WEBVTT

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<v Speaker 1>Tired of the every day grind, ever dream of a

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<v Speaker 1>life of romantic adventure, want to get away from it all.

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<v Speaker 1>We offer you Escape.

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<v Speaker 2>Escape, designed to free you from the four walls of

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<v Speaker 2>to day for a half hour of high adventure.

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<v Speaker 1>You are standing in a moonlit clearing somewhere in the

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<v Speaker 1>Burmese jungle, the ruins of an ancient temple at your back,

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<v Speaker 1>while gliding silently across the grass towards you. The knife

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<v Speaker 1>in her hand held pointing at you is the beautiful

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<v Speaker 1>yet deadly high priestess of the cult you have profaned,

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<v Speaker 1>the exotic girl who must now take your life.

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<v Speaker 2>Listen now as Escape brings you. Kathleen Height Story I

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<v Speaker 2>of Evil.

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<v Speaker 3>I studied Fairchild as he read the letter. He was

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<v Speaker 3>not a man I would ordinarily turn to for help,

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<v Speaker 3>But I was not acquainted in Mandalay then too. He

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<v Speaker 3>knew Campbell. I mean no slur against Fairchild. He was

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<v Speaker 3>bright enough as government office Clark's go I had simply

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<v Speaker 3>hoped for more formidable assistance. This is the last letter

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<v Speaker 3>you received from Campbell, the last word of any sort

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<v Speaker 3>until I cabled him to meet me in Mandalay. He

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<v Speaker 3>cabled back that he would and named this hotel at

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<v Speaker 3>noon today.

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<v Speaker 4>Well, it's only two hours late. Two hours doesn't mean

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<v Speaker 4>much in Burma.

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<v Speaker 3>I'm not especially concerned about these two hours.

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<v Speaker 4>The letter day, I can't say I blame you, Ah,

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<v Speaker 4>the sort of letter doesn't make a lot of sense

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<v Speaker 4>to me, not to.

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<v Speaker 3>Me, not to anyone at the Historical Society.

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<v Speaker 4>I hate to suggest this, but it sounds as if

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<v Speaker 4>the old boys cracked a bit, wouldn't you say?

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<v Speaker 3>That's more or less what I've been sent to find out?

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<v Speaker 4>This part here, he says, I shall fail if where

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<v Speaker 4>I look, my eyes see no beauty candy and I

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<v Speaker 4>it has a certain ring to it.

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<v Speaker 3>When was the last time you saw Campbell?

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<v Speaker 4>Let me see, it was well before the rain set in.

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<v Speaker 4>I should say a good six or eight weeks before.

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<v Speaker 4>That would make it late February or early March.

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<v Speaker 3>Campbell's letter was posted here in Mandalay the fourteenth of May.

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<v Speaker 3>You're certain you didn't see him around that data positive?

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<v Speaker 4>Of course, just because it was posted here doesn't mean

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<v Speaker 4>Campbell himself was in Mandalay. Probably sent it up here

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<v Speaker 4>from Pugan by Mangba Mangbar, Burmese boy devoted to Campbell.

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<v Speaker 3>It's been all sorts of help to him.

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<v Speaker 4>With all that corobing about it does around Pugan, ruddy

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<v Speaker 4>ancient shrines and pagodas, the places crawling.

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<v Speaker 3>With him enough. Yes, yes, that's what I understand.

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<v Speaker 4>Mumba does a lot of that sort of thing for Campbell,

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<v Speaker 4>and supplies comes out the Eeradi by boat. You know

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<v Speaker 4>there's no train down to Pogan from Mandally. I don't

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<v Speaker 4>suppose Campbell relishes the boat trip often.

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<v Speaker 3>What was he like the last time you saw him?

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<v Speaker 4>Seems normal enough. We lunched here at the hotels, just

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<v Speaker 4>as we're doing.

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<v Speaker 3>From what you've said, that's about four months or so ago.

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<v Speaker 3>I guess a lot could happen to a man in

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<v Speaker 3>four months.

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<v Speaker 4>It could be Poogan nothing but those miserable pagodas and

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<v Speaker 4>shined I don't take much to ruin myself. You mean that,

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<v Speaker 4>haven't you lying?

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<v Speaker 3>No, no, no, this is my first trip to.

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<v Speaker 4>Then might just give you a word about the people,

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<v Speaker 4>all sorts, of course, but those around Pugan seemed to

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<v Speaker 4>be given to all manner of strange beliefs, superstitions, odd things, well,

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<v Speaker 4>the evil eye for example.

