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Speaker 1: Hi, everyone, Tony from Hack the Movies here and today

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we're talking about Alex Proyce's Dark City director's cut, except

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for Sean.

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Speaker 2: You didn't watch that one.

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Speaker 1: Neither Dark City. Oh god, never mind, we're talking about

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both cuts of Dark City. I guess today on Hack

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the Movies were talking talk talking talking about tapes. Hello

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Joe and Sean for movie Tom Sir, Hello, mister Hack.

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Speaker 2: I'm mister I'm mister Hack.

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Speaker 1: Aw you mister Hack.

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Speaker 3: Yes, I thought you were the kid from Children of

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the Corner.

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Speaker 1: You under.

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Speaker 3: Something you're missing Malachi.

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Speaker 1: Uh. Yes, Dark City and we're doing this because a

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year ago a bunch of fans decided they're gonna just

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tell me to do Dark City all the time.

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Speaker 3: Well, now you're getting it.

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Speaker 1: We're doing it today. Yes, by Alex Broyce, who a

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few years ago I did the The Crow, I did

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all the pro movies, but we revisited his Crow film, I.

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Speaker 4: Mean his Crow films. I mean, I mean it's the

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seminal Crow.

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Speaker 1: Yeah.

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Speaker 4: Yes, it's really good. His cinematographer comes back for this too.

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Speaker 1: Yes.

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Speaker 2: And the writer of Crow, City of Angel.

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Speaker 1: And the writer of Hyder in the House. Yeah, with

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Gary Musey, that's Lem Dubbs shirt Gary listeners, it's Gary

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stories to tell him the dark and then it's a

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very unfortunate picture of modern day Gary. I think appreciate.

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Speaker 5: I think that's what he got arrested after that incident

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in Atlantic City a couple of years.

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Speaker 1: Man. Yeah, yeah, Alex Proy is a very interesting fellow.

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A lot of gaps in his resume theatrical wise, like

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he did this. This was a bomb when it came out,

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but then he did I Robot not a great movie,

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but I think it made bang.

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Speaker 5: Like it but as an adaptation it's the Ships, but yeah,

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it's pretty good.

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Speaker 1: And then he didn't like comes back years later with

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Knowing in two thousand and nine, and then that that

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Prince of each God of godship.

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Speaker 3: Thought he was telling me about this a little before

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the record.

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Speaker 1: Oh because you just don't remember God's.

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Speaker 5: I mean you were firing the cast of it sound

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like a lot of big Yeah, there were actually.

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Speaker 1: Like Chadwick Boseman was in it. Yeah, recollation of it. Yeah,

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I remember people accused it of whitewashing. And then I

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found it today. Even though he's front he like grew

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up in Australia. Assproys is Egyptian. I think so he's

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just like whatever he Uh. When that movie came out

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and got bad reviews, he really went hard on the critics.

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Speaker 2: He might have went a little too hard, I think.

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Speaker 5: So, how did he feel about Christian Bale when he

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played Moses? Did you have an opinion on that one?

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Speaker 1: He might have brought that opposite defense now I think

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about it, he might have run it up.

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Speaker 4: Uh.

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Speaker 1: But yeah, these days I think he's about to make

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like an actual movie again. He went to short film World.

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I follow him on Facebook. Yeah, he did a lot

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of music videos. Yeah, he tried to make his own

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short film website. I don't think it did well.

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Speaker 4: Uh.

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Speaker 1: And now he's dabbling like most people are who can't

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get money into AI stuff. That's it. I don't fuck him.

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He's although I saw I saw him with Roger Avery,

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the writer and Roger Avery because people were giving him

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ship for having an AI thing. He's like, I couldn't

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get a single dime from anyone until I said I

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had an AI business and suddenly all the money came in.

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So I think a lot of these guys who just

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can't get traditional funding They're like, well, now I'm part

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of this new thing, so let's talk about when he's good.

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Here's an update. He lost a shit ton of weight,

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so one of his face one of his Facebook posts

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is like literally him sharing Google's like, can someone update this?

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I haven't looked like this a lot.

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Speaker 5: So he sold his h soul to the AI industry

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and lost weight in the process.

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Speaker 3: Great yeah, yeah, and.

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Speaker 1: They gave him a bunch of a GOVI. But it

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looks like he actually does have like a bigger movie

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coming out. I think they shot it on like LED

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screens and stuff, so we'll see what happens. But this

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is like his I think his masterpiece. Yes, I know

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you I Robot obviously, but Dark.

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Speaker 3: City for that role the Homeless Kid.

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Speaker 1: And he came up with the idea. I think originally

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it was from the detective's point of view. Uh, but

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then he had it fleshed out with Lem Dobbs. And

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then they brought David S. Goyer in, yes, the punch

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up King. Yes, Uh, well, I mean David O. Squire.

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Like we talked about cro City of Angels. That's another

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Harvey Weinstein hack job.

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Speaker 4: I mean the classic flicks like Demonic Toys.

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Speaker 5: Yes, begins the Dark end up doing do that one, Tony.

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Speaker 1: I think he just did this.

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Speaker 5: I think he only did the story for the two

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I was trying to softball to.

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Speaker 1: Don't Worry and Batman Diego.

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Speaker 2: Yeah, and then he also did Blade Trinity.

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Speaker 1: Movie. He is a working man's director. I'll give him back,

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uh drugger writer. But I mean, if you watch grow

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City of Angels, like the original, idea is somewhat interesting,

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like trying not to be too much like the original,

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and then they were forced to make it more like

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the original.

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Speaker 4: Yeah, but I also think it's fine, Like, it's not.

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It's not awful, dude. It could be a lot worse.

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It could be worse, but also could be a lot better.

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You know, Edward Prolong is fucking bad, Like.

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Speaker 2: No, no, no, that's not That's not City of Angels.

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Speaker 4: I know, but I'm saying, oh, yeah, it's bad.

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Speaker 1: City of Angels is fine.

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Speaker 3: That was pretty rough context.

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Speaker 1: Sorry. You know, I reviewed all of them at once

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after we did the first one, and it's all blur.

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I just I just now remembering that there is a

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remake with Bill scars Guard. I don't know what you're

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talking about, which Alex Boyce was in the news when

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that came out because he was just shitting on it regularly.

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It's like fuck this. So, yeah, they got together to

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do this. This started off as like a Fox production. Okay,

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I think I think it got moved to New Line.

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They were forced to make some changes. I would assume

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the budget. Yeah, well budget, I think you said it

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was like twenty five million budget or something. Really a

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lot of in this. Yeah, it's a it's an amazing look.

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It has since become a cult hit. People think the

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Matrix took from this. Oh it came out of here.

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I mean the Matrix did take from like a lot

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of things. Not that one lady who accuses them of

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ripping her off. She's been debunked so many times. Versus

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one lady that thinks that they read a short story

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or so it's like you go down that rabbit hole.

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Was not her.

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Speaker 2: But they did take from anime and stuff.

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Speaker 4: Yeah, they she saw how they how they somebody made

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a bunch of money from James Cameron and they were.

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Speaker 1: Like, oh yeah, yeah. She tried to pull back out. Yeah,

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but yeah, So the Matrix comes out a here later,

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and it does have similar ideas, and it uses some

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of the same sets. That's like a big thing. The

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road tops, I think, yeah.

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Speaker 3: Trench coats, I don't know, sunglasses.

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Speaker 4: People are gonna make people like sleep being a sleep

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quote unquote in this world. Yeah, and having like their

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memories and stuff messages with.

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Speaker 5: Which actually has a lot of connections. But honestly, beyond that,

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they're completely fucking Yeah. They're different enough you could see

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why people would connect it.

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Speaker 1: Yeah, But I remember seeing, like it's funny because I

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just watched behind the scenes and they're just like they

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didn't really advertise it much. I remember seeing Ads as

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a kid. I remember just seeing that image of him

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on like the circle there.

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Speaker 4: I always remember riff Raff putting that dude to sleep. Yes,

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I always remember that.

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Speaker 1: Yes. And I remember like the commercials and it was

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a movie I always wanted to see and I never

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really did. One of the biggest like champions of this

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film making it a cold film was Roger Ebert. Really

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he loved this movie, great movie. He wrote about a lot.

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He has his own commentary track on the DVD. Real

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if there is a Roger Ebert commentary track, And I

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was like a big Roger eber Fan didn't. I didn't

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even agree with a lot of his stuff, but I

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like the way he wrote and shared his opinions. And

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I've told the story a bunch of times. Hacked the

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Movies is like a play on at the Movies. But

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I remember he is on his website used to have

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like great movies, and he had Dark City on there,

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and I was like, I'm gonna finally fucking watch Dark City.

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And I watched it in college theatrical version, and I

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remember going like, huh, it feels like they told me

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a lot of information in the beginning, and the rest

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of the movie is like I wonder what these things are,

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and I'm like, well, I already told me, But I

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still really really enjoyed it.

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Speaker 4: Yeah, I mean it's good. Also, editing, i will say,

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is like very choppy. Well theatrical yeah.

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Speaker 1: Yeah, I think eleven minutes of footage is at in

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the director's cut, but it's still like pre existing scenes

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I think to help us till yeah, and that's what

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it feels like. You could tell that they're truncated. But

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then I bought the director's cut and I was just like,

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I love this movie. I got like super into it.

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I really really enjoyed these. But it's been a minute,

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sins I watched I used to watch this a lot.

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But when did you first see Dark City?

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Speaker 4: Probably around the time that it came out. Okay, this

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is the first time revisiting it in a long time. Really, yeah, yeah, yeah, yeah,

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I feel like I wanted to go back sooner and

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I just hadn't for whatever reason. But yeah, I remember

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when like it came out, and like Keifer set I

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was big on Keither Soe Southerland at the time because

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like I was just getting into Lost Boys and stuff

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like that.

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Speaker 1: So I was like, you love the Eye for an

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Eye for an eye fucking rules. I just showed my

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wife that movie. Why would you show? Oh my god,

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that movie is so good. I've talked about it on

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my show a couple of times. That movie scarred my mom.

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She hates Keith or Southerland because of his performance in

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Ether Keifer souther But yeah, oh she literally thought like

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people were gonna murder us all the time because.

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Speaker 4: Of that that movie. Just sorry, side because it's just

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I think it's just a really great film, and I

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think Keifer Sutherlin in that movie is terrifying uh. And

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that beginning sequence where he goes into the house after

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the little girl.

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Speaker 1: Yeah, the secrets that made my mom think people were

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gonna come and murder my fuck me up as a kid. Yeah.

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I didn't even see the movie until you years later,

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but I kept freaking it up and was terrible watching.

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Speaker 5: It on cable and be like, oh my god, the

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one movie Tony wasn't allowed to watch.

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Speaker 1: We found it.

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Speaker 3: When's the review?

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Speaker 1: I eventually, I eventually did watch it, and I went,

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it wasn't that good because it's like real, Yeah, that's

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what makes it so horrible.

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Speaker 2: But we get on that.

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Speaker 1: Sorry you're talking about Yeah, I made I tried to

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pick a random movie that I didn't think you saw.

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It turns out you saw and had a lot of

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one damn it stand by me. So yeah, okay, so

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you saw when it came out, but you hadn't revisit

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it until.

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Speaker 4: Yeah, yeah, until until for this review.

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Speaker 5: Yeah.

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Speaker 2: And Sean, is this the first time viewing for you?

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Speaker 1: Yeah?

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Speaker 5: You told me, h, hey, this is what I want

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to do. Okay, I never heard of it, all right,

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that's what I'm watching.

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Speaker 1: You never even heard of it?

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Speaker 5: I know?

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Speaker 1: It actually is fun that we're talking about this now

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because the movie's probably out now, But like the day

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before we shot this, I just watched all of the

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back room stuff. Oh yeah, I want to check that out.

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Speaker 5: Yeah.

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Speaker 2: I binge this.

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Speaker 1: I binge like it was like a three hour stream.

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I binged all the stuff on the playlist. But there

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are some similarities there where it's like, this is a

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world where the aliens are trying to make.

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Speaker 2: A city a spoiler with the aliens, but theatrical you.

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Speaker 1: Know that, and it's a human experiment. Oh yeah, But

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it's just like we're like there's like a mishmash of

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different time periods, which was a big thing in the nineties.

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I think Burton's Batman started that and then other movies

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did it.

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Speaker 4: It gets like some of your steampunk that twenties one

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thing that Sin City kind of ripped off.

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Speaker 1: But then like it's just like, what an alien that's

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trying to be human. It's like, and I got that

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kind of feeling in the back rooms where we're like,

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this looks like human structures. They don't make a lot

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of sense. Yeah, So I don't know if there was

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any influence.

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Speaker 5: There, I would say on that note, I mean it's

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definitely going hardcarn like the comic book kind of look

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like The dark Man comes to mind. Yeah, Dick Tracy especially, Yeah,

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because that twenties aesthetic.

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Speaker 1: But this is like late nineties, so they finally had

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like all the compositive effects to pull it off and

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make it look really good, pretty good.

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Speaker 3: For the most part, it looks pretty deep.

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Speaker 1: There are some shots in nineties they're clearly miniatures, but

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like ibmou saying, there's no like obvious Matt paintings where

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I'm like that is a painting. Like, look, I love

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Tim Burn's Batman. There was a couple of shots where like

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that's a painting. Yeah, but it's also charming a little bit.

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But like this is where like, hey, this actually feels

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like a lived in city.

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Speaker 3: Especially when it actually starts moving, Like.

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Speaker 1: Yeah, yeah, it's awesome. I think Patrick Atopolis came in

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to do a lot of the production design.

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Speaker 4: The production design on this is fucking incredible. Yeah, it's

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really good. It has like this very like Terry Gilliam

286
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kind of feel. It's like Brazil meets in City kind of.

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Speaker 1: Yeah. Yeah.

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Speaker 2: Yeah.

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Speaker 1: They went at Johnny Depp at one point and they

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settle on rufus Seawell. They thought Johnny Depp would be distracting.

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I guess, Jasper, you mean.

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Speaker 4: From the Holiday that cheats on Keith Winsles or whatever.

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Speaker 1: Is that what happened in that moving I never watched

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the Holiday.

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Speaker 4: That's why she she like switches houses with Cameron diaz Man.

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Speaker 1: Now, I wish I did see the Holiday, so I

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could a blindside you, but be like, yeah, I know

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everything about the holiday, and when there's a holiday story

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from Jude Laws in it, super handsome, Yes, rufu Seawells

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in that right, Yeah, yes, okay, he's the douchebag ex

301
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boyfriend whatever. I like rufe Sewell, yeah, he's great. I like.

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Speaker 4: And his American accident is that he keeps slipping in

303
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and out of it.

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Speaker 1: Yeah, I know that, but you know what, you know what,

305
00:13:07,720 --> 00:13:10,759
he's okay in this universe where they're not like who

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they're supposed to be, that makes it even more fun.

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So I think that's an advantage. I think that's a

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good thing in this script.

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Speaker 4: And you know what, this movie is so ahead of

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its time that it predicted doomsday, Avengers doomsday, and we're

311
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gonna tie it all up at the end Okay, just

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remind me.

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Speaker 5: That's an endorsement or whatever, the opposite of John Murdoch.

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Speaker 1: Will return day. But yeah, I think they wanted like

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just sort of lesser known people, no one distracting, and

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then Jennifer Conneley was like on her way up, but

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she ended up being bigger than anyone else in the movie,

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or maybe not Cuthan, So I.

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Speaker 4: Mean those are some pretty big names.

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Speaker 1: Yeah, but yeah, she ended up being like she blew

321
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up in popularity after this. Uh, let's go through this film. Sure,

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oh oh, one last thing. Sorry. They the studio just

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kept forcing them to finish the movie and they had

324
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to be like, yeah, but we're not we have like

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some important scenes in the film, and they were like, yeah, no,

326
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finish it, finish it. And eventually the studio just asked

327
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to see what they had and they were like, it

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00:14:15,440 --> 00:14:17,600
doesn't make any sense, and the director writers had to

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be like, yeah, because we didn't film all the scenes

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that help it make sense. At one of the early

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since we're gonna talk about the beginning here, one of

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the early complaints that people have when they were watching

333
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the movie was like, it's confusing in the beginning, but

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it was meant to be because it's a mystery that unfolds.

335
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It's meant to be confusing, and like apparently ox boys.

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Like I asked to everyone after they saw the movie

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and like, did it make sense to you at the end,

338
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and they all said yes, yeah, So the studio panicked,

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00:14:42,600 --> 00:14:45,000
and that's where we get the opening here, which I

340
00:14:45,039 --> 00:14:47,360
have not watched the theatrical cut since two thousand and nine.

341
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You want to do it? Yeah? Do you have it? Yeah?

342
00:14:49,919 --> 00:14:51,679
I have it all right here? Yeah? Read what the

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opening good?

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Speaker 3: Because I don't remember this at all.

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Speaker 6: First there was a darkness, and then came strangers, and

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they were a race as old as time itself, and

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they mastered the ultimate technology and the ability to alter

348
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physical reality. Will be alone, they called the ability tuning.

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But they were dying. Their civilization was in decline, so

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then they abandoned their world, seeking a cure for.

351
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Speaker 1: Their own mortality.

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Speaker 6: Their endless journey brought them to a small blue world

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in the farthest corner of the galaxy our world. Here,

354
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they thought they had finally found what they had been

355
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searching for.

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Speaker 3: So wait, it does spoil? I guess I just fucking

357
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was high?

358
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Speaker 4: Or oh yeah, I don't remember everything after spills the beans, Like,

359
00:15:41,120 --> 00:15:42,759
right up, dude, I'm lightheaded from doing that.

360
00:15:42,879 --> 00:15:44,720
Speaker 1: Yeah, you didn't have to do the voice I know.

361
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But he's like and like, I know you're real into

362
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voice acting now you were just Johnny Cage and Cable.

363
00:15:52,159 --> 00:15:54,039
You can't hurt it off. You're like, I'm the voice

364
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acting king. Now.

365
00:15:55,120 --> 00:15:56,919
Speaker 5: I guess the problem was the whole time that the

366
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intro is happening, I'm not retaining the information because I'm like, shit,

367
00:16:00,320 --> 00:16:03,440
Christopher Lambert's in this movie and he saw them on

368
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hobbles on.

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Speaker 3: Screen like fucking Renfield.

370
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Speaker 1: Dude, Yeah he is Renfield here.

371
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Speaker 3: But yeah, I guess they do just basically say Joe

372
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over my head. So it didn't ruin it for me.

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Speaker 1: The director's cut doesn't have that.

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Speaker 3: Well, I watch it on tuby or I'm one of

375
00:16:19,000 --> 00:16:20,000
the streaming Yeah.

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Speaker 2: It's free on tuber right now.

377
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Speaker 1: Some of the speech, though, is dialogue from a later

378
00:16:24,159 --> 00:16:27,240
scene when they're on the boat talking about like the

379
00:16:27,320 --> 00:16:30,519
patchwork together. Yeah, but he really just says everything and

380
00:16:30,559 --> 00:16:32,559
it makes what you're watching kind of useless.

381
00:16:32,879 --> 00:16:35,639
Speaker 3: Yeah, and it's like it's it's too like the galaxy.

382
00:16:35,799 --> 00:16:36,840
Speaker 2: Yeah, it's like the it's like the.

383
00:16:36,840 --> 00:16:39,080
Speaker 1: Beginning of Dune. When they put the beginning of Dune.

384
00:16:38,960 --> 00:16:41,399
Speaker 4: It's like Dune, I'm gonna explain to you the entire

385
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day of what's going on, so you know what's happening.

386
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Speaker 1: Yeah, what happened recently?

387
00:16:46,240 --> 00:16:46,840
Speaker 5: We Uh.

388
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Speaker 1: There's been a few movies I talked about recently where

389
00:16:49,279 --> 00:16:51,000
like there's a mystery but they spoiled in the beginning.

390
00:16:51,080 --> 00:16:54,200
One of them was Green Lantern, Oh, where they tell

391
00:16:54,240 --> 00:16:57,240
you the Parallax's origin and they show that he's a guardian,

392
00:16:57,759 --> 00:16:59,480
and then the rest of the movie is like, what's

393
00:16:59,519 --> 00:17:01,519
his org ja and they're like, oh, no, he was

394
00:17:01,519 --> 00:17:04,519
a guardian the whole time. I'm like, was that a mystery?

395
00:17:04,559 --> 00:17:07,079
Because he just told me and I it's kind of

396
00:17:07,079 --> 00:17:09,799
annoying to watch all these characters learn something I literally

397
00:17:09,880 --> 00:17:11,839
learned at the beginning of the movie. I'm like, what

398
00:17:11,839 --> 00:17:12,359
what is this?

399
00:17:12,960 --> 00:17:15,480
Speaker 5: That movie wasn't good. The director's cut didn't save it

400
00:17:15,480 --> 00:17:15,839
at all.

401
00:17:16,440 --> 00:17:19,039
Speaker 1: So I watched the extended cut for the review. Me

402
00:17:19,079 --> 00:17:20,880
and Frank were like, I don't know a single goddamn

403
00:17:20,880 --> 00:17:22,400
thing that was different there.

404
00:17:22,440 --> 00:17:23,319
Speaker 3: There's a lot at it.

405
00:17:23,359 --> 00:17:23,799
Speaker 1: I don't know.

406
00:17:24,359 --> 00:17:25,200
Speaker 3: Did you watch both?

407
00:17:25,559 --> 00:17:27,720
Speaker 1: But the green lantern. They add a lot.

408
00:17:27,960 --> 00:17:29,279
Speaker 3: There's a lot of story shit at it.

409
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Speaker 5: They don't even explain parallax at all in the theatrical happens.

410
00:17:33,000 --> 00:17:35,960
Speaker 2: Never mind, then maybe better Yeah.

411
00:17:35,839 --> 00:17:37,119
Speaker 3: No, theatrical is the ship.

412
00:17:37,440 --> 00:17:39,720
Speaker 5: It's a little bit better than those ship whatever that

413
00:17:39,880 --> 00:17:41,359
is hard piss.

414
00:17:41,240 --> 00:17:44,880
Speaker 4: I don't know, like early morning, Yeah, golden stink piss

415
00:17:45,599 --> 00:17:45,920
the wall.

416
00:17:46,200 --> 00:17:48,519
Speaker 1: Everything looks like gold urin in this movie. It's got

417
00:17:48,519 --> 00:17:52,200
that greenish yellowish color. It looks like cro City nighttime.

418
00:17:52,240 --> 00:17:54,920
The entire it's called dark City. But yeah, that that

419
00:17:54,960 --> 00:17:56,839
took a while for me to click. I'm like, oh yeah,

420
00:17:56,960 --> 00:18:00,599
dark City, it's all the time. It's like, I'm kind

421
00:18:00,599 --> 00:18:01,640
of yeah, I like it.

422
00:18:01,720 --> 00:18:03,000
Speaker 3: I just took it took for a while for it

423
00:18:03,039 --> 00:18:03,640
to click for you.

424
00:18:03,799 --> 00:18:08,160
Speaker 4: Well, they completely recolor graded for the director's cut, don't they.

425
00:18:08,480 --> 00:18:10,640
Speaker 2: Maybe it looked greenish and yellowish.

426
00:18:10,839 --> 00:18:12,599
Speaker 4: Yeah, I think they. I think they changed the color

427
00:18:12,680 --> 00:18:13,680
at least that's what I read.

428
00:18:13,680 --> 00:18:16,200
Speaker 1: I'll have to compare it, I know. And they enhanced

429
00:18:16,240 --> 00:18:18,279
some of the effects. Yeah. I think there was a

430
00:18:18,359 --> 00:18:21,039
four K release, and I didn't.

431
00:18:20,839 --> 00:18:23,960
Speaker 4: Check that out because like it had come out. It

432
00:18:24,039 --> 00:18:27,279
came out two thousand and ten, or eight or somewhere.

433
00:18:27,319 --> 00:18:29,559
Speaker 1: Well the Director's cut, Yeah, but I think even more

434
00:18:29,559 --> 00:18:32,799
recently they did it at least I think, So I'll

435
00:18:32,799 --> 00:18:33,200
have to check.

436
00:18:33,400 --> 00:18:37,279
Speaker 2: I'll do a comparison here. So it opens up on

437
00:18:37,400 --> 00:18:38,759
him the.

438
00:18:38,680 --> 00:18:43,160
Speaker 1: Doctor, uh, checking his watch, and then we get some

439
00:18:43,240 --> 00:18:52,319
spirally credits. It's pretty cool, man, pretty cool. We got

440
00:18:52,319 --> 00:18:54,880
a cool miniature shot of the city. I do love

441
00:18:54,960 --> 00:18:55,799
nineties miniatures.

442
00:18:55,839 --> 00:18:58,440
Speaker 4: I mean, like I said earlier, like the production design

443
00:18:58,480 --> 00:19:01,400
this is so good, like it's worthwhile for that alone. Yeah,

444
00:19:01,480 --> 00:19:03,880
and the cinematography and everything. It's just it's just really

445
00:19:04,920 --> 00:19:07,079
this world is super lived in. Yeah, and it's it

446
00:19:07,200 --> 00:19:08,039
just feels really good.

447
00:19:08,119 --> 00:19:10,720
Speaker 1: And we see John Murdoch in a tub with a

448
00:19:10,759 --> 00:19:13,599
cut on his head. The light is swinging, which, by

449
00:19:13,640 --> 00:19:16,119
the way, the Director's Cut DVD, the menu screen is

450
00:19:16,160 --> 00:19:18,039
that it's the overhead shot. It's just him in the

451
00:19:18,079 --> 00:19:19,359
tub and the lights swinging, and.

452
00:19:19,440 --> 00:19:23,000
Speaker 4: It's juxtaposed against like this like green tile. It's just

453
00:19:23,039 --> 00:19:24,480
so pretty to look at it.

