1
00:00:00,960 --> 00:00:05,440
Speaker 1: Many's well playing like missal Potion's like it's not just

2
00:00:05,519 --> 00:00:10,880
a rapper, humble paint of not just some paint of Mahamba.

3
00:00:10,519 --> 00:00:15,919
Speaker 2: Kappas, not just a rapper, but humble pain, not just

4
00:00:16,000 --> 00:00:23,800
some paint of Mahamba Kappa with a style unlike yours.

5
00:00:22,440 --> 00:00:25,000
You give you know what's up.

6
00:01:30,560 --> 00:01:32,799
Speaker 3: In times of crisis, you need a law firm that

7
00:01:32,879 --> 00:01:35,920
stands by your side. With over forty years of experience,

8
00:01:36,040 --> 00:01:39,200
Craig and Getzulis is dedicated to fighting for your rights.

9
00:01:39,599 --> 00:01:42,599
As former state prosecutors, our attorneys have the knowledge and

10
00:01:42,640 --> 00:01:46,400
trial experience to provide an aggressive defense against any charge,

11
00:01:46,760 --> 00:01:51,040
from DUIs to homicides. If you've been injured, our compassionate

12
00:01:51,040 --> 00:01:53,680
team will assess your case and fight for the compensation

13
00:01:53,760 --> 00:01:57,040
you deserve. Serving all of New Hampshire, Craig and Getzulis

14
00:01:57,159 --> 00:01:59,760
is here when you need us most. Visit Craig Atzulis

15
00:01:59,760 --> 00:02:02,519
dot com or call six oh three five five five

16
00:02:02,640 --> 00:02:06,200
one two three four for a free consultation. Craigan Getsulus,

17
00:02:06,560 --> 00:02:08,719
your advocates, your allies.

18
00:02:08,759 --> 00:02:12,879
Speaker 4: Bring your kitchen to life with Queen City Cabinetry, located

19
00:02:12,960 --> 00:02:16,400
at eighty seven Elm Street in the historic Sunbeam Wall

20
00:02:16,560 --> 00:02:20,319
in Manchester. Open Monday through Friday nine am to five

21
00:02:20,439 --> 00:02:24,680
thirty pm, in Saturdays ten am to two pm. They

22
00:02:24,680 --> 00:02:27,879
can be reached at six oh three two two two

23
00:02:28,240 --> 00:02:31,479
to zero zero seven or on the web at Queen

24
00:02:31,599 --> 00:02:37,280
citycabinatree NH dot com. Come see the possibilities Queen City

25
00:02:37,360 --> 00:02:42,240
Cabinet Tree. Another crowd sponsor of w MNH. Disney's Cafe

26
00:02:42,560 --> 00:02:44,639
is the place to put a smile on your face.

27
00:02:44,719 --> 00:02:47,039
Judy and the crew will take care of you, bring

28
00:02:47,080 --> 00:02:51,000
your appetite and treat your taste buzzs right. Disneys Cafe

29
00:02:51,159 --> 00:02:55,560
is always a winning choice breakfast, lunch or supper. Disney's

30
00:02:55,639 --> 00:03:00,759
Cafe at eight sixty Elm Street in downtown Manchester. Take

31
00:03:00,800 --> 00:03:03,919
out or make a reservation call six oh three six

32
00:03:04,039 --> 00:03:08,280
oh six two five three two, Eat, drink and be

33
00:03:08,439 --> 00:03:10,080
happy Dizze's Cafe.

34
00:03:10,439 --> 00:03:13,199
Speaker 5: When it comes to keeping WMNH on the air and

35
00:03:13,280 --> 00:03:16,479
your own personal or business computer needs, trust growl In

36
00:03:16,520 --> 00:03:21,080
Computers located on Elm Street in Manchester. Grolin handles computer repair,

37
00:03:21,280 --> 00:03:24,199
virus removal and custom built systems. Are you looking for

38
00:03:24,240 --> 00:03:27,599
budget friendly options, check out our selection of fully inspected

39
00:03:27,680 --> 00:03:31,800
used computers we offer tailored on site solutions. No unnecessary

40
00:03:31,840 --> 00:03:35,479
expenses here. Visit Grolin dot com or call Grolling Computers

41
00:03:35,560 --> 00:03:38,919
at six zero three six four five zero one zero

42
00:03:39,000 --> 00:03:49,599
one Your Tech, Your Way, Trust groll In Computers Nice.

43
00:03:49,960 --> 00:03:53,919
Speaker 6: Seven times out of ten we listened to our music

44
00:03:54,159 --> 00:03:54,960
at Nice.

45
00:03:56,719 --> 00:04:00,680
Speaker 7: That's gon titled LISS program to Light.

46
00:04:00,599 --> 00:04:05,240
Speaker 4: With DJ mitas right here on w MNH Manchester because

47
00:04:07,280 --> 00:04:09,639
Saturdays and Sunday nights midnight to four am.

48
00:04:11,000 --> 00:04:16,439
Speaker 8: This hour on wm NH is sponsored by CGI Business Solutions,

49
00:04:16,800 --> 00:04:20,800
located at five Dartmouth Drive in Auburn. They serve all

50
00:04:20,920 --> 00:04:25,360
your business needs including employee benefits, planning, corporate design and

51
00:04:25,480 --> 00:04:31,439
business administration, investments and wealth management and customized business insurance solutions.

52
00:04:31,759 --> 00:04:34,319
Their phone number is eight sixty six eighty four to

53
00:04:34,399 --> 00:04:38,160
one forty six hundred, or on the web at CGI

54
00:04:38,399 --> 00:04:40,199
Business Solutions dot com.

55
00:04:43,240 --> 00:04:46,720
Speaker 9: Behold the harmony of airwaves as you immerse yourself in

56
00:04:46,800 --> 00:04:51,199
the captivating frequencies of w m NHLP. The sunate cards

57
00:04:51,240 --> 00:04:54,800
of Manchester is transcending through the ether ninety five point

58
00:04:54,839 --> 00:04:58,279
three megahertz frequency modulation our transmissions M and eight from

59
00:04:58,279 --> 00:05:01,120
the z F one thousand ELMSTA to ensure into the

60
00:05:01,199 --> 00:05:04,120
hearts of our creative realm at one nineteen Canal Stree,

61
00:05:04,319 --> 00:05:08,199
where innovation and sound collage. They're the impro moder of

62
00:05:08,319 --> 00:05:11,839
Manchester Public Television Service in the venerable city of Manchester,

63
00:05:11,959 --> 00:05:15,720
New Hampshire, USA. Enrich your auditory journey with the depth

64
00:05:15,800 --> 00:05:19,199
of our license to Wesden spent your missives w m

65
00:05:19,279 --> 00:05:22,199
n H ninety five three at gmail dot com or

66
00:05:22,319 --> 00:05:25,920
traverse the virtual corridors of w m n hradio dot org.

67
00:05:26,079 --> 00:05:29,040
Engage with our sonic vibrations by communing with us through

68
00:05:29,079 --> 00:05:32,639
the digital channels and our radio beconds, eager to enthrall

69
00:05:32,720 --> 00:05:35,240
you with its mesmerizing kidence and develop you with a

70
00:05:35,360 --> 00:05:37,279
symphony of foundless auditories.

71
00:05:37,319 --> 00:05:45,160
Speaker 10: One dude, WMNH Ripenoma.

72
00:06:15,360 --> 00:06:27,759
Speaker 11: School where thotball suck got that's fine?

73
00:06:31,240 --> 00:06:33,160
Speaker 12: Oh god, so.

74
00:06:35,199 --> 00:06:37,360
Speaker 13: God sick.

75
00:06:39,079 --> 00:06:44,199
Speaker 12: O my god like yo can't that's not?

76
00:06:44,439 --> 00:06:52,680
Speaker 14: I about sixteen N.

77
00:07:00,040 --> 00:07:01,560
Speaker 2: I wanna got to book out?

78
00:07:04,240 --> 00:07:15,959
Speaker 12: Oh god so fall now? I got well, I yell

79
00:07:16,199 --> 00:07:18,199
cat up, I start back.

80
00:07:18,319 --> 00:07:24,120
Speaker 2: Look book by first of flash first shell.

81
00:07:24,399 --> 00:07:29,079
Speaker 10: L go sty whut sorry alright, shell.

82
00:07:29,120 --> 00:07:36,879
Speaker 2: Say my boy short up, foll.

83
00:07:38,800 --> 00:07:45,680
Speaker 15: So bat about you again?

84
00:07:46,439 --> 00:07:54,160
Speaker 12: That wall so when down right down.

85
00:08:33,679 --> 00:08:43,720
Speaker 13: Now I six some n that was my time out.

86
00:08:50,919 --> 00:08:52,480
Speaker 10: I see somebody at.

87
00:09:09,039 --> 00:09:11,840
Speaker 16: Welcome back everybody. We are well into our third hour

88
00:09:12,080 --> 00:09:15,360
New Marrow trace of Matt Connorton Unleashed and we are

89
00:09:15,480 --> 00:09:19,279
live from the studios of wm NH ninety five point

90
00:09:19,320 --> 00:09:23,159
three FM in Glorious Manchester, New Hampshire, streaming at Matt

91
00:09:23,200 --> 00:09:27,840
connorton dot com slash Live. Today is Saturday, September twenty one,

92
00:09:28,279 --> 00:09:31,919
two thy twenty four and we just heard a track

93
00:09:32,000 --> 00:09:34,799
called four and Ever and that is wisely done and

94
00:09:34,960 --> 00:09:37,480
we have Stephen Michael Done is here with us live

95
00:09:37,519 --> 00:09:41,080
in studio. Hello, welcome. Oh I don't have your mic up.

96
00:09:41,120 --> 00:09:44,080
I apologize for that. Let's try that again.

97
00:09:44,120 --> 00:09:45,759
Speaker 17: Hello, Hello sir, there we go.

98
00:09:46,840 --> 00:09:49,919
Speaker 16: We switched switched on Mike's at the last minute there,

99
00:09:49,960 --> 00:09:53,639
but now that sounds good, so welcome. It has been

100
00:09:54,600 --> 00:09:56,919
quite a long time since.

101
00:09:57,279 --> 00:10:00,679
Speaker 17: You and I talked, Yes, sir, it's been a lifetime.

