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<v Speaker 1>Petree Wine brings you.

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<v Speaker 2>Basil rock Phone and Nigel Bruce and the new adventures

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<v Speaker 2>of Sherlock Holmes. The Petrie family, the family that took

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<v Speaker 2>time to bring you good wine.

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<v Speaker 1>Invite you to listen to doctor Wahston tell us another.

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<v Speaker 2>Exciting adventure he shared with his old friend, that brilliant

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<v Speaker 2>detective Sherlock Holmes, and say, why do you lend an

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<v Speaker 2>ear to the good doctor? Use a lot of pleasure

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<v Speaker 2>out the glass of rich ruby red Petrie California Port.

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<v Speaker 1>Just sit back and sip that petre Port leisurely. There's

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<v Speaker 1>the wine.

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<v Speaker 2>It's just perfect after dinner, a wine that really goes

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<v Speaker 2>with storytelling and conversation. Petre Port is as rich in

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<v Speaker 2>flavor as it is in.

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<v Speaker 1>Color and water.

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<v Speaker 2>Flavor, full, hearty, and delicious. I can't think of a

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<v Speaker 2>better way to express your hospitality than to offer your

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<v Speaker 2>friends a glass of good petre Port. Serve that petri

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<v Speaker 2>Port alone, or serve it with fruit or nuts, or

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<v Speaker 2>with cake or sandwiches. No matter how you serve it,

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<v Speaker 2>you can serve that pet tree Port proudly. Because the

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<v Speaker 2>name Petrie is the proudest name in the history of

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<v Speaker 2>American wine. Well, we are once again keeping our weekly

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<v Speaker 2>date with doctor Watson.

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<v Speaker 1>Good evening, doctor, what the evening?

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<v Speaker 3>Come in and join me. You see the peppers have

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<v Speaker 3>been keeping your chair warm for you.

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<v Speaker 2>Shove them off, No, doctor, I don't want to disturb them.

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<v Speaker 2>They look much too comfortable. I'll sit up here.

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<v Speaker 4>Thanks mis to Becco and the job. Beside your cigarettes

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<v Speaker 4>in the box. It's some excellent port on the sideboard.

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<v Speaker 3>So make yourself for tone.

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<v Speaker 1>Thanks doctor.

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<v Speaker 2>Are you already with the nice news Sherlin's Adventure?

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<v Speaker 3>Yes, it's about tell.

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<v Speaker 4>I'm afraid after all these years it's good. Been a

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<v Speaker 4>little hard for me to recapture for you the spit.

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<v Speaker 3>It of the story.

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<v Speaker 2>Last week you told us that a band of gypsy's

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<v Speaker 2>played a prominent part in the adventure.

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<v Speaker 4>Yes, I did, indeed, And it was amid that colorful

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<v Speaker 4>atmosphere that my story begins. As in the autumn of

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<v Speaker 4>eighteen hundred and ninety, my old friend Showock Holmes had

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<v Speaker 4>persuaded me to leave the comforts of my domestic fireside

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<v Speaker 4>for a few days and to accompany him to the

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<v Speaker 4>tiny village of Bragston on the Marsh, in the heart

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<v Speaker 4>of the Norfolk Fen district.

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<v Speaker 1>What took shell I corns up there, doctor, I'm afraid that.

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<v Speaker 4>At the time we left London, mister Barchell he concealed

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<v Speaker 4>his two purpose from me, saying only that he wanted

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<v Speaker 4>friendly companionship and a strong right arm. Not until later

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<v Speaker 4>did I learn that he was then on the track

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<v Speaker 4>of one of the last clues that led to the

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<v Speaker 4>confining of Maria a gang.

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<v Speaker 3>But to get on with my story. He arrived at Bragston.

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<v Speaker 4>On the Marsh and settled out those in the village inn,

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<v Speaker 4>and after an early dinner, we strolled across the fields to.

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<v Speaker 3>The gypsy fair that was in camped nearby. It was

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<v Speaker 3>a colorful sight.

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<v Speaker 4>Mister Bartell napped for flares, lighted a group of tents

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<v Speaker 4>and caravans dotted round the edge of the marsh, and

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<v Speaker 4>as gold earing gypsy girls told fortunes and danced spot

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<v Speaker 4>their gypsy men. They on their violins the haunting melodiers

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<v Speaker 4>of their ancestors. We watched the side shows for a

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<v Speaker 4>few moments, and then stole towards the center of the

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<v Speaker 4>gypsy encampment. It seems only like yesterday, mister Bartel, As.

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<v Speaker 1>Holmes turned to me and said, far quiet on Baker Street,

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<v Speaker 1>isn't it what?

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<v Speaker 4>Yes, indeed, just the same homes. I'm convinced that you're

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<v Speaker 4>not here purely at holiday. You're on the trail of.

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<v Speaker 1>Some criminal no chab, I'm on the trail of clu

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<v Speaker 1>the clo I find it may lead to the concounding

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<v Speaker 1>of the Mariati gang.

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<v Speaker 4>Holmes, can't you be a little more explicit? After all,

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<v Speaker 4>I left my wife and I practice. I'd ask you

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<v Speaker 4>any questions.

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<v Speaker 3>Surely, and I were up here, you can let me

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<v Speaker 3>know what's the food all blood.

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<v Speaker 2>I'm searching for a young gypsy by the name of

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<v Speaker 2>Primus Urn. He disappeared recently from London, and it's vital

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<v Speaker 2>that I find him. I know that he can give

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<v Speaker 2>me some essential information on our old enemy, Professor Mariati.

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<v Speaker 3>And you're expecting to find the gypsy here.

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<v Speaker 1>I hope to get news of him.

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<v Speaker 2>At least his father, Jasper Herne, is head of this

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<v Speaker 2>particular encampment.

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<v Speaker 3>Why don't you ask if you will see here?

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<v Speaker 1>That's what I'm about to do. My diploge here comes

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<v Speaker 1>to justin ask him, all right, oh excuse me, you

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<v Speaker 1>speak to me? Can you tell me where I might

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<v Speaker 1>signed that mister Jasper hern what you want with chessper her?

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<v Speaker 1>I have a message for his son Pyramus that is

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<v Speaker 1>different just for her and stands in the boot yonder.