454
00:19:24,599 --> 00:19:27,039
Speaker 1: Yeah. Yeah, but yeah, he wakes up, but he's just like,

455
00:19:27,119 --> 00:19:29,960
what the fuck just happened? He knocks over a fish bowl,

456
00:19:30,160 --> 00:19:31,720
feels bad for the fish, and he puts it in

457
00:19:31,759 --> 00:19:34,960
the tub, which I think would kill it. I don't

458
00:19:35,000 --> 00:19:37,240
know that that tube had like pink sh in it.

459
00:19:37,279 --> 00:19:39,240
I still don't know what the pink stuff was.

460
00:19:39,400 --> 00:19:42,440
Speaker 3: It was a Slimestbusters. Yeah, your favorite.

461
00:19:42,559 --> 00:19:45,680
Speaker 1: He finds a postcard for shell Beach and this becomes

462
00:19:45,680 --> 00:19:47,599
like a thing for him because it triggers a memory.

463
00:19:47,680 --> 00:19:49,079
Speaker 4: I mean, I don't know about you, but it's my

464
00:19:49,079 --> 00:19:54,119
favorite Mario cart uh level. I do love that framing device.

465
00:19:54,160 --> 00:19:57,160
Speaker 5: Though there isn't a lot of mysteries detective stories, there's

466
00:19:57,160 --> 00:19:59,799
always a letter they find or some kind of postcards, so.

467
00:20:00,079 --> 00:20:03,640
Speaker 1: Like we get that first like memory though, they always

468
00:20:03,640 --> 00:20:05,359
play that sound whenever they have a memory.

469
00:20:05,599 --> 00:20:07,440
Speaker 4: It's like it has that Memento field.

470
00:20:07,599 --> 00:20:10,400
Speaker 1: Yeah, where's it all back together? That's another one I

471
00:20:10,400 --> 00:20:11,400
want to read. Visit Memento.

472
00:20:11,880 --> 00:20:14,119
Speaker 4: I think I liked it again on the rewatch a

473
00:20:14,119 --> 00:20:14,799
few years back.

474
00:20:15,839 --> 00:20:18,240
Speaker 1: So he gets a call from the doctor and he's like,

475
00:20:18,720 --> 00:20:22,680
something went wrong. You probably confused. We were doing something new.

476
00:20:22,720 --> 00:20:24,640
It didn't fin We didn't get to finish.

477
00:20:24,920 --> 00:20:27,319
Speaker 5: This is the part that feels like the most matrixe

478
00:20:27,319 --> 00:20:29,480
like in the beginning, Yeah, like getting the call, like

479
00:20:29,519 --> 00:20:31,559
you gotta get like the neo scene, in the beginning

480
00:20:31,720 --> 00:20:33,799
they dot something in my belly button felt like that

481
00:20:33,839 --> 00:20:34,319
a little bit.

482
00:20:34,400 --> 00:20:36,440
Speaker 3: So it's like, yeah, anyway, yeah, but.

483
00:20:36,400 --> 00:20:38,160
Speaker 1: He's like, you gotta get out of there. People are coming.

484
00:20:38,200 --> 00:20:40,000
Speaker 4: And then he's like, let's he talking about the coming

485
00:20:40,160 --> 00:20:41,480
and they're gonna get you.

486
00:20:42,799 --> 00:20:44,279
Speaker 1: And then he looks over and there's just a dead

487
00:20:44,319 --> 00:20:46,559
brawn on the ground. He's like, oh ship, she's all

488
00:20:46,599 --> 00:20:49,000
me a zakied up dude. Yeah. When a little spiral cuts,

489
00:20:49,000 --> 00:20:51,920
he's like, ah, what happened here, there's a little bum.

490
00:20:51,960 --> 00:20:54,200
Speaker 5: The spiral thing wasn't a bigger deal. I mean, it

491
00:20:54,200 --> 00:20:56,400
makes sense once the story is explained more. But I

492
00:20:56,400 --> 00:20:57,960
was like, I like that spiral shit out like a

493
00:20:58,000 --> 00:20:59,240
Jungee Ego novel.

494
00:20:59,000 --> 00:21:01,960
Speaker 1: Orto is when I and yeah, it's called it was

495
00:21:02,000 --> 00:21:02,319
a mock.

496
00:21:02,359 --> 00:21:03,000
Speaker 3: He was the story.

497
00:21:03,119 --> 00:21:06,640
Speaker 1: I meant, that's what you're fucked up man, got there.

498
00:21:06,920 --> 00:21:09,839
There's just your knowledge of cartoons for children is so bad.

499
00:21:11,119 --> 00:21:11,599
Speaker 3: Technically.

500
00:21:12,359 --> 00:21:15,920
Speaker 1: Originally I knew that that was that person's name name

501
00:21:16,000 --> 00:21:18,519
you said five minutes ago, and I totally remembered.

502
00:21:18,400 --> 00:21:21,039
Speaker 3: The keller obviously, yeah, that guy.

503
00:21:21,319 --> 00:21:25,279
Speaker 1: So he leaves the room. Nothing was cut out. He

504
00:21:25,400 --> 00:21:28,200
leaves the room, and uh, we get our first glimpse

505
00:21:28,200 --> 00:21:30,519
of the strangers, which are guys in cool coats but

506
00:21:30,599 --> 00:21:31,759
cool hats. They're really cool.

507
00:21:31,920 --> 00:21:35,200
Speaker 3: They're like skinny, mister, skinny kind of mister.

508
00:21:36,519 --> 00:21:39,920
Speaker 4: They also like, these guys remind me speaking of like

509
00:21:39,960 --> 00:21:43,000
things that were inspired by this the gentleman from Buffy

510
00:21:43,319 --> 00:21:45,319
kind of give me that vibe, especially.

511
00:21:44,960 --> 00:21:47,440
Speaker 1: Like when they're like floating around and show. I mean,

512
00:21:47,559 --> 00:21:52,039
as we all know, I only consider the Christie Spotson classics. Yeah,

513
00:21:52,079 --> 00:21:54,720
I don't. I don't agree with the Buffy TV even

514
00:21:54,799 --> 00:21:57,039
if I did interview the master from the show.

515
00:21:58,000 --> 00:21:59,720
Speaker 3: Are going to be pissed off at you. Tony's very

516
00:21:59,759 --> 00:22:00,880
ant t Joss Whedon.

517
00:22:01,160 --> 00:22:02,839
Speaker 1: Yes, And I actually was the one who was calling

518
00:22:02,920 --> 00:22:06,960
Hulu and I said, canceled that reboot. Yeah, I called

519
00:22:07,039 --> 00:22:10,440
him every day. Yeah, I said, I'm gonna give him negatives.

520
00:22:10,680 --> 00:22:12,759
Speaker 3: You used your tuning and you were like to ken

521
00:22:13,359 --> 00:22:14,319
them all the way over to.

522
00:22:14,400 --> 00:22:17,160
Speaker 1: Hulu headquarters and I went, hello, mister.

523
00:22:17,079 --> 00:22:20,799
Speaker 3: Hare he said. Michelle tracty Berg would not have wanted this.

524
00:22:22,200 --> 00:22:24,480
They said, damn all right.

525
00:22:25,960 --> 00:22:27,160
Speaker 2: Man, thank god they killed that thing.

526
00:22:27,200 --> 00:22:28,920
Speaker 3: I heard Michelle Tracktyburg.

527
00:22:29,039 --> 00:22:33,960
Speaker 1: No, no, God, no, no, Jesus Christ.

528
00:22:33,880 --> 00:22:34,519
Speaker 3: Rest in peace.

529
00:22:35,400 --> 00:22:37,000
Speaker 1: All right, that was a bummer.

530
00:22:37,599 --> 00:22:38,279
Speaker 3: It actually was.

531
00:22:40,079 --> 00:22:42,759
Speaker 1: Uh yeah. So they're chasing him and uh he runs

532
00:22:42,799 --> 00:22:45,240
downstairs and this is where he finds out that, uh,

533
00:22:46,160 --> 00:22:48,440
he left his wallet at the oh. When he goes downstairs,

534
00:22:48,480 --> 00:22:50,559
everyone's asleep, but they all kind of wake up at

535
00:22:50,559 --> 00:22:52,680
the same time, which is pretty great. And the dude

536
00:22:52,759 --> 00:22:54,599
runs the hotel. He's like, you left your wallet at

537
00:22:54,640 --> 00:22:56,839
the auto mat. You gotta go pick it up at

538
00:22:56,880 --> 00:23:00,880
the auto mat. You you owe me three weeks were then. Yeah,

539
00:23:00,880 --> 00:23:02,599
He's like, come back and pay me or three weeks

540
00:23:02,640 --> 00:23:07,000
are up ten minutes ago. And he's like, all right, asshole,

541
00:23:07,119 --> 00:23:07,720
I'll be back.

542
00:23:07,880 --> 00:23:08,640
Speaker 2: I'll go do that.

543
00:23:08,839 --> 00:23:11,240
Speaker 1: So he leaves and he like tosses his suitcase in

544
00:23:11,319 --> 00:23:14,000
the water. The hotel owner goes into the room and

545
00:23:14,039 --> 00:23:16,200
he finds the strangers there clicking, like.

546
00:23:17,039 --> 00:23:19,400
Speaker 4: Yeah, and you want to talk about We're going to

547
00:23:19,440 --> 00:23:21,839
talk about some influence agains. Steven Spielberg just stole that

548
00:23:22,039 --> 00:23:24,400
for his new movie for which one the new one

549
00:23:24,440 --> 00:23:25,119
that's coming.

550
00:23:24,920 --> 00:23:26,599
Speaker 3: Out that's coming out effort. The name of it The

551
00:23:26,640 --> 00:23:27,960
Fuck's Place or something.

552
00:23:28,640 --> 00:23:32,759
Speaker 1: I don't know. The movie The Alien's on TV. The

553
00:23:34,839 --> 00:23:37,119
s Stevin King or Spielberg Silberg. I think you said

554
00:23:37,119 --> 00:23:40,039
Stephen King. That's why disclosure Disclosure day. I thought you

555
00:23:40,039 --> 00:23:42,720
said se King. It's really just Dark City two. Yeah,

556
00:23:42,799 --> 00:23:46,039
I mean those monsters that click, Sure, the predator clicked?

557
00:23:46,119 --> 00:23:47,200
Is this ripping off predator?

558
00:23:47,319 --> 00:23:50,200
Speaker 4: Different kind of clicking? Okay, different kind of clicking. They're

559
00:23:50,240 --> 00:23:50,720
just breathing.

560
00:23:50,759 --> 00:23:52,599
Speaker 1: I don't know why they're clicking in this scene because

561
00:23:52,599 --> 00:23:54,680
we learned what the clicking is later and it's just like,

562
00:23:54,960 --> 00:23:59,400
did they just click randomly? Maybe when they're horny? Ohso

563
00:23:59,440 --> 00:24:03,640
I think one of the other strangers is Bruce Spence, Yeah,

564
00:24:03,799 --> 00:24:06,640
from Mad Max and east Man Tour when Nature Calls.

565
00:24:07,200 --> 00:24:09,519
Speaker 2: Yeah, those two many many movies.

566
00:24:09,599 --> 00:24:12,519
Speaker 1: Yeah, yeah, man, I don't even think he's in the

567
00:24:12,519 --> 00:24:16,400
first Mad Max thinking about and beon Thunderings, you know

568
00:24:16,480 --> 00:24:17,759
what the funk? I mean, the guy who flies the

569
00:24:17,839 --> 00:24:21,720
helicopter some nerd is like Revenge and Mick Katie from

570
00:24:21,759 --> 00:24:22,960
fucking Eastern Tour too.

571
00:24:23,079 --> 00:24:25,880
Speaker 5: Yes, And if we said it already, this is repetitive information.

572
00:24:26,000 --> 00:24:28,160
But mister Hann is played by uh oh.

573
00:24:29,519 --> 00:24:33,519
Speaker 1: Richard O'Brien, Rich mahon and drive Ins Rocky Horror Shock

574
00:24:33,599 --> 00:24:38,640
Treatment double feature shirt. Yeah, I uh I knew he

575
00:24:38,799 --> 00:24:40,640
was in this, but the last movie I reviewed Richard

576
00:24:40,680 --> 00:24:44,880
O'Brien was Dungeons and Dragons. Can't he's the guy who

577
00:24:45,319 --> 00:24:48,799
he's the flamboyant guy who owns the dungeon where they

578
00:24:50,599 --> 00:24:53,400
or whatever. He slaps the girl's butt. He's all gay

579
00:24:53,480 --> 00:24:54,880
and awesome black guy.

580
00:24:55,200 --> 00:24:57,039
Speaker 3: Yeah, whatever, I forgot that.

581
00:24:57,079 --> 00:24:57,720
Speaker 1: I haven't here too.

582
00:24:57,839 --> 00:25:00,359
Speaker 4: Mister Book is also Ian Richardson new play is mister

583
00:25:00,400 --> 00:25:01,279
Warren from Brazil.

584
00:25:01,400 --> 00:25:03,359
Speaker 2: So I was like, oh, okay, yeah, I was wonder

585
00:25:03,400 --> 00:25:04,000
who mister Book.

586
00:25:04,079 --> 00:25:09,200
Speaker 1: What he was from? Fits. Yeah, so they're all creepy.

587
00:25:09,319 --> 00:25:12,240
They put they put the hotel, hotel owner to sleep,

588
00:25:12,519 --> 00:25:16,640
and then he cut to Jennifer Connolly singing Dean MARTINMTHM

589
00:25:16,839 --> 00:25:22,559
start to play. Yeah is that her singing?

590
00:25:22,799 --> 00:25:22,839
Speaker 5: No?

591
00:25:23,079 --> 00:25:24,880
Speaker 1: Right, yeah, pretty sure.

592
00:25:25,119 --> 00:25:27,200
Speaker 5: She sings a phenomenon too, So maybe she was kind

593
00:25:27,240 --> 00:25:29,759
of known for probably maybe, I mean, unless that was

594
00:25:29,799 --> 00:25:31,440
just two movies very close to each other.

595
00:25:31,480 --> 00:25:32,960
Speaker 2: It's not like she has to say she probably learned

596
00:25:32,960 --> 00:25:34,640
how to do that song in the other.

597
00:25:34,519 --> 00:25:37,119
Speaker 1: Phenomena like ninety one, I mean, maybe I'm.

598
00:25:38,839 --> 00:25:39,279
Speaker 3: Nineties.

599
00:25:39,400 --> 00:25:42,200
Speaker 4: She was not that much older. She looks about the same.

600
00:25:42,359 --> 00:25:43,720
Labyrinth is what eighty five.

601
00:25:44,960 --> 00:25:46,799
Speaker 3: I don't know, maybe she just looked at the same

602
00:25:46,839 --> 00:25:47,440
for a long time.

603
00:25:47,839 --> 00:25:48,119
Speaker 4: This movie.

604
00:25:48,160 --> 00:25:49,079
Speaker 1: Oh yeah, she looks amazing.

605
00:25:49,079 --> 00:25:51,039
Speaker 2: But yeah, she's killing it with the Dean Martin song.

606
00:25:51,200 --> 00:25:54,119
Speaker 1: She plays Emma and she gets a note to visit

607
00:25:54,200 --> 00:25:56,200
a doctor who's been treating her husband. And this is

608
00:25:56,200 --> 00:26:00,599
when we see, like the doctor what's his name for someone? Oh? Doctor?

609
00:26:00,839 --> 00:26:04,319
Speaker 4: Uh uh hold on, I just do in my notes,

610
00:26:04,920 --> 00:26:06,799
Daniel Schraper Straper.

611
00:26:07,279 --> 00:26:10,279
Speaker 1: Is that it Daniel Straber? Yeah, I'm just gonna mat

612
00:26:11,440 --> 00:26:12,160
I think that is it.

613
00:26:12,400 --> 00:26:15,519
Speaker 4: Sa I'm just gonna say sounds like but they call

614
00:26:15,799 --> 00:26:17,400
his apparently it's doctor Shraper.

615
00:26:17,640 --> 00:26:20,359
Speaker 1: I love his little maze for the rat. Yeah, like

616
00:26:20,519 --> 00:26:22,480
you and I love that. It's like the Again, the

617
00:26:22,839 --> 00:26:24,440
look of this whole movie is great.

618
00:26:24,480 --> 00:26:26,960
Speaker 4: It's beautiful, but it's like Jim Carrey's The Riddler, fucking

619
00:26:27,200 --> 00:26:28,839
yeah Dungeon.

620
00:26:29,079 --> 00:26:31,200
Speaker 1: Yeah, but yeah, he's got this whole rat in amaze.

621
00:26:31,240 --> 00:26:33,720
It's like symbolic for like what the characters are going through.

622
00:26:34,759 --> 00:26:38,640
But he's warning her about his husband. Her husband flowers

623
00:26:38,680 --> 00:26:39,200
for aldern on.

624
00:26:39,319 --> 00:26:39,359
Speaker 5: You.

625
00:26:39,599 --> 00:26:42,960
Speaker 1: Yeah, he's just like your uh, your husband, he's very upset.

626
00:26:43,000 --> 00:26:44,880
There's something wrong with him. You should probably call me

627
00:26:45,200 --> 00:26:47,400
if he ever gets in touch with you. Wait, you're

628
00:26:47,440 --> 00:26:51,680
his doctor, Yes, he never mentioned before. I'm totally his

629
00:26:51,920 --> 00:26:53,839
doctor and not creepy at all.

630
00:26:54,200 --> 00:26:57,960
Speaker 4: I I don't work aliens. It's not that weird, eye think,

631
00:26:58,400 --> 00:26:59,640
because they beat the ship out of him.

632
00:26:59,640 --> 00:27:02,400
Speaker 1: You find out later and it's all like, it's all coffee.

633
00:27:05,440 --> 00:27:07,200
Murdoch is trying to remember who the hell he is,

634
00:27:07,839 --> 00:27:11,440
and he's like, he knows his name begins with a jam.

635
00:27:11,559 --> 00:27:14,359
Speaker 3: He keeps walking around. Yeah that was Valentine.

636
00:27:14,440 --> 00:27:15,119
Speaker 1: Yeah, it doesn't matter.

637
00:27:15,160 --> 00:27:16,640
Speaker 4: I love when he's talking to himself in the in

638
00:27:16,720 --> 00:27:18,720
the window and he's like Jay John.

639
00:27:18,920 --> 00:27:22,240
Speaker 1: He's like, Jamie, I'm James.

640
00:27:22,279 --> 00:27:24,160
Speaker 2: James, I'm Johann.

641
00:27:24,279 --> 00:27:24,559
Speaker 1: I don't know.

642
00:27:26,440 --> 00:27:27,079
Speaker 4: I love.

643
00:27:27,240 --> 00:27:29,240
Speaker 1: I love if he does that, it cuts the there's

644
00:27:29,240 --> 00:27:31,039
been a guy staring at him the whole time, and

645
00:27:31,119 --> 00:27:33,559
he's like, sorry, sorry, he.

646
00:27:33,519 --> 00:27:35,319
Speaker 4: Won't remember who then he is tomorrow anyway.

647
00:27:35,440 --> 00:27:37,720
Speaker 1: And then we get the late William Hurt as youka

648
00:27:37,799 --> 00:27:41,200
trades himself Trade's from the Made for TV from.

649
00:27:41,119 --> 00:27:43,200
Speaker 3: The TV John Hurt's brother obviously, of.

650
00:27:43,240 --> 00:27:47,079
Speaker 1: Course, the original Thunderbolt Ross before he was turned into

651
00:27:47,079 --> 00:27:49,240
Harrison Ford c g I Red Hulk. Wow.

652
00:27:50,039 --> 00:27:52,559
Speaker 5: Harrison wanted to check that that would have been damaged

653
00:27:52,839 --> 00:27:54,960
on will Jodge the proverbial bullet.

654
00:27:55,559 --> 00:27:57,519
Speaker 2: But yes, he is Detective Bumstead.

655
00:27:58,480 --> 00:28:01,000
Speaker 1: Uh, he's just to Bumstad.

656
00:28:01,039 --> 00:28:04,599
Speaker 5: I mean that's kind of a stereotypical, like detective noir detective.

657
00:28:04,960 --> 00:28:07,400
Speaker 1: I love that he this is our first like hint

658
00:28:07,440 --> 00:28:10,000
that something's changed. So he goes to the hotel he's

659
00:28:10,039 --> 00:28:13,799
talking about. Kowalski was another detective who and he went crazy.

660
00:28:13,920 --> 00:28:17,039
He's like gone crazy. They're investigating the murder and the

661
00:28:17,119 --> 00:28:19,920
hotel owner is now a black guy, and he's saying

662
00:28:19,960 --> 00:28:21,960
all the same things that the other guy said. He's like,

663
00:28:22,000 --> 00:28:24,200
so I told him the only thing is cash out

664
00:28:24,240 --> 00:28:26,440
the barrel ad. I'm just like when I first watched it,

665
00:28:26,519 --> 00:28:28,680
I'm like, wait, is that the same guy? Well, that's

666
00:28:28,720 --> 00:28:29,519
not the same guy.

667
00:28:29,640 --> 00:28:31,160
Speaker 5: Yeah, I feel like that's something we talk about, Like

668
00:28:31,200 --> 00:28:33,720
in every review movie Dumpster, you probably talk about where

669
00:28:33,759 --> 00:28:35,720
it's is that stuff that the audience knows that the

670
00:28:35,799 --> 00:28:37,039
other the people in the movie don't know.

671
00:28:37,240 --> 00:28:38,519
Speaker 3: Yeah, it's just good tension.

672
00:28:38,559 --> 00:28:41,200
Speaker 1: Bill Well, I watched it the first time. Well, I

673
00:28:41,240 --> 00:28:45,160
guess the I guess the narration spoiled it. But I

674
00:28:45,160 --> 00:28:47,000
remember really first time, I wasn't like really clear what

675
00:28:47,119 --> 00:28:49,000
the treating meant. So when I watched the first time,

676
00:28:49,119 --> 00:28:50,799
like I like threw me off, like that's not the

677
00:28:50,839 --> 00:28:53,000
same guy. That's very confusing here.

678
00:28:53,559 --> 00:28:55,279
Speaker 5: But they showed the hotel guy a little later maybe

679
00:28:55,680 --> 00:28:58,640
yeah yeah, yeah, yeah yeah, and Murdock recognized him, Like

680
00:28:58,680 --> 00:28:59,759
wait a second.

681
00:29:00,000 --> 00:29:03,480
Speaker 1: It's a cool scene. Murdoch noticed his fingerprints are now spirals,

682
00:29:03,799 --> 00:29:06,319
and we'll learn what that is later on. But he

683
00:29:06,359 --> 00:29:08,480
gets his wallet from the automat and that fucking asshole

684
00:29:08,559 --> 00:29:09,960
was gonna make him pay a quarter to get his

685
00:29:10,039 --> 00:29:10,720
wallet back. Dude.

686
00:29:10,720 --> 00:29:12,359
Speaker 4: I kind of love it though, because like he's just

687
00:29:12,480 --> 00:29:14,720
like putting random food in these little things and it's

688
00:29:14,759 --> 00:29:16,359
like apple, uh, macarans.

689
00:29:16,400 --> 00:29:18,319
Speaker 1: You even know what an automat is. I've heard the

690
00:29:18,359 --> 00:29:20,160
name before. I've never been to one, you know, don't

691
00:29:20,279 --> 00:29:22,720
isn't anything like big in Japan? Maybebe they have like

692
00:29:22,799 --> 00:29:24,559
food and you just put a quarter in. I don't.

693
00:29:24,680 --> 00:29:26,720
Speaker 2: I know they exist, but I've never been to one.

694
00:29:27,000 --> 00:29:28,599
Speaker 4: It's kind of cool, It seems like it'd be cool,

695
00:29:28,880 --> 00:29:30,200
but again, it feels very Gilliam.

696
00:29:30,599 --> 00:29:34,279
Speaker 1: Yeah yeah, but yeah, he gets his wallet, he tries

697
00:29:34,400 --> 00:29:37,640
to leave and then uh, oh no, he can't get

698
00:29:37,720 --> 00:29:39,799
his wallet, and he's like looking at it and then

699
00:29:39,880 --> 00:29:42,400
suddenly he's got a morph effect coming out of his brain,

700
00:29:42,920 --> 00:29:45,920
like the Yeah, she's a psionic blast that blows the

701
00:29:46,000 --> 00:29:46,480
fucking door.

702
00:29:46,680 --> 00:29:48,640
Speaker 2: Yeah, nobody's concerned about this at all.

703
00:29:48,759 --> 00:29:50,839
Speaker 5: But you're right, Tone, even though they did basically spoil

704
00:29:50,839 --> 00:29:52,720
the whole, if you've never seen it before, you're like.

705
00:29:52,839 --> 00:29:55,680
Speaker 3: Oh, that's what the tuneing is. Yeah, all right, that's

706
00:29:55,759 --> 00:29:57,000
kind of psychic blast. That's cool.

707
00:29:57,039 --> 00:29:59,039
Speaker 1: Yeah, yeah, and uh it is kind of cool. It's

708
00:29:59,079 --> 00:30:01,680
just like this kind of like wave effect blows it up.

709
00:30:01,720 --> 00:30:03,519
He grabs it, and then the cops are like, hey,

710
00:30:04,119 --> 00:30:07,880
what are you doing, and he's just like Luckily Melissa

711
00:30:07,960 --> 00:30:10,720
George shows up as a hooker and she's like, oh,

712
00:30:10,799 --> 00:30:12,680
he's with me, and she kind of gets him away

713
00:30:12,680 --> 00:30:16,200
from the cops just to strip down for us. Yeah,

714
00:30:17,039 --> 00:30:19,920
in a very uncomfortable scene coming up. But then bum

715
00:30:20,000 --> 00:30:22,480
said is investigating the crime scene and they bring up

716
00:30:22,519 --> 00:30:23,880
the crazy detective again.

