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Speaker 1: And Mummy Higgins, the little daily habits of your lifelike,

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I will sometimes get.

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Speaker 2: On your nerves. That is the way it is with

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Mummy this morning. She's a little out.

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Speaker 3: Of sorts and she gives Daddy an annoyed glare as

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he sits at the breakfast table, reading his newspaper and

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crunching his toast.

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Speaker 4: Lancelot, Huh, every single morning you munch your toest and

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read your newspaper.

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Speaker 5: How do you do anything different different? Well, I could

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munch my newspaper read my toes.

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Speaker 4: It's very funny, honestly, Landslid. Your manners in general are

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becoming deplorable. The way you embarrassed me last night at

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the Cunkles when they passed the taffy embarrassed you, Lancelot.

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If one doesn't like taffy, one throws it away. One

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doesn't wrap it in one's handkerchief, one does.

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Speaker 5: If one's bridgeworkers stuck in him. Why are you picking

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on me?

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Speaker 4: What's these irritating things you do?

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Speaker 5: Listen, you didn't mind my habits when you're married me

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twenty years ago. In fact, there's I returned when you

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were pretty happy when you nights me away from little

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Lylah May Cornwalls.

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Speaker 4: Lilah Mate corn while you're always throwing that woman's name

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up to me, and I'm getting sick of it. You

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should have married that stupid faith hussy.

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Speaker 5: But Lyla May was a sweet girl. Besides that, she

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had a beautiful face of gorgeous figure.

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Speaker 6: Well, then why did you marry me?

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Speaker 5: Because you were different? There there was something different about

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you that I wind know very well.

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Speaker 7: What you mean.

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Speaker 4: You think you'd been better offer you to marry Lilah May.

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Speaker 5: That's not true. Our marriage has been wonderful. Well you're

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not happy. I've never been happier in my life.

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Speaker 4: The third you right, if you had married that southern hussy,

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she probably turned out to be a nagg She always

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did have a.

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Speaker 5: Mean streak in her bean streak. That's not true. Don't

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you remember when her father had his leg broken, she

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went to work and supported him. Well, why not?

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Speaker 4: She was the one that broke it.

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Speaker 5: You know very well it was an accident that she

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tripped it.

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Speaker 8: That's right.

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Speaker 4: Go ahead and defend her. All you've ever done since

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we've been married is to hold her up.

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Speaker 5: Is an example of what a wife should be. Well,

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she probably could set an example for you. At least

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she'd have been twice as understanding as you are. Oh,

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I'm going to work goodbye. Hmm. Well that does it.

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Speaker 4: I'm going to blow up lance lasts illusion about that

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woman once and for all, and I know just how

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to do it. He's probably fat and homely by now. Yes, yes,

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Lilah May Cornwell is going to be invited here for

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a little visit.

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Speaker 9: Why, Oh, boy, daddy, this is son.

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Speaker 6: Never took me to a railroad day before.

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Speaker 8: Yeah.

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Speaker 5: Yeah, let's sit over here where we'll be able to

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see miss Cornwall's train arrive.

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Speaker 6: Why is she coming to the day.

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Speaker 5: Oh, because of a silly plan your mother has in mind.

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She hopes Lila May will have developed into a sharp

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tongue hag, and that'll make me keep my mouth shut

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about her from now on. Oh, I can see you

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right through your mother.

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Speaker 6: Oh gee, maybe she ought to wear a petticoat.

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Speaker 5: I didn't mean it that way. Your mother shouldn't do

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a thing like this. It's ridiculous. Your mother loves me.

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Speaker 6: Yeah, that is ridiculous.

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Speaker 5: I mean it's a ridiculous thing asking Lila May here

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for a visit just to show her up to me,

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after all, I love your mother.

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Speaker 6: Did you almost marry Lila May instead of Mummy day?

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Speaker 5: Yes, And it's a long story.

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Speaker 6: How when you hear story?

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Speaker 5: All right, there's time before ella train comes in a nook.

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This goes back to when your daddy was a young

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and handsome man.

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Speaker 6: Boy, did go back and long way.

