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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the smell of

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gun smoke John will Spoil, starring William Conrad, The story

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of the violence that moved west with young America, and

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the story of a man who moved with it.

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Speaker 2: I'm that man, Matt Dillon, United States Marshall, the first

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man they look for and the less they want to meet.

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It's a chance, a job, and it makes a man

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watchful and a little lonely.

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Speaker 3: Mister Jill, and I bet this proves out to be

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the hottiest day of the whole year.

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Speaker 2: I think you're right, Chester.

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Speaker 4: I stuffed my hat full of grays, but the sun's

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still crying my Braine.

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Speaker 2: I do want to check long now that Kate's ryaning

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to just over with its Regis and Hank.

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Speaker 4: Yeah, sure, I'm sorry. Bring you out in this weather, Marshall.

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Speaker 2: Back home.

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Speaker 5: We never brought it.

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Speaker 4: The laws something like this always settle.

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Speaker 2: It's personal that works out better this way, Hanky.

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Speaker 5: Well, seeing how it grow over, Kate spiels about me.

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Speaker 4: I mean, I reckon, you heard how.

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Speaker 2: It was me and Alba before him and her got married.

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He did the right thing, coming to me with a Hank.

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Speaker 5: I just thought it wouldn't happen again. I'd forget about it, Marshall.

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Speaker 2: But it's a third time now.

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Speaker 5: Going and I can't afford that kind of a loss.

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Speaker 2: There's no reason why you shouldn't.

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Speaker 4: There's kate throw out of the environments, don't you?

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Speaker 3: Uh?

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Speaker 4: Don't see the boy around?

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Speaker 2: No word at all or hates I have to do?

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Did you let me handle it? I lot?

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Speaker 6: Grover?

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Speaker 1: How are you? Grover?

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Speaker 4: You think you're doing here? Jerging?

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Speaker 3: He's with me.

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Speaker 2: I'm afraid it's not a social call. It's trying to

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go over. I got some business with your son Eddie? Yeah?

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Is he here?

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Speaker 3: What kind of business do you have with a twelve

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year old boy?

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Speaker 2: Marshall? Didn't you buy Eddie one of those light Winchester

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rifles a couple of years ago?

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Speaker 4: What if I did?

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Speaker 2: And it seems like he's been using that gun pretty

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freely and shooting some of Hank's prize turkeys. Who said so,

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I've seen him do it last time. That's a lie?

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Speaker 4: What your tongue?

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Speaker 3: And you get off my property? And that's enough both

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of you.

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Speaker 2: Marshall.

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Speaker 4: There ain't a word of truth in it.

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Speaker 3: My boy knows if he was to go do something

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like that, I'd will the daylights out of it.

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Speaker 2: I suppose we talk to him about it.

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Speaker 3: Has nothing to talk about it because some turkey farmer

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starts spreading lies around.

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Speaker 5: I'm a patient man, Grover, but you stop by talk

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about lying.

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Speaker 4: Get off my property if you don't lie.

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Speaker 2: Now what's that afterno? Miss Kates Marshall, Hey, are you well?

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Speaker 1: Well?

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Speaker 4: She misses Kate's turkey farmer?

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Speaker 3: And don't you forget it? You going back to the house. Armon,

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He's don't concern you.

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Speaker 2: You mean, what is it, Marshall, say as young and

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he's been taking pot shots at Hank's turkeys.

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Speaker 3: There ain't no truth in it, Alma. Now you stay

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out of it, Grover. Let's see what the boy has

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to say.

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Speaker 4: I ain't gonna have a law pushing my young and around.

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Speaker 2: The law's not doing to I just wanna talk to him. Now.

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Where is he?

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Speaker 4: He ain't here. I sent him into town over he

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shut up.

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Speaker 2: I think maybe he came back without you knowing about it. No,

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he didn't. In fact, judging. But the way that dog

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snipping around at the cracks, I think maybe he's right

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there inside the barn listening to it.

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Speaker 4: No, we ain't. I tell Robert this is.

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Speaker 2: A matter of law, not a personal argument. Now you

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quit staling around and you call him out. You gonna

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call your boy out, Grover, I said, he ain't in there,

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all right, Hedy, come on out. I know you're in

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the barn there, I said, come on out here.

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Speaker 7: Don't be too hard on Marshall.

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Speaker 4: He ain't done nothing in the laws, not gonna touch.

