WEBVTT

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<v Speaker 1>Weird.

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<v Speaker 2>We welcome back midnight viewers to follow Malone's weekly round up.

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<v Speaker 2>I am follow alone and joining me here and all

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<v Speaker 2>the navel gazing festivities. Is the pug with the puss

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<v Speaker 2>I love the most, Miss ripley Gen. What's going on,

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<v Speaker 2>young lady. That's right, it's my birthday and you all

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<v Speaker 2>have to celebrate. I command you. I don't need a

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<v Speaker 2>military parade. I want a fifty nine Cadillac Eldorado with

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<v Speaker 2>blacked out windows to cruise ominously past my bedroom window.

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<v Speaker 2>Maybe one engine rev like midway past, so it doesn't

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<v Speaker 2>seem accidental. That's what's up? What else is up? Downloads

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<v Speaker 2>of this show? So thank you one and all. I'm

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<v Speaker 2>still knocked out any of you are interested in this nonsense,

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<v Speaker 2>but now we're stuck with each other, and there seem

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<v Speaker 2>to be more and more of you. So welcome to

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<v Speaker 2>all the new listeners. In Patreon news, there's Patreon news. Yes,

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<v Speaker 2>we are giving away a free subscription to the Patreon channel.

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<v Speaker 2>You have to go to my Instagram at Father Malone,

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<v Speaker 2>find the post about the giveaway and like and comment.

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<v Speaker 2>You're supposed to do both, but none of my followers

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<v Speaker 2>can follow the rules, and I love that about you.

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<v Speaker 2>If you're listening on the day of this episod so

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<v Speaker 2>it's released, you still have time. You have like twenty

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<v Speaker 2>four hours. Really, I'm picking a name at a random

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<v Speaker 2>At midnight of April twenty second, Patreon subscribers get episodes

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<v Speaker 2>early and commercial free. In fact, everyone gets the show

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<v Speaker 2>commercial free. I don't know if you noticed that. Maybe

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<v Speaker 2>I should just stop advertising the Patreon channel as commercial free.

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<v Speaker 2>In fact, one of the necessities of the Patreon channel

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<v Speaker 2>is that I don't have any ads. At least I

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<v Speaker 2>don't place any ads or allow any on the show.

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<v Speaker 2>I'm not being noble. If someone wants to specifically sponsor me,

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<v Speaker 2>then you're gonna hear all about them. I just don't

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<v Speaker 2>think you ought to hear online casino ads. Halfway through

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<v Speaker 2>me ranting about swamp thing speaking of casinos and this show. Wow,

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<v Speaker 2>that's a segue you don't get to use that often.

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<v Speaker 2>This is way too far in advance for any merit

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<v Speaker 2>in the knowing, but I feel like announcing it anyway.

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<v Speaker 2>Midnight Viewing will be doing a live show this October

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<v Speaker 2>the Fine Folks at Nightmare in Vegas Horror Convention and

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<v Speaker 2>Car show extravaganza. We're nice enough to have me be

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<v Speaker 2>part of their sinister celebration at the Silverton Hotel and

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<v Speaker 2>Casino that just so happens to be my favorite casino

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<v Speaker 2>in Las Vegas. Why one word mermaids. They have a

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<v Speaker 2>tank with mermaids swimming in it. Why would you go

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<v Speaker 2>anywhere else? And and they have my favorite bowling alley

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<v Speaker 2>it's inside an airstream trailer inside the casino. Oh, the

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<v Speaker 2>place is very heaven and now it's gonna get a

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<v Speaker 2>whole lot of hell. We're gonna find out if Ripley

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<v Speaker 2>here can handle large crowds with a flamethrower. That's not

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<v Speaker 2>very helpful for growing a fan base. Go to a

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<v Speaker 2>Nightmare in Vegas dot com for more information about the

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<v Speaker 2>convention itself, and make plans to come and hang out

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<v Speaker 2>October fourth and fifth. It's gonna be a fucking trip. Now,

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<v Speaker 2>two more bits of business.

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<v Speaker 3>From around.

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<v Speaker 2>That's right, it's listener mail time. Dallas Norville wrote in

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<v Speaker 2>to cast his vote on the upcoming Noise Junkies and

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<v Speaker 2>Midnight Viewing musical crossover. That's one vote for American pop

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<v Speaker 2>Ralph Boxshi's animated joney through American popular music. Will there

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<v Speaker 2>be animated boobs? Of course their will. It's Ralph Bokshie.

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<v Speaker 2>Will they be strangely unappealing? Of course they will. It's

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<v Speaker 2>Ralph Boxy all right. Let me check the tote board.

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<v Speaker 2>See where we're at. American pop takes a decisive lead

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<v Speaker 2>with one vote. Hey, listen, listeners, you realize that if

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<v Speaker 2>you and a friend right in, you can turn this

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<v Speaker 2>whole process on its head instead of leaving me with

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<v Speaker 2>fucking Bakshi. And it's not even wizards, with that fucking

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<v Speaker 2>sexy fairy. Now her boobs were appealing. Meanwhile, over in Scotland,

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<v Speaker 2>my future home, I don't know. I've been looking at

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<v Speaker 2>Wales with a pretty keen eye lately. Check it. I

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<v Speaker 2>can even mispronounce some words terribly. Ronda Cunnin toff eh.

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<v Speaker 2>That's the valley made famous by Tom Jones. Another valley

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<v Speaker 2>made famous by Tom Jones, the Las Vegas Valley. See

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<v Speaker 2>I'm halfway to Welsh anyway. Ian bang our man in

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<v Speaker 2>Scotland wrote in after the val Kilmer episode, and he

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<v Speaker 2>invertently brought up two questions I have for all of you.

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<v Speaker 2>Have you not seen real genius follow up? What the

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<v Speaker 2>fuck is wrong with you? If you've seen anything by

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<v Speaker 2>Zack Snyder more than once and real genius nuns, you

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<v Speaker 2>need to rethink some aspects of your life. I'm not

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<v Speaker 2>even doing a bit here. I'm genuinely disturbed. Ian wrote

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<v Speaker 2>into weigh in on my obsession with Blackpool, urging me

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<v Speaker 2>that off season is the right time for me. It

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<v Speaker 2>being quote photogenic in a bleak, wind swept way. I

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<v Speaker 2>love that. Bleak and wind swept were my nicknames in

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<v Speaker 2>high school. I think that's all the mail, but we

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<v Speaker 2>still have more bits of business. Have you been watching Daredevil?

