Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's episode of The Saint.
But first I want to encourage you. If you're enjoying
the podcast, please follow us using your favorite podcast software.
And today's program is brought you in part by the
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little as two dollars per month. Just go to Patreon
dot Great Detectives dot net. But here from July sixteenth,
nineteen fifty is Follow the Leader.
Speaker 2: The adventures are the Saint. Starting Vincent Price. Let's see
based time characters created by Leslie Trotter, an on do
millions from books, magazines and motion pictures. The Robinhood of
modern crime.
Speaker 3: Now come transcribe the Radio.
Speaker 2: Starting Hollywood brilliant solid a actor.
Speaker 3: Of him from Price.
Speaker 4: Let's think, Oh open up, please hurry.
Speaker 5: Well to what do I owe?
Speaker 6: I've been following sually.
Speaker 3: You're a blonde, I assure you.
Speaker 4: The men who followed me weren't interested in the color
of my hair.
Speaker 5: Don't tell me they were chasing you for your money.
Speaker 4: No, dear, not my money, my life. Well, it's good
to be here, finally, I've come a long way to
see you, Simon.
Speaker 5: Well, if i'd known you were coming, you didn't exp
You're as unexpected as Yankee bean soup on a menu
in Moscow, but infinitely more welcome.
Speaker 4: You weren't contacted, You didn't speak to Maxim.
Speaker 5: Only Maxine I know happens to be a restaurant in Paris.
Speaker 4: Oh, they intercepted him, and we were so sure he
wasn't even known to them. Today's cover with We'll have
to putting on our own Simons.
Speaker 5: We can do it, of course we can do it.
But what what particular type of melodrama are we playing?
Speaker 4: I'd better tell you the whole story.
Speaker 5: Everything you have, the Southern thea shaer is Ada or
what is your name, Claire? Claire or sit down, Claire,
thank you.
Speaker 4: Well, I've just come back from Mexico City. He was there.
He's changed in the last five years, Simon. You'd never
recognize him. It must have been plastic surgery.
Speaker 5: He doesn't look I see and now I know everything.
Speaker 4: Did you hear something?
Speaker 5: What sort of something to do?
Speaker 4: I thought I heard a footstep, Simon? The blinds? Put
down the blind How stupid of me not to have
done it immediately?
Speaker 3: Yeah?
Speaker 4: Why are you staring at my not? Is someone?
Speaker 3: Is one of them?
Speaker 5: A little man in a badly sitting suit at least
two sizes of too large for him and a large
floppy hat. He's there, Yeah, he's there.
Speaker 4: The other one's a large one, and he's there, all
of him. Oh, come away from the window, Simon. He
needn't bother pulling the other blinds down?
Speaker 7: Now?
Speaker 5: Who are they?
Speaker 3: Claire?
Speaker 5: Which wild Halloween? Are those two types left over from?
How many more of them are there?
Speaker 4: How many more? Hundreds, Simon? Perhaps thousands? We'll never know exactly.
We must go, Timon, at once.
Speaker 5: Shouldn't we have a little explaining before we do any going?
Speaker 4: There isn't time. Those two down there will be coming
up soon when they do. You must trust me, Simon,
You must come on, Claire. Is there anyone do you
think we were followed? Simon? Is there anyone behind us?
Speaker 3: Looking?
Speaker 5: Grand Central Station? There are all with people behind you?
Speaker 3: Tell me?
Speaker 5: Are we needing a train, or taking one train?
Speaker 4: What makes you think we're taking a train?
Speaker 5: Diamond, Well, I should have warned you. Every now and
then I get a little irrational, like thinking the reason
we're here in a railroad terminal has something to do
with a train. Did I say something to trust me?
Speaker 3: Huh?
Speaker 5: Call me? Just need to do manut If I meant it,
you mean there's another way. So that's why we came here.
Speaker 3: We must do this more often.
