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Speaker 1: Good morning everybody. This is Matt Connorton Unleashed and today

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is Saturday, Saturday, December twentieth, twenty twenty five. We are

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live from the studios of w n H ninety five

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point three FM in Glorious Manchester, New Hampshire. Of course,

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he can stream the show anywhere from Matt connorton dot

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com slash Live. So a little bit of an unusual opening.

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We usually open with some music and then get into

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the show, and today will be, for the most part

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normal edition of the program. We do have some some

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great guests lined up and one of them we're going

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to be speaking to him just a couple of minutes. Actually,

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he's already in Microsoft Teams, so I told him I

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had to do something a little different to open the

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show this morning, and he's very understanding. But the reason

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I'm doing this opening this way is I just wanted

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to say quickly, you know, thank you to everybody the

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outpouring of love and support regarding If you don't know,

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then a lot of you listening will know because you

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if you follow me on social media, you're aware. But

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for those of you listening who do not know or

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who haven't seen it yet, my father passed away Martin Connorton.

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He passed away on Thursday of this week. And you

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know here we are because I did hear from people

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asking me if I was still going to be on

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Live this Saturday. But you know, I the only way

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I know how to process grief is to stay busy

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and keep going and try to keep as normal as

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schedule as I can. But so that's that's how I

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deal with it. But you know, this is I've always

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been able to say I was very fortunate to still

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have both my parents, and I can't say that anymore.

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So it's it's hard, It's it's been a tough week.

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Dad fought bravely for a couple of months. He was

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at Mass General and I do take some solace again

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and knowing that he was at one of the best

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hospitals in the country, with one of the best cardiac wings,

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one of the best cardiac units in the country, So

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you know, if if they couldn't save him, no one could.

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He had the best possible shot that he could have

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anywhere at Mass General, but it was not to be.

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But part of why I wanted to just mention it

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on the show too, is because so many of you

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who have been listeners of the show for a long time,

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If if you came to the program recently, not so much.

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But for those of you who have been with me

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for a long time, you might have become familiar with

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my dad. When the show used to be we had

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a little bit of a different format, and we were

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on weekday afternoons for years, many years, what was it,

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six years, seven years? Maybe Dad was a frequent caller.

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He would he would often call the show, and so

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a lot of our listeners of the program got introduced

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to him that way. I think he even called the

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morning show once or twice, but he but he would

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call my show on a somewhat regular basis, and so

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a lot of our listeners got to know my dad.

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Some listeners got to know him on social media or

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a combination of or you know, got to know him

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first on the show and then on social media and

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and forged relationships with him. So a lot of you know,

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it's like I said to Joe lar here at Manchester

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Public Television sent me a very nice email, you know,

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talking about how sorry he wants to hear about my

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dad and and how how much he thought of him.

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I don't think they had ever met, but you know,

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he remembered my my dad calling into the show, and

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you know, and I wrote back to Joe and I said, yeah,

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I don't know if Dad realized just how largely he

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loomed in our little radio universe here, but he did.

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He did a lot of you got to know him

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that way. So you know, I thought I should say something.

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I'm not going to say too much right now because

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I'm still emotionally trying to find my way through this.

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I can tell you that I do intend to do

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a when I'm ready, I'm going to do a podcast.

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So just to quickly clarify, so there's another iteration of

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this program that exists. You know. We do the radio version,

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of course, every Saturday morning here at WM and H. Occasionally,

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and it's only once in a while, but occasionally we

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do a separate podcast only version that is strictly online

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of the show. We call it MCUAF and I always

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tell people, if you don't know what AF means, just

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ask someone younger than you. But the purpose of this

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other version of the show is just to kind of

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do anything that anything that we want to do on

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the show that doesn't necessarily fit the format of this

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program that we do here at WM ANDH. We just

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do it on the podcast version and kind of keep

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that separate, and we only do those once in a while.

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It's not often that a situation and like that comes up,

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to be honest, but I want to do I'm going

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to do a podcast version where I just talk about

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my dad and just kind of say everything I want

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want to tell you about my dad and his influence

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on me and how he shaped me, and what he

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was like to grow up with, et cetera, and you know,

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and what our relationship was like in recent years. And

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I just I just want to talk about my dad

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and try to do that to honor him the best

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way that I can. The reason though, that I want

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to do it on that version of the show is

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it just takes the pressure off of, you know, not

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trying to schedule it, not trying to plan it. Because obviously,

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with the radio show, we're here every Saturday nine am

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to noon Eastern time, check social listings, as Polyic likes

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to say. But with the podcast version of the show,

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we can just do that whenever we want. We just

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go online and do it and upload it and that's it.

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So I don't want the pressure of committing to a

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specific time. You know, Jenny does all the scheduling. I

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don't want to say, Jenny, I want to I want

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to do some sort of a tribute to my dad

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on this Saturday in this segment, because what if what

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if we do that, and what if we plan that

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and then the day comes and I don't feel on

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that day that I'm emotionally prepared to do it or

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in the right headspace, et cetera. So what we're gonna

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do is, instead, we're gonna do I'm going to do

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a podcast of the show where I just talk about

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my dad for you know. And again, by doing it

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that way, there's no time constraints. It can be as

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short or as long as I want to make it,

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you know, and I'll just be able to speak very freely,

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and you know, and I think that's I think that's

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the best way to handle that, because I do have

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a lot to say, and you know, my dad did

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loom very large in my life, and I think that's

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a I think that's a good way to honor him.

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So I don't know when it's going to be. It

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could be in a week. It could be in two weeks,

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it could be later this weekend. I don't know. You know,

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if you're interested in that, just kind of keep your

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eyes and ears open for that. But there will be

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a podcast version of the show where I just take

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some time and talk about my dad. But in the meantime,

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you know, we my my sister Lindsay and high Lindsay

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if you if you hear this, Uh, she's she's been

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amazing through this. She's really kind of taken the lead

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in ways that I'm I certainly was not prepared for

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in terms of, you know, navigating through what we have

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to do next. Obviously there's some things that we have

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to do. And but again, uh, there there will be

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more more forthcoming. And I might address this to again

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at the end of the show today, but uh, but

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but I will, I will talk. Uh, I will talk

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more at length in a in a separate a separate

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podcast version of the show. So but again, I I

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do want to say, I mean, I I was actually surprised,

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to be honest, just that the outpouring of support and

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uh and everything, and and I know a lot of

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you felt very very strongly about my dad, and really

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I don't know that he ever knew just how much

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he influenced so many people, in touch the lives of

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so many people. I hope that he did. I don't

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know that he did. And on that that's a cheerful

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way to open the show. Huh, sorry everybody, but no,

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but I did want to say that, and thank you,

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thank you for indulging me on that. There will be

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more to come in the meantime. We do have a

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great show for you. And right now we are going

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to play the newest single from the band The Painting.

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This is a great track called Scarlet. We did the

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radio premiere for it here on the show recently, in fact.

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And then at the end of the song, we're gonna

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speak with Lewis Taylor from the band The Painting, and

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then at the end of that we'll play another track

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from the album. The album is called Before the Rain

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and this is great. This is a great single. I

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cannot wait to talk to Lewis. I really like this

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band lot, but this is called scarlet Let.

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Speaker 2: You want a second? I just wise man, live with you.

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Speaker 3: And talking about to.

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Speaker 4: God? How is it gonna sen to part that?

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Speaker 2: Tell me.

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Speaker 4: You a you starts stock.

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Speaker 2: We just you didn't started, I said to.

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Speaker 4: Fall whether we ca.

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Speaker 2: She win me froms Can we come to them? Can

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we join to Joseph? Just from you? Just give me sass, join.

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Speaker 4: Me last hold? Hello, sty leet recall.

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Speaker 2: Just get a side Seeming Star.

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Speaker 1: What a great song that is? I love that. That

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is called Scarlet. The band is the Painting, the album

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is Before the Rain, And let's get Lewis in here.

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Lewis Taylor is on the line with us via Microsoft Teams.

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Hello Lewis, Hi there, how's it going?

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Speaker 5: Good?

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Speaker 1: Good, Welcome to the show. I love that song. I

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love that song so much. That is that is so good?

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We play that, We played it when it first came out,

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and and I still love it as much as I

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I did. Listen to the entire album, by the way,

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Before the Rain. I think the whole thing is great.

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So I'm really happy to have you on the show today.

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Speaker 6: Thank you, I'm really glad to be here.

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Speaker 4: Excellent.

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Speaker 6: Just before we go in it further, I went to

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pass on condolences as well to yourself about your dad.