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Speaker 5: I was the most dashing bachelor in Birmingham. In fact,

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on Sundays I'd put on my long pin striped coat

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and top hat, and when I walked along the street,

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all the girls would turn and look at me. She

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was obvious, Why yes, you forgot your pen so being

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handsomer than any young swain in town, it was natural

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that I was after Lallamy, who was the prettiest girl.

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And believe me, I was courting her with gusto.

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Speaker 6: Who did she look?

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Speaker 7: Who did she like?

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Speaker 6: Did she look at him?

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Speaker 5: Who did she look better than? Who like better?

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Speaker 3: Like better?

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Speaker 5: You all, Gusto, Oh, stop with those silly interruptions. One

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night at the mass great party, well it was given

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for a new girl who had just moved into town.

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That girl is going to be your mother already. I'll

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never forget it. I was standing by the punch bowl

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drinking a glass of punch. When the time came to

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unmask the moment I saw your mother's face, something happened

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inside of me.

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Speaker 6: Did that stick to your stomach?

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Speaker 5: No, your mother was very attractive. As I offered her

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a glass of punch, the little boys inside me said,

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that is the woman for you.

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Speaker 7: Who is the boy?

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Speaker 5: It wasn't anybody, Maybe it was Gostal. The boy didn't

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belong to any person. It was just an imaginary voice

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that I thought I heard.

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Speaker 6: You heard an imaginary voice?

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Speaker 5: Yes, Now is there anything else you want to know?

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Speaker 4: Yeah?

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Speaker 6: What was in that punch?

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Speaker 5: The point is that I felt I was in love

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with your mother. However, I wanted to make sure, so

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I went out with Lyla May too.

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Speaker 7: Yeah.

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Speaker 5: Well, those two women practically fought over me. Each of

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them wanted to marry me more than anything else. And

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small one day, Yeah.

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Speaker 6: Of course you You were a handsomer than any young

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wine in town.

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Speaker 5: That's sway. Well, that's about the whole story. Your mother

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got me and Lylah didn't. It was just a case

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of luck.

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Speaker 6: Yeah, Lylah May was lucky.

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Speaker 5: So smarty. Anyway, I've been a very good husband to

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your mother, and we've been very happy.

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Speaker 7: Yeah.

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Speaker 5: Well, certainly I've given your mother affection, nice home, nice

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clothes away, and in return she's given me children. Boy

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at a dirty end of the deal, like, oh, come on,

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let's go out on the station platform. Liles's about you?

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Speaker 6: Oh my daddy, Oh boy, Look at all the trains, daddy.

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Speaker 9: Is that Liney's train over there?

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Speaker 5: No, No, that's a male train.

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Speaker 9: Hop in Utah.

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Speaker 5: Don't be silly. There's different kinds of trains. That one's

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for male, that one over there is for baggage. That

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one there is a milk train.

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Speaker 6: A milk train, Yes, that's milk.

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Speaker 5: Don't be absurd they now let me find say, isn't

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that the super chief over there? Yeah, that is Lilas's train.

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Speaker 10: Come on by using.

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Speaker 5: Wouldn't be meeting an old old friend I haven't seen

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for twenty five years.

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Speaker 6: We want to look like that.

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Speaker 5: Oh, I'm afraid very much like your mother expects Lyla

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always did have a tendency to be plumbed. She's probably

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spread all over the place by now, I would you

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just look for an old hen over here? Sila's voice,

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Oh this he is at the other end of the platform,

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Holy macro.

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Speaker 6: Yeah, and you he can out to be a kicken.

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Speaker 5: Yeah, look at those drumsticks smokes. I think your mother

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is going to be in for a big surprise. Just

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hit down and make yourself at home. Liy very should

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be back any minute.

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Speaker 8: Oh, lions Lot, I'm so happy to see your gain

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after all the year is you know, you're just as

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handsome as ever.

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Speaker 5: A liar, you'd stay so even if you didn't think so.

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Speaker 6: Yeah, and he thinks so even if he didn't stay sold.

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Speaker 8: A dull sco The Lion Slot she shown up is

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the dullest little.

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Speaker 4: Girl I show, not that.

