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Speaker 1: You are listening to w M and H.

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Speaker 2: World premiere.

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Speaker 3: Hey, my name is Santino Dimanti and this is my

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new single, Summer in the Sky out now thanks to

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Hatchet X and Saw Records. You heard it here first

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on ninety five point three f M, w m n.

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Speaker 4: H s Sounder Day So Long by Push, That's in

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your run Stain and the sun sunting colors the world

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with the sound of the music play.

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Speaker 5: And I'm gone. That's so, the s go away with

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the dream and sons.

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Speaker 4: Brot to it the dress not perfect time to dreams

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that the dams will the shoe streams the same season

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stream nd Stone Face the Breed, that sound in Snop.

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Speaker 5: Song and storm So snot Son and stop So Spot.

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Speaker 6: Sad and now exclusively on w m n H ninety

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five point three FM, Matt Connorton Unleashed presents the world

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radio premiere of the new single from Ryan Redwood, The

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back Room, a.

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Speaker 7: Rest ee ratio project for the soul and Man, I'll

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go wherever my.

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Speaker 2: Body takes me now and yeah, no lay out this time,

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no plans to escape. Keep using miln now every.

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Speaker 7: Day, everyday, web web day, and I'll keep watching it.

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Speaker 2: I tell jem bouncing boy.

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Speaker 5: Sam again.

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Speaker 8: Taps droning, said to set the music and the disc.

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Speaker 5: Team on again.

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Speaker 2: Well going over weekend weel renover weekend, well renumber again.

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Speaker 9: She put it one food inside of the other. She

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told her to catching do so much remans and this job.

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So you attack job at its own.

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Speaker 5: We have it sun to process of God, give me

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a story to dream about.

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Speaker 2: Watch back a sad dreams.

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Speaker 4: Play.

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Speaker 2: Sam again.

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Speaker 5: Tack the job being sent.

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Speaker 2: To the sad music guy over again. On another weegad

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one over weekend.

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Speaker 4: We we gad.

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Speaker 5: The dream of watching.

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Speaker 2: And so the dream got to.

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Speaker 8: The way somebody job SI to decide down the music.

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Speaker 5: Started to pio dream of watching.

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Speaker 2: Over again.

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Speaker 6: And now a w m n H ninety five point

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three FM exclusive, Matt Connorton Unleashed presents the world radio

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premiere of the new single from White Ash Round we Go.

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Speaker 5: I'm moving today. He don't aware. I'll move it.

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Speaker 10: Tad gives some movement, but I he't know what. Won't

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you be too mad to please you? Evict be far

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if we were not.

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Speaker 5: Where to my defa.

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Speaker 4: I'm afther mad in a in a ad in ady.

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Speaker 1: Go won't you give me too mad to please you.

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Speaker 4: He was be fun.

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Speaker 5: Good man.

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Speaker 11: What you see it now?

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Speaker 4: Wat you get it too mad?

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Speaker 5: Lets you relas me.

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Speaker 12: Far you fata side you fantashiting are mad?

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Speaker 5: You see the trooper? Can't you see the light house?

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Speaker 13: All the things that have clicked up from the head

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want a hard or that don't lie.

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Speaker 4: You let me go? You get it too bad?

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Speaker 5: Things from.

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Speaker 4: Man?

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Speaker 11: Let you see it now?

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Speaker 4: You to give me too mad?

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Speaker 5: Give it too mad, give it too mad, Give it

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to me. I'll give it too mad, Give.

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Speaker 4: It too mad, give it too mad, give it to me.

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Speaker 2: Give it.

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Speaker 5: Your to give it too bad. Let's name fa.

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Speaker 9: Let you see now.

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Speaker 2: Your too.

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Speaker 14: You're listening to macconnorton unleashed on w M n H

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ninety five point three. Why me at six am looks

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like god over slept again?

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Speaker 5: Chun got me dressing.

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Speaker 4: Out the door and and.

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Speaker 13: Like traffic at its worst swear and got must be

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cursing joined the rights day.

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Speaker 2: I was that screaming sons.

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Speaker 15: Go work, go to work, Go to work, Go to work,

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work so you can't feel the hurt till it makes

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you go berserve.

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Speaker 1: Go to work, Go to work, Go to work, Go

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to work.

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Speaker 2: In the covert, your face.

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Speaker 1: Covered in turn, go to work.

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Speaker 13: The bun gis me a shout, says, I'm just a

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burnt out my altance to the confederations him down.

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Speaker 2: Well, I say, hey, you're right, old man, flip the burning.

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Speaker 4: Of the ramp. But there's now as cat chaste, thus

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hard of a love happy.

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Speaker 2: That's a redo in my screaming sounds that I say, Wow,

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we trying to.

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Speaker 1: Tool work, Go to work, go to works, go to work,

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or till.

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Speaker 5: You can feel the hurt till it makes you go deserve.

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Speaker 1: Go to work, go to work, go to work, go

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to work.

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Speaker 2: Head in the concert, your face covered and do.

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Speaker 4: No work.

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Speaker 11: Learning where you do que boy, yeah, got d.

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Speaker 2: In my house scream itself while we tou to.

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Speaker 4: Go work, go.

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Speaker 5: Work, gone to work, go do work.

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Speaker 2: Work so you can't feel the hurt till it makes

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you go berserk.

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Speaker 1: No work, go work, go to work, go do work.

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Speaker 2: Head in the clouds with your face covered.

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Speaker 4: In gout and walk out and work out.

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Speaker 1: You work work, What do you.

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Speaker 13: Get feel the tall it makes you come beside go

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wuck come wak.

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Speaker 4: Work work and and I go with got bras comedy.

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Speaker 16: Work work, I didn't want to talk over the end there.

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Speaker 6: I love that. I love that so much. That is

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working Class Punk and the band is Jersey Call, and

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that was released officially on Labor Day, very very appropriate,

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and we played it on the show. I think we

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might have been the first American radio station to play it.

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But let's see here, so we've got I believe we

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have Josh and Victoria with us via Microsoft teams. Hello,

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Hi hear us? Yes, yes, can you hear me? Okay? Awesome, perfect, welcome,

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It's wonderful to It's wonderful to have you on again.

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Of course you're with us. I think it was a

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two or three months ago when you were in the area,

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but then you released a song and Jenny and I

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were like, well, we got we gotta have them on

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to talk about this because this is this is so good,

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you know, and we're fans anyway, but I love that song.

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I think it's very relatable. I think it's extraordinarily appropriate

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that you released it for Labor Day. Obviously, working Class Punk,

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the newest single from a Jersey Calling. So very excited

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to have you both on the show today. And we

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should tell we should tell our listeners who so you can.

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Can each of you explain your roles in the band,

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what you do in the band for people who might

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not be familiar or perhaps didn't hear our previous conversation

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when you were on the show.

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Speaker 14: All right, we'll go best foot forward, go for it.

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Speaker 17: So I'm Victoria and I sing and help bring some

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stuff and the help do stuff.

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Speaker 5: Yeah, okay, one.

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Speaker 14: Oh, I'm Josh. I'm also a co lead singer, and

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I played rhythm guitar, and I write some songs.

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Speaker 6: To absolutely no great stuff. Uh So, can you tell

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us about the inspiration? I mean, you know, probably kind

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of obvious, but can you tell us about the inspiration

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behind the song working class Punk and why you decided

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to write that? And it's such a great track by

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the way, I mean, you know, even if people don't

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understand or you know, vibe with the meaning behind it

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and whatnot and what it's trying to say, it's also

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just really really catchy. Uh So you probably can't help

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but sing along to it. But but can you tell

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us about the inspiration for that song?