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I lost my dad a couple of years ago, and

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so I know what it's like.

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Speaker 1: Yeah, No, I appreciate that very much. Yeah, it's it's

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it's rough. It's yeah, it's it's Uh. I'm still I'm

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still kind of processing it all. But I'm sorry to

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hear that you lost your dad a couple of years ago.

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But yeah, so you you know what, uh you know

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what we're going through here. But no, I appreciate that

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very much, No, no problem, but uh so happier subjects. So,

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like I said, I love the band, and you guys

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are from Glasgow? Is that correct?

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Speaker 6: Yeah, we're we're based in Glasgow. We're all all the

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members are were you know, originally from different parts of Scotland,

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but we're all based in Glasgow.

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Speaker 1: Okay, okay. And then how long has the band been around?

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Speaker 6: Oh as this iteration of the band, maybe around the year.

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Speaker 1: That's what I thought.

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Speaker 6: Yeah, beforehand we were in A we were a different

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band with a different name, but that will that will

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changed about a year ago and we decided to change

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name and change direction slightly with what kind of music

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we played as well.

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Speaker 1: So the Painting as an entity then is a is

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a relatively new project, which is interesting because you've already

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got you've already got a full album that like when

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when you became when the band became The Painting Did

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did you immediately start working on this album?

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Speaker 6: I think at that point in time we didn't realize

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it was going to be, you know, an album. I

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think we had thoughts it might be maybe a couple

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of singles or you know what, kind of a shorter release.

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And by this time went on and we realized that

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we are very prolific when it comes to writing songs,

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and we we think it's mostly we find it easy,

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but would be just it just comes quite naturally to

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to just you know, to write, to write music. And

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very quickly it became evident that we were you know,

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we were having had a large batch of songs and

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we decided, let's just record an album.

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Speaker 1: It's cool when when it seems so natural and and

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it kind of comes easy, right, because that's when you

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know you've really got something. I mean, it's you know,

241
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it's fine if you have to to really work at it,

242
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that's that's okay too. But when you when as a band,

243
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when when just the songwriting process, when these songs just

244
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come together quickly, it's that's how you know you're really

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onto something. I think when it's when it's just kind

246
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of natural and organic. And and part of why I

247
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was so curious about that too, is because it is

248
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a full album because we live in a time as

249
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you know, and you referenced it too, you you know,

250
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you were talking about how you had to decide, you know,

251
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are you going to do a full album or you

252
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going to do singles or an EP or whatever. So yeah,

253
00:16:09,960 --> 00:16:11,720
so to make the decision to do a full album,

254
00:16:11,759 --> 00:16:13,600
that's a big undertaking right out of the gate, but

255
00:16:13,759 --> 00:16:16,600
it sounds like it made a lot of sense given

256
00:16:16,639 --> 00:16:17,879
your situation with the band.

257
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Speaker 6: Yeah, we're definitely very, very ambitious when it comes to

258
00:16:24,200 --> 00:16:27,080
things like, you know, like recording an album or you know,

259
00:16:27,200 --> 00:16:30,279
we don't do things by half measures. We always try to,

260
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you know, elevate things and aim for something quite ambitious. Yeah, yeah,

261
00:16:36,519 --> 00:16:38,960
and yeah, you're rightly, it's a bit. I think it's

262
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quite a rare thing to be able to be with

263
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another group of musicians and be able to come up

264
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with things very very quickly and you know, efficiently. I

265
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mean I've been in projects before where it would take

266
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it could take you months to even write one song,

267
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whereas we could write a song not easily. I mean, sure,

268
00:16:58,360 --> 00:17:02,039
it does come with it, you know, roadblocks, but we

269
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can write songs fairly quickly. So yeah, I think it's

270
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quite a rare thing, and you know, it's it's always

271
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a fun process with the rest of the band members.

272
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Speaker 1: I think I neglected to mention too. So you're the

273
00:17:15,680 --> 00:17:18,640
best player in the band. So I am myself a

274
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bass player.

275
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Speaker 6: So there we go.

276
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Speaker 1: Bass players unite absolutely. How many how many people are

277
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in the band? Is it a four piece?

278
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Speaker 7: No, so.

279
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Speaker 6: It's not became you know, kind of public knowledge. We

280
00:17:32,000 --> 00:17:36,079
wear six six piece, but band well down to we're

281
00:17:36,119 --> 00:17:39,920
now down to a five piece at this moment in time. Okay, yeah,

282
00:17:39,960 --> 00:17:43,240
we we recently had someone exit the band, and I

283
00:17:43,279 --> 00:17:46,559
won't go into it. It's it's not really you know,

284
00:17:46,599 --> 00:17:49,039
there's no point going in to it as what it is.

285
00:17:49,799 --> 00:17:52,200
But yeah, there we're Yeah, we are five members and

286
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we're just continuing as normal. There's no you know, it's

287
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not gonna mp US or anything in any way. We'll

288
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just keep going.

289
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Speaker 4: Yeah.

290
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Speaker 1: Yeah, Now the album Before the Storm is there. I'm sorry,

291
00:18:04,160 --> 00:18:07,440
before the Before the Rain rather is there? Oh, I

292
00:18:07,519 --> 00:18:09,240
know why I was singing Storm. I was seen about

293
00:18:09,240 --> 00:18:11,559
the song Waiting, which we're gonna play at the end

294
00:18:11,559 --> 00:18:14,319
of the segment. But yeah, but is there any kind

295
00:18:14,319 --> 00:18:16,039
of a theme, you know, lyrically, is there any kind

296
00:18:16,039 --> 00:18:18,200
of a theme of the album. It's it's really cohesive.

297
00:18:18,240 --> 00:18:19,880
It almost feels like there could be a theme, but

298
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maybe not. I'm not sure. You tell us.

299
00:18:25,680 --> 00:18:28,039
Speaker 6: This is this is the hard book because I'm probably

300
00:18:28,079 --> 00:18:31,599
the wrong person task best as in Keaton, who is

301
00:18:31,759 --> 00:18:34,400
the you know, the sega and letters as to the band.

302
00:18:34,519 --> 00:18:37,480
But I think we all collectively agreed like when we

303
00:18:37,599 --> 00:18:40,079
were you know, when we saw the Lytics and we

304
00:18:40,160 --> 00:18:42,920
heard the Lytics, So it all kind of points to

305
00:18:43,279 --> 00:18:45,559
can the new beginnings a lot of the time. Yeah,

306
00:18:45,599 --> 00:18:49,680
And I think it's quite relevant obviously with regards to

307
00:18:49,880 --> 00:18:53,440
I was becoming a new project and you know, coming

308
00:18:53,440 --> 00:18:56,960
from the ashes of an old band basically, and I

309
00:18:57,039 --> 00:18:59,000
know Keaden would make me talking about it as well.

310
00:18:59,079 --> 00:19:03,119
But obviously you went through a breakup during this time

311
00:19:03,319 --> 00:19:07,119
and then has now moved on to you know, a

312
00:19:07,240 --> 00:19:11,400
new relationship and that's essentially what the song Scarlet's about

313
00:19:11,519 --> 00:19:14,599
is new relationship. And so there's a lot of kind

314
00:19:14,640 --> 00:19:17,279
of new beginnings is probably I think a quite a big,

315
00:19:17,920 --> 00:19:21,440
you know theme within the album. Within the lyrics, I

316
00:19:21,480 --> 00:19:24,359
think you're right as pretty cohesive, and I think it

317
00:19:24,440 --> 00:19:27,160
was quite unintentional. I don't think it was it was

318
00:19:27,200 --> 00:19:30,680
set out to be like that, but yeah, I think

319
00:19:30,759 --> 00:19:32,920
when you and you know, in retrospect, if you were,

320
00:19:33,400 --> 00:19:34,640
if I was to go back and listen to it,

321
00:19:34,759 --> 00:19:37,319
or you know, listen to the lyrics, I could definitely

322
00:19:37,359 --> 00:19:40,359
see that there's a lot of you know, and intertwined

323
00:19:40,480 --> 00:19:43,319
kind of themes that makes sense basically.

