Speaker 1: Hi, everyone, Tony from Hack the Movies here and today
we're talking about Alex Proyce's Dark City director's cut, except
for Sean.
Speaker 2: You didn't watch that one.
Speaker 1: Neither Dark City. Oh god, never mind, we're talking about
both cuts of Dark City. I guess today on Hack
the Movies were talking talk talking talking about tapes. Hello
Joe and Sean for movie Tom Sir, Hello, mister Hack.
Speaker 2: I'm mister I'm mister Hack.
Speaker 1: Aw you mister Hack.
Speaker 3: Yes, I thought you were the kid from Children of
the Corner.
Speaker 1: You under.
Speaker 3: Something you're missing Malachi.
Speaker 1: Uh. Yes, Dark City and we're doing this because a
year ago a bunch of fans decided they're gonna just
tell me to do Dark City all the time.
Speaker 3: Well, now you're getting it.
Speaker 1: We're doing it today. Yes, by Alex Broyce, who a
few years ago I did the The Crow, I did
all the pro movies, but we revisited his Crow film, I.
Speaker 4: Mean his Crow films. I mean, I mean it's the
seminal Crow.
Speaker 1: Yeah.
Speaker 4: Yes, it's really good. His cinematographer comes back for this too.
Speaker 1: Yes.
Speaker 2: And the writer of Crow, City of Angel.
Speaker 1: And the writer of Hyder in the House. Yeah, with
Gary Musey, that's Lem Dubbs shirt Gary listeners, it's Gary
stories to tell him the dark and then it's a
very unfortunate picture of modern day Gary. I think appreciate.
Speaker 5: I think that's what he got arrested after that incident
in Atlantic City a couple of years.
Speaker 1: Man. Yeah, yeah, Alex Proy is a very interesting fellow.
A lot of gaps in his resume theatrical wise, like
he did this. This was a bomb when it came out,
but then he did I Robot not a great movie,
but I think it made bang.
Speaker 5: Like it but as an adaptation it's the Ships, but yeah,
it's pretty good.
Speaker 1: And then he didn't like comes back years later with
Knowing in two thousand and nine, and then that that
Prince of each God of godship.
Speaker 3: Thought he was telling me about this a little before
the record.
Speaker 1: Oh because you just don't remember God's.
Speaker 5: I mean you were firing the cast of it sound
like a lot of big Yeah, there were actually.
Speaker 1: Like Chadwick Boseman was in it. Yeah, recollation of it. Yeah,
I remember people accused it of whitewashing. And then I
found it today. Even though he's front he like grew
up in Australia. Assproys is Egyptian. I think so he's
just like whatever he Uh. When that movie came out
and got bad reviews, he really went hard on the critics.
Speaker 2: He might have went a little too hard, I think.
Speaker 5: So, how did he feel about Christian Bale when he
played Moses? Did you have an opinion on that one?
Speaker 1: He might have brought that opposite defense now I think
about it, he might have run it up.
Speaker 4: Uh.
Speaker 1: But yeah, these days I think he's about to make
like an actual movie again. He went to short film World.
I follow him on Facebook. Yeah, he did a lot
of music videos. Yeah, he tried to make his own
short film website. I don't think it did well.
Speaker 4: Uh.
Speaker 1: And now he's dabbling like most people are who can't
get money into AI stuff. That's it. I don't fuck him.
He's although I saw I saw him with Roger Avery,
the writer and Roger Avery because people were giving him
ship for having an AI thing. He's like, I couldn't
get a single dime from anyone until I said I
had an AI business and suddenly all the money came in.
So I think a lot of these guys who just
can't get traditional funding They're like, well, now I'm part
of this new thing, so let's talk about when he's good.
Here's an update. He lost a shit ton of weight,
so one of his face one of his Facebook posts
is like literally him sharing Google's like, can someone update this?
I haven't looked like this a lot.
Speaker 5: So he sold his h soul to the AI industry
and lost weight in the process.
Speaker 3: Great yeah, yeah, and.
Speaker 1: They gave him a bunch of a GOVI. But it
looks like he actually does have like a bigger movie
coming out. I think they shot it on like LED
screens and stuff, so we'll see what happens. But this
is like his I think his masterpiece. Yes, I know
you I Robot obviously, but Dark.
Speaker 3: City for that role the Homeless Kid.
Speaker 1: And he came up with the idea. I think originally
it was from the detective's point of view. Uh, but
then he had it fleshed out with Lem Dobbs. And
then they brought David S. Goyer in, yes, the punch
up King. Yes, Uh, well, I mean David O. Squire.
Like we talked about cro City of Angels. That's another
Harvey Weinstein hack job.
Speaker 4: I mean the classic flicks like Demonic Toys.
Speaker 5: Yes, begins the Dark end up doing do that one, Tony.
Speaker 1: I think he just did this.
Speaker 5: I think he only did the story for the two
I was trying to softball to.
Speaker 1: Don't Worry and Batman Diego.
Speaker 2: Yeah, and then he also did Blade Trinity.
Speaker 1: Movie. He is a working man's director. I'll give him back,
uh drugger writer. But I mean, if you watch grow
City of Angels, like the original, idea is somewhat interesting,
like trying not to be too much like the original,
and then they were forced to make it more like
the original.
Speaker 4: Yeah, but I also think it's fine, Like, it's not.
It's not awful, dude. It could be a lot worse.
It could be worse, but also could be a lot better.
You know, Edward Prolong is fucking bad, Like.
Speaker 2: No, no, no, that's not That's not City of Angels.
Speaker 4: I know, but I'm saying, oh, yeah, it's bad.
Speaker 1: City of Angels is fine.
Speaker 3: That was pretty rough context.
Speaker 1: Sorry. You know, I reviewed all of them at once
after we did the first one, and it's all blur.
I just I just now remembering that there is a
remake with Bill scars Guard. I don't know what you're
talking about, which Alex Boyce was in the news when
that came out because he was just shitting on it regularly.
It's like fuck this. So, yeah, they got together to
do this. This started off as like a Fox production. Okay,
I think I think it got moved to New Line.
They were forced to make some changes. I would assume
the budget. Yeah, well budget, I think you said it
was like twenty five million budget or something. Really a
lot of in this. Yeah, it's a it's an amazing look.
It has since become a cult hit. People think the
Matrix took from this. Oh it came out of here.
I mean the Matrix did take from like a lot
of things. Not that one lady who accuses them of
ripping her off. She's been debunked so many times. Versus
one lady that thinks that they read a short story
or so it's like you go down that rabbit hole.
Was not her.
Speaker 2: But they did take from anime and stuff.
Speaker 4: Yeah, they she saw how they how they somebody made
a bunch of money from James Cameron and they were.
Speaker 1: Like, oh yeah, yeah. She tried to pull back out. Yeah,
but yeah, So the Matrix comes out a here later,
and it does have similar ideas, and it uses some
of the same sets. That's like a big thing. The
road tops, I think, yeah.
Speaker 3: Trench coats, I don't know, sunglasses.
Speaker 4: People are gonna make people like sleep being a sleep
quote unquote in this world. Yeah, and having like their
memories and stuff messages with.
Speaker 5: Which actually has a lot of connections. But honestly, beyond that,
they're completely fucking Yeah. They're different enough you could see
why people would connect it.
Speaker 1: Yeah, But I remember seeing, like it's funny because I
just watched behind the scenes and they're just like they
didn't really advertise it much. I remember seeing Ads as
a kid. I remember just seeing that image of him
on like the circle there.
Speaker 4: I always remember riff Raff putting that dude to sleep. Yes,
I always remember that.
Speaker 1: Yes. And I remember like the commercials and it was
a movie I always wanted to see and I never
really did. One of the biggest like champions of this
film making it a cold film was Roger Ebert. Really
he loved this movie, great movie. He wrote about a lot.
He has his own commentary track on the DVD. Real
if there is a Roger Ebert commentary track, And I
was like a big Roger eber Fan didn't. I didn't
even agree with a lot of his stuff, but I
like the way he wrote and shared his opinions. And
I've told the story a bunch of times. Hacked the
Movies is like a play on at the Movies. But
I remember he is on his website used to have
like great movies, and he had Dark City on there,
and I was like, I'm gonna finally fucking watch Dark City.
And I watched it in college theatrical version, and I
remember going like, huh, it feels like they told me
a lot of information in the beginning, and the rest
of the movie is like I wonder what these things are,
and I'm like, well, I already told me, But I
still really really enjoyed it.
Speaker 4: Yeah, I mean it's good. Also, editing, i will say,
is like very choppy. Well theatrical yeah.
Speaker 1: Yeah, I think eleven minutes of footage is at in
the director's cut, but it's still like pre existing scenes
I think to help us till yeah, and that's what
it feels like. You could tell that they're truncated. But
then I bought the director's cut and I was just like,
I love this movie. I got like super into it.
I really really enjoyed these. But it's been a minute,
sins I watched I used to watch this a lot.
But when did you first see Dark City?
Speaker 4: Probably around the time that it came out. Okay, this
is the first time revisiting it in a long time. Really, yeah, yeah, yeah, yeah,
I feel like I wanted to go back sooner and
I just hadn't for whatever reason. But yeah, I remember
when like it came out, and like Keifer set I
was big on Keither Soe Southerland at the time because
like I was just getting into Lost Boys and stuff
like that.
Speaker 1: So I was like, you love the Eye for an
Eye for an eye fucking rules. I just showed my
wife that movie. Why would you show? Oh my god,
that movie is so good. I've talked about it on
my show a couple of times. That movie scarred my mom.
She hates Keith or Southerland because of his performance in
Ether Keifer souther But yeah, oh she literally thought like
people were gonna murder us all the time because.
Speaker 4: Of that that movie. Just sorry, side because it's just
I think it's just a really great film, and I
think Keifer Sutherlin in that movie is terrifying uh. And
that beginning sequence where he goes into the house after
the little girl.
Speaker 1: Yeah, the secrets that made my mom think people were
gonna come and murder my fuck me up as a kid. Yeah.
I didn't even see the movie until you years later,
but I kept freaking it up and was terrible watching.
Speaker 5: It on cable and be like, oh my god, the
one movie Tony wasn't allowed to watch.
Speaker 1: We found it.
Speaker 3: When's the review?
Speaker 1: I eventually, I eventually did watch it, and I went,
it wasn't that good because it's like real, Yeah, that's
what makes it so horrible.
Speaker 2: But we get on that.
Speaker 1: Sorry you're talking about Yeah, I made I tried to
pick a random movie that I didn't think you saw.
It turns out you saw and had a lot of
one damn it stand by me. So yeah, okay, so
you saw when it came out, but you hadn't revisit
it until.
Speaker 4: Yeah, yeah, until until for this review.
Speaker 5: Yeah.
Speaker 2: And Sean, is this the first time viewing for you?
Speaker 1: Yeah?
Speaker 5: You told me, h, hey, this is what I want
to do. Okay, I never heard of it, all right,
that's what I'm watching.
Speaker 1: You never even heard of it?
Speaker 5: I know?
Speaker 1: It actually is fun that we're talking about this now
because the movie's probably out now, But like the day
before we shot this, I just watched all of the
back room stuff. Oh yeah, I want to check that out.
Speaker 5: Yeah.
Speaker 2: I binge this.
Speaker 1: I binge like it was like a three hour stream.
I binged all the stuff on the playlist. But there
are some similarities there where it's like, this is a
world where the aliens are trying to make.
Speaker 2: A city a spoiler with the aliens, but theatrical you.
Speaker 1: Know that, and it's a human experiment. Oh yeah, But
it's just like we're like there's like a mishmash of
different time periods, which was a big thing in the nineties.
I think Burton's Batman started that and then other movies
did it.
Speaker 4: It gets like some of your steampunk that twenties one
thing that Sin City kind of ripped off.
Speaker 1: But then like it's just like, what an alien that's
trying to be human. It's like, and I got that
kind of feeling in the back rooms where we're like,
this looks like human structures. They don't make a lot
of sense. Yeah, So I don't know if there was
any influence.
Speaker 5: There, I would say on that note, I mean it's
definitely going hardcarn like the comic book kind of look
like The dark Man comes to mind. Yeah, Dick Tracy especially, Yeah,
because that twenties aesthetic.
Speaker 1: But this is like late nineties, so they finally had
like all the compositive effects to pull it off and
make it look really good, pretty good.
Speaker 3: For the most part, it looks pretty deep.
Speaker 1: There are some shots in nineties they're clearly miniatures, but
like ibmou saying, there's no like obvious Matt paintings where
I'm like that is a painting. Like, look, I love
Tim Burn's Batman. There was a couple of shots where like
that's a painting. Yeah, but it's also charming a little bit.
But like this is where like, hey, this actually feels
like a lived in city.
Speaker 3: Especially when it actually starts moving, Like.
Speaker 1: Yeah, yeah, it's awesome. I think Patrick Atopolis came in
to do a lot of the production design.
Speaker 4: The production design on this is fucking incredible. Yeah, it's
really good. It has like this very like Terry Gilliam
kind of feel. It's like Brazil meets in City kind of.
Speaker 1: Yeah. Yeah.
Speaker 2: Yeah.
Speaker 1: They went at Johnny Depp at one point and they
settle on rufus Seawell. They thought Johnny Depp would be distracting.
