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<v Speaker 1>Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. If you have a comment,

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<v Speaker 1>send it to me Box thirteen at Great Detectives dot new,

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<v Speaker 1>follow us on Twitter at Radio Detectives, and become one

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<v Speaker 1>of our friends on Facebook, Facebook dot com slash Radio Detectives. Well,

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<v Speaker 1>before we do get started, I do want to let

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<v Speaker 1>you know that our listener support campaign does continue and

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<v Speaker 1>you can support the campaign on an unto basis at

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<v Speaker 1>Patreon dot Great Detectives dot net, and you can help

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<v Speaker 1>us reach our goals including an upgraded server, moving ads

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<v Speaker 1>to the end of the program, and just replacing the

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<v Speaker 1>listener support campaign with listener appreciation specials. A full list

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<v Speaker 1>of available goals as well as rewards are at Patreon

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<v Speaker 1>dot Great Detectives dot net, and you can also support

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<v Speaker 1>the show on a one time basis at support dot

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<v Speaker 1>Great Detectives dot net. Well, now it's time for today's

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<v Speaker 1>episode of the Adventures of Philip Marlow. The original air

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<v Speaker 1>date April the twenty fifth of nineteen fifty and the

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<v Speaker 1>title is The High Collared Cape.

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<v Speaker 2>Get This and Get It Straight. Crime is a sucker's road.

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<v Speaker 2>Those who travel it wind up in the gut of

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<v Speaker 2>the prison of the grave. This time a nervous break

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<v Speaker 2>down in a driving rain, A cape with a high

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<v Speaker 2>color and a tiny sliver of glass led me from

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<v Speaker 2>the ballet and a beautiful dancer to the edge of

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<v Speaker 2>a cliff. It happened like this.

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<v Speaker 3>From the pen of Raymond Chandler, outstanding author of prime fiction,

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<v Speaker 3>comes his most famous.

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<v Speaker 4>Character in the Adventures of Philip Marlowe.

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<v Speaker 3>Now with Gerald Moore starred as Philip Marlowe, we bring

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<v Speaker 3>you tonight's exciting story the high colored cape.

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<v Speaker 5>Mm hmmm.

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<v Speaker 2>Nothing like a drink and a good book and a

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<v Speaker 2>rainy night and what a nice Oh no, all right,

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<v Speaker 2>don't spray in your finger.

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<v Speaker 6>I'm most sorry to intrude on you this time at night,

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<v Speaker 6>but I may have waited.

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<v Speaker 7>Too long already.

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<v Speaker 2>Yeah, well, looks.

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<v Speaker 6>I felt something dreadful was going to happen to even know. No,

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<v Speaker 6>I'm sure that you must find him for me to prove.

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<v Speaker 2>Wait, who is Andrea bad Matter? Who are you?

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<v Speaker 6>I am Vivian Northway, Prima Ballerina Ballet.

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<v Speaker 2>Dumont Prima Ballerina.

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<v Speaker 6>I'm forres sorry of the company, My dear, dear old friend,

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<v Speaker 6>my teacher, the man who has been like a father

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<v Speaker 6>to me, That is android Andrei. That do we must

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<v Speaker 6>help him at once? Well, why don't you, mister molloy.

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<v Speaker 6>I fear for some time that Andrei was on the

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<v Speaker 6>brink of losing his mind. I can understand, fomented by

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<v Speaker 6>a thousand frustrations. He will never dance. He's been crippled,

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<v Speaker 6>but he's consumed with a passion for dancing and drives

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<v Speaker 6>himself to express his genius to the clumsy feet of it.

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<v Speaker 2>Yeah, that's very interesting, no Ida, But I don't see

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<v Speaker 2>why you came to midnight massode Way. What can I do?

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<v Speaker 6>Help me to find him? Yesterday so something else happened

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<v Speaker 6>to Andrea. I don't know what, but it upset him.

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<v Speaker 6>Then today at noon, when this awful rain started, he disappeared.

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<v Speaker 2>Oh God, Kevin, Yeah, what about it?

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<v Speaker 6>I'm be late for the performance. Here take this ticketing,

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<v Speaker 6>Please come to the theater, mister Marlowe.

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<v Speaker 5>I beg you.

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<v Speaker 6>I'll pay you anything you'll ask. Only promised me you'll.

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<v Speaker 2>Come well like please, okay, man, So I'll be there

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<v Speaker 2>as soon as I can. Ballerina swept out of my

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<v Speaker 2>apartment like a frightened whirlwind. As I got dressed all

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<v Speaker 2>over again for an evening in ballet, which I needed

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<v Speaker 2>like a cute appendicitis, I saw that the ticket she

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<v Speaker 2>left was number twenty seven J at the Great Arts Theater,

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<v Speaker 2>showing Ballet of the World, sponsored by one missus Imogene Wyatt.

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<v Speaker 2>Now I got to the lobby half soaked, near the

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<v Speaker 2>end of the second act when I see a shure

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<v Speaker 2>edge of the program at me and hush hushed me.

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<v Speaker 2>Inside the audience was a small quester about it die

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<v Speaker 2>hards down front, which left me in twenty seven J

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<v Speaker 2>feeling like Midway Island. My client, Vivian Oddway was the

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<v Speaker 2>whole show. When I saw the finale coming, I slipped

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<v Speaker 2>down a side aisle and into the wings, just in

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<v Speaker 2>time to catch a beef at the stage door between

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<v Speaker 2>a long wolf faced intruder and a pudgy domain.

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<v Speaker 7>Yes, Kellie after, but even if you was you wouldn't

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<v Speaker 7>get in.

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<v Speaker 4>She left strict daughters, don't finish.

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<v Speaker 7>Now get out and stay out.

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<v Speaker 5>Hey, But let me tell you something.

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<v Speaker 8>I brought my back getting publicy platform and a widow

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<v Speaker 8>and to sappen and the gene whire is going to

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<v Speaker 8>be sorry.

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<v Speaker 5>She fired me. I'm gonna see it for personal.

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<v Speaker 7>Get out of the takelly.

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<v Speaker 4>Nuts toward his whole troop of stuck up bressols.

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<v Speaker 6>Mister Morrow, Yeah, coming this tight to my sea.

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<v Speaker 2>Tell me have you heard from Andre la Duvin? No?

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<v Speaker 6>Nothing, but I did remember something that that nail Andre

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<v Speaker 6>I once mentioned that he had a friend here in

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<v Speaker 6>Los Angeles, in mister Baker, who will live to take

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<v Speaker 6>Windthrop Arms, the Winterrop Hotel, the Winterrops. Something come in,

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<v Speaker 6>mister Martin, Thank you Andre. Maybe there I'm grasping its straws,

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<v Speaker 6>I know, but if if his mind is gone and

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<v Speaker 6>he's lost, I'm so afraid for him.

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<v Speaker 2>All I take it easy, honey, take it easy.

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<v Speaker 6>And oh no, sure nothing in mister Marlowe. He was

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<v Speaker 6>going to find him forrest. He's a private detective.

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<v Speaker 5>I see wonderful.