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Speaker 14: Yeah? Yeah, for sure, you know it's funny. Is our

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friend Brian mulhern from Jackson and the Pharmacist like a

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local local radio thing in our area. He was talking

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this morning. As he put he posted something on Facebook

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this morning about how, like, you know, it's really hard

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to be working class right now, that like wages of

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stagnated and they've been stagnating for years, and everything is

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more expensive. You know, inflation is out of control, rent

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is up, the price of buying a house is up,

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groceries are more expensive, and like, you know, we're really

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feeling the squeeze right now. And I wrote this song

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a year ago and it's only gotten worse than the

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last year. The song has only gotten more relatable. And

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I think when I wrote it, it was right in

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that period. I'm a teacher, so in February and March,

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those are days. Those are months when like teachers really

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don't there's no like there's no break, and it's right

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in the middle of the year. There's no days off,

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and the kids are feeling it, the teachers are feeling it,

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and it's just like it's it's kind of an endless

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grind and I don't know, man, it's you know, I

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feel like there are other cultures in the world where

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they work to live, and it feels like we have backwards.

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We're living to work, and it just gets it just

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gets frustrating.

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Speaker 15: Man.

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Speaker 14: I was doing another interview the other day, and you know,

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like the problem the American dream is like, you know,

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you work for like thirty years and then you get

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to retire with your white picket fence in your house

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and your family whatever. I am forty three years old.

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I've never owned a house. We're living We're coming to

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you live from our apartment this morning. And I've been

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working since i was like fifteen years old. Yeah, so

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I'm not great at math, but that's that's almost thirty years.

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And I'm definitely not going to retire at forty five,

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you know, but I'll be lucky if I can get

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out at sixty or sixty five. Well, we'll see. And man,

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like I know some people like there's a there's a

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maintenance guy at my job. I mean, he's seventy five

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years old and he is no intention of quitting, you know,

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Like we're we we we make dark jokes about like

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one day we're gonna walk in and we're just gonna

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find him down on the floor and hopefully it's us

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and not one of the like kindergarten kids. That we

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have at the school, right, it's you know, it's it's frustrating,

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and we wanted to write a song that like vented

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that frustration, but in like a catchy, fun kind of way.

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We didn't want it to seem like a downer.

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Speaker 1: Yeah.

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Speaker 14: Like, like a lot of the songs that I write,

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the lyrics are super down, but the you know, we

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try and keep the tempo up beat.

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Speaker 6: Yeah. Yeah. Have you had a chance to play it?

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I know it's a new song. Have you had a

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chance to play it out live?

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Speaker 1: Yeah?

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Speaker 14: So we played it a couple of times at eight

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and Sand, which is a local brewery in our area.

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It's eight and Sand Brewing Company, and it's in Woodbury,

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New Jersey. So we played that there because you know,

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it's like our hometown. It's like, you know, we we

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know that even if we even if we mess it up,

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our friends and family are not going to judge us. Plus,

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it's a brand new song. How are you going to know.

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Speaker 15: If we messed it up?

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Speaker 6: That's true. That's a good point. I was curious because

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I just imagine it's such a it's a song that's

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so easy to sing along to that I would imagine

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it gets pretty good response from the crowd.

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Speaker 14: Yeah, I've actually, yeah, we've We've gotten a couple of

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cool clips where like there are a couple of people

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singing along in the crowd and it's like their first

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time hearing the song, and I'm like, that's that's a

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good sign.

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Speaker 6: Yeah, yeah, that's validation, right, I mean, that's like, uh,

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you know, when you see people reacting to it in

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real time the first time they're hearing it, That's that's fantastic.

240
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Speaker 14: Anything that can make my fragile ego just a little

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bit bigger.

242
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Speaker 6: I'm curious if if the two of you have I mean,

243
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I'm curious about influences. And I know we you know,

244
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we talked about influences the last time you were here,

245
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But are there are there other punk bands? I mean

246
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I can certainly think of some, but I'm curious about

247
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are there other bands that even not necessarily punk bands,

248
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but bands that you kind of look to for inspiration

249
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when you're writing a song like Working Class Punk? Are

250
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there are there bands you can think of that might

251
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have influenced you that also address these types of issues

252
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and concerns.

253
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Speaker 14: Oh? Absolutely, Specifically, when I was writing Working Class Punk,

254
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I was listening to a lot of Large and Grace.

255
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She's the singer for the Against Me and Against Me.

256
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I don't think is playing shoes any longer.

257
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Speaker 6: Okay, but Large and.

258
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Speaker 14: Grace wrote all those songs, so she still performs them

259
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live with her band.

260
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Speaker 6: Yeah.

261
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Speaker 14: And then I mean, you know, like Dropkick Murphy's have

262
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been been all over the news and social media lately

263
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for their outspoken, you know, defense of the working class

264
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and critique of the current administration in the US.

265
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Speaker 6: Yeah.

266
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Speaker 14: So yeah, there's I mean, I feel like, you know,

267
00:22:12,160 --> 00:22:15,599
punk music has always been a you know, one outlet

268
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for the working class. I mean, it's certainly not the

269
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only music that speaks to the working class, but it's

270
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always been there. I mean, you know, you think of

271
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bands like, you know, like Reagan Youth, the Dead, Kennedy's.

272
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You know, these are some of the old school punk

273
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bands that always always talked about like punching up, fighting

274
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against the oppression and the oppressive forces that really keep

275
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us all down and try and divide us up into

276
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you know, red team, blue team, when really it's like

277
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it's the top team versus the bottom team. And I

278
00:22:51,440 --> 00:22:54,559
like to think of all of us as power bottoms. Right, honey. Yea.

279
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Speaker 6: The sex Pistles also come to mind. Obviously not an

280
00:22:59,279 --> 00:23:01,799
American band, but but you know, a lot of their

281
00:23:02,039 --> 00:23:04,960
their stuff also really addressed, uh, you know, things going

282
00:23:05,000 --> 00:23:08,079
on in the UK. God Save the Queen is one

283
00:23:08,079 --> 00:23:10,440
of my favorite punk songs of all time.

284
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Speaker 14: But so I like the sex Pistols, like I like

285
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some of their music, and I like the message, but

286
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for me, it's like tainted by the disingenuousness of the

287
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fact that like they were they were put together as

288
00:23:23,759 --> 00:23:26,000
like they were put together as a boy band. Man,

289
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they were like they were to promote the like there

290
00:23:29,240 --> 00:23:32,039
was a store out there called sex I think, and

291
00:23:32,880 --> 00:23:37,039
the idea was the band was basically a big commercial,

292
00:23:37,160 --> 00:23:39,599
a live commercial, if you will, for that store.

293
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Speaker 6: I didn't know about that, about that part of that. Yeah,

294
00:23:44,400 --> 00:23:45,279
well that's interesting.

295
00:23:46,640 --> 00:23:48,880
Speaker 14: Yeah, it's almost like it's it's like a it's like

296
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an astroturfed punk And like, you know, I do appreciate

297
00:23:54,039 --> 00:23:56,000
some of their songs, I mean, yeah, God Save the Queen,

298
00:23:56,079 --> 00:23:58,680
Anarchy in the UK, these are all classics, you know. Yeah,

299
00:23:59,759 --> 00:24:03,680
but I also like like the like anarchy in the

300
00:24:03,799 --> 00:24:06,480
UK bothers me a little bit, just because, like I

301
00:24:07,200 --> 00:24:09,759
I like a lot of the ideas of anarchism, like

302
00:24:09,920 --> 00:24:15,680
the socio political movement specifically, that anarchism is actually just

303
00:24:16,559 --> 00:24:20,640
opposing hierarchy, Like it's it's an opposition to hierarchy. It's

304
00:24:20,720 --> 00:24:24,880
not chaos, right, and it often gets conflated with chaos,

305
00:24:24,960 --> 00:24:27,359
and it's like, no, that's not what anarchists are fighting for.

306
00:24:28,079 --> 00:24:30,880
They're just fighting for a you know, to get rid

307
00:24:30,920 --> 00:24:33,799
of that class division. We should all be equal. It

308
00:24:33,839 --> 00:24:37,200
shouldn't be some people are you know, to quote animal farms,

309
00:24:37,279 --> 00:24:39,319
some people are more equal than others.