I guess, Jasper, you mean.
Speaker 4: From the Holiday that cheats on Keith Winsles or whatever.
Speaker 1: Is that what happened in that moving I never watched
the Holiday.
Speaker 4: That's why she she like switches houses with Cameron diaz Man.
Speaker 1: Now, I wish I did see the Holiday, so I
could a blindside you, but be like, yeah, I know
everything about the holiday, and when there's a holiday story
from Jude Laws in it, super handsome, Yes, rufu Seawells
in that right, Yeah, yes, okay, he's the douchebag ex
boyfriend whatever. I like rufe Sewell, yeah, he's great. I like.
Speaker 4: And his American accident is that he keeps slipping in
and out of it.
Speaker 1: Yeah, I know that, but you know what, you know what,
he's okay in this universe where they're not like who
they're supposed to be, that makes it even more fun.
So I think that's an advantage. I think that's a
good thing in this script.
Speaker 4: And you know what, this movie is so ahead of
its time that it predicted doomsday, Avengers doomsday, and we're
gonna tie it all up at the end Okay, just
remind me.
Speaker 5: That's an endorsement or whatever, the opposite of John Murdoch.
Speaker 1: Will return day. But yeah, I think they wanted like
just sort of lesser known people, no one distracting, and
then Jennifer Conneley was like on her way up, but
she ended up being bigger than anyone else in the movie,
or maybe not Cuthan, So I.
Speaker 4: Mean those are some pretty big names.
Speaker 1: Yeah, but yeah, she ended up being like she blew
up in popularity after this. Uh, let's go through this film. Sure,
oh oh, one last thing. Sorry. They the studio just
kept forcing them to finish the movie and they had
to be like, yeah, but we're not we have like
some important scenes in the film, and they were like, yeah, no,
finish it, finish it. And eventually the studio just asked
to see what they had and they were like, it
doesn't make any sense, and the director writers had to
be like, yeah, because we didn't film all the scenes
that help it make sense. At one of the early
since we're gonna talk about the beginning here, one of
the early complaints that people have when they were watching
the movie was like, it's confusing in the beginning, but
it was meant to be because it's a mystery that unfolds.
It's meant to be confusing, and like apparently ox boys.
Like I asked to everyone after they saw the movie
and like, did it make sense to you at the end,
and they all said yes, yeah, So the studio panicked,
and that's where we get the opening here, which I
have not watched the theatrical cut since two thousand and nine.
You want to do it? Yeah? Do you have it? Yeah?
I have it all right here? Yeah? Read what the
opening good?
Speaker 3: Because I don't remember this at all.
Speaker 6: First there was a darkness, and then came strangers, and
they were a race as old as time itself, and
they mastered the ultimate technology and the ability to alter
physical reality. Will be alone, they called the ability tuning.
But they were dying. Their civilization was in decline, so
then they abandoned their world, seeking a cure for.
Speaker 1: Their own mortality.
Speaker 6: Their endless journey brought them to a small blue world
in the farthest corner of the galaxy our world. Here,
they thought they had finally found what they had been
searching for.
Speaker 3: So wait, it does spoil? I guess I just fucking
was high?
Speaker 4: Or oh yeah, I don't remember everything after spills the beans, Like,
right up, dude, I'm lightheaded from doing that.
Speaker 1: Yeah, you didn't have to do the voice I know.
But he's like and like, I know you're real into
voice acting now you were just Johnny Cage and Cable.
You can't hurt it off. You're like, I'm the voice
acting king. Now.
Speaker 5: I guess the problem was the whole time that the
intro is happening, I'm not retaining the information because I'm like, shit,
Christopher Lambert's in this movie and he saw them on
hobbles on.
Speaker 3: Screen like fucking Renfield.
Speaker 1: Dude, Yeah he is Renfield here.
Speaker 3: But yeah, I guess they do just basically say Joe
over my head. So it didn't ruin it for me.
Speaker 1: The director's cut doesn't have that.
Speaker 3: Well, I watch it on tuby or I'm one of
the streaming Yeah.
Speaker 2: It's free on tuber right now.
Speaker 1: Some of the speech, though, is dialogue from a later
scene when they're on the boat talking about like the
patchwork together. Yeah, but he really just says everything and
it makes what you're watching kind of useless.
Speaker 3: Yeah, and it's like it's it's too like the galaxy.
Speaker 2: Yeah, it's like the it's like the.
Speaker 1: Beginning of Dune. When they put the beginning of Dune.
Speaker 4: It's like Dune, I'm gonna explain to you the entire
day of what's going on, so you know what's happening.
Speaker 1: Yeah, what happened recently?
Speaker 5: We Uh.
Speaker 1: There's been a few movies I talked about recently where
like there's a mystery but they spoiled in the beginning.
One of them was Green Lantern, Oh, where they tell
you the Parallax's origin and they show that he's a guardian,
and then the rest of the movie is like, what's
his org ja and they're like, oh, no, he was
a guardian the whole time. I'm like, was that a mystery?
Because he just told me and I it's kind of
annoying to watch all these characters learn something I literally
learned at the beginning of the movie. I'm like, what
what is this?
Speaker 5: That movie wasn't good. The director's cut didn't save it
at all.
Speaker 1: So I watched the extended cut for the review. Me
and Frank were like, I don't know a single goddamn
thing that was different there.
Speaker 3: There's a lot at it.
Speaker 1: I don't know.
Speaker 3: Did you watch both?
Speaker 1: But the green lantern. They add a lot.
Speaker 3: There's a lot of story shit at it.
Speaker 5: They don't even explain parallax at all in the theatrical happens.
Speaker 2: Never mind, then maybe better Yeah.
Speaker 3: No, theatrical is the ship.
Speaker 5: It's a little bit better than those ship whatever that
is hard piss.
Speaker 4: I don't know, like early morning, Yeah, golden stink piss
the wall.
Speaker 1: Everything looks like gold urin in this movie. It's got
that greenish yellowish color. It looks like cro City nighttime.
The entire it's called dark City. But yeah, that that
took a while for me to click. I'm like, oh yeah,
dark City, it's all the time. It's like, I'm kind
of yeah, I like it.
Speaker 3: I just took it took for a while for it
to click for you.
Speaker 4: Well, they completely recolor graded for the director's cut, don't they.
Speaker 2: Maybe it looked greenish and yellowish.
Speaker 4: Yeah, I think they. I think they changed the color
at least that's what I read.
Speaker 1: I'll have to compare it, I know. And they enhanced
some of the effects. Yeah. I think there was a
four K release, and I didn't.
Speaker 4: Check that out because like it had come out. It
came out two thousand and ten, or eight or somewhere.
Speaker 1: Well the Director's cut, Yeah, but I think even more
recently they did it at least I think, So I'll
have to check.
Speaker 2: I'll do a comparison here. So it opens up on
him the.
Speaker 1: Doctor, uh, checking his watch, and then we get some
spirally credits. It's pretty cool, man, pretty cool. We got
a cool miniature shot of the city. I do love
nineties miniatures.
Speaker 4: I mean, like I said earlier, like the production design
this is so good, like it's worthwhile for that alone. Yeah,
and the cinematography and everything. It's just it's just really
this world is super lived in. Yeah, and it's it
just feels really good.
Speaker 1: And we see John Murdoch in a tub with a
cut on his head. The light is swinging, which, by
the way, the Director's Cut DVD, the menu screen is
that it's the overhead shot. It's just him in the
tub and the lights swinging, and.
Speaker 4: It's juxtaposed against like this like green tile. It's just
so pretty to look at it.
Speaker 1: Yeah. Yeah, but yeah, he wakes up, but he's just like,
what the fuck just happened? He knocks over a fish bowl,
feels bad for the fish, and he puts it in
the tub, which I think would kill it. I don't
know that that tube had like pink sh in it.
I still don't know what the pink stuff was.
Speaker 3: It was a Slimestbusters. Yeah, your favorite.
Speaker 1: He finds a postcard for shell Beach and this becomes
like a thing for him because it triggers a memory.
Speaker 4: I mean, I don't know about you, but it's my
favorite Mario cart uh level. I do love that framing device.
Speaker 5: Though there isn't a lot of mysteries detective stories, there's
always a letter they find or some kind of postcards, so.
Speaker 1: Like we get that first like memory though, they always
play that sound whenever they have a memory.
Speaker 4: It's like it has that Memento field.
Speaker 1: Yeah, where's it all back together? That's another one I
want to read. Visit Memento.
Speaker 4: I think I liked it again on the rewatch a
few years back.
Speaker 1: So he gets a call from the doctor and he's like,
something went wrong. You probably confused. We were doing something new.
It didn't fin We didn't get to finish.
Speaker 5: This is the part that feels like the most matrixe
like in the beginning, Yeah, like getting the call, like
you gotta get like the neo scene, in the beginning
they dot something in my belly button felt like that
a little bit.
Speaker 3: So it's like, yeah, anyway, yeah, but.
Speaker 1: He's like, you gotta get out of there. People are coming.
Speaker 4: And then he's like, let's he talking about the coming
and they're gonna get you.
Speaker 1: And then he looks over and there's just a dead
brawn on the ground. He's like, oh ship, she's all
me a zakied up dude. Yeah. When a little spiral cuts,
he's like, ah, what happened here, there's a little bum.
Speaker 5: The spiral thing wasn't a bigger deal. I mean, it
makes sense once the story is explained more. But I
was like, I like that spiral shit out like a
Jungee Ego novel.
Speaker 1: Orto is when I and yeah, it's called it was
a mock.
Speaker 3: He was the story.
Speaker 1: I meant, that's what you're fucked up man, got there.
There's just your knowledge of cartoons for children is so bad.
Speaker 3: Technically.
Speaker 1: Originally I knew that that was that person's name name
you said five minutes ago, and I totally remembered.
Speaker 3: The keller obviously, yeah, that guy.
Speaker 1: So he leaves the room. Nothing was cut out. He
leaves the room, and uh, we get our first glimpse
of the strangers, which are guys in cool coats but
cool hats. They're really cool.
Speaker 3: They're like skinny, mister, skinny kind of mister.
Speaker 4: They also like, these guys remind me speaking of like
things that were inspired by this the gentleman from Buffy
kind of give me that vibe, especially.
Speaker 1: Like when they're like floating around and show. I mean,
as we all know, I only consider the Christie Spotson classics. Yeah,
I don't. I don't agree with the Buffy TV even
if I did interview the master from the show.
Speaker 3: Are going to be pissed off at you. Tony's very
ant t Joss Whedon.
Speaker 1: Yes, And I actually was the one who was calling
Hulu and I said, canceled that reboot. Yeah, I called
him every day. Yeah, I said, I'm gonna give him negatives.
Speaker 3: You used your tuning and you were like to ken
them all the way over to.
Speaker 1: Hulu headquarters and I went, hello, mister.
Speaker 3: Hare he said. Michelle tracty Berg would not have wanted this.
They said, damn all right.
Speaker 2: Man, thank god they killed that thing.
Speaker 3: I heard Michelle Tracktyburg.
Speaker 1: No, no, God, no, no, Jesus Christ.
Speaker 3: Rest in peace.
Speaker 1: All right, that was a bummer.
Speaker 3: It actually was.
Speaker 1: Uh yeah. So they're chasing him and uh he runs
downstairs and this is where he finds out that, uh,
he left his wallet at the oh. When he goes downstairs,
everyone's asleep, but they all kind of wake up at
the same time, which is pretty great. And the dude
runs the hotel. He's like, you left your wallet at
the auto mat. You gotta go pick it up at
the auto mat. You you owe me three weeks were then. Yeah,
He's like, come back and pay me or three weeks
are up ten minutes ago. And he's like, all right, asshole,
I'll be back.
Speaker 2: I'll go do that.
Speaker 1: So he leaves and he like tosses his suitcase in
the water. The hotel owner goes into the room and
he finds the strangers there clicking, like.
Speaker 4: Yeah, and you want to talk about We're going to
talk about some influence agains. Steven Spielberg just stole that
for his new movie for which one the new one
that's coming.
Speaker 3: Out that's coming out effort. The name of it The
Fuck's Place or something.
Speaker 1: I don't know. The movie The Alien's on TV. The
s Stevin King or Spielberg Silberg. I think you said
Stephen King. That's why disclosure Disclosure day. I thought you
said se King. It's really just Dark City two. Yeah,
I mean those monsters that click, Sure, the predator clicked?
Is this ripping off predator?
Speaker 4: Different kind of clicking? Okay, different kind of clicking. They're
just breathing.
Speaker 1: I don't know why they're clicking in this scene because
we learned what the clicking is later and it's just like,
did they just click randomly? Maybe when they're horny? Ohso
I think one of the other strangers is Bruce Spence, Yeah,
from Mad Max and east Man Tour when Nature Calls.
Speaker 2: Yeah, those two many many movies.
Speaker 1: Yeah, yeah, man, I don't even think he's in the
first Mad Max thinking about and beon Thunderings, you know
what the funk? I mean, the guy who flies the
helicopter some nerd is like Revenge and Mick Katie from
fucking Eastern Tour too.
Speaker 5: Yes, And if we said it already, this is repetitive information.
But mister Hann is played by uh oh.