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Speaker 5: Bottle doo snokes. Oh Lilah, talking to you again brings

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back old memories. We really did some crazy things together.

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Speaker 8: Oh yeah, remember that party when you drag the champagne

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out of our slipper.

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Speaker 5: You don't remember high choked you'd let the blue Jay

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horn plaster in.

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Speaker 8: There, Oh, Lion Slot, Your life is just the same

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that used to be years ago. Your teeth even flashed

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the same way.

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Speaker 6: Same flash, different teeth.

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Speaker 5: Why don't you run out side and play?

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Speaker 6: And I wanna a lot and.

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Speaker 5: Just be quiet. Ah, yes, Lila, those parties were really something.

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Speaker 8: Oh I'll say remember that joke we always used to

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tell together, what was that?

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Speaker 6: Well, I'd say Lyon's lost.

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Speaker 9: I just love Sella Jilins.

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Speaker 5: Oh yeah, and I'd say boy Chitlin's or girl Chitlings.

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Speaker 6: I think I'll go out Tiden play along by day

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for bride.

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Speaker 9: This comball.

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Speaker 5: That's cornwall wrong. Oh, some kid, that is Lilay annoying,

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but I love her.

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Speaker 8: Yes, you seem to be very happily married, like.

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Speaker 5: Oh I am. But tell me about yourself, Lila. Did

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you ever get married?

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Speaker 8: No, I didn't, Lancelot. I guess I should have married you,

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and I had the chance.

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Speaker 6: You was at your mounting man.

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Speaker 8: Remember that time in school you had me meet you

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one night behind the handball courts. Oh how bright and

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clear the.

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Speaker 4: Moon shone down on the.

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Speaker 8: Carts and there we were. Do you remember, Lancelot.

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Speaker 5: How could I forget I'd beat you twenty one per seven.

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Speaker 8: I don't mean that you you kissed me for the

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first time.

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Speaker 5: Eh, Lila was stunning, awful close. I uh the kiss

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was a little bit like you. Uh.

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Speaker 8: Oh, that was just the old time, said Well, No,

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I was run on upstairs. None task see you later,

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Kong pool mm.

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Speaker 5: Holiday huh chokes, how long have you been standing there?

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Did you did?

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Speaker 7: Did you see her some kissing?

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Speaker 5: High snooke that this was all a mistake.

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Speaker 6: I bet that's what Mommy will say when I tell her.

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Oh yes, mister Wilson, I see you.

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Speaker 2: Have a most attractive house guest.

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Speaker 7: That's loll of me.

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Speaker 6: But she ain't a house guest, shedd he's all girls friend.

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Speaker 2: That he's all girlfriend. It must be nice for your mummy.

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Speaker 6: Oh, it's nice for my daddy too, Mommy, says Lilah.

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May he's a girl. My daddy shues Mary.

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Speaker 7: Oh, I think your daddy's in trouble.

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Speaker 6: Oh, I think you're right.

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Speaker 1: Let's snooks, there must be something I can do to

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help your daddy out of this tight spot.

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Speaker 5: This calls for action.

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Speaker 6: Yeah, let's give him it.

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Speaker 5: Come you mean you suffering.

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Speaker 2: Acid, Poor mummy Higgins.

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Speaker 1: She invited daddy's old flame, Lila made Cornwall, for a visit,

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figuring Lila would be fat and homely by now Ah,

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But Lyla turned out to steal me quite an eye

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for and now mummy is really unhappy. Then to make

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matters where Snooks walked in on Daddy receiving a friendly

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kiss from Lilah. Well, here's a worried daddy working on

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snooks A short time.

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Speaker 5: Later, snooks, listen to me, how about that kiss? Don't

238
00:13:59,720 --> 00:14:02,159
you see? Y? Sometimes something you see isn't what you

239
00:14:02,200 --> 00:14:04,519
saw at all, but only what you thought you saw.

240
00:14:05,360 --> 00:14:07,159
And what you thought you saw you really didn't see

241
00:14:07,159 --> 00:14:09,200
because you were only see what you thought you saw.

242
00:14:09,960 --> 00:14:10,639
Do you understand?