Speaker 4: You don't talk. I'm your sweetheart. I'm going away again, Coach, Please,
this is no time to joke. He's watching his kidney.
Speaker 5: Well, I'll force myself.
Speaker 3: Who Simon?
Speaker 5: Intent for you?
Speaker 3: Dog?
Speaker 4: You he's got I.
Speaker 5: Must remember to do something very nice for him sometime.
And now sweetheart watching?
Speaker 4: And now, sweetheart, we really do say goodbye? We what
we say goodbye? But come now, don't look so bewildered.
But sweetheart, go by Simon, and thanks for the Houstons
the hall.
Speaker 8: You forgot to close the door, mister Templar.
Speaker 3: Oh yes so I did.
Speaker 5: But since it's my door, I think I'll leave it
open this time, especially since you're just about ready to leave.
Speaker 8: You are wrong, says I'm not ready to leave. I
have a few things I must do before I go.
Speaker 3: What sort of thing?
Speaker 9: Perhaps I shall kill you first.
Speaker 5: In fact, I'm quite sure that I shall.
Speaker 8: But that is the least of what I must do
here in your apartment, Kirre.
Speaker 5: If you insist on killing me, I'm afraid that I'll
have to insist that you regard it as important.
Speaker 8: Oh, it is important only to you and to the
policeman who will have the tiresome task of finding.
Speaker 5: Out who did it.
Speaker 8: You will shut the door, please, Saint.
Speaker 5: I will shut the door.
Speaker 8: As for your new friend, Saint, the matter of your
death will be to them merely a temporary inconvenient and for.
Speaker 5: Me the matter of my death will be I'm afraid
a rather permanent inconvenient. Well, I'm to be killed by
a looker. I t y glad it isn't one of
the cheaper guns.
Speaker 8: How splendidly you whistle as you passed the graveyard. It's
too bad, Too bad you could.
Speaker 5: Have been so useful to us. You mean they are
more at home like you. There are more.
Speaker 8: Perhaps there are not as many as I should be,
But we make up for our numerical deficiency by knowing that.
Speaker 9: Right is on our side.
Speaker 5: Be a great comfort to me as I lie in
my coffin, to know that I wasn't murdered by bad men,
but by good man.
Speaker 3: That is a great pity.
Speaker 8: You did not think along those lines before the temple.
Speaker 3: Before before what before you decided.
Speaker 8: To join them instead of us. It's almost midnight. I
hope we shall not have to wait very much longer.
Speaker 5: We are waiting for someone, a messenger with a package
for you. A package?
Speaker 3: How nice?
Speaker 5: Aren't you just dying to know what's in it?
Speaker 9: Hardly since I am the one who sent it to you.
Speaker 8: When the boy arrives temple, you will go to the
door and accept the package.
Speaker 3: So I will.
Speaker 8: Indeed you will, and I shall be right behind you,
and so will this loog girl. Needless to say, my friend,
any attempt to seek help from the messenger will result
in not only your execution, but the boys as well.
Speaker 5: You played dirty poker, don't you?
Speaker 3: Who are you?
Speaker 1: Oh?
Speaker 8: It does not matter who I am, and it does
to me.
Speaker 5: I would like to know who I'm being murdered by. Oh,
I am called nothing Vaccine, So you're Maxine.
Speaker 3: You have heard of me?
Speaker 5: Oh, but of course she learned about me in Mexico.
I despise people who are abnormally inquisitive, just as you must.
But by she, I suppose you mean Claire.
Speaker 8: Ah, that is what she calls herself.
Speaker 3: Now, Claire.
Speaker 8: She's very beautiful, is she not? When I saw you
kissing in the railroad station before, I almost envied you,
until I realized that you would soon be dead. What
is it, Saint no more whistling?
Speaker 9: That's the graveyard.
Speaker 5: And I was just thinking, so you were the one
way you put on a little performance for in the
railroad station, eh, performance, And until you saw Claire and
me together, you imagined, for some reason or other, that
I was at bat for your team.