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<v Speaker 3>You're serious, dead serious? Well, we can't be talking about

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<v Speaker 3>the same thing. If I remember correctly, the archaic belief

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<v Speaker 3>in the evil eye is that if one possesses it,

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<v Speaker 3>anything or anyone he looks upon, will die. Only it

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<v Speaker 3>isn't entirely archaic.

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<v Speaker 4>It's a widespread belief in Ninja, parts of Egypt, Arabia,

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<v Speaker 4>and certainly here in Burma.

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<v Speaker 3>That's fantastic.

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<v Speaker 4>If I may lorning, you're apt to find a great

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<v Speaker 4>many things in Burma fantastics. Not so much in Mandalay,

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<v Speaker 4>perhaps a rangoon, But around Kugan and to the west

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<v Speaker 4>and north there's a feeling, a mystic something that's been

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<v Speaker 4>known to take hold of men.

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<v Speaker 3>You're suggesting that can be, I don't know.

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<v Speaker 4>You'd have to go there to find out.

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<v Speaker 3>As fair Child left me, something drew my attention across

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<v Speaker 3>the room. She was alone, and quite possibly the most

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<v Speaker 3>beautiful woman I have ever seen, utterly strikingly beautiful, and

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<v Speaker 3>the look in her eyes was a compelling invitation. In

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<v Speaker 3>no time at all, I.

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<v Speaker 5>Accepted you were a very long time.

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<v Speaker 3>A matter of seconds after I saw you, But.

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<v Speaker 5>You were a long time seeing me. I have been

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<v Speaker 5>looking at you for almost an hour.

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<v Speaker 3>Oh, not like that. You haven't. No, i'd have known.

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<v Speaker 3>I wonder.

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<v Speaker 5>Your face, a very nice face, is being clouded with concern,

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<v Speaker 5>and so with mine have been with your luncheon Compellon.

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<v Speaker 3>It was a bit dry, wasn't he.

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<v Speaker 5>I saw no reason for you to spend more time

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<v Speaker 5>with him. Gina decided you should spend your time with her.

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<v Speaker 3>China.

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<v Speaker 5>I like that, and I like the name Stephen Loring.

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<v Speaker 3>How on earth could you know that?

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<v Speaker 5>Either I have the gift of Claire Ryance or I

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<v Speaker 5>paid to look at the hotel register.

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<v Speaker 3>Well, in either case, I'm flattered. And because I haven't

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<v Speaker 3>much time, I agree with China. I should spend what

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<v Speaker 3>time I have with her? How much time today? Perhaps tonight?

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<v Speaker 5>And tomorrow?

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<v Speaker 3>No, no, tomorrow, I'm off to Pugan and a feeling

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<v Speaker 3>a mystic something that's been known to take hold of men.

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<v Speaker 3>You choke about Pugan. Oh no, no, not really, I

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<v Speaker 3>was quoting my drab friend. I've never been to Pugan myself.

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<v Speaker 5>I do not think you would like it there.

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<v Speaker 3>Oh, pu Gan is very different.

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<v Speaker 5>I should think you would find men delay much more

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<v Speaker 5>to your taste.

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<v Speaker 3>I should think I would too, And Gina, knowing Mandelay

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<v Speaker 3>was strange to me, wrote out instructions that would lead

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<v Speaker 3>me to a rendezvous that night, and she was gone.

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<v Speaker 3>I found it difficult to believe our meeting it ever occurred,

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<v Speaker 3>except that the memory of her was vivid and haunting.

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<v Speaker 3>I lingered over a brandy and was preparing to leave

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<v Speaker 3>the dining room.

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<v Speaker 6>Greetings, Takin, m you are I am certain one, mister Loring.

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<v Speaker 3>Is everyone in Burma clairvoyant?

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<v Speaker 6>No, Takin, I am pleased to be Mumba Oo, Mumba.

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<v Speaker 3>Oh, Campbell's friend from Pugan. But where is he? Isn't

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<v Speaker 3>he with you?

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<v Speaker 6>Regrettively? Not with Mumbai? A stimid friend remained in Pugan

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<v Speaker 6>asked that you understand and kindly to return to Pugan

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<v Speaker 6>with Mumbai.

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<v Speaker 3>Oh, well, is anything the matter with Campbell?