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<v Speaker 2>I am George Medlin, No Vivian.

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<v Speaker 7>I'll be at the hotel. If I can help, please

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<v Speaker 7>do call on me.

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<v Speaker 9>And oh, my dear, you'll shine as beautifully tonight as

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<v Speaker 9>the full moon.

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<v Speaker 4>Simply we mere stars were hardly visible beside you.

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<v Speaker 2>Best man with a he's very sweet. What hotel did

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<v Speaker 2>he mean?

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<v Speaker 6>The Wheelshore gardens most of the ballystat How about you

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<v Speaker 6>say I have a house studio and look at Mountain

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<v Speaker 6>eight fifty. No, no, I'm going to wait here in

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<v Speaker 6>the theater. If Andre should remember him come back, I'd

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<v Speaker 6>want to be here. He's a very sick man.

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<v Speaker 2>After I left the theater, I quick checking a phone

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<v Speaker 2>book showed a winter Farm's apartment hotel on Havenhurst Drive.

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<v Speaker 2>It's just below Fountain Avenue. When I got there, I

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<v Speaker 2>found the name Baker stuck over the mailbox to Apartment one.

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<v Speaker 2>A went inside and out to the door. Yes, Andre,

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<v Speaker 2>La do what do you want? Oh? You're friends at

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<v Speaker 2>the theater worried about you?

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<v Speaker 5>My friends. I have no friends.

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<v Speaker 2>George Melacoff's worried about you.

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<v Speaker 5>George Meddicoff, my friends.

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<v Speaker 2>So it's Vivian, ddly, Vivian, that dear child.

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<v Speaker 5>What's will it become of?

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<v Speaker 4>No?

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<v Speaker 2>What do you mean? What's happened? Who are you? My

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<v Speaker 2>swordways sent me to find you. She's waiting for you

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<v Speaker 2>at the theater, waiting the theater.

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<v Speaker 5>Why Ballet's finished?

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<v Speaker 2>What's that? This is?

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<v Speaker 5>Himo gen Wyat withdraws her support completely. There is no

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<v Speaker 5>more ballet. You moaned and penniless, and all our work

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<v Speaker 5>has been for nothing. I try to reason with heaven.

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<v Speaker 2>Oh it was hit it.

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<v Speaker 8>Afterward I drove here in the dark street, the rain slashing,

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<v Speaker 8>clawing at me.

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<v Speaker 2>Way, Andrea, where's your friend, mister Baker? This place is

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<v Speaker 2>packed in marthfall Ah.

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<v Speaker 5>He is in Europe. It is all right that I

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<v Speaker 5>am here.

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<v Speaker 2>He sent me.

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<v Speaker 8>The key is long ago, said I could use his

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<v Speaker 8>apartment in this car. I came here to be alone,

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<v Speaker 8>to sink my shad. Andrea, what time was it when

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<v Speaker 8>you left missus White yesterday? I can't remember, only that

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<v Speaker 8>it was dark, very dark, and it was such a

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<v Speaker 8>difficult drive. Yeah, tomorrow she will notify her lawyer to

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<v Speaker 8>alter the papers.

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<v Speaker 2>Oh that that.

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<v Speaker 5>I wish you were dead, you hear me, I wish that.

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<v Speaker 5>Imogine Wyatt? What did?

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<v Speaker 2>What was best? Way you were?

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<v Speaker 3>What is it?

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<v Speaker 5>Do you see anything?

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<v Speaker 2>Oh? Now, look, Andrea, bout your headache. Wouldn't you like

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<v Speaker 2>to see a doctor?

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<v Speaker 5>Doctor?

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<v Speaker 2>No?

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<v Speaker 5>No, I'll be all right. I am I to understand.

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<v Speaker 2>Yes, sure, do me a favor for your own say

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<v Speaker 2>stay here tonight. Inside. I want to check a couple

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<v Speaker 2>of things and then I'll be back, Yes, I'll stay.

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<v Speaker 2>Where else would I go? Now? I left. I was

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<v Speaker 2>convinced that if the belllet impresario hadn't already slipped his trolley,

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<v Speaker 2>another slight bump would do it. But two things bother me.

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<v Speaker 2>So first I walked around to the window again, but

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<v Speaker 2>the neat trace of an eavesdropper and washed away by

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<v Speaker 2>the rain. Adam number two was the strong imprint to

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<v Speaker 2>drive home in the rain. It made and Andrea's troubled mind.

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<v Speaker 2>I wanted to know why the garage was under the

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<v Speaker 2>building on the far side, though was unlocked, and a

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<v Speaker 2>small light burned in the back. I finally found a

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<v Speaker 2>car asleep close to the ground Hudson registered to Allen

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<v Speaker 2>Baker and found it for the first grim discrepancy. The

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<v Speaker 2>left headlight and fender was still streaked with rain marks,

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<v Speaker 2>but the right had been white clean. When I reached

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<v Speaker 2>in and switched on the lights that sensed it, the

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<v Speaker 2>glass and the right headlight had been replaced. It was

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<v Speaker 2>brand new. Hey Dan, Hi, are you up to just

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<v Speaker 2>testing my friend's car? I may borrow it you the attendant.

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<v Speaker 10>Youn't here last night thinking around with this your car?

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<v Speaker 11>No?

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<v Speaker 2>Maybe it was mister Lado. He had it out last night.

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<v Speaker 5>Oh it wasn't It was somebody else.

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<v Speaker 12>I heard her.

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<v Speaker 7>No, I see you when I come out of my

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<v Speaker 7>back room.

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<v Speaker 5>There the sky big.

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<v Speaker 10>He took off like a scared turkey, had a big

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<v Speaker 10>black capan with a high collar flapping in the wind.

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<v Speaker 2>Better watch it, old time that stops getting your eyesight.

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<v Speaker 7>Looked like a cape to me.

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<v Speaker 10>Well, I looked around, I didn't see her. I'm done,

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<v Speaker 10>so I went back to my room. What time was

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<v Speaker 10>all this, Oh way past midnight, maybe one or two o'clock.

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<v Speaker 10>Couldn't pay much attention, by the way, was careful and nip.

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<v Speaker 2>No thanks, I'd like to use the phone. You got one?

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<v Speaker 5>Oh sure, sure, you're bed in the corner. I'll show you.

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<v Speaker 2>I'll find it. The call is personal to your mind.

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<v Speaker 10>I shall say, not herself, sunny hand, the old to

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<v Speaker 10>even be curious.

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<v Speaker 2>My first call was to a death sergeant on the

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<v Speaker 2>Police Traffic Bureau, when I identified myself and asked about

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<v Speaker 2>a hip and run accident, possibly on Fountain sometime before

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<v Speaker 2>midnight yesterday. It was a pause while he checked the record,

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<v Speaker 2>and then on.

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<v Speaker 12>The button mister Marlow. We identified him by his blue

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<v Speaker 12>shield medical car. One Lyle kretch Hour apparently stepped out

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<v Speaker 12>from between parked cars on Fountain Avenue between Orange Drive

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<v Speaker 12>and Roxbury was struck by an unidentified vehicle at about

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<v Speaker 12>eleven ten last night. Conditions serious, Now what.

