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<v Speaker 3>No'll purg necessary Dvoid, where everybody lost in terms of it.

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<v Speaker 5>You are now listening to True Murder, the most shocking

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<v Speaker 5>killers in true crime history and the authors that have

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<v Speaker 5>written about them Gasey, Bundy, Dahmer, The Nightstalker VTK Every

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<v Speaker 5>week another fascinating author talking about the most shocking and

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<v Speaker 5>infamous killers in true crime history. True Murder with your host,

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<v Speaker 5>journalist and author Dan Zufanski.

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<v Speaker 6>Good Evening, best selling true crime master Harold Scheckter explores

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<v Speaker 6>the real life headline making psychos, serial murders, thrill hungry couples,

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<v Speaker 6>and lady killers who inspired a century of classic films.

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<v Speaker 6>The necktie murders in Alfred Hitchcock's Frenzy Chicago jazz age,

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<v Speaker 6>Crime of Passion, the fatal hookup in Looking for Mister Goodbar,

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<v Speaker 6>the high school horrors committed by the costume slasher and scream.

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<v Speaker 6>These and other cinematic crimes have become part of pop

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<v Speaker 6>culture history, and each found inspiration and true events that

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<v Speaker 6>provided the raw material for our greatest blockbusters, indie art films,

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<v Speaker 6>black comedies, Hollywood classics, and grindhouse horrors. So what's the

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<v Speaker 6>reality behind Psycho bad Lands? The Hills have eyes a

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<v Speaker 6>place in the Sun, Arsenic and Old Lace and Dirty Harry.

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<v Speaker 6>How did such tabloid ready killers as Bonnie and Clyde,

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<v Speaker 6>body snatchers, Burke and Hare, Texas sniper Charles Whitman, junior

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<v Speaker 6>nurse slayer, Richard Speck, and Leopold and Loeb exert their

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<v Speaker 6>power on the public imagination and become the stuff of

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<v Speaker 6>movie lore. In this collection of revelatory essays, true crime

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<v Speaker 6>historian Harold Scheckter takes a fascinating trip down the crossroads

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<v Speaker 6>in fact and fiction to reveal the sensational, real life

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<v Speaker 6>stories that are more shocking, taboo, and fantastic than even

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<v Speaker 6>the most imaginative screenwriter can dream up. The book that

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<v Speaker 6>we're featuring this evening is Ripped from the headlines, the

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<v Speaker 6>shocking true stories behind the movie's most memorable crimes, with

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<v Speaker 6>my special guest, journalist and author and historian Harold Scheckter.

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<v Speaker 6>Welcome back to the program, and thank you very much

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<v Speaker 6>for this interview.

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<v Speaker 2>Harold Scheckter, Well, thank you for having leon. Always a

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<v Speaker 2>pleasure to talk to you.

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<v Speaker 6>It's always a great pleasure to speak with you again.

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<v Speaker 6>Congratulations on this book, incredible rip from the headlines. Let's

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<v Speaker 6>start off with.

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<v Speaker 2>Yeah, very proud of it. Hard book to write in

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<v Speaker 2>many ways, you know, required double amount of research in

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<v Speaker 2>a way that I usually do. Yes, had a research

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<v Speaker 2>both the movies and the crimes based on it. I mean.

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<v Speaker 2>The premise of the book is that nowadays, or at

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<v Speaker 2>least up until relatively recently, when you could go to

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<v Speaker 2>a movie, you would go to a movie and very

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<v Speaker 2>commonly see a title card at the beginning announcing that

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<v Speaker 2>it was based on true events or based on a

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<v Speaker 2>true story. That didn't happen so much in the old days.

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<v Speaker 2>In fact, it was more common for there to be

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<v Speaker 2>a disclaimer at the end of the movie saying that

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<v Speaker 2>any resemblance to real people or real events was purely coincidental.

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<v Speaker 2>But in fact, during Hollywood's Golden Age and before and after,

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<v Speaker 2>screenwriters often turned to the newspapers and sensational crimes as

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<v Speaker 2>the inspiration for their screenplays. And there are a lot

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<v Speaker 2>of movies ranging from classic films like Anatomy of the

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<v Speaker 2>Murder and Arsenic and o' Lace to cult films like

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<v Speaker 2>Toby her Hooper's Eating Alive and The Hills Have and

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<v Speaker 2>West Cravens The Hills Have Eyes, which you know viewers

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<v Speaker 2>often don't realize were based on true events. So yeah,

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<v Speaker 2>so that's what my book does. My book contains looks

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<v Speaker 2>at forty movies and then recounts the actual crimes that

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<v Speaker 2>inspired them.

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<v Speaker 6>Right now, one of the kN before we talk about

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<v Speaker 6>some of the these famous movies and from often books

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<v Speaker 6>that were bestsellers and then were adapted into movies. And

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<v Speaker 6>a lot of these movies, the source, the real life

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<v Speaker 6>criminal source crime source spawns more than one movie. So

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<v Speaker 6>just briefly tell us a couple of the directors that

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<v Speaker 6>you were especially covering in this book just because of

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<v Speaker 6>some of the numbers of movies that they made concerning

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<v Speaker 6>or at least were inspired by real crimes, but also

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<v Speaker 6>that you thought were had done some very memorable movies

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<v Speaker 6>regarding these true life crimes.

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<v Speaker 2>Well, I mean, Hitchcock appears I think three three times,

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<v Speaker 2>let's say maybe four times in the book Psycho of course,

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<v Speaker 2>and maybe we can talk a little bit about how

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<v Speaker 2>I first got into the subject, which was through Psycho,

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<v Speaker 2>then Rope, then Frenzy and then Shadow of a Doubt.

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<v Speaker 2>All all four of those films were inspired by true cases.

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<v Speaker 2>Other well, Fritz Lang has a couple of movies in there.

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<v Speaker 2>One Am the great classic m which made Peter Laurie

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<v Speaker 2>into an international movie star, and a movie called Fury. Actually,

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<v Speaker 2>I think Fritz Lang has three movies. There's also Uh,

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<v Speaker 2>You Only Live Once, which was a Frince Fritz Lang

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<v Speaker 2>production might even be a fourth Mutcher or third. But

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<v Speaker 2>you know, there are a lot of great directors in

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<v Speaker 2>their auto premeger For example, the director of Anatomy of

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<v Speaker 2>a Murder, George Stevens, the great American director who directed

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<v Speaker 2>one of my all time favorite movies, The Western Shane

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<v Speaker 2>is in there with a Place in the Sun. So again,

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<v Speaker 2>you know, rangers from classic movies directed by great ou

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<v Speaker 2>teur directors to some less great movies, although you know

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<v Speaker 2>the ones that I cover that are you know more

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<v Speaker 2>well more less highly regarded, possibly by serious high brassitias.

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<v Speaker 2>You know, there are still directed by excellent directors. I mean,

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<v Speaker 2>you know, Wes Craven has two movies in there, The

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<v Speaker 2>Hills Have Eyes and Scream. Toby Hooper. Yeah, I'm not

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<v Speaker 2>sure what happened to Toby Hooper. You know, the Texas

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<v Speaker 2>Chains of Massacre. I regard, as many people do, as

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<v Speaker 2>this great masterpiece of horror and then his follow up

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<v Speaker 2>and pretty much all his subsequent movies were kind of

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<v Speaker 2>disappointing and so anyway, but so yeah, so there's a

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<v Speaker 2>range of directors in there.

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<v Speaker 6>So as you alluded to tell us about Psycho and

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<v Speaker 6>how this project, the genesis of this project, and its

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<v Speaker 6>relation to Psycho in that story and movie, well.

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<v Speaker 2>I mean it was through Psycho and Texas Transa Massacre

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<v Speaker 2>that I first got into the whole true crime game.

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<v Speaker 2>I up until that time had been writing books about

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<v Speaker 2>whatever subject caught my interest at the time, and I

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<v Speaker 2>was writing a book called Film Tricks It's going back

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<v Speaker 2>to the late nineteen eighties, which was a history of

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<v Speaker 2>cinematic special effects, going back to George Melier. This was

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<v Speaker 2>before the whole CGI revolution, And when I was working

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<v Speaker 2>on the chapter on horror effects, I came across what

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<v Speaker 2>was then the relat actively little known fact. It was

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<v Speaker 2>unknown to me that both Psycho and Texas Chang Saw Massacre,

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<v Speaker 2>which I regarded and probably still regard as the two

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<v Speaker 2>greatest horror movies ever made, had both been inspired by

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<v Speaker 2>a real life case out of ed Geen, the midwestern

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<v Speaker 2>Wisconsin necrofile. And you know that was very fascinating to me.

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<v Speaker 2>So I began to research that case, and that became

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<v Speaker 2>the first of my true crime books, Deviant. And at

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<v Speaker 2>that time when I published ev And Signs of Lambs

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<v Speaker 2>hadn't yet come out, And of course Signs of Lambs

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<v Speaker 2>also threw on the game case and the figure of

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<v Speaker 2>Buffalo Bill, So in a way, you know, that was

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<v Speaker 2>my first awareness of this. I was also until my

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<v Speaker 2>recent retirement after forty two years, I was, as I

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<v Speaker 2>think you may not, a teacher of America, a professor

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<v Speaker 2>of American literature at Queen's College, and I was aware

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<v Speaker 2>that certain classics of American literature, very notably, for example,

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<v Speaker 2>theodorege Reisers of American Tragedy have been based on real crimes. So, uh,

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<v Speaker 2>you know that fed into this too, especially since the

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<v Speaker 2>Dreiser movie then became made into that great, the great

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<v Speaker 2>George Stevens movie Placed in the Sun, So all those things,

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<v Speaker 2>you know, the the topic of how real crimes get

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<v Speaker 2>transformed into different forms of literature and popular entertainment. Uh,

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<v Speaker 2>you know, it's been with me for a while.

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<v Speaker 6>Right, Let's give the audience an example of this, the

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<v Speaker 6>movie and then the inspiration with anatomy of a Murder

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<v Speaker 6>by director Otto Premager James Stewart starring Lee rem Ben Gazera.