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<v Speaker 1>He is the timber Lankro.

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<v Speaker 2>He's a gentleman engaged in an interesting exhibition of skill

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<v Speaker 2>involving three thimbles and a p.

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<v Speaker 1>What our American cousins referred to I understand as the

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<v Speaker 1>old show game. Let's still over the show.

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<v Speaker 2>We also would wish to talk to Jasper, would be

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<v Speaker 2>better to wait until he is finished.

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<v Speaker 1>The timber Angro needs all his wits.

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<v Speaker 3>Abat do y'ell? Look at that stunning girl and the

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<v Speaker 3>tent over there? Who who she heard?

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<v Speaker 1>That is penning their eyes stuckering? That is legy Lydia

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<v Speaker 1>pentele Angro.

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<v Speaker 2>Excuse me, I shall tell Jasper to expect you late.

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<v Speaker 3>I can't understand the word they say. I'm telling you what.

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<v Speaker 2>At last, my dear fellow, you can appreciate how I

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<v Speaker 2>have felt at times, but at least their words are clear,

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<v Speaker 2>even if even if the sense is not to someone

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<v Speaker 2>who is unfamiliar with the Romany language.

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<v Speaker 4>I don't know why you keep thinking that I am

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<v Speaker 4>hard to understand no one else ever complains of it.

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<v Speaker 3>In any case, what does Penning will feel about me?

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<v Speaker 1>The whole hell?

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<v Speaker 2>If I remember rightly Penning ducker In is telling fortunes,

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<v Speaker 2>and from the sound of things, Lydia Pentelanngro is not great.

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<v Speaker 1>It pleased with the duck, and.

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<v Speaker 3>She pens no more. Lydia can tell no more fortune.

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<v Speaker 1>Come on, Watson, let's see what the trouble is. What

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<v Speaker 1>do you mean you.

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<v Speaker 5>Must finish it all of my beard.

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<v Speaker 1>If the young lady doesn't want to tell my fault.

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<v Speaker 3>You rubbish.

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<v Speaker 1>You cross her power with though.

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<v Speaker 6>But she's taking money on the false.

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<v Speaker 7>Pretensive, kid, I'd give you your silver back.

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<v Speaker 6>Lydia has never taken money under false pretenses, nor has

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<v Speaker 6>she told the future when she don't wish to goodbye

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<v Speaker 6>to you.

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<v Speaker 5>The insolence of these gypsus is intolerable.

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<v Speaker 1>If I had my way, they'd be run.

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<v Speaker 3>Out of the county.

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<v Speaker 5>Now, my dear, don't get so excited. The poor goes

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<v Speaker 5>probably ring nature's tread goat.

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<v Speaker 3>Isn't it hurt? I don't think I have the pleasure

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<v Speaker 3>of your oh, dear me, it's mister Sherlock Holmes. Yes, sir, well,

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<v Speaker 3>bless my soul.

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<v Speaker 5>I haven't seen you since that last meeting is the

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<v Speaker 5>Geographical Society.

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<v Speaker 3>I'd like you to meet my wife.

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<v Speaker 1>How do you do, missus? Fredgold?

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<v Speaker 3>How?

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<v Speaker 1>And this is my friend, doctor Buttson?

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<v Speaker 3>And what brings you up to this part of England homes?

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<v Speaker 3>Are you hot on the trail of some despot criminal? Yeah?

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<v Speaker 2>Me no, Doc Watson and I are taking a little

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<v Speaker 2>holiday and you and your wife we.

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<v Speaker 3>Lived here in the manor house. You're very lucky. It's

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<v Speaker 3>a beautiful part of the countim.

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<v Speaker 1>I hate it.

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<v Speaker 3>I was both brought up in London. I'm never really

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<v Speaker 3>happy outside the city.

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<v Speaker 1>Yes, Ala does not run for the peace of the countryside.

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<v Speaker 3>I'm afraid. Well, well, perhaps we'll get back there.

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<v Speaker 1>It's a little difficult these days, you know.

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<v Speaker 3>We've got the boy to consider. Boy, you're your son,

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<v Speaker 3>my dead brother's son. Doctor.

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<v Speaker 1>We have no children.

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<v Speaker 5>My little nephew's only four years old, you see, and

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<v Speaker 5>i'm his guardian as well as being executive. His estates

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<v Speaker 5>are so you can understand it would be difficult for

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<v Speaker 5>us to get back to London.

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<v Speaker 6>It's only difficult because you the child's happiness before mine.

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<v Speaker 5>I thought, Oh no, Noll, if you know I have

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<v Speaker 5>to watch it interest up here. After all, when he

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<v Speaker 5>comes of age, he'll be one of the richest.

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<v Speaker 6>Chomen in North Yes, and with money that should have

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<v Speaker 6>come to us. In any case, Arthur, if we do

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<v Speaker 6>have to live up here, I'd find it more tolerable

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<v Speaker 6>if you'd keep this gypsy's come up the estate.

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<v Speaker 1>To take them. The balance is like to the gypsies,

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<v Speaker 1>missus Frett Goldman, I ask why.

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<v Speaker 3>They persecute us.

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<v Speaker 5>They steal our sheep, they break our windows, and just

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<v Speaker 5>the other day they want me let our price pick.

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<v Speaker 1>Into the breadstone quagmar and let the beast pits.

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<v Speaker 4>Why should they single you out for persecution like this

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<v Speaker 4>few spurs, I can't imagine.

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<v Speaker 3>I've always tried to be.

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<v Speaker 1>Nice to them, too nice, Outter, that's your trouble.

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<v Speaker 3>I have a very good reason for humoring them, my dear.

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<v Speaker 3>You see, Holmes, I've.

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<v Speaker 5>Always been afraid they may carry this feud so far

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<v Speaker 5>that they'll even hurt the baby olive. My dear, I

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<v Speaker 5>wonder if you go ahead and wait for me, and

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<v Speaker 5>the carriage is getting rather chilly, I'll join you in

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<v Speaker 5>a moment, very well.

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<v Speaker 3>After but don't keep me waiting long.

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<v Speaker 1>Good evening, grieving, good night.