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<v Speaker 7>Do you know about this? Mister Marlow?

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<v Speaker 2>I get in touch with the latest sergeant. Thanks stepped

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<v Speaker 2>out from between parts. It's Philip Marlow. I want to

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<v Speaker 2>talk to Vivian old Way.

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<v Speaker 5>Oh hang on.

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<v Speaker 2>Here, okay.

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<v Speaker 6>You found.

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<v Speaker 2>Yeah for the present, but listen, Vivian, I gotta talk

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<v Speaker 2>to Imogene Wyatt. Where does she live?

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<v Speaker 7>Missus?

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<v Speaker 6>W Yeah, Beverly here, twenty one coming with her?

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<v Speaker 2>Twenty one can meet me there right away. Well, yeah,

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<v Speaker 2>I may have a couple of rough answers for you.

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<v Speaker 11>Baby.

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<v Speaker 4>I'm still in car.

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<v Speaker 2>That doesn't matter, all.

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<v Speaker 6>Right, I put something on over it. I'll be just

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<v Speaker 6>as soon as I can.

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<v Speaker 2>Between Smith Streets and Visibility zero. It was a solid

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<v Speaker 2>half hour drive from the Winter Bombs out of the

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<v Speaker 2>swank Cameo Terrace. When I pulled up at number twenty one,

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<v Speaker 2>I wondered what the wealthy widow had spent her money on.

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<v Speaker 2>Ours was so small it must have been shingled with

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<v Speaker 2>twenty dollars bills to meet the zoning restrictions. I just

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<v Speaker 2>started up the soggy gravel path toward the door when

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<v Speaker 2>it came. Because I started to run for the house

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<v Speaker 2>of Green Convertible, I hadn't noticed before Raw Delight suddenly

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<v Speaker 2>and disappeared down the side street, and I didn't have

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<v Speaker 2>time to worry about it. Inside I found this is

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<v Speaker 2>white on a dannial floor, cutting a losing battle with

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<v Speaker 2>the distance to the telephone.

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<v Speaker 4>Accident.

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<v Speaker 7>That's nice.

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00:14:06.399 --> 00:14:07.360
<v Speaker 5>I was going to ruin.

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<v Speaker 2>No, she was dead. I looked through the rest of

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<v Speaker 2>the small and now silent house and Harry I found

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00:14:25.279 --> 00:14:28.919
<v Speaker 2>nothing more constructive than the rear door wide open. I

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<v Speaker 2>got back to the living room just in time to

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<v Speaker 2>see my client, Vivian odd Way, bizarre and a short,

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00:14:33.120 --> 00:14:36.639
<v Speaker 2>froffy ballet skirt and long white hose standing in the

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<v Speaker 2>front door.

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<v Speaker 6>Something's wrong, isn't it?

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00:14:42.480 --> 00:14:45.240
<v Speaker 2>It's one way to put it. How'd you get here?

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00:14:45.360 --> 00:14:48.000
<v Speaker 2>Vivian in the car? What do you know that drives

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<v Speaker 2>are Green convertible?

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<v Speaker 6>Sculley Haskill publicity man.

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<v Speaker 2>But why the guy I saw on a beef at

264
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<v Speaker 2>the theater tonight what's happened? Geene Wyatt was just shot

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<v Speaker 2>to dead? And that puts two items of business up

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<v Speaker 2>on Dick. First, a check call Andre la dou Andre

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<v Speaker 2>Andre off chance that he can drive faster than I can.

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<v Speaker 2>After that, a personal call on mister Haskell. You can

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00:15:10.399 --> 00:15:11.440
<v Speaker 2>fill that one in yourself.

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<v Speaker 6>Malo Andre couldn't have. He couldn't.

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<v Speaker 2>We'll see. Hang on tight, baby, Let's get it over with.

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<v Speaker 4>In just a moment.

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<v Speaker 3>The second act of Philip Marlowe. But first, the great

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<v Speaker 3>international comedian and Beatrice Lily will be Ben Crosby's guest

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<v Speaker 3>on CBS this Wednesday Night. The CBS Bing Crosby Show

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<v Speaker 3>always guarantees enjoyment, so be listening when be Lily joins

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<v Speaker 3>Bing on most of these same CBS stations this Wednesday night,

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<v Speaker 3>and now with our star Gerald Moore, the second act

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<v Speaker 3>of Philip Marlowe and Tonight's story, The High Colored keep.

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<v Speaker 2>Made a cock eyed picture, a beautiful ballerina miles away

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00:16:07.279 --> 00:16:09.600
<v Speaker 2>from the stage, yet in full color drench costume and

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00:16:09.679 --> 00:16:14.399
<v Speaker 2>gaping through tears, street grease paints sudden death. It's a

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00:16:14.440 --> 00:16:17.799
<v Speaker 2>good time for me to start checking out. Andrea Lead

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00:16:17.840 --> 00:16:21.039
<v Speaker 2>do the highest strong anversario was first. He was still

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00:16:21.080 --> 00:16:22.840
<v Speaker 2>at the apartment. I could cross him off as having

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00:16:22.879 --> 00:16:23.600
<v Speaker 2>done it personally.

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00:16:28.639 --> 00:16:31.480
<v Speaker 12>Hello, Hello, who did you want?

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<v Speaker 2>Sorry? Wrong number?

289
00:16:35.080 --> 00:16:39.360
<v Speaker 6>Marlow? He was home, honey, You couldn't suspect him. Marlow

290
00:16:39.399 --> 00:16:41.399
<v Speaker 6>Wyandre is the sweetest man in the word.

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<v Speaker 2>Easy, honey. I didn't say the dude did it, and

292
00:16:43.840 --> 00:16:46.960
<v Speaker 2>as being home doesn't say he didn't. People sometimes pay

293
00:16:47.000 --> 00:16:48.480
<v Speaker 2>other people to do that dirty work for me.

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<v Speaker 6>You know, just what are you trying to say?

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00:16:50.360 --> 00:16:52.919
<v Speaker 2>I had made a final do and I did also.

296
00:16:53.000 --> 00:16:54.879
<v Speaker 2>I found he was suffering from shock and has been

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00:16:54.919 --> 00:16:56.799
<v Speaker 2>since last night when Missus Wyatt told him she was

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00:16:56.840 --> 00:16:57.679
<v Speaker 2>going to fold the show.

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<v Speaker 11>Yeah yeah, Vivian would run.

300
00:17:00.919 --> 00:17:02.799
<v Speaker 6>Him, and half a dozen more I couldn't.

301
00:17:02.840 --> 00:17:04.960
<v Speaker 2>They's all right, so you've all got plenty of motive.

302
00:17:05.400 --> 00:17:08.480
<v Speaker 6>What about Huskell? We know he hated Missus? Why it

303
00:17:08.599 --> 00:17:12.000
<v Speaker 6>isn't revenge? Motives revenge? And the fact that you saw

304
00:17:12.079 --> 00:17:14.559
<v Speaker 6>his car, why do you insist on understanding him?

