Speaker 1: Hello, this is Pumpkinberry, but you may know me as
narrator Vin Din. Thank you so much for tuning into
this story. If you enjoy it, please take a moment
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join our active and wonderful community. Without further ado, let's begin.
Speaker 2: Mowl, ben.
Speaker 3: Jab, go to bed to be a.
Speaker 4: Jude.
Speaker 5: What you see before you is quite a grotesque sight.
Blood spewing from every one of Titus's pores. It appears
that a black cloak made of shadow is starting to
dawn upon his shoulders, and around it you can see
the ever occasional spider running around this bloody, grotesque husk
of a friend you once knew.
Speaker 4: It slowly rises and meets your gaze.
Speaker 6: I'm sorry, I pull my sword.
Speaker 4: Well, this is a lot more comfortable.
Speaker 7: I'm sure.
Speaker 4: You're quite lucky, you know, quite lucky.
Speaker 8: How so?
Speaker 5: Well, if whatever I am didn't have that little ambulant,
that little boy wouldn't have gotten away.
Speaker 6: M hmm, I think things worked out then you think, so, yeah,
you're here.
Speaker 9: With me.
Speaker 4: If you are not with them, poor little Jude all alone.
Speaker 6: Even though you are not Titus, you can't hurt me
because you're made of him.
Speaker 2: Is that your theory?
Speaker 4: M hm, let's put that to the test.
Speaker 10: Then I lunch forward, well, initiative, Can you read them
out for me?
Speaker 4: A five?
Speaker 1: An eight? Pretty fucking good on real? Okay, who's going first?
I believe that's uh, that would be tight us. Yeah.
Speaker 5: I deadlock my gaze to Jude, and I cut my
hand right where I stand and let the blood pool
at my feet.
Speaker 4: And that is my turn.
Speaker 1: Jude, what do you do?
Speaker 6: I'm using my old fashions ord to try and run
him through.
Speaker 1: I don't know.
Speaker 11: What happens.
Speaker 6: Well, I believe you're doing something here, Titus.
Speaker 4: You don't have to call me. That means not. I
don't believe it matters for you.
Speaker 6: I like to know the name of those I kill,
but if you refuse to give me one, that's fine.
Speaker 4: I think I.
Speaker 6: Slip in the blood. There's something magical he's doing here,
and I was trying to step forward with I didn't
want to start with magic.
Speaker 1: I miss you.
Speaker 4: I'm sure you do.
Speaker 8: Hm.
Speaker 4: I tried to hit Jude with unseen hand right in
her chest.
Speaker 1: Go ahead and roll partial success. What happens?
Speaker 5: I still connect. I draw my hand back, covered in
blood and just smash her with it. But I'm not
as on target as I would have hoped. This new
form isn't as fluent as I would like.
Speaker 9: It to be.
Speaker 1: Jude Europe.
Speaker 6: I put both of my hands on my sword and
I touched the tip of it to the ground. And
I want to hold him in place, his limbs, so
I think I I try to make branches grow from
the ground to grab his limbs. The old wood. Branches
hold him in place. Maybe not directly from the old wood,
but they look like them. Now the question is, I'm
not great with illusion, so my way to do this
would be with alchemy. And how are you I have
to grow them? Yes, okay, yeah, I'd have to grow them,
create conditions that allow them to grow extremely fast.
Speaker 1: And how do you suppose you do that?
Speaker 6: I've known Vega all of my life, and she has
been exceptional with living growing things. She has spent much
of her time explaining to me the ways to make
them thrive and the ways to make them happy, and
though I never had a green thumb, I'm conjuring all
of my energy that I know from her, all of
my knowledge.
Speaker 1: I'm sorry. Did you just roll thirty three doubles while
I was trying to fix the roll twenty window?
Speaker 12: Cool?
Speaker 1: Yes, awesome, just a little pine meal, a little bit of.
Speaker 13: Love, cool cool, cool, cool cool cool cool cool cool
cool cool.
Speaker 1: So what does it look like?
Speaker 6: My hands don't leave my sword, but the tip of
the sword touching the ground. There's an almost m There's
an energy that is coming from the sword, from my hands,
through the sword into the soil. And I am accessing
every mineral, every molecule. I have done this just recently
by creating a planet. I am accessing what makes life exist,
because that's all life is, is alchemy. And the branches
grow from the ground quickly, and they wrap his arms
and his legs and his chest, and they hold his
head in place.
Speaker 4: That's a clever trick.
Speaker 6: You got one for me.
Speaker 4: I have plenty.
Speaker 5: You noticed I didn't attack you at first, right, And
I'm going to attempt to dissolve into the pool of
blod behind me and reappear out.
Speaker 4: Of these vines.
Speaker 5: Narrator I'd like to argue for a ten shift because
I use blood magic. Yeah, at the beginning of my turn.
Speaker 1: Yep, yeah, I was actually just assuming you were going
to do that. Yeah, go for it, Jesus Christ, all right,
what happens.
Speaker 5: In the blink of an eye. It's not gradual like
Titus's typical magic. This homuncuous husk just.
Speaker 4: Drips down out of these.
Speaker 5: Woodland vines and reappears in a bloody, almost statue like
form and reconstructs behind the vines.
Speaker 2: And I just crossed my arms.
Speaker 4: You might have to try a little bit harder, Jude.
Speaker 6: Tell me, do you have any of his training?
Speaker 14: What?
Speaker 4: Of course, his blood flows through my veins. I've been
here the whole time, Jude, ever since we got to
this lovely land.
Speaker 6: Well, let's see it. Then, I never got to cross
swords with him. I'm curious how they train the others.
Speaker 4: I'll grant you your wish, and I wait for her
to strike.
Speaker 6: And take a forward stance, and I leap forward and
I begin striking with my sword.
Speaker 1: Eight what happens? What do we see?
Speaker 6: This is where I am most comfortable, and I am
filled with the desire to protect those I love. Including Titus,
because he didn't ask for this, and neither did you,
and you deserve peace. I slash him. I'm not trying
to kill him yet. I want to see what he
can do with this the training that we just spoke about.
What I am trying to cause enough damage?
Speaker 2: Did you see that?
Speaker 4: How did you do that?
Speaker 6: So there's a cut on his arm by this thigh,
across the chest, across his cheek. I'm quick. Let's see
it then, or do I need to teach you a
few things?
Speaker 5: I'm sure I could learn many things from you. I've
already learned a few. Narrator, how far are we from water?
I believe we're on the docks in the warehouse.
Speaker 1: Yes, yes, that is correct.
Speaker 4: About how far would you say?
Speaker 3: Hmm?
Speaker 15: Not too far?
Speaker 1: We said it was like right on the the other
thing too, I believe we said there was snow and
elements outside because Leir used it last time. So you're
close to water. It's enough to use it if that's
what you're trying to do.
Speaker 16: Excellent.
Speaker 5: Noticing that Jude is quite the swordsman, and that I
am not laced, not in comparison to her caliber, I
try to grab onto her sword with magic and throw
it as far as I can into the water.
Speaker 1: Success thirty one.
Speaker 6: Role to not let him do that, or is that possible.
Speaker 1: I don't think it's possible at this moment. You can
roll to retrieve it, but I don't think you can
stop him.
Speaker 5: Okay, I reach out and find the location of her sword,
I grab it, and I just toss it into the water.
Speaker 4: You are quite quick.
Speaker 5: Unfortunately Titus wasn't really a swordsman, and unfortunately for you,
he fought with honor.
Speaker 4: I don't have to.
Speaker 6: That will be the difference between you and I. I
always will.
Speaker 16: I know.
Speaker 6: I pull my gun blade.
Speaker 1: Yeah, there we go. Okay, go ahead and roll. It's
literally the only reason why I didn't let you stop him.
It was like, narratively, it's so fucking cool. If Jesus this,
that's bad.
Speaker 6: What am I rolling to pull my gun blade?
Speaker 16: No?
Speaker 1: No, no, you're not rolling to pull it out.
Speaker 3: You do it.
Speaker 1: But I'm assuming you're gonna attack him with it, So yeah,
you're gonna roll to go ahead and attack.
Speaker 6: That's a good question. Is what am I rolling?
Speaker 17: Mm?
Speaker 18: Hmmm.
Speaker 9: Your weapon is just an extension of yourself. You don't.
Speaker 1: That snap to her character sheet as she's like, can
I use a body skill? You can absolutely use a
body as a weapon. Yeah, body is a weapon.
Speaker 6: Seventy six failure.
Speaker 1: Oh did you give yourself a shift? I'm gonna make
you reroll with a shift unless you want to just
do the math. I don't care either one.
Speaker 6: I'll reroll with the shift. I'll take that opportunity.
Speaker 1: Get what's the shift? Twenty?
Speaker 3: There you go?
Speaker 1: Seven success us barely is success? All right? What happens?
Speaker 16: M h?
Speaker 6: I pulled my gun blade, which I didn't get a
chance to describe what it looks like, but it coincidentally
is more blade than gun, which is fitting to Jude,
I believe.
Speaker 18: And what I do is I.
Speaker 6: I set off a shot, I shoot him and try
to spear him through through the chest with the sword.
So it's like a double all right, double attack basically.
Speaker 1: Okay, mounculus Europe.
Speaker 4: I thought you might do that. Mm hm, excellent. Close
quarters works for me. And I send my hand.
Speaker 5: Not grasping Jude's neck, but probably about six inches away
from it.
Speaker 4: And I'm going to try and debt magic the time
that Titus got choked and died.
Speaker 1: Oh and will you have a ten percent shift, partial success.
Speaker 4: What happens, it's not as intense as it could be.
Speaker 5: It's equivalent to maybe one person being strangled rather than
both him and Rhea. I believe it didn't work because
it didn't happen to me.
Speaker 4: Per Se that happened to and I just stand there
watching her choke.
Speaker 7: H come on, true instructor, out of breath already, one
more round on your feet.
Speaker 1: Meanwhile, on the other side of the portal, we have
a team that rejoins Din.
Speaker 2: Where are we is everyone? No?
Speaker 19: Where's Jude?
Speaker 2: Jude?
Speaker 7: Oh no, No, it's too late for them.
Speaker 2: What do you mean it's too late for them?
Speaker 1: Didn't come through?
Speaker 16: Yeah, Jude.
Speaker 2: I turned to where we just came from, towards the portal.
I don't know if it's there. Anyone's gonna shout, Jude,
where are you?
Speaker 1: It is not there anymore, and you find yourselves in
a place of Din you've never seen before.
Speaker 20: This is I'm grabbing blackbird by the throat.
Speaker 18: What do you mean?
Speaker 20: What do you mean it's too late for them?
Speaker 7: The portals closed.
Speaker 15: You don't need to do this to ask questions.
Speaker 17: You have a mouth.
Speaker 6: What's going on with them?
Speaker 4: They're happening.
Speaker 2: We get them back.
Speaker 7: Oh, that won't be happening right nowave at all.
Speaker 1: I grip tighter.
Speaker 2: What do you mean, use both hands.
Speaker 7: What I mean is that they are on the other side.
The portal is closed. There will be no more portals
going back. There's nothing to be done.
Speaker 17: It is what it is.
Speaker 20: So they're okay, they're just on the other side. We
just have to go and get them.
Speaker 7: Well that I didn't say that.
Speaker 21: You can't know until you see.
Speaker 8: Can you?
Speaker 4: Is it?
Speaker 20: Well, apparently we're not going to see right well, not
right now.
Speaker 4: No, please give you of my throat.
Speaker 2: Mage, get this matter, speak sense, please, I turned to airfew.
Speaker 16: There's nothing that I'm going to be able to do.
Get him to make sense, blackbird, Will you speak plainly?
Speaker 17: Yeh fine, I drop him.
Speaker 13: Oh thank you.
Speaker 4: There was no need for that.
Speaker 7: It's a good grip. Which is very funny considering what's
happening right now.
Speaker 4: So they're having a.
Speaker 7: Bit of a fight.
Speaker 2: Yes, by.
Speaker 7: Well, Titus wasn't your Titus? And the portal seems to
have washed away some of whatever Titus was.
Speaker 2: You mean, I'm sorry, did he portray us? Was he
working for the enemy?
Speaker 14: No?
Speaker 7: No, not not not necessarily like that. He was and
then he wasn't. What Jude noticed closed the portal and
is now oct in combat.
Speaker 2: You mean he has it?
Speaker 22: M mhm.
Speaker 2: He turned back into one of those things. Yes, and
she's alone there with it.
Speaker 23: There will be a way to help her, there will
be no there has to be, no, no, there will be.
Speaker 18: I don't it doesn't matter what you say.
Speaker 1: There will be.
Speaker 7: That's fair, but it doesn't matter. Nothing can be changed.
It is changed, No, not exactly that. Do you trust Jude?
Do you believe your Stude's abilities?
Speaker 9: What happened last time he faced one of those.
Speaker 7: Jude made a choice. Jude made a choice for everyone here.
Let Jude follow through. There are other things to worry about.
Speaker 2: Sorry, Titus. Can he not return to Din?
Speaker 7: Well, that can't return to Din?
Speaker 2: When you said that's not our Titus? Is that to
say that our Titus is still here on Din, that
we left him in the forest. Ooh, that's an interesting question.
Speaker 13: Does anyone have the time?
Speaker 2: The time I look up to the sky. It's hard
to tell the time in Din because of how the
celestial bodies are locked. At least they seem to be correct.
Speaker 7: Yes, I'm not going to be able to tell you
the answer to that.
Speaker 4: Right now, where are we?
Speaker 19: I didn't This wasn't the landing site I planned.
Speaker 17: I have time.
Speaker 1: You are in complete fog. And as soon as Raz
says where are we? This isn't where I had planned,
the fog clears. A cloaked figure with a beaklike mask
steps out of the fog, saying, I have the time.
What do they see?
Speaker 17: A see.
Speaker 8: A fog deep within a bastion of potential, a ring
of mountains around the Bowl of Hope. The tallest peaks
of this mountain are wrapped in massive chains, brands of
which seem to meet in the center of what would
be this crater like space. But as to what they
see at the end of this chain, it's hard to
make out from this distance. It disappears into the fall
down below, above this darkened forest.
Speaker 1: Everybody wrote for initiative, But.
Speaker 4: I was trying to say, you have your own worries.
Speaker 2: Why are you so nonchalance about this?
Speaker 4: Oh because I'm not a part of it.
Speaker 23: Oh you are a part of it. You are definitely
a part of this. You're not just going to sit
back and watch.
Speaker 1: Make sure you're to exactly, so sorry, please continue Blackford.
Speaker 7: Oh just going to say that I'm not necessarily going
to sit back and watch. I may move about a
little bit see how things are going, but don't focus
on me.
Speaker 4: Focus on that.
Speaker 1: Okay, make sure that you guys are around this ring
on this map that you can see. Just go ahead
and drag your tokens, Brad, I'll fix your fear in
just a second.
Speaker 2: I'm able to do my token.
Speaker 1: Yeah, I don't think any of us can be interesting. Okay,
now you should.
Speaker 21: Be able to Oh wait, sorry, I tried to just
drag my own Yeah.
Speaker 1: No, that's fine. If you want drag your own character
sheet to the map and you should be able to
move it, then.
Speaker 17: There we go.
Speaker 12: Go.
Speaker 1: You need to be around the ring. Yep, there you go. Hey,
who are we missing?
Speaker 2: Arify is token? Otherwise?
Speaker 24: I think that is all of us now, okay, unless
you're putting Blackbird on the no, he's an observer, right,
unless you want to intervene, I believe you're just watching.
Speaker 7: Well, I actually just I just sent you a message
about that.
Speaker 1: Yes, absolutely, absolutely, that's what I thought you were gonna do. Okay, cool,
all right, so we then will add you to the
turn order. If you know you live outside of turn orders,
So yeah, you can just do whatever.
Speaker 17: I'll be very mindful.
Speaker 1: Okay, perfect, Now who is going first? I will manually
add you all to the turn order. Because it didn't
do that. That's okay, But for now, leave.