102
00:10:00,840 --> 00:10:04,639
Speaker 16: I have interviewed you before. What it must have been like,

103
00:10:04,799 --> 00:10:06,519
literally like fifteen years ago.

104
00:10:06,679 --> 00:10:07,919
Speaker 17: Yes, is that even possible?

105
00:10:08,080 --> 00:10:10,399
Speaker 16: It's amazing. That doesn't even seem possible to me. It's

106
00:10:10,440 --> 00:10:12,840
funny because you would uh you had reached out to

107
00:10:12,960 --> 00:10:15,960
us and you had mentioned at the time you were

108
00:10:16,000 --> 00:10:19,519
in the band Supplication, and I remember, I think in

109
00:10:19,559 --> 00:10:21,120
your message you said something like I don't know if

110
00:10:21,120 --> 00:10:22,679
you remember me or and I was like, oh, of

111
00:10:22,720 --> 00:10:24,840
course I remember the band. And then I saw your

112
00:10:24,879 --> 00:10:26,600
picture on Facebook and I was like, oh, yeah, I

113
00:10:26,679 --> 00:10:31,480
totally remember you. But uh yeah, so that was yeah,

114
00:10:31,519 --> 00:10:32,919
that was quite some time ago. And you said I

115
00:10:32,919 --> 00:10:35,120
actually interviewed you twice back then.

116
00:10:35,320 --> 00:10:38,000
Speaker 17: Yeah. Yeah, one was with our drummer and bass player,

117
00:10:38,240 --> 00:10:39,960
and the second one was just the bass player.

118
00:10:40,480 --> 00:10:43,759
Speaker 16: Okay, Scott, right, Scott Perry. Yeah, Scott and I are

119
00:10:43,799 --> 00:10:48,639
still in touch. He did a podcast a few years

120
00:10:48,679 --> 00:10:52,840
ago called Courtesy Call, and I was I was involved

121
00:10:52,879 --> 00:10:54,039
in that a little bit, helped him with that.

122
00:10:54,240 --> 00:10:55,759
Speaker 17: But oh fantastic.

123
00:10:55,919 --> 00:10:59,080
Speaker 16: Yeah, yeah, yeah, because I remember the interview with What

124
00:10:59,279 --> 00:11:02,799
I remember about the interview with you and Scott is

125
00:11:02,919 --> 00:11:07,200
that you were relentless and picking on him, you know,

126
00:11:07,360 --> 00:11:09,879
and it was it was in a fun way. Yeah,

127
00:11:10,039 --> 00:11:12,480
you know, it was obviously there was camaraderie, although there

128
00:11:12,519 --> 00:11:14,080
were a couple of moments there where he did seem

129
00:11:14,200 --> 00:11:15,279
legitimately frustrated.

130
00:11:15,360 --> 00:11:19,279
Speaker 17: But I don't know, if you know the Jason Newstead

131
00:11:19,360 --> 00:11:23,279
situation where they where they hazed him ridiculous. Oh of course, yeah,

132
00:11:23,440 --> 00:11:26,799
that was it was we were kids and kind of ales,

133
00:11:27,799 --> 00:11:30,320
you know, that's it's what happens. He was new, No,

134
00:11:30,440 --> 00:11:30,639
it was.

135
00:11:30,759 --> 00:11:32,840
Speaker 16: It was fun though. It was funny and all those

136
00:11:33,399 --> 00:11:37,799
all those interviews are still available online too. But jeez,

137
00:11:37,799 --> 00:11:39,720
I might have to go back and revisit that. Yeah,

138
00:11:39,799 --> 00:11:43,600
that was that was fun. But now how long were

139
00:11:43,840 --> 00:11:46,600
how long did you guys work together? In Supplication? That

140
00:11:46,759 --> 00:11:49,080
that was a while, right that that band went on?

141
00:11:49,960 --> 00:11:53,279
Speaker 17: Yeah, I mean we took a four year hiatus just

142
00:11:53,679 --> 00:11:57,480
for families and issues and things, and we came back

143
00:11:57,639 --> 00:12:03,159
last year. Actually, okay, you know, stronger than ever. We

144
00:12:03,240 --> 00:12:06,159
got a new bass player. Oh very good fits the band,

145
00:12:06,279 --> 00:12:09,440
and there was no hazing period necessary. Yeah, we are

146
00:12:09,440 --> 00:12:13,600
all adults. Is a different time, yeah, yeah, no, it's

147
00:12:13,960 --> 00:12:14,919
like fifteen years.

148
00:12:15,320 --> 00:12:15,559
Speaker 16: Yeah.

149
00:12:15,799 --> 00:12:20,320
Speaker 17: I started in seven with them and wow around COVID area,

150
00:12:20,399 --> 00:12:23,720
took a break, yep, and then back at it.

151
00:12:24,000 --> 00:12:27,559
Speaker 16: So Supplication so that exists. Now you guys are still

152
00:12:27,600 --> 00:12:30,960
doing that outstanding Good for you, Good for you. And

153
00:12:31,080 --> 00:12:33,519
in addition to that, so we have wisely done is

154
00:12:33,559 --> 00:12:34,919
the official name of this project.

155
00:12:35,080 --> 00:12:37,679
Speaker 17: Yeah, and this and this is all you correct, Yeah,

156
00:12:37,879 --> 00:12:43,759
doing the drums, bass, guitars, vocals, mixing. I had to

157
00:12:43,840 --> 00:12:46,080
reach out for artwork. I wanted to do it myself.

158
00:12:46,159 --> 00:12:51,399
I'm somewhat of an artist, yeah, painter, but uh yeah.

159
00:12:52,360 --> 00:12:55,799
Speaker 16: What what went into the decision to And obviously, like

160
00:12:55,919 --> 00:12:58,519
I said, you know, you've still got the band supplication,

161
00:12:58,679 --> 00:13:01,000
But what went into the decision because that's a lot

162
00:13:01,080 --> 00:13:03,639
to take on. Like, I've always been really impressed. You know,

163
00:13:03,720 --> 00:13:06,759
I'm a musician. I've played in bands, but I've never

164
00:13:06,840 --> 00:13:09,120
done anything where and I've always kind of wondered what

165
00:13:09,200 --> 00:13:11,000
it would be like to do something where I'm doing

166
00:13:11,039 --> 00:13:15,440
everything myself and it's, you know, entirely my vision, which

167
00:13:15,600 --> 00:13:17,720
it sounds like it would be very rewarding, but it

168
00:13:17,799 --> 00:13:19,919
also sounds like a hell of a lot of work

169
00:13:20,639 --> 00:13:24,320
and just an enormous challenge. So what what went into

170
00:13:24,360 --> 00:13:26,080
your decision to do this project?

171
00:13:27,919 --> 00:13:33,840
Speaker 17: Originally I had a friend who was going to going

172
00:13:33,919 --> 00:13:41,279
to do vocals and he hevy already he took his life.

173
00:13:41,120 --> 00:13:42,799
Speaker 16: So, oh my god, I'm sorry to hear that.

174
00:13:43,200 --> 00:13:45,480
Speaker 17: Wow, I decided just to keep on trucking.

175
00:13:45,759 --> 00:13:49,279
Speaker 16: Yeah, oh wow, that's terrible. So he was going to

176
00:13:49,360 --> 00:13:51,039
do the vocals and you were going to do everything else?

177
00:13:51,159 --> 00:13:52,039
Was that the original plan?

178
00:13:52,279 --> 00:13:54,559
Speaker 17: Yeah, and I'm just like, no, I'm going to do

179
00:13:54,639 --> 00:13:56,559
this yeah wow.

180
00:13:56,600 --> 00:13:57,559
Speaker 16: Oh that's horrible.

181
00:13:58,039 --> 00:13:59,399
Speaker 1: But so.

182
00:14:01,559 --> 00:14:01,759
Speaker 5: Was this?

183
00:14:02,159 --> 00:14:04,639
Speaker 16: Is this the first project where you've done lead vocals.

184
00:14:06,399 --> 00:14:15,159
Speaker 17: I've dabbled in doing solo stuff before, but never. The

185
00:14:15,320 --> 00:14:18,039
music was never this well put together. It was never

186
00:14:19,799 --> 00:14:23,440
I never saw it as presentable. Yeah, you know, yeah,

187
00:14:25,559 --> 00:14:28,960
but there was a copyright claim issue and that had

188
00:14:29,000 --> 00:14:31,279
a lot to do with the naming of everything. But

189
00:14:31,519 --> 00:14:35,120
I took a few years back, step back, and really

190
00:14:35,320 --> 00:14:40,279
worked on my songwriting and came back with this wisely

191
00:14:40,360 --> 00:14:40,960
done project.

192
00:14:41,399 --> 00:14:45,919
Speaker 16: What was the I'm fascinated. Anything involving copyright and trademark

193
00:14:46,039 --> 00:14:48,440
is fascinating to me. Like what happened? What was the issue?

194
00:14:50,480 --> 00:14:53,639
Speaker 17: So I didn't know because I'm I'm foolish and this

195
00:14:53,840 --> 00:14:57,639
was beyond my time. But there was a band whom

196
00:14:58,600 --> 00:15:01,960
name was sam Hean, but they didn't copyright the name,

197
00:15:02,399 --> 00:15:05,759
and for me, it was a super I had a

198
00:15:05,840 --> 00:15:08,440
super like black metal mindset.

199
00:15:08,120 --> 00:15:08,279
Speaker 14: You know.

200
00:15:08,639 --> 00:15:12,000
Speaker 17: Yeah, so I thought that was perfect, perfect name, perfect name.

201
00:15:12,039 --> 00:15:15,000
Didn't look into it, just like released the album, you know,

202
00:15:15,159 --> 00:15:19,679
Oh no kidding, yeah. Yeah, you know, it didn't go anywhere,

203
00:15:19,720 --> 00:15:22,200
but that's fine. And they talked to me like hey,

204
00:15:22,480 --> 00:15:24,120
and I was like, oh ho, I didn't know.

205
00:15:24,519 --> 00:15:27,919
Speaker 16: Yeah, yeah, a lesson learned.

206
00:15:28,080 --> 00:15:29,240
Speaker 17: Yeah quite Yeah.