305
00:17:14.799 --> 00:17:18.480
<v Speaker 2>Don't? There's another angle. It's called hit and run, and

306
00:17:18.599 --> 00:17:20.400
<v Speaker 2>I know that it ties in tight with La Doo,

307
00:17:20.480 --> 00:17:24.519
<v Speaker 2>Missus Wyatt and the actual killer. And I don't understand

308
00:17:24.839 --> 00:17:27.960
<v Speaker 2>neither yet. Look, do you know where Scully Haskell lives.

309
00:17:28.240 --> 00:17:29.079
<v Speaker 2>Where does he hang out?

310
00:17:29.720 --> 00:17:32.119
<v Speaker 6>Sometimes at the bar at Wielshire Garden.

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00:17:32.240 --> 00:17:34.680
<v Speaker 2>Tuta, Okay, I'll try it. You go back to your

312
00:17:34.720 --> 00:17:36.039
<v Speaker 2>place up on the hills. I'll find it when I

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00:17:36.079 --> 00:17:37.640
<v Speaker 2>got some answers. Now hurry up and get out of here,

314
00:17:37.680 --> 00:17:39.440
<v Speaker 2>will YEA. Somebody might have heard the shot and called it.

315
00:17:40.440 --> 00:17:43.039
<v Speaker 2>Somebody did hear the shot? Go on, get out. Oh

316
00:17:43.119 --> 00:17:44.680
<v Speaker 2>but come on, heavy and get a cab and go

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00:17:44.759 --> 00:17:45.160
<v Speaker 2>straight home.

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00:17:45.240 --> 00:17:46.039
<v Speaker 11>Do you crying there?

319
00:17:46.200 --> 00:17:47.640
<v Speaker 2>Oh God, I'm trying it.

320
00:17:47.920 --> 00:17:49.319
<v Speaker 7>Hey, hey, heavy and you forgot your car?

321
00:17:49.720 --> 00:17:50.200
<v Speaker 11>Heavy and you.

322
00:17:52.279 --> 00:18:01.680
<v Speaker 2>Oh no, baby, you forgot your cap. For a long second,

323
00:18:01.720 --> 00:18:05.160
<v Speaker 2>I just held the titanstead Hi elizabethan color enough gathered

324
00:18:05.200 --> 00:18:08.079
<v Speaker 2>cloth or rig o lion sides. It could have been

325
00:18:08.119 --> 00:18:10.119
<v Speaker 2>what the garage attendant thought he had seen running away

326
00:18:10.160 --> 00:18:12.519
<v Speaker 2>from the car that they would used. But the garage

327
00:18:12.519 --> 00:18:15.400
<v Speaker 2>attendant could have been mistaken too. I told myself that

328
00:18:15.519 --> 00:18:19.200
<v Speaker 2>leaping higher conclusions was strictly for ballet dancers. I jammed

329
00:18:19.200 --> 00:18:21.160
<v Speaker 2>the cape into a small bungle and left via the

330
00:18:21.240 --> 00:18:24.119
<v Speaker 2>surface engines. Just the police sirened up. I took the

331
00:18:24.160 --> 00:18:26.200
<v Speaker 2>Great Circle route back to my car, tossed the cape

332
00:18:26.200 --> 00:18:28.400
<v Speaker 2>on the seat next to me and drove fast for

333
00:18:28.519 --> 00:18:41.599
<v Speaker 2>the bar at the Wiltshire Gardens Hotel. It was a

334
00:18:41.720 --> 00:18:44.119
<v Speaker 2>kind of flattering pink merrit place where they are dirt

335
00:18:44.200 --> 00:18:47.559
<v Speaker 2>It long ago replaced the pretzel. But Haskell wasn't in sight.

336
00:18:48.319 --> 00:18:50.400
<v Speaker 2>The only person around who could possibly be of any

337
00:18:50.440 --> 00:18:53.799
<v Speaker 2>help to me was the delicate George millerical.

338
00:18:53.799 --> 00:18:56.839
<v Speaker 7>Mister Margot, have you seen Vivian? I am beside myself

339
00:18:56.880 --> 00:18:57.319
<v Speaker 7>with Wadi.

340
00:18:57.400 --> 00:18:58.680
<v Speaker 11>He's all right, melicoch she's not.

341
00:18:59.079 --> 00:19:01.519
<v Speaker 4>I know it is monsieur le dou that she still

342
00:19:01.599 --> 00:19:02.440
<v Speaker 4>worries about him.

343
00:19:02.880 --> 00:19:04.799
<v Speaker 2>Him in a little bit more, George, I'll tell me

344
00:19:04.839 --> 00:19:06.240
<v Speaker 2>you know where I can find Scully Haskell.

345
00:19:06.880 --> 00:19:07.440
<v Speaker 7>Yes, I do.

346
00:19:07.880 --> 00:19:09.680
<v Speaker 11>He was just here for a drink. Where'd he go?

347
00:19:10.440 --> 00:19:13.000
<v Speaker 7>You're being very bruce, mister Marvel, being.

348
00:19:12.960 --> 00:19:14.839
<v Speaker 2>Very wide, Yeah, Bruce bruh.

349
00:19:14.920 --> 00:19:15.119
<v Speaker 8>Yeah.

350
00:19:15.200 --> 00:19:18.400
<v Speaker 2>Well now look, George, without grant jetting out of your

351
00:19:18.440 --> 00:19:21.440
<v Speaker 2>satin loafers, get this has been a murder and Vivian's

352
00:19:21.480 --> 00:19:21.920
<v Speaker 2>ended up to a.

353
00:19:21.920 --> 00:19:22.759
<v Speaker 11>Pretty flap skirt.

354
00:19:23.559 --> 00:19:24.759
<v Speaker 7>How is Vivian concerned?

355
00:19:24.799 --> 00:19:26.359
<v Speaker 2>Come on, boys, let's get out again.

356
00:19:26.519 --> 00:19:27.799
<v Speaker 7>Where are we going, mister Marvel?

357
00:19:27.880 --> 00:19:28.559
<v Speaker 11>Out to my car?

358
00:19:28.640 --> 00:19:32.640
<v Speaker 2>Well, we can talk a rain stopped. Come on over here,

359
00:19:35.039 --> 00:19:37.599
<v Speaker 2>you uh, you said somebody was murdered?

360
00:19:38.160 --> 00:19:38.680
<v Speaker 11>Who was that?

361
00:19:38.920 --> 00:19:40.799
<v Speaker 2>Missus? Whyatt she was shot? That might have been a

362
00:19:40.839 --> 00:19:45.880
<v Speaker 2>Haskell because she discharged him. Maybe, oh, maybe something more complicated,

363
00:19:45.960 --> 00:19:47.680
<v Speaker 2>like a hit and run accident that belongs to a

364
00:19:47.759 --> 00:19:50.559
<v Speaker 2>duo but somebody wants to cover. Doesn't make any sense

365
00:19:50.599 --> 00:19:55.359
<v Speaker 2>to you? He's a kind No should it No? What's more,

366
00:19:55.400 --> 00:19:56.480
<v Speaker 2>it shouldn't the Vivian either.

