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or maybe it's a spoon holding a smaller spoon. Either way,

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it's educational honey, I'll be right down to show you around.

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Speaker 1: You stand there, honey, as steady as ever, flanked by

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Princess Pia and Princess Petra, who both drape their arms

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around your shoulders. While you will love this moment of

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friendship and harmony, your experience tells you that this kind

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of placid peace tends to be short lived in the

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Kingdom of Ronzio, and that's why you love it here

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so much. Your satchel rest at your side, carrying your

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magic wand that mister Honey be made and Princess Paua

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upgraded without telling him and your other best friend Ember,

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she is tacked inside, sleeping quietly and in stark opposition to.

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Speaker 7: Meet me, Meet me, me, meet me.

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Speaker 3: Me, yes meep, I know this is big and bold.

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I told you I was gonna do a bit of

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reimagining me.

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Speaker 5: Why would I.

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Speaker 2: Need to talk to Principal candaloo?

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Speaker 1: Oh, you don't say anything out loud, because your facial

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expression says it all. Looking directly at your bestest friend,

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your face says, Pawa, bestie, what.

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Speaker 2: Did you do?

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Speaker 1: And to everyone's astonishment but yours, she responds, I don't know, Hugh, suddenly,

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amidst the worry and panic and open window breathe. The heavy,

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orny door that fills the majestic threshold to this banquet

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hall slams closed by the wind and then opens rather timidly.

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Speaker 8: Hello, my ever so lovely princess professes, what a fine

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day for an open house. Everything is going according to plan.

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Nothing will go raw. Oh no, oh dear, oh dear.

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Everything will be fine. Everything will be.

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Speaker 2: Is it just me? Or did that kind of go? Okay?

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Speaker 6: Pretty good?

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Speaker 1: Not bad?

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Speaker 2: He'll come around. We don't need a roof when we're.

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Speaker 3: Doing astronomy and woodworking and cloud research and possibly bird interviews. Oh,

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bird interviews.

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Speaker 6: I remain impressed. There are hawks around here.

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Speaker 1: Right before any answer can be asked, the door again

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creaks open. Principal Candlewick enters the centuries old banquet hall,

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which he had a personal hand in restoring to its

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current luster, Breathing sharply into and out of a paper bag.

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Speaker 4: Principal Candlewick, my dear, do you need to be retrieved?

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Speaker 8: No, I'm hyperventilating. It's become somewhat standard.

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Speaker 6: Weak lungs.

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Speaker 2: It's not weak lungs. Should we call it pleasantly surprised lungs.

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Speaker 1: There was nothing pleasant about this surprise for Principal Candlewick,

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but he's found, as have you, that things typically have

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a way of working themselves out, one way or another.

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The loud clicking of the clock helps him maintain a

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certain veneer of calm, because, whether he likes it or not,

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and he most certainly does not at this moment, much

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like it. Time is up. The pupils, as well as

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their excited loved ones, are on the grounds, following the

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shimmering guideposts and signs that meet help the fairies install

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various alerts have gone through various chains of command to

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confirm this well. Just before the elegant, majestic door slams

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open and hundreds of people.

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Speaker 5: Stream in.

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Speaker 1: The entirety of your being feels it before your mind

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has time to catch up. The sound, the shuffle of

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shoes on polished wood, the little coughs and proud whispers

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that bounce off the medieval stone walls, the large oak

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doors creak wider, and the incoming class of princesses step

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in first, shoulders squared, chins lifted, trying very hard to

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look the part that they already are that they could

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never not be even if they tried. Hordes of families

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and friends follow behind, strolling politely. Behind this group are

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the little sisters who have banded together in admiration of

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this place. But behind them are the little brothers who

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smell distinctly of sticky, sweet jam and trouble. Everyone is

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dressed up, everyone is proud, But what registers most for

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you is that everyone is here. These princesses are surrounded

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by people who love and support them like you are.

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But by golly, are there lots of supporters in this place.

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You do what you do best to calm the chaos

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and quiet the noise so you can focus on being

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the best to you that you can be. Take your slowest,

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deepest breath in through your nose. Feel the love and

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support that surround you, wrap around you, fully, holding you

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tightly like the best hug. Then slowly breathe all the

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way out through your mouth, like the calm at the

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center of the storm of excitement that swirls around you.

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The quiet center of calm within your spirit, the one

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that grounds, nurtures, and reinforces your goodness, radiates out from

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your heart and brings joyful peace along with it. A

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small smile perks up from the corners of your mouth,

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and people walking by you left and right cannot help

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but smile back. They all know who you are, of course,

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and to be greeted by your sweet smiles the highest

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honor they could have felt at the start of this

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00:21:21,319 --> 00:21:26,400
open house. Princess Paua follows the long trail of smiles

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in your wake and parts the crowd to meet you

250
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arm in arm. She cannot believe the long awaited day

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is finally here. As you walk around the room, watching

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the guests and pupils take in the stately and rather

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unexpected state of the grand banquet hall, you hear whispers

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00:21:48,839 --> 00:21:51,920
that you know, Princess Pawa hears as well.

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Speaker 3: Is the ceiling supposed to do that?

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00:21:55,200 --> 00:21:59,799
Speaker 1: And another that's a lot of mud, and yet another

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Are we allowed to be in the fancy part of

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this room with the teacups? And the response, Princess Professor

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00:22:08,000 --> 00:22:14,559
Petra said, technically yes, but no, you remain your glittering

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self in the center of it all. Honey, your shoes

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00:22:18,839 --> 00:22:24,400
still unscuffed, your satchels still snug against your side. Yet

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00:22:24,480 --> 00:22:27,680
you can feel the energy of the crowd washing around

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you like a tide, a tide made of perfume and

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ambition and polite opinions. The first wave of loved ones

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steps forward and then stops, because the banquet hall is

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not one room anymore, but three competing spaces that confuse

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the guess. Petra's realm glows with the princessly principle of harmony.

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Velvet chairs, polished tables, antique teacups wearing the little sun

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like tiny crowns.

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Speaker 2: Welcome, beloved loved ones.

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Speaker 4: Please keep your hands at your sides and your thoughts respectful.

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These are antiques.

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Speaker 1: Pias realm lives and breathes the princessly principle of stewardship,

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raw gritty practical stewardship, dirt on hardwid tools of the trade,

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and Princess Pia herself giving a detailed tour of the

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most optimal forest bivouac set up.

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Speaker 9: This is what the world is made of. It is

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not our job to always understand it at every turn.

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It is our job, Princesses, to get used to it.

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Hard truths, folks, These are hard truths we learn at

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the Princess Academy.

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Speaker 1: And above you, the Princessly principle of honesty, an honest

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00:24:02,480 --> 00:24:05,359
account of where we are and how we can get

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to where we want to be. In a word, Princess

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00:24:09,279 --> 00:24:14,799
Pawa is always trying to leap forward, persistent in her

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quest for innovation and growth. Powa's realm doesn't just exist

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00:24:20,079 --> 00:24:24,200
on the floor of the banquet hall. It exists up

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there where the roof used to be, in the sunlight,

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with the sky peeking through a jagged hole in the

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roof that the crowd wonders in the direction.