310
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Speaker 6: That's yeah, yeah, yeah, no, I agree, I agree. Now

311
00:24:46,240 --> 00:24:49,319
this is so this came out on Labor Day obviously,

312
00:24:49,440 --> 00:24:52,480
and that's was that kind of the plan all along,

313
00:24:52,759 --> 00:24:54,759
Like like when you first because the song had been

314
00:24:54,799 --> 00:24:56,400
around for a little while, right, you said you would

315
00:24:56,400 --> 00:24:57,440
you had written it last year.

316
00:24:58,920 --> 00:25:02,200
Speaker 14: Yeah, that that was definitely not the plan. So right

317
00:25:02,240 --> 00:25:03,720
now we're kind of on a show break. I mean,

318
00:25:03,759 --> 00:25:05,880
we're doing that. We have a show with Marky Ramone

319
00:25:05,960 --> 00:25:10,359
coming up September twenty twenty fourth at our More Music Hall,

320
00:25:10,960 --> 00:25:12,799
and that's gonna be that's gonna be super rad. But

321
00:25:12,880 --> 00:25:15,279
that kind of like that kind of fell into our laps.

322
00:25:15,319 --> 00:25:18,960
We got offered that show, and you know, despite the

323
00:25:19,039 --> 00:25:21,680
fact that we're on a show break until twenty twenty six,

324
00:25:22,240 --> 00:25:23,920
we were like, all right, well, I mean we have

325
00:25:24,079 --> 00:25:26,359
to take that, right it's one of the ramones. Yeah,

326
00:25:27,119 --> 00:25:30,440
it's a really cool venue, Like, we can't turn that down.

327
00:25:30,519 --> 00:25:33,279
So we're doing We're doing that one as an exception

328
00:25:33,440 --> 00:25:36,400
to the little break that we're taking because for a while,

329
00:25:36,519 --> 00:25:38,440
we were, like for two years straight, we were pretty

330
00:25:38,480 --> 00:25:42,759
much playing out constantly. Yeah, right now we're focused on

331
00:25:42,880 --> 00:25:46,319
like writing more music and then you know, trying to

332
00:25:46,920 --> 00:25:50,119
do that that life balance man, Like we've all got families,

333
00:25:50,160 --> 00:25:53,359
we've all got careers, and trying to focus on that,

334
00:25:53,559 --> 00:25:57,119
give that a little bit extra love. So the original

335
00:25:57,200 --> 00:26:01,680
plan was we released ex Americana right before we were

336
00:26:01,720 --> 00:26:04,839
on your show the first time, and we were gonna

337
00:26:04,839 --> 00:26:06,920
hold off on working We recorded it at the same

338
00:26:06,960 --> 00:26:09,240
time as Working Class Punk and Working Class Punk. We

339
00:26:09,319 --> 00:26:11,519
were going to release in twenty twenty six when we

340
00:26:11,640 --> 00:26:15,960
started playing out again. Oh okay, but yeah, but like,

341
00:26:16,359 --> 00:26:18,559
I don't know, the idea came to us to that,

342
00:26:18,759 --> 00:26:21,240
like labor Day was right around the corner, and we're like,

343
00:26:21,359 --> 00:26:23,680
that would actually be kind of a perfect time to

344
00:26:23,799 --> 00:26:26,200
release a song called working Class Punk.

345
00:26:26,400 --> 00:26:26,599
Speaker 6: Yep.

346
00:26:27,200 --> 00:26:29,920
Speaker 14: That kind of speaks to the idea of the labor

347
00:26:30,039 --> 00:26:34,119
movement and you know, the idea of the owner class

348
00:26:34,240 --> 00:26:39,640
versus the working class. So we we went ahead and

349
00:26:39,720 --> 00:26:41,240
pulled the trigger on it. You know, we came to

350
00:26:41,319 --> 00:26:47,240
that decision probably two weeks before Labor Day. So you know,

351
00:26:47,319 --> 00:26:50,079
I got on my computer and rushed out the distribution

352
00:26:50,359 --> 00:26:52,640
and made a bunch of promo and stuff like that,

353
00:26:53,839 --> 00:26:55,720
and we and we got it out and I'm happy

354
00:26:55,759 --> 00:26:57,440
we did outstanding.

355
00:26:57,559 --> 00:26:59,920
Speaker 6: Yeah, I'm glad. Yeah, No, it's it's such a great track.

356
00:27:00,799 --> 00:27:02,599
So the so the show break other than you know,

357
00:27:02,680 --> 00:27:05,240
you mentioned the Marquie Ramone show. But that's that's gonna

358
00:27:05,240 --> 00:27:06,759
be it for the rest of twenty twenty five, Is

359
00:27:06,799 --> 00:27:07,240
that correct?

360
00:27:08,759 --> 00:27:08,960
Speaker 13: Yeah?

361
00:27:09,640 --> 00:27:12,559
Speaker 14: Again, unless we get something that's like, you know, just

362
00:27:12,680 --> 00:27:15,240
too sweet to refuse, you know what I mean. Like yet,

363
00:27:15,359 --> 00:27:19,160
like if if if the Descendants decide that they that

364
00:27:19,279 --> 00:27:21,480
they want us to open for them, I am I'm

365
00:27:21,519 --> 00:27:24,559
not going to turn that down. If a Windowa Fighter

366
00:27:24,839 --> 00:27:27,240
decides that they want an opening band, We're not going

367
00:27:27,279 --> 00:27:31,200
to turn that down. We need to pay for you know,

368
00:27:31,279 --> 00:27:34,279
we're we're planning on recording an album in twenty twenty six,

369
00:27:34,400 --> 00:27:38,079
releasing that'll be our uh our fourth album on Screaming

370
00:27:38,400 --> 00:27:41,759
and Our. I don't know how many times we've been

371
00:27:41,759 --> 00:27:45,240
in the studio because like you know, like before Jersey Calling,

372
00:27:45,279 --> 00:27:47,440
Sean and I were in another band called burn Kate.

373
00:27:48,599 --> 00:27:52,839
I've played in other bands well during during Jersey Callings Hiatus.

374
00:27:53,920 --> 00:27:56,319
I don't know, like it's like we're gonna go with like,

375
00:27:56,400 --> 00:27:58,960
you know, our double digit time in the studio maybe

376
00:27:59,039 --> 00:28:02,160
like twelve or something like that. Yeah, we're really looking

377
00:28:02,200 --> 00:28:06,599
forward to doing a full length and yeah, we're kind

378
00:28:06,640 --> 00:28:08,319
of we're kind of focused on that and trying to

379
00:28:08,359 --> 00:28:10,279
save money for that. So you know, if if a

380
00:28:10,359 --> 00:28:12,319
gig falls into our lap where they're like, oh we're

381
00:28:12,319 --> 00:28:15,400
going to pay you you know, X amount of dollars

382
00:28:15,519 --> 00:28:18,119
and it's and it's money that we can put toward

383
00:28:18,160 --> 00:28:22,079
that record, then you know, yeah, all available, Why wouldn't

384
00:28:22,079 --> 00:28:22,440
you take it?

385
00:28:22,599 --> 00:28:25,680
Speaker 6: You know, right right, no doubt, no doubt. Yeah, where

386
00:28:25,720 --> 00:28:27,960
do you record? Because obviously you're in an area where

387
00:28:28,160 --> 00:28:30,599
you know there's a lot of music. Uh, like, where

388
00:28:30,640 --> 00:28:33,079
where did you record Working Class Punk? Because it sounds

389
00:28:33,160 --> 00:28:35,839
great too? You know, I'm I'm a trained audio engineer,

390
00:28:35,880 --> 00:28:37,319
and I pay a lot of attention to you know,

391
00:28:37,400 --> 00:28:39,519
not everyone pays attention to production, but I do. And

392
00:28:39,599 --> 00:28:41,680
I love the production. I love everything about it. But

393
00:28:41,880 --> 00:28:44,200
it just sounds so good. So I'm curious where you

394
00:28:44,240 --> 00:28:44,720
recorded it.