324
00:19:43,480 --> 00:19:46,400
Speaker 1: Yeah, and it's very I find overall, it's got a

325
00:19:46,480 --> 00:19:48,519
vibe that is very you know, it's it's sort of

326
00:19:49,160 --> 00:19:54,279
dreamy and light in a sense, but also hopeful. Yeah,

327
00:19:54,599 --> 00:19:56,799
you know, it's it's gotta there's just a hopefulness to

328
00:19:56,960 --> 00:20:00,680
the to the album that I really like. And also,

329
00:20:00,880 --> 00:20:03,119
I wanted to ask you about the cover for Before

330
00:20:03,200 --> 00:20:07,720
the Rain. It's appropriate for a band, uh called the

331
00:20:07,799 --> 00:20:10,759
painting because it looks like a painting. But I'm I'm

332
00:20:10,920 --> 00:20:13,319
and it's a you know, I encourage people to look

333
00:20:13,359 --> 00:20:15,640
at it online. It's it's a really nice cover and

334
00:20:15,720 --> 00:20:18,720
it's very I think it's classy to the way the

335
00:20:18,799 --> 00:20:20,759
name of the band and the name of the album.

336
00:20:20,880 --> 00:20:23,000
It's it's in the upper left corner, you know, kind

337
00:20:23,039 --> 00:20:24,400
of kind of small, you know, big enough so you

338
00:20:24,440 --> 00:20:26,039
can see it. Obviously it's you don't have to hunt

339
00:20:26,079 --> 00:20:28,200
for it. But but but the way it's sort of

340
00:20:29,640 --> 00:20:33,000
unintrusive in terms of of the uh, the rest of

341
00:20:33,079 --> 00:20:35,440
the image of of what looks to be a painting.

342
00:20:35,519 --> 00:20:38,240
But I'm curious about the artwork. I mean, is that

343
00:20:38,319 --> 00:20:41,599
an actual painting that that's hanging somewhere and uh or

344
00:20:41,680 --> 00:20:43,359
is it specifically for the album or where does that

345
00:20:43,480 --> 00:20:43,839
come from?

346
00:20:44,440 --> 00:20:49,000
Speaker 6: No, actually, it's actually a photograph really yeah, yeah, we

347
00:20:50,119 --> 00:20:53,359
I think it's maybe slightly being added to to make

348
00:20:53,400 --> 00:20:55,039
it kind of look more like a paint. And I'm

349
00:20:55,079 --> 00:20:57,920
not entirely sure, but it certainly comes from a photograph

350
00:20:58,000 --> 00:21:01,160
that we came across online and by photographer, and we

351
00:21:01,640 --> 00:21:04,400
you know, we obviously spoke to the photographer and goal

352
00:21:05,160 --> 00:21:09,079
permission to use it. But yeah, I understand where you're

353
00:21:09,079 --> 00:21:10,519
coming from. It it does look like a.

354
00:21:10,559 --> 00:21:15,119
Speaker 1: Painton, Yeah, it really does. It really does. Absolutely. What

355
00:21:15,359 --> 00:21:16,839
was the so, what was the name of the band

356
00:21:16,960 --> 00:21:20,359
that that pre pre dates the painting.

357
00:21:21,480 --> 00:21:22,720
Speaker 6: It was Arcade State.

358
00:21:23,519 --> 00:21:26,920
Speaker 1: Arcade State. Yeah, that's an that's an interesting name. That's

359
00:21:26,960 --> 00:21:29,720
kind of cool and too random. And then and then so,

360
00:21:30,039 --> 00:21:33,440
so how many how many members from that are in

361
00:21:33,559 --> 00:21:35,079
the painting so.

362
00:21:36,839 --> 00:21:40,440
Speaker 6: At this moment, and say just three three, so it

363
00:21:40,480 --> 00:21:43,599
would be myself, Jordan the drummer, and Keetan who is

364
00:21:43,839 --> 00:21:45,559
the guitarist and singer.

365
00:21:45,720 --> 00:21:48,720
Speaker 1: Okay, okay, Now to end that project and then start

366
00:21:48,759 --> 00:21:51,799
the painting. Was that was that difficult?

367
00:21:52,000 --> 00:21:52,039
Speaker 8: Like?

368
00:21:52,319 --> 00:21:55,119
Speaker 1: Was there a lot of I'm especially curious because I've

369
00:21:55,240 --> 00:21:57,839
been in situations like that. I don't play anymore. I

370
00:21:57,920 --> 00:22:00,200
used to play in bands at this point at this one,

371
00:22:00,359 --> 00:22:03,440
I'm more focused on on broadcasting and stuff. But I've

372
00:22:03,559 --> 00:22:06,720
been in situations where it's like, in fact, I've been

373
00:22:06,759 --> 00:22:09,359
in that exact situation where one band, You've got one

374
00:22:09,440 --> 00:22:13,480
band and you're thinking about maybe making a new project

375
00:22:13,559 --> 00:22:15,519
with some of the same people. So then it's like, well,

376
00:22:15,519 --> 00:22:17,119
what do we do we just take what we have

377
00:22:17,359 --> 00:22:21,039
and change direction, or or do we just say that's it,

378
00:22:21,160 --> 00:22:22,799
We're going to do this whole new thing with this

379
00:22:23,000 --> 00:22:26,799
new name. How much of the old thing gets brought

380
00:22:26,880 --> 00:22:29,839
into the new thing and all the nuances of that.

381
00:22:30,079 --> 00:22:31,720
So I'm really curious about that.

382
00:22:33,000 --> 00:22:36,400
Speaker 6: Yeah, So, to be honest, things then in particular, will

383
00:22:36,599 --> 00:22:39,400
I think I think, and they kind of plan for

384
00:22:39,599 --> 00:22:42,400
Keaton was to do this as almost like a kind

385
00:22:42,400 --> 00:22:48,759
of a solo project. We'd all going into a long

386
00:22:49,119 --> 00:22:53,359
story and we all didn't perhaps part way is quite

387
00:22:53,440 --> 00:22:56,319
you know, it wasn't really amicable. It was quite. It

388
00:22:56,480 --> 00:23:00,480
wasn't the most you know, it just ended quite abruptly

389
00:23:00,839 --> 00:23:04,200
and will not fell out and hated each other or anything.

390
00:23:04,200 --> 00:23:06,480
It wasn't like that. It just wasn't. Yeah, it just

391
00:23:06,519 --> 00:23:08,359
looked like we were it was just over and that

392
00:23:08,960 --> 00:23:13,279
was the end of it. And then Keran announced that

393
00:23:13,599 --> 00:23:15,920
he wanted to start a new project. It would be

394
00:23:15,960 --> 00:23:19,160
the Painting. He was the only member at that point.

395
00:23:19,200 --> 00:23:20,839
I don't know if his plans were to you know,

396
00:23:21,000 --> 00:23:24,400
get other members or do everything on his own. But eventually,

397
00:23:24,640 --> 00:23:26,720
maybe after a week or so, he asked me to

398
00:23:27,319 --> 00:23:30,319
come back and play bass for him, and then Jordan,

399
00:23:30,359 --> 00:23:34,200
who is his brother, actually to play drums. And then

400
00:23:34,240 --> 00:23:36,359
eventually it just got to the point where we were

401
00:23:36,519 --> 00:23:39,240
just essentially a few members of our Kade state. And

402
00:23:39,279 --> 00:23:43,680
then we started looking for a keyboard player and another

403
00:23:43,759 --> 00:23:47,920
guitar player, and that's where Marta and Johnny came into

404
00:23:47,960 --> 00:23:51,960
the equation. Yeah, and when it comes to the style

405
00:23:52,000 --> 00:23:56,920
of music. Beforehand, we were more alternative rock. Maybe I

406
00:23:56,960 --> 00:23:59,960
wouldn't say we weren't heavy, like kind of heavy music,

407
00:24:00,119 --> 00:24:03,160
you know. It was more a little bit more abrasive

408
00:24:03,240 --> 00:24:07,359
than what we are now, obviously, but we wanted to

409
00:24:07,480 --> 00:24:09,920
lean more into the kind of pop aspect of things.

410
00:24:10,240 --> 00:24:13,839
And I think all of us, like our one of

411
00:24:13,880 --> 00:24:19,119
our biggest influences is the war on drugs, and we

412
00:24:19,759 --> 00:24:21,839
wanted to kind of lean more into that as well,

413
00:24:22,960 --> 00:24:25,599
a bit more of a kind of I guess I'm

414
00:24:25,640 --> 00:24:28,559
trying to think about what you would define them as,

415
00:24:28,799 --> 00:24:34,839
almost kind of Americana sort of music, yeah, and mixed

416
00:24:34,880 --> 00:24:36,759
up with a kind of pop element. So I think

417
00:24:37,359 --> 00:24:40,359
we're getting there. I think with the album Before the Rain,

418
00:24:40,599 --> 00:24:43,880
that's only just the first step in our revolution and sound.

