WEBVTT

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<v Speaker 1>In the spring of nineteen eighty six, Allen and Debbie

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<v Speaker 1>Tallman moved in with their three young children into a

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<v Speaker 1>modest ranch house on South Larrabee Street in Horicon, Wisconsin.

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<v Speaker 1>The house was new, it had been built in nineteen

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<v Speaker 1>eighty four, although it's worth noting that being nwe did

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<v Speaker 1>not mean it wouldn't come with problems, and no, I'm

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<v Speaker 1>not talking about the faults and the home inspection. For

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<v Speaker 1>a while, life was ordinary and it was expected. They

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<v Speaker 1>were living in a small Midwestern town after all. But

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<v Speaker 1>all of that was going to change. They were still

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<v Speaker 1>furnishing their home, so Allan and Debbie went to a

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<v Speaker 1>local furniture shop in Horicon and found a set of

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<v Speaker 1>bunk beds perfect for their two younger daughters. So they

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<v Speaker 1>paid the second hand shop one hundred dollars and took

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<v Speaker 1>it home. They took it straight to the basemind and

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<v Speaker 1>stared it there before putting it together and then taking

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<v Speaker 1>it upstairs. Eventually they got them into their daughter's bedrooms,

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<v Speaker 1>but when they started sleeping in them, the first signs

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<v Speaker 1>of trouble began. Soon after the bunk bed was moved

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<v Speaker 1>into place, the children began experiencing health problems. They visited

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<v Speaker 1>doctors more than usual, and one of them was hospitalized

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<v Speaker 1>twice for illnesses that seemed unrelated to one another. At

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<v Speaker 1>the same time, one of them was telling her parents

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<v Speaker 1>that she kept hearing a strange voice telling her to

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<v Speaker 1>be quiet at night. Danny, the oldest of three, claimed

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<v Speaker 1>he saw a suitcase slide across the floor on its

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<v Speaker 1>own before returning to where it had been. Allan and

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<v Speaker 1>Debby assumed that these were the kinds of things children

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<v Speaker 1>might imagine, but the events continued, the children's fear grew,

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<v Speaker 1>and their stories were told with a consistency that was

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<v Speaker 1>hard to dismiss. Over the weeks that followed, what began

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<v Speaker 1>as strange noises and shifting objects would developed into something

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<v Speaker 1>far more disturbing, marking the beginning of one of the

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<v Speaker 1>most unusual hauntings ever reported in Wisconsin. Now, I came

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<v Speaker 1>across this story in an old episode of Unsolved Mysteries,

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<v Speaker 1>and although it was a very short segment, it still

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<v Speaker 1>brought a long lasting type of fear of objects, things

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<v Speaker 1>that don't move, that don't have a life of their own.

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<v Speaker 1>I'm going to tell you the infamous tale of the tall,

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<v Speaker 1>mean bunk bed incident. My name is Edwin and here's

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<v Speaker 1>a horror story. It was late May of nineteen eighty

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<v Speaker 1>seven when the bed was moved into the children's room.

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<v Speaker 1>The arrangement was that the two girls would share the

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<v Speaker 1>bunk beds and their oldest, a boy, would have his

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<v Speaker 1>own room. The first incident came from the oldest son, Danny,

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<v Speaker 1>who was sleeping in the room next to the bunk

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<v Speaker 1>bed when he saw the clock radios dial moved by

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<v Speaker 1>itself from one side to the other. He told his parents,

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<v Speaker 1>but they were like, no, that can't happen. But still

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<v Speaker 1>the mom, Debbie, thought that it was interference, so she

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<v Speaker 1>went and took a look. That's when she saw that

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<v Speaker 1>the knob was turning by itself and the red signal

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<v Speaker 1>indicator was moving across a frequency bar. She found it

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<v Speaker 1>really odd and took the radio out of the room.