717
00:30:23,720 --> 00:30:25,039
Speaker 2: And right on que he shows up.

718
00:30:25,599 --> 00:30:27,519
Speaker 1: He's the guy to talk to Bob's said, and they're

719
00:30:27,559 --> 00:30:33,720
like dragging him comes again. Yeah, he read cane.

720
00:30:33,759 --> 00:30:34,559
Speaker 3: That was the problem.

721
00:30:35,160 --> 00:30:38,079
Speaker 1: I think around this point. I think around this point

722
00:30:38,160 --> 00:30:40,200
he brings up. He's just like, why would a murderer

723
00:30:40,359 --> 00:30:42,680
save a fish? Exactly?

724
00:30:44,960 --> 00:30:51,319
Speaker 2: But yeah, I love when he goes to uh or

725
00:30:51,359 --> 00:30:52,039
whatever his name.

726
00:30:52,400 --> 00:30:53,839
Speaker 1: Did I write it down the crazy guy.

727
00:30:54,599 --> 00:30:55,519
Speaker 2: I'm sure I wrote it down.

728
00:30:55,519 --> 00:30:57,480
Speaker 1: At some point he goes to crazy Guy's office and

729
00:30:57,599 --> 00:30:59,480
he just goes, I'm being punished for my sins and

730
00:30:59,559 --> 00:31:03,799
it's all just crazy writing everywhere. He's like, what the

731
00:31:03,880 --> 00:31:04,920
fuck am I going to do with this?

732
00:31:05,119 --> 00:31:08,039
Speaker 3: He inherits the case. It's like a soft thing or something.

733
00:31:08,519 --> 00:31:11,119
Speaker 1: So yeah, he ends up talking to suspects, and he

734
00:31:11,200 --> 00:31:15,480
talks to Emma. She's just visiting everyone tonight, doctors, uh,

735
00:31:16,279 --> 00:31:19,359
detectives and uh, she says, I like this. He's like,

736
00:31:19,559 --> 00:31:21,079
how long you've been with him? She's like, I've been

737
00:31:21,119 --> 00:31:23,440
married for four years? And he's like, you're playing with

738
00:31:23,519 --> 00:31:25,839
your wedding ring as if you're not used to wearing it.

739
00:31:26,440 --> 00:31:28,160
So I kind of like, how like they can change

740
00:31:28,160 --> 00:31:30,279
your memories, but there's like muscle memory and some.

741
00:31:30,480 --> 00:31:33,400
Speaker 2: Kind yeah, like I don't usually wear this, I'm fiddling

742
00:31:33,480 --> 00:31:33,720
with it.

743
00:31:34,839 --> 00:31:36,920
Speaker 1: So yeah, she's sad because it turns out her husband

744
00:31:37,000 --> 00:31:39,319
might be a murderer because she cheated on him and

745
00:31:39,559 --> 00:31:40,480
she thinks it's her fault.

746
00:31:41,039 --> 00:31:45,319
Speaker 5: Yeah, yeah, he's just not just a murderer, a serial killer.

747
00:31:45,480 --> 00:31:51,839
Speaker 4: Yes, targets hookers, right, it's like ten six. Yeah, I

748
00:31:51,960 --> 00:31:54,039
think like you thought my husband killed some when he's

749
00:31:54,039 --> 00:31:55,920
like actually all of them, and.

750
00:31:56,000 --> 00:31:59,839
Speaker 2: She's like, no, it's not him. I gotta go not John.

751
00:32:00,359 --> 00:32:04,039
Speaker 1: Oh there's his name, Well why not because he wouldn't

752
00:32:04,039 --> 00:32:06,119
do that. He wouldn't do that, even though I did

753
00:32:06,279 --> 00:32:08,000
cheat on him, and he stormed out and I haven't

754
00:32:08,000 --> 00:32:10,119
seen him in three weeks, and they're like, you know,

755
00:32:10,240 --> 00:32:12,880
these murders started three weeks ago, in fact what he

756
00:32:12,960 --> 00:32:14,640
ran And he said, God damn, I'm gonna go murder

757
00:32:14,680 --> 00:32:16,440
some hoookers because you're cheating on Bay.

758
00:32:16,839 --> 00:32:19,640
Speaker 3: So that kind of makes sense. Who's trying these weird

759
00:32:19,720 --> 00:32:20,720
spirals all over that.

760
00:32:21,720 --> 00:32:23,920
Speaker 1: I thought I was gonna murder hookers because he cheated

761
00:32:23,960 --> 00:32:26,559
on me. He was code for, uh, just hanging out

762
00:32:26,599 --> 00:32:29,079
with the boys. I didn't know it was so literal.

763
00:32:30,880 --> 00:32:33,400
Speaker 3: Okay, we'll call this number hands a business card.

764
00:32:34,279 --> 00:32:37,160
Speaker 1: So Murdoch goes to the hooker's home. He finds as well,

765
00:32:37,240 --> 00:32:38,640
it learns that his name is John.

766
00:32:38,680 --> 00:32:41,279
Speaker 3: He's like, oh damn, yep, you pitched John churiy Is.

767
00:32:41,319 --> 00:32:43,599
Speaker 1: Yeah, and the Melissa George is getting on naked and everything.

768
00:32:43,640 --> 00:32:45,519
But then he realizes like she has a daughter there,

769
00:32:45,519 --> 00:32:45,920
and he's.

770
00:32:45,799 --> 00:32:49,079
Speaker 4: Like, ew, he's like, this is not in the theatrical cut.

771
00:32:49,440 --> 00:32:52,359
Speaker 5: Oh, that's not the theatrical He just just like has

772
00:32:52,400 --> 00:32:54,440
like a moment where I'm married, what am I doing?

773
00:32:54,480 --> 00:32:55,599
Speaker 1: And like gets up to leave.

774
00:32:55,720 --> 00:32:57,599
Speaker 4: Well, he finds out who he is and then he's

775
00:32:57,680 --> 00:32:59,799
like he's like, I only came here basically to get

776
00:32:59,839 --> 00:33:00,480
away from the god.

777
00:33:00,759 --> 00:33:02,799
Speaker 1: Yeah, and then he goes to do his well there

778
00:33:02,880 --> 00:33:04,720
there is still that's like the reason he leaves, but

779
00:33:04,920 --> 00:33:08,440
he does see her daughter's us does the daughter never

780
00:33:08,559 --> 00:33:10,519
come back? Do you ever see a daughter? She comes

781
00:33:10,559 --> 00:33:11,400
back in this version?

782
00:33:12,039 --> 00:33:16,200
Speaker 3: Okay, what's that character's exercise from the movie. It doesn't

783
00:33:16,200 --> 00:33:16,880
really matter.

784
00:33:17,720 --> 00:33:19,880
Speaker 1: Like she's literally delegated to that scene. And then when

785
00:33:19,960 --> 00:33:24,160
she does, yes, okay, the daughter plays into Bumpstead believing

786
00:33:24,240 --> 00:33:27,519
that he isn't the killers. But yeah, there's that momenthere

787
00:33:27,559 --> 00:33:29,279
he's just like, well, she's a nice lady, and I'm

788
00:33:29,279 --> 00:33:30,880
still look confused, and then he sees the kid. He's

789
00:33:30,880 --> 00:33:31,640
like getting out of here.

790
00:33:32,079 --> 00:33:34,599
Speaker 3: Well, girls have kids.

791
00:33:34,640 --> 00:33:35,960
Speaker 1: To Tony, what are you trying to say?

792
00:33:36,039 --> 00:33:38,279
Speaker 5: Yeah, but like in the other room, it's a little weird,

793
00:33:39,359 --> 00:33:40,799
presented as uncomfortable.

794
00:33:40,880 --> 00:33:45,279
Speaker 1: I'm just chap. Did nobody see the crow? The same

795
00:33:45,319 --> 00:33:50,319
director lines up, she at least sends her downstairs. Here's

796
00:33:50,319 --> 00:33:57,160
the money, But she was skateboarding in the rain. Because

797
00:33:57,200 --> 00:33:59,720
he's like a skateboard He's like, there's no fucking ways,

798
00:33:59,839 --> 00:34:03,319
like all on a cobblestone street. Yeah. He pieces out

799
00:34:03,359 --> 00:34:07,000
of there. Uh, he's drawn to this big billboard for

800
00:34:07,440 --> 00:34:11,679
shell Beach, just one of those waving billboards shell Beach. Yes, yeah,

801
00:34:11,960 --> 00:34:17,599
it's the same people made the Good Guy Dolls. So

802
00:34:17,679 --> 00:34:19,280
he's like, I gotta go up there. I gotta see

803
00:34:19,320 --> 00:34:21,719
what's going on. And then he like realizes that he

804
00:34:21,920 --> 00:34:24,039
is the killer. He reaches in his pocket and he's

805
00:34:24,079 --> 00:34:26,840
just been tracking all his murders in the newspaper. Yeah,

806
00:34:26,880 --> 00:34:30,679
he's got like all the yeah. Yeah. So he's just like,

807
00:34:30,760 --> 00:34:33,000
I don't remember doing any of this. I can't remember

808
00:34:33,039 --> 00:34:34,840
a lot of things in my jacket.

809
00:34:35,280 --> 00:34:35,400
Speaker 4: Uh.

810
00:34:35,719 --> 00:34:38,719
Speaker 2: And then the strangers show up, led by mister Hand.

811
00:34:38,840 --> 00:34:42,760
Speaker 4: Of course, to doc you have to do the timelaw.

812
00:34:43,880 --> 00:34:45,360
Speaker 1: So they just think he's just then oother guy who

813
00:34:45,440 --> 00:34:47,039
rejected the process and they want to get him. But

814
00:34:47,119 --> 00:34:49,079
they learn in this fight scene that he can tune.

815
00:34:49,239 --> 00:34:50,119
Oh man, it's pretty good.

816
00:34:51,280 --> 00:34:52,039
Speaker 3: He can cute.

817
00:34:53,760 --> 00:34:56,159
Speaker 1: He's psychic blasts the thing. A guy falls through it

818
00:34:56,199 --> 00:34:56,880
and he gets all hung.

819
00:34:56,920 --> 00:34:59,000
Speaker 4: It's great because they grab him and they have these

820
00:34:59,199 --> 00:35:03,599
gnarly switch blades. Yeah, like Giger fucking switched with their needles.

821
00:35:03,679 --> 00:35:06,199
All have these cool like stuff. I mean, well they

822
00:35:06,199 --> 00:35:09,760
are aliens, yeah, uh, but but yeah, he like he

823
00:35:09,920 --> 00:35:11,760
like shoots the psionic thing out of his head and

824
00:35:11,840 --> 00:35:14,599
it like turns the wood into and then like crumbles.

825
00:35:14,800 --> 00:35:16,519
Speaker 1: Yeah, and fucking uh.

826
00:35:16,840 --> 00:35:19,320
Speaker 4: The guy from Aceventura and and Road War like falls

827
00:35:19,360 --> 00:35:22,199
through and like it's being like hung pretty great, and.

828
00:35:22,239 --> 00:35:23,119
Speaker 2: He's fighting the other ones.

829
00:35:23,159 --> 00:35:25,079
Speaker 1: And then that he like fucks up the rope and

830
00:35:25,159 --> 00:35:27,239
it just slices the back of one of their heads

831
00:35:27,880 --> 00:35:29,639
and then we see they're true for which is a

832
00:35:29,719 --> 00:35:33,519
c G I jellyfish. Oh my god, it pops out, man,

833
00:35:34,239 --> 00:35:35,119
yeah a little bit.

834
00:35:35,199 --> 00:35:37,159
Speaker 3: I kind of liked that, but it didn't look great.

835
00:35:37,679 --> 00:35:39,480
Speaker 1: I mean, I think they're supposed to be like energy.

836
00:35:39,559 --> 00:35:40,599
I don't think they' supposed to be like.

837
00:35:41,559 --> 00:35:42,840
Speaker 4: But it's a puppet masters.

838
00:35:42,920 --> 00:35:44,519
Speaker 1: Yeah. Yeah, but it was just like it's just like

839
00:35:44,639 --> 00:35:47,679
c g I Jellyfish fades.

840
00:35:47,920 --> 00:35:50,079
Speaker 5: If they didn't say it in that opening crawl, they

841
00:35:50,119 --> 00:35:51,719
do say at some point that it's like, well they're

842
00:35:51,840 --> 00:35:52,679
using human cords.

843
00:35:54,000 --> 00:35:56,360
Speaker 1: Mister Hann mentions like that is such a that's such

844
00:35:56,400 --> 00:35:58,760
a great thing when you figure that out, that's creepier.

845
00:35:59,199 --> 00:36:03,440
Why they're all like yeah, yeah, yeah, and ball and.

846
00:36:03,440 --> 00:36:05,519
Speaker 5: Then he like he kind of focuses because now I

847
00:36:05,559 --> 00:36:07,280
guess he's kind of realizing what he might be able

848
00:36:07,320 --> 00:36:09,639
to do when he creates like a door out of nothing,

849
00:36:09,679 --> 00:36:10,639
like a beetle juice.

850
00:36:10,800 --> 00:36:11,000
Speaker 1: Yeah.

851
00:36:11,719 --> 00:36:14,679
Speaker 4: Uh when he's running away though from he's running, I

852
00:36:14,719 --> 00:36:16,199
thought I was here, But maybe that's a little later.

853
00:36:16,280 --> 00:36:16,559
Speaker 3: I might be.

854
00:36:16,719 --> 00:36:18,159
Speaker 1: Yeah, it might be a little later. He does get

855
00:36:18,159 --> 00:36:18,960
away from them here.

856
00:36:18,920 --> 00:36:22,880
Speaker 3: Though, Yeah, draw a door with his mind.

857
00:36:23,079 --> 00:36:24,320
Speaker 1: Yeah, that's cool.

858
00:36:25,079 --> 00:36:25,199
Speaker 4: Uh.

859
00:36:25,440 --> 00:36:27,920
Speaker 1: Then we get the camera going all the way down

860
00:36:28,000 --> 00:36:31,320
to below the city where all the strangers lurk, and

861
00:36:31,400 --> 00:36:34,320
they're like hell Razer den Yes, seriously, it's like hell

862
00:36:34,400 --> 00:36:36,960
razer means time bandits. Yeah, what year was this?

863
00:36:37,280 --> 00:36:37,719
Speaker 5: Ninety eight?

864
00:36:38,400 --> 00:36:41,639
Speaker 3: And this had to be heavily influenced by the what's

865
00:36:41,679 --> 00:36:41,920
his name?

866
00:36:42,000 --> 00:36:45,480
Speaker 5: R El Salvador's Dudgeons and Dragon Books problem because like

867
00:36:45,559 --> 00:36:47,880
I only read the first one, or I guess technically

868
00:36:47,920 --> 00:36:50,199
the fourth one, but the ones about what is it

869
00:36:50,280 --> 00:36:52,599
called Mezza Banazan or whatever, it's about the dark olves

870
00:36:52,639 --> 00:36:55,239
in their whole society. They don't have a high mind

871
00:36:55,320 --> 00:36:57,559
per se, but it was they all wear like the

872
00:36:57,639 --> 00:36:58,920
black fucking leer.

873
00:36:59,480 --> 00:37:01,559
Speaker 3: They're in the dark. They have like gods are different.

874
00:37:01,559 --> 00:37:02,599
Speaker 1: It just made me think of that a lot.

875
00:37:02,719 --> 00:37:04,920
Speaker 4: Speaking of that, that also sounds a lot like the

876
00:37:05,000 --> 00:37:09,320
board at little Bit, I mean you have like the nineties.

877
00:37:09,519 --> 00:37:12,280
Speaker 1: Yeah, these dudes have like personalities. I think they just

878
00:37:12,320 --> 00:37:15,079
share all the same memories though. Yeah, they're not like

879
00:37:15,159 --> 00:37:17,679
your typical high Yeah, they're not like a typical hive mind.

880
00:37:18,480 --> 00:37:21,599
Speaker 4: There obviously is a leader and stuff, but they're individuals.

881
00:37:21,639 --> 00:37:23,679
But if they get shot with the stuff, they can

882
00:37:24,159 --> 00:37:24,800
share each other's.

883
00:37:24,840 --> 00:37:27,079
Speaker 5: Man, They're kind of like if you ever watched Battlestar Galactica,

884
00:37:27,239 --> 00:37:29,239
like the Cylons, but on a larger scale.

885
00:37:29,480 --> 00:37:33,840
Speaker 1: Yeah. Yeah, so they meet down there and they're just like, hey, uh,

886
00:37:34,119 --> 00:37:37,000
this human rejected the imprinting. We gotta get him.

887
00:37:37,239 --> 00:37:39,639
Speaker 2: Uh, and then they're like, no, he can tune and

888
00:37:39,679 --> 00:37:41,000
they're like what the fuck.

889
00:37:41,679 --> 00:37:45,000
Speaker 1: Get the doctor in here with the doctor, like this takes.

890
00:37:44,840 --> 00:37:46,039
Speaker 3: Us one hundred years to learn.

891
00:37:46,159 --> 00:37:48,239
Speaker 1: He learned this in a week lifet.

892
00:37:48,760 --> 00:37:50,599
Speaker 3: Some horses ship like that shouldn't be possible.

893
00:37:53,840 --> 00:37:54,159
Speaker 1: Needle.

894
00:37:54,239 --> 00:37:56,000
Speaker 3: When I was giving it to him, he's in the pool,

895
00:37:56,639 --> 00:37:57,599
hiding in this pool.

896
00:37:58,519 --> 00:37:59,119
Speaker 1: I'm pissed off.

897
00:37:59,119 --> 00:38:00,679
Speaker 4: They don't really go any wear with that, but like

898
00:38:00,719 --> 00:38:01,760
they don't like water.

899
00:38:02,199 --> 00:38:05,480
Speaker 3: He says that at the end, it at the very end. Yeah, yeah,

900
00:38:05,639 --> 00:38:08,000
there's a lot of water storytelling until he says it.

901
00:38:08,280 --> 00:38:10,639
Speaker 1: Yeah yeah. They're just they're just like what the fuck

902
00:38:10,760 --> 00:38:13,320
is going on here? And then Bumpstead drops off. Emma

903
00:38:14,400 --> 00:38:17,599
Murdoch is waiting there, but he tries to explain to her,

904
00:38:17,800 --> 00:38:19,400
like I don't know what's going on. Man.

905
00:38:19,480 --> 00:38:21,400
Speaker 2: Then Bumpstead pops in. He's like, tell me.

906
00:38:21,440 --> 00:38:23,039
Speaker 1: What's going on. He's like, I was just telling her

907
00:38:23,119 --> 00:38:26,039
I don't know what's going on. I'm like very confused.

908
00:38:26,079 --> 00:38:28,880
I think I'm a murderer, but I don't remember murder.

909
00:38:28,960 --> 00:38:35,079
You're never gonna believe this, but this and I'm psychic

910
00:38:35,280 --> 00:38:35,679
or something.

911
00:38:36,000 --> 00:38:38,360
Speaker 5: It's also like, how do you even explain that, yeah,

912
00:38:38,639 --> 00:38:40,880
not only since that, well I know, but it's like

913
00:38:40,920 --> 00:38:42,639
not only the murder angle, but it's like, yeah, I

914
00:38:42,719 --> 00:38:44,280
woke up and I walked around and there was everyone

915
00:38:44,400 --> 00:38:45,159
just sucking.

916
00:38:44,960 --> 00:38:48,159
Speaker 3: Asleep and walking around like who's gonna believe that?

917
00:38:48,840 --> 00:38:50,559
Speaker 1: But yeah, he fleees. This is when he makes the

918
00:38:50,639 --> 00:38:52,920
door to get rid of rise into the basement, and

919
00:38:53,039 --> 00:38:55,639
bump Stay goes down and he's like, what the almost

920
00:38:55,719 --> 00:38:58,280
like I love that. It's like checks and doesn't double take,

921
00:38:59,039 --> 00:39:01,360
possibly have gone. He takes a taxi. He's like, hey, man,

922
00:39:01,440 --> 00:39:02,719
can you tell me how to get the Shell beach.

923
00:39:02,800 --> 00:39:04,360
He's like, of course, you.

924
00:39:04,519 --> 00:39:07,480
Speaker 3: Just go down there the sea line or the I

925
00:39:07,719 --> 00:39:08,960
can't if you.

926
00:39:09,039 --> 00:39:12,159
Speaker 1: Take the H trainor a valley road.

927
00:39:12,760 --> 00:39:14,679
Speaker 3: Maybe you go through a Koopa troup of beach to

928
00:39:14,800 --> 00:39:15,079
get it.

929
00:39:16,400 --> 00:39:19,039
Speaker 1: He says that right after going like I honeymoon there,

930
00:39:19,239 --> 00:39:20,840
He's like, I don't remember how to get there.

931
00:39:20,960 --> 00:39:23,280
Speaker 4: He's got a He's got a little snow globe on

932
00:39:23,320 --> 00:39:24,039
his sashboard.

933
00:39:24,559 --> 00:39:26,599
Speaker 1: The doctor then meets with Bumstead.

934
00:39:26,840 --> 00:39:26,960
Speaker 5: Oh.

935
00:39:27,039 --> 00:39:29,880
Speaker 1: He tells him that he can't help Bumstead with John's

936
00:39:30,000 --> 00:39:31,360
like psychological report.

937
00:39:31,639 --> 00:39:33,119
Speaker 2: He's clearly bullshitting though.

938
00:39:34,199 --> 00:39:37,440
Speaker 4: Well I just read people and he's like, oh, yeah,

939
00:39:37,519 --> 00:39:38,679
what do you think about me? And he's like, oh,

940
00:39:38,760 --> 00:39:40,239
well you're just stuck up, dickhead.

941
00:39:40,320 --> 00:39:41,280
Speaker 2: You're very lonely.

942
00:39:41,440 --> 00:39:44,320
Speaker 1: Yeah, and you're lonely. Goodbye. Well, like Bumsay's looking at him,

943
00:39:44,320 --> 00:39:45,880
He's like, well, that son of a bitch knows something.

944
00:39:46,079 --> 00:39:48,000
He's not doing a good job of hiding this at all.

945
00:39:49,440 --> 00:39:51,079
So then this is when the doctor goes to the

946
00:39:51,119 --> 00:39:54,119
bath house to get away from that. And then mister

947
00:39:54,239 --> 00:39:55,960
Hand is like, you know, I don't like it here

948
00:39:56,119 --> 00:39:58,199
and all this moist shirt, it's too wet.

949
00:39:58,320 --> 00:40:01,440
Speaker 4: Doctor Sutherland, he's like in the middle of the thing,

950
00:40:01,440 --> 00:40:02,519
he's like, yeah, what is that.

951
00:40:03,719 --> 00:40:10,280
Speaker 1: No, we're all fine here say they're explaining. He's just like, look,

952
00:40:10,320 --> 00:40:12,039
he might be involving. We're not sure.

953
00:40:12,119 --> 00:40:14,400
Speaker 2: And Murdoch is listening to everything.

954
00:40:14,800 --> 00:40:16,519
Speaker 4: Well he tells him. He's like, he's like, is it this?

955
00:40:16,760 --> 00:40:19,440
Speaker 3: What do you wanted? He wanted the evolution? You wanted

956
00:40:19,440 --> 00:40:23,119
to know what this whole was or whatever.

957
00:40:24,880 --> 00:40:27,599
Speaker 1: The procedure it was in around. I guess it's only

958
00:40:27,920 --> 00:40:30,679
a matter of frowning him up, not like this, But

959
00:40:30,800 --> 00:40:32,679
mister Hand like puts him on notice. He's like, yeah,

960
00:40:32,760 --> 00:40:35,599
I've been checking in regularly you're unnoticed, buddy.

961
00:40:37,760 --> 00:40:39,639
Speaker 5: Well again, he's the as far as we know, at least,

962
00:40:39,639 --> 00:40:42,599
the only one that's not one of them that's allowed

963
00:40:42,639 --> 00:40:45,199
to be out about and the only well he gets it,

964
00:40:45,320 --> 00:40:47,400
if you want to say that now before there's a

965
00:40:47,440 --> 00:40:49,239
reason why the only.

966
00:40:49,119 --> 00:40:53,840
Speaker 1: One there, Bumstead visits uh Wilenski I think was his name,

967
00:40:54,719 --> 00:40:55,000
or at.

968
00:40:54,920 --> 00:40:57,360
Speaker 3: Least that's what Kowowski kowski.

969
00:40:57,679 --> 00:41:00,400
Speaker 1: It's crazy guy. This is crazy guy. Say what you

970
00:41:00,480 --> 00:41:08,000
wrote down and then he becomes whatever you just It's true,

971
00:41:08,039 --> 00:41:10,119
we don't know any of their proper Christians. They could

972
00:41:10,119 --> 00:41:12,920
be anything who I am today or can you even

973
00:41:13,039 --> 00:41:17,800
remember what happens like drawing spirals? He's like, I'm just

974
00:41:17,880 --> 00:41:20,880
so confused about and I ave he's like your wife's wear.

975
00:41:20,960 --> 00:41:23,639
He's like, I don't know who that lady is. Yeah,

976
00:41:24,159 --> 00:41:27,920
I don't know my beautiful wife. This is beautiful. Days

977
00:41:28,000 --> 00:41:30,360
go by holding.

978
00:41:30,119 --> 00:41:33,760
Speaker 5: Us down, like William hurt, like he doesn't want to

979
00:41:33,840 --> 00:41:36,039
believe it because it just sounds crazy. But he also

980
00:41:36,119 --> 00:41:38,400
doesn't totally display me either. It's kind of the thing

981
00:41:38,480 --> 00:41:39,920
like this is crazy, but.

982
00:41:40,920 --> 00:41:43,199
Speaker 1: Well, because he tells him, he's just like, I'm trying

983
00:41:43,239 --> 00:41:46,840
to like remember stuff that, but I'm missing on details.