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<v Speaker 6>To say again? A steveds friend remains in Pugan and

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<v Speaker 6>asks that you understand and kindly to return to Pugan

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<v Speaker 6>with Mumbah.

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<v Speaker 3>No, No, I understand you all right, I'm inquiring about Campbell?

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<v Speaker 3>Is he well?

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<v Speaker 6>To say? Again? Is still?

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<v Speaker 3>I understand? I am to come with you to Pugan. Campbell?

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<v Speaker 3>Is there?

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<v Speaker 6>Good?

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<v Speaker 3>Good?

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<v Speaker 6>To live? Now? Is to arrive at Pugan as the

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<v Speaker 6>sun rises.

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<v Speaker 3>No, not good, Not today. Tomorrow morning, when the sun

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<v Speaker 3>lives again, we.

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<v Speaker 6>Will go to say again to leave now?

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<v Speaker 3>No no, no no, never mind that I said not today.

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<v Speaker 3>Do you understand? Tomorrow morning you and I go to Pugan.

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<v Speaker 6>Not good?

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<v Speaker 3>Very good? Here can you lead me to this address

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<v Speaker 3>or show me how to get there?

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<v Speaker 6>Seem to answer, Mumba is able to lead to this address?

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<v Speaker 3>I have splendid Then meet me here at the hotel

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<v Speaker 3>at seven eve.

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<v Speaker 6>No, thank you?

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<v Speaker 3>Take in no, no, what's all this about to.

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<v Speaker 6>Beg father in takin tho abo Mumba think not wise

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<v Speaker 6>for one mister loring to present himself at stated address.

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<v Speaker 6>So Mungba not to lead him there.

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<v Speaker 3>And he smiled and bowed and scurried off. It didn't matter.

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<v Speaker 3>I knew that somehow I would find my way to China.

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<v Speaker 3>That night, when evening came, I left the hotel and

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<v Speaker 3>began a bewildering tour of the countless bazaars. By asking

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<v Speaker 3>a direction here and a question there, I came finally

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<v Speaker 3>to a dark cluster of buildings in a remote section

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<v Speaker 3>of the Zegio Bazaar, and there at the proper door,

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<v Speaker 3>I stopped.

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<v Speaker 7>You are the most welcome one.

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<v Speaker 3>I'm still even loring much.

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<v Speaker 7>You know it's for you, kindly and thank you.

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<v Speaker 3>Let's see. It's a bit dark in here, isn't it.

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<v Speaker 7>The lights of a thousand candles are soon to come.

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<v Speaker 7>Taking one moment.

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<v Speaker 3>I took a few steps on past the servant, and

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<v Speaker 3>suddenly I felt a pair of arms around me. I

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<v Speaker 3>struggled to free myself, and then a blinding tune flashed

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<v Speaker 3>through me, and I felt myself sinking to the floor. Faintfully.

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<v Speaker 3>I heard the voices, and only one did I recognize,

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<v Speaker 3>and that of the little Burmese manbow.

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<v Speaker 6>Turk mm hmmm, turkey too weak from a dream, not

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<v Speaker 6>always pleasing, Taki, well, mumba, m.

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<v Speaker 3>What happened?

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<v Speaker 6>Not to remember? Often rewarding, Oh, we're on a boat

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<v Speaker 6>soon to land at Bugan.

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<v Speaker 3>Well, last night you will followed me. You saved my life.

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<v Speaker 6>No trouble to serve a friend of a stement friend.

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<v Speaker 3>Oh yeah, yes, yes, Campbell. I wonder how I'll find.

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<v Speaker 6>Him in time. Taking all questions are answered.

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<v Speaker 3>No, no, you're wrong. Some questions are never answered. Maybe

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<v Speaker 3>that's just as.

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<v Speaker 6>Well, spoken like man of wisdom, enlightenment.

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<v Speaker 3>Very little of either. This morning, Mumba. It is morning.

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<v Speaker 6>Isn't it sun warm? And you like Mumbai as much

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<v Speaker 6>to learn before he dies. We all do too big

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<v Speaker 6>and takin some more than others. People a village are

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<v Speaker 6>in their hearts good people, but wisdom to them new

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<v Speaker 6>and fears old.

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<v Speaker 3>Yes, so I understand, But what is.

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<v Speaker 6>People a village require patients. Leader who shows patience and

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<v Speaker 6>no fear can bring my people to enlightenment away from

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<v Speaker 6>superstitions and ancient religious teachings.