395
00:28:46,359 --> 00:28:49,720
Speaker 14: So Working Class Punk and X we're both recorded at

396
00:28:49,880 --> 00:28:54,319
Montgomery count County Community College. We got this offer from

397
00:28:55,200 --> 00:29:02,039
Randy's sister's friends Kid. So I thought originally that this

398
00:29:02,359 --> 00:29:04,880
this is this guy Noah, I say, Kid, he's like

399
00:29:05,000 --> 00:29:08,640
twenty two, twenty three years old. Yeah, but he's a

400
00:29:08,680 --> 00:29:12,400
student at Montgomery count Montco Community College. That's just easier

401
00:29:12,440 --> 00:29:15,200
to say it that way. Montgomery County Community College out

402
00:29:15,200 --> 00:29:20,200
in PI. And he is is a you know, music

403
00:29:20,240 --> 00:29:24,039
engineering major, and he wanted to record a band and

404
00:29:24,359 --> 00:29:28,640
he knew of our band from a Randy's sister and

405
00:29:29,160 --> 00:29:31,680
he asked if he could record us for his final project,

406
00:29:31,799 --> 00:29:34,720
and you know, we said yes, and he yeah, he

407
00:29:35,200 --> 00:29:39,400
tracks both ex Americana and Working Class Punk with us.

408
00:29:39,960 --> 00:29:42,640
And you know, it was a different experience because usually

409
00:29:42,759 --> 00:29:46,160
we record at the Gradwell House Recording studio and had

410
00:29:46,240 --> 00:29:48,720
in Heights, New Jersey, and those guys have been doing

411
00:29:48,799 --> 00:29:51,799
it forever. They know what they're doing. They like they've

412
00:29:51,839 --> 00:29:57,039
been nominated for Grammys, like they they're pros. And Noah

413
00:29:57,599 --> 00:29:59,799
is a student. You know, he's just getting started with this.

414
00:30:00,119 --> 00:30:04,359
It was a very different experience, but still enjoyable, and

415
00:30:04,480 --> 00:30:06,640
it kind of challenged us some Sean pointed out in

416
00:30:06,680 --> 00:30:09,160
a recent interview, we did that, like it kind of

417
00:30:09,240 --> 00:30:12,000
challenged us to like make sure that we know our parts,

418
00:30:13,200 --> 00:30:16,680
because you know, studio magic can be done when someone

419
00:30:16,799 --> 00:30:18,720
knows what they're doing, Like, hey, you messed up a

420
00:30:18,759 --> 00:30:21,079
guitar part, Hey, no problem, we can copy and paste

421
00:30:21,119 --> 00:30:25,359
that from another take that you did. But Noah was

422
00:30:25,440 --> 00:30:27,319
a little more inexperienced, so it was like, if you

423
00:30:27,680 --> 00:30:30,119
don't get it right, then it's just not going to

424
00:30:30,160 --> 00:30:34,000
be right on the on the track. And he did

425
00:30:34,279 --> 00:30:36,720
an amazing job. And then what we did after that

426
00:30:36,960 --> 00:30:39,359
was we took Noah's rough mix and we sent it

427
00:30:39,559 --> 00:30:43,240
to the Gradwell House for like a little remix makeover,

428
00:30:44,240 --> 00:30:46,079
just so they could like put some put their hands

429
00:30:46,119 --> 00:30:49,000
on it, put some love to it, and they did

430
00:30:49,039 --> 00:30:51,880
what they usually did, and they and they took our music, which.

431
00:30:52,240 --> 00:30:54,599
Speaker 6: You know, is what it like.

432
00:30:54,759 --> 00:30:59,079
Speaker 14: Honestly, Noah's mix was great, but grad well just makes

433
00:30:59,160 --> 00:31:03,319
it sound so much more professional, just because they know

434
00:31:03,400 --> 00:31:05,680
what they're doing. Oh yeah, they've been doing it for long.

435
00:31:05,920 --> 00:31:09,839
Yeah yeah, so yeah, they mixed it, they mastered it,

436
00:31:10,039 --> 00:31:12,799
and uh, once we got that track, we you know,

437
00:31:12,880 --> 00:31:14,759
we we even sent it over to know and we're like, hey,

438
00:31:14,799 --> 00:31:16,720
here's what they did with it, and that way he

439
00:31:16,799 --> 00:31:18,920
can learn more from it. He did get an A

440
00:31:19,119 --> 00:31:21,759
on his final project, though, so I'm really happy about that.

441
00:31:22,359 --> 00:31:24,039
I was like, Man, if this kid doesn't get an

442
00:31:24,079 --> 00:31:27,000
A for all the hours he put into recording us,

443
00:31:27,680 --> 00:31:28,720
that's really awful.

444
00:31:28,799 --> 00:31:28,960
Speaker 15: You know.

445
00:31:29,839 --> 00:31:31,559
Speaker 6: Well, it's cool too that it came out so well,

446
00:31:31,680 --> 00:31:34,759
because obviously in a scenario like that, you know, you're

447
00:31:34,799 --> 00:31:37,200
you're used to working with pros, and then this this

448
00:31:37,359 --> 00:31:40,279
opportunity comes up, and I mean, I don't know, I

449
00:31:40,640 --> 00:31:43,240
just know in my mind i'd be thinking, Okay, we'll

450
00:31:43,279 --> 00:31:47,039
try this, but a student, I don't know, we'll we'll

451
00:31:47,039 --> 00:31:49,559
see what happens, you know, and and then uh, and

452
00:31:49,640 --> 00:31:52,200
then it came out great. So that's that's awesome.

453
00:31:52,240 --> 00:31:54,759
Speaker 14: I'll think too that Noah. Noah came up with some

454
00:31:54,839 --> 00:31:58,920
really cool ideas too, like end of working class punk.

455
00:31:59,400 --> 00:32:01,160
You mentioned that didn't want to talk over the ending

456
00:32:01,160 --> 00:32:03,200
because you love the like little out take part at

457
00:32:03,200 --> 00:32:06,160
the end. That was Noah's idea. He was like, oh

458
00:32:06,240 --> 00:32:08,400
my god, you guys should keep that in the song somewhere.

459
00:32:08,400 --> 00:32:09,759
It would be kind of fun. And I was like,

460
00:32:10,160 --> 00:32:13,079
oh yeah, like like maybe at the end, and we

461
00:32:13,279 --> 00:32:15,119
you know, we kept it at the end because he

462
00:32:15,240 --> 00:32:18,920
had originally suggested it, because you know, otherwise and mess

463
00:32:19,000 --> 00:32:20,960
ups usually get deleted, right right right.

464
00:32:22,079 --> 00:32:24,359
Speaker 6: Yeah, Oh that's that's very cool, And I'm glad you

465
00:32:24,440 --> 00:32:27,720
got an a well well well deserved. That's that's fantastic.

466
00:32:28,000 --> 00:32:30,039
Speaker 14: Yeah, yeah, is definitely rocks.

467
00:32:30,200 --> 00:32:32,079
Speaker 6: I didn't think to look, is there a video for that?

468
00:32:32,160 --> 00:32:33,720
If you have? You made a video for that song?

469
00:32:33,880 --> 00:32:35,680
Speaker 14: Or I did?

470
00:32:35,880 --> 00:32:36,799
Speaker 13: I did?

471
00:32:36,880 --> 00:32:39,160
Speaker 14: I did this. I did the same thing that I

472
00:32:39,200 --> 00:32:41,640
did with Working Class or sorry, I did the same

473
00:32:41,680 --> 00:32:43,839
thing that I did with ex Americana. Yeah, and I

474
00:32:43,960 --> 00:32:48,720
made the video on my phone. This this is like,

475
00:32:49,160 --> 00:32:51,079
this is probably the last video that I'll make on

476
00:32:51,160 --> 00:32:53,440
my phone, just because I feel like I'm kind of

477
00:32:53,680 --> 00:32:55,920
you know, I I don't want to. I don't want

478
00:32:56,000 --> 00:32:58,279
our all of our videos to look exactly the same.

479
00:32:58,319 --> 00:33:02,039
But it's another very similar video to x Americana where

480
00:33:02,319 --> 00:33:05,920
where I took pictures of the band stills of the band,

481
00:33:06,440 --> 00:33:12,039
and I crudely animated them south Park style to the music.

