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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the Smell of

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Guns Smoke Guns spoke, starring William Conrad, The story of

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the violence that moved west with the young America, and the

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story of a man who moved with it.

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Speaker 2: I'm that man, Matt Dillon, United States Marshall, the first

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man they look for and the less they want to meet.

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It's a chance, a job, and it makes a man watchful.

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A little lonely.

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Speaker 3: Morning like this makes a man feel mighty perkin as

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you don't.

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Speaker 2: It looks to be a nice day.

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Speaker 3: Chester, sunshining, fine breeze starting up, and breakfast waiting right

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down to cheat.

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Speaker 2: I wondered how long it'd be before you get around

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to mentioning foods. Oh, I watch you know, Chester, I know.

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Give you a knife and a fork and you turn

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into a tiger.

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Speaker 4: Oh it ain't that bad.

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Speaker 5: Yeah, in a.

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Speaker 2: Long time, aren't you? Yeah? A long time.

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Speaker 3: Well, just rode into town five minutes ago, and the

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first man I run into is you.

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Speaker 2: And I'm the first one a lot. I'm running to

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there's a Chester prodfoot Carl killing Jesse badge you're wearing, Matthew.

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Uh huh, the US Marshall here in Dutch? No man, Well,

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never thought it. Yeah, now that seems we've both sold

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our guns in different ways. I wouldn't know about that.

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Speaker 3: I'm still a drifter, Matthew, same as always.

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Speaker 2: That's how I've heard.

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Speaker 3: It's just the saddle bum here today, going tomorrow.

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Speaker 2: But it's what happens between today and tomorrow.

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Speaker 5: And the Carl nobody ever knows ahead of time.

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Speaker 2: Ill the pretty well do when you hit town the

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way I've been hearing it. You know how easy stories

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get started? Gun for a hire, thousand dollars a job

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results guaranteed. That's how the stories go, Carol.

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Speaker 3: When a fella ain't got a regular job, folks make

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up things about him.

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Speaker 2: You're a hired killer, Carl, and we both know it.

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Speaker 3: Ain't you kind of a hired killer yourself, Matthew.

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Speaker 2: Or you're here for Carl who you're figuring the kill?

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Speaker 3: Well, now, if I was the kind of man and

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them stories say, you don't think I'd answer that to you.

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Speaker 2: You're here for a killer, nothing else would bring it

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a Dutch.

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Speaker 3: You're a law man for real, Matthew, were just a

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bronco in this town for your own benefit.

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Speaker 2: I'm a law man's funny years back when we used

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to cut brush for strays down on the pacas, we

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lay that night in our bedrolls, look at.

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Speaker 5: The stars and talk.

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Speaker 3: We never figured it turned out like this someday, Carl,

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Why don't you get out of town?

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Speaker 2: Or you still can?

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Speaker 6: Now?

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Speaker 3: I figured look around a few days, see what kind.

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Speaker 5: Of place you got here?

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Speaker 2: See you, Matthew, nae to meet you? Chester? Go on?

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Speaker 3: Well, then is the cooldest pair of eyes I ever

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seen in man's head in film.

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Speaker 2: He got married the year after we worked together. Chester

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and some fence cutters burned his place one night, killed

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his wife. He run him down, shot 'em, all four

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of 'em, and then he and he couldn't seem to

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stop after that.

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Speaker 5: Who do you reckon? He's after?

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Speaker 2: I don't know who it gives you, the creeps, not

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knowing when or who? Uh? Forget that, Chester, come on,

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let's get some breakfast.

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Speaker 5: Huh uh?

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Speaker 3: You you go on ahead, mich doing for some reason,

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I I guess I just ain't Henry.

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Speaker 2: Well, sir, I do not understand this.

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Speaker 4: There's do what that?

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Speaker 5: What's this friend heals up to?

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Speaker 7: Anyhow?

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Speaker 4: Uh?

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Speaker 2: Uh A which friend?

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Speaker 5: Uh? Carl's kill him? That's true.

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Speaker 2: Uh, he's not a friend, been a long time since

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he was. Why what's he been doing?

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Speaker 5: That's says that nothing?

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Speaker 3: He's not been doing one bus the thing?

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Speaker 2: Well then not everybody in.

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Speaker 4: Town knows who he is and.

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Speaker 5: What he's here for.