207
00:15:32,360 --> 00:15:35,519
Speaker 16: Now does any of this music and uh and we'll

208
00:15:35,519 --> 00:15:37,000
play some more of it as we go. But does

209
00:15:37,039 --> 00:15:40,960
any of this also cross over into Supplication or are

210
00:15:41,000 --> 00:15:42,799
you keeping this all completely separate?

211
00:15:43,039 --> 00:15:48,480
Speaker 17: Yeah? No, I was really influenced by black metal music

212
00:15:50,200 --> 00:15:53,320
and I was trying to bring that into supplication and

213
00:15:53,440 --> 00:15:55,679
it didn't work. It didn't jive with the guys, It

214
00:15:55,759 --> 00:15:59,639
didn't you know what I mean. So this is all separate.

215
00:15:59,799 --> 00:16:03,799
Speaker 16: Okay, Okay, that surprises me actually that you weren't able

216
00:16:03,840 --> 00:16:06,120
to because from what I remember about Supplication, I mean,

217
00:16:06,120 --> 00:16:08,559
it's pretty pretty well. The sound may have changed, though

218
00:16:08,559 --> 00:16:10,639
I haven't heard you guys in a in a long time.

219
00:16:11,159 --> 00:16:18,320
Speaker 17: More less shreddy, more consistently groovy okay you know, slam

220
00:16:18,679 --> 00:16:20,840
yeah yeah yeah, chugging along.

221
00:16:20,759 --> 00:16:26,639
Speaker 16: Yeah, and with this material, I mean, do you have

222
00:16:26,720 --> 00:16:29,080
any plans to perform this in any way? I'm not.

223
00:16:29,240 --> 00:16:30,879
I'm not sure how you would do it. It's just you.

224
00:16:31,120 --> 00:16:35,559
Speaker 17: But there is a one man band out there called Putrid.

225
00:16:35,639 --> 00:16:38,559
Pile who goes out and tours and he's he's a

226
00:16:38,679 --> 00:16:41,480
legend now, but he's been doing that for like twenty years.

227
00:16:41,519 --> 00:16:45,320
I couldn't see myself doing that, but I could see

228
00:16:45,399 --> 00:16:50,559
myself consistently releasing records. Yeah, you know, in a timely manner.

229
00:16:51,159 --> 00:16:54,080
Speaker 16: And this has a lot of tracks, which is interesting

230
00:16:54,159 --> 00:16:56,240
to me because you know, we live in a time

231
00:16:56,360 --> 00:16:59,799
where you can you can do it so many different ways.

232
00:17:00,080 --> 00:17:03,639
You know, some artists just released singles. Some artists will

233
00:17:03,679 --> 00:17:06,319
release a series of singles with the goal ultimately for

234
00:17:06,440 --> 00:17:08,880
it to become an album. You know, sort of the

235
00:17:08,960 --> 00:17:10,680
inverse of how it used to be. You release an

236
00:17:10,720 --> 00:17:13,480
album and then you release singles from the album. Some

237
00:17:13,680 --> 00:17:15,720
artists just only release singles and that's all they ever do.

238
00:17:15,839 --> 00:17:17,640
Some release an EP. You know, we had the Forest

239
00:17:17,680 --> 00:17:20,039
Forgets on in the first hour, and they have an

240
00:17:20,119 --> 00:17:22,839
any EP that just came out. We went into your

241
00:17:22,880 --> 00:17:26,200
decision to make a full album because again, it's like

242
00:17:26,519 --> 00:17:29,319
you've already you've already taken on the responsibility of doing

243
00:17:29,400 --> 00:17:32,480
this all yourself. You're not only doing it all yourself,

244
00:17:32,519 --> 00:17:34,640
but you're you're made a whole album out of this.

245
00:17:36,400 --> 00:17:38,319
Speaker 17: Yeah, I mean that was the goal to begin with.

246
00:17:39,119 --> 00:17:45,359
It was never It was never about you know, getting

247
00:17:45,440 --> 00:17:47,279
music out there and just doing it. It was doing

248
00:17:47,319 --> 00:17:51,279
it for myself and doing it for doing it for them,

249
00:17:51,759 --> 00:17:52,519
for the memory of it.

250
00:17:52,839 --> 00:18:03,839
Speaker 16: Yeah. But is it uh? Is it something that I

251
00:18:03,880 --> 00:18:08,440
don't know if? Well? Is there less pressure in terms

252
00:18:08,480 --> 00:18:12,440
of liking supplication? Obviously being in a band with a

253
00:18:12,480 --> 00:18:14,519
bunch of guys, you know, you want to do as

254
00:18:14,599 --> 00:18:16,960
much as you can in terms of you want as

255
00:18:17,079 --> 00:18:19,240
large an audience as you can get and whatnot and

256
00:18:19,279 --> 00:18:21,759
play all these shows and stuff. So is this as

257
00:18:21,799 --> 00:18:23,839
a solo project, is this more kind of you don't

258
00:18:23,880 --> 00:18:24,559
have that pressure?

259
00:18:25,519 --> 00:18:25,640
Speaker 7: Uh?

260
00:18:25,880 --> 00:18:27,880
Speaker 17: Yeah, I can just pretty much do what I want.

261
00:18:28,000 --> 00:18:31,880
I you know, just I suppose I can release singles

262
00:18:31,960 --> 00:18:34,279
and do everything like that. I just wanted to get

263
00:18:34,319 --> 00:18:34,880
this out there.

264
00:18:35,160 --> 00:18:39,880
Speaker 16: Yeah, you know, I.

265
00:18:41,599 --> 00:18:43,720
Speaker 17: I have I have my next record in mind, you know,

266
00:18:43,799 --> 00:18:46,039
I just want to keep going with some music.

267
00:18:46,160 --> 00:18:50,160
Speaker 16: Yeah yeah, yeah, Oh that's that's awesome. Uh, well, we

268
00:18:50,240 --> 00:18:52,880
can play another track. Do you have a what what

269
00:18:53,039 --> 00:18:54,839
do you have in mind? And put you on the

270
00:18:54,920 --> 00:18:55,319
spot here?

271
00:18:55,640 --> 00:18:57,440
Speaker 17: How about praise? Praise?

272
00:18:58,200 --> 00:18:58,559
Speaker 18: Gotcha?

273
00:18:59,359 --> 00:19:00,640
Speaker 16: Any kind of a story behind this?

274
00:19:01,119 --> 00:19:07,240
Speaker 17: Yeah? Absolutely, it's basically you know, reflecting on my upbringing

275
00:19:07,720 --> 00:19:12,519
and now that I have a sun, how it reflects

276
00:19:13,160 --> 00:19:16,279
with him and how it's basically full circle.

277
00:19:16,720 --> 00:19:21,880
Speaker 16: And yeah, so this is a very personal song. Yeah,

278
00:19:21,880 --> 00:19:22,720
sounds like yeah.

279
00:19:22,799 --> 00:19:26,720
Speaker 17: This whole album, it's very different from Supplication. It's which

280
00:19:27,079 --> 00:19:31,119
which is you know, normal death metal. This is very

281
00:19:31,200 --> 00:19:32,640
personal everything on the record.

282
00:19:32,720 --> 00:19:36,000
Speaker 16: So yeah, all right, let's give this a listen. This

283
00:19:36,240 --> 00:19:39,079
is wisely done and the track is called Praise.

284
00:20:12,480 --> 00:20:13,880
Speaker 12: So say.

285
00:20:15,440 --> 00:20:19,799
Speaker 19: Why go got My mom now.

286
00:20:21,200 --> 00:20:30,599
Speaker 12: Said so sorry, I had I time.

287
00:20:31,000 --> 00:20:33,319
Speaker 19: Mom, right I show.

288
00:20:34,839 --> 00:20:42,599
Speaker 12: Oh yo go so yes, why I go by a by.

289
00:20:56,359 --> 00:21:15,599
Speaker 14: Sash got swash.

290
00:21:53,759 --> 00:21:56,319
Speaker 12: All by night Bob.

291
00:21:56,440 --> 00:22:05,279
Speaker 2: Ar yaas Yeah, Bo called our frid by time tiht bang.

292
00:22:07,440 --> 00:22:11,039
Speaker 19: Nice Si donn barb.

293
00:22:13,200 --> 00:22:18,960
Speaker 12: Five bottle short. I say, I just had my back

294
00:22:19,200 --> 00:22:22,720
on our shirt. The shirt.

295
00:22:24,079 --> 00:22:35,319
Speaker 18: Well love shalt oh sir Sie, why a got salt?

296
00:22:40,400 --> 00:22:50,319
Speaker 19: H got ship shut up shot rock fly Sho.

297
00:23:33,039 --> 00:23:36,839
Speaker 16: The track is praise the artist is wisely done here

298
00:23:36,920 --> 00:23:42,200
with us live in studio, and yeah, we're talking off

299
00:23:42,279 --> 00:23:43,680
air a little bit about the track. You know, you

300
00:23:43,759 --> 00:23:46,079
were pointing out how you kind of do a thing

301
00:23:46,119 --> 00:23:48,559
there where the chorus that actually slows down instead of

302
00:23:48,599 --> 00:23:51,079
speeding up like you might like you might expect, and

303
00:23:51,920 --> 00:23:55,279
it sounded like too. Was there another were the vocals

304
00:23:55,480 --> 00:23:56,119
layered in that?

305
00:23:56,559 --> 00:23:56,759
Speaker 17: Yeah?

306
00:23:56,960 --> 00:23:59,759
Speaker 16: Sounded yeah, it kind of added some texture to it

307
00:23:59,799 --> 00:24:00,359
that I liked.

308
00:24:00,559 --> 00:24:02,519
Speaker 17: I am not brave enough to do a solo take

309
00:24:03,240 --> 00:24:03,920
right right.

310
00:24:07,200 --> 00:24:12,240
Speaker 16: I'm always fascinated too by singers who can do that.

