WEBVTT

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<v Speaker 1>Get value you can't argue with at Tesco with their

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<v Speaker 1>amazing club card prices. Have the perfect night in with

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<v Speaker 1>their finest frozen pizza meal deal. Get the finest frozen pizza,

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<v Speaker 1>chips and ice cream all for six euro like our

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<v Speaker 1>delicious spicy salami hot honey, and do you or Margarito

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<v Speaker 1>wood fired pizzas served up with their crispy chunkie chips

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<v Speaker 1>and ice cream like sea salta caramel or pistachio for dessert.

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<v Speaker 1>Can't argue with that shop in store or online. Tesco

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<v Speaker 1>Every Little helps available in most stores. Prices vary in express.

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<v Speaker 2>Mum, why did they call it Scottish cheese?

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<v Speaker 3>It's cottage cheese, honey. And I'm not sure.

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<v Speaker 2>Did the dogs in other countries speak different languages?

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<v Speaker 4>Yeah?

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<v Speaker 3>I think so.

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<v Speaker 1>When when we get there, well, we've got to fix

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<v Speaker 1>the car first, but there's someone coming to help us.

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<v Speaker 2>Is it the man from Geneva?

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<v Speaker 5>Not Geneva, he's from a Viva.

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<v Speaker 3>Oh there's a van now.

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<v Speaker 6>For car insurance with breakdown rescue, it takes a Viva

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<v Speaker 6>visit Aviva. Do I eat to say? Fifteen percent acceptance

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<v Speaker 6>criteria terms and conditions apply. Minimum premium of three hundred

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<v Speaker 6>and ten year old. Fifteen percent discount applies to new

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<v Speaker 6>policies bought online. See Aviva Dotta E for details. Car

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<v Speaker 6>insurance is underwritten by Aviva Insurance Arland Duck Aviva Direct

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<v Speaker 6>Arland Limited is regulated by the Central Bank of Ireland.

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<v Speaker 5>Oh hi there, twenty twenty three. Ali here to say

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<v Speaker 5>that I was under the weather this week and I

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<v Speaker 5>felt like hot, soggy garbage.

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<v Speaker 3>So we're revisiting this really lovely and.

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<v Speaker 5>Curious and artistic and naturalistic episode because it's also January

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<v Speaker 5>and you need a calendar, and somebody, this guest now

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<v Speaker 5>sells calendars of his work, so.

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<v Speaker 3>That is a big update. They're really really gorgeous.

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<v Speaker 4>I have one.

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<v Speaker 5>His website is linked in the show notes, including a

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<v Speaker 5>link straight to his calendars, which will sell out soon,

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<v Speaker 5>so get one before they're gone. They're really really beautiful

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<v Speaker 5>and his work is awesome and inspiring. Okay, more with

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<v Speaker 5>him now. Oh hey, it's that older guy at the

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<v Speaker 5>beach watching the sunset who collaps when it's done. Ali

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<v Speaker 5>Ward back with a very very giddy episode of ologies

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<v Speaker 5>up top. I want to let you know this guest

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<v Speaker 5>has a website. Now parah herpetologica dot com. The link

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<v Speaker 5>is in the show notes, so if you want to

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<v Speaker 5>be looking at any of his photography while we talk,

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<v Speaker 5>you can go to that or to his Instagram, which

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<v Speaker 5>is in the show notes. Also, you can buy his

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<v Speaker 5>prints on his website. Thank you to Kyle Sleeper of

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<v Speaker 5>now Labs for putting that together. And the guest also

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<v Speaker 5>has a Patreon. It is linked in the show notes.

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<v Speaker 5>You can directly support his work and see all kinds

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<v Speaker 5>of unreleased photos and behind the scenes, so go to

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<v Speaker 5>his website, follow him on Instagram, and support him at Patreon.

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<v Speaker 5>Okay on with the intro. Thank you to everyone who

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<v Speaker 5>keeps Ologies up among the science goliaths in the podcast

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<v Speaker 5>charts by making sure you're subscribed and by rating, by

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<v Speaker 5>of course reviewing the show. I read all of the reviews.

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<v Speaker 5>I pick a hot, steamy fresh one each week to read,

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<v Speaker 5>and this one was from Plexo nine to one, who

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<v Speaker 5>says Ologies makes me feel like I'm in the best

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<v Speaker 5>classroom discussion on a rainy day with a sub hi brace.

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<v Speaker 5>I appreciate that. Also, Hello to Majestic Worm and why

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<v Speaker 5>do I know you need a nickname? Who both drive

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<v Speaker 5>delivery trucks and are tuning in, so let's keep these

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<v Speaker 5>good vibes roll in with a periology And it just

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<v Speaker 5>did not have a specific ology. I looked at every

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<v Speaker 5>quarter of the internet for one, it didn't exist. But

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<v Speaker 5>this guest is someone you heard on the Black af

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<v Speaker 5>and Stem episode we did last month, and I love his.

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<v Speaker 3>Work so much.

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<v Speaker 5>I just wanted to know more about his wildlife macrophotography process.

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<v Speaker 5>He has so many fans who are ologies listeners. So

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<v Speaker 5>I asked Patreon what ology this would even be, and

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<v Speaker 5>Zultan and Sarah both suggested nature picture taking ology. Rob

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<v Speaker 5>Hover offered wildlife portraitology. Emily's dad and Rachel de guff

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<v Speaker 5>both said close up ologist. But then patron Ellen Silva

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<v Speaker 5>suggested a periology from the Latin apaio, meaning to open

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<v Speaker 5>or reveal, and Ellen wrote of this guest's work that

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<v Speaker 5>these photos certainly reveal a world of detail. Also bonus.

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<v Speaker 5>I was like, yes, pario an aperture of the camera

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<v Speaker 5>also opening different spaces both physically and culturally for more

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<v Speaker 5>people to be included. So yes, a periology. It is

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<v Speaker 5>thank you, Ellen, A word was coined just for this episode.

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<v Speaker 5>Never before, who have we done that on ologies. I'm

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<v Speaker 5>usually very strict that theology exists elsewhere, but this one

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<v Speaker 5>is just a very rare special occasion, and I'm thrilled

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<v Speaker 5>that there is now a periology. So we're going to

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<v Speaker 5>be chatting about the magnificent art and science, which you

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<v Speaker 5>can see on his website again Paraherpetologica dot com linked

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<v Speaker 5>in the show notes side note. A macrophoto is technically

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<v Speaker 5>one in which the size of the subject on the

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<v Speaker 5>film or the image sensor is life size or larger,

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<v Speaker 5>so his artwork is larger than life scientifically speaking. His

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<v Speaker 5>Instagram at Reels on Wheels is just a gallery of

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<v Speaker 5>pensive praygnantises and dead on stares from beetles, the cutest

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<v Speaker 5>spiders with the most cartoony eyes and more. And as

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<v Speaker 5>a lifelong bug lover, I was hooked on his work

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<v Speaker 5>as soon as I saw it, and he now has

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<v Speaker 5>thirteen thousand followers on Instagram, most of them just from

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<v Speaker 5>the last few weeks. It's climbing so fast I wouldn't

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<v Speaker 5>be surprised to see him break like one hundred thousand

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<v Speaker 5>in the next few months, So follow him on there.

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<v Speaker 5>And also, by chance, this episode coincides perfectly with Disability

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<v Speaker 5>Pride month as we celebrate the July nineteen ninety passing

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<v Speaker 5>of the Americans with Disabilities Act. So let's celebrate that

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<v Speaker 5>with a glass of iced tea and listen to his

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<v Speaker 5>process his relationships with animals, why we should appreciate the slithery,

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<v Speaker 5>the scaly, the buggy, the leggy creatures, lenses, cheap gear.

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<v Speaker 3>Hacks, which spiders are the cutest.

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<v Speaker 5>His macro photography mentors, the best place to photograph inverts,

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<v Speaker 5>and more.

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<v Speaker 3>Also, you may.

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<v Speaker 5>Hear some beautiful chirping in the background, and you have

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<v Speaker 5>to listen to the whole episode to find out what

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<v Speaker 5>kind of bird it is. Just think of it as

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<v Speaker 5>a lovely hello from nature. So get ready for your

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<v Speaker 5>eyes and ears and world to open with the wisdom

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<v Speaker 5>and the creativity of wildlife photographer and the world's first

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<v Speaker 5>ever a periologist. Jay Debonroe Online aka Joseph Saunders. I'm

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<v Speaker 5>so excited to talk to you. I feel like you're

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<v Speaker 5>my auntsel Adams. You're like my Annie Leaviss, like my

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<v Speaker 5>favorite photographer. So this is kind of a big deal.

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<v Speaker 5>I need to I'm gonna have to play it much

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<v Speaker 5>cooler than this because I'm like seriously so struck to

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<v Speaker 5>talk to you. So how long have you been doing photography?

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<v Speaker 5>Did you like the outdoors and nature first or did

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<v Speaker 5>you like photography first.

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<v Speaker 4>I've always been a herber at heart. I grew up

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<v Speaker 4>in San Antonio, Texas. Also, just a quick aside, I'm

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<v Speaker 4>actually I was originally born in California.

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<v Speaker 7>Oh.

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<v Speaker 4>I don't know if you're from California, but I realized

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<v Speaker 4>I Shira out that way. I was born in Tinker

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<v Speaker 4>Air Force Base in Fairfield.

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<v Speaker 5>No way, I know exactly where that is. How long

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<v Speaker 5>were you out in California before you moved to Texas?

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<v Speaker 4>Not long enough to have any awesome memories. I think

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<v Speaker 4>I moved from California when I was about three, so

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<v Speaker 4>I really don't remember any of it. My upbringing really

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<v Speaker 4>resides mostly in San Antonio, in a little bit in Phoenix, Arizona,

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<v Speaker 4>but so back to San Antonio. So San Antonio. Chelsea

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<v Speaker 4>one of the other members of Blackefe and Stem, she

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<v Speaker 4>studies an oles, and that was my spark animal was

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<v Speaker 4>the green and ole. Yay, Like the green and ole

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<v Speaker 4>got me completely obsessed with reptiles, amphibians and all that stuff.

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<v Speaker 4>They're everywhere in San Antonio, green and oles and Mediterranean

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<v Speaker 4>geck gos, Like I go back to my brothers who

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<v Speaker 4>still lives there, and like I cannot wait to get

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<v Speaker 4>there because I just start like searching around his house

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<v Speaker 4>looking for a oles so I can so my nieces

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<v Speaker 4>and nephew.

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<v Speaker 5>Of course, growing up in the desert in Arizona, in

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<v Speaker 5>San Antonio, that must have been like the best kind

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<v Speaker 5>of animal to see these wizards.

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<v Speaker 4>So like the crazy thing is and I slap myself

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<v Speaker 4>every time it comes to mind, But I also have

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<v Speaker 4>to remind myself of the reasons to be grateful. I

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<v Speaker 4>was not really involved in herpetology or a better culture

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<v Speaker 4>in any kind of way when I lived in Arizona.

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<v Speaker 4>I went to high school in Arizona. My mom got

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<v Speaker 4>stationed at Blue Air Force Base. I'm so grateful for

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<v Speaker 4>it because the friends that I had there, they were

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<v Speaker 4>the generation that followed a lot of the conflict between

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<v Speaker 4>the War on drugs and the history surrounding that in Oakland, California. Oh,

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<v Speaker 4>and a lot of them left Oakland like seeking a

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<v Speaker 4>better life, and they taught me so much about black

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<v Speaker 4>life that I had no idea because one I was

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<v Speaker 4>raised by white parents my biological mother is white and

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<v Speaker 4>also in the military, So I mean we're like completely

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<v Speaker 4>cut off from like the realities we think, you know,

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<v Speaker 4>our entire bubble is just air force. That was my

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<v Speaker 4>coming to reality moment, was my friendship with them, and

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<v Speaker 4>I'm so grateful to them to this day because you

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<v Speaker 4>know that they opened me up to learn so much

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<v Speaker 4>more about blackness, about the justice issues that we are

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<v Speaker 4>facing now. And there's no way that I could have

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<v Speaker 4>been the person that I am now without them.

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<v Speaker 5>So Joseph moved to Phoenix at fifteen, and it was

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<v Speaker 5>there that this community many people who were driven out

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<v Speaker 5>from Oakland and the Bay Area because of the racial

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<v Speaker 5>underpinnings of this so called war on drugs, and these

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<v Speaker 5>people opened his eyes to his own culture. And he

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<v Speaker 5>also recalled a close friend who, when they were just teens,

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<v Speaker 5>was brutally assaulted by two police officers after just walking

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<v Speaker 5>into a convenience store in a white neighborhood. And Joseph

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<v Speaker 5>says that that was a moment when he really had

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<v Speaker 5>to face the reality of the disparities between how black

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<v Speaker 5>people and white people see the issue racism through their

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<v Speaker 5>own lenses, and his white family didn't always understand. But

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<v Speaker 5>he made friends who did you know.

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<v Speaker 4>The great thing is is while the military are growing up,

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<v Speaker 4>but you know a military brat. It did grant me

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<v Speaker 4>by best friend who I very very firmly say is

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<v Speaker 4>my brother, because we were in kindergarten together and we've

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<v Speaker 4>been together ever since. He was the other black person

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<v Speaker 4>that I knew that actually liked animals and the weird

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<v Speaker 4>ones as much as I did. Like, we were in

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<v Speaker 4>kindergarten together and we would have library days where we

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<v Speaker 4>would go from a classroom over the library and he

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<v Speaker 4>and I would basically barter over which one of us

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<v Speaker 4>got to read the Snake Book, the Spider Book, the

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<v Speaker 4>Shark Book, and it was like, okay, you get this

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<v Speaker 4>one this week, and you know, you take this one

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<v Speaker 4>this week, and then we would switch and we read

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<v Speaker 4>the same ones over and over again, like I can

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<v Speaker 4>still picture like some of the photos, like one of them,

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<v Speaker 4>I think the spider book had had a trap war

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<v Speaker 4>spider on the cover of it. I'm so grateful for

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<v Speaker 4>that because them they're my face. And we go back

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<v Speaker 4>to San Antonio every every year and spend a week

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<v Speaker 4>together with my three nieces and my nephew and you know,

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<v Speaker 4>that's my family. That is my very very black family.

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<v Speaker 4>And also now I have black af and stem and

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<v Speaker 4>that is you know, I have my family, and now

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<v Speaker 4>I also have this amazing black naturalist community. Yeah. So

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<v Speaker 4>as much as my relationship with my relatives on my

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<v Speaker 4>mom's side, as hurtful as that really truly was, I

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<v Speaker 4>have the support. Yeah, I have the foundation that I

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<v Speaker 4>need to be able to go forth and continue.

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<v Speaker 5>So you you started liking animals maybe before photography.

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<v Speaker 4>Oh yes, so I had to. I had a hop

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<v Speaker 4>on my own Facebook page real quick, because I didn't

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<v Speaker 4>actually start taking photos with any sort of seriousness until

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<v Speaker 4>twenty fourteen.

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<v Speaker 5>Really, yep, really I wouldn't. I would have thought that

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<v Speaker 5>it was a lot, because you're really very good at it.

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<v Speaker 5>What what was it that that started? Did you start

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<v Speaker 5>taking iPhone picks or did you did you start by

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<v Speaker 5>getting a camera and just taking it out, you know,

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<v Speaker 5>whenever you go looking for herbs.

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<v Speaker 4>So I'm almost ashamed of this just because of my

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<v Speaker 4>circle of influence. Now, what got me into this is

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<v Speaker 4>that I found out about people who breathe various like

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<v Speaker 4>high end morphs of ball pythons when I was in

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<v Speaker 4>college and I that's what I do. Now, that's that's

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<v Speaker 4>my own business. I'm regularly employed. I have my own employer,

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<v Speaker 4>but my my own small businesses. I reread ball pythons.

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<v Speaker 5>Oh my god.

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<v Speaker 4>So so what I what I found out was I

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<v Speaker 4>was like, okay, so how do I actually take good

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<v Speaker 4>photos of my animals to make sure that you know,

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<v Speaker 4>I'm you know, doing good advertising in this kind of stuff.

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<v Speaker 4>And someone's like, you know, you need to a decent camera.

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<v Speaker 4>And then somebody said one time that you know, you

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<v Speaker 4>need to get a decent macro lens because baby snakes

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<v Speaker 4>are small. You know, you got to make sure that

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<v Speaker 4>you know, you get the right equipment. I was like,

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<v Speaker 4>all right, cool. So I got an old Canon T

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<v Speaker 4>five I back in twenty thirteen, I think, and I

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<v Speaker 4>think it's set on the shelf for a good long

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<v Speaker 4>while because I didn't know what to do with it.

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<v Speaker 4>And after someone mentioned the macro lens, I got the

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<v Speaker 4>cannon one hundred millimeter and I went and I was

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<v Speaker 4>running around the park and playing with it, and I

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<v Speaker 4>realized that I could fit a cricket's head in the

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<v Speaker 4>entire frame many cricket and my mind just exploded it

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<v Speaker 4>and I've just been going completely nuts ever since. I

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<v Speaker 4>was just like, this is too much fun. Bugs are everywhere,

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<v Speaker 4>this is so it's not that it's easy, but it's accessible,

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<v Speaker 4>Like you don't have to hike miles to find some

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<v Speaker 4>sort of a rare species. It's what can you find

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<v Speaker 4>in your own yard and how can you present it

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<v Speaker 4>in such a way to change someone's mind and opinion

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<v Speaker 4>about something that most people just like stomp on without

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<v Speaker 4>you know a second and thought, yeah, I mean that

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<v Speaker 4>ties back into my earlier impression as as a herber Is.

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<v Speaker 4>You know, A big part of it was the recognition

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<v Speaker 4>that this being before I guess being more becoming more

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<v Speaker 4>confident and understanding of my blackness. I've been disabled since birth.

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<v Speaker 4>I have spine of vivida, so I've used a chair

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<v Speaker 4>all my life. So I've always felt, you know, some

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<v Speaker 4>I've always felt empathy and some connection when it came

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<v Speaker 4>to reptiles for a sense of not fitting in, for

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<v Speaker 4>a sense of kind of persecution, not being enough. So

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<v Speaker 4>I really attached on to reptiles kind of for that reason,

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<v Speaker 4>like snakes, especially because I would grow up as a

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<v Speaker 4>kid and watching like documentaries and you know, the various

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<v Speaker 4>facts and David Attenborough talking about reptiles and this and

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<v Speaker 4>that and this is a horned lizard. I'm very beautiful too.

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<v Speaker 4>What I always stood ou to me most was a

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<v Speaker 4>few things. One, how tough scales are. You know, they

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<v Speaker 4>basically are just this form of armor that allows them

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<v Speaker 4>to be able to withstand bites from their prey and

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<v Speaker 4>or other predators, and you know, so on and so forth.

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<v Speaker 4>It gives them this this layer of protection. Another thing

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<v Speaker 4>is being that you know, they can go weeks, maybe

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<v Speaker 4>months without any water months, you know, if they have

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<v Speaker 4>an adequate source of food, since they get about seventy

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<v Speaker 4>percent of their water from their food that they actually eat,

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<v Speaker 4>and they survive it. You know, you can put them

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<v Speaker 4>in like like sidewinders in Arizona or horned vipers, stick

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<v Speaker 4>them out in the middle of the desert, and they're fine,

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<v Speaker 4>pretty good, pretty pretty, pretty pretty good. And I looked

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<v Speaker 4>upon them as an example of as an example of resiliency,

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<v Speaker 4>you know, an example of how to be tough, of

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<v Speaker 4>how to survive, of how to not only not just

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<v Speaker 4>survive just based off of what other people perceive as

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<v Speaker 4>your limitations, but also how to survive when everybody else

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<v Speaker 4>is against.

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<v Speaker 5>You if you're feeling overlooked or underestimated. Right, yeah, how

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<v Speaker 5>beautiful is that? The answer is very beautiful.

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<v Speaker 4>So you know that connection for me and reptiles is

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<v Speaker 4>I think that's why it's been the one thing that

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<v Speaker 4>I've always that has just never gone away. Like you know,

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<v Speaker 4>I used to love sports. I still love sports, but

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<v Speaker 4>I mean I haven't touched the basketball since twenty twelve.

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<v Speaker 4>Spend my time playing ball when I was in my twenties,

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<v Speaker 4>But I just keep coming back to reptiles and now

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<v Speaker 4>the same kind of relationship and perspective still applies when

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<v Speaker 4>it comes to invertebrates because nobody gives it damn about them.

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<v Speaker 4>You know, they get into the house and people it's

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<v Speaker 4>some big thing for people to they think that it's

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<v Speaker 4>some great thing that they don't kill in that they

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00:17:00.600 --> 00:17:02.120
<v Speaker 4>would catch them and release them. I was like, why

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00:17:02.159 --> 00:17:03.360
<v Speaker 4>that should be the norm.

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<v Speaker 5>Yes, there's so few that can actually hurt you. There's

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00:17:07.759 --> 00:17:11.079
<v Speaker 5>so many shower spiders that are just they just want

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<v Speaker 5>to hang out in the corner, right, just let them out.

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<v Speaker 5>But the what you do, the way that you photograph

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<v Speaker 5>these creatures, the number one, your field of focus is

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<v Speaker 5>so shallow that what is so crisp it draws you in.

