1
00:00:00,280 --> 00:00:02,879
Speaker 1: Arrow dot net. It's more than just a podcast, it's

2
00:00:02,919 --> 00:00:08,359
a podcast network, twenty different podcasts to choose from. For instance,

3
00:00:08,599 --> 00:00:12,679
pod Crashing. You listen to podcasts, but do you really

4
00:00:12,839 --> 00:00:17,320
listen to the stories of their journeys, their paths, decisions

5
00:00:17,519 --> 00:00:21,879
and reasons behind their moves pod crashing, and that leads

6
00:00:21,879 --> 00:00:24,640
you up to pod crashing one on one, which are

7
00:00:24,719 --> 00:00:27,000
lessons that you can tuck away so that you, too,

8
00:00:27,039 --> 00:00:30,760
can host your own podcast. It's found on ero dot

9
00:00:30,839 --> 00:00:35,000
net A R R O E dot net. Enjoy your exploration.

10
00:00:35,759 --> 00:00:37,759
There we go. Hey, how are you doing?

11
00:00:37,799 --> 00:00:40,520
Speaker 2: Today's help my brother?

12
00:00:41,479 --> 00:00:43,799
Speaker 1: It's been too long, you know, it's been too long,

13
00:00:44,439 --> 00:00:49,200
been too long, man, Outside of creating music, What have

14
00:00:49,240 --> 00:00:49,920
you been up to?

15
00:00:51,039 --> 00:00:53,799
Speaker 2: Man? You know, I'm just doing to do right grinding.

16
00:00:55,000 --> 00:00:56,920
Speaker 1: That's that's the fun part about life. When you can

17
00:00:56,960 --> 00:00:59,520
say been doing it. That means you're in control. You're

18
00:00:59,560 --> 00:01:02,079
the one signing the stage. That's got to be quite fun.

19
00:01:03,520 --> 00:01:05,879
Speaker 3: Yeah, you know the deal with Sony and all that

20
00:01:06,280 --> 00:01:08,719
when we talked last time. So I decided to just

21
00:01:08,760 --> 00:01:12,040
start my own little label and release it myself and

22
00:01:12,120 --> 00:01:13,879
just kind of do my own gig.

23
00:01:13,959 --> 00:01:16,120
Speaker 1: You know, I do love that. See see, that's to

24
00:01:16,159 --> 00:01:18,200
me is what it's all about, because you know, you

25
00:01:18,640 --> 00:01:21,959
walk and talk with the everyday average person and you

26
00:01:22,040 --> 00:01:24,920
live that life. Now here comes this record company and

27
00:01:24,959 --> 00:01:27,200
they don't walk your life. How are they supposed to

28
00:01:27,239 --> 00:01:28,200
understand what you're doing?

29
00:01:28,239 --> 00:01:28,400
Speaker 2: Then?

30
00:01:28,680 --> 00:01:31,480
Speaker 1: And I've now that you're in control saying yes, I

31
00:01:31,680 --> 00:01:32,200
feel it.

32
00:01:33,359 --> 00:01:36,680
Speaker 3: Yeah, yeah, I finally got my master's and my publishing back,

33
00:01:36,799 --> 00:01:39,959
and so I've been releasing a lot of new stuff

34
00:01:40,000 --> 00:01:43,400
as well as uh, well you remember.

35
00:01:45,040 --> 00:01:47,959
Speaker 2: Covid hit when we were doing Boxcard Junkie. Yes, Sony

36
00:01:48,079 --> 00:01:54,239
was in control of So no, it's it's nice to

37
00:01:54,280 --> 00:01:55,239
have that power back.

38
00:01:55,439 --> 00:01:58,480
Speaker 3: I mean, it's you know, I mean, it's still challenging

39
00:01:58,560 --> 00:02:01,439
as independent now because you don't have the funding from

40
00:02:02,079 --> 00:02:05,480
the labels. But at the same time, it's cool that

41
00:02:08,000 --> 00:02:11,039
you know that you have creative control and all that.