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<v Speaker 2>Why not? Over on Anthology's Attack, Antonio and I covered

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<v Speaker 2>the first two episodes. Well, all nine of the first

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<v Speaker 2>season are out and you have to see it. Superhero fatigue,

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<v Speaker 2>Grow the fuck up. Marvel has lost the plot. Grow up,

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<v Speaker 2>you whiny pricks. This is air Deevil, purely distilled. It

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<v Speaker 2>works as a standalone all of the fault or all

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<v Speaker 2>of the previous three seasons. The inessential bits those have

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<v Speaker 2>become even more so, and the important plot in character

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<v Speaker 2>bits are on display here and they do it in

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<v Speaker 2>nine episodes, as opposed to that shaggy chambalic twelve or

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<v Speaker 2>thirteen unfocused bullshit we were getting before I mentioning it

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<v Speaker 2>here on the roundup, because if I got Antonio into

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<v Speaker 2>the studio, we would never stop talking about this season.

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<v Speaker 2>And now's your chance to catch it with minimal spoilers

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<v Speaker 2>or hype, except this hype, and now I'm going to

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<v Speaker 2>spoil the whole thing. No, I wouldn't. I will say, however,

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<v Speaker 2>that if you're a fan of those books, they finally

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<v Speaker 2>get it right here. Not that the series wasn't great previously.

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<v Speaker 2>It had moments, but this is the big screen or

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<v Speaker 2>small screen, does it matter? Version of what most fans

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<v Speaker 2>were hoping for, including the peripheral characters, most specifically the

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<v Speaker 2>return of Frank Castle John burnhal Is in the trailers,

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<v Speaker 2>you know the punishers in this so it's not a spoiler,

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<v Speaker 2>and for fuck's sake, I'm telling you they get everything

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<v Speaker 2>right this season, including the queasy morality of associating with

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<v Speaker 2>Marvel's most hated hero. But it also gives us the

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<v Speaker 2>absolute fucking necessity of him when the greater evil is

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<v Speaker 2>Wilson Fisk. Good God. Dinafrio mentioned in a recent interview

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<v Speaker 2>that there still seems to be some sort of legal

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<v Speaker 2>fiasco keeping Kingpin away from Spider Man as Marvel and

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<v Speaker 2>Sony continue to wrangle. But that's fine. If all we

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<v Speaker 2>ever get is street level Kingpin, this street level Kingpin,

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<v Speaker 2>then all is fucking well. Having said that, I do

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<v Speaker 2>want to see Wilson Fisk punch Peter Parker so hard

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<v Speaker 2>he's ejected from a tall building. Now, ordinarily I like

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<v Speaker 2>to cover the latest of the newest here on the roundup.

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<v Speaker 2>That's the whole reason for this show, and that was

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<v Speaker 2>certainly going to be the case this week. I even

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<v Speaker 2>slept out to the cinema and watched the film. But

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<v Speaker 2>we're not going to be discussing Sinners here. It's too

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<v Speaker 2>fucking excellent for some ten minute mini review where I

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<v Speaker 2>go pin bowling around every aspect of the eh I

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<v Speaker 2>enjoyed while striving mightily not to spoil anything. I'm going

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<v Speaker 2>to do a full episode on Sinners. It's the best

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<v Speaker 2>movie so far this year, best horror movie in the years,

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<v Speaker 2>might be the best action horror movie I've ever seen.

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<v Speaker 2>That sounds like hyperbole, but that is the most outrageous

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<v Speaker 2>claim ever made. That's a grammar joke, but not a joke, Sinners,

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<v Speaker 2>but it is very, very funny. I'm bringing Sinners up

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<v Speaker 2>because even though I'm not going to go in depth,

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<v Speaker 2>I do want to encourage you and everyone you know

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<v Speaker 2>to go see it in the theater. Sincerely. It's got

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<v Speaker 2>an extra creep factor you're not going to get at home. Plus,

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<v Speaker 2>let's support good movies. It's a prohibition set vampire movie. Okay.

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<v Speaker 2>Ryan Coogler directed it. Michael B. Jordan is twins. I'm

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<v Speaker 2>gonna shut up about it now. No, I won't remember

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<v Speaker 2>in Back to the Future too, when Old Doc and

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<v Speaker 2>Young Doc are interacting near the clock tower and he

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<v Speaker 2>hands himself a wrench, it's from behind a light pole,

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<v Speaker 2>and even with that, it's still super fucking awkward. In

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<v Speaker 2>his introductory scene, Michael B. Jordan is leaning against a

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<v Speaker 2>car beside Michael B. Jordan. One hands the other a

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<v Speaker 2>cigarette and then he leans in and the other lights

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<v Speaker 2>it for him, and the camera is moving and then

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<v Speaker 2>he hands him back the fucking cigarette. And if I

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<v Speaker 2>didn't know Michael B. Jordan was a singular human being,

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<v Speaker 2>I would have just assumed it was twins. That's what

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<v Speaker 2>visual effects are four. They should be totally fucking amazing

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<v Speaker 2>and seamless so much so that you don't even know

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<v Speaker 2>they're happening. They do it a lot in this movie.

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<v Speaker 2>That's nothing. It's their introductory scene. Also, their characters are

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<v Speaker 2>called the Smokestack Twins Smoke and Stack, kind of like

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<v Speaker 2>Bleak and Windswept, but way fucking cooler. All right, that

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<v Speaker 2>is enough. We're not gonna be talking about it because

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<v Speaker 2>we have to talk about the fog. Why why are

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<v Speaker 2>we talking about the fog?

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<v Speaker 4>Now?

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<v Speaker 2>Well, I've teased it every couple of episodes since I

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<v Speaker 2>started the roundup. That's a pretty good reason. Here's a

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<v Speaker 2>better one. If you are listening to this episode on

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<v Speaker 2>the day it was released, it is April the twenty first,

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<v Speaker 2>or the twenty first of April. Now, if you know me,

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<v Speaker 2>you know I love a good campfire tale, particularly if

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<v Speaker 2>it's a ghost story. Old mister Macon Love's telling ghost

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<v Speaker 2>stories down at the beach out by Spivey Point. Here's

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<v Speaker 2>my favorite.

