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<v Speaker 6>Loop Host Radio.

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<v Speaker 1>You are now listening to True Murder, The most Shocking

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<v Speaker 1>Killers in True crime History and the authors that have

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<v Speaker 1>written about them, Gasey Bundy, Dahmer, The Nightstalker DTK. Every

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<v Speaker 1>week another fascinating author talking about the most shocking and

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<v Speaker 1>infamous killers in true crime history. True Murder with your host,

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<v Speaker 1>journalist and author Dan Zupansky.

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<v Speaker 2>Good Evening. This is your host Dan Zuvansky for the

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<v Speaker 2>program True Murder, The most shocking killers in true crime

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<v Speaker 2>history and the authors that have written about them. Over

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<v Speaker 2>the years, Ron Francell's books have earned high praise from

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<v Speaker 2>best authors such as Anne Rule and Vincent Bulagosi. He

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<v Speaker 2>is the best selling author of The Darkest Night, and

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<v Speaker 2>his writing has been often compared to Truman Capodi. Ron

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<v Speaker 2>grew up in Wyoming. A lifelong journalist, he worked for

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<v Speaker 2>newspapers in Wyoming, New Mexico, and California's Bay Area before

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<v Speaker 2>hitting the road in one of America American Journalism's best beats,

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<v Speaker 2>covering the evolution of the American West as a senior

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<v Speaker 2>writer for the Denver Post. Shortly after nine to eleven,

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<v Speaker 2>he was dispatched by the Post to cover the Middle

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<v Speaker 2>East during the first few months of the Afghan War.

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<v Speaker 2>In two thousand and four, became the managing editor for

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<v Speaker 2>the Beaumount, TX Enterprise, where he covered the devastation of

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<v Speaker 2>Hurricane Rita. After Ron's divorce, he feared he was the

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<v Speaker 2>link in a long chain of his strange fathers. But

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<v Speaker 2>when the author and his teenage son embark on a

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<v Speaker 2>road trip to the Yukon to seek out a macabre

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<v Speaker 2>cocktail containing an amputated human tow, they unwittingly begin a

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<v Speaker 2>journey into their own present and future. The Sour Cocktail

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<v Speaker 2>Club is a true life love story about fathers and sons,

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<v Speaker 2>set against epic backdrops and overlooked places. It is also

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<v Speaker 2>a roadbook that attempts to answer, for one father and

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<v Speaker 2>son a pivotal life question, where does the road go?

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<v Speaker 2>Our book that we're featuring this evening is The Sourtoll

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<v Speaker 2>Cocktail Club with my special guest journalist and author Ron Fransell.

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<v Speaker 2>Thank you for agreeing to this program and welcome back

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<v Speaker 2>to True Murder. Ron Francell, p Pell Dan.

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<v Speaker 7>Thank you for having me back. I'm just delighted that

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<v Speaker 7>I didn't screw up so bad the last time that

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<v Speaker 7>you wouldn't have me at all.

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<v Speaker 2>You got to get a little bit more confidence in yourself.

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<v Speaker 7>Ron I have a great time doing your show. But tonight,

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<v Speaker 7>despite the build up, we're not going to be talking

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<v Speaker 7>about killers or murder or anything like that. Although I

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<v Speaker 7>have to admit I don't know exactly where this toe

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<v Speaker 7>came from. But you know, we're not gonna well, maybe

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<v Speaker 7>we'll talk about killers before it's all over. But this book,

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<v Speaker 7>you know, is a little a little brighter than my

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<v Speaker 7>usual fare.

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<v Speaker 2>Yeah. And the thing is though that I think that

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<v Speaker 2>it's very interesting for people who already are aware of

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<v Speaker 2>your work, love your work, to now hear to get

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<v Speaker 2>a chance which is a rare opportunity to hear about

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<v Speaker 2>something that life changing in your life. And we will

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<v Speaker 2>ask some questions about Obviously, you know, the book answers

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<v Speaker 2>it to a certain degree, but we're going to ask

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<v Speaker 2>some questions for the audience that because of course they're

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<v Speaker 2>just hearing about this program, but we want to know.

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<v Speaker 2>We're going to know, we're going to learn quite a

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<v Speaker 2>bit about your son, and we're gonna learn quite a

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<v Speaker 2>bit about yourself and your history. And so being a

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<v Speaker 2>prolific writer, a true crime writer, has written a couple

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<v Speaker 2>things that are very that have affected a lot of people.

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<v Speaker 2>I think our audience will be very interested in how

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<v Speaker 2>you came to all of this and how this has

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<v Speaker 2>informed your personality and this great book that we have

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<v Speaker 2>here now again, like I say, a life changing experience

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<v Speaker 2>for those that don't know otherwise a true crime writer.

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<v Speaker 2>So let's get to the Sour Tool cocktail club now. Now, first,

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<v Speaker 2>I think we should talk about your job at the

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<v Speaker 2>Denver Post. You say you drove more than eight thousand

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<v Speaker 2>miles per week writing about the West, eighty thousand miles

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<v Speaker 2>in your first year and root sixty six. Tell us

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<v Speaker 2>what your first tell us about your marriage, and then

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<v Speaker 2>tell us about your job at Denver Post. And where

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<v Speaker 2>are you at that point in your marriage when you

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<v Speaker 2>have this job at Denver Post.

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<v Speaker 7>Take us back, Well, let me take you back a

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<v Speaker 7>little bit farther than that. My then wife and I

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<v Speaker 7>were the co publishers of a small daily newspaper in Wyoming,

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<v Speaker 7>where we had both grown up. Now we had worked

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<v Speaker 7>for newspapers elsewhere, but come back to Wyoming to raise

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<v Speaker 7>our children in a small town and to run a newspaper.

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<v Speaker 7>Things just ended up going badly, and not for the newspaper.

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<v Speaker 7>The newspaper was doing terrifically, but the relationship is sort

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<v Speaker 7>of very slowly. Gave is sagged under its own weight,

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<v Speaker 7>and we ultimately divorced when my son was thirteen and

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<v Speaker 7>my daughter was seventeen. Being a small town and being

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<v Speaker 7>the publisher of the newspaper up to that point, it

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<v Speaker 7>wasn't possible for me to just go get another job

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<v Speaker 7>there in town. You know, there was no other newspaper,

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<v Speaker 7>There was no other media outlet that I could just

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<v Speaker 7>casually show up and start a new job. In the

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<v Speaker 7>American West, the next biggest place for me to go,

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<v Speaker 7>or the next best place for me to look for

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<v Speaker 7>a job, was Denver, Colorado. And as it happened, they

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<v Speaker 7>had been dreaming for some time about some new kind

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<v Speaker 7>of reportage that for them anyway, where the typical ordinary

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<v Speaker 7>journalism was told with a little bit more narrative flare.

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<v Speaker 7>And because I at that point I had written some

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<v Speaker 7>novels as well as had long experience as a journalist,

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<v Speaker 7>they thought I was perfect for that, and so they

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<v Speaker 7>assigned me to the job as a senior writer and

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<v Speaker 7>a columnist to write about the evolution of the American West,

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<v Speaker 7>and and my job was to wade out into this vast,

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<v Speaker 7>vast region and find stories where the past, the present,

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<v Speaker 7>and the future all intersected, where where by looking backward,

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<v Speaker 7>we might see where we are and where we're going.

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<v Speaker 7>And it was a beautiful job for me. I got

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<v Speaker 7>to blend, you know, real journalism, real stories, truth, with

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<v Speaker 7>all those tools that I developed as a novelist, to

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<v Speaker 7>to bring drama to a story, to bring to give

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<v Speaker 7>it a pace, to give it, to give it a meaning,

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<v Speaker 7>and and I just loved that. And it was doing

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<v Speaker 7>that that caused then my bosses to send me to

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<v Speaker 7>the Middle East right after nine to eleven in hopes

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<v Speaker 7>that we could begin to answer some of the questions

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<v Speaker 7>that we were all asking ourselves in North America at

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<v Speaker 7>that time for an American audience. And they saw no

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<v Speaker 7>better way than to send someone who could tell that

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<v Speaker 7>story on the short runway that I had become accustomed

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<v Speaker 7>to working. So that's where I was, And in that

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<v Speaker 7>process I didn't travel eight thousand miles a week, but

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<v Speaker 7>my first year on the road was eighty thousand miles.

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<v Speaker 7>What was happening was I was using the road as therapy.

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<v Speaker 7>It was my sanctuary. I would spend five or six

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<v Speaker 7>weeks generally out reporting and driving all over the American

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<v Speaker 7>West looking for these stories and writing them and living

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<v Speaker 7>that road life kept my mind off all the pain

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<v Speaker 7>that was that that that that had uh just gripped

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<v Speaker 7>me in in the in the backwash of this divorce.

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<v Speaker 7>And during that time I was able also then to

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<v Speaker 7>spend a lot of time with my son where he

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<v Speaker 7>lived in Wyoming, because I was on the road and

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<v Speaker 7>I could visit fairly often, but it wasn't every day.

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<v Speaker 7>And it was in the first month or I'm sorry,

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<v Speaker 7>in the first summer of of after that divorce, that

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<v Speaker 7>he came to me in my my little house in

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<v Speaker 7>the Colorado Rockies and we spent that glorious summer together

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<v Speaker 7>and we we tried to do too much. We we

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<v Speaker 7>wanted to fit every mist day into the days we had.

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<v Speaker 7>So it was during that time that I ran across

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<v Speaker 7>a mansion and I think on the internet one night

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<v Speaker 7>about this bar in Dawson City and the Yukon, And

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<v Speaker 7>what I learned was that you could go there and

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<v Speaker 7>you could order a drink, and they would show you

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<v Speaker 7>to a little room in the back, and there you

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<v Speaker 7>would be sworn to an oath and having taken the oath,

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<v Speaker 7>a funny little guy would drop into your drink, a

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<v Speaker 7>mummified human tow. And when I told my son this,

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<v Speaker 7>now he's thirteen years.

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<v Speaker 2>Old, he.

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<v Speaker 7>Was immediately intrigued by the idea. Now, I think because

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<v Speaker 7>he was thirteen, anything that involved liquor and anything that

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<v Speaker 7>involved disembodied body parts was fascinating to him, and so

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<v Speaker 7>it became a kind of code to us after that.

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<v Speaker 7>For many years, we would talk about the toe as

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<v Speaker 7>this thing that we shared, this kind of fantasy that

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<v Speaker 7>we shared, and we had always sworn, you know, to ourselves,

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<v Speaker 7>that we would do it someday. When he became a

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<v Speaker 7>college student eighteen years old, he was driving to college

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<v Speaker 7>and I was checking in with him throughout the day

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<v Speaker 7>because it was a long trip and it was his

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<v Speaker 7>first time doing that sort of thing. And toward the

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<v Speaker 7>end of that day, I noticed he was getting tired,

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<v Speaker 7>and so we just would we just spend a lot

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<v Speaker 7>of time on the phone talking, not doing not really

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<v Speaker 7>talking about much of anything, just keeping him talking. And

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<v Speaker 7>he mentioned that during that day he had thought about

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<v Speaker 7>the toe, and it was at that moment that I

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<v Speaker 7>decided we were going to do this. And so it's

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<v Speaker 7>the road you know lies literally under this story obviously,

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<v Speaker 7>you know, a nearly five thousand mile journey to the

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<v Speaker 7>Yukon and to the Arctic beyond. But it lies in

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<v Speaker 7>the sort of metaphoric sense under this story too.

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<v Speaker 2>Now, let's for our audience. I think this is a

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<v Speaker 2>very very important part of the story. Is your own

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<v Speaker 2>childhood and your own relationship with your father, biological father

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<v Speaker 2>and your stepfather. Tell us about that. Take us back

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<v Speaker 2>to your life and tell us about that.

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<v Speaker 7>When my mother was pregnant with me, her first child,

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<v Speaker 7>the young woman and married less than two years before

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<v Speaker 7>my biological father left and never came back and never

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<v Speaker 7>turned around. It was many years I was a young

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<v Speaker 7>boy before she told me that my biological father had

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<v Speaker 7>abandoned us, and that the man that I knew was

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<v Speaker 7>my father and who continues today to be my father,

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<v Speaker 7>was not, you know, my biological father. And that's kind

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<v Speaker 7>of confusing when you're eight or nine years old, and

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<v Speaker 7>it was confusing to me. Nevertheless, I grew up with

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00:14:36.000 --> 00:14:40.039
<v Speaker 7>my stepfather. I continue, you know now to have a

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00:14:40.080 --> 00:14:44.080
<v Speaker 7>wonderful relationship with my stepfather. But for many years I

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00:14:44.080 --> 00:14:48.039
<v Speaker 7>didn't know anything more than what my mother had told me,

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00:14:48.120 --> 00:14:54.519
<v Speaker 7>which wasn't much about my biological father. I found him

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00:14:55.320 --> 00:14:57.759
<v Speaker 7>when I was thirty years old. I was a journalist,

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00:14:57.799 --> 00:15:00.200
<v Speaker 7>and I used a lot of the skills that I'd

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00:15:00.279 --> 00:15:05.120
<v Speaker 7>learned as a researcher and as a journalist to find him,

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00:15:05.200 --> 00:15:11.639
<v Speaker 7>and he at that time was living in Panama, so

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<v Speaker 7>it was another couple of years before we actually met,

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<v Speaker 7>and it was it was a very strange meeting, as

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00:15:22.159 --> 00:15:25.480
<v Speaker 7>you might imagine. I told him in our very first

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<v Speaker 7>face to face meeting, that I wasn't looking for a father.