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Speaker 4: But they don't know who the mark's on.

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Speaker 6: Well, it's got them so spook they're ready to jump

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out of the skins whenever a door closes.

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Speaker 2: Well, I can't do much about it, Doc, until he

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tips his hands someway. He hasn't committed any crime in Dodge,

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and he's not wanted anywhere else.

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Speaker 4: And why isn't he wanted?

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Speaker 2: And they always managed to go to his victims into

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making the first move, So it's self defense.

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Speaker 3: You get any idea who he's after?

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Speaker 6: No, brother, there's two dozen more men around town who think.

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Speaker 2: They're the one one of them? Maybe right, Doc.

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Speaker 3: Chiding stop in front of Wilberg Jones the store window.

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Speaker 5: This morning, stood looking in there for a while.

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Speaker 6: As soon as he left, Wilbur locked up and went

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home and he's been sitting home. Man that's Poller ever since,

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with a shotgun across his knees.

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Speaker 2: I dott he's after Wilburg.

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Speaker 5: But you don't know one of you men to.

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Speaker 2: Marshall, Yeah, I am. Come on in, Marshall.

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Speaker 8: There's a man here in Dodge that's fixing and kill me.

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Oh oh, what's your name? Text Bartoe. This man calls

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himself Carl Killyon.

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Speaker 2: He's been hired to follow me here and do me in.

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I'll half the town thinks that same thing in text.

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Speaker 5: Yeah, but I know I seen him in Peblo two

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weeks ago.

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Speaker 2: Night turns up here blow huh.

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Speaker 8: I got in some trouble there, Marshall, not with the law.

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I was cleared, but I killed a man in a fight,

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and his friend swore they'd get me one way or

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another's kill him. The figure he was there, he's seen

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the fight. I didn't know who he was in, but

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I remember his face.

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Speaker 4: All right, and they hired him.

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Speaker 2: I know they have.

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Speaker 4: He ain't here just by ach, then he might be right.

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Speaker 5: Man.

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Speaker 6: If Killian wasn't Peblo just before he came here, that

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must be where he was hired.

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Speaker 2: I may be you gotta lock him up, Marshall, I

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can't do that. Text I got no charge.

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Speaker 5: But if you don't to kill me, run away. Wouldn't

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even help.

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Speaker 4: He just follow me.

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Speaker 2: I keep clear of him texts, and don't let him

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push you into d on against him. Uh, where are

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you staying? Dorchy host? All right, then go on over

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there and stay there and keep off the street.

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Speaker 5: Huh.

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Speaker 2: All right. In the meantime, I'll try to figure something out.

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Speaker 5: We'll keep Marshall so on.

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Speaker 6: Oh if he's not the one, Mad, there's another possibility

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you Maybe you haven't.

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Speaker 5: Even thought of me.

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Speaker 2: I mean, yeah, I thought of it.

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Speaker 5: That would he take a job like that? Would you

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be in friends once? You think he'd really do that? Yeah,

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he'd do it.

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Speaker 4: Mad.

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Speaker 9: If you don't run that man out of town, I

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might have close up here and take a vacation.

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Speaker 4: He's factually living here at the Long Round.

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Speaker 2: Well, why not you serve the best beard in town?

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Speaker 4: Kidding, he's about the only one. I serve it to him.

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Speaker 9: Minute he comes in, the rest of the boy started

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edging towards the door.

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Speaker 2: Now he can't blame him. It's pretty hard to relax

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with the executioners standing at your elbow.

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Speaker 4: You never know looking at him even.

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Speaker 5: Been miss Kitty.

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Speaker 3: Matthew, Hello Carol, Well how's the law business going along?

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Speaker 4: Matthew?

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Speaker 2: Our town's been pretty quiet the last few days, and I.

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Speaker 3: Noticed that don't seem to be hardly any people around

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at all, well at.

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Speaker 2: Least not close to where you are. Folks had in

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order to feel that way. I don't mean no harm

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to him. Were you and pebloaders before you came here, Carl,

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I might have been. Why was that where you took

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on the job.

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Speaker 5: I reckon you.

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Speaker 3: Believe all them stories all right, just like everybody, Miss Ki.

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Speaker 7: Yeah, Rusty, oh good evening Marshall kid.

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Speaker 2: Hello, Rusted given in this fanel.