Speaker 2: Us with a four. I do have a four. I
am a reactionary class, however, and I think that what
I will do in this instant perhaps is is it
too late to try something different as a reactionary class? No,
or to offer something different initiative in this My initiative
in this moment is the highest I believe in the group.
Is it possible to choose somebody else within the turn
order and trade with them?
Speaker 1: Yeah? Absolutely absolutely? That's super badass, all right?
Speaker 2: In which case, I turn to uh, who's lowest to Vega,
and I'm going to adopt a fighting stance, slept food
in front. I'm going to take my sword out, dig
it into the ground, and I'm going to try and
channel energy into it. And as I do, you see
a dull glow kind of emanate from me, seep into me,
into the sword, and then flash towards Vega, and she
is jolted with a sudden burst of initiative. And now
we've traded places in initiative order.
Speaker 1: Ben fuckantastic, who's going first?
Speaker 2: It would now be Vega.
Speaker 1: It would now be Vega. Okay, you Bostard, Vega, you
are gonna go third, So Rees, go ahead. What would
you like to do? You should have a sheet access
in a second. But why don't you go ahead and
tell me what you want to do? First?
Speaker 17: Air, I think.
Speaker 8: As they approach, chime meddling with the glove of mine.
The glove seems to.
Speaker 17: Be not fitting.
Speaker 8: Right as they approach, I look up and I adjust
my gaze towards them. As my wrist slides in and
out of the loose glove, A pole of blood starts
to drip.
Speaker 17: Right in front of my feet, and I watch, and
I caught my head.
Speaker 1: And wait, Bloric, do you do anything or do you wait?
Speaker 17: Bory?
Speaker 4: I guess not.
Speaker 17: I guess it's just here.
Speaker 1: Think you're old.
Speaker 15: Fact that's.
Speaker 12: My robe, revealing a hand that does not look all
human or shop claws. And I dig into my other,
tearing flesh, reding the skin from the muscle, and bade.
Speaker 15: Latting the blood all clicking towards the people. Who have
just right.
Speaker 1: Perfect, I'm gonna have you roll in just a second,
bigger eu upe.
Speaker 9: I want to all of the blood that has just
appeared that these two have created broad forth, and the
stuff that I assume has just splattered on the people
who are closest, including myself. I want to consolidate all.
I want to make one of the orders that I
made last time.
Speaker 17: Okay, I think that it was us who created this blood.
Speaker 9: Can I have an tend shift because I already created
a blood out before ye sixth success.
Speaker 1: Yeah, please describe it.
Speaker 9: Yeah, all of this blood that's dripping down at the
feet of these these creatures all just comes together and
starts pulling itself out of the earth. All of the
splatters that I've landed on myself and Raya and Ras.
It'll just flies towards this growing orb and it all
solidifies into an orb and I let it hover above me,
not touching it.
Speaker 25: Right, I grasp my harbor, and as I do, I
rub my neck because I realized that that was most
likely what it was transformed into in the other world,
that choker. And I'm going to turn to the one
with the mask, the pointed beaked mask, and I'm going.
Speaker 19: To both have one charge it.
Speaker 15: Both they both have.
Speaker 19: The one fiddling with the glove. I'm going.
Speaker 20: Serious.
Speaker 25: Series, Yeah, recognize that a very least stance as them before,
and I'm going to go.
Speaker 19: For them with my blade.
Speaker 15: Okay.
Speaker 25: And I had stored in the other world, I had
stored part of my fracturing, my broken leg and saw
the energy in my choker, which is now my hubard,
and I want to transfer that into.
Speaker 19: Series.
Speaker 3: Thank you.
Speaker 25: Go ahead, and Rob, I will like a ten shift, please,
because I've done this before to this person before, the
last time we yea first time we found Titus. That's right,
go ahead, and I'm going to argue for another shift
because I was only able to partially heal this break,
so I know I can no only imagine, but I
know the feeling of it breaking, and I want to
make sure I can replicate that exactly.
Speaker 1: Okay, Yeah, I'll give that to you.
Speaker 19: Eighty three partial.
Speaker 25: As I slam my hubord into the leg and try
and transfer this broken, fractured leg into it, I'm trying
to hobble it as much as.
Speaker 1: Possible, and it's a partial. So yeah, I think what
we're going to do Seresa is we're going to knock
you down the turn order because that's a partial success,
so he doesn't completely ripple you. But all right, who's next?
Speaker 25: Anyone?
Speaker 20: I think it's supposed to be Yeah, it's supposed to
be me and then airfere.
Speaker 1: But I'm gonna falls into reactionary all right, your fear,
I'm fixing your token right now? What are you doing?
Speaker 11: Which one was ras angling at series?
Speaker 9: Ye?
Speaker 16: Yeah, I think I will rush forward, gumblade in hand
and just swing it towards series.
Speaker 2: I am.
Speaker 16: Adept enough at sword play that it isn't completely insane. Yeah,
it's not insane, and it's not you know, just like
a wild swing. But it is strange for for very
Fair to be able to not have any of the
sort of magic bolstered enchantments and boosts that he normally has.
So I don't want any shift on this.
Speaker 15: Okay, interesting?
Speaker 17: Now would I react if I wanted to?
Speaker 1: You just react? You just tell me what you're doing.
Speaker 8: I would like to, in response to this charge, I
would like to step in the pool of blood that
gathered into my front and derive next to my for him.
Speaker 1: Ah yeah, okay, so you go ahead, and roll to
do this because you are able to do this in response,
but you have a minded tention shift if.
Speaker 17: You go ahead and roll because I can't see fucking shit.
Speaker 1: Yeah, yeah, I'll roll for you.
Speaker 9: Thank you.
Speaker 1: Yeah, your fear rolls first, and then I'll roll for you.
I have no idea how put your fucking token one failure? Ah,
what happens?
Speaker 16: I run this thing along the ground because it's quite heavy,
and I bring it upwards in an upwards arc and
he's gone, Right, that's what happened.
Speaker 1: Yeah, that's what it is.
Speaker 16: There's maybe some blood that flicks up into the air
as I run it through the blood, but he just vanishes.
And it's again another thing that's completely confusing to me
because I'm used to being able to track people when
they do arcane things, but this is just crazy for me.
And I probably stumble forwards into the blood unknowingly.
Speaker 7: I will try and there is no blood to pull
him back theer all the blood, So.
Speaker 16: There was no blood, Okay, then I'd simply just stumble
into the area where he was there.
Speaker 1: Absolutely is what it just pulls up from the ground.
He ruled a sixth success.
Speaker 4: Sorry, Originally what.
Speaker 16: I said I stumble into that area where he was
stirred for a moment, and then kind of spin around
and locate where he went, glance over at raz and
back again, and then reposition myself for whatever comes next.
Speaker 7: Okay, as as he runs through the blood and no
one will see this, of course, but black Beard is
going to pay special attention to his feet. The blood
is going to adhere to them. He's going to be
moving a little bit faster now.
Speaker 1: Okay, still have a ten shift for any movement role.
You're a fear.
Speaker 2: Both both have an attacked or done anything yet, have they?
Speaker 9: No?
Speaker 1: Not yet?
Speaker 13: All right?
Speaker 2: Would my trading have initiative been my turn for this turn?
Speaker 1: No, you just traded initiative, so basically your turn, it
was now the other person's initiative. He just swapped positions.
Speaker 2: In which case, who is now closest to these two
right here?
Speaker 1: Ras? Problem? Ras?
Speaker 2: I was just holding on to yeah, yeah, in which
case I am going to try and protect him from
anything that might come his way. I'm going to again
holding onto my sword that still pinned into the ground,
almost as if it is creating some sort of tether
like connecting myself to him through this physical connection to
the ground. I'm going to cast my I'm going to
try and reach out to Rasroth in a way I
havn't done before. I want to take his essence and
bring it out in a way that forms almost a
shield over his physical form, so if anything were to
attack him, it would essentially have to get through that first.
It's not harming him, but it is using him, using
his rage, using his power to try and protect him
in this way.
Speaker 21: Okay, you roll for this, I shall.
Speaker 2: Thirty one success?
Speaker 1: All right? Would you like to describe exactly what we
see as this happens instead of just what it does?
Speaker 2: Sure, so on this success you see again this time
around the connection isn't visible, unless, of course, you could
see the way I see when it comes to magic.
But we're gonna say it's just like a spectator. So
it looks like I'm not doing much. I'm focusing on Rasroth.
But from within you see Rasroth's eyes. His energy always
described as this like red, correct ras Roth, So you
see his eyes shimmer red, and then all of a
sudden you see almost like a bubble emanating from his
core outwards, this glowing shield that is him. It's not
quite a silhouette. It's more rounded than that, but it's
now this protective barrier between well the outside and himself. Right,
thank you, brother, Oh, don't thank me yet.
Speaker 20: So Sirius and Oric have not gone yet. Okay, I'm waiting.
Speaker 1: I don't know why it says that instead of their name,
but I have tried. It says prosecutor, even though that's
not who they are. I don't know how to fix that,
but okay, who's next?
Speaker 9: I believe it's then?
Speaker 1: Yeah, okay, which one of you wants to go first?
Or do you want to use last.
Speaker 13: Point avoided here in narrated either. No, that's all right.
I delayed My Tin series also has been delayed due
to raz Is things. Sorry, I gotta throw the book
at you there.
Speaker 1: No, that's all right. They're last in the turn order, though,
because they chose not to do anything. So he'll go now.
It's the end of the turn, unless you want to
go first him.
Speaker 13: Now, I'll delay until next ten for you.
Speaker 1: Sure, very thankye.
Speaker 17: I think I arrive.
Speaker 26: Look that pool of blood next to urric I sort
of slowly look toward him, and then I pull nearby
on a tree branch, which is partickling the large chains above.
The chains are connected out the vortex across the four peaks.
The vortex is no chain or link, but a person
guide and chained and manacled.
Speaker 8: Different tears and smaller links grow to insurmountable massive links
that would wrap around a mountain, but the small ones
hook into manacles across the man's left leg, right leg,
left arm, and right arm as they sort of wriggle
and dance above this area. When different things happen, The
tickling of the bow branch across the chain moves the
man who is spread wide over the vortex of this
bastion basin. And I wish to utilize.
Speaker 1: Lares here, right, and what are you doing?
Speaker 8: I wish for Laes to do what Lars does best.
I am non er practitioner of Alusory magic, but Lars is.
I wish to put a vision into each one of
their heads, maybe as especially.
Speaker 17: I think that may slow them a moment.
Speaker 1: Okay, I'm across the tree branch. Yep, go ahead and
roll on your behalf.
Speaker 17: Thank you.
Speaker 1: I know you're not on there yet, Brad, I'm working
on it. Twenty five. What happens? What do they see?
Speaker 4: Is that good?
Speaker 2: That's good.
Speaker 1: Yes, yep, you succeed.
Speaker 12: Go for it.
Speaker 3: Aye.
Speaker 8: I see is that the bow start to move, the
chains above and wriggle, and you start to hear a
giggling from the man who has chained above the ground here,
and you'll start to see here various images of dread
start displaying in images of blood that arrive in this moment.
They may or may not be there, but for you,
they most definitely do. But what we see is up
to you. It is personalized for each of your dreads.
But I think that is slows you down as much
as you may.
Speaker 1: So what we'll do for that is we'll do a
minus ten shift for everyone for the next wonderful Yeah.
Speaker 14: Might I be able to use my turn in order
to fight the effects of that, absolutely, especially because you
do illusion magic.
Speaker 7: And airfour will be able to move normal. Yep, it'll cancel, Yeah,
it'll cancel out.
Speaker 1: So would you like me to roll for that? Yep,
go ahead and roll. It's either a mental defense or
some sort of illusion role. I'll go as illusion.
Speaker 14: Okay, is there any shift on it because I'm used
to this sort of magic, or just go with the
illusion and it's a zero shift.
Speaker 1: You sound unsure of yourself. Would you like to rephrase that.
Speaker 14: I am very, very familiar with illusion magic. I literally
have a second person inside me that I summon.
Speaker 1: Perfect, go for it, ninety three, what, honey?
Speaker 20: Three failure.
Speaker 1: Keep in mind that a failure doesn't necessarily mean that
you don't succeed at the thing that you're doing. It
just means something else that might be detrimental to you occurs.
So you could maybe succeed for you, but not for
your up her. You know you could. There's lots to
do here, so you're totally in charge.
Speaker 20: I wouldn't put that on her.
Speaker 17: I love it.
Speaker 14: Yeah, So what happens is all of this giggling and
all of this imagery is popping up, and I'm seeing
flashes of gallows and I'm seeing flashes of Titus turning
into that creature in front of me at the very
beginning of all of this, and.
Speaker 20: I fight it for a moment, but it doesn't work.
Speaker 17: I believe it's working.
Speaker 1: Does that work for you?
Speaker 2: Now?
Speaker 1: Bred you do have human error token? Can you move
that or no?
Speaker 16: No? Double click the token itself.
Speaker 1: I see perfect, Thank you, and now you can your yes.
Speaker 13: I delayed a little bit, and I'd love to react
to that now for yeah, I think I'd like to
make sure that my master to Vega here is able
to not have that negative.
Speaker 17: Thank you very much.
Speaker 1: Wow okay, yep, sounds good, Thank you, Thank you. Theese
used las.
Speaker 9: Oric.
Speaker 1: Are you moving? Are you going to do something this round?
Or do you want to wait till next round? I
cannot hear you if you are speaking.
Speaker 8: Where is this.
Speaker 15: Bubb Where is this bubble of blood.
Speaker 21: Under she's holding collected?
Speaker 1: Yep, it's in an orb that sheds.
Speaker 17: His blood is my blood?
Speaker 2: My blood is his blood.
Speaker 12: I would like to attempt to change this blood to
flesh and have arms reach out and crush the skull
that she hangs on her hip, since it just interfeed.
Speaker 1: Shall I roll for you or can you? Can you see?
Speaker 12: Transmutation is my specialty.
Speaker 1: It's true gunning for a ship. I am right.
Speaker 12: Well, you have been here practicing for thousands of years,
to remind you of thousands trapped by these people.
Speaker 1: Oh bro ninety nine failure doubles? What happens?
Speaker 15: Why what?
Speaker 16: M Yeah?
Speaker 7: If you don't me training in, may I step into this?
Speaker 3: Sure?
Speaker 12: Oh?
Speaker 2: Yes?
Speaker 1: Please?
Speaker 7: I will not let him get crushed, so simply absolutely not. Okay,
so he just lightly swings away from these hands.
Speaker 12: Blackbird.
Speaker 1: Yeah, I was just going to say, now you recognize
blackbird is in the picture. But also this was a
ninety nine failure doubles, So I don't think that it's
as simple as you just waving away the blood hands.
I think it.
Speaker 7: I make it such Asue, yes, please.
Speaker 12: Go ahead, two extra arms sprout from my body and
hit myself from the head very strongly.
Speaker 1: Yes, okay, that works, all right, you'll take damage. Whoops.
I also think, because that's in ninety nine, you're gonna
get knocked to the bottom of the next turn. You
don't get to go until the very last to the
next round, just because that's insane. Okay, who's next? It's
the top of the round, right, Well, in that case,
we're gonna switch. Meanwhile, back on the other side of
the portal, I believe it is Jude's turn. You're being choked, correct, Yes,
what do you do, my sweet.
Speaker 6: My blade is covered in his blood, so I would
like to pull the blood from his body and place
it into my blade.
Speaker 9: There's always something we can learn from each other.
Speaker 6: Always fifteen success, Okay, what happens as he's choking me? Now,
the question is is my blade still in you?
Speaker 4: I believe so.
Speaker 6: Yes, that's right. It just starts pulling and leeching.
Speaker 20: True.
Speaker 6: The blade starts to damascus steel red, shades of red,
and you start to feel dizzy and your strength is waning.
Speaker 4: Seems you have learned a lot.