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<v Speaker 5>Eleven fifty five, almost midnight. Enough time for one more story,

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<v Speaker 5>one more story before.

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<v Speaker 6>Twelve, just to keep us warm.

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<v Speaker 5>In five minutes. It'll be the twenty first of April,

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<v Speaker 5>one hundred years ago. On the twenty first of April,

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<v Speaker 5>out the waters around Spivey Point, a small clipper ship

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<v Speaker 5>drew toward land. Suddenly, out of the night, the fog

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<v Speaker 5>rolled in. For a moment, they could see nothing, not

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<v Speaker 5>a foot ahead of them, and then.

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<v Speaker 7>They saw a light. My god, it was a fire

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<v Speaker 7>burning on.

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<v Speaker 5>The shore, strong enough to penetrate the swirling mist. They

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<v Speaker 5>stared a course toward.

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<v Speaker 8>The light, but it was a camp fire like this one.

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<v Speaker 8>The ship crashed against the rocks, a howl sheared into

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<v Speaker 8>the mars, snapped like a twig, and the wreckage sank

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<v Speaker 8>them all.

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<v Speaker 7>The men aboard.

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<v Speaker 6>The bottom of the sea lay the Elizabeth Dane with

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<v Speaker 6>her crew, their lungs filled with salt water, their eyes

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<v Speaker 6>open and staring into the darkness and above. As suddenly

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<v Speaker 6>as it had come, the fog lifted be seated back

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<v Speaker 6>across the.

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<v Speaker 7>Ocean and never came again.

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<v Speaker 5>But it is told by the fishermen and their fathers

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<v Speaker 5>and grandfathers that when the fog returns to Antonio Bay,

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<v Speaker 5>the men at the bottom of the sea, out in

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<v Speaker 5>the water.

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<v Speaker 7>By Spivey Point, rise up and search for the.

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<v Speaker 8>Campfire that led them.

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<v Speaker 7>To their dark and icy death.

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<v Speaker 5>Twelve o'clock the twenty first of April.

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<v Speaker 2>That is theatrical legend, John Housman letting everyone know exactly

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<v Speaker 2>how to captivate. Years ago, Tim Robbins made a film

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<v Speaker 2>called cradlele Rock about Orson Wells put on, a banned

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<v Speaker 2>theatrical production in the nineteen thirties. Carrie Elways plays John

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<v Speaker 2>Housman in it, and he's fucking delightful. That is a

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<v Speaker 2>really good movie overall. But back to Antonio Bay and

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<v Speaker 2>The Fog, or more specifically John Carpenter's The Fog. I

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<v Speaker 2>feel like The Fog is the Carpenter flick. Everyone seems

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<v Speaker 2>to forget, not like they forget he made it. It's

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<v Speaker 2>more like they forget it exists, if they've even seen

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<v Speaker 2>it at all. Carpenter did have a fucking incredible run

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<v Speaker 2>right out of the gate, talking Dark Star to Assault

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<v Speaker 2>on Precinct thirteen to Halloween after The Fog. The Thing

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<v Speaker 2>is clearly Carpenter's masterpiece, a perfect film, although I would

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<v Speaker 2>argue the same about Escape from New York, his dystopian

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<v Speaker 2>western that is also perfect, and he'd still yet to

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<v Speaker 2>do Christine or They Live or Big Trouble in Little China.

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<v Speaker 2>So I get it a quiet little ghost movie. Isn't

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<v Speaker 2>as indelible as skinless Horror is reminding us that cash

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<v Speaker 2>is our real god, or as quotable as some of

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<v Speaker 2>Jack Burton's weird DJ routine Aboard the Pork Chop Express,

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<v Speaker 2>Have you paid your DU's Jack, Yes, sir, the check

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<v Speaker 2>is in the mail. Or even when he's out of

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<v Speaker 2>the cab. Gee, sure's raining cats and dogs. Everybody relaxed.

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<v Speaker 2>I'm here so many quotes? One more, what one will

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<v Speaker 2>come out?

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<v Speaker 3>No more?

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<v Speaker 2>Okay, I'm done, No way to go? One more? Phone company. Okay,

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<v Speaker 2>that's more a visual gag. But remember when Jack and

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<v Speaker 2>Wang che are sneaking into low pans and they announced

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<v Speaker 2>it with the phone company, and in order to prove

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<v Speaker 2>that they're legit, Jack is just like holding a phone,

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<v Speaker 2>like a phone he uncabled from a wall and he's

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<v Speaker 2>just toning it around. Oh my god. Having said that,

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<v Speaker 2>with all of those terrific pictures, and I love them all,

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<v Speaker 2>my favorite is the Fog. After the success of Halloween,

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<v Speaker 2>Carpenter signed a two picture deal with Avco Embassy. That's

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<v Speaker 2>the company with the most seventies production logo of all time.

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<v Speaker 2>It's been parodied and remade countless times with good reason.

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<v Speaker 2>It is fucking cool. The story was conceived by himself

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<v Speaker 2>and co writer and producer Deborah Hill during a trip

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<v Speaker 2>to the UK promoting Assault on Precinct thirteen. Evidently, there

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<v Speaker 2>was a mighty mist around Stonehenge when they went to visit,

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<v Speaker 2>and it was just too damned mystical to not inspire.

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<v Speaker 2>The other factor they wove in was historical fact. You

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<v Speaker 2>heard it in mister Macon's Tale of the Founding of

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<v Speaker 2>Antonio Bay. There were similar tales of a method employed

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<v Speaker 2>by pirates on the California coast Goletta, California, more specifically,

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<v Speaker 2>where a bonfire would be built further south than an

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<v Speaker 2>actual lighthouse and the ships guided there by the light

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<v Speaker 2>would break up on the rocks and the pirates would

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<v Speaker 2>descend and elute them. There were tails, but no actual

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<v Speaker 2>evidence of it on the California coast. There is a

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<v Speaker 2>famous case of the exact same method employed on the

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<v Speaker 2>coast of Rhode Island. However, back in seventeen thirty eight.