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<v Speaker 6>Tell us a little bit about this lawyer, John D. Vulker,

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<v Speaker 6>because this is the pivotal person in this entire story,

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<v Speaker 6>both the end real life.

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<v Speaker 2>Yeah. Well, Vulker had been a lawyer in the Michigan's

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<v Speaker 2>Upper Peninsula. Uh and uh, you know, he had been

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<v Speaker 2>writing some books and then got the inspiration to write

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<v Speaker 2>a fictionalized version of of what was locally a very

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<v Speaker 2>notorious murder case where he had been the defense attorney. Ah.

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<v Speaker 2>And the book Anatomy of a Murder became a big

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<v Speaker 2>best seller and then was transformed into this very powerful

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<v Speaker 2>and in many ways for the time kind of radical movie

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<v Speaker 2>because challenged a lot of the censorship restrictions of what

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<v Speaker 2>was called the Hayes Code at that time. Actually, it's

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<v Speaker 2>an interesting example of what I kind of alluded to earlier,

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<v Speaker 2>because Volker claimed that his novel was a work of

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<v Speaker 2>pure fiction, right, but it followed the details of the

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<v Speaker 2>true life case so closely. And when the movie came out,

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<v Speaker 2>both he and Auto Premager got sued by the widow

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<v Speaker 2>of the victim and the case for the way the

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<v Speaker 2>movie portrayed the character who is based on her husband,

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<v Speaker 2>but essentially both the film and the real life case

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<v Speaker 2>had to do with a tavern keeper who was well.

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<v Speaker 2>It had to do with an army lieutenant who shoots

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<v Speaker 2>and kills a tavern keeper because the husband believes, or

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<v Speaker 2>has been told by his wife that she was raped

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<v Speaker 2>by the tavern keeper, that the tavern keeper had offered

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<v Speaker 2>her a ride home. She had been in the tavern

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<v Speaker 2>by herself, he'd offered her a ride home, and he

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<v Speaker 2>had brutally raped her, and the husband after making her

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<v Speaker 2>This is again both in real life and in the book.

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<v Speaker 2>In the film, which followed the case very closely, the husband,

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<v Speaker 2>after making her swear in a bible if that's what happened,

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<v Speaker 2>took his service. Revolver went to the bar and just

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<v Speaker 2>shut this tavern keeper down, and he believed that he

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<v Speaker 2>would be exonerated based on what is commonly called the

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<v Speaker 2>unwritten law, which was supposedly a man a husband is

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<v Speaker 2>entitled to shoot the man who is his wife. He

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<v Speaker 2>was promptly informed that there was actually no such thing

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<v Speaker 2>legally as an unwritten law, and it became again a

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<v Speaker 2>very very sensational murder trial which Volker got the lieutenant

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<v Speaker 2>acquitted on the basis of what was called irresistible impulse.

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<v Speaker 2>And that's what you know, that's what happens in the movies.

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<v Speaker 2>I mean the movie you know, ads at the end

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<v Speaker 2>a very surprised kind of Perry Mason like sudden revelation.

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<v Speaker 2>But anyway, it's terrific movie, as you say, starring Jimmy

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<v Speaker 2>Stewart as the as the defense attorney, and was the

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<v Speaker 2>debut film of both Ben Gazzara as the husband and

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<v Speaker 2>George C. Scott who plays the rather oily prosecuting attorney

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<v Speaker 2>who is Jimmy Stewart's opponent courtroom opponent, and Lee Remick

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<v Speaker 2>at her most beautiful as the life. So h and

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<v Speaker 2>as I said, I mean, one of the interesting things,

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<v Speaker 2>kind of a landmark film because you know, the Hayes

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<v Speaker 2>code had held sway over Hollywood for decades. You know,

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<v Speaker 2>the filmmakers weren't even allowed to use the word pregnant.

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<v Speaker 2>Uh And the movie was considered to be very very

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<v Speaker 2>very sexually frank at the time. In fact, so much

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<v Speaker 2>so that supposedly, and from what I've read it was

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<v Speaker 2>actually true, James Stewart's father took out advertisements in his

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<v Speaker 2>local papers urging his neighbors not to see the film

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<v Speaker 2>because it was indecent. Anyway, any of your listeners who

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<v Speaker 2>have not seen it, I highly recommend. It's one of

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<v Speaker 2>the great question dramas of Hollywood.

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<v Speaker 6>Yeah, and you're right too that the actual locations were

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<v Speaker 6>filmed the tavern and Bulker's home and law office in

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<v Speaker 6>the courthouse where the trial is conducted.

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<v Speaker 2>Yeah, yeah, yeah. Premature insisted on absolute authenticity, So yes,

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<v Speaker 2>he went to the town in Michigan's Upper Peninsula and

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<v Speaker 2>shat Lolla location where these events really happened. And the

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<v Speaker 2>other interesting point about the movie is at the presiding Judge,

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<v Speaker 2>Joseph Welch, has become this kind of legendary during the

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<v Speaker 2>annals of American judas prudence, and because he was the

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<v Speaker 2>man who during the infamous Army McCarthy hearings in the

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<v Speaker 2>nineteen fifties, you know, finally confronted McCarthy, you know, said

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<v Speaker 2>very famously, at long last, there have you no decency,

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<v Speaker 2>which many people regard as the beginning of McCarthy's downfall.

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<v Speaker 6>So that it's an important historic certainly, let's talk about

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<v Speaker 6>one that it's surprising that it would have I think,

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<v Speaker 6>at face value would be surprising that it would have

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<v Speaker 6>a connection to a real life murder whrror, but Arsenic

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<v Speaker 6>and Old Lace director Frank Capra's classic starring Carry Grant,

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<v Speaker 6>Peter Lorie, Priscilla Lane, Raymond Massey, this is about us

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<v Speaker 6>serial killer praying on strangers, well strangers, But this is

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<v Speaker 6>not about serial killers praying on strangers, but it's about poisoners.

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<v Speaker 2>Well. Art Snake of Old Lace, you know, is considered

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<v Speaker 2>one of the you know, classic comedies of that era,

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<v Speaker 2>and it's basically about these sort of dotty old maiden

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<v Speaker 2>aunts of Carrie Grant who run a kind of boarding

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<v Speaker 2>house taken elderly you know, elderly men and you know,

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<v Speaker 2>who are not of the best of health, and then

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<v Speaker 2>at some point treat them to some poisoned elderberry wine

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<v Speaker 2>and give them Christian burials in the basement of the house.

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<v Speaker 2>And you know, it's largely I think because of arsenic

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<v Speaker 2>Old Lace, that this image of female serial poisoners as

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<v Speaker 2>or or the image of that kind of poison murder,

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<v Speaker 2>you know, has taken on this kind of aura some quaint,

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<v Speaker 2>old fashioned Victorian way of disposing of people. But It

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<v Speaker 2>was based on the case of a real life female

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<v Speaker 2>serial poisoner named Amy Archer Gilligan who opened an old

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<v Speaker 2>age home in Windsor, Connecticut, and you know, began bumping

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<v Speaker 2>off her her victims. You know, she would collect fees

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<v Speaker 2>from the family members. I think the charge was around

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<v Speaker 2>the flat feet around thirty thousand dollars.

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<v Speaker 3>Com, no were necessary Dallypod where everybody lost in terms

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<v Speaker 3>conditions eighting plus.

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00:21:16.440 --> 00:21:18.880
<v Speaker 2>Follows, which was you know, quite a bit of money

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<v Speaker 2>at that time, or actually, well, I think the flat

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<v Speaker 2>sea was about one thousand dollars, which was equivalent to

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00:21:25.599 --> 00:21:30.559
<v Speaker 2>thirty thousand dollars today. And then instead of caring for

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<v Speaker 2>them as promised, she would just poison them and you know,

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<v Speaker 2>dispose of the bodies or claim that they had died,

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<v Speaker 2>you know, of natural causes, and you know, she would

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<v Speaker 2>take their possessions and whatever money they had and so on.

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<v Speaker 2>But Amy Archer Gilligan was I became very interested in

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<v Speaker 2>the phenomenon of female serial murder a number of years

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<v Speaker 2>go when I was researching and writing a book called

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<v Speaker 2>Fatal about a female, a very prolific female serial killer

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<v Speaker 2>named Jane Toppin who confessed to thirty one murders at

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<v Speaker 2>the turn of the twentieth century, and she was regarded.

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<v Speaker 2>She was listed at one point in kind of Spook

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<v Speaker 2>of World's Records as America's most prolific serial killer until

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<v Speaker 2>she was supplanted by John Wayne Gacy. And in researching

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<v Speaker 2>and writing that book, I you know, up until then,

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<v Speaker 2>the standard line was that Aileen Warnos had been America's

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<v Speaker 2>first serial killer. But you know, but I became aware

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<v Speaker 2>that there had been a great many of these female

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<v Speaker 2>serial poisoners who had killed way more people than Aleen

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<v Speaker 2>Warners did. And also I realized, I came to realize

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<v Speaker 2>that the way these female serial killers murdered their victims

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<v Speaker 2>was in a way far more sadistic. And let's say,

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<v Speaker 2>what Aileen ware has did, you know, because Alien warned

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<v Speaker 2>to have got these guys down, whereas Jane Tappen and

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<v Speaker 2>other people, you know, would subject their victims to these

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<v Speaker 2>agonized deaths and sometimes very prolonged agonizing deaths because they

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<v Speaker 2>wouldn't just kill them, you know, swiftly, they would make

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<v Speaker 2>them sick and sicker and until they died. So yeah,

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<v Speaker 2>so I'd become aware of Amy Archer Gilligan as one

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<v Speaker 2>of America's premiere female serial killers at that point, and

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<v Speaker 2>it was while doing my research on that subject that

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<v Speaker 2>I became aware of her connection to the Frank Capra movie.

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<v Speaker 2>At which I have to say, is you know, again

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<v Speaker 2>the only case of the book in which your real

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<v Speaker 2>life sensational murder case got transformed into a beloved comedy.

