WEBVTT 1 00:00:00.520 --> 00:00:06.120 Hey, I'm Anchie and I'm Ryan and we're Love Spirals. 2 00:00:06.679 --> 00:00:10.439 Welcome to Chunleup Spirals Episode ninety five. 3 00:00:10.839 --> 00:00:13.720 On four, twenty twenty twenty five. 4 00:00:13.919 --> 00:00:18.199 Oh, I was promised we're back with a new single 5 00:00:18.480 --> 00:00:20.199 and a new episode of the show. 6 00:00:20.719 --> 00:00:22.359 Kind of go hand in hand, they do. 7 00:00:23.000 --> 00:00:26.839 That's the promise, maybe the pinky promise. One single, one 8 00:00:26.920 --> 00:00:30.440 episode of the podcast per month, time permitted. 9 00:00:31.079 --> 00:00:32.880 All right, So with that out of the way, the 10 00:00:32.920 --> 00:00:35.759 biggest news going on right now is that our brand 11 00:00:35.759 --> 00:00:38.560 new single Will It Ever Be the Same. Actually, it's 12 00:00:38.560 --> 00:00:41.560 a remix. It's a VIP remix, which stands for variance 13 00:00:41.640 --> 00:00:44.640 in production. Well, it's out on all streaming platforms now 14 00:00:44.679 --> 00:00:48.200 whatever you got, like you know, Apple Music, Spotify, title 15 00:00:48.799 --> 00:00:52.679 of Amazon and all that stuff. And if you're not 16 00:00:52.679 --> 00:00:56.679 familiar with this concept VIP remix. The song Will It 17 00:00:56.679 --> 00:00:59.560 Ever Be the Same originally appeared on our twenty eighteen 18 00:00:59.640 --> 00:01:03.280 album Long Way No Not Long Way from Home. Life 19 00:01:03.320 --> 00:01:05.319 Goes On. But I was just we were just talking 20 00:01:05.319 --> 00:01:05.959 about long Way. 21 00:01:05.840 --> 00:01:10.280 From Home, I know, els and whatnot, But that's when 22 00:01:10.319 --> 00:01:10.760 they came out. 23 00:01:10.760 --> 00:01:12.680 I think we wrote the song a few years before that, 24 00:01:12.799 --> 00:01:15.439 so it's you know, maybe close to ten years old 25 00:01:15.519 --> 00:01:18.120 or so, I'm sure, and I don't know what bit me. 26 00:01:18.159 --> 00:01:20.000 One night, I was listening to probably some K pop 27 00:01:20.159 --> 00:01:22.280 or something, and the idea just came to my head. 28 00:01:22.280 --> 00:01:23.840 I didn't even think I said anything to her. I said, 29 00:01:23.840 --> 00:01:27.519 you know, I should consider remixing. Will it ever be 30 00:01:27.560 --> 00:01:29.280 the same? I think I could fit in really well 31 00:01:29.319 --> 00:01:31.120 with the kind of stuff we've been putting out for 32 00:01:31.159 --> 00:01:33.879 the past like year or so. So a few days later, 33 00:01:33.920 --> 00:01:35.879 I just silently pulled it up. I found the old 34 00:01:35.920 --> 00:01:39.480 project yeah, and on Logic started working on. I go, hey, 35 00:01:39.519 --> 00:01:40.280 I think I'm on some. 36 00:01:40.799 --> 00:01:43.079 I remember now, Yeah, this is not one that we 37 00:01:43.200 --> 00:01:45.640 discussed in advance. You came out and you said you 38 00:01:45.680 --> 00:01:48.040 were working on one from that album. Yeah, And I 39 00:01:48.040 --> 00:01:49.680 don't know if you asked me to guess, but I 40 00:01:50.799 --> 00:01:54.079 didn't guess this one. But I do remember when we 41 00:01:54.079 --> 00:01:56.480 were working on the album, we thought, oh, this is 42 00:01:56.519 --> 00:01:57.640 a pretty great song. 43 00:01:57.799 --> 00:02:00.599 But but I thought I could make it better because 44 00:02:00.599 --> 00:02:03.000 we've learned a lot since then, We've gotten better as 45 00:02:03.400 --> 00:02:04.799 musicians and producers. 46 00:02:04.799 --> 00:02:06.920 We must not have been as excited about how it 47 00:02:06.959 --> 00:02:08.960 turned out as when we were writing it, because I 48 00:02:08.960 --> 00:02:11.719 don't remember. It's promoting it a whole lot that day. 49 00:02:11.879 --> 00:02:16.000 But it's hard when you have like nine songs, yeah, album, 50 00:02:16.400 --> 00:02:19.360 it's hard to give the same amount of attention and 51 00:02:19.439 --> 00:02:21.680 Karen love to all of them. Yeah, you know, some 52 00:02:21.759 --> 00:02:24.960 of them got music videos and some didn't, and some 53 00:02:25.199 --> 00:02:28.680 you know, got pushed more on on podcasts and whatnot. 