Speaker 1: Richard O'Brien, Rich mahon and drive Ins Rocky Horror Shock
Treatment double feature shirt. Yeah, I uh I knew he
was in this, but the last movie I reviewed Richard
O'Brien was Dungeons and Dragons. Can't he's the guy who
he's the flamboyant guy who owns the dungeon where they
or whatever. He slaps the girl's butt. He's all gay
and awesome black guy.
Speaker 3: Yeah, whatever, I forgot that.
Speaker 1: I haven't here too.
Speaker 4: Mister Book is also Ian Richardson new play is mister
Warren from Brazil.
Speaker 2: So I was like, oh, okay, yeah, I was wonder
who mister Book.
Speaker 1: What he was from? Fits. Yeah, so they're all creepy.
They put they put the hotel, hotel owner to sleep,
and then he cut to Jennifer Connolly singing Dean MARTINMTHM
start to play. Yeah is that her singing?
Speaker 5: No?
Speaker 1: Right, yeah, pretty sure.
Speaker 5: She sings a phenomenon too, So maybe she was kind
of known for probably maybe, I mean, unless that was
just two movies very close to each other.
Speaker 2: It's not like she has to say she probably learned
how to do that song in the other.
Speaker 1: Phenomena like ninety one, I mean, maybe I'm.
Speaker 3: Nineties.
Speaker 4: She was not that much older. She looks about the same.
Labyrinth is what eighty five.
Speaker 3: I don't know, maybe she just looked at the same
for a long time.
Speaker 4: This movie.
Speaker 1: Oh yeah, she looks amazing.
Speaker 2: But yeah, she's killing it with the Dean Martin song.
Speaker 1: She plays Emma and she gets a note to visit
a doctor who's been treating her husband. And this is
when we see, like the doctor what's his name for someone? Oh? Doctor?
Speaker 4: Uh uh hold on, I just do in my notes,
Daniel Schraper Straper.
Speaker 1: Is that it Daniel Straber? Yeah, I'm just gonna mat
I think that is it.
Speaker 4: Sa I'm just gonna say sounds like but they call
his apparently it's doctor Shraper.
Speaker 1: I love his little maze for the rat. Yeah, like
you and I love that. It's like the Again, the
look of this whole movie is great.
Speaker 4: It's beautiful, but it's like Jim Carrey's The Riddler, fucking
yeah Dungeon.
Speaker 1: Yeah, but yeah, he's got this whole rat in amaze.
It's like symbolic for like what the characters are going through.
But he's warning her about his husband. Her husband flowers
for aldern on.
Speaker 5: You.
Speaker 1: Yeah, he's just like your uh, your husband, he's very upset.
There's something wrong with him. You should probably call me
if he ever gets in touch with you. Wait, you're
his doctor, Yes, he never mentioned before. I'm totally his
doctor and not creepy at all.
Speaker 4: I I don't work aliens. It's not that weird, eye think,
because they beat the ship out of him.
Speaker 1: You find out later and it's all like, it's all coffee.
Murdoch is trying to remember who the hell he is,
and he's like, he knows his name begins with a jam.
Speaker 3: He keeps walking around. Yeah that was Valentine.
Speaker 1: Yeah, it doesn't matter.
Speaker 4: I love when he's talking to himself in the in
the window and he's like Jay John.
Speaker 1: He's like, Jamie, I'm James.
Speaker 2: James, I'm Johann.
Speaker 1: I don't know.
Speaker 4: I love.
Speaker 1: I love if he does that, it cuts the there's
been a guy staring at him the whole time, and
he's like, sorry, sorry, he.
Speaker 4: Won't remember who then he is tomorrow anyway.
Speaker 1: And then we get the late William Hurt as youka
trades himself Trade's from the Made for TV from.
Speaker 3: The TV John Hurt's brother obviously, of.
Speaker 1: Course, the original Thunderbolt Ross before he was turned into
Harrison Ford c g I Red Hulk. Wow.
Speaker 5: Harrison wanted to check that that would have been damaged
on will Jodge the proverbial bullet.
Speaker 2: But yes, he is Detective Bumstead.
Speaker 1: Uh, he's just to Bumstad.
Speaker 5: I mean that's kind of a stereotypical, like detective noir detective.
Speaker 1: I love that he this is our first like hint
that something's changed. So he goes to the hotel he's
talking about. Kowalski was another detective who and he went crazy.
He's like gone crazy. They're investigating the murder and the
hotel owner is now a black guy, and he's saying
all the same things that the other guy said. He's like,
so I told him the only thing is cash out
the barrel ad. I'm just like when I first watched it,
I'm like, wait, is that the same guy? Well, that's
not the same guy.
Speaker 5: Yeah, I feel like that's something we talk about, Like
in every review movie Dumpster, you probably talk about where
it's is that stuff that the audience knows that the
other the people in the movie don't know.
Speaker 3: Yeah, it's just good tension.
Speaker 1: Bill Well, I watched it the first time. Well, I
guess the I guess the narration spoiled it. But I
remember really first time, I wasn't like really clear what
the treating meant. So when I watched the first time,
like I like threw me off, like that's not the
same guy. That's very confusing here.
Speaker 5: But they showed the hotel guy a little later maybe
yeah yeah, yeah, yeah yeah, and Murdock recognized him, Like
wait a second.
Speaker 1: It's a cool scene. Murdoch noticed his fingerprints are now spirals,
and we'll learn what that is later on. But he
gets his wallet from the automat and that fucking asshole
was gonna make him pay a quarter to get his
wallet back. Dude.
Speaker 4: I kind of love it though, because like he's just
like putting random food in these little things and it's
like apple, uh, macarans.
Speaker 1: You even know what an automat is. I've heard the
name before. I've never been to one, you know, don't
isn't anything like big in Japan? Maybebe they have like
food and you just put a quarter in. I don't.
Speaker 2: I know they exist, but I've never been to one.
Speaker 4: It's kind of cool, It seems like it'd be cool,
but again, it feels very Gilliam.
Speaker 1: Yeah yeah, but yeah, he gets his wallet, he tries
to leave and then uh, oh no, he can't get
his wallet, and he's like looking at it and then
suddenly he's got a morph effect coming out of his brain,
like the Yeah, she's a psionic blast that blows the
fucking door.
Speaker 2: Yeah, nobody's concerned about this at all.
Speaker 5: But you're right, Tone, even though they did basically spoil
the whole, if you've never seen it before, you're like.
Speaker 3: Oh, that's what the tuneing is. Yeah, all right, that's
kind of psychic blast. That's cool.
Speaker 1: Yeah, yeah, and uh it is kind of cool. It's
just like this kind of like wave effect blows it up.
He grabs it, and then the cops are like, hey,
what are you doing, and he's just like Luckily Melissa
George shows up as a hooker and she's like, oh,
he's with me, and she kind of gets him away
from the cops just to strip down for us. Yeah,
in a very uncomfortable scene coming up. But then bum
said is investigating the crime scene and they bring up
the crazy detective again.
Speaker 2: And right on que he shows up.
Speaker 1: He's the guy to talk to Bob's said, and they're
like dragging him comes again. Yeah, he read cane.
Speaker 3: That was the problem.
Speaker 1: I think around this point. I think around this point
he brings up. He's just like, why would a murderer
save a fish? Exactly?
Speaker 2: But yeah, I love when he goes to uh or
whatever his name.
Speaker 1: Did I write it down the crazy guy.
Speaker 2: I'm sure I wrote it down.
Speaker 1: At some point he goes to crazy Guy's office and
he just goes, I'm being punished for my sins and
it's all just crazy writing everywhere. He's like, what the
fuck am I going to do with this?
Speaker 3: He inherits the case. It's like a soft thing or something.
Speaker 1: So yeah, he ends up talking to suspects, and he
talks to Emma. She's just visiting everyone tonight, doctors, uh,
detectives and uh, she says, I like this. He's like,
how long you've been with him? She's like, I've been
married for four years? And he's like, you're playing with
your wedding ring as if you're not used to wearing it.
So I kind of like, how like they can change
your memories, but there's like muscle memory and some.
Speaker 2: Kind yeah, like I don't usually wear this, I'm fiddling
with it.
Speaker 1: So yeah, she's sad because it turns out her husband
might be a murderer because she cheated on him and
she thinks it's her fault.
Speaker 5: Yeah, yeah, he's just not just a murderer, a serial killer.
Speaker 4: Yes, targets hookers, right, it's like ten six. Yeah, I
think like you thought my husband killed some when he's
like actually all of them, and.
Speaker 2: She's like, no, it's not him. I gotta go not John.
Speaker 1: Oh there's his name, Well why not because he wouldn't
do that. He wouldn't do that, even though I did
cheat on him, and he stormed out and I haven't
seen him in three weeks, and they're like, you know,
these murders started three weeks ago, in fact what he
ran And he said, God damn, I'm gonna go murder
some hoookers because you're cheating on Bay.
Speaker 3: So that kind of makes sense. Who's trying these weird
spirals all over that.
Speaker 1: I thought I was gonna murder hookers because he cheated
on me. He was code for, uh, just hanging out
with the boys. I didn't know it was so literal.
Speaker 3: Okay, we'll call this number hands a business card.
Speaker 1: So Murdoch goes to the hooker's home. He finds as well,
it learns that his name is John.
Speaker 3: He's like, oh damn, yep, you pitched John churiy Is.
Speaker 1: Yeah, and the Melissa George is getting on naked and everything.
But then he realizes like she has a daughter there,
and he's.
Speaker 4: Like, ew, he's like, this is not in the theatrical cut.
Speaker 5: Oh, that's not the theatrical He just just like has
like a moment where I'm married, what am I doing?
Speaker 1: And like gets up to leave.
Speaker 4: Well, he finds out who he is and then he's
like he's like, I only came here basically to get
away from the god.
Speaker 1: Yeah, and then he goes to do his well there
there is still that's like the reason he leaves, but
he does see her daughter's us does the daughter never
come back? Do you ever see a daughter? She comes
back in this version?
Speaker 3: Okay, what's that character's exercise from the movie. It doesn't
really matter.
Speaker 1: Like she's literally delegated to that scene. And then when
she does, yes, okay, the daughter plays into Bumpstead believing
that he isn't the killers. But yeah, there's that momenthere
he's just like, well, she's a nice lady, and I'm
still look confused, and then he sees the kid. He's
like getting out of here.
Speaker 3: Well, girls have kids.
Speaker 1: To Tony, what are you trying to say?
Speaker 5: Yeah, but like in the other room, it's a little weird,
presented as uncomfortable.
Speaker 1: I'm just chap. Did nobody see the crow? The same
director lines up, she at least sends her downstairs. Here's
the money, But she was skateboarding in the rain. Because
he's like a skateboard He's like, there's no fucking ways,
like all on a cobblestone street. Yeah. He pieces out
of there. Uh, he's drawn to this big billboard for
shell Beach, just one of those waving billboards shell Beach. Yes, yeah,
it's the same people made the Good Guy Dolls. So
he's like, I gotta go up there. I gotta see
what's going on. And then he like realizes that he
is the killer. He reaches in his pocket and he's
just been tracking all his murders in the newspaper. Yeah,
he's got like all the yeah. Yeah. So he's just like,
I don't remember doing any of this. I can't remember
a lot of things in my jacket.
Speaker 4: Uh.
Speaker 2: And then the strangers show up, led by mister Hand.
Speaker 4: Of course, to doc you have to do the timelaw.
Speaker 1: So they just think he's just then oother guy who
rejected the process and they want to get him. But
they learn in this fight scene that he can tune.
Oh man, it's pretty good.
Speaker 3: He can cute.
Speaker 1: He's psychic blasts the thing. A guy falls through it
and he gets all hung.
Speaker 4: It's great because they grab him and they have these
gnarly switch blades. Yeah, like Giger fucking switched with their needles.
All have these cool like stuff. I mean, well they
are aliens, yeah, uh, but but yeah, he like he
like shoots the psionic thing out of his head and
it like turns the wood into and then like crumbles.
Speaker 1: Yeah, and fucking uh.
Speaker 4: The guy from Aceventura and and Road War like falls
through and like it's being like hung pretty great, and.
Speaker 2: He's fighting the other ones.
Speaker 1: And then that he like fucks up the rope and
it just slices the back of one of their heads
and then we see they're true for which is a
c G I jellyfish. Oh my god, it pops out, man,
yeah a little bit.
Speaker 3: I kind of liked that, but it didn't look great.
Speaker 1: I mean, I think they're supposed to be like energy.
I don't think they' supposed to be like.
Speaker 4: But it's a puppet masters.
Speaker 1: Yeah. Yeah, but it was just like it's just like
c g I Jellyfish fades.
Speaker 5: If they didn't say it in that opening crawl, they
do say at some point that it's like, well they're
using human cords.
Speaker 1: Mister Hann mentions like that is such a that's such
a great thing when you figure that out, that's creepier.
Why they're all like yeah, yeah, yeah, and ball and.
Speaker 5: Then he like he kind of focuses because now I
guess he's kind of realizing what he might be able
to do when he creates like a door out of nothing,
like a beetle juice.
Speaker 1: Yeah.
Speaker 4: Uh when he's running away though from he's running, I
thought I was here, But maybe that's a little later.