984
00:41:46,920 --> 00:41:49,639
Speaker 2: He's like, I can't remember certain things.

985
00:41:49,800 --> 00:41:51,800
Speaker 3: He's like, trying to remember something more than a week ago,

986
00:41:52,079 --> 00:41:56,920
you can't And he's like then he shrugs it off

987
00:41:58,079 --> 00:41:59,599
until John like tells.

988
00:41:59,440 --> 00:42:02,360
Speaker 1: Him Jose, but yeah, he's like his memories are confusing

989
00:42:02,440 --> 00:42:04,519
him and it's like really messing with his head. And

990
00:42:04,599 --> 00:42:07,519
then Murdoch follows the doctor to a secret door that

991
00:42:07,719 --> 00:42:09,920
leads to the Stranger's layer. They have a little roller

992
00:42:09,960 --> 00:42:12,000
coaster that they take pretty great. Yeah, it was a

993
00:42:12,039 --> 00:42:15,000
cool effect on It's like the fucking Casper contraption. Yeah,

994
00:42:16,400 --> 00:42:21,840
or like how they go to outworld. Yeah, yeah, he

995
00:42:21,880 --> 00:42:23,880
follows them there, but I think he doesn't get through

996
00:42:23,920 --> 00:42:26,880
the door. We see them preparing for tuning and the

997
00:42:27,000 --> 00:42:30,280
doctors mixing memories together. This was so cool.

998
00:42:31,360 --> 00:42:33,920
Speaker 4: I just love how because he's like gets keep it

999
00:42:33,960 --> 00:42:36,400
susan like. And then I take a scorn lever and

1000
00:42:36,719 --> 00:42:38,519
a little bit of that, and then a little bit

1001
00:42:38,559 --> 00:42:40,800
of a dead relative and then I put a little

1002
00:42:41,000 --> 00:42:42,320
teenage angst and there we go.

1003
00:42:42,440 --> 00:42:43,199
Speaker 1: I made a memory.

1004
00:42:43,519 --> 00:42:45,559
Speaker 4: But like it's really cool because they're all in these

1005
00:42:45,599 --> 00:42:48,119
like little vials. Yeah, I don't know how the fuck

1006
00:42:48,159 --> 00:42:50,239
you even gauge on what you're.

1007
00:42:50,679 --> 00:42:53,519
Speaker 1: How the technology works and the tuning, where he's very

1008
00:42:53,599 --> 00:42:56,880
ridiculous fantasy poppy cock, but it's it's cool. But I

1009
00:42:56,960 --> 00:42:57,320
do like this.

1010
00:42:57,400 --> 00:42:59,039
Speaker 5: This is I would just say, is this the part

1011
00:42:59,079 --> 00:43:00,880
where they actually show how it's done?

1012
00:43:01,480 --> 00:43:02,880
Speaker 3: Okay, this was crazy.

1013
00:43:03,719 --> 00:43:05,280
Speaker 1: And then this is when mister Books is hanging it

1014
00:43:05,360 --> 00:43:07,480
upside down and he's like, this is what you wanted.

1015
00:43:07,519 --> 00:43:09,559
It's coming to bite you on your and he like

1016
00:43:09,639 --> 00:43:13,199
throws them he's like, whatever, doctor shraba, this is correct.

1017
00:43:13,519 --> 00:43:16,760
Speaker 4: I did want this, but like this, but we learned that,

1018
00:43:17,000 --> 00:43:21,199
like they're looking for the soul, basically what it means

1019
00:43:21,280 --> 00:43:23,199
to be human because they lack that.

1020
00:43:23,599 --> 00:43:27,599
Speaker 1: Yes, they lack individuality and uniqueness, and they think that's

1021
00:43:27,679 --> 00:43:28,719
the cause of them dying.

1022
00:43:28,800 --> 00:43:31,280
Speaker 4: There's just a bunch of vapid, fucking aliens.

1023
00:43:31,440 --> 00:43:33,639
Speaker 5: Yeah yeah, but it's like playing off of the previous

1024
00:43:33,679 --> 00:43:35,559
scene with the guy that has figured it out, but

1025
00:43:35,559 --> 00:43:38,119
they all think he's crazy. Yeah, but that's not my

1026
00:43:38,239 --> 00:43:41,039
wife thing because yeah, he's mixing those potions.

1027
00:43:41,440 --> 00:43:43,719
Speaker 3: And then they show like this couple arguing, a very

1028
00:43:43,800 --> 00:43:47,480
poor couple arguing about work or whatever.

1029
00:43:47,880 --> 00:43:50,440
Speaker 1: So they they they shut it down, shut it okay,

1030
00:43:50,480 --> 00:43:52,440
and this is where we see like the machinations of

1031
00:43:52,480 --> 00:43:53,199
like how it works.

1032
00:43:53,320 --> 00:43:55,880
Speaker 4: Okay, remember what I said about Avengers Doomsday.

1033
00:43:56,079 --> 00:44:00,880
Speaker 1: Yeah, that's the motherfucking doomsday clocks. I agree, fucking clock.

1034
00:44:01,840 --> 00:44:05,079
Doctor Doom is gonna come. He's gonna fly through the galaxy.

1035
00:44:05,079 --> 00:44:08,239
He's gonna take it from the Strangers, and he's going

1036
00:44:08,280 --> 00:44:09,559
to build battle World with it.

1037
00:44:10,079 --> 00:44:11,920
Speaker 2: I mean, I just hope he survives his fight with

1038
00:44:12,039 --> 00:44:12,719
all the Kangs.

1039
00:44:13,119 --> 00:44:16,880
Speaker 3: I know he's gonna wipe him out with his with

1040
00:44:17,039 --> 00:44:17,760
his tuning.

1041
00:44:18,280 --> 00:44:20,519
Speaker 1: A man's gonna be like, did you ever run into

1042
00:44:20,519 --> 00:44:23,119
any Kangs? He's like, who, No, I don't worry.

1043
00:44:22,920 --> 00:44:25,519
Speaker 3: About that guy. You here a Monoc? Yeah, killed him too.

1044
00:44:26,159 --> 00:44:29,280
Speaker 1: Modoc's gone, no worry are you? Are you a Kang?

1045
00:44:29,400 --> 00:44:30,480
Have I killed you before?

1046
00:44:30,599 --> 00:44:34,880
Speaker 3: I'm pretty I'm just a Jonathan Majors, So he is.

1047
00:44:35,559 --> 00:44:37,639
Speaker 1: I don't know. I love that. It's a big giant face.

1048
00:44:37,679 --> 00:44:41,039
I remember Prometheus had a big giant face. Yes, but

1049
00:44:41,159 --> 00:44:43,719
it opens up the clock. They shut down everyone. The

1050
00:44:43,800 --> 00:44:45,840
city freezes, and yeah, we get to see the poor

1051
00:44:45,920 --> 00:44:53,199
people arguing go to sleep in their face. Murdoch is

1052
00:44:53,400 --> 00:44:55,639
trying to get people to wake up, but it's useless.

1053
00:44:55,719 --> 00:44:57,639
He like pulls a fucking guy out of the ground.

1054
00:44:58,559 --> 00:45:00,639
But I love that they show how they just make

1055
00:45:00,719 --> 00:45:02,920
new buildings. They got that swirling machine. You see the

1056
00:45:02,960 --> 00:45:05,800
buildings like grow out of the city. Really cool.

1057
00:45:06,159 --> 00:45:07,760
Speaker 2: That was so fucking cool.

1058
00:45:07,880 --> 00:45:10,800
Speaker 4: This whole segment of this again this poor couple like

1059
00:45:10,880 --> 00:45:14,000
becoming Now their new life after the tuning is them

1060
00:45:14,039 --> 00:45:17,079
being rich and like the fucking table stretches and all

1061
00:45:17,119 --> 00:45:17,519
this food.

1062
00:45:18,320 --> 00:45:21,079
Speaker 1: They show that the strangers have like items that they're preparing.

1063
00:45:21,639 --> 00:45:24,000
Then they could also just tune and make more things.

1064
00:45:24,119 --> 00:45:25,320
Speaker 3: That's a lot of time, right.

1065
00:45:25,639 --> 00:45:28,000
Speaker 4: You see riff raff like carrying people and putting them

1066
00:45:28,000 --> 00:45:29,320
in barber's chairs, and I'm.

1067
00:45:29,159 --> 00:45:29,960
Speaker 1: Like, that's a lot of words.

1068
00:45:29,960 --> 00:45:31,960
Speaker 5: That's probably the biggest plot hole in this movie is

1069
00:45:32,039 --> 00:45:34,599
the time, because key for otherland, there's like, let's say

1070
00:45:34,599 --> 00:45:36,159
there's like one hundred people on you. We really don't

1071
00:45:36,159 --> 00:45:38,239
get a fair assessment. I would it's probably more than

1072
00:45:38,239 --> 00:45:39,800
a hundred, but let's say a hundred. I guess they

1073
00:45:39,840 --> 00:45:42,480
stop it. How he's doing a hundred potions and that

1074
00:45:42,599 --> 00:45:43,639
five I don't think, so.

1075
00:45:45,880 --> 00:45:50,880
Speaker 1: They're pre prepared. He does every person every Yeah, because

1076
00:45:50,920 --> 00:45:53,519
like bum said and Emma are like fine. For most

1077
00:45:53,599 --> 00:45:54,039
of the movies.

1078
00:45:54,079 --> 00:45:56,639
Speaker 5: Oh, I guess you're right, like micro tweaks or whatever.

1079
00:45:56,679 --> 00:45:58,320
They have done a couple of night and then they

1080
00:45:58,400 --> 00:46:00,840
do everything else. And I guess this is the let's

1081
00:46:00,840 --> 00:46:03,440
see how the poor people will react to being rich experiment.

1082
00:46:03,719 --> 00:46:04,760
Speaker 2: See what happens with them?

1083
00:46:04,960 --> 00:46:05,119
Speaker 1: Right?

1084
00:46:05,800 --> 00:46:07,880
Speaker 4: Are they happier when they're rich or when they're Poe

1085
00:46:08,719 --> 00:46:09,559
I'll definitely rich.

1086
00:46:09,679 --> 00:46:13,360
Speaker 1: Yeah, but yeah. Murdoch is watching all of this and

1087
00:46:13,440 --> 00:46:16,320
then he confronts the doctor mind bless him across.

1088
00:46:17,119 --> 00:46:18,960
Speaker 3: Because they show him walking around with him.

1089
00:46:19,280 --> 00:46:23,320
Speaker 1: He's like boom. The doctor tells him. He's like, hey,

1090
00:46:23,320 --> 00:46:25,000
I want to teach you how to use this power.

1091
00:46:26,280 --> 00:46:28,280
I can help you with it. But then mister Hann

1092
00:46:28,320 --> 00:46:31,000
interrupts the conversation and then the tuning ends.

1093
00:46:31,920 --> 00:46:34,400
Speaker 4: I think that might be cut out of the theatrical.

1094
00:46:35,639 --> 00:46:38,119
We don't get that until like the okay, specifically this

1095
00:46:38,239 --> 00:46:40,840
is the scene. Well he brings it up more specifically

1096
00:46:40,960 --> 00:46:42,760
later how he'll do it. Yeah, this is him just

1097
00:46:42,840 --> 00:46:43,800
being like I want to.

1098
00:46:43,920 --> 00:46:45,159
Speaker 3: Help because I want to help.

1099
00:46:45,159 --> 00:46:47,000
Speaker 5: Because they have that scene. It might be the same

1100
00:46:47,079 --> 00:46:50,760
one where he tells him like, yeah, actually, something got

1101
00:46:50,840 --> 00:46:51,360
fucked up.

1102
00:46:51,440 --> 00:46:52,480
Speaker 1: You woke up in the middle.

1103
00:46:52,519 --> 00:46:53,440
Speaker 3: This is what he tells him.

1104
00:46:53,559 --> 00:46:55,400
Speaker 5: Yeah, and then kind of goes into it. Maybe not

1105
00:46:55,480 --> 00:46:58,000
the whole scene and the directors, but that does happen here.

1106
00:46:58,360 --> 00:47:01,400
Speaker 1: Yeah. Yeah, Then the tuning and Bumpstead goes to Amma's

1107
00:47:01,440 --> 00:47:04,239
clubs sees her again. Uh. The strangers find out that

1108
00:47:04,440 --> 00:47:07,960
Murdoch somehow affected the tuning, like something didn't get finished.

1109
00:47:08,400 --> 00:47:10,599
Speaker 5: Yeah, one of the whole blocks, so like what happened here, Oh,

1110
00:47:10,639 --> 00:47:12,360
it didn't get finished. Yeah, and then you meet like

1111
00:47:12,360 --> 00:47:15,000
their cone Head's leader. Yeah, he comes out with the

1112
00:47:15,079 --> 00:47:18,559
purple robe like fucking Sadler, the.

1113
00:47:18,800 --> 00:47:25,239
Speaker 1: Fucking cane and everything. Mister mister hann Uh volunteers to

1114
00:47:25,360 --> 00:47:29,639
have Murdoch's memories imprinted on him, which is unheard of. Apparently,

1115
00:47:29,880 --> 00:47:32,559
well he's heard of. Everyone dies. Apparently.

1116
00:47:33,559 --> 00:47:36,000
Speaker 4: That's why they keep doing these experiments because they need

1117
00:47:36,079 --> 00:47:38,199
to figure out because they can't just suck it out

1118
00:47:38,199 --> 00:47:38,559
and put it.

1119
00:47:38,519 --> 00:47:42,159
Speaker 1: Sure, okay, yeah, but like I think they tried it

1120
00:47:42,239 --> 00:47:45,119
for two previous people and they all died. But I

1121
00:47:45,159 --> 00:47:47,480
think they're waiting for like whoever the one is that

1122
00:47:47,599 --> 00:47:50,400
will they have the soul and then they'll imprint that.

1123
00:47:50,880 --> 00:47:53,159
But they're like, all right, look, mister hann volunteers, like

1124
00:47:53,199 --> 00:47:54,760
I want to get to know this guy and see

1125
00:47:54,800 --> 00:47:57,480
where he thinks he's gonna go. Uh so give me

1126
00:47:57,519 --> 00:47:59,280
all the memories that you gave him. And he'says like,

1127
00:47:59,360 --> 00:48:01,159
here you go, Murdoch two point zero.

1128
00:48:01,920 --> 00:48:04,920
Speaker 5: And pretty interesting though, because it's like they keep changing

1129
00:48:04,960 --> 00:48:06,840
their memories, so it's just based on based on what

1130
00:48:06,960 --> 00:48:10,239
we were gonna do to him, what would have been gone.

1131
00:48:10,280 --> 00:48:10,960
Speaker 3: It's kind of interest.

1132
00:48:10,960 --> 00:48:13,199
Speaker 4: So it's only the memories and like the past I

1133
00:48:13,239 --> 00:48:16,239
don't know, six weeks, six months, not even pretty much. Well,

1134
00:48:16,280 --> 00:48:18,960
his memories so johns all the killing memories.

1135
00:48:19,199 --> 00:48:22,159
Speaker 1: Yeah, well John never got to that part, I think

1136
00:48:22,159 --> 00:48:24,119
because they started putting the memories in and then he

1137
00:48:24,280 --> 00:48:26,760
like rejected it and stuck all that in his pocket. Yeah,

1138
00:48:26,800 --> 00:48:29,679
so he got like the shell beach, his uncle. I

1139
00:48:29,719 --> 00:48:31,800
think it was going in order, like meeting Emma. But

1140
00:48:31,880 --> 00:48:33,719
I think he never got to the killing.

1141
00:48:33,559 --> 00:48:36,000
Speaker 4: Part because like, well no, because they show him in

1142
00:48:36,079 --> 00:48:38,400
the mirror and you see John killing her, but then

1143
00:48:38,440 --> 00:48:41,119
it like changes to history memories, you know what I'm saying.

1144
00:48:41,639 --> 00:48:44,000
Speaker 1: The memories John was supposed to get and he didn't

1145
00:48:44,039 --> 00:48:46,320
shoot the needle out of his head. Yeah, that's the thing.

1146
00:48:46,400 --> 00:48:49,440
So John only got like the beginning gosically, that's why

1147
00:48:49,480 --> 00:48:54,039
he's not killing and everything. Yeah, but yeah, mister hand

1148
00:48:54,119 --> 00:48:56,159
gets make all of them and that's why he like

1149
00:48:56,280 --> 00:48:58,719
becomes what John was supposed to become.

1150
00:48:58,880 --> 00:49:01,119
Speaker 3: Which he was already interested, but what he is by

1151
00:49:01,159 --> 00:49:03,000
the end of the movie is just like all right,

1152
00:49:03,320 --> 00:49:04,159
I kind of like that.

1153
00:49:04,800 --> 00:49:07,920
Speaker 1: Yeah, but yeah, you're right. So he gets the memory

1154
00:49:07,920 --> 00:49:09,840
of him killing girls and then it turns into him

1155
00:49:09,920 --> 00:49:12,599
and he's got like it's like affecting him. Then he's like,

1156
00:49:12,719 --> 00:49:14,280
let me just take a little more time.

1157
00:49:14,639 --> 00:49:14,960
Speaker 3: Oh yeah.

1158
00:49:15,119 --> 00:49:20,840
Speaker 1: Later, Murdoch reads a postcard from his uncle Carl Carl,

1159
00:49:20,920 --> 00:49:22,880
and he's just like, I'm gonna visit this person who

1160
00:49:22,920 --> 00:49:27,519
wrote me, and he asks for directions an age, Oh Carl, Carl.

1161
00:49:27,760 --> 00:49:28,239
This is great.

1162
00:49:28,280 --> 00:49:30,760
Speaker 2: When he's asking for directions, it's the hotel owner.

1163
00:49:30,800 --> 00:49:33,320
Speaker 3: But now at the newspapers, the news he's like, how

1164
00:49:33,360 --> 00:49:33,840
long you work here?

1165
00:49:33,840 --> 00:49:37,360
Speaker 1: He's like twenty five years a double take days off

1166
00:49:37,440 --> 00:49:38,960
for good behavior because he.

1167
00:49:38,960 --> 00:49:41,320
Speaker 5: Hasn't put all the pieces together yet, Like we definitely

1168
00:49:41,360 --> 00:49:43,320
has audience members no more than he does, but he's

1169
00:49:43,400 --> 00:49:44,360
definitely picking up some.

1170
00:49:44,400 --> 00:49:46,880
Speaker 2: Stuff, or it's confirming whatever theory he has.

1171
00:49:47,039 --> 00:49:47,559
Speaker 4: Yeah. Yeah.

1172
00:49:47,760 --> 00:49:51,880
Speaker 1: Cut to flying strangers flying around the city. I'm like,

1173
00:49:51,960 --> 00:49:54,679
what does no one look up? Someone be like what

1174
00:49:54,840 --> 00:49:55,920
the fuck is that guy?

1175
00:49:56,119 --> 00:49:58,039
Speaker 5: I mean, Superman doesn't live in this universe, so why

1176
00:49:58,079 --> 00:50:01,079
should they look up? Also, also, it's nighttime all the

1177
00:50:01,119 --> 00:50:04,400
time that gets in the yeahs. Their faces are really

1178
00:50:04,480 --> 00:50:06,880
that right, one of those heads.

1179
00:50:06,599 --> 00:50:08,920
Speaker 1: In this that is just like a funny shot shoot

1180
00:50:09,400 --> 00:50:12,800
whenever they're flying, because they're just they're just standing completely still.

1181
00:50:14,159 --> 00:50:14,360
Speaker 5: Yeah.

1182
00:50:14,679 --> 00:50:16,639
Speaker 4: Again the gentleman, that's like what. I'm like, they're just

1183
00:50:16,719 --> 00:50:17,400
like floating.

1184
00:50:17,559 --> 00:50:20,199
Speaker 1: They visited the Hooker from earlier, and while this is happening,

1185
00:50:20,280 --> 00:50:22,519
Murdoch is looking at a map. He's like trying to

1186
00:50:22,559 --> 00:50:24,840
get the shell beach. So the strangers are trying to

1187
00:50:24,840 --> 00:50:26,079
figure out Murdoch's next move.

1188
00:50:26,199 --> 00:50:28,360
Speaker 4: Bruce Spence is like, how the fuck does any of

1189
00:50:28,440 --> 00:50:29,159
this help us?

1190
00:50:29,519 --> 00:50:32,000
Speaker 2: And He's like, I'm doing a thing, you asshole.

1191
00:50:32,320 --> 00:50:35,800
Speaker 4: Can't see what's going to happen, only what has happened already.

1192
00:50:36,039 --> 00:50:38,480
Speaker 3: But he does kind of figure it out. He's like Carl,

1193
00:50:38,880 --> 00:50:39,719
Uncle Carl.

1194
00:50:40,000 --> 00:50:43,480
Speaker 1: Obviously He's like, what would you do? He's like, well,

1195
00:50:43,519 --> 00:50:45,639
I would think about my wife betraying me, and I

1196
00:50:45,719 --> 00:50:46,880
take it out on someone.

1197
00:50:47,400 --> 00:50:49,079
Speaker 2: I have an idea. Can you guys wait in the

1198
00:50:49,119 --> 00:50:49,559
other room.

1199
00:50:49,960 --> 00:50:52,119
Speaker 1: He literally tells me, like, leave me alone for a

1200
00:50:52,159 --> 00:50:54,480
little bit. I just need a moment, and then he

1201
00:50:54,599 --> 00:50:59,920
kills her. I love that. I love that. Murdock just

1202
00:51:00,159 --> 00:51:02,639
can't get a train from to Shell Beach. I love

1203
00:51:02,679 --> 00:51:03,119
that too. Man.

1204
00:51:03,119 --> 00:51:05,199
Speaker 4: When he's in the subway and it just zooms past me,

1205
00:51:05,199 --> 00:51:06,159
he's like, well, that's the express.

1206
00:51:06,320 --> 00:51:08,360
Speaker 1: Yeah, you can only take diver stress, but where's the

1207
00:51:08,440 --> 00:51:11,719
express pick up? And that's where Melenski or whatever is there.

1208
00:51:11,760 --> 00:51:14,079
And he's just like, you can't get out, you John,

1209
00:51:14,280 --> 00:51:17,039
I've been try Yeah, He's like, I've been trying to

1210
00:51:17,119 --> 00:51:20,000
get out of this fucking Hell's like fucking silent hell.

1211
00:51:20,159 --> 00:51:24,360
I figured out a way. Yeah, watch jumps on the track.

1212
00:51:24,440 --> 00:51:26,400
I got it, John, It's real easy. This is the way.

1213
00:51:26,599 --> 00:51:28,599
This is the way to coop a troup of beach.

1214
00:51:28,800 --> 00:51:30,719
Just jump in front of this fucking train. But he

1215
00:51:30,760 --> 00:51:32,440
tells it. He's like, I've been watching them for weeks.

1216
00:51:32,480 --> 00:51:34,119
We're not supposed to wake up, but I've seen them

1217
00:51:34,239 --> 00:51:36,199
do this. This is all fucked, but some people do

1218
00:51:36,320 --> 00:51:38,440
wake up like me and like you yeah, and he's

1219
00:51:38,480 --> 00:51:39,920
just like, but I can't figure out how to get

1220
00:51:39,920 --> 00:51:45,440
out here. So good luck, buddy. Okay, I had a

1221
00:51:45,480 --> 00:51:47,599
couple of questions. I had a few more questions. Get

1222
00:51:47,679 --> 00:51:49,800
off train. Now, I guess to hang out with that guy.

1223
00:51:49,960 --> 00:51:54,000
Speaker 5: If anything gets right, it solidifies everything for William Hurt though,

1224
00:51:54,079 --> 00:51:56,719
like this guy, everything he was saying was kind of crazy,

1225
00:51:56,800 --> 00:51:59,760
but again pieces for him also being put together, and it's.

1226
00:51:59,679 --> 00:52:02,320
Speaker 4: Like, oh shit, that was a flashpoint because like, uh,

1227
00:52:03,119 --> 00:52:05,079
one of the deputies comes in and he's like, hey,

1228
00:52:05,159 --> 00:52:08,800
by the way, uh, what's his name? Valentino guy? We

1229
00:52:08,880 --> 00:52:12,239
can't remember the name of Vilensky fucking died. It's a

1230
00:52:12,239 --> 00:52:13,760
real shame. Anyway, Chief wants to see you.

1231
00:52:13,800 --> 00:52:15,679
Speaker 1: Oh yeah, that's that's in a little bit. Yeah, yeah, yeah,

1232
00:52:16,360 --> 00:52:18,639
but yeah, he's just kind of like that motherfucker's right.

1233
00:52:18,679 --> 00:52:21,039
I love that they keep cutting bumps out with an accordion.

1234
00:52:21,159 --> 00:52:23,840
We learned what that is soon. Yeah. See the strangers

1235
00:52:23,960 --> 00:52:26,360
vestigate Murdock's home and they're like, we need Emma, we

1236
00:52:26,440 --> 00:52:28,360
gotta go find this emma, lady. I think that might

1237
00:52:28,400 --> 00:52:29,800
be the key. I mean, that was the most obvious

1238
00:52:29,840 --> 00:52:31,480
person to go to first Yeah, exactly.

1239
00:52:32,000 --> 00:52:34,440
Speaker 4: I guess you didn't see that, did you? In your memories?

1240
00:52:34,639 --> 00:52:36,920
Speaker 2: And then he and then he finds Emma just chilling

1241
00:52:37,000 --> 00:52:38,320
on a bench by the river.

1242
00:52:38,800 --> 00:52:41,760
Speaker 4: I came here with my wife once, yeah, June. And

1243
00:52:41,840 --> 00:52:43,440
she's like, I met my husband here?

1244
00:52:43,760 --> 00:52:45,480
Speaker 1: Was really what I see?