Speaker 5: No matter. Given my friend's memory, I'll try something from
his past. I'm going to try to transmute eight spider
legs onto Jude's back and take her as far away
from her gun blade and myself as possible. Uh okay,
and I'll take a ten shift because I'm using a memory.
Speaker 1: Yep, go for it, dude, roll your dodge.
Speaker 6: Fifty seven.
Speaker 1: Partial success and tightest rolls of thirty? Where the fuck
were all of these? Are you?
Speaker 18: Like?
Speaker 1: Where were all these roles when you were on another team? Okay?
All right, Destiny, It's destiny man. Fuck all right? What happens?
Speaker 5: Eight groteste spider legs joked from Jude's spine and she
just scurries away about thirty to forty feet And I
looked down at this blade protruding from my chest, and
I look at her and say, your move.
Speaker 6: Are they still moving me the legs?
Speaker 1: No, they just move you back. Essentially, you have control.
Speaker 6: You have control over them, though I can't control them. Yeah,
I would like to the same way that you made
eight spider legs protrude from my back, I would like
to make eight blades protrude through you and into you.
Do I have a shift for using his tactics against him?
Speaker 1: Don't ask me, tell me.
Speaker 6: I'm taking a twenty shift for this. Okay, fourteen, you
can roll your dodge, Titus.
Speaker 1: It's just telling me how much damage you guys are
taking for these I'm assuming you guys are blocking each
thing against each other, right, so anytime you attack each
other's the opposite person, go ahead and roll your dodge
so I can mitigate damage. Okay, partial success, Okay, Jude,
what happens you still succeed.
Speaker 6: The blade that is already within him, I'm pulling from
it almost so, just like these eight spider legs came
out of my back, these blades are going through the
blade that is stuck in him, and eight come out
his back as well. Just bloods.
Speaker 2: Even my opponent. You told me that.
Speaker 4: Wasn't a bad mimic.
Speaker 5: I'm going to remove a gun blade using magic and
cast healing silk upon myself to try and mitigate some
of the damage done. I am going to take a
ten shift because my blood is still rather covered in
all this, and it shouldn't be hard for me to
use my spiders in blood magic to Yeah, go for it.
Speaker 1: Oh my god, you both have rolled thirty three doubles
this fucking fight? What the shit? All right? What happens?
I am so sorry, dude, but I think this is
a full heel.
Speaker 4: That's what I was gonna say. Yep, with magic. I
just expand my hands.
Speaker 5: All the blades come out from my back, the gun
blade rising next to it, and they are levitating above
my head.
Speaker 6: Is that the end of your turn?
Speaker 4: Correct?
Speaker 6: I would like to summon the blades to me so
that he cannot use them.
Speaker 1: Damn fuck. Okay, this is so good, dude. Everything we
have done led to this moment.
Speaker 16: Okay.
Speaker 6: The problem is I use the words summon. Yeah he did, Well,
that's what I do. Sixty nine failure.
Speaker 17: Nice?
Speaker 1: Hey, you can have a ten shift for your next
turn because you caught that and pose to take the
lower rule. Okay, what happens? What do we see though.
Speaker 6: I put my hand out to summon those swords to
me to recall them, and it's just I just don't
know really how to do summoning.
Speaker 1: And I wasn't.
Speaker 6: I went in with the confidence that I have in alchemy.
I wasn't thinking of the river. I wasn't thinking of
how to do it properly. Okay, yeah, it's not already.
Speaker 1: Something you learn.
Speaker 9: You just kind of have to feel it.
Speaker 2: The river.
Speaker 1: Okay.
Speaker 5: I conjure up a bit of my own blood and
I cover it with your gun blade, Jude, and I
send these blades right at you.
Speaker 1: You will also use your mainstat because you use the
word conjure. Oh, conjuration please if you have it, and
if you don't, it's just a standard role, just like
you did a dine roll.
Speaker 9: She can dotch anything.
Speaker 4: It's gonna work, don't.
Speaker 1: You fucking dare? Oh oh ninety one? What happens?
Speaker 4: I completely miss.
Speaker 5: All of these blades fall around Jude's feet, and the
gun blade is within her reach.
Speaker 4: They weren't my blades. It's going to be a new drill.
Speaker 8: You just know it.
Speaker 4: Thank you, You're welcome.
Speaker 6: I slammed my hands on the ground and I melt
these blades back into my gun blade. I create one
gun blade again, and I would like to use that
gun blade to cut these spider legs off of my
black Fuck you.
Speaker 1: Knew you were going to do that.
Speaker 6: Yeah, go for it, and this is alchemy.
Speaker 1: Yep. Oh, did you do your shift?
Speaker 18: You didn't?
Speaker 6: No, I did not. I didn't.
Speaker 13: I didn't.
Speaker 6: You're telling yourself you're tired, but it's only your head.
Speaker 18: You're not.
Speaker 15: You can do this.
Speaker 6: Seventy nine. What happens, Well, that's almost the same role. Yeah,
holy shit, I can't reach the ground. I'm being held
up by these giant spider legs. So I think, uh,
I don't know, man, I have a thought.
Speaker 1: Yes, yeah, you succeed, but it's immense amounts of pain
because this is you thought they were spider legs, but
it's actually your body or maybes yeah they're you. Yeah.
So you can get these spider legs off of you,
but you're gonna take some damage or you can just
not succeed. It's up to you. It's my offer to you.
Speaker 6: No, yep, I take the damage.
Speaker 1: Okay, okay, a.
Speaker 2: Push to the pain.
Speaker 5: I for a moment, look like I'm about to vomit,
and as I watched you'd ride in pain. I launch
a giant spiderweb at her from my mouth, as Titus
has done a couple of times, with a.
Speaker 1: Okay, oh it's the six.
Speaker 6: Do you want to dodge, I would try to dodge. Yeah,
Oh my god, failure.
Speaker 1: What happened?
Speaker 5: She is engulfed in webs. You can see the spider
legs that are now twitching, writhing on the ground. Try
to slowly crawl towards the sarcophagus that I've made of Jude.
Speaker 1: I think you lose the turn, Jude. Yep, I just
go again. Oh we see Johnny like, I don't want
to do this. I don't want to kill Jude.
Speaker 8: I have to.
Speaker 16: I've had I've.
Speaker 1: Believe me. I am outside of my body right now,
as the potential for all of you to die is
just hanging over my head. Great.
Speaker 9: Oh come on, Jude, get up, Get up, Come on.
Speaker 4: I use the memory of where Tit has tried to
do this in the wood.
Speaker 2: Yeah, you've got this, true, instructor.
Speaker 5: I transmute my blood into fire. Yeah, and I toss
a fireball at Jude's sarcophagus.
Speaker 1: Get up to light the web on fire.
Speaker 6: Can I argue something?
Speaker 1: Yeap? Please don't say ken, just say or argue. I
hear them, Jude, I hear them, Okay, and what does
that do for you?
Speaker 6: I want to use unwavering loyalty to dodge. I want
to get out of this web. I'm using the power
that I have with them, this triple connection that we've
always had.
Speaker 1: I'm pulling it so for instead of your dodge, you
can roll your unwavering loyalty.
Speaker 11: Yep.
Speaker 5: Yes, I'm unfortunately going to take a ten shift because
I'm using a memory of a failed attempt from Titus.
Speaker 25: Yep.
Speaker 6: What a time to be rolling so poorly.
Speaker 1: Yep, Jude, what happens?
Speaker 5: I draw back my hands. My blood forms into an
orb and then lights a flame, and I throw it
full tilt right at Jude's webbed body.
Speaker 1: Okay, you have to feel it.
Speaker 13: React.
Speaker 1: Titus gets another turn.
Speaker 17: Yep, you'd be your right hand, Titus.
Speaker 4: Good.
Speaker 5: I am going to try and duplicate myself as I
hear my master's voice in my ear, and if I fail,
I would like to skip a turn.
Speaker 1: It's gonna be more than that, because duplicating yourself is
crazy difficult, and it doesn't matter. Yeah, okay, all right,
so you're gonna have a minus twenty shift to this.
Go ahead, what happens, You're gonna lose a turn? But
what do we see?
Speaker 5: I start to convulse, wild, bloody tentacles start to spew
from my neck and from my back, and I'm just
writhing there.
Speaker 4: It wasn't the best idea. Maybe I should have learned,
but no matter.
Speaker 1: This also gives Jude an opportunity to break out of
the web. Jude, what do we see as you're breaking
out of this web?
Speaker 6: I am burning? Yeah, I'm getting burned, and I'm trying
to get out this web? And I remember something that
happened when we first started our journey early on. I
cut my hand to make something happen, and I remember
thinking that pain could be used to make me better.
Speaker 2: What did you do to your hand?
Speaker 1: Yeah, all the way from the first episode. So are
you using that now?
Speaker 2: I am?
Speaker 1: Okay? And what are you doing?
Speaker 6: I want to tear him apart?
Speaker 15: Okay?
Speaker 6: How I'm going to turn his blood to sulfur in
his veins. I'm going to burn him until his skin rots,
falls off, his bones, desiccate, dry up dust. He will
be no more, okay, and I'm taking a shift.
Speaker 4: Yep, what happens?
Speaker 6: I don't know if I can tell the difference. I'm
in so much pain. I'm burning. I am like on fire.
I think parts of me are on fire.
Speaker 2: Do you have to look after yourself for once?
Speaker 20: Come on, Love, big is waiting.
Speaker 1: I can't remember that.
Speaker 19: I have.
Speaker 6: Debts to pay, and this is one of them. There
is one I've been holding on to a long for
a long time, and I'm feeling like it's catching up.
But I am going to delay this debt a little
further until he's gone, until this fight is over, and
then I will burn.
Speaker 16: Yo.
Speaker 1: That's how we do it. Okay, go ahead and roll
for me.
Speaker 6: Jude, what am I rolling?
Speaker 1: You're gonna roll your alchemy? You can have a twenty
shift and Vega. I need you to roll for me
as well.
Speaker 9: Thirty eight success okay, also alchemy or can I do
masial magic?
Speaker 1: You do whatever you want to roll.
Speaker 9: I'm giving a twenty shift because it's Jude. It's Jude
twenty nine success.
Speaker 1: You're not gonna take this day image, Jude. You're gonna
take it at the end of the fight. That magic done.
Speaker 6: Okay, I'm on fire, but you don't feel like Yes,
tide us her up.
Speaker 5: Well, I've learned a lot about this world. Jude picked
up a few tricks along the way. I'm going to
use my current ability to transmit the water into oil.
Speaker 1: Oh okay, go ahead and roll.
Speaker 4: Luckily, the statu is a lot lower.
Speaker 1: God, what the fuck? Okay? What happens? What do we see?
Speaker 5: You see the bay next to us turn from a
nice translucent blue to a dark, grotesque brown. And that
is my turn for now.
Speaker 2: No matter what you'd.
Speaker 6: Everything that I have been learning has been about place
and time. I want to make his cells reverse time.
I want to make him an infant all intents and
purposes to exist.
Speaker 1: Yes, okay, all right, yes I do yeah, go ahead
and roll.
Speaker 13: Three.
Speaker 1: What happens?
Speaker 6: I look at him through this flame that is burning
my flesh, and I see Titus, even though he's not Titus.
And I imagine what Titus was like when he was young.
I imagine what Titus was like when he was a baby,
when he was given life. And this thing was given
life too, And it means to use Titus's memories to
have a life of its own. Let it learn what
it is to be Titus, and I make him age backwards.
Speaker 1: Okay, roll a one D four Titus. Well, Hi, okay, wonderful. Meanwhile,
pop of the round.
Speaker 9: I first want to get a feeling for what this
this blood or I have. I wanted to see if
I recognize his blood. I want to know if it's
familiar to me.
Speaker 1: I will. Oh, that's a good question, go ahead and roll.
Thank you? Uh one critical.
Speaker 23: Shama gonna give that in an attack roll.
Speaker 1: Vega, you just said something that really intrigued me. You said,
I'm taking Jude's roles? Do you want to give this
role to Jude?
Speaker 9: Absolutely?
Speaker 1: Jude, Do you want to roll for me and see
what you're swapping with? Vega? Right now? Sure?
Speaker 8: Thing?
Speaker 6: When am I rolling?
Speaker 8: Uh?
Speaker 1: Your magic? Whatever you would have done for your next thing.
You're you, guys are just going to swap roles here.
You're going to bank this critical success. You can use
it on whatever you want. Jude at Magic in full swing.
Speaker 6: God damn, did she get a shift for that?
Speaker 8: No?
Speaker 1: Huh no, No, you're just going to roll.
Speaker 2: No shift.
Speaker 1: Ooh, It's still.
Speaker 21: An amazing role, all right.
Speaker 1: So you were rolling to see if you recognized which
blood the blood and the blood orb Yeah, and.
Speaker 9: If it's still pulling up despite the fact that you've
taken it and it's still coming, I want to know
what the sources whereas it's not coming from.
Speaker 1: Yeah, the blood is coming from the person that is
slung from chains above you, even though it doesn't it's
not like dripping traditionally down. It's seeping up from the ground.
But it is definitely that is the source.
Speaker 9: And do I recognize that person as I look up.
Speaker 1: I'm going to leave that narratively up to you. It
is Laz So. I don't know if you've ever met
this person before, but I think actually I will answer
you because it's still a seven. You do recognize them,
but you haven't met them yet.
Speaker 18: Okay, mm hmmm.
Speaker 1: They will, let some point serve you.
Speaker 9: I turned my attention back down to the two in
front of me, and I'd like to I'm trying to
remember some of the debts I incurred if I paid
any of them back. I'd like to obscure their vision
with a whirlwind of it's sand and dust collecting around us.
I'd like to try and dull their senses somewhat.
Speaker 1: All right, one roll? Oh no, wait you yes, that
was like a role for knowledge. You're not going to
make your turn? Yeah, go for it our shots of success.
What happens?
Speaker 9: I all of this dust begins collecting from around us,
around these trees, around these rocks, and they it swells
the forms of very thick dust that starts surrounding both
of them. But I've spread it too thin. I haven't
got enough dust, and it's instead of obscuring all of
the senses, it's only doing a poultry job at.
Speaker 1: It, right, Okay, if I may ye.
Speaker 14: Seeing her do that and seeing that it's only somewhat effective,
I'd like to go ahead and try and utilize the uh,
the wind from my blades, you know, turning them as
I do whenever I try to utilize it for you know,
coding them with my magical properties in order to apply
more damage what not.
Speaker 20: But I'd like to kick up some more wind with
her in order to try and help this actually succeed.
Speaker 1: So that would give her a shift and make it succeed, right,
because it lowers the target by ten She rolled a
fifty three? Is that correct? Rackrec's my hero?
Speaker 19: Yes, yeah, under a sixty two.
Speaker 1: Right, which would make it a success. Okay, So what
do we see for you to basically step in and
suddenly turn her failure into a success.
Speaker 14: Well, I would see her trying to have all of
that dust and wind accumulate near them, and see that
it's falling slightly short. And we've had this thing where
we've kind of picked up where each other's lacked multiple
times now. So I would step in and I would
start to kind of generate magically that wind from my blades,
and it would kind of I'm taking I'm taking both
of my blades, and I'm spinning them very very very
very quickly, and it keeps going faster and faster and faster.
And then the wind starts to kick up more and
more and more, and that dust that she brought into
the arena and made starts to code them, starts to assault.
Speaker 9: Them a little bit more. I redirect the dust towards
the blades to help her a miss.
Speaker 1: Holy shit, you guys are so good together. Okay, So
are you giving these your enemies a shift visually right?
Because they can't.
Speaker 9: I'd like to, Yeah, I'd like to give them a
minus ten. At least they are the sense of adult,
the smell they'ld smell as dust. Isn't their eyes, it's
the Russian path that is.
Speaker 1: Okay, we're gonna do Yeah, we're gonna do a minus
ten shift for those roles. Don't let me forget because
I'm technically rolling for them and I'm doing a million
things at once. So I promise I won't do it
on purpose. I would you, Okay, thank you, Okay, Okay,
who's next?