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00:15:28.840 --> 00:15:31.399
<v Speaker 7>I had curiosity about where I came from, as you

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<v Speaker 7>might imagine, but that I had a wonderful father and

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00:15:34.440 --> 00:15:37.279
<v Speaker 7>I didn't need a father, and that the best he

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00:15:37.320 --> 00:15:42.960
<v Speaker 7>could hope for was that we might be friends. In time,

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<v Speaker 7>I learned his story, and I learned that he too

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00:15:46.759 --> 00:15:49.919
<v Speaker 7>had been abandoned in his life by his own father,

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00:15:51.159 --> 00:15:55.759
<v Speaker 7>And as fate would have it, I learned even later

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<v Speaker 7>that my grandfather had also been abandoned by his father.

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<v Speaker 7>So we're looking at essentially four generations of what I

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00:16:09.159 --> 00:16:15.120
<v Speaker 7>call accidental bastards, people who ended up not having a

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00:16:15.159 --> 00:16:20.080
<v Speaker 7>close relationship with their biological fathers. And here I was

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00:16:20.279 --> 00:16:27.200
<v Speaker 7>newly divorced and contemplating that I had just in my way,

237
00:16:28.360 --> 00:16:32.399
<v Speaker 7>abandoned my own son. Suddenly it became very important to

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00:16:32.440 --> 00:16:37.240
<v Speaker 7>me to try to rectify that. I couldn't go back,

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00:16:37.360 --> 00:16:44.919
<v Speaker 7>I couldn't change time. But I began to think about

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00:16:45.720 --> 00:16:50.879
<v Speaker 7>how I might disrupt this rhythm, how what I could

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00:16:50.919 --> 00:16:56.240
<v Speaker 7>do that might cause my son not to be in

242
00:16:56.279 --> 00:17:00.759
<v Speaker 7>the same position I, my father, my grandfather, and my

243
00:17:00.919 --> 00:17:06.160
<v Speaker 7>great grandfather had been in. So that that all plays

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00:17:06.200 --> 00:17:11.960
<v Speaker 7>into this this very very interesting, very poignant, very funny

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00:17:12.000 --> 00:17:17.799
<v Speaker 7>at some point story into the wilderness of Canada.

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00:17:19.319 --> 00:17:22.920
<v Speaker 2>Now you asked him some profound questions as well. What

247
00:17:23.079 --> 00:17:26.680
<v Speaker 2>I found very again this is you've You've bared yourself

248
00:17:26.720 --> 00:17:32.480
<v Speaker 2>to the to the bone here and left nothing. He's

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00:17:32.519 --> 00:17:36.279
<v Speaker 2>left nothing out. But you talk about posing the question

250
00:17:36.480 --> 00:17:40.440
<v Speaker 2>to this Tom Lane, your biological father, about whether he's

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00:17:40.519 --> 00:17:45.440
<v Speaker 2>actually loved, if he's actually explained what exactly you ask

252
00:17:45.559 --> 00:17:47.759
<v Speaker 2>him and what he asked of you, and why you

253
00:17:47.799 --> 00:17:48.640
<v Speaker 2>asked that question.

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00:17:50.559 --> 00:17:53.440
<v Speaker 7>I you know the wording. I'd have to look at

255
00:17:53.440 --> 00:17:55.960
<v Speaker 7>the book to get the exact wording. But I was

256
00:17:56.000 --> 00:18:01.160
<v Speaker 7>trying to get at his capacity for love, because of

257
00:18:01.200 --> 00:18:06.799
<v Speaker 7>course I had never felt loved by him. But having

258
00:18:06.880 --> 00:18:10.640
<v Speaker 7>gone through that divorce. As I did, I began to

259
00:18:10.880 --> 00:18:15.759
<v Speaker 7>wonder about my own capacity for love. You know, when

260
00:18:15.799 --> 00:18:19.480
<v Speaker 7>you don't have a model for that, when you don't

261
00:18:19.559 --> 00:18:25.279
<v Speaker 7>when you can't look around at your own experience and

262
00:18:25.519 --> 00:18:28.519
<v Speaker 7>find a model for what love looks like.

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00:18:30.519 --> 00:18:34.319
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266
00:18:39.920 --> 00:18:43.000
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267
00:18:43.079 --> 00:18:45.519
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268
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269
00:18:47.920 --> 00:18:49.079
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<v Speaker 6>It is Ryan here and I have a question for you.

274
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<v Speaker 6>What do you do when you win?

275
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<v Speaker 2>Like?

276
00:19:05.960 --> 00:19:08.960
<v Speaker 6>Are you a fist pumper, a woo or a handclapp

277
00:19:09.039 --> 00:19:10.920
<v Speaker 6>or a high fiver? I kind of like the high five.

278
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<v Speaker 6>most fun ever at Chumbuck Casino dot.

284
00:19:28.039 --> 00:19:31.400
<v Speaker 3>Com were necessarily if I lost the terms conditions eighteen plus.

285
00:19:31.599 --> 00:19:35.400
<v Speaker 7>You don't know if you're doing it right. Yeah, you

286
00:19:35.519 --> 00:19:41.079
<v Speaker 7>might think at times that this is you know that

287
00:19:41.160 --> 00:19:46.720
<v Speaker 7>you've gotten it, and then it feels like love, But

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00:19:46.960 --> 00:19:50.119
<v Speaker 7>when it comes right down to it, you don't really know,

289
00:19:50.319 --> 00:19:52.920
<v Speaker 7>do you. I mean, if you if you don't know

290
00:19:53.000 --> 00:19:58.559
<v Speaker 7>what it looks like, how can you know? How can

291
00:19:58.599 --> 00:20:00.920
<v Speaker 7>you know if you're doing it right? So that that's

292
00:20:01.039 --> 00:20:06.519
<v Speaker 7>what was kind of going through my mind that that, Uh,

293
00:20:07.680 --> 00:20:14.079
<v Speaker 7>I questioned his obviously I questioned his capacity for love,

294
00:20:14.720 --> 00:20:18.079
<v Speaker 7>but I wondered if I had inherited that in some way,

295
00:20:18.160 --> 00:20:23.079
<v Speaker 7>And so I was really kind of exploring. I was

296
00:20:23.119 --> 00:20:27.119
<v Speaker 7>really kind of exploring the nature of love and and

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00:20:27.400 --> 00:20:29.519
<v Speaker 7>the love, the kind of love we talk about between

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00:20:29.519 --> 00:20:33.200
<v Speaker 7>fathers and sons, and and do do I answer that?

299
00:20:33.319 --> 00:20:36.039
<v Speaker 7>I don't know. I think people take away from this

300
00:20:36.279 --> 00:20:41.480
<v Speaker 7>kind of a story what they will. There's it's very

301
00:20:41.519 --> 00:20:50.119
<v Speaker 7>difficult sometimes to to to predict or even to expect

302
00:20:50.319 --> 00:20:54.720
<v Speaker 7>that your message is what they will they will get.

303
00:20:56.039 --> 00:21:00.759
<v Speaker 7>But in that particular, in that particular exchange that we

304
00:21:00.839 --> 00:21:09.519
<v Speaker 7>talk about, we go into that and in a way

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00:21:09.640 --> 00:21:12.839
<v Speaker 7>that is kind of poignant. I think.

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00:21:13.880 --> 00:21:16.799
<v Speaker 2>Yeah, you also asked a question, because you did the quote,

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00:21:16.839 --> 00:21:19.599
<v Speaker 2>you said, do you think do you wonder if you're

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00:21:19.640 --> 00:21:23.079
<v Speaker 2>capable of truly loving someone? And then later in the

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00:21:23.119 --> 00:21:26.640
<v Speaker 2>conversation or that day, you asked, do you ever feel

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00:21:27.200 --> 00:21:31.039
<v Speaker 2>that something is broken inside you? And what did he

311
00:21:31.160 --> 00:21:32.759
<v Speaker 2>say to that question?

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00:21:35.000 --> 00:21:41.400
<v Speaker 7>I think he refreshed my memory. You know, my father

313
00:21:42.680 --> 00:21:45.720
<v Speaker 7>is is a vagabond, am I And I don't even

314
00:21:45.720 --> 00:21:48.559
<v Speaker 7>call him my father. I do for radio, I guess,

315
00:21:48.599 --> 00:21:51.680
<v Speaker 7>But but he's not my father per se. And I

316
00:21:51.680 --> 00:21:53.720
<v Speaker 7>refer to him in the book by a different name.

317
00:21:54.240 --> 00:22:03.039
<v Speaker 7>But he's evasive that way. He he he will, he's

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00:22:03.279 --> 00:22:05.079
<v Speaker 7>as I say in the book, he's all he's the

319
00:22:05.160 --> 00:22:08.960
<v Speaker 7>hero of his own stories and and all of his

320
00:22:09.160 --> 00:22:12.960
<v Speaker 7>own stories. And and so in any answer he gives you,

321
00:22:12.960 --> 00:22:14.359
<v Speaker 7>you have to you kind of kind of have to

322
00:22:14.440 --> 00:22:20.119
<v Speaker 7>hold it up against that and and and that becomes

323
00:22:20.200 --> 00:22:27.839
<v Speaker 7>the test. So I you know, he you know, he

324
00:22:27.839 --> 00:22:32.240
<v Speaker 7>he talks about what passes for love, and and he

325
00:22:32.359 --> 00:22:36.400
<v Speaker 7>talks that's kind of an illusory kind of term to me,

326
00:22:36.599 --> 00:22:40.559
<v Speaker 7>that that he he he thinks he's been in love

327
00:22:40.680 --> 00:22:43.559
<v Speaker 7>or at least what passes for love. And I begin

328
00:22:43.720 --> 00:22:47.599
<v Speaker 7>to use that same sort of phraseology as I go

329
00:22:47.759 --> 00:22:51.799
<v Speaker 7>through this book. Uh, and it pops up here and

330
00:22:51.839 --> 00:22:56.119
<v Speaker 7>there in unexpected places, you know what passes for love

331
00:22:56.279 --> 00:23:01.240
<v Speaker 7>or what passes for drunk, or you know what for adventure.

332
00:23:03.000 --> 00:23:08.880
<v Speaker 7>And he gave me some of the really you know,

333
00:23:09.039 --> 00:23:12.079
<v Speaker 7>I think interesting parts of this story.

334
00:23:12.440 --> 00:23:15.880
<v Speaker 2>Yeah, you know, the other before we get to more

335
00:23:15.920 --> 00:23:19.680
<v Speaker 2>of the the actual trip itself and more of the planning.

336
00:23:21.440 --> 00:23:23.920
<v Speaker 2>What I found very interesting as well, and it mustn't

337
00:23:23.920 --> 00:23:26.240
<v Speaker 2>have a profound effect on you in a negative way,

338
00:23:26.960 --> 00:23:33.160
<v Speaker 2>was that that your parents didn't show. It seemed to

339
00:23:33.200 --> 00:23:36.279
<v Speaker 2>be your mother was disappointed that you didn't have a

340
00:23:36.319 --> 00:23:39.920
<v Speaker 2>different career and that you had picked journalism, and that

341
00:23:40.319 --> 00:23:42.400
<v Speaker 2>when you got married, they didn't even show up at

342
00:23:42.400 --> 00:23:44.759
<v Speaker 2>the attend the wedding, which was a month after you

343
00:23:44.799 --> 00:23:48.079
<v Speaker 2>graduated journalism school. And it seemed that you didn't find out,

344
00:23:48.480 --> 00:23:50.839
<v Speaker 2>and you explained in this book Final two years later,

345
00:23:50.880 --> 00:23:53.400
<v Speaker 2>that you didn't realize that that's what it was. It

346
00:23:53.720 --> 00:23:58.720
<v Speaker 2>seemed to be a disappointment in your choice of career

347
00:23:58.799 --> 00:24:04.319
<v Speaker 2>and profession. And and you don't sum up how important

348
00:24:04.359 --> 00:24:07.359
<v Speaker 2>that was or how profound that was an effect on you.