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<v Speaker 5>It's just magnetic because what's so crisp, your eyes just

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<v Speaker 5>like feasts on and then the backgrounds are so obscured,

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<v Speaker 5>they're just dreamy and it's so easy to focus on

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<v Speaker 5>the subject because that really super shallowed.

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<v Speaker 3>Up the field.

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<v Speaker 5>And what is that?

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<v Speaker 4>Like?

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<v Speaker 5>What kind of gear do you have to bring? Do

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<v Speaker 5>you have a tiny, tiny little studio it's like a

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<v Speaker 5>seamless that you put them on?

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<v Speaker 4>Or are they like?

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00:17:52.160 --> 00:17:55.160
<v Speaker 5>How how are you doing? How are you capturing these images?

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<v Speaker 4>So? I mean a lot of what I do is

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00:17:57.720 --> 00:18:00.359
<v Speaker 4>is actually in the field. You know. Sometimes if I

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00:18:00.400 --> 00:18:02.559
<v Speaker 4>find something that's around the house, I'll ticket inside, so

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00:18:02.599 --> 00:18:04.319
<v Speaker 4>I catch it, wait till it settles down a little bit,

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<v Speaker 4>it gets a little bit desensitized to me, and then

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<v Speaker 4>I'll proceed with photographing it. Otherwise it is it's in

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<v Speaker 4>the field.

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<v Speaker 5>Has it taught you a lot about the ecology because

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<v Speaker 5>you tend to see the same animals in certain.

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<v Speaker 4>Spots, Yes, you know, And that's it's funny that you

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<v Speaker 4>mentioned that because they within black af and stem I'm

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<v Speaker 4>like the undisciplined, like low credential variety out of all

347
00:18:31.960 --> 00:18:33.880
<v Speaker 4>of them, They're all like working on PhDs and this

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<v Speaker 4>and that. I'm like, I got a bachelor's degree in sociology.

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<v Speaker 5>At this point, I was like, that doesn't mean you

350
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<v Speaker 5>don't know your shit, and he was like, yeah, no, no, no,

351
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<v Speaker 5>I know I'm kidding, but he was like polite about it.

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<v Speaker 4>It's my hobby and what I do it does. It

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<v Speaker 4>does teach me a lot about the ecology. Like I

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<v Speaker 4>can name just like about every species of jumping spider

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<v Speaker 4>in the state of Oklahoma. Definitely all the herbs. I

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00:18:55.440 --> 00:18:58.440
<v Speaker 4>can identify all of the frogs and toads in Oklahoma

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<v Speaker 4>by ear. And you know, this is just things that

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00:19:01.799 --> 00:19:03.279
<v Speaker 4>you pick up as a habit because you do this

359
00:19:03.319 --> 00:19:05.440
<v Speaker 4>all the time. If you don't learn this doing what

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00:19:05.440 --> 00:19:07.000
<v Speaker 4>you do is you're trying not to.

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<v Speaker 5>What kind of apps or field guides do you tend

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<v Speaker 5>to rely on more?

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<v Speaker 4>Well, I have a few field guides now, most of

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<v Speaker 4>them are herbs I have. I have a couple of

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<v Speaker 4>bird guides now, I think I have the Sibly bird

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<v Speaker 4>guide and I have a like a general insect guide

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<v Speaker 4>as well, But I honestly I use bugguide dot net

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<v Speaker 4>a lot. Okay, Yeah, that's a really good source when

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<v Speaker 4>you're actually looking, when you have photos and you're trying

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<v Speaker 4>to identify, you know, whatever, the the invertebrate that you

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<v Speaker 4>found is like the biomass and biodiversity of arthropause is

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<v Speaker 4>just so insane that you you have to be patient

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00:19:46.079 --> 00:19:50.000
<v Speaker 4>with yourself. You can't expect, you know, this level of

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<v Speaker 4>expertise and this you are really diving into a specific

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<v Speaker 4>family or genus of a group of animals, and this

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00:20:00.160 --> 00:20:04.599
<v Speaker 4>identifies stuff often. Yeah, and that's perfectly fine because and

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00:20:04.920 --> 00:20:10.119
<v Speaker 4>so people will correct you. And that's that is part

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<v Speaker 4>of the culture, is that you accept correction. There's nobody

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00:20:12.920 --> 00:20:15.920
<v Speaker 4>that gets really too upset about it, and it's just like, no,

380
00:20:16.000 --> 00:20:17.440
<v Speaker 4>it's that and it's like, oh, okay, thanks.

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<v Speaker 5>Joseph has met a ton of naturalist friends online, but

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<v Speaker 5>he does most of his shooting in Oklahoma City, where

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<v Speaker 5>he lives now. He told me that, well, Oklahoma prides

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<v Speaker 5>itself on being the reddest of the Red States. One

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<v Speaker 5>great thing about Oklahoma is that a lot of people

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<v Speaker 5>don't realize that it has, per capita, the most historical

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<v Speaker 5>black towns than any other state. And you may, of

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00:20:38.799 --> 00:20:41.640
<v Speaker 5>course be familiar with the history of Tulsa's Greenwood District,

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00:20:41.680 --> 00:20:43.880
<v Speaker 5>which is also known as Black Wall Street, and that

390
00:20:43.960 --> 00:20:46.839
<v Speaker 5>was the site of the Tulsa Race Massacre of nineteen

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<v Speaker 5>twenty one. And he told me that Oklahoma's diverse population

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00:20:50.359 --> 00:20:52.960
<v Speaker 5>is partly the result of the trail of tears that

393
00:20:53.079 --> 00:20:57.680
<v Speaker 5>forced indigenous people off their lands and other traumatic relocation

394
00:20:57.799 --> 00:21:00.400
<v Speaker 5>practices from the Old South. But he went to college

395
00:21:00.400 --> 00:21:03.359
<v Speaker 5>there and says at the time he was eating and

396
00:21:03.400 --> 00:21:07.240
<v Speaker 5>sleeping and breathing basketball. But in all that time, maybe

397
00:21:07.279 --> 00:21:10.039
<v Speaker 5>only had three black teammates. And I asked why he

398
00:21:10.079 --> 00:21:10.720
<v Speaker 5>thinks that was.

399
00:21:11.000 --> 00:21:14.559
<v Speaker 4>And I mean, black people are severely underrepresented in Wiltria basketball,

400
00:21:14.559 --> 00:21:15.759
<v Speaker 4>at least they were at the time that I was

401
00:21:15.759 --> 00:21:17.599
<v Speaker 4>in college. It's now been a while. Anytime that you

402
00:21:17.640 --> 00:21:19.680
<v Speaker 4>look at something, if there is a lack of representation,

403
00:21:20.799 --> 00:21:24.160
<v Speaker 4>it's pretty safe bet to at least start to consider

404
00:21:24.240 --> 00:21:27.079
<v Speaker 4>that there's some discrimination involved there. And it's a matter

405
00:21:27.079 --> 00:21:30.599
<v Speaker 4>of kind of diving down into root cause analysis. So

406
00:21:30.880 --> 00:21:33.640
<v Speaker 4>like with my case, like with spin and bifida, I

407
00:21:33.680 --> 00:21:36.359
<v Speaker 4>know black children are much more likely to have spina bifida,

408
00:21:36.400 --> 00:21:39.799
<v Speaker 4>and this normally is a result of the medical neglect

409
00:21:39.960 --> 00:21:44.039
<v Speaker 4>of black mothers. Spaina bifida is something that occurs due

410
00:21:44.079 --> 00:21:47.680
<v Speaker 4>to a deficiency in full of acid that happens in utero.

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00:21:48.759 --> 00:21:54.279
<v Speaker 4>Very avoidable, and it's not avoided when mothers expecting mothers

412
00:21:54.319 --> 00:21:57.519
<v Speaker 4>aren't taken care of, which is why that it happens

413
00:21:57.519 --> 00:21:59.920
<v Speaker 4>more often in black children because Black women don't have

414
00:22:00.160 --> 00:22:02.799
<v Speaker 4>as good as access to adequate medical care.

415
00:22:03.400 --> 00:22:07.680
<v Speaker 5>Right, Okay, side note that is tragically a gross understatement.

416
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<v Speaker 5>The Centers for Disease Control released a report in September

417
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<v Speaker 5>twenty nineteen, and it opened with this bold and very

418
00:22:14.599 --> 00:22:19.160
<v Speaker 5>heartbreaking statement quote, Black American, Indian and Alaska Native women

419
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<v Speaker 5>are two to three times more likely to die from

420
00:22:22.200 --> 00:22:26.440
<v Speaker 5>pregnancy related causes than white women, and this disparity increases

421
00:22:26.599 --> 00:22:28.839
<v Speaker 5>with age. I'm sorry that their language is not more

422
00:22:28.839 --> 00:22:32.200
<v Speaker 5>inclusive of non binary and transmen who can have babies,

423
00:22:32.240 --> 00:22:36.559
<v Speaker 5>but it continues most pregnancy related deaths are preventable. Racial

424
00:22:36.599 --> 00:22:40.720
<v Speaker 5>and ethnic disparities in pregnancy related deaths have persisted over.

425
00:22:40.559 --> 00:22:43.200
<v Speaker 4>Time, it says, and also, I mean when you go

426
00:22:43.359 --> 00:22:47.079
<v Speaker 4>to just the histories of redlining and the getilization of

427
00:22:47.119 --> 00:22:51.000
<v Speaker 4>America also playing into medical care and the proper medical

428
00:22:51.000 --> 00:22:57.440
<v Speaker 4>care also of these disabled children, what then become the

429
00:22:57.480 --> 00:23:02.599
<v Speaker 4>opportunities and the accessibility of these children to find adaptive

430
00:23:02.640 --> 00:23:06.039
<v Speaker 4>sports opportunities. My mom was in the military, so I

431
00:23:06.039 --> 00:23:07.279
<v Speaker 4>mean I didn't have to deal with a lot of

432
00:23:07.279 --> 00:23:10.720
<v Speaker 4>those struggles. I mean, obviously something happened with the care

433
00:23:10.920 --> 00:23:14.759
<v Speaker 4>that my mom received, even from the military standpoints as

434
00:23:14.799 --> 00:23:17.400
<v Speaker 4>far as medical care is concerned. But growing up ultimately

435
00:23:17.480 --> 00:23:21.920
<v Speaker 4>middle class, she was able to find resources and outlets

436
00:23:21.960 --> 00:23:28.240
<v Speaker 4>for me that centered disability. Now is the next part

437
00:23:28.279 --> 00:23:30.039
<v Speaker 4>where well, I mean I had learned to center blackness

438
00:23:30.079 --> 00:23:31.759
<v Speaker 4>for myself. It's not something that I could have ever

439
00:23:31.839 --> 00:23:33.839
<v Speaker 4>learned from her, And so now it's a matter of

440
00:23:33.960 --> 00:23:36.279
<v Speaker 4>dealing with, you know, both of those things. Because I

441
00:23:36.319 --> 00:23:41.400
<v Speaker 4>am black and I'm a paraplegic all the time. I

442
00:23:41.440 --> 00:23:44.200
<v Speaker 4>can't be one or the other before the other. I

443
00:23:44.240 --> 00:23:45.680
<v Speaker 4>am both at all times.

444
00:23:46.000 --> 00:23:47.440
<v Speaker 5>What was it like for Joseph to get to know

445
00:23:47.480 --> 00:23:50.359
<v Speaker 5>the folks from Black AF and STEM who've been personally

446
00:23:50.519 --> 00:23:54.119
<v Speaker 5>making my timelines one million percent better since they launched

447
00:23:54.119 --> 00:23:57.079
<v Speaker 5>Blackbirds Week in late May. How did you become introduced

448
00:23:57.079 --> 00:23:58.359
<v Speaker 5>to them? What was that like for you?

449
00:24:00.079 --> 00:24:03.720
<v Speaker 4>It is this this whole thing, you know, I'm actually

450
00:24:03.799 --> 00:24:06.599
<v Speaker 4>one of the newer members of Black EF and stem.

451
00:24:07.079 --> 00:24:10.200
<v Speaker 4>I think I came in around February. It was Alex

452
00:24:10.240 --> 00:24:12.319
<v Speaker 4>Troutman that brought me in. So he had he had

453
00:24:12.319 --> 00:24:14.799
<v Speaker 4>a post on Facebook about not looking like a scientist

454
00:24:14.880 --> 00:24:18.000
<v Speaker 4>because he's black, and he kind of, you know, dove into,

455
00:24:18.440 --> 00:24:21.000
<v Speaker 4>you know, this long piece about now I'm still a scientist,

456
00:24:21.200 --> 00:24:23.359
<v Speaker 4>you know, black. This ain't got nothing to do with it.

457
00:24:23.759 --> 00:24:26.480
<v Speaker 4>I'm a black scientist, and that went viral. I wasn't

458
00:24:26.519 --> 00:24:28.920
<v Speaker 4>friends with him, but I saw that and I was like, hey, hell,

459
00:24:29.599 --> 00:24:33.000
<v Speaker 4>we should be friends. And then he hit me back,

460
00:24:33.079 --> 00:24:34.880
<v Speaker 4>He's like, did you know about you know, this group me?

461
00:24:34.920 --> 00:24:39.160
<v Speaker 4>And I was like, I had no idea, what's going on? Yeah? Yeah?

462
00:24:39.240 --> 00:24:41.000
<v Speaker 4>And so he let me in and then I realized,

463
00:24:41.000 --> 00:24:43.079
<v Speaker 4>you know, there was some familiar faces in there, like

464
00:24:43.160 --> 00:24:46.160
<v Speaker 4>Carl Geyton, the Crock guy. I think I've been friends

465
00:24:46.160 --> 00:24:49.960
<v Speaker 4>with Carl actually longer than any of them, and Karna

466
00:24:50.039 --> 00:24:52.720
<v Speaker 4>Knewsome and you know other people that I was already familiar, Like,

467
00:24:52.759 --> 00:24:54.240
<v Speaker 4>you know, I've just been hanging out in here, and

468
00:24:54.519 --> 00:24:58.319
<v Speaker 4>I just now getting the invitation. What was going on?

469
00:25:00.119 --> 00:25:05.079
<v Speaker 5>That must have felt like walking into the best party ever?

470
00:25:05.400 --> 00:25:11.920
<v Speaker 4>Yes, absolutely, And then you know, and the momentum has

471
00:25:12.000 --> 00:25:16.119
<v Speaker 4>just obviously has just increased like exponentially since that point

472
00:25:16.119 --> 00:25:18.599
<v Speaker 4>that I came in. I mean, initially it was just

473
00:25:18.640 --> 00:25:21.960
<v Speaker 4>this lively place where we could just kind of set

474
00:25:22.039 --> 00:25:24.920
<v Speaker 4>down all of the armor that we kind of carry

475
00:25:25.200 --> 00:25:27.759
<v Speaker 4>with us into the field in the other predominantly white spaces,

476
00:25:27.799 --> 00:25:31.240
<v Speaker 4>and like everybody here is black, and everybody here those animals. Yeah,

477
00:25:31.279 --> 00:25:34.559
<v Speaker 4>this is great. This is the place that I've been

478
00:25:34.559 --> 00:25:35.640
<v Speaker 4>trying to get to all my life.

479
00:25:35.759 --> 00:25:39.400
<v Speaker 5>I did an episode about code switching with doctor Nicole Holliday,

480
00:25:39.400 --> 00:25:46.319
<v Speaker 5>who's a linguist, and I imagine the code switching dealing

481
00:25:47.240 --> 00:25:51.640
<v Speaker 5>in the scientific world must be exhausting. I feel like

482
00:25:51.680 --> 00:25:54.519
<v Speaker 5>already so many people feel like in science they can't

483
00:25:54.519 --> 00:25:59.160
<v Speaker 5>bring their true selves. But it must be such a

484
00:25:59.160 --> 00:26:04.640
<v Speaker 5>relief to fully be in a group of people who

485
00:26:04.680 --> 00:26:07.039
<v Speaker 5>have such similar experiences and you can feel like you

486
00:26:07.079 --> 00:26:10.519
<v Speaker 5>can be you know, completely authentic.

487
00:26:10.119 --> 00:26:13.079
<v Speaker 4>With Yes, definitely, I mean, code switching is a part

488
00:26:13.079 --> 00:26:15.240
<v Speaker 4>of it. I think my favorite thing about it that

489
00:26:15.319 --> 00:26:19.400
<v Speaker 4>I've thought about is honestly his hair. So you know,

490
00:26:19.440 --> 00:26:22.079
<v Speaker 4>there's very many different types of hair, and so we have,

491
00:26:22.200 --> 00:26:24.200
<v Speaker 4>you know, various zoom meetings, and we're having like zoom

492
00:26:24.200 --> 00:26:28.440
<v Speaker 4>meetings just for like, you know, social evenings. Before black

493
00:26:28.440 --> 00:26:33.640
<v Speaker 4>Bird's week, we would have like game nights, and so

494
00:26:33.720 --> 00:26:35.640
<v Speaker 4>like when I have really long hair, it's like down

495
00:26:35.680 --> 00:26:38.200
<v Speaker 4>to about the middle of my back. When I go

496
00:26:38.279 --> 00:26:41.359
<v Speaker 4>to work at my regular day job, I almost always

497
00:26:41.359 --> 00:26:44.440
<v Speaker 4>have my hair pulled back in a ponytail because I

498
00:26:44.480 --> 00:26:47.200
<v Speaker 4>figured out very quickly. If I don't do that, white

499
00:26:47.200 --> 00:26:49.559
<v Speaker 4>people end up making really stupid comments. And it's just like,

500
00:26:49.599 --> 00:26:51.400
<v Speaker 4>you know what, I'm just have my hair down. Why

501
00:26:51.440 --> 00:26:53.359
<v Speaker 4>are you even talking to me for having my hair down?

502
00:26:54.599 --> 00:26:58.400
<v Speaker 4>That doesn't happen in black spaces. Nobody cares that your

503
00:26:58.440 --> 00:27:01.359
<v Speaker 4>hair is down. Everybody has some sort of type of

504
00:27:01.400 --> 00:27:05.160
<v Speaker 4>hair that is close to what yours is. Sometimes it's messy,

505
00:27:05.279 --> 00:27:09.440
<v Speaker 4>sometimes it's like covered in a head wrap. And in

506
00:27:09.519 --> 00:27:12.160
<v Speaker 4>those group chats, in those moments, in those zoom meetings,

507
00:27:12.200 --> 00:27:16.759
<v Speaker 4>it is normal and there's never a comment made unless

508
00:27:16.759 --> 00:27:18.559
<v Speaker 4>it's when less we get into a topic about talking

509
00:27:18.599 --> 00:27:22.920
<v Speaker 4>about hair care or hair care in the field, it's

510
00:27:23.720 --> 00:27:26.440
<v Speaker 4>you're just like everybody else. Yeah, you don't have to

511
00:27:26.440 --> 00:27:31.240
<v Speaker 4>worry about ignorance. It's very freeing and it makes it

512
00:27:31.400 --> 00:27:33.680
<v Speaker 4>very comfortable and makes it feel very safe.

513
00:27:33.920 --> 00:27:36.359
<v Speaker 5>That's one thing that really struck me about the blackaff

514
00:27:36.839 --> 00:27:42.440
<v Speaker 5>live streams. That was really beautiful to see because so

515
00:27:42.640 --> 00:27:48.240
<v Speaker 5>often people who are black and stem are tokenized or

516
00:27:49.519 --> 00:27:53.680
<v Speaker 5>are on a panel where it feels like they have

517
00:27:53.759 --> 00:27:57.640
<v Speaker 5>to represent everyone who has ever been in science and

518
00:27:57.720 --> 00:27:59.880
<v Speaker 5>black at the same time, that kind of weight is

519
00:28:00.200 --> 00:28:02.440
<v Speaker 5>on them, and it was really wonderful to watch the

520
00:28:02.480 --> 00:28:07.200
<v Speaker 5>live streams to see that kind of burden be lifted

521
00:28:07.480 --> 00:28:09.960
<v Speaker 5>and to see people be just be able to be

522
00:28:10.480 --> 00:28:14.440
<v Speaker 5>completely themselves and much more care free in a space

523
00:28:14.680 --> 00:28:16.880
<v Speaker 5>where they knew that they were safe. It was really

524
00:28:16.920 --> 00:28:19.880
<v Speaker 5>such a joy to be witnessed too, you.

525
00:28:19.839 --> 00:28:22.319
<v Speaker 4>Know, you know, and I mean it's a it's a

526
00:28:22.319 --> 00:28:24.920
<v Speaker 4>great thing that you are even able to acknowledge that

527
00:28:24.920 --> 00:28:27.920
<v Speaker 4>because a lot of people don't even realize how how

528
00:28:27.960 --> 00:28:30.920
<v Speaker 4>guarded and how unsafe we feel in most spaces, because

529
00:28:30.920 --> 00:28:32.680
<v Speaker 4>we are so used to kind of putting on faces

530
00:28:32.759 --> 00:28:35.640
<v Speaker 4>and portraying ourselves in such a way that doesn't you know,

531
00:28:35.839 --> 00:28:38.799
<v Speaker 4>upset the white gaze and other things, and so to

532
00:28:38.839 --> 00:28:41.680
<v Speaker 4>acknowledge to be able to see that, you know, when

533
00:28:41.720 --> 00:28:44.039
<v Speaker 4>when we're just being us and we're not just we're

534
00:28:44.160 --> 00:28:46.240
<v Speaker 4>we're not trying to put on a face for anybody

535
00:28:47.319 --> 00:28:48.240
<v Speaker 4>it's a whole different thing.