419
00:24:43,920 --> 00:24:48,799
I think we're still writing now, like for future releases,

420
00:24:48,880 --> 00:24:52,839
and I think with what we're writing, it's certainly evolving.

421
00:24:54,160 --> 00:24:57,839
So yeah, yeah, it's been a long it's been a

422
00:24:57,960 --> 00:24:59,799
very quick year, but also it feels like a very

423
00:24:59,839 --> 00:25:01,359
long the time.

424
00:25:01,880 --> 00:25:03,720
Speaker 1: Yeah, Well, you guys have been busy. You've been doing

425
00:25:03,720 --> 00:25:06,200
a lot. That's wonderful. I'm curious soon did any of

426
00:25:06,240 --> 00:25:08,519
the material from Arcade state make it into the painting

427
00:25:08,640 --> 00:25:10,319
or did you just start completely new?

428
00:25:10,920 --> 00:25:12,440
Speaker 6: So we started completely fresh?

429
00:25:12,599 --> 00:25:12,759
Speaker 9: Yeah?

430
00:25:13,519 --> 00:25:16,640
Speaker 6: Yeah, we actually I think even had a number of

431
00:25:16,720 --> 00:25:20,119
songs that we could have carried over, you know, to

432
00:25:20,279 --> 00:25:24,000
this project, but we just scraped them essentially. There might

433
00:25:24,440 --> 00:25:26,799
there might be a little bits here in the early

434
00:25:27,200 --> 00:25:30,559
a guitar lane or like a few lines of like

435
00:25:30,720 --> 00:25:33,759
lytrics and things like that, but it's not you know,

436
00:25:33,880 --> 00:25:35,799
it's not like a base of a song that's came

437
00:25:35,880 --> 00:25:38,440
from the project. Everything is essentially new.

438
00:25:38,640 --> 00:25:43,279
Speaker 1: Okay, okay, What was that difficult? Because you know, song

439
00:25:43,920 --> 00:25:46,720
some some songwriters will describe songs as being almost like

440
00:25:46,759 --> 00:25:49,680
their children. It's hard to you know, it's hard to

441
00:25:49,799 --> 00:25:53,920
leave them behind. That was that difficult at all, like

442
00:25:54,160 --> 00:25:56,480
leaving all of that behind or did it just seem

443
00:25:57,160 --> 00:25:58,839
like the natural thing to do or.

444
00:25:59,000 --> 00:26:02,119
Speaker 6: What was that like? It definitely felt like the natural

445
00:26:02,200 --> 00:26:07,480
thing to do. Good. But also we are quite cutthroat,

446
00:26:07,799 --> 00:26:13,079
well we we we'll just scrap things and and just

447
00:26:13,240 --> 00:26:17,119
move on. Obviously there'll be there'll be certain songs that

448
00:26:17,240 --> 00:26:22,720
you they will miss from the old from the old band. Yeah, yeah,

449
00:26:22,920 --> 00:26:26,480
none of it fits anymore. It really makes sense. So

450
00:26:27,680 --> 00:26:29,720
I mean, I guess you could argue we could make

451
00:26:29,759 --> 00:26:32,200
it fit, but I think we're quite content with the

452
00:26:32,279 --> 00:26:35,039
direction we're heading. But no, I think we might be

453
00:26:35,079 --> 00:26:37,519
a little bit of a kind of were entity there

454
00:26:37,599 --> 00:26:41,279
where we're quite cutthroat. We don't mind. We'll just move

455
00:26:41,319 --> 00:26:42,640
on and write something else.

456
00:26:42,920 --> 00:26:46,160
Speaker 1: Oh that's good, that's that's excellent. Good for you. And

457
00:26:46,240 --> 00:26:48,880
then what's the live situation like for for you guys?

458
00:26:48,880 --> 00:26:52,440
Are you playing a lot of live shows or so?

459
00:26:54,000 --> 00:26:55,720
Speaker 6: There was a period of time when we were writing

460
00:26:55,759 --> 00:26:58,279
the album we weren't really playing at all. It was

461
00:26:58,359 --> 00:27:02,119
more just focused on the writing aspective things. But as

462
00:27:02,200 --> 00:27:04,440
the years came to a close, like coming to a close,

463
00:27:04,559 --> 00:27:07,559
we have played a few gigs recently. We played a

464
00:27:07,640 --> 00:27:13,920
headline show in Glasgow in October and then another headline

465
00:27:13,960 --> 00:27:19,240
show in Edinburgh in November. It was sorry, everything this

466
00:27:19,359 --> 00:27:23,079
whole year is just a blur. Yeah, but yeah, so,

467
00:27:24,240 --> 00:27:27,480
and we also played a kind of mini festival like

468
00:27:28,480 --> 00:27:33,440
a day festival, indoor festival in Aberdeen as well. It

469
00:27:33,559 --> 00:27:36,559
started December, so you know, we were quite busy coming

470
00:27:36,599 --> 00:27:38,440
towards the end of the year and then moving into

471
00:27:38,599 --> 00:27:41,920
next year. We've got quite a lot coming up We've

472
00:27:41,960 --> 00:27:45,279
got a lot dates planned. We've got almost a small

473
00:27:45,720 --> 00:27:50,880
mini tour of the UK planned as well, and yeah,

474
00:27:50,960 --> 00:27:53,880
there's many other things in the works that hasn't you know,

475
00:27:53,960 --> 00:27:56,920
it's not been announced jet, it's not being confirmed yet,

476
00:27:57,000 --> 00:27:58,880
but there's a lot. Next year is gonna be really

477
00:27:59,359 --> 00:27:59,839
really busy.

478
00:28:00,599 --> 00:28:04,000
Speaker 1: Well, very good, good good. So in a moment, we're

479
00:28:04,039 --> 00:28:06,400
going to play at the end of our our conversation,

480
00:28:06,440 --> 00:28:08,440
we're going to play the track Waiting on the Storm.

481
00:28:09,559 --> 00:28:11,759
What should people know about this one? This is one

482
00:28:11,839 --> 00:28:13,519
because I had asked you, So we'll pull back the

483
00:28:13,559 --> 00:28:16,240
curtain a little bit. I did ask you what you

484
00:28:16,319 --> 00:28:18,319
wanted to what you wanted us to play at the

485
00:28:18,519 --> 00:28:20,720
end of the at the end of the segment, and

486
00:28:20,759 --> 00:28:22,079
I don't I mean, is this going to be the

487
00:28:22,160 --> 00:28:24,400
next single or is this just one that that that

488
00:28:24,519 --> 00:28:27,079
you're really proud of or what? What should we know

489
00:28:27,119 --> 00:28:28,480
about this song before we play it?

490
00:28:29,039 --> 00:28:32,680
Speaker 6: Yeah, So this is an early single from the album

491
00:28:33,359 --> 00:28:38,319
and the final single from the album. And this song

492
00:28:38,519 --> 00:28:43,880
was actually written in I think maybe ten minutes. Wow,

493
00:28:44,039 --> 00:28:46,480
it was a yeah, yeah, it was a very very

494
00:28:46,559 --> 00:28:51,000
quick This is one of the occasions where we didn't

495
00:28:51,079 --> 00:28:53,759
overthink it. We just played what failed Natural and this

496
00:28:53,880 --> 00:28:54,480
is what came out?

497
00:28:54,759 --> 00:28:57,319
Speaker 1: Wow, excellent, excellent. So before we let you go and

498
00:28:57,400 --> 00:29:00,359
before we hit that song, what should be people know

499
00:29:00,440 --> 00:29:02,839
about where to keep up with everything that you're doing

500
00:29:02,920 --> 00:29:05,079
as a band. Where should people Where's the best place

501
00:29:05,119 --> 00:29:06,880
to go online to keep up with the painting.

502
00:29:07,799 --> 00:29:11,880
Speaker 6: Oh, I would say definitely on Instagram, instagrams that we

503
00:29:12,279 --> 00:29:16,039
you know, where we are probably most active. You can

504
00:29:16,119 --> 00:29:21,839
find us the Painting Official okay on Instagram, and yeah,

505
00:29:22,000 --> 00:29:24,119
that's definitely the best place to keep up to date

506
00:29:24,160 --> 00:29:24,440
with us.

507
00:29:24,680 --> 00:29:28,200
Speaker 1: Outstanding, outstanding, Well, Lewis, I really appreciate you joining us

508
00:29:28,440 --> 00:29:30,640
here today this morning or I don't know what what

509
00:29:30,720 --> 00:29:32,119
time is it where you are, where you are, it's

510
00:29:32,119 --> 00:29:33,319
probably afternoon, right.