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<v Speaker 1>A few weeks later, mister Allan Tallman was painting in

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<v Speaker 1>the basement when Debbie called him up for dinner. He

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<v Speaker 1>laid the brush down and went upstairs. But when he

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<v Speaker 1>went back down to the basement he found the brush

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<v Speaker 1>he had been using bristles down in the paint. Now

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<v Speaker 1>he would have never left it like that, so he

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<v Speaker 1>tried to explain it to himself, but still couldn't. And

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<v Speaker 1>yet he didn't want to even begin to think that

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<v Speaker 1>his house was haunted. At first, Allan and Debbie try

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<v Speaker 1>to calm themselves and the children down by suggesting that

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<v Speaker 1>they were only dreaming or imagining things, but the consistency

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<v Speaker 1>of it became harder to dismiss. Two of the children

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<v Speaker 1>spoke of similar events, often separately, but their fear was real,

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<v Speaker 1>and as parents, they were aware of it. In interviews,

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<v Speaker 1>Debbie said that their two year old daughter had woken

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<v Speaker 1>up screaming several times, saying that there was a fire

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<v Speaker 1>on the door of her room, going shhh. Now, she

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<v Speaker 1>mentioned that her son had told her of an old

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<v Speaker 1>lady that was standing by the door in his room.

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<v Speaker 1>It was a little old lady, quote really ugly, with

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<v Speaker 1>long black hair and a glow about her like fire,

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<v Speaker 1>with sounds of feet moving across the carpet. At one point,

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<v Speaker 1>a babysitter saw a chair at the kitchen table that

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<v Speaker 1>was rocking back and forth, with absolutely no one sitting

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<v Speaker 1>on it and no explanation. Now, they themselves would sometimes

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<v Speaker 1>see strange glowing shapes around the house as well. So

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<v Speaker 1>at this point Debbie began to think that her house

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<v Speaker 1>was proudly haunted, and the possibility that something in their

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<v Speaker 1>home was intentionally trying to unsettle them. Near that last

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<v Speaker 1>part of nightineteen eighty seven, they kept hearing doors banging

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<v Speaker 1>open and shut, strange voices calling to them, and visions

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<v Speaker 1>that were scaring the children. Things were getting out of hand.

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<v Speaker 1>A week before Christmas, something had scared their son again,

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<v Speaker 1>so Alan reached his breaking point. He started running around

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<v Speaker 1>the rooms, challenging the entity, screaming to it, pick on me,

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<v Speaker 1>leave my kids alone. If you want to fight, I'll fight.

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<v Speaker 1>And he heard nothing back. But then one night, when

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<v Speaker 1>he was getting home, he heard the howling of the wind,

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<v Speaker 1>even though there was no breeze. He then heard it

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<v Speaker 1>say come here, clearly audible. He started searching around to

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<v Speaker 1>see who might have said that, expecting to find a prankster.

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<v Speaker 1>He rushed over the front steps when he saw something

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<v Speaker 1>glowing inside the garage. It was orangish red. He could

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<v Speaker 1>see flames coming out of the overhead door, and that's

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<v Speaker 1>when he saw two eyes in the windows. He immediately

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<v Speaker 1>thought it was fire, but then he took a second look,

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<v Speaker 1>and there was nothing. It was late around the same

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<v Speaker 1>time again, at around two in the morning, and Alan

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<v Speaker 1>had just returned from his late shift. He worked as

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<v Speaker 1>a supervisor in a manufacturing plant, so it wasn't anything

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<v Speaker 1>unusual for him, and on this occasion, Alan was in

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<v Speaker 1>his daughter's bedroom waiting for them to fall asleep, when

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<v Speaker 1>suddenly he heard a vacuum like sound. Startled. He looked around

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<v Speaker 1>the room when he saw a foggy thing rise directly

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<v Speaker 1>out of the floor with green eyes. As he stared

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<v Speaker 1>in disbelief, he heard it say you're dead, and then

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<v Speaker 1>it vanished instantly in a flash of flames. Now Alan

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<v Speaker 1>was traumatized. He was visibly shaken when his wife, Debbie,

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<v Speaker 1>saw him, describing him as white as a ghost and

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<v Speaker 1>with blue lips. She kept asking what happened, what's wrong,

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<v Speaker 1>but he wouldn't say anything. He was just standing there,

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<v Speaker 1>tears coming down his face. His wife got on the

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<v Speaker 1>phone and called a pastor from their church and told

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<v Speaker 1>him what was going on, begging him to come right away,

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<v Speaker 1>saying that Alan was crying and wouldn't tell her what happened.