349
00:24:07.440 --> 00:24:11.880
<v Speaker 2>But how of what what did that do to you

350
00:24:11.960 --> 00:24:16.240
<v Speaker 2>when you your choice of profession. Instead of the parents

351
00:24:16.240 --> 00:24:19.680
<v Speaker 2>being real proud, they seem to not, you know, not

352
00:24:19.759 --> 00:24:22.039
<v Speaker 2>be in contact for a while. Please explain that.

353
00:24:21.960 --> 00:24:25.279
<v Speaker 7>Right, Well, my parents were, you know, children of the

354
00:24:25.559 --> 00:24:31.839
<v Speaker 7>of the Second World War, really, and they were both

355
00:24:31.920 --> 00:24:36.680
<v Speaker 7>born right at the tail end of the depression. To them,

356
00:24:38.759 --> 00:24:43.519
<v Speaker 7>college they couldn't get college. First of all, they didn't

357
00:24:43.640 --> 00:24:46.720
<v Speaker 7>understand college. They couldn't see how this was a value

358
00:24:47.160 --> 00:24:50.599
<v Speaker 7>to them. It was you're paying somebody to tell you

359
00:24:50.680 --> 00:24:53.880
<v Speaker 7>how to go get a job when you could just

360
00:24:54.000 --> 00:24:59.319
<v Speaker 7>go get a job. And and and so it didn't

361
00:24:59.359 --> 00:25:02.680
<v Speaker 7>make sense to them. And and and we were you know,

362
00:25:02.880 --> 00:25:09.839
<v Speaker 7>I would say, lower middle class family. And and they

363
00:25:09.880 --> 00:25:12.119
<v Speaker 7>didn't have the wherewithal to send me to college. So

364
00:25:12.240 --> 00:25:14.000
<v Speaker 7>it became the easiest thing in the world for them

365
00:25:14.000 --> 00:25:16.960
<v Speaker 7>to say, well, you know, you're not going to go

366
00:25:17.000 --> 00:25:20.880
<v Speaker 7>to college unless you can pay for it yourself. Ultimately

367
00:25:21.240 --> 00:25:24.480
<v Speaker 7>I did. I didn't do that exactly. And and I

368
00:25:24.519 --> 00:25:29.039
<v Speaker 7>am to this day, the only the only one in

369
00:25:29.079 --> 00:25:34.559
<v Speaker 7>my family of five kids and and their kids except

370
00:25:34.559 --> 00:25:39.440
<v Speaker 7>for my own children who went to college. Now my

371
00:25:39.599 --> 00:25:41.920
<v Speaker 7>both of my children have gone to college too, but

372
00:25:43.279 --> 00:25:46.079
<v Speaker 7>you know, that's a reality that a lot of people

373
00:25:46.200 --> 00:25:56.960
<v Speaker 7>live with. My mother in particular, saw saw me at

374
00:25:57.119 --> 00:26:01.640
<v Speaker 7>as too dreamy. When I remember her asking me one time,

375
00:26:01.680 --> 00:26:02.799
<v Speaker 7>you know, what is it you want to do with

376
00:26:02.839 --> 00:26:04.680
<v Speaker 7>your life? And she sort of put it in that

377
00:26:04.759 --> 00:26:08.480
<v Speaker 7>kind of in that kind of cant, you know, she's

378
00:26:08.799 --> 00:26:11.119
<v Speaker 7>what is it you want to do with your life?

379
00:26:11.200 --> 00:26:13.000
<v Speaker 7>And when I said, you know, I'd like to become

380
00:26:13.000 --> 00:26:16.519
<v Speaker 7>a reporter. Someday, I'd like to run my own newspaper,

381
00:26:17.759 --> 00:26:21.240
<v Speaker 7>she was dismissive of that because she saw not because

382
00:26:21.759 --> 00:26:23.920
<v Speaker 7>she thought I was an idiot, but because she thought

383
00:26:23.960 --> 00:26:28.119
<v Speaker 7>I was kidding myself right, and that I wasn't being realistic,

384
00:26:28.440 --> 00:26:31.279
<v Speaker 7>and that I was only setting myself up for disappointment,

385
00:26:31.599 --> 00:26:34.440
<v Speaker 7>probably a lot like the disappointments that she had felt

386
00:26:34.440 --> 00:26:37.079
<v Speaker 7>in her own young life, and she knew the pain

387
00:26:37.119 --> 00:26:42.759
<v Speaker 7>of that. So I think that that's where it comes from.

388
00:26:42.880 --> 00:26:49.319
<v Speaker 7>And she she I have no greater supporter now that

389
00:26:49.440 --> 00:26:53.160
<v Speaker 7>I'm a you know, an accomplished journalist, that I'm a

390
00:26:53.400 --> 00:26:59.680
<v Speaker 7>best selling author and that I'm telling stories like this one.

391
00:26:59.799 --> 00:27:03.759
<v Speaker 7>I have no greater fan than my mother, But in

392
00:27:03.799 --> 00:27:09.799
<v Speaker 7>those early days, I think her hyper sense of reality

393
00:27:12.160 --> 00:27:18.079
<v Speaker 7>and my dreamy qualities, my fantasies about becoming a writer,

394
00:27:20.079 --> 00:27:26.119
<v Speaker 7>really bothered her and it did work on me, but

395
00:27:26.240 --> 00:27:30.279
<v Speaker 7>it probably made me all the more interested in succeeding

396
00:27:30.319 --> 00:27:31.839
<v Speaker 7>as a writer and a journalist.

397
00:27:33.160 --> 00:27:36.000
<v Speaker 2>Now, before we go a little bit further, I want

398
00:27:36.039 --> 00:27:41.200
<v Speaker 2>to know, in the context of this story here, you

399
00:27:41.960 --> 00:27:47.319
<v Speaker 2>were in the in Afghanistan in two thousand and or

400
00:27:47.400 --> 00:27:50.880
<v Speaker 2>just in two thousand and one, and let me see,

401
00:27:50.920 --> 00:27:56.680
<v Speaker 2>in two thousand and four you were managing editor for

402
00:27:56.720 --> 00:28:01.640
<v Speaker 2>the Beaumont Enterprise. When did you write The Darkest Night?

403
00:28:02.319 --> 00:28:06.480
<v Speaker 2>And tell us what your personal connection is to the

404
00:28:06.519 --> 00:28:09.319
<v Speaker 2>people in the Darkest Night? The book The Darkest.

405
00:28:09.039 --> 00:28:12.839
<v Speaker 7>Night, I had been working for the Denver Post, and

406
00:28:13.960 --> 00:28:17.079
<v Speaker 7>it was after I came back from the Middle East

407
00:28:18.200 --> 00:28:24.160
<v Speaker 7>that I began to feel very strongly about telling that story,

408
00:28:24.200 --> 00:28:27.839
<v Speaker 7>partly because for me and for my community in nineteen

409
00:28:27.920 --> 00:28:30.799
<v Speaker 7>seventy three, this was like a little nine to eleven.

410
00:28:31.480 --> 00:28:35.680
<v Speaker 7>On September twenty fourth, nineteen seventy three, we all went

411
00:28:35.720 --> 00:28:38.960
<v Speaker 7>to bed and everything was fine. This was a wonderful world,

412
00:28:39.079 --> 00:28:45.279
<v Speaker 7>and we lived in an idyllic existence. We wake up

413
00:28:45.279 --> 00:28:50.559
<v Speaker 7>on the twenty fifth and everything has changed. That suddenly

414
00:28:50.839 --> 00:28:54.480
<v Speaker 7>doors are locked and night falls and you're in the

415
00:28:54.559 --> 00:28:58.640
<v Speaker 7>house and porch lights are on, and there's a fear

416
00:28:59.240 --> 00:29:06.160
<v Speaker 7>that has absorbed the community. So in some senses, it

417
00:29:06.480 --> 00:29:10.880
<v Speaker 7>was on a very very microcosmic scale, a kind of

418
00:29:11.000 --> 00:29:14.000
<v Speaker 7>nine to eleven for me and for other kids who

419
00:29:14.079 --> 00:29:18.880
<v Speaker 7>knew these two girls who were abducted and terrorized through

420
00:29:18.920 --> 00:29:24.519
<v Speaker 7>the night and monstrously thrown off of a very high bridge.

421
00:29:25.079 --> 00:29:29.440
<v Speaker 7>They lived next door to us. They were neighborhood kids,

422
00:29:29.480 --> 00:29:32.640
<v Speaker 7>and in a neighborhood where there were many kids, and

423
00:29:32.680 --> 00:29:36.480
<v Speaker 7>where we saw each other more as brothers and sisters

424
00:29:37.000 --> 00:29:44.680
<v Speaker 7>of different mothers than just neighbors. We played together, we

425
00:29:45.319 --> 00:29:51.640
<v Speaker 7>experimented in forts and digging and army men together. You know.

426
00:29:51.720 --> 00:29:56.559
<v Speaker 7>It was that kind of a relationship with everybody in

427
00:29:56.559 --> 00:29:59.400
<v Speaker 7>the neighborhood again, brothers and sisters, and it was no

428
00:29:59.480 --> 00:30:04.920
<v Speaker 7>different for these two girls. So the effect on the

429
00:30:05.000 --> 00:30:08.319
<v Speaker 7>kids of our neighborhood and in in in the larger

430
00:30:08.519 --> 00:30:15.799
<v Speaker 7>town was profound. And I wanted not only to explore

431
00:30:15.839 --> 00:30:19.799
<v Speaker 7>this crime, but I wanted to explore how nearly at

432
00:30:19.799 --> 00:30:25.200
<v Speaker 7>that time, thirty years later, this this remained a fresh wound,

433
00:30:25.880 --> 00:30:33.720
<v Speaker 7>that the memory was still vivid and absorbing. So it

434
00:30:33.759 --> 00:30:37.440
<v Speaker 7>was it was not I didn't set out to write

435
00:30:37.680 --> 00:30:41.160
<v Speaker 7>a true crime. I wanted to tell a true story

436
00:30:42.119 --> 00:30:48.039
<v Speaker 7>about how, you know, one moment of unrestrained barbarity could

437
00:30:48.119 --> 00:30:51.960
<v Speaker 7>poison a whole community's memory and could you know, cast

438
00:30:52.119 --> 00:30:57.200
<v Speaker 7>this dark, dark shadow across generations. So it was a

439
00:30:57.240 --> 00:31:00.079
<v Speaker 7>true story. It was about a crime, but to me,

440
00:31:00.720 --> 00:31:08.680
<v Speaker 7>it was bigger than true crime, right, and so what

441
00:31:08.920 --> 00:31:11.440
<v Speaker 7>came of that was of course the Darkest Night, and

442
00:31:12.319 --> 00:31:16.799
<v Speaker 7>it was embraced as that kind of a story. Now

443
00:31:16.839 --> 00:31:20.039
<v Speaker 7>you even mentioned that it has been compared to in

444
00:31:20.160 --> 00:31:25.440
<v Speaker 7>Cold Blood. I think the reason it was is that

445
00:31:25.599 --> 00:31:28.160
<v Speaker 7>it happened. It's a it's a monstrous crime that happens

446
00:31:28.200 --> 00:31:35.400
<v Speaker 7>in a small town, much like Capodi explains in in

447
00:31:35.400 --> 00:31:38.720
<v Speaker 7>in the book with the Clutter. You know, the Clutter

448
00:31:38.799 --> 00:31:44.400
<v Speaker 7>family being massacred in Holcombe, Kansas. And it was an

449
00:31:44.440 --> 00:31:47.519
<v Speaker 7>attempt at doing it in a literary way, which is

450
00:31:47.559 --> 00:31:51.039
<v Speaker 7>what Capodi did and which is different than the typical

451
00:31:51.079 --> 00:31:55.519
<v Speaker 7>true crime that you see on today's supermarket shelves, you know,

452
00:31:55.680 --> 00:32:00.200
<v Speaker 7>which tends to be more reported, more a leaning work

453
00:32:00.240 --> 00:32:03.160
<v Speaker 7>towards the lurid and the grotesque, and a lot of

454
00:32:03.200 --> 00:32:05.599
<v Speaker 7>blood and that sort of thing. I wanted this to

455
00:32:05.640 --> 00:32:11.079
<v Speaker 7>be something bigger, something that went deeper, and it was

456
00:32:11.160 --> 00:32:15.720
<v Speaker 7>much more complex. So that's the book that came out

457
00:32:15.759 --> 00:32:16.160
<v Speaker 7>of that.