536
00:28:48.400 --> 00:28:50.839
<v Speaker 5>And I loved like that your approach to science was

537
00:28:50.880 --> 00:28:55.920
<v Speaker 5>so artistic and so like zeroed in on kind of

538
00:28:55.960 --> 00:28:59.559
<v Speaker 5>the beauty of things that have been overlooked, and other

539
00:28:59.599 --> 00:29:03.519
<v Speaker 5>people might approach their science differently. In the Black af

540
00:29:03.559 --> 00:29:07.279
<v Speaker 5>and Stem episode, Joseph submitted a clip addressing BBC and

541
00:29:07.519 --> 00:29:10.759
<v Speaker 5>National Geographic directly saying quotes, I have yet.

542
00:29:10.720 --> 00:29:14.079
<v Speaker 4>To meet more than maybe two or three other people

543
00:29:14.960 --> 00:29:19.839
<v Speaker 4>with an injury like mine who are also naturalists. This

544
00:29:19.880 --> 00:29:22.759
<v Speaker 4>is a really good opportunity for BBC, not GEO. If

545
00:29:22.759 --> 00:29:25.039
<v Speaker 4>you guys are listening, you y'all, y'all don't have any

546
00:29:25.119 --> 00:29:28.039
<v Speaker 4>representation for disabled people amongst your photographers.

547
00:29:28.079 --> 00:29:30.119
<v Speaker 5>Direct to the point and admirable.

548
00:29:30.240 --> 00:29:31.519
<v Speaker 3>I was like, I like this guy.

549
00:29:31.880 --> 00:29:36.640
<v Speaker 5>How represented do you feel in wildlife photography? Because I

550
00:29:36.680 --> 00:29:42.559
<v Speaker 5>feel like most working wildlife photographers are ruddy white dudes

551
00:29:42.759 --> 00:29:46.759
<v Speaker 5>in car hearts, Like you know what I mean, Like,

552
00:29:47.160 --> 00:29:49.839
<v Speaker 5>what does that feel like? And what should it be?

553
00:29:51.720 --> 00:29:54.720
<v Speaker 4>You know, it's it's kind of that's multi layered. So

554
00:29:55.359 --> 00:29:59.440
<v Speaker 4>there's on one hand, you know, like the comment that

555
00:29:59.480 --> 00:30:00.960
<v Speaker 4>I made when I sent in my clip, I mean

556
00:30:00.960 --> 00:30:04.359
<v Speaker 4>that stands there. There really is no representation. I don't think, honestly,

557
00:30:04.400 --> 00:30:07.720
<v Speaker 4>in photography period, I can't think of anybody that I

558
00:30:07.799 --> 00:30:10.440
<v Speaker 4>know that has a physical disability that is well known

559
00:30:10.440 --> 00:30:17.319
<v Speaker 4>in photography. In wildlife photography, I mean it's even harder.

560
00:30:17.319 --> 00:30:22.160
<v Speaker 4>And I mean some of that is there's a rationale

561
00:30:22.240 --> 00:30:24.920
<v Speaker 4>to some of it, because there are some places, some

562
00:30:25.039 --> 00:30:29.279
<v Speaker 4>locations that it is simply highly unlikely, if not impossible,

563
00:30:29.319 --> 00:30:32.039
<v Speaker 4>to get any kind of a wheelchair to go. And

564
00:30:32.119 --> 00:30:36.119
<v Speaker 4>I accept that. What I have trouble accepting is that

565
00:30:36.200 --> 00:30:38.720
<v Speaker 4>nobody is actually willing to put forth any sort of

566
00:30:38.799 --> 00:30:42.960
<v Speaker 4>mental energy to create any sort of solutions or diversity

567
00:30:43.000 --> 00:30:47.799
<v Speaker 4>around that. Like just looking at what using myself as

568
00:30:47.799 --> 00:30:54.519
<v Speaker 4>an example, obviously, somebody with mobility limitations can get pretty

569
00:30:54.519 --> 00:30:57.799
<v Speaker 4>good at macrophotography because insects are not that hard to

570
00:30:57.839 --> 00:31:01.319
<v Speaker 4>come by, at least for now. We can talk about

571
00:31:01.319 --> 00:31:06.200
<v Speaker 4>the declining rate of the biomass of arthropods, which is terrifying.

572
00:31:06.640 --> 00:31:09.319
<v Speaker 5>Okay, quick aside, I don't want to alarm you, but

573
00:31:09.799 --> 00:31:13.400
<v Speaker 5>I looked into it, and some scientists are calling this

574
00:31:13.640 --> 00:31:18.000
<v Speaker 5>the insect apocalypse. It's very bad. So, according to a

575
00:31:18.039 --> 00:31:21.039
<v Speaker 5>recent story in Science Daily, only ten to twenty percent

576
00:31:21.079 --> 00:31:24.400
<v Speaker 5>of insects and other invertebrate species have even been described

577
00:31:24.680 --> 00:31:28.680
<v Speaker 5>and named, and some populations of flying insects, like those

578
00:31:28.720 --> 00:31:32.960
<v Speaker 5>in parts of Germany, have declined seventy three percent in

579
00:31:33.000 --> 00:31:36.799
<v Speaker 5>the last three decades. Is it because you keep squishing

580
00:31:36.799 --> 00:31:39.519
<v Speaker 5>them with a kleenex and putting them in the toilet?

581
00:31:39.799 --> 00:31:40.160
<v Speaker 4>Well?

582
00:31:40.400 --> 00:31:40.880
<v Speaker 3>Yes and no.

583
00:31:41.119 --> 00:31:45.720
<v Speaker 5>There's a lot of factors, chiefly habitat loss, pollution, invasive species,

584
00:31:45.759 --> 00:31:49.359
<v Speaker 5>and climate change all contribute. You are sad right now,

585
00:31:49.400 --> 00:31:51.240
<v Speaker 5>and I understand because I am too.

586
00:31:51.480 --> 00:31:52.319
<v Speaker 3>I love a bug?

587
00:31:52.359 --> 00:31:52.960
<v Speaker 4>Are you kidding?

588
00:31:53.000 --> 00:31:53.839
<v Speaker 3>So what can we do?

589
00:31:53.960 --> 00:31:56.960
<v Speaker 5>Dad Ward can kiss a bug on its tiny face.

590
00:31:57.400 --> 00:32:00.559
<v Speaker 5>It's tempting, but it's not helpful. So this same Science

591
00:32:00.640 --> 00:32:03.799
<v Speaker 5>Daily article had a tidy list of what you can do,

592
00:32:04.039 --> 00:32:05.960
<v Speaker 5>which I will now read off with my mouth.

593
00:32:06.119 --> 00:32:06.319
<v Speaker 4>One.

594
00:32:06.640 --> 00:32:11.039
<v Speaker 5>Avoid mowing your garden frequently. Just let nature grow and feed.

595
00:32:11.119 --> 00:32:16.039
<v Speaker 5>Insects here welcome. Two plant native plants. Three, avoid pesticides.

596
00:32:16.319 --> 00:32:20.200
<v Speaker 5>Four Leave old trees, stumps, and dead leaves alone. That's

597
00:32:20.200 --> 00:32:20.880
<v Speaker 5>where bugs live.

598
00:32:21.039 --> 00:32:21.319
<v Speaker 3>Five.

599
00:32:21.599 --> 00:32:23.440
<v Speaker 5>Build an insect hotel. Why don't you?

600
00:32:23.880 --> 00:32:24.160
<v Speaker 3>Six?

601
00:32:24.359 --> 00:32:27.799
<v Speaker 5>Reduce your carbon footprint in general. Seven Support and volunteer

602
00:32:27.799 --> 00:32:29.319
<v Speaker 5>in conservation organizations.

603
00:32:29.559 --> 00:32:29.799
<v Speaker 4>Eight.

604
00:32:30.240 --> 00:32:33.440
<v Speaker 5>Don't release non native species. So if your grandpa does

605
00:32:33.440 --> 00:32:36.559
<v Speaker 5>not appreciate the emotional support iguana you got him. Do

606
00:32:36.680 --> 00:32:39.359
<v Speaker 5>not let him release it on the patio. Nobody wants

607
00:32:39.359 --> 00:32:43.319
<v Speaker 5>that except the iguana and your grandpa. And lastly, the

608
00:32:43.440 --> 00:32:47.359
<v Speaker 5>article said, and I quote, be more aware of Tiindy creatures.

609
00:32:47.480 --> 00:32:50.880
<v Speaker 5>Always look on the small side of life. So appreciate

610
00:32:50.880 --> 00:32:51.319
<v Speaker 5>the bugs.

611
00:32:51.319 --> 00:32:51.680
<v Speaker 3>You see.

612
00:32:51.839 --> 00:32:56.039
<v Speaker 5>They are precious and we need them. And also just superficially,

613
00:32:56.079 --> 00:33:00.279
<v Speaker 5>they're very beautiful. Also about those conservation organizations, Joseph would

614
00:33:00.319 --> 00:33:04.240
<v Speaker 5>love to be working with them on accessibility, but you know.

615
00:33:04.440 --> 00:33:06.799
<v Speaker 4>It's stuff like that that is, I guess is a

616
00:33:06.839 --> 00:33:09.079
<v Speaker 4>little more frustrating. And also when you look at the

617
00:33:09.079 --> 00:33:13.839
<v Speaker 4>institutional level, like I've looked at possible ways to get

618
00:33:14.240 --> 00:33:16.599
<v Speaker 4>out of my current line of work and into something

619
00:33:16.640 --> 00:33:21.799
<v Speaker 4>that is more conservation based, and organizations like US Fish

620
00:33:21.839 --> 00:33:25.240
<v Speaker 4>and Wildlife or the various state departments, they all require

621
00:33:25.319 --> 00:33:29.119
<v Speaker 4>you to have at a minimum of whatever the education

622
00:33:29.279 --> 00:33:32.599
<v Speaker 4>requirements is in natural sciences. My thoughts surrounding that is

623
00:33:32.680 --> 00:33:36.200
<v Speaker 4>some of these institutions they do have people that are

624
00:33:38.039 --> 00:33:44.799
<v Speaker 4>on programs or push programs about accessibility or diversity, and

625
00:33:44.799 --> 00:33:50.039
<v Speaker 4>I'm like, okay, but where are the people that actually

626
00:33:50.079 --> 00:33:52.119
<v Speaker 4>have to use these things, because most of the people

627
00:33:52.119 --> 00:33:56.200
<v Speaker 4>that I see on their accessibility programs are not people

628
00:33:56.240 --> 00:34:00.359
<v Speaker 4>with accessibility limitations. Oh that's rich, that's really rich. Why

629
00:34:00.440 --> 00:34:02.000
<v Speaker 4>is it necessary to make sure that they have a

630
00:34:02.079 --> 00:34:04.599
<v Speaker 4>bassors or masters in one of the natural sciences. They're

631
00:34:04.599 --> 00:34:08.199
<v Speaker 4>working on your accessibility program. They don't need to know

632
00:34:08.239 --> 00:34:10.079
<v Speaker 4>all of the other stuff. And you can teach them

633
00:34:10.079 --> 00:34:12.840
<v Speaker 4>about all this other stuff anyway, because that's what your

634
00:34:12.960 --> 00:34:16.519
<v Speaker 4>entire organization is about. There's more that you can learn

635
00:34:16.559 --> 00:34:21.039
<v Speaker 4>from them than anything. So exactly open up the door

636
00:34:21.400 --> 00:34:24.920
<v Speaker 4>and actually improve the overall infrastructure of your organization.

637
00:34:26.199 --> 00:34:29.559
<v Speaker 5>So if there are accessibility positions out there, staff them

638
00:34:29.599 --> 00:34:33.400
<v Speaker 5>with folks who know the most about accessibility issues rather

639
00:34:33.440 --> 00:34:37.760
<v Speaker 5>than have these stringent natural science degree requirements. So Joseph

640
00:34:37.840 --> 00:34:41.920
<v Speaker 5>also told me about being part of several communities at once,

641
00:34:42.360 --> 00:34:44.320
<v Speaker 5>something that other folks may not even consider.

642
00:34:44.760 --> 00:34:48.760
<v Speaker 4>I had a talk with doctor Newberry at Bucknell University

643
00:34:48.880 --> 00:34:54.840
<v Speaker 4>a while ago. We were talking about essentially black people

644
00:34:54.960 --> 00:34:59.159
<v Speaker 4>in natural sciences and stuff like that, And the biggest

645
00:34:59.199 --> 00:35:01.880
<v Speaker 4>thing that I said to him, or I think the important

646
00:35:01.840 --> 00:35:03.559
<v Speaker 4>thing that I said to him, is when it comes

647
00:35:03.599 --> 00:35:05.880
<v Speaker 4>to you know, this momentum that that black life and

648
00:35:05.880 --> 00:35:09.480
<v Speaker 4>STEM and other organizations are creating now. It is to

649
00:35:09.519 --> 00:35:13.800
<v Speaker 4>create a sense of camaraderie. I don't want to have

650
00:35:13.880 --> 00:35:18.280
<v Speaker 4>to leave my Black community to have my needs met

651
00:35:18.280 --> 00:35:22.639
<v Speaker 4>as a disabled person. I want my Black community to

652
00:35:22.679 --> 00:35:25.559
<v Speaker 4>be able to meet those needs, because if I have

653
00:35:25.559 --> 00:35:27.000
<v Speaker 4>to leave that Black community and I have to go

654
00:35:27.039 --> 00:35:28.639
<v Speaker 4>to this other one, that means that I have to

655
00:35:28.679 --> 00:35:32.320
<v Speaker 4>start dealing with the anti blackness that exists within those communities.

656
00:35:32.360 --> 00:35:34.320
<v Speaker 4>And I don't want that either. Yeah, it's important to

657
00:35:34.360 --> 00:35:37.000
<v Speaker 4>me that as we go forward that we are creating

658
00:35:37.079 --> 00:35:41.480
<v Speaker 4>spaces and opportunities for accessibility and stuff that is not

659
00:35:41.480 --> 00:35:46.719
<v Speaker 4>not something where we're targeting disability and where that's the

660
00:35:46.840 --> 00:35:50.840
<v Speaker 4>overall emphasis, but we are simply creating a doorway for

661
00:35:50.920 --> 00:35:53.079
<v Speaker 4>them to come into the larger community and to go

662
00:35:53.199 --> 00:35:54.880
<v Speaker 4>on these tracks with the rest.

663
00:35:54.920 --> 00:35:59.079
<v Speaker 5>So much, is there anything equipment wise that can that

664
00:35:59.159 --> 00:36:01.639
<v Speaker 5>can be made available people that would help with that,

665
00:36:01.840 --> 00:36:03.639
<v Speaker 5>anything that exists, anything that you wish.

666
00:36:03.519 --> 00:36:07.039
<v Speaker 4>Exists, wish exists. Yeah, well, I mean there's stuff that

667
00:36:07.400 --> 00:36:10.360
<v Speaker 4>does exist. So and I've seen various models. The one

668
00:36:10.360 --> 00:36:12.159
<v Speaker 4>that I get the most is people will send me

669
00:36:12.400 --> 00:36:17.000
<v Speaker 4>this chair that they've seen that is mostly it's like motorized,

670
00:36:17.480 --> 00:36:19.840
<v Speaker 4>and it's large enough that basically you can push your

671
00:36:19.920 --> 00:36:22.239
<v Speaker 4>manual chair into it and it basically locks into it,

672
00:36:22.280 --> 00:36:24.480
<v Speaker 4>and it has like these tank tracks ps.

673
00:36:24.519 --> 00:36:27.119
<v Speaker 5>I look this up and yes, it's like a small tank.

674
00:36:27.440 --> 00:36:29.679
<v Speaker 5>I mean, on one hand, there's some rugged fund to

675
00:36:29.719 --> 00:36:31.719
<v Speaker 5>be had, but on the other.

676
00:36:31.960 --> 00:36:33.719
<v Speaker 4>And I'm like, what would I do with that in

677
00:36:33.760 --> 00:36:36.519
<v Speaker 4>the field other than just destroy a whole bunch of habitat.

678
00:36:37.960 --> 00:36:40.199
<v Speaker 4>You asked me to like basically climb into a tank

679
00:36:40.239 --> 00:36:42.519
<v Speaker 4>and just kill all of the stuff that I'm actually

680
00:36:42.559 --> 00:36:45.440
<v Speaker 4>trying to see you in a photograph. Yeah, this giant

681
00:36:45.440 --> 00:36:47.599
<v Speaker 4>piece of equipment is useless to me, and that seems

682
00:36:47.639 --> 00:36:49.159
<v Speaker 4>to be the kind of the go to is like

683
00:36:49.239 --> 00:36:52.599
<v Speaker 4>this whole motorized thing. What I want to do is

684
00:36:52.639 --> 00:36:55.440
<v Speaker 4>if I ever get the opportunity, and maybe it'll come

685
00:36:56.119 --> 00:37:00.079
<v Speaker 4>as things with Black Eye system progresses, I want. I

686
00:37:00.119 --> 00:37:01.840
<v Speaker 4>would like to I would love to sit down with

687
00:37:01.880 --> 00:37:05.400
<v Speaker 4>an engineer who does chairs, or maybe someone who doesn't

688
00:37:05.400 --> 00:37:08.320
<v Speaker 4>do chairs but just actually has access to the resources

689
00:37:08.320 --> 00:37:14.480
<v Speaker 4>that has enough imagination and basically create an outdoor chair

690
00:37:14.679 --> 00:37:18.960
<v Speaker 4>that is usable under manpower. It's been tackled before. It

691
00:37:18.960 --> 00:37:21.199
<v Speaker 4>wouldn't be the first time there are a few other things,

692
00:37:21.199 --> 00:37:25.800
<v Speaker 4>but having played sports being a pretty high functioning paraplegic myself,

693
00:37:26.280 --> 00:37:29.639
<v Speaker 4>which also it has to be taken in consideration. So

694
00:37:29.760 --> 00:37:32.519
<v Speaker 4>I mean it just because it's usable by me doesn't

695
00:37:32.519 --> 00:37:34.000
<v Speaker 4>mean that it's going to be usable by someone that's

696
00:37:34.000 --> 00:37:38.800
<v Speaker 4>a quadriplegic. So that's a different hurdle and maybe a

697
00:37:38.800 --> 00:37:41.360
<v Speaker 4>different piece of equipment. Me being someone that loves to

698
00:37:41.360 --> 00:37:44.920
<v Speaker 4>be active, loves to be outdoors, I need a chair

699
00:37:44.960 --> 00:37:51.239
<v Speaker 4>that actually can permit me the opportunity to push my boundaries,

700
00:37:51.320 --> 00:37:54.639
<v Speaker 4>to make me tired, to potentially get myself into some

701
00:37:54.679 --> 00:37:59.840
<v Speaker 4>bad situations outdoors, but also is capable enough to get

702
00:37:59.840 --> 00:38:03.360
<v Speaker 4>me out of those bad situations. I have some ideas.

703
00:38:03.400 --> 00:38:05.679
<v Speaker 4>I don't know who to kick them around to. Maybe

704
00:38:05.840 --> 00:38:08.639
<v Speaker 4>one day they will come knocking and I'm like, yeah,

705
00:38:08.679 --> 00:38:09.360
<v Speaker 4>let's make a chair.

706
00:38:10.039 --> 00:38:14.199
<v Speaker 5>Yeah there's any engineers listening to this? Hello number one?

707
00:38:14.760 --> 00:38:19.280
<v Speaker 5>Follow you on Instagram. That's instagram dot com, slash Reels

708
00:38:19.280 --> 00:38:23.639
<v Speaker 5>on Wheels. Also his website parahorpitulogica dot com. It's linked

709
00:38:23.639 --> 00:38:26.039
<v Speaker 5>to the show notes. I'm just saying, because your stuff amazing,

710
00:38:26.679 --> 00:38:29.000
<v Speaker 5>sign a message that would be that would be amazing

711
00:38:29.039 --> 00:38:31.559
<v Speaker 5>if if you became a pioneer of something that could

712
00:38:31.599 --> 00:38:35.760
<v Speaker 5>get more people out into nature that was also good

713
00:38:35.760 --> 00:38:38.440
<v Speaker 5>for nature. That would be huge. And I have so

714
00:38:38.840 --> 00:38:40.719
<v Speaker 5>I have so many Patreon questions. Can I go to

715
00:38:40.760 --> 00:38:43.559
<v Speaker 5>the Patreon questions and then I'm probably gonna have a

716
00:38:43.559 --> 00:38:43.960
<v Speaker 5>million more?

717
00:38:43.960 --> 00:38:48.119
<v Speaker 4>But hey, I am here for you. I I My

718
00:38:48.239 --> 00:38:50.480
<v Speaker 4>schedule is clear for the evening. We can stay on

719
00:38:50.480 --> 00:38:52.159
<v Speaker 4>as long as you want, and you can call the questions.

720
00:38:53.079 --> 00:38:54.719
<v Speaker 5>So four part ologies.

721
00:38:56.760 --> 00:38:57.679
<v Speaker 3>But before we.