42
00:02:11,479 --> 00:02:13,400
Speaker 1: So then what was it like to sit down and

43
00:02:13,439 --> 00:02:15,479
start bringing to life Hobo Nation?

44
00:02:17,000 --> 00:02:19,719
Speaker 2: Oh man? That started a long time ago.

45
00:02:19,879 --> 00:02:23,000
Speaker 3: It just been a passion of mine because there was

46
00:02:23,039 --> 00:02:26,919
a time that I was I was out there, you know,

47
00:02:27,000 --> 00:02:30,879
I write about that, sing about that, and met a

48
00:02:30,879 --> 00:02:33,520
lot of great people out there. So I just wanted

49
00:02:33,560 --> 00:02:39,840
to get this vision going, you know, and still working

50
00:02:39,879 --> 00:02:45,240
on it. But yeah, man, I think good things are

51
00:02:45,280 --> 00:02:45,759
going to come.

52
00:02:46,199 --> 00:02:48,520
Speaker 1: Well, there's there's a great vibration that comes from it

53
00:02:48,599 --> 00:02:50,520
in the way that not only have I always been

54
00:02:50,520 --> 00:02:53,039
inspired by the Hobo, but the thing is is that

55
00:02:53,039 --> 00:02:56,039
that you you speak the language and then so that

56
00:02:56,080 --> 00:02:59,360
we can all understand what their lifestyle is and that

57
00:02:59,520 --> 00:03:01,840
for men, any many of them, it is a choice

58
00:03:01,879 --> 00:03:03,439
to be doing what they're doing.

59
00:03:04,560 --> 00:03:10,120
Speaker 3: Right, and uh, you know, I always say, the way

60
00:03:10,199 --> 00:03:13,759
things are going, there's not a lot of us that

61
00:03:13,840 --> 00:03:18,479
aren't one pay check away, you know, you know, so

62
00:03:18,560 --> 00:03:22,000
it's a real thing, and it's you know, for a

63
00:03:22,039 --> 00:03:25,000
lot of them, it's it's surely not a choice, you know,

64
00:03:25,240 --> 00:03:32,520
and people should you know, uh, you know, speak for them,

65
00:03:32,639 --> 00:03:33,439
I think.

66
00:03:33,840 --> 00:03:36,039
Speaker 1: See, and that to me that you're calling because when

67
00:03:36,039 --> 00:03:38,240
you listen to any of your music, you can feel

68
00:03:38,280 --> 00:03:40,680
something from it. I mean, I mean, for instance, like

69
00:03:40,719 --> 00:03:43,319
you just recently posted a quote here and it says,

70
00:03:43,479 --> 00:03:47,080
when your soul outgrows the situation, the universe creates an

71
00:03:47,120 --> 00:03:50,280
exit that speaks, and that that also says a lot

72
00:03:50,319 --> 00:03:51,960
about your music. It speaks.

73
00:03:53,439 --> 00:04:03,639
Speaker 2: Yeah, well that's true, but yeahhere.

74
00:04:00,120 --> 00:04:02,840
Speaker 1: Does it come from is it? Are you are you meditating?

75
00:04:03,280 --> 00:04:06,039
Are you? Are you taking long walks? Where does music

76
00:04:06,120 --> 00:04:08,639
start with you? Oh?

77
00:04:08,719 --> 00:04:12,439
Speaker 2: Man, three o'clock in the morning, keeping me awake?

78
00:04:15,960 --> 00:04:17,959
Speaker 3: You know, you got to have a no, no pad

79
00:04:18,040 --> 00:04:20,040
but by the dresser.

80
00:04:20,560 --> 00:04:25,600
Speaker 2: But no, but seriously, Uh, you know, it's just always

81
00:04:25,600 --> 00:04:27,439
been in me and uh.

82
00:04:28,879 --> 00:04:32,439
Speaker 3: Ever since I was a kid. And but yeah, I

83
00:04:32,439 --> 00:04:37,120
mean I try to you know, I try to keep grounding.