458
00:32:18.400 --> 00:32:22.599
<v Speaker 2>Now, obviously your life was changed. You became a best

459
00:32:22.640 --> 00:32:27.359
<v Speaker 2>selling author by virtue of this book especially, and then

460
00:32:27.400 --> 00:32:29.680
<v Speaker 2>it referred to you as a true crime writer, which

461
00:32:29.720 --> 00:32:32.400
<v Speaker 2>you say, Jesus, I'm not really a true crime writer.

462
00:32:33.119 --> 00:32:36.799
<v Speaker 2>So but I wanted to know what was the response.

463
00:32:36.960 --> 00:32:39.039
<v Speaker 2>I know your son must have Matt must have been young,

464
00:32:40.079 --> 00:32:43.839
<v Speaker 2>but when did he actually read that book, or if

465
00:32:43.920 --> 00:32:46.400
<v Speaker 2>did he did he read the book, and if he

466
00:32:46.480 --> 00:32:50.039
<v Speaker 2>did or didn't, why or what was his response if

467
00:32:50.079 --> 00:32:50.960
<v Speaker 2>he did?

468
00:32:51.519 --> 00:32:55.200
<v Speaker 7>You know, I don't recall. I The Darkest Night, of course,

469
00:32:55.279 --> 00:33:01.160
<v Speaker 7>came out around two thousand at the first edition of

470
00:33:01.200 --> 00:33:04.000
<v Speaker 7>it came out in two thousand and seven, so by

471
00:33:04.039 --> 00:33:10.759
<v Speaker 7>that time he was in college, and I don't know,

472
00:33:11.200 --> 00:33:14.440
<v Speaker 7>you know, I certainly he's aware of it and he

473
00:33:14.559 --> 00:33:17.440
<v Speaker 7>knows the story, but I don't we did. We never

474
00:33:17.680 --> 00:33:24.359
<v Speaker 7>have had a specific sort of literary deconstruction about the book.

475
00:33:24.480 --> 00:33:27.119
<v Speaker 7>We've talked about that with many other books, but not

476
00:33:27.279 --> 00:33:33.160
<v Speaker 7>that particular one. Very early, I remember him picking up

477
00:33:33.200 --> 00:33:35.359
<v Speaker 7>my very first novel. He was a young boy. He

478
00:33:35.480 --> 00:33:41.119
<v Speaker 7>was eleven or twelve, I think, And actually when my

479
00:33:41.240 --> 00:33:44.599
<v Speaker 7>first novel came out, he was, I guess twelve or thirteen,

480
00:33:45.519 --> 00:33:46.839
<v Speaker 7>and I remember him reading that.

481
00:33:47.160 --> 00:33:47.359
<v Speaker 2>Now.

482
00:33:47.680 --> 00:33:49.680
<v Speaker 7>It was a little uncomfortable with that because it wasn't

483
00:33:49.720 --> 00:33:53.559
<v Speaker 7>written for a twelve or thirteen year old. But it

484
00:33:53.680 --> 00:33:56.039
<v Speaker 7>was difficult for me to say, you can't read your

485
00:33:56.079 --> 00:34:02.160
<v Speaker 7>father's novel, you know. And I remember him. We've talked

486
00:34:02.160 --> 00:34:06.680
<v Speaker 7>about that, but The Darkest Night not so much, not

487
00:34:06.759 --> 00:34:09.880
<v Speaker 7>so much with him interesting, but he's he's a he's

488
00:34:09.880 --> 00:34:14.920
<v Speaker 7>a voracious reader. And as as we do in sour Toow,

489
00:34:16.559 --> 00:34:22.079
<v Speaker 7>we we're often stuck in these sort of literary conversations, Yes,

490
00:34:22.639 --> 00:34:26.679
<v Speaker 7>where I think you get to see very starkly two

491
00:34:26.760 --> 00:34:27.920
<v Speaker 7>different minds at work.

492
00:34:29.320 --> 00:34:33.280
<v Speaker 2>Yeah, and I think he really does covet his own

493
00:34:33.760 --> 00:34:36.480
<v Speaker 2>reading and would like to keep it well. It seems

494
00:34:36.519 --> 00:34:39.360
<v Speaker 2>like he's trying to keep it his own thoughts and

495
00:34:39.400 --> 00:34:42.719
<v Speaker 2>interpretations about the books that he's reading. And he and

496
00:34:42.760 --> 00:34:46.159
<v Speaker 2>he's passionate about maybe to himself, because it seems like

497
00:34:46.280 --> 00:34:49.360
<v Speaker 2>he almost he thought you were dragging it out of

498
00:34:49.400 --> 00:34:51.800
<v Speaker 2>him or making fun of him when you did discuss

499
00:34:51.880 --> 00:34:56.800
<v Speaker 2>the fight club and Chuck vaholmik and anyway, uh now,

500
00:34:56.880 --> 00:34:59.440
<v Speaker 2>tell us just before we start this the journey with

501
00:34:59.559 --> 00:35:03.960
<v Speaker 2>Matt and we when you first spoke about this, when

502
00:35:03.960 --> 00:35:06.880
<v Speaker 2>you first the idea was hatched in your mind, or

503
00:35:06.920 --> 00:35:09.199
<v Speaker 2>at least the germ of the idea was when he

504
00:35:09.280 --> 00:35:13.239
<v Speaker 2>was thirteen, he's now finally nineteen, when you actually decide

505
00:35:13.440 --> 00:35:17.400
<v Speaker 2>to embark on this trip to the Yukon, what is

506
00:35:17.519 --> 00:35:21.320
<v Speaker 2>Matt like? Tell us about the character of Matt, your son,

507
00:35:21.880 --> 00:35:24.559
<v Speaker 2>and over that six year period you said you had

508
00:35:24.559 --> 00:35:26.519
<v Speaker 2>a fair amount of time because you were on the road,

509
00:35:26.960 --> 00:35:29.119
<v Speaker 2>that you would go and watch his baseball games and

510
00:35:29.840 --> 00:35:33.119
<v Speaker 2>be involved in his life, even though you have to

511
00:35:33.159 --> 00:35:35.960
<v Speaker 2>travel into your former town that you lived in. But

512
00:35:36.079 --> 00:35:40.800
<v Speaker 2>tell us what was the relationship, like, how strong was

513
00:35:40.800 --> 00:35:44.440
<v Speaker 2>the relationship during that six year period and at that

514
00:35:44.599 --> 00:35:47.239
<v Speaker 2>age when you're just about to embark on this trip,

515
00:35:47.559 --> 00:35:49.920
<v Speaker 2>what is your relationship like?

516
00:35:52.400 --> 00:35:54.880
<v Speaker 7>It's a big question mark to me, to be honest,

517
00:35:56.639 --> 00:36:00.599
<v Speaker 7>it might have been as good as anyone has and

518
00:36:00.679 --> 00:36:03.960
<v Speaker 7>he father has with his son, But I still had

519
00:36:03.960 --> 00:36:07.480
<v Speaker 7>this question mark because it wasn't around him every single day.

520
00:36:07.519 --> 00:36:10.199
<v Speaker 7>We spent a lot of time together, but it wasn't

521
00:36:10.280 --> 00:36:15.760
<v Speaker 7>every single day. And because I knew that he was

522
00:36:15.840 --> 00:36:21.800
<v Speaker 7>angry about about the divorce and about how he was

523
00:36:22.079 --> 00:36:26.760
<v Speaker 7>kind of left abandoned, I think in his mind abandoned

524
00:36:26.960 --> 00:36:30.800
<v Speaker 7>because not long after the divorce, my daughter went off

525
00:36:30.800 --> 00:36:34.360
<v Speaker 7>to college. So all of a sudden, he's home all

526
00:36:34.400 --> 00:36:37.360
<v Speaker 7>the time with his mother and she's living the life

527
00:36:37.400 --> 00:36:41.000
<v Speaker 7>of a single mother, and he's got a lot of

528
00:36:41.039 --> 00:36:46.440
<v Speaker 7>anger about that. And I definitely saw some changes in

529
00:36:46.480 --> 00:36:52.360
<v Speaker 7>his personality. I think this sunny, bright, always laughing, always

530
00:36:52.519 --> 00:36:58.960
<v Speaker 7>joking little kid became a little darker and a little

531
00:36:59.559 --> 00:37:05.960
<v Speaker 7>more nicol and uh uh. To me, he would have

532
00:37:06.000 --> 00:37:09.559
<v Speaker 7>been justified and and probably did hold some against me

533
00:37:09.719 --> 00:37:12.159
<v Speaker 7>as well as his mother, for for putting him in

534
00:37:12.239 --> 00:37:17.679
<v Speaker 7>this position. Uh And and I think any parent that's

535
00:37:17.800 --> 00:37:22.000
<v Speaker 7>that's a horrible feeling to have, that that you're being

536
00:37:22.039 --> 00:37:29.800
<v Speaker 7>blamed for your child's pain. And so I I I

537
00:37:29.840 --> 00:37:34.639
<v Speaker 7>wanted to do anything I could, uh to not make

538
00:37:34.719 --> 00:37:38.280
<v Speaker 7>him feel that way. I wanted to do everything I

539
00:37:38.400 --> 00:37:46.039
<v Speaker 7>could to to have the reassurance that I was relevant uh,

540
00:37:46.079 --> 00:37:48.920
<v Speaker 7>and that I was loved. But most of all, I

541
00:37:48.960 --> 00:37:51.239
<v Speaker 7>wanted him to make sure. I wanted to make sure

542
00:37:51.719 --> 00:37:57.360
<v Speaker 7>that he knew he was loved and and in and

543
00:37:57.519 --> 00:38:01.880
<v Speaker 7>all of that kind of goes into the concept behind this.

544
00:38:02.280 --> 00:38:05.079
<v Speaker 7>But as I say in the book, once I decided

545
00:38:05.400 --> 00:38:08.679
<v Speaker 7>we were going to take this trip, the first thing

546
00:38:08.719 --> 00:38:12.880
<v Speaker 7>I did was go to Panama to see my own

547
00:38:13.079 --> 00:38:17.119
<v Speaker 7>biological father and to begin to sort through some of

548
00:38:17.159 --> 00:38:23.119
<v Speaker 7>the issues that might shed light on my relationship with

549
00:38:23.199 --> 00:38:27.920
<v Speaker 7>my son, and in so far as I could, to

550
00:38:28.199 --> 00:38:38.159
<v Speaker 7>maybe begin to nudge the future a little bit more

551
00:38:38.880 --> 00:38:40.639
<v Speaker 7>in a direction that I could live with.

552
00:38:42.280 --> 00:38:46.280
<v Speaker 2>There was one more character I'd like to talk about,

553
00:38:46.320 --> 00:38:50.360
<v Speaker 2>because it seems to be quite important to the story

554
00:38:50.400 --> 00:38:53.480
<v Speaker 2>as well. And if I mispronounced this, you can correct me.

555
00:38:56.599 --> 00:39:07.239
<v Speaker 7>And Julia sig. There we go, Julius Age who it

556
00:39:07.320 --> 00:39:10.800
<v Speaker 7>was during this sort of dark period after my divorce,

557
00:39:10.840 --> 00:39:13.920
<v Speaker 7>And I was on the road and one day, one

558
00:39:14.079 --> 00:39:17.239
<v Speaker 7>evening really is the end of a very very hot

559
00:39:17.320 --> 00:39:24.719
<v Speaker 7>day in the Arizona desert, and I drove off into

560
00:39:24.760 --> 00:39:28.239
<v Speaker 7>the desert because I wanted to see what was a beautiful, beautiful,

561
00:39:28.320 --> 00:39:31.239
<v Speaker 7>brilliant sunset, but I wanted to see it as far

562
00:39:31.280 --> 00:39:35.239
<v Speaker 7>from humanity as I could possibly get. And I drove

563
00:39:35.280 --> 00:39:37.719
<v Speaker 7>out into the desert in my four wheel drive pickup

564
00:39:37.840 --> 00:39:42.159
<v Speaker 7>and went off roading a little bit. And while I

565
00:39:42.239 --> 00:39:47.039
<v Speaker 7>was out there, came across a small monument. There was

566
00:39:47.079 --> 00:39:49.880
<v Speaker 7>a chair, there was a little table. Somebody had put

567
00:39:50.000 --> 00:39:54.280
<v Speaker 7>rocks around some of the greasewood shrub, you know, the

568
00:39:55.119 --> 00:39:58.559
<v Speaker 7>scrub that was out there in the desert, and a

569
00:39:58.599 --> 00:40:03.440
<v Speaker 7>little a sort of own fireplace, and and somebody had

570
00:40:03.440 --> 00:40:08.239
<v Speaker 7>obviously lived in this area. But there was there was

571
00:40:08.280 --> 00:40:11.639
<v Speaker 7>a sign that was posted there and it it it

572
00:40:11.639 --> 00:40:16.039
<v Speaker 7>it it basically described that the man who had lived

573
00:40:16.079 --> 00:40:21.840
<v Speaker 7>there had just died about a month before. Uh, and

574
00:40:22.000 --> 00:40:27.320
<v Speaker 7>he had no one and and uh, I thought, you know,

575
00:40:27.480 --> 00:40:32.400
<v Speaker 7>some who lives out in the desert and and under

576
00:40:32.440 --> 00:40:36.480
<v Speaker 7>these circumstances, and who puts rocks around you know, these

577
00:40:36.599 --> 00:40:41.239
<v Speaker 7>scrub plants in the desert like it's a home. And

578
00:40:41.320 --> 00:40:43.960
<v Speaker 7>I became fascinated with this, and I wanted to know more.