511
00:29:33,599 --> 00:29:37,880
Speaker 6: Yeah, it's two theory to theory you. I'll forgive you you.

512
00:29:39,079 --> 00:29:40,799
Speaker 1: It is indeed, it is indeed, No, but I do

513
00:29:41,160 --> 00:29:43,400
very much appreciate you doing joining us. Like I said,

514
00:29:43,400 --> 00:29:45,799
I listened to the full album and we've we've become

515
00:29:45,920 --> 00:29:49,519
fast fans of the painting here. Really really like what

516
00:29:49,599 --> 00:29:51,200
you're doing. So we'll definitely have to do this in

517
00:29:51,279 --> 00:29:53,880
the future, and certainly once you have some new music,

518
00:29:53,920 --> 00:29:55,400
we'll have you on or or you know, or anything

519
00:29:55,400 --> 00:29:57,079
that you have coming up that's exciting. You know, we'd

520
00:29:57,119 --> 00:30:00,599
love to have you back and we will definitely this again.

521
00:30:01,799 --> 00:30:03,880
Speaker 6: Thank you so much for having me and moving to

522
00:30:03,960 --> 00:30:07,680
quietly come back on. It's been a pleasure, wonderful, wonderful.

523
00:30:07,680 --> 00:30:09,519
Speaker 1: All right, Lewis, thank you. We'll let you go. We're

524
00:30:09,519 --> 00:30:11,559
gonna hit this track and we will talk to you soon.

525
00:30:11,640 --> 00:30:13,880
Speaker 6: Take care, no problem, Thank you any much.

526
00:30:14,000 --> 00:30:16,839
Speaker 1: You got it, Bye bye, all right. That is Lewis Taylor.

527
00:30:16,920 --> 00:30:19,279
He is the bass player for the band The Painting.

528
00:30:19,759 --> 00:30:22,119
And here's another great track, and this is going to

529
00:30:22,160 --> 00:30:25,279
be the next single. You heard it here first, at

530
00:30:25,359 --> 00:30:27,559
least on American radio. You're hearing it for the first time,

531
00:30:27,680 --> 00:30:29,720
so I don't know if it's been played over there yet.

532
00:30:29,759 --> 00:30:32,119
But this is from the album Before the Rain, and

533
00:30:32,240 --> 00:30:34,799
the track is called Waiting on the Storm?

534
00:30:51,799 --> 00:31:05,319
Speaker 4: Are you waiting story? You do to focus on the

535
00:31:06,480 --> 00:31:21,599
stay off We're focusing guys, stay at shore, showing you

536
00:31:21,720 --> 00:31:55,160
want you want the same info tradition, the state dispersion.

537
00:31:55,480 --> 00:32:15,839
Don't speak to diff Chuck. We should shut the show.

538
00:32:18,720 --> 00:32:19,200
Speaker 3: The cap.

539
00:32:22,519 --> 00:32:29,559
Speaker 4: Show me then show me up.

540
00:32:31,880 --> 00:32:32,440
Speaker 3: The captain.

541
00:33:35,720 --> 00:33:38,240
Speaker 1: Oh my god, what a great song. That is so

542
00:33:38,400 --> 00:33:41,759
good waiting on the Storm. The band is The Painting

543
00:33:41,839 --> 00:33:43,920
and that is from their album Before the Rain. And

544
00:33:43,960 --> 00:33:47,079
thank you again so much to Lewis Taylor for joining us,

545
00:33:47,160 --> 00:33:49,559
the bass player from The Painting. Really enjoyed speaking with

546
00:33:49,680 --> 00:33:51,920
him and we will definitely do it again in the future.

547
00:33:52,559 --> 00:33:54,880
You are listening to Matt connorton Unleashed. We are live

548
00:33:55,079 --> 00:33:57,519
from the studios of w m n H ninety five

549
00:33:57,559 --> 00:34:02,480
point three FM, Inglorious, Manchester, New Hampshire. It is a Saturday,

550
00:34:02,920 --> 00:34:08,000
December twentieth, twenty twenty five. I'm gonna do something so

551
00:34:08,119 --> 00:34:11,039
I wanted to say something else about my dad. You know,

552
00:34:11,079 --> 00:34:13,199
I spoke about my father who passed away on Thursday

553
00:34:13,199 --> 00:34:15,079
at the top of the show, and you know, as

554
00:34:15,119 --> 00:34:16,480
we go through the show and again I am going

555
00:34:16,559 --> 00:34:19,039
to do a separate podcast where I just say a

556
00:34:19,079 --> 00:34:21,000
lot of things all at once, but as things come

557
00:34:21,039 --> 00:34:22,519
to me throughout the show today, as we have time

558
00:34:22,559 --> 00:34:25,119
between segments, I might I might say a little bit

559
00:34:25,119 --> 00:34:28,159
more here and there. And something that you know I

560
00:34:28,239 --> 00:34:31,440
was singing about as we were playing that is, you know,

561
00:34:32,239 --> 00:34:34,920
something really cool about my dad. And if you're a

562
00:34:35,000 --> 00:34:37,199
longtime listener of the show, you've probably heard me say

563
00:34:37,239 --> 00:34:43,480
this on the show. He always loved hearing new music.

564
00:34:45,440 --> 00:34:48,360
People have a lot of people, you know, not musicians

565
00:34:48,400 --> 00:34:50,480
don't fall into this generally, certainly, and that's who we

566
00:34:50,519 --> 00:34:52,559
talked to on the show as musicians for the most part.

567
00:34:52,639 --> 00:34:56,800
But there are some people, non musicians who who kind

568
00:34:56,840 --> 00:35:00,960
of often get sort of locked into they only like

569
00:35:01,079 --> 00:35:04,360
music from a certain time period, you know, the stereotypical

570
00:35:05,440 --> 00:35:08,360
a person who like who has this. They kind of

571
00:35:08,400 --> 00:35:10,360
go through life with this idea that all the good

572
00:35:10,440 --> 00:35:13,719
music that was ever made was during their youth and

573
00:35:13,760 --> 00:35:15,599
everything after that it's terrible, and they don't want to

574
00:35:15,639 --> 00:35:18,280
hear anything else. And people kind of get stuck in

575
00:35:18,360 --> 00:35:20,639
their era, and you know, you'll hear people say it

576
00:35:20,639 --> 00:35:22,280
all the time. Oh, when I was a kid, music

577
00:35:22,440 --> 00:35:24,519
was great. Now music is terrible, All the new music

578
00:35:24,639 --> 00:35:26,960
is awful and whatnot. My dad was never like that,

579
00:35:28,519 --> 00:35:31,360
all the way to the end. He loved hearing new music.

580
00:35:31,440 --> 00:35:32,920
He was a big fan. I talked about this in

581
00:35:32,960 --> 00:35:34,639
a social media post. He was a huge fan of

582
00:35:34,719 --> 00:35:39,119
college radio. He lived on the Sea coast in Dover,

583
00:35:39,280 --> 00:35:42,679
New Hampshire at the end, but for a long time

584
00:35:42,719 --> 00:35:44,840
he lived on and he grew up on the seacoast actually,

585
00:35:45,199 --> 00:35:48,920
but he loved to listen to w u n H,

586
00:35:49,039 --> 00:35:53,039
the great college station at University of New Hampshire. He

587
00:35:53,159 --> 00:35:54,920
loved that station because he got to hear a lot

588
00:35:54,960 --> 00:35:58,199
of new stuff that you don't hear on mainstream commercial radio.

589
00:35:58,840 --> 00:36:02,039
And he loved hearing new music. And you know, you

590
00:36:02,320 --> 00:36:04,320
would not I always said, if you got into a

591
00:36:04,400 --> 00:36:07,800
car with my dad, you would not hear on his

592
00:36:08,199 --> 00:36:10,880
car radio. You wouldn't hear an oldies station or anything

593
00:36:10,960 --> 00:36:14,000
like that. You you would hear you would hear a

594
00:36:14,199 --> 00:36:18,480
probably college radio, because he loved hearing new music. And

595
00:36:18,599 --> 00:36:21,599
that's something that when when this show, when the format

596
00:36:21,679 --> 00:36:23,519
of the show changed here at w M and H,

597
00:36:23,599 --> 00:36:28,360
when we went from afternoons to doing saturdays weekday afternoons

598
00:36:28,679 --> 00:36:33,000
to Saturdays, we we took the you know, it became

599
00:36:34,920 --> 00:36:36,599
much more focused on you know, we used to do

600
00:36:36,679 --> 00:36:39,880
politics and other stuff, but when the show moved, we

601
00:36:40,039 --> 00:36:44,519
became much more focused on sticking to music and interviewing

602
00:36:44,920 --> 00:36:47,280
independent artists and other people in the industry as well.