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<v Speaker 1>From the Unsolved Mysteries episode that I watched where they

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<v Speaker 1>talked to the pastor. He said that Alan gave no

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<v Speaker 1>signs of having made everything up. The pastor had been

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<v Speaker 1>around terrified people before, and this is what was in

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<v Speaker 1>front of him. So the pastor blessed the house, gave

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<v Speaker 1>the family communion right there, and then gave them the

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<v Speaker 1>tapes of church music for them to play in the house. However,

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<v Speaker 1>the paranormal events resumed. This time had happened to a

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<v Speaker 1>relative who was asked by Alan to watch over their

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<v Speaker 1>daughters while they fell asleep since he had to go

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<v Speaker 1>to work later than usual. This relative was skeptical of

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<v Speaker 1>ghost so he was like, okay, we'll do it. But

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<v Speaker 1>then he too saw quote the same specter, the one

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<v Speaker 1>that had been seeing by the Tallman family. So he

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<v Speaker 1>left the bedroom completely scared, saying, I am never coming

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<v Speaker 1>back to this house. I cannot handle this. The family

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<v Speaker 1>decided to leave the house for good that same night,

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<v Speaker 1>opting instead to stay at a motel before the church

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<v Speaker 1>provided them with a place to stay for the time. Now,

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<v Speaker 1>around this time, word had spread around the neighborhood about

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<v Speaker 1>the haunted Tallman home, something Debbie mentioned in an interview

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<v Speaker 1>where she says how tough it was because she had

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<v Speaker 1>to deal with the unknown in their home and the

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<v Speaker 1>talk of around town. The house was in a subdivision

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<v Speaker 1>of ten other houses noted by the Horricon Police Chief

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<v Speaker 1>Douglas Claman. He, the pastor, and the homeowner had toured

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<v Speaker 1>the house searching for recording devices, amplifiers, anything that showed

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<v Speaker 1>that everything might have been a prank, even considering projection equipment,

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<v Speaker 1>but nothing unusual was found. After all those nights of

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<v Speaker 1>fear and sleeplessness, Alan and Debbie concluded that the bed

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<v Speaker 1>was a source of the problem and that it had

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<v Speaker 1>to be removed. So in early February of nineteen eighty eight,

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<v Speaker 1>they arranged for the bunk bed to be taken to

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<v Speaker 1>a local landfill. That wasn't just discarded, It was buried

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<v Speaker 1>to ensure that no one else could ever use it.

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<v Speaker 1>The family wanted to be absolutely certain that the object

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<v Speaker 1>could not return to their home or passed to another family.

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<v Speaker 1>Now at this point you might be thinking, what about

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<v Speaker 1>this story made it about the bunk bet. What turns out,

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<v Speaker 1>the activity throughout the Tollman home was strongly connected to

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<v Speaker 1>the second hand bunk bets, the ones that were purchased.

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<v Speaker 1>You see, they moved into November of nineteen eighty six,

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<v Speaker 1>and the problem started six months later when the bunk

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<v Speaker 1>beds were purchased, more specifically for the moment they were

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<v Speaker 1>actually used for the first time. Now, something like a

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<v Speaker 1>trigger came from those beds. Based on comments and polls

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<v Speaker 1>from you guys, have found that we generally believe that

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<v Speaker 1>entities might be tied to places or people themselves. This

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<v Speaker 1>house was a relatively new construction and everything was fine

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<v Speaker 1>until the beds were used. Plus, the new family who

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<v Speaker 1>purchased the house in April of nineteen eighty eight reported

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<v Speaker 1>no paranormal activity after moving in. Their story might have

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<v Speaker 1>ended there had it not been for local press coverage

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<v Speaker 1>and then the national attention through the television series Unsolved Mysteries.