579
00:40:44.440 --> 00:40:46.519
<v Speaker 7>And when I investigated a little bit further, I found

580
00:40:46.559 --> 00:40:51.719
<v Speaker 7>out that that Julius ag The had been a Czechoslovakian

581
00:40:51.760 --> 00:40:59.199
<v Speaker 7>immigrant and and had himself had had died of a

582
00:40:59.199 --> 00:41:02.360
<v Speaker 7>heart attack out in out there in the desert. He

583
00:41:02.519 --> 00:41:06.719
<v Speaker 7>was a prospector and a desert rat, and he had

584
00:41:06.760 --> 00:41:09.960
<v Speaker 7>no money, so he was buried in a pauper's grave

585
00:41:10.039 --> 00:41:17.599
<v Speaker 7>in Courtzite, Arizona. During my research, I found that simultaneously

586
00:41:18.199 --> 00:41:22.039
<v Speaker 7>that there was a son that he had abandoned decades

587
00:41:22.079 --> 00:41:27.840
<v Speaker 7>before who was looking for him. And suddenly I felt

588
00:41:27.920 --> 00:41:30.400
<v Speaker 7>that I was the only person in the world, and

589
00:41:30.639 --> 00:41:33.840
<v Speaker 7>I think it's true. I was the only person in

590
00:41:33.840 --> 00:41:38.360
<v Speaker 7>the world who knew that Julius Age was dead and

591
00:41:38.400 --> 00:41:42.760
<v Speaker 7>that his son was looking for him. And it became

592
00:41:43.119 --> 00:41:47.599
<v Speaker 7>a kind of obsession of mine to let this son

593
00:41:47.800 --> 00:41:51.199
<v Speaker 7>know that his father that he was seeking had died.

594
00:41:51.840 --> 00:41:56.920
<v Speaker 7>But none of the old message board posts by the

595
00:41:56.960 --> 00:42:04.840
<v Speaker 7>son had good had good email addresses anymore. So the

596
00:42:04.920 --> 00:42:09.599
<v Speaker 7>son was lost too now, and I began to put

597
00:42:09.639 --> 00:42:17.119
<v Speaker 7>all those research skills to work, but unfortunately came up empty.

598
00:42:17.800 --> 00:42:20.320
<v Speaker 7>And the one thing I did do, though, was leave

599
00:42:20.360 --> 00:42:26.920
<v Speaker 7>a message with the county coroner in Quartzite, Arizona, and said,

600
00:42:27.320 --> 00:42:32.199
<v Speaker 7>if this man ever contacts you, please tell him that

601
00:42:32.280 --> 00:42:36.119
<v Speaker 7>I was trying to find him. It's maybe a year

602
00:42:36.199 --> 00:42:39.920
<v Speaker 7>later when I get a call from the son and

603
00:42:40.039 --> 00:42:43.679
<v Speaker 7>he had found his father's he had found out what

604
00:42:43.719 --> 00:42:47.119
<v Speaker 7>happened to his father, and this coroner had told him

605
00:42:47.159 --> 00:42:49.320
<v Speaker 7>that I had been trying to find him. So he

606
00:42:49.400 --> 00:42:56.039
<v Speaker 7>called me and we talked, and I suddenly felt better

607
00:42:56.239 --> 00:42:59.880
<v Speaker 7>that here was another son who had been seeking a father,

608
00:43:01.840 --> 00:43:05.599
<v Speaker 7>and I didn't want that father to go unfound. What

609
00:43:05.719 --> 00:43:09.880
<v Speaker 7>I find, well, what the son's reaction is is in

610
00:43:09.920 --> 00:43:10.320
<v Speaker 7>the book.

611
00:43:11.079 --> 00:43:17.159
<v Speaker 2>Yeah, it's a sort of anti climatic. It's surprising, yes,

612
00:43:17.159 --> 00:43:20.280
<v Speaker 2>that is. But you did you know, it was interesting

613
00:43:20.440 --> 00:43:22.800
<v Speaker 2>how hard you tried to do this, how much of

614
00:43:22.880 --> 00:43:25.519
<v Speaker 2>a mission it was, and you accomplished what you set

615
00:43:25.559 --> 00:43:27.719
<v Speaker 2>out to do. So I think I gave you so

616
00:43:27.800 --> 00:43:30.000
<v Speaker 2>much need of confidence at that time, I would think,

617
00:43:31.039 --> 00:43:31.639
<v Speaker 2>I think so.

618
00:43:31.760 --> 00:43:35.880
<v Speaker 7>I think it made me feel I knew, as well

619
00:43:35.920 --> 00:43:40.360
<v Speaker 7>as anybody can know, what it felt like to want

620
00:43:40.440 --> 00:43:46.440
<v Speaker 7>to know what happened to your father, and I couldn't

621
00:43:46.880 --> 00:43:53.559
<v Speaker 7>casually let that go. Maybe I should have, but I couldn't.

622
00:43:53.719 --> 00:43:57.039
<v Speaker 7>And because it happened in that period after my divorce,

623
00:43:57.440 --> 00:44:03.000
<v Speaker 7>I was especially attuned to family relationships and fathers who

624
00:44:03.000 --> 00:44:07.400
<v Speaker 7>had disappeared, and it was you know, it all becomes

625
00:44:07.480 --> 00:44:08.960
<v Speaker 7>part of this story.

626
00:44:10.599 --> 00:44:15.559
<v Speaker 2>Now you embark on this trip to the Yukon and

627
00:44:15.639 --> 00:44:18.960
<v Speaker 2>you have to go pick up your son Matt in Wyoming,

628
00:44:19.039 --> 00:44:22.880
<v Speaker 2>fifteen hundred miles away, so it takes you a little

629
00:44:22.920 --> 00:44:27.079
<v Speaker 2>while to get there. What did you really I know

630
00:44:27.159 --> 00:44:30.039
<v Speaker 2>that you wanted to make sure that you had a

631
00:44:30.079 --> 00:44:33.119
<v Speaker 2>bond your son, and you want to make sure you

632
00:44:33.199 --> 00:44:37.320
<v Speaker 2>understood what that bond was. I'm oversimplifying this, but what

633
00:44:37.400 --> 00:44:41.519
<v Speaker 2>else did What did you specifically feel and believe that

634
00:44:41.599 --> 00:44:45.719
<v Speaker 2>you would actually get or garner from going on an

635
00:44:45.760 --> 00:44:49.960
<v Speaker 2>actual road trip. What did you actually think would be

636
00:44:50.199 --> 00:44:53.480
<v Speaker 2>had would be gotten from going on a road trip

637
00:44:53.519 --> 00:44:55.599
<v Speaker 2>with your son? What would you what would he get

638
00:44:55.639 --> 00:44:57.000
<v Speaker 2>out of it? What would you get out of it?

639
00:44:58.360 --> 00:45:02.920
<v Speaker 7>At that point, it was hope. It wasn't believe. I mean,

640
00:45:03.000 --> 00:45:09.760
<v Speaker 7>I was hoping that this would turn out, that this

641
00:45:09.960 --> 00:45:15.639
<v Speaker 7>wouldn't collapse under its own weight, that it wouldn't be

642
00:45:15.840 --> 00:45:20.639
<v Speaker 7>a bad idea. It was. It was really an effort

643
00:45:20.840 --> 00:45:29.679
<v Speaker 7>to bridge a gap by creating memories. I wanted to

644
00:45:29.719 --> 00:45:32.320
<v Speaker 7>show my son in a very concrete way that I

645
00:45:32.400 --> 00:45:37.280
<v Speaker 7>loved him more than I could ever explain to him.

646
00:45:38.119 --> 00:45:42.639
<v Speaker 7>And I wanted, you know, before I came to the

647
00:45:42.760 --> 00:45:45.960
<v Speaker 7>end of my own life, I wanted to be able

648
00:45:46.000 --> 00:45:50.119
<v Speaker 7>to give him the most precious thing I've got, and

649
00:45:50.159 --> 00:45:54.960
<v Speaker 7>that's my own time, because it was the thing that

650
00:45:55.039 --> 00:45:59.800
<v Speaker 7>I missed the most in that period when after my

651
00:46:02.199 --> 00:46:08.199
<v Speaker 7>between the divorce and this trip, it was the one

652
00:46:08.400 --> 00:46:10.159
<v Speaker 7>thing that was missing.

653
00:46:10.679 --> 00:46:11.440
<v Speaker 2>And so.

654
00:46:12.960 --> 00:46:15.440
<v Speaker 7>That's what I was hoping was going to come from that.

655
00:46:17.840 --> 00:46:23.760
<v Speaker 7>And I would say, in that fifteen hundred miles between

656
00:46:23.760 --> 00:46:27.880
<v Speaker 7>my home in Texas and his home in Wyoming where

657
00:46:27.920 --> 00:46:33.960
<v Speaker 7>we would finally really start the journey together, I had

658
00:46:34.000 --> 00:46:37.079
<v Speaker 7>a lot of trepidation about it. I had a lot

659
00:46:37.119 --> 00:46:43.239
<v Speaker 7>of fear that this was not going to be what

660
00:46:43.320 --> 00:46:44.000
<v Speaker 7>I had hoped.

661
00:46:47.159 --> 00:46:52.880
<v Speaker 2>Did you have some from your own experience reading classic

662
00:46:52.920 --> 00:46:58.039
<v Speaker 2>books about road trips and the profound effect that a

663
00:46:58.079 --> 00:47:00.480
<v Speaker 2>couple people could have on this road trip rip, on

664
00:47:00.519 --> 00:47:05.320
<v Speaker 2>this journey. Did you have sort of a fanciful sort

665
00:47:05.320 --> 00:47:08.480
<v Speaker 2>of visions of that that there would be some profound

666
00:47:08.519 --> 00:47:12.400
<v Speaker 2>effect by virtue of the experience for Matt of being

667
00:47:12.440 --> 00:47:17.280
<v Speaker 2>on the road and experiencing all these incredible sights and

668
00:47:17.400 --> 00:47:20.960
<v Speaker 2>sounds and the experience itself. Did you, in your mind,

669
00:47:21.079 --> 00:47:24.840
<v Speaker 2>in your in your in your literary imaginary mind, did

670
00:47:24.880 --> 00:47:27.719
<v Speaker 2>you envision that Formatt?

671
00:47:28.239 --> 00:47:31.880
<v Speaker 7>I again, I think I hoped for that. I mean,

672
00:47:31.920 --> 00:47:36.320
<v Speaker 7>I already knew the character that he had, and that

673
00:47:36.760 --> 00:47:40.519
<v Speaker 7>it would be a tough sell to make this romantic,

674
00:47:40.920 --> 00:47:44.039
<v Speaker 7>because he's not a romantic. He's he's sort of a

675
00:47:45.519 --> 00:47:52.360
<v Speaker 7>very pragmatic, very independent and still in many ways at

676
00:47:52.400 --> 00:48:00.159
<v Speaker 7>the time angry, and so any vision I had this

677
00:48:00.280 --> 00:48:04.800
<v Speaker 7>was going to be something romantic and and a fantasy

678
00:48:05.119 --> 00:48:10.440
<v Speaker 7>come true. I didn't really entertain that it would have

679
00:48:10.519 --> 00:48:16.280
<v Speaker 7>been unwise, but I did hope that along the way

680
00:48:16.880 --> 00:48:20.519
<v Speaker 7>that that whether it was just an alignment of stars

681
00:48:21.159 --> 00:48:23.880
<v Speaker 7>or something that I would say, or something that would

682
00:48:23.920 --> 00:48:26.199
<v Speaker 7>be said to him, or maybe something that he just

683
00:48:26.400 --> 00:48:33.719
<v Speaker 7>saw a fleeting past past as we were driving, would stick,

684
00:48:34.119 --> 00:48:39.599
<v Speaker 7>and that it would that it would make sense to him,

685
00:48:39.920 --> 00:48:44.079
<v Speaker 7>and that that maybe in some way he'd say, hey, Dad,

686
00:48:44.119 --> 00:48:48.840
<v Speaker 7>I get it now, and it's okay now. That never happened, really,

687
00:48:50.000 --> 00:48:52.320
<v Speaker 7>not at least in so many words.