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<v Speaker 5>Let's stroll away from the camp shellby. I've got something

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<v Speaker 5>very important to tell you, something I didn't like to

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<v Speaker 5>say in front of Olive.

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<v Speaker 1>The Gypsies have threatened to kidnap our boys.

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<v Speaker 3>Shocking.

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<v Speaker 1>What form did their thread take? Sir? This letter?

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<v Speaker 5>I found it pinned on the frame of my dressing

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<v Speaker 5>room mirror when I went up after dinner time.

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<v Speaker 2>Let me see, well you want the terms a romedy rye.

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<v Speaker 2>A romedy rye won't take your insults forever. Major and

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<v Speaker 2>missus high and mighty, watch out for the tread gold

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<v Speaker 2>air the bragstone quagmire would make a nice finishing the

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<v Speaker 2>school for him.

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<v Speaker 3>Romney rye means well, it's their own term, meaning gypsy.

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<v Speaker 3>Mister Holmes, what shall I do?

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<v Speaker 1>I make the tread gold?

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<v Speaker 3>I just wait, that's not just missing where the place

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<v Speaker 3>has come from.

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<v Speaker 2>I can't see a soult They have come from behind

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<v Speaker 2>any one of those caravans ahead of us.

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<v Speaker 5>If you wanted direct evidence, gentlemen, this is it. That

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<v Speaker 5>is the first open attempt on my life. Holmes, what

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<v Speaker 5>extraordinary luck for me that you're in the neighborhood. I'll

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<v Speaker 5>pay you any fee you name to handle this.

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<v Speaker 1>It seems to me that this is a job for

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<v Speaker 1>the police.

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<v Speaker 3>I don't want to go to them. Oh why not?

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<v Speaker 1>So?

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<v Speaker 5>I'm afraid that these attacks may stem from some injustice

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<v Speaker 5>to the Gypsies committed by my late brother.

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<v Speaker 1>If that were so, I wouldn't.

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<v Speaker 3>Wish to expose the fact. I want this kept prict.

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<v Speaker 2>What are you, sister, I'll accept the case. It shall

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<v Speaker 2>be kept private, and I promised to do everything in

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<v Speaker 2>my part protect the safety of the tread Gold air.

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<v Speaker 2>We are staying at the Rose and Crown in the village.

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<v Speaker 2>Please get in touch with me if there should be

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<v Speaker 2>further developments.

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<v Speaker 4>The affairs seems to be closed down for the night

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<v Speaker 4>in our homes. They're turning up and after flare.

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<v Speaker 1>Yes, let's stroll over to Jasper Hern's caravan, shall we.

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<v Speaker 1>He should be free now.

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<v Speaker 4>If he's head of this tribe, he ought to be

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<v Speaker 4>able to tell you something about this tread Gold business.

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<v Speaker 2>Yes, now, I still first ask him about his son,

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<v Speaker 2>Piramus and the man I'm looking for. I think the

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<v Speaker 2>fact that I know his son will inspired confidence. Here

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<v Speaker 2>we are, says the caravan that girl Ldia petrodangel sitting

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<v Speaker 2>outside and one that was turning fortune.

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<v Speaker 1>Yes, good evening cool and what you want? I wish

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<v Speaker 1>to speak to Jasper? Hearn here? What's here?

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<v Speaker 7>He's gone to the marsh.

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<v Speaker 1>When will he be back?

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<v Speaker 7>I don't no, you trouble to jes No, my dear,

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<v Speaker 7>this is a personal visit.

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<v Speaker 1>We're not after him something as simple a grove or

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<v Speaker 1>for petting duckern.

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<v Speaker 7>Who for a gorgeo you speak of romedy? Were brother?

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<v Speaker 7>Oh you are a cruel of ingrow master of words?

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<v Speaker 1>Who did you learn from just son? Themis? Oh? You

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<v Speaker 1>know if you're honestad a fine boy?

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<v Speaker 7>So sit down on the grass, my friend, you may

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<v Speaker 7>wait here for Chester.

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<v Speaker 3>He will be back. Sir? Is that your violin lying

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<v Speaker 3>on the steps? Young heady?

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<v Speaker 6>No, that is Jasper's bullshop. That is the Romedic word

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<v Speaker 6>for violin. You play, sir, No, no, but my friend

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<v Speaker 6>does so for them?

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<v Speaker 7>Take it brother, the stars of right, the light is warm.

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<v Speaker 1>Music would be sweet romedy Chai. I'm afraid that my

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<v Speaker 1>violin playing was not rather poor stuff.

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<v Speaker 6>Mm play on, brother, So brother, you play well? But

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<v Speaker 6>Sarah that he's the going of vice and it is

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<v Speaker 6>not the true gypsy music. Hi, I've heard it in

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<v Speaker 6>London and in Budapest.

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<v Speaker 7>They call it gypsy. But what can a gorge shall

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<v Speaker 7>know the true heart of Romany? Wait here, I will

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<v Speaker 7>get my own violin.

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<v Speaker 3>Tell me why should keep on talking about gor here?

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<v Speaker 3>Is that more? I confounded? Gibbs? I got to your chap?

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<v Speaker 1>Is the term they use for anyone who is not

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<v Speaker 1>a true gypsy?

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<v Speaker 7>No, I will play for you the real gypsy.

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<v Speaker 1>Thank you, actual appreciate it very much. But before you begin,

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<v Speaker 1>I wonder if I might ask you a question.

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<v Speaker 7>A friend of Samas, mask me any questions.

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<v Speaker 2>I observed you telling fortunes earlier on tonight you refuse

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<v Speaker 2>to p certain gentleman's hand and gave money back.

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<v Speaker 1>Did you know who the gentleman was?

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<v Speaker 7>No brother, nor the noisy woman with him.

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<v Speaker 6>I refused to Kenneth Docrin because I saw blood and

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<v Speaker 6>violet jest in his hand. Violent testage is soon to come.

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<v Speaker 2>I want you to do me a favor. What is

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<v Speaker 2>I must remain here until Jasper Hen comes back. I

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<v Speaker 2>should like you to return to the inn. It's more

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<v Speaker 2>than possible that we may have news from our client.

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<v Speaker 1>Before the night is out.