54 00:02:28.800 --> 00:02:30.280 This one kind of slipped through the crack. 55 00:02:30.439 --> 00:02:32.759 Yeah, so even our fans from them may have not 56 00:02:32.800 --> 00:02:34.879 been too familiar with it. So we have a whole 57 00:02:34.919 --> 00:02:38.400 new like generation really literally, like so many younger people 58 00:02:38.400 --> 00:02:41.439 have discovered our music since like the past, over the 59 00:02:41.439 --> 00:02:43.560 past like three odd four years or so. 60 00:02:43.879 --> 00:02:47.719 Yeah, since the dominant you know, streaming platform. 61 00:02:48.120 --> 00:02:50.080 Yeah, and I think yeah, so we have all these 62 00:02:50.120 --> 00:02:54.639 like gen zers and younger you know, and younger millennials 63 00:02:54.639 --> 00:02:56.639 discovering our stuff too. So this is really cool. Like 64 00:02:56.879 --> 00:02:59.439 most people and most of them never heard this song 65 00:02:59.520 --> 00:03:01.319 when it came so it's a brand new song. And 66 00:03:01.360 --> 00:03:03.039 it really kind of is a brand new song, just 67 00:03:03.120 --> 00:03:06.919 kind of based on a slightly older recording that we 68 00:03:07.400 --> 00:03:10.199 added and massaged into. We checked it, we're all done 69 00:03:10.199 --> 00:03:12.919 with the mix, so let's put on the twenty eighteen 70 00:03:13.039 --> 00:03:16.159 version just for just a comparison. Finally it's like, oh wow, yeah, 71 00:03:16.159 --> 00:03:18.120 we really took it to a whole new level. 72 00:03:18.280 --> 00:03:20.520 Well, let's talk about some of the things that we upgraded. 73 00:03:20.800 --> 00:03:22.520 All right, Well, once you start, I've been blabbing for 74 00:03:22.560 --> 00:03:22.800 a bit. 75 00:03:22.919 --> 00:03:26.639 Okay, Well, for one thing, I really enjoy how you 76 00:03:26.800 --> 00:03:30.360 added the more modern electronic percussion, like the eight A weight. 77 00:03:30.680 --> 00:03:32.759 That's what as I thought, like, we've been doing that 78 00:03:32.800 --> 00:03:34.800 in a lot of our songs like Newmanon and stuff. 79 00:03:34.879 --> 00:03:36.800 Yeah, it's that thing we talked about last time. So 80 00:03:36.879 --> 00:03:39.960 we're trying to have more of a continuity between you know, 81 00:03:40.280 --> 00:03:43.599 our releases and bringing in that type of percussion. 82 00:03:43.919 --> 00:03:46.280 Mentioned what eights are. It's a drummer shine from like 83 00:03:46.319 --> 00:03:49.080 the eighties, made by Ron. It's like legendary. It's one 84 00:03:49.120 --> 00:03:51.039 of the most if not the most famous drum machine 85 00:03:51.039 --> 00:03:53.039 of all time. It wasn't popular when it came out. 86 00:03:53.039 --> 00:03:55.639 I was supposed to like sound like a real drum machine, 87 00:03:55.639 --> 00:03:58.520 which was not really possible in the eighties, and at 88 00:03:58.599 --> 00:04:00.680 least not for like under a thousand or whatever, at 89 00:04:00.719 --> 00:04:03.840 least under ten thousand bucks. Anyway, they kind of died 90 00:04:03.840 --> 00:04:06.319 a quick depth, but they got popularized later about like 91 00:04:06.319 --> 00:04:09.319 like like all sorts of electronic music like hip hop. 92 00:04:09.879 --> 00:04:13.639 It's it's you've probably heard it for decades and not 93 00:04:13.840 --> 00:04:14.280 know what it was. 94 00:04:14.479 --> 00:04:17.279 Just some great documentaries on Aniway's and like you know, 95 00:04:17.720 --> 00:04:20.319 instructional type videos you can find on YouTube if you 96 00:04:20.360 --> 00:04:21.199 want to know more about it. 97 00:04:21.279 --> 00:04:24.040 We have The Cocktail Twins Us out on their first album, Garlands, 98 00:04:24.040 --> 00:04:26.519 and they got rid on quickly because it's kind of primitive. Anyway, 99 00:04:26.839 --> 00:04:29.519 it's been it's been pretty popular, yeah right now, like 100 00:04:29.639 --> 00:04:33.240 hip hop, K pop, trap and an R and B. 101 00:04:33.360 --> 00:04:35.959 It's just it's just it keeps going. It's life keeps going. 