482
00:33:12,599 --> 00:33:16,000
And I think it's really fun. It's got lyrics in

483
00:33:16,039 --> 00:33:18,279
the video, which is something a little bit different from

484
00:33:18,359 --> 00:33:22,319
working from x Americana's video. It does have some throwbacks

485
00:33:22,319 --> 00:33:24,200
to x Americana's video, because I mean I think the

486
00:33:24,279 --> 00:33:27,640
two songs do have a little bit of common messaging

487
00:33:27,759 --> 00:33:34,440
with like being anti billionaire. Yeah, so you know X style.

488
00:33:34,640 --> 00:33:37,559
Elon Musk absolutely makes an appearance in the video.

489
00:33:38,000 --> 00:33:43,200
Speaker 6: Nice. Nice, Yeah, yeah, oh that's very cool. Yeah. I

490
00:33:43,440 --> 00:33:46,480
encourage people to check out the Jersey Calling YouTube page

491
00:33:47,000 --> 00:33:49,720
and oh yeah, you got lyrics in there too, very

492
00:33:49,920 --> 00:33:54,119
very nice. So what's so, what's kind of the future. Well,

493
00:33:54,279 --> 00:33:56,440
we should mention again too, especially for people who might

494
00:33:56,519 --> 00:33:59,000
be uh in your area. I assume that's where the

495
00:33:59,079 --> 00:34:01,319
Marque Ramone show is where you guys are.

496
00:34:01,799 --> 00:34:06,319
Speaker 14: Yes, yeah, it's at Ardmore Music Hall, which is it's

497
00:34:06,440 --> 00:34:09,719
just outside of Philadelphia. It's on the main Line. I

498
00:34:09,760 --> 00:34:12,159
would say, if you're in the city, it's probably a

499
00:34:12,280 --> 00:34:15,400
twenty minute drive something like that. Okay, if you're where

500
00:34:15,480 --> 00:34:18,280
we live, it's about forty five minutes to an hour,

501
00:34:19,920 --> 00:34:22,639
but well worth it because Ardmore Music Hall is a

502
00:34:22,800 --> 00:34:25,800
it's it's a big venue, it's legitimate, like and there's sound.

503
00:34:25,960 --> 00:34:30,199
Their sound systems amazing. Plus, like, you know, after you

504
00:34:30,320 --> 00:34:33,199
see our set, which is pretty substantial, I thought maybe

505
00:34:33,320 --> 00:34:35,199
like for a for an act like MARKI Ramone, they

506
00:34:35,239 --> 00:34:37,119
would give us like twenty minutes or something, but like,

507
00:34:37,559 --> 00:34:39,360
we're getting a full forty five minute set.

508
00:34:39,480 --> 00:34:39,880
Speaker 6: Oh good.

509
00:34:39,960 --> 00:34:42,559
Speaker 14: And then after us you get to see yeah, yeah, yeah,

510
00:34:42,559 --> 00:34:44,119
I'm pretty I'm pretty excited about that.

511
00:34:44,320 --> 00:34:44,519
Speaker 6: Yeah.

512
00:34:44,800 --> 00:34:47,280
Speaker 14: And then uh, right after we're done, you get to

513
00:34:47,320 --> 00:34:50,480
see MARKI Ramone play some classic Ramone songs and that's

514
00:34:51,000 --> 00:34:51,480
that's rat.

515
00:34:51,800 --> 00:34:54,400
Speaker 6: Oh that's very cool. That's very cool. Boy. How old

516
00:34:54,480 --> 00:34:54,840
is it now?

517
00:34:54,880 --> 00:34:58,239
Speaker 14: He's going to be in his seventies right, Oh yeah,

518
00:34:58,239 --> 00:35:02,239
I would imagine yeah, and hopefully hopefully he's still got

519
00:35:02,320 --> 00:35:05,199
it because I remember a few years ago I saw

520
00:35:05,280 --> 00:35:08,719
Iggy Pop. He was doing like a reunion show with

521
00:35:08,800 --> 00:35:12,800
the Stooges, and I was like, all right, this guy's like,

522
00:35:13,159 --> 00:35:16,320
you know, seven hundred years old. There's no way he's

523
00:35:16,360 --> 00:35:18,480
going to have the energy out. He was running around

524
00:35:19,239 --> 00:35:22,039
like a maniac with no shirt on. You know, he's

525
00:35:22,079 --> 00:35:25,920
got that like his skin looks like old leather, but

526
00:35:26,199 --> 00:35:29,679
like he is, he was rocking, man, Like, I couldn't

527
00:35:29,719 --> 00:35:31,960
believe that Iggy Pop still had all that energy. I

528
00:35:31,960 --> 00:35:33,239
don't think I have as much.

529
00:35:33,239 --> 00:35:35,760
Speaker 6: Energy as he Pop does when he's on stage.

530
00:35:35,679 --> 00:35:38,440
Speaker 14: Like, and I like to think I'm pretty active on stage.

531
00:35:38,519 --> 00:35:40,679
Speaker 6: But yeah, yeah, Iggy Pop.

532
00:35:40,599 --> 00:35:42,000
Speaker 14: Was on a different level. He really was.

533
00:35:42,159 --> 00:35:44,480
Speaker 6: It actually doesn't surprise me just because of I've never

534
00:35:44,480 --> 00:35:46,440
seen Iggy Pop live, but just from what I've heard,

535
00:35:46,960 --> 00:35:49,559
you know, over over the decades that, Yeah, there's just

536
00:35:49,639 --> 00:35:51,719
something about him. He just has endless energy no matter

537
00:35:51,800 --> 00:35:53,719
how old he gets, that's one thing that never changes.

538
00:35:55,079 --> 00:35:59,400
Speaker 14: Yeah, I'm guessing it's like residual drugs flowing through his bloodstream, like,

539
00:35:59,599 --> 00:36:04,760
you know, like there's that guy's done so much that

540
00:36:04,960 --> 00:36:06,880
like he's never going to come down.

541
00:36:07,000 --> 00:36:10,960
Speaker 6: Right, Maybe that's what it is, And that's that's my guess.

542
00:36:11,639 --> 00:36:14,119
Speaker 14: The only thing keep me keeping Keith Richards alive, That's what.

543
00:36:14,159 --> 00:36:16,840
Speaker 6: I'm sure of that, right, Yeah, he's gonna outlive us

544
00:36:16,840 --> 00:36:21,320
all I think. Yeah, Well, very good, very good. So

545
00:36:21,440 --> 00:36:23,320
where should uh where should people go online to keep

546
00:36:23,400 --> 00:36:25,280
up with everything? The Jersey Calling is doing.

547
00:36:27,079 --> 00:36:30,119
Speaker 14: So, I mean our social media. We're on uh, we're

548
00:36:30,159 --> 00:36:36,320
on Instagram, Facebook, TikTok, threads, and it's just at Jersey Calling.

549
00:36:36,440 --> 00:36:39,440
It's just at and then the band name okay, and

550
00:36:39,639 --> 00:36:43,159
then we have a YouTube channel that's also at Jersey Calling.

551
00:36:44,880 --> 00:36:49,440
We have a website and that is Jerseycalling Music dot com.

552
00:36:50,519 --> 00:36:53,679
Speaker 6: Very good, very good now in a moment, So we're

553
00:36:53,679 --> 00:36:55,519
gonna when we end our conversation, I want to play

554
00:36:55,559 --> 00:36:58,159
ex Americana because that I love that song as well,

555
00:36:58,199 --> 00:36:59,920
and I think I even told you both when when

556
00:37:00,000 --> 00:37:02,039
you were here in studio that time that that's my

557
00:37:02,159 --> 00:37:04,079
favorite of the songs that you sent us. So we'll

558
00:37:04,199 --> 00:37:07,719
end the segment with that. I'll probably play uh, I'll

559
00:37:07,719 --> 00:37:09,960
probably play working Class Punk though again later in the

560
00:37:10,000 --> 00:37:11,920
show in the second or third hour somewhere else sneaking

561
00:37:11,960 --> 00:37:13,679
in because I love that song too, and we want

562
00:37:13,679 --> 00:37:15,519
to keep pushing that. That's such a great track. But

563
00:37:15,639 --> 00:37:18,239
what should we know about ex Americana? And again, I know,

564
00:37:18,480 --> 00:37:19,800
I know we talked all about it when you were

565
00:37:19,800 --> 00:37:21,960
here in studio with us. But for people who are

566
00:37:22,519 --> 00:37:25,679
new listeners or people who are not familiar with Jersey Calling,

567
00:37:26,000 --> 00:37:28,159
what can you tell us about this song that we should.