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<v Speaker 3>Oh no, you've got the wrong idea. I have not

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<v Speaker 3>come to lead your people anymore than Campbell didn't. Now understand,

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<v Speaker 3>I've come only to get data on the ancient shrines

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<v Speaker 3>and for godders nearby, and to help your esteem from Campbell.

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<v Speaker 6>Taking to see many past glories of Fugan. But a

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<v Speaker 6>big pardon. Villagers of Pugan also there.

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<v Speaker 3>The village. When we reached it was somewhat inland from

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<v Speaker 3>the river port of Bugan. Proper wood and bamboo huts

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<v Speaker 3>lined the four sides of a square that served as

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<v Speaker 3>a compound. A pack of wild dogs swarmed ahead of us,

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<v Speaker 3>yapping a signal to the groups of villagers bunched together

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<v Speaker 3>near a central hut. Mungba raised his hand in greeting

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<v Speaker 3>hunt for a moment of frozen silence. The villagers turned

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<v Speaker 3>and ran.

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<v Speaker 6>They run from us. Something very wrong, not much of

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<v Speaker 6>a welcome. Must walk ahead, too hot of a stupid friend.

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<v Speaker 6>Must smile, show no fear, Come taky.

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<v Speaker 3>I fixed this smile on my face that Mungba ordered,

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<v Speaker 3>and I followed him. If I showed no fear, it

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<v Speaker 3>was not because I felt none. There wasn't a soul

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<v Speaker 3>in sight. But my back straightened, rigid with the field

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<v Speaker 3>of a hundred eyes upon it. Mangba's steps slowed at

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<v Speaker 3>the sound of the bell, his head cut slightly to

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<v Speaker 3>one side, as if to listen. We walked on slowly

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<v Speaker 3>now until we came to the central hut. There, Mungba

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<v Speaker 3>stop cold, bloo oooh not so what is it? What's wrong?

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<v Speaker 6>He e will I it has come see evil eye.

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<v Speaker 2>You are listening to I of Evil To Night's presentation

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<v Speaker 2>of Escape. Each week, CBS Radio issues an invitation to

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<v Speaker 2>go on the prowl in a real squad car. You'll

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<v Speaker 2>hear the stories of real witnesses in real cases as

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<v Speaker 2>you join us on CBS radio's Night Watch. It's unusual,

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<v Speaker 2>thoroughly factual, and thoroughly exciting night watch every week on

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<v Speaker 2>most of these same stations. And now Escape and the

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<v Speaker 2>second act of I of evil.

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<v Speaker 3>Mamba had disappeared as quickly and completely as the others

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<v Speaker 3>fled in terror from a crude sign I could not understand.

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<v Speaker 3>At the door of the central Hut, the temple bells

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<v Speaker 3>tolled ominously as I walked inside, not knowing what to expect.

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<v Speaker 3>Mugba had called this Campbell's hut, but there was no

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<v Speaker 3>one inside, only the strange signs and symbols affixed to

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<v Speaker 3>everything in sight. I wanted to run too desperately, but

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<v Speaker 3>something told me that if I were safe at all,

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<v Speaker 3>I was safer inside the hut. As the silent day

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<v Speaker 3>wore on, I found many of Campbell's papers, garbled and strange.

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<v Speaker 3>They were a chronic of the steady deterioration of a man.

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<v Speaker 3>When I finally put them down, it was night.

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<v Speaker 6>Turkein Takin Mumba falls before you. Are you hurt only

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<v Speaker 6>with hurt of shame? Takin and get up. When Julie forgiven,

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<v Speaker 6>I said, get.

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<v Speaker 3>Up and tell me what this madness is all about

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<v Speaker 3>these signs this poppy talk about the evil eye.

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<v Speaker 6>Mumba, upon seeing the signs of evil, I forgot his

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<v Speaker 6>enlightened eyes.

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<v Speaker 3>Did you find out about Campbell?

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<v Speaker 6>He is said to be possessed.

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<v Speaker 3>And that accounts of these signs.

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<v Speaker 6>Signs are charmed to evil eye take away power. So

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<v Speaker 6>say my.

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<v Speaker 3>People, your people are insane.

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<v Speaker 6>Only frightened, takeen.

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<v Speaker 3>Look, can't you talk to them, reason with them, telling

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<v Speaker 3>they had nothing to fear that even if they did

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<v Speaker 3>these obscene charms.