311
00:24:12,720 --> 00:24:15,319
We talked about this a little bit with Griffin from

312
00:24:15,359 --> 00:24:18,599
the Forest Forgets. You know, in their music, you know,

313
00:24:18,680 --> 00:24:20,799
he sings it clean for the most part, but then

314
00:24:20,880 --> 00:24:23,400
there's some there's some screams, usually kind of toward the

315
00:24:23,519 --> 00:24:26,000
end as the song builds. But to be able to

316
00:24:26,079 --> 00:24:30,160
sing like that, what what is your like? Do you

317
00:24:30,240 --> 00:24:32,000
have any kind of a protocol to kind of protect

318
00:24:32,039 --> 00:24:36,119
your voice, protect your vocal chords, because I would imagine that.

319
00:24:36,960 --> 00:24:38,880
I mean, if I tried to do that, I'd probably

320
00:24:39,799 --> 00:24:43,200
destroy my larynx or something. Do you how do you

321
00:24:43,279 --> 00:24:44,640
do that? And how do you learn to do that?

322
00:24:46,000 --> 00:24:49,200
Speaker 17: Basically singing along to songs you like songs, you know,

323
00:24:49,519 --> 00:24:52,759
but if there's any pressure in your throat or anything

324
00:24:52,799 --> 00:24:54,759
like that, you're not doing it right. You're supposed to

325
00:24:54,759 --> 00:24:57,160
come from your gut, yeah, you know, the tone comes

326
00:24:57,200 --> 00:24:59,160
from your throat. If you think of it like that. Yeah,

327
00:24:59,319 --> 00:25:01,400
and also how you position your tongue if you put

328
00:25:01,400 --> 00:25:02,400
it in the roof of your mouth and.

329
00:25:03,759 --> 00:25:09,960
Speaker 16: Yeah, I don't want to yeah yeah, yeah. Griffin was

330
00:25:10,039 --> 00:25:12,279
kind of saying too, if as long as like it's

331
00:25:12,440 --> 00:25:15,839
not it sounds difficult, but it's not difficult if you

332
00:25:16,000 --> 00:25:19,359
learn to do it correctly, which is important too, because

333
00:25:19,440 --> 00:25:20,960
if you learn to do it correctly, you're a lot

334
00:25:21,039 --> 00:25:23,440
less likely to hurt yourself, you know, because there's no

335
00:25:23,559 --> 00:25:26,720
shortage of stories of you know, singers who've had to

336
00:25:26,799 --> 00:25:29,039
have you know, usually as when they get older, they

337
00:25:29,319 --> 00:25:31,880
have to have throat surgeries and you know, because they've

338
00:25:31,880 --> 00:25:33,799
put all this stress and strain on their vocal cords

339
00:25:33,839 --> 00:25:38,799
over the years. But was it, uh, have you always

340
00:25:38,880 --> 00:25:40,839
been able to do that? Because I would imagine like,

341
00:25:41,119 --> 00:25:43,720
do you do backing vocals in supplication?

342
00:25:43,960 --> 00:25:48,200
Speaker 17: Yeah? Absolutely, Yeah, so you already had that that skill, Yeah,

343
00:25:48,279 --> 00:25:50,640
pretty much. It was it was learning to try to

344
00:25:51,599 --> 00:25:53,559
to sing normally. That's the key.

345
00:25:53,640 --> 00:25:57,960
Speaker 16: That's the hard right, right, There's that it's it's kind

346
00:25:57,960 --> 00:26:02,960
of a famous among musicians. What is it called the

347
00:26:03,599 --> 00:26:07,880
zen of screaming? Do you know the she's a teacher, Yeah,

348
00:26:07,960 --> 00:26:09,000
she's a vocal coach.

349
00:26:09,200 --> 00:26:09,400
Speaker 17: Yeah.

350
00:26:09,720 --> 00:26:12,640
Speaker 16: I think it's called the Zen of Screaming and uh,

351
00:26:12,920 --> 00:26:14,680
and she has a DVD or now you know, you

352
00:26:14,799 --> 00:26:17,920
probably just stream it now. But that that I've been

353
00:26:17,960 --> 00:26:21,559
hearing about from from singers who sing those aggressive vocals

354
00:26:21,680 --> 00:26:25,160
for probably twenty years now. But but I guess she

355
00:26:25,359 --> 00:26:28,839
kind of she's known. I wish I could remember her name,

356
00:26:28,920 --> 00:26:30,799
but I guess right, I guess she's known for being

357
00:26:30,920 --> 00:26:34,039
kind of the best teacher in terms of again, how

358
00:26:34,119 --> 00:26:38,200
to do that, how to do that safely. But when

359
00:26:38,200 --> 00:26:40,680
you're recording this music and you're singing like that, you

360
00:26:40,839 --> 00:26:42,480
have to take Do you have to take breaks and

361
00:26:42,559 --> 00:26:45,960
kind of let your your vocal chords recover or are

362
00:26:46,000 --> 00:26:47,599
you able to just maintain that?

363
00:26:47,960 --> 00:26:50,200
Speaker 17: No, I can pretty much roll with it. I'll do

364
00:26:50,279 --> 00:26:52,720
a verse, you know, I'll I'll mix it a little bit.

365
00:26:52,880 --> 00:26:55,839
I'll do the underlaying verse and then just move on.

366
00:26:56,160 --> 00:26:56,359
Speaker 16: Yeah.

367
00:26:56,720 --> 00:26:59,119
Speaker 17: So I mean I can do it for six hours

368
00:26:59,440 --> 00:27:02,440
just wow, well, you know, just kind of I guess

369
00:27:03,200 --> 00:27:06,119
it ebbs and flows. Yeah, I'm not screaming on minutes

370
00:27:06,160 --> 00:27:08,039
on end, right right, right?

371
00:27:09,119 --> 00:27:11,599
Speaker 16: And can you tell me about your recording process. I'm

372
00:27:11,640 --> 00:27:14,400
you know, I'm a recording nerd. I love hearing about

373
00:27:14,400 --> 00:27:15,960
this stuff, and you know, it's funny, just as we

374
00:27:16,079 --> 00:27:19,559
were talking earlier about especially you know since the last

375
00:27:19,599 --> 00:27:21,799
time I interviewed you. Uh, there's so many different ways

376
00:27:21,799 --> 00:27:23,960
now to release music. There's also so many different ways

377
00:27:24,000 --> 00:27:26,079
now to record music. You know, you can you can

378
00:27:26,160 --> 00:27:30,119
go to a recording studio like a lot of our guests,

379
00:27:30,160 --> 00:27:33,960
for example, they go to Eric Sotter at Blackheart. You

380
00:27:34,079 --> 00:27:36,319
can do that and and get great results. But you

381
00:27:36,359 --> 00:27:38,839
can also if you know what you're doing, you can

382
00:27:39,240 --> 00:27:42,119
record in your living room and get great results too.

383
00:27:43,160 --> 00:27:44,480
What's what's your process?

384
00:27:44,640 --> 00:27:44,680
Speaker 13: What?

385
00:27:44,839 --> 00:27:44,880
Speaker 7: What?

386
00:27:45,079 --> 00:27:46,400
Speaker 16: How did you record this music?

387
00:27:46,640 --> 00:27:51,480
Speaker 17: This is as de i y cheap as possible, the

388
00:27:51,799 --> 00:27:54,960
total black metal essence if you know anything about black

389
00:27:55,000 --> 00:28:00,599
metal recording on a little you know, tape tape recorder, yeah, essence.

390
00:28:00,759 --> 00:28:10,559
But now new in the new age, just starting mostly

391
00:28:10,680 --> 00:28:15,319
USB USB microphones, electronic drums. I got an SD twelve

392
00:28:15,400 --> 00:28:19,079
hundred kit and that I tweaked it to make it

393
00:28:19,200 --> 00:28:22,720
sound as real as possible, so hopefully you wouldn't be

394
00:28:22,720 --> 00:28:28,640
able to tell. But as actual writing and that goes,

395
00:28:28,680 --> 00:28:32,079
I start with guitar, get the skeleton of the song,

396
00:28:33,160 --> 00:28:36,519
and then I'll click it out with a metronome and

397
00:28:36,599 --> 00:28:43,079
then record drums to the scratch guitar, oh for real interesting,

398
00:28:43,839 --> 00:28:46,480
and then I'll do real guitars over that and real

399
00:28:46,839 --> 00:28:47,720
you know everything else.

400
00:28:48,519 --> 00:28:53,640
Speaker 16: Yeah, so for you, So it's easiest to get that

401
00:28:53,839 --> 00:28:57,599
scratch guitar track down first, so you know where you

402
00:28:57,680 --> 00:29:00,240
are in the song, and then you do the Yeah,

403
00:29:00,279 --> 00:29:03,279
the drums do sound realistic. That's another thing too, that's

404
00:29:03,359 --> 00:29:07,319
amazing about I know, because there was a time when

405
00:29:07,599 --> 00:29:11,160
you know, you could tell right like like twenty years

406
00:29:11,160 --> 00:29:13,839
ago if you heard something I mean, not necessarily something

407
00:29:14,279 --> 00:29:16,599
recorded with a drum machine and a million dollar studio,

408
00:29:16,880 --> 00:29:19,480
because they would obviously have a very very good drum machine.

409
00:29:19,720 --> 00:29:22,039
But you know, if you listen to somebody's demo and

410
00:29:22,079 --> 00:29:24,319
it was done with a drum machine, you could tell, yeah,

411
00:29:24,319 --> 00:29:27,079
you know what I mean. But now the drum sounds

412
00:29:27,119 --> 00:29:31,759
are so. We had a guest on a couple of

413
00:29:31,799 --> 00:29:36,119
years ago. I forget his actual his government name as

414
00:29:36,200 --> 00:29:39,480
they say, but he has a project called Downhill Rollers

415
00:29:39,559 --> 00:29:42,759
and it's all him and I just I was floored

416
00:29:42,799 --> 00:29:45,160
when he told me that those were pre program drums

417
00:29:45,200 --> 00:29:48,240
on pro program drums on his tracks, because they sounded

418
00:29:48,319 --> 00:29:50,359
so realistic. I was like, I can't believe you got

419
00:29:50,440 --> 00:29:52,400
such a realistic you know, I mean, it really does

420
00:29:52,480 --> 00:29:54,640
sound like a live drummer. I know some of these

421
00:29:54,720 --> 00:29:57,480
programs too, they have I think they just call it

422
00:29:57,519 --> 00:30:00,720
a humanizer effect, where you can that you can put

423
00:30:00,759 --> 00:30:03,279
on so that it so that it's not quite perfect.