243
00:14:12,039 --> 00:14:13,919
Speaker 9: Do you?

244
00:14:13,960 --> 00:14:17,679
Speaker 5: Certainly? Well? Maybe I could explain it better. What I

245
00:14:17,759 --> 00:14:21,840
mean is uh uh? Well, for instance, did you think

246
00:14:22,080 --> 00:14:23,919
I was kissing Miss Cornwall?

247
00:14:24,440 --> 00:14:25,120
Speaker 9: Yeah?

248
00:14:25,159 --> 00:14:26,559
Speaker 6: Who do you think you were kissing?

249
00:14:27,600 --> 00:14:30,720
Speaker 5: That's not what I mean. The point is that you're wrong.

250
00:14:31,279 --> 00:14:34,440
You see, I wasn't kissing her. She was kissing me.

251
00:14:35,080 --> 00:14:37,360
There's a big difference. Now, do you understand?

252
00:14:37,759 --> 00:14:42,480
Speaker 6: Yeah, Hey, daddy, I wasn't mean to go today?

253
00:14:43,559 --> 00:14:45,480
Speaker 5: What did you play Bookie again?

254
00:14:45,799 --> 00:14:45,960
Speaker 4: Oh?

255
00:14:46,000 --> 00:14:46,240
Speaker 7: No?

256
00:14:46,759 --> 00:14:49,799
Speaker 6: Are you around the school? Never showed up?

257
00:14:52,200 --> 00:14:55,679
Speaker 5: Very funny, but it's not the same at all. Miss

258
00:14:55,759 --> 00:14:59,559
Cornwall kissed me because whoa, because she hadn't seen me

259
00:14:59,759 --> 00:15:02,519
years and once she used to feel that way about me?

260
00:15:03,039 --> 00:15:05,320
What way the way you mummy feels about me?

261
00:15:05,559 --> 00:15:06,679
Speaker 9: You mean miss Cornwall?

262
00:15:06,840 --> 00:15:11,799
Speaker 5: Quin'stand no stop, your mummy loves me and I love

263
00:15:11,840 --> 00:15:14,879
your mummy. Why we're crazy about each other? Crazy?

264
00:15:15,279 --> 00:15:15,679
Speaker 9: Yeah?

265
00:15:15,799 --> 00:15:16,600
Speaker 4: Can you drive me?

266
00:15:16,679 --> 00:15:17,480
Speaker 9: Get it that way?

267
00:15:19,000 --> 00:15:19,360
Speaker 4: Quiet?

268
00:15:20,279 --> 00:15:22,559
Speaker 5: The point is we do love each other, and you're

269
00:15:22,600 --> 00:15:25,919
seeing miss Cornwall. Give me that harmless friendly kiss could

270
00:15:25,919 --> 00:15:27,159
start trouble between us?

271
00:15:27,279 --> 00:15:29,840
Speaker 6: Oh, I see you don't want me to snit.

272
00:15:29,799 --> 00:15:33,360
Speaker 5: John, Oh, don't be silly. I just think it'll be

273
00:15:33,360 --> 00:15:36,240
better for all concerned if you kept your mouth closed.

274
00:15:37,360 --> 00:15:41,519
Why I just told you. Why? Who we've been talking about?

275
00:15:41,799 --> 00:15:44,759
Who misunderstand the whole thing? Who'll get wild with anger

276
00:15:44,759 --> 00:15:47,399
at me? Who, in a stupid rage, might do something

277
00:15:47,440 --> 00:15:50,159
to wreck our entire lives? Who, out of her mind

278
00:15:50,200 --> 00:15:52,600
with jealousy, might resort to some desperate measure.

279
00:15:52,799 --> 00:15:53,720
Speaker 7: Who? I'm asking you?

280
00:15:54,039 --> 00:15:58,480
Speaker 5: Who about it?

281
00:16:00,159 --> 00:16:00,720
Speaker 9: It is't me?

282
00:16:03,559 --> 00:16:07,519
Speaker 5: I mean it isn't it's mummy. Now you're gonna keep

283
00:16:07,519 --> 00:16:09,000
your mouth closed about that kiss?