102 00:04:36.040 --> 00:04:38.759 And I've been yeah, I don't know why I waited 103 00:04:38.839 --> 00:04:40.759 so long to try to integrate eight to eight sounds 104 00:04:40.759 --> 00:04:43.160 into our music. And it's just it's perfect fit that 105 00:04:43.800 --> 00:04:46.839 it's known that Atawait's known for having a super fat 106 00:04:46.839 --> 00:04:49.000 Have you ever heard of a cargo buy that kick 107 00:04:49.079 --> 00:04:51.959 drums booming and shaking your house? It's probably from an AA. 108 00:04:52.279 --> 00:04:54.079 We don't make it that exactly, but I'm saying it 109 00:04:54.079 --> 00:04:56.360 has a really super fat kick which feels in the 110 00:04:56.399 --> 00:04:59.279 low end like nothing else does. And you can actually 111 00:04:59.319 --> 00:05:02.480 tune that that that kick to be a musical pitch 112 00:05:02.680 --> 00:05:05.319 or musical pitches, so you can have that play the bassline. 113 00:05:05.360 --> 00:05:07.720 In fact, I did stuff like that on Dump my 114 00:05:07.800 --> 00:05:09.839 drum and Bass album with you know. 115 00:05:09.959 --> 00:05:12.439 Flex Oh yeah. 116 00:05:12.199 --> 00:05:15.120 But anyway, Yeah, it goes in really well with this 117 00:05:15.360 --> 00:05:18.600 bassy ethereal thing that we're into. 118 00:05:18.800 --> 00:05:20.720 Here's what I love about the ato weights. I feel 119 00:05:20.759 --> 00:05:24.040 like it cuts through our particular wall of sound. 120 00:05:24.240 --> 00:05:26.759 Yeah yeah, cuts, yeah more so than like if I 121 00:05:26.879 --> 00:05:29.399 just had some drummer kind of sounds like a dude. 122 00:05:29.480 --> 00:05:31.600 It just carries the beat and that's fine, but it 123 00:05:31.639 --> 00:05:33.680 doesn't really make much of an impact. But it went 124 00:05:33.800 --> 00:05:37.639 cuts and and you just you have to you you 125 00:05:37.680 --> 00:05:39.639 feel it, you know, you're a weights there. 126 00:05:39.720 --> 00:05:42.120 High hats too. I think that the high hats you 127 00:05:42.160 --> 00:05:44.160 can hear them well even despite you know, the female 128 00:05:44.240 --> 00:05:47.480 voice and the electric guitar with you know, like all 129 00:05:47.480 --> 00:05:50.240 the reverbon delay, you can still really hear and feel 130 00:05:50.279 --> 00:05:52.759 the percussion and it, you know, it helps to gently 131 00:05:52.800 --> 00:05:55.399 propel the songs, which is what we need. We need 132 00:05:55.439 --> 00:05:57.839 general propulsion in our songs. Yeah, we're not like leeds 133 00:05:57.920 --> 00:05:58.600 up or whatever. 134 00:05:58.720 --> 00:05:58.920 Yeah. 135 00:05:59.480 --> 00:06:01.959 Yeah, so that's for me. That's one of the major differences. 136 00:06:02.600 --> 00:06:05.920 Adding in the vocal sample too, which is another kind 137 00:06:05.920 --> 00:06:07.480 of modern song technique. 138 00:06:07.680 --> 00:06:10.120 Yeah, real live. We cut out a partners saying tell 139 00:06:10.160 --> 00:06:12.959 me and then just put it into a sampler and 140 00:06:13.079 --> 00:06:15.199 logic and just started using it as like an old 141 00:06:15.240 --> 00:06:16.680 school like nineties sample. 142 00:06:16.959 --> 00:06:20.000 Yeah, it's not as different in some ways as the 143 00:06:20.040 --> 00:06:20.759 Call had. 144 00:06:21.000 --> 00:06:23.000 Yeah, that was very different that one I used. Yeah 145 00:06:23.040 --> 00:06:26.199 a dude, that's again a VIP remix of a song 146 00:06:26.240 --> 00:06:28.079 from not as old, maybe a couple of years ago 147 00:06:28.079 --> 00:06:31.319 at most. And yeah, I had a drum thing going 148 00:06:31.360 --> 00:06:33.800 on that was like emulating a human being. It just 149 00:06:33.839 --> 00:06:36.079 makes sense for that kind of that style of music, 150 00:06:36.120 --> 00:06:38.160 you know. Yeah, the Call is kind of a little 151 00:06:38.199 --> 00:06:40.079 bit of an outlier in that regard. 