424
00:30:04,119 --> 00:30:06,400
Speaker 17: So that that sounds wild to me. I know, right, No,

425
00:30:06,640 --> 00:30:10,160
this is not quantized to be corrected. This is not

426
00:30:10,440 --> 00:30:11,559
you know, this is not that.

427
00:30:12,000 --> 00:30:17,279
Speaker 16: Yeah, yeah, no, so that's uh, that's amazing. Is the process?

428
00:30:18,200 --> 00:30:21,079
Like if you could put an average on it, how

429
00:30:21,240 --> 00:30:23,440
long does it take? How long did it take you

430
00:30:23,519 --> 00:30:24,599
to record each track?

431
00:30:25,119 --> 00:30:31,000
Speaker 17: Each song on this album, between like writing itself and

432
00:30:31,960 --> 00:30:34,319
recording and everything that goes along with it, probably one

433
00:30:34,400 --> 00:30:38,920
hundred hours of track no kidding, wow, I mean that's

434
00:30:38,920 --> 00:30:44,000
a lot of mixing and too, So that's accounting everything.

435
00:30:44,799 --> 00:30:46,720
Speaker 16: So you do all the mixing yourself and everything.

436
00:30:46,839 --> 00:30:50,440
Speaker 17: Yes, unfortunately that is the most tedious. I dislike that

437
00:30:50,720 --> 00:30:51,119
the most.

438
00:30:51,680 --> 00:30:56,799
Speaker 16: Yeah yeah, well yeah, You're fatigue is probably a big problem,

439
00:30:56,920 --> 00:30:57,240
right sir.

440
00:30:57,440 --> 00:30:59,680
Speaker 17: Yeah, yeah, I don't know if you guys know that.

441
00:30:59,799 --> 00:31:02,160
Me where it's a I've been working on my record

442
00:31:02,200 --> 00:31:04,279
for six hours all night and now it sounds worse.

443
00:31:04,440 --> 00:31:08,720
Speaker 16: Yeah, yeah, yeah do you have to Yeah for listeners

444
00:31:08,759 --> 00:31:12,400
who don't know, uh, you know, if if you listen

445
00:31:12,480 --> 00:31:15,319
to something over and over again as you're working on it,

446
00:31:15,440 --> 00:31:18,279
you kind of get you know, part of it is psychological, right,

447
00:31:18,319 --> 00:31:19,640
you kind of get sick of it, and part of

448
00:31:19,680 --> 00:31:21,359
it I think, I think there is a physical ear

449
00:31:21,400 --> 00:31:23,839
fatigue too that can happen, especially you know if you've

450
00:31:23,839 --> 00:31:25,799
got your headphones really loud because you don't want to

451
00:31:26,240 --> 00:31:28,759
miss anything, but then you know, you start to get

452
00:31:29,160 --> 00:31:31,200
your ears are ringing. You've got tonight, this and the

453
00:31:31,400 --> 00:31:33,319
you know, the whole deal. So yeah, I mean you

454
00:31:33,440 --> 00:31:35,640
probably I assume over the course of this project there

455
00:31:35,680 --> 00:31:37,440
were probably many a moment that you had to just

456
00:31:37,920 --> 00:31:39,279
get up and walk away from it.

457
00:31:39,359 --> 00:31:44,839
Speaker 17: Right you know, yeah, no, absolutely, it I I quantify

458
00:31:45,079 --> 00:31:48,000
like trying to move a mountain with a bucket. It's

459
00:31:48,039 --> 00:31:49,880
like just a little bit at a time. Yeah, you know,

460
00:31:49,960 --> 00:31:51,880
it's a daily process. It's something you got to do

461
00:31:51,960 --> 00:31:54,680
every day. It's like working out, you know, Yeah, you've

462
00:31:54,720 --> 00:31:57,039
got to do it, got to build momentum and.

463
00:31:58,640 --> 00:32:01,880
Speaker 16: You know, yeah, how do you say motivated? I mean

464
00:32:01,920 --> 00:32:03,960
do you over the course of recording this, did you

465
00:32:04,000 --> 00:32:05,680
ever have a moment where you thought, I don't know

466
00:32:05,759 --> 00:32:07,839
if I don't know if I'm on the right the

467
00:32:07,960 --> 00:32:10,039
right track here, no pun intended.

468
00:32:09,640 --> 00:32:14,440
Speaker 17: But yeah, only all the time? Yeah really, yeah, no,

469
00:32:14,720 --> 00:32:17,319
I I was pretty dead set on what I wanted

470
00:32:17,359 --> 00:32:19,880
to do. There was there was a few songs that

471
00:32:19,920 --> 00:32:23,799
didn't make the record. Yeah, but motivation wise, it just

472
00:32:23,920 --> 00:32:27,839
came from came from losing my buddy.

473
00:32:28,200 --> 00:32:34,200
Speaker 16: H So, yeah, do you plan to You strike me

474
00:32:34,200 --> 00:32:37,359
as someone who probably writes a lot. I assume you

475
00:32:37,440 --> 00:32:39,759
have other music that you've written. Do you plan to

476
00:32:39,920 --> 00:32:42,519
continue past this album? Do you plan to do another

477
00:32:42,559 --> 00:32:43,720
one in the future? Yeah?

478
00:32:44,279 --> 00:32:47,680
Speaker 17: My next one is Uncherished. I have nine songs ready

479
00:32:47,759 --> 00:32:47,960
for it.

480
00:32:48,160 --> 00:32:51,079
Speaker 16: Oh wow. Yeah, yeah, so you're already you're already working

481
00:32:51,160 --> 00:32:51,359
on it.

482
00:32:51,440 --> 00:32:53,079
Speaker 17: I've been. I've been sitting on this record for a

483
00:32:53,119 --> 00:32:53,559
little while.

484
00:32:53,799 --> 00:32:54,400
Speaker 16: Yeah, so.

485
00:32:56,240 --> 00:32:59,319
Speaker 17: You know, over the past few months, just been writing

486
00:32:59,519 --> 00:33:02,400
and letting those juices flow and all that.

487
00:33:02,839 --> 00:33:07,200
Speaker 16: Yeah, yeah, outstanding. Well, let's yeah, let's play Yeah, oh yeah,

488
00:33:07,200 --> 00:33:09,359
we got plenty of time. Let's play another one. What

489
00:33:09,440 --> 00:33:10,319
should we play next?

490
00:33:13,799 --> 00:33:16,519
Speaker 17: Queen or King Ween or King?

491
00:33:17,559 --> 00:33:22,640
Speaker 16: All right? And why am I not seeing that I'm

492
00:33:22,640 --> 00:33:24,799
seeing Queen of Queen of Escalation?

493
00:33:25,119 --> 00:33:25,319
Speaker 17: Yeah?

494
00:33:25,680 --> 00:33:26,200
Speaker 16: Oh is that it?

495
00:33:26,400 --> 00:33:27,240
Speaker 17: Yeah? Let's roll with that.

496
00:33:27,480 --> 00:33:30,079
Speaker 16: Oh, I see you weren't saying okay queen or uh

497
00:33:30,160 --> 00:33:33,640
I'm sorry. Oh you were offering me two options because

498
00:33:33,680 --> 00:33:37,079
you have you have Queen of Escalation and King of inattention.

499
00:33:37,200 --> 00:33:41,400
Speaker 17: Okay, all right, I'm taking shots at myself and everyone else.

500
00:33:42,720 --> 00:33:45,240
Speaker 16: What's the okay, so Queen of Escalation will play and

501
00:33:45,319 --> 00:33:47,319
what's a story behind this one?

502
00:33:48,680 --> 00:33:53,640
Speaker 17: Just a significant other at the time and a relationship song. Yeah, yep.

503
00:33:54,480 --> 00:33:56,920
Can never win, you can never get ahead. You can

504
00:33:57,000 --> 00:34:01,400
never You know, everyone's been there, so I hope not everyone.

505
00:34:01,519 --> 00:34:05,359
Speaker 16: But I have to ask has she heard this that

506
00:34:05,519 --> 00:34:05,880
you know of?

507
00:34:06,839 --> 00:34:07,039
Speaker 2: Yes?

508
00:34:09,599 --> 00:34:11,639
Speaker 16: And what how do she like it?

509
00:34:12,039 --> 00:34:12,199
Speaker 1: Yeah?

510
00:34:12,400 --> 00:34:12,800
Speaker 17: Just into it?

511
00:34:13,280 --> 00:34:13,840
Speaker 16: She is good?

512
00:34:14,039 --> 00:34:15,400
Speaker 17: Okay, good, no love loss?

513
00:34:15,639 --> 00:34:18,480
Speaker 16: Okay, that's good. All right, Let's give this a listen.

514
00:34:18,519 --> 00:34:21,760
This is Queen of Escalation by Wisely Done.

515
00:35:10,079 --> 00:35:10,159
Speaker 7: Man.

516
00:35:10,719 --> 00:35:13,280
Speaker 12: I'm BLI spot by show.

517
00:35:15,719 --> 00:35:21,960
Speaker 2: The talk do sad when back? Who was a boot

518
00:35:22,239 --> 00:35:23,719
sock farther?

519
00:35:24,000 --> 00:35:24,800
Speaker 13: Some want.

520
00:35:26,639 --> 00:35:29,000
Speaker 12: Charge by left.

521
00:35:28,920 --> 00:35:35,880
Speaker 2: For the advert says ll show, I'm st start.

522
00:35:35,840 --> 00:35:45,519
Speaker 12: Weird side to time and save long blast my son.

523
00:35:47,880 --> 00:35:52,800
Speaker 10: So my dolls of to rs.

524
00:35:53,800 --> 00:35:59,519
Speaker 12: Came applies spot by chop over.

525
00:36:01,199 --> 00:36:08,440
Speaker 2: N the so doing I started where? Or whip song?

526
00:36:08,880 --> 00:36:14,840
Speaker 12: Wonder my why er song? Let's for a job?

527
00:36:15,159 --> 00:36:15,920
Speaker 7: Friens you so.

528
00:36:16,599 --> 00:36:18,519
Speaker 12: Want so true to nuts.