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<v Speaker 6>And there's a no answer, not Mumbah, Turkeen must do me.

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<v Speaker 3>That's ridiculous to say.

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<v Speaker 6>Again, Turkeen must do the wile ie is on this house.

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<v Speaker 6>Only Takin can prove this is not so, so, say

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<v Speaker 6>my people, But how tomorrow Takin look upon chosen one.

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<v Speaker 6>If chosen one not die, spell of evil eye broken.

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<v Speaker 6>If chosen one die not good all the idiotic too

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<v Speaker 6>beg pardon to do this only way to save esteemed

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<v Speaker 6>friend and self.

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<v Speaker 3>There was no sleep. The bugan night spent itself slowly, weirdly,

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<v Speaker 3>washed in moonlight, and filled with strange sounds. The paddy birds,

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<v Speaker 3>the barking deer, the cries of wild cattle. Then and always, always,

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<v Speaker 3>the eerie toll of the temple bells. I could feel

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<v Speaker 3>it building in the a fusion of strangeness, a fear,

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<v Speaker 3>a fear that was somehow compelling. Drawn to an opening

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<v Speaker 3>at the back of Campbell's hut, I looked out. From there,

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<v Speaker 3>I saw a moonlight fantasy in a clearing before an

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<v Speaker 3>ancient pagoda. A single dancer performed, And then somehow I

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<v Speaker 3>was outside the hut, walking slowly across the compound. No

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<v Speaker 3>takin look, get out my way.

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<v Speaker 6>Hear me here here, Mumba, you must not answer the

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<v Speaker 6>call of the temple bells.

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<v Speaker 3>Stand aside.

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<v Speaker 6>To follow is to die.

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<v Speaker 3>I tried to free myself from Mungbar's grip. I could not.

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<v Speaker 3>And if the dancer danced on, and if the bell's

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<v Speaker 3>told longer, I don't know, because suddenly the night was

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<v Speaker 3>black and silent, and the madness was gone. You know,

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<v Speaker 3>each night I don't know how I got to bed.

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<v Speaker 3>Every morning I find you here takin a sleep, well,

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<v Speaker 3>like I was hit on my head, Mugba, Was there

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<v Speaker 3>really a dancer out there?

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<v Speaker 6>Mumba? Fixed t takin feel fine?

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<v Speaker 3>Was there a dancer?

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<v Speaker 6>What has gone before belongs to the night? No longer

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<v Speaker 6>to us.

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<v Speaker 3>I don't understand your bloody country, Mumba, or even you.

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<v Speaker 6>I am pleased to be a simple man.

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<v Speaker 3>You've saved my life twice.

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<v Speaker 6>Now, Why takin Mumba? Friend? Life O friend more precious

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<v Speaker 6>than all life?

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<v Speaker 3>Mumba. What happened to me last night? What happened to Campbell?

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<v Speaker 3>Before I got here?

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<v Speaker 6>Mumba? Not no fix ty takin feel fine?

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<v Speaker 3>Everything here plays on your feelings, emotions. The cries of

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<v Speaker 3>the animals, the tolling of the bells, the sight of

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<v Speaker 3>ruin after ruined pagodas and shrines in crumbling decay, is

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<v Speaker 3>that it does the very decay here hold the power

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<v Speaker 3>to degenerate a man, Oh temple bell again.

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<v Speaker 6>Our has come takin hot hour before bright sun, and

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<v Speaker 6>my people takin look upon chosen one only way to

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<v Speaker 6>say this, stuvid friend and itself.

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<v Speaker 3>Outside, the villagers lined the compound, some war coverings over

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<v Speaker 3>their entire heads. Others, with the same fear that I

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<v Speaker 3>might possess the evil eye, hid their faces from my view,

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<v Speaker 3>all of them. So far as I could see war

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<v Speaker 3>signs and symbols as charms against my spell. He was madness,

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<v Speaker 3>all of it madness, taken ready, just tell me what

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<v Speaker 3>I'm supposed to do.

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<v Speaker 6>Chosen one, we'll walk to center of cleaning temple. Bells

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<v Speaker 6>will stop. That becomes signal for takin to look for

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<v Speaker 6>first time upon chosen one.

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<v Speaker 3>When the bell stopped, he's all right, well, let's get

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<v Speaker 3>on with it.

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<v Speaker 6>Kindly turn back, taking all right.