84
00:04:37,680 --> 00:04:39,319
Speaker 2: You know. Living by the ocean helps.

85
00:04:41,680 --> 00:04:44,079
Speaker 1: I love that kind of a sound the ocean each night.

86
00:04:45,160 --> 00:04:45,920
Speaker 2: Yeah.

87
00:04:46,000 --> 00:04:49,680
Speaker 3: Yeah, I'm very, very blessed in that sense for sure.

88
00:04:50,560 --> 00:04:53,160
Speaker 1: One of the songs that's coming out is Still. I Know.

89
00:04:53,519 --> 00:04:56,879
What I love about this song is the strong roll

90
00:04:57,000 --> 00:05:00,480
in and then it eases right into you know, the blues.

91
00:05:00,519 --> 00:05:02,560
I can feel some blues and stuff in there, but

92
00:05:02,639 --> 00:05:05,800
you're really bringing a theatrical vibe to it.

93
00:05:07,160 --> 00:05:08,319
Speaker 2: Yeah.

94
00:05:08,839 --> 00:05:13,240
Speaker 3: Well, it's because it's an emotional song, you know, and

95
00:05:13,279 --> 00:05:16,680
it should it should convey that. I think, you know,

96
00:05:18,199 --> 00:05:20,560
because there's a lot of heartfelt lyrics and a lot

97
00:05:20,600 --> 00:05:24,959
of a lot of sleepless nights and a lot of

98
00:05:27,439 --> 00:05:30,639
empty mornings that came into that song. You know, I

99
00:05:30,680 --> 00:05:34,959
write everything I live. I just don't write songs, right,

100
00:05:36,079 --> 00:05:38,680
you know, Nashville or whatever, and nothing against them, but

101
00:05:39,480 --> 00:05:41,360
you know, I just don't sit down and write a song.

102
00:05:41,480 --> 00:05:47,279
It's it's truly channeling or from the heart or spirit

103
00:05:47,439 --> 00:05:48,839
or whatever you want to call it.

104
00:05:48,920 --> 00:05:51,920
Speaker 1: You know, please do that move. There's more with Brandon

105
00:05:52,000 --> 00:05:56,399
Reid Allen coming up next. The name of the EP

106
00:05:56,839 --> 00:05:59,600
is Hobonation. The name of the song still I know

107
00:06:00,079 --> 00:06:02,720
you are back with Brandon Reid Allen. Do you think

108
00:06:02,839 --> 00:06:05,680
songs sometimes, when when you write like that, are really

109
00:06:06,240 --> 00:06:09,040
like short stories because or would we call it this

110
00:06:09,160 --> 00:06:12,519
short short story? Because a song like can be over

111
00:06:12,560 --> 00:06:14,480
with in two minutes and forty five seconds.

112
00:06:15,800 --> 00:06:16,759
Speaker 2: Yeah, I think.

113
00:06:16,879 --> 00:06:19,879
Speaker 3: I think the art of it is is simplicity, which

114
00:06:19,959 --> 00:06:20,959
is harder than.

115
00:06:23,000 --> 00:06:23,240
Speaker 2: You know.

116
00:06:23,759 --> 00:06:27,319
Speaker 3: You hear certain bands that just go crazy with our

117
00:06:27,360 --> 00:06:31,000
pigios and all this stuff, and it's great, it's complex

118
00:06:31,120 --> 00:06:35,879
and it's you know, masterful, But I think simplicity, honestly

119
00:06:36,079 --> 00:06:40,279
is one of the most difficult things to put.

120
00:06:41,360 --> 00:06:42,000
Speaker 2: In a couple of.

121
00:06:42,040 --> 00:06:45,160
Speaker 3: Minutes, you know, a few minutes, you know, and tell

122
00:06:45,199 --> 00:06:49,879
the whole story, you know, like for instance, shadow Man, that's.