529
00:36:19,239 --> 00:36:20,920
Speaker 10: I'm outside of low.

530
00:36:22,760 --> 00:37:23,159
Speaker 7: Sight so I'm called.

531
00:37:30,239 --> 00:37:32,440
Speaker 12: Oh I'm going to have to follow their happiness.

532
00:37:49,760 --> 00:37:54,920
Speaker 10: Oh I'm sounds the sun.

533
00:37:57,159 --> 00:37:59,320
Speaker 12: See that's song of the Alser?

534
00:38:02,119 --> 00:38:09,880
Speaker 7: What talk?

535
00:38:13,000 --> 00:38:14,239
Speaker 10: What podcast?

536
00:38:16,599 --> 00:38:23,719
Speaker 12: Why Wow?

537
00:38:23,920 --> 00:38:25,239
Speaker 10: Your bag back?

538
00:38:25,519 --> 00:38:30,840
Speaker 13: Not suck?

539
00:38:31,920 --> 00:38:32,199
Speaker 12: John?

540
00:38:36,719 --> 00:38:36,760
Speaker 7: No?

541
00:38:37,000 --> 00:38:37,039
Speaker 11: Not?

542
00:38:56,880 --> 00:38:59,960
Speaker 16: That is Queen of escalation. The project is wisely done

543
00:39:00,079 --> 00:39:03,159
and we have Stephen Michael done with us here live

544
00:39:03,360 --> 00:39:08,280
in studio, and that is all him and very very cool.

545
00:39:10,840 --> 00:39:16,320
Now are you in terms of going forward with this?

546
00:39:16,719 --> 00:39:16,840
Speaker 7: Uh?

547
00:39:17,159 --> 00:39:21,400
Speaker 16: Will? Because you you mentioned was it I forget enough?

548
00:39:21,440 --> 00:39:21,559
Speaker 11: It was?

549
00:39:21,639 --> 00:39:23,559
Speaker 16: Oh no, it was on Eric. Yeah, we're talking about

550
00:39:23,599 --> 00:39:26,400
the next project. You've already got songs written and ready

551
00:39:26,480 --> 00:39:29,400
to go. Yes, do you have a theme in mind

552
00:39:29,519 --> 00:39:31,800
for that project as well, because this one seems to

553
00:39:31,840 --> 00:39:33,760
have you know, you told us kind of the backstory

554
00:39:33,880 --> 00:39:37,239
of how this came about. Is is there some sort

555
00:39:37,280 --> 00:39:38,840
of a theme with the next album or is it

556
00:39:38,960 --> 00:39:40,880
just going to be more of a collection of songs or.

557
00:39:43,159 --> 00:39:46,280
Speaker 17: In the same way that this is a collection of

558
00:39:46,400 --> 00:39:50,719
songs we're loosely based around you know, myself and everything

559
00:39:50,760 --> 00:39:53,679
in my life. Yeah, it'll be more of the same. Yeah,

560
00:39:53,840 --> 00:39:58,119
but the music is I think stepped up, and I

561
00:39:59,840 --> 00:40:01,960
I I'm definitely taking notes from this album.

562
00:40:02,239 --> 00:40:07,960
Speaker 16: Yeah. Yeah. Will you will your approach change or I

563
00:40:08,039 --> 00:40:10,199
mean in terms of because again, you know, you're doing

564
00:40:10,239 --> 00:40:13,239
everything yourself, so that gives you the freedom to really

565
00:40:13,320 --> 00:40:15,159
kind of do it however you want. Will your your

566
00:40:15,199 --> 00:40:18,239
process change at all? Or do you think you're gonna

567
00:40:18,280 --> 00:40:19,760
do it pretty much the same way.

568
00:40:20,440 --> 00:40:22,639
Speaker 17: I'm gonna do it the same way. The songs are

569
00:40:22,639 --> 00:40:27,280
a little simpler. I can do more layers with guitars

570
00:40:27,440 --> 00:40:34,480
and more harmonies, more solos. Yeah, yeah, improve to me anyway. Yeah, yeah,

571
00:40:34,719 --> 00:40:36,559
it feels it feels good to me. They feel good.

572
00:40:36,880 --> 00:40:39,239
Speaker 16: Do you intend to bring in any guest musicians or

573
00:40:39,280 --> 00:40:41,920
guest vocalists or anything like that, or is it important

574
00:40:41,960 --> 00:40:44,320
to you to kind of keep this, keep this as

575
00:40:44,440 --> 00:40:48,000
your you know, your expression and so forth.

576
00:40:48,480 --> 00:40:52,519
Speaker 17: I'd never considered it to be honest. Yeah, I think

577
00:40:52,559 --> 00:40:57,599
I'm just gonna keep it just just from how from

578
00:40:57,639 --> 00:41:00,599
how it started with me and my buddy. I think

579
00:41:00,599 --> 00:41:01,599
I'm gonna keep it just me.

580
00:41:01,920 --> 00:41:06,239
Speaker 16: Yeah, yeah, that makes sense. Does anybody from Supplication ever

581
00:41:06,280 --> 00:41:08,360
say hey man, i'd like to I'd like to help

582
00:41:08,400 --> 00:41:11,360
you with this or do they do they understand that

583
00:41:11,480 --> 00:41:13,800
this is this is yours and you want to keep

584
00:41:13,840 --> 00:41:14,280
it separate.

585
00:41:14,760 --> 00:41:18,239
Speaker 17: No, they're they're definitely cool with it. They they helped

586
00:41:18,280 --> 00:41:21,440
me pick songs and yeah, you know good. You know,

587
00:41:21,760 --> 00:41:24,639
it's not like, oh yeah, he's he's doing his thing

588
00:41:25,079 --> 00:41:26,519
when he has time, right right.

589
00:41:29,159 --> 00:41:32,159
Speaker 16: No, that's good, that's good that there's no issues there.

590
00:41:32,679 --> 00:41:34,519
Speaker 17: But that's how this whole thing came about.

591
00:41:34,559 --> 00:41:34,719
Speaker 7: You know.

592
00:41:34,800 --> 00:41:36,679
Speaker 17: I was like, you know, we're not really getting a

593
00:41:36,719 --> 00:41:38,679
lot of things done in the band. It's taken a

594
00:41:38,760 --> 00:41:41,199
long time. It's taken years. I'm just gonna learn how

595
00:41:41,239 --> 00:41:44,519
to play drums. Yeah, and then you know, ten fifteen

596
00:41:44,599 --> 00:41:45,000
years later.

597
00:41:45,320 --> 00:41:50,920
Speaker 16: Yeah, we should explain to people too who are listening

598
00:41:50,960 --> 00:41:53,840
who might not know. You know, we've referred to this

599
00:41:54,079 --> 00:41:56,840
genre as black metal. Can you define that for our

600
00:41:56,920 --> 00:41:57,719
listeners who.

601
00:41:58,760 --> 00:42:02,199
Speaker 17: Well, it's definitely not true black metal because that matters

602
00:42:02,239 --> 00:42:06,719
because these people are very elitist and categorical and keeping

603
00:42:06,920 --> 00:42:11,119
and don't listen to me. It's metal with some black

604
00:42:11,199 --> 00:42:14,800
metal influences. Okay, but definitely has the spirit, yeah, the

605
00:42:14,920 --> 00:42:15,880
lo fi spirit.

606
00:42:16,119 --> 00:42:16,320
Speaker 16: Yeah.

607
00:42:18,440 --> 00:42:22,440
Speaker 17: Yeah, black metal itself like from the eighties, like the

608
00:42:22,519 --> 00:42:27,360
whole you know, Norwegian stuff, Yeah, Satanic panic and all that.

609
00:42:27,519 --> 00:42:32,000
And then forty years later it's just kind of a influence.

610
00:42:32,440 --> 00:42:34,719
Speaker 16: Yeah. I mean it's tricky when you get into genres

611
00:42:34,760 --> 00:42:37,639
and labels and everything, because you're right, I mean, people

612
00:42:38,199 --> 00:42:43,760
people argue over you know, what is well, first of all,

613
00:42:43,880 --> 00:42:46,800
people have difficulty even agreeing what is quote unquote metal.

614
00:42:47,159 --> 00:42:49,559
You know, some some people have a very narrow definition

615
00:42:49,639 --> 00:42:51,920
of metal. Some people think that only the very heaviest

616
00:42:52,079 --> 00:42:54,760
of metal is truly metal. Yeah, and some people think

617
00:42:54,800 --> 00:42:57,079
a band like Poison, you know, we used to call

618
00:42:57,119 --> 00:42:59,920
it hair metal. You know, it's like, well metal though,

619
00:43:00,360 --> 00:43:03,719
is that? You know, it's it's uh, you know, nobody agrees.

620
00:43:03,960 --> 00:43:06,119
Speaker 17: Or a kid might say now like oh Disturbed or

621
00:43:06,199 --> 00:43:08,840
five Finger Death Punch like yes, okay, they are they

622
00:43:08,880 --> 00:43:12,440
are metal, yes, but whether or not those who are

623
00:43:12,480 --> 00:43:13,519
into metal like them.

624
00:43:14,000 --> 00:43:18,719
Speaker 16: Right, Yeah. Yeah, I worked in so I used to uh,

625
00:43:19,079 --> 00:43:21,000
well when an interview do before I was working there

626
00:43:21,079 --> 00:43:25,239
actually at Strawberries you remember Strawberries, Oh yeah, I love that. Yeah,

627
00:43:25,599 --> 00:43:29,039
And and then eventually Fye because they bought us. But

628
00:43:30,559 --> 00:43:34,320
I worked in different locations over the years with that company,

629
00:43:34,360 --> 00:43:38,000
and there was one there was one location. You know

630
00:43:38,039 --> 00:43:40,679
how the CDs, remember, they would be broken out back category,

631
00:43:41,280 --> 00:43:43,880
so you add most of the stores, you know, like

632
00:43:44,159 --> 00:43:48,000
anything popular. You know, we had like we had a pop,

633
00:43:48,280 --> 00:43:51,840
R and B rock section which is what dominated the store,

634
00:43:52,400 --> 00:43:54,800
which would basically, you know, like you would have Disturbed

635
00:43:54,840 --> 00:43:56,840
in there, but you would also have Jennifer Lopez in

636
00:43:56,880 --> 00:43:59,280
There was just kind of everything sure, you know, everything

637
00:43:59,320 --> 00:44:02,519
that wasn't cansidered quote unquote niche or niche I guess

638
00:44:02,559 --> 00:44:04,000
now everyone says niche, but.