722
00:38:57.639 --> 00:39:00.639
<v Speaker 5>Get to your questions, patrons, a few words from sponsors

723
00:39:00.639 --> 00:39:03.360
<v Speaker 5>who make it possible for us to just rain cash

724
00:39:03.440 --> 00:39:07.000
<v Speaker 5>on a worthy organization each week, chosen by the ologist.

725
00:39:07.079 --> 00:39:10.239
<v Speaker 5>So this week Joseph, who says chronic migraines are one

726
00:39:10.280 --> 00:39:12.000
<v Speaker 5>of the only things that can keep them from the field,

727
00:39:12.360 --> 00:39:15.960
<v Speaker 5>told us about the American Chronic Pain Association, which since

728
00:39:16.079 --> 00:39:19.800
<v Speaker 5>nineteen eighty has offered pure support groups and education in

729
00:39:19.880 --> 00:39:23.199
<v Speaker 5>pain management skills to people with pain and their family

730
00:39:23.280 --> 00:39:28.079
<v Speaker 5>and friends and healthcare professionals. So their website is THEACPA

731
00:39:28.119 --> 00:39:30.840
<v Speaker 5>dot org. So a donation went to them thanks to

732
00:39:30.840 --> 00:39:32.480
<v Speaker 5>some sponsors of the show, which you may hear about

733
00:39:32.480 --> 00:39:34.519
<v Speaker 5>now get value.

734
00:39:34.519 --> 00:39:37.639
<v Speaker 1>You can't argue with Ottesco with their amazing club card prices.

735
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<v Speaker 1>Serve up something special with our finest mail deal for

736
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737
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738
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739
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<v Speaker 1>served with creamy potato gretame and our mix of rainbow

740
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<v Speaker 1>root vegetables and enjoy Goozillionaire or Solder Caramel cheesecake. Can't

741
00:39:57.480 --> 00:40:01.239
<v Speaker 1>argue with that shop instore or online Tesco. Every Little

742
00:40:01.239 --> 00:40:03.679
<v Speaker 1>helps available in most doors, Prices very in express.

743
00:40:04.119 --> 00:40:06.920
<v Speaker 2>Mum, why did they call it Scottish cheese?

744
00:40:07.000 --> 00:40:07.880
<v Speaker 8>This Cottage cheese?

745
00:40:07.920 --> 00:40:09.719
<v Speaker 3>Honey? And I'm not sure.

746
00:40:09.599 --> 00:40:12.920
<v Speaker 2>Did dogs in other countries speak different languages?

747
00:40:13.119 --> 00:40:13.480
<v Speaker 4>Yeah?

748
00:40:13.719 --> 00:40:14.239
<v Speaker 6>I think so.

749
00:40:14.599 --> 00:40:16.639
<v Speaker 1>When when we get there, well, we've got to fix

750
00:40:16.679 --> 00:40:19.000
<v Speaker 1>the car first, but there's someone coming to help us.

751
00:40:19.119 --> 00:40:20.840
<v Speaker 2>Is it the man from Geneva?

752
00:40:20.960 --> 00:40:23.679
<v Speaker 1>Not Geneva, he's from a Viva.

753
00:40:23.760 --> 00:40:25.039
<v Speaker 3>Oh there's a van now.

754
00:40:25.239 --> 00:40:28.239
<v Speaker 6>For car insurance with breakdown rescue, it takes a Viva

755
00:40:28.519 --> 00:40:31.480
<v Speaker 6>visit a Viva Dotta eat to say fifteen percent acceptance

756
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<v Speaker 6>criteria terms and conditions apply. Minimum premium of three hundred

757
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<v Speaker 6>and ten year oh fifteen percent discount applies to new

758
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<v Speaker 6>policies BottomLine. See Aviva Dotta E for details. Car insurance

759
00:40:39.719 --> 00:40:42.280
<v Speaker 6>is undwritten by a Viva Insurance Ireland DAK. Aviva Direct

760
00:40:42.320 --> 00:40:44.800
<v Speaker 6>Arland Limited is regulated by the Central Bank of Ireland.

761
00:40:45.599 --> 00:40:49.400
<v Speaker 8>Love m ands quality and value you can trust. At

762
00:40:49.639 --> 00:40:53.360
<v Speaker 8>MNS you can update your home, your wardrobe and theirs

763
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<v Speaker 8>with quality you can count on. There's the ultimate twelve

764
00:40:57.199 --> 00:41:02.079
<v Speaker 8>euro lespra, the softest ever kids sweats from six Euro fifty,

765
00:41:02.480 --> 00:41:06.920
<v Speaker 8>luxurious Egyptian cotton towels from eight Euro twenty five, and

766
00:41:07.159 --> 00:41:11.599
<v Speaker 8>so much more value you can trust only at MNS,

767
00:41:12.119 --> 00:41:14.679
<v Speaker 8>shop in store or at Marks and Spencer dot a E.

768
00:41:15.920 --> 00:41:19.000
<v Speaker 5>Okay to your questions. Many of you, including Hilary Larson,

769
00:41:19.159 --> 00:41:23.239
<v Speaker 5>Matt Ticado, Teak and Andrews, Victoria Harding, Ashley Calcafin Carolina

770
00:41:23.360 --> 00:41:27.079
<v Speaker 5>and Gail Greinik all asked the same one that Kora had.

771
00:41:27.280 --> 00:41:28.679
<v Speaker 5>I'm going to ask you patron questions.

772
00:41:29.039 --> 00:41:29.599
<v Speaker 4>Cool, let's go.

773
00:41:30.239 --> 00:41:33.159
<v Speaker 5>Several hundred people have questions for you. Oh my gosh,

774
00:41:33.360 --> 00:41:37.039
<v Speaker 5>so many people wanted to know about getting the perfect shot,

775
00:41:37.679 --> 00:41:41.239
<v Speaker 5>and essentially a lot of people want to know this

776
00:41:41.360 --> 00:41:45.039
<v Speaker 5>is Cora's first time asking a question what do you

777
00:41:45.119 --> 00:41:48.039
<v Speaker 5>look for in a perfect shot? And others wanted to know, like,

778
00:41:48.119 --> 00:41:51.079
<v Speaker 5>what is the longest you have ever waited just to

779
00:41:51.119 --> 00:41:53.000
<v Speaker 5>get the perfect shot of a specimen?

780
00:41:53.199 --> 00:41:56.400
<v Speaker 4>The longest I've waited with wildlife in general, it's really

781
00:41:56.440 --> 00:41:58.519
<v Speaker 4>only about timing, and it's kind of about luck. You know,

782
00:41:58.559 --> 00:42:00.719
<v Speaker 4>you got to put yourself out there enough times to

783
00:42:00.840 --> 00:42:06.079
<v Speaker 4>have enough opportunities to surpass the numerous failures that you're

784
00:42:06.119 --> 00:42:12.159
<v Speaker 4>going to endure to get and find that one creature

785
00:42:12.239 --> 00:42:14.559
<v Speaker 4>that is cooperative enough and sits still long enough for

786
00:42:14.599 --> 00:42:16.599
<v Speaker 4>you to get your photos, set it up however you

787
00:42:16.639 --> 00:42:21.320
<v Speaker 4>want to and execute it. So as far as how

788
00:42:21.360 --> 00:42:23.519
<v Speaker 4>long I've waited, I would say not very long because

789
00:42:23.559 --> 00:42:26.639
<v Speaker 4>it's normally you go into a situation and it is okay,

790
00:42:26.639 --> 00:42:29.559
<v Speaker 4>I'm to take a photo, and then whatever you're about

791
00:42:29.559 --> 00:42:32.400
<v Speaker 4>to take a photo of runs away, flies away, says

792
00:42:32.400 --> 00:42:35.320
<v Speaker 4>screw you. By fail, you move on to the next one.

793
00:42:35.400 --> 00:42:37.480
<v Speaker 4>So not really a whole lot of time spent. And

794
00:42:37.519 --> 00:42:39.039
<v Speaker 4>it's kind of the same thing is once you get

795
00:42:39.039 --> 00:42:43.920
<v Speaker 4>that one and it's great that they're comfortable and they

796
00:42:44.000 --> 00:42:46.079
<v Speaker 4>just kind of chill, and you get your photos and

797
00:42:46.159 --> 00:42:52.079
<v Speaker 4>then you're on your way. Sometimes they are semi cooperative,

798
00:42:52.079 --> 00:42:55.639
<v Speaker 4>and these are the ones that drive me crazy. Semi

799
00:42:55.760 --> 00:42:58.159
<v Speaker 4>quady being will sit still for a second and you'll

800
00:42:58.159 --> 00:42:59.880
<v Speaker 4>have the shot lined up, and as soon as you

801
00:43:00.039 --> 00:43:01.400
<v Speaker 4>click the shutter, they move.

802
00:43:01.679 --> 00:43:09.719
<v Speaker 9>Why why Oh, they drive me absolutely mad because they

803
00:43:09.800 --> 00:43:12.519
<v Speaker 9>keep giving you hope because they're not moving very fast,

804
00:43:12.519 --> 00:43:15.920
<v Speaker 9>they're not fleeing from you, they're just not staying in

805
00:43:15.960 --> 00:43:17.280
<v Speaker 9>that same position.

806
00:43:18.199 --> 00:43:21.920
<v Speaker 4>And so you continue to readjust and reattack it and

807
00:43:22.119 --> 00:43:27.119
<v Speaker 4>try to get that shot. And I've probably spent three

808
00:43:27.199 --> 00:43:29.719
<v Speaker 4>minutes to an hour with probably one subject trying to

809
00:43:29.719 --> 00:43:30.039
<v Speaker 4>do that.

810
00:43:31.760 --> 00:43:34.840
<v Speaker 5>Because your depth of field is really really shallow, right,

811
00:43:34.920 --> 00:43:37.719
<v Speaker 5>so if they move literally even a millimeter, it probably

812
00:43:37.760 --> 00:43:38.199
<v Speaker 5>changes it.

813
00:43:38.519 --> 00:43:42.239
<v Speaker 4>Oh yeah, I mean if they move at all, Like, yeah,

814
00:43:42.519 --> 00:43:45.960
<v Speaker 4>it completely changes what area of the subject that's shooting

815
00:43:45.960 --> 00:43:49.679
<v Speaker 4>is sharp completely. Focus stacking is kind of the way

816
00:43:49.719 --> 00:43:51.719
<v Speaker 4>around that to some degree. But I mean even if

817
00:43:51.719 --> 00:43:54.360
<v Speaker 4>they move when you're focused stacking, if they continuously move,

818
00:43:55.000 --> 00:43:58.760
<v Speaker 4>then you're just as a well until they stop, It's like, okay,

819
00:43:58.800 --> 00:44:00.280
<v Speaker 4>can you just these stop? Stay there?

820
00:44:01.239 --> 00:44:01.559
<v Speaker 3>Stay?

821
00:44:02.800 --> 00:44:05.719
<v Speaker 5>What do you think your percentage is between shooting and editing?

822
00:44:06.119 --> 00:44:09.119
<v Speaker 5>So Joseph says he doesn't do much tweaking in terms

823
00:44:09.159 --> 00:44:11.679
<v Speaker 5>of color because he wants the natural beauty of the

824
00:44:11.719 --> 00:44:14.400
<v Speaker 5>creature to really come through. But what about the sheer

825
00:44:14.760 --> 00:44:19.320
<v Speaker 5>number of images he takes? Just considering that it takes

826
00:44:19.400 --> 00:44:24.519
<v Speaker 5>me like at least fourteen to maybe seventeen tries just

827
00:44:24.559 --> 00:44:26.920
<v Speaker 5>to get a selfie where I don't look like my

828
00:44:27.039 --> 00:44:30.480
<v Speaker 5>uncle Ron? Like, what is his ratio? How many of

829
00:44:30.519 --> 00:44:32.719
<v Speaker 5>his photos are garbage? I need numbers?

830
00:44:33.079 --> 00:44:35.719
<v Speaker 3>But do you have five thousand photographs to go through?

831
00:44:36.119 --> 00:44:36.239
<v Speaker 4>Uh?

832
00:44:36.519 --> 00:44:38.760
<v Speaker 5>He's just really good at knowing when to pull the trigger.

833
00:44:39.039 --> 00:44:43.920
<v Speaker 4>Yeah, practice definitely. I mean it's all practice, And I

834
00:44:43.920 --> 00:44:46.039
<v Speaker 4>mean I've got a lot of throwaway stuff. Like one

835
00:44:46.039 --> 00:44:48.719
<v Speaker 4>of these days, maybe I'll make it my post for tomorrow.

836
00:44:48.840 --> 00:44:51.320
<v Speaker 4>I'll post like my very first photo that I ever

837
00:44:51.400 --> 00:44:55.280
<v Speaker 4>took of any invert and then something that's current so

838
00:44:55.320 --> 00:44:57.960
<v Speaker 4>people can like really kind of understand of this is

839
00:44:58.000 --> 00:45:00.480
<v Speaker 4>where you start and this, if you can doing it,

840
00:45:00.519 --> 00:45:01.440
<v Speaker 4>is where you can end up.

841
00:45:02.239 --> 00:45:06.320
<v Speaker 5>That's great. That'll be so encouraging for those of us

842
00:45:06.360 --> 00:45:09.039
<v Speaker 5>who have a lot of blurry photos and bugs on her.

843
00:45:09.800 --> 00:45:12.480
<v Speaker 4>I mean I had tons of them, Like it's funny

844
00:45:12.519 --> 00:45:15.440
<v Speaker 4>like ever, like since you you've been campaigning to get

845
00:45:15.440 --> 00:45:17.760
<v Speaker 4>me more followers. Like other people are going through like

846
00:45:17.800 --> 00:45:20.119
<v Speaker 4>the history of my stuff, and you know, they're liking those,

847
00:45:20.159 --> 00:45:21.960
<v Speaker 4>and I'm looking at them and I'm like cringing, and

848
00:45:22.000 --> 00:45:25.159
<v Speaker 4>I'm like, oh my god, Oh I can't believe I

849
00:45:25.239 --> 00:45:28.840
<v Speaker 4>actually shared this thinking that somebody was going to appreciate this.

850
00:45:29.000 --> 00:45:32.440
<v Speaker 4>That is such a terrible photo, dude.

851
00:45:32.440 --> 00:45:34.360
<v Speaker 5>That's how I feel when people like I started listening

852
00:45:34.440 --> 00:45:38.760
<v Speaker 5>to ologies from episode one, I'm like, nah, the same way.

853
00:45:38.800 --> 00:45:41.480
<v Speaker 10>Everyone feels that way, and that it's so funny because

854
00:45:41.519 --> 00:45:45.440
<v Speaker 10>it's just that means that you're progressing. But I totally,

855
00:45:45.599 --> 00:45:49.000
<v Speaker 10>I totally get that we see our progress with such

856
00:45:49.039 --> 00:45:51.000
<v Speaker 10>in such a different lens, if you will.

857
00:45:52.119 --> 00:45:55.920
<v Speaker 5>And there's someone who follows you, Timothy Dikes, who also

858
00:45:56.079 --> 00:46:00.559
<v Speaker 5>loves macrophotography, and they asked, what macro photo? So did

859
00:46:00.599 --> 00:46:03.280
<v Speaker 5>you take that blew your mind once you saw the

860
00:46:03.320 --> 00:46:06.480
<v Speaker 5>details you otherwise couldn't see with your eyes, And they say,

861
00:46:06.480 --> 00:46:09.159
<v Speaker 5>for me, it's been the scales of moths and butterflies,

862
00:46:09.239 --> 00:46:13.159
<v Speaker 5>or the hairs on caterpillars, or textures on beetles, and

863
00:46:13.239 --> 00:46:16.320
<v Speaker 5>so did you see any details of anything that you were.

864
00:46:16.199 --> 00:46:23.039
<v Speaker 4>Like, what h that's a good question. I don't have

865
00:46:23.039 --> 00:46:24.480
<v Speaker 4>an immediate answer for that one.

866
00:46:24.679 --> 00:46:25.800
<v Speaker 5>Okay, well, he thinks.

867
00:46:25.840 --> 00:46:26.480
<v Speaker 3>I have to tell you.

868
00:46:26.599 --> 00:46:28.760
<v Speaker 5>Once I took a photo of a daisy and it

869
00:46:28.840 --> 00:46:31.639
<v Speaker 5>wasn't until I zoomed in later that I saw a

870
00:46:31.719 --> 00:46:36.679
<v Speaker 5>perfectly matching yellow globular springtail, which is a tiny bug

871
00:46:36.960 --> 00:46:39.079
<v Speaker 5>with a big cute butt. It looks kind of like

872
00:46:39.079 --> 00:46:43.960
<v Speaker 5>a Pokemon character. I cannot stress how globular its springtail is.

873
00:46:44.119 --> 00:46:48.519
<v Speaker 5>It's perfect. So this hidden world of hallucinations is just

874
00:46:48.719 --> 00:46:50.800
<v Speaker 5>one magnification lens away.

875
00:46:51.360 --> 00:46:57.920
<v Speaker 4>It's really not about the animal itself, I think, And

876
00:46:57.960 --> 00:47:01.119
<v Speaker 4>maybe it's just because it's a pet peeve of mine.

877
00:47:01.360 --> 00:47:05.320
<v Speaker 4>So sometimes when I'm approaching these really these higher magnification images,

878
00:47:07.639 --> 00:47:11.039
<v Speaker 4>is dust like, especially with these fuzzy jumping spiders, and

879
00:47:11.079 --> 00:47:14.360
<v Speaker 4>they will have like dust all over their face, and

880
00:47:14.400 --> 00:47:17.159
<v Speaker 4>I'm like, have you just been rolling around in dirt? Well, yes,

881
00:47:17.239 --> 00:47:20.199
<v Speaker 4>obviously you have been rolling around in dirt, But could

882
00:47:20.199 --> 00:47:22.800
<v Speaker 4>you have at least, I don't know, prepared cleaned yourself

883
00:47:22.880 --> 00:47:23.840
<v Speaker 4>before we did this.

884
00:47:25.480 --> 00:47:26.199
<v Speaker 3>Oh my god.

885
00:47:26.280 --> 00:47:29.239
<v Speaker 5>It's like watching someone like eat potato chips and having

886
00:47:29.239 --> 00:47:31.280
<v Speaker 5>them in their beard. You're like, you got a little

887
00:47:31.360 --> 00:47:33.199
<v Speaker 5>you get a little right right there.

888
00:47:33.519 --> 00:47:36.800
<v Speaker 4>It is exactly that. It is maddening.

889
00:47:38.039 --> 00:47:39.920
<v Speaker 3>Oh my god. Four stats.

890
00:47:40.039 --> 00:47:45.079
<v Speaker 5>A patron says, uh, who was their response to you

891
00:47:45.159 --> 00:47:48.400
<v Speaker 5>being on the show? Any good online classes? It's been

892
00:47:48.440 --> 00:47:50.119
<v Speaker 5>a while since they use their camera, but they would

893
00:47:50.119 --> 00:47:50.639
<v Speaker 5>love to get.

894
00:47:50.480 --> 00:47:50.960
<v Speaker 8>Back to it.

895
00:47:53.639 --> 00:47:56.000
<v Speaker 4>So I haven't taken any classes. Well, no, that's not true.

896
00:47:56.039 --> 00:47:59.239
<v Speaker 4>I haven't taken any online classes. I have taken two

897
00:47:59.480 --> 00:48:03.079
<v Speaker 4>in person classes with another macro photographer. His name is

898
00:48:03.119 --> 00:48:08.159
<v Speaker 4>Thomas Shahan. He's also in Oklahoma, and his is like

899
00:48:08.239 --> 00:48:09.960
<v Speaker 4>the first work that I really kind of started to

900
00:48:09.960 --> 00:48:11.880
<v Speaker 4>look at and study. First thing I did is I

901
00:48:11.960 --> 00:48:19.800
<v Speaker 4>just started reading different concepts about lighting, composite lighting, composition, exposure,

902
00:48:20.360 --> 00:48:23.159
<v Speaker 4>how to use your camera to the fullest extent of

903
00:48:23.199 --> 00:48:27.880
<v Speaker 4>its capabilities, you know, shooting in manual instead of auto

904
00:48:28.719 --> 00:48:31.400
<v Speaker 4>or even the macro mode. The macro dial that is

905
00:48:31.440 --> 00:48:34.480
<v Speaker 4>on some camus not quite as efficient as if you

906
00:48:34.519 --> 00:48:38.239
<v Speaker 4>were able to actually shoot with macro or in manual. Sorry.

907
00:48:38.320 --> 00:48:41.679
<v Speaker 4>And then the other thing with me has just been

908
00:48:41.840 --> 00:48:45.559
<v Speaker 4>has been lighting, seeing what other people are doing when

909
00:48:45.599 --> 00:48:47.719
<v Speaker 4>it comes to lighting, how to actually get that soft light,

910
00:48:48.440 --> 00:48:50.239
<v Speaker 4>especially since I mean, when you're shooting macro you have

911
00:48:50.320 --> 00:48:52.519
<v Speaker 4>to have external light, you can't get around it.