603
00:36:47,360 --> 00:36:50,199
In fact, in the second hour today, we're gonna have

604
00:36:50,239 --> 00:36:52,280
Mike and Terry from Charlie Hill, which is a great

605
00:36:52,480 --> 00:36:57,360
venue that features musicians from the area. But but so

606
00:36:57,519 --> 00:36:59,280
people in the industry. But but you know, in the

607
00:36:59,360 --> 00:37:01,880
independent side of things and the local side of things,

608
00:37:01,920 --> 00:37:04,000
a lot of great local talent. And my father was

609
00:37:04,039 --> 00:37:07,840
always very supportive of that, and because he really enjoyed

610
00:37:08,320 --> 00:37:09,880
the guests that we would have on the show and

611
00:37:09,960 --> 00:37:13,360
hearing their music, and he would often say that he

612
00:37:13,440 --> 00:37:15,360
felt that we were in a golden age of music.

613
00:37:15,400 --> 00:37:17,440
In other words, he was never like, oh, the music

614
00:37:17,519 --> 00:37:19,480
the best music was when I was growing up. No,

615
00:37:19,639 --> 00:37:21,679
he always he always told me, he said, we're in

616
00:37:21,719 --> 00:37:24,039
a golden age of music right now because there's so

617
00:37:24,199 --> 00:37:26,440
much of it. And he loved being able to explore

618
00:37:26,519 --> 00:37:31,880
that online because the Internet has given us the ability

619
00:37:32,559 --> 00:37:34,480
something we didn't have when I was a kid. Certainly

620
00:37:34,519 --> 00:37:36,519
growing up. Don't get me wrong, I've fond memories of

621
00:37:36,599 --> 00:37:39,199
going to a music store and flipping through albums and

622
00:37:39,239 --> 00:37:41,320
flipping through CDs and finding new stuff and all that.

623
00:37:41,480 --> 00:37:44,840
But but I wouldn't trade what we have now to

624
00:37:44,880 --> 00:37:46,880
go back to that. Now. It's incredible. I can find

625
00:37:46,920 --> 00:37:49,480
anything anytime I want to on the Internet. I can

626
00:37:49,559 --> 00:37:51,800
find you know, whether I want to find something new

627
00:37:51,880 --> 00:37:53,360
or whether I want to find something old that I

628
00:37:53,480 --> 00:37:56,800
just feel like hearing. But he loved that and being

629
00:37:56,840 --> 00:38:00,320
able to explore, you know, all all genres. You know,

630
00:38:00,519 --> 00:38:03,000
he didn't. He certainly didn't limit himself that way either.

631
00:38:03,960 --> 00:38:06,119
My dad even liked some hip hop, which might surprise

632
00:38:06,199 --> 00:38:09,280
some of you, but he did. He loved Doctor Dre.

633
00:38:09,840 --> 00:38:13,199
I'm not kidding, he really did. Just as an example,

634
00:38:13,280 --> 00:38:18,920
he was a big Doctor Dre fan, so so he

635
00:38:19,079 --> 00:38:21,000
was always so he was very supportive of what we

636
00:38:21,599 --> 00:38:25,360
of what we were doing here, and and I think

637
00:38:25,519 --> 00:38:27,079
I think he would have enjoyed, uh, I think he

638
00:38:27,079 --> 00:38:28,960
would have enjoyed that band, the painting. I think he

639
00:38:29,039 --> 00:38:30,320
really would have liked that. And I think he would

640
00:38:30,320 --> 00:38:34,039
have liked to have heard that conversation. So the other

641
00:38:34,119 --> 00:38:37,519
thing I'm gonna do, uh, kind of just in honor

642
00:38:37,599 --> 00:38:39,239
of my dad, is I'm going to play a song

643
00:38:39,320 --> 00:38:41,480
for you that is definitely not an indie artist. But

644
00:38:41,920 --> 00:38:45,440
let me explain. So if you know me at all,

645
00:38:46,559 --> 00:38:49,239
you probably know that my favorite band and it's part

646
00:38:49,280 --> 00:38:52,360
of why I chose to wear this shirt today. My

647
00:38:52,480 --> 00:38:54,760
favorite band, for those of you watching the video, my

648
00:38:54,840 --> 00:38:57,360
favorite band of all time is Kiss and has been

649
00:38:57,400 --> 00:39:01,079
since I was a kid and my dad Ad is

650
00:39:01,760 --> 00:39:06,239
responsible for getting me in the Kiss. And my dad

651
00:39:06,360 --> 00:39:08,400
wasn't like a diehard fan or anything, but he liked

652
00:39:08,400 --> 00:39:10,880
He always liked Kiss. He was a fan. But here's

653
00:39:10,920 --> 00:39:13,119
what happened. And you know, I'm kind of showing my

654
00:39:13,199 --> 00:39:15,960
age here with this little anecdote, but this was the

655
00:39:16,039 --> 00:39:21,280
beginning of my Kiss fandom. So I won't say what

656
00:39:21,400 --> 00:39:25,079
year was, but you can figure it out. So the

657
00:39:25,239 --> 00:39:27,840
single at the time was Tears Are Falling. It was

658
00:39:27,920 --> 00:39:31,960
from the Kisses Asylum album. At this point, we were

659
00:39:32,000 --> 00:39:34,639
well into the non makeup era of Kiss. They didn't

660
00:39:34,639 --> 00:39:36,280
have the makeup at this point. They had already taken

661
00:39:36,280 --> 00:39:41,000
it off a few years earlier. But Asylum had come

662
00:39:41,039 --> 00:39:44,239
out and the single was Tears Are Falling, and the

663
00:39:44,400 --> 00:39:48,920
video was in heavy rotation on MTV and after school

664
00:39:48,960 --> 00:39:51,079
every day, of course, I would come home from school

665
00:39:51,119 --> 00:39:53,480
and I would turn on MTV to see the newest

666
00:39:53,559 --> 00:39:57,440
videos and everything that I that I you know, what

667
00:39:57,559 --> 00:40:02,519
they were playing, and I loved tears Are Falling. Now

668
00:40:02,599 --> 00:40:06,000
I had already kind of liked Kiss, you know, because

669
00:40:06,079 --> 00:40:09,039
I remembered seeing the video for Heaven's on Fire from

670
00:40:09,079 --> 00:40:12,079
the previous album Animalized. I remember seeing that on MTV,

671
00:40:12,519 --> 00:40:14,559
and I remember hearing Lick It Up on the radio,

672
00:40:15,039 --> 00:40:17,000
so I didn't really get it was already the end

673
00:40:17,039 --> 00:40:19,119
of the non makeup era. By the time I even

674
00:40:19,639 --> 00:40:23,679
started to take an interest in kiss, I completely missed

675
00:40:23,760 --> 00:40:28,679
the original makeup era. But Tears Are Falling was the

676
00:40:28,760 --> 00:40:31,480
song that really hooked me. And here's what happened. I

677
00:40:31,559 --> 00:40:35,679
remember this like it was yesterday. I know people use

678
00:40:35,719 --> 00:40:40,280
that as a cliche, but it's literally true. I was

679
00:40:40,760 --> 00:40:44,719
in the living room after school the video for Tears

680
00:40:44,760 --> 00:40:47,559
Are Falling was on. I loved the song. I was

681
00:40:47,679 --> 00:40:51,400
fascinated by the video. So I'm sitting there very intently

682
00:40:51,480 --> 00:40:55,039
focused on the television, and my dad comes home from work.

683
00:40:55,119 --> 00:40:58,199
Now Again, like I said, my dad always loved new music.

684
00:40:58,320 --> 00:41:00,920
So we never had that thing when I was growing up,

685
00:41:00,960 --> 00:41:03,559
where you know, I'm listening to stuff that my parents

686
00:41:03,639 --> 00:41:05,599
don't like and they're giving me a hard time about it.

687
00:41:05,639 --> 00:41:07,199
Why are you listening to that? It was never like

688
00:41:07,280 --> 00:41:10,039
that because my dad. You know, my dad loved Van Halen.