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<v Speaker 3>I'll at well ask you to give me the best job.

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<v Speaker 2>A good night, mister, goodnight, and now please stay for

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<v Speaker 2>me a true robin air will.

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<v Speaker 7>My friend listen?

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<v Speaker 6>Now you must play brother. I shall make a true

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<v Speaker 6>chamnger of you. Come see if you can follow me.

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<v Speaker 2>Litja, you have taught him well. You have made a

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<v Speaker 2>true bushman girl on him. He is an at the

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<v Speaker 2>actual teacher. It's hard to be otherwise, mister hern That

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<v Speaker 2>is if one has a spark at music and one

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<v Speaker 2>soul called me jasper.

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<v Speaker 1>Brother. You have spoken well, my son. You have talked

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<v Speaker 1>bisely to me of.

301
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<v Speaker 2>Things that I have not understood to be shothing fine

302
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<v Speaker 2>together underneath the stars, I shall.

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<v Speaker 1>Get bosses and jest, sir.

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<v Speaker 7>I'd taken a great fancy.

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<v Speaker 3>To the brother, and I to him.

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<v Speaker 1>He's a fine man. Shilla.

307
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<v Speaker 6>Come yes, Vidian near read your hand, Roger, Why yes,

308
00:14:13.679 --> 00:14:19.679
<v Speaker 6>of course, a strange hand and a beautiful one, A

309
00:14:19.840 --> 00:14:23.720
<v Speaker 6>long life, linent. Yet I see sudden death in violence

310
00:14:23.759 --> 00:14:28.519
<v Speaker 6>surrounding you. No at this moment, and in the future,

311
00:14:28.559 --> 00:14:31.840
<v Speaker 6>I see a journey for you across the seas within

312
00:14:31.879 --> 00:14:32.240
<v Speaker 6>a year.

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<v Speaker 7>The pair of water that runs in the mountains near

314
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<v Speaker 7>death will be for you. Death, more travels, more dangers.

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<v Speaker 1>Oh, you must be careful, brother, Oh what is it? Oh?

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<v Speaker 6>Pers are destined to cross, but one we shall not

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00:14:49.399 --> 00:14:50.360
<v Speaker 6>meet after this night.

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<v Speaker 1>That makes me say, oh, but wish meet again. I

319
00:14:53.240 --> 00:14:54.240
<v Speaker 1>shall be here some days.

320
00:14:54.320 --> 00:14:56.960
<v Speaker 6>Yet No, it's death in your hand that we shall

321
00:14:57.000 --> 00:14:59.840
<v Speaker 6>not meet again. And a hand cannot lie.

322
00:15:00.919 --> 00:15:02.799
<v Speaker 5>Who is this that comes toward us to the moonlight,

323
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<v Speaker 5>my friend, doctor Watson, I think, yes, Hella Watson, what's

324
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<v Speaker 5>rock wrong?

325
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<v Speaker 3>Well, heaven's wrong. Misus tured girl's waiting in the carriage.

326
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<v Speaker 3>She wants you to come at once.

327
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<v Speaker 1>Indeed, why the child has been kidnapped.

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<v Speaker 3>Major tred Go has.

329
00:15:12.919 --> 00:15:14.759
<v Speaker 4>Gone for the police, and Missus Tredgull is threatening to

330
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<v Speaker 4>rouse the local inhabitants.

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<v Speaker 1>And come out here and burn this camp to the ground.

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<v Speaker 2>If you don't find the chart, tell Missus tred Goes

333
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<v Speaker 2>to return home. She can do nobody there but Tom

334
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<v Speaker 2>Tello old Chap that I have the case well in hand.

335
00:15:24.559 --> 00:15:26.480
<v Speaker 1>But how can you have You've been out here all

336
00:15:26.519 --> 00:15:27.279
<v Speaker 1>the time playing your.

337
00:15:27.279 --> 00:15:29.960
<v Speaker 2>Volet faith and mcleazel fellow William and deliver the message.

338
00:15:30.480 --> 00:15:32.639
<v Speaker 2>Then come back here and join me, and I'll explain.

339
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<v Speaker 1>Everything to you.

340
00:15:33.440 --> 00:15:35.120
<v Speaker 3>Well, you know what you're up.

341
00:15:36.120 --> 00:15:38.799
<v Speaker 7>Violence and trouble brought her. It is all there in

342
00:15:38.879 --> 00:15:39.320
<v Speaker 7>your hands.

343
00:15:39.480 --> 00:15:41.600
<v Speaker 1>Well, what must be shall be.

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<v Speaker 2>And I wouldn't have it otherwise but for the moment,

345
00:15:45.399 --> 00:15:48.440
<v Speaker 2>the sky is starlet, the air is till, and the

346
00:15:48.480 --> 00:15:49.639
<v Speaker 2>melody you played hantsney.

347
00:15:50.240 --> 00:15:51.559
<v Speaker 1>Let's play it together again, shall we.

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00:15:51.960 --> 00:15:55.080
<v Speaker 7>I should like that. I should like that very much.

349
00:16:21.679 --> 00:16:24.320
<v Speaker 2>Doctor Watson will continue his story in just a few seconds,

350
00:16:24.720 --> 00:16:27.720
<v Speaker 2>during which time I'd like to talk specifically to the ladies,

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00:16:27.799 --> 00:16:31.279
<v Speaker 2>if I may, and tell you about Petrie California muscatel.

352
00:16:32.360 --> 00:16:35.039
<v Speaker 2>Just as Petrie California port has long been known as

353
00:16:35.080 --> 00:16:38.519
<v Speaker 2>the wine of gentlemen, Petrie muscatel has known as the

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00:16:38.679 --> 00:16:42.279
<v Speaker 2>favorite of the ladies. That's because Petrie muscatel is a

355
00:16:42.519 --> 00:16:47.960
<v Speaker 2>golden colored wine that looks like captured sunshine and tastes well,

356
00:16:48.600 --> 00:16:51.759
<v Speaker 2>did you ever take big, plump muscat grapes picked when

357
00:16:51.759 --> 00:16:54.919
<v Speaker 2>they're still misty and dew covered. If you have, you

358
00:16:55.000 --> 00:16:58.159
<v Speaker 2>know what to expect when you taste Petrie muscatell. The

359
00:16:58.279 --> 00:17:01.399
<v Speaker 2>flavor of Petrie muscatel come right from the very heart

360
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<v Speaker 2>of luscious hand.