Speaker 3: I might be.
Speaker 1: Yeah, it might be a little later. He does get
away from them here.
Speaker 3: Though, Yeah, draw a door with his mind.
Speaker 1: Yeah, that's cool.
Speaker 4: Uh.
Speaker 1: Then we get the camera going all the way down
to below the city where all the strangers lurk, and
they're like hell Razer den Yes, seriously, it's like hell
razer means time bandits. Yeah, what year was this?
Speaker 5: Ninety eight?
Speaker 3: And this had to be heavily influenced by the what's
his name?
Speaker 5: R El Salvador's Dudgeons and Dragon Books problem because like
I only read the first one, or I guess technically
the fourth one, but the ones about what is it
called Mezza Banazan or whatever, it's about the dark olves
in their whole society. They don't have a high mind
per se, but it was they all wear like the
black fucking leer.
Speaker 3: They're in the dark. They have like gods are different.
Speaker 1: It just made me think of that a lot.
Speaker 4: Speaking of that, that also sounds a lot like the
board at little Bit, I mean you have like the nineties.
Speaker 1: Yeah, these dudes have like personalities. I think they just
share all the same memories though. Yeah, they're not like
your typical high Yeah, they're not like a typical hive mind.
Speaker 4: There obviously is a leader and stuff, but they're individuals.
But if they get shot with the stuff, they can
share each other's.
Speaker 5: Man, They're kind of like if you ever watched Battlestar Galactica,
like the Cylons, but on a larger scale.
Speaker 1: Yeah. Yeah, so they meet down there and they're just like, hey, uh,
this human rejected the imprinting. We gotta get him.
Speaker 2: Uh, and then they're like, no, he can tune and
they're like what the fuck.
Speaker 1: Get the doctor in here with the doctor, like this takes.
Speaker 3: Us one hundred years to learn.
Speaker 1: He learned this in a week lifet.
Speaker 3: Some horses ship like that shouldn't be possible.
Speaker 1: Needle.
Speaker 3: When I was giving it to him, he's in the pool,
hiding in this pool.
Speaker 1: I'm pissed off.
Speaker 4: They don't really go any wear with that, but like
they don't like water.
Speaker 3: He says that at the end, it at the very end. Yeah, yeah,
there's a lot of water storytelling until he says it.
Speaker 1: Yeah yeah. They're just they're just like what the fuck
is going on here? And then Bumpstead drops off. Emma
Murdoch is waiting there, but he tries to explain to her,
like I don't know what's going on. Man.
Speaker 2: Then Bumpstead pops in. He's like, tell me.
Speaker 1: What's going on. He's like, I was just telling her
I don't know what's going on. I'm like very confused.
I think I'm a murderer, but I don't remember murder.
You're never gonna believe this, but this and I'm psychic
or something.
Speaker 5: It's also like, how do you even explain that, yeah,
not only since that, well I know, but it's like
not only the murder angle, but it's like, yeah, I
woke up and I walked around and there was everyone
just sucking.
Speaker 3: Asleep and walking around like who's gonna believe that?
Speaker 1: But yeah, he fleees. This is when he makes the
door to get rid of rise into the basement, and
bump Stay goes down and he's like, what the almost
like I love that. It's like checks and doesn't double take,
possibly have gone. He takes a taxi. He's like, hey, man,
can you tell me how to get the Shell beach.
He's like, of course, you.
Speaker 3: Just go down there the sea line or the I
can't if you.
Speaker 1: Take the H trainor a valley road.
Speaker 3: Maybe you go through a Koopa troup of beach to
get it.
Speaker 1: He says that right after going like I honeymoon there,
He's like, I don't remember how to get there.
Speaker 4: He's got a He's got a little snow globe on
his sashboard.
Speaker 1: The doctor then meets with Bumstead.
Speaker 5: Oh.
Speaker 1: He tells him that he can't help Bumstead with John's
like psychological report.
Speaker 2: He's clearly bullshitting though.
Speaker 4: Well I just read people and he's like, oh, yeah,
what do you think about me? And he's like, oh,
well you're just stuck up, dickhead.
Speaker 2: You're very lonely.
Speaker 1: Yeah, and you're lonely. Goodbye. Well, like Bumsay's looking at him,
He's like, well, that son of a bitch knows something.
He's not doing a good job of hiding this at all.
So then this is when the doctor goes to the
bath house to get away from that. And then mister
Hand is like, you know, I don't like it here
and all this moist shirt, it's too wet.
Speaker 4: Doctor Sutherland, he's like in the middle of the thing,
he's like, yeah, what is that.
Speaker 1: No, we're all fine here say they're explaining. He's just like, look,
he might be involving. We're not sure.
Speaker 2: And Murdoch is listening to everything.
Speaker 4: Well he tells him. He's like, he's like, is it this?
Speaker 3: What do you wanted? He wanted the evolution? You wanted
to know what this whole was or whatever.
Speaker 1: The procedure it was in around. I guess it's only
a matter of frowning him up, not like this, But
mister Hand like puts him on notice. He's like, yeah,
I've been checking in regularly you're unnoticed, buddy.
Speaker 5: Well again, he's the as far as we know, at least,
the only one that's not one of them that's allowed
to be out about and the only well he gets it,
if you want to say that now before there's a
reason why the only.
Speaker 1: One there, Bumstead visits uh Wilenski I think was his name,
or at.
Speaker 3: Least that's what Kowowski kowski.
Speaker 1: It's crazy guy. This is crazy guy. Say what you
wrote down and then he becomes whatever you just It's true,
we don't know any of their proper Christians. They could
be anything who I am today or can you even
remember what happens like drawing spirals? He's like, I'm just
so confused about and I ave he's like your wife's wear.
He's like, I don't know who that lady is. Yeah,
I don't know my beautiful wife. This is beautiful. Days
go by holding.
Speaker 5: Us down, like William hurt, like he doesn't want to
believe it because it just sounds crazy. But he also
doesn't totally display me either. It's kind of the thing
like this is crazy, but.
Speaker 1: Well, because he tells him, he's just like, I'm trying
to like remember stuff that, but I'm missing on details.
Speaker 2: He's like, I can't remember certain things.
Speaker 3: He's like, trying to remember something more than a week ago,
you can't And he's like then he shrugs it off
until John like tells.
Speaker 1: Him Jose, but yeah, he's like his memories are confusing
him and it's like really messing with his head. And
then Murdoch follows the doctor to a secret door that
leads to the Stranger's layer. They have a little roller
coaster that they take pretty great. Yeah, it was a
cool effect on It's like the fucking Casper contraption. Yeah,
or like how they go to outworld. Yeah, yeah, he
follows them there, but I think he doesn't get through
the door. We see them preparing for tuning and the
doctors mixing memories together. This was so cool.
Speaker 4: I just love how because he's like gets keep it
susan like. And then I take a scorn lever and
a little bit of that, and then a little bit
of a dead relative and then I put a little
teenage angst and there we go.
Speaker 1: I made a memory.
Speaker 4: But like it's really cool because they're all in these
like little vials. Yeah, I don't know how the fuck
you even gauge on what you're.
Speaker 1: How the technology works and the tuning, where he's very
ridiculous fantasy poppy cock, but it's it's cool. But I
do like this.
Speaker 5: This is I would just say, is this the part
where they actually show how it's done?
Speaker 3: Okay, this was crazy.
Speaker 1: And then this is when mister Books is hanging it
upside down and he's like, this is what you wanted.
It's coming to bite you on your and he like
throws them he's like, whatever, doctor shraba, this is correct.
Speaker 4: I did want this, but like this, but we learned that,
like they're looking for the soul, basically what it means
to be human because they lack that.
Speaker 1: Yes, they lack individuality and uniqueness, and they think that's
the cause of them dying.
Speaker 4: There's just a bunch of vapid, fucking aliens.
Speaker 5: Yeah yeah, but it's like playing off of the previous
scene with the guy that has figured it out, but
they all think he's crazy. Yeah, but that's not my
wife thing because yeah, he's mixing those potions.
Speaker 3: And then they show like this couple arguing, a very
poor couple arguing about work or whatever.
Speaker 1: So they they they shut it down, shut it okay,
and this is where we see like the machinations of
like how it works.
Speaker 4: Okay, remember what I said about Avengers Doomsday.
Speaker 1: Yeah, that's the motherfucking doomsday clocks. I agree, fucking clock.
Doctor Doom is gonna come. He's gonna fly through the galaxy.
He's gonna take it from the Strangers, and he's going
to build battle World with it.
Speaker 2: I mean, I just hope he survives his fight with
all the Kangs.
Speaker 3: I know he's gonna wipe him out with his with
his tuning.
Speaker 1: A man's gonna be like, did you ever run into
any Kangs? He's like, who, No, I don't worry.
Speaker 3: About that guy. You here a Monoc? Yeah, killed him too.
Speaker 1: Modoc's gone, no worry are you? Are you a Kang?
Have I killed you before?
Speaker 3: I'm pretty I'm just a Jonathan Majors, So he is.
Speaker 1: I don't know. I love that. It's a big giant face.
I remember Prometheus had a big giant face. Yes, but
it opens up the clock. They shut down everyone. The
city freezes, and yeah, we get to see the poor
people arguing go to sleep in their face. Murdoch is
trying to get people to wake up, but it's useless.
He like pulls a fucking guy out of the ground.
But I love that they show how they just make
new buildings. They got that swirling machine. You see the
buildings like grow out of the city. Really cool.
Speaker 2: That was so fucking cool.
Speaker 4: This whole segment of this again this poor couple like
becoming Now their new life after the tuning is them
being rich and like the fucking table stretches and all
this food.
Speaker 1: They show that the strangers have like items that they're preparing.
Then they could also just tune and make more things.
Speaker 3: That's a lot of time, right.
Speaker 4: You see riff raff like carrying people and putting them
in barber's chairs, and I'm.
Speaker 1: Like, that's a lot of words.
Speaker 5: That's probably the biggest plot hole in this movie is
the time, because key for otherland, there's like, let's say
there's like one hundred people on you. We really don't
get a fair assessment. I would it's probably more than
a hundred, but let's say a hundred. I guess they
stop it. How he's doing a hundred potions and that
five I don't think, so.
Speaker 1: They're pre prepared. He does every person every Yeah, because
like bum said and Emma are like fine. For most
of the movies.
Speaker 5: Oh, I guess you're right, like micro tweaks or whatever.
They have done a couple of night and then they
do everything else. And I guess this is the let's
see how the poor people will react to being rich experiment.
Speaker 2: See what happens with them?
Speaker 1: Right?
Speaker 4: Are they happier when they're rich or when they're Poe
I'll definitely rich.
Speaker 1: Yeah, but yeah. Murdoch is watching all of this and
then he confronts the doctor mind bless him across.
Speaker 3: Because they show him walking around with him.
Speaker 1: He's like boom. The doctor tells him. He's like, hey,
I want to teach you how to use this power.
I can help you with it. But then mister Hann
interrupts the conversation and then the tuning ends.
Speaker 4: I think that might be cut out of the theatrical.
We don't get that until like the okay, specifically this
is the scene. Well he brings it up more specifically
later how he'll do it. Yeah, this is him just
being like I want to.
Speaker 3: Help because I want to help.
Speaker 5: Because they have that scene. It might be the same
one where he tells him like, yeah, actually, something got
fucked up.
Speaker 1: You woke up in the middle.
Speaker 3: This is what he tells him.
Speaker 5: Yeah, and then kind of goes into it. Maybe not
the whole scene and the directors, but that does happen here.
Speaker 1: Yeah. Yeah, Then the tuning and Bumpstead goes to Amma's
clubs sees her again. Uh. The strangers find out that
Murdoch somehow affected the tuning, like something didn't get finished.
Speaker 5: Yeah, one of the whole blocks, so like what happened here, Oh,
it didn't get finished. Yeah, and then you meet like
their cone Head's leader. Yeah, he comes out with the
purple robe like fucking Sadler, the.
Speaker 1: Fucking cane and everything. Mister mister hann Uh volunteers to
have Murdoch's memories imprinted on him, which is unheard of. Apparently,
well he's heard of. Everyone dies. Apparently.
Speaker 4: That's why they keep doing these experiments because they need
to figure out because they can't just suck it out
and put it.
Speaker 1: Sure, okay, yeah, but like I think they tried it
for two previous people and they all died. But I
think they're waiting for like whoever the one is that
will they have the soul and then they'll imprint that.
But they're like, all right, look, mister hann volunteers, like
I want to get to know this guy and see
where he thinks he's gonna go. Uh so give me
all the memories that you gave him. And he'says like,
here you go, Murdoch two point zero.
Speaker 5: And pretty interesting though, because it's like they keep changing
their memories, so it's just based on based on what
we were gonna do to him, what would have been gone.
Speaker 3: It's kind of interest.
Speaker 4: So it's only the memories and like the past I
don't know, six weeks, six months, not even pretty much. Well,
his memories so johns all the killing memories.
Speaker 1: Yeah, well John never got to that part, I think
because they started putting the memories in and then he
like rejected it and stuck all that in his pocket. Yeah,
so he got like the shell beach, his uncle. I
think it was going in order, like meeting Emma. But
I think he never got to the killing.