Speaker 8: Oh please, saying do not waste the last moments of
your life and resorting to childish ruses. I think prayer
is much more fitting.
Speaker 5: To the occasion, don't you see? Macdeine Claire's reason for
getting me to the railroad station which to make you
think that she and I were on the same.
Speaker 8: Figs, of course, and she was the one who knew
that my train was due at that time, May not.
Speaker 5: You she I was supposed to know when you were
to arrive.
Speaker 8: You received my leopard Did you know you must have.
I received your answer and call please saying please stop
clutching its straws.
Speaker 9: I am going to kill you.
Speaker 8: It is inevitable you'd die as soon as I regained
the package.
Speaker 5: Yes, the package.
Speaker 8: It was fortunate that I had the good sense to
send it ahead to you when the train stopped in Philadelphia,
was it not. I should have been dead by now
if I had not.
Speaker 5: Done so, you know, maccim, I find myself in a
very unusual position.
Speaker 8: Oh, I quite agree. It isn't every day that one
gets killed.
Speaker 5: I meant it's unusual because if I weren't going to
die by means of that efficient looking little luger of yours,
I think I'd probably drop dead from a case of
acute curiosity. Just what the messenger my death? Now? Eh
as not for whom the bell told, It told for thee.
Speaker 8: Whoap do not open the door all the way at natural?
Perfectly natural. I would be right behind you. But remember,
as you bought you and the boy.
Speaker 5: You gotta open.
Speaker 7: Home.
Speaker 10: I mean, Henry, it's about time, and my name ain't Henry,
it's Maris.
Speaker 5: Oh mind simon. But in a few minutes someone is
going to change it to mind.
Speaker 10: It's no matter what you jump like that for something,
jab into your.
Speaker 5: Bank, jabbed in and back. No, no, no, it's an
old family of fliction, spasms of the Calabassies. You might
let me tell you about it. It always comes not me.
Speaker 10: You don't tell about it.
Speaker 5: I tell you doctor.
Speaker 10: I got to get home and get some sleep. I'm
pitching tomorrow, pitching.
Speaker 5: Say are you a pitcher?
Speaker 10: I'll say I am. I'm the best picture we got.
Maybe you heard of our team, the Brooklyn Beavers.
Speaker 5: The Brooklyn Beavers, of course I've heard of them.
Speaker 10: Yeah, where why?
Speaker 5: Well, everybody's heard of the Brooklyn Beavers, especially an old
Yankee pitcher like me.
Speaker 10: Warning you pitch for the Yankees. Hey, hey, hey, look,
maybe you can help me with gee another spasm of
the calahousas. Huh, still bad the things that half of
the form of pitches. Hey, look, mister, can you show
me how to develop a good wind up?
Speaker 5: Wind up? You want me to show you how I
used to wind up for a pitch?
Speaker 9: Gee?
Speaker 7: Would you?
Speaker 3: Why? Sure? Now?
Speaker 5: First you put this on the left one.
Speaker 3: Out about two feet two feet huh. I.
Speaker 5: Next, class the ball in both hands and raise your
arms up over your head towards the back as far
back as they'll go like this. That's right, you're getting
it then using all the strengthen your legs, all the strength.
Now you suddenly kick back. What's that?
Speaker 6: What's the noise in there?
Speaker 10: It sounds like somebody got hurten and so down?
Speaker 3: What right.
Speaker 5: S big ones? You're nuts?
Speaker 10: And furthermore, you never pitch for no Yankees, you don't
think so. I know so I never seen such a
lousy wind up here. It's your package and you can
just forget about the tip, buddy, think the thing some
people tell you, and for what only so they can
impress you.
Speaker 5: Come on, Max, wake up, Come now, it's time to
be alive again.
Speaker 6: Here.