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00:17:02.679 --> 00:17:03.960
<v Speaker 1>Picked muscat grapes.

362
00:17:04.599 --> 00:17:07.000
<v Speaker 2>You couldn't ask for a more delicious wine than Muscatel

363
00:17:07.680 --> 00:17:08.319
<v Speaker 2>pet tree.

364
00:17:08.279 --> 00:17:12.359
<v Speaker 1>Muscatel Well, doctor Watson and I, I must.

365
00:17:12.240 --> 00:17:14.920
<v Speaker 2>Say, this is a strange story you're telling us. You

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00:17:15.000 --> 00:17:16.920
<v Speaker 2>need to say that the airs of the tread gold

367
00:17:17.079 --> 00:17:19.640
<v Speaker 2>Estates had been kidnapped, and yet sure my coms paid

368
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<v Speaker 2>no attention.

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<v Speaker 4>It seemed like it was about Oh. I couldn't understand him.

370
00:17:23.640 --> 00:17:26.039
<v Speaker 4>I've never known him to be so indifferent to a case.

371
00:17:26.640 --> 00:17:29.039
<v Speaker 4>There he sat until the early hours of the morning.

372
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<v Speaker 4>Has he and that girl scraped awa the violins and

373
00:17:32.119 --> 00:17:34.920
<v Speaker 4>never said a word about the kidnapped baby. Finally, as

374
00:17:34.960 --> 00:17:38.400
<v Speaker 4>we walked home across the fields a few hours before dawn,

375
00:17:38.480 --> 00:17:40.480
<v Speaker 4>his mind seemed to return to the matter at hand.

376
00:17:41.079 --> 00:17:43.599
<v Speaker 3>He spoke quietly, and yet there was a note of

377
00:17:43.680 --> 00:17:45.279
<v Speaker 3>suppressed excitement in his voice.

378
00:17:46.799 --> 00:17:48.599
<v Speaker 1>Dear fellow, you are angry with me, aren't you?

379
00:17:48.720 --> 00:17:51.400
<v Speaker 3>Oh? No, home, I must say, but I'm confused.

380
00:17:51.880 --> 00:17:54.880
<v Speaker 4>That girl seems to bewitchful. Have you forgotten that you

381
00:17:54.960 --> 00:17:57.119
<v Speaker 4>accepted the job of guarding the tread gold.

382
00:17:56.920 --> 00:17:59.240
<v Speaker 3>Air and that the child was kidnapped tonight?

383
00:17:59.359 --> 00:18:00.559
<v Speaker 1>O im for your effect?

384
00:18:00.960 --> 00:18:03.599
<v Speaker 3>Heaven say stopped needs to infernel? Matter of fact, what's.

385
00:18:03.400 --> 00:18:06.839
<v Speaker 1>Coming from Possibly it's the mood of this mild autumn night.

386
00:18:07.440 --> 00:18:07.640
<v Speaker 1>It is.

387
00:18:07.720 --> 00:18:11.960
<v Speaker 2>Indeed, are St Martins summer so much so? Either I've

388
00:18:12.000 --> 00:18:13.559
<v Speaker 2>let my coat and dear start a cat behind me

389
00:18:13.599 --> 00:18:16.240
<v Speaker 2>at the encampment. Let's go back show in And incidentally,

390
00:18:16.279 --> 00:18:18.359
<v Speaker 2>when we get there, I can set your mind at

391
00:18:18.440 --> 00:18:20.799
<v Speaker 2>rest by showing you the kidnapped child.

392
00:18:20.880 --> 00:18:22.400
<v Speaker 3>I mean you know where it is.

393
00:18:22.559 --> 00:18:25.079
<v Speaker 1>Certainly it's in the camp.

394
00:18:25.359 --> 00:18:26.839
<v Speaker 3>Then the gypsies did steal it.

395
00:18:27.079 --> 00:18:30.359
<v Speaker 1>No, my dear fellow, I did what This is one of.

396
00:18:30.359 --> 00:18:33.119
<v Speaker 4>Those occasions when you absolutely furiate me, Holmes, if you

397
00:18:33.200 --> 00:18:34.759
<v Speaker 4>must keep me up half the night while you have

398
00:18:34.839 --> 00:18:36.799
<v Speaker 4>a fitting cot with a gypsy girl, at.

399
00:18:36.839 --> 00:18:38.000
<v Speaker 3>Least for all you can do is tell me what's

400
00:18:38.039 --> 00:18:41.319
<v Speaker 3>going on. You seem ston't tell yourself in Heaven's name.

401
00:18:41.519 --> 00:18:43.599
<v Speaker 1>Why because the threatening note to media tread Gold.

402
00:18:44.119 --> 00:18:47.640
<v Speaker 2>Obviously, Ah, you will remember that the letter began A

403
00:18:47.759 --> 00:18:50.359
<v Speaker 2>romany rye will not take your insults forever.

404
00:18:50.759 --> 00:18:50.880
<v Speaker 1>Now.

405
00:18:50.960 --> 00:18:54.799
<v Speaker 2>A romany rye, despite what media tred Gold said, does

406
00:18:54.880 --> 00:18:57.039
<v Speaker 2>not mean a gypsy. That a man who knows about

407
00:18:57.119 --> 00:19:00.200
<v Speaker 2>gypsy law. It is a term no true gypsy would

408
00:19:00.200 --> 00:19:03.359
<v Speaker 2>reply to himself. He would use the expression horominate child.

409
00:19:04.039 --> 00:19:06.519
<v Speaker 2>It was obvious from the beginning that no gypsy has

410
00:19:06.559 --> 00:19:07.240
<v Speaker 2>threatened the child.

411
00:19:07.359 --> 00:19:10.480
<v Speaker 1>Now who else had a motive for harming it? Well

412
00:19:10.680 --> 00:19:12.799
<v Speaker 1>made the tread go because he stood to inherit the

413
00:19:12.960 --> 00:19:14.400
<v Speaker 1>estate or his wife.