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Speaker 10: Excuse me for aboutting in this kitty, but Melbourne Becky

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wanted to think and have the rest of the night off.

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I'm seeing there's not much business anyhow, And sure, I

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tell the girl ahead.

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Speaker 4: You seem as to kill in. You're running my business.

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Speaker 3: I'll try to make up for it some right now,

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Miss Fannel will do me the honor having a drink

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with me?

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Speaker 10: Well, sure, i'd love kidd see you later.

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Speaker 2: Matthew is kitty.

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Speaker 9: I'll give him credit on one thing, matt The girls

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all like him.

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Speaker 4: They think it's fine.

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Speaker 2: Ally was fine.

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Speaker 4: Once makes a.

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Speaker 9: Jumper, though Waye moves around, not saying much, but always watching.

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Speaker 2: It started some of the citizens thinking, all.

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Speaker 7: Right, oh, everybody's guilty of something.

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Speaker 4: Matt. I even catch myself wondering if I'm the one

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is after. That's not likely, Kitty, But even you're not sure.

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Speaker 9: No, you see, you know, I almost wish you to

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hurry up and happen so with no, so we have

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it over with I.

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Speaker 2: I guess a lot of people feel that way.

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Speaker 5: But there's nothing nickel do Hey, what does it mean?

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Speaker 2: Tax Bartow? That kid came to see me this afternoon.

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Speaker 7: He's got a gun. He tried to shoot, killing in

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the back.

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Speaker 2: I tried his right, Bardo, bardo.

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Speaker 4: You know. I think that boy was aiming to do

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me some harm.

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Speaker 2: Matthew and Ellie's dad kill him. I didn't have much choice.

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Speaker 5: Well, he come at.

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Speaker 2: Oh you're undeclared. It was self defense. I saw it myself.

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That's another job done according to order. Who are you

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talking about? He was the one you were after, wasn't he?

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Speaker 3: I never saw that boy before in my life, never

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heard of him I don't even know his name. If

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if I really was after anybody, I still am.

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Speaker 2: Even what are you doing back there? Chester? When I

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gave it the night off, I didn't figure to see

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you the morning.

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Speaker 4: I am giving up going to bed.

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Speaker 3: An't have no fun tall in this time along that

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dog on old killings round.

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Speaker 2: He has kind of slowed down the nightlife.

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Speaker 3: And they just ain't nobody out no place hardly, And

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then it is it's a busy looking over their shoulder

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and jumping sideways.

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Speaker 4: A man can't get to feel an easy.

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Speaker 5: No matter how hard he puts his mind to it.

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Speaker 2: And it just seems ashamed to waste all that hair,

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grease and that boiled shirt of Chester. I figured you'd

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end up as a king of the Long Branch.

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Speaker 3: And that's another thing, you know, that little girl over

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the long Branch. I've been kindly sweet talking lately, Rusty Funnel,

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Well now she can't see me for does she just

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keeps hanging around him all the time.

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Speaker 2: It's not smart to get serious of her dance hall

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girl anyway, Chester. Well, well, Rusty ain't just a common

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dance hall girl, mister gun.

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Speaker 5: She comes from a real good family.

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Speaker 3: Ah is that so yes, sir, Her papa mama's dead,

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but she's got a rich uncle. AT's a very important

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man and his help ain't too good neither the last

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couple of years.

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Speaker 2: So that's why he's so interested in her. I thought

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it was true love just yet.

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Speaker 3: Well now you know, I ain't one to off to

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be thinking about money.

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Speaker 4: But it sure don't hurt none to.

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Speaker 5: Know that the only heirs is just her and her.

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Speaker 2: Cousin in Gueblo Webba.

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Speaker 3: That's where her uncle and her cousin lives. What matters,

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John H.

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Speaker 2: Chester, Right, and I think i'll drop over the long

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Branch and have a talk with Rusty.

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Speaker 3: Well she ain't there now, She left with that doll.

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Speaker 4: Don killing.

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Speaker 5: It's that her room.

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Speaker 3: That's your second door down the hall land lead and said.

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Speaker 2: Alright, Chester, you wait here, but the stairway. Hell s

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if she's come home, and she'd be better if I

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talk to her alone. Alright, you know who is it, Marshall,

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Dylan Rusty, I'd like to talk to you for a minute.