568
00:37:28,000 --> 00:37:31,519
Speaker 14: Know so ex Americana. I mean, even though we were

569
00:37:31,519 --> 00:37:33,480
recording at the same time as Working Class Punk, it

570
00:37:33,599 --> 00:37:36,760
was like the opposite with the writing process. Sean sent

571
00:37:36,840 --> 00:37:39,079
me some lyrics he had scribbled down on the train

572
00:37:39,159 --> 00:37:41,280
on the way to work, and it were, you know,

573
00:37:41,360 --> 00:37:44,280
we are about Elon Musk. And it was right when

574
00:37:45,159 --> 00:37:48,519
he had been you know, appointed to the position of

575
00:37:48,599 --> 00:37:52,199
the head of DOGE. Yes, you know, right right after

576
00:37:52,280 --> 00:37:56,320
Trump was elected to a second term. And like, I

577
00:37:56,480 --> 00:37:58,440
love the lyrics, and I was like, yeah, I think

578
00:37:58,480 --> 00:38:00,840
I can work this into something. And I had a

579
00:38:00,920 --> 00:38:03,519
progression that I like, a guitar a chord progression that

580
00:38:03,559 --> 00:38:05,920
I was that was gonna that was saving for something.

581
00:38:06,039 --> 00:38:07,440
I wanted to use it for something I didn't know

582
00:38:07,519 --> 00:38:10,599
what yet. Yeah, So I took Sean's lyrics, I took

583
00:38:10,639 --> 00:38:13,119
my progression. I kind of fused them together, and UH

584
00:38:13,679 --> 00:38:17,039
came up with came up with the basic structure of

585
00:38:17,079 --> 00:38:20,719
the song, and then we rushed that out because I

586
00:38:20,920 --> 00:38:23,280
was like, you know what, we need to get this

587
00:38:23,480 --> 00:38:28,199
out before it's irrelevant because Trump and Musk, like, there's

588
00:38:28,360 --> 00:38:31,360
no way that those two egos are going to last.

589
00:38:32,639 --> 00:38:35,280
There there's gonna there, Yeah, there's I was like, there's

590
00:38:35,360 --> 00:38:38,480
gonna there's gonna be a falling out. Yeah, there's gonna

591
00:38:38,480 --> 00:38:42,360
be an excommunication. We need to you know, no no

592
00:38:42,480 --> 00:38:46,679
Pun intended with that, right and like I'm like, we

593
00:38:46,760 --> 00:38:49,639
need to get it out before before this is completely irrelevant,

594
00:38:50,039 --> 00:38:51,960
and they're like okay, And that's when, you know, we

595
00:38:52,039 --> 00:38:55,480
got the opportunity to record with Noah at Monco and uh,

596
00:38:56,519 --> 00:38:58,679
you know, we had practiced that song I think like

597
00:38:59,000 --> 00:39:01,840
twice before going into the studio, So like that one

598
00:39:02,000 --> 00:39:05,719
was particularly rough recording it because we were like we

599
00:39:05,800 --> 00:39:09,199
were still learning it while we were recording it. But

600
00:39:09,320 --> 00:39:11,880
I'm really happy with how it turned out. And we

601
00:39:11,960 --> 00:39:14,559
couldn't have time to release more perfectly, man, because we

602
00:39:14,760 --> 00:39:19,639
released it like a day after Trump and Elon had

603
00:39:19,679 --> 00:39:24,599
that falling out, Like it was perfect perfect it was

604
00:39:24,960 --> 00:39:28,719
and and and it came out a day before Trump's birthday.

605
00:39:29,039 --> 00:39:31,239
Speaker 13: So like it was oh man, it was.

606
00:39:33,039 --> 00:39:33,440
Speaker 15: It was.

607
00:39:36,679 --> 00:39:39,639
Speaker 14: Honestly, I got lucky. It was a cool idea, but

608
00:39:39,800 --> 00:39:42,039
it could have it could have gone wrong, you know,

609
00:39:42,159 --> 00:39:44,519
they could have like the Trump Elon break up, the

610
00:39:44,599 --> 00:39:48,199
divorce could have happened earlier. But it also happened at

611
00:39:48,239 --> 00:39:50,719
like a great time because that's when the chatter was

612
00:39:50,800 --> 00:39:53,880
really high about him online. So then when you made

613
00:39:54,079 --> 00:40:01,960
the the post that was, yeah, we awesome, we made

614
00:40:02,000 --> 00:40:04,920
a we made a Trump tweet. We we we we

615
00:40:05,079 --> 00:40:07,920
made it well. We made it look like he was

616
00:40:08,039 --> 00:40:12,960
insulting the band on truth social and and that post

617
00:40:13,079 --> 00:40:16,360
went viral because everyone thought it was real.

618
00:40:16,679 --> 00:40:19,280
Speaker 6: Oh that is so smart, that is genius.

619
00:40:19,519 --> 00:40:21,239
Speaker 14: Yeah, it was, it was.

620
00:40:21,440 --> 00:40:21,639
Speaker 18: It was.

621
00:40:22,360 --> 00:40:24,599
Speaker 14: I couldn't believe how many people thought it was really like,

622
00:40:24,679 --> 00:40:27,920
it's still getting traction to this day. It's got almost

623
00:40:28,000 --> 00:40:32,400
like a million views. It's crazy. And I mean, I

624
00:40:32,480 --> 00:40:35,159
think I basically attribute that to the fact that, like

625
00:40:35,320 --> 00:40:38,400
ex Americana in the you know one, in the first

626
00:40:38,480 --> 00:40:40,559
month it was released, became our number one song.

627
00:40:40,840 --> 00:40:41,440
Speaker 6: Yeah, like it.

628
00:40:41,880 --> 00:40:45,800
Speaker 14: It boosted our numbers by a lot, and working class punk,

629
00:40:45,880 --> 00:40:47,199
you know, I'm like, looking at it, I'm like, yep,

630
00:40:47,400 --> 00:40:49,840
we're back to normal. We're just back to regular numbers again.

631
00:40:51,400 --> 00:40:55,000
But but you know, like it's stut to get lightning

632
00:40:55,039 --> 00:40:57,639
to strike twice. It is what it is, you know.

633
00:40:57,920 --> 00:41:01,199
And I'm still proud of music that we make, and

634
00:41:01,880 --> 00:41:05,800
we've always made it for us, not necessarily for the accolades, you.

635
00:41:05,840 --> 00:41:09,840
Speaker 6: Know, sure, sure, well, very good. Well listen, Josh and Victoria,

636
00:41:09,920 --> 00:41:12,559
thank you both so much. Always wonderful to talk with you,

637
00:41:12,840 --> 00:41:15,679
and I look forward to the next time. And again

638
00:41:15,840 --> 00:41:18,639
working class Punk. Great track. We were very happy to

639
00:41:19,199 --> 00:41:21,960
play it here and and of course, well, like I said,

640
00:41:22,000 --> 00:41:24,119
I'll probably sneak it in again later in the show

641
00:41:25,519 --> 00:41:27,519
and we're gonna end the segment with this track. Again.

642
00:41:27,559 --> 00:41:30,320
I love this song so much, ex Americana. But we'll

643
00:41:30,400 --> 00:41:32,599
let you go, but thank you both for joining us

644
00:41:32,679 --> 00:41:34,039
this morning. Really appreciate it.