152 00:06:39.720 --> 00:06:40.879 But yeah, it always has been. 153 00:06:41.199 --> 00:06:43.680 Yeah, yeah it will ever be the same, just totally 154 00:06:43.680 --> 00:06:45.360 in the full right there, right up there, like new 155 00:06:45.439 --> 00:06:46.720 min on and everything. 156 00:06:46.839 --> 00:06:47.560 Yeah, it's not. 157 00:06:47.720 --> 00:06:49.759 Why we put it on. Sometimes I'm just thinking, ah, man, 158 00:06:49.759 --> 00:06:53.639 it's so beautiful and just just so depressing. It reminds 159 00:06:53.680 --> 00:06:57.560 me of super depressing. It reminds me like Cure's Pornography. 160 00:06:56.839 --> 00:06:58.959 Album that I told you the other night, Like as 161 00:06:59.000 --> 00:07:00.160 soon as the song starts. 162 00:06:59.879 --> 00:07:04.000 Like everything is horrible, Oh you're just terrible. 163 00:07:05.040 --> 00:07:08.040 But then I love how we heard it the other night, 164 00:07:08.160 --> 00:07:10.759 like late night. It's perfect, the perfect time to listen to. 165 00:07:10.959 --> 00:07:13.800 Will it ever be the same? Late night? And so 166 00:07:13.839 --> 00:07:16.079 it starts off it's like devastating. You just felt like 167 00:07:16.160 --> 00:07:18.639 flattening your back of their eyes closed. Then it just 168 00:07:18.680 --> 00:07:21.360 starts building a little tension a little more. And then 169 00:07:21.399 --> 00:07:23.000 when that guitar comes in. 170 00:07:23.720 --> 00:07:27.800 Someone said I showed it on the Friday Life. Yeah. Someone, Oh, 171 00:07:27.879 --> 00:07:31.519 I see you got that Robin Guthry guitar going Yeah, 172 00:07:31.759 --> 00:07:33.920 I suppose no, mine is sadder. 173 00:07:34.040 --> 00:07:35.680 I think it's yours, is you? 174 00:07:35.959 --> 00:07:37.759 I think I'm more depressed than he is, But I 175 00:07:37.800 --> 00:07:38.879 don't want to have a contest. 176 00:07:39.040 --> 00:07:41.360 Well he was on cocaine, so yeah, okay, well. 177 00:07:41.240 --> 00:07:43.439 That was later on, but he's on a lot of 178 00:07:43.439 --> 00:07:44.399 weed before that. 179 00:07:44.600 --> 00:07:47.879 Oh really, Yeah, you don't. You don't do four twenty 180 00:07:47.920 --> 00:07:49.680 and then start recording us, not how. 181 00:07:50.279 --> 00:07:51.759 It's cool if you have like a tape off to 182 00:07:51.800 --> 00:07:53.879 handle everything. I just made a talent and be all 183 00:07:53.920 --> 00:07:54.399 super high. 184 00:07:54.519 --> 00:07:55.279 Maybe it's cool. 185 00:07:55.399 --> 00:07:55.800 I don't know. 186 00:07:56.000 --> 00:08:01.319 Yeah, since we're doing all the technology, not getting high. Yeah, 187 00:08:01.319 --> 00:08:03.279 I want to think that people have been leaving comments. 188 00:08:03.800 --> 00:08:05.720 It's not like a Dailers or anything, but it's it's 189 00:08:05.720 --> 00:08:08.680 always nice to see things coming through on social media, 190 00:08:08.920 --> 00:08:10.720 and you know, it makes you feel Oh, I've been 191 00:08:10.759 --> 00:08:14.519 seen and heard. So I wrote a couple down here. Oh, 192 00:08:14.680 --> 00:08:17.759 old friend Ben on Ig he was I think he 193 00:08:17.839 --> 00:08:20.480 was the very first person to comment. He said, Wow, 194 00:08:20.560 --> 00:08:24.600 this one sounds so good today, feeling the sentiment of 195 00:08:24.600 --> 00:08:27.480 the lyrics a lot. Oh. I know. 196 00:08:27.680 --> 00:08:30.720 Great that other people can relate to our super depressed one. 197 00:08:30.879 --> 00:08:33.159 I know, because that's like what I when I set 198 00:08:33.200 --> 00:08:36.279 the song out, I was like, oh, I promise this 199 00:08:36.399 --> 00:08:39.960 is like the last of our super dark depressing songs, 200 00:08:40.000 --> 00:08:42.039 like we're you know, we'll came back with the little 201 00:08:42.080 --> 00:08:48.519 something I said. I think I said something like this 202 00:08:48.600 --> 00:08:50.399 is probably our most devastating song. 203 00:08:50.480 --> 00:08:53.080 Yeah, that's a perfecting. 