1245
00:52:45,599 --> 00:52:45,800
Speaker 4: Now?

1246
00:52:46,280 --> 00:52:46,480
Speaker 1: Yeah?

1247
00:52:46,719 --> 00:52:48,920
Speaker 2: What a coincidence out that.

1248
00:52:49,400 --> 00:52:52,840
Speaker 3: It's like, I have his memory memories he was supposed

1249
00:52:52,880 --> 00:52:53,119
to have.

1250
00:52:53,840 --> 00:52:55,960
Speaker 4: I'm the only person who looks like a fucking walking

1251
00:52:56,119 --> 00:52:57,400
corpse in this whole city.

1252
00:52:57,760 --> 00:53:02,320
Speaker 1: I'm not nefarious. And she's just like, are you or

1253
00:53:02,400 --> 00:53:04,119
the doctor from the lesser known sequel?

1254
00:53:05,159 --> 00:53:08,559
Speaker 3: Definitely not Jeffrey Combs. It's just a step to the

1255
00:53:08,679 --> 00:53:10,800
left and then a jump to the right.

1256
00:53:11,480 --> 00:53:11,599
Speaker 5: Uh.

1257
00:53:11,760 --> 00:53:15,119
Speaker 1: He leaves her alone. Emma goes to investigate the Hooker's apartment.

1258
00:53:15,159 --> 00:53:17,239
Speaker 4: That's where he has the epiphany about the uncle. Right

1259
00:53:18,039 --> 00:53:18,760
probably Yeah.

1260
00:53:19,639 --> 00:53:23,960
Speaker 1: John explores the Neptune Aquarium, where his uncle Carl live.

1261
00:53:24,079 --> 00:53:26,840
This fucking place is so cool, so cool. It's like,

1262
00:53:27,559 --> 00:53:29,320
I don't I want to live here? Actually some of

1263
00:53:29,360 --> 00:53:34,760
this looks like Joel Schumacher's Gotham a little bit, but

1264
00:53:34,840 --> 00:53:36,199
this is like a big face and there was like

1265
00:53:36,239 --> 00:53:37,840
a lot of that. Yeah, this is like killer crocs

1266
00:53:37,920 --> 00:53:40,000
hide out right, Yeah, with the.

1267
00:53:40,039 --> 00:53:42,599
Speaker 4: Old manchair, Yeah, the old man in the seat kind

1268
00:53:42,639 --> 00:53:44,639
of he's got. It's very nautical and stuff like I

1269
00:53:44,719 --> 00:53:46,719
just want to be there and just like hang out

1270
00:53:46,719 --> 00:53:47,760
with this guy and smoking.

1271
00:53:47,519 --> 00:53:48,960
Speaker 1: Pipe and walk around.

1272
00:53:49,159 --> 00:53:52,239
Speaker 3: Carl Carl quotation mark, hell.

1273
00:53:52,199 --> 00:53:56,599
Speaker 1: You been Johnny boy, haven't spell rolling out? Hello?

1274
00:53:56,760 --> 00:53:57,400
Speaker 3: Uncle Carl.

1275
00:53:58,280 --> 00:54:01,119
Speaker 1: Bumpstead grabs them after find it's the dead body of

1276
00:54:01,199 --> 00:54:06,159
the hooker. Murdoch, reuniting with Carl, learns about his pass.

1277
00:54:06,559 --> 00:54:08,559
He's like, yeah, he grew up in Shell Beach and

1278
00:54:08,639 --> 00:54:10,559
then that fire killed your family.

1279
00:54:10,760 --> 00:54:12,280
Speaker 3: Me and year old man and dish you.

1280
00:54:12,840 --> 00:54:14,840
Speaker 4: Yeah, and he's like, I don't remember any of the

1281
00:54:14,920 --> 00:54:17,480
He's like, you had that little book is to roll

1282
00:54:17,599 --> 00:54:18,239
the time in it.

1283
00:54:18,239 --> 00:54:20,599
Speaker 3: Literally is sound Hill. There was that fire seven years ago,

1284
00:54:20,679 --> 00:54:21,920
don't you remember, Murdoch?

1285
00:54:22,320 --> 00:54:25,440
Speaker 1: And I love that, but I don't have that Scar.

1286
00:54:25,880 --> 00:54:28,920
Carl Carls just like, I don't know what to tell you.

1287
00:54:29,320 --> 00:54:30,239
I don't know what that means.

1288
00:54:30,400 --> 00:54:32,880
Speaker 3: Carl doesn't know that he's in a conspiracy.

1289
00:54:32,960 --> 00:54:33,920
Speaker 1: I don't think he wants to know.

1290
00:54:35,480 --> 00:54:37,480
Speaker 3: But Murdoch's like, what the fuck now, it's just.

1291
00:54:37,639 --> 00:54:38,760
Speaker 1: It's making too much sense.

1292
00:54:38,760 --> 00:54:40,320
Speaker 3: I don't want it actually to make sense.

1293
00:54:40,519 --> 00:54:42,519
Speaker 1: And then here is I don't know if this is

1294
00:54:42,519 --> 00:54:45,159
in your version, Bumstead, of them of find the hooker's daughter.

1295
00:54:45,599 --> 00:54:47,880
Speaker 3: Now again, I guess the daughter wasn't in the early scenes.

1296
00:54:49,920 --> 00:54:52,440
Speaker 1: So they're talking, they're investigating. They find the daughter under

1297
00:54:52,480 --> 00:54:55,239
the bed and they're like, oh my god. So the

1298
00:54:55,280 --> 00:54:57,119
strangers didn't know the daughter was there.

1299
00:54:57,639 --> 00:54:59,360
Speaker 4: And I think most of her John's knew that she

1300
00:54:59,519 --> 00:55:00,760
was there either. That's been interesting.

1301
00:55:00,800 --> 00:55:03,679
Speaker 3: They forgot they placed the daughter with this woman.

1302
00:55:03,599 --> 00:55:06,360
Speaker 1: I guess, so maybe that's why. Maybe that's why they

1303
00:55:06,440 --> 00:55:08,480
cut it. They realized it was a major fucking plot.

1304
00:55:08,639 --> 00:55:10,960
Speaker 4: Literally see Bruce Fence later with his little booklet of

1305
00:55:11,000 --> 00:55:14,039
people like yes you will, Emma whatever, but now you'll

1306
00:55:14,280 --> 00:55:15,360
need to whatever.

1307
00:55:15,679 --> 00:55:17,880
Speaker 1: They messed up. They forgot that there was a dog,

1308
00:55:17,960 --> 00:55:20,360
but he fucked up and filing they're hanging around with

1309
00:55:20,440 --> 00:55:24,320
you know, they are dying. Maybe they're firing off. I'm

1310
00:55:24,400 --> 00:55:29,400
really tired experiment bullshit. This is important for confirming to

1311
00:55:29,480 --> 00:55:32,039
Bumstead that John isn't the killer, because she drew a

1312
00:55:32,119 --> 00:55:35,480
picture of the stranger stabbing at her mom with a

1313
00:55:35,800 --> 00:55:38,440
like crayon, and he's just like, wait a minute, she

1314
00:55:38,519 --> 00:55:40,719
would have drawn John if that was the case.

1315
00:55:40,760 --> 00:55:43,199
Speaker 4: He saw Rocky horror picture showing I know that guy.

1316
00:55:44,880 --> 00:55:46,199
Speaker 1: So I feel like that might have been kind of

1317
00:55:46,239 --> 00:55:48,639
an important scene. They sort of need it for that character.

1318
00:55:49,039 --> 00:55:51,760
Speaker 3: I actually I'm fine without that.

1319
00:55:52,000 --> 00:55:54,519
Speaker 4: Actually it's a little on the nose, but I can

1320
00:55:54,679 --> 00:55:58,079
understand how how it solidifies Bumpstead's life.

1321
00:55:58,159 --> 00:56:00,320
Speaker 1: Yeah, you know, but I like because after this is

1322
00:56:00,400 --> 00:56:02,599
him with the accordion in the car and he's like,

1323
00:56:02,679 --> 00:56:05,639
my mom gave me that she died recently, and she's like, wow,

1324
00:56:05,679 --> 00:56:07,480
it's really sad, and he goes, But the more I

1325
00:56:07,559 --> 00:56:09,960
think about it, I don't remember when she gave it

1326
00:56:10,039 --> 00:56:11,800
to me. And he's like, this means a lot to me,

1327
00:56:11,880 --> 00:56:13,800
and I can't remember the orch.

1328
00:56:13,800 --> 00:56:15,960
Speaker 5: Is he still thinking about that other guy's comment about

1329
00:56:16,079 --> 00:56:17,760
try to remember back, try to remember more than a

1330
00:56:17,800 --> 00:56:18,360
couple of days.

1331
00:56:18,519 --> 00:56:18,960
Speaker 3: You can't.

1332
00:56:19,079 --> 00:56:19,280
Speaker 5: Yeah.

1333
00:56:19,440 --> 00:56:21,760
Speaker 4: Yeah, it's not just people now, it's like an object,

1334
00:56:21,800 --> 00:56:23,719
which I think is kind of cool that he has

1335
00:56:23,800 --> 00:56:26,199
this affection for and he can't put his finger on it.

1336
00:56:26,360 --> 00:56:28,679
Speaker 2: Yeah, so they're both kind of confused by their pass.

1337
00:56:29,519 --> 00:56:33,000
Speaker 1: Murdock realizes now that he hasn't seen Daytime like at all,

1338
00:56:33,440 --> 00:56:36,559
and he asks his uncles like, what time is it?

1339
00:56:36,760 --> 00:56:38,480
Is that AAR or pm? He's like, what do you think?

1340
00:56:38,519 --> 00:56:39,800
Speaker 2: He's like, how do they miss the day?

1341
00:56:40,079 --> 00:56:42,280
Speaker 1: Yeah? Yeah, yeah, you know how it goes. You missed

1342
00:56:42,320 --> 00:56:45,280
the day, Go to bed, I'll see tomorrow. But when

1343
00:56:45,320 --> 00:56:47,119
he finds his shell Beach book, there's nothing in it. No,

1344
00:56:47,199 --> 00:56:48,679
it's all blank pages. Wow.

1345
00:56:49,119 --> 00:56:50,840
Speaker 5: But then he goes to bed and then the uncle

1346
00:56:51,039 --> 00:56:53,119
makes that whole comment in the more in the morning,

1347
00:56:53,199 --> 00:56:54,440
and then it's filled and he's.

1348
00:56:54,320 --> 00:56:55,280
Speaker 1: Like, what the fuck?

1349
00:56:55,400 --> 00:56:59,639
Speaker 4: Well, yeah, Bumpstead you know, ends up that later. Sorry,

1350
00:57:00,199 --> 00:57:03,480
But he ends up taking John in from Uncle Carl's

1351
00:57:04,000 --> 00:57:06,079
and then he gives them all the evidence and he's like,

1352
00:57:06,079 --> 00:57:06,920
what the fuck's going on here?

1353
00:57:06,960 --> 00:57:08,480
Speaker 1: What is this book? And he opens the book and

1354
00:57:08,519 --> 00:57:10,239
then all the drawings are it is so at some

1355
00:57:10,280 --> 00:57:12,400
point he like tuned and at it to yeah, like

1356
00:57:13,599 --> 00:57:14,400
like by accident.

1357
00:57:14,599 --> 00:57:14,840
Speaker 5: Yeah.

1358
00:57:15,679 --> 00:57:17,360
Speaker 4: Like it was like it was like a false memory

1359
00:57:17,400 --> 00:57:19,679
that he got from the slides that he was being shown,

1360
00:57:19,760 --> 00:57:19,960
and he.

1361
00:57:20,000 --> 00:57:23,199
Speaker 1: Started like imprinting and putting it into the book with

1362
00:57:23,239 --> 00:57:26,880
his own But I like, I like that. Uncle Carl

1363
00:57:27,039 --> 00:57:29,719
calls Emma and warns about Murdoch. And this is when

1364
00:57:29,760 --> 00:57:34,800
mister Hann he's his outside the window terminator. Yeah, and

1365
00:57:34,880 --> 00:57:38,039
he goes yees, Uncle Carl, Yeah, I love that shore

1366
00:57:38,119 --> 00:57:47,320
he goes yes, yeah, mister Burns. Another tune happens and

1367
00:57:47,440 --> 00:57:51,719
everyone looks sleeps except for Murdoch of course. I like

1368
00:57:51,840 --> 00:57:54,719
that the world is changing around him and he's running away,

1369
00:57:54,800 --> 00:57:56,119
like the stairs get longer.

1370
00:57:56,519 --> 00:57:57,519
Speaker 3: That's one of the best scenes.

1371
00:57:57,679 --> 00:58:00,480
Speaker 1: Yeah. And then he's running on the rooftop, so like

1372
00:58:00,599 --> 00:58:04,119
the roof the buildings are all in the ship. They're

1373
00:58:04,159 --> 00:58:07,000
starting to fucking like move. Yeah. I love the eyeshot of.

1374
00:58:07,039 --> 00:58:08,920
Speaker 2: Them like kind of spinning up out of the ground.

1375
00:58:09,000 --> 00:58:09,239
Speaker 1: Again.

1376
00:58:09,360 --> 00:58:12,239
Speaker 4: I know I'm bringing up Brazil again, but like there's

1377
00:58:12,239 --> 00:58:14,239
a whole big part in that where like the fucking

1378
00:58:14,320 --> 00:58:16,840
office buildings are like ships and they like come together.

1379
00:58:17,079 --> 00:58:18,960
Speaker 1: Yeah, that time bandits, it's one of those. It's one

1380
00:58:18,960 --> 00:58:21,719
of those. Yeah, very much like the Matrix Again. I

1381
00:58:21,760 --> 00:58:23,480
think he's where the rooftops from the trick.

1382
00:58:24,719 --> 00:58:24,840
Speaker 5: Uh.

1383
00:58:25,000 --> 00:58:27,679
Speaker 1: Mister Han tries to kill him, he fails, he falls,

1384
00:58:27,760 --> 00:58:30,400
and then he just starts spilling the beans about everything.

1385
00:58:31,039 --> 00:58:33,280
He's like, yeah, we do this, we need you, we

1386
00:58:33,360 --> 00:58:36,360
need more like you guys. So we can survive. We're

1387
00:58:36,400 --> 00:58:39,480
aliens a corpse. We're in a corpse. It's like a

1388
00:58:39,599 --> 00:58:40,159
car to us.

1389
00:58:40,559 --> 00:58:43,039
Speaker 4: When they die, when they splatter, it's just like this

1390
00:58:43,280 --> 00:58:45,719
necrotic black everywhere.

1391
00:58:48,119 --> 00:58:48,239
Speaker 5: You know.

1392
00:58:48,280 --> 00:58:50,400
Speaker 1: They were able to get separated, Like they get into

1393
00:58:50,440 --> 00:58:52,000
a fight and they get separated, and yeah, the two

1394
00:58:52,079 --> 00:58:55,000
buildings are coming and that one of the bitch gets

1395
00:58:55,079 --> 00:58:57,440
his jacket. They're so advanced, they don't. They forgot that

1396
00:58:57,480 --> 00:59:00,440
you could just take jackets off. They forgot.

1397
00:59:00,760 --> 00:59:01,519
Speaker 3: He's not human enough.

1398
00:59:01,559 --> 00:59:03,880
Speaker 1: They're looking for the soul. Okay, they're looking for the soul.

1399
00:59:04,079 --> 00:59:07,599
They should really learn how jackets work. Yeah, because the

1400
00:59:07,679 --> 00:59:11,320
other ones get in and he's just like ah, it

1401
00:59:11,519 --> 00:59:13,000
just gets splattered. Yeah.

1402
00:59:13,039 --> 00:59:20,039
Speaker 4: They only climb through a window, right, Yeah, it takes

1403
00:59:20,280 --> 00:59:21,840
a long time to bust that window down.

1404
00:59:21,719 --> 00:59:24,960
Speaker 1: And get in there. Yeah. And then there's the little

1405
00:59:25,039 --> 00:59:27,639
kid stranger was so creepy.

1406
00:59:27,719 --> 00:59:30,320
Speaker 3: Oh, well that's definitely not cut I forgot about it. Yeah,

1407
00:59:30,639 --> 00:59:31,480
there's a few of them.

1408
00:59:32,920 --> 00:59:35,519
Speaker 1: Fucking bastard like bakes his hand when he's hanging out. Yeah,

1409
00:59:36,000 --> 00:59:38,320
he's like hanging on and like, thank god, a chimney

1410
00:59:38,480 --> 00:59:42,039
is appearing, and he jumps on the chimney Chimney into

1411
00:59:42,079 --> 00:59:42,360
the air.

1412
00:59:42,800 --> 00:59:46,199
Speaker 5: Well. Whoever directed Blues Brothers two thousand definitely saw this

1413
00:59:46,280 --> 00:59:47,920
and was like a little kid, I.

1414
00:59:48,079 --> 00:59:52,159
Speaker 1: Like that Dune, Remember Dune, don't remind me of his

1415
00:59:52,199 --> 00:59:55,079
Brother's two thousand. That was so fucking bad.

1416
00:59:55,239 --> 00:59:58,039
Speaker 5: I remember one of the best movies, at least musical movies,

1417
00:59:58,360 --> 00:59:59,719
to Holy fuck.

1418
00:59:59,599 --> 01:00:00,360
Speaker 3: Is this horrible?

1419
01:00:00,480 --> 01:00:02,639
Speaker 1: I had to review both. I had to review both.

1420
01:00:04,199 --> 01:00:08,079
I had to. I had to. I can know. Yeah,

1421
01:00:08,159 --> 01:00:10,239
Kaylee was I. I did obviously the first one for

1422
01:00:10,360 --> 01:00:13,159
my channel. But Kaylee was doing like all the Saturday

1423
01:00:13,239 --> 01:00:14,840
Night Live movies and I'm.

1424
01:00:14,719 --> 01:00:17,719
Speaker 3: Like, well, does that even fucking count because it's a sequel.

1425
01:00:18,079 --> 01:00:20,840
Speaker 1: Yeah, but the first one is the first SNL movie.

1426
01:00:21,719 --> 01:00:23,000
But I told her, I'm like, well, if you want

1427
01:00:23,000 --> 01:00:24,639
to do Blues Brother's two thousand, I'll.

1428
01:00:24,519 --> 01:00:25,000
Speaker 4: Do it with you.

1429
01:00:25,280 --> 01:00:28,079
Speaker 1: I still have the suit and everything. I didn't even

1430
01:00:28,079 --> 01:00:30,559
wear the suit for that one. I'm like, no, sorry,

1431
01:00:31,960 --> 01:00:36,440
Chuck Taylor's on too with the bad movie. Yes, but

1432
01:00:36,480 --> 01:00:38,480
I know we're talking about with that little kid blues

1433
01:00:39,920 --> 01:00:40,119
was that.

1434
01:00:41,760 --> 01:00:42,480
Speaker 3: So dark city?

1435
01:00:42,559 --> 01:00:43,440
Speaker 1: We liked that idea.

1436
01:00:45,360 --> 01:00:47,280
Speaker 2: I feel like Dan Ackroy would love this movie.

1437
01:00:47,519 --> 01:00:50,000
Speaker 1: That's what I'm saying. I like you know, this is

1438
01:00:50,039 --> 01:00:52,360
a comicary for the things that are happening right now.

1439
01:00:55,880 --> 01:00:57,159
I got my flip phone right here.

1440
01:00:57,559 --> 01:00:59,320
Speaker 3: It's about it, believe it or not, you ever had

1441
01:00:59,360 --> 01:01:00,039
Crystal had.

1442
01:01:01,800 --> 01:01:03,840
Speaker 1: Famously on the show, No one is allowed to have

1443
01:01:03,880 --> 01:01:06,519
Crystal Head vodka down here anymore. Lena from Beautiful Dead

1444
01:01:06,559 --> 01:01:09,519
podcasts ruin that for everyone. Oh shame on you, and

1445
01:01:09,679 --> 01:01:11,360
she she actually hates when I bring it up, So

1446
01:01:11,400 --> 01:01:13,800
everyone just forget that. Once again, I mentioned that Lena

1447
01:01:13,800 --> 01:01:15,920
from Beautiful Dead podcast had too much of my Crystal

1448
01:01:15,960 --> 01:01:17,320
Head vodka and threw up in my bathroom.

1449
01:01:17,440 --> 01:01:19,400
Speaker 4: Oh no, we drank a bunch that night when we

1450
01:01:19,480 --> 01:01:21,320
did the watch along for Ghostbusters too.

1451
01:01:21,440 --> 01:01:24,119
Speaker 1: Yeah, the pink slimeman. I'm glad you guys can hand

1452
01:01:24,159 --> 01:01:26,440
your liquor. I'm like a certain someone who again i'm

1453
01:01:26,480 --> 01:01:28,679
not gonna name, is Lena from the Beautiful Dead podcast.

1454
01:01:28,719 --> 01:01:31,000
Let's just make it noted that I'm not judging you.

1455
01:01:31,800 --> 01:01:34,159
He is, mister hack. I brought that up in the

1456
01:01:34,199 --> 01:01:36,519
lepercom one and she did a whole short reactor to her.

1457
01:01:36,599 --> 01:01:39,679
She's like, no, don't tell people. People again, people think

1458
01:01:39,719 --> 01:01:43,800
we have like beef. We explained that on your channel

1459
01:01:43,840 --> 01:01:46,480
I've heard the men. Yeah, so it's been like months.

1460
01:01:46,639 --> 01:01:48,280
It's been like ten months. As we did like an

1461
01:01:48,280 --> 01:01:51,360
actual crossover and I had some young guys here filming

1462
01:01:51,440 --> 01:01:53,280
like their college project. They wanted to interview me, and

1463
01:01:53,320 --> 01:01:56,280
they they went, what happened to you guys in movie Dumpster?

1464
01:01:56,320 --> 01:01:58,599
And I'm like, I don't know what what did happen?

1465
01:01:58,960 --> 01:02:01,960
I'm like, so joker? Are we They just thought we

1466
01:02:02,039 --> 01:02:04,599
were fighting because we weren't in an episode. I'm not

1467
01:02:04,719 --> 01:02:07,559
beefing with anybody, but we've taken like pictures and stuff together.

1468
01:02:07,760 --> 01:02:09,719
Speaker 4: Event Like, that's so concerning to me. I'm like, are

1469
01:02:09,840 --> 01:02:12,119
people like saying that people are fighting.

1470
01:02:11,880 --> 01:02:12,280
Speaker 1: With each other?

1471
01:02:12,519 --> 01:02:13,039
Speaker 3: It's drama.

1472
01:02:13,119 --> 01:02:15,679
Speaker 1: It's fun, right, But that was fun. I'm problem with nobody.

1473
01:02:15,719 --> 01:02:17,280
I love that he said it was like he just

1474
01:02:17,400 --> 01:02:19,320
fully believed that there was some kind of conspiracy. I'm

1475
01:02:19,360 --> 01:02:21,519
like I told him that, No, he just thought. I

1476
01:02:21,599 --> 01:02:25,239
was just like, hell, like, nothing's wrong. I really had

1477
01:02:25,280 --> 01:02:27,400
to think about it. It did occur to me're like, oh,

1478
01:02:27,559 --> 01:02:30,239
they haven't been on it though. That's like last year

1479
01:02:30,360 --> 01:02:32,400
me and Tom. That's what happens when you don't do

1480
01:02:32,480 --> 01:02:35,159
this full when when we don't do this. But I

1481
01:02:35,159 --> 01:02:38,079
remember last year being Tom. We filmed a bunch of

1482
01:02:38,159 --> 01:02:40,360
music videos for a band and we were hanging out

1483
01:02:40,400 --> 01:02:42,440
a lot. But then I realized, like we weren't filming

1484
01:02:42,480 --> 01:02:45,360
any episodes, So like I think August came around, I'm

1485
01:02:45,400 --> 01:02:47,519
just like, oh, Tom hasn't been on it all lately,

1486
01:02:48,039 --> 01:02:49,599
and I'm like I just thought he was because I

1487
01:02:49,679 --> 01:02:51,679
was seeing him so much, but we were filming something.

1488
01:02:53,719 --> 01:02:56,719
Speaker 2: Anyway, back to this, I'm glad we're done fighting. You

1489
01:02:56,840 --> 01:02:57,480
guys started it.

1490
01:02:59,559 --> 01:03:02,960
Speaker 1: I fucking ended it, bum said, saves Murdoch and then

1491
01:03:03,039 --> 01:03:05,960
questions him at the station. He wants answers, and Murdoch's like,

1492
01:03:06,079 --> 01:03:08,960
I would like some answers too, But then this one

1493
01:03:09,000 --> 01:03:11,760
he starts asking him specific details, and the one he

1494
01:03:11,800 --> 01:03:13,519
asks is like do you remember the last time it

1495
01:03:13,639 --> 01:03:16,960
was daytime? And like re whur. It's good because he

1496
01:03:17,119 --> 01:03:19,239
like gets mad because he realizes he's right and he

1497
01:03:19,280 --> 01:03:21,039
doesn't want to believe it. He's like, shut up, stop talking,

1498
01:03:21,079 --> 01:03:24,039
stop talking. He's like, just forget, forget, forget the daytime.

1499
01:03:24,119 --> 01:03:26,400
Speaker 4: Do you even remember what happened yesterday?

1500
01:03:26,920 --> 01:03:30,239
Speaker 1: What you had for breakfast? But then to really prove it,

1501
01:03:30,280 --> 01:03:32,159
he tunes and makes the book float in there and.

1502
01:03:32,199 --> 01:03:33,599
Speaker 3: He's like, well, look at this shit and it's like

1503
01:03:33,679 --> 01:03:34,400
floating in the air.

1504
01:03:34,480 --> 01:03:35,360
Speaker 2: He's like, you can't fake that.