645
00:41:35,559 --> 00:41:37,000
Speaker 14: Thanks man, appreciate you man.

646
00:41:37,320 --> 00:41:39,480
Speaker 6: You got it, you got it, Okay, take care, bye bye.

647
00:41:41,280 --> 00:41:43,840
All right, So that was Josh and Victoria from a

648
00:41:43,960 --> 00:41:46,719
Jersey calling such a great band, and I love this song.

649
00:41:47,199 --> 00:41:48,880
Let's give this a spin if you haven't heard this

650
00:41:48,960 --> 00:41:51,800
one yet, this is ex Americana.

651
00:42:14,719 --> 00:42:20,800
Speaker 17: D physicities, a mock care of the people that you

652
00:42:20,960 --> 00:42:25,360
stay at don that survival chau say wod cashing a

653
00:42:25,519 --> 00:42:31,519
broken pat for citizens from pail. It's O weekend Goldies

654
00:42:32,719 --> 00:42:34,199
against your creator.

655
00:42:34,000 --> 00:42:39,079
Speaker 2: Retro fu ship sir say okay, n I could he

656
00:42:39,199 --> 00:42:40,960
acts Americana.

657
00:42:41,800 --> 00:42:48,679
Speaker 13: As American hi to be as American creates.

658
00:42:47,239 --> 00:42:47,960
Speaker 5: A last step.

659
00:42:51,079 --> 00:42:55,159
Speaker 2: Tradition is your weapon. We're all at a fall flocking

660
00:42:56,039 --> 00:42:59,599
a Patreon you call rebind women. I never say this.

661
00:43:01,119 --> 00:43:04,159
Speaker 17: What's hard to see you on TV? If you put

662
00:43:04,239 --> 00:43:10,400
them in that place a sunst bet. It's a fear catch.

663
00:43:10,159 --> 00:43:13,079
Speaker 4: As she's high because.

664
00:43:12,800 --> 00:43:18,239
Speaker 2: He acts America Hi, because she asks America that, because.

665
00:43:18,000 --> 00:43:21,079
Speaker 13: She acts America up. Click a green and dads a

666
00:43:21,199 --> 00:43:29,679
last Epiday. So many times the conditions up bloud. A

667
00:43:29,880 --> 00:43:37,280
strong clouds gather over this skuys ways actual razing.

668
00:43:38,559 --> 00:43:43,079
Speaker 5: Efficiency. He says something to see I fell. You're this guy.

669
00:44:14,679 --> 00:44:23,920
Speaker 4: There's not your choice, not guess elion.

670
00:44:23,960 --> 00:44:25,599
Speaker 6: There's have enough trust in the Roman.

671
00:44:26,039 --> 00:44:27,719
Speaker 1: Why say one boss?

672
00:44:28,599 --> 00:44:30,480
Speaker 2: We've been sold online.

673
00:44:31,119 --> 00:44:35,159
Speaker 1: I think it's time we say free.

674
00:44:34,960 --> 00:44:40,280
Speaker 5: Lie like Jos and I do. As Americana.

675
00:44:41,159 --> 00:44:45,639
Speaker 13: Americana through the Acts of Americana click.

676
00:44:45,400 --> 00:44:48,880
Speaker 2: On the cree and as a last Daday through.

677
00:44:48,719 --> 00:44:55,840
Speaker 13: The Americana, Through the Americana to the Americana, click on

678
00:44:55,960 --> 00:44:57,239
agree tant.

679
00:44:57,000 --> 00:45:01,159
Speaker 2: A last Dad, yes said take your last You can't

680
00:45:01,280 --> 00:45:02,400
die by trying.

681
00:45:02,199 --> 00:45:03,480
Speaker 4: To that, can't jail.

682
00:45:13,840 --> 00:45:14,960
Speaker 5: You want nothing to do that.

683
00:45:16,639 --> 00:45:18,119
Speaker 11: I don't want to be like you.

684
00:45:19,360 --> 00:45:26,119
Speaker 8: I recognizable from the persons shouldn't know better.

685
00:45:27,599 --> 00:45:31,800
Speaker 5: It's sounded for a while. Now probably try.

686
00:45:31,760 --> 00:45:36,400
Speaker 4: To do I s don't want to BacT sound, don't

687
00:45:36,440 --> 00:45:48,599
really shill, no way chill that a long guy had

688
00:45:48,679 --> 00:45:49,760
a long guy?

689
00:45:53,079 --> 00:45:54,039
Speaker 5: How body.

690
00:45:56,880 --> 00:45:57,760
Speaker 4: That ain't long?

691
00:45:57,960 --> 00:46:00,519
Speaker 11: Guy that you love?

692
00:46:04,440 --> 00:46:07,800
Speaker 5: Can say, I ain't hit the resaid, but I don't

693
00:46:07,840 --> 00:46:08,480
want to start.

694
00:46:08,760 --> 00:46:13,679
Speaker 8: John said, ain't no please like child, please start like you?

695
00:46:14,039 --> 00:46:16,960
Speaker 5: Stod who wasn't what you want?

696
00:46:18,519 --> 00:46:18,719
Speaker 7: Said?

697
00:46:18,800 --> 00:46:19,840
Speaker 4: Don't like Joe is.

698
00:46:21,199 --> 00:46:24,000
Speaker 5: We can't waste a minute. We want to waste some minutes.

699
00:46:24,280 --> 00:46:33,599
Speaker 4: Jays some man, don't wait, Chow that ain't Longuy, I

700
00:46:33,800 --> 00:46:34,440
ain't long?

701
00:46:38,239 --> 00:46:45,719
Speaker 5: Nobody art that ain't long? Guy that ain't love.

702
00:47:00,159 --> 00:47:05,119
Speaker 2: I've got that sick chif feeling, but of wes to ealing.

703
00:47:05,800 --> 00:47:07,519
Speaker 6: I don't know what to do.

704
00:47:08,199 --> 00:47:10,360
Speaker 5: I still love you, suit you.

705
00:47:11,480 --> 00:47:15,760
Speaker 2: I got that sick chef feeling out now I don't ways.

706
00:47:17,079 --> 00:47:20,320
Speaker 5: I don't know what sometime sell.

707
00:47:46,039 --> 00:47:57,559
Speaker 4: No way that ain't long, Guy that ain't long, don't

708
00:47:57,639 --> 00:48:09,679
play cat sant jem.

709
00:48:11,440 --> 00:48:12,159
Speaker 5: Always so.

710
00:48:25,599 --> 00:48:28,199
Speaker 6: Love that track so much. That is piece of view.

711
00:48:28,280 --> 00:48:31,199
The band is Rivia, another great band from the UK,

712
00:48:31,679 --> 00:48:34,679
and they are now being added to college radio stations

713
00:48:35,079 --> 00:48:37,760
across the country. In the United States, so very cool.

714
00:48:37,840 --> 00:48:40,039
But we were the first American radio station to play

715
00:48:40,079 --> 00:48:43,079
that here at wmn H on this very program, Matt

716
00:48:43,119 --> 00:48:46,159
Connorton unleashed. Love that band and love that song, such

717
00:48:46,199 --> 00:48:49,679
a great track. If you are listening live on Saturday again,

718
00:48:49,760 --> 00:48:52,639
thank you so much to Victoria and Josh from the

719
00:48:52,719 --> 00:48:55,119
band Jersey Calling for joining us. I love that song

720
00:48:55,239 --> 00:48:57,800
ex Americana. And of course we opened that segment with

721
00:48:58,000 --> 00:49:01,039
Working Class Punk, which is their brand newsingle, which came

722
00:49:01,079 --> 00:49:04,280
out appropriately enough on Labor Day. So I really enjoyed

723
00:49:04,320 --> 00:49:05,920
talking with them and I love their music and I

724
00:49:05,960 --> 00:49:08,400
can't wait to hear the next one. Sounds like they're

725
00:49:08,920 --> 00:49:11,320
but they've they've been busy, so they've got that big

726
00:49:11,360 --> 00:49:14,960
show coming up with Markey Ramon. So cool, so good people,

727
00:49:15,039 --> 00:49:17,760
and I'm glad to see them having success. And let's

728
00:49:17,800 --> 00:49:19,960
see again if you are listening Saturday. Coming up in

729
00:49:20,000 --> 00:49:23,559
the second hour today, we have Brides, another great band

730
00:49:23,599 --> 00:49:26,559
from the UK who's going to be joining us via WhatsApp.