688
00:48:52.000 --> 00:48:52.159
<v Speaker 2>But.

689
00:48:54.679 --> 00:48:58.119
<v Speaker 7>Nevertheless that was my hope. And and then the further

690
00:48:58.880 --> 00:49:02.800
<v Speaker 7>the further we plunged into Canada, and the longer we

691
00:49:02.800 --> 00:49:04.840
<v Speaker 7>were on the road, and the more we talked, and

692
00:49:04.880 --> 00:49:09.280
<v Speaker 7>the more I began to see this thing unfolding out

693
00:49:09.320 --> 00:49:12.440
<v Speaker 7>in front of me, there became another goal, and that

694
00:49:12.679 --> 00:49:16.360
<v Speaker 7>was too and I didn't know what we were going

695
00:49:16.440 --> 00:49:19.079
<v Speaker 7>to do, but it was this idea of that we

696
00:49:19.239 --> 00:49:26.039
<v Speaker 7>talked about earlier, the disrupting that awful rhythm of accidental bastards,

697
00:49:26.480 --> 00:49:29.519
<v Speaker 7>And I really became obsessed with the idea, what can

698
00:49:29.559 --> 00:49:35.599
<v Speaker 7>I do that might break that rhythm, that might break

699
00:49:35.639 --> 00:49:40.639
<v Speaker 7>that cycle while I have him? What can I say?

700
00:49:40.719 --> 00:49:46.599
<v Speaker 7>What can I do? What can happen that we maximize

701
00:49:46.639 --> 00:49:49.480
<v Speaker 7>the chances that someday he won't leave his own son

702
00:49:49.679 --> 00:49:54.519
<v Speaker 7>or daughter, and that we will have we will have

703
00:49:55.199 --> 00:50:00.760
<v Speaker 7>stomped that that terrible cycle out. And so those two

704
00:50:00.840 --> 00:50:06.400
<v Speaker 7>things began to boil around together for me. Meanwhile, he's

705
00:50:06.440 --> 00:50:10.280
<v Speaker 7>watching Scrubs re runs on his you know, portable DVD

706
00:50:10.800 --> 00:50:15.440
<v Speaker 7>and listening to heavy metal and flirting with the girls,

707
00:50:15.599 --> 00:50:19.559
<v Speaker 7>or at least having the girls flirt with him, and

708
00:50:19.800 --> 00:50:25.360
<v Speaker 7>giving me these occasional glimpses into him that were surprising,

709
00:50:26.039 --> 00:50:29.159
<v Speaker 7>uh and challenging and again, and of course that's all

710
00:50:29.199 --> 00:50:35.519
<v Speaker 7>described there, but I would say it would be safe

711
00:50:35.559 --> 00:50:41.000
<v Speaker 7>to say I think that what I had hoped for

712
00:50:41.119 --> 00:50:48.199
<v Speaker 7>and what I had expected probably didn't happen. But what

713
00:50:48.360 --> 00:50:56.079
<v Speaker 7>did happen was even more surprising. And so I think

714
00:50:56.159 --> 00:51:00.800
<v Speaker 7>that it's a good example of, you know, being focused

715
00:51:00.800 --> 00:51:04.239
<v Speaker 7>on one thing while something else wonderful is happening.

716
00:51:04.920 --> 00:51:07.880
<v Speaker 2>Sure, that's a great way of putting it. Now you're

717
00:51:07.920 --> 00:51:11.519
<v Speaker 2>talking about your son, Matt. He's got his Mega Death

718
00:51:11.599 --> 00:51:14.360
<v Speaker 2>and his Pana T shirt on, and he's got his

719
00:51:14.440 --> 00:51:16.840
<v Speaker 2>long hair, and he's listening, like you say, he's watching

720
00:51:16.880 --> 00:51:23.280
<v Speaker 2>Scrubs reruns. And he's nineteen years old. And so you're

721
00:51:23.320 --> 00:51:26.719
<v Speaker 2>in Canada and within a few days, I believe or shortly,

722
00:51:26.800 --> 00:51:29.679
<v Speaker 2>and you go through Calgary, Alberta. So you're going through

723
00:51:30.039 --> 00:51:36.000
<v Speaker 2>part of the Rockies that you're familiar with, but not

724
00:51:36.079 --> 00:51:37.639
<v Speaker 2>immediately obviously.

725
00:51:37.800 --> 00:51:38.480
<v Speaker 7>No, no, yea.

726
00:51:38.639 --> 00:51:43.440
<v Speaker 2>But so tell us at what some of the checkpoints

727
00:51:44.000 --> 00:51:46.960
<v Speaker 2>and some just just a couple of the little the

728
00:51:47.000 --> 00:51:51.519
<v Speaker 2>snippets of those profound little moments where along the way

729
00:51:51.599 --> 00:51:54.840
<v Speaker 2>as you're heading towards the Yukon, you do have these moments.

730
00:51:54.960 --> 00:51:58.320
<v Speaker 2>I know. The one moment I thought was quite humorous

731
00:51:58.360 --> 00:52:02.320
<v Speaker 2>is that in the as you mentioned, the Zen and

732
00:52:02.360 --> 00:52:06.119
<v Speaker 2>the Art of Motorcycle Maintenance Maintenance, there is a moment

733
00:52:06.199 --> 00:52:09.760
<v Speaker 2>where they see a red winged blackbird and along the way,

734
00:52:10.400 --> 00:52:15.599
<v Speaker 2>lo and behold there's a red winged blackbird and much

735
00:52:15.639 --> 00:52:19.360
<v Speaker 2>to your dismay, Matt could care less, probably or it

736
00:52:19.400 --> 00:52:21.800
<v Speaker 2>does not get and so you explain it. Please tell

737
00:52:21.880 --> 00:52:26.119
<v Speaker 2>us a little bit about that interaction there, and then

738
00:52:26.119 --> 00:52:30.239
<v Speaker 2>tell us about one where you were surprised, where you

739
00:52:30.280 --> 00:52:34.519
<v Speaker 2>did something profound did happen again to your surprise, maybe

740
00:52:34.639 --> 00:52:35.440
<v Speaker 2>was uninspected.

741
00:52:36.199 --> 00:52:40.360
<v Speaker 7>Yeah, of course. Robert Percy wrote the books in in

742
00:52:40.400 --> 00:52:44.960
<v Speaker 7>the Art of Motorcycle Maintenance back in the maybe late sixties,

743
00:52:45.000 --> 00:52:49.880
<v Speaker 7>early seventies, and it became one of the great rogue books.

744
00:52:50.079 --> 00:52:54.119
<v Speaker 7>I mean, is a very deep book. It goes into

745
00:52:54.480 --> 00:53:02.199
<v Speaker 7>philosophy in these sort of complex turn but but it

746
00:53:02.840 --> 00:53:08.920
<v Speaker 7>revolves around he and around him and his son making

747
00:53:09.599 --> 00:53:15.360
<v Speaker 7>a run from I think the Dakota's across Montana to

748
00:53:15.480 --> 00:53:21.280
<v Speaker 7>California on motorcycle, and the sun is much younger, I

749
00:53:21.280 --> 00:53:23.480
<v Speaker 7>think about ten or eleven years old at the time

750
00:53:23.519 --> 00:53:27.280
<v Speaker 7>of the trip, and Perzig, who had and it's a

751
00:53:27.280 --> 00:53:30.800
<v Speaker 7>true story, persick had had a nervous breakdown in his life,

752
00:53:31.480 --> 00:53:38.639
<v Speaker 7>and he he was he was concerned that that his

753
00:53:38.920 --> 00:53:42.280
<v Speaker 7>insanity would be passed on to his child, and he

754
00:53:42.280 --> 00:53:44.559
<v Speaker 7>didn't want his child to go through that insanity. So

755
00:53:44.599 --> 00:53:48.119
<v Speaker 7>there's a kind of a parallel there. Well, we're traveling

756
00:53:48.159 --> 00:53:52.920
<v Speaker 7>across Montana on you know, sort of the beginning leg

757
00:53:53.039 --> 00:53:57.480
<v Speaker 7>of this trip, and we do we see in in

758
00:53:57.480 --> 00:54:01.039
<v Speaker 7>in you know, the middle of nowhere, here's a winged blackbird,

759
00:54:01.559 --> 00:54:07.760
<v Speaker 7>a red wing blackbird, much like Persig had contemplated on

760
00:54:07.880 --> 00:54:10.199
<v Speaker 7>his own trip and talked about his son, and it

761
00:54:10.280 --> 00:54:14.800
<v Speaker 7>became one of the symbols of the story. So I

762
00:54:15.400 --> 00:54:18.360
<v Speaker 7>mentioned it to my son. He never heard of the book,

763
00:54:19.800 --> 00:54:25.559
<v Speaker 7>didn't much care, if you know, if such a book existed,

764
00:54:25.760 --> 00:54:33.079
<v Speaker 7>you know, And suddenly his writer father it becomes father

765
00:54:33.239 --> 00:54:38.440
<v Speaker 7>again and wants to to tell the story and and

766
00:54:38.480 --> 00:54:42.599
<v Speaker 7>for him to understand and to see the parallels, but

767
00:54:42.960 --> 00:54:49.280
<v Speaker 7>he's kind of uninterested in that. And it's it. I

768
00:54:49.280 --> 00:54:52.960
<v Speaker 7>think it's a nice little vignette of that every father

769
00:54:53.079 --> 00:54:56.880
<v Speaker 7>feels at some point where he's trying to get something

770
00:54:56.920 --> 00:55:03.039
<v Speaker 7>important to cross to a teenage a teenager and it's

771
00:55:03.320 --> 00:55:04.559
<v Speaker 7>just not going to happen.

772
00:55:04.920 --> 00:55:06.760
<v Speaker 8>Yeah, and uh.

773
00:55:06.519 --> 00:55:09.920
<v Speaker 7>And then so in this book, you know, it's a uh,

774
00:55:11.000 --> 00:55:17.199
<v Speaker 7>it becomes one of those those illuminating moments where you

775
00:55:17.320 --> 00:55:21.559
<v Speaker 7>begin to see that these two characters that are together

776
00:55:21.719 --> 00:55:25.639
<v Speaker 7>for the next three plus weeks on the road are

777
00:55:26.320 --> 00:55:29.400
<v Speaker 7>are not always going to see things the same way.

778
00:55:30.360 --> 00:55:35.280
<v Speaker 7>Sure as far as later, I mean, I remember.

779
00:55:38.800 --> 00:55:38.840
<v Speaker 2>You.

780
00:55:39.039 --> 00:55:42.320
<v Speaker 7>I guess it was. We were well into Canada at

781
00:55:42.360 --> 00:55:50.880
<v Speaker 7>the time, and I we had been talking about mythology

782
00:55:50.960 --> 00:55:57.719
<v Speaker 7>and religion, and again finding that we we didn't always

783
00:55:57.760 --> 00:56:04.119
<v Speaker 7>agree on things, but I was impress with his with

784
00:56:04.199 --> 00:56:09.880
<v Speaker 7>his thoughts. While I didn't agree, I loved, I fell

785
00:56:09.920 --> 00:56:13.159
<v Speaker 7>in love with listening to him tell me why he

786
00:56:13.360 --> 00:56:19.159
<v Speaker 7>felt something. And there I remember in particular that one

787
00:56:19.280 --> 00:56:23.000
<v Speaker 7>night he was he had a duffel bag and and

788
00:56:23.039 --> 00:56:26.840
<v Speaker 7>I was moving it or something, and when something fell

789
00:56:26.880 --> 00:56:31.239
<v Speaker 7>out of it, and I think, I say in the

790
00:56:31.280 --> 00:56:35.719
<v Speaker 7>book that I would have been less surprised if it

791
00:56:35.760 --> 00:56:40.360
<v Speaker 7>had been a bag of marijuana. Instead, it was a

792
00:56:40.400 --> 00:56:44.519
<v Speaker 7>copy of a book by a guy, a writer named

793
00:56:44.519 --> 00:56:51.199
<v Speaker 7>Brian Green, called The Elegant Universe, super Strings, Hidden Dimensions,

794
00:56:51.239 --> 00:56:53.400
<v Speaker 7>and the Quest for the Ultimate Theory.

795
00:56:54.920 --> 00:56:57.119
<v Speaker 8>Well, huh, I.