Speaker 13: I believe it's it's me.
Speaker 17: It's time.
Speaker 1: Right, You're not on the turno, but I will you.
Speaker 13: Oh that's fine. I just I figured i'd share it
with Vega.
Speaker 1: Oh perfect. That makes my life so much easier. Thank you, Dan,
go for it.
Speaker 13: Yep, no problem.
Speaker 16: Yeah.
Speaker 13: So there was a couple of things I heard that
were very interesting. Namely, this, this fellow dripping up above
is potentially a not quite yet met apprentice of some kind,
and I'm kind of the current one in this little
instance here, So I might I might be able to
draw on power that's not mine, namely Vegas, and drawn
this little guy's power with a new orb as I
already have two, and I think a third one would
be an excellent little addition. Okay, So I'd like to
take that orb into me.
Speaker 1: All right, I would allow it, so I had and
a roll.
Speaker 13: So my sheet is from when I was a fleshy
boy with some baby magic. Would be fair.
Speaker 1: Let's have Fag a role for you.
Speaker 9: I love that.
Speaker 17: That would be great.
Speaker 9: I think you'd get a Tannis hush because Superger's helping you. Yep,
and it's the orbits she's allowing it.
Speaker 1: Funny three success, all right, what do we see?
Speaker 13: My jaw dislocates as I detach myself from her belt
and begin to float next to her, and I quite
literally eat this orb. It begins to swap with my
other two orbs and eyes. So there are now three
cycling through.
Speaker 1: Okay, and what will this do?
Speaker 13: Well? If they try to use this boyo up here,
I'm interfering with that now directly, as he is now
effectively me at this moment, taking his power to myself.
Speaker 1: All right, who's next?
Speaker 2: It is me, but I'm holding my turn reactively.
Speaker 1: Okay, it's me next.
Speaker 25: Seeing a roof air attack with that gun blade, I
think it reminds me that I have mine, and I'm
going to toss my halberd a bit further back behind
me and pull out my gun blade, and I'm going
to fire at series and I'm going to take a
ten shift because over the past I want to say days,
but time has been confusing across different worlds.
Speaker 19: But I've been collecting, remembering, seeing.
Speaker 25: The memories of this other rats Roth, and this other
rats Roth was proficient with range weapons, so I'm going
to pull on that to bosom my attack and prowess
as well. Okay, and I am going to take another
ten shift and have this very plain aid my bullets
this mine.
Speaker 1: Yes, absolutely six sixteen success.
Speaker 25: As I fire directly into the same leg that I
struggled earlier.
Speaker 1: Of Can you do me a favorite ras and roll
a one D four? Okay, four, you get to change
the environment for this next round.
Speaker 2: I would like to react after the shot. I would
like to empower the shot if possible.
Speaker 1: To do extra damage.
Speaker 13: Yes, Oh sorry, I didn't.
Speaker 1: I just got so excited. I mean you speak over,
you go ahead and roll okay.
Speaker 2: As I have previously bolstered Razaroth before using the power
of his own soul and will to fight, I'm going
to give myself a ten shift for this and it's
the forty four doubles As he shoots into the leg
of this creature. And as it does, you notice that
if you were to slow down time for a moment,
so it's almost like a bullet time effect, you will
see that the bullet itself also is encased in this
red miasma of Razros's rage and his will to fight.
And as it strikes, it's like a high explosive round,
but magical as it tears everything around it into a
void and rips out the other side.
Speaker 1: This is double damage series.
Speaker 2: This is uh, you could take his leg off, I
don't know, or may people have to go into the
other leg two series?
Speaker 1: Are we removing your leg?
Speaker 17: Yeah?
Speaker 15: Okay, it's dangling. I'll just rip it off for it.
Speaker 17: I don't need it.
Speaker 1: This is the most pain you've been in in centuries.
You're a feeling it. Okay, maybe maybe it's not the
most pain you've been in in centuries. I don't know,
but I'm trying to communicate that your hit points are dwindling.
All right, who's that you said?
Speaker 19: I can manipulate the vire.
Speaker 1: Yes, you can change the environment. Yes right now? Because yeah,
your turn. I'm going to have you roll a one
D four and depending on what you roll, you get
to do something in the environment. Is your layer action?
Speaker 19: Yeah, as.
Speaker 25: I say you, alright, you have been trapped here for
thousands of years, and this is my prison I built
for you.
Speaker 19: And I'm going to try and.
Speaker 25: In gulf the other one not series I drag cannot
remember the character's name, but I'm.
Speaker 1: Going to Eric, the one who's fighting you right now. Yeah, okay, yep, yes.
Speaker 25: I'm going to engulf Oric in just the trees and
the earth and the mud around us, and I want
to move Oric as far away as possible, so it's
us against.
Speaker 19: One at least for now.
Speaker 11: Okay, So.
Speaker 1: Yeah, Orc does have your leg. So here's what I
can do, because you're changing the environment. Basically, I'm allowing
you to change the environment so that everybody around you
can utilize it for the next round. I don't think
you can technically attack and or in case Oric unless
he gets to dodge a chance to dodge. If you'll
allow that, then I will allow you to try to
encase him.
Speaker 16: Yeah, okay, so.
Speaker 1: I'm gonna roll your dodge or they.
Speaker 19: Have a minus ten.
Speaker 1: Yes, that is true.
Speaker 12: I would like to transmutation, not dodge, but turn myself
so solidly just all shatters against me.
Speaker 1: Yeah, okay, go ahead and roll your transmutation or do
you want me to roll for you?
Speaker 15: I don't know if you have ever don't have the ability.
Speaker 1: To ut it. I'm on top of it.
Speaker 2: That's a checked.
Speaker 1: That should be a minus ten shift, but I believe
it's still a success. Is that correct? Yeah?
Speaker 20: Yeah, it would be.
Speaker 1: So it shatters up against him, But you do successfully
changed the environment, so anybody who utilizes the new environment
can have a plus ten shift to whatever you're trying
to do this next round. Okay, there you go, you're up?
Wait you already went? Am I not doing the turner properly?
It should be aera FIA now sorry, okay, thank you?
Or if you're you're up.
Speaker 16: Okay, So the environment is now.
Speaker 19: Okay, wards more twisted words. I guess it'd probably be.
Speaker 25: More dense now because of the trees and woodlands, and
the ground would have moved to in case or rick,
so it would be dense with.
Speaker 16: Some run series is got one leg?
Speaker 8: Yes?
Speaker 2: Uh cool?
Speaker 16: That means he doesn't. That means I can catch up
to him. I'm chasing him. A slide underneath a vine
and a piece of log that expands outwards during this spell,
and I as I turn, I bring the gun blade
around just it's really heavy, so I'm just using my
own body weight to just swing it into.
Speaker 4: The direction I needed to go.
Speaker 2: And hoping.
Speaker 7: That I.
Speaker 11: You'd kill him. I don't know if that counts me using.
Speaker 1: The environment, but yeah, I think it does.
Speaker 2: Okay than case.
Speaker 16: Nineteen.
Speaker 1: Holy shit close? But no, cigar, I mean you succeed.
What do we see? But he's not dead? Is what
I meant to say.
Speaker 16: You sure he's not dead? Because as this thing, as
I swing it round and it connects with him, I
would like to pull the trigger on the gun blade.
Speaker 1: Okay and shoot him. Well ahead and do another partially
all one. I want to give you bonuses for just
pulling at our one. Motherfucker. Yeah, it's partial, so he's
not he doesn't diege that, but he's doing a lot
of He's been dealt a lot of damage. What do
we see, actually, serese, I'm trying.
Speaker 8: To hop away, I think, and as I am as
a trail of blood and slides it's taking men.
Speaker 17: And am I dead?
Speaker 1: Yeah?
Speaker 8: A chunk of blood splatches as a shoulder. God is
now partially missing from about to strike and bullet.
Speaker 1: Yeah, okay, I believe it is your turn series and response.
I will.
Speaker 8: First first time going to use I'm going to summon
res leg in place of my own and begin to
mm hm try and can't step back and kick you'll
feel away?
Speaker 1: Yeah, okay, go ahead and roll for it or no,
I'm rolling for you and I'm sorry. I'm sorry, I'm
doing it right now.
Speaker 2: Negative son shift?
Speaker 15: Sorry, what really affect him?
Speaker 2: Negative ten shift? Okay, fair enough, now it's not it's
a movement. Yes, thank you us.
Speaker 12: We can feel him since he imprisoned.
Speaker 15: Does with know where he is.
Speaker 2: It wouldn't have mattered?
Speaker 17: Yeah?
Speaker 26: Six?
Speaker 1: Does this mean Rass loses leg like you've just taken
his leg off?
Speaker 8: I wish I just tear it and sure, and we
sort of trade wounds as I see the tearing of
where the viscera was for my leg has been traded
with his as I look down and I have one
boot that is his and mine is somewhere in our hands.
And and Raz now struggles with the pain that I
had as I am now just nursing the shoulders wound.
Speaker 1: Instead, Rass, do you want to roll your dodge please?
I'm now now we're mitigating damage because people are getting
really fucked up.
Speaker 19: Yep, I'll plus ten thanks to.
Speaker 1: Le Yeah are you.
Speaker 19: Yes?
Speaker 2: They gave me a show?
Speaker 1: No, I mean is that all?
Speaker 19: Oh no, No, there's definitely more they are.
Speaker 25: They're casting these spells within at the end of the day,
my domain that these have to go through a medium
I created.
Speaker 16: Yes, so I'm going to.
Speaker 25: Say that it's weaker because of it. It's going against
the flow of my river. Okay, so that's another ten Okay, yeah,
I think Yeah, twenty shift twelve six.
Speaker 1: Okay, which is double. So she was his role, so
doubles right, right, Okay, what happens? Who's next? He's just
mitigating his damage? Yes, yes, lads, series, you have one
more moment?
Speaker 7: Yes, another moon?
Speaker 17: I do I notice? Is it noticeably less pain.
Speaker 2: Than I was in?
Speaker 1: Yes? Absolutely, it's interesting. Also, I believe who here has
taken damage? Who here has been cut? Yeah? Okay, all right,
all right, series, go ahead, I have another action? You
do I didn't like to?
Speaker 17: I would like to?
Speaker 8: Yeah? May I transfer my pain and my missing chunk
of shoulder onto you're a fear in front of me?
Speaker 1: Yeah?
Speaker 17: As I hold my hand upon the missing.
Speaker 8: Chunk of shoulder and I squeeze, and as I do,
I try to fuse the the skin back together, and
I throw it towards You're a fear and hoping I
am able to trade my wounds.
Speaker 1: With his head train my wounds. Okay, all right, go ahead,
roll and then your fear roll to dodge.
Speaker 17: Hey, this is your rong.
Speaker 1: Oh right, sorry, I'm so sorry, Thank you series.
Speaker 27: Thank you, Holy shit sixty five and a sixty four.
Speaker 1: Okay, why don't you go ahead and describe what happens
your fear. This hurts. You're basically going to get a
shoulder wound and you know, double over bleed on the floor.
It's not going to kill you, but it's pretty painful.
Speaker 8: As I threw my hand at you, your shoulder explodes
in the same sort of mirror that happened upon me,
and mister viscera flies off of your shoulder as I
did the second towards you.
Speaker 1: Okay, thank you a question, Yes, Uric, it's also your turn.
Speaker 12: Yes, well, it's what the skull did earlier, swallowing the
orb from las. Yes, a completely unstable, gone insane from
entropy illusionist mage.
Speaker 15: Does it have any effect on the skull.
Speaker 1: It absolutely does. Would you like to roll to take
over the narrative and determine the effect it has? Or
do you want to it up to me? Yeah? I
figured all right, go ahead, Oh right, I'm rolling for you. Yes, okay,
I'm on top of it. I got it.
Speaker 9: Still a mint to what? Still a minus ton shift?
Speaker 1: Hope? Yeah?
Speaker 20: Well this is thirty eight.
Speaker 1: You succeed. What happens, Rick?
Speaker 12: Well, now this skull is a it's just a source
of insane illusionary magic pulsing out another wave of hallucinations
of nightmaires screams from Titus that way you heard for
months as we turned him into a hormunculus.
Speaker 15: Next to her face.
Speaker 1: Okay, you still have another turn, you guys, get there
and get no.
Speaker 13: Chance to dodge anyway.
Speaker 15: You wait him.
Speaker 13: Adisk I don't think so for this right?
Speaker 1: We could try? Oh she did strength of mind? Okay, yeah,
because it wasn't doing damage. That's the only reason why
I didn't allow her to mitigate the damage. That's all right, Oric,
What else would you like to do.
Speaker 15: With my now four arms sprouting from my body?
Speaker 12: Like to slam all four of them into the ground,
creating a spike coming up, aiming to cut, not to kill,
but just to cut the others who have not been
bled stone just piercing razor shop through their flesh.
Speaker 15: Okay, you can fransmutation.
Speaker 1: Yep, Roller one D four however, or.
Speaker 28: Cannot see right is putting his glasses on.
Speaker 4: It always takes so long.
Speaker 1: Today you get to attack one of the players, not
all of them, unless you roll like a fucking one
or a critical or doubles or something like that. So
you either roll a ONEDY four or choose which one
you want to cut for me, um.
Speaker 15: Lear Okay.
Speaker 2: You mean the player, not the character.
Speaker 1: Yes, twenty seven lear, you get cut. What happens? What
does it look like?
Speaker 12: Oric outstanding just to the just the side of where
he stands, Rocks starts to shake and not just a
protrude at lightning speed and just puncture him through his side,
wounding him and spilling blood on the ground. Spike itself
more pale, and it snaps inside him.
Speaker 1: You can get to do? Yeah, go ahead and mitigate
your damage. Go ahead and roll your dodge. I'm sorry,
I'm refreshing your camera right now.
Speaker 2: That's all right. What would you do with this point?
I suppose sixty.
Speaker 1: That doesn't break everything. Uh okay, success, Okay, you still bleed,
but you're gonna take far less damage. Okay, who has
not gone this round? I think it's Vegas? What or sorry?
U astraa?
Speaker 15: Yes? Well I do you have one question?
Speaker 23: Yep?
Speaker 12: Was the was the turn for the skull and lads?
Speaker 15: Was that Las?
Speaker 29: Or was that leave?
Speaker 1: That was Las? And I also forgot? You still have
another You still have another action? Right? Mm hmm, yep,
go ahead. What would you like to do?
Speaker 12: It's holding a pair of lords dagger as she.
Speaker 1: Is one second?
Speaker 9: Mm hmmm, Tim, what did you put your gun?
Speaker 2: Wait?
Speaker 13: Wait, you had it. It should be in your host
today on your belt you used to just moments ago?
Speaker 1: Nothing nothing, Okay.
Speaker 12: I bow on my feet to punching myself in the
face embarrassingly and painfully. I wanted to summon speed, but
I saved from walking slowly for a year.
Speaker 1: Dude, that's sick. I'm sorry.
Speaker 30: Okay, yeah, yeah, yeah, yeahah, go ahead, and then just
dash towards Australia, ripping at her skin with my bizarre
claw talon fingers.
Speaker 1: Okay, I'm gonna go ahead and roll for you. Australa
go ahead and roll your dodge. Oh no, I got.
Speaker 3: Holy shit.
Speaker 1: So for those listening, Oric rolled forty four doubles and
Estraia rolled a one, I think holy shit. So technically
I think is this not a tie sort of because
thirty three is the one that trump still? Ye, go ahead,
what's your idea?
Speaker 15: As I was blazing.
Speaker 12: Speed, I dashed told her, but reflexively, she brings up
her daggers and meets my claws and we just freeze
there with a deafening clang, frozen staring at each other.
Speaker 15: Yeah.
Speaker 1: Yeah, they kind of like negate each other because thirty
three would typically beat a critical one success, but this
is a forty four, so I think they're about the same.
So if you guys are okay with it, you're going
to cancel each other out. Fucking what holy shit?
Speaker 14: Okay, I'm getting real fucking tired of you weaponizing my
grief against me, and it's my turn.