284
00:16:09,159 --> 00:16:09,600
Speaker 6: Yeah?

285
00:16:10,000 --> 00:16:10,879
Speaker 9: It give me if I do?

286
00:16:12,519 --> 00:16:12,759
Speaker 4: Good?

287
00:16:13,080 --> 00:16:17,720
Speaker 5: Heavens Now you've become a blackmailer. All right, here's a dime.

288
00:16:18,320 --> 00:16:19,559
Well that keep your mouth closed.

289
00:16:19,840 --> 00:16:22,879
Speaker 6: Well it's still opening a little on one five?

290
00:16:25,639 --> 00:16:27,399
Speaker 5: Well here's a quarter.

291
00:16:27,840 --> 00:16:29,320
Speaker 6: Yeah that closed it up?

292
00:16:29,360 --> 00:16:29,759
Speaker 3: All right?

293
00:16:30,200 --> 00:16:30,480
Speaker 2: Good?

294
00:16:30,720 --> 00:16:35,799
Speaker 6: Then it's settled, body, Yes, I can still talk through

295
00:16:35,840 --> 00:16:41,879
my nose. Why, but that's how it is, alright.

296
00:16:42,639 --> 00:16:45,080
Speaker 5: How much will it take to keep your nose closed?

297
00:16:46,240 --> 00:16:47,600
Speaker 6: One or two nostrils?

298
00:16:48,039 --> 00:16:49,120
Speaker 5: All us of difference.

299
00:16:49,720 --> 00:16:53,360
Speaker 6: Well, if you only take one, the news could still

300
00:16:53,480 --> 00:16:54,080
leave hower.

301
00:16:55,639 --> 00:16:57,960
Speaker 5: I'll take them both. How much?

302
00:16:58,519 --> 00:16:58,840
Speaker 7: Well?

303
00:16:58,879 --> 00:17:00,559
Speaker 8: My left not only you pour it?

304
00:17:00,919 --> 00:17:02,919
Speaker 6: And my right one is thirty five?

305
00:17:04,599 --> 00:17:06,759
Speaker 5: Is the right one more expensive than the left one?

306
00:17:07,920 --> 00:17:08,920
Speaker 6: It ain't stuck up?

307
00:17:13,480 --> 00:17:16,759
Speaker 5: Well, now I trust you are satisfactorily bought off, and

308
00:17:16,880 --> 00:17:18,680
you'll not breathe a word of any of this to

309
00:17:18,720 --> 00:17:19,200
your mummy.

310
00:17:19,559 --> 00:17:31,119
Speaker 6: No, daddy, it won't all right? Then beat it about, addy.

311
00:17:33,160 --> 00:17:34,440
Speaker 7: Oh hello, what are.

312
00:17:34,319 --> 00:17:35,279
Speaker 5: You doing in the kitchen?

313
00:17:35,559 --> 00:17:35,720
Speaker 1: Oh?

314
00:17:35,960 --> 00:17:37,119
Speaker 6: Yes, sniffing around?

315
00:17:37,240 --> 00:17:37,799
Speaker 9: Mommy?

316
00:17:38,079 --> 00:17:39,720
Speaker 5: Oh you sure you're being a good girl.

317
00:17:39,920 --> 00:17:43,440
Speaker 6: Oh sure, I'm being so good. I may even stout

318
00:17:43,480 --> 00:17:46,079
wings like a you to a danger.

319
00:17:46,599 --> 00:17:48,519
Speaker 5: Whoa, that's a sweet thought.

320
00:17:48,880 --> 00:17:51,640
Speaker 6: Yeah. Then I'll be able to fly around and drop

321
00:17:51,880 --> 00:17:55,319
rock some people's heads.

322
00:17:55,759 --> 00:17:56,000
Speaker 3: Fun.

323
00:17:57,359 --> 00:17:59,319
Speaker 4: Well, I've got to turn to that fancy dinner we're

324
00:17:59,359 --> 00:18:02,400
having for that, so that friend of ours Lyla may Cornwall.