Speaker 5: Now say if some of the there that's hey, wait
a minute, that's Napoleon Brandy. If you still at Napoleon
and I will never forgive you that. You don't feel
very well, do you? Max? Is that any kind of
a look now to throw at a man who has
just been feeding you? Napoleon Brandy? Go on, Temp, you'll
hold the gun, get it over with it. I mean
shoot you. I wouldn't dream of shooting you, Max, who
I'd be lonesome without you I can't tell you how
much I've been looking forward to an inch by inch
travelog based on your trip to Mexico.
Speaker 8: You you will get nothing from me, saying go ahead, shoot,
I will not be the first man to die for
something you believe.
Speaker 5: Thank you, Nathan Hale. Oh yes, I know, and you
must try to forgive me. But after all, what a
little kick in the pit of the stomach between friends. Tomorrow,
perhaps you'll be kicking me in the stomach.
Speaker 7: Water, Give me water.
Speaker 5: I'll get you water, But I won't give you water.
You'll have to buy it. Buy it by answering a question.
The thing I found in the package? What makes it
so valuable?
Speaker 3: No, I will not tell you I can not water.
Speaker 5: Please, maybe you can buy yourself a glass of water
with the answer to this.
Speaker 4: I shall not answer any question.
Speaker 5: You have courage, my friend.
Speaker 3: But here's a question.
Speaker 5: Anyhow. There's a little man in a floppy hat and
a suit that's too large for him, and another man
roughly patterned after the Empire State building.
Speaker 3: Do you know him?
Speaker 5: Yes, you're signed?
Speaker 6: Oh no, no, temple not out side shaping.
Speaker 5: Well, you have just one yourself a glass of water?
Would you like to try for two. You'll not answer
any more question, stuborn little fellow, aren't you I'll get
your water and then I will make sure that you
will be here when I get back, and you're going out.
It's just down to the corner. I want to ask
those two curious employees, as Satan's, just why they prefer
to spend the night on the street staring up at
my windows when beds are so much more comfortable.
Speaker 3: Excuse me? What did it?
Speaker 5: SHOEI may I trouble you for a light?
Speaker 7: Why? Yes, sir, I'm my give value. A cigarette is
already it?
Speaker 10: It is?
Speaker 5: You mean I've been smoking all this time? It didn't
need How mild can a cigarette be?
Speaker 9: You're gone now, no more talk. That's amazing.
Speaker 5: This is the first time in all these years I've
ever heard the Empire State building speak. And just what
are you doing so far from thirty fourth Street? Ran
out on your foundations?
Speaker 9: You're gone now where I.
Speaker 7: Hurt any gentlemen?
Speaker 5: He's just trying to Finally, Ali, Ali, didn't I read
something recently about you and Rita Hayway.
Speaker 3: You're gone now you must forgive my friends.
Speaker 7: And he's very sensitive.
Speaker 5: I'm very inhospitable. Now if you were visiting me in
my home, or haven't you acquired squatter's rights to this
stretch of sidewalk yet I did not understand, But then
I will be blunt exactly what about my windows? It's
so fascinating to you and this near eastern Gargantua that
you make a career out of observing them.
Speaker 7: I'm as friends, you are mistaking my friend and I
arrived at this particular French only moments ago. You were
standing here at you Breish fresh airs. Not to watch
anyone's wings.
Speaker 9: I make him to go now, But he's good.
Speaker 7: It's clients, all aunty gentlemen.
Speaker 5: Is just making talk, that's right, Ali, I'm just making talk.
As I was telling a friend of mine before, a
fellow named Maxim, who recently returned from Mexico City. I said, Max,
this thing you brought back from Mexico with you seemed
so absolutely worth it, but it must actually be very
valuable since so many people are willing to commit murder
for it.
Speaker 9: He's good. I block justice, man, Victor. I think I
see you give the Signal's the right thing.
Speaker 7: I do, exactly right, my Johnny, exactly And now if
you will be so kind to carry him to the car.