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<v Speaker 3>Now to make quick work of it.

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<v Speaker 6>Turk In have nothing to fear.

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<v Speaker 3>My heart very nearly stopped with the bells slowly. I

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<v Speaker 3>turned around to look upon the chosen one. He stood

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<v Speaker 3>proudly straight, smiling confidently at me, my little Burmese friend Mumba.

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<v Speaker 3>And I looked and smiled and watched him fall. Mumba, Umba, Hi, Mumba.

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<v Speaker 3>How how in Heaven's name.

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<v Speaker 6>No to Turky his steward friend Cambo he.

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<v Speaker 3>Campbell Mmmm, poor wretched devil Mambai was dead. When I

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<v Speaker 3>was alone, I started to lift him to carry him

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<v Speaker 3>back to the hutton, and I saw the thin arrow

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<v Speaker 3>in his back, a blow gun. I looked up in

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<v Speaker 3>the direction the arrow must have come there. It was

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<v Speaker 3>the ancient pagoda where the dancer had been the night before.

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<v Speaker 3>It was also the direction of the temple bells. This time,

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<v Speaker 3>without anyone to stop me. I walked into the ruins

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<v Speaker 3>of the temple. Campbell, Campbo, where are you?

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00:22:56.319 --> 00:22:56.960
<v Speaker 6>I'll find you?

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<v Speaker 3>You know? Campbell?

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00:23:00.079 --> 00:23:00.279
<v Speaker 7>Yeah?

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<v Speaker 3>Campbell? Oh here, Loren, I can't see you any shadows.

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<v Speaker 3>I'm here in the dark, and you can hear me.

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<v Speaker 3>If your eyes fail, you follow your ears. Why did

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00:23:22.200 --> 00:23:27.359
<v Speaker 3>you do it? Campbell? He worshiped you. Why did you

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<v Speaker 3>have to kill Mungba? Mangba? Cowering in the darkness won't

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00:23:31.799 --> 00:23:35.599
<v Speaker 3>help you. Campbell. There's a window down there. Why don't

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<v Speaker 3>you stand proudly in the bright sunlight. It's heated.

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<v Speaker 7>Mungba died proudly.

359
00:23:42.680 --> 00:23:48.200
<v Speaker 3>I'll get it. Callan visual you're mad? Come here here

360
00:23:48.319 --> 00:23:55.720
<v Speaker 3>the light? He now stand there until Camble.

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<v Speaker 7>Are we at the window now?

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<v Speaker 3>Loren Campbell? You're blind?

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<v Speaker 7>Your eyes stand proudly in the bright sunlight.

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00:24:09.319 --> 00:24:12.359
<v Speaker 3>What happened to you? Who did this to you?

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00:24:12.559 --> 00:24:16.240
<v Speaker 7>I shall pay? Or where I look? My eyes see

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<v Speaker 7>no beauty?

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<v Speaker 3>Oh Campbell, we didn't understand in your letter, None of

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<v Speaker 3>us understood. Tell me who did that to your eyes?

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<v Speaker 7>Where one sees no beauty, no good, one sees evil.

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<v Speaker 7>And once the eye becomes absorbed with evil, it is

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<v Speaker 7>said the eye must no longer see Campbell, listen to me.

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<v Speaker 3>We'll go now, you and I I'll take you home.

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<v Speaker 3>I am home. No, no, no, We'll go to England

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<v Speaker 3>now together. Do you understand me?

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00:25:00.079 --> 00:25:01.559
<v Speaker 7>You don't understand me.

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<v Speaker 3>I want to be here. I must be here. But

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00:25:08.519 --> 00:25:15.519
<v Speaker 3>why why? This place is strange and terrifying and beautiful, Lauring?

378
00:25:16.599 --> 00:25:20.519
<v Speaker 7>But you you must go before you see it's beauty,

379
00:25:21.359 --> 00:25:24.599
<v Speaker 7>before it draws you and holds you and never lets

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<v Speaker 7>you go.

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00:25:25.200 --> 00:25:26.400
<v Speaker 3>There is no beauty here.

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<v Speaker 5>Have you not seen our beauty?

383
00:25:29.079 --> 00:25:29.839
<v Speaker 3>Stephen Loring?

384
00:25:31.279 --> 00:25:35.200
<v Speaker 5>Have you not watched the dancer by moonlight and felt

385
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<v Speaker 5>compelled to follow her?