Speaker 4: Part because like, well no, because they show him in
the mirror and you see John killing her, but then
it like changes to history memories, you know what I'm saying.
Speaker 1: The memories John was supposed to get and he didn't
shoot the needle out of his head. Yeah, that's the thing.
So John only got like the beginning gosically, that's why
he's not killing and everything. Yeah, but yeah, mister hand
gets make all of them and that's why he like
becomes what John was supposed to become.
Speaker 3: Which he was already interested, but what he is by
the end of the movie is just like all right,
I kind of like that.
Speaker 1: Yeah, but yeah, you're right. So he gets the memory
of him killing girls and then it turns into him
and he's got like it's like affecting him. Then he's like,
let me just take a little more time.
Speaker 3: Oh yeah.
Speaker 1: Later, Murdoch reads a postcard from his uncle Carl Carl,
and he's just like, I'm gonna visit this person who
wrote me, and he asks for directions an age, Oh Carl, Carl.
This is great.
Speaker 2: When he's asking for directions, it's the hotel owner.
Speaker 3: But now at the newspapers, the news he's like, how
long you work here?
Speaker 1: He's like twenty five years a double take days off
for good behavior because he.
Speaker 5: Hasn't put all the pieces together yet, Like we definitely
has audience members no more than he does, but he's
definitely picking up some.
Speaker 2: Stuff, or it's confirming whatever theory he has.
Speaker 4: Yeah. Yeah.
Speaker 1: Cut to flying strangers flying around the city. I'm like,
what does no one look up? Someone be like what
the fuck is that guy?
Speaker 5: I mean, Superman doesn't live in this universe, so why
should they look up? Also, also, it's nighttime all the
time that gets in the yeahs. Their faces are really
that right, one of those heads.
Speaker 1: In this that is just like a funny shot shoot
whenever they're flying, because they're just they're just standing completely still.
Speaker 5: Yeah.
Speaker 4: Again the gentleman, that's like what. I'm like, they're just
like floating.
Speaker 1: They visited the Hooker from earlier, and while this is happening,
Murdoch is looking at a map. He's like trying to
get the shell beach. So the strangers are trying to
figure out Murdoch's next move.
Speaker 4: Bruce Spence is like, how the fuck does any of
this help us?
Speaker 2: And He's like, I'm doing a thing, you asshole.
Speaker 4: Can't see what's going to happen, only what has happened already.
Speaker 3: But he does kind of figure it out. He's like Carl,
Uncle Carl.
Speaker 1: Obviously He's like, what would you do? He's like, well,
I would think about my wife betraying me, and I
take it out on someone.
Speaker 2: I have an idea. Can you guys wait in the
other room.
Speaker 1: He literally tells me, like, leave me alone for a
little bit. I just need a moment, and then he
kills her. I love that. I love that. Murdock just
can't get a train from to Shell Beach. I love
that too. Man.
Speaker 4: When he's in the subway and it just zooms past me,
he's like, well, that's the express.
Speaker 1: Yeah, you can only take diver stress, but where's the
express pick up? And that's where Melenski or whatever is there.
And he's just like, you can't get out, you John,
I've been try Yeah, He's like, I've been trying to
get out of this fucking Hell's like fucking silent hell.
I figured out a way. Yeah, watch jumps on the track.
I got it, John, It's real easy. This is the way.
This is the way to coop a troup of beach.
Just jump in front of this fucking train. But he
tells it. He's like, I've been watching them for weeks.
We're not supposed to wake up, but I've seen them
do this. This is all fucked, but some people do
wake up like me and like you yeah, and he's
just like, but I can't figure out how to get
out here. So good luck, buddy. Okay, I had a
couple of questions. I had a few more questions. Get
off train. Now, I guess to hang out with that guy.
Speaker 5: If anything gets right, it solidifies everything for William Hurt though,
like this guy, everything he was saying was kind of crazy,
but again pieces for him also being put together, and it's.
Speaker 4: Like, oh shit, that was a flashpoint because like, uh,
one of the deputies comes in and he's like, hey,
by the way, uh, what's his name? Valentino guy? We
can't remember the name of Vilensky fucking died. It's a
real shame. Anyway, Chief wants to see you.
Speaker 1: Oh yeah, that's that's in a little bit. Yeah, yeah, yeah,
but yeah, he's just kind of like that motherfucker's right.
I love that they keep cutting bumps out with an accordion.
We learned what that is soon. Yeah. See the strangers
vestigate Murdock's home and they're like, we need Emma, we
gotta go find this emma, lady. I think that might
be the key. I mean, that was the most obvious
person to go to first Yeah, exactly.
Speaker 4: I guess you didn't see that, did you? In your memories?
Speaker 2: And then he and then he finds Emma just chilling
on a bench by the river.
Speaker 4: I came here with my wife once, yeah, June. And
she's like, I met my husband here?
Speaker 1: Was really what I see?
Speaker 4: Now?
Speaker 1: Yeah?
Speaker 2: What a coincidence out that.
Speaker 3: It's like, I have his memory memories he was supposed
to have.
Speaker 4: I'm the only person who looks like a fucking walking
corpse in this whole city.
Speaker 1: I'm not nefarious. And she's just like, are you or
the doctor from the lesser known sequel?
Speaker 3: Definitely not Jeffrey Combs. It's just a step to the
left and then a jump to the right.
Speaker 5: Uh.
Speaker 1: He leaves her alone. Emma goes to investigate the Hooker's apartment.
Speaker 4: That's where he has the epiphany about the uncle. Right
probably Yeah.
Speaker 1: John explores the Neptune Aquarium, where his uncle Carl live.
This fucking place is so cool, so cool. It's like,
I don't I want to live here? Actually some of
this looks like Joel Schumacher's Gotham a little bit, but
this is like a big face and there was like
a lot of that. Yeah, this is like killer crocs
hide out right, Yeah, with the.
Speaker 4: Old manchair, Yeah, the old man in the seat kind
of he's got. It's very nautical and stuff like I
just want to be there and just like hang out
with this guy and smoking.
Speaker 1: Pipe and walk around.
Speaker 3: Carl Carl quotation mark, hell.
Speaker 1: You been Johnny boy, haven't spell rolling out? Hello?
Speaker 3: Uncle Carl.
Speaker 1: Bumpstead grabs them after find it's the dead body of
the hooker. Murdoch, reuniting with Carl, learns about his pass.
He's like, yeah, he grew up in Shell Beach and
then that fire killed your family.
Speaker 3: Me and year old man and dish you.
Speaker 4: Yeah, and he's like, I don't remember any of the
He's like, you had that little book is to roll
the time in it.
Speaker 3: Literally is sound Hill. There was that fire seven years ago,
don't you remember, Murdoch?
Speaker 1: And I love that, but I don't have that Scar.
Carl Carls just like, I don't know what to tell you.
I don't know what that means.
Speaker 3: Carl doesn't know that he's in a conspiracy.
Speaker 1: I don't think he wants to know.
Speaker 3: But Murdoch's like, what the fuck now, it's just.
Speaker 1: It's making too much sense.
Speaker 3: I don't want it actually to make sense.
Speaker 1: And then here is I don't know if this is
in your version, Bumstead, of them of find the hooker's daughter.
Speaker 3: Now again, I guess the daughter wasn't in the early scenes.
Speaker 1: So they're talking, they're investigating. They find the daughter under
the bed and they're like, oh my god. So the
strangers didn't know the daughter was there.
Speaker 4: And I think most of her John's knew that she
was there either. That's been interesting.
Speaker 3: They forgot they placed the daughter with this woman.
Speaker 1: I guess, so maybe that's why. Maybe that's why they
cut it. They realized it was a major fucking plot.
Speaker 4: Literally see Bruce Fence later with his little booklet of
people like yes you will, Emma whatever, but now you'll
need to whatever.
Speaker 1: They messed up. They forgot that there was a dog,
but he fucked up and filing they're hanging around with
you know, they are dying. Maybe they're firing off. I'm
really tired experiment bullshit. This is important for confirming to
Bumstead that John isn't the killer, because she drew a
picture of the stranger stabbing at her mom with a
like crayon, and he's just like, wait a minute, she
would have drawn John if that was the case.
Speaker 4: He saw Rocky horror picture showing I know that guy.
Speaker 1: So I feel like that might have been kind of
an important scene. They sort of need it for that character.
Speaker 3: I actually I'm fine without that.
Speaker 4: Actually it's a little on the nose, but I can
understand how how it solidifies Bumpstead's life.
Speaker 1: Yeah, you know, but I like because after this is
him with the accordion in the car and he's like,
my mom gave me that she died recently, and she's like, wow,
it's really sad, and he goes, But the more I
think about it, I don't remember when she gave it
to me. And he's like, this means a lot to me,
and I can't remember the orch.
Speaker 5: Is he still thinking about that other guy's comment about
try to remember back, try to remember more than a
couple of days.
Speaker 3: You can't.
Speaker 5: Yeah.
Speaker 4: Yeah, it's not just people now, it's like an object,
which I think is kind of cool that he has
this affection for and he can't put his finger on it.
Speaker 2: Yeah, so they're both kind of confused by their pass.
Speaker 1: Murdock realizes now that he hasn't seen Daytime like at all,
and he asks his uncles like, what time is it?
Is that AAR or pm? He's like, what do you think?
Speaker 2: He's like, how do they miss the day?
Speaker 1: Yeah? Yeah, yeah, you know how it goes. You missed
the day, Go to bed, I'll see tomorrow. But when
he finds his shell Beach book, there's nothing in it. No,
it's all blank pages. Wow.
Speaker 5: But then he goes to bed and then the uncle
makes that whole comment in the more in the morning,
and then it's filled and he's.
Speaker 1: Like, what the fuck?
Speaker 4: Well, yeah, Bumpstead you know, ends up that later. Sorry,
But he ends up taking John in from Uncle Carl's
and then he gives them all the evidence and he's like,
what the fuck's going on here?
Speaker 1: What is this book? And he opens the book and
then all the drawings are it is so at some
point he like tuned and at it to yeah, like
like by accident.
Speaker 5: Yeah.
Speaker 4: Like it was like it was like a false memory
that he got from the slides that he was being shown,
and he.
Speaker 1: Started like imprinting and putting it into the book with
his own But I like, I like that. Uncle Carl
calls Emma and warns about Murdoch. And this is when
mister Hann he's his outside the window terminator. Yeah, and
he goes yees, Uncle Carl, Yeah, I love that shore
he goes yes, yeah, mister Burns. Another tune happens and
everyone looks sleeps except for Murdoch of course. I like
that the world is changing around him and he's running away,
like the stairs get longer.
Speaker 3: That's one of the best scenes.
Speaker 1: Yeah. And then he's running on the rooftop, so like
the roof the buildings are all in the ship. They're
starting to fucking like move. Yeah. I love the eyeshot of.
Speaker 2: Them like kind of spinning up out of the ground.
Speaker 1: Again.
Speaker 4: I know I'm bringing up Brazil again, but like there's
a whole big part in that where like the fucking
office buildings are like ships and they like come together.
Speaker 1: Yeah, that time bandits, it's one of those. It's one
of those. Yeah, very much like the Matrix Again. I
think he's where the rooftops from the trick.
Speaker 5: Uh.
Speaker 1: Mister Han tries to kill him, he fails, he falls,
and then he just starts spilling the beans about everything.
He's like, yeah, we do this, we need you, we
need more like you guys. So we can survive. We're
aliens a corpse. We're in a corpse. It's like a
car to us.
Speaker 4: When they die, when they splatter, it's just like this
necrotic black everywhere.
Speaker 5: You know.
Speaker 1: They were able to get separated, Like they get into
a fight and they get separated, and yeah, the two
buildings are coming and that one of the bitch gets
his jacket. They're so advanced, they don't. They forgot that
you could just take jackets off. They forgot.
Speaker 3: He's not human enough.
Speaker 1: They're looking for the soul. Okay, they're looking for the soul.
They should really learn how jackets work. Yeah, because the
other ones get in and he's just like ah, it
just gets splattered. Yeah.
Speaker 4: They only climb through a window, right, Yeah, it takes
a long time to bust that window down.
Speaker 1: And get in there. Yeah. And then there's the little
kid stranger was so creepy.
Speaker 3: Oh, well that's definitely not cut I forgot about it. Yeah,
there's a few of them.
Speaker 1: Fucking bastard like bakes his hand when he's hanging out. Yeah,
he's like hanging on and like, thank god, a chimney
is appearing, and he jumps on the chimney Chimney into
the air.
Speaker 5: Well. Whoever directed Blues Brothers two thousand definitely saw this
and was like a little kid, I.
Speaker 1: Like that Dune, Remember Dune, don't remind me of his
Brother's two thousand. That was so fucking bad.
Speaker 5: I remember one of the best movies, at least musical movies,
to Holy fuck.
Speaker 3: Is this horrible?
Speaker 1: I had to review both. I had to review both.
I had to. I had to. I can know. Yeah,
Kaylee was I. I did obviously the first one for
my channel. But Kaylee was doing like all the Saturday
Night Live movies and I'm.
Speaker 3: Like, well, does that even fucking count because it's a sequel.
Speaker 1: Yeah, but the first one is the first SNL movie.