I have a feelings the leader would like to have
a talk with this man who called himself the same
Hesh Schmidt would like to talk to you. What I
said her Schmidt would like to have a talk.
Speaker 5: With Tell him I never see anyone without an appointment.
Speaker 7: You'll be respectful one in the presence of the leader.
Speaker 5: To leader, he conducts an orchestra. Because there were questions
and you could have flappened, the.
Speaker 7: Stands up, Saint on your seat.
Speaker 6: That's all right, Victor. Mister Teendler can remain see that
if you want.
Speaker 5: To see see Victor, I can sit here if I
want to Yeah, yeah, yeah, And you you must be Schmidt.
That is correct.
Speaker 6: And now Tamdler if it immediately get down to the
business at hand.
Speaker 3: Where is it?
Speaker 5: You mean you live here and you don't know.
Speaker 6: I have no intention of wasting time listening to your
misguide to the Thames that you a templar. You know
the object which I refer I must have it at once.
Speaker 5: You're here, I hear and two will get you five.
There are people in Germany who can also hear. Shop
you're turning that face lapping business again.
Speaker 7: And I told you before you have to be more
respectful and the leaders speak.
Speaker 5: If you just untie my hands for a moment, I'll
show both you and the leader exactly how much respect
I have for both of you.
Speaker 6: How the last time, templar, where is it?
Speaker 5: What the glass?
Speaker 6: You find? The little whiskey glass that got a pig
brought to you from Mexico?
Speaker 3: Go oh that? Oh?
Speaker 5: You know I had a feeling it was that whiskey
glass you were after.
Speaker 3: There is it?
Speaker 5: Try the five and ten? You know, Victor, someone's going
to have to cure you of that habit. You're going
to hit that hand someday.
Speaker 7: If an answer to readers question where is the whiskey glasses?
Speaker 5: I give the correct answer, do I get to try
for the giant jackpot? If you give the correct answers
sign you get to die simply and quickly and without
and up you'ren knowing that it touches my friend Ali
or some good you make. It sounds so attractive. The
glass is in my.
Speaker 6: Apartment, you lie, Alien picked the search all over your apart.
Speaker 5: The glass you're looking for is mixed in with all
my other whiskey glasses they all look alike.
Speaker 7: And you lie, I want it back here one of
your whiskey glass. No, that's desire, and the one we
want is not. The man for the last time saying
what did you do with it?
Speaker 5: Very well the guy, I guess I.
Speaker 6: Know when I'm like, ah uh huh, Now you are
getting mine.
Speaker 5: The glass is in a check locker at Grand Central Station.
Check the keys to the locker.
Speaker 7: There's the key.
Speaker 5: Well, I'd be very happy to go home and get
it for you.
Speaker 7: That will not be necessary. Then tell us where the
keeps hidden.
Speaker 5: It's hidden in the lamp.
Speaker 6: On my desk, in a lamp veil in the lamp.
Speaker 5: In the socket where the bulb screws on. Just unscrew
the bulb and put your finger inside the socket. You'll
get it.
Speaker 7: You'd better be telling the truth, Samdlor. I'll go at
once as Schmidt. You will come with Yeah, and him
as well. Tied Holly will return in a little.
Speaker 5: While Before you go, Victor, I suppose you answer me
a question. They tell me who's your tailor? My tailor, ya,
I've been admiring that suit you have on. I think
it's very considered of your tailor to make it two
sizes too large. And in case you have a friend visiting,
Oh my.
Speaker 7: Goodness, rest, I say for any He will do his
best to entertain you while we are gone. He will
do tricks, all sorts of tricks with hot iron and
lighted matches, and she will see let us.
Speaker 6: Go half shore after you, mine hair after.
Speaker 9: You soon soon. I really get hot, I really get
very hot.
Speaker 5: Why send my laundry out? Ali?
Speaker 9: It burnt proof skin?
Speaker 3: You like that?