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Speaker 4: Well it's it's off of late Marshall.

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Speaker 2: I didn't won't take long and pretty important.

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Speaker 4: Alright, just to take it.

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Speaker 5: What is it Marshall, mind if I come in? I

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I I guess.

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Speaker 6: It's all right.

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Speaker 3: Thanks, Please don't mind the room.

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Speaker 10: When a girl lives alone, she gets careless about throwing

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things around.

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Speaker 2: That it's fine to me.

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Speaker 10: Uh, what is it, Marshall's anything wrong?

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Speaker 2: No, not exactly, or well, he's not yet. That's see.

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I hear that you've been seeing quite a bit of

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Carl Killian the last couple of days.

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Speaker 10: Yes, I I guess maybe I have.

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Speaker 5: I see.

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Speaker 7: Well, I think he's nice. I th I think people

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are wrong about it or us.

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Speaker 5: See.

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Speaker 2: How did you happen to meet him that?

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Speaker 5: Uh?

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Speaker 2: Did he make a point of trying to get acquainted

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with you?

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Speaker 3: Well?

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Speaker 10: He be he He came into the Long Branch a

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few times, and he talked to all the girls. But

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he well he he seemed to like me the best.

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L can't we talk about something else, Marshall?

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Speaker 2: Uh, Killian is the reason I came here?

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Speaker 5: Ruh, Well, let.

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Speaker 10: Uh come on over by the window.

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Speaker 7: It's a hot end here.

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Speaker 2: Huh all right, sure, yeah, let me open it for you.

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Speaker 4: Thanks.

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Speaker 6: This is better, isn't it?

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Speaker 2: Yeah? That's fine. You got a nice view of the

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street from here.

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Speaker 10: That's one reason I took the room.

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Speaker 7: He's behind that screen in the corner.

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Speaker 2: That's quite a street. Always something going on down there,

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any hour of the day or night.

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Speaker 7: Yeah, I guess that's right. He didn't want to see you.

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Speaker 2: Now there's the night stage pulling in from Walnut Creek,

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webload and Denver. Rusty, your life's not worth ten cents

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of mine either. Hum, I say, it looks like they're

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carrying a short load tonight. If I know him, he's

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got a gun on us right now. You're the one

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he's here to kill.

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Speaker 5: I don't believe you, and just take it easy here.

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Speaker 2: I'm gonna jump his movie if the only thing I

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can do. And I just stand still. And I was right.

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He didn't have his gun in his hand.

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Speaker 10: My Why why did they wanna kill me?

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Speaker 2: Your cousin hired him. Your uncle died in boeblog two

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weeks ago, and checked my telegraph an hour ago with

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you dad too. Your cousin would get the whole estate. Yeah, yeah,

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I'm alright.

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Speaker 5: Chester, Oh, Carl Carling, I'm sorry. It was a fast

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draw man.

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Speaker 2: You thanks. Thanks.

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Speaker 3: They they just give me the name Rusty Fendly. I

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didn't know it was a woman.

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Speaker 2: Now that I got here.

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Speaker 3: I never took a job like that before. Who hides

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your car? Young fella in Peblo.

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Speaker 2: A cousin.

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Speaker 3: I think he said I had turned it down. If

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known it was, a woman had to go through with it.

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Don't matter of honor.

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Speaker 2: Uh you call it honor if you want so. It's alright, Many,

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I'm finished.

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Speaker 5: I'm glad of it.

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Speaker 3: I liked the girl's funny.

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Speaker 2: Only job.

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Speaker 3: I ever failed one was the last one.

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Speaker 5: Don't we wanted ever Fay?

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Speaker 4: I thought he was so nice.

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Speaker 7: He was just waiting for a chance to kill me.

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Speaker 2: He'd had four days to do arest him, and he

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hadn't tried. Now, sometimes a man can win, by phelan,

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and maybe he got just.

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Speaker 5: What he wanted.

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Speaker 1: Smoke, produced and directed by Norman McDonald, stars William Conrad

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as Matt Dillon Us Marshall. The story was specially written

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for Gun Smoke by Less Crutchfield, with editorial supervision by

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John Meston. Featured in the cast were Vic Paren Dick

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Prenna and Virginia, Christine Parley, bear Is Chester, Howard McNair

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is

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Speaker 2: Doc and Georgia Ellis's Kidding