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Speaker 2: Of Sometimes innovation looks strange.

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00:24:41,240 --> 00:24:45,799
Speaker 3: It's supposed to be like that, honey, I don't know

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if they're getting the roof they need.

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Speaker 2: Was that too much?

295
00:24:51,799 --> 00:24:52,000
Speaker 1: No?

296
00:24:53,079 --> 00:24:53,319
Speaker 2: Right?

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00:24:54,440 --> 00:24:58,240
Speaker 1: You reassure Princess Pawa that all principles of princessing can

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be messy at first, but there is plenty of space

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00:25:02,599 --> 00:25:06,039
and time to iron out the wrinkles. You say this

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00:25:06,200 --> 00:25:10,400
very confidently to your friend, and she is reassured. But

301
00:25:10,480 --> 00:25:13,160
out of the side of your eye you notice a

302
00:25:13,240 --> 00:25:16,759
pattern in the movement of the crowd that piques your interest.

303
00:25:17,359 --> 00:25:21,640
The loved ones and their beloved princesses begin to split,

304
00:25:22,559 --> 00:25:26,759
Some drift toward the tea, some toward the mud, and

305
00:25:26,880 --> 00:25:30,559
some stop beneath the open roof with their necks craned upward,

306
00:25:31,480 --> 00:25:36,519
and then they stay there. Each princess steps into the

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helm of their realm, eager to explain the philosophy behind

308
00:25:41,279 --> 00:25:45,440
their aesthetic choices, eager to address their pupils and their

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pupils loved ones about what each of them is most

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00:25:49,200 --> 00:25:54,200
excited to teach this upcoming year, and most eager to

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00:25:54,319 --> 00:25:59,480
explain why this principle of princessing is the most important

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00:25:59,640 --> 00:26:05,880
real according to them. Princess Pawa, Pi and Petra do

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00:26:05,960 --> 00:26:13,519
this without seeing the dangerous undercurrent forming groups, separate groups,

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00:26:14,440 --> 00:26:18,880
forsaking the glorious wholeness of princessing for a mere part.

315
00:26:20,000 --> 00:26:25,079
You realize this because you effortlessly contain all aspects of

316
00:26:25,160 --> 00:26:29,000
princesship within you, And that is why you're here, honey,

317
00:26:29,640 --> 00:26:33,480
to remind the princesses and the princesses to be that

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00:26:33,920 --> 00:26:39,359
it's about all the principles, not just one. If a

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00:26:39,400 --> 00:26:43,480
princess is tending to the entirety of self, not just

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00:26:43,599 --> 00:26:47,480
the pretty part, but the hard truth part and the

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00:26:47,519 --> 00:26:52,559
growth part, there's no wrong way to be a princess.

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Right in the middle of your realization in walk two

323
00:26:58,039 --> 00:27:05,440
more forces of nature. King and Queen Ronzio an outwalks

324
00:27:05,720 --> 00:27:10,279
Principal Candlewick right by you, breathing into his paper bag

325
00:27:10,599 --> 00:27:18,359
more vigorously. Now I knew Queen Ronzio's eyes locked unto

326
00:27:18,400 --> 00:27:19,359
Princess Pierre.

327
00:27:19,839 --> 00:27:26,160
Speaker 10: Oh no, no, no, no, absolutely not. This just cannot stand.

328
00:27:26,359 --> 00:27:30,440
Princess Pierre, what did we discuss about mud?

329
00:27:31,279 --> 00:27:36,160
Speaker 4: I tried to tell her, Queen Ronzio, but she wouldn't listen.

330
00:27:37,279 --> 00:27:39,839
This is why I sent the urgent messenger.

331
00:27:40,440 --> 00:27:42,240
Speaker 6: You tattled on me to.

332
00:27:42,559 --> 00:27:46,960
Speaker 2: Be Queen Pedra. What did we discuss about Tadley?

333
00:27:47,799 --> 00:27:53,480
Speaker 4: I know, That's why I sent an anonymous message. It

334
00:27:53,640 --> 00:27:57,200
was a dick really for public safety?

335
00:27:57,839 --> 00:28:03,720
Speaker 3: Mom, Dad you're here, Yes we are, and apparently just

336
00:28:03,839 --> 00:28:04,359
in time.

337
00:28:04,839 --> 00:28:07,640
Speaker 2: Good thing. I do not travel without my medical bag.

338
00:28:08,279 --> 00:28:09,359
Speaker 5: I need gloves.

339
00:28:09,839 --> 00:28:13,440
Speaker 10: This is going to get messy.

340
00:28:14,480 --> 00:28:18,279
Speaker 1: The Queen of Ronzio is on the move. She does

341
00:28:18,359 --> 00:28:21,599
not float like a fairy nor glad like the Royalty.

342
00:28:21,799 --> 00:28:27,160
She is Oh no. The Queen advances like a doctor

343
00:28:27,720 --> 00:28:31,079
who has just discovered an unsanitary mystery.

344
00:28:32,000 --> 00:28:38,440
Speaker 10: Princess piare, I'm seeing signs of contagious soil psycosis it's mud.

345
00:28:38,359 --> 00:28:41,960
Speaker 6: Queen Ronzio, this is the best possible thing for the

346
00:28:42,000 --> 00:28:42,799
immune system.

347
00:28:42,960 --> 00:28:50,359
Speaker 10: It's exposure, it's pathogens. It's inside. Why is there mud inside?

348
00:28:50,599 --> 00:28:56,000
Speaker 2: Again, it's not inside, there's no roof. Look.

349
00:28:57,119 --> 00:29:01,119
Speaker 1: She looks around, confused at first than up to see

350
00:29:01,160 --> 00:29:06,000
the telltale sign of her daughter's handiwork. Princess Powell waves

351
00:29:06,000 --> 00:29:08,720
to her mother, the Queen. Just as the Queen lets

352
00:29:08,720 --> 00:29:13,200
out a big sigh, Princess Pia gives an even bigger

353
00:29:13,279 --> 00:29:17,079
thumbs up to Powa, who doesn't know what she accidentally

354
00:29:17,119 --> 00:29:19,640
did to help Pia's muddy cause.

355
00:29:20,880 --> 00:29:26,359
Speaker 6: See plenty of unfortune. Take off that one black boot

356
00:29:26,400 --> 00:29:30,279
of yours and squish your tones around. It really is

357
00:29:30,359 --> 00:29:30,880
quite nice.

358
00:29:31,400 --> 00:29:35,319
Speaker 2: Do not push your luck, Pia. It's taking everything in

359
00:29:35,400 --> 00:29:37,400
me not to quarantine you.