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<v Speaker 6>Interesting too that when I look and I think other

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<v Speaker 6>true crime fans will have this as well. They're quite

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<v Speaker 6>familiar with some of the famous killers in this book

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<v Speaker 6>and serial killers in this book, but not so much

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<v Speaker 6>the connection to movies that we've heard of but maybe

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<v Speaker 6>not have seen, especially who we didn't know there was

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<v Speaker 6>a connection. You talk about bad Lands, What is the

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<v Speaker 6>inspiration for the movie with bad Lands starring Martin Sheen

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<v Speaker 6>Sissy Spasic, who are the inspiration of the movie bad Lands?

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<v Speaker 2>Well, it was one of the very sensational murder cases

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<v Speaker 2>of the nineteen fifties concerned a guy, a young man

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<v Speaker 2>named Charlie Starkweather who is a kind of James Dean

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<v Speaker 2>wannabe and a total sociopath, and his underage fourteen year

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<v Speaker 2>old girlfriend Caroline Fugate who went on this killing spree

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<v Speaker 2>in the bad Lands of Nebraska, you know, and it

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<v Speaker 2>was a huge case. I mean there was, you know,

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<v Speaker 2>made nationwide headlines, and you know, Starkweather and Fugate have

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<v Speaker 2>kind of achieved I would say, you know, among crime

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<v Speaker 2>aficionados something of the legendary status of some of the

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<v Speaker 2>you know, Bonnie and Clyde for example, you know, they

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<v Speaker 2>were this uh you know, and and and you know,

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<v Speaker 2>they've been the basis of a number of movies I

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<v Speaker 2>mentioned in the book. I mean so so yes. The

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<v Speaker 2>The Terrence Malickville bad Lands, which is one of the

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<v Speaker 2>most stunning cinematic debuts in the history of movies, you know,

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<v Speaker 2>is a real masterpiece. I mean, it stars Charlie Sheen

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<v Speaker 2>as stark Weather and Sissy Spacek is few get I

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<v Speaker 2>mean they have you know, they have other names in

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<v Speaker 2>the film, but it's very closely based on them and

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00:26:22.599 --> 00:26:26.480
<v Speaker 2>follows their crime spree very closely. There's another film, a

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<v Speaker 2>low budget shocker called The Sadist, which is also based

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<v Speaker 2>on the stark Weather Foodgate sprint in that movie, although

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<v Speaker 2>it doesn't match malix film as the work of cinematic art.

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<v Speaker 2>In a way captures the sociopathic nature of Charlie stark

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<v Speaker 2>Weather more than Malex film, does you know. Malex film

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<v Speaker 2>is so beautiful and so aestheticized a little a little

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<v Speaker 2>dulls the horror of us of what they did. But say,

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<v Speaker 2>you know, yeah, anyway, yes, I'm sorry.

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<v Speaker 6>Mm hm. You talk about movies that Dillinger and the

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<v Speaker 6>crimes of John Dillinger and his infamy inspired, like High Sierra.

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<v Speaker 6>Tell us about a couple of movies that the crimes

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<v Speaker 6>of John Dillinger inspired.

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<v Speaker 2>Oh, well, you know there have been a number well

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<v Speaker 2>High Sierra, you know, with Humphrey Bogard who plays a

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<v Speaker 2>Dillinger like character. Uh and uh, but you know it's

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<v Speaker 2>a you know, there are some films like bad Lands

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<v Speaker 2>or uh Compulsion, let's say, or Anatomy of a Murder

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<v Speaker 2>that are inspired by true crimes that follow the uh

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<v Speaker 2>you know, that follow the cases very very closely. Then

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<v Speaker 2>there are other films like High Sierra, Scream and one

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<v Speaker 2>or two others that were inspired by these real crimes,

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<v Speaker 2>but you know, really are very use them as a springboard,

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<v Speaker 2>you know, to tell a fictional life story. And that's

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<v Speaker 2>the case of High Sierra. I mean it uses Dillinger,

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<v Speaker 2>you know, public enemy number one, one of the you know,

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<v Speaker 2>legendary gangsters of that period. You know, it's a springboard

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<v Speaker 2>for this film. But but but there were a number,

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<v Speaker 2>but there have been a number of biopics made about Dillinger.

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<v Speaker 2>It was a nineteen forty five movie h called Dillinger

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<v Speaker 2>with Lawrence Chierney, who I was just I was just

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<v Speaker 2>rewatching Quentin Tarantino's Reservoir Dogs. Chierney plays, you know, the

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00:29:00.119 --> 00:29:05.759
<v Speaker 2>who was in charge of the whole thing, you know.

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<v Speaker 2>Then there was a nineteen seventy two movie Dillinger, which

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<v Speaker 2>was the directorial debut of John Millius, you know, the

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<v Speaker 2>very known for these two fisted, red blooded movies like

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<v Speaker 2>Conan the Barbarian and Red Dawn and who also wrote

396
00:29:25.839 --> 00:29:30.680
<v Speaker 2>the screenplay for Apocalypse Now and the Dirty Harry sequel

397
00:29:31.599 --> 00:29:38.039
<v Speaker 2>Magnum Force. And in that one, Warren Oates, the late

398
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<v Speaker 2>great Warren Oates, plays Dillinger. So recommend that. And then

399
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<v Speaker 2>there was a John Sales scripted movie called The Lady

400
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<v Speaker 2>in Red, and Roger Corman did one in nineteen ninety five.

401
00:29:54.720 --> 00:30:01.799
<v Speaker 2>Dollinger compone. Most recently Michael Mann's publicand Enemies with Johnny

402
00:30:01.799 --> 00:30:04.759
<v Speaker 2>deppis Dillingsher. So you know, there again, there have been

403
00:30:04.799 --> 00:30:10.559
<v Speaker 2>a number of these films out of well advertise themselves

404
00:30:10.640 --> 00:30:16.079
<v Speaker 2>as essentially nonfiction depictions of Dillingsher. But you know what

405
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<v Speaker 2>interests me most, as I was saying in the book,

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00:30:19.519 --> 00:30:23.079
<v Speaker 2>were films that, uh, you know, comes a surprise to

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<v Speaker 2>many people that they were based on real, real criminals. Yeah.

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<v Speaker 6>Absolutely, One example of that. One example of that is

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<v Speaker 6>The Hills Have Eyes, which is a horror flick from

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<v Speaker 6>nineteen seventy seven, directed and written by Wes Craven, and

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<v Speaker 6>this is two years after what you call the Texas

412
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<v Speaker 6>Chainsaw Massacre. A masterpiece of horror, masterpiece, The Hills Have Eyes.

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<v Speaker 6>This the small group of cannibalistic psychos.

414
00:30:58.799 --> 00:31:00.279
<v Speaker 2>Yeah, how can be.

415
00:31:00.240 --> 00:31:02.759
<v Speaker 6>Possibly related to a true crime? And what true crime

416
00:31:02.920 --> 00:31:04.119
<v Speaker 6>was this related to?

417
00:31:06.519 --> 00:31:14.480
<v Speaker 2>Well, Okay, this is a little tricky because a lot

418
00:31:14.519 --> 00:31:21.640
<v Speaker 2>of questions have been raised about the historical truth of

419
00:31:21.680 --> 00:31:23.599
<v Speaker 2>the crime that it was, of the case that it

420
00:31:23.640 --> 00:31:28.759
<v Speaker 2>was inspired by. People even now are not entirely sure

421
00:31:29.000 --> 00:31:33.720
<v Speaker 2>if it was fact or legend. But Craven was inspired

422
00:31:34.200 --> 00:31:45.200
<v Speaker 2>by tales of a supposedly real historical cannibal clan, that

423
00:31:45.799 --> 00:31:54.200
<v Speaker 2>lived and operated in Scotland. Let's see, trying to get

424
00:31:54.200 --> 00:32:01.160
<v Speaker 2>the exact date. Well, anyway, sometime I believe in the

425
00:32:01.200 --> 00:32:05.720
<v Speaker 2>sixteenth century, maybe the seventeenth century. Anyway, quite a long

426
00:32:05.759 --> 00:32:11.319
<v Speaker 2>time ago. The leader, which was named Sony sanny Bean,

427
00:32:12.400 --> 00:32:19.079
<v Speaker 2>and supposedly this was a you know, a an outlaw

428
00:32:19.279 --> 00:32:26.440
<v Speaker 2>family who resided in the wilds of Scotland, and you know,

429
00:32:26.799 --> 00:32:32.240
<v Speaker 2>were incestuous and cannibalistic and they were oh, I guess

430
00:32:32.240 --> 00:32:35.359
<v Speaker 2>it was. I guess it was towards the latter half

431
00:32:35.400 --> 00:32:39.920
<v Speaker 2>of the sixteenth century. You know. They lived in a

432
00:32:39.960 --> 00:32:44.880
<v Speaker 2>cave and they would prey on unwary travelers whom they

433
00:32:44.920 --> 00:32:53.720
<v Speaker 2>would rob and murder and dismember and consume. And they

434
00:32:53.720 --> 00:32:59.000
<v Speaker 2>were finally finally captured and brought to justice, you know,

435
00:32:59.119 --> 00:33:04.519
<v Speaker 2>by a small army led by the King of Scotland himself.

436
00:33:06.319 --> 00:33:11.599
<v Speaker 2>So that that story has been long reported again going

437
00:33:11.640 --> 00:33:17.480
<v Speaker 2>back to the seventeen hundreds as historically factual. Again, recent

438
00:33:17.640 --> 00:33:22.519
<v Speaker 2>scholarship has raised serious doubts as to whether Sawny Bean

439
00:33:22.599 --> 00:33:26.319
<v Speaker 2>and his cannibal clan really existed. But in any case,

440
00:33:27.240 --> 00:33:33.799
<v Speaker 2>that was the that was the story that inspired the

441
00:33:33.880 --> 00:33:36.000
<v Speaker 2>Hills Have Eyes, which is yeah, I mean a very

442
00:33:36.039 --> 00:33:39.960
<v Speaker 2>grueling horror film about this all American family on a

443
00:33:40.079 --> 00:33:43.960
<v Speaker 2>road trip that takes a shortcut, always a bad idea

444
00:33:44.000 --> 00:33:49.960
<v Speaker 2>in a horror movie. And you know, and their vehicles

445
00:33:50.039 --> 00:33:52.920
<v Speaker 2>break down, their trailer, I guess, breaks down in the desert,

446
00:33:53.599 --> 00:33:58.359
<v Speaker 2>and they become set upon by this very very creepy

447
00:33:58.519 --> 00:34:05.799
<v Speaker 2>feral family of Colt cannibals. So mm hmm, I think uh,

448
00:34:06.000 --> 00:34:11.039
<v Speaker 2>I guess it was remade. Yes, it was definitely remade, Yeah,

449
00:34:11.679 --> 00:34:17.519
<v Speaker 2>by the great yeah what's his name? The uh uh,

450
00:34:17.559 --> 00:34:20.199
<v Speaker 2>the French guy whose name escapes here right now.