325
00:18:02,599 --> 00:18:04,480
I think I'll take a look at those five squabs

326
00:18:04,519 --> 00:18:05,279
I have in the oven.

327
00:18:05,960 --> 00:18:09,200
Speaker 6: Five squab to flye, Mommy, I just looked at him.

328
00:18:09,359 --> 00:18:12,440
They're fine, all four of that.

329
00:18:14,119 --> 00:18:16,519
Speaker 5: Now, I know, I better look at him.

330
00:18:17,359 --> 00:18:19,480
Speaker 6: They gonna go and play with Hobby counkle next door.

331
00:18:19,680 --> 00:18:20,160
Speaker 5: Just a minute.

332
00:18:20,240 --> 00:18:21,799
Speaker 7: You stay right where you are, young ladies.

333
00:18:22,319 --> 00:18:26,960
Speaker 4: Now let me see one, two, three, four snokes.

334
00:18:26,960 --> 00:18:28,440
Speaker 5: What happened to that fifth squab?

335
00:18:28,839 --> 00:18:32,960
Speaker 8: I don't know, Maybe he ran off, ran off?

336
00:18:33,000 --> 00:18:34,799
Speaker 4: And what's the gravy doing on your chin?

337
00:18:35,799 --> 00:18:36,920
Speaker 9: Maybe on my chin?

338
00:18:37,240 --> 00:18:37,440
Speaker 7: Yes?

339
00:18:38,799 --> 00:18:42,759
Speaker 6: And none of that squab? Why he must have run

340
00:18:42,759 --> 00:18:45,559
across my face making his getaway.

341
00:18:47,519 --> 00:18:49,400
Speaker 4: Now, snookes, we're going to have no more of this

342
00:18:49,559 --> 00:18:51,559
sitting Now. You're going to be punished for this and

343
00:18:51,640 --> 00:18:54,400
good no money for movies on Saturday, and no allowance

344
00:18:54,480 --> 00:18:56,119
for candy my own hair.

345
00:18:56,680 --> 00:19:00,920
Speaker 6: I got sixty hair he why'st get all that money

346
00:19:01,160 --> 00:19:02,839
from Daddy for keeping a secret?

347
00:19:02,920 --> 00:19:08,039
Speaker 9: Some you be a secret from me?

348
00:19:09,079 --> 00:19:11,000
Speaker 4: You tell me what it is this minute. You hear me,

349
00:19:11,079 --> 00:19:12,319
this very minute.

350
00:19:12,640 --> 00:19:16,599
Speaker 6: No, I took pickty hens from Daddy, and I won't

351
00:19:16,680 --> 00:19:18,319
break my promise.

352
00:19:18,480 --> 00:19:18,839
Speaker 7: All right.

353
00:19:18,880 --> 00:19:20,160
Speaker 4: I'll give you sixty cents too.

354
00:19:20,720 --> 00:19:25,160
Speaker 5: I won't seventy cents. I'll ride a whole dollar.

355
00:19:26,240 --> 00:19:26,599
Speaker 4: Mommy?

356
00:19:26,640 --> 00:19:28,319
Speaker 6: Are you forgetting my promise?

357
00:19:28,559 --> 00:19:28,759
Speaker 5: No?

358
00:19:29,759 --> 00:19:30,559
Speaker 6: Well, I am.

359
00:19:34,119 --> 00:19:36,440
Speaker 5: All right now let's hear the bad news.

360
00:19:36,480 --> 00:19:38,119
Speaker 4: What did he do? Well?

361
00:19:38,160 --> 00:19:43,039
Speaker 6: I saw him and miss Cornwall kissy and missing.

362
00:19:43,880 --> 00:19:45,160
Speaker 9: Oh but it wasn't his fa.

363
00:19:47,160 --> 00:19:49,519
Speaker 4: What a fool I was? I in finded that woman here?

364
00:19:49,680 --> 00:19:51,720
Imagine I'm practically asking that.

365
00:19:51,680 --> 00:19:52,759
Speaker 5: Woman to break up my home.

366
00:19:53,279 --> 00:19:55,519
Speaker 4: Oh what am I going to do? What am I

367
00:19:55,640 --> 00:19:56,400
going to do?