Speaker 5: I love it, But I'm a little disappointed in you. Ally,
your friend Victor claimed that you had some fresh and
original ideas. That hot iron stuff goes back to the
Middle Ages, which is where I wouldn't mind going back to.
Right now.
Speaker 9: I know business best torture island all world.
Speaker 3: You you know better? Why me?
Speaker 9: You thought your mind that best?
Speaker 5: I believe you mean to say you've never heard of
terrible templar. The trouble with you is you just haven't
been attending the annual Torture is convention. Would you mind
turning your head the other way next time you say pie?
That's the kind of torture I don't.
Speaker 9: I not believe you're not torture three.
Speaker 5: Ali, you just ignorant. That so why my butterfly twist
is famous everywhere torture is practiced one first prize of
the Iowa State Stop.
Speaker 9: Iron soon, then I show you hot.
Speaker 5: Irons pa high school stuff. Tell me how many lighted
matches can you put under a fingernail?
Speaker 1: Three?
Speaker 9: Want to reach me?
Speaker 3: Three?
Speaker 5: Only three?
Speaker 8: You to batter?
Speaker 9: How many you pulled?
Speaker 5: Fourteen?
Speaker 9: One?
Speaker 3: Yes?
Speaker 9: Very I no belief your big show.
Speaker 5: So I'm a liar. I suppose now you want me
to prove. You'll proof you showed me and tie my
hands from behind his chair, and I'll.
Speaker 3: Show you are marched, big shore a liar?
Speaker 9: You want pie from chair?
Speaker 5: Nah? You showed me with the greatest of Sorry, I
broke the chair on your head. Ali, I was getting
sort of fond of that chair. Hello, Simon, sweetheart, you've
come back to me.
Speaker 4: Yes, I've come back. But it's too late on the same.
Speaker 3: Oh too late on?
Speaker 5: Be silly? Care Grand Central stations open all night? Or
should we do our kissing right here?
Speaker 4: Okay you Simon, I I'm not in the mood for banner.
Is a man here in your apartment. He's in the
other room.
Speaker 3: That's Maxine Shure.
Speaker 5: Do you remember good old Maxine.
Speaker 4: Oh, yes, I have much reason to remember Maxine.
Speaker 3: He's dead. He was shot.
Speaker 5: Oh, I was too bad. He was a game little guy.
Speaker 1: You killed him.
Speaker 5: No, the Unholy Twesome was here looking for the glass.
Speaker 4: They did it the little man in the Battle of
Sitting Coat in the Giant Arab Yes, I should have guessed.
But the whiskey glass, Simon, what happened to the whiskey glass?
Speaker 5: They have it Victor, and many calls the leader the leader.
Speaker 4: He's in New York.
Speaker 5: Schmidt is here, alright, But believe me not stay, nor
is Victor long for this world. Now I'm going to
ask them questions. And what's more, I'm going to get
some answers.
Speaker 4: Yes, Simon, I think you're entitled to some answers. You
don't know why the glass is so important to.
Speaker 5: Obviously, it carries somebody's fingerprints. I can't think of any
other reason why a ten cent whiskey glass could be important.
Speaker 4: But who's you have heard of?
Speaker 5: Carl Bruder, Carl Bruter, Bloter, Yes, Hitler, they're apparent the
man selected most likely to succeed him.
Speaker 3: But he's dead.
Speaker 4: He was never completely proven. He was thought to be dead.
Go on, Claire, we have an organization among some of
my countrymen which has sworn to track these beasts down. Well,
we've found Carl Bruder, our biggest prize in Mexico City.
He'd had his face changed by surgery. You're no longer
was a fancy dresser he used to be. He used
to call him the Nazi Beau Brummel. But still, adding
together a hundred minute facts and clues, we knew it
was Bruder.
Speaker 3: Well why didn't you tell the government, Claire?
Speaker 4: They'd have taken over from there on because everyone now
takes for granted the Bruder is dead. They can't conceive
that he's alive.