Speaker 1: Yeah, go for it.
Speaker 14: So I'm going to go ahead and call forth my
double and we're going to go ahead and try to
make a vicious attack for this fucker in front of me.
Speaker 1: Yeah, go for it.
Speaker 20: Would I have any sort of a shift to the
critical or yes, would we leave that?
Speaker 16: Okay?
Speaker 15: I also have three other hands to defend myself.
Speaker 1: I gave you a twenty four success okay, so you
succeed and I succeeded on your dodge, so you're just
gonna take far less damage. Oric, But what do we
see she still does damage to you.
Speaker 20: I'm standing.
Speaker 14: Okay, well, I'm standing there holding my blades cross because
I'm fighting you off, and my double comes up from
behind and just fucking lunges for one of your arms.
Speaker 1: God, okay, it takes off one of your head.
Speaker 20: You deserve a little bit of that.
Speaker 15: Starting to like.
Speaker 1: Okay, I believe that's it right, that's everybody doing a
full round.
Speaker 12: Cool.
Speaker 2: Yes.
Speaker 31: Meanwhile, come come on, come on, come on, come on?
Speaker 19: Was that.
Speaker 1: Stay man? You're muted?
Speaker 7: I can't.
Speaker 1: Yeah, I can't. Sorry, you're not you can't remember.
Speaker 8: I can.
Speaker 6: I was making you a baby. It's your turn.
Speaker 1: All that honor.
Speaker 4: I'm going to roll and then tell you what I do.
Speaker 21: Oly shit, Okay, I'll take no shift.
Speaker 1: Eighty six failure.
Speaker 4: It's a baby magic. I'm just not feeling as powerful
as I was.
Speaker 1: What do we see you start to do? Though?
Speaker 4: I try to reach out for Jude and try to
pull her to me, but she doesn't move a muscle.
Speaker 1: Okay, Jude, you're up.
Speaker 6: I want my sword back.
Speaker 1: Okay, you have a critical one from Vega that you
can use now, or you can bank.
Speaker 6: I'm banking it, Pete, if you want to come and
get it. I reach my hand way.
Speaker 1: Hold on? Is this blackbird I'm hearing?
Speaker 4: Jude?
Speaker 12: Thank you.
Speaker 2: I need you to.
Speaker 7: Understand something that you're missing. Fire is the heart of alchemy.
Pull it into yourself.
Speaker 6: Yes, I pull the fire into myself.
Speaker 1: Okay, I've chills. Go ahead and roll.
Speaker 29: Oh my god, No again again, try again, and more time.
Speaker 6: You forgot this fifty eight success.
Speaker 1: Don't forget your shifts. Don't forget the river literally using
pre defined stuff.
Speaker 13: Okay, Jude, Sorry, I'm going to step in here quick
again as a rules a lawyer, as I've established myself.
Didn't you have a critical success?
Speaker 16: She was treating to her.
Speaker 1: She's choosing to bank. I asked her the first thing,
if she wanted to use her bank. It's all right,
Please please lawyer me, because Jude, you're not doing so
great and I really don't want to kill my best
friend's character the first time she's on my show. So yeah,
please fucking rule lawyer? All right?
Speaker 6: Can I do a third role for this? So the
way that I was thinking is Blackbird told me to
do it, so I did it. I failed miserably. So
I'm imagining that I'm causing myself pain again. I'm starting
to feel the fire again. And then I hear their
voices saying try again. And I heard Vega and I
heard Lear. I rolled once to respond to Vega. Could
I roll again to respond to Leir? I want to
try this three times.
Speaker 1: Rule of threes. I will allow it. However, you did succeed.
Are you gunning for like a critical right now? Your
second role succeeded? I know, I just I'll allow it.
I trust you you're doing something.
Speaker 6: It's yeah, it's not right.
Speaker 1: To not listen to all of them.
Speaker 6: And do I have a shift on this one?
Speaker 1: Don't ask me or I won't give it to you.
Holyot it twenty two doubles? Okay, I cannot believe that.
All right, go for it. What happens?
Speaker 6: I pull the fire into me, And like Blackbirds said,
fire is alchemy, and alchemy is life. Everything that you
see around you is chemistry. Everything that you see that
ever existed or ever will exist, is alchemical. I heal
myself using the fire. Okay, Rebond, I heal myself using
the fire and using that power, I raise my hand
and I pull my sword towards me, and I am
pulling the gun blades as well. I'm pulling the gun
blade and the blades that were broke broken beside me,
and I want to melt it all back into my
blade or I sais mine?
Speaker 1: How does your.
Speaker 4: Juter? You still a little flame?
Speaker 6: Mmm? I'm glowing from within?
Speaker 1: She consumes, Yeah, physically.
Speaker 4: No, that's what I thought. Gotcha. Then I'm gonna roll observe,
but not as my action, just to dictate what I do. Okay,
I don't see it, but it is doubles.
Speaker 1: What do you think happened?
Speaker 32: Oh?
Speaker 4: I know what happens?
Speaker 1: Okay, all right.
Speaker 5: I cast a protective bubble around myself, similar to what
I've seen Arrow do in the past, slowing time around me.
Speaker 4: And preparation for my next move.
Speaker 1: But it's failure doubles.
Speaker 15: So what happened?
Speaker 4: I was rolling the observed to ok.
Speaker 1: Yeah, yeah, yeah, yeah, Okay, what were you trying to observe.
Speaker 4: I was trying to see if if if she healed
or not.
Speaker 1: Yeah, okay, I just no idea, yeah, yea, yeah yeah
yeah magic, I go cool. You know, yep, makes total sense. Okay,
what do we see?
Speaker 5: I extend my palm to the ground and try to
summon a swarm of spiders to make this protective barrier,
but numb come to my aid. You also would see
me shrink down just a little bit slower as Jude's
Benjamin Button baby magic Yeah takes its toll further on me.
Speaker 1: When I had you roll the one D four, it
was to see how many rounds you could last before
this Benjamin Button bullshit really comes to a head. So
you've got one more round. He rolled the one. Sorry, sweet, yep,
try to reverse it or do something before the next
round is over. All right, Jude, you're up.
Speaker 6: I begin walking towards him, and I'm holding my sword.
Speaker 1: And I know that this is not.
Speaker 6: I don't have anything waiting for me on the other
side of this other than pain. I know that that
debt is coming for me. I can't let him get
to them, and I don't want to do this the
way that I've done this fight so far. I I'm
judeven Blake Guard. I fight with honor, and I take
steps forward and I'm going to use this one, God,
this critical one, and I'm going to kill him. I'm
going to run him through with my blade and in
a swift movement, I'm going to decapitate him. And I'm
not doing it with magic. I'm killing him the way
that I always It's with honor. There's no joy hie
hm hm uh. Collapsed to my knees.
Speaker 18: M hm.
Speaker 6: And as I wait for all of the debt to
catch up, the fire, the pain, I just look up
at this guy and I think of them.
Speaker 9: She's always been the strungest.
Speaker 2: She did it again. That's my trul instructor.
Speaker 9: And you do it again and again and again again.
Speaker 2: Forever.
Speaker 6: They'll find me again and hopefully.
Speaker 1: I did my duty. What do we see? Thank you?
Speaker 4: Right now?
Speaker 1: Jude?
Speaker 6: We see Jude on. I'm on my knees and I'm
looking at the sky and the flames that I had
just pulled into my heart begin to erupt from them
and in case my body and in a bright white
hot light, I disaagrate.
Speaker 1: All the way back in episode eight or nine, Jude
asked me for help. She said, I'd like to survive
this killing blow using debt magic, and she's choosing to
pay it back.
Speaker 8: Now.
Speaker 21: Meanwhile, m h, who's up narrator?
Speaker 2: Before we start? May I roll? And what would I
even roll? May I roll?
Speaker 16: Jude?
Speaker 2: Stop people?
Speaker 4: Yes, just.
Speaker 2: Okay, I don't sense anything.
Speaker 1: Oh no, you both know, you both know we do
absolutely absolutely.
Speaker 8: Jude.
Speaker 4: Ah ju.
Speaker 15: It is inevitable.
Speaker 18: I take my staff and I.
Speaker 9: It's the gun blade staff, and I take Tim's gun
and I hold it up in the air and I
let the two infuse together and they have become one
at this point, powered by the both of us. And
as I've been doing this, I'm distracted. I'm it's like
that I've got something else going on. I'm doing something else.
But whilst I do that, I fire my staff, my
gun blade, and out of the top of it comes
a beam of light that splits off into multiple orbs
that will come down and converge upon oric. They are
infused with the soul magic from Tim's gun, and they
are designed to shred his soul a park create holes.
Speaker 1: Yeah, okay, go ahead and roll.
Speaker 9: I'm gonna give a plus twenty because I'm using him.
Speaker 6: Gone, yep, Tonio success.
Speaker 1: What happens?
Speaker 9: These tiny orbs of light shatter in the pieces and
they all converge in orc and they it's like pellets.
They just pushed through him and out the other side
of him, and they all go. It's none of them
are inside him. They've all escaped him, and in their wake,
they've left these pinholes of light that are shining brightly
all the way out of him. So he's now shining
this sort of soul light.
Speaker 1: Okay, who's next?
Speaker 17: That would be me?
Speaker 1: Yep, all right, Tim? What are you doing?
Speaker 9: Oh?
Speaker 1: You need to roll something right er? Can you roll?
Can you roll like a mental ability or match? You
can do magic too. It's basically to turn off the
pulsating fear effect that Tim has right now on the
lot of you. Thirty one success, thirty one success, that's
right now, Tim, What would.
Speaker 8: You like to do?
Speaker 13: I'm sorry, I'd like to do something I've done before,
all right, but at a much higher volume now that
I have access to a bit of Vegas illusion magic.
All right, I'd like to split off into fifty different
Tim skulls and surround lads spinning violently obstructing his view
from these two, making it very difficult for them to
access any of the magic they're pulling from him.
Speaker 1: I see, Okay, go ahead and roll Vega for tim
forty nine success success. Suddenly there are fifty did you
say I did fifty illusuary tims.
Speaker 13: I don't know if they're illusionary. I've done this before
and they were physical, so you're.
Speaker 1: Making them physical. She rolled illusion magic. That's why I
chose to do that. So okay, vegas.
Speaker 9: Allusion and magic has learned to make it real.
Speaker 1: All right, sounds good. Who's next?
Speaker 2: It would be me? Yes, I would like to react.
But would I be able to just step in essentially
instead of reacting to bolt somebody else's attack.
Speaker 1: Yeah, you basically get to take your turn whenever because
you're reactionary. You're holding it.
Speaker 20: Yep, yep.
Speaker 2: I were all speaking of holding it. I will to
see if I'm holding it together. After this sudden almost
just instinctual, just realization, and I did with this a
partial success. I am going to divert my attention to
ras Roth and I'm just going to say that this
isn't real, and if it's not real, if this isn't real,
this isn't real, and if it is, we have the
power to make it not real. And I'm going to uh,
I'm going to bring my left hand up towards Razroth
and it's going to occlude where his leg was. I'm
going to pull down and as I do, I'm not
trying to regrow his leg, but I'm trying to extend
this bubble, this silhouette of him, of his energy in
order to support and stabilize him. Okay, all right, that
would be it's a defour success.
Speaker 1: Okay.
Speaker 2: So visually, what you would see, so Razroth just had
his leg completely dematerialized and reaperate on somebody else's body.
Just as that happens, you see a gout of themeral
blood spurt out of where this leg would be. As
that happens, you see this red glow that kind of
almost emanates from his person. It almost looks physical like
if you were there in the area, you would see
light lensing around it. And right where his leg was,
you'll see that red almost capsule close closer towards his
thigh and then form what would look like where his
leg would be. His leg is still there, as far
as he knows, as far as he cares, his leg
is there to work for him until the end of
this fight.
Speaker 1: Okay, now you can may go.
Speaker 7: I would like to actually like to jump.
Speaker 4: On top of that.
Speaker 1: Yeah, absolutely.
Speaker 2: I appear.
Speaker 7: I appear beside Ras and I look over at Lea
and I go, oh, this is perfect, good form. And
I get low and from the ground next to this,
from all leg wood from the ground grows up into
this space. It fills the space.
Speaker 2: It's got this.
Speaker 7: Dark wooden texture with this green and gold sort of
line running into it, these intricate details. His leg will
be his leg again like this, using layers, ephemeral structure.
It looks proper. It was not going to but it
looks pretty good now. And as long as he is
standing here, he has a stronger connection to this place.
As long as that foot is touching the ground, that
is perfect.
Speaker 19: I think I had taken a knee when my leg
was taken. And the pain and the.
Speaker 25: Pained breathings he tried to suck in, the screams begin
to fade and relax, and it turns into almost laughter,
and he chuckles underneath its breath and just goes.
Speaker 19: I I appreciate it, and black Beard.
Speaker 25: Okay, and I'm gonna stand up onto my feet, my
new foot and family plant.
Speaker 19: That on the ground and I'm going to do what
I messaged you peep.
Speaker 1: Let me read it. Oh yeah, absolutely no, you don't
need to roll for it. So what we do when
we do this kind of magic is we now roll
for your damage essentially or for whatever. So I wish
I had the ability to do this, so narratively, I
just need you all to understand I would look it
up if I could, but I can't cause I'm doing
a million things at once. Why don't you tell everyone
what you're doing? Uh, And we'll hope somebody in chat
knows the exact or can look it up for the
exact number.
Speaker 25: So when Sourice took my leg, it was the leg
that was from what tend broken when you're all facing
the prosecutor and I was knocked out and I've taken
blows before the prosecutors. Blow was strong, but shouldn't have
been have been enough to knock me out immediately. And
the reason it did knock me out is because I'm
taking those turns now. Everything I missed in that battle,
I'm taking those turns right now as debt, and as
I stand up with unnatural speed, it's almost like you
can't tell if I'm moving fast or if everything else
you've all been slowed down. But I'm taking every single
one of these turns against Seres and when Soreesi's I'm
done with cerries against Oric.
Speaker 3: Okay.
Speaker 1: I so, narratively, guys, I'm not going to be able
to get the exact number, but narratively I would if
I could, I would go watch the fucking VOD and
I would find out how many turns he missed, and
he'd get that exact number. But right now we're gonna
roll you get four no matter what, and then roll
a one D four we'll add on top of it.
I think it was four rounds as somebody in the
chat that's what I thought too. But I'm gonna give
them some bonus because this is mega fucking creative sony
roller one. So so five turns yep, So you get
to do five actions?
Speaker 4: Okay?
Speaker 1: And you want them all now or do you want
to do yes? Take them now?
Speaker 19: Yeah, they're going to be now. I'm enraged.
Speaker 25: I think I'm beyond I'm at the point of rage
where I'm not yelling or screaming.
Speaker 19: I'm manic.
Speaker 25: I think I'm laughing to my stuff as I'm reminded
of the danger that we're in. The Scries of Titus
reminds me of what these people have put my loved
one through. Seeing a roof fear, take a hit that
short of being almost blown off. I'm going to take
all of those as play tens plus my rage.
Speaker 1: Oh shit. Okay, all right then, and.
Speaker 19: If I can, no, I can, I have two hearts
right now? You do, I'm going to use.
Speaker 25: Twice the life force I'm using in my quite literal
life force gun to increase the damage regardless.
Speaker 7: Okay, I would argue that you are drawing it from
the planet itself.
Speaker 19: Yes, actually, yeah, that's what I like that.
Speaker 15: Yes, this sort of a build up of power. You
would sense some panic at first, so.
Speaker 12: Rese says, something's happening.
Speaker 15: What's so close romost there?
Speaker 17: It is unfortunate, but.
Speaker 8: It seems our fect is being questioned by the destiny
of our own.
Speaker 19: And I'm going to take my five.
Speaker 15: That's not what we thought. Something else, something more.
Speaker 1: Partial success ninety three. I'm just gonna put the rules
up on the screen where those watching.