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Speaker 7: You're the one that told him you trolling. You see

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me there in the bar. I didn't, Eddie, he was

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going to the only poss stopped you. You're always doing

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something to get me in trouble.

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Speaker 4: I just tried to be a good mother to you.

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Speaker 7: You ain't myem. You're never gonna be, Eddie. Me employed

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at al right here before you come, Wait.

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Speaker 2: A minute, Eddie, seems to me you got yourself into trouble.

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You were listening in there. Now, what about those turkeys?

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Speaker 7: I don't know nothing about it.

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Speaker 4: You see what I told you, Eddie. I seen you

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do it.

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Speaker 5: I was walking back up the drawer I heard the shots,

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and then I seen you ride off on that pony

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of yours, and you had your rifle. If I hadn't

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have been afoot, I'd had chased you and caught you.

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Speaker 7: Right now, I ain't been near your place, Eddie.

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Speaker 2: Why do you think Hank could tell a story like

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that if it wasn't true.

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Speaker 7: I don't know nothing about it, Marsha.

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Speaker 2: I have known Hank now for quite a while, and

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I never know him to lie before. Now, why do

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you he can start with you?

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Speaker 7: I told you I don't know, and.

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Speaker 2: I guess I'll have to take it into time with this.

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Speaker 4: Any you am in to jail this boy? Just on,

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somebody say.

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Speaker 2: He's not gonna jail in Glover. He can bunk in

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with Chester and I and we'll see what Judge Ben

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has to say about it in the morning.

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Speaker 3: You know why Jugging made up this story, don't It's

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because of all my here Glover.

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Speaker 4: Please.

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Speaker 3: He never could stand it because she picked me instead

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of Hint.

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Speaker 4: And he's trying to hit back at the boy to

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get out.

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Speaker 3: All right, Groover, you.

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Speaker 2: Have said him up. Come on, let's get started.

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Speaker 7: I don't want to go to jail.

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Speaker 2: Well, if you didn't do it, Eddie, you got nothing

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to worry about.

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Speaker 7: Just made it up like process.

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Speaker 2: Uh, why would he do that?

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Speaker 7: I don't know unless it's because I seen him come

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here when Paul.

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Speaker 8: Was away, Eddie.

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Speaker 7: Sure, he's come lots of time, and he must know

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what I've seen him.

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Speaker 4: It's not true. It is true.

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Speaker 7: That's why he's trying to get me out of the way,

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because he knows that I've seen him. It's not true.

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Grow I haven't seen Hanks's before we got married, Grover.

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Speaker 2: That's a fact, and I'll swear to it on a bible. Eddie.

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Speaker 4: Was that true what you said about him coming here?

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Speaker 7: Of course it was true.

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Speaker 3: Paul, alright, jerking, you better start wearing your gun.

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Speaker 8: Old man.

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Speaker 9: Good to see him, oh, kitty doctor, Well hello man,

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Then I'll have a deal with it.

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Speaker 2: Wow, thank you?

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Speaker 7: Fine thing matter?

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Speaker 3: Glas the bell with you, kiddy? I uh heard you

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throw the cats boy and Jillie this happening?

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Speaker 2: Oh yeah, heard wrong, Doc. I got Chester keeping an

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eye on him, and so oh I did hear. And

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I've been talking to any most of the afternoon and evening,

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and either he's telling the truth or he's the best

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dog gone liar.

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Speaker 4: I ever saw a Youngsters are sometimes die.

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Speaker 2: I wonder if you'd come over in the morning and

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try to talk to her.

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Speaker 3: Me to well, I don't know anything about kids.

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Speaker 9: You ought to doc, you delivered plenty of 'em, but.

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Speaker 2: Not when they're twelve years old and a doctor. I

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don't know something about human nature.

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Speaker 4: So you're the looneman.

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Speaker 3: Oh, I reckon, I'll talk to you, amember.

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Speaker 4: I won't guarantee anything.

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Speaker 2: Yeah, here'd you be a marcial things?

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Speaker 4: Matt Chester told me.

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Speaker 9: The boy says his stepmother has been seeing Hank drinking

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at home or go overs away.

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Speaker 2: That's what's kicked up all the trouble. Uh what do

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you think Kitty Alma worked here? You knew her.

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Speaker 4: I don't know that she and Hank were real clothes.

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Speaker 7: And then she quit work suddenly and Mary gover her,

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and then.