367
00:19:57.240 --> 00:19:58.559
<v Speaker 7>What are you getting at?

368
00:19:58.920 --> 00:20:01.519
<v Speaker 2>There isn't time to expe and call it thinking out loud,

369
00:20:02.039 --> 00:20:04.559
<v Speaker 2>thinking about this cape, for example, it belongs to Vivian

370
00:20:05.240 --> 00:20:08.559
<v Speaker 2>about the testimony of a whiskey garage attendant, all of

371
00:20:08.599 --> 00:20:11.079
<v Speaker 2>which makes me hope real hard that Haskell's the boy.

372
00:20:11.440 --> 00:20:16.119
<v Speaker 2>More thinking out loud, Maybe look where can I find Haskell?

373
00:20:16.519 --> 00:20:19.240
<v Speaker 9>The Paradise Court Motel on Vine He has a bungle

374
00:20:19.279 --> 00:20:20.359
<v Speaker 9>of that number three?

375
00:20:20.920 --> 00:20:25.079
<v Speaker 2>Thanks. Thanks. If you're really worried about Vivian, George going

376
00:20:25.160 --> 00:20:27.640
<v Speaker 2>over to a place on Lookout Martin Road and she's

377
00:20:27.720 --> 00:20:28.519
<v Speaker 2>not in good shape.

378
00:20:29.440 --> 00:20:30.480
<v Speaker 11>Here, take this cape with you.

379
00:20:31.920 --> 00:20:34.640
<v Speaker 7>What what did you cut yourself? Your fingers bleeding?

380
00:20:35.319 --> 00:20:35.519
<v Speaker 13>Yeah?

381
00:20:37.119 --> 00:20:40.559
<v Speaker 2>And a slipper of glass, George West. It could have

382
00:20:40.640 --> 00:20:41.640
<v Speaker 2>come from a broken headlight.

383
00:20:41.720 --> 00:20:44.839
<v Speaker 9>Huh from my broken what what are you talking about,

384
00:20:44.920 --> 00:20:45.640
<v Speaker 9>mister Marlin?

385
00:20:46.079 --> 00:20:47.039
<v Speaker 11>The benefit of the dog.

386
00:20:47.160 --> 00:20:50.039
<v Speaker 2>George keeps getting hoted to give it away?

387
00:20:51.279 --> 00:20:52.200
<v Speaker 11>Bring this back to Vivian?

388
00:20:52.240 --> 00:20:54.000
<v Speaker 2>Would you tell us she left it at missus Wyatt's

389
00:20:54.000 --> 00:20:58.599
<v Speaker 2>and then I'm positive? Haskells man howlong George.

390
00:21:21.839 --> 00:21:26.559
<v Speaker 11>Oh, quite, the name's Marlow. I want to talk to you, Haschal.

391
00:21:26.559 --> 00:21:28.319
<v Speaker 5>Always bro get to chase her.

392
00:21:28.599 --> 00:21:29.119
<v Speaker 7>I'm broken.

393
00:21:29.160 --> 00:21:31.119
<v Speaker 5>I'm gonna stay broken until the first the next month.

394
00:21:31.680 --> 00:21:32.960
<v Speaker 11>After that you can get in line.

395
00:21:33.480 --> 00:21:35.880
<v Speaker 5>Oh, you're probably taught the finance company em.

396
00:21:35.839 --> 00:21:41.759
<v Speaker 2>Jeene Wyatt's dead, Haskell, What did you say it? What's

397
00:21:41.799 --> 00:21:43.519
<v Speaker 2>a gun for a lousy temper? Get back?

398
00:21:43.680 --> 00:21:45.559
<v Speaker 5>Hey, wait a minute. I saw you at the theater

399
00:21:45.640 --> 00:21:46.680
<v Speaker 5>tonight and I heard you.

400
00:21:46.720 --> 00:21:48.839
<v Speaker 2>Which pushed me out in front. Now do we talk, Haschal?

401
00:21:49.240 --> 00:21:51.559
<v Speaker 2>What missus Wyatt's murder? You were sloppy and you're off?

402
00:21:51.599 --> 00:21:51.880
<v Speaker 11>You not.

403
00:21:51.960 --> 00:21:52.720
<v Speaker 5>I didn't shoot her.

404
00:21:52.839 --> 00:21:54.759
<v Speaker 2>I didn't even slips on kids.

405
00:21:55.279 --> 00:21:56.759
<v Speaker 4>Oh I know she was shot.

406
00:21:57.200 --> 00:21:58.119
<v Speaker 7>Doesn't prove my fitdot.

407
00:21:58.160 --> 00:21:59.440
<v Speaker 2>Come on, why did you kill missus Wyatt?

408
00:21:59.559 --> 00:21:59.839
<v Speaker 11>I did?

409
00:22:00.039 --> 00:22:00.839
<v Speaker 2>Do you know she was shot?

410
00:22:01.039 --> 00:22:02.759
<v Speaker 4>Because it happened just I got out of my car

411
00:22:02.839 --> 00:22:03.920
<v Speaker 4>and started taught up place.

412
00:22:04.119 --> 00:22:05.920
<v Speaker 7>I was calling up there, Arina or off. The shot

413
00:22:05.960 --> 00:22:07.960
<v Speaker 7>scared me away. I had mallow.

414
00:22:08.000 --> 00:22:09.279
<v Speaker 4>I was soft, but I didn't kill it.

415
00:22:09.559 --> 00:22:11.279
<v Speaker 11>But interference on that hit and run you were covering

416
00:22:11.359 --> 00:22:12.039
<v Speaker 11>with plenty of reason.

417
00:22:12.200 --> 00:22:13.000
<v Speaker 7>What are you talking about?

418
00:22:13.079 --> 00:22:13.480
<v Speaker 5>Hit and run?

419
00:22:13.559 --> 00:22:14.039
<v Speaker 2>Hit and run?

420
00:22:15.519 --> 00:22:16.839
<v Speaker 5>Pas nuts.

421
00:22:17.640 --> 00:22:24.680
<v Speaker 6>Don't congratulations, Handsome, That's.

422
00:22:24.640 --> 00:22:25.599
<v Speaker 11>Just what I had in mind.

423
00:22:25.640 --> 00:22:26.880
<v Speaker 2>Close the door and stands still?

424
00:22:27.759 --> 00:22:35.200
<v Speaker 7>Sure? Now what the name's Nancy Connick? Occupation ex friend

425
00:22:35.240 --> 00:22:36.279
<v Speaker 7>of the unconsciousness.

426
00:22:38.079 --> 00:22:39.400
<v Speaker 3>Don't look so worried, Handsome.

427
00:22:39.440 --> 00:22:40.359
<v Speaker 7>I'm on your side.

428
00:22:41.039 --> 00:22:43.559
<v Speaker 6>I had something in mind exactly like that left cross.

429
00:22:43.599 --> 00:22:44.359
<v Speaker 5>You just threw.