731
00:49:26,920 --> 00:49:29,559
Looking forward to speaking with them. We're gonna at the

732
00:49:29,559 --> 00:49:31,679
top of the hour, we're gonna play their newest single

733
00:49:32,320 --> 00:49:36,360
and really interesting band, unique sound. I can kind of

734
00:49:36,400 --> 00:49:39,360
hear some influences there, but very very cool, a little

735
00:49:39,360 --> 00:49:40,920
bit mis serious. I don't know much about them, so

736
00:49:41,000 --> 00:49:43,400
that'll be very interesting. So Brides is coming coming up

737
00:49:43,400 --> 00:49:46,000
in the second hour, and then in the third hour

738
00:49:46,119 --> 00:49:50,039
today we have Pulsifier, great band from Portland, Maine, and

739
00:49:50,480 --> 00:49:52,039
I believe they are making the trip and they're gonna

740
00:49:52,039 --> 00:49:53,800
be here with us live in studio in the third

741
00:49:53,840 --> 00:49:56,599
hour today of Matt Connorton Unleashed. But I'm gonna give

742
00:49:56,599 --> 00:49:59,199
you a little preview because if you are listening live,

743
00:49:59,599 --> 00:50:03,280
this is the track of theirs called Venomous Thing, and

744
00:50:03,440 --> 00:50:05,760
I love this song, so I'm gonna play this now.

745
00:50:06,079 --> 00:50:07,760
You might hear it again in the third hour when

746
00:50:07,800 --> 00:50:09,800
the band is here with us. But little teaser for

747
00:50:09,960 --> 00:50:12,480
you of Pulsifier coming up today in the third hour,

748
00:50:12,760 --> 00:50:16,400
great track called Venomous Thing, and I just want to

749
00:50:16,440 --> 00:50:18,119
hear it, So I'm gonna be a little bit selfish.

750
00:50:18,159 --> 00:50:19,599
I'm gonna play this one now. Like I said, you

751
00:50:19,679 --> 00:50:22,119
might hear it again later, but here it is Pulsifier.

752
00:51:11,960 --> 00:51:20,920
Speaker 2: He tighten memory, some cloons within him, A mutch.

753
00:51:20,840 --> 00:51:28,760
Speaker 5: Hold shadows cool yesterday dancing with.

754
00:51:31,760 --> 00:51:38,079
Speaker 2: You can't be saved from said ours really.

755
00:51:39,840 --> 00:51:41,280
Speaker 1: When you came up to.

756
00:51:43,239 --> 00:51:49,840
Speaker 4: Say can you all find? Then all third.

757
00:51:51,360 --> 00:51:56,119
Speaker 1: Chegard from where.

758
00:51:57,480 --> 00:52:01,519
Speaker 4: Then hurt me again?

759
00:52:02,800 --> 00:52:09,760
Speaker 5: You been a girls come back to pray?

760
00:52:10,840 --> 00:52:20,960
Speaker 2: So why shot back and don't get places you don't

761
00:52:21,079 --> 00:52:26,599
want to go, put it by face and.

762
00:52:28,559 --> 00:52:29,760
Speaker 5: I don't want to know.

763
00:52:32,440 --> 00:52:38,639
Speaker 2: You're gonna missed Cloison cut say.

764
00:52:40,639 --> 00:52:43,880
Speaker 5: I'm getting my blustery.

765
00:52:43,239 --> 00:52:45,079
Speaker 2: Now it's just sup.

766
00:52:46,960 --> 00:52:58,800
Speaker 5: I try Sam.

767
00:52:56,119 --> 00:53:15,639
Speaker 4: Chugar s we okay, you fasday come about okay, So

768
00:53:15,960 --> 00:53:16,760
why can't.

769
00:53:16,599 --> 00:53:18,840
Speaker 1: You get.

770
00:53:21,079 --> 00:53:23,079
Speaker 5: A victim't y say.

771
00:53:25,440 --> 00:53:34,639
Speaker 2: Lay control shooting your venom like shots of control?

772
00:53:37,480 --> 00:53:38,440
Speaker 5: Hold on't me.

773
00:53:41,559 --> 00:53:48,400
Speaker 2: Try not to dry and step call me under choice

774
00:53:49,880 --> 00:54:03,280
spible down O said off last show he is gone.

775
00:54:04,760 --> 00:54:06,920
Speaker 4: From leave.

776
00:54:08,840 --> 00:54:09,320
Speaker 11: Okay?

777
00:54:10,760 --> 00:54:12,719
Speaker 4: Can you're the.

778
00:54:16,599 --> 00:54:17,159
Speaker 1: Home back?

779
00:54:18,920 --> 00:54:19,159
Speaker 4: Kay?

780
00:54:20,320 --> 00:54:24,199
Speaker 5: So why not you go again?

781
00:54:24,559 --> 00:55:39,880
Speaker 4: Ninety says go just let's let go.

782
00:55:41,840 --> 00:55:42,880
Speaker 19: No no.

783
00:55:45,199 --> 00:55:55,679
Speaker 11: Have shallow could be show.

784
00:55:59,159 --> 00:56:15,960
Speaker 4: Charge Woo down bow.

785
00:56:25,559 --> 00:56:28,920
Speaker 20: Luigi's Pizza Barren Grill got for e breed one.

786
00:56:29,639 --> 00:56:33,199
Speaker 9: Let's raise a slice on mine with top and tall

787
00:56:33,320 --> 00:56:34,079
the round.

788
00:56:34,639 --> 00:56:36,639
Speaker 5: It's a pizza Barto mine.

789
00:56:37,199 --> 00:56:42,000
Speaker 20: Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester, Come

790
00:56:42,079 --> 00:56:45,360
on in or call six two two one zero two one.

791
00:56:45,840 --> 00:56:49,960
Luigi keeping the tradition alive since nineteen seventy five.

792
00:56:51,840 --> 00:56:53,639
Speaker 5: Pizza for every one.

793
00:56:54,320 --> 00:56:58,639
Speaker 13: Come join a piece Tonight we eat slice sense off

794
00:56:58,719 --> 00:57:01,159
in everything fel tho by.

795
00:57:04,280 --> 00:57:06,480
Speaker 21: In times of crisis, you need a law firm that

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stands by your side. With over forty years of experience,

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799
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will assess your case and fight for the compensation you deserve.

802
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Serving all of New Hampshire, Craigan Getzulis is here when

803
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804
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805
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Speaker 18: Allies, bring your kitchen to life with Queen City Cabinetry,

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807
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808
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Speaker 20: Five thirty pm, in Saturdays ten am to two pm.

809
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Speaker 22: They can be reached at six zh three two two

810
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811
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812
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It's Queen City Cabinet Treat another crowd sponsor of w MNH.

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Speaker 23: Hey everyone, there's Rob Azevedo, host of Granite State of Mind,

814
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and I want to tell you about Pembrook City Limits

815
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and the Historic Suncook Village.

816
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Speaker 6: PCL is an award winning bar.

817
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Speaker 23: Restaurant and music venue where there's live music five days

818
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a week and twice on Saturdays, everything from blues, country, folk, funk,

819
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and a whole lot of jazz. We have twelve craft

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821
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area and some of the friendliest bartenders around.

822
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Speaker 6: Please come visit.

823
00:58:35,239 --> 00:58:37,679
Speaker 23: Pembrook City Limits at one thirty four Main Street, the

824
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Historic Suncook Village, only six miles outside of Manchester. Open

825
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Tuesdays to Wednesdays four to ten Thursday's Sunday eleven to ten.

826
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Pembrook City Limits where it's all about the music.

827
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Speaker 20: Business Cafe is the place to put a smile on

828
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829
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