Speaker 25: Ahead twenty three three for a second, and these are
ser Reese. First, I'm powering into.
Speaker 19: The other leg each one, and then.
Speaker 1: Oh my god, okay for.
Speaker 19: The third one.
Speaker 25: It can not going to be again. Eighty four partial
one four and the final one, I'm going to put
this one into oric. It's very suddenly switch and fun
at or ninety eight partial.
Speaker 1: So what do we see, uh Ras? It's a worry
of blows. But how do you think you? How do
you think this looks? So?
Speaker 25: Ras is very almost scarily silent as he just studly
walks forward, firing these shots, one out of the old
after the other.
Speaker 19: But you would pose over him? You see that.
Speaker 25: Again, that demonic creature we all saw in the old
word when he let the rage take over, and it's
you which you can see. It's taken step after step
and breathing in deeply as it can smell the sense
of Orgre's exposed soul from vegas attack and within the
chest of Razros, and this spectral superposed being on him,
you can see a fiery glow, almost as if he
had eaten a sun and it's emanating.
Speaker 19: Through his skin.
Speaker 1: How do you kill ciis?
Speaker 25: I fire several shots into the leg as I'm walking again,
very calmly, I raise my I raised my gun blade
to Curs's head, and before I even fire, this demonic
creature that is to oppose over me reaches down through
the physical or manifestation of series and plus the soul.
Speaker 19: That drops it into their mouths. Physical fires, but there
was no.
Speaker 8: Need to.
Speaker 7: H Who's next.
Speaker 15: Question?
Speaker 12: Yes, partial success is my reaction.
Speaker 17: I would like to.
Speaker 12: Having all the speed that I had saved up still
moved slightly out of the way, so it hits both myself.
Speaker 15: And the woman right across from me who.
Speaker 12: Is right against me, wounding us both her very mildly,
but enough to break the skin.
Speaker 1: Australia, you can roll to dodge um Oric. I will
allow you to try to misdirect this, but you're gonna
take double the damage.
Speaker 8: But more.
Speaker 28: Just kind of turns so we both get hit.
Speaker 1: Yes, I will allow you to do it, but you
will take more damage to do it, right, Yeah, okay,
go ahead and roll to dodge. Austraia.
Speaker 14: I don't know if I would have the capacity to,
because I would be looking at ras Roths just.
Speaker 20: Emotion like absolutely shocked.
Speaker 1: All right, then you can take a shift for you know,
choosing rpe over in max for your next role. But
you are hit, Yeah, so close.
Speaker 12: It's not what we thought.
Speaker 15: Series, Who's next?
Speaker 2: Something?
Speaker 18: Hell?
Speaker 15: Something more?
Speaker 2: I think I've already used by reaction, so it's now
it's fear.
Speaker 16: Yet he ras walked over towards where I was with Ceres,
I think, and he's doing all this stuff, He's shooting
all these shots. And as he's doing that, I get
behind him again and I lean against him for a moment.
My right arm is just unmoving. My gun blade is
in the left and I as I'm leaning close to him,
I get close to his ear and.
Speaker 2: Say what that was?
Speaker 16: That was king shit? And then I lunge towards Oric
with the gun blade with my left.
Speaker 1: Arm.
Speaker 16: And this one is going to be just a sort
of chaotic lunge forward, right, I think, horrific failure.
Speaker 15: What happened.
Speaker 16: As I stumble forward? I lunged just awkwardly, and I
think more than more than perhaps anything that the Oric does.
I think it's just a wild lunge. And this wave
of weakness covers me because I've never felt so human. Yeah,
I've never suffered such damage. I've never had to suffer
blood loss and pain and the complete loss of a
limb at least in this situation. So it's just a
it's more like I'm falling forward, So it's a wild
swing as I stumble forward, and I think that's just
about it unless.
Speaker 21: They do anything to me, do you Oric?
Speaker 1: No, you already you already reacted to get a stray Yep,
you got a stray hit.
Speaker 16: I just stumble forward, my sword probably goes into a
tree to stop myself from completely falling over, and then
I just drag it down the tree.
Speaker 2: And look over to whoever's doing whatever's next.
Speaker 1: Okay, I believe, Yes, I have my reactions still. Yep.
So now you can take a turn.
Speaker 20: Yeah.
Speaker 14: So what I'm going to go ahead and do is
I'm gonna attempt to go ahead and kick Oric away
from me. I've been trying to fight him off this
entire time, and now I'm getting hit, So I'm trying
to kick him away from me and towards my devil,
who has her blades extended ready to impale him.
Speaker 20: Right, Okay, Okay, so I guess I would use my
melee attack.
Speaker 1: Then for that with shifts if you've got them.
Speaker 14: Yes, i'd have the ten for what we did where
I took the damage. Hmmm, I think that would be
it ninety five failure.
Speaker 1: Okay, what happens is he I mean, as simple as
he's just so fucking fast. He literally walked slowly for
thousands of years to save up debt magic for this.
Speaker 20: But also yeah, I'm trying to wriggle free.
Speaker 1: I can't.
Speaker 20: It's it's just he's got a hold.
Speaker 1: Okay, work, I believe that's you. Yes, do you want
to do you first?
Speaker 16: Or last?
Speaker 1: First? Okay?
Speaker 12: Go ahead, holding right with Austrayer, looking her in the eye,
and slowly turning my head to the one who has
lit me up. Literally, I'll release Austrayer and I dart
towards Vaguer, ready to attack. But instead of slashing, I
pretend I'm going to do the same thing. But instead
I do something very simple, and I sharpened some of
the stray the hair that have over her forehead, attempting
to cut her. All right, simplest of transmutations.
Speaker 9: These rule for me.
Speaker 1: Yes, that's right.
Speaker 12: Now, there is transmutation. So I do get a shift
and it's something I good and it is quite easy.
This is basic stuff, yes, and I was faking.
Speaker 1: Except uh, okay, okay, now what.
Speaker 16: I stop?
Speaker 15: I stop, I fall to my knees.
Speaker 21: Has sor race.
Speaker 15: We have done it, we can ascend. I start to
move towards lads.
Speaker 12: Again, trying to smash my way through the skull climb
around him.
Speaker 1: I assume you're using your second move to do this.
Speaker 3: Mm hmm.
Speaker 17: Have we done it?
Speaker 7: No shift on this, No, I would like to use
a reaction after a WI.
Speaker 9: Go for it.
Speaker 1: What are you doing?
Speaker 2: Well?
Speaker 7: Depending on what he does, I guess it doesn't matter
because in front of Lear there is a very bright,
blinding light. All of you cannot see. No one can
see right now. It burns, it hurts. And as the
light begins to recede, with a gun blade in hand,
you see Jude standing in front of Lear dred read instructor,
glowing faintly, holds sitting, maybe a little unsteady, but she
is there.
Speaker 4: Oh is that so?
Speaker 2: I felt?
Speaker 16: You go?
Speaker 1: What the fuck?
Speaker 12: Dud uh doesn't matter, it doesn't matter.
Speaker 13: It's too night.
Speaker 1: I'm allowing it. Okay, yep, yep, yep, what the fuck
I'm hold on? I'm just putting her cam on the
fucking over leg because I wasn't expecting that. But hey, yes,
and let's fucking go bitch. Oh my god, okay, yes,
I'm rolling for you, Oric right now. No shift on this,
I said, I'm rolling lasses.
Speaker 18: No shift.
Speaker 33: Oh finally, over all these years, Oh my god, for
those listening.
Speaker 29: You roll the one.
Speaker 20: Oh Jesus Si.
Speaker 29: Yeah, so.
Speaker 1: Oric and Serice, do you want to describe what happens
as you finally succeed at your ascension? However, who you
think you're sending into is not who you're ascending into.
Speaker 15: Lads, what is happening? It's different?
Speaker 1: Six of us.
Speaker 15: We're not karoon.
Speaker 1: Whowe huawe?
Speaker 15: We were wrong?
Speaker 17: Where serious? Where's where?
Speaker 8: Series?
Speaker 2: Where?
Speaker 1: Who?
Speaker 32: What?
Speaker 1: Does it look like you both can work together if
you like.
Speaker 19: I think that.
Speaker 12: The two of us there next to each other and
Series close by, we can yank.
Speaker 15: Him over to us.
Speaker 12: It all start to meld together and wrote fakening, flashy
coop and jealing and twisting and writhing together.
Speaker 21: It's time, Jude.
Speaker 1: I was not expecting you to enter the fight. You
can do something if you like while they are in
the middle of this ascension. What would you like to
try to do?
Speaker 6: You see that this Jude is not quite Jude. I'm
glowing with a fire and I slowly stepped forward and
I wrapped my arms around them, and I would like
to burn them as they ascend.
Speaker 17: Mm hmmm.
Speaker 1: Time you got to roll a critical one? Success, dude,
because LAS rolled a one?
Speaker 9: Yeah?
Speaker 1: To do any damage or do anything here like I
don't unless you want to do something else? Yeah, or
thirty three that's yeah.
Speaker 23: You've already sacrificed yourself once.
Speaker 18: You don't need to do this. There's another way, dude,
as well?
Speaker 6: What do I need to roll.
Speaker 1: Alchemy? I suppose off your sheets the best we got.
Speaker 2: Don't you have it back? Critical?
Speaker 8: No?
Speaker 1: She used it to kill Titus it yep, but thank you.
I would have been so far I can get.
Speaker 17: Yeah.
Speaker 9: Can I roll to intercept dude?
Speaker 1: Mm hmmm, oh h I may allow it. What are
you doing?
Speaker 9: Sixty three?
Speaker 1: Are partial?
Speaker 9: I want to try and grab Jude's hand, and.
Speaker 18: I want to gather everybody up.
Speaker 9: Actually, there's only one way we can stop this, and
I need you all to trust me. This is an hour,
don this isn't out in.
Speaker 8: This is the.
Speaker 17: Bust.
Speaker 9: Okay, We've done everything we can do for this p
everything we can do, and it's not in my hands anymore.
It's in the hands of those who came before us.
Speaker 18: We can't look back. We have to look forward.
Speaker 1: Always.
Speaker 29: You have to look forward.
Speaker 17: Always.
Speaker 18: And you did trust me.
Speaker 1: And I'd like to take.
Speaker 9: I take the hands of Leah and Jude, and I
gesture them to take the hands of Rare and raz
Rath and Rafa. And I look around us all and
I say six, there are six. And I turned a blackbird,
and I make a small gesture with my hand as
Tim rejoins blackbird.
Speaker 18: And I'd like.
Speaker 9: I'd like for all of us to try to ascend.
Speaker 1: All right, go ahead, and everybody roll for me.
Speaker 25: I would like to give everyone a ten shift, all right.
I consumed the soul of someone currently ascending, so I
know I have some of that at the very least
to help at this Okay, I would like to give.
Speaker 13: You exactly the same, Okay, because I've done that as well.
Speaker 1: So that's twenty shift for everybody.
Speaker 9: I'd like to give a shift because I've heard Gurn before.
Gurn has spoken to me, and I know I know
what we need to become.
Speaker 1: Yeah, okay, that's thirty shift. For everybody. What are we
rolling your best fucking stat You can use whatever you
want as long as it's justifiable.
Speaker 9: Whatever you believe in yourself strongly enough to do.
Speaker 1: Yeah, oh my god, so the success is I'm sorry,
I'm just my heart dude, of course, fuck dude. Oh
all right? Can everybody read out their roles for the
people listening?
Speaker 2: I ruled a ten success.
Speaker 16: We ruled a thirty five success.
Speaker 19: I aled a fourteen success, a forty three.
Speaker 6: Success, a ninety failure. Areuled a twenty seven success.
Speaker 1: So we're not stopping the ascension between laz Oric and
uh Serice. Well, technically what's left of Sere. He's dead
and gone, but laz is ascending and he's choosing.
Speaker 22: To take.
Speaker 1: Oric with him. They are ascending into what is already
known in the world because remember, time is not linear.
Their lore persists already as the deacon, and I believe
those who succeeded the role can choose to ascend and
become garon who is choosing to do this. Everyone who
succeeded can choose to do so or not.
Speaker 2: Not without Jude.
Speaker 1: Australia, I trust Vega.
Speaker 7: Jude.
Speaker 2: Mm hmmm, do you want to go.
Speaker 6: I want to be where I am needed.
Speaker 9: M Well, I would like for Lea and I to
roll for Jude because we have always supported each other
and when one of us fails, the other two will
always pick them back up again.
Speaker 2: Always look at Vega.
Speaker 1: Yeah, I will allow that blackbird. Were you about to
equal trade?
Speaker 27: Oh?
Speaker 7: I was about to do something, but I want them
to roll first.
Speaker 1: Go ahead, you two, success and particle. What do you
think happens?
Speaker 7: May I interject here?
Speaker 1: Yes?
Speaker 19: I think.
Speaker 7: Vega and Leir are reaching out as hard as they
can with their hearts towards Jude with all the love.
Jude is about to fall, but instead she begins to
rise off of her feet away from you. She floats
ever upwards. Light begins to expand into a sphere. Jude,
what color is that sphere?
Speaker 6: It's gold.
Speaker 2: Gold.
Speaker 7: As she continues her eyes, she grows this beautiful all
of light. It's getting larger, but further away as she
becomes a sun of din to watch over though. She
loves to help the life grow to always be there,
and you can feel her love as it basks over
your shoulders.
Speaker 1: Raz Are you going to ascend or stay behind?
Speaker 19: I want to be where a roof is. Whether that's
ascended or on the motor plane, I don't care.
Speaker 16: I take his hand and I say, at the end
of all of this, I knew you would become Geron.
However I became something else. And when I became that thing,
I sent myself back to that apartment.
Speaker 2: With no magic. Spend our last human moments together. Look
at that horizon. It's the end, but it's also the beginning.
Love is a ring.
Speaker 16: I put my hand to his cheek.
Speaker 19: And disappear. I cry, just uncontrollable tears as I m hmm,
I said, m hm.
Speaker 1: Hm.
Speaker 2: My grip tightens on Baker's hand and I look her
in the eye. I think I can't really see all
that much. I've been staring at the sun, this new sun.
I'm blinking. Yeah, if we're an assuring smile and nod.
Speaker 4: Always m h.
Speaker 1: Always, m h.
Speaker 16: M hm h.
Speaker 2: M hm, and I follow her cue.
Speaker 16: Mm hmmm.
Speaker 6: I take one last look back at the sun.
Speaker 1: And listen, m Astraya, you're the last one.
Speaker 20: Alone again.
Speaker 7: I guess no, I'm standing right here.
Speaker 4: It's terribly rude.
Speaker 13: Yeah, I'm kind of floating here too.
Speaker 20: Yeah, you know what I meant mm hm, and you
to me, yes, he's actually dead black.
Speaker 9: M h.
Speaker 7: I really want to get to give you a ridiculous answer,
but no, mm hmm.
Speaker 6: Tell him I'm sorry, of course, m m.
Speaker 7: M hm.
Speaker 6: And tell him goodbye.
Speaker 18: Mm hmmm.
Speaker 7: Of course.
Speaker 9: H m hm.
Speaker 16: Hmm.
Speaker 1: What tangled have we leave? Huhm nice and.
Speaker 18: Mm hmmm.
Speaker 1: I need all of those who chose to ascend into
Garon to come back for just a moment.
Speaker 2: Perfect.
Speaker 1: I don't mind who goes first, but I need you
to decide if you become Garon of one or if
you become Garon of many, and you do not have
to choose the same. You either will spend the rest
of your existence trimming the fat of realities to try
to prevent the eventual death of the universe, or you
will fight to protect the natural order the way you
feel things should be.
Speaker 25: I will become the Giruna Many to protect thee to
protect the others. Any other roof is out there underworld
they live in, there was.
Speaker 1: Only ever one. I also like to think that every
time Aaron and I were having that playful dialogue, that
art was brass, that gentle Garoon with the apprentice was
always you Australia.
Speaker 19: What about you the garon of maney.
Speaker 14: Mm hmm.