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Speaker 4: I will haven't anything.

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Speaker 2: Oh, I couldn't see Hank a lion to protect Alma.

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And yet Eddie swears out everywhere that his story is true,

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that he didn't kill those turkeys, and he's seen Hank

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at their Ranchick. I don't know what to do.

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Speaker 8: I wait a minute, Huh, how are you kidding?

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Speaker 4: Hello?

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Speaker 9: Alma?

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Speaker 4: Doc Shall kid on, Miss Gates h.

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Speaker 9: The first time I've been in the Long Branch since

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quit and got married.

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Speaker 7: Well that hasn't changed as much, Alma.

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Speaker 6: Lots of other things have though.

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Speaker 2: Uh don't you wanna sit down? No?

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Speaker 6: Thanks, I I don't have much time Marshall house any.

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Speaker 2: And he still tell him the same story, misquits.

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Speaker 6: You ain't never liked me, always talks about how much

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better everything was before his maw died.

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Speaker 8: I've tried.

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Speaker 7: I've tried every way I know how to well, Marshall.

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Speaker 6: I was wondering, could I go over to the jail

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with him and try talking to him myself.

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Speaker 4: He don't know what he's done, Marsham.

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Speaker 6: I left Grover out there at the place, just sitting

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and drinking.

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Speaker 8: And staring at the wall.

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Speaker 7: He won't say a word to me, won't even look

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at me.

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Speaker 4: Yeah, walk down with me?

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Speaker 2: Oh sure, alright? Uh come on as case, listen, let's

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go talk to him.

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Speaker 10: I'm sorry, I mister known, but he still won't come.

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Speaker 3: Well you want. I could have dragged him, but I

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didn't figure you'd wanna pass.

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Speaker 2: No, you did, right, Chester. I want go back and

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try to talk to him.

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Speaker 4: Are you sure?

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Speaker 3: He's a step kid.

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Speaker 10: When you have to do mine or something?

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Speaker 2: Are'd you hungry? Eddie?

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Speaker 6: No?

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Speaker 2: You wanna come up in the office with Chester and me?

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Speaker 7: She's still there?

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Speaker 2: No, No, you're You're mom left crying.

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Speaker 7: She ain't mine, ma.

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Speaker 2: I sure's your step ma though it's the same thing.

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What Why wouldn't you talk to her?

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Speaker 7: I don't ever wanna see her again?

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Speaker 4: You know?

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Speaker 2: And I you you said a pretty bad thing about her.

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Speaker 4: It's true, it.

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Speaker 2: May be so. But now, when a fella says something

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like that about a woman, I think he ought to

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give her a chance to explain.

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Speaker 7: I don't wanna see her now.

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Speaker 2: I can understand when a fellas had a fine maw

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and and he's lost her, it's kind of hard for

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him to get used to another woman trying to take

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her place. But he or try and not go around

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carrying a chip on his shoulder.

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Speaker 7: She hates me. She wants to turn prague in me.

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Speaker 2: The thing is, uh, the a story like that hurts

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more than just one person. Hurts your paw and Hank

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Jergon and you know something, in the end, it'll hurt

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you more than anybody else.

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Speaker 7: I told you, I've seen a lot to turn.

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Speaker 2: I can understand to tell him a lie to get

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out of trouble. I did that myself a few times

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when I was a boy. Y. You know why I

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quit doing that? Why because I found out that it

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felt worse to go around knowing that I'd lied.

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Speaker 4: That I did.

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Speaker 2: Uh, admit the truth and take my punishment.

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Speaker 7: I didn't lie.

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Speaker 2: I kill him. My neighbor's too. He's a bad thing, alright,

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And your Paul might strap you for it, maybe give

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the extra chores to help pay for 'em. But well,

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that's not as bad as knowing every minute of the

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day that you've hurt three people without any cause, and

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you hurt yourself too.

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Speaker 7: I said, I wasn't lying.

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Speaker 2: Yeah. Well, and in case, you got nothing on your mind,

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so there's nothing to worry about, right, Yeah, you're still

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not hungry, young? No, alright, then you better go to

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bed and get some sleep. Marshall, Yeah, yeah, what is it?

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Speaker 9: Idy?

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Speaker 7: I shot them turkeys and I didn't see Mr Jurking

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over at our place, and I once, I'm sorry. I

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I ain't a party of men. I'm sorry.