414
00:19:15.880 --> 00:19:19.279
<v Speaker 2>It's quite obvious she has no liking for our present life,

415
00:19:19.359 --> 00:19:21.640
<v Speaker 2>and the child is an obstacle to a new one.

416
00:19:22.680 --> 00:19:25.119
<v Speaker 2>But the child captain later made away with. Obviously they

417
00:19:25.160 --> 00:19:27.359
<v Speaker 2>both stood again many of the things they wanted.

418
00:19:28.279 --> 00:19:31.240
<v Speaker 4>You're you're right, and whoever the carpet is took the

419
00:19:31.319 --> 00:19:34.119
<v Speaker 4>precaution of pinning the blame in advance on the unfortunate

420
00:19:34.200 --> 00:19:37.839
<v Speaker 4>gypsies by writing the fourth kidnapping note. Wait a minute,

421
00:19:37.839 --> 00:19:40.200
<v Speaker 4>but how about the shot that was fired at us

422
00:19:40.200 --> 00:19:40.799
<v Speaker 4>tonight as.

423
00:19:40.720 --> 00:19:42.519
<v Speaker 1>We walked with made the tread go, probably fired by

424
00:19:42.559 --> 00:19:42.680
<v Speaker 1>and a.

425
00:19:42.720 --> 00:19:45.240
<v Speaker 2>Compass to the plot in order to give authenticity to

426
00:19:45.319 --> 00:19:48.880
<v Speaker 2>the supposed danger, and the child is now in them.

427
00:19:50.000 --> 00:19:52.119
<v Speaker 2>I promised that I would protect the tread gold air,

428
00:19:52.319 --> 00:19:54.359
<v Speaker 2>and so I arranged with Jasper hand to have the

429
00:19:54.440 --> 00:19:56.319
<v Speaker 2>boy kidnapped for his own safety.

430
00:19:56.400 --> 00:19:58.519
<v Speaker 4>But if anyone should find the child, they'll say the

431
00:19:58.559 --> 00:19:59.960
<v Speaker 4>gypsies deliberately stole him.

432
00:20:00.119 --> 00:20:02.880
<v Speaker 2>I'm quite certain that before that occasion arises, Old Jeff,

433
00:20:02.880 --> 00:20:04.839
<v Speaker 2>the criminal would have shown his or her hands.

434
00:20:04.960 --> 00:20:07.519
<v Speaker 1>Come on open, but't your best foot forward. It's a

435
00:20:07.559 --> 00:20:09.559
<v Speaker 1>long way back to the camp yet, and it's nearly dawn.

436
00:20:22.440 --> 00:20:25.039
<v Speaker 1>You will have come back. Butter, you wish to spend

437
00:20:25.079 --> 00:20:27.480
<v Speaker 1>the remainder of the night and didn't happen. No, thank you, Jasper.

438
00:20:27.519 --> 00:20:29.480
<v Speaker 1>I just came back my cap and coat. It was

439
00:20:30.000 --> 00:20:31.599
<v Speaker 1>so warm to night, and I forgot about them, and

440
00:20:31.680 --> 00:20:33.559
<v Speaker 1>I started to walk home without them. I will find

441
00:20:33.640 --> 00:20:36.920
<v Speaker 1>them for you. Oh, we found this message for your

442
00:20:36.960 --> 00:20:39.240
<v Speaker 1>Sonata you had left. It was pinned to the door

443
00:20:39.240 --> 00:20:41.359
<v Speaker 1>of the car them. I do not know how it

444
00:20:41.440 --> 00:20:44.480
<v Speaker 1>got there. I was searched for your coat.

445
00:20:44.480 --> 00:20:45.680
<v Speaker 3>And another message.

446
00:20:45.920 --> 00:20:50.920
<v Speaker 1>What you say, Holmes, never trust the romany rye uh huh.

447
00:20:51.599 --> 00:20:52.880
<v Speaker 1>The same mistake again, Watson.

448
00:20:53.680 --> 00:20:57.319
<v Speaker 2>Your plans have been betrayed. For proof, meet me at

449
00:20:57.359 --> 00:21:01.480
<v Speaker 2>the Bragstone Quagmire at dawn. It's a track, obviously we

450
00:21:01.599 --> 00:21:04.279
<v Speaker 2>must spring it to caution. I cannot find your coat

451
00:21:04.359 --> 00:21:06.680
<v Speaker 2>or your cap. Drutter that has Spanish Spanish? May I

452
00:21:06.720 --> 00:21:10.160
<v Speaker 2>speak to Lydia that the strangest thing too. Lydia has

453
00:21:10.200 --> 00:21:14.200
<v Speaker 2>gone also, she's gone. Tell me, Jasper did you read.

454
00:21:14.079 --> 00:21:16.559
<v Speaker 1>This note, Yes she did. She could not help reading it.

455
00:21:16.720 --> 00:21:18.960
<v Speaker 2>Then she too realized it was a tramp. She went

456
00:21:19.039 --> 00:21:21.440
<v Speaker 2>out in my coat and dear's talking hat to keep

457
00:21:21.480 --> 00:21:22.240
<v Speaker 2>the appointment for me?

458
00:21:22.599 --> 00:21:23.680
<v Speaker 3>Who's come off? Jasper?

459
00:21:24.079 --> 00:21:26.200
<v Speaker 1>Call off the romany childs that that devil waiting to

460
00:21:26.240 --> 00:21:40.839
<v Speaker 1>be caught in the blackstone cragmar Umhammus fun it to

461
00:21:40.880 --> 00:21:44.000
<v Speaker 1>the quagmile, Jasper, two hundred yards no more, del.

462
00:21:43.920 --> 00:21:46.559
<v Speaker 2>Di dear, Yes she is, and she's dressed in my tears,

463
00:21:46.599 --> 00:21:48.839
<v Speaker 2>talking halfn coat, walking into the track that was said

464
00:21:48.880 --> 00:21:49.079
<v Speaker 2>for me.

465
00:21:49.240 --> 00:21:54.039
<v Speaker 3>Lydia, Lydia. They got a look. Look, she's stumbled, she's fallen.