123
00:06:51,319 --> 00:06:55,839
Speaker 2: That's a whole life in two minutes. Yeah, you know, yeah, yeah, but.

124
00:06:55,839 --> 00:06:57,920
Speaker 1: See I always look at things like that and go, oh,

125
00:06:57,920 --> 00:06:59,959
that's our way of just hitting repeats, and then we

126
00:07:00,079 --> 00:07:01,720
hit repeating and live it all over again.

127
00:07:02,680 --> 00:07:05,959
Speaker 2: Yeah.

128
00:07:06,000 --> 00:07:08,600
Speaker 1: So when when you're putting together the music are you

129
00:07:08,720 --> 00:07:11,759
are you engineering it as well? And if so, does

130
00:07:11,800 --> 00:07:14,519
that make you a more of a perfectionist now that

131
00:07:14,560 --> 00:07:16,120
you're in one hundred percent control?

132
00:07:18,000 --> 00:07:27,480
Speaker 3: Well, I'm perfectionists to to default, and I think most

133
00:07:27,639 --> 00:07:28,839
most musicians are.

134
00:07:29,319 --> 00:07:31,279
Speaker 2: I wouldn't. Well, I would hope, you know.

135
00:07:31,480 --> 00:07:35,000
Speaker 3: But but a lot of times, and I've said this before,

136
00:07:35,360 --> 00:07:40,120
I'm a writer downer. I just hear it. And sometimes

137
00:07:40,160 --> 00:07:44,000
a song can take thirty minutes. You just hear it

138
00:07:44,079 --> 00:07:46,160
in the middle of you know, three o'clock in the

139
00:07:46,199 --> 00:07:49,160
morning or something like empty Chair and that's how that came.

140
00:07:49,639 --> 00:07:53,160
And then but then other ones like hey mama, that

141
00:07:53,319 --> 00:07:54,759
took nine months.

142
00:07:55,120 --> 00:07:59,879
Speaker 2: Yeah, you know, it's just I always wait for it

143
00:08:00,120 --> 00:08:00,439
to come.

144
00:08:00,480 --> 00:08:03,720
Speaker 3: I don't rush the song, you know, I don't you

145
00:08:03,759 --> 00:08:06,120
know how a lot of people you got to finish

146
00:08:06,120 --> 00:08:08,040
the song, you got to do this, you got to

147
00:08:08,079 --> 00:08:12,360
do that really quick, and I let it finish yourself.

148
00:08:12,399 --> 00:08:18,279
And sometimes I've noticed songs I've written years ago will

149
00:08:18,399 --> 00:08:20,839
end up being in my bridge in a new song

150
00:08:20,879 --> 00:08:21,959
and just writtle you know.

151
00:08:22,240 --> 00:08:25,079
Speaker 1: I love that stuff. Yeah.

152
00:08:25,439 --> 00:08:27,680
Speaker 3: Yeah, so you just don't know, you know, like I

153
00:08:27,800 --> 00:08:30,879
just wrote one called Home.

154
00:08:31,279 --> 00:08:36,039
Speaker 2: And that bridge was five years old.

155
00:08:36,200 --> 00:08:38,200
Speaker 3: Wow, you know, but I never knew, you know, I

156
00:08:38,200 --> 00:08:40,600
didn't know what to do with it, and it worked

157
00:08:40,600 --> 00:08:43,960
out perfectly, you know with the song. Wow.

158
00:08:44,440 --> 00:08:46,840
Speaker 1: Speaking of that song, Hey Mama, that video for that,

159
00:08:46,879 --> 00:08:49,679
I'd like to know where you film those wide open

160
00:08:49,840 --> 00:08:52,759
fields because I got a vibe that it was somewhere

161
00:08:52,759 --> 00:08:57,399
near Montana, maybe Wyoming, Texas, Texas. I'll give you that, Okay,

162
00:08:57,440 --> 00:08:58,000
I'll give you that.