But I told her, I'm like, well, if you want
to do Blues Brother's two thousand, I'll.
Speaker 4: Do it with you.
Speaker 1: I still have the suit and everything. I didn't even
wear the suit for that one. I'm like, no, sorry,
Chuck Taylor's on too with the bad movie. Yes, but
I know we're talking about with that little kid blues
was that.
Speaker 3: So dark city?
Speaker 1: We liked that idea.
Speaker 2: I feel like Dan Ackroy would love this movie.
Speaker 1: That's what I'm saying. I like you know, this is
a comicary for the things that are happening right now.
I got my flip phone right here.
Speaker 3: It's about it, believe it or not, you ever had
Crystal had.
Speaker 1: Famously on the show, No one is allowed to have
Crystal Head vodka down here anymore. Lena from Beautiful Dead
podcasts ruin that for everyone. Oh shame on you, and
she she actually hates when I bring it up, So
everyone just forget that. Once again, I mentioned that Lena
from Beautiful Dead podcast had too much of my Crystal
Head vodka and threw up in my bathroom.
Speaker 4: Oh no, we drank a bunch that night when we
did the watch along for Ghostbusters too.
Speaker 1: Yeah, the pink slimeman. I'm glad you guys can hand
your liquor. I'm like a certain someone who again i'm
not gonna name, is Lena from the Beautiful Dead podcast.
Let's just make it noted that I'm not judging you.
He is, mister hack. I brought that up in the
lepercom one and she did a whole short reactor to her.
She's like, no, don't tell people. People again, people think
we have like beef. We explained that on your channel
I've heard the men. Yeah, so it's been like months.
It's been like ten months. As we did like an
actual crossover and I had some young guys here filming
like their college project. They wanted to interview me, and
they they went, what happened to you guys in movie Dumpster?
And I'm like, I don't know what what did happen?
I'm like, so joker? Are we They just thought we
were fighting because we weren't in an episode. I'm not
beefing with anybody, but we've taken like pictures and stuff together.
Speaker 4: Event Like, that's so concerning to me. I'm like, are
people like saying that people are fighting.
Speaker 1: With each other?
Speaker 3: It's drama.
Speaker 1: It's fun, right, But that was fun. I'm problem with nobody.
I love that he said it was like he just
fully believed that there was some kind of conspiracy. I'm
like I told him that, No, he just thought. I
was just like, hell, like, nothing's wrong. I really had
to think about it. It did occur to me're like, oh,
they haven't been on it though. That's like last year
me and Tom. That's what happens when you don't do
this full when when we don't do this. But I
remember last year being Tom. We filmed a bunch of
music videos for a band and we were hanging out
a lot. But then I realized, like we weren't filming
any episodes, So like I think August came around, I'm
just like, oh, Tom hasn't been on it all lately,
and I'm like I just thought he was because I
was seeing him so much, but we were filming something.
Speaker 2: Anyway, back to this, I'm glad we're done fighting. You
guys started it.
Speaker 1: I fucking ended it, bum said, saves Murdoch and then
questions him at the station. He wants answers, and Murdoch's like,
I would like some answers too, But then this one
he starts asking him specific details, and the one he
asks is like do you remember the last time it
was daytime? And like re whur. It's good because he
like gets mad because he realizes he's right and he
doesn't want to believe it. He's like, shut up, stop talking,
stop talking. He's like, just forget, forget, forget the daytime.
Speaker 4: Do you even remember what happened yesterday?
Speaker 1: What you had for breakfast? But then to really prove it,
he tunes and makes the book float in there and.
Speaker 3: He's like, well, look at this shit and it's like
floating in the air.
Speaker 2: He's like, you can't fake that.
Speaker 1: Uh. He goes talk to Emma and he tells em
he's like, lady, She's like, I really want to apologize.
She's like, Lady, I don't know who you are. Really like,
we're not like a thing. This is all manufacturers.
Speaker 4: It's so sad because she's like that all may be true,
but I still know that I love you.
Speaker 1: Yeah. She's like, I don't know if you can fake
this because those are my feelings for you. And he's like,
it's just a memory. They put it in the head.
But then he like kind of digs it a little
bit and do the little they put their hands in
the window and it shatters the window.
Speaker 5: Well, they are the leads of the movie. Yeah, he's
not gonna find true love with an unnamed character. Well,
he's like an hour in, I'm about to control this
entire fucking universe. I think I'm gonna take Jennifer Connelly.
Speaker 3: Jennifer Connelly not to be a show.
Speaker 4: But yeah, Jennifer also like when he when he like
destroys the window, it's like why didn't you just kill
these guards and just get out of here.
Speaker 3: Just side blast him through The fun wasn't in the scripture.
Speaker 1: At this point. It's still kind of emotion. He's still
figuring it out. He hasn't really learned it. Oh right, right,
Oh that's right. He didn't get his download. He didn't.
He didn't get he didn't get the download yet.
Speaker 5: He may have received Actually he received it at that
scene we talked about a while ago, when Keifer meets
him and explains everything's like here, hey to syringe, use it,
and then he doesn't for like forty five fucking minutes.
Speaker 3: Yeah, I don't know if this is safe.
Speaker 1: He's not even the one to give it to well.
It is where Bumstead learns that the guy died, uh,
and the chief ones to see him, but then the
stranger show up, just putting everyone to sleep.
Speaker 4: It's pretty great. And I love scene from the trailer.
Speaker 1: Yeah, and I love it. You think Bumstead is going
into the Chief's office and then it's just the strangers
and take us to Murdoch. It's like the silhouette of
the hat he wears.
Speaker 2: But it turns out Bumpstead broke Murdoch out of.
Speaker 1: There he got him free, all right, kid, I believe you. Yeah,
and then mister hand gets a little too happy with killing.
He just kills the chief for no reason.
Speaker 4: Realized he's got that fucking serial killer memory taking it over.
Speaker 1: He's a little chief for today. Yeah, he does. This
is fine. I'm allowed to do it because I'm the alien.
The doctor talks with Murdoch and explains the alien's weakness
to water.
Speaker 4: Again, that they're like the signs aliens, right, are they
like cousins sort of?
Speaker 5: Yeah?
Speaker 1: Oh, this is when he pulls the gun out. This
is when he gives him the needle, and he's like,
put the needle in your head, kill you. And he's
then Bumpstead's like, hey, buddy, stop and he's like his head.
You're right. You're like, we're gonna hold onto this until
we know you're telling the truth. We have bigger fish
to fry. And it's like, what it's like, We're gonna
go to shell Beach, buddy, you gotta go to Shelby.
Speaker 3: You know where it is, don't you?
Speaker 4: Yes, kind of I might know where.
Speaker 3: And then this is already cooked.
Speaker 1: Just admit it. Well.
Speaker 4: He says that a few times where he's like, I've
lost everything. I don't give a fuck. I'll tell you
whatever you want.
Speaker 2: But then we get to see Emma going home. We
find out she's gonna be Anna soon. He's just like,
hello Anna.
Speaker 4: He's like, my name's Emma, and she's like not in
a literal, while she's like he took all my shit.
He's like, I'll give you pretty things, don't worry.
Speaker 1: And then the men go for a romantic boat ride
the gondola. They're singing Italians the Spaghettian and they kiss.
But yeah, they're they're boat riding, and this is where
we get the backstory, which in your version was explained
in the opening. Yeah. Oh, that one was way more
detailed than this one. Yeah.
Speaker 4: I mean, well it's kind of similar because he does
it again, so you get in the front load and
then he does it again.
Speaker 1: But yeah, he's just like, yeah, you know, they they
brought us here, they changed things. They're looking for a
soul and he's like, where are we from? And he's like,
we have no idea. I don't know where we're from,
no clue. Not here in the opening text, he seems
to know where they're all from. The blue planet that's
about it. Yeah, but here he's just like, I don't know,
because I think he mentions he had to take his
own memories as well. That was like part of the deal.
Speaker 3: They can show it even.
Speaker 1: Yeah, they kept him alive because he understand like human psyche,
so I guess they abducted him.
Speaker 4: He was able to concoct They they knew what they wanted,
but they couldn't do it because they don't have the
correct emotions or how to read emotions. So that's what
he kind of does when he's concocting the memories.
Speaker 1: Yeah, why didn't think it like a hundred psychologists for this,
Why do they think that learning what a soul is
is going to help them? I don't know.
Speaker 3: Now you're starting getting over the actual problem.
Speaker 4: But yeah, I mean, clearly it's all a metaphor for
you know, it's the same line that runs through the
matrix or like Animal Farm or anything.
Speaker 2: Like Animal Farm.
Speaker 1: Uh's but the new Animal Farm movie and Andy Cercus,
Animal Farm, Andy Serkis and his apes, those.
Speaker 3: Movies are fucking classics. But like you do, Animal Farm
one of the best books ever written. You don't even
actually use the fucking information in the book and he.
Speaker 1: Says, this is my life project.
Speaker 3: I wants for twenty years.
Speaker 1: I don't know.
Speaker 3: It was a fucking book whatever.
Speaker 1: Whatever made it to theaters was not his life project.
It didn't come out.
Speaker 6: We came out.
Speaker 3: Oh, it's a musical like.
Speaker 1: The Ripped Apart. Yeah. My favorite thing is that Angel
Studios was paying influencers to talk about it, and some
of them clearly didn't watch the movie because the one
was like, it really shows you the dangers of Marxism
and she didn't realize they changed it to be about capitalism.
So they were all getting paid to get it was
a whole disaster.
Speaker 3: It's a political slattire.
Speaker 5: But then they make a satire of a political satire
and then you lose it all and then you just
shoot yourself in the fucking heck because you're better off
than watching Animal Farm.
Speaker 1: Yep. But you got a Doug Sound critic reviewed and
he was like, I can't believe this is a thing.
Like everyone who's reviewed it was like, what the fuck
was this? They got some big names involved. I'm like,
how did they How did anyone agree to this and
not realize it's a bad idea.
Speaker 4: Basically, it's yeah, anyway, it's like the meaning of life,
you know what I mean? Like, why why do we
just we can't survive if we don't know what to do?
Or why were he kind of.
Speaker 1: Thing, yeah we should, we should review animals. Yeah, to
sign me up. Let's let's get let's get philosophical with him.
I mean we touched on it a little bit. Any
services directing career has been very upsetting. Please I liked
Venom too, but I'm not really excited for his Gollim movie. Really, Christ,
please tell me that it's all fucking talking animals in
the movie. Right, Yeah, Oh okay, except Elon Musk's mom
is also a bad guy?
Speaker 3: Is she really?
Speaker 4: So?
Speaker 1: They literally got a character who looks exactly what you know,
you're making the new character at its at the store
as a whole like warbid curiosity is peaked. That's the thing.
There are some people who are like, now we kind
of what want.
Speaker 4: I don't want to see its because, like when I
saw Cats, I love Andy Serkis so it's like, Jesus, man,
what are you doing as an actor?
Speaker 1: It seems like he's not really sticking with this directing.
It's not doing very well.
Speaker 3: See I know you're trying to move on. I search
for Gollum, Go fuck yourself.
Speaker 1: I don't need that. I'm even less excited for the
Stephen Colbert one, and he's doing a different one that
happens that's probably about Tom Bombadil, and I'm like.
Speaker 4: No, I'm more okay with stuff that we haven't seen
before than I am with going back to the fucking well.
It's like the Star Wars problem. Yeah, big giant universe,
and we keep talking about the same fucking characters.
Speaker 1: You don't care yep, Okay, back to this so.
Speaker 5: We all have the backstory now the Mandalorian save a
movie and Luke Skywalker had to show up because.
Speaker 1: We started at the time this airs. I had to
force myself to watch season three just to know what
was going on in the movie. We'll find out, not
the movie, the season three. I heard everyone hated that one, like,
that's the Lizzo one. Joe's a big Lizzo fan. One episode, dude, Yeah,
it's the Lizo show as far as I'm concerned, I
love calling it. The Lizzo. Isn't a Jack Locking Lizzo,
Yeah he was.
Speaker 4: And then Christopher Lloyd's there like fucking being puppeteered anything.
Speaker 1: Right now, he's ahead and Wednesday season.
Speaker 4: But as far as far as like that season goes,
it was fine. I'm looking forward to Mando and Grogu.
Should have been a series, not a movie. But anyway,
we'll see what happens. By the time the stairs, maybe you're.
Speaker 1: Like they ruined it. I don't. I'm so lukewarm. I'm
like whatever hard to ruin Star Wars these days. Okay,
So they get to shell Beach. It's a billboard on
a wall and they're like, no, this can't be and
they're like we're gonna rip it. And then they're like
we're gonna break the wall down. He's like, it's a lie, dude, Hey,
don't do that. These guys didn't really vacuum.
Speaker 3: Well, they didn't know that because I would have done
the same fucking thing. And it's like it's a brick wall.
Speaker 1: They starts smashing it down, so they he tunes and
explodes and it's just the fastness of space.
Speaker 4: It's such a powerful scene. Yeah, especially like it since
the theatricals front loaded and like that kind of fucks
everything up. Yeah, and because like you don't know if
it's a dream world, or if it's on show and
then it's like, holy shit, they're in space.