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<v Speaker 2>Mister Macon, by the way, named for Welsh horror author

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<v Speaker 2>Arthur Macon, can't get away from Wales today, but other

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<v Speaker 2>characters would include Tom Atkins as Nick Castle, Nick Castle

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<v Speaker 2>is one of John Carpenter's USC buddies. He wrote Escape

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<v Speaker 2>from New York with him. Then there's Charles Seipher's as

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<v Speaker 2>local weatherman Dan O'Bannon. O'Bannon wrote and starred in Carpenter's

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<v Speaker 2>first film, Dark Star, as well as writing Alien and

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<v Speaker 2>directing Return of the Living Dead. Stevie Wayne's son is

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<v Speaker 2>looked after by Nanny Missus. Koebrits. Richard Coebrits produced Carpenter's

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<v Speaker 2>TV movie Someone's Watching Me. There's an exclamation at the

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<v Speaker 2>end of that. You all know Carpenter did TV movies

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<v Speaker 2>in the seventies, right, Someone's Watching Me, which starred Future Carpenter,

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<v Speaker 2>Bride and Fog star Adrian Barbo, and the fucking awesome

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<v Speaker 2>TV movie Elvis starring future Snake Plisken. Kurt Russell. George

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<v Speaker 2>buck Flower appears here as Tommy Wallace. Tommy Wallace being

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<v Speaker 2>one of Carpenter's oldest friends. He was Michael Myers in

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<v Speaker 2>Halloween or The Shape. Is there anyone out there correcting

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<v Speaker 2>people Frankenstein's style about Halloween? You know, the little Boy

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<v Speaker 2>was named Michael Myers. The hulking monsters named the Shape.

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<v Speaker 2>It says so when the credits Darwin Justin from Assault

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<v Speaker 2>on Precinc thirteen shows up here as medical examiner doctor.

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<v Speaker 2>I don't think I should have to explain that to you.

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<v Speaker 2>And Hal Holbrook appears as father alone. Some will tell

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<v Speaker 2>you his name is father Patrick Malone. Those people are

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<v Speaker 2>fucking wrong. We'll get back to that magnificently named character

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<v Speaker 2>in a bit, all right. If I had to guess,

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<v Speaker 2>I don't, because I've done the exhaustive monomoniacal thing I

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00:17:19.920 --> 00:17:22.480
<v Speaker 2>do with everything I love, and obsess about it and

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00:17:22.559 --> 00:17:25.519
<v Speaker 2>research it and turn it over and over and over

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00:17:25.559 --> 00:17:28.400
<v Speaker 2>in my mind. But if I had to guess, here's

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00:17:28.440 --> 00:17:31.799
<v Speaker 2>what happened. Carpenter took a two picture deal, figuring I've

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00:17:31.839 --> 00:17:34.119
<v Speaker 2>got a killer with escape from New York. The second

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00:17:34.160 --> 00:17:36.720
<v Speaker 2>picture will come to me later. And then Navco said,

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00:17:37.000 --> 00:17:39.759
<v Speaker 2>new York is a prison and the President's plane has

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<v Speaker 2>crashed into it. John, you know we're a small company.

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00:17:43.200 --> 00:17:47.480
<v Speaker 2>What else you got, uh, well, the fog? And then

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00:17:47.519 --> 00:17:49.640
<v Speaker 2>they were like sold and he was like, oh shit,

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00:17:49.720 --> 00:17:52.680
<v Speaker 2>I sold them a pitch for nothing. Thus the hastily

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00:17:52.720 --> 00:17:56.200
<v Speaker 2>named characters. Also the offhand way Carpenter has treated the

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<v Speaker 2>fog ever since it was a modest hit, which might

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00:17:59.440 --> 00:18:01.599
<v Speaker 2>have been encouraged had he not just made the most

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<v Speaker 2>successful independent film of all time with Halloween. Again, I

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00:18:05.160 --> 00:18:07.839
<v Speaker 2>wasn't there. I can't tell you who did what, but

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00:18:08.039 --> 00:18:09.839
<v Speaker 2>I'm gonna go out on a limb and say, after

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00:18:09.880 --> 00:18:12.640
<v Speaker 2>providing the location and the crime and the characters named

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00:18:12.640 --> 00:18:15.160
<v Speaker 2>after his buddies, Carpenter didn't have a whole lot to

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00:18:15.200 --> 00:18:17.279
<v Speaker 2>do with the actual writing of the rest of the movie.

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00:18:17.680 --> 00:18:20.720
<v Speaker 2>That would be Deborah Hill handling screenplay duties. And I

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00:18:20.720 --> 00:18:25.839
<v Speaker 2>fucking love this script, small scale and ultimately character driven. Also,

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00:18:26.160 --> 00:18:29.079
<v Speaker 2>fuck your Bechdel test. I mean, don't. I think it's

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00:18:29.079 --> 00:18:31.480
<v Speaker 2>a necessary tool that every screenwriter should be aware of.

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<v Speaker 2>But the male cast of The Fog is nominal at best.

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<v Speaker 2>This movie stars Adrian Barbo, Jamie Lee, Curtis, Nancy Loomis,

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00:18:39.799 --> 00:18:43.440
<v Speaker 2>and Janet Lee, with appearances by Tom Atkins, Halholbrook and

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00:18:43.519 --> 00:18:46.599
<v Speaker 2>Charles Ciphers, oh and John Carpenter. He's in the opening

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00:18:46.640 --> 00:18:50.000
<v Speaker 2>scene with hal Holbrook as Bennett. Will Bennett ever receive

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00:18:50.079 --> 00:18:52.759
<v Speaker 2>his salary? Here's a bit of weirdness. Carpenter is playing

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00:18:52.799 --> 00:18:55.880
<v Speaker 2>Bennett Tramer. Bennett Tramer is the boy. Laurie is freaking

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<v Speaker 2>out that Nancy set her up within Halloween. Is it

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00:18:58.640 --> 00:19:01.880
<v Speaker 2>the same guy? Is this shared universe? Do I give

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00:19:01.920 --> 00:19:04.319
<v Speaker 2>a shit? Let's talk at Deborah Hill for a moment.