430
00:22:46.160 --> 00:22:51.559
<v Speaker 2>That. Yeah, what's your beef? I took this louse to

431
00:22:51.680 --> 00:22:53.359
<v Speaker 2>a party with me last night and he got so

432
00:22:53.519 --> 00:22:55.880
<v Speaker 2>stink and drunk that I'm still apologizing to people.

433
00:22:56.720 --> 00:22:59.720
<v Speaker 7>He was with you last night, me and a couple

434
00:22:59.720 --> 00:23:02.720
<v Speaker 7>of burden from eight thirty to five am.

435
00:23:04.640 --> 00:23:07.319
<v Speaker 2>He never left, not for a second.

436
00:23:08.440 --> 00:23:09.880
<v Speaker 7>The loud mouth was positive.

437
00:23:09.920 --> 00:23:11.240
<v Speaker 5>Nobody could get along without him.

438
00:23:13.680 --> 00:23:14.680
<v Speaker 7>What's that got to do with you?

439
00:23:14.920 --> 00:23:17.200
<v Speaker 2>Too much? Tell Haskell, I'll be in touch, will you.

440
00:23:17.680 --> 00:23:21.119
<v Speaker 2>I got to run? Oh what are you looking at?

441
00:23:22.119 --> 00:23:24.240
<v Speaker 11>It's just a program from the ballet, is it?

442
00:23:24.920 --> 00:23:25.119
<v Speaker 2>Yeah?

443
00:23:26.400 --> 00:23:28.279
<v Speaker 6>Pascal has them all over the place after all.

444
00:23:28.440 --> 00:23:33.279
<v Speaker 2>Yeah, sure, so oh so, Like I said, Nancy, I

445
00:23:33.319 --> 00:23:42.759
<v Speaker 2>got a run. It was fifteen stop and go minutes

446
00:23:42.759 --> 00:23:45.440
<v Speaker 2>from Haskell's place at the Hollywood Hills, and another five

447
00:23:45.480 --> 00:23:47.759
<v Speaker 2>screeching up the paved snake that was Lookout Mountain Road.

448
00:23:48.440 --> 00:23:50.039
<v Speaker 2>Finally it was there, out of my car and running

449
00:23:50.079 --> 00:23:51.960
<v Speaker 2>toward number eight fifty seven, which was a collection of

450
00:23:52.000 --> 00:23:55.039
<v Speaker 2>windows and a rustic log frame half jutting out into space.

451
00:23:56.000 --> 00:23:57.960
<v Speaker 2>Around on the fact there was a wooden Sunday blow

452
00:23:58.000 --> 00:24:00.559
<v Speaker 2>it on either side, huge rocks on the edge of

453
00:24:00.559 --> 00:24:08.960
<v Speaker 2>the cliff directly below only the dark Barmer's Canyon from

454
00:24:09.000 --> 00:24:10.400
<v Speaker 2>the end of the porch near me there was a

455
00:24:10.440 --> 00:24:14.359
<v Speaker 2>long flight of stairs, and I started up, one careful,

456
00:24:14.559 --> 00:24:17.640
<v Speaker 2>noiseless step at a time, my hands tied around the

457
00:24:17.720 --> 00:24:20.880
<v Speaker 2>thirty eighth. Suddenly, in the wind light at the film

458
00:24:20.960 --> 00:24:24.200
<v Speaker 2>slice Moon, I saw Vivian nordway back to the flimsy

459
00:24:24.240 --> 00:24:25.960
<v Speaker 2>porch rail of face and ugly.

460
00:24:25.920 --> 00:24:29.480
<v Speaker 13>Knot of t George inches away from her, and Brandish

461
00:24:29.880 --> 00:24:33.440
<v Speaker 13>refused to kill missus Wyatt, mister half crazed answer or

462
00:24:33.480 --> 00:24:38.200
<v Speaker 13>everything delicate, Jake, It's too late.

463
00:24:38.319 --> 00:24:41.319
<v Speaker 9>Vivian Marlowe knows this cape was what the garage attendant saw.

464
00:24:41.680 --> 00:24:44.839
<v Speaker 9>And do you know how because of a stupid little thing,

465
00:24:45.440 --> 00:24:48.000
<v Speaker 9>a slipper up glass that was caught in it, which

466
00:24:48.079 --> 00:24:50.119
<v Speaker 9>came from the broken headlights that the wearer of the

467
00:24:50.160 --> 00:24:53.279
<v Speaker 9>cape replaced. A wearer who was covering up Andre la

468
00:24:53.319 --> 00:24:55.519
<v Speaker 9>DU's hit and run accident, saw that he could have

469
00:24:55.640 --> 00:24:56.599
<v Speaker 9>the pig what he wanted.

470
00:24:56.680 --> 00:24:59.359
<v Speaker 6>You wor Mina was after Hatscal.

471
00:24:59.440 --> 00:25:02.359
<v Speaker 7>He thinks has kill missus. Why he only hopes that.

472
00:25:02.839 --> 00:25:05.279
<v Speaker 9>And he'll find out one way or another that the

473
00:25:05.440 --> 00:25:07.359
<v Speaker 9>beautiful ballerina is guilty.

474
00:25:07.759 --> 00:25:11.039
<v Speaker 7>Then he'll be forced to come back here after you us.

475
00:25:11.079 --> 00:25:12.720
<v Speaker 7>Of course you're not videos.

476
00:25:13.240 --> 00:25:13.599
<v Speaker 11>I am.

477
00:25:14.240 --> 00:25:17.319
<v Speaker 9>The cape is mine, not yours. You only used it tonight.

478
00:25:17.920 --> 00:25:21.160
<v Speaker 9>That's the only thing he doesn't know and never will,

479
00:25:21.880 --> 00:25:25.279
<v Speaker 9>because you will have killed yourself after confessing to me.

480
00:25:26.599 --> 00:25:30.920
<v Speaker 7>It's the only way video, you or me. But it's

481
00:25:30.920 --> 00:25:33.319
<v Speaker 7>always been that way, hasn't it? Even in the ballet

482
00:25:33.680 --> 00:25:35.680
<v Speaker 7>where one or the other of us had to be starved?

483
00:25:36.240 --> 00:25:38.599
<v Speaker 7>Too bad? It wasn't I Yeah, crying, shame.

484
00:25:43.000 --> 00:25:44.000
<v Speaker 6>Jump round there.

485
00:25:53.319 --> 00:25:59.359
<v Speaker 2>It's a greater leap even for let's get out of here.

486
00:26:09.160 --> 00:26:12.039
<v Speaker 2>A long time at police headquarters, but finally all concerned.

487
00:26:12.079 --> 00:26:14.279
<v Speaker 2>It made this statement allow. It was more or less

488
00:26:14.279 --> 00:26:17.799
<v Speaker 2>satisfied Andrea due never knew he'd hit anyone who was

489
00:26:17.839 --> 00:26:20.519
<v Speaker 2>clear to hit and run. That left me in the

490
00:26:20.559 --> 00:26:23.400
<v Speaker 2>ballerina driving into a friend's house where she was going

491
00:26:23.440 --> 00:26:24.079
<v Speaker 2>to spend the night.