360
00:29:40,680 --> 00:29:44,720
Speaker 1: A small group of Princess pupils attempt to approach Pia's mudpit,

361
00:29:45,160 --> 00:29:50,359
masquerading as a lesson in stewardship, magnetized by the wildness

362
00:29:50,359 --> 00:29:54,400
of it, and the Queen ever so slightly blocks them

363
00:29:54,440 --> 00:29:58,440
from advancing any further, resulting in a sort of dosey

364
00:29:58,559 --> 00:30:02,160
dough that Princess Pia's slips and slides out of the

365
00:30:02,240 --> 00:30:05,640
mud trying to break up. One of the princesses to

366
00:30:05,720 --> 00:30:09,400
be looks up to Queen Ronzio with all the reverence

367
00:30:09,480 --> 00:30:13,079
she can muster, and politely says that she and her

368
00:30:13,160 --> 00:30:18,480
peers would like to learn about stewardship from Princess Pia.

369
00:30:18,839 --> 00:30:20,880
Speaker 10: You can learn it from a safe distance.

370
00:30:22,119 --> 00:30:24,720
Speaker 6: Cowardice is not stewardship, Queen Lazi.

371
00:30:24,960 --> 00:30:29,640
Speaker 10: Infection is not character building, Princess Pia.

372
00:30:29,839 --> 00:30:33,599
Speaker 1: Oh no, before you can get Princess Powell's attention to

373
00:30:33,640 --> 00:30:38,200
help smooth things over with as little mud slinging as possible.

374
00:30:38,759 --> 00:30:42,799
King Ronzio, who has been watching this with the delighted

375
00:30:42,880 --> 00:30:47,400
confusion of a man who believes every situation is secretly

376
00:30:47,440 --> 00:30:52,319
a parade, spots the cluster of student princesses hovering with

377
00:30:52,519 --> 00:30:56,119
uncertainty near the mud, trying to decide whether they are

378
00:30:56,160 --> 00:31:01,599
allowed to approach the bivouac or not. Uh huh. He

379
00:31:01,720 --> 00:31:04,960
steps forward like he has been waiting his whole life

380
00:31:05,000 --> 00:31:10,000
for this moment, and in doing so commands the attention

381
00:31:10,160 --> 00:31:15,720
of the entire hall. But no one more so than Princess.

382
00:31:15,279 --> 00:31:21,759
Speaker 11: Pia recruits chilla, noble mind, noble heart, with all.

383
00:31:21,720 --> 00:31:26,440
Speaker 8: Due respect, dear King, they are but students, my dear

384
00:31:26,680 --> 00:31:27,799
dear king.

385
00:31:27,839 --> 00:31:28,400
Speaker 1: Sh.

386
00:31:31,200 --> 00:31:32,359
Speaker 2: Let the man speak.

387
00:31:33,359 --> 00:31:39,599
Speaker 11: Students today, leaders tomorrow Now, march in last step.

388
00:31:40,039 --> 00:31:48,759
Speaker 6: Lock step, march that left, left, right left.

389
00:31:50,000 --> 00:31:53,480
Speaker 1: A few brave among them try to mimic him, stepping

390
00:31:53,559 --> 00:31:58,119
together with determined little stops. Their loved ones smile and

391
00:31:58,200 --> 00:32:02,119
clap politely, wondering if this is a performance or if

392
00:32:02,119 --> 00:32:06,799
they're being drafted into a spontaneous marching unit as part

393
00:32:06,799 --> 00:32:12,160
of the curriculum. Judging by Princess Pia's enthusiasm, it is.

394
00:32:13,240 --> 00:32:17,960
The marching line accidentally drifts directly toward Petra's realm, and

395
00:32:18,000 --> 00:32:21,480
no one is more horrified than Princess Petra herself.

396
00:32:24,599 --> 00:32:31,960
Speaker 4: Absolutely not march away that way, Students, this is not

397
00:32:32,359 --> 00:32:34,559
the behavior becoming of princesses.

398
00:32:35,200 --> 00:32:38,400
Speaker 2: Not true, march on princesses.

399
00:32:40,279 --> 00:32:44,200
Speaker 1: Petra's fairies flutter up in a worried cloud, and Petra

400
00:32:44,319 --> 00:32:48,400
spreads her arms slightly, as if her body can physically

401
00:32:48,559 --> 00:32:51,319
block the chaos from touching her teacups.

402
00:32:51,920 --> 00:32:59,759
Speaker 4: Please I beg of you. March somewhere else, preferably outside,

403
00:33:00,880 --> 00:33:03,359
where all tomfoolery should be directed.

404
00:33:03,839 --> 00:33:05,000
Speaker 11: Discipline knows no.

405
00:33:05,200 --> 00:33:09,680
Speaker 2: Walls, none at all, Oh.

406
00:33:09,799 --> 00:33:16,319
Speaker 1: Right, above it all the crowd's nervous attention keeps returning

407
00:33:16,359 --> 00:33:21,000
to the roof or black thereof, and the hushed tones

408
00:33:21,079 --> 00:33:24,839
start to amplify in volume. As the guests begin to

409
00:33:24,960 --> 00:33:30,920
crowd around the marching princesses. A grandmother points upward with

410
00:33:31,000 --> 00:33:34,119
her fan to show a grandfather that it's not really

411
00:33:34,160 --> 00:33:40,559
a skylight, but just the sky's light beaming through. A

412
00:33:40,680 --> 00:33:43,599
little brother tries to flick a pebble into the hole

413
00:33:44,119 --> 00:33:47,359
to see if it could be possible to climb away

414
00:33:47,440 --> 00:33:52,400
from his required participation in this open house through the roof.

415
00:33:53,680 --> 00:33:57,480
Before he can begin his ascent, King Ronzio marches the

416
00:33:57,519 --> 00:34:00,920
procession by him and Princess Pia climb times up to

417
00:34:01,000 --> 00:34:04,359
retrieve the little brother, much to the amazement of the

418
00:34:04,400 --> 00:34:09,760
little brother and his parents. Looking over all of this hubbub,

419
00:34:10,239 --> 00:34:14,480
you can feel a decision forming within you. Absorb the

420
00:34:14,559 --> 00:34:18,360
chaos and make it yours, or let it wash over

421
00:34:18,440 --> 00:34:24,920
you and retain your inner pillar of peace. Take your slowest,

422
00:34:25,280 --> 00:34:31,920
deepest breath in through your nose. Feel the sensation of

423
00:34:31,960 --> 00:34:37,320
your heart beating once twice, three times as an inner

424
00:34:37,360 --> 00:34:42,639
sanctuary of calm that is always available to you. Then

425
00:34:42,760 --> 00:34:48,079
slowly breathe all the way out through your mouth. The

426
00:34:48,159 --> 00:34:52,039
noise fades, and you keep your eyes peeled for Princess Pawa.

427
00:34:52,519 --> 00:34:56,239
When suddenly you are pulled aside, just in time for

428
00:34:56,320 --> 00:35:00,400
the princess procession to march past you, making and says

429
00:35:00,400 --> 00:35:02,480
Petra's teacups rattle.

430
00:35:04,159 --> 00:35:08,760
Speaker 5: Honey, honey, come with me, quick quick.