912
00:48:52.920 --> 00:48:56.480
<v Speaker 5>So manual settings can be even better than the pre

913
00:48:56.480 --> 00:48:59.800
<v Speaker 5>programmed macro settings. And while we're all here or not,

914
00:49:00.079 --> 00:49:03.559
<v Speaker 5>let's have a quick breakdown of some macro photography terms. So,

915
00:49:03.880 --> 00:49:07.599
<v Speaker 5>first of all, in terms of lenses, Cannon calls macro

916
00:49:07.719 --> 00:49:11.880
<v Speaker 5>lenses macro lenses, but Nikon calls the micro. So don't

917
00:49:11.880 --> 00:49:14.079
<v Speaker 5>get thrown off by that. I don't know why I'm

918
00:49:14.079 --> 00:49:16.000
<v Speaker 5>not here for a Canon nike On feud. You can

919
00:49:16.039 --> 00:49:19.039
<v Speaker 5>do that among yourselves. Now, when it comes to lens length,

920
00:49:19.159 --> 00:49:21.760
<v Speaker 5>it depends on what you're shooting. So some experts say

921
00:49:21.800 --> 00:49:25.000
<v Speaker 5>forty five to sixty five millimeters is good for product photography,

922
00:49:25.360 --> 00:49:28.199
<v Speaker 5>ninety to one hundred and five millimeters good for bugs

923
00:49:28.239 --> 00:49:31.079
<v Speaker 5>and flowers and small objects, and one hundred and fifty

924
00:49:31.119 --> 00:49:34.719
<v Speaker 5>to two hundred millimeters better for being farther away from

925
00:49:34.800 --> 00:49:37.480
<v Speaker 5>your subjects. But we're going to talk about some super

926
00:49:37.599 --> 00:49:40.039
<v Speaker 5>cheap hacks if you don't want to invest in a

927
00:49:40.039 --> 00:49:43.320
<v Speaker 5>bunch of lenses for this. Also, in general, the higher

928
00:49:43.400 --> 00:49:46.599
<v Speaker 5>your f stop, the smaller the aperture and the more

929
00:49:46.760 --> 00:49:49.639
<v Speaker 5>crisp the details in your photo will be. But also

930
00:49:49.920 --> 00:49:52.480
<v Speaker 5>the higher the f stop, the smaller the aperture, the

931
00:49:52.559 --> 00:49:55.599
<v Speaker 5>less light you're letting in, so the longer the aperture

932
00:49:55.639 --> 00:49:58.440
<v Speaker 5>has to be open. But if it's open longer and

933
00:49:58.480 --> 00:50:01.639
<v Speaker 5>your shutter speed is slow, that could lead to blurring

934
00:50:02.000 --> 00:50:05.519
<v Speaker 5>if your tiny little model moves. So you can get

935
00:50:05.519 --> 00:50:08.039
<v Speaker 5>around that by having a high f stop, which means

936
00:50:08.039 --> 00:50:12.280
<v Speaker 5>a small aperture and more light like sunlight or a flash.

937
00:50:12.320 --> 00:50:13.000
<v Speaker 5>What are we talking.

938
00:50:13.400 --> 00:50:16.559
<v Speaker 4>Some of the stuff is just you're so close, so

939
00:50:16.760 --> 00:50:20.480
<v Speaker 4>close to the subjects that there's no other The natural

940
00:50:20.559 --> 00:50:24.039
<v Speaker 4>light is not penetrating into the lens. You're too close,

941
00:50:24.519 --> 00:50:26.199
<v Speaker 4>so we have to have some flash, but you have

942
00:50:26.239 --> 00:50:29.079
<v Speaker 4>to make that flash soft so it's still appealing. And

943
00:50:29.360 --> 00:50:32.559
<v Speaker 4>I just read, reading and looking at other people's work

944
00:50:32.679 --> 00:50:35.880
<v Speaker 4>is kind of really the way that I've learned over

945
00:50:35.920 --> 00:50:39.599
<v Speaker 4>the years in practice, practice, constantly, keep practicing.

946
00:50:40.400 --> 00:50:43.159
<v Speaker 5>A bunch of patrons wanted to know how to get

947
00:50:43.239 --> 00:50:47.119
<v Speaker 5>little critters to sit still while you're shooting them or

948
00:50:47.199 --> 00:50:49.519
<v Speaker 5>while they're like waiting in their dressing room to get shot.

949
00:50:49.719 --> 00:50:53.159
<v Speaker 5>Michah Weir, don Ewald May Merrill, Ira Gray Thomas and Wyndham,

950
00:50:53.199 --> 00:50:56.400
<v Speaker 5>Ashley Connen, and Marika Shin all wanted to know, as

951
00:50:56.440 --> 00:51:00.199
<v Speaker 5>did Charlotte filk guard who asked flying insects how to

952
00:51:00.199 --> 00:51:03.280
<v Speaker 5>photograph them so they're sharp and snazzy and not just

953
00:51:03.360 --> 00:51:07.320
<v Speaker 5>an adorable blur or it was just here now, I swear.

954
00:51:07.519 --> 00:51:11.920
<v Speaker 5>They say, do you have bugs that you say will

955
00:51:12.119 --> 00:51:14.880
<v Speaker 5>kind of collect and hold in like a green room,

956
00:51:15.159 --> 00:51:17.920
<v Speaker 5>say until you're ready to shoot them? Or do you

957
00:51:18.000 --> 00:51:21.360
<v Speaker 5>kind of you shoot them just in their setting where

958
00:51:21.400 --> 00:51:23.039
<v Speaker 5>they would be, and you're just you kind of are

959
00:51:23.079 --> 00:51:25.079
<v Speaker 5>out on the prowl and you shoot as you see them.

960
00:51:27.119 --> 00:51:30.639
<v Speaker 4>A little bit of both. It depends in some cases,

961
00:51:30.920 --> 00:51:33.559
<v Speaker 4>like the one that if you look at my instagram,

962
00:51:33.559 --> 00:51:36.519
<v Speaker 4>the one that I posted I think yesterday, that tiger beetle.

963
00:51:37.599 --> 00:51:41.880
<v Speaker 4>I definitely caught that guy. They do not sit still,

964
00:51:43.000 --> 00:51:45.400
<v Speaker 4>so I caught him. I let him settle down for

965
00:51:45.440 --> 00:51:48.920
<v Speaker 4>a little bit, and after that I was able to

966
00:51:48.960 --> 00:51:50.519
<v Speaker 4>approach it a little bit differently and get my.

967
00:51:50.480 --> 00:51:53.840
<v Speaker 5>Shots by the bay. If you follow reels on wheels,

968
00:51:53.880 --> 00:51:56.519
<v Speaker 5>you may remember that this is a shot of a

969
00:51:56.559 --> 00:51:59.239
<v Speaker 5>tiger beetle, and usually we see them from above and

970
00:51:59.280 --> 00:52:03.280
<v Speaker 5>their backs are maybe greenish blue and metallic, kind of

971
00:52:03.360 --> 00:52:07.320
<v Speaker 5>clamoring around leaves like a drunk robot. But the way

972
00:52:07.400 --> 00:52:10.960
<v Speaker 5>Joseph got his shots, was head on, staring straight into

973
00:52:11.000 --> 00:52:15.679
<v Speaker 5>their jaws, which honestly looks like if moose antlers had

974
00:52:15.679 --> 00:52:19.159
<v Speaker 5>been dipped in gun metal, just ready to gnash up

975
00:52:19.360 --> 00:52:23.280
<v Speaker 5>whatever prey was unlucky enough to find itself crushed in them.

976
00:52:23.440 --> 00:52:26.840
<v Speaker 5>And it gave me like a whole new perspective and

977
00:52:26.960 --> 00:52:29.119
<v Speaker 5>a respect for these tiger beetles.

978
00:52:29.360 --> 00:52:31.360
<v Speaker 4>And they are also one of the ones that is

979
00:52:31.400 --> 00:52:36.039
<v Speaker 4>absolutely masterful because at driving you crazy because you'll approach

980
00:52:36.119 --> 00:52:39.119
<v Speaker 4>them and then they'll fly, but they don't fly very far.

981
00:52:39.880 --> 00:52:42.920
<v Speaker 4>They will fly about six ten feet away from you

982
00:52:42.920 --> 00:52:46.039
<v Speaker 4>where you can still see them, and it's this whole

983
00:52:46.400 --> 00:52:48.400
<v Speaker 4>game of cat and mouse and you can't catch me.

984
00:52:48.440 --> 00:52:50.880
<v Speaker 4>And I'm just like, okay, all right, how am I

985
00:52:50.960 --> 00:52:55.639
<v Speaker 4>going to work around this one? But I mean anytime

986
00:52:55.639 --> 00:52:59.480
<v Speaker 4>that I can, I like to shoot where they are

987
00:52:59.559 --> 00:53:04.119
<v Speaker 4>as they are are, with as little disruption to that

988
00:53:04.199 --> 00:53:07.039
<v Speaker 4>as I as I possibly can. The best way that

989
00:53:07.079 --> 00:53:10.760
<v Speaker 4>I've found to do that is by finding spaces where

990
00:53:11.880 --> 00:53:15.840
<v Speaker 4>man made infrastructure and nature meat kind of like parks,

991
00:53:15.880 --> 00:53:20.800
<v Speaker 4>park benches, especially, Like there's one park here where there's

992
00:53:20.840 --> 00:53:26.599
<v Speaker 4>this large walkway that's completely built from wood and it's

993
00:53:26.639 --> 00:53:32.119
<v Speaker 4>covered by trees, and underneath it all of the foliage

994
00:53:32.199 --> 00:53:35.440
<v Speaker 4>from all the winters or falls past. You know, all

995
00:53:35.559 --> 00:53:38.440
<v Speaker 4>that stuff is built up around there. So there are

996
00:53:38.480 --> 00:53:42.159
<v Speaker 4>invertebrates everywhere all the time, and they're pretty desensitized to

997
00:53:42.239 --> 00:53:46.519
<v Speaker 4>human presence, so you can you know, it's granted me

998
00:53:46.559 --> 00:53:49.280
<v Speaker 4>a lot of experience and opportunities to continue to shoot.

999
00:53:49.320 --> 00:53:52.119
<v Speaker 5>Oh, that's amazing. That's such a good tip. Yeah, the

1000
00:53:52.119 --> 00:53:56.840
<v Speaker 5>way that the way that you can turn a spider

1001
00:53:57.039 --> 00:54:01.480
<v Speaker 5>into like a like a said Star Wars character, almost,

1002
00:54:01.599 --> 00:54:03.320
<v Speaker 5>do you know what I mean? Like they look like

1003
00:54:03.800 --> 00:54:06.920
<v Speaker 5>they look like these beautiful little aliens. When you see

1004
00:54:07.039 --> 00:54:09.519
<v Speaker 5>up closed and you see how many eyes and hairs

1005
00:54:09.599 --> 00:54:14.400
<v Speaker 5>and they're little, they're calissri like, it's just amazing, Like

1006
00:54:14.440 --> 00:54:18.039
<v Speaker 5>you're a leafhopper from the other day. Looks like it

1007
00:54:18.039 --> 00:54:21.079
<v Speaker 5>looks like a Star Wars character to man in real life. Honestly,

1008
00:54:21.360 --> 00:54:25.519
<v Speaker 5>these helmety heads and the big visor eyes, they've got,

1009
00:54:25.559 --> 00:54:30.440
<v Speaker 5>these gleaming robotic exoskeletons. It's the stuff of sci fi

1010
00:54:30.559 --> 00:54:35.239
<v Speaker 5>franchises and action figures. Now, if Joseph work has inspired

1011
00:54:35.280 --> 00:54:38.079
<v Speaker 5>you to get up close and personal with a slug

1012
00:54:38.559 --> 00:54:42.320
<v Speaker 5>or face to face with a winged tiny, what will

1013
00:54:42.360 --> 00:54:46.039
<v Speaker 5>you need less than you think? Perhaps so Patrons Marilyn Scruck,

1014
00:54:46.119 --> 00:54:50.239
<v Speaker 5>Fanny Laura Darnell, d Lley, Dames, Patrick Shaw, Katie Coast, Cat, Lindsay,

1015
00:54:50.280 --> 00:54:53.599
<v Speaker 5>Meghan McLean, Howard Yarmish, Rachel Weiss, James Miller, Kelly King,

1016
00:54:53.639 --> 00:54:57.039
<v Speaker 5>Ariana Mattson, Tino h A, Propo, and em all want

1017
00:54:57.039 --> 00:54:59.760
<v Speaker 5>to know essentially what Matthew Sparks asked, which is, do

1018
00:54:59.800 --> 00:55:03.280
<v Speaker 5>you have any alternate kit suggestions for beginners who really

1019
00:55:03.280 --> 00:55:06.199
<v Speaker 5>want to start shooting macro photography but can't afford a

1020
00:55:06.239 --> 00:55:07.039
<v Speaker 5>macro lens?

1021
00:55:07.320 --> 00:55:07.559
<v Speaker 7>Oh?

1022
00:55:07.639 --> 00:55:08.519
<v Speaker 3>Boy, howdy does he?

1023
00:55:09.400 --> 00:55:12.239
<v Speaker 5>So many people and you do not have to divulge this,

1024
00:55:12.800 --> 00:55:15.800
<v Speaker 5>but so many people are begging to know what kind

1025
00:55:15.800 --> 00:55:21.639
<v Speaker 5>of cameras or lenses or anything gear wise that you

1026
00:55:21.679 --> 00:55:22.360
<v Speaker 5>can dish on.

1027
00:55:24.280 --> 00:55:26.280
<v Speaker 4>So I'm going to take one further, and I'm going

1028
00:55:26.320 --> 00:55:31.440
<v Speaker 4>to add this. My personal opinion is that photographers that

1029
00:55:31.920 --> 00:55:34.719
<v Speaker 4>try to hoard all of their information of how they

1030
00:55:34.719 --> 00:55:38.000
<v Speaker 4>got to where they are jerks. What you heard me? Okay,

1031
00:55:40.239 --> 00:55:43.000
<v Speaker 4>There's no reason not to share as much information as

1032
00:55:43.000 --> 00:55:48.159
<v Speaker 4>you possibly can, because at the bottom line, there's no

1033
00:55:49.159 --> 00:55:53.119
<v Speaker 4>two brains that think exactly alike, and there's no and

1034
00:55:53.239 --> 00:55:55.760
<v Speaker 4>especially when you're dealing with wildlife, because it is not

1035
00:55:55.840 --> 00:55:58.320
<v Speaker 4>there to accommodate you like a model is. You can't

1036
00:55:58.360 --> 00:56:01.360
<v Speaker 4>instruct it on how to actually pose for you. You

1037
00:56:01.440 --> 00:56:02.920
<v Speaker 4>have to just get what they give and make the

1038
00:56:02.920 --> 00:56:05.599
<v Speaker 4>most out of that situation. And no two scenarios like

1039
00:56:05.639 --> 00:56:10.599
<v Speaker 4>that are going to be exactly alike. So I can

1040
00:56:10.760 --> 00:56:14.840
<v Speaker 4>impart whatever knowledge I want and whatever skill that a

1041
00:56:14.920 --> 00:56:17.639
<v Speaker 4>person is willing to actually gain for themselves through practice,

1042
00:56:18.199 --> 00:56:19.639
<v Speaker 4>and our photos are still not going to be the

1043
00:56:19.639 --> 00:56:22.559
<v Speaker 4>same photos, so there's no reason not to share it.

1044
00:56:23.639 --> 00:56:26.639
<v Speaker 4>I shoot now. I started with a Canon T five I,

1045
00:56:26.960 --> 00:56:30.280
<v Speaker 4>which is a Rebel series, which is an introductory DSLR.

1046
00:56:31.199 --> 00:56:35.119
<v Speaker 4>I now shoot with the Canon ninety D significant upgrade

1047
00:56:35.199 --> 00:56:39.000
<v Speaker 4>in resolution, like I could print massive prints of my

1048
00:56:39.519 --> 00:56:41.920
<v Speaker 4>images of tiny things, and that was the whole reason

1049
00:56:42.000 --> 00:56:46.000
<v Speaker 4>that I got the camera. Canon also offers mirrorless. I'm

1050
00:56:46.039 --> 00:56:49.400
<v Speaker 4>not trusting mirrorless yet because Canon is new to mirrorless,

1051
00:56:50.360 --> 00:56:53.719
<v Speaker 4>so I'm waiting to see what that that period is

1052
00:56:54.000 --> 00:56:57.119
<v Speaker 4>and see how it's received by other photographers.

1053
00:56:57.360 --> 00:56:58.800
<v Speaker 5>By the by, I looked it up for us, and

1054
00:56:58.880 --> 00:57:01.360
<v Speaker 5>a Rebel body can get used for less than two

1055
00:57:01.440 --> 00:57:04.480
<v Speaker 5>hundred bucks, so that's good. And when he says mirrorless,

1056
00:57:04.519 --> 00:57:08.320
<v Speaker 5>that's as opposed to a DSLR camera, and a DSLR

1057
00:57:08.480 --> 00:57:12.880
<v Speaker 5>stands for a digital because you no film single lens reflex,

1058
00:57:13.119 --> 00:57:15.039
<v Speaker 5>which means that there's a mirror in the back of

1059
00:57:15.039 --> 00:57:18.039
<v Speaker 5>the camera and it bounces the image through the lens

1060
00:57:18.199 --> 00:57:20.880
<v Speaker 5>up through a prism, through the viewfinder into your eye.

1061
00:57:21.039 --> 00:57:22.840
<v Speaker 5>And that means when you hit the button to take

1062
00:57:22.840 --> 00:57:25.360
<v Speaker 5>the picture, the mirror has to flip out of the

1063
00:57:25.360 --> 00:57:28.280
<v Speaker 5>way and it lets the shutter behind it open and

1064
00:57:28.320 --> 00:57:32.119
<v Speaker 5>the sensor records the visual information. So that is what

1065
00:57:32.199 --> 00:57:36.760
<v Speaker 5>those click noises are in press conferences. That's the mirrors

1066
00:57:36.840 --> 00:57:40.000
<v Speaker 5>clicking and clicking in a camera. Now you know now

1067
00:57:40.079 --> 00:57:44.159
<v Speaker 5>mirrorless cameras, those rely instead on a mirror to put

1068
00:57:44.159 --> 00:57:45.840
<v Speaker 5>it through a prism, to put it through a viewfinder

1069
00:57:45.880 --> 00:57:48.559
<v Speaker 5>to go in your eye. They rely on a digital preview,

1070
00:57:48.760 --> 00:57:50.760
<v Speaker 5>which could have a little bit of lag time. Also,

1071
00:57:50.800 --> 00:57:54.880
<v Speaker 5>there are some differences between auto focuses. But if nothing else, now,

1072
00:57:55.039 --> 00:57:58.960
<v Speaker 5>when you hear your phone making that shutter clicking noise,

1073
00:57:59.079 --> 00:58:01.159
<v Speaker 5>you'll think about how weird it is that they had

1074
00:58:01.159 --> 00:58:04.000
<v Speaker 5>to record the sound of a mirror flipping up to

1075
00:58:04.079 --> 00:58:04.920
<v Speaker 5>tell you that your.

1076
00:58:04.760 --> 00:58:16.280
<v Speaker 4>Picture took Yes, Venus Optics or LAWA, I think it's Laowa.

1077
00:58:16.639 --> 00:58:21.480
<v Speaker 4>They are. They manufacture lenses, and they really seem to

1078
00:58:21.480 --> 00:58:24.960
<v Speaker 4>cater to macrophotographers. They have a wonderful assortment of stuff,

1079
00:58:25.079 --> 00:58:27.880
<v Speaker 4>but a lot of their lenses are manuals, so they

1080
00:58:27.880 --> 00:58:30.639
<v Speaker 4>don't have electronic aperture settings. So you really have to

1081
00:58:30.760 --> 00:58:34.880
<v Speaker 4>know your gear and know how to actually manipulate it

1082
00:58:35.000 --> 00:58:38.039
<v Speaker 4>by hand rather than within the camera itself. So that's

1083
00:58:38.119 --> 00:58:41.119
<v Speaker 4>essentially what I guess. I think I have five or

1084
00:58:41.159 --> 00:58:43.519
<v Speaker 4>six different macro lenses. If you're just starting out, you

1085
00:58:43.559 --> 00:58:47.000
<v Speaker 4>can get a basic kit lens, and if you get

1086
00:58:47.119 --> 00:58:50.119
<v Speaker 4>a reversible ring that you can attach to your camera,

1087
00:58:50.760 --> 00:58:53.480
<v Speaker 4>you can flip that lens around, attach it to the lens,

1088
00:58:53.639 --> 00:58:57.360
<v Speaker 4>and it essentially in versus the optics. So you basically

1089
00:58:57.360 --> 00:59:00.000
<v Speaker 4>have like a macro lens that will get a lot

1090
00:59:00.119 --> 00:59:03.239
<v Speaker 4>closer than say like a regular fifty or sixty milimeter

1091
00:59:03.280 --> 00:59:04.519
<v Speaker 4>would what.

1092
00:59:04.960 --> 00:59:08.360
<v Speaker 5>You can flip a lens around backwards and use it

1093
00:59:08.400 --> 00:59:10.960
<v Speaker 5>that way. That's like clearnion you can take your shirt

1094
00:59:11.000 --> 00:59:12.559
<v Speaker 5>off and wear his pants.