492
00:26:24.480 --> 00:26:27.720
<v Speaker 6>Pila, I know you must have had enough of questions

493
00:26:27.799 --> 00:26:29.400
<v Speaker 6>and answers.

494
00:26:28.839 --> 00:26:28.920
<v Speaker 5>But.

495
00:26:30.559 --> 00:26:34.359
<v Speaker 6>Yes, the reason George killed missus Whytet.

496
00:26:34.400 --> 00:26:35.640
<v Speaker 11>Well, see Vivian.

497
00:26:35.720 --> 00:26:38.079
<v Speaker 2>It started last night when George went to see Andrea

498
00:26:38.160 --> 00:26:40.119
<v Speaker 2>do because he was so bitter about his partner show

499
00:26:40.200 --> 00:26:42.799
<v Speaker 2>being cut down. And that was when he saw Andrea

500
00:26:42.880 --> 00:26:45.880
<v Speaker 2>returning for Missus Wyatt, shaken up in half days and with.

501
00:26:46.000 --> 00:26:49.200
<v Speaker 6>A broken headlight and other signs of having hit someone.

502
00:26:49.480 --> 00:26:52.519
<v Speaker 2>Yeah, and from there George thought fast covered it all up,

503
00:26:52.559 --> 00:26:55.519
<v Speaker 2>found out exactly what had happened from this morning's paper. Probably,

504
00:26:55.920 --> 00:26:58.960
<v Speaker 2>and waited when you hired me tonight. He must have

505
00:26:59.000 --> 00:27:01.880
<v Speaker 2>followed middle a DU's overheard Andrea tell me that missus

506
00:27:01.920 --> 00:27:02.640
<v Speaker 2>Wyatt was going.

507
00:27:02.559 --> 00:27:03.000
<v Speaker 11>To pull out.

508
00:27:03.200 --> 00:27:05.799
<v Speaker 6>Oh, so he went to her, tried to stop her.

509
00:27:06.000 --> 00:27:09.720
<v Speaker 2>And couldn't Yeah anything else?

510
00:27:09.920 --> 00:27:11.079
<v Speaker 4>Oh yes, oh one thing?

511
00:27:11.599 --> 00:27:13.240
<v Speaker 7>Oh that's a hostel Feld.

512
00:27:13.920 --> 00:27:17.599
<v Speaker 6>Okay, what made you hurry back? To my place from

513
00:27:17.680 --> 00:27:20.440
<v Speaker 6>Haskell's motel when time meant so much.

514
00:27:21.119 --> 00:27:24.279
<v Speaker 2>Hunch honey. So I was leaving Scully Haskells I saw

515
00:27:24.319 --> 00:27:27.079
<v Speaker 2>a stack of ballet programs on a table in his

516
00:27:27.160 --> 00:27:31.359
<v Speaker 2>living room. Cavana was very interesting. Features you in the

517
00:27:31.400 --> 00:27:34.759
<v Speaker 2>picture of George majestic in his high colored cape.

518
00:27:36.599 --> 00:27:37.119
<v Speaker 4>That was it?

519
00:27:38.440 --> 00:27:40.160
<v Speaker 2>Yeah, that was it.

520
00:27:43.640 --> 00:27:49.720
<v Speaker 6>Good night. Will you call me tomorrow sometime please.

521
00:27:50.119 --> 00:27:51.680
<v Speaker 2>I'll call it tomorrow.

522
00:27:56.759 --> 00:27:58.279
<v Speaker 6>It's a nice night, feel.

523
00:28:00.160 --> 00:28:01.880
<v Speaker 2>So good to be alive.

524
00:28:08.119 --> 00:28:08.559
<v Speaker 6>Good night.

525
00:28:21.279 --> 00:28:23.839
<v Speaker 2>And I drove straight home, the quiet empty all through

526
00:28:23.880 --> 00:28:27.440
<v Speaker 2>the quiet empty streets, thinking all the way about ballet,

527
00:28:28.240 --> 00:28:30.720
<v Speaker 2>which to me had always been something very delicate, you know,

528
00:28:31.000 --> 00:28:35.599
<v Speaker 2>for the long hair, strictly the addy side. I thought

529
00:28:35.599 --> 00:28:37.279
<v Speaker 2>about the people i'd met it were connected with it,

530
00:28:38.200 --> 00:28:41.359
<v Speaker 2>ballerina with a lot of courage. When courage counted, the

531
00:28:41.440 --> 00:28:46.240
<v Speaker 2>I strung Andre la Dume, Haskell a muscleman, and George

532
00:28:47.519 --> 00:28:50.920
<v Speaker 2>Vicious is anything I'd ever met on skid roll. And

533
00:28:51.119 --> 00:28:52.720
<v Speaker 2>I was still thinking about them when I got out

534
00:28:52.720 --> 00:28:55.720
<v Speaker 2>of my car. But then, for the first time I

535
00:28:55.839 --> 00:28:57.960
<v Speaker 2>noticed a little white envelope on the seat next to me.

536
00:28:58.559 --> 00:29:01.279
<v Speaker 2>I had my name on it the inside. Was it

537
00:29:02.240 --> 00:29:05.119
<v Speaker 2>a ticket for the Borrows might may same seat I

538
00:29:05.160 --> 00:29:05.680
<v Speaker 2>had before.

539
00:29:06.880 --> 00:29:07.960
<v Speaker 7>Yeah, well I figured i'd go.

540
00:29:08.119 --> 00:29:11.880
<v Speaker 2>You know, those leaps they do pretty good. We call

541
00:29:11.960 --> 00:29:18.799
<v Speaker 2>them are are No, that's yeah, they're pretty good.

542
00:29:32.559 --> 00:29:35.599
<v Speaker 3>The Adventures of Philip Marlowe bringing you Raymond Chandler's most

543
00:29:35.640 --> 00:29:39.799
<v Speaker 3>famous characters, star Gerald Moore, are produced and directed by

544
00:29:39.880 --> 00:29:42.559
<v Speaker 3>Norman McDonald and are written for radio by Robert Mitchell

545
00:29:42.559 --> 00:29:45.759
<v Speaker 3>and gene Leavitt. Featured in our cast were Georgia Ellis,

546
00:29:45.920 --> 00:29:49.240
<v Speaker 3>Edgar Barrier, Elliott Reed, Lou Krugman, Wilms Herbert, and Michael

547
00:29:49.319 --> 00:29:52.519
<v Speaker 3>Ann Barrett. The special music is composed and conducted by

548
00:29:52.680 --> 00:29:58.680
<v Speaker 3>Richard Arnt. Be sure and do with us again next week.

549
00:29:58.759 --> 00:30:02.440
<v Speaker 2>When Philip Marlowe say, this time it was a fishy

550
00:30:02.559 --> 00:30:04.839
<v Speaker 2>horse play for my red headed beauty, wild about ponies,

551
00:30:04.839 --> 00:30:07.440
<v Speaker 2>Pat the black bearded sailor who bled the death on

552
00:30:07.519 --> 00:30:09.960
<v Speaker 2>a racing farm. Do I not connect finish over a

553
00:30:10.039 --> 00:30:12.200
<v Speaker 2>wandering seahaws worth fifty thousand bucks?