796
00:56:57.039 --> 00:57:01.519
<v Speaker 7>Mean, I thought, I mean it was talking about things

797
00:57:01.559 --> 00:57:07.480
<v Speaker 7>like rips in the fabric of space, vibrating strings, quarks,

798
00:57:07.719 --> 00:57:12.840
<v Speaker 7>you know, things that I wasn't going to grasp. And

799
00:57:12.960 --> 00:57:17.639
<v Speaker 7>yet my nineteen year old son appeared to be well

800
00:57:17.679 --> 00:57:24.199
<v Speaker 7>into reading about and so here I was frustrated by

801
00:57:24.400 --> 00:57:28.760
<v Speaker 7>my inability to get him to be interested in Persik's

802
00:57:29.320 --> 00:57:34.440
<v Speaker 7>red Winged Blackbird and this personal this personal exploration that

803
00:57:34.519 --> 00:57:38.760
<v Speaker 7>he made when I discovered that my son is really

804
00:57:38.880 --> 00:57:45.760
<v Speaker 7>pondering issues that are beyond his father. So again it's

805
00:57:45.800 --> 00:57:50.840
<v Speaker 7>a little illumination of the difference between these two characters.

806
00:57:50.880 --> 00:57:55.199
<v Speaker 7>And I think that ultimately the book kind of explores

807
00:57:56.679 --> 00:58:03.760
<v Speaker 7>how men, even you know, fathers and sons, can be

808
00:58:03.840 --> 00:58:10.199
<v Speaker 7>both comrades and competitors in the wilderness. Now maybe that's

809
00:58:10.239 --> 00:58:15.960
<v Speaker 7>a physical wilderness, geographic wilderness. Maybe it's an emotional wilderness,

810
00:58:16.400 --> 00:58:19.559
<v Speaker 7>so you get you, you know, just because we're father

811
00:58:19.639 --> 00:58:25.440
<v Speaker 7>and son, it doesn't mean necessarily that we're always comrades. Yeah, uh,

812
00:58:25.599 --> 00:58:29.639
<v Speaker 7>sometimes we're competing. And I think those two those two

813
00:58:29.719 --> 00:58:30.920
<v Speaker 7>moments show.

814
00:58:30.800 --> 00:58:37.440
<v Speaker 2>That, yeah, certainly. Now, the original idea was to go

815
00:58:37.519 --> 00:58:41.559
<v Speaker 2>to this what ends up being the Sour Dough Saloon

816
00:58:42.480 --> 00:58:45.400
<v Speaker 2>where the there is the Sour Toe Cocktail. So please

817
00:58:45.440 --> 00:58:49.840
<v Speaker 2>briefly explain what is the legend of or the story

818
00:58:49.880 --> 00:58:53.960
<v Speaker 2>behind the Sour Toe Cocktail whatever.

819
00:58:54.119 --> 00:58:57.719
<v Speaker 7>The bar owner, a guy named Dick Stevens, who owned

820
00:58:57.760 --> 00:59:01.599
<v Speaker 7>the Sourdough Saloon at one point there in Dawson City,

821
00:59:02.679 --> 00:59:07.760
<v Speaker 7>bought an old rum runner's cabin out and out in

822
00:59:07.800 --> 00:59:12.559
<v Speaker 7>the sticks and one of the rum runners who had

823
00:59:12.599 --> 00:59:16.280
<v Speaker 7>owned it. Were two brothers and one night during the depression,

824
00:59:17.199 --> 00:59:22.159
<v Speaker 7>they were running liquor into Alaska and they got the

825
00:59:22.239 --> 00:59:25.679
<v Speaker 7>Mounties got on their tail. They had to take some

826
00:59:25.840 --> 00:59:29.880
<v Speaker 7>evasive maneuvers, and one of the brothers stepped in a

827
00:59:31.320 --> 00:59:36.440
<v Speaker 7>sort of semi frozen area and on the journey his

828
00:59:36.880 --> 00:59:43.559
<v Speaker 7>toes became frostbitten. They get home, his brother chops off

829
00:59:43.719 --> 00:59:47.559
<v Speaker 7>the frostbitten toe, puts it in a jar of whiskey

830
00:59:47.880 --> 00:59:50.800
<v Speaker 7>or rum, and they put it because it's winter, they

831
00:59:50.800 --> 00:59:53.679
<v Speaker 7>put it under the floorboards of the cabin, where it

832
00:59:53.760 --> 01:00:01.039
<v Speaker 7>stays for decades. This Dick Stevens is it buys that

833
01:00:01.119 --> 01:00:06.679
<v Speaker 7>cabin from the elderly surviving brother who tells him the story,

834
01:00:06.960 --> 01:00:10.440
<v Speaker 7>and indeed, as he's refurbishing the cabin, he finds that

835
01:00:10.639 --> 01:00:13.719
<v Speaker 7>tow in the jar. He takes it back to his

836
01:00:13.760 --> 01:00:17.320
<v Speaker 7>bar and it's it's it's just a conversation piece everybody's

837
01:00:17.360 --> 01:00:20.599
<v Speaker 7>talking about. They're joking around, and then and then somebody

838
01:00:20.639 --> 01:00:24.840
<v Speaker 7>puts it in somebody's drink as a joke, and it

839
01:00:25.000 --> 01:00:27.559
<v Speaker 7>dawns on him that this is a little bit like

840
01:00:27.800 --> 01:00:31.440
<v Speaker 7>Robert serves his poem the ice Worm Cocktail, where they

841
01:00:31.480 --> 01:00:35.559
<v Speaker 7>put a piece of spaghetti and a you know, tenderfoots

842
01:00:35.719 --> 01:00:38.320
<v Speaker 7>drink and it makes him sick because he thinks it's

843
01:00:38.320 --> 01:00:43.679
<v Speaker 7>an ice worm. And it became a thing, you know,

844
01:00:43.800 --> 01:00:48.639
<v Speaker 7>that you could test your metal by by raising a

845
01:00:48.679 --> 01:00:52.119
<v Speaker 7>glass I had this mummified human toe in it and

846
01:00:52.639 --> 01:00:57.039
<v Speaker 7>drinking the drink. Well, now they've made it into a

847
01:00:58.039 --> 01:01:01.119
<v Speaker 7>tourist thing, although not every tourist who goes there is

848
01:01:01.159 --> 01:01:06.039
<v Speaker 7>going to do it. So uh, it has become famous,

849
01:01:07.000 --> 01:01:09.400
<v Speaker 7>or at least at least in the right circles. If

850
01:01:09.440 --> 01:01:13.280
<v Speaker 7>you travel in the perverse grotesque circles that crime writers

851
01:01:13.360 --> 01:01:19.079
<v Speaker 7>like I do, yeh, then then you know you hear

852
01:01:19.119 --> 01:01:23.079
<v Speaker 7>about it. But so that I don't really even recall

853
01:01:23.159 --> 01:01:26.239
<v Speaker 7>how I've found out about it originally. And just like

854
01:01:26.280 --> 01:01:29.719
<v Speaker 7>I say, it became a shared fantasy that we had

855
01:01:29.760 --> 01:01:32.199
<v Speaker 7>that we were going to do this, and indeed we did.

856
01:01:34.000 --> 01:01:38.199
<v Speaker 2>Now, how are you traveling to Dawson Dawson Creek and

857
01:01:38.280 --> 01:01:41.400
<v Speaker 2>how are you you rented? Tell us what you rent

858
01:01:41.519 --> 01:01:43.880
<v Speaker 2>or how you how you actually go there, and what

859
01:01:44.000 --> 01:01:45.760
<v Speaker 2>your accommodations are along the way.

860
01:01:46.400 --> 01:01:50.199
<v Speaker 7>Well we we drove in my Subaru to Calgary, and

861
01:01:50.239 --> 01:01:53.840
<v Speaker 7>in Calgary we rented a camper van, which we then

862
01:01:54.000 --> 01:01:59.119
<v Speaker 7>drove not just to Dawson City, but then beyond that

863
01:01:59.280 --> 01:02:03.199
<v Speaker 7>up the dempse Her Highway into the Arctic, where we

864
01:02:03.960 --> 01:02:09.920
<v Speaker 7>intended again to do another another poetic thing on on

865
01:02:10.039 --> 01:02:14.559
<v Speaker 7>the father's part, uh to camp out on the longest

866
01:02:14.639 --> 01:02:17.039
<v Speaker 7>day of the year when the sun doesn't set. So

867
01:02:17.079 --> 01:02:20.800
<v Speaker 7>we have this story that starts in this intense darkness

868
01:02:21.800 --> 01:02:26.800
<v Speaker 7>after a divorce and ends on a day when there

869
01:02:26.920 --> 01:02:31.679
<v Speaker 7>is no darkness. And you know, it's a it is

870
01:02:31.920 --> 01:02:37.400
<v Speaker 7>just a beautiful poetic thing, but it's it's absolutely true.

871
01:02:37.880 --> 01:02:39.760
<v Speaker 7>And that's what we did. We we were in a

872
01:02:39.840 --> 01:02:43.800
<v Speaker 7>camper van, uh, which we then did a little damage

873
01:02:43.840 --> 01:02:47.679
<v Speaker 7>to because the Dempster Highway is is a bitch of a.

874
01:02:47.760 --> 01:02:50.360
<v Speaker 2>Road and you were warned, and.

875
01:02:50.239 --> 01:02:54.760
<v Speaker 7>We were warned many times, and we dismissed it. We thought, oh,

876
01:02:54.840 --> 01:02:57.559
<v Speaker 7>you know, these pussies we could you know they're there,

877
01:02:57.679 --> 01:03:00.400
<v Speaker 7>what do they know? You know we're from Wyoming. Yeah,

878
01:03:00.400 --> 01:03:01.880
<v Speaker 7>well we were wrong.

879
01:03:02.280 --> 01:03:02.920
<v Speaker 2>They were right.

880
01:03:03.440 --> 01:03:04.199
<v Speaker 7>Now I've said it.

881
01:03:04.840 --> 01:03:07.119
<v Speaker 2>Yeah, Canadians were right.

882
01:03:07.800 --> 01:03:12.320
<v Speaker 7>The Canadians, the Scottish people, the Germans, everybody along the

883
01:03:12.320 --> 01:03:15.960
<v Speaker 7>way told us. In fact, I think even one Texan uh,

884
01:03:16.519 --> 01:03:21.519
<v Speaker 7>everybody knew the reputation of the Dempster Highway. We knew

885
01:03:21.519 --> 01:03:24.400
<v Speaker 7>it was a bad road, but we didn't think it

886
01:03:24.400 --> 01:03:27.280
<v Speaker 7>could be as bad as they were saying. And again

887
01:03:27.880 --> 01:03:31.840
<v Speaker 7>we were wrong. It is as bad, but it's also

888
01:03:32.039 --> 01:03:33.760
<v Speaker 7>as beautiful as it is bad.

889
01:03:34.920 --> 01:03:37.480
<v Speaker 2>Now, by the time you get to the sourdough saloon

890
01:03:37.519 --> 01:03:40.039
<v Speaker 2>that you talk about the evening before, and you're you're

891
01:03:40.239 --> 01:03:47.599
<v Speaker 2>eating some local food, some arctic char which I've had myself. Fantastic, fantastic.

892
01:03:49.239 --> 01:03:52.440
<v Speaker 2>Now you are going to go to this sourdough saloon

893
01:03:52.519 --> 01:03:57.519
<v Speaker 2>to the sour they have to sample this sour toil cocktail.

894
01:03:57.760 --> 01:04:01.119
<v Speaker 2>See what all the fuss is tell us about what

895
01:04:01.239 --> 01:04:03.880
<v Speaker 2>happens when you go to the saloon itself and you

896
01:04:04.000 --> 01:04:10.159
<v Speaker 2>refer to someone at the back of the room.

897
01:04:09.639 --> 01:04:12.320
<v Speaker 7>Refer to somebody at the oh, you're talking about the

898
01:04:12.400 --> 01:04:15.400
<v Speaker 7>fellow that did our the toe. What do you what

899
01:04:15.480 --> 01:04:16.039
<v Speaker 7>are you talking about?

900
01:04:16.480 --> 01:04:18.480
<v Speaker 8>They say, well, you have to talk to that person,

901
01:04:18.519 --> 01:04:21.840
<v Speaker 8>and he was all right, okay, well yeah, they call

902
01:04:21.920 --> 01:04:26.440
<v Speaker 8>him the captain, and he the toe captain is somebody

903
01:04:26.519 --> 01:04:30.159
<v Speaker 8>who really whose main function is to administer the oath

904
01:04:31.239 --> 01:04:34.920
<v Speaker 8>and then to drop the toe into the drink, and

905
01:04:34.960 --> 01:04:37.440
<v Speaker 8>then to ascertain that it touched your lips.