204 00:08:53.200 --> 00:08:55.720 And someone immediately wrote like, I don't mind dark songs 205 00:08:55.759 --> 00:08:57.600 a bit, So when you come to the right place. 206 00:08:58.720 --> 00:09:04.000 You don't mind devastating song, I think, don't mind super dark. Yeah. 207 00:09:04.000 --> 00:09:06.440 Oh, and then like kind of tied into Ben's and 208 00:09:06.440 --> 00:09:14.279 then I noticed someone on Facebook had said. 209 00:09:11.240 --> 00:09:14.519 Said, thank you for this beautiful song. I so needed 210 00:09:14.519 --> 00:09:16.600 it after the trauma I've been through. 211 00:09:17.840 --> 00:09:21.480 Yeah, I bet you really did to everything that you 212 00:09:21.519 --> 00:09:22.679 put me through. 213 00:09:25.320 --> 00:09:29.159 So crazy, and on YouTube Reforming Games commented with a 214 00:09:29.200 --> 00:09:32.600 beautiful song. I traveled to another dimension with it. I 215 00:09:32.960 --> 00:09:36.279 loved it. Thank you. That's that's go. All these comments, 216 00:09:36.559 --> 00:09:39.679 everything that these people said in the comments, it's it's 217 00:09:39.720 --> 00:09:42.960 it's cool because now now we know we're just not 218 00:09:43.120 --> 00:09:45.639 like alone in the world in the sense that I 219 00:09:45.639 --> 00:09:47.960 mean the feelings that we feel when we hear this 220 00:09:48.279 --> 00:09:53.320 our stuff. Other people have that shared experience. So it's 221 00:09:53.440 --> 00:09:55.120 kind of I don't know what the word is, but 222 00:09:55.159 --> 00:09:56.879 there's something comforting about that. 223 00:09:57.240 --> 00:09:58.159 I agree. 224 00:09:58.679 --> 00:10:00.159 I mean, on top of the fact, you know, I'm 225 00:10:00.159 --> 00:10:02.000 glad they're enjoying it, but there's something more that the 226 00:10:02.039 --> 00:10:04.120 connection seems quite similar. 227 00:10:04.360 --> 00:10:08.360 If we can make sorrow like I'm perfectly happy being 228 00:10:08.519 --> 00:10:09.399 in that space. 229 00:10:09.240 --> 00:10:13.320 That's cool. Just shows how universal some of these feelings are, 230 00:10:13.440 --> 00:10:16.919 you know. We that's because you know the kind of way, 231 00:10:17.080 --> 00:10:20.360 the way I produce music, it has it's pluses and minuses. 232 00:10:20.399 --> 00:10:21.840 I don't want to I'll just kind of hide the 233 00:10:21.879 --> 00:10:24.000 minuses from you. But the plus, the thing I do 234 00:10:24.320 --> 00:10:26.559 better than most. I would say, I'm not boasting. I'm 235 00:10:26.559 --> 00:10:28.879 just telling you what you know. Plus is like I'm 236 00:10:29.159 --> 00:10:32.039 I just really just go for some intense emotions and 237 00:10:33.120 --> 00:10:36.159 the chords, the production. I'm I have a lot of 238 00:10:36.240 --> 00:10:39.879 darker weird I'm just so this weird emotional thing I 239 00:10:39.919 --> 00:10:42.879 tap into and I just just go for hardcore. I 240 00:10:42.879 --> 00:10:46.120 don't hold back. So if I'm pulling something out and 241 00:10:46.159 --> 00:10:48.559 get into the music and people can feel that and 242 00:10:48.559 --> 00:10:53.440 connect to it, thank you doing something right. So thanks 243 00:10:53.480 --> 00:10:57.320 for for suing that. You know, I'm not just alone 244 00:10:57.320 --> 00:10:59.080 in my thoughts and feelings. 245 00:11:00.639 --> 00:11:02.279 That's why I wanted to pull out a few comments, 246 00:11:02.279 --> 00:11:04.679 because you know, I do most of the social media, 247 00:11:04.720 --> 00:11:07.679 so Ryan doesn't always necessarily see the comments. Yeah, but 248 00:11:07.720 --> 00:11:09.519 if you leave a great comment, I will be sure 249 00:11:09.559 --> 00:11:12.519 to make sure yeah he hears it. 250 00:11:12.600 --> 00:11:13.120 Our season. 