451
00:34:20.559 --> 00:34:26.920
<v Speaker 6>But yeah, interesting, let's use this as an opportunity, Harold,

452
00:34:26.960 --> 00:34:29.199
<v Speaker 6>just to top stuff for a second to talk about

453
00:34:29.199 --> 00:34:33.000
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454
00:34:33.039 --> 00:34:36.039
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457
00:34:44.639 --> 00:34:49.079
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460
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462
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464
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473
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474
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475
00:35:53.719 --> 00:35:56.079
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476
00:35:56.119 --> 00:35:59.159
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477
00:35:59.239 --> 00:36:05.159
<v Speaker 6>use code murder at fabfitfun dot com. Now we talked

478
00:36:05.159 --> 00:36:09.719
<v Speaker 6>about a movie that again was as you say. Historians

479
00:36:09.760 --> 00:36:13.559
<v Speaker 6>have said that the sunny bean legend may just be

480
00:36:13.920 --> 00:36:17.360
<v Speaker 6>just that and not so factual. And then the hills

481
00:36:17.360 --> 00:36:20.400
<v Speaker 6>have eyes have very little I guess connection to that

482
00:36:20.719 --> 00:36:23.559
<v Speaker 6>actual story. But you include a story of which I

483
00:36:23.559 --> 00:36:27.280
<v Speaker 6>found was very very interesting called The Hitchhiker from nineteen

484
00:36:27.400 --> 00:36:31.800
<v Speaker 6>fifty three with a woman named Ida Lapino. And you say,

485
00:36:31.800 --> 00:36:36.239
<v Speaker 6>the only classic film noir directed by a woman, and

486
00:36:36.360 --> 00:36:40.800
<v Speaker 6>this book, this film closely based on a real life

487
00:36:40.920 --> 00:36:45.239
<v Speaker 6>serial killer. But it's interesting the research that she did

488
00:36:45.280 --> 00:36:48.480
<v Speaker 6>into the case herself can tell us a little bit

489
00:36:48.519 --> 00:36:51.880
<v Speaker 6>about how far she went into this actual research for

490
00:36:51.960 --> 00:36:52.639
<v Speaker 6>The Hitchhiker.

491
00:36:55.400 --> 00:37:00.880
<v Speaker 2>Well, by the way, just to clarify an earlier mark

492
00:37:00.880 --> 00:37:07.039
<v Speaker 2>you made, uh, even though the Sony Bean case again

493
00:37:07.159 --> 00:37:10.719
<v Speaker 2>may not be factual, it was still you know, the

494
00:37:10.800 --> 00:37:14.880
<v Speaker 2>direct inspiration. The story itself was the direct inspiration for

495
00:37:14.960 --> 00:37:22.360
<v Speaker 2>the Hills Allies. So the Hitchhiker, uh so idle A Pino,

496
00:37:22.599 --> 00:37:29.239
<v Speaker 2>you know, very very important figure in Hollywood. You know

497
00:37:29.320 --> 00:37:35.599
<v Speaker 2>there in in our own time, there's been a lot

498
00:37:35.679 --> 00:37:43.880
<v Speaker 2>of renewed interest in female uh directors, of which there

499
00:37:43.880 --> 00:37:47.920
<v Speaker 2>were not many uh in Hollywood. Idol Apino, who is

500
00:37:47.960 --> 00:37:55.480
<v Speaker 2>also a very well known actress in her own life. Uh,

501
00:37:55.679 --> 00:37:58.760
<v Speaker 2>you know, is one of the most prominent female directors.

502
00:37:59.119 --> 00:38:07.039
<v Speaker 2>And uh uh So the case that the movie The

503
00:38:07.079 --> 00:38:11.719
<v Speaker 2>Hitchhiker is based on Uh, is a guy named a

504
00:38:11.760 --> 00:38:18.039
<v Speaker 2>young psycho named Billy Cook, who abducted a couple of

505
00:38:18.079 --> 00:38:21.920
<v Speaker 2>guys who are on a you know, on a on

506
00:38:21.960 --> 00:38:26.159
<v Speaker 2>a fishing expedition. Uh. And uh, you know, took him

507
00:38:26.199 --> 00:38:31.400
<v Speaker 2>on this sort of nightmarish, nightmarish odyssey and you know,

508
00:38:31.480 --> 00:38:35.039
<v Speaker 2>committed these various murders along the way, and you know

509
00:38:35.079 --> 00:38:40.800
<v Speaker 2>it's finally captured. Uh. In in in researching her movie,

510
00:38:41.639 --> 00:38:49.280
<v Speaker 2>Lapino actually visited him when he was when he was

511
00:38:49.320 --> 00:38:54.800
<v Speaker 2>in prison. I mean, he was ultimately convicted of kidnap

512
00:38:54.840 --> 00:38:58.920
<v Speaker 2>murders of five members of a single of a single family,

513
00:39:00.599 --> 00:39:06.440
<v Speaker 2>and ultimately he was executed in nineteen fifty two, but

514
00:39:06.599 --> 00:39:12.880
<v Speaker 2>Lapino went so far as to go interview him when

515
00:39:12.880 --> 00:39:18.239
<v Speaker 2>he was in prison to get, you know, in trying

516
00:39:18.280 --> 00:39:25.400
<v Speaker 2>to make her films as authentic as possible. So anyway,

517
00:39:25.519 --> 00:39:30.159
<v Speaker 2>it's a film that I was actually not fully aware

518
00:39:30.199 --> 00:39:35.519
<v Speaker 2>of until I began researching my book. And it's definitely

519
00:39:36.360 --> 00:39:40.079
<v Speaker 2>you know, I definitely recommend it to your viewers. I mean,

520
00:39:40.119 --> 00:39:45.000
<v Speaker 2>the guy who plays the guy who plays the psycho

521
00:39:46.960 --> 00:39:49.519
<v Speaker 2>was actually the actor. I don't know if I know.

522
00:39:49.559 --> 00:39:53.360
<v Speaker 2>There's a new Perry Mason mini series on HBO. I

523
00:39:53.400 --> 00:39:56.440
<v Speaker 2>don't know how many of your listeners recall the great

524
00:39:56.519 --> 00:40:02.480
<v Speaker 2>classic Perry Mason series daring Raymond Burr, by the way,

525
00:40:02.519 --> 00:40:07.159
<v Speaker 2>also played a great psycho in Alfred Hitchcock's a Window.

526
00:40:07.559 --> 00:40:12.360
<v Speaker 2>But the psycho in this movie, the Hitchhiker, is played

527
00:40:13.880 --> 00:40:21.559
<v Speaker 2>by the actor Hamilton Berger, who was Raymond Burr's opponent

528
00:40:21.960 --> 00:40:26.679
<v Speaker 2>with you know, perennially losing opponent in all the Perry

529
00:40:26.679 --> 00:40:29.079
<v Speaker 2>Mason series. So mhm.

530
00:40:34.199 --> 00:40:40.519
<v Speaker 6>Now you talk about m being a classic nineteen thirty

531
00:40:40.559 --> 00:40:45.800
<v Speaker 6>one written by director Fritz Lang, and you as you

532
00:40:45.960 --> 00:40:48.559
<v Speaker 6>write and if you said that it made Peter Lorie

533
00:40:48.679 --> 00:40:55.719
<v Speaker 6>a star, you said it was possible for Fritz Lang

534
00:40:55.800 --> 00:40:59.480
<v Speaker 6>to induce a profound sense of horror in an audience

535
00:40:59.519 --> 00:41:03.760
<v Speaker 6>without showing a single image of explicit violence of gore.

536
00:41:05.119 --> 00:41:07.760
<v Speaker 6>I thought you were talking about Alfred Hitchcock for a second.

537
00:41:07.800 --> 00:41:12.519
<v Speaker 6>But so tell us what a little bit about the

538
00:41:12.559 --> 00:41:17.639
<v Speaker 6>movie and why it is considered classic before we talk

539
00:41:17.679 --> 00:41:20.719
<v Speaker 6>about the crimes and murders that inspired it.

540
00:41:23.400 --> 00:41:28.880
<v Speaker 2>Well, you know, it's it's again justifiably regarded as one

541
00:41:28.920 --> 00:41:33.119
<v Speaker 2>of the great masterpieces of cinema. It's a German movie.