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<v Speaker 7>Go Lring, Go now, it's not too late for you, Campbell.

387
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<v Speaker 3>Did gna? Did she do this to you? Go Lauring

388
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<v Speaker 3>while you can.

389
00:25:49.039 --> 00:25:52.960
<v Speaker 5>You were supposed to die in Mandolay Stevens.

390
00:25:53.680 --> 00:25:57.799
<v Speaker 3>You tried to have me killed. My people are happy

391
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<v Speaker 3>as they are.

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<v Speaker 7>Believe me, Lauring, and go now. Too late is very

393
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<v Speaker 7>soon upon you.

394
00:26:06.079 --> 00:26:10.160
<v Speaker 3>I'll go. I've had my fill of this madness?

395
00:26:10.359 --> 00:26:11.960
<v Speaker 8>Is it madness?

396
00:26:12.680 --> 00:26:13.440
<v Speaker 6>Are you sure?

397
00:26:15.000 --> 00:26:17.599
<v Speaker 5>You must be very sure?

398
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<v Speaker 8>It might be madness, or again, it might be a feeling,

399
00:26:26.279 --> 00:26:30.720
<v Speaker 8>a mystic, something that has been known to take hold

400
00:26:30.880 --> 00:26:31.279
<v Speaker 8>of men.

401
00:26:32.920 --> 00:26:37.400
<v Speaker 3>I ran hard and fast from the ancient pagoda, away

402
00:26:37.400 --> 00:26:41.279
<v Speaker 3>from Chinah, away from Campbell, through the compound. I ran

403
00:26:41.440 --> 00:26:45.720
<v Speaker 3>told Pugan and the river and freedom. And when the

404
00:26:45.759 --> 00:26:50.400
<v Speaker 3>river was in sight, my my legs became heavy, leaden,

405
00:26:52.440 --> 00:26:59.079
<v Speaker 3>And in my mind I knew I would run as

406
00:26:59.200 --> 00:27:03.279
<v Speaker 3>far into the world as I could. But I also

407
00:27:03.440 --> 00:27:07.480
<v Speaker 3>knew that someday I would have to come back.

408
00:27:21.640 --> 00:27:24.200
<v Speaker 2>Under the direction of Norman McDonnell, Escape has brought You

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00:27:24.279 --> 00:27:27.559
<v Speaker 2>Eye of Evil by Kathleen Hights, starring John Dayner. Featured

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00:27:27.559 --> 00:27:29.559
<v Speaker 2>in the cast were Lynn Allen and Jack Krusian, with

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00:27:29.599 --> 00:27:32.519
<v Speaker 2>Parley Bear and Ben Wright. You're announcer George Walsh. The

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00:27:32.599 --> 00:27:35.839
<v Speaker 2>special music for Escape is composed and conducted by Leith Stephens.

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<v Speaker 1>Next week, you are a drift in a small boat

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00:27:43.440 --> 00:27:46.559
<v Speaker 1>somewhere in the English Channel, the fog lying heavy on

415
00:27:46.640 --> 00:27:49.920
<v Speaker 1>the greasy moving waters, while in the dark ahead of you,

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00:27:50.079 --> 00:27:53.279
<v Speaker 1>moving through the war torn night towards you, is a

417
00:27:53.319 --> 00:27:56.839
<v Speaker 1>thread of death from which there may be no escape.

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00:27:56.920 --> 00:27:59.640
<v Speaker 2>So listen next week when Escape brings you David Divine

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00:28:00.240 --> 00:28:15.279
<v Speaker 2>flood on the goodwinds. This coming Monday Night on CBS

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00:28:15.400 --> 00:28:17.880
<v Speaker 2>Radio's gun smoke, you will discover, along with the United

421
00:28:17.920 --> 00:28:20.839
<v Speaker 2>States Marshal Matt Dillon, that the problems facing a US

422
00:28:20.920 --> 00:28:23.319
<v Speaker 2>Marshall of the Old West were just as vital and

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00:28:23.359 --> 00:28:27.319
<v Speaker 2>real as those facing law enforcement officers today. Remember Monday

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00:28:27.400 --> 00:28:30.480
<v Speaker 2>Nights on most of these same stations, CBS Radio presents

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00:28:30.519 --> 00:28:34.359
<v Speaker 2>realistic Western thrills on gun smoke. This is the CBS

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00:28:34.440 --> 00:29:07.720
<v Speaker 2>Radio Networks maintains