431
00:35:09,400 --> 00:35:12,400
Speaker 1: She gently takes your sleeve and guides you toward the

432
00:35:12,440 --> 00:35:15,920
back of the room to a quieter pocket behind a

433
00:35:16,000 --> 00:35:22,480
tall decorative screen. Paula leans in close, excited and guilty

434
00:35:22,559 --> 00:35:27,000
at the same time, the exact expression she gets when

435
00:35:27,039 --> 00:35:32,719
she has improved something that did not ask to be improved.

436
00:35:33,320 --> 00:35:39,599
Speaker 3: Okay, don't panic, actually no panic a tiny nit because

437
00:35:39,679 --> 00:35:45,920
it's kind of amazing. I I know, I know, but

438
00:35:46,519 --> 00:35:48,119
I did it for the big finale.

439
00:35:49,760 --> 00:35:50,599
Speaker 2: Get your wand out.

440
00:35:51,159 --> 00:35:54,760
Speaker 1: You slide your hand inside and feel for your wand

441
00:35:55,280 --> 00:35:59,800
the familiar shape, smooth and comforting, made by mister Honeybee

442
00:35:59,800 --> 00:36:05,280
with care. But when you lift it, the weight is different.

443
00:36:06,400 --> 00:36:10,000
There is something clunky, tape to the handle, something that

444
00:36:10,199 --> 00:36:17,199
hums ever so faintly, tad power points to the mechanism,

445
00:36:17,440 --> 00:36:21,559
a ring of mismatched gears, a little lever that absolutely

446
00:36:21,639 --> 00:36:26,320
did not come with the original design and tape, so

447
00:36:26,599 --> 00:36:30,679
much tape, the kind of tape that tells you, Princess

448
00:36:30,679 --> 00:36:33,639
Power trusted the process a bit too much.

449
00:36:34,320 --> 00:36:37,000
Speaker 2: It's called a turbo sparkle injector.

450
00:36:38,719 --> 00:36:42,320
Speaker 3: That sounded cooler in my head. I mean that's the

451
00:36:43,400 --> 00:36:46,880
working name. That's just the name I've been calling it.

452
00:36:47,920 --> 00:36:48,840
Speaker 2: You need a better name.

453
00:36:51,440 --> 00:36:56,440
Speaker 1: What's a better name? You blink once, slowly because you

454
00:36:56,559 --> 00:37:02,360
are politely registering copious amounts of shock. How did she

455
00:37:02,440 --> 00:37:07,280
get your wand your wand and did she say finale?

456
00:37:08,000 --> 00:37:11,199
Your mind cannot process all the thoughts that stream in,

457
00:37:11,760 --> 00:37:16,320
but your facial expression manages to capture each one. Your

458
00:37:16,360 --> 00:37:19,400
best friend, Princess Palla, notices.

459
00:37:22,280 --> 00:37:26,239
Speaker 2: I uh modified mister Honeybee's design.

460
00:37:26,679 --> 00:37:34,119
Speaker 3: Just the teamy bit teeny diny bit like no more than.

461
00:37:35,800 --> 00:37:36,079
Speaker 6: Three.

462
00:37:38,199 --> 00:37:42,119
Speaker 3: The magic contained within that one is now three hundred

463
00:37:42,320 --> 00:37:47,800
percent more efficient for the finale.

464
00:37:47,960 --> 00:37:50,599
Speaker 1: From the front of the hall, you hear the king

465
00:37:50,960 --> 00:37:52,199
booming again.

466
00:37:52,719 --> 00:37:56,480
Speaker 11: Lostep, princesses, noble mind, noble heart.

467
00:37:57,039 --> 00:38:02,559
Speaker 10: Patra sure Bus stays over this mud is a hands

468
00:38:03,639 --> 00:38:04,880
you're not march near?

469
00:38:06,400 --> 00:38:10,320
Speaker 3: Yeah, you are the directs?

470
00:38:11,039 --> 00:38:15,639
Speaker 6: Sorry, you hear your.

471
00:38:14,840 --> 00:38:18,960
Speaker 1: You hold the wand closer feeling the gears humming within.

472
00:38:20,599 --> 00:38:22,519
Speaker 2: It's gonna be fine.

473
00:38:23,119 --> 00:38:26,840
Speaker 3: It's probably gonna be fine.

474
00:38:27,920 --> 00:38:32,880
Speaker 1: The crowd's confusion swells, the hum of your magic wand

475
00:38:33,079 --> 00:38:38,000
upgrade grows. The roof breathes a breeze into the hall

476
00:38:38,159 --> 00:38:43,239
that suddenly gets everyone's attention. There is so much wind

477
00:38:43,280 --> 00:38:47,800
that little bits of ceiling crumbled down, sprinkling the Principle

478
00:38:47,840 --> 00:38:50,800
and Princess Petro with a layer of dust that makes

479
00:38:50,840 --> 00:38:53,360
them both shriek Aha.

480
00:38:54,079 --> 00:38:55,199
Speaker 5: It's going to be fine.

481
00:38:55,440 --> 00:38:56,480
Speaker 2: Innovation is messy.

482
00:38:57,000 --> 00:39:12,079
Speaker 5: It's going to be fine.

483
00:39:14,519 --> 00:39:18,079
Speaker 1: A storm cloud rolls in above and announces itself through

484
00:39:18,079 --> 00:39:20,559
the hole in the roof that's looking more and more

485
00:39:20,679 --> 00:39:26,519
accidental with each passing moment. Loved ones tilt their faces upward.

486
00:39:27,239 --> 00:39:32,039
Grandmothers clutch pearls, Princess is to be squeal and press

487
00:39:32,119 --> 00:39:37,400
close together, their shoes squeaking on the polished floor. Principal

488
00:39:37,440 --> 00:39:40,239
Candlewick opens his mouth to call the room to order,

489
00:39:40,800 --> 00:39:44,239
and closes it again, because how do you order a cloud?

490
00:39:45,440 --> 00:39:50,079
But you, honey, you suddenly remember that you can do

491
00:39:50,599 --> 00:39:54,679
just that, and you've been able to do just that

492
00:39:55,119 --> 00:40:01,159
since the day you received your invitation to attend this academy,

493
00:40:01,920 --> 00:40:07,920
which you are at the helm of. Now, take another

494
00:40:08,199 --> 00:40:15,960
of your slowest, deepest breaths in through your nose. Quiet

495
00:40:16,039 --> 00:40:19,719
yourself from the inside out until all you can senses

496
00:40:19,760 --> 00:40:24,159
your breath expanding. Gather it along with your inner power,

497
00:40:24,199 --> 00:40:29,519
and hold it still as silence empowers you. Then slowly

498
00:40:29,639 --> 00:40:34,559
breathe all the way out through your mouth. With a

499
00:40:34,599 --> 00:40:38,320
slight wave of your hand. The powerful rain cloud wobbles

500
00:40:38,360 --> 00:40:42,599
in the sky just enough to diffuse the darkening grayness