542
00:41:33.800 --> 00:41:38.559
<v Speaker 2>Laurie again became a big star and he was you know,

543
00:41:39.280 --> 00:41:43.920
<v Speaker 2>imported to Hollywood, where obviously he turned in some great

544
00:41:44.000 --> 00:41:50.360
<v Speaker 2>classic performances. But and the movie is about a pedophiliac

545
00:41:50.559 --> 00:41:57.039
<v Speaker 2>serial killer named Beckert, you know, who prays on young

546
00:41:57.199 --> 00:42:07.079
<v Speaker 2>children girls. Uh, and uh, his crimes creates such a

547
00:42:07.159 --> 00:42:12.960
<v Speaker 2>such public outrage. Uh. You know that the police, you know,

548
00:42:13.039 --> 00:42:16.599
<v Speaker 2>begin to stage all these raids on every criminal hangout

549
00:42:16.719 --> 00:42:20.679
<v Speaker 2>and they're basically putting all the criminals in Berlin out

550
00:42:20.719 --> 00:42:25.760
<v Speaker 2>of business. So the criminals themselves decide, you know, they

551
00:42:25.840 --> 00:42:28.880
<v Speaker 2>got to get the police off their backs and find

552
00:42:28.920 --> 00:42:33.960
<v Speaker 2>the sky. So he's Beckett is hunted down and ultimately

553
00:42:34.079 --> 00:42:42.760
<v Speaker 2>captured by all the you know, criminals and put on

554
00:42:42.960 --> 00:42:47.320
<v Speaker 2>a kind of kangaroo trial. Uh, you know, which Laurie

555
00:42:47.559 --> 00:42:51.800
<v Speaker 2>does this amazing turn and which you know, he gives

556
00:42:51.800 --> 00:42:54.719
<v Speaker 2>this very very famous speech, you know, where it says,

557
00:42:54.960 --> 00:42:57.880
<v Speaker 2>you don't know what it's like to be me. I mean,

558
00:42:58.079 --> 00:43:02.559
<v Speaker 2>even though his crimes are unspeakable, he manages to generate,

559
00:43:03.280 --> 00:43:07.320
<v Speaker 2>you know, a certain amount of sympathy because you see

560
00:43:07.320 --> 00:43:11.480
<v Speaker 2>that he's in the grip of this incredible compulsion. But

561
00:43:12.360 --> 00:43:15.400
<v Speaker 2>in the beginning of the film, you know, you see,

562
00:43:15.480 --> 00:43:18.719
<v Speaker 2>you know, this mother who's in her apartment and all

563
00:43:18.760 --> 00:43:21.079
<v Speaker 2>the mothers are waiting for their kids to come home

564
00:43:21.119 --> 00:43:24.119
<v Speaker 2>from school. And you see a little girl on her

565
00:43:24.159 --> 00:43:29.039
<v Speaker 2>way home from school, and this pudgy, creepy looking man,

566
00:43:29.920 --> 00:43:33.199
<v Speaker 2>you know, Peter Laurie, stops her on the street and

567
00:43:33.519 --> 00:43:39.880
<v Speaker 2>buys her a balloon and and you know, takes her

568
00:43:39.880 --> 00:43:43.519
<v Speaker 2>for ice cream, and you know, meanwhile the mother, you know,

569
00:43:43.599 --> 00:43:48.440
<v Speaker 2>that's intercut with the mother becoming increasingly worried and frantic

570
00:43:49.000 --> 00:43:52.519
<v Speaker 2>because her little girl hasn't arrived home yet, you know.

571
00:43:52.559 --> 00:43:56.480
<v Speaker 2>And then there's this there's this cut to you know,

572
00:43:56.599 --> 00:44:04.800
<v Speaker 2>the balloon just you know, being caught in some electric

573
00:44:04.920 --> 00:44:10.119
<v Speaker 2>wires or telephone wires. You know. You see, oh, you

574
00:44:10.159 --> 00:44:14.920
<v Speaker 2>see first you see h you see the little girl,

575
00:44:15.000 --> 00:44:18.079
<v Speaker 2>her name is Elsie. He's bought her a rubber ball,

576
00:44:18.800 --> 00:44:22.159
<v Speaker 2>and you see the ball rolling out of some shrubbery,

577
00:44:23.800 --> 00:44:26.480
<v Speaker 2>you know, and it's clear he's brought her behind the

578
00:44:26.519 --> 00:44:29.719
<v Speaker 2>shrubbery to do something awful to her. And then you

579
00:44:29.800 --> 00:44:33.519
<v Speaker 2>see her balloon tangled up in these up in these

580
00:44:33.559 --> 00:44:41.239
<v Speaker 2>telephone wires, and you know, the whole impact is shattering,

581
00:44:42.199 --> 00:44:45.880
<v Speaker 2>you know, because again you know, often as the greatest

582
00:44:46.079 --> 00:44:50.639
<v Speaker 2>you know, filmmakers often know you know, leaving something to

583
00:44:50.719 --> 00:44:55.440
<v Speaker 2>the viewer's imagination, you know, can cause you know, more

584
00:44:55.480 --> 00:45:00.559
<v Speaker 2>of a more it's going to have a more unsettling effect,

585
00:45:00.719 --> 00:45:04.880
<v Speaker 2>you know, then showing some graphic violins. So yeah, I

586
00:45:04.880 --> 00:45:07.800
<v Speaker 2>mean it's an amazing film. And it was based on

587
00:45:08.119 --> 00:45:13.719
<v Speaker 2>inspired by the crimes of one of the most notorious

588
00:45:13.760 --> 00:45:16.519
<v Speaker 2>what they we call them now serial killers. Back then

589
00:45:16.559 --> 00:45:21.360
<v Speaker 2>they called them, well, they call them lust murderers in

590
00:45:21.440 --> 00:45:26.159
<v Speaker 2>twentieth century history. A gunnamed Peter Curtin, who was an

591
00:45:26.239 --> 00:45:31.280
<v Speaker 2>extreme sadist from youth. Partly he had been schooled in

592
00:45:31.360 --> 00:45:36.440
<v Speaker 2>sadism by this depraved neighbor of his, you know, who

593
00:45:36.519 --> 00:45:40.000
<v Speaker 2>taught him how to derive sexual pleasure from torturing animals

594
00:45:40.000 --> 00:45:46.880
<v Speaker 2>and so on. And he trayed on men, women, children, animals.

595
00:45:47.639 --> 00:45:52.000
<v Speaker 2>You know, he got off, particularly on drinking their blood.

596
00:45:52.920 --> 00:45:57.840
<v Speaker 2>He was known as a vampire of Dusseldorf. He was

597
00:45:57.920 --> 00:46:03.960
<v Speaker 2>actually the one inspiration for America's one of America's most

598
00:46:03.960 --> 00:46:10.000
<v Speaker 2>heinous serial kills, Albert Fish. Albert Fish, you know, cut

599
00:46:10.039 --> 00:46:15.079
<v Speaker 2>out and saved articles about curtain. One of the interesting

600
00:46:15.119 --> 00:46:20.599
<v Speaker 2>things I found in researching the Curtain case was that

601
00:46:20.679 --> 00:46:25.000
<v Speaker 2>the term serial murderer was first used in connection with

602
00:46:25.079 --> 00:46:27.760
<v Speaker 2>the Curtain Case in the nineteen thirties. You know, for

603
00:46:27.800 --> 00:46:32.559
<v Speaker 2>a long time Robert Wrestler of the FBI's Behavioral Science Unit,

604
00:46:33.239 --> 00:46:38.800
<v Speaker 2>claimed credit for coining the phrase serial killer, you know,

605
00:46:38.840 --> 00:46:43.559
<v Speaker 2>and then earlier instances were found in some British publications

606
00:46:43.599 --> 00:46:46.519
<v Speaker 2>going back to the nineteen sixties. But when I was

607
00:46:46.559 --> 00:46:49.480
<v Speaker 2>researching the Curtain Case, I found that the head of

608
00:46:49.559 --> 00:46:54.960
<v Speaker 2>the Berlin Homicide Division used the term Syrian mortar serial

609
00:46:55.039 --> 00:46:59.079
<v Speaker 2>murderer to describe Hurtin. So as far as I know,

610
00:47:00.199 --> 00:47:09.280
<v Speaker 2>that's the earliest use of the terms.

611
00:47:06.239 --> 00:47:09.039
<v Speaker 6>And that's probably in the thirties. As you write, in

612
00:47:09.239 --> 00:47:17.039
<v Speaker 6>this case, very interesting pravity of this vampire of Dusseldorf.

613
00:47:17.239 --> 00:47:23.679
<v Speaker 6>Though you do talk about his childhood. It's not only

614
00:47:23.880 --> 00:47:27.239
<v Speaker 6>the influence of the neighbor, but also the parents' life

615
00:47:27.280 --> 00:47:30.519
<v Speaker 6>and again seeing his parents have sex and thirteen kids

616
00:47:30.559 --> 00:47:35.880
<v Speaker 6>in a one room home, so horrendous upbringing. But they

617
00:47:35.880 --> 00:47:40.760
<v Speaker 6>were able to get information from from Curtin himself, some

618
00:47:40.880 --> 00:47:44.199
<v Speaker 6>kind of insight into the crimes he did, which was

619
00:47:45.880 --> 00:47:48.199
<v Speaker 6>unprecedented at the time, obviously, wasn't it.

620
00:47:48.800 --> 00:47:52.400
<v Speaker 2>Yeah, Yeah, I mean he spoke very very very freely

621
00:47:53.880 --> 00:48:01.920
<v Speaker 2>about you know, about his crimes. He also compared himself

622
00:48:01.960 --> 00:48:05.920
<v Speaker 2>to Jack the Ripper. Just a quote from the book

623
00:48:05.960 --> 00:48:10.480
<v Speaker 2>He's you know, Curtin said, you know, he said, the

624
00:48:10.559 --> 00:48:13.320
<v Speaker 2>main thing for me was to see blood. You know,

625
00:48:13.360 --> 00:48:15.519
<v Speaker 2>when he would slick the throats of some of his

626
00:48:15.599 --> 00:48:19.000
<v Speaker 2>young victims, he said, the sound of blood when I

627
00:48:19.039 --> 00:48:23.079
<v Speaker 2>cut her throat made me ejaculate. They stabbed her throat

628
00:48:23.239 --> 00:48:28.280
<v Speaker 2>and drank the blood that cushed out. So yeah, you know,

629
00:48:28.360 --> 00:48:34.159
<v Speaker 2>he even at one point, such was his incredibly depraved

630
00:48:34.199 --> 00:48:38.760
<v Speaker 2>appetite that one time he was strolling through a duseledolf

631
00:48:38.920 --> 00:48:45.199
<v Speaker 2>park and came upon a sleeping swan and cut off

632
00:48:45.239 --> 00:48:50.760
<v Speaker 2>its head, and a drack ejaculated while drinking the blood

633
00:48:50.840 --> 00:48:54.320
<v Speaker 2>as it pumped from the swan's neck stump.

634
00:48:56.280 --> 00:49:06.400
<v Speaker 6>Yeah, incredible. You write about a movie that was Monsieur

635
00:49:06.519 --> 00:49:10.880
<v Speaker 6>Verdeaux in nineteen forty seven, directed and written by Charlie Chaplin.