251 00:11:13.440 --> 00:11:15.799 Oh, I was actually really stoked to see a comment 252 00:11:15.840 --> 00:11:18.440 from our old friends at Soma. 253 00:11:18.320 --> 00:11:21.200 FM, an online radio station. That's for a while. 254 00:11:21.399 --> 00:11:24.840 Yeah. When this album that that the song came from, 255 00:11:24.879 --> 00:11:27.159 Life Goes On. When Life Goes On originally came out 256 00:11:27.240 --> 00:11:32.639 twenty eighteen, So my FMS Russy Hodges was a huge, 257 00:11:33.279 --> 00:11:34.679 huge supporter of the album. 258 00:11:34.799 --> 00:11:37.279 I was paying for like weeks, months and years a 259 00:11:37.279 --> 00:11:37.759 long time. 260 00:11:37.840 --> 00:11:40.399 Yeah. Yeah, So we were talking about on one of 261 00:11:40.399 --> 00:11:42.519 the older episodes about like how we were in the 262 00:11:42.559 --> 00:11:44.960 top thirty for like several months. We even had the 263 00:11:45.080 --> 00:11:47.879 we were going back and forth and getting them having 264 00:11:47.919 --> 00:11:51.000 the number one spot. I think I think our friends, 265 00:11:52.320 --> 00:11:54.519 Oh man, who are those Halo? I think Halu took 266 00:11:54.559 --> 00:11:56.679 it at one point, but we got we got it 267 00:11:56.679 --> 00:11:58.080 back at that. 268 00:11:58.519 --> 00:12:01.080 I know the nice people, I've met them before. 269 00:12:02.440 --> 00:12:05.360 Yeah. So anyway, so he wrote what do you right? 270 00:12:05.679 --> 00:12:08.240 Wrote really like this, So I don't know if he 271 00:12:08.360 --> 00:12:10.279 even I don't even know if he realized that it 272 00:12:10.320 --> 00:12:11.519 was from that same. 273 00:12:11.320 --> 00:12:14.879 Album and if that's why he really liked because he 274 00:12:15.000 --> 00:12:16.759 liked it from the twenty eighteen album and then now 275 00:12:16.799 --> 00:12:19.279 this new thing we did to it or we forgot 276 00:12:19.320 --> 00:12:19.720 and he just. 277 00:12:23.519 --> 00:12:27.240 So hopefully I'll make it into rotation to get over there. 278 00:12:27.399 --> 00:12:30.840 Yeah, it was on his lush channel where we're ask 279 00:12:30.960 --> 00:12:32.000 the l U s A. 280 00:12:32.120 --> 00:12:34.480 I mean, he still plays a lot of love Spartles 281 00:12:34.480 --> 00:12:38.240 and angibeyond Lush right now. He still does. I don't 282 00:12:38.240 --> 00:12:40.759 think I ever saw him pick up Newman on or 283 00:12:40.799 --> 00:12:43.000 some of the others. But no, I know he's got 284 00:12:43.039 --> 00:12:44.799 a lot going on. He's really rezillient. 285 00:12:45.039 --> 00:12:45.480 Yeah, I know. 286 00:12:45.600 --> 00:12:50.080 Yeah, another station left of comment Big Sonic Havin Radio. 287 00:12:51.159 --> 00:12:51.879 They said they love it. 288 00:12:51.919 --> 00:12:55.200 They love it. Yeah, great news, and you mentioned here 289 00:12:55.200 --> 00:13:00.919 they supported our previous single used to be two singles back, 290 00:13:00.960 --> 00:13:02.879 I should say, like yeah, four or five months ago 291 00:13:03.200 --> 00:13:05.039 on their New music quote New music. 292 00:13:04.840 --> 00:13:08.360 Show, Yeah music so so yeah. So anyway, so it's 293 00:13:08.360 --> 00:13:10.120 good to know that they've still got us in mind. 294 00:13:10.200 --> 00:13:13.440 So we'll see, you know, we're doing this literally the 295 00:13:13.480 --> 00:13:17.159 song just dropped Friday and here we are Sunday. Yeah, 296 00:13:17.200 --> 00:13:19.440 so it really hasn't had a chance to disseminate yet 297 00:13:19.519 --> 00:13:20.720 on any podcasts or radio. 298 00:13:21.240 --> 00:13:25.840 We're quick car getting a single podcast and may able 299 00:13:25.879 --> 00:13:28.000 to put out a podcast without having a new release. 