639
00:44:05,280 --> 00:44:06,000
Speaker 17: There was world.

640
00:44:06,559 --> 00:44:09,360
Speaker 16: Yeah, there was one location that I worked in that

641
00:44:09,440 --> 00:44:13,199
actually had a metal section because I guess they felt

642
00:44:13,239 --> 00:44:15,079
that it I can't remember which one it was, but

643
00:44:15,199 --> 00:44:19,280
I guess they felt that it was appropriate for that location.

644
00:44:19,920 --> 00:44:22,760
But it was weird because I always thought it was

645
00:44:22,960 --> 00:44:26,079
just awkward because inevitably, you know, people would come in

646
00:44:26,159 --> 00:44:28,480
and they'd be looking for things in the metal section

647
00:44:28,800 --> 00:44:30,760
that wouldn't be there that they thought should be there,

648
00:44:30,800 --> 00:44:33,679
but they'd be in this broader pop rock section and

649
00:44:33,760 --> 00:44:36,199
there and there'd be people who would be like, well,

650
00:44:36,440 --> 00:44:38,239
you know, they'd find things in the metal section that

651
00:44:39,119 --> 00:44:41,039
you know, they didn't think should be there, and they

652
00:44:41,320 --> 00:44:45,639
would would complain about that. And that same location we

653
00:44:45,719 --> 00:44:48,760
also had a punk section, and you can imagine what

654
00:44:48,840 --> 00:44:51,440
a nightmare that would be, you know, because you know,

655
00:44:51,519 --> 00:44:53,519
you put Green Day in there and then people are

656
00:44:53,599 --> 00:44:56,840
mad about it. You have great well, you know, we

657
00:44:56,960 --> 00:44:59,079
generally consider them a punk band, but why they're not

658
00:44:59,199 --> 00:45:00,079
real punkin.

659
00:45:00,079 --> 00:45:01,599
Speaker 17: You know, it's just like, do we need a pop

660
00:45:01,639 --> 00:45:02,159
punk section?

661
00:45:02,599 --> 00:45:02,840
Speaker 7: Yeah?

662
00:45:03,440 --> 00:45:07,199
Speaker 16: It just we probably should have had one. But you know,

663
00:45:07,559 --> 00:45:09,840
when you get into the labels and the genres and everything,

664
00:45:09,840 --> 00:45:10,320
it's tricky.

665
00:45:10,480 --> 00:45:10,639
Speaker 2: Yeah.

666
00:45:10,719 --> 00:45:15,800
Speaker 17: Yeah, I've found so many random fines and fantastic albums

667
00:45:15,920 --> 00:45:20,920
just through through looking. I missed, I miss actual CDs? Yes, absolutely, yeah.

668
00:45:21,360 --> 00:45:23,519
Speaker 16: Do you plan to release release this on or maybe

669
00:45:23,519 --> 00:45:25,239
you already have a CD?

670
00:45:25,440 --> 00:45:27,599
Speaker 17: Or I want to get it picked up my label

671
00:45:27,639 --> 00:45:30,760
and just do a small yeah, you know, one hundred

672
00:45:30,800 --> 00:45:32,239
five hundred thousand whatever it is.

673
00:45:32,559 --> 00:45:36,840
Speaker 16: Yeah, yeah, no, that's that's great. His supplication. Do you

674
00:45:36,880 --> 00:45:38,840
guys have anything out on CD earlier?

675
00:45:39,519 --> 00:45:41,719
Speaker 17: Yeah? I almost gave you one, but I'm a terrible

676
00:45:42,119 --> 00:45:45,480
test that's all right. It was from two years ago.

677
00:45:45,519 --> 00:45:47,320
We had an album. Okay, I can't tell you a

678
00:45:47,360 --> 00:45:51,519
little record label, but yeah, yeah, yeah, we'll have we'll

679
00:45:51,519 --> 00:45:54,280
have a new EP coming out next year. Oh excellent, excellent,

680
00:45:54,360 --> 00:45:55,280
we got eight songs.

681
00:45:56,000 --> 00:45:58,639
Speaker 16: That's another thing I remember from my days at Strawberries

682
00:45:58,760 --> 00:46:00,760
was when everyone would talk about, oh see, you know,

683
00:46:01,039 --> 00:46:03,880
because like I was working there when Napster first became

684
00:46:03,920 --> 00:46:08,000
a big deal, and uh, everybody was like, oh, that's

685
00:46:08,039 --> 00:46:10,599
the end of CDs, you know, and then Napster kind

686
00:46:10,599 --> 00:46:13,159
of faded. But then Spotify came in and you know,

687
00:46:13,400 --> 00:46:15,519
iTunes and everything, and everybody was like, oh, that's the

688
00:46:15,639 --> 00:46:17,960
end of CDs. And here we are in twenty twenty

689
00:46:18,000 --> 00:46:21,159
four and there's still you know, like our first guests,

690
00:46:21,199 --> 00:46:23,239
the Forrest Forgets gave us a CD. You know, there's

691
00:46:23,239 --> 00:46:26,760
still lots of CDs. Guest, Yeah, all right, that's all right.

692
00:46:27,480 --> 00:46:28,519
It's the thought that counts.

693
00:46:28,599 --> 00:46:32,159
Speaker 17: Yeah, I did. I was, I was here, I was

694
00:46:32,239 --> 00:46:33,960
on the throne. I'm like, yeah, I should totally get

695
00:46:33,960 --> 00:46:35,960
them something, right.

696
00:46:37,679 --> 00:46:41,760
Speaker 10: But you're no, I didn't need to know where you

697
00:46:41,840 --> 00:46:42,239
were thinking.

698
00:46:42,440 --> 00:46:43,880
Speaker 17: Oh come on, that doesn't matter.

699
00:46:44,280 --> 00:46:46,840
Speaker 16: It's fine. Some of them were men. We do our

700
00:46:46,880 --> 00:46:47,960
best thinking there, right.

701
00:46:48,119 --> 00:46:49,239
Speaker 17: I was on the drum throne.

702
00:46:49,679 --> 00:46:52,039
Speaker 16: Right, that's that's that's clearly what you meant.

703
00:46:52,239 --> 00:46:55,760
Speaker 17: Yes, highlight.

704
00:46:57,360 --> 00:47:00,440
Speaker 16: And what about any kind of visual representation for any

705
00:47:00,440 --> 00:47:02,159
of these songs? You plan to do any any kind

706
00:47:02,159 --> 00:47:02,880
of videos or anything.

707
00:47:03,159 --> 00:47:08,119
Speaker 17: Yeah, you know Rob Thomas kid very well, Yeah he does,

708
00:47:08,559 --> 00:47:09,559
he does his video.

709
00:47:09,880 --> 00:47:11,719
Speaker 16: Oh he's killing it right now.

710
00:47:11,840 --> 00:47:13,239
Speaker 17: Yeah, yeah, he found his.

711
00:47:14,000 --> 00:47:17,840
Speaker 16: Fourth Kind films niche yep, yep, Yeah, Rob's doing great.

712
00:47:19,480 --> 00:47:23,599
I've interviewed him. He actually, he might hold the record

713
00:47:23,760 --> 00:47:28,719
for a number of times interviewed by me. Oh, I've

714
00:47:28,840 --> 00:47:33,719
probably interviewed him. Not quite double digits, but close.

715
00:47:34,480 --> 00:47:35,719
Speaker 17: He is relentless in his work.

716
00:47:35,960 --> 00:47:39,320
Speaker 16: Yes, yes, and he's fascinating to talk to, a great guy,

717
00:47:39,920 --> 00:47:42,920
so talented. But I think the next time I interview him,

718
00:47:42,960 --> 00:47:44,760
because I'm sure we'll have him on the show again soon.

719
00:47:45,400 --> 00:47:48,199
Uh it may it may not be as Kadaver, it

720
00:47:48,280 --> 00:47:51,119
may be as as as Rob. Because I think he's

721
00:47:51,199 --> 00:47:54,199
kind of now that he's so successful with Fourth Kind Films,

722
00:47:54,239 --> 00:47:56,039
I think he's kind of leaving Kaydaver behind.

723
00:47:56,280 --> 00:48:00,559
Speaker 17: Yeah yeah, yeah, sorry, I didn't know it on the spot,

724
00:48:00,679 --> 00:48:02,239
but oh.

725
00:48:02,199 --> 00:48:05,159
Speaker 16: The Fourth Kind of Films Yeah yeah, yeah, but no,

726
00:48:05,320 --> 00:48:08,920
he's he's doing fantastic. Yeah, so you're gonna do a

727
00:48:09,000 --> 00:48:12,599
video with him? Yeah, excellent, very cool. Do you know

728
00:48:12,639 --> 00:48:13,519
what what track yet?

729
00:48:13,639 --> 00:48:16,039
Speaker 17: Or I have absolutely no idea? Yeah, it's such a

730
00:48:16,280 --> 00:48:18,519
It was pulling teeth trying to figure out which songs

731
00:48:18,519 --> 00:48:19,480
I was gonna play here?

732
00:48:19,800 --> 00:48:24,360
Speaker 16: Yeah, the way here Yeah, yeah, no doubt, no doubt.

733
00:48:24,679 --> 00:48:27,159
Well we do, we have time, we'll we'll play uh,

734
00:48:27,280 --> 00:48:29,280
we'll play one more. In a moment, I was thinking

735
00:48:29,360 --> 00:48:31,239
maybe we should play the We'll play the King of

736
00:48:31,320 --> 00:48:34,119
an attention since we played the Queen of Escalation.

737
00:48:34,280 --> 00:48:35,079
Speaker 17: All right, sounds good?

738
00:48:35,159 --> 00:48:38,119
Speaker 16: And I have a feeling and not just because of

739
00:48:38,199 --> 00:48:40,840
the royalty presented by the titles, but I have a

740
00:48:40,880 --> 00:48:43,320
feeling these are these are these songs connected? Is this

741
00:48:43,440 --> 00:48:46,719
also a relationship related song?