Speaker 5: So you got his fingerprints, the one thing that couldn't
change that would prove that Bruder was alive.
Speaker 4: Yes, we were going to send the glass to Germany
to have the Prince compared with the set of prints
known to be Brutus that exists there. Then they would
have believed us. Then they'd have to arrest him and
make him answer for his crimes.
Speaker 5: But got wise.
Speaker 4: Oh, he knew that someone had gotten hold of the
glass with his fingerprints. Was life or death to him
to get it back. I was charged with bringing the
glass here the Maxine Maccine, Poor Maxine. I was stupid.
I didn't know know why. Ours is not a very
closely knit organization, Simon. The members seldom meet each other.
Speaker 5: And well, h you mean you and poor Maxine were
playing on the same team.
Speaker 4: Yes, but we didn't know. Neither of us knew we each.
Speaker 5: Thoughts too bad when you heard that max was coming
to me to help him use stage seen in the
station to make him think that I joined up on
your varsity.
Speaker 4: Yes, yes, irish to Max would still be alive a fight.
Speaker 3: What's the use?
Speaker 4: It isn't Maxine's light that bothers me too much. Now,
it's losing the glass that is the unforgivable part of it.
No brutal will get away.
Speaker 5: What do you Betty doesn't a long evening in Grand
Central Station.
Speaker 4: He's knowing his Simon, not even a light thing.
Speaker 3: No, And I was sure.
Speaker 6: I'll have him to return, Yes, Tim, how good are
you to return? And he taught you didn't especially care
for our hospitality?
Speaker 7: Is it just Fanny?
Speaker 3: He is even careful, saying Charlie.
Speaker 5: Torture Man's second class. But he doesn't know about I'm
in an improved method with philamrgue.
Speaker 6: I see you have brought a gift, temper.
Speaker 5: How nice to have you here, my dear.
Speaker 4: I'm frightened.
Speaker 7: Frightened. You mustn't be fining just because I'm holding a gun,
my dear, Dying from a bullet is rather a pleasant
compared with some other ways.
Speaker 5: Yes, mister TEMpl she isn't afraid of the gun.
Speaker 3: Victor.
Speaker 5: It's that that duke you're wearing.
Speaker 7: I'm warning you well, well.
Speaker 5: The leader heard his finger. It's going to look terrible
when you salute yourself in the mirror. Now enough, But then, Leader,
it's your own fault. A great, big leader like you
should know better than to put his finger in a
live light socket.
Speaker 6: Enough, you will be quiet.
Speaker 3: You're here here, you're.
Speaker 5: Rattling the ruins of the Reichs tempery, and they're such
lovely ruin.
Speaker 7: Un with a poor simple minded I.
Speaker 5: I know I had to use deception on poor simple
minded I, but on you are you? That's what I
use on poor simple minded Victor and the glorious Leader.
How does it feel to be looking down the wrong
end of a looker for once boys? Only for you
and others like you?
Speaker 3: It's the right end.
Speaker 6: Well, you're fun Templar, but you still must prove that I,
Johann Schmidt, am Carl Bruder and without the glass myth.
Speaker 3: It's true.
Speaker 5: I do not have the glass you have.
Speaker 9: Ah, how unfortunate for you.
Speaker 3: But I have a role of film you.
Speaker 5: Yes, I dusted the glass with powder and photographs the print,
so I've got the fingerprints and more important, I've got
the leader, right, very very Templar, you've got me, yes,
Johan Schmidt, I've got you too, But it's Brooder, who's
the star attraction in my show.
Speaker 9: But I am Brewder.
Speaker 3: You're Brewder. Huh?
Speaker 5: And you think Johan Schmidt, the German equivalent of John Smith,
is the ideal alias for a wanted man. It was
an easy name. It and the hot shot hearer lets
little Victor precede.
Speaker 3: Him from a room.