636
00:49:10.920 --> 00:49:18.519
<v Speaker 6>Surprisingly boot story of blue Beard, and this was inspired

637
00:49:18.519 --> 00:49:22.519
<v Speaker 6>by just a Mother Goose tales from Charles Perraut. Tell

638
00:49:22.599 --> 00:49:25.960
<v Speaker 6>us what tell us a little bit about the inspiration

639
00:49:26.039 --> 00:49:28.679
<v Speaker 6>for this, Henry Landrew, Well, the.

640
00:49:29.960 --> 00:49:36.559
<v Speaker 2>Perout connection is that's a classic fairy tale blue Beard,

641
00:49:37.280 --> 00:49:40.400
<v Speaker 2>which is about a young woman who is kind of

642
00:49:40.559 --> 00:49:47.880
<v Speaker 2>forced into marrying this creepy aristocrat who has a blue beard,

643
00:49:49.320 --> 00:49:56.320
<v Speaker 2>is taken to his castle and excuse me. Soon afterwards,

644
00:49:56.320 --> 00:50:00.280
<v Speaker 2>he goes on a trip and gives her the keys. Says,

645
00:50:00.320 --> 00:50:03.039
<v Speaker 2>she has free run of the castle, and these are

646
00:50:03.079 --> 00:50:05.599
<v Speaker 2>the keys to every room, but there's one room you're

647
00:50:05.639 --> 00:50:11.559
<v Speaker 2>not allowed to go into. And of course, when he's gone,

648
00:50:12.119 --> 00:50:15.599
<v Speaker 2>her curiosity gets the best of her. She enters the

649
00:50:15.679 --> 00:50:23.559
<v Speaker 2>room discovers, to her horror that's full of the dismembered

650
00:50:23.559 --> 00:50:28.239
<v Speaker 2>body parts of all his previous lives. It's a very,

651
00:50:28.320 --> 00:50:31.800
<v Speaker 2>very gruesome fairy tale. I mean, there are other fairy

652
00:50:31.840 --> 00:50:36.599
<v Speaker 2>tales and folks stories of that type around the world.

653
00:50:37.280 --> 00:50:42.920
<v Speaker 2>Folklorus collum bloody chamber stories are forbidden chamber stories. Anyway,

654
00:50:43.039 --> 00:50:47.840
<v Speaker 2>in Western culture, blue Beard is the most famous, and

655
00:50:48.199 --> 00:50:52.760
<v Speaker 2>the term blue beard has come to be applied to

656
00:50:53.239 --> 00:50:56.719
<v Speaker 2>a certain kind of serial killer, men who marry a

657
00:50:56.760 --> 00:51:03.840
<v Speaker 2>succession of wives and then and then murdered them. I'm

658
00:51:03.880 --> 00:51:07.639
<v Speaker 2>actually in the process of researching the case of a

659
00:51:07.800 --> 00:51:14.719
<v Speaker 2>very infamous American bluebeard named Johann haw So. In France,

660
00:51:15.519 --> 00:51:22.320
<v Speaker 2>on rie Land Drew was probably their most famous bluebeard killer.

661
00:51:22.360 --> 00:51:28.079
<v Speaker 2>He was actually quite a bizarre looking guy who operated

662
00:51:29.159 --> 00:51:34.599
<v Speaker 2>after in the aftermath of the World War One, you know,

663
00:51:34.599 --> 00:51:37.480
<v Speaker 2>in which the male young male population of Western Europe

664
00:51:37.519 --> 00:51:45.159
<v Speaker 2>was totally decimated, you know, leaving countless widows. And land

665
00:51:45.239 --> 00:51:51.639
<v Speaker 2>Drew again, who, in spite of his bizarre appearance, you know,

666
00:51:51.719 --> 00:51:55.880
<v Speaker 2>obviously exerted some kind of charm you know, married a

667
00:51:55.960 --> 00:52:00.159
<v Speaker 2>series of women and ended up, you know, murdering a

668
00:52:00.199 --> 00:52:06.639
<v Speaker 2>bunch of them for their property. So that case, which

669
00:52:06.679 --> 00:52:13.519
<v Speaker 2>got a great deal of international coverage, fascinated actually fascinated

670
00:52:13.599 --> 00:52:20.000
<v Speaker 2>both Charlie Chaplin and Orson Wells, and uh, you know,

671
00:52:20.079 --> 00:52:22.679
<v Speaker 2>the original plan was to make a kind of non

672
00:52:22.719 --> 00:52:28.400
<v Speaker 2>fiction movie very directly based on Landrew. But anyway, what

673
00:52:28.400 --> 00:52:37.719
<v Speaker 2>what we ended up with was uh Chaplain's comedy, well yeah,

674
00:52:37.880 --> 00:52:45.960
<v Speaker 2>comedy in which again Chaplain plays you know, this very

675
00:52:46.039 --> 00:52:53.960
<v Speaker 2>very charming uh uh gentlemen who seduces and then murders

676
00:52:55.400 --> 00:52:58.320
<v Speaker 2>a bunch of women and ends you know with the

677
00:52:58.360 --> 00:53:05.880
<v Speaker 2>courtroom uh scene in which he you know, he makes

678
00:53:06.199 --> 00:53:12.960
<v Speaker 2>an impassioned speech in his own defense, in which he

679
00:53:13.039 --> 00:53:17.320
<v Speaker 2>sort of justifies his crimes, you know, as being much

680
00:53:17.400 --> 00:53:23.800
<v Speaker 2>less heinous than what, you know, than than the world

681
00:53:23.920 --> 00:53:26.079
<v Speaker 2>than you know, what the world who's just lived through.

682
00:53:27.280 --> 00:53:31.639
<v Speaker 2>I'm in terms of the incredible, you know, incredible destruction

683
00:53:31.760 --> 00:53:34.400
<v Speaker 2>and devastation of World War One. You know, he says

684
00:53:34.400 --> 00:53:37.559
<v Speaker 2>this is a mass killer. I'm an amateur by comparison,

685
00:53:38.480 --> 00:53:42.599
<v Speaker 2>you know, to what to what civilization has done to itself.

686
00:53:42.719 --> 00:53:47.199
<v Speaker 2>So right.

687
00:53:48.000 --> 00:53:52.280
<v Speaker 6>Now you talk about murder on the Orient Express, and

688
00:53:52.519 --> 00:53:56.639
<v Speaker 6>this has been filmed three times, I believe, and it's notable,

689
00:53:57.000 --> 00:54:00.719
<v Speaker 6>not because of its accuracy and connection to an actual

690
00:54:00.800 --> 00:54:04.400
<v Speaker 6>crime and those details, but just that this has been

691
00:54:04.599 --> 00:54:09.639
<v Speaker 6>filmed more times. Agatha Christie adaptation filmed the most times.

692
00:54:10.480 --> 00:54:15.920
<v Speaker 6>What I found interesting was something far less known. Is

693
00:54:16.000 --> 00:54:18.519
<v Speaker 6>Knight of the Hunter in nineteen fifty five with Shelley

694
00:54:18.559 --> 00:54:22.039
<v Speaker 6>Winter's Robert Mitcham. And you say, it's one of the

695
00:54:22.039 --> 00:54:26.480
<v Speaker 6>most notorious mass murders in world history, yet is barely

696
00:54:26.519 --> 00:54:33.119
<v Speaker 6>remembered today. Again another Lonely Hearts type case. Tell us

697
00:54:33.159 --> 00:54:35.559
<v Speaker 6>a little bit about this Night of the Hunter in

698
00:54:35.559 --> 00:54:39.679
<v Speaker 6>its relation to relation to the true crime that inspired it.

699
00:54:40.920 --> 00:54:44.039
<v Speaker 2>Okay, well, just to go back for one minute. The

700
00:54:44.119 --> 00:54:50.480
<v Speaker 2>reason I cover Murder on the Orange Express it isn't

701
00:54:50.519 --> 00:54:57.159
<v Speaker 2>because you know the actual plot of the Agatha Christie.

702
00:54:57.920 --> 00:55:00.599
<v Speaker 2>You know, famous murder mystery, you know, in which a

703
00:55:00.719 --> 00:55:03.760
<v Speaker 2>murder has been committed on a train, and you know,

704
00:55:04.599 --> 00:55:13.159
<v Speaker 2>the great Belgium detective ir Q Poirot solves the crime.

705
00:55:13.320 --> 00:55:17.320
<v Speaker 2>You know, he knows obviously one of the you know,

706
00:55:17.400 --> 00:55:22.320
<v Speaker 2>one of the passengers must have committed it. But the

707
00:55:22.639 --> 00:55:27.079
<v Speaker 2>connection to real life crime is that the murder victim,

708
00:55:28.400 --> 00:55:34.320
<v Speaker 2>the backstory of the murder victim was inspired by the

709
00:55:34.519 --> 00:55:41.960
<v Speaker 2>very very sensational kidnapping murder of the Charles Lindbergh Son

710
00:55:42.719 --> 00:55:45.920
<v Speaker 2>in the nineteen thirties, you know, which many people even

711
00:55:45.960 --> 00:55:50.280
<v Speaker 2>now regard as the crime of a twentieth century. So

712
00:55:50.400 --> 00:55:55.079
<v Speaker 2>that's the connection there. Well, The Knight of the Hunter again,

713
00:55:55.280 --> 00:56:00.960
<v Speaker 2>great masterpiece, directed the only movie directed by the famous

714
00:56:00.960 --> 00:56:06.679
<v Speaker 2>actor Charles Lawton, with a screenplay written by the Pulitzer

715
00:56:06.719 --> 00:56:11.559
<v Speaker 2>Prize winning author James Age, who also wrote the screenplay

716
00:56:11.679 --> 00:56:20.639
<v Speaker 2>for African Queen, the Great John Houston movie with Humphrey

717
00:56:20.639 --> 00:56:24.320
<v Speaker 2>Bogar and Kevin Hepburn. So you know, it's about this

718
00:56:25.599 --> 00:56:35.159
<v Speaker 2>really scary self proclaimed minister played by Robert Mitchum who