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00:19:04.759 --> 00:19:07.759
<v Speaker 2>She put that totally unnecessary Edgar Allan Poe quote at

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<v Speaker 2>the beginning of the film. It's from Poe's a Dream

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00:19:10.160 --> 00:19:12.039
<v Speaker 2>with it a dream. The line in the film is

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<v Speaker 2>all that we see or seem is but a dream

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<v Speaker 2>within a dream, which is a meditation on the nature

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<v Speaker 2>of reality, and really not about pirate ghosts and lighthouse

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00:19:22.240 --> 00:19:26.720
<v Speaker 2>radio stations. It's atmospheric. It's just nonsense here. That's my

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<v Speaker 2>only gripe with the screenplay, because the rest manages to

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<v Speaker 2>juggle a dozen characters and plots and events all during

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<v Speaker 2>the course of one day, the centennial celebration of Antonio Bay,

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00:19:36.160 --> 00:19:40.079
<v Speaker 2>and it does so with escalating dread. It's a gentle movie,

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00:19:40.400 --> 00:19:42.400
<v Speaker 2>or at least it was. And we'll get back to

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00:19:42.440 --> 00:19:45.000
<v Speaker 2>that just a few more words on. Deborah Hill co

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00:19:45.119 --> 00:19:49.319
<v Speaker 2>wrote Halloween the Fog, Halloween two, produced Escape from New

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00:19:49.400 --> 00:19:52.720
<v Speaker 2>York and the Dead Zone and Adventures in Babysitting, and

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00:19:52.839 --> 00:19:56.160
<v Speaker 2>if not Terry Gilliams's best film, at least his most accessible.

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00:19:56.440 --> 00:19:59.920
<v Speaker 2>The Fisher King. She produced an entire array of Roger

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00:20:00.079 --> 00:20:04.079
<v Speaker 2>Corman remakes on Showtime called Rebel Highway flicks like Dragstrip

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00:20:04.200 --> 00:20:06.640
<v Speaker 2>Girl and The Cool and the Crazy. She passed away

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00:20:06.680 --> 00:20:10.000
<v Speaker 2>in two thousand and five, so you know, fuck everything.

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<v Speaker 2>Antonio Bay is one hundred years old because one hundred

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<v Speaker 2>years ago, the town's founding fathers made a deal with

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<v Speaker 2>a leper colony to allow them to settle on land

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<v Speaker 2>close to Antonio Bay. Instead, during an ungodly fog, they

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<v Speaker 2>built a false fire, guiding the leper's ship of the

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<v Speaker 2>Elizabeth Dane into the rocks where they stole their gold.

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<v Speaker 2>It's that gold they used to found the entire town.

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<v Speaker 2>And now one hundred years later, those lepers, led by

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<v Speaker 2>Captain Blake, are back and they want blood or gold,

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<v Speaker 2>or maybe both, or maybe just the gold. The rules

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00:20:42.000 --> 00:20:44.640
<v Speaker 2>aren't clear, but who needs rules when you have a

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<v Speaker 2>dual masted pirate ship looming out of the fog and

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00:20:47.759 --> 00:20:51.079
<v Speaker 2>ghostly shapes with cutlasses and worse in their rotting hands,

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<v Speaker 2>and between midnight and one they'll do their worst on

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<v Speaker 2>anyone unlucky enough to open the door. These are incredibly polite,

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<v Speaker 2>murderous pirate gohot hoo. I'm calling them pirates. I know

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<v Speaker 2>they're not. I'm using shorthand.

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<v Speaker 1>Y'all.

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<v Speaker 2>To call this movie formative for me is ridiculous. It

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<v Speaker 2>started a lifelong obsession with the lighthouses and radio stations

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00:21:11.000 --> 00:21:15.240
<v Speaker 2>and angry ghosts and hapless priests. Adrian Barbo stars as

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<v Speaker 2>Stevie Wayne. Is there anything cooler than a lady named Stevie?

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<v Speaker 2>She owns the local lighthouse and has turned it into

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<v Speaker 2>kate ABE, the local radio station for light jazz and

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<v Speaker 2>maritime reports. She's a recent transplant to Antonio Bay, having

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<v Speaker 2>come from a successful career in Chicago, but after the

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00:21:32.160 --> 00:21:34.000
<v Speaker 2>death of her husband, she and her son have set

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<v Speaker 2>up digs here on the California coast. All of that

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00:21:37.319 --> 00:21:40.759
<v Speaker 2>backstory is never spoken. It's all told through photographs and

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<v Speaker 2>documents all around Stevie Wayne's house. That house, by the way,

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<v Speaker 2>continues the trend of all the coolest shit being in

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<v Speaker 2>this film. Lighthouse radio station, check stilt house that sits

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<v Speaker 2>on the water over that aforementioned Antonio Bay, and check

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00:21:54.079 --> 00:21:58.240
<v Speaker 2>sleepy beach resort town that seems to eskew tourism. Check

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<v Speaker 2>if Antonio Bay weren't fictional you can rest assured there'd

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<v Speaker 2>be no Scotland, or whales or even Las Vegas for me.

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<v Speaker 2>I want to go there, and I've tried, believe me.

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<v Speaker 2>I've been to Point Raeis, where the lighthouse they used

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<v Speaker 2>for filming is located. I've stumbled around Inverness, which doubled

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<v Speaker 2>for Main Street. I've also walked the wooden pier of

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00:22:17.960 --> 00:22:21.039
<v Speaker 2>Boadega Bay, where the seagrass and the other fishing boats

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00:22:21.119 --> 00:22:23.960
<v Speaker 2>launch out of Bodega Bay. Incidentally is also where they

385
00:22:23.960 --> 00:22:28.240
<v Speaker 2>shot the birds, so going there is exponentially surreal. Hell,

386
00:22:28.279 --> 00:22:31.160
<v Speaker 2>I've been to Father Malone's church. It's in Pasadena, nowhere

387
00:22:31.240 --> 00:22:34.480
<v Speaker 2>near the other locations. I love movie making. You forget

388
00:22:34.480 --> 00:22:37.039
<v Speaker 2>sometimes the simple magic of two images shot at different

389
00:22:37.079 --> 00:22:40.240
<v Speaker 2>times in locations, cut together into a seamless hole. Oh

390
00:22:40.240 --> 00:22:42.240
<v Speaker 2>and they went through some cutting. I told you, we

391
00:22:42.319 --> 00:22:44.640
<v Speaker 2>get back to it, which might be another reason that

392
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<v Speaker 2>John Carpenter doesn't rate this flick as high as as others.