501
00:40:42,679 --> 00:40:47,719
of the approaching storm. Sunshine peeks through, as a reminder

502
00:40:47,719 --> 00:40:50,559
that no matter what kind of chaos or darkness the

503
00:40:50,679 --> 00:40:56,599
clouds bring, the sun is always shining behind them. Princess

504
00:40:56,639 --> 00:41:00,920
Palla briefly looks up, distracted from her race thoughts, to

505
00:41:01,039 --> 00:41:04,599
see what you're doing and to marvel at how you're

506
00:41:04,679 --> 00:41:08,519
doing it. With a more forceful flick of your wrist,

507
00:41:09,239 --> 00:41:13,719
the gray black breaks up even more. Now all the

508
00:41:13,760 --> 00:41:18,159
princesses and the principles see what you can do, but

509
00:41:18,199 --> 00:41:22,239
that's not why you do it. This secret influence of

510
00:41:22,280 --> 00:41:25,000
yours is an embodiment of what it means to be

511
00:41:25,039 --> 00:41:28,679
a princess, and you cannot help but use it for good.

512
00:41:31,360 --> 00:41:34,559
The clouds seem to hang in the sky waiting for

513
00:41:34,599 --> 00:41:38,840
your next command, but the winds of challenge and change

514
00:41:38,960 --> 00:41:47,760
continue to blow, counteracting your magic. Your fingertips sparkle with

515
00:41:47,840 --> 00:41:53,039
the familiar tingle that awakens something within you. Lightly round

516
00:41:53,079 --> 00:41:57,880
your fingertips around each other to activate your spark, which

517
00:41:57,960 --> 00:42:02,920
wakes Ember up from her slumber. Instantly, she peeks out

518
00:42:02,920 --> 00:42:05,519
from your satchel just as you raise your hand toward

519
00:42:05,559 --> 00:42:13,000
the cloud. Steady calm practiced, and the clouds respond once again.

520
00:42:13,880 --> 00:42:17,400
It wobbles and hesitates before the soft gray belly of

521
00:42:17,440 --> 00:42:22,199
the storm begins to recede. A few loved ones relax,

522
00:42:22,880 --> 00:42:27,599
a few pupils stop squealing mid squeal. Even the fairies

523
00:42:27,679 --> 00:42:32,239
pause their buzzing for one tiny, hopeful moment. No one

524
00:42:32,320 --> 00:42:36,519
breathes more relief into his bones than the principle. But

525
00:42:36,599 --> 00:42:45,079
Princess Powa feels differently, quite differently hawny look. She launches

526
00:42:45,159 --> 00:42:48,039
toward you with the urgency of a best friend, sparing

527
00:42:48,039 --> 00:42:51,679
you from something, and your attention diverts out the floor

528
00:42:51,719 --> 00:42:55,400
to ceiling windows, just for a moment, long enough to

529
00:42:55,480 --> 00:42:59,119
see what looks like a tidal wave of black clouds

530
00:42:59,159 --> 00:43:01,440
descending upon the Princess Academy.

531
00:43:02,000 --> 00:43:03,000
Speaker 2: There's no time money.

532
00:43:03,559 --> 00:43:08,039
Speaker 4: You couldn't have at least checked the weather before your renovations, PAUA,

533
00:43:09,400 --> 00:43:15,639
now look my hair is going to Yeah, Friz, this

534
00:43:15,840 --> 00:43:18,119
is so cool.

535
00:43:21,519 --> 00:43:24,880
Speaker 1: Your hand falters in mid air, responding to what you're seeing.

536
00:43:25,480 --> 00:43:30,800
The cloud, still responding to you, hovers uncertainly, as if confused.

537
00:43:33,199 --> 00:43:37,280
You glance at Powa Pawa glances at the crowd. The

538
00:43:37,360 --> 00:43:40,519
crowd glances at the roof hole and the roof hole

539
00:43:41,079 --> 00:43:49,679
somehow glances back. Tension builds. The sparkle in your fingertips

540
00:43:49,760 --> 00:43:53,960
burst as Ember bursts out of your satchel to save

541
00:43:54,159 --> 00:43:56,159
the day with her fiery breath.

542
00:43:56,760 --> 00:43:57,920
Speaker 2: She doesn't hesitate to.

543
00:43:57,880 --> 00:44:07,599
Speaker 1: Protect you at all costs, but Principal candlewick enforces a

544
00:44:07,679 --> 00:44:12,559
hesitation that is unnatural to Ember. Understanding this situation as

545
00:44:12,599 --> 00:44:17,519
a principal and not a princess, as a practical issue

546
00:44:17,559 --> 00:44:21,280
of dollars and cents in years of renovation, he leaps

547
00:44:21,320 --> 00:44:25,599
out to bravely intervene the crowd of loved ones, and

548
00:44:25,639 --> 00:44:29,559
Princess is a like shriek and some even giggle, thinking

549
00:44:29,679 --> 00:44:32,559
this is all part of some play that Princess Pawa

550
00:44:32,679 --> 00:44:43,559
has become quite known for. With a full grown dragon

551
00:44:43,679 --> 00:44:47,400
sitting by your side, you pat Ember's belly to keep

552
00:44:47,440 --> 00:44:52,159
her on standby. You got this, you assure her. You

553
00:44:52,239 --> 00:44:55,280
lower your hand and in its place raise your wand

554
00:44:55,920 --> 00:45:00,239
your upgraded wand, which still hums in a way that

555
00:45:00,360 --> 00:45:06,800
makes you wonder how much Princess Powa improvise. You wave

556
00:45:06,920 --> 00:45:19,079
the wand and Oh no, that's not the sound of

557
00:45:19,119 --> 00:45:25,440
the canopy materializing over princess palace skylight. That is not

558
00:45:25,639 --> 00:45:26,519
a good sound.

559
00:45:32,159 --> 00:45:35,760
Speaker 2: Why does it sound like it's chewing.

560
00:45:36,360 --> 00:45:40,679
Speaker 1: The wand bucks in your hand violently, not with magic,

561
00:45:40,800 --> 00:45:47,159
but with mischievous mechanics. And instead of a gentle dome

562
00:45:47,239 --> 00:45:53,519
of sparkle light, it fires a pulse of jagged gray

563
00:45:53,639 --> 00:46:01,159
static electricity that startles even Ember, crackles through the air

564
00:46:01,239 --> 00:46:06,679
like torn fabric. Then it launches exactly one piece of

565
00:46:06,880 --> 00:46:19,760
burnt popcorn into the roof hole, and then more. The

566
00:46:19,800 --> 00:46:25,280
popcorn arcs upward in a slow, proud absurdity and disappears

567
00:46:25,360 --> 00:46:26,719
into the chaos above.

568
00:46:27,880 --> 00:46:28,239
Speaker 6: Is that.

569
00:46:29,679 --> 00:46:30,000
Speaker 2: Fruit?

570
00:46:30,960 --> 00:46:34,800
Speaker 10: Do not ingest anything that came from a malfunctioning wand?