906
01:04:37.920 --> 01:04:41.199
<v Speaker 7>In our case, we wanted to take pictures, and it's

907
01:04:41.280 --> 01:04:44.760
<v Speaker 7>kind of hard to take a picture through a cocktail

908
01:04:44.840 --> 01:04:47.519
<v Speaker 7>glass and see if this toe touched your lips. So

909
01:04:48.119 --> 01:04:51.719
<v Speaker 7>in both my son and Maya case, we we actually

910
01:04:51.760 --> 01:04:56.199
<v Speaker 7>took the toe in our mouth between our lips so

911
01:04:56.239 --> 01:04:59.039
<v Speaker 7>that you could see that it clearly touched our lips.

912
01:04:59.079 --> 01:05:05.679
<v Speaker 7>And but the the Toe Captain is sort of the MC,

913
01:05:06.119 --> 01:05:09.400
<v Speaker 7>and he's the guy that keeps everything running and and

914
01:05:09.519 --> 01:05:14.159
<v Speaker 7>takes your money and and gives you issues your certificate

915
01:05:14.559 --> 01:05:17.880
<v Speaker 7>that that represents your your membership in the Sour Toe

916
01:05:17.920 --> 01:05:22.320
<v Speaker 7>Cocktail Club. Uh and uh, I'm proud to say my

917
01:05:22.440 --> 01:05:24.920
<v Speaker 7>son and I are both members, which I think only

918
01:05:24.960 --> 01:05:30.280
<v Speaker 7>means that we can we can always go back to

919
01:05:30.320 --> 01:05:33.360
<v Speaker 7>the Sour Dough Saloon and drink the Sour Toe cocktail

920
01:05:34.039 --> 01:05:37.840
<v Speaker 7>without paying the extra five dollars or something that it

921
01:05:37.920 --> 01:05:41.599
<v Speaker 7>costs to have the toe put in your glass there.

922
01:05:41.800 --> 01:05:44.639
<v Speaker 7>So it's a great money saver.

923
01:05:45.199 --> 01:05:51.440
<v Speaker 2>Yeah, absolutely, now we will. We're a little bit over

924
01:05:51.559 --> 01:05:54.599
<v Speaker 2>the hour, but we'll just spend a few more minutes here.

925
01:05:55.679 --> 01:06:00.000
<v Speaker 2>This whole trip was a little over three weeks. You said, Yeah,

926
01:06:00.119 --> 01:06:05.519
<v Speaker 2>what is the most profound thing that you learned? I

927
01:06:05.559 --> 01:06:07.679
<v Speaker 2>know we've talked about a little bit, but at the

928
01:06:07.760 --> 01:06:10.920
<v Speaker 2>end of this entire thing, to wrap up in terms

929
01:06:11.199 --> 01:06:16.320
<v Speaker 2>of the journey itself, basically it was a success. But

930
01:06:16.440 --> 01:06:19.079
<v Speaker 2>tell us what you learned the most. What was the

931
01:06:19.119 --> 01:06:23.360
<v Speaker 2>most profound thing that you learned in that in this

932
01:06:23.519 --> 01:06:24.480
<v Speaker 2>journey with your son.

933
01:06:27.400 --> 01:06:32.760
<v Speaker 7>I think that here I was this this a vagabond,

934
01:06:32.840 --> 01:06:37.880
<v Speaker 7>maybe much like my biological father, that I had relished

935
01:06:38.639 --> 01:06:41.760
<v Speaker 7>in my life and in my career, these risks of

936
01:06:41.840 --> 01:06:48.559
<v Speaker 7>being a war correspondent or writing out a hurricane and

937
01:06:50.679 --> 01:06:54.559
<v Speaker 7>doing some of the things that I did and would

938
01:06:54.559 --> 01:07:00.360
<v Speaker 7>do again. Yet there were risks in my life life

939
01:07:00.559 --> 01:07:04.800
<v Speaker 7>that I refused to take that thousands of people take

940
01:07:04.880 --> 01:07:11.440
<v Speaker 7>every day, and that is, you know, just surrendering to

941
01:07:12.079 --> 01:07:18.320
<v Speaker 7>love and recognizing when it comes along and risking the

942
01:07:18.440 --> 01:07:22.000
<v Speaker 7>hurt that goes with it. Of course, at that point,

943
01:07:22.159 --> 01:07:24.480
<v Speaker 7>I knew the hurt that went with it, and I

944
01:07:24.599 --> 01:07:30.400
<v Speaker 7>was reluctant to take that risk again. So, you know,

945
01:07:30.519 --> 01:07:37.000
<v Speaker 7>I think that the biggest thing was this epiphany that

946
01:07:37.079 --> 01:07:41.320
<v Speaker 7>I had about the nature of risk and how I

947
01:07:41.480 --> 01:07:44.679
<v Speaker 7>was perfectly willing to do some of the most risky

948
01:07:44.760 --> 01:07:52.239
<v Speaker 7>things that humans do, and then perfectly frightened of risking

949
01:07:52.559 --> 01:07:56.079
<v Speaker 7>things that ordinary people do every day. So there was

950
01:07:56.239 --> 01:08:04.760
<v Speaker 7>that I think that you know, uh, the book talks

951
01:08:04.800 --> 01:08:09.840
<v Speaker 7>about in it in its way that reassures us that

952
01:08:09.880 --> 01:08:13.199
<v Speaker 7>we don't need to repeat the sins of our fathers

953
01:08:14.119 --> 01:08:18.720
<v Speaker 7>and then we can we can navigate our own paths

954
01:08:19.039 --> 01:08:25.119
<v Speaker 7>quite well. And and that that, uh, there there are

955
01:08:25.199 --> 01:08:30.720
<v Speaker 7>ways we we we're not we're not hostage to our history.

956
01:08:32.600 --> 01:08:36.960
<v Speaker 7>So I think those are the two the two things.

957
01:08:36.960 --> 01:08:40.239
<v Speaker 7>You know, it's sometimes it just takes extraordinary courage to

958
01:08:40.239 --> 01:08:42.439
<v Speaker 7>come out on the other side of a great sadness

959
01:08:42.479 --> 01:08:47.079
<v Speaker 7>and to accept your flaws and to find love. And really,

960
01:08:47.479 --> 01:08:51.000
<v Speaker 7>once you do that, putting a corpse toe in your

961
01:08:51.000 --> 01:08:52.720
<v Speaker 7>mouth is pretty damny.

962
01:08:54.119 --> 01:08:59.119
<v Speaker 2>Incredible. One last question here, Uh, how has your son

963
01:08:59.199 --> 01:09:03.119
<v Speaker 2>Matt respond to the idea of the book and is

964
01:09:03.159 --> 01:09:06.800
<v Speaker 2>he planning to read it or has read it? What

965
01:09:07.000 --> 01:09:10.159
<v Speaker 2>is what is the plan with Matt regarding this book

966
01:09:10.159 --> 01:09:13.000
<v Speaker 2>that certainly he is a big, huge part.

967
01:09:12.840 --> 01:09:16.159
<v Speaker 7>Of well, he of course knows everything about the book.

968
01:09:17.159 --> 01:09:17.439
<v Speaker 2>We do.

969
01:09:17.640 --> 01:09:20.560
<v Speaker 7>There was a lot of collaboration during the writing on

970
01:09:20.880 --> 01:09:24.159
<v Speaker 7>where I was asking questions and trying to get at

971
01:09:24.399 --> 01:09:30.760
<v Speaker 7>some of his interior. But during during the time it

972
01:09:30.800 --> 01:09:32.880
<v Speaker 7>was in manuscript form, he didn't want to read it.

973
01:09:33.800 --> 01:09:35.600
<v Speaker 7>Not because he was afraid of it or anything. It

974
01:09:35.640 --> 01:09:37.439
<v Speaker 7>was just he wanted to read the book.

975
01:09:37.920 --> 01:09:38.039
<v Speaker 2>Right.

976
01:09:38.479 --> 01:09:44.600
<v Speaker 7>Well, the book just arrived literally last Thursday, So as

977
01:09:44.600 --> 01:09:46.840
<v Speaker 7>far as he and I are concerned, it wasn't a

978
01:09:46.840 --> 01:09:52.000
<v Speaker 7>book until last Thursday, and he immediately got a copy.

979
01:09:52.720 --> 01:09:58.800
<v Speaker 7>I think it was sent to him Friday. So honestly,

980
01:09:59.079 --> 01:10:01.840
<v Speaker 7>I don't know yet. I think he's going to be

981
01:10:01.880 --> 01:10:05.359
<v Speaker 7>okay with I haven't heard bad, but I don't think

982
01:10:05.399 --> 01:10:07.800
<v Speaker 7>he's actually had a chance to read the book, or

983
01:10:07.840 --> 01:10:10.439
<v Speaker 7>if he has, he hasn't had a chance to digest

984
01:10:10.479 --> 01:10:14.479
<v Speaker 7>it and respond. I'm pretty sure though that he's still

985
01:10:14.520 --> 01:10:18.319
<v Speaker 7>going to be mad because I don't get Pantera. Gon

986
01:10:18.399 --> 01:10:19.199
<v Speaker 7>to be mad, be it.

987
01:10:19.239 --> 01:10:22.800
<v Speaker 2>I just don't get it, don't appreciate it.

988
01:10:22.880 --> 01:10:24.359
<v Speaker 7>Yeah, that's right, I just can't.

989
01:10:25.199 --> 01:10:27.119
<v Speaker 2>Well, there's still time, n.

990
01:10:28.479 --> 01:10:30.399
<v Speaker 7>I've got plenty of time to get into heavy metal.

991
01:10:31.880 --> 01:10:32.720
<v Speaker 8>Yeah, it'll have.

992
01:10:32.760 --> 01:10:38.960
<v Speaker 2>Me, it'll maybe not. Man. Oh well, you know, Ron,

993
01:10:39.000 --> 01:10:41.840
<v Speaker 2>this was really a lot of fun. Again. Once again,

994
01:10:41.880 --> 01:10:44.439
<v Speaker 2>you're a great interview and I love speaking with you

995
01:10:44.520 --> 01:10:48.439
<v Speaker 2>and letting you explain your incredible books. And this book,

996
01:10:48.880 --> 01:10:54.399
<v Speaker 2>like you say, it's quite different from this program, almost entirely.

997
01:10:54.439 --> 01:10:56.520
<v Speaker 2>We do something has to do with murder, and there's

998
01:10:56.600 --> 01:11:00.239
<v Speaker 2>no murder in this entire book. And yet I think

999
01:11:00.279 --> 01:11:04.520
<v Speaker 2>the audience will very much enjoy this interview with uh

1000
01:11:04.920 --> 01:11:07.680
<v Speaker 2>you run and talking about your personal life. I think

1001
01:11:07.720 --> 01:11:13.199
<v Speaker 2>it's personal, poignant, humorous and profound, and I think it

1002
01:11:13.279 --> 01:11:16.640
<v Speaker 2>was a very enjoyable read and of course the follow

1003
01:11:16.720 --> 01:11:19.399
<v Speaker 2>up I get to enjoy having an interview with you,

1004
01:11:19.520 --> 01:11:20.880
<v Speaker 2>So thank you very much. Ron.

1005
01:11:21.119 --> 01:11:25.520
<v Speaker 7>You're so nice and you're you're just so generous having

1006
01:11:25.520 --> 01:11:27.359
<v Speaker 7>me on your program. I appreciate it.

1007
01:11:27.760 --> 01:11:30.479
<v Speaker 2>Well, it's a lot of fun and I'm sure the

1008
01:11:30.520 --> 01:11:32.680
<v Speaker 2>audience had a great time. So I want to thank

1009
01:11:32.720 --> 01:11:35.680
<v Speaker 2>you very much once again, and have yourself a great evening. Run.

1010
01:11:36.199 --> 01:11:37.600
<v Speaker 7>Thank you Dan very much.

1011
01:11:38.039 --> 01:11:40.319
<v Speaker 2>Well, thank you and talk to you soon. Ron, Thank

1012
01:11:40.399 --> 01:11:44.159
<v Speaker 2>you you, bet ayebye. You've been listening to the program

1013
01:11:44.199 --> 01:11:46.880
<v Speaker 2>True Murder, the Most Shocking Killers and through crime history

1014
01:11:46.960 --> 01:11:49.520
<v Speaker 2>and the authors that have written about them with my

1015
01:11:49.640 --> 01:11:53.479
<v Speaker 2>special guest, Ron Francell with his new book, The Sourtoe

1016
01:11:53.680 --> 01:11:57.279
<v Speaker 2>Cocktail Club. That's Ron friend, Sell, good night,