1095
00:59:13.159 --> 00:59:14.920
<v Speaker 4>That's one thing that Thomas Shahan, like one of the

1096
00:59:14.960 --> 00:59:17.440
<v Speaker 4>guys that I've learned from used to do because he's

1097
00:59:17.920 --> 00:59:25.559
<v Speaker 4>a hardcore like budget or thrift thrift seeker. He's I'm

1098
00:59:25.559 --> 00:59:28.920
<v Speaker 4>a gearhead like that they call it. I love new

1099
00:59:28.960 --> 00:59:31.119
<v Speaker 4>gadgets and toys and being in to play with stuff.

1100
00:59:32.639 --> 00:59:37.199
<v Speaker 4>But if you're not in that position, just get any

1101
00:59:37.239 --> 00:59:39.840
<v Speaker 4>camera that you can get your hands on, get a

1102
00:59:40.039 --> 00:59:42.480
<v Speaker 4>reversible ring so that you can actually attach that to it,

1103
00:59:42.679 --> 00:59:47.559
<v Speaker 4>or just shop around for cheap used macro lenses. You

1104
00:59:47.559 --> 00:59:51.199
<v Speaker 4>can usually find them at fairly affordable prices, and work

1105
00:59:51.239 --> 00:59:53.280
<v Speaker 4>on your lighting. You need diffuse light.

1106
00:59:53.599 --> 00:59:56.880
<v Speaker 5>Okay, so a speed light is that flash attachment that

1107
00:59:56.960 --> 00:59:59.400
<v Speaker 5>clicks on top of the camera, but point it directly

1108
00:59:59.400 --> 01:00:01.639
<v Speaker 5>at a little and it's kind of like taking a

1109
01:00:01.639 --> 01:00:05.039
<v Speaker 5>picture of yourself under a bay of fluorescence. You kind

1110
01:00:05.039 --> 01:00:07.159
<v Speaker 5>of want to soften it a little bit, just diffuse it.

1111
01:00:07.360 --> 01:00:09.360
<v Speaker 5>You want your crickets to feel handsome.

1112
01:00:09.840 --> 01:00:14.039
<v Speaker 4>Right now, I'm experimenting with a piece of foam, and

1113
01:00:14.119 --> 01:00:16.440
<v Speaker 4>I basically cut a hole out of this sheet of

1114
01:00:16.519 --> 01:00:20.000
<v Speaker 4>foam that my lens fits through, and so my flash

1115
01:00:20.000 --> 01:00:23.199
<v Speaker 4>that's on top of the camera, and so when the

1116
01:00:23.239 --> 01:00:27.039
<v Speaker 4>flash bursts, it is essentially diffused through this piece of foam,

1117
01:00:27.039 --> 01:00:28.760
<v Speaker 4>so it spreads it out more and then it's soft

1118
01:00:28.800 --> 01:00:30.400
<v Speaker 4>for once it actually reaches the subject.

1119
01:00:30.960 --> 01:00:31.519
<v Speaker 3>Oh wow.

1120
01:00:32.480 --> 01:00:34.760
<v Speaker 4>And it's really easy way. I mean, the phone is cheap.

1121
01:00:35.159 --> 01:00:36.960
<v Speaker 4>You know, if I mess one up, I just go

1122
01:00:37.079 --> 01:00:39.280
<v Speaker 4>cut out and make another one. It's not the most

1123
01:00:39.360 --> 01:00:42.320
<v Speaker 4>environmentally friendly because phone kind of sucks, and there's other

1124
01:00:42.360 --> 01:00:44.440
<v Speaker 4>ways to kind of just do it yourself. I have

1125
01:00:44.480 --> 01:00:48.679
<v Speaker 4>a friend of mine who took like an old cereal box,

1126
01:00:49.519 --> 01:00:51.920
<v Speaker 4>formed it so that it actually fit over his speed light,

1127
01:00:52.039 --> 01:00:54.360
<v Speaker 4>over the flash on the camera, and then he covered

1128
01:00:55.199 --> 01:00:59.639
<v Speaker 4>the cereal box with a bunch of plastic bags. Oh

1129
01:01:00.039 --> 01:01:04.280
<v Speaker 4>that's his light diffuser. That's amazing, you know, it's really

1130
01:01:04.320 --> 01:01:08.400
<v Speaker 4>it's literally endless. Thomas Sheahan. He he takes like a

1131
01:01:08.400 --> 01:01:13.440
<v Speaker 4>plastic sheet like your paper protectors, like eight you know,

1132
01:01:13.480 --> 01:01:16.039
<v Speaker 4>eight by eleven paper protectors, and then he puts a

1133
01:01:16.079 --> 01:01:20.400
<v Speaker 4>bunch of like tracing paper into that, and then he

1134
01:01:20.480 --> 01:01:24.239
<v Speaker 4>takes a like a wire hanger to actually create his

1135
01:01:24.239 --> 01:01:25.880
<v Speaker 4>his outer ring of it so he can shape it

1136
01:01:25.880 --> 01:01:29.400
<v Speaker 4>however he wants to. And that's his light diffuser. It's

1137
01:01:29.440 --> 01:01:33.679
<v Speaker 4>literally do what you want. It's you know, do it yourself.

1138
01:01:33.719 --> 01:01:37.039
<v Speaker 4>If you can build stuff around the house, there's all

1139
01:01:37.119 --> 01:01:40.760
<v Speaker 4>kinds of options. But I would still stress that if

1140
01:01:40.760 --> 01:01:42.880
<v Speaker 4>you're going to do it, make sure the light is right.

1141
01:01:43.599 --> 01:01:46.920
<v Speaker 4>The light is important, get spend spend some time getting

1142
01:01:46.920 --> 01:01:47.400
<v Speaker 4>the light right.

1143
01:01:47.519 --> 01:01:48.679
<v Speaker 3>I'm ready for my cliff top.

1144
01:01:48.960 --> 01:01:55.039
<v Speaker 5>A lot of people wonder Leon, Leonna Schuster, Ellen Silva,

1145
01:01:55.079 --> 01:02:00.800
<v Speaker 5>Meghan Walker, Sylvia Treverio, Ellen, Drnal Tino h A Brought Bow, Nicholls,

1146
01:02:01.239 --> 01:02:04.639
<v Speaker 5>Rachel Sorer and Rachel de Growth all kind of we're wondering.

1147
01:02:05.280 --> 01:02:07.559
<v Speaker 5>Is there anything on your iPhone that you could do

1148
01:02:07.599 --> 01:02:12.039
<v Speaker 5>if you just want to maybe make your time in

1149
01:02:12.079 --> 01:02:15.199
<v Speaker 5>the park a little bit more macro friendly, if you're

1150
01:02:15.320 --> 01:02:20.280
<v Speaker 5>if you're not aspiring to say Justice Saunders levels of amazingness,

1151
01:02:20.360 --> 01:02:21.800
<v Speaker 5>but you want to put something on your phone like

1152
01:02:21.840 --> 01:02:23.840
<v Speaker 5>an Olio clip. What are you anything like that that

1153
01:02:23.920 --> 01:02:26.840
<v Speaker 5>you recommend.

1154
01:02:25.760 --> 01:02:29.760
<v Speaker 4>I I can't recommend anything based on experience. I don't

1155
01:02:29.880 --> 01:02:34.639
<v Speaker 4>have any attachments to my phone. I do know there's

1156
01:02:34.719 --> 01:02:37.400
<v Speaker 4>so we A friend of mine puts on a moth

1157
01:02:37.519 --> 01:02:41.000
<v Speaker 4>night where he basically puts a bunch of lights around

1158
01:02:41.039 --> 01:02:44.199
<v Speaker 4>this area and spreads out these sheets and it collects

1159
01:02:44.239 --> 01:02:48.239
<v Speaker 4>all kinds of bugs. It's great. And I know one guy,

1160
01:02:48.280 --> 01:02:50.159
<v Speaker 4>he doesn't have a camera, he has a phone, he

1161
01:02:50.199 --> 01:02:52.079
<v Speaker 4>has attachment to his phone, and that's what he uses

1162
01:02:52.119 --> 01:02:53.880
<v Speaker 4>the ground and you shoes mods and he gets an

1163
01:02:53.880 --> 01:02:58.760
<v Speaker 4>excellent perspective on what they are. You know it is.

1164
01:02:58.840 --> 01:03:02.920
<v Speaker 4>It is a really incredible device to be able to

1165
01:03:02.960 --> 01:03:06.400
<v Speaker 4>get a very clear photo that is up close to

1166
01:03:06.599 --> 01:03:11.079
<v Speaker 4>very small things. Since it is attached to your phone,

1167
01:03:11.119 --> 01:03:12.920
<v Speaker 4>it's going to be really difficult to get the lighting

1168
01:03:12.920 --> 01:03:16.599
<v Speaker 4>and exposure or have as much control over that as

1169
01:03:16.960 --> 01:03:20.960
<v Speaker 4>someone shooting a DSLR with speedlight and flash diffusion would.

1170
01:03:21.960 --> 01:03:25.480
<v Speaker 4>But if you just want to learn more about the

1171
01:03:25.880 --> 01:03:28.639
<v Speaker 4>tiny world that we exist in, because it's really this

1172
01:03:28.760 --> 01:03:30.840
<v Speaker 4>is the bugs planet? Where are They're just allowing us

1173
01:03:30.840 --> 01:03:35.599
<v Speaker 4>to be a part of it, I would strongly recommend that.

1174
01:03:35.639 --> 01:03:39.239
<v Speaker 4>I honestly, to some degree, I miss it because I

1175
01:03:39.519 --> 01:03:42.239
<v Speaker 4>still remember when I first started shooting, you know, I

1176
01:03:42.280 --> 01:03:45.159
<v Speaker 4>was just running around taking pictures of anything, trying to

1177
01:03:45.199 --> 01:03:48.360
<v Speaker 4>get something that just looks sharp. Because that's that's where

1178
01:03:48.360 --> 01:03:50.280
<v Speaker 4>you start. You try to get, you know, something sharp,

1179
01:03:50.320 --> 01:03:52.199
<v Speaker 4>and then you work on the exposure, and then you

1180
01:03:52.239 --> 01:03:55.000
<v Speaker 4>work on the composition, and then you work on the lighting,

1181
01:03:55.079 --> 01:03:57.519
<v Speaker 4>and then you et cetera, you know, down.

1182
01:03:57.320 --> 01:04:00.239
<v Speaker 5>The line, and now you're up to some level where

1183
01:04:00.280 --> 01:04:03.199
<v Speaker 5>you can capture like a jumping spider having one slow

1184
01:04:03.280 --> 01:04:05.400
<v Speaker 5>tear running out of its eye. That it both like

1185
01:04:05.920 --> 01:04:11.559
<v Speaker 5>both loneliness and regret. You've like your subjects of Meryl

1186
01:04:11.639 --> 01:04:16.800
<v Speaker 5>Streep and like a moment of contemplation. It's amazing.

1187
01:04:18.320 --> 01:04:21.960
<v Speaker 4>So but at the same time that does limit me

1188
01:04:22.039 --> 01:04:24.800
<v Speaker 4>because I spend more time on each individual one and

1189
01:04:24.840 --> 01:04:27.000
<v Speaker 4>I'm not just running around taking photos of every little

1190
01:04:27.000 --> 01:04:30.880
<v Speaker 4>thing that I see, because I limit myself based on

1191
01:04:30.920 --> 01:04:32.400
<v Speaker 4>the quality of the photo that I can get.

1192
01:04:33.840 --> 01:04:37.159
<v Speaker 5>Also, can I just say that everyone needs to have

1193
01:04:37.199 --> 01:04:39.719
<v Speaker 5>a friend that puts on a moth party, Like if

1194
01:04:39.760 --> 01:04:42.159
<v Speaker 5>you don't have a friend, if you're not on a

1195
01:04:42.199 --> 01:04:44.400
<v Speaker 5>group chat with at least one person who's like, I've

1196
01:04:44.400 --> 01:04:45.760
<v Speaker 5>got the black light in the sheet?

1197
01:04:45.880 --> 01:04:46.679
<v Speaker 4>Where are we meeting?

1198
01:04:46.760 --> 01:04:47.760
<v Speaker 5>Like you need new friends?

1199
01:04:47.800 --> 01:04:51.400
<v Speaker 4>No kidding, Like as long as as long as I've

1200
01:04:51.440 --> 01:04:54.440
<v Speaker 4>been doing this, I've I only met him just last year,

1201
01:04:55.239 --> 01:04:58.960
<v Speaker 4>and it's it's fun. Actually, there's a photo that's on

1202
01:04:58.960 --> 01:05:01.159
<v Speaker 4>my Instagram of fly and.

1203
01:05:01.119 --> 01:05:03.960
<v Speaker 5>Its aw Yes, I know that one that.

1204
01:05:04.000 --> 01:05:05.639
<v Speaker 4>Was actually taken at the first moth night that I

1205
01:05:05.679 --> 01:05:09.400
<v Speaker 4>went to. And like the moths, they frustrate me, so

1206
01:05:09.440 --> 01:05:11.880
<v Speaker 4>they land on the sheet and the only thing, the

1207
01:05:11.920 --> 01:05:13.400
<v Speaker 4>only photo that you're going to get ave any of

1208
01:05:13.400 --> 01:05:18.119
<v Speaker 4>these moths is just a plain dorsal photograph that is

1209
01:05:18.159 --> 01:05:22.000
<v Speaker 4>really good for identification. And that's kind of about it

1210
01:05:22.320 --> 01:05:26.280
<v Speaker 4>from a photographer's perspective. So they're going crazy over moss

1211
01:05:26.320 --> 01:05:29.840
<v Speaker 4>because he loves moths, and I'm all for it. I

1212
01:05:29.840 --> 01:05:32.519
<v Speaker 4>love his enthusiasm about it. But I'm you know, running

1213
01:05:32.559 --> 01:05:34.679
<v Speaker 4>around in other places looking for something else that is

1214
01:05:35.639 --> 01:05:39.880
<v Speaker 4>perched up somewhere else. Actually, the leaf hopper was photographed

1215
01:05:39.920 --> 01:05:41.239
<v Speaker 4>at the last one that I went to.

1216
01:05:42.119 --> 01:05:47.320
<v Speaker 5>Oh my gosh, Oh great news. National Moth Week July

1217
01:05:47.440 --> 01:05:49.039
<v Speaker 5>eighteenth through twenty eighth.

1218
01:05:49.119 --> 01:05:50.679
<v Speaker 4>Nice by the way.

1219
01:05:50.719 --> 01:05:54.199
<v Speaker 5>For more on this seat Nationalmothweek dot org, or you

1220
01:05:54.199 --> 01:05:57.320
<v Speaker 5>can follow Twitter dot com slash moth Underscore Week. So

1221
01:05:57.480 --> 01:06:00.400
<v Speaker 5>just when you thought that summer parties were canceled, there's

1222
01:06:00.440 --> 01:06:03.679
<v Speaker 5>always you and fifty bucks, that is the thing. Yeah,

1223
01:06:03.679 --> 01:06:07.880
<v Speaker 5>you're able to get a lot of like facial angles too.

1224
01:06:07.960 --> 01:06:11.159
<v Speaker 5>And is that a matter of you having to move

1225
01:06:11.199 --> 01:06:13.480
<v Speaker 5>your lens to them or can you kind of like

1226
01:06:13.599 --> 01:06:17.199
<v Speaker 5>gently urge them with a pencil to like face here, darling.

1227
01:06:17.280 --> 01:06:20.840
<v Speaker 4>Both you know, if you can move, if you move yourself,

1228
01:06:20.880 --> 01:06:26.920
<v Speaker 4>that is the preferred idea. Sometimes they are just a

1229
01:06:26.960 --> 01:06:29.320
<v Speaker 4>little bit off and you want them to sit just

1230
01:06:29.440 --> 01:06:32.280
<v Speaker 4>like so to get the angle that you want. The

1231
01:06:32.280 --> 01:06:34.400
<v Speaker 4>best way to go about doing that is not to

1232
01:06:34.519 --> 01:06:38.079
<v Speaker 4>use any part of your own body. Because there's something

1233
01:06:38.159 --> 01:06:43.239
<v Speaker 4>about human touch. They recognize it as something to get

1234
01:06:43.280 --> 01:06:46.880
<v Speaker 4>away from, not really a hug. I will find like

1235
01:06:47.239 --> 01:06:50.360
<v Speaker 4>the stem of a leaf or something that is much

1236
01:06:50.360 --> 01:06:53.559
<v Speaker 4>smaller than them and just very gently try to coax

1237
01:06:53.599 --> 01:06:56.320
<v Speaker 4>them over into a different location, and that I have

1238
01:06:56.519 --> 01:06:57.840
<v Speaker 4>much greater success with that.

1239
01:06:58.599 --> 01:07:01.199
<v Speaker 3>Oh smart, They're like, Okay, this leaf.

1240
01:07:01.079 --> 01:07:02.639
<v Speaker 4>Just wants me to be This was like, oh, I

1241
01:07:02.679 --> 01:07:04.480
<v Speaker 4>know what that is. That's that's not going to mean.

1242
01:07:04.519 --> 01:07:05.599
<v Speaker 4>This is fine.

1243
01:07:06.639 --> 01:07:09.800
<v Speaker 5>It can't feel your heart beat for your fingertips with

1244
01:07:09.920 --> 01:07:14.880
<v Speaker 5>a with a hunger for mods, let me see. Okay.

1245
01:07:15.079 --> 01:07:18.599
<v Speaker 5>I love this question. Several people asked it Kathleen Sachs,

1246
01:07:18.880 --> 01:07:24.000
<v Speaker 5>Josie Gambas, kat Lindsay, Adrian Hollister, and Nicole Wackery because

1247
01:07:24.039 --> 01:07:29.280
<v Speaker 5>they asked it verbatim the exact same question literally, what

1248
01:07:29.480 --> 01:07:33.039
<v Speaker 5>has been your favorite animal to photograph? And Nicole Bonus

1249
01:07:33.079 --> 01:07:36.159
<v Speaker 5>question any critters that give you the creeps.

1250
01:07:37.159 --> 01:07:41.559
<v Speaker 4>M favorite animal to photograph? How specific are we going

1251
01:07:41.719 --> 01:07:43.360
<v Speaker 4>going like species specific or.

1252
01:07:43.679 --> 01:07:46.239
<v Speaker 5>Sure like even if you're like I met one. Her

1253
01:07:46.320 --> 01:07:49.519
<v Speaker 5>name was Julie. She was a mantis. Like, I'm all

1254
01:07:49.559 --> 01:07:51.239
<v Speaker 5>in as specific as you want to get.

1255
01:07:51.360 --> 01:07:52.920
<v Speaker 4>I love them too.

1256
01:07:53.360 --> 01:07:54.000
<v Speaker 7>Oh my god.

1257
01:07:54.000 --> 01:07:56.239
<v Speaker 5>I had a pet one named Mirabelle, and she died.

1258
01:07:56.360 --> 01:07:57.760
<v Speaker 5>We had an open casket funeral.

1259
01:07:57.800 --> 01:07:59.800
<v Speaker 4>I have three mantises right now.

1260
01:08:00.159 --> 01:08:02.559
<v Speaker 5>Oh my gosh. Now are those like the orchid ones

1261
01:08:02.559 --> 01:08:03.320
<v Speaker 5>that I've been seeing you.

1262
01:08:03.239 --> 01:08:06.960
<v Speaker 4>Photograph I do have there? There is a young It

1263
01:08:07.000 --> 01:08:10.559
<v Speaker 4>wasn't an orchid. It was a spiny Asian spiny mantis.

1264
01:08:10.599 --> 01:08:11.760
<v Speaker 5>Oh, oh my gosh.

1265
01:08:11.800 --> 01:08:13.760
<v Speaker 4>Beautiful posted one of those recently. That was when it

1266
01:08:13.800 --> 01:08:16.319
<v Speaker 4>was still very young. It's an adult now, okay.

1267
01:08:16.079 --> 01:08:19.000
<v Speaker 5>So imagine a mantid that looks like something from a

1268
01:08:19.119 --> 01:08:23.359
<v Speaker 5>Ridley Scott fever dream. Just huge shiny eyes and sharp

1269
01:08:23.399 --> 01:08:27.359
<v Speaker 5>angles and spines. It's chilling and tiny and elegant.

1270
01:08:27.840 --> 01:08:29.600
<v Speaker 4>I have the green ghost mantis. I think there's a

1271
01:08:29.600 --> 01:08:34.560
<v Speaker 4>photo of that moment there. And I have an African

1272
01:08:34.600 --> 01:08:36.760
<v Speaker 4>twig mantis. I haven't posted a photo of him yet,

1273
01:08:36.760 --> 01:08:38.079
<v Speaker 4>but he's pretty cool.

1274
01:08:37.560 --> 01:08:41.800
<v Speaker 5>Which is the one that looks like it is like

1275
01:08:41.840 --> 01:08:47.560
<v Speaker 5>an alien, The one that has like, oh my gosh,

1276
01:08:47.640 --> 01:08:50.199
<v Speaker 5>those ones look like a leaf grilled face, and then

1277
01:08:50.239 --> 01:08:53.439
<v Speaker 5>became a supermodel. Oh the cheek bones amazing.