1505
01:03:35,960 --> 01:03:38,199
Speaker 1: Uh. He goes talk to Emma and he tells em

1506
01:03:38,360 --> 01:03:40,800
he's like, lady, She's like, I really want to apologize.

1507
01:03:40,800 --> 01:03:43,559
She's like, Lady, I don't know who you are. Really like,

1508
01:03:43,639 --> 01:03:46,000
we're not like a thing. This is all manufacturers.

1509
01:03:46,039 --> 01:03:48,760
Speaker 4: It's so sad because she's like that all may be true,

1510
01:03:49,159 --> 01:03:50,920
but I still know that I love you.

1511
01:03:51,239 --> 01:03:52,960
Speaker 1: Yeah. She's like, I don't know if you can fake

1512
01:03:53,039 --> 01:03:55,719
this because those are my feelings for you. And he's like,

1513
01:03:55,800 --> 01:03:57,599
it's just a memory. They put it in the head.

1514
01:03:57,880 --> 01:03:59,639
But then he like kind of digs it a little

1515
01:03:59,639 --> 01:04:01,840
bit and do the little they put their hands in

1516
01:04:01,880 --> 01:04:03,400
the window and it shatters the window.

1517
01:04:03,840 --> 01:04:06,280
Speaker 5: Well, they are the leads of the movie. Yeah, he's

1518
01:04:06,280 --> 01:04:09,000
not gonna find true love with an unnamed character. Well,

1519
01:04:09,400 --> 01:04:11,360
he's like an hour in, I'm about to control this

1520
01:04:11,559 --> 01:04:13,920
entire fucking universe. I think I'm gonna take Jennifer Connelly.

1521
01:04:15,119 --> 01:04:16,760
Speaker 3: Jennifer Connelly not to be a show.

1522
01:04:16,840 --> 01:04:19,880
Speaker 4: But yeah, Jennifer also like when he when he like

1523
01:04:20,000 --> 01:04:22,480
destroys the window, it's like why didn't you just kill

1524
01:04:22,519 --> 01:04:24,639
these guards and just get out of here.

1525
01:04:24,679 --> 01:04:27,719
Speaker 3: Just side blast him through The fun wasn't in the scripture.

1526
01:04:28,920 --> 01:04:30,880
Speaker 1: At this point. It's still kind of emotion. He's still

1527
01:04:30,880 --> 01:04:32,880
figuring it out. He hasn't really learned it. Oh right, right,

1528
01:04:33,079 --> 01:04:35,320
Oh that's right. He didn't get his download. He didn't.

1529
01:04:35,400 --> 01:04:37,199
He didn't get he didn't get the download yet.

1530
01:04:37,320 --> 01:04:40,480
Speaker 5: He may have received Actually he received it at that

1531
01:04:40,599 --> 01:04:43,159
scene we talked about a while ago, when Keifer meets

1532
01:04:43,239 --> 01:04:46,719
him and explains everything's like here, hey to syringe, use it,

1533
01:04:46,760 --> 01:04:49,119
and then he doesn't for like forty five fucking minutes.

1534
01:04:49,159 --> 01:04:51,079
Speaker 3: Yeah, I don't know if this is safe.

1535
01:04:51,280 --> 01:04:52,760
Speaker 1: He's not even the one to give it to well.

1536
01:04:54,000 --> 01:04:59,400
It is where Bumstead learns that the guy died, uh,

1537
01:04:59,719 --> 01:05:01,119
and the chief ones to see him, but then the

1538
01:05:01,119 --> 01:05:02,760
stranger show up, just putting everyone to sleep.

1539
01:05:02,840 --> 01:05:04,880
Speaker 4: It's pretty great. And I love scene from the trailer.

1540
01:05:05,079 --> 01:05:07,920
Speaker 1: Yeah, and I love it. You think Bumstead is going

1541
01:05:07,960 --> 01:05:11,599
into the Chief's office and then it's just the strangers

1542
01:05:11,639 --> 01:05:14,719
and take us to Murdoch. It's like the silhouette of

1543
01:05:14,719 --> 01:05:15,800
the hat he wears.

1544
01:05:16,079 --> 01:05:18,960
Speaker 2: But it turns out Bumpstead broke Murdoch out of.

1545
01:05:19,039 --> 01:05:22,079
Speaker 1: There he got him free, all right, kid, I believe you. Yeah,

1546
01:05:22,079 --> 01:05:24,199
and then mister hand gets a little too happy with killing.

1547
01:05:24,239 --> 01:05:25,960
He just kills the chief for no reason.

1548
01:05:26,079 --> 01:05:29,199
Speaker 4: Realized he's got that fucking serial killer memory taking it over.

1549
01:05:29,599 --> 01:05:33,280
Speaker 1: He's a little chief for today. Yeah, he does. This

1550
01:05:33,480 --> 01:05:35,639
is fine. I'm allowed to do it because I'm the alien.

1551
01:05:36,559 --> 01:05:39,840
The doctor talks with Murdoch and explains the alien's weakness

1552
01:05:39,880 --> 01:05:40,480
to water.

1553
01:05:41,440 --> 01:05:43,480
Speaker 4: Again, that they're like the signs aliens, right, are they

1554
01:05:43,559 --> 01:05:45,039
like cousins sort of?

1555
01:05:45,199 --> 01:05:45,400
Speaker 5: Yeah?

1556
01:05:45,679 --> 01:05:47,119
Speaker 1: Oh, this is when he pulls the gun out. This

1557
01:05:47,119 --> 01:05:49,000
is when he gives him the needle, and he's like,

1558
01:05:49,239 --> 01:05:52,840
put the needle in your head, kill you. And he's

1559
01:05:53,000 --> 01:05:55,800
then Bumpstead's like, hey, buddy, stop and he's like his head.

1560
01:05:57,840 --> 01:05:59,760
You're right. You're like, we're gonna hold onto this until

1561
01:05:59,760 --> 01:06:02,199
we know you're telling the truth. We have bigger fish

1562
01:06:02,239 --> 01:06:03,960
to fry. And it's like, what it's like, We're gonna

1563
01:06:03,960 --> 01:06:06,639
go to shell Beach, buddy, you gotta go to Shelby.

1564
01:06:06,760 --> 01:06:07,559
Speaker 3: You know where it is, don't you?

1565
01:06:08,000 --> 01:06:10,400
Speaker 4: Yes, kind of I might know where.

1566
01:06:11,960 --> 01:06:13,159
Speaker 3: And then this is already cooked.

1567
01:06:13,239 --> 01:06:14,480
Speaker 1: Just admit it. Well.

1568
01:06:14,559 --> 01:06:16,239
Speaker 4: He says that a few times where he's like, I've

1569
01:06:16,280 --> 01:06:18,280
lost everything. I don't give a fuck. I'll tell you

1570
01:06:18,360 --> 01:06:18,880
whatever you want.

1571
01:06:19,239 --> 01:06:21,679
Speaker 2: But then we get to see Emma going home. We

1572
01:06:21,760 --> 01:06:24,559
find out she's gonna be Anna soon. He's just like,

1573
01:06:24,679 --> 01:06:25,360
hello Anna.

1574
01:06:26,199 --> 01:06:29,039
Speaker 4: He's like, my name's Emma, and she's like not in

1575
01:06:29,159 --> 01:06:32,400
a literal, while she's like he took all my shit.

1576
01:06:32,440 --> 01:06:34,199
He's like, I'll give you pretty things, don't worry.

1577
01:06:34,960 --> 01:06:37,480
Speaker 1: And then the men go for a romantic boat ride

1578
01:06:38,239 --> 01:06:43,920
the gondola. They're singing Italians the Spaghettian and they kiss.

1579
01:06:44,760 --> 01:06:46,960
But yeah, they're they're boat riding, and this is where

1580
01:06:47,000 --> 01:06:50,480
we get the backstory, which in your version was explained

1581
01:06:50,519 --> 01:06:52,960
in the opening. Yeah. Oh, that one was way more

1582
01:06:53,039 --> 01:06:54,400
detailed than this one. Yeah.

1583
01:06:54,440 --> 01:06:56,480
Speaker 4: I mean, well it's kind of similar because he does

1584
01:06:56,519 --> 01:06:58,199
it again, so you get in the front load and

1585
01:06:58,239 --> 01:06:59,000
then he does it again.

1586
01:06:59,280 --> 01:07:01,800
Speaker 1: But yeah, he's just like, yeah, you know, they they

1587
01:07:01,880 --> 01:07:05,039
brought us here, they changed things. They're looking for a

1588
01:07:05,119 --> 01:07:06,679
soul and he's like, where are we from? And he's like,

1589
01:07:06,800 --> 01:07:09,159
we have no idea. I don't know where we're from,

1590
01:07:09,280 --> 01:07:12,320
no clue. Not here in the opening text, he seems

1591
01:07:12,360 --> 01:07:14,280
to know where they're all from. The blue planet that's

1592
01:07:14,280 --> 01:07:16,760
about it. Yeah, but here he's just like, I don't know,

1593
01:07:17,639 --> 01:07:19,239
because I think he mentions he had to take his

1594
01:07:19,360 --> 01:07:21,760
own memories as well. That was like part of the deal.

1595
01:07:21,880 --> 01:07:22,840
Speaker 3: They can show it even.

1596
01:07:23,079 --> 01:07:26,599
Speaker 1: Yeah, they kept him alive because he understand like human psyche,

1597
01:07:27,119 --> 01:07:28,280
so I guess they abducted him.

1598
01:07:28,880 --> 01:07:31,440
Speaker 4: He was able to concoct They they knew what they wanted,

1599
01:07:31,480 --> 01:07:33,039
but they couldn't do it because they don't have the

1600
01:07:33,079 --> 01:07:35,239
correct emotions or how to read emotions. So that's what

1601
01:07:35,320 --> 01:07:37,119
he kind of does when he's concocting the memories.

1602
01:07:37,199 --> 01:07:40,760
Speaker 1: Yeah, why didn't think it like a hundred psychologists for this,

1603
01:07:43,119 --> 01:07:45,639
Why do they think that learning what a soul is

1604
01:07:45,760 --> 01:07:47,639
is going to help them? I don't know.

1605
01:07:47,840 --> 01:07:49,679
Speaker 3: Now you're starting getting over the actual problem.

1606
01:07:50,559 --> 01:07:53,199
Speaker 4: But yeah, I mean, clearly it's all a metaphor for

1607
01:07:54,840 --> 01:07:57,079
you know, it's the same line that runs through the

1608
01:07:57,159 --> 01:07:59,159
matrix or like Animal Farm or anything.

1609
01:07:58,960 --> 01:08:00,960
Speaker 2: Like Animal Farm.

1610
01:08:01,320 --> 01:08:06,280
Speaker 1: Uh's but the new Animal Farm movie and Andy Cercus,

1611
01:08:06,480 --> 01:08:10,000
Animal Farm, Andy Serkis and his apes, those.

1612
01:08:09,880 --> 01:08:12,880
Speaker 3: Movies are fucking classics. But like you do, Animal Farm

1613
01:08:12,920 --> 01:08:14,599
one of the best books ever written. You don't even

1614
01:08:14,679 --> 01:08:17,119
actually use the fucking information in the book and he.

1615
01:08:17,079 --> 01:08:18,239
Speaker 1: Says, this is my life project.

1616
01:08:18,279 --> 01:08:19,359
Speaker 3: I wants for twenty years.

1617
01:08:19,800 --> 01:08:20,119
Speaker 1: I don't know.

1618
01:08:20,159 --> 01:08:22,039
Speaker 3: It was a fucking book whatever.

1619
01:08:22,159 --> 01:08:24,720
Speaker 1: Whatever made it to theaters was not his life project.

1620
01:08:25,159 --> 01:08:25,840
It didn't come out.

1621
01:08:26,319 --> 01:08:26,920
Speaker 6: We came out.

1622
01:08:27,399 --> 01:08:29,399
Speaker 3: Oh, it's a musical like.

1623
01:08:29,439 --> 01:08:32,439
Speaker 1: The Ripped Apart. Yeah. My favorite thing is that Angel

1624
01:08:32,479 --> 01:08:36,079
Studios was paying influencers to talk about it, and some

1625
01:08:36,199 --> 01:08:38,640
of them clearly didn't watch the movie because the one

1626
01:08:38,760 --> 01:08:41,000
was like, it really shows you the dangers of Marxism

1627
01:08:41,079 --> 01:08:43,880
and she didn't realize they changed it to be about capitalism.

1628
01:08:44,479 --> 01:08:46,359
So they were all getting paid to get it was

1629
01:08:46,399 --> 01:08:47,279
a whole disaster.

1630
01:08:47,439 --> 01:08:48,720
Speaker 3: It's a political slattire.

1631
01:08:48,840 --> 01:08:51,880
Speaker 5: But then they make a satire of a political satire

1632
01:08:51,920 --> 01:08:53,760
and then you lose it all and then you just

1633
01:08:53,800 --> 01:08:55,640
shoot yourself in the fucking heck because you're better off

1634
01:08:55,680 --> 01:08:56,880
than watching Animal Farm.

1635
01:08:57,199 --> 01:09:00,920
Speaker 1: Yep. But you got a Doug Sound critic reviewed and

1636
01:09:00,960 --> 01:09:02,680
he was like, I can't believe this is a thing.

1637
01:09:03,199 --> 01:09:05,399
Like everyone who's reviewed it was like, what the fuck

1638
01:09:05,560 --> 01:09:07,520
was this? They got some big names involved. I'm like,

1639
01:09:07,600 --> 01:09:09,520
how did they How did anyone agree to this and

1640
01:09:09,600 --> 01:09:10,760
not realize it's a bad idea.

1641
01:09:11,399 --> 01:09:14,600
Speaker 4: Basically, it's yeah, anyway, it's like the meaning of life,

1642
01:09:14,720 --> 01:09:16,199
you know what I mean? Like, why why do we

1643
01:09:16,439 --> 01:09:18,640
just we can't survive if we don't know what to do?

1644
01:09:18,880 --> 01:09:20,000
Or why were he kind of.

1645
01:09:20,000 --> 01:09:23,800
Speaker 1: Thing, yeah we should, we should review animals. Yeah, to

1646
01:09:23,960 --> 01:09:27,359
sign me up. Let's let's get let's get philosophical with him.

1647
01:09:28,239 --> 01:09:29,840
I mean we touched on it a little bit. Any

1648
01:09:29,920 --> 01:09:33,319
services directing career has been very upsetting. Please I liked

1649
01:09:33,439 --> 01:09:37,760
Venom too, but I'm not really excited for his Gollim movie. Really, Christ,

1650
01:09:38,079 --> 01:09:40,159
please tell me that it's all fucking talking animals in

1651
01:09:40,239 --> 01:09:44,000
the movie. Right, Yeah, Oh okay, except Elon Musk's mom

1652
01:09:44,119 --> 01:09:44,880
is also a bad guy?

1653
01:09:45,600 --> 01:09:46,159
Speaker 3: Is she really?

1654
01:09:46,600 --> 01:09:46,640
Speaker 4: So?

1655
01:09:46,760 --> 01:09:51,079
Speaker 1: They literally got a character who looks exactly what you know,

1656
01:09:51,319 --> 01:09:54,760
you're making the new character at its at the store

1657
01:09:54,800 --> 01:09:58,000
as a whole like warbid curiosity is peaked. That's the thing.

1658
01:09:58,039 --> 01:09:59,520
There are some people who are like, now we kind

1659
01:09:59,520 --> 01:10:00,079
of what want.

1660
01:10:00,720 --> 01:10:03,399
Speaker 4: I don't want to see its because, like when I

1661
01:10:03,560 --> 01:10:07,479
saw Cats, I love Andy Serkis so it's like, Jesus, man,

1662
01:10:07,560 --> 01:10:08,680
what are you doing as an actor?

1663
01:10:10,119 --> 01:10:12,279
Speaker 1: It seems like he's not really sticking with this directing.

1664
01:10:12,479 --> 01:10:13,920
It's not doing very well.

1665
01:10:13,920 --> 01:10:16,800
Speaker 3: See I know you're trying to move on. I search

1666
01:10:16,840 --> 01:10:18,479
for Gollum, Go fuck yourself.

1667
01:10:18,680 --> 01:10:20,680
Speaker 1: I don't need that. I'm even less excited for the

1668
01:10:20,680 --> 01:10:23,359
Stephen Colbert one, and he's doing a different one that

1669
01:10:23,720 --> 01:10:26,199
happens that's probably about Tom Bombadil, and I'm like.

1670
01:10:26,279 --> 01:10:29,000
Speaker 4: No, I'm more okay with stuff that we haven't seen

1671
01:10:29,119 --> 01:10:31,279
before than I am with going back to the fucking well.

1672
01:10:31,319 --> 01:10:34,039
It's like the Star Wars problem. Yeah, big giant universe,

1673
01:10:34,039 --> 01:10:35,760
and we keep talking about the same fucking characters.

1674
01:10:35,920 --> 01:10:39,439
Speaker 1: You don't care yep, Okay, back to this so.

1675
01:10:39,800 --> 01:10:43,479
Speaker 5: We all have the backstory now the Mandalorian save a

1676
01:10:43,520 --> 01:10:45,880
movie and Luke Skywalker had to show up because.

1677
01:10:45,920 --> 01:10:48,159
Speaker 1: We started at the time this airs. I had to

1678
01:10:48,199 --> 01:10:50,159
force myself to watch season three just to know what

1679
01:10:50,319 --> 01:10:53,760
was going on in the movie. We'll find out, not

1680
01:10:53,920 --> 01:10:58,000
the movie, the season three. I heard everyone hated that one, like,

1681
01:10:58,079 --> 01:11:03,319
that's the Lizzo one. Joe's a big Lizzo fan. One episode, dude, Yeah,

1682
01:11:03,319 --> 01:11:05,279
it's the Lizo show as far as I'm concerned, I

1683
01:11:05,359 --> 01:11:07,760
love calling it. The Lizzo. Isn't a Jack Locking Lizzo,

1684
01:11:08,000 --> 01:11:08,840
Yeah he was.

1685
01:11:09,199 --> 01:11:13,079
Speaker 4: And then Christopher Lloyd's there like fucking being puppeteered anything.

1686
01:11:13,239 --> 01:11:15,680
Speaker 1: Right now, he's ahead and Wednesday season.

1687
01:11:15,920 --> 01:11:18,880
Speaker 4: But as far as far as like that season goes,

1688
01:11:18,920 --> 01:11:21,279
it was fine. I'm looking forward to Mando and Grogu.

1689
01:11:21,359 --> 01:11:23,199
Should have been a series, not a movie. But anyway,

1690
01:11:23,239 --> 01:11:25,520
we'll see what happens. By the time the stairs, maybe you're.

1691
01:11:25,439 --> 01:11:28,399
Speaker 1: Like they ruined it. I don't. I'm so lukewarm. I'm

1692
01:11:28,439 --> 01:11:32,560
like whatever hard to ruin Star Wars these days. Okay,

1693
01:11:32,600 --> 01:11:37,600
So they get to shell Beach. It's a billboard on

1694
01:11:37,720 --> 01:11:40,479
a wall and they're like, no, this can't be and

1695
01:11:40,520 --> 01:11:42,039
they're like we're gonna rip it. And then they're like

1696
01:11:42,079 --> 01:11:45,920
we're gonna break the wall down. He's like, it's a lie, dude, Hey,

1697
01:11:46,000 --> 01:11:48,399
don't do that. These guys didn't really vacuum.

1698
01:11:49,079 --> 01:11:50,880
Speaker 3: Well, they didn't know that because I would have done

1699
01:11:50,920 --> 01:11:52,600
the same fucking thing. And it's like it's a brick wall.

1700
01:11:52,640 --> 01:11:55,560
Speaker 1: They starts smashing it down, so they he tunes and

1701
01:11:55,640 --> 01:11:58,279
explodes and it's just the fastness of space.

1702
01:11:58,640 --> 01:12:03,840
Speaker 4: It's such a powerful scene. Yeah, especially like it since

1703
01:12:03,880 --> 01:12:06,399
the theatricals front loaded and like that kind of fucks

1704
01:12:06,439 --> 01:12:08,640
everything up. Yeah, and because like you don't know if

1705
01:12:08,640 --> 01:12:11,359
it's a dream world, or if it's on show and

1706
01:12:11,359 --> 01:12:13,000
then it's like, holy shit, they're in space.

1707
01:12:13,039 --> 01:12:14,960
Speaker 1: I had friends at the time that I showed just

1708
01:12:15,079 --> 01:12:16,880
the director's cut to and that was like a big

1709
01:12:17,000 --> 01:12:19,319
reveal for all of them, Like, what the It's a

1710
01:12:19,359 --> 01:12:21,319
pretty powerful part. I mean, it is a powerful part

1711
01:12:21,359 --> 01:12:21,720
of the movie.

1712
01:12:21,880 --> 01:12:24,079
Speaker 5: I will say though, even though this movie is incredibly

1713
01:12:24,199 --> 01:12:27,439
dreamy and comic booky up to this point, it is powerful.

1714
01:12:27,600 --> 01:12:31,560
Speaker 3: But I can't turn that part of my brain off.

1715
01:12:31,640 --> 01:12:33,600
Speaker 5: You fucking shot a hole into space and they're not

1716
01:12:33,720 --> 01:12:34,840
instantly getting sucked out.

1717
01:12:35,119 --> 01:12:36,600
Speaker 3: There's ten seconds.

1718
01:12:36,640 --> 01:12:39,079
Speaker 1: There is a barrier, there's a force field.

1719
01:12:39,399 --> 01:12:42,000
Speaker 5: I guess I missed that deep you're too close, you

1720
01:12:42,119 --> 01:12:43,600
will get sucked out into the back.

1721
01:12:43,760 --> 01:12:46,039
Speaker 1: I mean there's some kind of a vacuum because things

1722
01:12:46,079 --> 01:12:49,680
do fall out like an instant one. Because they show

1723
01:12:49,960 --> 01:12:52,520
when the wall breaks, it goes out into space and

1724
01:12:52,560 --> 01:12:54,520
you see this blue it's kind of like the aliens.

1725
01:12:56,159 --> 01:12:57,079
It's like an aura that goes.

1726
01:12:57,159 --> 01:12:59,680
Speaker 3: I beg them to be instantly powerful.

1727
01:12:59,800 --> 01:13:01,880
Speaker 1: Yeah, I'm saying there. They did make a point to

1728
01:13:01,920 --> 01:13:03,399
show that there was some kind of force field that

1729
01:13:03,560 --> 01:13:04,399
maybe stops that.

1730
01:13:05,119 --> 01:13:09,119
Speaker 5: Fair enough, get back it doesn't work one hundred percent accurately.

1731
01:13:10,199 --> 01:13:12,359
Ten seconds later, William hurt and one of the strangers.

1732
01:13:13,760 --> 01:13:18,159
Speaker 4: The strangers like, show up, poor fucking baskeardts unceremonious of

1733
01:13:18,199 --> 01:13:19,039
the vacuum of space.

1734
01:13:20,239 --> 01:13:23,239
Speaker 1: The funny thing is this actually reminds me of the

1735
01:13:24,479 --> 01:13:26,359
I think this might shock you. I'm glad you guys

1736
01:13:26,359 --> 01:13:28,640
are sitting down. I think Stranger Things rip something off.

1737
01:13:29,880 --> 01:13:32,720
Speaker 3: I know the show that was based on homages.

1738
01:13:34,319 --> 01:13:36,039
Speaker 1: That's what it was. The last season.

1739
01:13:36,760 --> 01:13:39,159
Speaker 2: There's that part where the car escapes the did you

1740
01:13:39,159 --> 01:13:39,680
guys watch it?

1741
01:13:40,479 --> 01:13:41,880
Speaker 5: I just said I love the show. I didn't even

1742
01:13:41,920 --> 01:13:45,279
watch the last season. Oh no, the hype killed it

1743
01:13:45,319 --> 01:13:47,239
for him. Okay, I watched the first season. In one

1744
01:13:47,279 --> 01:13:48,760
episode of the second season, and that's all.

1745
01:13:50,319 --> 01:13:52,760
Speaker 1: Spoiler, you find out that the Upside Down is basically

1746
01:13:52,800 --> 01:13:56,359
a bridge between universes. That's a big wall. It's like

1747
01:13:56,399 --> 01:13:59,359
a big cylinder wall, and eventually like a car, like

1748
01:13:59,520 --> 01:14:01,640
they week in the wall and a car gets blown out,

1749
01:14:01,720 --> 01:14:04,079
and then like you see how big it actually is

1750
01:14:04,279 --> 01:14:06,439
between the two black and this is like this where

1751
01:14:07,439 --> 01:14:10,079
the Bumpstead and the stranger fall out and he's falling

1752
01:14:10,119 --> 01:14:13,159
so back and he finally sees how big the city.

1753
01:14:14,479 --> 01:14:16,800
Speaker 4: And he's happened for the reveal, and it's fucking awesome.

1754
01:14:16,840 --> 01:14:20,600
It's this giant disc with like this literal dark city

1755
01:14:20,680 --> 01:14:22,600
TM is on top of it, and then you see

1756
01:14:22,600 --> 01:14:23,760
all the mechanics underneath.

1757
01:14:23,840 --> 01:14:24,479
Speaker 1: Yeah, I love that.

1758
01:14:24,560 --> 01:14:28,079
Speaker 2: He goes even further and you see like the Stranger's later.

1759
01:14:28,199 --> 01:14:34,800
Speaker 5: It's really cool, Like he probably sees it as he's

1760
01:14:34,840 --> 01:14:38,039
about to get evaporated, hit by the force field er,

1761
01:14:38,079 --> 01:14:39,479
just losing all their but yeah.

1762
01:14:39,399 --> 01:14:41,479
Speaker 1: Be hindsight's twenty twenty, and he doesn't back then, he

1763
01:14:41,520 --> 01:14:42,359
doesn't backflip, and.