742
00:48:47,000 --> 00:48:49,519
Speaker 17: Yeah? Yeah? Taking shots at myself this time?

743
00:48:49,679 --> 00:48:52,960
Speaker 16: Ah yes, same same relationship.

744
00:48:52,440 --> 00:48:57,480
Speaker 17: Though, or that and with added context of my son.

745
00:48:58,039 --> 00:49:01,679
Oh okay, he's uh, he's a very bright little boy,

746
00:49:01,800 --> 00:49:06,559
but he's also he's also special needs. Okay, Okay, there's

747
00:49:06,719 --> 00:49:09,639
there has been blame and there has been heartache and

748
00:49:10,119 --> 00:49:11,000
it's been a long road.

749
00:49:11,360 --> 00:49:15,599
Speaker 16: Yeah no, that's that's uh, that's challenging though, So you know, good,

750
00:49:15,719 --> 00:49:17,679
good for you to be able to handle that, Oh,

751
00:49:17,880 --> 00:49:22,280
thank you and absolutely absolutely. And where should people go online?

752
00:49:22,320 --> 00:49:23,840
I want to make sure everyone knows where to find

753
00:49:23,840 --> 00:49:25,280
your music. Where's the best place to go?

754
00:49:26,639 --> 00:49:31,440
Speaker 17: Facebook, Apple, Amazon, pretty much all the little streaming services

755
00:49:31,519 --> 00:49:36,559
that people use and don't. Yeah, yeah, right now. You

756
00:49:36,639 --> 00:49:39,559
can get hold of me pretty much every day on TikTok. Okay,

757
00:49:39,719 --> 00:49:43,119
that's been a big thing at Stephen Michael Dunn. But

758
00:49:43,360 --> 00:49:48,320
I'm always posting wisely done stuff and I'm posting supplication stuff.

759
00:49:49,079 --> 00:49:54,119
Speaker 16: And yeah, excellent, excellent, very good. So we'll we'll hit

760
00:49:54,199 --> 00:49:56,519
that track in a moment. And Jenny, you want to

761
00:49:56,559 --> 00:49:58,800
plug your your website, sure you.

762
00:49:58,840 --> 00:50:01,360
Speaker 20: Can check out more on me gencoffee dot com j

763
00:50:01,480 --> 00:50:03,719
E N N co o f f ui dot com.

764
00:50:04,000 --> 00:50:05,880
And don't forget one of my paintings is hanging at

765
00:50:05,920 --> 00:50:09,480
the Mosaic Art Collective, part of the Full Circle the

766
00:50:09,519 --> 00:50:12,039
Speed of Light Show, which is on exhibit for the month.

767
00:50:12,559 --> 00:50:15,760
Check it out at sixty six Hanover Street here in

768
00:50:15,800 --> 00:50:16,440
the Queen City.

769
00:50:16,760 --> 00:50:19,280
Speaker 16: Yes, and that will be up until the end of September,

770
00:50:19,400 --> 00:50:21,400
the end of the month. Yeah, the painting, yeah, yeah,

771
00:50:21,519 --> 00:50:21,880
very good.

772
00:50:22,079 --> 00:50:23,880
Speaker 20: And they are doing in our call right now. For

773
00:50:24,000 --> 00:50:26,280
the next show on spell Bounds. We'll go check it out,

774
00:50:26,519 --> 00:50:27,079
submit your.

775
00:50:27,000 --> 00:50:30,760
Speaker 16: Work, yes, yes, and let's see so if you miss

776
00:50:30,760 --> 00:50:32,159
any part of today's show and we'll be up in

777
00:50:32,280 --> 00:50:35,039
just a little bit at wmnhradio dot organ in my

778
00:50:35,119 --> 00:50:37,719
website Matt Connorton dot com. Thank you again, of course

779
00:50:37,800 --> 00:50:40,360
to the Forest Forgets for joining us in the first

780
00:50:40,440 --> 00:50:41,920
hour and of course in the second hour we had

781
00:50:42,079 --> 00:50:45,480
justin from four HM Clothing along with Joey Painter here

782
00:50:45,519 --> 00:50:49,559
and really loved speaking with them and Stephen Michael done.

783
00:50:49,599 --> 00:50:51,719
Thank you again so much, my friend for reaching out.

784
00:50:51,719 --> 00:50:53,559
It's great to see you. It's been it's been a

785
00:50:53,599 --> 00:50:54,559
long day as well.

786
00:50:54,639 --> 00:50:55,920
Speaker 17: Yes, absolutely yeah.

787
00:50:56,039 --> 00:50:58,039
Speaker 16: Where do the years go? And as we get older

788
00:50:58,119 --> 00:51:00,639
the time goes quicker if you notice, absolutely it's not

789
00:51:00,679 --> 00:51:02,239
a good thing. It's not a good thing.

790
00:51:02,280 --> 00:51:11,079
Speaker 17: I don't remember. But what did you eat last week? Exactly?

791
00:51:11,519 --> 00:51:11,840
Speaker 15: All right?

792
00:51:11,960 --> 00:51:14,360
Speaker 16: So we will we will close out with this. This

793
00:51:14,639 --> 00:51:17,519
is uh wisely done, is the project, and this is

794
00:51:17,639 --> 00:51:21,360
called King of Inattention.

795
00:51:57,159 --> 00:51:58,480
Speaker 12: Dogs over show.

796
00:52:00,119 --> 00:52:10,199
Speaker 21: Shot stop war Well what side where that n snot

797
00:52:10,519 --> 00:52:11,719
nine thous.

798
00:52:13,760 --> 00:52:28,599
Speaker 12: So smoo.

799
00:52:24,119 --> 00:52:29,400
Speaker 10: Stop a way far south round job sence.

800
00:52:30,880 --> 00:52:39,199
Speaker 12: So start round, stop.

801
00:52:40,960 --> 00:52:49,159
Speaker 2: Out and never until started out fo no side like

802
00:52:50,199 --> 00:52:55,599
shot start stop started side down to try.

803
00:52:55,360 --> 00:53:00,119
Speaker 10: To say my shots that.

804
00:53:04,639 --> 00:53:05,639
Speaker 12: Go over.

805
00:53:08,679 --> 00:53:16,719
Speaker 2: Third that it says, why the gon now way out,

806
00:53:17,000 --> 00:53:17,920
sun down.

807
00:53:18,039 --> 00:53:27,199
Speaker 1: Town right, doll walk bo hour, no stratsprit sprat by John,

808
00:53:27,480 --> 00:53:30,280
nobody care, no one was there and it was something

809
00:53:30,320 --> 00:53:39,320
I blot them out double It's fine after did it?

810
00:53:39,519 --> 00:53:43,440
Speaker 10: Joe got to attacks.

811
00:53:43,239 --> 00:53:51,960
Speaker 12: Like by time by a finn by Jack that so

812
00:53:53,039 --> 00:54:07,960
sass to one.

813
00:54:10,119 --> 00:54:19,519
Speaker 15: To tat tll so I know ust songs of rock

814
00:54:20,840 --> 00:54:49,440
don't say at set.

815
00:54:40,519 --> 00:54:41,039
Speaker 12: Your pa.

816
00:54:45,920 --> 00:54:52,599
Speaker 10: Jump right, so things of.

817
00:54:55,480 --> 00:54:56,559
Speaker 2: A simil.

818
00:55:17,639 --> 00:55:21,880
Speaker 12: Meaning to such.

819
00:55:21,760 --> 00:55:31,039
Speaker 10: Trust think my cousin's say. I think it was answers.

820
00:55:34,039 --> 00:55:34,639
Speaker 7: I need.

821
00:55:36,199 --> 00:55:38,599
Speaker 12: To jump in the story.

822
00:55:40,119 --> 00:55:45,239
Speaker 6: Kind of sports us keep thinking, thinking out learning and

823
00:55:47,159 --> 00:55:59,239
you are so super than so time what you call suss.

824
00:56:13,960 --> 00:56:14,559
Speaker 7: This was.

825
00:56:18,239 --> 00:56:24,960
Speaker 10: Searching for coss front I saw from all you said.

826
00:56:29,239 --> 00:56:51,519
Speaker 12: The seconds said, I still kill jumping shot drop on

827
00:56:51,679 --> 00:56:53,039
it way.

828
00:56:53,199 --> 00:56:55,519
Speaker 13: So fast way to.

829
00:56:58,639 --> 00:57:24,800
Speaker 12: Sorry, I'm or lives for nothing your right and you'll

830
00:57:24,920 --> 00:57:26,519
try to cannot.

831
00:57:26,280 --> 00:57:30,480
Speaker 6: Or contentment for your uh my friend, but why everythings

832
00:57:30,559 --> 00:57:31,800
now where still laughs?

833
00:57:31,880 --> 00:57:35,000
Speaker 10: And I said you like work the great not to

834
00:57:35,239 --> 00:57:40,960
day where about your just stay where about it?

835
00:57:47,239 --> 00:57:48,559
Speaker 19: Just stay for the those.

836
00:57:48,480 --> 00:58:07,639
Speaker 10: Uns u sure doms well you were as a pup er, s.

837
00:58:10,920 --> 00:58:11,760
Speaker 13: Er sick.

838
00:58:14,519 --> 00:58:18,199
Speaker 12: Joy wows.

839
00:59:08,440 --> 00:59:11,159
Speaker 5: When it comes to keeping WMNH on the air and

840
00:59:11,280 --> 00:59:15,039
your own personal or business computer needs, trust growl ind Computers,

841
00:59:15,280 --> 00:59:19,039
located on Elm Street in Manchester. Grolin handles computer repair,

842
00:59:19,280 --> 00:59:22,119
virus removal and custom built systems. Are you looking for

843
00:59:22,239 --> 00:59:25,559
budget friendly options check out our selection of fully inspected

844
00:59:25,679 --> 00:59:29,760
used computers. We offer tailored on site solutions no unnecessary

845
00:59:29,840 --> 00:59:33,440
expenses here. Visit Growlin dot com or call Grollin Computers

846
00:59:33,559 --> 00:59:37,159
at six zero three six four five zero one zero one.

847
00:59:37,360 --> 00:59:39,960
Your tech, your way, Trust growl In Computers