Speaker 20: I'm a fighter, That's all I've ever done. A groon
of money, bega or lear.
Speaker 16: M hm.
Speaker 17: Mm hmm.
Speaker 2: I in this moment, all I have ever wanted is
is to belong, is to is to make sure that
those who had sworn themselves to me for some cheapid
reason would be safe, that we would be together, that
I would protect them as much as they would try
and protect me. I want to be one. However, I
recall our side chat at the eye right, no matter
where I mean, the vague I know and the dude
I know, we weren't from the same reality anyway that
needs to be preserved kinship and bonds. That way, we
had transcend a reality, and so I choose many.
Speaker 9: I think back on everything I've experienced traversing across timelines,
across these worlds, about how all the people I've loved
are not even from the world that I thought I knew,
and about how much worse my life would.
Speaker 22: Have been if.
Speaker 1: If I hadn't known them.
Speaker 9: And I know in my heart that I can't just
fight for one universe. I can't fight for one world.
I can't fight for one thing, because there is life
everywhere that needs to be lived. Then I fight for that.
I ascend into the garon of many, and as I
do so, the scars on my face expand.
Speaker 1: And enlarging.
Speaker 9: Until they cover me completely.
Speaker 1: Looks like it's just the three of us left.
Speaker 13: Yeah, it would be the case. Yeah, you lucky.
Speaker 4: Mm hmm.
Speaker 13: You kind of broke some of your own rules there
at the very least Bentum, Well.
Speaker 7: They needed a little help.
Speaker 17: Yeah, clearly.
Speaker 13: Well there I go have some fun.
Speaker 17: In what way? I don't know.
Speaker 13: Just go look around. You're talking about some mountains that
had a cow talking at one point. That sounded kind
of neat mm hmmmmmm.
Speaker 7: I suppose do you think there are other people that
might need It's just a touch of help, just a touch.
Speaker 13: I could probably think of a few year.
Speaker 2: Do you know it's nice.
Speaker 7: We're done observing this because it's done.
Speaker 13: Yeah, I guess it is.
Speaker 34: Eh, you choose the destination. I'll get us there, all right.
You got us think on the.
Speaker 13: Stars, water mountains, what you're thinking?
Speaker 7: Water sounds fun?
Speaker 17: All right?
Speaker 8: I don't know.
Speaker 13: Let's find something underneath the oceans that Oh I.
Speaker 1: Know something I'm going to show you hold on.
Speaker 7: A big portal that looks like water.
Speaker 13: Okay, well I don't have to breathe. You don't either, right, No,
I'm fine after you.
Speaker 7: I want to see your reaction going through first, go
ahead if.
Speaker 2: You I can't.
Speaker 13: All right, yep, going on it. If this is another
one of your pranks, I sweet again, swear to garoon?
Can I do that now?
Speaker 18: Oh?
Speaker 13: Yes, shithead? All right, lucky you better be right behind me.
Speaker 3: I am.
Speaker 17: I am right behind you, all.
Speaker 13: Right, HP, see you where we go next?
Speaker 34: Got him? Of course.
Speaker 7: Now you must remember you are and always have been,
playing a cosmic theoremon. Every choice you make a hand
gesture creating a note that complements the notes of those
around us. There is no sheet music to follow, and
you may not always hear the music, but it is
always there, humming around you the magic of the universe.
And in those moments when you feel your life is
a solo, remember you are in fact part of a
grand orchestra that has always been playing the universe's opus.
Every note has its place, its purpose, its impact, and
whether at the beginning or end, we are part of
the only song the universe will ever sing, and you
played your part with gusto. Remember you are, always have been,
and always will be hot of a cosmic masterpiece. And
even in moments of silence, the music continues.
Speaker 1: Hello, there are a million people on the screen. I'm
gonna fix it. You all talk, go, I'm doing it
right now. Oh okay, now I'm missing. Where the fuck
are the worst trench and worse chord? God? This is absurd?
Are you here?
Speaker 16: I am naked?
Speaker 1: Oh right, ascended?
Speaker 2: God?
Speaker 1: Oh my god, I am shut. So I got this.
I got this. That was incredible. Shall we shout out
something else?
Speaker 16: No? That's lie?
Speaker 1: Oh is it?
Speaker 32: You know?
Speaker 1: What is tradition?
Speaker 16: Though?
Speaker 1: Is brad to do a roast?
Speaker 2: Do you want me to break the tension? Yeah?
Speaker 13: Right now, right now?
Speaker 15: Yeah?
Speaker 16: This music?
Speaker 9: Though?
Speaker 16: I do you have something?
Speaker 23: All right?
Speaker 21: All right?
Speaker 1: All right?
Speaker 21: Oh you know what I do?
Speaker 1: Actually?
Speaker 7: I do?
Speaker 2: I do?
Speaker 34: I do?
Speaker 16: I do?
Speaker 30: I do?
Speaker 1: Hould up, hould up.
Speaker 21: I'm on top of it.
Speaker 1: I don't know if you'll be able to hear.
Speaker 17: It though on.
Speaker 1: Because it's not on this If I can't hear it
the morning, you don't, you don't hold on, Just hold
the line. Okay, I think I got it held.
Speaker 16: Maybe make sure it's d M c able so I
can't be liable for anything. I'm about to.
Speaker 2: The auto muted.
Speaker 1: Oh ship? Yeah, okay, perfect, Yeah, you guys are gonna
be able to hear this.
Speaker 16: Ready, the roast of Kingmakers. Let me just check this thing,
get them hold on. Okay, some of you are not
going to like the jokes I'm about to make, But
unlike Erica, when it's all said and.
Speaker 11: Done, I'm not going to be able to turn back
time and make you less of a pussy.
Speaker 2: Okay, we go.
Speaker 16: There were so many gay couples in this show that
the real apocalyptic event approaching din was birthrate decline. Johnny
showed up at one point looking like Danny Zuko with
muscular dystrophe. Not many people know that Johnny took an
acting class at the Connor, Alabama School of Breath the
Acting just before this show began, which is ironic because
I think all of us simply want Johnny to stop breathing,
even mind obliging that Johnny. Johnny's currently spent a lot
of time as a four legged, homunculous creature, which is
a strange thing considering that Johnny lives in a wooden
box in his parents' backyard like a dog. Johnny's style
makes it really hard for women to describe him to
the Cops. Sketch artist. Every inmach Day, draw ends up
looking exactly like Shaline Woodley in the closing scenes of
their Fault in Their Stars. But that's what you look like.
That's right, that's good. Johnny showed up in the last
episode with some real big dick energy in that he
looked like a huge, uncut penis. Go back and look
at it. We finally have two beautiful black faces in
the same show, and Peb decided the best course of
action would be to cast them as brothers. Good job.
Drack has made a career out of guesting on t
TRPG shows, as opposed to Myrgules, who has a real job.
There's no secret that everyone wants to funck Drack. However,
along with Erfeared, Drack continually only fucked the audio. Although
I think Trench gave you a run for your money today,
being in a relationship with Drac for a whole year
taught me one really important thing. I like girls.
Speaker 11: Screen Maya was like the Eddie Murphy of the show.
Speaker 16: It's because Maya has two standout things in common with
Eddie Murphy. One is that he played all the MPC
characters in the background of the show, as well as
like three of the main cast. The other thing that
Maya has in common with Eddie Murphy is that he
isn't funny or interesting in real life. Maya's character's weapon
in the show was a sword that would suck up
wounds and enemies like a vacuum cleaner, which is not
too dissimilar to Maya's personality in real life, which also
really sucks you thought that one was bad. Leah spent
a lot of time avoiding error fit personally. I think
he just didn't like the way I looked. Just another
example of Maya avoiding eye contact. Don't worry about it
about it was in one of the episodes. I think
Australia had such a bad breakup. She didn't buy a vibrant.
She fucking cloned herself. They played the Gemini in the show.
She got that name because there were two of her,
which is funny because in real life we wish there
wasn't even one. My dad, they shooting be a filthy
look there, that's that irish and Latina Wombo combo her
blood is like nods for a vampire. Leah adapted suspiciously
well to being a small, fiery lesbian. Leah spent half
of the show looking like Finn wolf Hard playing David
Bowie in a biopic of his final days. Actually, Leah
was trained by my character in the ways of magic,
and if she keeps dressing like that, to be trained
by me in the ways of my dear. Leah's character
kept accidentally using magic to make things blow up, as
opposed to real life, where she neither physically nor mentally
was able to grow up. Much like Leah, this show
was all about being in superposition, the ability to be
in multiple states at the same time. The show had time, space, place,
and even the characters all existing at the same time.
A lot like Leah in real life, who can simultaneously look, sound,
an act like her life isn't falling apart. I'm kidding,
I'd love to put her in a superposition, you know
what I'm saying. Muggles played a strong, dependable, honorable night
in the show, an exceptional display of acting from her.
To be honest, her character reminded me a lot more
of a sort of weapon focused nightly sad Wise, Gamgee,
I couldn't think of anyone better in this cast at
taking loads to get a Loadering spent the entire time.
Merg spent the entire time in a relationship with a short, gay,
destructive little maniac. In the show she was in a
relationship with. Vega. Jude showed up as an angry butch lesbian,
the absolute pinnacle of women's rights and daddy issues, unlike
me in real life, who has no daddy unless she
asked me nicely. Loggles fell down the stairs this week,
bruising her legs, her face, her hands, but that was
probably less painful the being stuck rping. The final episode,
opposite Johnny, Domestic Dan showed up to play a character
called the prosecutor, which is hilarious because, according to the Dictionary,
a prosecutor is a person, especially a public official, who
institutes legal proceedings against someone, while according to a local
Seattle dictionary, domestic Dan is just a prick. Dan has
been battling for a long time with a serious affliction,
and he's doing really well, and I am really proud
of him for somewhat curbing his really awful.
Speaker 11: Clothing choices, his cat blinded itself. Okay, my god.
Speaker 16: Aaron showed up towards the end of the show to
play my father as opposed to real life when my
father left at the beginning. Aaron wrote a book called
Firewall Down. It should have been called Don't Pick It Up.
I agree, we.
Speaker 2: Get it.
Speaker 16: A lot like Mogul's Bedroom Time with her German husband,
Chord showed up at the last minute in a gimp
mask and started getting violent. Also a lot like Mergle's
German husband. Trench Mouth showed up at the last minute
and got really obnoxiously loud.
Speaker 13: PB.
Speaker 16: I hate to tell you that you did it again.
You spent a year of your life running a show
that tells a story that unfortunately has been told before.
It was gone, Gone again. Just think, PEB. I hate
to tell you that you did it again. You spent
a whole year of your life running a show it
tells a story that unfortunately has been told before. It
was knocked out. Something different. Next time TV went ahead.
PP went ahead and told a story where a group
of people escape from a medieval setting filled with archaic
practices like executions, inherited power through a monarchy and magical beings.
This reflects PB's life journey in no way whatsoever. Pbe streams.
PB only streams two days a week. One of those
days she spends writing and producing Kingmakers, and after experiencing
that writing firsthand, I now see that those other.
Speaker 11: Days off were actually disability leave.
Speaker 2: Okay, here we'll go.
Speaker 27: Room.
Speaker 16: Peb revealed ourself to be a writer on the level
of some of the greats, particularly JK. Rowling, when she
decided it would be a good idea to have a
black character cause a fresh water shortage of your fucking mind. Lastly, lastly,
we're almost through the chat lovingly renamed this show the
First Makers, which is absolutely appropriate because spending every week
on the prequel with this many people that I hate
forced me to pick up drinking again. So thank you
very much. I should let you know I cut three
jokes I deemed to be too offensive.
Speaker 4: If you could please write those up, I want to see.
Speaker 23: Can we hear them later in the.
Speaker 16: Just lea, You're welcome.
Speaker 1: Should we do around? Does anybody want to say anything
before we?
Speaker 16: You know?
Speaker 12: This?
Speaker 9: Is it?
Speaker 1: Or was that it?
Speaker 16: I love this? This was fantastic. Thank you you did
it again, and thank you again. You pissed me off
in how good you are at doing this stuff and
how unbelievably meticulously well you're able to fucking off a
show that is so captivating for everyone to fucking watch
and to play in, and just to keep it at
eleven the whole time. Insanely good. Again, just annoying at
this point, and I'm not really saying this as a compliment,
because it's literally just insanely difficult to be around such
genius you do. It is your roast, this is this
is just me, and I'm angry. I'm angry because she's
so good at it and it's always it's it's an
honor to always be in anything that you produce, and
to be in it. I hope I did the character
justice for your show, because the show was incredible, unbelievably
well done, not just by upb by everyone, but just
insane insane every time I'm a part of one of these.
Thanks Gone, and then Lockdown was ridiculous. So it's so cool,
and I know how you feel as well. You've successfully
completed what is like a five year journey. I know
how that feels. It is it is a whole new
scale of accomplishment and yeah, it was just perfect. You
did everything perfectly. It was excellent, well done.
Speaker 1: Yeah, thank you. Who wants to say something else, thank you?
Thank you for the grounding. I appreciate it.
Speaker 19: Embarrassing'll be cool. I imbrassed PEB.
Speaker 25: So when I first showed up on a table story,
I think it was Midsommer Mysteries and I had been
a fanel table Story for a long time and I
remember seeing Peb was one of the players. I was like, oh, fuck,
I am a huge fan. Watch go and I was like, oh,
I'm playing with DPB.
Speaker 2: Fuck.
Speaker 25: I don't think I told you this until afterward, because
I didn't want to come across as a weird fanboy.
Speaker 1: Yeah, you told me you to me midway through Midsummer
and you were like all of Nocturne and all this stuff,
and I went, I'm GMing you next.
Speaker 16: Yeah.
Speaker 25: So when you mentioned me being like, hey, do you
want to play in this, I was like I didn't
finish reading your message. I was like yeah, I was like, yeah,
I'm playing. I had I'll be honest with you now,
I had a game schedule for now. I was like, hey,
I can't make it, sorry, and I don't regret it.
Speaker 2: It was great.
Speaker 19: I loved every single moment of this game. It was intense.
Speaker 25: It pushed my role playing skills to Dick stremespecially was
the first episodes that was terrifying.
Speaker 19: But yeah, I think I've grown.
Speaker 25: I've watched all of you role play bounds off of
each other, and I've stolen bits and pieces of everything
you do and I made it mine now, So thank you.
Speaker 2: Yeah, fight for If we're gonna be talking talking about PB,
then I guess I'll step in because you know, now
is the perfect time to do it, because Pebe hates
I mean, she loves being the center of attention and
she loves being told just how good she is at
what she does. So I guess, all right, So I've
had the opportunity to roll pick a PB now for
a while, you know, like through Kingmakers, through Wild RP,
through Spellwind, and the level that she brings to the table,
both hers and others, and even things like Wild never
ceases to amaze me. To be on a table here
and to be on a system that's been made by
her kind of exemplifies exactly like why she is the
way she is and why she is as good as
she is. The freedom that we had with this show,
like the trust that she gave us to make our
characters and to be part of this world has you know,
as Daq said, has been really great. It's been It's
given me a chance to grow in ways that I
didn't think I could, you know, like, I'm not an actor.
I mean I've done voiceover stuff before, but until you know,
sitting you know, on one of these tables with Peeb,
with Cord, with Brad, it wasn't really anything I thought
that I had the ability to do. So I want
to say thank you to Peeb for helping to you know,
like allow me to realize and me I didn't know
I had and also subscribe to Orcish.
Speaker 1: Yep, I'm very hungry.
Speaker 16: I'm gonna say things next I beat you to it.
Speaker 6: Good break, Okay, fine, I mean, oh my god, don't
break your box.
Speaker 5: This almost broke my shack because Peb, you're just being
in your presence in the show. Thank you, by the
way for letting me be in the show. I'm honored
and this was it's the highlight of my Tuesday for
the last year. So it's been awesome.
Speaker 16: Thank you.
Speaker 5: Being you're like creative osmosis, Like when people watch you
role play or produce or storytell, people go wow, I
want to be like that.