Speaker 1: I had friends at the time that I showed just
the director's cut to and that was like a big
reveal for all of them, Like, what the It's a
pretty powerful part. I mean, it is a powerful part
of the movie.
Speaker 5: I will say though, even though this movie is incredibly
dreamy and comic booky up to this point, it is powerful.
Speaker 3: But I can't turn that part of my brain off.
Speaker 5: You fucking shot a hole into space and they're not
instantly getting sucked out.
Speaker 3: There's ten seconds.
Speaker 1: There is a barrier, there's a force field.
Speaker 5: I guess I missed that deep you're too close, you
will get sucked out into the back.
Speaker 1: I mean there's some kind of a vacuum because things
do fall out like an instant one. Because they show
when the wall breaks, it goes out into space and
you see this blue it's kind of like the aliens.
It's like an aura that goes.
Speaker 3: I beg them to be instantly powerful.
Speaker 1: Yeah, I'm saying there. They did make a point to
show that there was some kind of force field that
maybe stops that.
Speaker 5: Fair enough, get back it doesn't work one hundred percent accurately.
Ten seconds later, William hurt and one of the strangers.
Speaker 4: The strangers like, show up, poor fucking baskeardts unceremonious of
the vacuum of space.
Speaker 1: The funny thing is this actually reminds me of the
I think this might shock you. I'm glad you guys
are sitting down. I think Stranger Things rip something off.
Speaker 3: I know the show that was based on homages.
Speaker 1: That's what it was. The last season.
Speaker 2: There's that part where the car escapes the did you
guys watch it?
Speaker 5: I just said I love the show. I didn't even
watch the last season. Oh no, the hype killed it
for him. Okay, I watched the first season. In one
episode of the second season, and that's all.
Speaker 1: Spoiler, you find out that the Upside Down is basically
a bridge between universes. That's a big wall. It's like
a big cylinder wall, and eventually like a car, like
they week in the wall and a car gets blown out,
and then like you see how big it actually is
between the two black and this is like this where
the Bumpstead and the stranger fall out and he's falling
so back and he finally sees how big the city.
Speaker 4: And he's happened for the reveal, and it's fucking awesome.
It's this giant disc with like this literal dark city
TM is on top of it, and then you see
all the mechanics underneath.
Speaker 1: Yeah, I love that.
Speaker 2: He goes even further and you see like the Stranger's later.
Speaker 5: It's really cool, Like he probably sees it as he's
about to get evaporated, hit by the force field er,
just losing all their but yeah.
Speaker 1: Be hindsight's twenty twenty, and he doesn't back then, he
doesn't backflip, and.
Speaker 5: And he's dead, and then Murdoch and then everything starts
getting sucked out and they have a fuck out of there.
Speaker 1: But then he's like, I think the strangers threatened to
kill Emma. And he's like, I don't even actually know you.
I don't care if they're like, oh, then you don't
mind if we kill her, And he's like, no, she's hot,
don't kill her. She's pretty hot. Pretty hot, guys, don't
kill her. So he surrenders and they take him to
the layer.
Speaker 3: Get on the table, mister mur Dots.
Speaker 1: They go down the roller coaster. It was like a
little miniature that they put the camera on, but he's
asleep the whole time, and he wakes up.
Speaker 3: He's like, well, this is fucking six space, go back
to sleep.
Speaker 5: We get that second scene somewhere either right before this
or the other pool scene work key for. They start
beating on him, and so like he's in this scene
now post beating, and.
Speaker 3: As we've got the lump dive.
Speaker 5: Oh yeah, well he's like in this fucking case, like
a hamster case. They don't trust him anymore. He's got
like full hard cone and sleeve.
Speaker 1: But they're looking at Murdoch and they realize like his hands,
his fingerprints are now spirals. So he's like becoming sort
of like them. He's just like going full on there. Yeah,
and they're like, okay, we're gonna print with him. We're
gonna fuck it. Take his juice and put it right
into my own. Yes, and we will all get it
and then we'll all have our individuality and our souls.
Speaker 4: Wait, they want to hit him with the black juice,
I think so, yeah, they want to stick They want
to stick the black juice into his head. Yes, and
then that will that will imprint him with them.
Speaker 1: And then as the hive mind.
Speaker 4: Yeah that they don't really do but kind of but
sort of and then or he'll like reveal their secrets.
Speaker 1: Yeah. So they're planning for that and the doctor's talking
to him and he switches out the thing.
Speaker 3: How nobody sees. Don't worry, John, I'm going to help
you real quick.
Speaker 1: Okay, I'm just gonna old switcher.
Speaker 3: These fuckers and stadium seatings. Like again the end of
Cone Heads.
Speaker 1: No one saw this.
Speaker 3: Can they say?
Speaker 1: Two inches further than the front of their Oh god,
you hit Harrison Ford end letter Boys in a while,
there's one dude in the back like he's got the thing.
Speaker 3: Anyway, plot has to happen, Bobby.
Speaker 1: Ye now I am thinking of like a junior falling
into his head whatever. Yeah, so he puts the memories
in him, and he's programmed memories where it's the doctor
teaching him how to master his abilities over the course
of decades. This is fucking awesome because he's there when
he's good. He's like, Hi, I'm a fucking ice cream man.
Speaker 4: Guess what, You're a psychic and he's like lifted, but
she's like, you're doing real good, kid, really good.
Speaker 1: One day I'll work for you. He's like, remember, you
gotta try it here. He's like, let me show you
their machines and this is he's like.
Speaker 4: A teacher, and he's like, he's like, by the way,
I keep appearing in your memories because I'm actually from
the future and I'm helping you out learning how to
do their fucking psychos.
Speaker 5: He's like, you're gonna learn ten decades of information five seconds,
and then we're gonna bring him down to their fucking knees, baby.
Speaker 1: Which is a lot like the matrix. Is they just
plugging in Johnny knamonic where they're putting information in their head.
Speaker 3: It's a whole time. It's download downloading, like you said
to his head, you know. Keifer's like waiting for it
to finish, and it keeps cutting back between his little
monologuing like that. There goes the Han fell over totally.
Speaker 1: I love I love mister hand is picking up. He's like,
something's not right.
Speaker 5: Something, something's a miss, like why is this taking so long?
And then they noticed the other syringder you try to
hide it that well didn't look the same.
Speaker 1: Somebody's like and he like Trader, but I love John
wakes up and he's able to control the table and
he's back up there and he just looks at all them.
Speaker 4: They're like, oh, he has awoken. He sees all the code.
Everybody is green. Yeah, he fucking he just like he's
like his like shackles, Like he sits up on the
table and they like disintegrate and then he lets keep
her south one out with his mind.
Speaker 1: Yeah, he has a full on like side die battle
with conehead Man. He's gonna say, they have like the
anime beams.
Speaker 5: Oh my god, there's scanners but less bored remind me.
Speaker 1: But I love I love that mister Books is having
like swords come out of the ground.
Speaker 3: That was kind of crazy.
Speaker 1: He's just making change reality.
Speaker 5: I saw it as an evil dead trap that Japanese,
but it has nothing to do with evil dead.
Speaker 1: They do that. I got then memory from one of
the other people that were in the world. But yeah,
they're shooting beams. Strangers are dying left or right because
the world is cracking. The little kid stranger dies, which
reminds me of he was a corpse. Anyway. Yeah, when
I when I watched this, I watch my friend in
college and at the time before I showed him this movie,
I broke up with the girl who had a very
high pitched voice. I creeped out all my friends. Uh
so when this kid earlier goes killn my friend went,
oh my god, that's like her son or something he
kept calling. I'm not gonna say her name, but he's
like that looks like so and so junior friend. God,
So whenever I watch this movie, whenever he goes killed,
I just think of my friend making that comment.
Speaker 3: There goes your exes son.
Speaker 1: Dying in the Her voice was very high pitch and
she was a little creepy sidebar.
Speaker 4: Real quick, like the the creepiness of like them like
inheriting corpses like that. So that little kid was just dead,
and they're like, yeah, yeah over here. Yeah, why would
you pick that? As you assume they don't know any better.
Speaker 1: I assume that humans still get like diseases and stuff.
I guess. So, I mean they kill them, do they
rot though you think they Here's the question, why are
they all? Like, guys, are these racists? We see there's
black people on this planet? Wow, some racist?
Speaker 4: Well they see the other people interacting and that we
don't like those people, then well maybe we shouldn't inherit
those dead bodies.
Speaker 3: God, it's more to do with being made in nineteen ninety.
Speaker 1: Eight saying we saw them there were they were in
the city. Oh, there's like a huge actor. The guy
from Lord of the Rings is one of.
Speaker 4: The strange Yeah, David Winnham, Yeah right, I missed that,
or the Friar from Ben or the guy yeah, I
made you a fucking crossbow and all this ship.
Speaker 1: I think he was a bad guy in uh Iron
fifth season one. Maybe maybe he's.
Speaker 4: Also in three hundred right right, well, that's what I remember.
Speaker 3: We have a brother or whatever.
Speaker 1: He tells the story. He's like, this is the Battle
of the three hundred, but this is like before he
was anything. So it's like, yeah, but he's in full makeup,
I mean, you know, but yeah, everything's just falling apart now.
I do question the Hive Mind because it's like, why
aren't they all hitting him with the psychic blast again?
Speaker 5: This is what knocks the score down for me a
little bit, some of these plot holes, but it's so
enjoyable overall. I don't think they can all do the
psionic blast only like mister book.
Speaker 1: No, because when they're doing the tuning. It's all of
them hitting that shit. Yeah, that's the point, unless they're
all distracted by all the explosions.
Speaker 4: They all have to really concentrate, I guess. And now
that's like, oh, everything's in care.
Speaker 1: You know, they're already acting like individuals. It's almost like
they had it all along and they just didn't know.
They just didn't know. They didn't look, they didn't they
were looking in the wrong place.
Speaker 5: It's almost like they added this high mind ship in
the last fucking minute.
Speaker 3: It's not a hive mind. Yeah, it isn't fucking enders
game or something.
Speaker 1: I guess they all have shared memories, but not unique memories,
like they're just remembering everything that happened to them as
society society. Maybe I don't know.
Speaker 4: This is the exact moment that Doctor Doom crashes in
from the multipson giant clock.
Speaker 1: I love when like all the stuff underground is coming
up through the city, the big head splits open and
they're like now they're flying in the air, and they're
like and I'm like, oh my god, they're flying the air.
When I first watched this, like what kind of crazy
like kung fu are they gonna do? And then he
just throws a knife.
Speaker 3: Well, then Murnoch's like going full Jesus. He starts floating.
Speaker 1: He kills like the main guy.
Speaker 3: Then he's like floating in the air. He's like, I
will make this universe my own.
Speaker 1: And he's like, well, what did you throw the what
did he throw?
Speaker 2: The guy into a giant water towel which.
Speaker 1: His body interacts with and it's just explodes.
Speaker 3: That was good, and then like the fucking thing comes
out of his mouth.
Speaker 1: Yeah, and it just Liketgrate's pretty cool.
Speaker 3: Yeah, he's like Jesus floating in the air.
Speaker 1: It burns up like a vampire. And Blade, yeah, which
apparently Alex Broyce did read the script for Blade before
it came out, and I think that was another reason
that sold him on David Koyer. But yeah, that whole
like tentacle thing is like it's so sad. That's great.
It is a cool finale. But yeah, he destroys everything
and then the doctors.
Speaker 4: Are like, well, what are you going to do now, John,
and he's like, whatever the fuck I want rebuilds.
Speaker 1: He's like I'm gonna go see him and he's like,
you can't do that, and he's just gonna remember who
you are. He's like why, He's like, he destroyed the
facility that makes the memory, so he should be like,
can I just rebuild it with my mind?
Speaker 4: He can also just be like, now you're gonna remember
everything and like grab her head or something.
Speaker 1: I don't know.
Speaker 2: I don't know if he can like change. I don't
know if he can change.
Speaker 4: The man makes the fucking sunrise, and he creates the ocean,
and he literally creates shell beach around this giant uh ufo.
Basically he makes that is cool where he makes all
the water. He turns it into edge City, and this
is a prequel to the mask.
Speaker 1: I guess he could rebuild the thing, but maybe they
just don't have Maybe maybe there's certain things he can't recreate.
Speaker 5: I like the mass joke, but I was just thinking, again,
let me just add some science. Yeah, sure, like I
know anything about science. I got a fucking dan science
at high school. You're gonna try to well, I already
did earlier. I'm just saying, like, you know how much
waterways by.
Speaker 3: Like Cubic Square.
Speaker 5: Holy fuck, that space ship's gonna implode on itself.
Speaker 3: But again that's not the point.
Speaker 1: Yeah, well, they have off but still have like weird
gravity force field ship.
Speaker 5: We had shell beach for ten minutes and then all
the circuit's overloaded and the fucking ship blow up.
Speaker 4: Oh wow, that fucker. It rains every day in Dark City.
If that motherfucker waterproof, I don't know, man.
Speaker 1: But yeah, So he makes the ocean and he goes
there and this is where Anna it's kind of gets
off her shift. It's kind of beautiful. And yeah, she
like meets him on the pier over there. It's a
really good moo oh uh. Before he opens up the door,
he runs into mister Hand, who's like the only survivor.