571
00:46:35,440 --> 00:46:41,039
Speaker 3: I thought popcorn always made things better, but now understand

572
00:46:41,239 --> 00:46:43,480
the error of my ways.

573
00:46:47,440 --> 00:46:51,280
Speaker 1: The jagged static polse hits the storm cloud, while popcorn

574
00:46:51,360 --> 00:46:58,719
falls gently into the hands of all spectators, falsely reinforcing

575
00:46:58,760 --> 00:47:02,960
that this is in fact choreograph show. And the storm

576
00:47:03,039 --> 00:47:10,000
cloud freezes rather unnaturally. It locks in place, anchored directly

577
00:47:10,079 --> 00:47:12,559
over the roof hole, like it has been hung there

578
00:47:12,599 --> 00:47:18,360
on purpose by invisible stage hands during a performance. The

579
00:47:18,400 --> 00:47:22,679
Wand vibrates even harder in your hand, honey, emitting a

580
00:47:22,800 --> 00:47:28,639
new sound, a deep, ugly hum that doesn't feel like magic.

581
00:47:29,480 --> 00:47:37,639
It feels like malfunction. The gears tape to the handle shutter,

582
00:47:38,320 --> 00:47:42,079
the lever jitters, the tape flutters like it wants to

583
00:47:42,280 --> 00:47:48,360
escape the consequences. Oh, your instincts kick back in immediately.

584
00:47:49,039 --> 00:47:52,480
You lift your free hand toward the cloud again, steady

585
00:47:52,760 --> 00:47:56,440
and calm, ready to wave it away the way you

586
00:47:56,559 --> 00:47:57,480
know you can't.

587
00:47:58,840 --> 00:48:04,599
Speaker 12: The cloud doesn't respond, It won't budge because now it's anchored,

588
00:48:05,280 --> 00:48:10,000
stuck in place by the Wand's chaotic static. And as

589
00:48:10,039 --> 00:48:14,119
if this guy is delighted by this new arrangement, rain

590
00:48:14,400 --> 00:48:17,199
pours in and the crowd spills out.

591
00:48:18,639 --> 00:48:24,519
Speaker 8: Everyone. Please, we must remain calm, We need to.

592
00:48:27,119 --> 00:48:34,880
Speaker 1: Ram. You stand there with Princess Paula and Ember, steady

593
00:48:35,199 --> 00:48:40,440
and silent. One hand is lifted in calm command, the

594
00:48:40,480 --> 00:48:46,039
other trapped around a humming static spitting turbo wand while

595
00:48:46,039 --> 00:48:50,119
the storm rains straight down through the roof hole in

596
00:48:50,199 --> 00:48:56,000
a fantastic display of Princess Paulla's messy innovation. She looks

597
00:48:56,039 --> 00:48:59,400
at you with worry and regret, but you look back

598
00:48:59,440 --> 00:49:03,639
with your sweet smile that no one can imitate, as

599
00:49:03,679 --> 00:49:07,800
if to say, this is messy, but we'll innovate through it.

600
00:49:08,360 --> 00:49:15,719
Like the princesses we are. Princess Palace smiles back. Two

601
00:49:15,960 --> 00:49:20,440
of your biggest supporters are at your side, Ember being

602
00:49:20,679 --> 00:49:24,679
your largest supporter, And in this moment of chaos, you

603
00:49:24,840 --> 00:49:29,880
find that spark within again, lightly rubbing your palms together,

604
00:49:30,639 --> 00:49:35,280
building heat from your inner spark outward until you can

605
00:49:35,360 --> 00:49:41,039
feel your hands warm. Take another slow, deep breath in

606
00:49:41,199 --> 00:49:47,400
through your nose, place your palms gently over your eyes,

607
00:49:48,000 --> 00:49:52,519
resting on the bones of your brows. Feel the warmth

608
00:49:52,559 --> 00:49:57,960
of your palms, melting your furrowed brow to relaxation, calming

609
00:49:58,079 --> 00:50:02,360
your mind. Then slowly breathe all the way out through

610
00:50:02,360 --> 00:50:09,000
your mouth and see a shining solution present itself to

611
00:50:09,119 --> 00:50:14,400
you in the form of a single sunflower basking in

612
00:50:14,480 --> 00:50:20,719
a single sunbeam. How the picturesque windows. You turn, ever

613
00:50:20,840 --> 00:50:24,199
so briefly to point this out to Princess Powa, And

614
00:50:24,239 --> 00:50:29,159
when you look back, both Missus and mister Honeybee are

615
00:50:29,280 --> 00:50:34,000
also by your side, your two other biggest supporters.

616
00:50:37,239 --> 00:50:40,599
Speaker 2: How do you do that, missus Honeybee?

617
00:50:41,159 --> 00:50:42,639
Speaker 1: How do we get here? My dear?

618
00:50:43,280 --> 00:50:48,159
Speaker 7: I think there are bigger questions at hand? How can

619
00:50:48,199 --> 00:50:50,800
I safely assume you had something to do with the

620
00:50:50,840 --> 00:50:51,559
hole in the roof?

621
00:50:52,280 --> 00:50:57,480
Speaker 2: You'd be very safe in saying that.

622
00:50:58,159 --> 00:50:59,559
Speaker 1: What happened to your magic wand?

623
00:50:59,599 --> 00:51:00,840
Speaker 2: Honey Powa?

624
00:51:01,800 --> 00:51:07,239
Speaker 3: I uh happened to the magic wand?

625
00:51:07,960 --> 00:51:12,039
Speaker 7: It seems we got here just in time, mister Honeybee.

626
00:51:13,800 --> 00:51:16,719
Speaker 1: Mister Honeybee takes in the scene in one sweep and

627
00:51:16,800 --> 00:51:21,320
secures his tool belt. The wrenches and hammers jingle as

628
00:51:21,360 --> 00:51:26,039
if giddy about what he's seeing. Princess Petra's velvet chairs

629
00:51:26,079 --> 00:51:32,199
are drenched, Princess Pia's mud puddling. The princesses, Princesses to

630
00:51:32,280 --> 00:51:36,760
be and loved ones huddling outside the banquet hall, craning

631
00:51:36,800 --> 00:51:41,360
to see what will happen next. Within Principal candlewick is

632
00:51:41,440 --> 00:51:45,000
somewhere nearby, making a pitiful noise that can only be

633
00:51:45,159 --> 00:51:52,519
described as bureaucratic despair. And then mister Honeybee's eyes land

634
00:51:52,679 --> 00:51:55,960
on the open air space where the roof used to be.

635
00:51:56,960 --> 00:51:59,559
He looks up at the storm cloud and then back

636
00:51:59,679 --> 00:52:00,519
down at the.

637
00:52:00,480 --> 00:52:07,840
Speaker 11: Wand ah, I know exactly how this happened.

638
00:52:08,679 --> 00:52:12,159
Speaker 1: Someone tried to overclock the sparkle regulator.