466
00:21:54.079 --> 00:21:56.880
<v Speaker 2>I go to Robotson, Jasper, get that devil who staged

467
00:21:56.920 --> 00:21:58.519
<v Speaker 2>this English plus how a scar.

468
00:21:58.440 --> 00:22:00.279
<v Speaker 3>To settle with him? Do not play, brother, Let's go.

469
00:22:00.359 --> 00:22:11.039
<v Speaker 1>It will be second Lydia, Lydia, jeer com I was wrong?

470
00:22:11.839 --> 00:22:14.599
<v Speaker 7>We do meet again? Your hands lied to me.

471
00:22:16.079 --> 00:22:17.680
<v Speaker 1>You're wounded? What can I do for you?

472
00:22:18.279 --> 00:22:21.119
<v Speaker 6>There is nothing you can do, brother, No one can

473
00:22:21.200 --> 00:22:25.440
<v Speaker 6>help me. Now, there is little pain, there is little time.

474
00:22:26.160 --> 00:22:28.039
<v Speaker 6>Please hold my hand.

475
00:22:28.839 --> 00:22:33.440
<v Speaker 1>Yeh tell me, Lydia, did you see who fired the shot? Yes?

476
00:22:34.119 --> 00:22:37.720
<v Speaker 7>It was the man whose fortune I told today the

477
00:22:37.880 --> 00:22:39.000
<v Speaker 7>man with the easy way.

478
00:22:41.480 --> 00:22:41.640
<v Speaker 2>Him.

479
00:22:43.440 --> 00:22:46.359
<v Speaker 6>There is one thing I wish to tell your brother. Yes,

480
00:22:47.000 --> 00:22:50.319
<v Speaker 6>I wish what was needing has brought me happiness. I

481
00:22:50.400 --> 00:22:53.200
<v Speaker 6>should like to think I can leave you something so

482
00:22:53.359 --> 00:22:54.720
<v Speaker 6>that you will not forgip me.

483
00:22:55.799 --> 00:22:59.960
<v Speaker 1>Lord, Just remember you Lydia always. You gave your life

484
00:23:00.119 --> 00:23:00.559
<v Speaker 1>for mine.

485
00:23:01.759 --> 00:23:03.839
<v Speaker 7>There is one thing of mine did I wish you

486
00:23:03.960 --> 00:23:06.799
<v Speaker 7>to have? It will remind you of me?

487
00:23:07.160 --> 00:23:07.559
<v Speaker 3>What is it?

488
00:23:08.039 --> 00:23:12.319
<v Speaker 7>My violin? It brought us together. I should let you

489
00:23:12.440 --> 00:23:13.240
<v Speaker 7>to have it brought it.

490
00:23:15.519 --> 00:23:16.400
<v Speaker 1>Do not be said.

491
00:23:16.880 --> 00:23:21.319
<v Speaker 7>It is good my life for yours. You will give

492
00:23:21.400 --> 00:23:25.799
<v Speaker 7>help too many people. It is in your hand. Goodbye,

493
00:23:27.799 --> 00:23:28.480
<v Speaker 7>wish him man.

494
00:23:45.480 --> 00:23:48.359
<v Speaker 3>Homes. It was dreadful, dreadful.

495
00:23:48.400 --> 00:23:50.759
<v Speaker 4>The gypsy surrounded Major dread goal. They forced him back

496
00:23:50.759 --> 00:23:53.200
<v Speaker 4>into the backs Quagma. I tried to pull him out,

497
00:23:53.240 --> 00:23:54.880
<v Speaker 4>but I could put a single hand.

498
00:23:54.920 --> 00:23:59.440
<v Speaker 1>I'm not sorry, Watson, he asked, But you know that

499
00:23:59.519 --> 00:24:03.359
<v Speaker 1>video is yes, I know it. The gypsies knew it too.

500
00:24:04.319 --> 00:24:07.079
<v Speaker 1>It's why you were single handed doctor in your attempts

501
00:24:07.119 --> 00:24:10.200
<v Speaker 1>to save the murderer. No romany child would raise a

502
00:24:10.279 --> 00:24:10.680
<v Speaker 1>finger to.

503
00:24:10.720 --> 00:24:12.200
<v Speaker 3>Help him, as I can understand that.

504
00:24:12.319 --> 00:24:14.440
<v Speaker 4>But great scott Man, if you'd seen his face as

505
00:24:14.440 --> 00:24:16.240
<v Speaker 4>a quaking mud sucked him under.

506
00:24:16.400 --> 00:24:21.240
<v Speaker 2>Lydia's death was less dramatic, but equally moving. I assure you, Shela,

507
00:24:21.319 --> 00:24:24.759
<v Speaker 2>cons I met you less than five hours ago. You

508
00:24:24.880 --> 00:24:26.799
<v Speaker 2>have saved my tribe from a devilish plot that would

509
00:24:26.839 --> 00:24:29.319
<v Speaker 2>have blackened their names, a plot that would.

510
00:24:29.079 --> 00:24:32.160
<v Speaker 1>Have driven them from the countryside. What can I do

511
00:24:32.279 --> 00:24:35.559
<v Speaker 1>in re Two things? First, tell me where I may

512
00:24:35.599 --> 00:24:39.039
<v Speaker 1>reach your son Tomas. His address is in the sealed envelopcratter.

513
00:24:39.119 --> 00:24:41.920
<v Speaker 1>Thank you. What else may I do for you? If

514
00:24:42.000 --> 00:24:45.240
<v Speaker 1>Lydia died, she will be one gift for remembrance.

515
00:24:45.559 --> 00:24:46.920
<v Speaker 3>And what was that gift? Ba Her?

516
00:24:47.559 --> 00:24:51.039
<v Speaker 1>A violin? Of course, here.

517
00:24:53.000 --> 00:24:56.400
<v Speaker 2>Here it is hum He told me I might become

518
00:24:56.440 --> 00:25:00.559
<v Speaker 2>a true butcham Grove. Let's see if I can capture

519
00:25:00.559 --> 00:25:32.400
<v Speaker 2>the melody once more. Doctor, that was a very straightened story,

520
00:25:32.880 --> 00:25:36.119
<v Speaker 2>very fascinating one. But tell me, do you really believe

521
00:25:36.160 --> 00:25:38.240
<v Speaker 2>that gypsies can tell your fortune by reading the pome

522
00:25:38.279 --> 00:25:38.759
<v Speaker 2>of your hands?