1278
01:08:53.960 --> 01:08:56.840
<v Speaker 4>Yeah, So I've had three varieties of those. I have

1279
01:08:56.920 --> 01:08:59.640
<v Speaker 4>two photos up there of my black one. She was

1280
01:08:59.680 --> 01:09:01.560
<v Speaker 4>the first one that I ever got. She has since

1281
01:09:01.760 --> 01:09:05.439
<v Speaker 4>passed away because they have a very short life span. Unfortunately,

1282
01:09:06.399 --> 01:09:10.600
<v Speaker 4>they only live about twelve to eighteen months. She was

1283
01:09:10.720 --> 01:09:13.560
<v Speaker 4>just at over about twelve months. Mantids are amazing. I

1284
01:09:13.600 --> 01:09:16.199
<v Speaker 4>love to find them and see them, especially in the wild.

1285
01:09:16.239 --> 01:09:18.439
<v Speaker 4>I really wish there was a greater diversity of mantids

1286
01:09:18.439 --> 01:09:20.239
<v Speaker 4>in Oklahoma. I think when we have like one, no,

1287
01:09:20.560 --> 01:09:22.760
<v Speaker 4>we have two species that I'm aware of. And then

1288
01:09:22.880 --> 01:09:27.119
<v Speaker 4>I'm obviously jumping spiders because oh, I don't understand how

1289
01:09:27.159 --> 01:09:30.439
<v Speaker 4>anybody doesn't love jumping spiders. Like it's at this point

1290
01:09:30.880 --> 01:09:34.159
<v Speaker 4>I understand. I kind of get, you know, an uneasiness

1291
01:09:34.159 --> 01:09:38.199
<v Speaker 4>about spiders, which sort of answers the other question. So

1292
01:09:39.000 --> 01:09:41.840
<v Speaker 4>I've got I actually started with a little more uneasiness

1293
01:09:41.840 --> 01:09:43.720
<v Speaker 4>about spiders. And then there was one night that I

1294
01:09:43.760 --> 01:09:45.880
<v Speaker 4>was in the park and there was this massive hole

1295
01:09:45.920 --> 01:09:48.079
<v Speaker 4>in a tree and I was just like, I just

1296
01:09:48.199 --> 01:09:51.119
<v Speaker 4>know there's going to be one night that I'm going

1297
01:09:51.199 --> 01:09:53.840
<v Speaker 4>to shine that whole nutree. There's going to be something

1298
01:09:54.119 --> 01:09:57.119
<v Speaker 4>in it, near it, or something else is going to

1299
01:09:57.199 --> 01:10:02.760
<v Speaker 4>freak me out. Behold In one night, I was leaving

1300
01:10:02.760 --> 01:10:05.520
<v Speaker 4>the park. It was behind me, but I remember that

1301
01:10:05.560 --> 01:10:07.439
<v Speaker 4>it was there. I turned around to shine my light

1302
01:10:07.600 --> 01:10:11.399
<v Speaker 4>and there was a fishing spider.

1303
01:10:12.239 --> 01:10:14.319
<v Speaker 3>Quick aside, how do you describe a fishing spider.

1304
01:10:14.359 --> 01:10:17.880
<v Speaker 5>It is not little. These things pluck fish out of

1305
01:10:17.920 --> 01:10:20.439
<v Speaker 5>the water and they eat them like corn on the cob.

1306
01:10:21.000 --> 01:10:25.000
<v Speaker 4>Oh and the leg span on this fishing spider was

1307
01:10:25.039 --> 01:10:28.680
<v Speaker 4>equal to my hand, and my hands aren't small. I

1308
01:10:28.680 --> 01:10:30.279
<v Speaker 4>can pull them a basketball. And if it kind of

1309
01:10:30.279 --> 01:10:32.439
<v Speaker 4>gives you some like some sort of perspective, it's a

1310
01:10:32.439 --> 01:10:35.920
<v Speaker 4>big spider. And I was like, there's no way I

1311
01:10:35.960 --> 01:10:40.359
<v Speaker 4>cannot take a photo of this. I have to rise

1312
01:10:40.399 --> 01:10:42.960
<v Speaker 4>up to the equation. And I had to like kind

1313
01:10:42.960 --> 01:10:44.880
<v Speaker 4>of coach myself into this to kind of get close.

1314
01:10:44.960 --> 01:10:46.960
<v Speaker 4>I was like, if this thing jumps off that tree

1315
01:10:46.960 --> 01:10:50.079
<v Speaker 4>and onto my face, I'm going to scream. But I'm

1316
01:10:50.119 --> 01:10:52.840
<v Speaker 4>going to do this anyway, even though that's maybe a

1317
01:10:52.880 --> 01:10:57.680
<v Speaker 4>possibility in my imagination, and I did. The photos aren't

1318
01:10:57.800 --> 01:11:01.800
<v Speaker 4>terrible because this was very early on and I'm I

1319
01:11:01.840 --> 01:11:04.680
<v Speaker 4>desperately want to find another one so that I can

1320
01:11:04.680 --> 01:11:06.520
<v Speaker 4>do this again, because now I'm like, okay, now it's

1321
01:11:06.520 --> 01:11:08.199
<v Speaker 4>been like five years, I'm ready for you.

1322
01:11:08.239 --> 01:11:10.960
<v Speaker 5>Now you're like rematched, dude.

1323
01:11:11.920 --> 01:11:13.880
<v Speaker 4>But I mean, nothing ill came of it, Like I

1324
01:11:13.920 --> 01:11:15.880
<v Speaker 4>don't think she moved at all, Like, and I'm certain

1325
01:11:15.880 --> 01:11:17.520
<v Speaker 4>she was a female just because of the sides. I mean,

1326
01:11:17.680 --> 01:11:20.840
<v Speaker 4>there's sexually dimorphic males are usually very tiny. She was

1327
01:11:20.880 --> 01:11:25.960
<v Speaker 4>a massive spider. Oh my god, sorry, I just got

1328
01:11:25.960 --> 01:11:27.920
<v Speaker 4>this struck. I just saw a jumping spider on the wall.

1329
01:11:29.479 --> 01:11:31.560
<v Speaker 4>Do you know which one? What kind of is I'm

1330
01:11:31.600 --> 01:11:38.079
<v Speaker 4>pretty sure it's the Maybia inclements because so my partner

1331
01:11:38.199 --> 01:11:42.119
<v Speaker 4>she keeps dart frogs and tree frogs, So we feeded

1332
01:11:42.199 --> 01:11:46.279
<v Speaker 4>a lot of feeder insects, and so I transplant jumping

1333
01:11:46.319 --> 01:11:48.960
<v Speaker 4>spiders into the house because I have a partner that's

1334
01:11:49.000 --> 01:11:51.199
<v Speaker 4>awesome and lets me do that. And they keep the

1335
01:11:51.279 --> 01:11:53.199
<v Speaker 4>fruit fly count low.

1336
01:11:53.960 --> 01:11:54.800
<v Speaker 3>Oh that's smart.

1337
01:11:55.279 --> 01:11:58.520
<v Speaker 5>Do you have Do you have like a dream assignment

1338
01:11:58.640 --> 01:12:00.319
<v Speaker 5>or project that you would want to work on. Would

1339
01:12:00.319 --> 01:12:05.800
<v Speaker 5>it be to kind of like infiltrate not Geo's ranks

1340
01:12:05.800 --> 01:12:08.920
<v Speaker 5>and have assignments for them? Would you want to publish

1341
01:12:08.960 --> 01:12:13.000
<v Speaker 5>a book. Is there anything that you really want to

1342
01:12:13.000 --> 01:12:15.239
<v Speaker 5>do with your photography that would be like a dream

1343
01:12:15.279 --> 01:12:15.479
<v Speaker 5>for you?

1344
01:12:16.119 --> 01:12:19.720
<v Speaker 4>So I would absolutely jump at the chance to work

1345
01:12:19.800 --> 01:12:25.319
<v Speaker 4>for someone like nat Geo so dream assignment though my

1346
01:12:25.479 --> 01:12:30.439
<v Speaker 4>dream would to be able to host like a gallery

1347
01:12:31.159 --> 01:12:34.439
<v Speaker 4>of my images on balls. But I want to do

1348
01:12:34.520 --> 01:12:37.800
<v Speaker 4>this in the hood. I don't want to do this

1349
01:12:38.279 --> 01:12:41.199
<v Speaker 4>in some I mean, I would take the opportunity if

1350
01:12:41.199 --> 01:12:44.079
<v Speaker 4>it was at some sort of prestigious location or anything

1351
01:12:44.119 --> 01:12:48.760
<v Speaker 4>like that at all. But I want black children from

1352
01:12:48.760 --> 01:12:50.880
<v Speaker 4>my neighborhood to actually see this and to take an

1353
01:12:50.880 --> 01:12:54.960
<v Speaker 4>interest in it, and to actually see themselves reflected in

1354
01:12:55.000 --> 01:12:57.479
<v Speaker 4>the work that I do and consider it a possibility

1355
01:12:57.520 --> 01:13:00.680
<v Speaker 4>for their own futures. That's my dreampt Coortmunity is. I

1356
01:13:01.119 --> 01:13:04.640
<v Speaker 4>want them to have access to what I do because

1357
01:13:04.680 --> 01:13:08.279
<v Speaker 4>I know my doorway into this, coming from a middle

1358
01:13:08.279 --> 01:13:11.920
<v Speaker 4>class military family, is different than what some of my

1359
01:13:12.000 --> 01:13:18.520
<v Speaker 4>black peers experienced earlier in their lives. So more than anything,

1360
01:13:18.720 --> 01:13:20.039
<v Speaker 4>that's that's what I want.

1361
01:13:20.760 --> 01:13:24.159
<v Speaker 5>Again. He just set up his Patreon yesterday, so if

1362
01:13:24.159 --> 01:13:26.560
<v Speaker 5>you want to see shots he doesn't show on the

1363
01:13:26.560 --> 01:13:28.640
<v Speaker 5>rest of the internet, go to patreon dot com.

1364
01:13:28.680 --> 01:13:29.319
<v Speaker 3>Slash JD.

1365
01:13:29.479 --> 01:13:32.800
<v Speaker 5>Monroe. I am like begging him to do a calendar

1366
01:13:32.840 --> 01:13:35.279
<v Speaker 5>one day, but he's plotting his next move, so.

1367
01:13:36.279 --> 01:13:40.039
<v Speaker 4>Like even through like the week of Blackbird's week. And

1368
01:13:40.159 --> 01:13:44.159
<v Speaker 4>I probably now even as much as praise and that

1369
01:13:44.239 --> 01:13:47.079
<v Speaker 4>I've been getting as much as I appreciate it, Like

1370
01:13:47.680 --> 01:13:51.199
<v Speaker 4>many of my peers, I still deal with imposter syndrome.

1371
01:13:51.319 --> 01:13:53.560
<v Speaker 4>I'm like, am I actually as good as some of

1372
01:13:53.560 --> 01:13:55.039
<v Speaker 4>the people that I used to look up to? Like?

1373
01:13:55.039 --> 01:13:58.079
<v Speaker 4>Am I there? Yet? So the whole idea of like printing,

1374
01:13:58.199 --> 01:14:00.159
<v Speaker 4>selling and doing all these things with my photos, I'm like,

1375
01:14:00.359 --> 01:14:03.439
<v Speaker 4>I just like to take pretty pictures of bugs. And

1376
01:14:03.479 --> 01:14:06.640
<v Speaker 4>I know, I know, I don't burden me with all

1377
01:14:06.640 --> 01:14:10.039
<v Speaker 4>of the other logistics of like being a professional and

1378
01:14:10.239 --> 01:14:13.600
<v Speaker 4>dealing with money. To just give me like a really

1379
01:14:13.600 --> 01:14:15.479
<v Speaker 4>big bag of money or something, and I'll just do

1380
01:14:15.560 --> 01:14:17.520
<v Speaker 4>all of this for sort of a free so that

1381
01:14:17.560 --> 01:14:19.640
<v Speaker 4>I don't actually set set prices and stuff.

1382
01:14:19.920 --> 01:14:21.760
<v Speaker 5>Oh my other question from earlier was do you have

1383
01:14:21.760 --> 01:14:23.800
<v Speaker 5>any idea what bird that is singing in the background,

1384
01:14:23.880 --> 01:14:26.000
<v Speaker 5>Because I know people are going to ask me what bird?

1385
01:14:27.079 --> 01:14:30.359
<v Speaker 5>There was a bird earlier and no idea what the background?

1386
01:14:30.399 --> 01:14:32.560
<v Speaker 4>Ye here with me? Yeah, that was not a bird.

1387
01:14:32.560 --> 01:14:38.760
<v Speaker 4>That was a frog. That was a frog? What kind

1388
01:14:38.760 --> 01:14:43.760
<v Speaker 4>of frog was it? That was either a dendro babies

1389
01:14:43.880 --> 01:14:44.680
<v Speaker 4>or rottis?

1390
01:14:44.840 --> 01:14:47.720
<v Speaker 5>Okay, he wasn't sure exactly which frog it was because

1391
01:14:47.760 --> 01:14:50.640
<v Speaker 5>his awesome partner has five species of poisoned dart frog

1392
01:14:50.920 --> 01:14:53.720
<v Speaker 5>and four species of tree frog. That is nine more

1393
01:14:53.760 --> 01:14:56.800
<v Speaker 5>species of frogs than I get to live with. And yes,

1394
01:14:56.920 --> 01:14:58.479
<v Speaker 5>I want to be friends with her chief so bad.

1395
01:14:58.760 --> 01:15:00.800
<v Speaker 5>That's amazing. I thought that there or birds out the window,

1396
01:15:00.840 --> 01:15:02.880
<v Speaker 5>but I even I love it even more now that

1397
01:15:02.920 --> 01:15:04.479
<v Speaker 5>I know that it's a frog. That's amazing. Because I

1398
01:15:04.560 --> 01:15:09.159
<v Speaker 5>knew people were gonna ask me. Also, I wanted to ask,

1399
01:15:09.239 --> 01:15:12.560
<v Speaker 5>do you have any advice for people that you wish

1400
01:15:12.880 --> 01:15:16.520
<v Speaker 5>you had known earlier or when you were younger, anything

1401
01:15:16.560 --> 01:15:19.560
<v Speaker 5>that you wish you had a voice like yours?

1402
01:15:20.399 --> 01:15:24.640
<v Speaker 4>Man? That is that is a heavy one. Wow, so

1403
01:15:24.800 --> 01:15:28.720
<v Speaker 4>one for black children that are raised in non black homes.

1404
01:15:29.600 --> 01:15:33.840
<v Speaker 4>It is perfectly within your right. It is not only

1405
01:15:33.840 --> 01:15:35.920
<v Speaker 4>within your right, but it is good for you necessary

1406
01:15:35.920 --> 01:15:40.199
<v Speaker 4>for you to understand that your life and your experiences

1407
01:15:40.920 --> 01:15:44.159
<v Speaker 4>and even your personhood is different from other people in

1408
01:15:44.199 --> 01:15:50.079
<v Speaker 4>your family. You do not have to limit yourself or

1409
01:15:51.359 --> 01:15:55.439
<v Speaker 4>push yourself to try to fit in or to lower

1410
01:15:55.640 --> 01:15:58.720
<v Speaker 4>or lessen your blackness to make them comfortable, not even

1411
01:15:58.760 --> 01:16:04.319
<v Speaker 4>your family. Live in your blackness, love your blackness, wear

1412
01:16:04.319 --> 01:16:07.319
<v Speaker 4>it with pride, and if they cannot accept that, move

1413
01:16:07.359 --> 01:16:11.159
<v Speaker 4>around it and find people who will. Because your blackness

1414
01:16:11.199 --> 01:16:14.600
<v Speaker 4>is not going to go away. This country especially will

1415
01:16:14.640 --> 01:16:18.960
<v Speaker 4>remind you of it the rest of your life, especially

1416
01:16:19.000 --> 01:16:22.560
<v Speaker 4>when you are away from them. So learn to love it,

1417
01:16:22.920 --> 01:16:25.039
<v Speaker 4>learn to live in it, learn to defend it, and

1418
01:16:25.119 --> 01:16:26.560
<v Speaker 4>learn to defend others as well.

1419
01:16:27.079 --> 01:16:28.159
<v Speaker 3>This dude is awesome.

1420
01:16:28.680 --> 01:16:32.640
<v Speaker 4>As far as disability test or boundaries, don't be afraid

1421
01:16:32.640 --> 01:16:35.600
<v Speaker 4>of test for boundaries. And I mean that applies to

1422
01:16:36.000 --> 01:16:38.199
<v Speaker 4>not even people with just disability, as does anybody you know.

1423
01:16:38.880 --> 01:16:41.479
<v Speaker 4>If you have the ability to do something, see how

1424
01:16:41.520 --> 01:16:43.520
<v Speaker 4>far you can go with it. And if you fail,

1425
01:16:43.720 --> 01:16:46.159
<v Speaker 4>if it goes too far, if you get yourself in trouble,

1426
01:16:47.359 --> 01:16:50.920
<v Speaker 4>take a serious look at it, assess it, and then

1427
01:16:51.079 --> 01:16:54.840
<v Speaker 4>make a create a new approach to it. Like I mean,

1428
01:16:55.119 --> 01:16:57.239
<v Speaker 4>when I'm in the field, it isn't like a lot

1429
01:16:57.279 --> 01:16:59.880
<v Speaker 4>of people always worried about accessibility and stuff and my

1430
01:17:00.079 --> 01:17:03.800
<v Speaker 4>safety and like I fall down, I've fallen out of

1431
01:17:03.840 --> 01:17:05.800
<v Speaker 4>my chair looking for something, I get out of my

1432
01:17:05.920 --> 01:17:08.720
<v Speaker 4>chair to catch stuff sometimes. You know, it isn't like

1433
01:17:08.760 --> 01:17:10.920
<v Speaker 4>something that is like literally completely attached to me. There

1434
01:17:11.039 --> 01:17:15.760
<v Speaker 4>there's a person that is, you know, not completely dependent

1435
01:17:15.840 --> 01:17:18.199
<v Speaker 4>upon the chair. I can move around. Chair just makes

1436
01:17:18.239 --> 01:17:21.279
<v Speaker 4>it a lot easier. Don't worry about my safety or

1437
01:17:21.279 --> 01:17:23.640
<v Speaker 4>my well being. Be a friend if I need help.

1438
01:17:24.000 --> 01:17:26.119
<v Speaker 4>I'm going to get myself into trouble because I want to,

1439
01:17:27.319 --> 01:17:30.199
<v Speaker 4>you know, be the friend that is actually supportive of

1440
01:17:30.319 --> 01:17:31.279
<v Speaker 4>that process.

1441
01:17:31.439 --> 01:17:33.760
<v Speaker 5>Don't be a friend who's trying to impose limits on you.

1442
01:17:34.039 --> 01:17:34.560
<v Speaker 3>That's great.

1443
01:17:34.640 --> 01:17:37.159
<v Speaker 5>Oh, last questions. I always ask what is one thing

1444
01:17:37.319 --> 01:17:43.039
<v Speaker 5>about your photography that is the most annoying or the

1445
01:17:43.079 --> 01:17:47.079
<v Speaker 5>thing that you dislike the most. You mentioned crumbs on

1446
01:17:47.119 --> 01:17:52.359
<v Speaker 5>spider hairs, But is there is there anything that anything

1447
01:17:52.760 --> 01:17:56.279
<v Speaker 5>that frustrates you, either from like a micro or a

1448
01:17:56.319 --> 01:17:58.279
<v Speaker 5>macro perspective.

1449
01:17:58.840 --> 01:18:03.279
<v Speaker 4>Not really. The thing I guess with photography with me

1450
01:18:03.399 --> 01:18:07.760
<v Speaker 4>is that it's it's my escape from everything, you know,

1451
01:18:08.000 --> 01:18:14.520
<v Speaker 4>with this is what I do when things like the

1452
01:18:14.640 --> 01:18:17.840
<v Speaker 4>murder of George Floyd and everything else become too much,

1453
01:18:18.920 --> 01:18:20.760
<v Speaker 4>when I need to just kind of set that down

1454
01:18:21.840 --> 01:18:28.760
<v Speaker 4>and take a break and be a person that does

1455
01:18:28.760 --> 01:18:31.680
<v Speaker 4>a thing, and so I grab my camera and I

1456
01:18:31.760 --> 01:18:34.840
<v Speaker 4>go out and some usually as much as I can,

1457
01:18:34.880 --> 01:18:41.279
<v Speaker 4>into some solitary place, and I try to create something

1458
01:18:41.359 --> 01:18:46.119
<v Speaker 4>that is worth appreciating. There really isn't a whole lot

1459
01:18:46.119 --> 01:18:49.640
<v Speaker 4>about that process that, you know, I find too cumbersome

1460
01:18:49.640 --> 01:18:52.960
<v Speaker 4>and let me maybe maybe it's just the actual act

1461
01:18:53.000 --> 01:18:55.479
<v Speaker 4>of carrying it around, I think more than anything. Because

1462
01:18:56.960 --> 01:18:59.760
<v Speaker 4>you know, once you with like micro photography, like you

1463
01:18:59.840 --> 01:19:02.000
<v Speaker 4>have your camera and if you shoot like a ds

1464
01:19:02.000 --> 01:19:04.479
<v Speaker 4>A lar, it's a larger camera, and you have your speedlight,

1465
01:19:04.600 --> 01:19:07.319
<v Speaker 4>and depending on the size of your light diffusion system,

1466
01:19:07.640 --> 01:19:09.640
<v Speaker 4>you know, that also takes up space, and so it

1467
01:19:09.640 --> 01:19:11.560
<v Speaker 4>can get a little bit clunky and difficult to carry

1468
01:19:11.560 --> 01:19:16.279
<v Speaker 4>around a little bit. But that's really it. No part

1469
01:19:16.319 --> 01:19:19.399
<v Speaker 4>of the process is too much, other than maybe, you know,

1470
01:19:19.439 --> 01:19:22.079
<v Speaker 4>like the occasional tiger beetle, it doesn't want to sit

1471
01:19:22.119 --> 01:19:24.439
<v Speaker 4>still and just likes to fly away five feet out

1472
01:19:24.479 --> 01:19:27.159
<v Speaker 4>of time, just to let you know that he's faster

1473
01:19:27.239 --> 01:19:29.800
<v Speaker 4>than you and that you can't catch me if he

1474
01:19:29.840 --> 01:19:34.199
<v Speaker 4>doesn't want you to. But but I mean, even then,

1475
01:19:34.479 --> 01:19:38.079
<v Speaker 4>you know that still has a value because even if

1476
01:19:38.079 --> 01:19:40.000
<v Speaker 4>I don't get a photo, I'm still you know, that's

1477
01:19:40.000 --> 01:19:42.039
<v Speaker 4>still lived experience. I still got to see it, even

1478
01:19:42.079 --> 01:19:43.640
<v Speaker 4>if I don't get to share it with anybody else,

1479
01:19:43.640 --> 01:19:46.520
<v Speaker 4>I still got to observe its behavior. I get to

1480
01:19:46.600 --> 01:19:48.880
<v Speaker 4>ponder of you know, why is it flying only a

1481
01:19:48.920 --> 01:19:52.119
<v Speaker 4>few feet away and insisting on staying in this area,

1482
01:19:52.520 --> 01:19:54.479
<v Speaker 4>And the reason that it is is because there's a

1483
01:19:54.520 --> 01:19:57.560
<v Speaker 4>smrgsborg of other smaller insects that it is preying upon.