639
00:52:12,960 --> 00:52:20,679
Speaker 2: Yeah, that you've created a static interference loop. That cloud isn't.

640
00:52:20,400 --> 00:52:23,079
Speaker 3: Going anywhere until we break the circuit.

641
00:52:23,800 --> 00:52:26,079
Speaker 11: But it should be a simple fix.

642
00:52:26,960 --> 00:52:31,000
Speaker 2: Simple did he say simple or impossible?

643
00:52:33,440 --> 00:52:38,119
Speaker 1: Princess Pawa's eyes widen with fear and respect. The cloud

644
00:52:38,199 --> 00:52:42,599
rumbles above, as if part of the conversation. Your gaze

645
00:52:42,679 --> 00:52:45,960
meets mister Honeybees. He doesn't tell you what to do

646
00:52:46,039 --> 00:52:50,320
with words, because he knows you already know. He simply

647
00:52:50,360 --> 00:52:55,360
extends his hand carefully. Because your wand is currently shaking

648
00:52:55,440 --> 00:52:59,280
like a power tool, you offer it to him. He

649
00:52:59,360 --> 00:53:03,639
reaches into tool belt and pulls out a tiny precision screwdriver,

650
00:53:04,400 --> 00:53:08,000
so small it looks like it belongs to a watchmaker. Fairy.

651
00:53:08,960 --> 00:53:12,920
Your eyes dart to missus honeybew without thinking, and that

652
00:53:13,039 --> 00:53:19,800
possibility suddenly becomes a fact. He taps the side of

653
00:53:19,880 --> 00:53:26,840
the wand twice the wand gives a slightly relieved wine,

654
00:53:27,320 --> 00:53:32,320
and then he unscrews Palla's turbo attachment with calm, steady hands.

655
00:53:35,039 --> 00:53:39,880
The mismatch gear ring loosens, much to Princess Palla's dismay.

656
00:53:40,039 --> 00:53:45,360
The tape peels back fully, ready to be released from responsibility.

657
00:53:48,239 --> 00:53:50,360
Speaker 2: My turbo sparkle injector.

658
00:53:51,039 --> 00:53:55,960
Speaker 11: Remember, Pawa, we cannot get attached to a working prototype.

659
00:53:56,039 --> 00:53:56,880
It's in progress.

660
00:53:57,840 --> 00:54:03,400
Speaker 1: This still needs some adjustments, to say the least. The

661
00:54:03,519 --> 00:54:07,519
moment the attachment comes free, your wand quiets down from

662
00:54:07,559 --> 00:54:11,679
a power tool back to a magic wand the static

663
00:54:11,760 --> 00:54:15,440
collapses into silence, and the banquet hall suddenly feels as

664
00:54:15,639 --> 00:54:22,440
enormous as it is. The gray static binding the cloud dissolves.

665
00:54:23,320 --> 00:54:28,440
The storm cloud finally shudders, unhooks, and drifts away, dismissed.

666
00:54:29,360 --> 00:54:32,320
All that's left of what feels like a catastrophe is

667
00:54:32,320 --> 00:54:38,840
the echo of water droplets falling from the roof, and

668
00:54:38,880 --> 00:54:44,519
then the most shocking sound of all. For a moment,

669
00:54:44,559 --> 00:54:47,960
you think you must be imagining it, because why would

670
00:54:48,000 --> 00:54:52,760
anybody clap Right now? The hall is dripping with bad decisions.

671
00:54:53,119 --> 00:54:56,599
The mud is even muddier. The roof is still a

672
00:54:56,719 --> 00:55:04,320
roof shaped memory, and yet the applau swells. A few

673
00:55:04,440 --> 00:55:08,760
loved ones step cautiously back into the threshold, peeking around

674
00:55:08,800 --> 00:55:16,280
the ornate door curiously. The Queen fans herself dramatically, eyes bright, frantically,

675
00:55:16,320 --> 00:55:19,599
tended to by Princess Pia and a swarm of fairies.

676
00:55:20,880 --> 00:55:23,719
The King nods like he is witnessing a masterpiece of

677
00:55:23,760 --> 00:55:29,320
his beloved daughter's making. A little brother, sticky sweet JEMs

678
00:55:29,440 --> 00:55:34,719
still on his sleeve, gasps and whispers the highest compliment

679
00:55:34,840 --> 00:55:39,960
he knows, and the loved ones begin to murmur with reverence,

680
00:55:40,440 --> 00:55:46,039
connecting imaginary dots with absolute confidence. Whispers float through the

681
00:55:46,079 --> 00:55:49,559
air to your ear. The crowd has morphed into an

682
00:55:49,599 --> 00:55:55,440
audience before your very eyes. Performance reviews are in you.

683
00:55:55,559 --> 00:56:01,800
Hear things like so bold, so immerse. The rain must

684
00:56:01,800 --> 00:56:06,960
have been symbolic, like in Twelfth Night and the popcorn brilliant,

685
00:56:07,679 --> 00:56:13,519
soggy but brilliant. You glance toward Principal candlewick, paper bag

686
00:56:13,800 --> 00:56:19,119
dangling from his fingers, eyes wide behind his spectacles. Then

687
00:56:19,159 --> 00:56:23,320
he looks at the applause and at you. He straightens

688
00:56:23,360 --> 00:56:24,079
his jacket.

689
00:56:25,880 --> 00:56:33,840
Speaker 8: Ah, yes, this was an excellent demonstration. Princesses. You had

690
00:56:33,880 --> 00:56:35,800
me a bit worried there for a moment.

691
00:56:36,280 --> 00:56:39,440
Speaker 4: Honey, he thinks it was a purpose.

692
00:56:40,599 --> 00:56:43,960
Speaker 2: They all think it was on purpose.

693
00:56:45,039 --> 00:56:50,000
Speaker 1: Princess Petra's still damp, still offended, lifts her chin like

694
00:56:50,079 --> 00:56:54,360
she planned every single water droplet to save face, no

695
00:56:54,440 --> 00:56:55,480
matter how drenched.

696
00:56:56,119 --> 00:56:57,800
Speaker 5: Of course, it was on purpose.

697
00:56:58,840 --> 00:57:00,000
Speaker 2: Did you all enjoy the show?

698
00:57:01,039 --> 00:57:05,519
Speaker 1: Princess Pia crosses her arms, rainwater dripping from her hair

699
00:57:05,679 --> 00:57:08,639
onto her mud like a victory ceremony.

700
00:57:09,480 --> 00:57:11,800
Speaker 6: That storm had excellent timing.

701
00:57:12,599 --> 00:57:18,519
Speaker 10: I will admit the controlled chaos had a certain educational value.

702
00:57:19,280 --> 00:57:23,800
Speaker 11: Noble mind, noble heart, noble art.