523
00:25:38.920 --> 00:25:41.799
<v Speaker 4>Oh, Frank, I don't know, mister Bacho. Persu they ken

524
00:25:41.920 --> 00:25:45.480
<v Speaker 4>paps this coincidence? And then again, maybe some gypsy women

525
00:25:45.559 --> 00:25:46.440
<v Speaker 4>have a heightened.

526
00:25:46.160 --> 00:25:49.880
<v Speaker 3>Sense and intuition. You know, a woman's intuition can be

527
00:25:49.920 --> 00:25:50.880
<v Speaker 3>an extraordinary thing.

528
00:25:51.599 --> 00:25:54.400
<v Speaker 2>So my wife keeps telling me, of course, I have

529
00:25:54.519 --> 00:25:58.039
<v Speaker 2>a kind of innovation myself. Every time I see a

530
00:25:58.079 --> 00:25:59.880
<v Speaker 2>bottle of wine with a named Patri on the label,

531
00:26:00.079 --> 00:26:02.160
<v Speaker 2>interition tells me I'm gonna like it, and I always

532
00:26:02.200 --> 00:26:02.519
<v Speaker 2>do too.

533
00:26:02.599 --> 00:26:04.480
<v Speaker 3>It's about till fish. I saw a man with a

534
00:26:04.519 --> 00:26:06.200
<v Speaker 3>one track man man.

535
00:26:06.440 --> 00:26:07.119
<v Speaker 1>Thank you doctor.

536
00:26:07.359 --> 00:26:09.720
<v Speaker 2>As long as my one track Petry, I can't miss,

537
00:26:10.000 --> 00:26:13.200
<v Speaker 2>because nobody can miss with Petree wine. What other wine

538
00:26:13.200 --> 00:26:16.960
<v Speaker 2>has such tradition such as story behind it. Petree wine

539
00:26:17.039 --> 00:26:20.599
<v Speaker 2>is made by a family, the Petrie family. They've owned

540
00:26:20.640 --> 00:26:23.279
<v Speaker 2>and operated their own business ever since its inception back

541
00:26:23.319 --> 00:26:26.200
<v Speaker 2>in the eighteen hundred. The Petrie family has been making

542
00:26:26.319 --> 00:26:29.599
<v Speaker 2>good wine for generations, and they've been hanging on down

543
00:26:29.680 --> 00:26:33.440
<v Speaker 2>in the family, from father to son, from father to son.

544
00:26:34.240 --> 00:26:37.920
<v Speaker 2>The fine art of turning luscious sun ripened grapes into fragrant,

545
00:26:38.000 --> 00:26:38.920
<v Speaker 2>delicious wine.

546
00:26:39.519 --> 00:26:41.759
<v Speaker 1>That sure adds up to a lot of experience. You

547
00:26:41.839 --> 00:26:42.880
<v Speaker 1>can just bet your last.

548
00:26:42.720 --> 00:26:44.799
<v Speaker 2>Dollar that no matter what kind of wine you want,

549
00:26:45.319 --> 00:26:47.920
<v Speaker 2>when you look for a Petrie wine, you're asking for

550
00:26:48.079 --> 00:26:54.119
<v Speaker 2>good wine because Petrie took time to bring you good wine. Well,

551
00:26:54.160 --> 00:26:56.160
<v Speaker 2>doctor Watson, what story are you planning to tell us

552
00:26:56.200 --> 00:26:56.559
<v Speaker 2>next week.

553
00:26:56.720 --> 00:26:58.599
<v Speaker 4>Next week, mister Boutella, I'm going to tell you a

554
00:26:58.720 --> 00:27:01.359
<v Speaker 4>strange adventure that show lck Holmes and I head in

555
00:27:01.400 --> 00:27:06.200
<v Speaker 4>the East End of London. Concerns five neviews, an eccentric will,

556
00:27:06.839 --> 00:27:11.400
<v Speaker 4>and the dead Man's watch that gave us the clue Tomta.

557
00:27:20.559 --> 00:27:20.839
<v Speaker 1>Tonight.

558
00:27:20.920 --> 00:27:24.200
<v Speaker 2>Sherlock Holmes Adventure was written by Dennis Green and Anthony Boucher,

559
00:27:24.599 --> 00:27:27.000
<v Speaker 2>and was suggested by an incident in the Arthur Conan

560
00:27:27.079 --> 00:27:27.720
<v Speaker 2>Doyle story.

561
00:27:28.200 --> 00:27:31.960
<v Speaker 1>The Adventure of the Red Circle. Music is by John Fossler.

562
00:27:32.640 --> 00:27:35.319
<v Speaker 2>Mister Rathborne appears through the courtesy of Metro Boldwood Mayor

563
00:27:35.759 --> 00:27:38.720
<v Speaker 2>and mister Bruce through the courtesy of Universal Pictures. They

564
00:27:38.759 --> 00:27:50.000
<v Speaker 2>and our starring in the Sherlock Holmes series. The Pets

565
00:27:50.039 --> 00:27:53.519
<v Speaker 2>Flying Company of San Francisco, California invites you to tune

566
00:27:53.559 --> 00:27:57.480
<v Speaker 2>in again next week, same time, same station. Sherlock Holmes

567
00:27:57.559 --> 00:28:05.200
<v Speaker 2>comes to you from our Holaywood Studio. This is Harry

568
00:28:05.279 --> 00:28:08.920
<v Speaker 2>Bartel say good night for the Patrie family. A solid

569
00:28:08.960 --> 00:28:11.440
<v Speaker 2>hour of exciting mystery dramas. Listen every Monday on most

570
00:28:11.480 --> 00:28:14.279
<v Speaker 2>of these same stations at eight o'clock to Michael Shane,

571
00:28:14.720 --> 00:28:16.799
<v Speaker 2>followed immediately by sherlock Hold.

572
00:28:17.640 --> 00:28:19.160
<v Speaker 1>This is the mutual broadcasting, so