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Speaker 2: I that's alright, at hey, I'm just grat you told

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the true.

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Speaker 10: Uh, mister Jellan yellow as a Chester yod. Somebody just

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seemed Grover catch in time. He's drunk and he's looking

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for Hank. One he says he's gonna kill him. I

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see you can't try neither one of 'em, you know,

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thank jerking 'em in.

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Speaker 4: I didn't be in tom Chester, but I Grover.

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Speaker 3: Told somebody he thought, but Hank's plays and he wasn't hard.

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Speaker 2: I hope they's a win it. M Oh, there in

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Darmonico's there's a Hank come on.

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Speaker 4: You know.

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Speaker 10: He must might have heard Grovers looking for him good

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when he's sitting in there eating for a piece for light.

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Speaker 2: And I guess I'm.

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Speaker 4: Well, Marshall, we'll have yourself in supper.

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Speaker 1: Hank.

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Speaker 2: We've been looking for you, what for? Because Kate's is

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in town and he's all over you too. Well, I

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figured he would sooner or later. I started wearing my gun,

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and I guess I won't come to that now. The

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boy admitted that he was lying. Oh, I'm glad for

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Almo's sake.

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Speaker 5: If I didn't known it was gonna lead to what

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it did, Marshal, i'd have buried them dang turkeys and

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forgot about all.

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Speaker 2: I'll talk to Grover, see if he's willing to make

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good for the way.

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Speaker 4: Get Kates. He's out there in street. Stay back, Chester,

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you're a good yeah, fear good Yank.

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Speaker 2: Well give me your gun. Oh no, it's my fight, Marshall.

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Speaker 5: I'm going outside her Chester.

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Speaker 2: Take his gun and keep him covered and don't let

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him move. I see now, if you went out there, Hank,

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you wouldn't get a chance to talk to him. Now

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you stay put, Robert, how's your f f my villain?

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The matter with Jurgen?

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Speaker 8: You're too scared.

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Speaker 4: You stay out of this, Marshall, between me and him.

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Speaker 9: He's in there.

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Speaker 2: I seen him. I won't he come out because Chuster

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is holding a gun on him and I'm gonna take yours.

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Speaker 4: Now, stay back, my.

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Speaker 3: I fighting with you.

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Speaker 1: You haven't got to fight.

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Speaker 2: Your boy just admitted his whole story was alive from

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start to think. You're making that I'm not gonna argue

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where you're not giving that gun. You better start coming

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to your senses. Glover.

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Speaker 3: You you saying and the boy made it all up

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about Hank and ilmah.

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Speaker 2: Yeah, you going over to the jail and talk to him.

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You better figure on paying for Jon's window. There along

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with them turkeys, I I sh shouldn't know.

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Speaker 4: The young one was lying to get out of trouble.

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Speaker 7: Marshall, don't how to shop.

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Speaker 2: Marshall was either of' oh clover, oh h There was

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no harm done in this case.

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Speaker 4: They came back to the jail and saw ed, and.

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Speaker 2: He told me, I reckon, we better go get him

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our mind and head on out to the place you go, Glover.

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Speaker 7: I'm staying in town. Awhile til I decide what I'm

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gonna do.

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Speaker 4: Gonna do, well, you're coming to harm, that's.

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Speaker 2: What you're gonna do.

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Speaker 4: No goover.

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Speaker 7: You'll believe what he said about me, just somebody's word

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against me.

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Speaker 2: Him, you believed that our mind.

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Speaker 7: I'm not going with you, No, maybe not ever.

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Speaker 2: I'll have to study it out.

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Speaker 4: I'll wait em my man there.

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Speaker 7: Good night, gentlemen.

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Speaker 4: Alma, Alma, you come back here. She can't do this

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to me, Marshall. She's my wife. She she belongs at home, Mary,

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So you gotta help me.

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Speaker 2: Sorry, Groan, this is something the law has got nothing

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to do with. You're on your own. Mm.

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Speaker 1: Gun Smoke produced and directed by Norman McDonald stars William

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Conrad as Matt Dylan us Marshall. The script was specially

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written for Gun Smoke by Les Brushfield, with editorial supervision

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by John Meston. The music was composed and conducted by

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Rex Cory. Sound patterns were by Ray Kemper and Bill James.

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Featured in the cast were Parley Bahar as Chester, Howard

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mcgheher as Doc, and Georgia Ellis as Kidding