719
00:56:35.320 --> 00:56:41.800
<v Speaker 2>has gone around murdering different women, as we learned in

720
00:56:41.840 --> 00:56:46.039
<v Speaker 2>the beginning of the film, and then who sets his

721
00:56:46.199 --> 00:56:52.000
<v Speaker 2>sights on the widow of a recently executed prisoner who

722
00:56:52.519 --> 00:56:57.239
<v Speaker 2>he knows. Prisoner who he shared a cell with, stole

723
00:56:57.280 --> 00:57:01.480
<v Speaker 2>a bunch of money which has never been covered. And

724
00:57:02.199 --> 00:57:05.360
<v Speaker 2>the Mitcham character knows this money is somehow with the family,

725
00:57:06.280 --> 00:57:12.880
<v Speaker 2>so he tracks down the family, marries the widow, Shelley Winters,

726
00:57:13.199 --> 00:57:17.199
<v Speaker 2>you know, murders her. Anyway, It's a very stylized, poetic

727
00:57:17.880 --> 00:57:22.400
<v Speaker 2>and terrifying movie. And again it was based on a

728
00:57:22.480 --> 00:57:31.280
<v Speaker 2>novel and the direct inspiration for the novel. He was not,

729
00:57:32.360 --> 00:57:37.079
<v Speaker 2>by any stretch of the imagination, you know, one of

730
00:57:37.119 --> 00:57:40.239
<v Speaker 2>the most monstrous mass murderers, but that's how he was

731
00:57:41.079 --> 00:57:46.400
<v Speaker 2>advertised in the tabloids of the time. But nevertheless, he

732
00:57:46.559 --> 00:57:52.000
<v Speaker 2>was a a guy named Mary Powers, a vacuum cleaner

733
00:57:52.039 --> 00:57:56.239
<v Speaker 2>salesman from West Virginia who would well he was. He

734
00:57:56.320 --> 00:57:59.760
<v Speaker 2>was also a kind of blue beard killer, although he

735
00:57:59.800 --> 00:58:02.559
<v Speaker 2>never actually married as victims, you know, but he would

736
00:58:02.639 --> 00:58:06.119
<v Speaker 2>put these uh. He would he would answer ads or

737
00:58:06.119 --> 00:58:10.239
<v Speaker 2>place ads to some of these lonely hearts magazines and

738
00:58:10.280 --> 00:58:15.800
<v Speaker 2>then lure widows uh to what was really a torture chamber.

739
00:58:16.760 --> 00:58:16.880
<v Speaker 5>Uh.

740
00:58:17.039 --> 00:58:20.559
<v Speaker 2>He had built inside a garage in a town called

741
00:58:20.639 --> 00:58:26.239
<v Speaker 2>Quiet dell and uh and and again he was ultimately

742
00:58:27.000 --> 00:58:30.320
<v Speaker 2>you know, ultimately he killed uh, he murdered a number

743
00:58:30.320 --> 00:58:34.719
<v Speaker 2>of women, He murdered some of their children, ultimately captured

744
00:58:34.719 --> 00:58:39.199
<v Speaker 2>and hanged and uh and again it was a you know,

745
00:58:39.239 --> 00:58:43.679
<v Speaker 2>it was an extremely sensational case locally and even nationally.

746
00:58:44.639 --> 00:58:50.320
<v Speaker 2>There were ballads and songs created about it. So that became,

747
00:58:50.559 --> 00:58:55.559
<v Speaker 2>as I said, the the inspiration for the novel Night

748
00:58:55.599 --> 00:58:59.320
<v Speaker 2>of a Hunter, which then got transformed into this classic.

749
00:59:00.519 --> 00:59:03.280
<v Speaker 2>Sell them another movie that I your viewer, if your

750
00:59:03.320 --> 00:59:05.599
<v Speaker 2>listeners haven't seen it, I very highly recommend.

751
00:59:06.960 --> 00:59:07.400
<v Speaker 5>Mm hmm.

752
00:59:08.360 --> 00:59:12.760
<v Speaker 6>It's interesting you write in real life, thirty thousand curiosity

753
00:59:12.800 --> 00:59:17.639
<v Speaker 6>seekers overran the murder farm and took everything, everything they could,

754
00:59:18.039 --> 00:59:21.199
<v Speaker 6>anything they could get. You write about in this book

755
00:59:22.119 --> 00:59:25.079
<v Speaker 6>some of this morbid curiosity in these huge in these

756
00:59:25.159 --> 00:59:28.719
<v Speaker 6>huge groups and huge groups of people that want to

757
00:59:28.760 --> 00:59:30.960
<v Speaker 6>see and have a souvenir to take home.

758
00:59:32.719 --> 00:59:35.480
<v Speaker 2>Yeah, well that's you know, that happens wherever there's a

759
00:59:35.599 --> 00:59:39.760
<v Speaker 2>so social crime. The book I wrote before this hels

760
00:59:39.760 --> 00:59:47.880
<v Speaker 2>the Princess right about the lady Bluebeard Belgunnis have reported Deiana. Yeah, also,

761
00:59:48.280 --> 00:59:52.280
<v Speaker 2>tens of thousands of people showed up at her murder

762
00:59:52.320 --> 00:59:57.280
<v Speaker 2>farm after her crimes were discovered, and you know, there

763
00:59:57.280 --> 01:00:02.719
<v Speaker 2>were again people selling ice cream and peddling postcards and

764
01:00:02.800 --> 01:00:08.199
<v Speaker 2>the victims' bodies. Yeah, I mean you find that kind

765
01:00:08.239 --> 01:00:12.480
<v Speaker 2>of phenomenon almost every I mean, I'm sure it's one

766
01:00:12.480 --> 01:00:18.039
<v Speaker 2>of the reasons. For example, that ed Geanes Towns people

767
01:00:18.599 --> 01:00:26.079
<v Speaker 2>burned down his house after his atrocities were discovered, you know,

768
01:00:26.119 --> 01:00:30.559
<v Speaker 2>because they knew it's just going to be a tourist attraction. Yeah.

769
01:00:30.599 --> 01:00:35.079
<v Speaker 2>I mean virtually every crime that I've written about you

770
01:00:35.159 --> 01:00:38.400
<v Speaker 2>have the same phenomenon. I was just writing about a

771
01:00:38.519 --> 01:00:42.880
<v Speaker 2>mass murder that happened in Philadelphia in eighteen sixty six,

772
01:00:44.360 --> 01:00:48.719
<v Speaker 2>and after that crime was discovered, same thing. You know,

773
01:00:48.760 --> 01:00:52.480
<v Speaker 2>on a Sunday, thousands of people, you know, they're running excursion.

774
01:00:53.400 --> 01:00:57.320
<v Speaker 2>It was the very outskirts of the city, so they're

775
01:00:57.400 --> 01:01:02.199
<v Speaker 2>running special excursion trains out there, and you know, people basically,

776
01:01:02.360 --> 01:01:06.199
<v Speaker 2>you know, if they hadn't been stopped by the police,

777
01:01:06.239 --> 01:01:10.920
<v Speaker 2>they would have basically taken taken the place apart. You know,

778
01:01:11.000 --> 01:01:15.079
<v Speaker 2>people were just taking pieces of wood from the barn

779
01:01:15.159 --> 01:01:18.119
<v Speaker 2>where their bodies were found and what kinds of stuff.

780
01:01:18.159 --> 01:01:23.400
<v Speaker 6>So it's also fascinating you talk about a month after

781
01:01:23.400 --> 01:01:28.480
<v Speaker 6>the arrest, the lynch mob surrounded the jailhouse and these lawmen,

782
01:01:28.599 --> 01:01:32.440
<v Speaker 6>heavily armed Lahman had to protect him and would take

783
01:01:32.480 --> 01:01:36.800
<v Speaker 6>him to another prison hundreds of miles away. The thousands

784
01:01:36.840 --> 01:01:40.679
<v Speaker 6>of people storming this And there's a couple of stories

785
01:01:40.719 --> 01:01:42.760
<v Speaker 6>in this book at the same thing where a lynch

786
01:01:42.840 --> 01:01:47.000
<v Speaker 6>mob overcomes. Yeah, you know, in this case the police

787
01:01:47.119 --> 01:01:49.440
<v Speaker 6>the Lahman protected them, but in the other case they

788
01:01:49.440 --> 01:01:54.039
<v Speaker 6>were successful. So fascinating response by the public in these

789
01:01:54.079 --> 01:01:59.719
<v Speaker 6>stories to these what was by the media made a

790
01:01:59.760 --> 01:02:05.079
<v Speaker 6>lot of headway with publication and readership with some of

791
01:02:05.119 --> 01:02:08.159
<v Speaker 6>these cases that fascinated the public certainly.

792
01:02:08.760 --> 01:02:14.079
<v Speaker 2>Yeah, well yeah, I mean, you know, as I'm sure

793
01:02:14.320 --> 01:02:21.079
<v Speaker 2>you know, lynch mobs have been an unfortunate feature of

794
01:02:21.559 --> 01:02:26.599
<v Speaker 2>our society, you know, going back a long time. You know,

795
01:02:26.679 --> 01:02:28.480
<v Speaker 2>there have been many cases. I mean, you see, like

796
01:02:28.519 --> 01:02:31.360
<v Speaker 2>in Western movies all the time, it's a reflection of

797
01:02:32.480 --> 01:02:36.960
<v Speaker 2>historical truth, you know, lynch mobs. You know, sheriffs trying

798
01:02:36.960 --> 01:02:39.639
<v Speaker 2>to hold off lynch mobs. We're trying to break into

799
01:02:39.679 --> 01:02:44.199
<v Speaker 2>the jail, and you know, sometimes lynch mobs succeeded. I mean,

800
01:02:44.280 --> 01:02:50.639
<v Speaker 2>one of the movies that I talk about called Fury.