393
00:22:47.799 --> 00:22:50.240
<v Speaker 2>I mentioned. The film is a gentle ghost story, and

394
00:22:50.319 --> 00:22:53.799
<v Speaker 2>it is especially forty five fucking years later. These days,

395
00:22:53.799 --> 00:22:57.200
<v Speaker 2>the Exorcist seems pretty tame, but apparently the scares were

396
00:22:57.240 --> 00:23:01.039
<v Speaker 2>so gentle on the fog that reshoots were out absolutely necessary,

397
00:23:01.039 --> 00:23:03.880
<v Speaker 2>according to the studio, So back they went to film.

398
00:23:04.039 --> 00:23:06.440
<v Speaker 2>Well a bunch of gore. Really. Carpenter jumps up and

399
00:23:06.480 --> 00:23:08.920
<v Speaker 2>down about the differences between the versions, But as far

400
00:23:08.920 --> 00:23:12.720
<v Speaker 2>as I've seen, nothing got added that made anything scarier. Instead,

401
00:23:12.759 --> 00:23:15.160
<v Speaker 2>you just got more loving close ups of maggot writhing

402
00:23:15.200 --> 00:23:19.160
<v Speaker 2>flesh and the very definite eye gougings and corpse puppeteering

403
00:23:19.480 --> 00:23:21.799
<v Speaker 2>that the first cut lacked. They probably should have included

404
00:23:21.839 --> 00:23:23.839
<v Speaker 2>those from Jump. But lest we forget, there was a

405
00:23:23.839 --> 00:23:26.759
<v Speaker 2>time when Carpenter wasn't exactly thrilled to be even doing Halloween.

406
00:23:27.319 --> 00:23:29.599
<v Speaker 2>He thought he was slumming with that picture. And when

407
00:23:29.599 --> 00:23:32.000
<v Speaker 2>you think about it, after the thing, how many straight

408
00:23:32.039 --> 00:23:34.440
<v Speaker 2>up horrors does he make? A side of the mind

409
00:23:34.519 --> 00:23:37.440
<v Speaker 2>numbing terror of memoirs of an invisible man? Of course,

410
00:23:37.559 --> 00:23:40.839
<v Speaker 2>John Carpenter is a frustrated Western filmmaker. It's a drag.

411
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<v Speaker 2>No one ever let him do one straight up. It

412
00:23:42.920 --> 00:23:45.160
<v Speaker 2>wouldn't even have to be straight up. Make it demonic,

413
00:23:45.440 --> 00:23:48.599
<v Speaker 2>But give John Carpenter one last shot at redemption. Don't

414
00:23:48.680 --> 00:23:52.319
<v Speaker 2>let him end on the ward. Don't let that recent

415
00:23:52.359 --> 00:23:54.720
<v Speaker 2>Walk of Fame star be the last we hear of him,

416
00:23:55.240 --> 00:23:57.440
<v Speaker 2>you know, other than telling his own fans to fuck off.

417
00:23:58.119 --> 00:23:59.759
<v Speaker 2>Do you know how certain I am that most people

418
00:23:59.799 --> 00:24:02.160
<v Speaker 2>have seen the fog, because every once in a while,

419
00:24:02.240 --> 00:24:04.599
<v Speaker 2>someone who's known me for years as Father Malone will

420
00:24:04.599 --> 00:24:07.839
<v Speaker 2>suddenly say, hell, Holbrook, the fog, I just saw it,

421
00:24:08.519 --> 00:24:13.680
<v Speaker 2>which is invariably followed by so why Father Malone? Now,

422
00:24:13.759 --> 00:24:16.839
<v Speaker 2>aside of the magnificent mane of silvery hair that watches

423
00:24:16.960 --> 00:24:20.599
<v Speaker 2>down over an equally tinged and equally bushy mustache being

424
00:24:20.680 --> 00:24:25.160
<v Speaker 2>reason enough, Father Malone is simultaneously the least and most

425
00:24:25.240 --> 00:24:28.319
<v Speaker 2>important character in the film. It's through him we discover

426
00:24:28.400 --> 00:24:30.880
<v Speaker 2>what the fuck is even happening. If he wasn't part

427
00:24:30.880 --> 00:24:32.880
<v Speaker 2>of the narrative, this would be a movie about the

428
00:24:32.880 --> 00:24:36.559
<v Speaker 2>fog rolling in on two consecutive nights and ghostly figures

429
00:24:36.640 --> 00:24:41.480
<v Speaker 2>murdering six people the end. Instead, it's Father Malone's relatives journal,

430
00:24:41.680 --> 00:24:44.799
<v Speaker 2>Father Patrick Malone's journal. Thus why people think Father Malone

431
00:24:44.839 --> 00:24:47.240
<v Speaker 2>is named Patrick that provides the tragic history of the

432
00:24:47.240 --> 00:24:51.000
<v Speaker 2>town and warns of the possibilities of Blake's revenge, And

433
00:24:51.039 --> 00:24:53.720
<v Speaker 2>in the end, it's Father Malone that restores the stolen

434
00:24:53.799 --> 00:24:59.640
<v Speaker 2>gold and prevents further bloodshed, spoilers everybody. So all those

435
00:24:59.680 --> 00:25:02.519
<v Speaker 2>reasons are perfect to take on his name. But here's another.

436
00:25:02.880 --> 00:25:04.920
<v Speaker 2>If you're listening to the day of release, then this

437
00:25:04.960 --> 00:25:07.960
<v Speaker 2>is April the twenty first, the day Antonio Bay turned

438
00:25:07.960 --> 00:25:11.920
<v Speaker 2>one hundred and On that night, at midnight, Blake and

439
00:25:11.960 --> 00:25:14.119
<v Speaker 2>his crew returned and killed a whole bunch of people

440
00:25:14.319 --> 00:25:17.240
<v Speaker 2>and tried to kill a whole bunch more. Blake and

441
00:25:17.279 --> 00:25:21.039
<v Speaker 2>his crew returned at midnight, making it April twenty second.

442
00:25:21.640 --> 00:25:26.039
<v Speaker 2>That's my birthday. Father Malone saves Antonio Bay on April

443
00:25:26.039 --> 00:25:26.759
<v Speaker 2>the twenty second.

444
00:25:26.960 --> 00:25:35.359
<v Speaker 9>Hit it HP Kail Ripley has decided to give you

445
00:25:35.440 --> 00:25:39.640
<v Speaker 9>a double feature recommendation, a pairing if you will, another

446
00:25:39.720 --> 00:25:43.559
<v Speaker 9>formative cinematic minor miracle with hints of the fog notes

447
00:25:43.599 --> 00:25:46.880
<v Speaker 9>of it, mainly the ones consisting of characters talking into

448
00:25:46.920 --> 00:25:48.440
<v Speaker 9>microphones and having.