Oh yeah, the only survivor we know.
Speaker 3: He's got a beatlejuice hallway.
Speaker 1: Yeah, because we learned that they also hate the sun
in addition to water. You did it, and look what
you did.
Speaker 2: He's like, my body doesn't agree with yours. I think
I'm dying.
Speaker 1: All your memories fucked me up real good. Yeah, he's
just like, the human soul isn't here. It's somewhere else,
like the heart or something. He's like, isn't that just
a muscle to pump blood? Aren't all your thoughts and memories?
In the brain.
Speaker 4: He's like, shut up, Tony, it's about having heart. That's
where all the love and the creative.
Speaker 1: But the should be like but the physical heart, It's like, no,
it's like a name that we do just forget.
Speaker 4: Wait a minute, we should have been experimenting on the
hot I don't understand.
Speaker 2: It just puts blood to the body. I don't there's
no memories in there.
Speaker 1: What the fuck is that guy talking?
Speaker 2: But yeah, he opens up the thing and mister Hannah.
Speaker 4: Is like, ah, yeah, he's blinded by the fucking light.
Speaker 1: It's like a deuce. Yeah.
Speaker 2: Then he gets to meet Anna and he's gonna start
all over again.
Speaker 3: It's it's I kind of like that I love because
she's like who are you and he's like, I'm your man.
Speaker 1: Ends up tilting the city towards the sun so they
finally have daylight. Yeah, it's great, great effect, just a
really great movie. I still really love this movie so good.
Speaker 4: And then like him even feeling the sun on his
face for the first time is just such like a powerful.
Speaker 1: It is because the only son we ever see are
these quick flashes to Shell Beach. So like when the
movie final, the dark City finally gets light. It is
a really big moment.
Speaker 4: Yeah, and like you know, he's waking up kind of
yeah for the first time, and it's it's pretty great.
Speaker 1: But I still really really love it. Yeah, there's some
technical questions with the sci fi and the rules. We
were poking holes in it, Yeah, but I mean you
kind of overlook most of them.
Speaker 3: And I didn't know any of the production problems. Once
you say that they didn't get the film everything or they.
Speaker 2: Were, well, they managed to film most.
Speaker 3: Of it, but can't maybe the way they wanted to.
All the time.
Speaker 1: They had to answer money. They're like, our movie doesn't
make sense. Give us money so we can finish it.
Speaker 3: Maybe a little bit more in the writing department.
Speaker 5: But it's supposed to be like that weird like HP
love crap, likec comics like Horror Magazine or a detective Noirk.
Speaker 3: That's how I read it.
Speaker 1: I watched well he did. I think he was watching
like Multispoult you wanted to make a QR Field.
Speaker 4: Yeah, it's like it's like a political thriller but also
like examination of the human condition. Again, it's very gilliam esque.
It's very if you watch Brazil and then watch this movie,
you're gonna be like, yeah, yeah, you know, I.
Speaker 1: Feel like it needs another resurgence. I feel like we
really need this is I mean, yeah, we're helping. This
is the recommendation that we that were given everything. Yeah,
I guess check it out because it did become a
cult hit obviously, but I think it's due for another resurgence.
I mean, it's on to be not the good version.
Try to hunt down the good version.
Speaker 3: It's got to be out there. Somebody's got to be
on my phone.
Speaker 2: I mean, I'm pretty sure there's like a four K
Blu ray coming out.
Speaker 4: I mean, I'm definitely gonna get the four K because
I don't have it on Blu ray. I don't have
any version of it on on disc. So yeah, but
even the even the theatrical version, even give a spin,
because you'll know if you'll like, if you're gonna like
it just from that, you know.
Speaker 2: And if you haven't seen it in a while, revisit it.
Speaker 1: Yeah, for sure. Listen to the Roger Ebert commentary track on.
Speaker 4: Yeah on the DVD on the New Line Cinema DVD.
Speaker 5: I mean, I did see just the theatrical because of that.
If down the road, I worked to watch it again.
I definitely want watch The Doctor.
Speaker 1: It has it has so like Metropolis. He does the
DVD has Metropolis. I like the bash of Fritz Lang
is in there. Other in the back, it's another Sutherland line.
You want to read it in your voice? Oh god,
I'm not even doing them.
Speaker 3: Just people are gonna be like, he doesn't sound like that,
and they're like.
Speaker 4: Oh fuck, he sounds like that.
Speaker 6: I can teach you to control your power consciously. Let
me help you, John. Together, we can stop them, we
can take the city back. And then I love when
he's in his memories and he's like, I want some
fucking ice cream kit. The memories I think because he
got he got his ass kicked. So he was like,
I'm gonna make myself sound cool again.
Speaker 3: For trying to do Lambert. That's why that's what comes out.
Speaker 4: He always ducks leg let no, because the need to
be like you have to prepare yourself for the Dark City.
Speaker 2: So you enjoyed revisiting it, Yeah, it was great.
Speaker 1: I had a really good time. I watched it with
my wife and we had a blast. It was fun
and you watched for the first time.
Speaker 5: Gave it a four out of five again. Nippicky shit
didn't quite make it to five again. Some of that
stuff I would overlook if it didn't really get to me.
Speaker 1: It was very good, though. Well I'll tell you this,
it's definitely better than the last season A Stranger.
Speaker 5: Wait when I eventually get to we could have the
side by side Dark City version.
Speaker 4: There's nothing quite like this in the way that it
does what it does either. Yeah, sure, yeah, so I
think I think that's what makes it unique.
Speaker 1: Very Yeah.
Speaker 3: I was just a unique is a good word for it.
Speaker 1: And I hope Alex Broyus does something big again. I
hope he gets back there.
Speaker 4: It's like a dystopian comic book more or less.
Speaker 1: Yeah.
Speaker 2: One good movies from him again, he made some really.
I actually don't mind knowing the movie with Nicholas Cage.
Speaker 1: I never saw that. It's it's not great, but it's
like fine.
Speaker 3: Howse Cage play? Because that could go either way?
Speaker 1: Fine is good? Okay? Yeah, well maybe he's not one
more good story and a one more good movie. Hopefully
he is trying to help like indie filmmakers and stuff.
I saw that.
Speaker 4: I think that's great, but one but I do not
support the shit I'm sorry.
Speaker 3: I forgot about that.
Speaker 1: When you go through his face, he's not one of
those like all in things. He's like, is there a
way we could use this? Because they're one of those
like it's for art, Bro's for harder. We're gonna have
to figure out where he's I don't think he's using
it just for I don't know. I'm gonna keep following him.
Speaker 4: You shouldn't be using AI for your fucking images. You
shouldn't be using them to write anything for you. You
shouldn't be using it to do anything you creatively do
because you're because the more you do that and rely
on it, the more your creativity is going to people
who are just like, yeah, yeah, well you're gonna fatigue
and atrophy, you know what I mean.
Speaker 1: People went all in on it and they just can't
create without it. Yeah, and that's sick.
Speaker 5: There's the bubble is popping as we say, I mean,
the money's not going anywhere now, but those data sets
aren't getting.
Speaker 1: Oh it's not going away. But like a lot of them,
like seed Dance two point zero is the big one.
It turned out that was mostly like kind of a scam.
Speaker 5: As of this recording five years ago, was like wow, AI,
well I don't I don't like it, but it's getting
big now. It's like you hear a lot of more
negative stories than you did five years.
Speaker 4: I know it might seem like it's helping you do
your thing and like speeding up your process, but like
part of creating is the process. Yeah, you know what
I mean, And you have to know what works, and
you have to keep working at your craft to get better.
Speaker 3: And you're just not going to with Yeah, and he's
done plenty of movies that we at this one.
Speaker 5: I just mean in general, Yeah, I agree with you're
just saying take it back to Alex Proyas wherever you
say that. Just yeah, he did this in the Crow,
in those other movies, and specifically this in the Crower,
so visually striking. We mostly have an art department, cinematographers
and other people involved, but you're the head of that
those two movies. And like Tony said, he's got it
in him somewhere if it was twenty five, twenty six
years ago.
Speaker 2: Now and much I mean, I'm on him. I'm on
his side.
Speaker 1: I also don't like YouTube. He's very mad at YouTube
right now. He's going to rumble. He's hoping to get
a bigger audience there, good luck good.
Speaker 4: I don't know if there's any way to actually tip
those scales without signing in blood. I'm serious, because like,
you have to create a very specific type of content
to be a big creator unless you've been grandfathered in
yeah you know.
Speaker 1: But yeah, we'll see what happens. He has a movie
coming out or it's in development called Are You Are?
And I looked at some of the actors in it,
and one of them is the guy who plays Baraka
in the New Mortal Komba.
Speaker 2: So I'm excited for because you guys haven't seen that one,
you know yet.
Speaker 4: I'm actually going this week.
Speaker 1: Never in a million years, I think Baraka would be
the best part of a movie. And I fucking love them.
I love Baraka, so there you go. And I know
that his face is all practical, So.
Speaker 3: It's like finally figured that one.
Speaker 1: It's like we watched snow Blind. Remember watch Snowblind. I'm like,
I never gave it a ship about Kenshi until this.
Speaker 3: That was a pretty good movie.
Speaker 2: Yeah but okay, guys, yes, where can.
Speaker 1: We find you?
Speaker 4: You can find it at movie dumpster on all your
favorite social media platforms.
Speaker 1: We're right here on YouTube. Check us out. We kind
of do what Tony does, sort of movie reviews. It's
the same thing.
Speaker 2: I'm actually looking into a lawsuit.
Speaker 3: Tony YouTube channels Older Tachnically movie.
Speaker 1: Movies from twenty ten. Okay podcast version the podcast you
got me there?
Speaker 3: Fuck you brought it up.
Speaker 4: Uh, but yeah, we do all kinds of stuff, horror movies,
mostly horror stuff, but we do action, weird kids movies,
all kinds of weird shit that you either forgotten about
or never heard about, or or love you grew up loving.
Speaker 1: Yeah, we just did My Mom's a Werewolf, which was
really fun. That was a good fun. The Lamp We
Got The Lamp Genie movie, a genie horror movie, the
first genie horror movie predates wish Master by about thirty
years or twenty years.
Speaker 3: Oh and later at some point this summer. I think
it's a June. Yeah, we have this guy over here,
mister Tony from Macked.
Speaker 4: The movie it's finally tackling Proteus. Oh yeah, another a
slightly above water horror movie.
Speaker 1: Yes, feature a lot of underwater not levi Ethan. We're
going We're going up. I remember growing up watching and
it had a big effect to me and I couldn't
wait to talk about it until the day Cab where
we had don't you spoil it? Check that out? Spoil it. Yeah,
we got a lot of good stuff coming.
Speaker 4: And we also released our very first X rated Patreon
episode by the way, from the Legend of the over Fiend.
We did that with our friend Jennifriar over on Patreon.
If you guys want to check.
Speaker 1: Out, I'll check that out. I am a patroon after all,
our patron. Yes, everyone should be a patron to both
of us. Actually, yes, no.
Speaker 4: Times are tough, but hey, if you want extra content,
we get a shit ton of it for you.
Speaker 2: Yes, and online I have the free tier where I
put you guys.
Speaker 1: Do you guys do we don't do free tiers.
Speaker 4: We have to do a serious overhaul of all of
that stuff because there's not enough hours in a day.
Speaker 1: I got you, but uh, one day they will have
what I have, which is the free podcast here where
you just get it's basically the podcast. It's just you
get better notifications. I put the YouTube and rumble link
in so you can watch the video version in case
it gets taken down somewhere.
Speaker 4: We do a two dollars tier version and you get
the episodes without any ads in it.
Speaker 1: Okay, so that's kind of yeah nice, But yeah, we
got plenty of stuff. We've done a bunch of crossovers
as well. Oh yeah, we should do another commentary tracks.
We're due.
Speaker 2: I'm doing another album. I didn't have time to do
it last year.
Speaker 4: But what do you mean another comment like it like
smooth criminal or something like the hat. It's got the
hat on it the movies is thriller?
Speaker 1: The commentary track out When we did Friday thirteenth last year,
we were supposed to a follow up one and just
all our schedules got fux.
Speaker 2: I'm gonna do it this year.
Speaker 1: Yeah, we got to plan that we'll do something good.
So yeah, I look forward to all of that. Book
me on cameo. If you want get my merch at
the retroware store, not some bootleg sites. You'll get it
leg sites with your stuff. Oh yeah, oh my god?
Which got the work called me and they were like, hey,
someone's bootlegging your merch. You want us to take that down?
I went, yeah, I thought, I went, also, who and
why are they even making any money, Like I don't
even sell my merch. I don't know why buy some merch.
I guess if you've been buying from shady website for years, and.
Speaker 4: If any hack offs have been getting any movie dumps
or stuff, we really appreciate it.
Speaker 1: Yes, we got some new T shirts and stuff like that.
Speaker 2: And thanks for suggesting this episode over and over and
over and over.
Speaker 4: If you if this squeaky, the squeaky wheel gets the
grease or gets the tuning in this case.
Speaker 1: Let's you know now, let's know what you think of
Dark Stadium. Won't see you all later, goodbye, see you.
Remember to like, comment, and subscribe. Check out our other
videos and Patreon page
Speaker 4: Talking about tapes