1484
01:19:57.560 --> 01:19:59.800
<v Speaker 4>At that moment, he's like, I am not leaving this buffet.

1485
01:20:00.760 --> 01:20:03.119
<v Speaker 4>I will escape from you, but I'm going to continue

1486
01:20:03.159 --> 01:20:03.520
<v Speaker 4>to eat.

1487
01:20:04.079 --> 01:20:07.640
<v Speaker 5>Also, while on the topic of flying insects, what gives

1488
01:20:07.720 --> 01:20:11.520
<v Speaker 5>him butterflies? About wildlife photography? What does he love the most?

1489
01:20:12.079 --> 01:20:13.960
<v Speaker 4>I don't know if anything really gives him butterflies, but

1490
01:20:14.079 --> 01:20:17.800
<v Speaker 4>I mean just the possibility of the next image. It's

1491
01:20:18.039 --> 01:20:21.960
<v Speaker 4>you know, even when you've done something and like you're

1492
01:20:21.960 --> 01:20:26.279
<v Speaker 4>finished with it and you can appreciate it, there's always

1493
01:20:26.439 --> 01:20:32.600
<v Speaker 4>room to get better. Or even pretends that there's this

1494
01:20:32.720 --> 01:20:37.439
<v Speaker 4>notion about photography that there's only so high you can go,

1495
01:20:37.520 --> 01:20:40.079
<v Speaker 4>you can only get so good. Let's just say that

1496
01:20:40.079 --> 01:20:43.000
<v Speaker 4>there was an actual a cap on that even if

1497
01:20:43.039 --> 01:20:46.359
<v Speaker 4>there was a cap on that with wildlife photography, even

1498
01:20:46.399 --> 01:20:48.399
<v Speaker 4>with that cap in place, that imaginary cap in place.

1499
01:20:48.640 --> 01:20:52.720
<v Speaker 4>There's a limited, a finite number of situations that you're

1500
01:20:52.760 --> 01:20:56.199
<v Speaker 4>going to find yourself in in your entire life, even

1501
01:20:56.199 --> 01:20:59.720
<v Speaker 4>if you're doing wildlife photography every day for your entire life,

1502
01:21:00.199 --> 01:21:01.800
<v Speaker 4>that you're going to find yourself and to be able

1503
01:21:01.840 --> 01:21:06.359
<v Speaker 4>to actually create that shot. So you know, it's just

1504
01:21:06.680 --> 01:21:11.039
<v Speaker 4>it's the possibility of things that just keeps you going.

1505
01:21:11.920 --> 01:21:14.399
<v Speaker 4>You never know, Like I come up with different ideas

1506
01:21:14.479 --> 01:21:17.239
<v Speaker 4>or thoughts of compositions when I'm just kind of sitting

1507
01:21:17.279 --> 01:21:18.600
<v Speaker 4>in the house, I'm like, Okay, I want to take

1508
01:21:18.600 --> 01:21:22.239
<v Speaker 4>a picture like of this species and this kind of

1509
01:21:22.279 --> 01:21:26.359
<v Speaker 4>an environment for this location. It's just an endless number

1510
01:21:26.399 --> 01:21:31.000
<v Speaker 4>of possibilities and hoping that by the time I'm done

1511
01:21:31.119 --> 01:21:34.760
<v Speaker 4>and dead, that whatever it is that I create will

1512
01:21:36.039 --> 01:21:40.359
<v Speaker 4>have an impact that goes on past My life.

1513
01:21:42.479 --> 01:21:44.119
<v Speaker 3>Already has already has.

1514
01:21:44.399 --> 01:21:46.560
<v Speaker 5>Really just the beauty of your work inspires so many

1515
01:21:46.560 --> 01:21:49.800
<v Speaker 5>people to look at their world differently, and the passion

1516
01:21:49.840 --> 01:21:54.439
<v Speaker 5>behind the way you approach the natural world, and also

1517
01:21:54.840 --> 01:21:58.960
<v Speaker 5>sociology and the human experience and the black experience and

1518
01:21:59.079 --> 01:22:03.680
<v Speaker 5>your advocacy that is Yeah, I think you have already

1519
01:22:03.720 --> 01:22:04.680
<v Speaker 5>changed so many lives.

1520
01:22:04.760 --> 01:22:07.039
<v Speaker 4>Well, we're not done yet, Black AF and Stem is

1521
01:22:07.079 --> 01:22:10.439
<v Speaker 4>just getting started, and who knows what's going to come

1522
01:22:10.439 --> 01:22:14.520
<v Speaker 4>of that. I'm looking forward to it because this is

1523
01:22:14.840 --> 01:22:17.479
<v Speaker 4>something that I won't get up until recently that I

1524
01:22:17.560 --> 01:22:18.920
<v Speaker 4>kind of dreamed about. I didn't even know if it

1525
01:22:18.920 --> 01:22:21.560
<v Speaker 4>would actually come be something that would come to fruition

1526
01:22:21.600 --> 01:22:26.840
<v Speaker 4>within my lifetime. So I'm already elated at what we

1527
01:22:26.840 --> 01:22:31.880
<v Speaker 4>were able to do with Black Brothers Week, even I

1528
01:22:31.960 --> 01:22:33.560
<v Speaker 4>don't I don't expect it to be the case. But

1529
01:22:33.600 --> 01:22:36.760
<v Speaker 4>even if we were unable to achieve anything else, I

1530
01:22:36.760 --> 01:22:41.920
<v Speaker 4>would be happy that exists. I am happy that exist,

1531
01:22:41.720 --> 01:22:44.039
<v Speaker 4>that that was an experience that I will never forget,

1532
01:22:44.159 --> 01:22:47.119
<v Speaker 4>even if there's even if there was nothing else that

1533
01:22:48.239 --> 01:22:50.640
<v Speaker 4>was similar to it in the future.

1534
01:22:50.680 --> 01:22:52.279
<v Speaker 5>Oh yeah, no, you guys are just going to start it,

1535
01:22:52.319 --> 01:22:55.680
<v Speaker 5>Are you kidding? This is like watching an empire being world.

1536
01:22:55.680 --> 01:22:57.479
<v Speaker 5>It's beautiful. It's really great.

1537
01:22:58.159 --> 01:22:58.399
<v Speaker 4>Yeah.

1538
01:22:58.439 --> 01:23:00.960
<v Speaker 5>So I'm well, I'm just here. I'm here on the

1539
01:23:01.000 --> 01:23:06.199
<v Speaker 5>sidelines cheering you on. Such a huge fan, such like

1540
01:23:06.239 --> 01:23:09.159
<v Speaker 5>a like a very authentically huge fan of your work.

1541
01:23:09.159 --> 01:23:11.640
<v Speaker 5>It's just gorgeous. I'm such a huge fan of it,

1542
01:23:11.680 --> 01:23:15.199
<v Speaker 5>and I'm so glad that you took some time out

1543
01:23:15.199 --> 01:23:17.279
<v Speaker 5>to talk to me. Well, this is amazing. I can't

1544
01:23:17.319 --> 01:23:19.880
<v Speaker 5>wait to put this up. This is just it's such

1545
01:23:20.000 --> 01:23:22.760
<v Speaker 5>an honor to talk to you. Thank you for letting

1546
01:23:22.760 --> 01:23:25.399
<v Speaker 5>me be your fan. If I'm ever in Oklahoma, I

1547
01:23:25.439 --> 01:23:29.079
<v Speaker 5>hope maybe we can go out Herpan or inverting.

1548
01:23:28.720 --> 01:23:31.079
<v Speaker 4>Glad to help me. I've got extra space here. I'm

1549
01:23:31.159 --> 01:23:35.840
<v Speaker 4>never one to not take an adventure when the opportunity

1550
01:23:35.880 --> 01:23:38.680
<v Speaker 4>shows it, so I'm there.

1551
01:23:39.000 --> 01:23:41.840
<v Speaker 5>Well, thank you so so much for doing this. So

1552
01:23:42.039 --> 01:23:46.600
<v Speaker 5>ask smart, talented people, earnest questions, and most importantly, listen

1553
01:23:46.720 --> 01:23:48.680
<v Speaker 5>to what they have to say, and follow them on

1554
01:23:48.720 --> 01:23:53.520
<v Speaker 5>Instagram at Reels on Wheels for some absolutely gorgeous, life

1555
01:23:53.600 --> 01:23:57.319
<v Speaker 5>changing macro photos of some of the world's most overlooked beauties.

1556
01:23:57.560 --> 01:24:01.199
<v Speaker 5>So thank you Joseph for letting us look through your lens. Also,

1557
01:24:01.319 --> 01:24:03.680
<v Speaker 5>if you are working from home and maybe spending less

1558
01:24:03.680 --> 01:24:06.600
<v Speaker 5>money at coffee shops, consider becoming a patron of Joseph's.

1559
01:24:06.680 --> 01:24:09.439
<v Speaker 5>If even a sliver of you tossed him a few

1560
01:24:09.479 --> 01:24:12.119
<v Speaker 5>bucks a month for all the free photos that he

1561
01:24:12.159 --> 01:24:14.680
<v Speaker 5>gives the world, you would afford him more time in

1562
01:24:14.720 --> 01:24:17.319
<v Speaker 5>the field doing what he loves the most and making

1563
01:24:17.359 --> 01:24:21.159
<v Speaker 5>me your dad so happy. And his brand, brand, brand

1564
01:24:21.159 --> 01:24:23.439
<v Speaker 5>new Patreon page is linked in the show notes. It's

1565
01:24:23.479 --> 01:24:27.520
<v Speaker 5>Patreon dot com slash j D Monroe. He set it

1566
01:24:27.600 --> 01:24:32.039
<v Speaker 5>up today, y'all. I was his first patron. Shout out

1567
01:24:32.079 --> 01:24:34.319
<v Speaker 5>to his wonderful partner Haley for helping with that. You

1568
01:24:34.319 --> 01:24:36.479
<v Speaker 5>can also buy his prints. You can get more info

1569
01:24:36.600 --> 01:24:40.760
<v Speaker 5>that is all on his website at Paraharpetalogica dot com.

1570
01:24:40.800 --> 01:24:42.800
<v Speaker 5>There is a link right in the show notes. Definitely

1571
01:24:42.840 --> 01:24:45.640
<v Speaker 5>go visit that. He's on Twitter at Twitter dot com

1572
01:24:45.680 --> 01:24:48.239
<v Speaker 5>slash JD Monroe. Two ten that will be in the

1573
01:24:48.279 --> 01:24:52.640
<v Speaker 5>show notes and again. His website has prints and twenty

1574
01:24:52.680 --> 01:24:54.760
<v Speaker 5>twenty three calendars that are going to sell out soon,

1575
01:24:54.800 --> 01:24:58.760
<v Speaker 5>so get one. He makes a bug calendar, bird calendar,

1576
01:24:59.279 --> 01:25:04.640
<v Speaker 5>jumping spider calendar, a herb calendar, landscape calendars, all of

1577
01:25:04.720 --> 01:25:07.800
<v Speaker 5>Joseph's work. Really good gift to yourself.

1578
01:25:08.199 --> 01:25:08.920
<v Speaker 3>You deserve that.

1579
01:25:09.399 --> 01:25:12.000
<v Speaker 5>We are at ologies on Twitter on Instagram. I'm at

1580
01:25:12.039 --> 01:25:15.079
<v Speaker 5>ali Ward with one L on both ologies. Merch dot

1581
01:25:15.119 --> 01:25:19.239
<v Speaker 5>com has your shirts, advisors and caps, even swimsuits. If

1582
01:25:19.279 --> 01:25:22.079
<v Speaker 5>you want my name on your actual butt, who doesn't.

1583
01:25:22.359 --> 01:25:25.000
<v Speaker 5>Ologies merch dot Com is managed by Shannon Fealtis and

1584
01:25:25.039 --> 01:25:28.000
<v Speaker 5>Bonnie Dutch. They are two very hilarious sisters. Who hosts

1585
01:25:28.039 --> 01:25:31.000
<v Speaker 5>the comedy podcast You Are That. Aaron Talbert admins The

1586
01:25:31.159 --> 01:25:33.640
<v Speaker 5>Haven of a Facebook group. Emily White and all the

1587
01:25:33.640 --> 01:25:38.119
<v Speaker 5>Ologies transcribers make transcripts available at Alleyward dot com, slash ologies,

1588
01:25:38.199 --> 01:25:40.279
<v Speaker 5>dash extras, and the link to those are in the

1589
01:25:40.319 --> 01:25:43.720
<v Speaker 5>show notes. Special thanks to everyone who's ever helped transcribing

1590
01:25:44.159 --> 01:25:47.239
<v Speaker 5>making those episodes accessible to def and hard of hearing

1591
01:25:47.279 --> 01:25:50.840
<v Speaker 5>ologites and anyone who needs great descriptions of the sound

1592
01:25:50.840 --> 01:25:53.199
<v Speaker 5>effects in writing. Thank you so much for doing that.

1593
01:25:53.359 --> 01:25:56.319
<v Speaker 5>Caleb Patten bleeps episodes to make them kids safe. Those

1594
01:25:56.319 --> 01:25:58.720
<v Speaker 5>are available at the same link, and Noel Dilworth helps

1595
01:25:58.720 --> 01:26:01.680
<v Speaker 5>with all my scheduling. Kelley Wire helps with the website updates.

1596
01:26:01.800 --> 01:26:05.239
<v Speaker 5>Sharrett Sleeper does assistant editing and is just a top

1597
01:26:05.279 --> 01:26:08.039
<v Speaker 5>notch human being. And thank you, of course to Herbert

1598
01:26:08.039 --> 01:26:11.640
<v Speaker 5>at Heart Dino and cat enthusiast host of the podcast

1599
01:26:11.680 --> 01:26:14.800
<v Speaker 5>See Jurassic Right, and the percast our lead editor Stephen

1600
01:26:14.880 --> 01:26:17.560
<v Speaker 5>Ray Morris, who's just a gem of a gent. Nick

1601
01:26:17.600 --> 01:26:20.000
<v Speaker 5>Thorburn wrote and performed the theme music and if you

1602
01:26:20.000 --> 01:26:22.760
<v Speaker 5>stick around to the very very end, right. It's like

1603
01:26:23.000 --> 01:26:25.600
<v Speaker 5>I'm just about to flick the lights on at one

1604
01:26:25.800 --> 01:26:28.920
<v Speaker 5>fifty nine am in a bar in send Folk scurrying

1605
01:26:29.359 --> 01:26:31.159
<v Speaker 5>right before I do it. I tell you a secret

1606
01:26:31.199 --> 01:26:32.800
<v Speaker 5>at the end of each episode, and this week it's

1607
01:26:32.840 --> 01:26:34.960
<v Speaker 5>that I went for a walk in my neighborhood and

1608
01:26:35.000 --> 01:26:38.720
<v Speaker 5>I found a crow roost. I've heard that there's a

1609
01:26:38.760 --> 01:26:41.920
<v Speaker 5>crow roost somewhere within like a three mile radius of here.

1610
01:26:41.920 --> 01:26:44.239
<v Speaker 5>I see the crows flying at night, and I found

1611
01:26:44.439 --> 01:26:47.640
<v Speaker 5>the crow roost. Y'all, there's a thicket of eucalyptus trees

1612
01:26:47.760 --> 01:26:49.600
<v Speaker 5>and that's where the crows all sleep. And I went

1613
01:26:49.680 --> 01:26:52.560
<v Speaker 5>there and there were crow feathers all over the ground.

1614
01:26:52.800 --> 01:26:54.760
<v Speaker 3>I got so excited because they just.

1615
01:26:54.760 --> 01:26:57.039
<v Speaker 5>Shed them and they fall off all they sleep. Also

1616
01:26:57.239 --> 01:27:01.760
<v Speaker 5>twenty twenty three me again to say that I accidentally

1617
01:27:01.880 --> 01:27:06.600
<v Speaker 5>ordered some black gel pen refills that were the wrong

1618
01:27:06.840 --> 01:27:10.119
<v Speaker 5>size for a pen, and I was like, I don't

1619
01:27:10.159 --> 01:27:12.640
<v Speaker 5>want to return them. I don't want to throw them

1620
01:27:12.640 --> 01:27:15.199
<v Speaker 5>in a landfill. But I felt guilty, and then I

1621
01:27:15.239 --> 01:27:18.520
<v Speaker 5>took a crow feather and I just jammed in the top.

1622
01:27:18.920 --> 01:27:22.640
<v Speaker 5>And now it's my new favorite pen situation. It's very

1623
01:27:23.319 --> 01:27:27.359
<v Speaker 5>scribbling poetry on parchment and delivering it via a pony

1624
01:27:27.399 --> 01:27:30.720
<v Speaker 5>to a distant lover. Except I'm just writing down an

1625
01:27:30.720 --> 01:27:34.079
<v Speaker 5>appointment to get my thyroid checked. On that note, invest

1626
01:27:34.439 --> 01:27:37.720
<v Speaker 5>in one of Joseph's gorgeous calendars this year mark your

1627
01:27:37.800 --> 01:27:40.960
<v Speaker 5>thyroid appointments if you have them. It's thirty five bucks

1628
01:27:41.000 --> 01:27:43.960
<v Speaker 5>for a year's worth of science goodness straight to the artist.

1629
01:27:44.239 --> 01:27:46.039
<v Speaker 3>His calendars are beautiful. Anyway.

1630
01:27:46.079 --> 01:27:47.880
<v Speaker 5>I know where the crows sleep, and I just want

1631
01:27:47.880 --> 01:27:49.920
<v Speaker 5>to stand under the trees and offer them a basket

1632
01:27:49.920 --> 01:27:50.920
<v Speaker 5>full of breakfast peanuts.

1633
01:27:50.920 --> 01:27:52.319
<v Speaker 3>But I don't know what time crows get up, but

1634
01:27:52.359 --> 01:27:53.479
<v Speaker 3>I feel like it's pretty early.

1635
01:27:53.840 --> 01:27:55.239
<v Speaker 5>Okay, stay safe for a mask.

1636
01:27:55.279 --> 01:27:57.520
<v Speaker 3>Look a bug and face and tell it it's beautiful.

1637
01:27:57.640 --> 01:27:57.920
<v Speaker 4>Okay.

1638
01:27:57.960 --> 01:28:21.800
<v Speaker 7>Provide billionness phono.

1639
01:28:21.239 --> 01:28:24.239
<v Speaker 1>Grab get value you can't argue with at Tesco with

1640
01:28:24.279 --> 01:28:27.359
<v Speaker 1>their amazing club card prices. Serve up something special with

1641
01:28:27.399 --> 01:28:29.960
<v Speaker 1>our finest meal deal for two starring one main, two

1642
01:28:30.000 --> 01:28:33.199
<v Speaker 1>sides and dessert for only sixteen euro like succulent board

1643
01:28:33.199 --> 01:28:36.079
<v Speaker 1>be approved rush Anger strip loin steaks with pepper, corn butter,

1644
01:28:36.279 --> 01:28:40.000
<v Speaker 1>or delicious firous chicken parmeshama served with creamy potato cretam

1645
01:28:40.119 --> 01:28:43.600
<v Speaker 1>and her mix of rainbow root vegetables and enjoyed Goozillionaire

1646
01:28:43.720 --> 01:28:46.920
<v Speaker 1>or Soldier caramel cheesecake. Can't argue with that shop in

1647
01:28:47.000 --> 01:28:50.800
<v Speaker 1>store or online Tesco. Every little helps available the most stores,

1648
01:28:50.840 --> 01:28:51.840
<v Speaker 1>Prices very in express