Speaker 5: Oh come come. If you were the leader, loud mouth,
the Dictator's Union would have you up on charges for
that one.
Speaker 7: But he is the leader.
Speaker 5: He's Bruder. I'm swearing sure, and Claire and I are
hansl and Grettel your car Bruder, little man, that's why
you wear such a badly fitting suit. Bruder, was the
Nazi bou Brummel. So your diguise called for you to
get as far away from elegance as you could, didn't
it not? It's not true, schmidtish car, Bruder, I still
think enough of good clothes to get furious every time
someone makes a crack about your appearance.
Speaker 3: Don't you look at you?
Speaker 5: Oh that suit looks awful, Victor, it's got enough room
in it for three ugly little tramps like you. You
don't shot.
Speaker 3: See there you go again, the furious.
Speaker 5: Sure, you know when you get mad, you look just
like that other tramp at all, that is. But why
worry about your clothes at a time like this, Bruder?
What do you care what you wear when they hang you?
Speaker 2: You've been listening to another transcribe adventure of the Saints,
the robin Hood of Modern Crime. Now here's our starvens and.
Speaker 5: Pride, ladies and gentlemen in tonight's cast. You heard Sammy Hill,
Lou Merrill Gilstatton Junior, Charlie lung Ed Max and Ted Vannell.
It is Vincent Price inviting you to join us again
next week at the same time for another exciting adventure
of the Saint.
Speaker 3: Good Night, next Sam Strait on NBC.
Speaker 1: Welcome Back. Well, there were plenty of closing this that
the leader was not the leader. The first was when
the leader called the man in the poor fitting suit
mine hair, which he wouldn't suspect from a subordinate figure.
In addition, the fact that it was the leader who
electrocuted himself was apparently in Nazi Germany they didn't know
putting your finger into a light socket while the lamp
is plugged in was a bad idea. And even if
you don't know that, you would expect that the person
who is the underling would be the one to cast
out the electricity. I also would think that if I
were trying to hide the fact that I was some
type of clothes horse, rather than going to a situation
where you stand out for being the opposite, it makes
sense just to wear clothes that look average and ordinary
and aren't going to stand out. But anyway, kind of
a nice mix of fun adventure ROMP and Nazi war
criminal hunt which produces a sort of spy type atmosphere
without involving the current Cold War that was raging in
nineteen fifty. Well, now we turn to listener comments and
feedback and we turn to our listener survey. Our listener writes,
longtime listener, not a ritual, well curated host, extremely knowledgeable. Well,
thank you so much, appreciate your con comments. And now
it's time to think our Patreon supporter of the day,
and I would like to go ahead and thank in,
Patreon supporter since August twenty sixteen, currently supporting the podcast
at the Detective Sergeant level of seven dollars and fourteen
cents or more per month. Thanks so much for your
support In, And that will do it for today. If
you're enjoying the podcast, please follow us using your favorite
podcasts offware, and be sure to rate and review the
podcast wherever you download it from. We'll be back next
Monday with another episode of The Saint, but join us
back here tomorrow for the Big Story where.
Speaker 3: Okay, guys, last up.
Speaker 4: Come on, we only get two blocks away, says the
buck down.
Speaker 1: What you here?
Speaker 10: Nobody's watching?
Speaker 2: Come one, Come on, attack to two.
Speaker 8: I'm on this run since four pm, even the buses time.
Speaker 5: Come on, Dave, come on out.
Speaker 8: I'm doo back at the Common in fifteen minutes since
I get my what are you doing?
Speaker 3: We have to go?
Speaker 4: But no you have to get stuck, you need to
get it changed.
Speaker 3: What do you do?
Speaker 7: And I sure ain't gonna even.
Speaker 1: I hope you'll be with us then in the meantime,
send your comments to Box thirteen at Great Detective Stock,
follow us on Twitter at Radio Detectives, and check us
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.
This is your host, Adam Graham signing off.