163
00:08:58,399 --> 00:08:59,759
Speaker 2: Yeah, that was the Texas.

164
00:09:00,879 --> 00:09:04,679
Speaker 1: Yeah, but it's wide open country though, dude.

165
00:09:05,559 --> 00:09:08,759
Speaker 3: Oh I know, I know, which is funny because it

166
00:09:08,879 --> 00:09:11,879
was Houston, which is nothing but pavement, you know, but

167
00:09:14,039 --> 00:09:17,559
you go a little you know, outside of town and

168
00:09:17,600 --> 00:09:22,759
then it's it's all open country. Just it's beautiful, you know,

169
00:09:23,000 --> 00:09:24,360
big skies and everything.

170
00:09:24,720 --> 00:09:28,720
Speaker 1: Yeah yeah, yeah yeah. And you also included, as you know,

171
00:09:28,720 --> 00:09:31,399
acoustic guitar in the bar. I thought that was very

172
00:09:31,480 --> 00:09:33,720
level head. It didn't very real when it comes to

173
00:09:34,039 --> 00:09:38,159
authentic musicians that it does start in those bars.

174
00:09:38,720 --> 00:09:41,559
Speaker 2: Oh man, you want to know. The funny party about

175
00:09:41,559 --> 00:09:45,360
that was in the video. You see the.

176
00:09:45,320 --> 00:09:49,120
Speaker 3: Little dog, yeah, in the car, so nobody knew. They

177
00:09:49,159 --> 00:09:51,960
thought I was busking. They didn't know I was filming

178
00:09:51,960 --> 00:09:56,279
a video. So no, this is the cool part. So

179
00:09:56,320 --> 00:09:59,200
what happened was We're like, so we want to do

180
00:09:59,279 --> 00:10:02,080
the open field, but we got to get down to

181
00:10:02,200 --> 00:10:05,279
the city. So I said, hey, take me to a bypass,

182
00:10:05,840 --> 00:10:09,519
you know, and somebody, some little sweet lady even gave

183
00:10:09,559 --> 00:10:10,159
me a dollar.

184
00:10:10,360 --> 00:10:15,039
Speaker 2: Oh god, because they didn't.

185
00:10:14,799 --> 00:10:17,960
Speaker 3: Really see the cameras. They didn't know that, you know,

186
00:10:18,000 --> 00:10:20,200
I was filming a video. They just thought that I

187
00:10:20,279 --> 00:10:24,879
was busking, you know. And it was super cool. And

188
00:10:24,960 --> 00:10:28,879
then I went into that little place you're talking about,

189
00:10:29,240 --> 00:10:32,200
and that's how I got to know all the employees

190
00:10:32,279 --> 00:10:35,399
and let me go back and that's cool the kitchen

191
00:10:35,440 --> 00:10:38,240
and flip burgers with them and sing songs.

192
00:10:37,840 --> 00:10:41,200
Speaker 2: For them and you know, and they just loved it.

193
00:10:41,200 --> 00:10:43,799
It was really super cool. It was a very community

194
00:10:43,879 --> 00:10:45,279
kind of thing. It was awesome.

195
00:10:45,639 --> 00:10:48,960
Speaker 1: Wow. See right there. It brings us to that point of,

196
00:10:49,120 --> 00:10:52,279
you know, every music project brings you something brand new

197
00:10:52,320 --> 00:10:55,360
to discover. So even that story right there is something

198
00:10:55,519 --> 00:10:57,320
brand new to discover and you did.

199
00:10:59,120 --> 00:11:03,000
Speaker 2: Yeah, it was super cool, man, it was you know.

200
00:11:03,159 --> 00:11:06,799
And then you just see kindness and it wasn't stage.

201
00:11:07,159 --> 00:11:09,559
Speaker 3: That little lady gave me, you know, that little and

202
00:11:09,639 --> 00:11:12,679
she was like eighty, She rolled her rounded down and

203
00:11:12,679 --> 00:11:13,440
gave me a dollar.