449
00:25:48.240 --> 00:25:51.680
<v Speaker 2>Their thoughts blasted out into the brains of listeners everywhere.

450
00:25:51.960 --> 00:25:53.960
<v Speaker 2>It has one of the worst titles of all time,

451
00:25:54.519 --> 00:25:55.960
<v Speaker 2>Pump up the volume.

452
00:25:59.400 --> 00:26:02.759
<v Speaker 5>By that loaded.

453
00:26:03.680 --> 00:26:09.119
<v Speaker 3>Everybody rolls with fingers cross.

454
00:26:08.480 --> 00:26:13.640
<v Speaker 1>You take a pod. Everything's loaded. The environment, the government,

455
00:26:13.880 --> 00:26:15.039
<v Speaker 1>the schools.

456
00:26:14.559 --> 00:26:15.039
<v Speaker 5>You name it.

457
00:26:15.240 --> 00:26:19.039
<v Speaker 1>Good guys, We're on the ninety two FM and it

458
00:26:19.039 --> 00:26:21.799
<v Speaker 1>feels like a nice clean little man owe else using it.

459
00:26:22.079 --> 00:26:22.680
<v Speaker 1>The price is.

460
00:26:22.720 --> 00:26:27.599
<v Speaker 4>Right listening to this, of course I'm listening. There's nothing

461
00:26:27.599 --> 00:26:30.319
<v Speaker 4>to do anymore, and all the great themes have been

462
00:26:30.400 --> 00:26:33.359
<v Speaker 4>used up, turned into theme parks, so I don't really

463
00:26:33.359 --> 00:26:36.039
<v Speaker 4>find it exactly cheerful to be living in a totally

464
00:26:36.279 --> 00:26:39.119
<v Speaker 4>like exhausted decade where there's nothing to look forward to

465
00:26:39.279 --> 00:26:40.319
<v Speaker 4>and no one to look up to.

466
00:26:41.920 --> 00:26:44.680
<v Speaker 5>He's got a pirate radio station. Nobody knows who is.

467
00:26:44.799 --> 00:26:48.519
<v Speaker 4>I could be that anonymous nerd sitting across from you.

468
00:26:48.279 --> 00:26:53.079
<v Speaker 1>And when you turn around, he just looks away.

469
00:26:53.440 --> 00:26:54.960
<v Speaker 4>He never looks back at you again.

470
00:26:56.960 --> 00:26:59.240
<v Speaker 1>This is a song from the nineties, Welcome to Dorenas

471
00:26:59.279 --> 00:27:00.599
<v Speaker 1>that you may take you please?

472
00:27:00.799 --> 00:27:01.480
<v Speaker 7>Yeah, I want.

473
00:27:06.200 --> 00:27:06.799
<v Speaker 1>I was deep.

474
00:27:09.720 --> 00:27:12.680
<v Speaker 4>I like the idea that a voice can just go

475
00:27:12.799 --> 00:27:17.960
<v Speaker 4>somewhere uninvited, like a dirty thought, a nice clean mind.

476
00:27:19.880 --> 00:27:24.079
<v Speaker 3>I know you, not your name, but your game. Come

477
00:27:24.119 --> 00:27:24.400
<v Speaker 3>to me.

478
00:27:25.160 --> 00:27:26.160
<v Speaker 2>We're all come to you.

479
00:27:26.200 --> 00:27:26.839
<v Speaker 8>So you are he.

480
00:27:37.200 --> 00:27:42.160
<v Speaker 1>Who hits me again with the lead to fraw you

481
00:27:42.200 --> 00:27:44.960
<v Speaker 1>out here in white bread Land it's ten o'clock. Do

482
00:27:45.000 --> 00:27:46.319
<v Speaker 1>you care where your parents are?

483
00:27:49.720 --> 00:27:52.480
<v Speaker 10>This radio person is the whole problem. Are we going

484
00:27:52.480 --> 00:27:54.240
<v Speaker 10>to allow this guy? To be heard by anyone who

485
00:27:54.240 --> 00:28:00.640
<v Speaker 10>can turn a die of ChIL trying to tell you

486
00:28:00.680 --> 00:28:12.000
<v Speaker 10>that there's something wrong with the school, so why not

487
00:28:12.160 --> 00:28:14.799
<v Speaker 10>do something crazy? But I have a lot more sense

488
00:28:15.000 --> 00:28:17.960
<v Speaker 10>than blowing your friends off sec You know what that

489
00:28:18.119 --> 00:28:19.480
<v Speaker 10>means that all.

490
00:28:21.400 --> 00:28:23.359
<v Speaker 5>This is Martin right screwing around with you.

491
00:28:23.359 --> 00:28:25.000
<v Speaker 2>You know, not anymore? It isn't.

492
00:28:25.000 --> 00:28:27.480
<v Speaker 9>This is everyone's like Mark, you can't leave it like this.

493
00:28:33.359 --> 00:28:37.640
<v Speaker 6>You're out there, boy.

494
00:28:37.839 --> 00:28:40.519
<v Speaker 2>No one knew the internet was coming around this time.

495
00:28:40.599 --> 00:28:43.119
<v Speaker 2>Apparently we all thought radio was going to save us.

496
00:28:43.279 --> 00:28:44.960
<v Speaker 2>At the close of the eighties, there seemed to be

497
00:28:45.000 --> 00:28:49.240
<v Speaker 2>an entire subgenre of radio feature films, all trumpeting the

498
00:28:49.279 --> 00:28:52.599
<v Speaker 2>importance of voices and music traveling through the air and

499
00:28:52.640 --> 00:28:57.079
<v Speaker 2>into your ears. Good Morning Vietnam, straight talk talk radio,

500
00:28:57.519 --> 00:29:01.839
<v Speaker 2>airheads Hell Texas, Chainsaw m Sacre two's lead stretch is

501
00:29:01.839 --> 00:29:04.960
<v Speaker 2>an Oklahoma DJ whose radio station is what gets that

502
00:29:05.000 --> 00:29:08.880
<v Speaker 2>party started and sitting outside. The radio conversation in general

503
00:29:09.279 --> 00:29:12.200
<v Speaker 2>was pump up the volume, which wasn't about a loose

504
00:29:12.240 --> 00:29:16.319
<v Speaker 2>canon DJ shaking up the uptight military, or any number

505
00:29:16.359 --> 00:29:20.119
<v Speaker 2>of talk radio hosts preaching either mental health or armageddon.