300 00:13:28.039 --> 00:13:29.960 But it's been our pattern so far. 301 00:13:30.080 --> 00:13:30.200 You know. 302 00:13:30.279 --> 00:13:32.240 We want to let you guys know and just tell you, like, 303 00:13:32.320 --> 00:13:35.159 what are what's going on in our heads? And you 304 00:13:35.159 --> 00:13:37.399 know how we there's a lot going on. Yeah, it's 305 00:13:37.399 --> 00:13:41.799 just both our emotions and our our processes. In case 306 00:13:41.919 --> 00:13:44.159 you're curious, and you might be if you're still sticking 307 00:13:44.159 --> 00:13:45.159 around this point. 308 00:13:45.159 --> 00:13:49.720 I know, Bless your heart. Your first listen just played 309 00:13:50.440 --> 00:13:51.559 the Call of vi IP mix. 310 00:13:52.480 --> 00:13:53.360 So cool. 311 00:13:53.440 --> 00:13:54.960 Yeah, that's all I got to get this mixed out 312 00:13:55.000 --> 00:13:56.279 to the Masoup fact this is what I got to 313 00:13:56.279 --> 00:13:59.039 start doing on Monday. I gotta start sending everybody the 314 00:13:59.080 --> 00:14:02.000 information on all these stations and try to make the 315 00:14:02.080 --> 00:14:05.759 rounds as I were. Yeah, oh, speaking of making the rounds, 316 00:14:05.840 --> 00:14:11.480 I just did an hour long video interview with DJ 317 00:14:11.559 --> 00:14:16.120 Nocturna for her show The Higher Octave. We ostensibly got 318 00:14:16.159 --> 00:14:21.440 together to talk about my participation in Brandon's Restless Mosaic album. 319 00:14:21.559 --> 00:14:24.200 I was on the first single. I probably mentioned it before, 320 00:14:24.639 --> 00:14:26.559 but then we talked about like everything else. She was 321 00:14:26.600 --> 00:14:29.679 asking me, asking all these questions about my ancient past 322 00:14:29.720 --> 00:14:35.080 and stuff. So if you're curious about, like, yeah, how 323 00:14:35.120 --> 00:14:37.159 I got to where I am today, more or less, 324 00:14:37.600 --> 00:14:40.840 we stumbled through some of those things. And uh, it's 325 00:14:40.879 --> 00:14:42.960 on YouTube and I'll definitely put a link to it 326 00:14:43.000 --> 00:14:45.879 in the show for sure, and you can you can 327 00:14:45.919 --> 00:14:48.600 find it also on lovesprouls dot com. I have it 328 00:14:48.679 --> 00:14:51.759 linked as well. Go to our website, please do. I 329 00:14:51.799 --> 00:14:55.120 have been updating it and trying to keep it, you know, 330 00:14:56.279 --> 00:14:57.919 filled with detta and whatnot. 331 00:14:59.480 --> 00:15:01.440 It. Yeah, I just went back to a more simple, 332 00:15:02.039 --> 00:15:05.240 super easy to update theme. Before we have these more complicated, 333 00:15:05.320 --> 00:15:08.200 more way more professional looking themes, and they look cool, 334 00:15:08.519 --> 00:15:10.600 but they were like frozen in time because we didn't 335 00:15:10.600 --> 00:15:12.519 want to update Americ because there's always a pain, they ask. 336 00:15:12.559 --> 00:15:14.799 So I went back and found this super simple word 337 00:15:14.799 --> 00:15:17.320 press theme that you know, it's just it's just like 338 00:15:18.120 --> 00:15:20.720 kind of old school it. It looks pretty, let's the art 339 00:15:20.759 --> 00:15:23.320 speak for itself. But yeah, it's really organized well and 340 00:15:23.360 --> 00:15:24.799 it's super easy to update. 341 00:15:24.840 --> 00:15:26.960 It's so easy an update. I could probably update it 342 00:15:26.960 --> 00:15:29.519 for my phone. It's like no big deal. So yeah, 343 00:15:29.559 --> 00:15:31.200 so I make sure that you know, every time we 344 00:15:31.279 --> 00:15:34.960 have a single, uh, a podcast, a VID cast, a video, 345 00:15:35.440 --> 00:15:37.399 I get all that stuff up there. There's an interview. 