204
00:11:13,720 --> 00:11:18,360
Speaker 2: You know, you know, it just shows human kindness.

205
00:11:18,480 --> 00:11:21,440
Speaker 3: And then how they let me in their venues to

206
00:11:21,679 --> 00:11:26,440
film and let me cook and stuff and just listen

207
00:11:26,519 --> 00:11:27,200
to the music.

208
00:11:27,399 --> 00:11:30,759
Speaker 2: And it was, you know, just like I said, very

209
00:11:30,919 --> 00:11:31,440
very cool.

210
00:11:32,039 --> 00:11:35,279
Speaker 1: Wow. Where can people go to find out more about you,

211
00:11:35,639 --> 00:11:38,919
more about Hobo Nation and everything else that you're doing.

212
00:11:40,279 --> 00:11:43,159
Speaker 3: Oh, they just google me Brandon Reid, Alan ri E

213
00:11:43,279 --> 00:11:48,240
I d Alan or Facebook or I'm not really huge

214
00:11:48,320 --> 00:11:52,360
on TikTok stuff. I know that's the thing. I'm working

215
00:11:52,440 --> 00:11:56,600
on that. But and I've got an imaging agent by

216
00:11:56,639 --> 00:12:02,639
the way, Rachel Ryder, and she's, uh, she's handled a

217
00:12:02,639 --> 00:12:04,600
lot of stuff for me. So I was blessed to

218
00:12:04,639 --> 00:12:07,720
meet her in Florida because I was in Nashville a

219
00:12:07,840 --> 00:12:11,840
year ago and then I decided to go to Florida

220
00:12:12,000 --> 00:12:15,919
and to go up the coast, and uh, now I'm

221
00:12:15,960 --> 00:12:21,759
in North Carolina just you know, doing that thing beach.

222
00:12:23,120 --> 00:12:25,039
Speaker 1: Now now what part of North Carolina are you in.

223
00:12:25,960 --> 00:12:28,039
Speaker 2: I'm on an island which is chippy.

224
00:12:28,200 --> 00:12:33,480
Speaker 3: Really yeah, I'm north Top Cell Beach, Wilmington, you know

225
00:12:33,519 --> 00:12:37,159
whommy Yeah yeah, okay, so I'm just about an hour

226
00:12:37,279 --> 00:12:41,759
north of Wilmington. And uh, it's a cool little island.

227
00:12:42,720 --> 00:12:45,440
Speaker 2: But you get you know, you got one bridge to

228
00:12:45,480 --> 00:12:46,080
you to get.

229
00:12:45,960 --> 00:12:49,200
Speaker 1: Over North Carolina. That's North Carolina. That's usome.

230
00:12:49,200 --> 00:12:52,559
Speaker 3: Oh man, the weather's crazy. Yeah, it's beautiful then and

231
00:12:52,679 --> 00:12:54,759
a but it's really cool scene.

232
00:12:54,960 --> 00:12:57,919
Speaker 1: You know. Wow, Well, man, you got to come back

233
00:12:57,960 --> 00:13:00,240
to this show anytime in the future. The door is

234
00:13:00,279 --> 00:13:01,639
always going to be open for you.

235
00:13:02,360 --> 00:13:03,519
Speaker 2: Well, I appreciate that.

236
00:13:03,639 --> 00:13:05,120
Speaker 3: And I want to give a shout out to Beach

237
00:13:05,120 --> 00:13:08,960
Star Entertainment too for hooking this up and hooking up

238
00:13:09,759 --> 00:13:12,720
the gigs. And you know, she's got a lot of

239
00:13:12,720 --> 00:13:13,360
great artists.

240
00:13:13,399 --> 00:13:15,360
Speaker 2: You make sure you check her out.

241
00:13:15,799 --> 00:13:17,360
Speaker 1: Excellent man, be brilliant today.

242
00:13:17,399 --> 00:13:19,600
Speaker 2: Okay, sir, you too, Brother,