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<v Speaker 1>When the episode aired in October of nineteen eighty eight,

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<v Speaker 1>it introduced the Tallman Haunting to a white audience. The

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<v Speaker 1>segment featured dramatizations of the events, but also included interviews

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<v Speaker 1>with Reverend Wayne doe Brats and police Chief Doug Glammon,

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<v Speaker 1>both of whom vouched for the family's sincerity. I described

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<v Speaker 1>them as credible, ordinary people now that supports at the

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<v Speaker 1>Tallman case apart from many ghost stories, which often lack

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<v Speaker 1>outside witnesses. Although the Tallman family never saw publicity, their

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<v Speaker 1>experience quickly became a talking point in paranormal circles. It

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<v Speaker 1>was unusual in that the disturbances seemed to be tied

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<v Speaker 1>not to a house or a location, but to a

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<v Speaker 1>single object. This gave the case a unique place, and

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<v Speaker 1>discussions of cursed or haunted objects often mentioned alongside items

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<v Speaker 1>like the Hope Diamond or the Annabel Doll. Although it

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<v Speaker 1>never gave the same level of fame, the Taumans themselves

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<v Speaker 1>did not pursue further media appearances. They gave no book deals,

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<v Speaker 1>no follow up interviews. They avoided turning their story into entertainment.

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<v Speaker 1>They would turn to private life, leaving only the original

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<v Speaker 1>episode of Unsolved Mysteries and a handful of reports as

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<v Speaker 1>a record. Some ways, this reluctance has added to the

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<v Speaker 1>story's power. Unlike the Amityville Horror or Enfield Poulter Geist,

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<v Speaker 1>the tall Men haunting was not commercialized or exaggerated for decades.

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<v Speaker 1>It remains what it always was, a short, intense burst

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<v Speaker 1>of terror centered around a single ordinary piece of furniture.

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<v Speaker 1>The concept of things being haunted is way more common

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<v Speaker 1>than you think, with even museums filled with objects that

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<v Speaker 1>are set to be haunted. I remember when I visited

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<v Speaker 1>Zach Begen's Haunted Museum in Las Vegas with my friend

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<v Speaker 1>Michelle and left with a strange sense of dread because

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<v Speaker 1>of the things that they had in there. At the

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<v Speaker 1>paranormal field, they say that there are a few ways

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<v Speaker 1>that an object can become haunted. One is residual energy

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<v Speaker 1>or an energy attachment. The idea goes that living things

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<v Speaker 1>energy and that it's this energy that can be stored

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<v Speaker 1>or recorded with an objects. During my research, I kept

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<v Speaker 1>finding stone tape theory, so I looked it up. It

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<v Speaker 1>turns out it's a BBCTV play that was back from

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<v Speaker 1>nineteen seventy two. It's actually called The Stone Tape and

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<v Speaker 1>the story scientists investigate a haunted mansion, suggesting that the

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<v Speaker 1>stone walls can record traumatic human events, kind of like

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<v Speaker 1>how magnetic tape records sound. The idea seemed to make

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<v Speaker 1>sense to paranormal research circles, so it stayed. They say

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<v Speaker 1>that under certain conditions, these events can be replayed like

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<v Speaker 1>a recording, and that's when people experience them as apparitions, sounds,

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<v Speaker 1>or sensations. This is different than a ghost because they

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<v Speaker 1>are seen as residual hauntings like mindless echoes of the

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<v Speaker 1>past with no interaction. A second way is an actual

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<v Speaker 1>spirit attachment, where if the objects was particularly loved by

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<v Speaker 1>a spirit during their life, like a favorite doll or