689
00:41:10,079 --> 00:41:12,280
He loved the Sammy Hagar version of Van Halen as

690
00:41:12,360 --> 00:41:14,360
much as I did. He was really into it, you know, So,

691
00:41:14,800 --> 00:41:17,760
so he was always current, so, so we liked a

692
00:41:17,800 --> 00:41:20,559
lot of the same stuff and a lot of the

693
00:41:20,599 --> 00:41:23,480
same stuff. So my dad happens to come home while

694
00:41:23,519 --> 00:41:25,719
the video for Tears Are Falling is on, and he

695
00:41:25,840 --> 00:41:27,360
kind of walks into the living room. He kind of

696
00:41:27,360 --> 00:41:29,679
pokes his head into the living room and he says, Maddie,

697
00:41:29,679 --> 00:41:31,599
who is that? Who does this song? Is that Kiss?

698
00:41:32,440 --> 00:41:35,440
And I said, yeah it is? And he said, oh,

699
00:41:35,679 --> 00:41:38,760
I really like this song. And I said to him,

700
00:41:38,880 --> 00:41:41,360
I said, yeah, me too. It's like my favorite song

701
00:41:41,519 --> 00:41:44,519
right now. So apparently dad made a mental note of

702
00:41:44,599 --> 00:41:50,039
that because for Christmas he got me that album. He

703
00:41:50,119 --> 00:41:53,880
got me Asylum, the newest Kiss album at the time

704
00:41:54,000 --> 00:41:55,840
that had you know that was the lead single, Tears

705
00:41:55,880 --> 00:41:58,519
Are Falling. He got that for me for Christmas, and

706
00:41:58,639 --> 00:42:02,000
I listened to it and I was hooked Asylum, by

707
00:42:02,039 --> 00:42:04,360
the way. And I know some Kiss fans will agree,

708
00:42:04,440 --> 00:42:08,320
some will disagree. I know Jeff Richards from Day to

709
00:42:08,360 --> 00:42:10,280
A ten degrees with me on this because he commented

710
00:42:10,320 --> 00:42:14,480
on it once online. Asylum is very underrated. It truly

711
00:42:14,559 --> 00:42:17,159
one of the most underrated Kiss albums. It's a really,

712
00:42:17,239 --> 00:42:22,039
really strong album, but Tears Are Falling is the only

713
00:42:22,119 --> 00:42:25,000
really real hit from it. Although my favorite Kiss song

714
00:42:25,039 --> 00:42:26,960
of all time also happens to be on that album

715
00:42:27,000 --> 00:42:28,960
Who Wants to Be Lonely. I can listen to that

716
00:42:29,039 --> 00:42:30,559
today and still love it as much as the first

717
00:42:30,599 --> 00:42:33,480
time I heard it. But Tears Are Falling was the

718
00:42:33,599 --> 00:42:36,760
song where again you know, I said that to my dad. Yeah,

719
00:42:36,800 --> 00:42:39,480
that's like my favorite song now too, right now, that's

720
00:42:39,519 --> 00:42:41,519
my favorite song. So he got me that album. I

721
00:42:41,719 --> 00:42:44,440
was hooked. He was pretty into it as well, and

722
00:42:45,039 --> 00:42:48,159
so my dad is respond If that moment hadn't happened,

723
00:42:48,400 --> 00:42:50,639
who knows, maybe today Kiss would not be my favorite

724
00:42:50,679 --> 00:42:52,960
band were it not for that moment and that exchange

725
00:42:52,960 --> 00:42:56,159
with my dad. So we don't normally play anything like

726
00:42:56,239 --> 00:42:58,360
this on this show because we are very focused on

727
00:42:58,440 --> 00:43:01,679
independent music. But I'm gonna go ahead and play this

728
00:43:01,840 --> 00:43:06,360
in honor of my dad and that memory. I'm going

729
00:43:06,440 --> 00:43:09,239
to play Tears Are Falling by Kiss, and then after

730
00:43:09,320 --> 00:43:11,119
that we'll show some love to our amazing sponsors. And

731
00:43:11,159 --> 00:43:12,719
then when we come back in the second hour, we'll

732
00:43:12,760 --> 00:43:15,199
have Mike and Terry from Charlie's Hill here with us

733
00:43:15,239 --> 00:43:17,119
in the studio. I cannot wait to speak with them.

734
00:43:17,159 --> 00:43:18,960
But here it is. This is a song that really

735
00:43:19,000 --> 00:43:20,880
got it started for me. This is tears are falling

736
00:43:21,079 --> 00:43:21,719
by kiss.

737
00:44:01,599 --> 00:44:02,159
Speaker 4: Talk.

738
00:44:03,440 --> 00:44:06,119
Speaker 3: With looking bread.

739
00:44:09,000 --> 00:44:15,039
Speaker 4: And spread it start in spread.

740
00:44:18,599 --> 00:44:27,519
Speaker 2: About, It's about.

741
00:44:32,639 --> 00:44:43,880
Speaker 3: No about, start talking about.

742
00:44:47,159 --> 00:44:58,719
Speaker 4: Side to talk to me with door.

743
00:45:03,960 --> 00:45:20,400
Speaker 2: It sids as a.

744
00:46:06,039 --> 00:46:10,519
Speaker 4: Stop stop step.

745
00:46:13,800 --> 00:46:16,320
Speaker 3: Stop it.

746
00:47:11,440 --> 00:47:13,719
Speaker 5: Nana's Kitchen and Pizzaia.

747
00:47:14,039 --> 00:47:20,039
Speaker 10: From Nana's hands to your plate tradition. Love and taste

748
00:47:20,159 --> 00:47:25,000
that's great though, fermented dough flavors so true.

749
00:47:27,760 --> 00:47:31,000
Speaker 4: Each bite a story made.

750
00:47:31,400 --> 00:47:31,960
Speaker 11: Just for you.

751
00:47:33,039 --> 00:47:36,760
Speaker 5: Six o three two three two nine three six six

752
00:47:37,599 --> 00:47:41,920
Nana's Kitchen and Pizza Reve fifteen Dartmouth Dry, Auburn, New

753
00:47:41,960 --> 00:47:45,360
Hampshires Kitchen and.

754
00:47:45,519 --> 00:47:53,880
Speaker 12: Hissari Luigi's Pizza Barron grows for every one.

755
00:47:54,599 --> 00:47:59,760
Speaker 6: Let's raises, Lie on hide with Tom and Tom around.

756
00:48:00,039 --> 00:48:04,960
Speaker 12: Pizza Bold Luigi's Pizza Bar and Grill seven to twelve

757
00:48:05,159 --> 00:48:08,480
Valley Street, Manchester. Come on in or call six two

758
00:48:08,559 --> 00:48:12,880
two one zero two one Luigi keeping the tradition alive

759
00:48:13,159 --> 00:48:14,920
since nineteen seventy five.

760
00:48:16,760 --> 00:48:20,559
Speaker 6: Pizza up for every one, Come join a beast to

761
00:48:20,960 --> 00:48:26,079
night with each slye sense of it, everything feels so right.

762
00:48:29,239 --> 00:48:31,440
Speaker 13: In times of crisis, you need a law firm that

763
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stands by your side. With over forty years of experience,

764
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Craigan Getzulis is dedicated to fighting for your rights. As

765
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former state prosecutors, our attorneys have the knowledge and trial

766
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experience to provide an aggressive defense against any charge, from

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DUIs to homicides. If you've been injured, our compassionate team

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will assess your case and fight for the compensation you deserve.

769
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Serving all of New Hampshire, Craig and Getzulis is here

770
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when you need us most. Visit Craigatzulis dot com for

771
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a free consult. Craigan getsulas, your advocates, your allies.

772
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Speaker 9: I'll bring your kitchen to life with Queen City Cabinetry,

773
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located at eighty seven Elm Street in the historic Sunbeam

774
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Mall in Manchester, open Monday through Friday nine am to

775
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five thirty pm, in Saturdays ten am to two pm.

776
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They can be reached at six oh three two two

777
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two to zero zero seven or on the web at

778
00:49:26,599 --> 00:49:32,320
Queen citycabinatree NH dot com. Come see the possibilities. Queen

779
00:49:32,400 --> 00:49:36,480
City Cabinetry another crowd sponsor of w MNH.

780
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Speaker 14: Hey everyone, there's Rob Azevedo, host of Grantite, State of

781
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Mind and I want to tell you about Pembroke City

782
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Limits in the historic Suncook Village.

783
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Speaker 1: PCL's an award.

784
00:49:44,280 --> 00:49:47,440
Speaker 14: Winning bar, restaurant and music venue where there's live music

785
00:49:47,480 --> 00:49:51,719
five days a week and twice on Saturdays, everything from blues, country, folk, funk,

786
00:49:51,800 --> 00:49:51,960
and a.