Speaker 4: And I've experienced that firsthand. I'm sure the rest of
this cast has experienced it too.
Speaker 5: So thank you for just always emitting that energy of
making us want to be better creative than better people.
Speaker 16: Thanks.
Speaker 1: Okay, can I go now?
Speaker 3: Yeah?
Speaker 1: You still have a thank you for on your voice.
I don't know if you know that we're here. I
enjoyed all her laughing at Brad's roast and reverbs, so
I said nothing until this moment.
Speaker 2: More people, more people could do that.
Speaker 6: That'd you're welcome. Yeah, yeah, I think I agree with
everything that has already been said. But I think like
one of the hallmark things about Peebe is just her
ultimate generosity. It's like a generosity that just like oozes
through every pore, and like I feel that this show
is really exemplified, like the system and the show and
the way she gms. It's all about this feeling of
generosity and trust and openness and excitement, and I think
that that's something that is very difficult to do, is
to foster a creative environment of excitement and generosity where
everyone is just you know, on the same page. And
I'll never ever ever take for granted the absolute joy
that this show was and the effort that went into
it and what made it beautiful and what made it
special and and like a you know, a moment in
time is just I'm just very grateful for everything, and
thank you for having me, and thank you for letting
me miss Trench Bowl my way through the show. Yeah, unbelievable,
unbelievable life experience. Thank you.
Speaker 20: Look at how many people are here for you.
Speaker 1: Peebee stop. Do you see this?
Speaker 20: I would like to see how many of us. I'm
saying something.
Speaker 28: Trench It wasn't prepared for this. It seemed like it
was done.
Speaker 16: I mean, we got it right, all right, it's time
of the second roast. It's trench mouth.
Speaker 28: I apologize, It's.
Speaker 29: Fine, Trench go ahead.
Speaker 1: At the beginning.
Speaker 35: I've been polite to people for a year, just to
be rude to everybody right now. I just want to say,
as somebody who has watched, well only the first hour
of every episode, because I'm not gonna stay after at
work to watch any more of this. But I've seen
the first hour of every episode, so I had.
Speaker 28: The clue of kind of what was going on, but.
Speaker 35: And I knew, and I got to say, like, for
most of you, who I've been lucky enough to you know,
RP with in some form of wallar pee, and I've
gotten to know a lot of you, and it is
honestly staggering to see like what you guys did on
the show.
Speaker 2: Like I was blown.
Speaker 35: There were so many times when I stayed an extra
two minutes at work, but that was it just because
you guys were really like just like even then, and
and Dan, who I don't know that well, but and
then dragged too, like coming Dan came in and was
like who the fuck is this and brought us some energy.
And then Aaron just I think Aaron just level I'm
sure you did do you guys too, but he was
just like leveling people when he came in.
Speaker 28: And it's just it's really just like it blows my mind.
Speaker 35: And that's probably why I ran out and smeared all
this wine all over my face because I was drinking
so much. I was so nervous to be around such town.
But honestly, I mean I could go on and on
even a few weeks ago.
Speaker 28: Uh, Track and Brad had some scene and it was
just like it was so.
Speaker 35: Subtle, like but powerful, and it was like like it's like, Okay,
these people I know can do this, Like that's that's
that's interesting.
Speaker 28: Like what it has just been very like all over.
Speaker 35: And obviously I'll let the rest of you go on
about how amazing PB is about this, but you all
deserve so much credit as well.
Speaker 28: You're tearing people apart every week and it's glorious to see.
Speaker 1: Thank you say.
Speaker 28: I'm sure you had something nice to say too.
Speaker 20: Oh that's fine.
Speaker 7: Took the word thread of my mouth, you know, good good,
because I want to step in here.
Speaker 4: This is mine?
Speaker 13: Oh my god.
Speaker 7: Okay, before this show became a show, way way back,
Peep and I actually had coffee together, and uh, there
were bits and pieces of this being for him.
Speaker 32: She took none of my suggestions, not one. This thing
was not anywhere near what I wanted it to be.
So therefore I didn't watch a single episode, didn't even nope,
not even the first episode all the way through. And
then she comes to me with the gall to say, hey,
you want to be on my show?
Speaker 7: And I was like, you bitch, so I decided to
come on here and fucking use every ounce of everything.
I had to one up every fucking person on him.
Speaker 16: No one.
Speaker 11: I did it, I need to do it.
Speaker 4: I did better than everybody. Peep, take that.
Speaker 16: That's fair.
Speaker 2: It is true.
Speaker 16: It's fair.
Speaker 23: Well, you don't know Zara's going to leave the show
and cry from what he just said.
Speaker 2: You have no idea.
Speaker 4: I'm not sleeping for a week.
Speaker 11: I have so many meds to go take now, death meds.
Speaker 1: De mens exactly.
Speaker 9: What I need it for?
Speaker 16: You pee, okay, yep.
Speaker 1: Help me, Bran.
Speaker 16: It is not turned. This should say something.
Speaker 20: Oh boy, you fucking mean Cord.
Speaker 16: That's right, I don't care. What is He was in
it for like twelve minutes and I cut and episodes
ago there everyone, you're all great. This is amazing. I
really this is.
Speaker 22: It has been amazing to watch. From the beginning. I
watched the first couple of episodes. I'd say, I had
a meeting with Pepe and went, okay, explain to me
like I've only seen episode three because I picked up
a work shift for Tuesday at this time. Since then,
so I wasn't able to ever catch up. So it
was really fun to see what was been going what
has been going on. I've been nerding out with Peebee
about alternate realities, the multiverse, quantum physics for years now,
so it was really exciting to then narratively talk about it,
and to today when we were talking about stuff. She
was blabbering and stuff about the world and the story
and the quantum physics of it all. And that's where
I went, uh huh, yep, okay.
Speaker 8: Got it.
Speaker 22: I don't know anything about the lore because I haven't
been watching, but I think I know where to go.
And so it was just thank you so much for
having that trust in me, and uh. I went into
the show going I'm gonna ruin PV show uh, and
just having that trust and the confidence in me and
also in everybody here, and knowing if it wasn't this
group of people, I wouldn't have said yes. I even
it wasn't for you PB, I wouldn't have said yes
because I would have felt so out of my element.
But everybody here is so supportive of everyone, even in
and out of character in on camera what you see
with from us chat and from what you don't see
this these group of people are amazing and and even more,
there's much more to this this uh, these these friends
of mine that are life changing, and I really mean that,
not just like oh let's go hang out lah bla blahlah,
subscribe to orcish, but like, honestly, it's really it's life changing.
And the pinnacle of a lot of that is Peev.
You are trusted me and your friendship with me, and
each and every one of you have all become my friend,
both on screen and off screen, and it's been amazing.
So just thank you for all that. I don't know
why I'm talking. I was only in the show for
fifteen minutes, but as long as pay doesn't get to speak,
then I think I've did my job.
Speaker 16: Yeah, just making sure has everyone gone? And Leah said.
Speaker 9: Something I remember watching Gone Lah No, it's over a
year and a half ago now, and I was like,
what the fuck is the show?
Speaker 18: Dude?
Speaker 1: This is insane.
Speaker 23: Never said anything like it. It looks like they're just
making up as they go along. How are they doing that?
They're all really And then Pev was like, hey, do
you want to be on my show?
Speaker 18: And I was like, how a spirson to live up
to that?
Speaker 9: On the fine Sorry, I was terrified every single episode,
and after every episode had then existential crisis because I
was like, how did they do this? But somehow Pep's
like a conductor of the circus ring or whatever and
just manages to like bring it all together in a
way that makes sense.
Speaker 23: And it's like there's like the power of yes. And
the amount of times we were like, hey, I'm going
to do this and people's like, all right.
Speaker 18: That's nowhere else can of go with that?
Speaker 29: But gets in and now I want to.
Speaker 9: I cannot even imagine the trajectory this show would have
gone in if we if people said no to like
half the bullshit we'd come up with.
Speaker 18: So yeah, but these these guys are so talented.
Speaker 9: Like the amount of things I've also stolen from each
and every one of these cost members of.
Speaker 23: Every show, I'm like, what are you doing?
Speaker 9: Can I steal it from you?
Speaker 18: And I've been taking bits, so get fucked.
Speaker 20: But yeah, it's been really really for me.
Speaker 13: She took that from me.
Speaker 16: I just want you guys. It's like you got to
say something and.
Speaker 17: Took it from me.
Speaker 23: Well today you actually made me act and I'm very
upset about that.
Speaker 1: So I don't cry.
Speaker 23: I cry maybe twice a year.
Speaker 9: And I used up most of my crying supply today
and today's show, so there'll be a time where we
need to cry and there'll be nothing. And that's that magic, magic,
magic of the desiccation.
Speaker 18: Yeah.
Speaker 9: But incredible show, awesome experience. It's nice to actually end
a table story.
Speaker 1: Show as well.
Speaker 16: And I went on you as well like I usually do.
It was really good. So I'm just going to see
if I can control some.
Speaker 9: Of the.
Speaker 18: One up for you, which is not something you hear
very often.
Speaker 16: Dan, Have you said anything? Dan should speak now, I haven't.
I've been waiting for faith No.
Speaker 1: No, no, he's going to destroy everyone when she's got
the fai.
Speaker 16: I've got something lined up.
Speaker 13: Yeah, okay, okay, So mostly because I wanted to make
sure that Fade doesn't like murder me later because I tried.
Speaker 16: A couple of moments to continue writing the Oscar winning
affair speech that she's about to pressure.
Speaker 13: Uh no, this is this is great. I got to
be in here for five episodes.
Speaker 1: That's not true.
Speaker 9: But I don't know.
Speaker 1: I wasn't that's not true.
Speaker 13: Is it's not true?
Speaker 12: No?
Speaker 18: You were.
Speaker 1: You played one of the main characters in Nocturne. You
did the miniseries like you're part of the story from
the beginning.
Speaker 13: I mean I meant Kingmakers, but yes, the the PB
Connected universe I've been in very, very long and I
treasure it. So the moment Peb was like, hey, did
you want you want to come back as a boyo
that exists? I went, yeah, of course, Like, no question,
I'll shift my schedule around. It's not not a problem
at all.
Speaker 9: Can we just mention the absolute energy you brought into
it immediately, like just fit stright and like you were
there from the beginning.
Speaker 11: It was amazing, instantly changed dynamic.
Speaker 13: You kind of threw a side comedy character into like
a dramatic tense thing, like, ah, this is happening.
Speaker 16: I guess just.
Speaker 13: Gonna drop weird jokes in the middle of like severe tension.
Speaker 1: Us reason half the cast didn't die in that final
fight with all the rules checking for me so appreciated. Otherwise,
give me a character.
Speaker 13: That throws the book of things. Yeah, so yeah, I tried.
I did try, But yeah, I loved it. I loved
being able to be a part of this and be
a part of the third of like the trifecta of these,
which honestly I wasn't expecting, so that was a very
wonderful gift, Phebe.
Speaker 8: Uh.
Speaker 13: And the other thing I have is, yeah, I just
I am very appreciative of our friendship in so many ways,
and you've quite literally changed my life and you know why.
Speaker 4: So that's what I got for you.
Speaker 1: Thank you, motherfucker. I'm holding it together. Say please help me?
Speaker 16: Hold on? Can we get a music change to please?
Speaker 9: Oh?
Speaker 27: Yeah, yeah, yeah, yeah, Yah, I got I got it,
Got I got it, I got it?
Speaker 34: Is it not?
Speaker 15: Hold on?
Speaker 1: I'm just just I gotta I gotta scroll all the
way up here because it's I think it's this one right,
oh one, yeah it is.
Speaker 16: No, I'm noting this twitch dot tv forward slash failing.
Speaker 1: Oh my ovaries?
Speaker 34: Is it?
Speaker 15: My ol man?
Speaker 23: I love you guys so much.
Speaker 20: What a cast Pebe. Like I said before all the
people in this room, we love you so so much.
Speaker 14: And for you to give us a little piece of
yourself and to be vulnerable with us, and to give
us a safe space to be vulnerable as well, it
is probably one of the most beautiful things that I've
ever been allowed to be a part of.
Speaker 1: So thank you.
Speaker 12: For that.
Speaker 14: The amount of just absolute craziness and stupidity before the
show shifting into all of the crazy emotions just without
any issue from each and every one of you guys
has been phenomenal and it is something that I will
personally cherish forever.
Speaker 20: So thank you guys for being awesome castmates and for
being awesome friends.
Speaker 1: Who not that far anyway.
Speaker 18: Love you guys, Thank you.
Speaker 20: Thanks to everybody for watch it. I hope you guys
enjoyed it. And what a tangled web we weave.
Speaker 1: Oh motherfucker. Okay, it's me now, right, I think so.
It is part of the deal Meyer. I wrote this show.
After the first episode of spelling for you, I went,
I have got to put him in something. Every single
one of you were hand picked because I really adore
your Well, I can't fucking do this with this song playing.
What the fuck was I thinking?
Speaker 22: Is that's how I felt?
Speaker 1: Yeah, I can't do this. Hold hold on, hold up,
hold up, hold up Jesus Christ. Yeah, yeah, yeh yeah,
that's a good shout. That's a good fucking sholl Okay.
I handpicked all of you motherfuckers, every single one, because
I think you're really skilled and talented, and I wanted
you to be a part of something that has been
like five years in the making. Essentially, it's the kind
of end where I was just hoping that it all
tied together, and you carried the show. You carried the
five year project, and I just want to thank you
for doing that. Thank you for being fucking awesome, thank
you for giving one hundred and ten percent always, and
for trusting me because there were a lot of times
where I was like, I cannot tell you why we
are doing this thing, but trust me and you did it.
That was fucking awesome. The other thing I want to
share with you guys, is where the fuck is it?
Speaker 18: Here?
Speaker 2: It is?
Speaker 1: Okay, I would like to read my notes the first
day I uh started working on this show and now
I'm gonna play Fudge's song for it because it's fucking sick. Okay,
you ready, it's not funny if I don't think the book,
I hope that. Okay, Well, show Fudge, thank you for
the fucking music because Jesus Christ, it like made it
made the show something extra special. Okay. So the first
thing I ever wrote for the show was the theremon
speech from the point of view of blackbird. And then
at the very end of it, uh was the now
you must remember you are and always have been playing
a cosmic theremone which is to you, the players, just
as much as it is to the audience as well. However,
where is this note He's hold while I grab it?
I can do this.
Speaker 28: Holy shit, Trench still looks like a bird.
Speaker 4: Yep, so Trench note dresses.
Speaker 1: Yeah exactly. Oh yeah, fucking shout out to Trench, who
like ran to get a mask today.
Speaker 22: In the middle of our meeting.
Speaker 1: Yep, in the middle of the meeting. Was just like yeah,
oh and they both, both Court and Trench took off
work today to be a part of this. So like,
you know, thank you everyone for that. Okay, I did
not know if this was going to be possible. The
entire show should remain as improvised as possible, including the
pre show videos and the garoon monologues. It can be
pre recorded, but all the lines must be improvised. When
asking players to record something, encourage them to write their
own or improvise their own. The only thing that is
prepared will be the theremin's speech, and that will be
read in its entirety at the end, which we didn't
really end up doing, but we read the last bit.
The entire show is an improvised song, and we don't
see the sheet music until the very end. This type
of message can only be delivered with full metaphorical effect
on an improvised stage. So thank you guys for being
a part of that. I love you all so very
very much. It's way over when we were supposed to end,
so we're gonna end it there so Brad can eat
and not kill me. And I love you all and
thanks for that.
Speaker 16: Let's do another three hours.
Speaker 23: Yeah, okay, bye, bye, time for kind of guinness.
Speaker 25: Hello.
Speaker 1: This is Pumpkinberry, but you may know me as narrator Vindn.
Thank you so much for tuning into this story. If
you enjoy it, please take a moment to rate and review.
It really does help us, and for more content like it,
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Once again, thanks for listening, and Kingmaker's returns next week.