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<v Speaker 1>a toy, the bond to the item can be so

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<v Speaker 1>strong spirit remains connected to it after passing away. This

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<v Speaker 1>is where activity happens after buying a secondhand item. It's

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<v Speaker 1>when we hear that a spirit may become upset if

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<v Speaker 1>someone else tries to claim it. The third theory is

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<v Speaker 1>a negative energy from traumatic events, where a negative imprint

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<v Speaker 1>remains on a physical object, like if a weapon was

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<v Speaker 1>used in a murder. It might retain the negative energy,

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<v Speaker 1>making people feel uneasy if they hold it now. This

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<v Speaker 1>is not to be confused with demonic type or energy.

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<v Speaker 1>But then here's the fourth, which is an actual curse

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<v Speaker 1>is on the object, but they are linked to malevolent

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<v Speaker 1>forces like demons sometimes that will bring bad luck, misfortune,

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<v Speaker 1>or death to their owners. This is one we hear

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<v Speaker 1>about the most, at least in this podcast, because folklore

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<v Speaker 1>and paranormal research is filled with them, some like stories

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<v Speaker 1>of cursed diamonds that cause death to their owners or

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<v Speaker 1>the recent stories circulating about Annabelle. These are just some

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<v Speaker 1>examples and how this activity manifests through haunted objects, while

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<v Speaker 1>it varies with things like electronic disturbances, movement of objects,

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<v Speaker 1>sounds and voices, apparitions, illness and fires. Another famous example

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<v Speaker 1>of haunted objects is the story of the Hexham Heads.

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<v Speaker 1>The Hexham Head story begins in nineteen seventy one when

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<v Speaker 1>two boys, Colin and Leslie Robson, reported digging up a

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<v Speaker 1>pair of small carved stone heads in the garden of

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<v Speaker 1>their families home in Hexham, Northumberland. Soon after the discovery,

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<v Speaker 1>members of the rocks and household and the next door family,

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<v Speaker 1>the Dods, described poltergeist like disturbances, objects shifting position when

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<v Speaker 1>no one was near them, bottles thrown across the rooms,

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<v Speaker 1>hair pulled, and in one neighbor's account, citing a strange

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<v Speaker 1>part human before leaving the house. The heads, each only

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<v Speaker 1>a few centimeters hi, quickly became the suspected focus of

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<v Speaker 1>the activity. The artifacts were passed on to doctor Anne Ross,

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<v Speaker 1>a noticed Celticist who had publicly written about the ritual

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<v Speaker 1>importance of human head imagery in iron Age and Romanto

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<v Speaker 1>British contexts. Ross later stated that she witnessed an apparition

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<v Speaker 1>a part wolf, part man figure walking out of a

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<v Speaker 1>room in her house and vanishing downstairs. Her daughter subsequently

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<v Speaker 1>reported a similar encounter. Now Anne associated these events with

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<v Speaker 1>the heads and returned them. Decades later, she repeated her

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<v Speaker 1>first reactions and experiences in interviews, some that are cited

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<v Speaker 1>by academic research. They were keeping the heads linked to

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<v Speaker 1>uncanny phenomena. Eventually people examined how the pieces were made.

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<v Speaker 1>One academic assessment concluded that the heads were molded rather

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<v Speaker 1>than carved, suggesting a modern origin. The chain of custody

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<v Speaker 1>during the mid nineteen seventies included museum staff and later

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<v Speaker 1>independent investigators. After a period of private examination in the

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<v Speaker 1>late nineteen seventies, the original heads reportedly went missing and

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<v Speaker 1>the present whereabouts are unknown. Nineteen seventy four, a local

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<v Speaker 1>lorry driver, Desmond Craigie, who was known as des claimed

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<v Speaker 1>that he had made the heads in nineteen fifty six

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<v Speaker 1>as toys for his daughter while living in the same

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<v Speaker 1>address that the Robsons later occupied. He demonstrated the claim