368
00:19:57,039 --> 00:19:58,960
Speaker 6: Where you could take up that dolly me?

369
00:20:01,079 --> 00:20:01,240
Speaker 4: Oh?

370
00:20:01,279 --> 00:20:02,519
Speaker 6: What a fool I was?

371
00:20:02,759 --> 00:20:03,000
Speaker 4: Oh?

372
00:20:03,119 --> 00:20:05,519
Speaker 9: What a fool? Gee?

373
00:20:05,799 --> 00:20:07,519
Speaker 6: She was a care about something?

374
00:20:15,119 --> 00:20:19,119
Speaker 5: Hello, he where's Lilah? She left? She was called home suddenly?

375
00:20:19,519 --> 00:20:23,960
Oh really? Who called it? I did? Huh?

376
00:20:24,079 --> 00:20:26,200
Speaker 4: Yes, I really did it for you, though, Landsort. I

377
00:20:26,319 --> 00:20:28,079
know how tired you are when you get home from

378
00:20:28,119 --> 00:20:31,000
work at night and then to have to kiss the boat.

379
00:20:30,880 --> 00:20:36,680
Speaker 5: Of us kiss the boat. Oh my gosh, Snooks's nose

380
00:20:36,759 --> 00:20:43,319
must have leaped. I can explain the whole thing, and

381
00:20:43,400 --> 00:20:44,319
I don't want to hear it.

382
00:20:44,720 --> 00:20:45,279
Speaker 4: Do you hear me?

383
00:20:45,759 --> 00:20:46,359
Speaker 5: I'm through?

384
00:20:47,079 --> 00:20:51,119
Speaker 6: Take that her?

385
00:20:51,960 --> 00:20:56,680
Speaker 5: Holl me? What before our marriage did you ever box professionally?

386
00:20:56,960 --> 00:20:57,160
Speaker 3: Oh?

387
00:20:57,480 --> 00:20:59,519
Speaker 6: Laugh my nigg and get out of my sight.

388
00:21:05,880 --> 00:21:09,079
Speaker 5: Uncle. Forget about our being neighbors. All I want now

389
00:21:09,160 --> 00:21:11,920
is your opinion as a lawyer. I think my wife's

390
00:21:11,960 --> 00:21:13,640
leaving me. What do I do?

391
00:21:13,960 --> 00:21:15,880
Speaker 10: Well, my experience tells me that.

392
00:21:15,839 --> 00:21:19,200
Speaker 5: She'll undoubtedly change her mind and stay. Therefore, there's only

393
00:21:19,200 --> 00:21:21,519
one thing to do in the meanwhile, what's that to

394
00:21:21,519 --> 00:21:26,079
celebrate while the news is still good? Stop being funny?

395
00:21:26,759 --> 00:21:30,079
I happen to love my wife and I think she's serious. Look, uncle,

396
00:21:30,119 --> 00:21:31,680
how can I get her to listen to reason?

397
00:21:31,839 --> 00:21:34,720
Speaker 10: Well, a kid can always bring two parents together. Why

398
00:21:34,759 --> 00:21:37,039
don't you get snooks to help you work on Vera's emotions?

399
00:21:37,119 --> 00:21:40,240
Speaker 5: Snokes? Why does little monster is the cause of all this?

400
00:21:40,519 --> 00:21:42,759
Speaker 7: Oh, you just don't know how to handle it. You

401
00:21:42,799 --> 00:21:46,240
should apply psychology. That's what I do with my son, Harvey.

402
00:21:46,720 --> 00:21:47,599
Speaker 4: He's got a good.

403
00:21:47,440 --> 00:21:49,599
Speaker 5: Little mind, and I appeal to it. But what if

404
00:21:49,599 --> 00:21:51,920
it doesn't work when you appeal to his mind? Well,

405
00:21:51,960 --> 00:21:54,880
then I still apply psychology, only a little bit harder

406
00:21:54,880 --> 00:21:56,160
and a little bit further down.

407
00:21:57,200 --> 00:21:58,759
Speaker 4: He's feel a good little bottom too.