787
00:49:51,960 --> 00:49:52,760
Speaker 4: Whole lot of jazz.

788
00:49:53,239 --> 00:49:55,559
Speaker 14: We have twelve craft beers on tap dedicated to the

789
00:49:55,639 --> 00:49:57,920
local brewers in the area and some of the friendliest

790
00:49:57,960 --> 00:50:01,280
bartenders around. Please come is it Pembrook City Limits at

791
00:50:01,280 --> 00:50:04,159
one thirty four Main Street, the historic sunk Cook Village,

792
00:50:04,239 --> 00:50:08,119
only six miles outside of Manchester. Open Tuesdays to Wednesdays

793
00:50:08,159 --> 00:50:11,880
four to ten. Thursday's is Sunday eleven to ten. Pembrook

794
00:50:11,920 --> 00:50:13,880
City Limits where it's all about the music.

795
00:50:14,119 --> 00:50:16,760
Speaker 12: Disneys Cafe is the place to put a smile on

796
00:50:16,840 --> 00:50:19,280
your face. Judy and the crew will take care of you,

797
00:50:19,519 --> 00:50:21,679
bring your appetite and treat your.

798
00:50:21,679 --> 00:50:22,559
Speaker 9: Taste buds right.

799
00:50:22,840 --> 00:50:23,199
Speaker 8: Business.

800
00:50:23,280 --> 00:50:27,360
Speaker 12: Cafe is always a winning choice. Breakfast, lunch or supper.

801
00:50:27,880 --> 00:50:32,119
Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

802
00:50:32,599 --> 00:50:35,480
Dine in, take out or make a reservation call six

803
00:50:35,599 --> 00:50:39,559
oh three, six oh six two five three two, Eat,

804
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drink and be Happy Dizzney's Cafe.

805
00:50:43,119 --> 00:50:45,840
Speaker 11: When it comes to keeping WMNH on the air and

806
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your own personal or business computer needs, Trust Roland Computers

807
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located on Elm Street in Manchester. Groland handles computer repair,

808
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virus removal and custom built systems. Are you looking for

809
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budget friendly options, check out our selection of fully inspecce

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to use computers. We offer tailored on site solutions, no

811
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unnecessary expenses here. Visit Groland dot com or called Grolling

812
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Computers at six zero three six four five zero one

813
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zero one. Your tech, your way, Trust Rolling Computers.

814
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Speaker 5: Zero Midnight seven times out of ten we listened to

815
00:51:25,960 --> 00:51:27,400
our music at night.

816
00:51:29,400 --> 00:51:32,599
Speaker 4: That's gon titled Bossiness Program.

817
00:51:32,440 --> 00:51:35,760
Speaker 8: Late Night to Light with DJ Midas right here on WMNH,

818
00:51:36,000 --> 00:51:36,880
Manchester if.

819
00:51:36,719 --> 00:51:41,679
Speaker 4: You want to know, because Saturdays and Sunday nights midnight

820
00:51:41,760 --> 00:51:42,320
to four am.

821
00:51:43,679 --> 00:51:49,159
Speaker 7: This hour on wm NH is sponsored by CGI Business Solutions,

822
00:51:49,480 --> 00:51:53,480
located at five Dartmouth Drive in Auburn. They serve all

823
00:51:53,599 --> 00:51:58,039
your business needs including employee benefits, planning, corporate design and

824
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business administration, invest and wealth management, and customized business insurance solutions.

825
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Their phone number is eight sixty six eight four one

826
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forty six hundred or on the web at CGI Business

827
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Solutions dot com.

828
00:52:15,920 --> 00:52:19,440
Speaker 8: Behold the harmony of airwaves as you immerse yourself in

829
00:52:19,480 --> 00:52:23,920
the captivating frequencies of w m NHLP. The sonic cardets

830
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of Manchester transcending through the ether at ninety five point

831
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three megahertz frequency modulation or transmissions emanate from the zeed

832
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at the one thousand Elm Street to insure into the

833
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hearts of our creative realm at one nineteen Canal Street,

834
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where innovation and sound coluge. They're the impro model of

835
00:52:41,000 --> 00:52:44,559
Manchester Public Television Service in the venerable city of Manchester,

836
00:52:44,639 --> 00:52:48,400
New Hampshire, USA. Enrich your auditory journey with the depth

837
00:52:48,480 --> 00:52:51,480
of our license to wesdents spet your missives. Do w

838
00:52:51,840 --> 00:52:55,440
MNH ninety five three at gmail dot com or traverse

839
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the virtual corridors of wmnhradio dot org. Engage with our

840
00:52:59,639 --> 00:53:02,639
sonic separations by commuting with us through the digital channels

841
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or radio records. Eager to enthrall you with its mesmerizing

842
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kidd ince and envelop you with seventy poundless audits horns.

843
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Speaker 4: One dude wm NH will rip the.

844
00:53:16,559 --> 00:53:20,639
Speaker 1: Novels and this is Matt Connorton Unleashed. We are live

845
00:53:20,880 --> 00:53:23,199
from the studios of WM and H ninety five point

846
00:53:23,199 --> 00:53:25,960
three FM Glorious Manchester, New Hampshire, and of course you

847
00:53:26,000 --> 00:53:28,719
can stream the show from from anywhere. Go to Matt

848
00:53:28,840 --> 00:53:32,199
connorton dot com slash live. We've got a little bit

849
00:53:32,239 --> 00:53:36,559
of time left in this hour. Our guests are still

850
00:53:36,679 --> 00:53:39,760
on their way our hour two guests. We've got Mike

851
00:53:39,800 --> 00:53:42,440
and Terry coming from Charlie Hill. But we're gonna play

852
00:53:42,599 --> 00:53:46,239
one more track from the Painting. They joined us, or

853
00:53:46,280 --> 00:53:48,880
I should say he Lewis Taylor from the band. The

854
00:53:48,920 --> 00:53:51,400
bass player from the band did join us earlier in

855
00:53:51,519 --> 00:53:55,320
the hour. And since we can feed this, we can

856
00:53:55,360 --> 00:53:58,440
squeeze this in. I don't know where I got feed

857
00:53:59,159 --> 00:54:01,639
Since we can feed this in, that's a radio term

858
00:54:02,159 --> 00:54:04,559
you've probably never heard, you know, feed this in. Since

859
00:54:04,559 --> 00:54:06,480
we can squeeze this in, I'm gonna play this. This

860
00:54:06,599 --> 00:54:10,119
is another track from their album Before the Rain. This

861
00:54:10,400 --> 00:54:17,800
is probably my personal favorite. This is the title track.

862
00:54:17,880 --> 00:54:20,159
This is Before the Rain. I really like this a lot.

863
00:54:20,559 --> 00:54:22,480
Check this out. The band is the Painting.

864
00:54:53,119 --> 00:55:01,480
Speaker 2: You'll carry you fry carrying out FO.

865
00:55:03,280 --> 00:55:08,280
Speaker 4: You can let your pan again. Your score son up

866
00:55:08,360 --> 00:55:08,800
the turn.

867
00:55:09,760 --> 00:55:15,320
Speaker 2: You're fighting a fucking fighting fancy tied in a field.

868
00:55:30,119 --> 00:55:33,599
Speaker 4: Frustrate your pangin those.

869
00:55:33,559 --> 00:55:39,239
Speaker 2: Piers, steal your fans. You're crying, a fucking crying, a

870
00:55:39,559 --> 00:55:41,920
fucking crying no fare.

871
00:55:43,519 --> 00:55:48,840
Speaker 4: Self made. Can't you dream? Those scars will grow atawn.

872
00:55:49,760 --> 00:55:50,920
You're fighting a.

873
00:55:51,199 --> 00:56:02,519
Speaker 2: Fucking fighting a fancy finding fire life. Don't play start John,

874
00:56:05,119 --> 00:56:14,840
say don't want t don't soon. No one's can't want.

875
00:56:14,679 --> 00:56:16,239
Speaker 3: Say to you.

876
00:57:17,280 --> 00:57:23,840
Speaker 2: You're crying enough. Fo you know you're crying enough. Gotta

877
00:57:24,000 --> 00:57:31,440
don't fight inside just so you fall fires You crying

878
00:57:32,119 --> 00:57:38,239
a poor jady, You cry full stop, go your fading

879
00:57:38,960 --> 00:57:40,400
the side your suit.

880
00:57:41,639 --> 00:57:50,159
Speaker 4: You fall in the papers, you fall a bap so

881
00:57:54,960 --> 00:57:56,800
you fall the time s