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<v Speaker 1>by producing new examples cast from local materials, though observers

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<v Speaker 1>noted his replicas did not convincingly match the originals. DES's claim,

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<v Speaker 1>if correct, would explain both the molded manufacture and the

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<v Speaker 1>presence of the objects in the garden, but the debate

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<v Speaker 1>over authenticity has never fully settled. The case briefly entered

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<v Speaker 1>UK popular consciousness in nineteen seventy six via a BBC

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<v Speaker 1>nationwide segment that featured Doctor Ann and reference a reported

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<v Speaker 1>werewolf idea, a broadcast later restored and resurfaced by BBC Archives.

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<v Speaker 1>The TV coverage helped cement the Heads as a nineteen

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<v Speaker 1>seventies folklore touchdoone half archaeological curiosity, half contemporary legend. Today,

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<v Speaker 1>the Hexham Heads set at the intersection of folklore studies, archaeology,

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<v Speaker 1>and modern myth. The core facts a garden discovery, reported disturbances,

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<v Speaker 1>expert interest, and a modern manufacturer claim, and the artifact's

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<v Speaker 1>disappearance are reasonably well documented. However, the supernatural elements are

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<v Speaker 1>mostly tied to witness testimony instead of some evidence, which

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<v Speaker 1>is why the story persists as both a cautionary archaeological

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<v Speaker 1>curiosity and as a classic haunted object story. But here's

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<v Speaker 1>another one you might know. Back when I was taking

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<v Speaker 1>a ghost tour in poor the tour guide told me

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<v Speaker 1>a story about a very famous cursed object, one that

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<v Speaker 1>I had heard of in Zach Began's museum. Although this

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<v Speaker 1>story might not be exactly what you thought it was.

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<v Speaker 1>Now this is a story of the Dibiic Box, and

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<v Speaker 1>it begins in two thousand and one. Now a man

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<v Speaker 1>named Kevin Mannus, a Portland, Oregon antique stealer, bought a

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<v Speaker 1>small wooden wine cabinet and an estate sale. In his

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<v Speaker 1>later accounts, Mannu said that the cabinet had belonged to

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<v Speaker 1>a Polish Jewish woman, one who survived a Nazi concentration

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<v Speaker 1>camp and brought it to the United States after World

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<v Speaker 1>War Two. According to his story, the woman's granddaughter told

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<v Speaker 1>him that the box had been kept hidden away and

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<v Speaker 1>was never to be opened. She supposedly referred to it

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<v Speaker 1>as a depic box. It's important to note, however, that

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<v Speaker 1>this backstory has never been independently verified, and Manus himself

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<v Speaker 1>has since admitted that much of it was a creative embellishment.

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<v Speaker 1>Now Jewish folklora a typyk is understood as a restless spirit,

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<v Speaker 1>one that can attach itself to a person, often portrayed

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<v Speaker 1>as malicious or troubled. The figure of the dibik has

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<v Speaker 1>been part of Jewish storytelling for centuries, though not all

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<v Speaker 1>traditions accept it literally. The specific idea of a dibic box, however,

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<v Speaker 1>does not come from Jewish religious practice, and appears to

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<v Speaker 1>have originated with Manis tail A. Man Is described opening

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<v Speaker 1>the box and finding two nineteen twenties pennies, a lock

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<v Speaker 1>of hair tied with a string, and a small statue

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<v Speaker 1>engraved with the Hebrew word shalom, a wine goblet, and

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<v Speaker 1>a dried rosebud, also a candle holder. He claimed that

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<v Speaker 1>soon afterward strange events began. According to his story, he

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<v Speaker 1>had nightmares of an old hag attacking him, and his

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<v Speaker 1>mother suffered a stroke on the very day he gave

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<v Speaker 1>her the cabinet. He also described flickering lights, unexplained orders,

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<v Speaker 1>and visitors who felt dread or illness in its presence.