703
00:57:24,559 --> 00:57:28,760
Speaker 1: Mister Honeybee gives you a smile. Don't worry, I won't

704
00:57:28,840 --> 00:57:33,920
out missus. Honeybee saunters no flutters in through the door,

705
00:57:34,559 --> 00:57:41,519
parting the crowd, carrying a silver platter lavender cookies. Anyone

706
00:57:42,559 --> 00:57:47,079
but you, Honey, You know what really happened. You know

707
00:57:47,320 --> 00:57:52,360
improvisation is a skill, a tool you wear on your

708
00:57:52,440 --> 00:57:57,559
figurative belt, just as mister Honeybee wears his. You know

709
00:57:57,679 --> 00:58:01,559
that your creativity is a brilliant results of that inner

710
00:58:01,599 --> 00:58:06,320
sparkle that awakens your soul and your dragon ember alike,

711
00:58:07,480 --> 00:58:12,880
and occasionally improvisation is the most honest kind of creativity

712
00:58:12,960 --> 00:58:20,320
there is. Take your slowest, deepest breath into your nose,

713
00:58:23,239 --> 00:58:26,960
feel the wand in your hand, now calm and steady,

714
00:58:27,800 --> 00:58:32,760
click into place with your focus. Then slowly breathe all

715
00:58:32,880 --> 00:58:37,760
the way out through your mouth, and as you exhale,

716
00:58:38,239 --> 00:58:45,599
you lift your wand with an intentional swirl, a gentle

717
00:58:45,719 --> 00:58:49,559
ring of magic blooms outward. The rain water on the

718
00:58:49,679 --> 00:58:55,280
floor shimmers, lifts, and gathers into floating bubbles, like pearls

719
00:58:55,360 --> 00:59:00,599
returning to their necklace. They drift upward and vanish through

720
00:59:00,599 --> 00:59:03,599
the roof hole, as if the storm never dared to

721
00:59:03,599 --> 00:59:08,519
touch this room. The velvet chairs fluff themselves dry with

722
00:59:08,639 --> 00:59:13,079
a sigh of relief. The antique teacup stopped trembling and

723
00:59:13,159 --> 00:59:18,360
subtle into dignified stillness. The dust swept into Petra's now

724
00:59:18,480 --> 00:59:24,960
frizzy hair sparkles like the glitter. It's become even the mud, yes, honey.

725
00:59:25,199 --> 00:59:31,519
The mud stirs and smooths into a neat, intentional training circle,

726
00:59:32,159 --> 00:59:35,599
bordered by tiny stones that arrange themselves like a proper

727
00:59:35,719 --> 00:59:41,679
lesson space. Princess Pia's eyes widened, delighted against her best

728
00:59:41,719 --> 00:59:43,800
effort to remain unbothered.

729
00:59:44,760 --> 00:59:50,079
Speaker 6: Okay, that's good, that's really.

730
00:59:49,800 --> 00:59:56,639
Speaker 3: Good, my chairs, honey, you're incredible.

731
00:59:57,639 --> 01:00:02,679
Speaker 1: The banquet hall transforms right before for everyone's eyes restored

732
01:00:02,960 --> 01:00:07,880
and improved. Because you didn't erase the chaos. You worked

733
01:00:07,920 --> 01:00:13,719
through it with honest evaluation and acceptance of help, healthy stewardship,

734
01:00:13,800 --> 01:00:16,880
to use all of your resources to strike a balance

735
01:00:17,320 --> 01:00:24,039
between preservation and improvisation, to achieve the pleasant harmony of

736
01:00:24,199 --> 01:00:30,159
making it work against all odds. And in response, the

737
01:00:30,239 --> 01:00:37,639
applause grows louder. Principal Candlewick watches the room become whole again.

738
01:00:38,599 --> 01:00:44,000
He blinks once twice, then his shoulders drop, his chin

739
01:00:44,239 --> 01:00:47,519
elevates confidence in his choices. Return.

740
01:00:48,480 --> 01:00:53,960
Speaker 8: Yes, yes, exactly, Princesses to be and their loved ones,

741
01:00:54,599 --> 01:01:01,039
Welcome to the Princess Academy. Here you do not merely

742
01:01:01,159 --> 01:01:04,920
learn how to curtsy or memorize royal etiquette.

743
01:01:05,079 --> 01:01:08,519
Speaker 2: But we do learn those things, right.

744
01:01:09,039 --> 01:01:14,039
Speaker 8: Yes, Princess Petra. But you will also learn adaptability. You

745
01:01:14,159 --> 01:01:20,679
learn resilience. You learn that when a plan becomes unexpectedly chaotic,

746
01:01:21,280 --> 01:01:25,239
you do not panic, but you may carry a paper

747
01:01:25,320 --> 01:01:31,559
bag in case there's hyperventilating you. My dear princesses, improvise

748
01:01:31,760 --> 01:01:37,599
with creativity and courage, not seeking perfection, but that brave

749
01:01:37,800 --> 01:01:42,199
act of making something even better out of what you have.

750
01:01:44,360 --> 01:01:47,599
Speaker 1: You fill the three princesses closing around you in a

751
01:01:47,679 --> 01:01:52,519
huddle hunt Honey. Princess Petro hooks her arm through yours. Careful,

752
01:01:53,280 --> 01:01:57,639
Princess Piare drapes an elbow over your shoulder. Princess Powis

753
01:01:57,719 --> 01:02:04,639
squeezes your hand tight, grateful, trembling with relief. Then Palla

754
01:02:04,760 --> 01:02:09,039
leans in close so only you can hear thank you.

755
01:02:10,360 --> 01:02:13,679
The princess is to be swarm, the way that sunlight

756
01:02:13,880 --> 01:02:18,679
swarms a window. When the curtains open, they rush toward you,

757
01:02:19,119 --> 01:02:24,559
Princess Palla, Princess Pia, and Princess Petra with bright eyes

758
01:02:24,599 --> 01:02:28,840
and bursting questions. How did you do? The water pearls

759
01:02:28,920 --> 01:02:29,800
the stewardship?

760
01:02:29,920 --> 01:02:34,400
Speaker 3: Always are we allowed to make our own realms?

761
01:02:34,760 --> 01:02:37,639
Speaker 2: Was the popcorn part of the lesson?

762
01:02:38,519 --> 01:02:42,960
Speaker 4: Yes it is now everything is a lesson if you

763
01:02:43,119 --> 01:02:46,239
say it with confidence, Princesses.

764
01:02:46,360 --> 01:02:49,920
Speaker 1: You stand in the center of it all. Honey, Glittering

765
01:02:50,000 --> 01:02:56,320
shoes steady heart, magic wand warm in your hand while

766
01:02:56,360 --> 01:03:00,519
the Princess Academy buzzes with the exact magic is built

767
01:03:00,599 --> 01:03:09,079
for real magic, the kind that you make together and

768
01:03:09,239 --> 01:03:16,159
with that class is dismissed for the Princess Professors on

769
01:03:16,239 --> 01:03:20,519
behalf of the Princess Academy. Thank you for listening, learning,

770
01:03:20,840 --> 01:03:26,400
and princessing in your own way, honey, and always remember

771
01:03:27,000 --> 01:03:31,320
when things don't go as planned, they're going as princessed.