408
00:22:00,240 --> 00:22:03,480
Speaker 5: Oh, nothing ever seems to work with snooks. Why did

409
00:22:03,480 --> 00:22:04,839
I ever have children anyway?

410
00:22:04,960 --> 00:22:05,160
Speaker 4: Oh?

411
00:22:05,279 --> 00:22:07,440
Speaker 5: Come now, Higgins, all of us sooner or later get

412
00:22:07,440 --> 00:22:09,440
the urge to have little ones running around the house.

413
00:22:09,519 --> 00:22:11,279
If I ever get that urge again, I'm going out

414
00:22:11,319 --> 00:22:12,359
and buy some mice.

415
00:22:14,039 --> 00:22:16,240
Speaker 10: Now, wait a minute, Higgins, there must be some way

416
00:22:16,240 --> 00:22:17,480
of appealing to snootha.

417
00:22:17,640 --> 00:22:20,960
Speaker 5: There is. The kid's on a big money kick right now.

418
00:22:21,559 --> 00:22:23,480
I'll offer her a dollar to help me get Vera

419
00:22:23,559 --> 00:22:35,920
back again. See you, lada, uncle, good luck Higgin. All right, snooks,

420
00:22:36,440 --> 00:22:39,119
let's go in and don't forget what we rehearsed. Now

421
00:22:39,400 --> 00:22:40,759
pour it on a will.

422
00:22:40,720 --> 00:22:44,039
Speaker 7: Now a vera vera.

423
00:22:44,720 --> 00:22:45,920
Speaker 3: Leave me alone here.

424
00:22:46,400 --> 00:22:47,680
Speaker 4: I never want to see.

425
00:22:47,480 --> 00:22:49,920
Speaker 5: You again, but I just came to say goodbye to you,

426
00:22:50,000 --> 00:22:56,039
and snooks, that's all goodbye. Yes, I'm going as you

427
00:22:56,160 --> 00:22:56,680
want me to.

428
00:22:57,720 --> 00:23:02,839
Speaker 6: Oh, Daddy, don't go me. I need you, Mommy, don't

429
00:23:02,880 --> 00:23:07,799
let my daddy go. Well, liar, she's whakeing, sooks, keep

430
00:23:07,799 --> 00:23:11,480
it up, Oh mommy, don't let daddy go. A child

431
00:23:11,640 --> 00:23:15,039
needs your father. I will grow up wild with no

432
00:23:15,359 --> 00:23:18,759
father to guide me, to keep me from playing hooky.

433
00:23:19,240 --> 00:23:22,640
Speaker 9: To make me do watch right too.

434
00:23:23,680 --> 00:23:24,920
Speaker 6: Hey, why don't we let him go?

435
00:23:32,000 --> 00:23:32,200
Speaker 5: Oh?

436
00:23:32,279 --> 00:23:36,640
Speaker 6: Yeah, please, mommy. I love daddy, and you love daddy,

437
00:23:36,839 --> 00:23:40,880
and even daddy loves daddy.

438
00:23:41,119 --> 00:23:41,799
Speaker 9: My daddy.

439
00:23:41,960 --> 00:23:45,519
Speaker 5: Oh, let's stop in, silly, let's kiss and makeup.

440
00:23:46,160 --> 00:23:51,759
Speaker 4: Well, I come on, darling, alright, Lancelot alright, dear.

441
00:24:00,119 --> 00:24:02,039
Speaker 7: Oh mister Concord, Hello.

442
00:24:01,880 --> 00:24:04,599
Speaker 6: S your own money. I go forgetting mommy to take

443
00:24:04,640 --> 00:24:05,440
my daddy back.

444
00:24:06,000 --> 00:24:09,440
Speaker 10: Wow, two dollars, say hey, to drive a hard burger.

445
00:24:09,839 --> 00:24:11,440
Your daddy told me he was only going to give

446
00:24:11,440 --> 00:24:12,079
you one dollar.

447
00:24:12,599 --> 00:24:16,319
Speaker 6: He did the other one for mommy. Mommy, what for

448
00:24:16,920 --> 00:24:19,680
forgetting daddy to come around to be taking back