346 00:15:37.919 --> 00:15:40.960 I try to put lyrics and interviews like I've been 347 00:15:40.960 --> 00:15:43.799 going back and finding old interviews and trans It's so 348 00:15:43.879 --> 00:15:47.519 easy to transcribe written interviews now you just press a 349 00:15:47.639 --> 00:15:51.480 little thing on your iPhone just gives you all the text. Pays, 350 00:15:51.720 --> 00:15:54.039 you know, make a make a quick page. So I've 351 00:15:54.039 --> 00:15:56.919 been computers. Yeah, I've been trying to get information out 352 00:15:56.960 --> 00:15:59.799 to the internet. So that's what I've been doing. But 353 00:15:59.840 --> 00:16:02.080 we are also working on a brand new song. 354 00:16:02.360 --> 00:16:04.759 Yeah, but really close. I need to yeah maybe later 355 00:16:04.799 --> 00:16:08.320 on today. Well, I'm good together. I've been we've been 356 00:16:08.360 --> 00:16:11.639 working on a new song. It's not a mixing song. Yeah, 357 00:16:11.840 --> 00:16:14.759 and yeah, I've been. I spent like two or three 358 00:16:14.879 --> 00:16:18.360 days this last week just really mixing hardcore headphones on 359 00:16:18.480 --> 00:16:20.799 a long time to check the things the speakers and 360 00:16:21.159 --> 00:16:22.399 realize I need to make more too. 361 00:16:22.440 --> 00:16:22.960 So too. 362 00:16:23.000 --> 00:16:24.279 Three days of that and now you got to get 363 00:16:24.320 --> 00:16:28.360 Angie in here, get her feedback and see what she 364 00:16:28.399 --> 00:16:31.039 thinks you like it. Should we add some more stuff 365 00:16:31.200 --> 00:16:33.399 or not? You know, we'll see. But yeah, it's good. 366 00:16:33.440 --> 00:16:35.679 Good for me too, I think you know, today's Sunday. 367 00:16:35.840 --> 00:16:37.879 I haven't mixed since Thursday, so it's good to have 368 00:16:37.919 --> 00:16:41.240 some fresh ears too. So so we have two pairs 369 00:16:41.279 --> 00:16:42.919 of fresh air and when we check it out maybe 370 00:16:42.960 --> 00:16:43.440 later today. 371 00:16:43.519 --> 00:16:44.840 Yeah, we've been kind of working on you know, like 372 00:16:44.879 --> 00:16:47.480 we got one one vocal section down, I got another 373 00:16:47.559 --> 00:16:48.519 vocal section down. 374 00:16:49.279 --> 00:16:49.480 Yeah. 375 00:16:49.600 --> 00:16:53.120 Then like pretty recently I went in and I completed 376 00:16:53.159 --> 00:16:55.559 my harmonies and then you yeah, once we're trying to 377 00:16:55.559 --> 00:16:56.919 figure out what you want to do at the end. 378 00:16:57.159 --> 00:16:58.960 Yeah, once you get all your vocals in, then I 379 00:16:59.000 --> 00:17:01.440 go back and do more. And that's when I really 380 00:17:01.480 --> 00:17:04.839 start sculpting and massaging the song to really go as 381 00:17:04.880 --> 00:17:07.000 I told Angie. I'm just really trying to make it 382 00:17:07.039 --> 00:17:09.799 go from like a pretty good demo to like a 383 00:17:09.920 --> 00:17:13.279 real Love Spirals production that you guys are used to hearing. 384 00:17:13.519 --> 00:17:15.880 That's kind of where the magic happens. I guess I. 385 00:17:15.839 --> 00:17:19.880 Love it all right, sweet, So yeah, I think we 386 00:17:19.880 --> 00:17:21.559 gave him a little hint about that last time, a 387 00:17:21.559 --> 00:17:22.920 little bit when I were very close. 388 00:17:23.000 --> 00:17:25.000 Now and it's not as devastating. 389 00:17:25.200 --> 00:17:25.519 It's not. 390 00:17:25.759 --> 00:17:29.799 It's still not totally like uppity major keyed uplifting, no, 391 00:17:30.440 --> 00:17:33.720 but it's just not as devastating devastating. 392 00:17:34.160 --> 00:17:37.400 That's funny. Yeah, we were kind of capped off winter 393 00:17:37.799 --> 00:17:40.480 with the you know, will whatever be the same VIP mix, 394 00:17:40.720 --> 00:17:42.599 and now we're going to kind of bring a little 395 00:17:42.599 --> 00:17:44.079 bit of spring vibes in. 396 00:17:44.319 --> 00:17:44.519 Yeah. 397 00:17:44.880 --> 00:17:48.119 After that, like the other night we were listening. After 398 00:17:48.119 --> 00:17:50.559 we listened to the new mix, you went back and 399 00:17:50.559 --> 00:17:52.759 you listen to like some of the other recent mixes 400 00:17:52.839 --> 00:17:55.000 just to kind of see how I'll fload together. And 401 00:17:55.079 --> 00:17:58.119