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<v Speaker 1>These reports come solely from Manus's own testimony, and while

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<v Speaker 1>they have been repeated often, there's no outside confirmation that

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<v Speaker 1>such events took place. Over time, Manus tried to give

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<v Speaker 1>the box away. He said that each new owner reported misfortunes,

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<v Speaker 1>including insomnia, hair loss, and severe anxiety. One owner, a

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<v Speaker 1>college student named Josef Nitzke, listed the box on eBay

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<v Speaker 1>in two thousand and three, calling it a cursed object,

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<v Speaker 1>and that list thing went viral very quickly. It just

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<v Speaker 1>spread across the Internet forums and news outlets, capturing attention

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<v Speaker 1>as one of the first widely shared online ghost stories. Eventually,

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<v Speaker 1>the box was purchased by Jason Haxton, the director of

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<v Speaker 1>a museum in Missouri that Haxton later wrote a book

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<v Speaker 1>about the object in twenty eleven, where he claimed it

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<v Speaker 1>caused welts to appear on his skin and interfered with electronics.

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<v Speaker 1>He said he once sealed it in a military container

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<v Speaker 1>and buried it for safety before finally donating it to

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<v Speaker 1>Zach Began's Haunted Museum in Las Vegas. Today, the box

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<v Speaker 1>is displayed there as one of the museum's main attractions.

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<v Speaker 1>Begans has said that multiple visitors, including musician Post Malone,

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<v Speaker 1>experienced frightening incidents after interacting with it. I actually got

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<v Speaker 1>to see it and the story behind it. Even though

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<v Speaker 1>it might be made up partially, it's pretty cool. In

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<v Speaker 1>twenty twenty one, reporting revealed that Kevin Mannis had admitted

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<v Speaker 1>to crafting much of this story. It was kind of

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<v Speaker 1>a creative exercise that later took on a life of

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<v Speaker 1>its own. Despite this, the Devic Box has endured in

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<v Speaker 1>popular culture, largely because of its viral spread online, its

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<v Speaker 1>appearance in books and television, and it's continued to display

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<v Speaker 1>at the Haunted Museum. Today, the story persists less as

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<v Speaker 1>a matter of document minted fact and more as a

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<v Speaker 1>blend of modern folklore, marketing, and the timeless fascination with

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<v Speaker 1>cursed objects. The power of story behind objects is a

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<v Speaker 1>very powerful one, enough to make people pay much more

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<v Speaker 1>for what they're getting, and at times quite literally, like

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<v Speaker 1>for the bunk bets, the family paid one hundred dollars

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<v Speaker 1>and ended up losing more than three thousand after giving

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<v Speaker 1>up their home because of the incidents. And if you're

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<v Speaker 1>like thrifting, have you ever purchased something that didn't quite

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<v Speaker 1>feel right? Because when it comes to secondhand items, the

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<v Speaker 1>shared walls of hotel rooms, and perhaps the physical memories

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<v Speaker 1>of those who lived in your home long before you,

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<v Speaker 1>can you actually trust what remains now. This episode of

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<v Speaker 1>Horror Story was researched and written by me Edwin Komar

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<v Speaker 1>Rubias regarding the story of the Tallman bunk beds. Was

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<v Speaker 1>it actually the beds? Let me know what you think

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<v Speaker 1>about it, and if you want to watch the original

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<v Speaker 1>Unsolved Mystery segment, I'll link to it so you can

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<v Speaker 1>watch it on YouTube. That show was one of my

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<v Speaker 1>favorites back in the day. Anyway, to support this and

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<v Speaker 1>my other shows, you can try out Scary plus over

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<v Speaker 1>on scaryplus dot com. You get all these episodes at

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<v Speaker 1>free and keeps everything going. Or if you can drop

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<v Speaker 1>some stars for me in the reviews, that always helps.

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<v Speaker 1>We're following the show. I'll be back next week with

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<v Speaker 1>another story. Thank you very much for listening. Keep it

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<v Speaker 1>Scary everyone, See soon.