801
01:02:51.960 --> 01:02:56.119
<v Speaker 2>Another Fritz Lang movie, you know, is based on a

802
01:02:56.199 --> 01:03:05.320
<v Speaker 2>case in which these two kidnapped murderers, you know, we're

803
01:03:05.559 --> 01:03:09.199
<v Speaker 2>caught in jailed and you know lynch mob. This is

804
01:03:09.199 --> 01:03:13.599
<v Speaker 2>out in California. Lynch mob broke in and you know

805
01:03:13.639 --> 01:03:18.920
<v Speaker 2>and lynch them. So so yeah, it's not a not

806
01:03:19.079 --> 01:03:24.440
<v Speaker 2>an unusual phenomenon, you know, not to mention all the

807
01:03:25.000 --> 01:03:29.880
<v Speaker 2>horrific lynchings that were perpetrated against African Americans.

808
01:03:30.199 --> 01:03:35.320
<v Speaker 6>Mm hm, we have only touched on a few of again,

809
01:03:35.360 --> 01:03:39.840
<v Speaker 6>the forty cases that you have examined in this and

810
01:03:39.840 --> 01:03:42.119
<v Speaker 6>and all the movies that were inspired by true crimes,

811
01:03:42.719 --> 01:03:45.840
<v Speaker 6>including a Rope. Before I let you go, can we

812
01:03:45.920 --> 01:03:49.800
<v Speaker 6>talk about Rope by Alfred Hitchcock, starring James Stewart and

813
01:03:49.880 --> 01:03:54.599
<v Speaker 6>Hume Crohne, the partners in partners in murder and like

814
01:03:54.639 --> 01:03:57.760
<v Speaker 6>you say, gay lovers was they were gay lovers implied?

815
01:03:58.800 --> 01:04:02.639
<v Speaker 6>But tell us about this these I guess first example

816
01:04:02.679 --> 01:04:05.400
<v Speaker 6>of what we might call thrill killers.

817
01:04:05.920 --> 01:04:12.440
<v Speaker 2>Well, Rope. There have been several movies inspired by this case.

818
01:04:14.119 --> 01:04:18.000
<v Speaker 2>The one that sticks closest to the fact he's Richard Brooks,

819
01:04:18.000 --> 01:04:25.079
<v Speaker 2>Who's compulsion, But they were all inspired, including Rope, by

820
01:04:25.960 --> 01:04:31.880
<v Speaker 2>the very very famous nineteen twenties case of Leopold and Loebe,

821
01:04:32.840 --> 01:04:42.800
<v Speaker 2>who are these brilliant, very wealthy college age guys lived

822
01:04:42.840 --> 01:04:46.079
<v Speaker 2>in Chicago. You know, this is one of the great

823
01:04:46.679 --> 01:04:51.960
<v Speaker 2>again crimes of the century, of the twentieth century. They

824
01:04:52.000 --> 01:04:57.400
<v Speaker 2>fancied themselves Nietzschean superman, uh, and to prove it to

825
01:04:57.480 --> 01:05:01.280
<v Speaker 2>themselves in the world, they were going to commit the

826
01:05:01.320 --> 01:05:05.400
<v Speaker 2>perfect crime. So they picked a victim, went out far.

827
01:05:05.480 --> 01:05:07.880
<v Speaker 2>They picked a victim at random, turned out to be

828
01:05:07.920 --> 01:05:10.320
<v Speaker 2>a fourteen year old named Bobby Franks, who was actually

829
01:05:10.320 --> 01:05:13.119
<v Speaker 2>a cousin I can't remember which one I think of,

830
01:05:13.199 --> 01:05:19.239
<v Speaker 2>Dicky Loeb, and murdered him and buried his naked body

831
01:05:19.239 --> 01:05:23.320
<v Speaker 2>in a culvert outside the city, sent ransom notes to

832
01:05:23.360 --> 01:05:28.480
<v Speaker 2>the family. In spite of their belief that they had

833
01:05:28.480 --> 01:05:33.280
<v Speaker 2>committed the perfect crime. They were captured within days, and

834
01:05:33.360 --> 01:05:35.880
<v Speaker 2>you know, they were sort of it struck. There's a

835
01:05:35.960 --> 01:05:40.280
<v Speaker 2>very very powerful chord in the nation at that time,

836
01:05:40.440 --> 01:05:49.440
<v Speaker 2>partly because they were seen as the nightmarish incarnations of

837
01:05:50.440 --> 01:05:54.000
<v Speaker 2>what the culture at the time called the flaming youth.

838
01:05:54.679 --> 01:05:58.360
<v Speaker 2>You know, this ad of control while jazz age kids

839
01:05:58.800 --> 01:06:05.480
<v Speaker 2>who just lived for three uh, and they were they

840
01:06:05.519 --> 01:06:08.760
<v Speaker 2>pled guilty, so they weren't tried, but they had a

841
01:06:08.840 --> 01:06:16.400
<v Speaker 2>long sentencing proceeding and they were represented by the great defender,

842
01:06:16.559 --> 01:06:22.960
<v Speaker 2>Clarence Darrow. So their trial, we'll call it, you know again,

843
01:06:23.360 --> 01:06:30.880
<v Speaker 2>was covered nationally and internationally. So yeah, I mean, Leopold

844
01:06:30.880 --> 01:06:34.079
<v Speaker 2>and Lobe had become you know, kind of entered into

845
01:06:34.239 --> 01:06:37.679
<v Speaker 2>the annals of American crime as these you know, kind

846
01:06:37.719 --> 01:06:43.559
<v Speaker 2>of quasi mythical characters like Lizzie Borden, and their story

847
01:06:43.599 --> 01:06:47.920
<v Speaker 2>has been you know, told various times. Alfred Hitchcock's Rope,

848
01:06:47.960 --> 01:06:51.199
<v Speaker 2>which is based on a Broadway play which is based

849
01:06:51.199 --> 01:06:54.639
<v Speaker 2>on Leopold and Loeb, is a very interesting film. It's

850
01:06:54.760 --> 01:07:00.119
<v Speaker 2>kind of a an experimental film which Hitchcock shot so

851
01:07:00.280 --> 01:07:03.360
<v Speaker 2>that it looks as though it was all done in

852
01:07:03.440 --> 01:07:07.400
<v Speaker 2>a single take, you know, kind of like the recent

853
01:07:07.440 --> 01:07:11.119
<v Speaker 2>movie nineteen seventeen, although this one basically just takes place,

854
01:07:11.320 --> 01:07:15.639
<v Speaker 2>you know, inside a single apartment, so you know, it's

855
01:07:15.760 --> 01:07:19.559
<v Speaker 2>very very interesting for that reason. And its stars again

856
01:07:19.639 --> 01:07:25.199
<v Speaker 2>one of you know, Hitchcock's favorite actors, Jimmy Stewart, as

857
01:07:25.320 --> 01:07:28.920
<v Speaker 2>the mentor to the two young thriller killers.

858
01:07:30.440 --> 01:07:34.559
<v Speaker 6>Yes, absolutely, we didn't get a chance to talk about

859
01:07:34.880 --> 01:07:38.800
<v Speaker 6>Shadow of a Doubt, Scream, A Place in the Sun,

860
01:07:39.440 --> 01:07:45.159
<v Speaker 6>looking for Mister Goodbar, The Fugitive, Double Indemnity, a classic

861
01:07:45.559 --> 01:07:50.199
<v Speaker 6>called Elephant by Gus Van Sant, and Chicago, among some others.

862
01:07:50.360 --> 01:07:54.400
<v Speaker 6>But that's for the reader to explore. I want to

863
01:07:54.400 --> 01:07:57.400
<v Speaker 6>thank you very much for talking about rip from the headlines,

864
01:07:57.440 --> 01:08:00.679
<v Speaker 6>the shocking two stories behind the movies most memory crimes.

865
01:08:01.239 --> 01:08:03.519
<v Speaker 6>For people that might want to find out more, is

866
01:08:03.559 --> 01:08:06.440
<v Speaker 6>there a website or obviously a Facebook page that they

867
01:08:06.519 --> 01:08:09.119
<v Speaker 6>might take a look at more information?

868
01:08:09.840 --> 01:08:15.519
<v Speaker 2>Well, I do have a Facebook page and a website.

869
01:08:16.840 --> 01:08:22.760
<v Speaker 2>Harold Scheckter dot com is a website, tell you the truth.

870
01:08:23.319 --> 01:08:27.520
<v Speaker 2>I'm not a Facebook person, and I do have a

871
01:08:27.560 --> 01:08:33.840
<v Speaker 2>Facebook page which is overseen and created by a friend

872
01:08:33.920 --> 01:08:37.960
<v Speaker 2>of mine. But it's there so people know how to

873
01:08:38.039 --> 01:08:40.840
<v Speaker 2>use Facebook. They can go on that. But Harold Scheckter

874
01:08:40.920 --> 01:08:44.840
<v Speaker 2>dot com and you know the book, you know, well, now,

875
01:08:44.880 --> 01:08:48.640
<v Speaker 2>with so many stores closed, you know, probably the best

876
01:08:48.680 --> 01:08:52.319
<v Speaker 2>place for interested buyers to get the book, either in

877
01:08:53.439 --> 01:08:59.399
<v Speaker 2>it's a physical form or kindle form is Amazon? Yes?

878
01:08:59.479 --> 01:09:03.079
<v Speaker 6>Absolutely, is there. Did I see an audiobook version of

879
01:09:03.119 --> 01:09:03.640
<v Speaker 6>this as well?

880
01:09:03.840 --> 01:09:06.840
<v Speaker 2>Already? Yes, there's also a very nice audio version.

881
01:09:08.000 --> 01:09:12.199
<v Speaker 6>Great fantastic. Well, it's been a pleasure as once again

882
01:09:12.279 --> 01:09:16.359
<v Speaker 6>Harold ripped from the headlines the shocking true stories behind

883
01:09:16.359 --> 01:09:21.000
<v Speaker 6>the movies most memorable crimes. Fantastic. Congratulations on the book

884
01:09:21.079 --> 01:09:22.760
<v Speaker 6>and thank you so much for this interview.

885
01:09:23.640 --> 01:09:25.680
<v Speaker 2>Well, thank you, greating.

886
01:09:26.079 --> 01:09:28.319
<v Speaker 6>You too, Oh, thank you. Good night.