1764
01:14:42,560 --> 01:14:46,880
Speaker 5: And he's dead, and then Murdoch and then everything starts

1765
01:14:46,880 --> 01:14:49,439
getting sucked out and they have a fuck out of there.

1766
01:14:49,720 --> 01:14:52,880
Speaker 1: But then he's like, I think the strangers threatened to

1767
01:14:53,000 --> 01:14:55,880
kill Emma. And he's like, I don't even actually know you.

1768
01:14:57,359 --> 01:14:58,800
I don't care if they're like, oh, then you don't

1769
01:14:58,840 --> 01:15:00,760
mind if we kill her, And he's like, no, she's hot,

1770
01:15:00,840 --> 01:15:04,520
don't kill her. She's pretty hot. Pretty hot, guys, don't

1771
01:15:04,600 --> 01:15:08,079
kill her. So he surrenders and they take him to

1772
01:15:08,439 --> 01:15:09,239
the layer.

1773
01:15:12,720 --> 01:15:14,479
Speaker 3: Get on the table, mister mur Dots.

1774
01:15:14,880 --> 01:15:17,800
Speaker 1: They go down the roller coaster. It was like a

1775
01:15:17,840 --> 01:15:19,840
little miniature that they put the camera on, but he's

1776
01:15:19,880 --> 01:15:21,319
asleep the whole time, and he wakes up.

1777
01:15:21,319 --> 01:15:24,199
Speaker 3: He's like, well, this is fucking six space, go back

1778
01:15:24,239 --> 01:15:24,600
to sleep.

1779
01:15:24,680 --> 01:15:26,760
Speaker 5: We get that second scene somewhere either right before this

1780
01:15:26,880 --> 01:15:30,039
or the other pool scene work key for. They start

1781
01:15:30,079 --> 01:15:32,760
beating on him, and so like he's in this scene

1782
01:15:32,840 --> 01:15:33,840
now post beating, and.

1783
01:15:33,840 --> 01:15:35,000
Speaker 3: As we've got the lump dive.

1784
01:15:35,199 --> 01:15:39,520
Speaker 5: Oh yeah, well he's like in this fucking case, like

1785
01:15:39,600 --> 01:15:44,039
a hamster case. They don't trust him anymore. He's got

1786
01:15:44,159 --> 01:15:45,439
like full hard cone and sleeve.

1787
01:15:47,600 --> 01:15:50,479
Speaker 1: But they're looking at Murdoch and they realize like his hands,

1788
01:15:50,640 --> 01:15:53,199
his fingerprints are now spirals. So he's like becoming sort

1789
01:15:53,239 --> 01:15:55,800
of like them. He's just like going full on there. Yeah,

1790
01:15:55,800 --> 01:15:59,399
and they're like, okay, we're gonna print with him. We're

1791
01:15:59,399 --> 01:16:01,319
gonna fuck it. Take his juice and put it right

1792
01:16:01,359 --> 01:16:03,880
into my own. Yes, and we will all get it

1793
01:16:04,000 --> 01:16:06,439
and then we'll all have our individuality and our souls.

1794
01:16:07,279 --> 01:16:09,560
Speaker 4: Wait, they want to hit him with the black juice,

1795
01:16:10,359 --> 01:16:12,359
I think so, yeah, they want to stick They want

1796
01:16:12,359 --> 01:16:14,680
to stick the black juice into his head. Yes, and

1797
01:16:14,800 --> 01:16:17,279
then that will that will imprint him with them.

1798
01:16:17,680 --> 01:16:19,079
Speaker 1: And then as the hive mind.

1799
01:16:19,640 --> 01:16:21,720
Speaker 4: Yeah that they don't really do but kind of but

1800
01:16:21,840 --> 01:16:24,359
sort of and then or he'll like reveal their secrets.

1801
01:16:24,720 --> 01:16:29,199
Speaker 1: Yeah. So they're planning for that and the doctor's talking

1802
01:16:29,199 --> 01:16:31,600
to him and he switches out the thing.

1803
01:16:31,640 --> 01:16:35,039
Speaker 3: How nobody sees. Don't worry, John, I'm going to help

1804
01:16:35,159 --> 01:16:35,880
you real quick.

1805
01:16:36,000 --> 01:16:38,399
Speaker 1: Okay, I'm just gonna old switcher.

1806
01:16:39,000 --> 01:16:41,840
Speaker 3: These fuckers and stadium seatings. Like again the end of

1807
01:16:41,920 --> 01:16:42,520
Cone Heads.

1808
01:16:42,840 --> 01:16:44,000
Speaker 1: No one saw this.

1809
01:16:44,399 --> 01:16:45,159
Speaker 3: Can they say?

1810
01:16:45,239 --> 01:16:47,399
Speaker 1: Two inches further than the front of their Oh god,

1811
01:16:47,479 --> 01:16:49,800
you hit Harrison Ford end letter Boys in a while,

1812
01:16:49,880 --> 01:16:52,399
there's one dude in the back like he's got the thing.

1813
01:16:53,239 --> 01:16:55,039
Speaker 3: Anyway, plot has to happen, Bobby.

1814
01:16:57,600 --> 01:17:01,039
Speaker 1: Ye now I am thinking of like a junior falling

1815
01:17:01,119 --> 01:17:08,399
into his head whatever. Yeah, so he puts the memories

1816
01:17:08,399 --> 01:17:11,640
in him, and he's programmed memories where it's the doctor

1817
01:17:12,199 --> 01:17:14,880
teaching him how to master his abilities over the course

1818
01:17:14,920 --> 01:17:17,800
of decades. This is fucking awesome because he's there when

1819
01:17:17,800 --> 01:17:19,399
he's good. He's like, Hi, I'm a fucking ice cream man.

1820
01:17:19,439 --> 01:17:22,760
Speaker 4: Guess what, You're a psychic and he's like lifted, but

1821
01:17:22,920 --> 01:17:24,680
she's like, you're doing real good, kid, really good.

1822
01:17:24,720 --> 01:17:26,800
Speaker 1: One day I'll work for you. He's like, remember, you

1823
01:17:26,880 --> 01:17:28,279
gotta try it here. He's like, let me show you

1824
01:17:28,359 --> 01:17:30,840
their machines and this is he's like.

1825
01:17:30,880 --> 01:17:32,600
Speaker 4: A teacher, and he's like, he's like, by the way,

1826
01:17:32,640 --> 01:17:34,800
I keep appearing in your memories because I'm actually from

1827
01:17:34,800 --> 01:17:36,520
the future and I'm helping you out learning how to

1828
01:17:36,720 --> 01:17:37,760
do their fucking psychos.

1829
01:17:37,960 --> 01:17:41,720
Speaker 5: He's like, you're gonna learn ten decades of information five seconds,

1830
01:17:41,800 --> 01:17:44,520
and then we're gonna bring him down to their fucking knees, baby.

1831
01:17:44,439 --> 01:17:48,399
Speaker 1: Which is a lot like the matrix. Is they just

1832
01:17:48,399 --> 01:17:52,720
plugging in Johnny knamonic where they're putting information in their head.

1833
01:17:52,800 --> 01:17:56,319
Speaker 3: It's a whole time. It's download downloading, like you said

1834
01:17:56,359 --> 01:17:58,640
to his head, you know. Keifer's like waiting for it

1835
01:17:58,720 --> 01:18:01,119
to finish, and it keeps cutting back between his little

1836
01:18:01,159 --> 01:18:05,399
monologuing like that. There goes the Han fell over totally.

1837
01:18:06,800 --> 01:18:09,319
Speaker 1: I love I love mister hand is picking up. He's like,

1838
01:18:09,680 --> 01:18:10,880
something's not right.

1839
01:18:10,880 --> 01:18:15,399
Speaker 5: Something, something's a miss, like why is this taking so long?

1840
01:18:15,439 --> 01:18:17,600
And then they noticed the other syringder you try to

1841
01:18:17,680 --> 01:18:19,720
hide it that well didn't look the same.

1842
01:18:20,039 --> 01:18:24,279
Speaker 1: Somebody's like and he like Trader, but I love John

1843
01:18:24,279 --> 01:18:26,159
wakes up and he's able to control the table and

1844
01:18:26,239 --> 01:18:28,000
he's back up there and he just looks at all them.

1845
01:18:28,039 --> 01:18:31,000
Speaker 4: They're like, oh, he has awoken. He sees all the code.

1846
01:18:31,119 --> 01:18:37,800
Everybody is green. Yeah, he fucking he just like he's

1847
01:18:37,880 --> 01:18:40,359
like his like shackles, Like he sits up on the

1848
01:18:40,439 --> 01:18:42,479
table and they like disintegrate and then he lets keep

1849
01:18:42,479 --> 01:18:43,760
her south one out with his mind.

1850
01:18:43,880 --> 01:18:47,560
Speaker 1: Yeah, he has a full on like side die battle

1851
01:18:47,640 --> 01:18:49,640
with conehead Man. He's gonna say, they have like the

1852
01:18:49,800 --> 01:18:50,840
anime beams.

1853
01:18:50,920 --> 01:18:56,359
Speaker 5: Oh my god, there's scanners but less bored remind me.

1854
01:18:57,239 --> 01:18:59,800
Speaker 1: But I love I love that mister Books is having

1855
01:19:00,079 --> 01:19:01,680
like swords come out of the ground.

1856
01:19:02,039 --> 01:19:02,960
Speaker 3: That was kind of crazy.

1857
01:19:03,479 --> 01:19:05,600
Speaker 1: He's just making change reality.

1858
01:19:06,079 --> 01:19:08,800
Speaker 5: I saw it as an evil dead trap that Japanese,

1859
01:19:08,840 --> 01:19:10,319
but it has nothing to do with evil dead.

1860
01:19:11,000 --> 01:19:12,760
Speaker 1: They do that. I got then memory from one of

1861
01:19:12,800 --> 01:19:15,439
the other people that were in the world. But yeah,

1862
01:19:15,439 --> 01:19:18,279
they're shooting beams. Strangers are dying left or right because

1863
01:19:18,319 --> 01:19:21,880
the world is cracking. The little kid stranger dies, which

1864
01:19:21,920 --> 01:19:24,199
reminds me of he was a corpse. Anyway. Yeah, when

1865
01:19:24,199 --> 01:19:26,399
I when I watched this, I watch my friend in

1866
01:19:26,520 --> 01:19:30,399
college and at the time before I showed him this movie,

1867
01:19:30,439 --> 01:19:31,960
I broke up with the girl who had a very

1868
01:19:32,039 --> 01:19:35,880
high pitched voice. I creeped out all my friends. Uh

1869
01:19:36,239 --> 01:19:39,840
so when this kid earlier goes killn my friend went,

1870
01:19:39,880 --> 01:19:42,039
oh my god, that's like her son or something he

1871
01:19:42,159 --> 01:19:44,239
kept calling. I'm not gonna say her name, but he's

1872
01:19:44,279 --> 01:19:47,279
like that looks like so and so junior friend. God,

1873
01:19:47,640 --> 01:19:49,560
So whenever I watch this movie, whenever he goes killed,

1874
01:19:49,600 --> 01:19:51,319
I just think of my friend making that comment.

1875
01:19:51,800 --> 01:19:53,239
Speaker 3: There goes your exes son.

1876
01:19:53,239 --> 01:19:56,239
Speaker 1: Dying in the Her voice was very high pitch and

1877
01:19:56,359 --> 01:19:58,960
she was a little creepy sidebar.

1878
01:19:58,680 --> 01:20:02,560
Speaker 4: Real quick, like the the creepiness of like them like

1879
01:20:02,760 --> 01:20:06,960
inheriting corpses like that. So that little kid was just dead,

1880
01:20:07,119 --> 01:20:10,399
and they're like, yeah, yeah over here. Yeah, why would

1881
01:20:10,439 --> 01:20:12,600
you pick that? As you assume they don't know any better.

1882
01:20:12,640 --> 01:20:15,319
Speaker 1: I assume that humans still get like diseases and stuff.

1883
01:20:15,600 --> 01:20:18,399
I guess. So, I mean they kill them, do they

1884
01:20:18,520 --> 01:20:21,159
rot though you think they Here's the question, why are

1885
01:20:21,199 --> 01:20:23,560
they all? Like, guys, are these racists? We see there's

1886
01:20:23,560 --> 01:20:26,520
black people on this planet? Wow, some racist?

1887
01:20:26,800 --> 01:20:28,439
Speaker 4: Well they see the other people interacting and that we

1888
01:20:28,479 --> 01:20:31,439
don't like those people, then well maybe we shouldn't inherit

1889
01:20:31,520 --> 01:20:32,359
those dead bodies.

1890
01:20:32,920 --> 01:20:35,760
Speaker 3: God, it's more to do with being made in nineteen ninety.

1891
01:20:35,600 --> 01:20:39,239
Speaker 1: Eight saying we saw them there were they were in

1892
01:20:39,319 --> 01:20:41,720
the city. Oh, there's like a huge actor. The guy

1893
01:20:41,760 --> 01:20:43,279
from Lord of the Rings is one of.

1894
01:20:43,279 --> 01:20:47,520
Speaker 4: The strange Yeah, David Winnham, Yeah right, I missed that,

1895
01:20:48,039 --> 01:20:50,800
or the Friar from Ben or the guy yeah, I

1896
01:20:50,920 --> 01:20:53,119
made you a fucking crossbow and all this ship.

1897
01:20:53,279 --> 01:20:55,640
Speaker 1: I think he was a bad guy in uh Iron

1898
01:20:55,720 --> 01:20:57,640
fifth season one. Maybe maybe he's.

1899
01:20:57,479 --> 01:20:59,960
Speaker 4: Also in three hundred right right, well, that's what I remember.

1900
01:21:00,079 --> 01:21:01,119
Speaker 3: We have a brother or whatever.

1901
01:21:01,239 --> 01:21:02,920
Speaker 1: He tells the story. He's like, this is the Battle

1902
01:21:02,960 --> 01:21:04,760
of the three hundred, but this is like before he

1903
01:21:04,920 --> 01:21:07,920
was anything. So it's like, yeah, but he's in full makeup,

1904
01:21:07,960 --> 01:21:11,399
I mean, you know, but yeah, everything's just falling apart now.

1905
01:21:11,560 --> 01:21:13,800
I do question the Hive Mind because it's like, why

1906
01:21:13,840 --> 01:21:17,000
aren't they all hitting him with the psychic blast again?

1907
01:21:17,479 --> 01:21:19,079
Speaker 5: This is what knocks the score down for me a

1908
01:21:19,119 --> 01:21:20,960
little bit, some of these plot holes, but it's so

1909
01:21:21,159 --> 01:21:24,039
enjoyable overall. I don't think they can all do the

1910
01:21:24,119 --> 01:21:27,159
psionic blast only like mister book.

1911
01:21:27,520 --> 01:21:29,720
Speaker 1: No, because when they're doing the tuning. It's all of

1912
01:21:29,840 --> 01:21:32,359
them hitting that shit. Yeah, that's the point, unless they're

1913
01:21:32,359 --> 01:21:34,239
all distracted by all the explosions.

1914
01:21:34,359 --> 01:21:36,479
Speaker 4: They all have to really concentrate, I guess. And now

1915
01:21:36,520 --> 01:21:37,680
that's like, oh, everything's in care.

1916
01:21:37,800 --> 01:21:40,359
Speaker 1: You know, they're already acting like individuals. It's almost like

1917
01:21:40,520 --> 01:21:43,279
they had it all along and they just didn't know.

1918
01:21:43,359 --> 01:21:44,880
They just didn't know. They didn't look, they didn't they

1919
01:21:44,880 --> 01:21:45,840
were looking in the wrong place.

1920
01:21:46,319 --> 01:21:48,319
Speaker 5: It's almost like they added this high mind ship in

1921
01:21:48,399 --> 01:21:49,600
the last fucking minute.

1922
01:21:50,000 --> 01:21:53,279
Speaker 3: It's not a hive mind. Yeah, it isn't fucking enders

1923
01:21:53,399 --> 01:21:54,000
game or something.

1924
01:21:54,560 --> 01:21:58,239
Speaker 1: I guess they all have shared memories, but not unique memories,

1925
01:21:58,319 --> 01:22:00,399
like they're just remembering everything that happened to them as

1926
01:22:00,479 --> 01:22:02,039
society society. Maybe I don't know.

1927
01:22:02,319 --> 01:22:04,399
Speaker 4: This is the exact moment that Doctor Doom crashes in

1928
01:22:04,439 --> 01:22:06,680
from the multipson giant clock.

1929
01:22:06,920 --> 01:22:09,479
Speaker 1: I love when like all the stuff underground is coming

1930
01:22:09,600 --> 01:22:11,680
up through the city, the big head splits open and

1931
01:22:11,800 --> 01:22:14,359
they're like now they're flying in the air, and they're

1932
01:22:14,399 --> 01:22:16,640
like and I'm like, oh my god, they're flying the air.

1933
01:22:16,680 --> 01:22:18,760
When I first watched this, like what kind of crazy

1934
01:22:19,079 --> 01:22:20,560
like kung fu are they gonna do? And then he

1935
01:22:20,640 --> 01:22:21,279
just throws a knife.

1936
01:22:27,000 --> 01:22:29,760
Speaker 3: Well, then Murnoch's like going full Jesus. He starts floating.

1937
01:22:29,880 --> 01:22:30,920
Speaker 1: He kills like the main guy.

1938
01:22:31,000 --> 01:22:32,479
Speaker 3: Then he's like floating in the air. He's like, I

1939
01:22:32,600 --> 01:22:33,880
will make this universe my own.

1940
01:22:33,920 --> 01:22:36,319
Speaker 1: And he's like, well, what did you throw the what

1941
01:22:36,439 --> 01:22:36,800
did he throw?

1942
01:22:36,840 --> 01:22:40,199
Speaker 2: The guy into a giant water towel which.

1943
01:22:40,359 --> 01:22:42,720
Speaker 1: His body interacts with and it's just explodes.

1944
01:22:42,760 --> 01:22:44,600
Speaker 3: That was good, and then like the fucking thing comes

1945
01:22:44,640 --> 01:22:45,319
out of his mouth.

1946
01:22:45,520 --> 01:22:47,920
Speaker 1: Yeah, and it just Liketgrate's pretty cool.

1947
01:22:48,159 --> 01:22:50,079
Speaker 3: Yeah, he's like Jesus floating in the air.

1948
01:22:50,560 --> 01:22:53,239
Speaker 1: It burns up like a vampire. And Blade, yeah, which

1949
01:22:53,239 --> 01:22:56,199
apparently Alex Broyce did read the script for Blade before

1950
01:22:56,239 --> 01:22:57,960
it came out, and I think that was another reason

1951
01:22:58,000 --> 01:23:01,319
that sold him on David Koyer. But yeah, that whole

1952
01:23:01,359 --> 01:23:08,199
like tentacle thing is like it's so sad. That's great.

1953
01:23:08,520 --> 01:23:12,199
It is a cool finale. But yeah, he destroys everything

1954
01:23:13,000 --> 01:23:14,159
and then the doctors.

1955
01:23:13,840 --> 01:23:16,680
Speaker 4: Are like, well, what are you going to do now, John,

1956
01:23:16,920 --> 01:23:19,560
and he's like, whatever the fuck I want rebuilds.

1957
01:23:19,600 --> 01:23:21,039
Speaker 1: He's like I'm gonna go see him and he's like,

1958
01:23:21,439 --> 01:23:23,560
you can't do that, and he's just gonna remember who

1959
01:23:23,600 --> 01:23:25,359
you are. He's like why, He's like, he destroyed the

1960
01:23:25,399 --> 01:23:27,399
facility that makes the memory, so he should be like,

1961
01:23:27,520 --> 01:23:29,359
can I just rebuild it with my mind?

1962
01:23:29,680 --> 01:23:32,880
Speaker 4: He can also just be like, now you're gonna remember

1963
01:23:32,920 --> 01:23:34,319
everything and like grab her head or something.

1964
01:23:34,439 --> 01:23:34,760
Speaker 1: I don't know.

1965
01:23:34,960 --> 01:23:37,920
Speaker 2: I don't know if he can like change. I don't

1966
01:23:37,920 --> 01:23:38,560
know if he can change.

1967
01:23:40,439 --> 01:23:44,359
Speaker 4: The man makes the fucking sunrise, and he creates the ocean,

1968
01:23:44,399 --> 01:23:49,319
and he literally creates shell beach around this giant uh ufo.

1969
01:23:49,840 --> 01:23:53,199
Basically he makes that is cool where he makes all

1970
01:23:53,239 --> 01:23:55,439
the water. He turns it into edge City, and this

1971
01:23:55,560 --> 01:23:56,600
is a prequel to the mask.

1972
01:23:57,279 --> 01:23:59,239
Speaker 1: I guess he could rebuild the thing, but maybe they

1973
01:23:59,319 --> 01:24:01,840
just don't have Maybe maybe there's certain things he can't recreate.

1974
01:24:02,239 --> 01:24:04,800
Speaker 5: I like the mass joke, but I was just thinking, again,

1975
01:24:04,880 --> 01:24:06,720
let me just add some science. Yeah, sure, like I

1976
01:24:06,800 --> 01:24:09,359
know anything about science. I got a fucking dan science

1977
01:24:09,359 --> 01:24:11,840
at high school. You're gonna try to well, I already

1978
01:24:11,880 --> 01:24:14,159
did earlier. I'm just saying, like, you know how much

1979
01:24:14,319 --> 01:24:15,239
waterways by.

1980
01:24:15,199 --> 01:24:16,159
Speaker 3: Like Cubic Square.

1981
01:24:16,720 --> 01:24:19,399
Speaker 5: Holy fuck, that space ship's gonna implode on itself.

1982
01:24:20,039 --> 01:24:21,319
Speaker 3: But again that's not the point.

1983
01:24:21,399 --> 01:24:24,039
Speaker 1: Yeah, well, they have off but still have like weird

1984
01:24:24,159 --> 01:24:25,800
gravity force field ship.

1985
01:24:26,039 --> 01:24:28,079
Speaker 5: We had shell beach for ten minutes and then all

1986
01:24:28,119 --> 01:24:30,680
the circuit's overloaded and the fucking ship blow up.

1987
01:24:31,319 --> 01:24:34,359
Speaker 4: Oh wow, that fucker. It rains every day in Dark City.

1988
01:24:34,399 --> 01:24:36,439
If that motherfucker waterproof, I don't know, man.

1989
01:24:37,439 --> 01:24:39,479
Speaker 1: But yeah, So he makes the ocean and he goes

1990
01:24:39,560 --> 01:24:41,880
there and this is where Anna it's kind of gets

1991
01:24:41,880 --> 01:24:43,960
off her shift. It's kind of beautiful. And yeah, she

1992
01:24:44,119 --> 01:24:46,880
like meets him on the pier over there. It's a

1993
01:24:46,880 --> 01:24:49,720
really good moo oh uh. Before he opens up the door,

1994
01:24:50,279 --> 01:24:52,760
he runs into mister Hand, who's like the only survivor.

1995
01:24:52,840 --> 01:24:54,399
Oh yeah, the only survivor we know.

1996
01:24:54,479 --> 01:24:55,880
Speaker 3: He's got a beatlejuice hallway.

1997
01:24:56,359 --> 01:24:58,159
Speaker 1: Yeah, because we learned that they also hate the sun

1998
01:24:58,359 --> 01:25:00,439
in addition to water. You did it, and look what

1999
01:25:00,520 --> 01:25:00,760
you did.

2000
01:25:00,840 --> 01:25:03,239
Speaker 2: He's like, my body doesn't agree with yours. I think

2001
01:25:03,239 --> 01:25:03,720
I'm dying.

2002
01:25:05,520 --> 01:25:07,680
Speaker 1: All your memories fucked me up real good. Yeah, he's

2003
01:25:07,720 --> 01:25:11,000
just like, the human soul isn't here. It's somewhere else,

2004
01:25:11,119 --> 01:25:12,920
like the heart or something. He's like, isn't that just

2005
01:25:12,960 --> 01:25:15,760
a muscle to pump blood? Aren't all your thoughts and memories?

2006
01:25:15,800 --> 01:25:16,199
In the brain.

2007
01:25:16,279 --> 01:25:20,159
Speaker 4: He's like, shut up, Tony, it's about having heart. That's

2008
01:25:20,199 --> 01:25:22,199
where all the love and the creative.

2009
01:25:21,920 --> 01:25:24,159
Speaker 1: But the should be like but the physical heart, It's like, no,

2010
01:25:24,600 --> 01:25:26,199
it's like a name that we do just forget.

2011
01:25:26,319 --> 01:25:28,239
Speaker 4: Wait a minute, we should have been experimenting on the

2012
01:25:28,279 --> 01:25:29,159
hot I don't understand.

2013
01:25:29,720 --> 01:25:32,560
Speaker 2: It just puts blood to the body. I don't there's

2014
01:25:32,600 --> 01:25:33,439
no memories in there.

2015
01:25:33,520 --> 01:25:34,680
Speaker 1: What the fuck is that guy talking?

2016
01:25:37,439 --> 01:25:39,880
Speaker 2: But yeah, he opens up the thing and mister Hannah.

2017
01:25:39,680 --> 01:25:41,960
Speaker 4: Is like, ah, yeah, he's blinded by the fucking light.

2018
01:25:42,800 --> 01:25:44,199
Speaker 1: It's like a deuce. Yeah.

2019
01:25:44,239 --> 01:25:46,239
Speaker 2: Then he gets to meet Anna and he's gonna start

2020
01:25:46,279 --> 01:25:47,000
all over again.

2021
01:25:47,159 --> 01:25:49,520
Speaker 3: It's it's I kind of like that I love because

2022
01:25:49,560 --> 01:25:52,560
she's like who are you and he's like, I'm your man.