554
00:30:12.599 --> 00:30:13.079
<v Speaker 11>And you know what?

555
00:30:13.759 --> 00:30:14.680
<v Speaker 2>I was a jockey.

556
00:30:25.680 --> 00:30:29.079
<v Speaker 4>Remember Every Wednesday night CBS brings you Groucho Marx with.

557
00:30:29.160 --> 00:30:32.039
<v Speaker 3>His wonderful quiz. You bet your life It's one of

558
00:30:32.079 --> 00:30:35.559
<v Speaker 3>the brightest, most spontaneous, most genuinely funny shows on the air,

559
00:30:35.720 --> 00:30:39.160
<v Speaker 3>So be listing this Wednesday night on CBS. This is

560
00:30:39.319 --> 00:30:43.480
<v Speaker 3>Roy Rowan speaking. Now stay tuned for Pursuit, which follows

561
00:30:43.519 --> 00:30:48.759
<v Speaker 3>immediately on most of these same CBS stations. This is

562
00:30:48.839 --> 00:30:51.480
<v Speaker 3>CBS where Burns and Allen are heard every Wednesday night.

563
00:30:51.799 --> 00:30:53.759
<v Speaker 3>The Columbia Broadcasting System.

564
00:31:12.720 --> 00:31:15.599
<v Speaker 14>This is Andrew Ryans with OTR Westerns dot com, where

565
00:31:15.640 --> 00:31:18.920
<v Speaker 14>we stream live old time radio Westerns twenty four hours

566
00:31:18.920 --> 00:31:21.599
<v Speaker 14>a day, seven days a week with a special twist.

567
00:31:22.359 --> 00:31:25.640
<v Speaker 14>You select the tracks that get to be played. We've

568
00:31:25.720 --> 00:31:29.200
<v Speaker 14>got a thousand different episodes from shows like Gunsmoke, Tales

569
00:31:29.240 --> 00:31:33.519
<v Speaker 14>of the Texas Rangers, Escape, Genautry, and many more. Come

570
00:31:33.640 --> 00:31:36.799
<v Speaker 14>check us out at OTR Westerns dot com slash live.

571
00:31:37.279 --> 00:31:37.519
<v Speaker 2>Again.

572
00:31:37.599 --> 00:31:41.839
<v Speaker 14>That's OTR Westerns dot com slash Live. You're listening to

573
00:31:41.920 --> 00:31:44.480
<v Speaker 14>the great detectives of Old time Radio with Adam Graham.

574
00:31:44.920 --> 00:31:46.640
<v Speaker 14>And now let's get back into the show.

575
00:31:52.160 --> 00:31:55.960
<v Speaker 1>Welcome back. For whatever reason, this one wasn't hard to

576
00:31:56.240 --> 00:32:00.440
<v Speaker 1>figure out. I begin to be suspicious of people whom

577
00:32:00.480 --> 00:32:04.279
<v Speaker 1>Marlowe gives information to that he really ought not to.

578
00:32:04.799 --> 00:32:08.160
<v Speaker 1>But anyway, we do turn to listener comments and feedback,

579
00:32:08.279 --> 00:32:13.200
<v Speaker 1>and we received a lot of positive comments regarding William

580
00:32:13.319 --> 00:32:19.920
<v Speaker 1>Conrad and his appearance an episode sixteen sixty in fact,

581
00:32:20.799 --> 00:32:25.240
<v Speaker 1>was one of our more liked episodes recently. More than

582
00:32:25.319 --> 00:32:28.400
<v Speaker 1>one hundred and twenty people liked it on Facebook, with

583
00:32:29.519 --> 00:32:37.440
<v Speaker 1>four people tweeting it, so definitely well received. Guy said

584
00:32:37.559 --> 00:32:41.720
<v Speaker 1>he was the original Matt Dillon on Gunsmoke on the radio.

585
00:32:43.559 --> 00:32:45.839
<v Speaker 1>John says he was in so many roles on the radio.

586
00:32:45.920 --> 00:32:49.240
<v Speaker 1>Always great to hear him, and Robert says would have

587
00:32:49.319 --> 00:32:53.000
<v Speaker 1>been great if he had a detective show of his own. Well,

588
00:32:53.119 --> 00:32:57.759
<v Speaker 1>definitely over the radio. Like I said, on television, he

589
00:32:57.799 --> 00:33:01.759
<v Speaker 1>had Cannon, but there were some limitations on that.

590
00:33:03.279 --> 00:33:04.079
<v Speaker 2>We do have.

591
00:33:04.640 --> 00:33:08.720
<v Speaker 1>There's an episode of Escape that stars Bill Conory we're

592
00:33:08.799 --> 00:33:16.200
<v Speaker 1>eventually going to play, and I think that's all the

593
00:33:16.279 --> 00:33:19.720
<v Speaker 1>other programming we have him in. He ended up playing

594
00:33:19.839 --> 00:33:23.279
<v Speaker 1>a lot of heavies and very few protagonists. Well, thanks

595
00:33:23.359 --> 00:33:26.480
<v Speaker 1>so much for your comments. That will do it for today.

596
00:33:26.839 --> 00:33:30.319
<v Speaker 1>We'll be back tomorrow with Nick Carter. Next Wednesday, another

597
00:33:30.400 --> 00:33:33.960
<v Speaker 1>episode of the Adventures of Philip Marlow. In the meantime,

598
00:33:34.119 --> 00:33:38.160
<v Speaker 1>send your comments to Box thirteen at Great Detectives dot net.

599
00:33:38.839 --> 00:33:42.880
<v Speaker 1>Follow us on Twitter at Radio Detectives, become one of

600
00:33:42.920 --> 00:33:46.839
<v Speaker 1>our friends on Facebook, Facebook dot com, Slash Radio Detectives,

601
00:33:47.279 --> 00:33:50.240
<v Speaker 1>and do you remember to support our listener support campaign

602
00:33:50.440 --> 00:33:56.920
<v Speaker 1>support dot Great Detectives dot net and among the options

603
00:33:57.000 --> 00:34:01.480
<v Speaker 1>we do have at the fifty dollars for US and

604
00:34:01.559 --> 00:34:06.119
<v Speaker 1>Canadian listeners, will gladly send you The Big Sleep starring

605
00:34:06.440 --> 00:34:10.840
<v Speaker 1>Humphrey Bogart as Philip Marlowe. Full list of available thank

606
00:34:10.920 --> 00:34:14.320
<v Speaker 1>you gifts at support dot Great Detectives dot net and

607
00:34:14.559 --> 00:34:16.800
<v Speaker 1>you can also support the show on a monthly basis

608
00:34:16.880 --> 00:34:21.079
<v Speaker 1>at Patreon, dot Great Detectives dot net. But from Boise, Idaho,

609
00:34:21.280 --> 00:34:23.880
<v Speaker 1>this is your host, Adam Grahamson and off