2023
01:25:54,119 --> 01:25:57,000
Speaker 1: Ends up tilting the city towards the sun so they

2024
01:25:57,079 --> 01:26:01,680
finally have daylight. Yeah, it's great, great effect, just a

2025
01:26:01,800 --> 01:26:04,560
really great movie. I still really love this movie so good.

2026
01:26:04,560 --> 01:26:06,479
Speaker 4: And then like him even feeling the sun on his

2027
01:26:06,600 --> 01:26:09,720
face for the first time is just such like a powerful.

2028
01:26:09,560 --> 01:26:11,439
Speaker 1: It is because the only son we ever see are

2029
01:26:11,479 --> 01:26:13,600
these quick flashes to Shell Beach. So like when the

2030
01:26:13,640 --> 01:26:16,800
movie final, the dark City finally gets light. It is

2031
01:26:16,880 --> 01:26:17,760
a really big moment.

2032
01:26:17,840 --> 01:26:19,840
Speaker 4: Yeah, and like you know, he's waking up kind of

2033
01:26:20,000 --> 01:26:21,920
yeah for the first time, and it's it's pretty great.

2034
01:26:22,560 --> 01:26:25,640
Speaker 1: But I still really really love it. Yeah, there's some

2035
01:26:25,760 --> 01:26:28,279
technical questions with the sci fi and the rules. We

2036
01:26:28,399 --> 01:26:30,239
were poking holes in it, Yeah, but I mean you

2037
01:26:30,399 --> 01:26:31,680
kind of overlook most of them.

2038
01:26:31,960 --> 01:26:34,279
Speaker 3: And I didn't know any of the production problems. Once

2039
01:26:34,319 --> 01:26:36,359
you say that they didn't get the film everything or they.

2040
01:26:36,319 --> 01:26:38,239
Speaker 2: Were, well, they managed to film most.

2041
01:26:38,079 --> 01:26:40,840
Speaker 3: Of it, but can't maybe the way they wanted to.

2042
01:26:41,119 --> 01:26:41,880
All the time.

2043
01:26:42,239 --> 01:26:44,119
Speaker 1: They had to answer money. They're like, our movie doesn't

2044
01:26:44,119 --> 01:26:46,119
make sense. Give us money so we can finish it.

2045
01:26:46,600 --> 01:26:48,279
Speaker 3: Maybe a little bit more in the writing department.

2046
01:26:48,319 --> 01:26:50,279
Speaker 5: But it's supposed to be like that weird like HP

2047
01:26:50,479 --> 01:26:55,039
love crap, likec comics like Horror Magazine or a detective Noirk.

2048
01:26:55,399 --> 01:26:56,159
Speaker 3: That's how I read it.

2049
01:26:56,720 --> 01:26:59,199
Speaker 1: I watched well he did. I think he was watching

2050
01:26:59,239 --> 01:27:01,760
like Multispoult you wanted to make a QR Field.

2051
01:27:01,960 --> 01:27:05,520
Speaker 4: Yeah, it's like it's like a political thriller but also

2052
01:27:05,880 --> 01:27:09,399
like examination of the human condition. Again, it's very gilliam esque.

2053
01:27:09,680 --> 01:27:13,119
It's very if you watch Brazil and then watch this movie,

2054
01:27:13,159 --> 01:27:14,960
you're gonna be like, yeah, yeah, you know, I.

2055
01:27:14,960 --> 01:27:17,359
Speaker 1: Feel like it needs another resurgence. I feel like we

2056
01:27:17,479 --> 01:27:20,760
really need this is I mean, yeah, we're helping. This

2057
01:27:20,920 --> 01:27:23,560
is the recommendation that we that were given everything. Yeah,

2058
01:27:23,560 --> 01:27:25,439
I guess check it out because it did become a

2059
01:27:25,520 --> 01:27:29,640
cult hit obviously, but I think it's due for another resurgence.

2060
01:27:29,720 --> 01:27:31,720
I mean, it's on to be not the good version.

2061
01:27:32,079 --> 01:27:33,800
Try to hunt down the good version.

2062
01:27:33,880 --> 01:27:35,520
Speaker 3: It's got to be out there. Somebody's got to be

2063
01:27:36,359 --> 01:27:36,800
on my phone.

2064
01:27:36,800 --> 01:27:38,239
Speaker 2: I mean, I'm pretty sure there's like a four K

2065
01:27:38,359 --> 01:27:39,199
Blu ray coming out.

2066
01:27:39,520 --> 01:27:41,720
Speaker 4: I mean, I'm definitely gonna get the four K because

2067
01:27:41,720 --> 01:27:43,279
I don't have it on Blu ray. I don't have

2068
01:27:43,319 --> 01:27:46,720
any version of it on on disc. So yeah, but

2069
01:27:47,039 --> 01:27:49,479
even the even the theatrical version, even give a spin,

2070
01:27:49,600 --> 01:27:52,880
because you'll know if you'll like, if you're gonna like

2071
01:27:52,960 --> 01:27:54,439
it just from that, you know.

2072
01:27:55,159 --> 01:27:56,680
Speaker 2: And if you haven't seen it in a while, revisit it.

2073
01:27:56,760 --> 01:27:59,840
Speaker 1: Yeah, for sure. Listen to the Roger Ebert commentary track on.

2074
01:28:00,319 --> 01:28:03,399
Speaker 4: Yeah on the DVD on the New Line Cinema DVD.

2075
01:28:04,039 --> 01:28:06,479
Speaker 5: I mean, I did see just the theatrical because of that.

2076
01:28:06,760 --> 01:28:09,079
If down the road, I worked to watch it again.

2077
01:28:09,079 --> 01:28:10,199
I definitely want watch The Doctor.

2078
01:28:10,279 --> 01:28:13,000
Speaker 1: It has it has so like Metropolis. He does the

2079
01:28:13,640 --> 01:28:16,399
DVD has Metropolis. I like the bash of Fritz Lang

2080
01:28:16,479 --> 01:28:19,000
is in there. Other in the back, it's another Sutherland line.

2081
01:28:19,279 --> 01:28:21,880
You want to read it in your voice? Oh god,

2082
01:28:22,279 --> 01:28:23,079
I'm not even doing them.

2083
01:28:23,159 --> 01:28:25,039
Speaker 3: Just people are gonna be like, he doesn't sound like that,

2084
01:28:25,039 --> 01:28:25,439
and they're like.

2085
01:28:25,439 --> 01:28:26,279
Speaker 4: Oh fuck, he sounds like that.

2086
01:28:27,880 --> 01:28:31,439
Speaker 6: I can teach you to control your power consciously. Let

2087
01:28:31,479 --> 01:28:35,000
me help you, John. Together, we can stop them, we

2088
01:28:35,119 --> 01:28:38,239
can take the city back. And then I love when

2089
01:28:38,239 --> 01:28:39,399
he's in his memories and he's like, I want some

2090
01:28:39,479 --> 01:28:42,600
fucking ice cream kit. The memories I think because he

2091
01:28:42,640 --> 01:28:44,079
got he got his ass kicked. So he was like,

2092
01:28:44,119 --> 01:28:45,800
I'm gonna make myself sound cool again.

2093
01:28:47,800 --> 01:28:50,199
Speaker 3: For trying to do Lambert. That's why that's what comes out.

2094
01:28:50,800 --> 01:28:52,840
Speaker 4: He always ducks leg let no, because the need to

2095
01:28:52,880 --> 01:28:56,239
be like you have to prepare yourself for the Dark City.

2096
01:28:58,159 --> 01:29:00,000
Speaker 2: So you enjoyed revisiting it, Yeah, it was great.

2097
01:29:00,640 --> 01:29:02,079
Speaker 1: I had a really good time. I watched it with

2098
01:29:02,199 --> 01:29:03,840
my wife and we had a blast. It was fun

2099
01:29:04,119 --> 01:29:05,600
and you watched for the first time.

2100
01:29:05,960 --> 01:29:08,279
Speaker 5: Gave it a four out of five again. Nippicky shit

2101
01:29:08,479 --> 01:29:10,880
didn't quite make it to five again. Some of that

2102
01:29:10,920 --> 01:29:13,199
stuff I would overlook if it didn't really get to me.

2103
01:29:13,960 --> 01:29:16,319
Speaker 1: It was very good, though. Well I'll tell you this,

2104
01:29:16,479 --> 01:29:18,279
it's definitely better than the last season A Stranger.

2105
01:29:19,720 --> 01:29:21,560
Speaker 5: Wait when I eventually get to we could have the

2106
01:29:21,640 --> 01:29:23,279
side by side Dark City version.

2107
01:29:25,039 --> 01:29:27,079
Speaker 4: There's nothing quite like this in the way that it

2108
01:29:27,159 --> 01:29:29,319
does what it does either. Yeah, sure, yeah, so I

2109
01:29:29,359 --> 01:29:30,680
think I think that's what makes it unique.

2110
01:29:30,760 --> 01:29:31,079
Speaker 1: Very Yeah.

2111
01:29:31,079 --> 01:29:32,520
Speaker 3: I was just a unique is a good word for it.

2112
01:29:32,520 --> 01:29:35,640
Speaker 1: And I hope Alex Broyus does something big again. I

2113
01:29:35,720 --> 01:29:36,640
hope he gets back there.

2114
01:29:37,039 --> 01:29:39,000
Speaker 4: It's like a dystopian comic book more or less.

2115
01:29:39,119 --> 01:29:39,319
Speaker 1: Yeah.

2116
01:29:39,640 --> 01:29:41,760
Speaker 2: One good movies from him again, he made some really.

2117
01:29:41,880 --> 01:29:44,520
I actually don't mind knowing the movie with Nicholas Cage.

2118
01:29:44,560 --> 01:29:46,920
Speaker 1: I never saw that. It's it's not great, but it's

2119
01:29:46,960 --> 01:29:47,760
like fine.

2120
01:29:47,600 --> 01:29:49,479
Speaker 3: Howse Cage play? Because that could go either way?

2121
01:29:50,039 --> 01:29:52,319
Speaker 1: Fine is good? Okay? Yeah, well maybe he's not one

2122
01:29:52,399 --> 01:29:54,720
more good story and a one more good movie. Hopefully

2123
01:29:54,800 --> 01:29:56,880
he is trying to help like indie filmmakers and stuff.

2124
01:29:56,880 --> 01:29:57,199
I saw that.

2125
01:29:57,279 --> 01:29:59,439
Speaker 4: I think that's great, but one but I do not

2126
01:29:59,479 --> 01:30:01,000
support the shit I'm sorry.

2127
01:30:01,039 --> 01:30:02,399
Speaker 3: I forgot about that.

2128
01:30:03,439 --> 01:30:04,840
Speaker 1: When you go through his face, he's not one of

2129
01:30:04,880 --> 01:30:06,880
those like all in things. He's like, is there a

2130
01:30:06,920 --> 01:30:09,359
way we could use this? Because they're one of those

2131
01:30:09,439 --> 01:30:12,720
like it's for art, Bro's for harder. We're gonna have

2132
01:30:12,840 --> 01:30:14,640
to figure out where he's I don't think he's using

2133
01:30:14,640 --> 01:30:16,560
it just for I don't know. I'm gonna keep following him.

2134
01:30:16,560 --> 01:30:19,119
Speaker 4: You shouldn't be using AI for your fucking images. You

2135
01:30:19,119 --> 01:30:21,920
shouldn't be using them to write anything for you. You

2136
01:30:21,960 --> 01:30:25,359
shouldn't be using it to do anything you creatively do

2137
01:30:25,479 --> 01:30:28,520
because you're because the more you do that and rely

2138
01:30:28,680 --> 01:30:31,800
on it, the more your creativity is going to people

2139
01:30:32,159 --> 01:30:34,479
who are just like, yeah, yeah, well you're gonna fatigue

2140
01:30:34,960 --> 01:30:36,720
and atrophy, you know what I mean.

2141
01:30:37,239 --> 01:30:39,079
Speaker 1: People went all in on it and they just can't

2142
01:30:39,119 --> 01:30:40,800
create without it. Yeah, and that's sick.

2143
01:30:41,039 --> 01:30:42,960
Speaker 5: There's the bubble is popping as we say, I mean,

2144
01:30:43,199 --> 01:30:45,439
the money's not going anywhere now, but those data sets

2145
01:30:45,439 --> 01:30:46,119
aren't getting.

2146
01:30:45,920 --> 01:30:47,279
Speaker 1: Oh it's not going away. But like a lot of them,

2147
01:30:47,359 --> 01:30:49,520
like seed Dance two point zero is the big one.

2148
01:30:49,640 --> 01:30:51,560
It turned out that was mostly like kind of a scam.

2149
01:30:52,239 --> 01:30:54,760
Speaker 5: As of this recording five years ago, was like wow, AI,

2150
01:30:54,920 --> 01:30:56,520
well I don't I don't like it, but it's getting

2151
01:30:56,560 --> 01:30:58,159
big now. It's like you hear a lot of more

2152
01:30:58,319 --> 01:31:00,000
negative stories than you did five years.

2153
01:31:00,279 --> 01:31:02,439
Speaker 4: I know it might seem like it's helping you do

2154
01:31:02,560 --> 01:31:05,079
your thing and like speeding up your process, but like

2155
01:31:05,880 --> 01:31:08,319
part of creating is the process. Yeah, you know what

2156
01:31:08,399 --> 01:31:10,600
I mean, And you have to know what works, and

2157
01:31:10,680 --> 01:31:13,720
you have to keep working at your craft to get better.

2158
01:31:14,600 --> 01:31:16,760
Speaker 3: And you're just not going to with Yeah, and he's

2159
01:31:16,800 --> 01:31:18,479
done plenty of movies that we at this one.

2160
01:31:18,640 --> 01:31:20,479
Speaker 5: I just mean in general, Yeah, I agree with you're

2161
01:31:20,479 --> 01:31:22,600
just saying take it back to Alex Proyas wherever you

2162
01:31:22,680 --> 01:31:26,399
say that. Just yeah, he did this in the Crow,

2163
01:31:26,479 --> 01:31:28,479
in those other movies, and specifically this in the Crower,

2164
01:31:28,640 --> 01:31:32,000
so visually striking. We mostly have an art department, cinematographers

2165
01:31:32,000 --> 01:31:33,960
and other people involved, but you're the head of that

2166
01:31:34,199 --> 01:31:37,039
those two movies. And like Tony said, he's got it

2167
01:31:37,119 --> 01:31:39,960
in him somewhere if it was twenty five, twenty six

2168
01:31:40,079 --> 01:31:40,640
years ago.

2169
01:31:40,560 --> 01:31:43,000
Speaker 2: Now and much I mean, I'm on him. I'm on

2170
01:31:43,119 --> 01:31:43,439
his side.

2171
01:31:43,479 --> 01:31:45,439
Speaker 1: I also don't like YouTube. He's very mad at YouTube

2172
01:31:45,520 --> 01:31:47,600
right now. He's going to rumble. He's hoping to get

2173
01:31:47,600 --> 01:31:50,560
a bigger audience there, good luck good.

2174
01:31:51,720 --> 01:31:53,680
Speaker 4: I don't know if there's any way to actually tip

2175
01:31:53,760 --> 01:31:58,359
those scales without signing in blood. I'm serious, because like,

2176
01:31:58,760 --> 01:32:00,960
you have to create a very specific type of content

2177
01:32:01,279 --> 01:32:03,800
to be a big creator unless you've been grandfathered in

2178
01:32:04,079 --> 01:32:04,520
yeah you know.

2179
01:32:05,319 --> 01:32:06,920
Speaker 1: But yeah, we'll see what happens. He has a movie

2180
01:32:07,000 --> 01:32:09,119
coming out or it's in development called Are You Are?

2181
01:32:09,720 --> 01:32:11,000
And I looked at some of the actors in it,

2182
01:32:11,039 --> 01:32:12,479
and one of them is the guy who plays Baraka

2183
01:32:12,520 --> 01:32:13,319
in the New Mortal Komba.

2184
01:32:14,000 --> 01:32:15,840
Speaker 2: So I'm excited for because you guys haven't seen that one,

2185
01:32:15,880 --> 01:32:16,359
you know yet.

2186
01:32:16,399 --> 01:32:18,079
Speaker 4: I'm actually going this week.

2187
01:32:18,159 --> 01:32:19,840
Speaker 1: Never in a million years, I think Baraka would be

2188
01:32:19,880 --> 01:32:21,479
the best part of a movie. And I fucking love them.

2189
01:32:21,760 --> 01:32:24,000
I love Baraka, so there you go. And I know

2190
01:32:24,079 --> 01:32:25,239
that his face is all practical, So.

2191
01:32:26,039 --> 01:32:27,119
Speaker 3: It's like finally figured that one.

2192
01:32:27,239 --> 01:32:30,319
Speaker 1: It's like we watched snow Blind. Remember watch Snowblind. I'm like,

2193
01:32:30,319 --> 01:32:32,159
I never gave it a ship about Kenshi until this.

2194
01:32:33,359 --> 01:32:34,199
Speaker 3: That was a pretty good movie.

2195
01:32:34,279 --> 01:32:37,600
Speaker 2: Yeah but okay, guys, yes, where can.

2196
01:32:37,520 --> 01:32:38,039
Speaker 1: We find you?

2197
01:32:38,760 --> 01:32:41,039
Speaker 4: You can find it at movie dumpster on all your

2198
01:32:41,079 --> 01:32:42,399
favorite social media platforms.

2199
01:32:42,439 --> 01:32:45,159
Speaker 1: We're right here on YouTube. Check us out. We kind

2200
01:32:45,199 --> 01:32:49,439
of do what Tony does, sort of movie reviews. It's

2201
01:32:49,479 --> 01:32:50,000
the same thing.

2202
01:32:50,079 --> 01:32:52,479
Speaker 2: I'm actually looking into a lawsuit.

2203
01:32:55,039 --> 01:32:58,880
Speaker 3: Tony YouTube channels Older Tachnically movie.

2204
01:32:59,680 --> 01:33:03,279
Speaker 1: Movies from twenty ten. Okay podcast version the podcast you

2205
01:33:03,359 --> 01:33:03,880
got me there?

2206
01:33:04,079 --> 01:33:05,399
Speaker 3: Fuck you brought it up.

2207
01:33:06,439 --> 01:33:08,479
Speaker 4: Uh, but yeah, we do all kinds of stuff, horror movies,

2208
01:33:08,880 --> 01:33:11,199
mostly horror stuff, but we do action, weird kids movies,

2209
01:33:11,239 --> 01:33:14,159
all kinds of weird shit that you either forgotten about

2210
01:33:14,239 --> 01:33:17,520
or never heard about, or or love you grew up loving.

2211
01:33:18,439 --> 01:33:20,479
Speaker 1: Yeah, we just did My Mom's a Werewolf, which was

2212
01:33:20,520 --> 01:33:22,680
really fun. That was a good fun. The Lamp We

2213
01:33:22,760 --> 01:33:25,039
Got The Lamp Genie movie, a genie horror movie, the

2214
01:33:25,119 --> 01:33:28,399
first genie horror movie predates wish Master by about thirty

2215
01:33:28,520 --> 01:33:29,920
years or twenty years.

2216
01:33:29,960 --> 01:33:32,359
Speaker 3: Oh and later at some point this summer. I think

2217
01:33:32,359 --> 01:33:34,640
it's a June. Yeah, we have this guy over here,

2218
01:33:34,720 --> 01:33:35,560
mister Tony from Macked.

2219
01:33:35,600 --> 01:33:39,960
Speaker 4: The movie it's finally tackling Proteus. Oh yeah, another a

2220
01:33:40,239 --> 01:33:42,119
slightly above water horror movie.

2221
01:33:42,319 --> 01:33:46,840
Speaker 1: Yes, feature a lot of underwater not levi Ethan. We're

2222
01:33:46,840 --> 01:33:50,199
going We're going up. I remember growing up watching and

2223
01:33:50,560 --> 01:33:52,039
it had a big effect to me and I couldn't

2224
01:33:52,039 --> 01:33:53,960
wait to talk about it until the day Cab where

2225
01:33:53,960 --> 01:33:57,640
we had don't you spoil it? Check that out? Spoil it. Yeah,

2226
01:33:57,680 --> 01:33:58,760
we got a lot of good stuff coming.

2227
01:33:58,960 --> 01:34:02,199
Speaker 4: And we also released our very first X rated Patreon

2228
01:34:02,279 --> 01:34:07,319
episode by the way, from the Legend of the over Fiend.

2229
01:34:07,560 --> 01:34:09,600
We did that with our friend Jennifriar over on Patreon.

2230
01:34:09,720 --> 01:34:10,760
If you guys want to check.

2231
01:34:10,640 --> 01:34:12,960
Speaker 1: Out, I'll check that out. I am a patroon after all,

2232
01:34:13,119 --> 01:34:16,279
our patron. Yes, everyone should be a patron to both

2233
01:34:16,359 --> 01:34:18,640
of us. Actually, yes, no.

2234
01:34:18,760 --> 01:34:20,680
Speaker 4: Times are tough, but hey, if you want extra content,

2235
01:34:20,720 --> 01:34:21,800
we get a shit ton of it for you.

2236
01:34:22,039 --> 01:34:24,439
Speaker 2: Yes, and online I have the free tier where I

2237
01:34:24,520 --> 01:34:25,760
put you guys.

2238
01:34:25,640 --> 01:34:27,079
Speaker 1: Do you guys do we don't do free tiers.

2239
01:34:27,119 --> 01:34:29,079
Speaker 4: We have to do a serious overhaul of all of

2240
01:34:29,159 --> 01:34:31,640
that stuff because there's not enough hours in a day.

2241
01:34:32,039 --> 01:34:34,960
Speaker 1: I got you, but uh, one day they will have

2242
01:34:35,079 --> 01:34:38,880
what I have, which is the free podcast here where

2243
01:34:38,920 --> 01:34:41,239
you just get it's basically the podcast. It's just you

2244
01:34:41,279 --> 01:34:43,800
get better notifications. I put the YouTube and rumble link

2245
01:34:43,880 --> 01:34:46,199
in so you can watch the video version in case

2246
01:34:46,239 --> 01:34:47,600
it gets taken down somewhere.

2247
01:34:47,960 --> 01:34:50,159
Speaker 4: We do a two dollars tier version and you get

2248
01:34:50,239 --> 01:34:51,920
the episodes without any ads in it.

2249
01:34:52,119 --> 01:34:54,319
Speaker 1: Okay, so that's kind of yeah nice, But yeah, we

2250
01:34:54,399 --> 01:34:56,319
got plenty of stuff. We've done a bunch of crossovers

2251
01:34:56,319 --> 01:34:59,159
as well. Oh yeah, we should do another commentary tracks.

2252
01:34:59,439 --> 01:34:59,840
We're due.

2253
01:35:00,760 --> 01:35:03,079
Speaker 2: I'm doing another album. I didn't have time to do

2254
01:35:03,159 --> 01:35:03,720
it last year.

2255
01:35:03,800 --> 01:35:06,479
Speaker 4: But what do you mean another comment like it like

2256
01:35:06,520 --> 01:35:08,399
smooth criminal or something like the hat. It's got the

2257
01:35:08,479 --> 01:35:10,960
hat on it the movies is thriller?

2258
01:35:11,039 --> 01:35:13,560
Speaker 1: The commentary track out When we did Friday thirteenth last year,

2259
01:35:13,680 --> 01:35:15,239
we were supposed to a follow up one and just

2260
01:35:15,279 --> 01:35:16,279
all our schedules got fux.

2261
01:35:16,319 --> 01:35:17,159
Speaker 2: I'm gonna do it this year.

2262
01:35:17,239 --> 01:35:18,840
Speaker 1: Yeah, we got to plan that we'll do something good.

2263
01:35:18,960 --> 01:35:20,880
So yeah, I look forward to all of that. Book

2264
01:35:20,960 --> 01:35:25,039
me on cameo. If you want get my merch at

2265
01:35:25,079 --> 01:35:29,479
the retroware store, not some bootleg sites. You'll get it

2266
01:35:29,560 --> 01:35:32,199
leg sites with your stuff. Oh yeah, oh my god?

2267
01:35:32,279 --> 01:35:35,000
Which got the work called me and they were like, hey,

2268
01:35:35,800 --> 01:35:37,920
someone's bootlegging your merch. You want us to take that down?

2269
01:35:38,000 --> 01:35:41,000
I went, yeah, I thought, I went, also, who and

2270
01:35:41,159 --> 01:35:44,199
why are they even making any money, Like I don't

2271
01:35:44,239 --> 01:35:48,640
even sell my merch. I don't know why buy some merch.

2272
01:35:48,760 --> 01:35:53,880
I guess if you've been buying from shady website for years, and.

2273
01:35:53,920 --> 01:35:56,359
Speaker 4: If any hack offs have been getting any movie dumps

2274
01:35:56,399 --> 01:35:57,560
or stuff, we really appreciate it.

2275
01:35:57,840 --> 01:35:59,399
Speaker 1: Yes, we got some new T shirts and stuff like that.

2276
01:36:00,000 --> 01:36:03,720
Speaker 2: And thanks for suggesting this episode over and over and

2277
01:36:03,840 --> 01:36:04,560
over and over.

2278
01:36:04,920 --> 01:36:07,800
Speaker 4: If you if this squeaky, the squeaky wheel gets the

2279
01:36:07,840 --> 01:36:11,159
grease or gets the tuning in this case.

2280
01:36:11,640 --> 01:36:13,199
Speaker 1: Let's you know now, let's know what you think of

2281
01:36:13,399 --> 01:36:15,760
Dark Stadium. Won't see you all later, goodbye, see you.

2282
01:36:16,479 --> 01:36:20,279
Remember to like, comment, and subscribe. Check out our other

2283
01:36:20,399 --> 01:36:22,479
videos and Patreon page

2284
01:36:23,079 --> 01:36:25,760
Speaker 4: Talking about tapes