506
00:29:20.599 --> 00:29:24.039
<v Speaker 2>Pump up the volumes. Mark Hunter uses radio as a lifeline.

507
00:29:24.319 --> 00:29:27.160
<v Speaker 2>The film's plot will veer into exposure of corruption and

508
00:29:27.200 --> 00:29:29.880
<v Speaker 2>the divide between boomer parents and gen X kids eventually,

509
00:29:30.400 --> 00:29:32.759
<v Speaker 2>but at its heart it's way purer than any of

510
00:29:32.799 --> 00:29:36.240
<v Speaker 2>those other films, because while radio was, and I suppose

511
00:29:36.279 --> 00:29:38.839
<v Speaker 2>now on the Internet is an important tool for justice

512
00:29:38.880 --> 00:29:42.200
<v Speaker 2>and exposing the venal truths in this world, it mainly

513
00:29:42.200 --> 00:29:44.039
<v Speaker 2>functioned in the day to day lives of day to

514
00:29:44.119 --> 00:29:47.160
<v Speaker 2>day folk as a lifeline, keeping you connected to the

515
00:29:47.200 --> 00:29:50.319
<v Speaker 2>greater world of culture, transporting you to other climates and

516
00:29:50.359 --> 00:29:53.720
<v Speaker 2>points of view, musical and otherwise, and overall providing a

517
00:29:53.720 --> 00:29:56.680
<v Speaker 2>connection to others that had the same weirdo tastes and

518
00:29:56.759 --> 00:29:59.880
<v Speaker 2>views as you. It's not impossible to avoid those with

519
00:30:00.039 --> 00:30:03.000
<v Speaker 2>similar interests of these days. But remember it wasn't all

520
00:30:03.000 --> 00:30:05.400
<v Speaker 2>that long ago that if you found yourself obsessed with

521
00:30:05.480 --> 00:30:08.519
<v Speaker 2>anything that wasn't syndicated on TV or screaming from the

522
00:30:08.519 --> 00:30:11.680
<v Speaker 2>top forty, you felt pretty lonely about it. A good

523
00:30:11.759 --> 00:30:14.960
<v Speaker 2>DJ could dispel that isolation, draw you in with sounds

524
00:30:15.000 --> 00:30:17.240
<v Speaker 2>you'd never heard and thoughts you'd never thought, And not

525
00:30:17.359 --> 00:30:20.559
<v Speaker 2>just them, you'd hear other listeners call in or write in,

526
00:30:20.599 --> 00:30:23.599
<v Speaker 2>and suddenly you're a community, you get that and pump

527
00:30:23.680 --> 00:30:25.880
<v Speaker 2>up the volume, but it also gives us the DJ

528
00:30:26.240 --> 00:30:29.720
<v Speaker 2>as just as desperate as anyone he's connecting to. I

529
00:30:29.759 --> 00:30:32.640
<v Speaker 2>love that about this movie. Mark is basically using his

530
00:30:32.680 --> 00:30:35.839
<v Speaker 2>ham radio to illegally take over stations that aren't in use.

531
00:30:36.480 --> 00:30:39.319
<v Speaker 2>Like Stevie Wayne in The Fog. He's a recent transplant,

532
00:30:39.599 --> 00:30:41.839
<v Speaker 2>though He's from New York and found himself in one

533
00:30:41.880 --> 00:30:45.759
<v Speaker 2>of those prefabricated Southwest communities that never seem finished and

534
00:30:45.880 --> 00:30:48.559
<v Speaker 2>have all the subtle and welcoming ambiance of an off

535
00:30:48.599 --> 00:30:52.599
<v Speaker 2>world colony. Mark is basically a total introvert anyway, but

536
00:30:52.680 --> 00:30:55.039
<v Speaker 2>now that he's alone in this new environment, getting on

537
00:30:55.079 --> 00:30:57.880
<v Speaker 2>the air is the only time he has to be himself. Boy,

538
00:30:57.920 --> 00:31:00.000
<v Speaker 2>this is starting to strike way too close to home.

539
00:31:00.400 --> 00:31:02.960
<v Speaker 2>Kristen Slater is the star here, part of his rise

540
00:31:03.039 --> 00:31:05.839
<v Speaker 2>to public consciousness with Heathers and Young Guns too, and

541
00:31:06.039 --> 00:31:09.319
<v Speaker 2>this though really this is like his fourteenth movie. By

542
00:31:09.359 --> 00:31:11.519
<v Speaker 2>the time he got to volume pumping, he'd already gleamed

543
00:31:11.559 --> 00:31:13.599
<v Speaker 2>the Cube. And if you listen to the Tales from

544
00:31:13.599 --> 00:31:15.400
<v Speaker 2>the Dark Side segment of this show, you'll know he

545
00:31:15.440 --> 00:31:17.519
<v Speaker 2>popped up on the first season of that show. In

546
00:31:17.640 --> 00:31:20.240
<v Speaker 2>a case of the Stubborns, and he was like twelve.

547
00:31:20.680 --> 00:31:22.440
<v Speaker 2>If you've seen this movie, tell me if you think

548
00:31:22.440 --> 00:31:24.960
<v Speaker 2>he's still doing a Jack Nicholson impression. I know he

549
00:31:25.000 --> 00:31:27.319
<v Speaker 2>got accused of that a lot after Heathers, but I'm

550
00:31:27.359 --> 00:31:29.640
<v Speaker 2>pretty sure it was a conscious choice in that film.

551
00:31:29.920 --> 00:31:31.920
<v Speaker 2>I think he just kind of drawls when he talks.

552
00:31:31.960 --> 00:31:34.119
<v Speaker 2>I don't know, you tell me. The other lead is

553
00:31:34.160 --> 00:31:37.880
<v Speaker 2>Samantha Mathis. I'd say she's the prototypical pixie dream girl,

554
00:31:38.039 --> 00:31:41.359
<v Speaker 2>but she'd kicked that girl's ass. Whimsical she is not.

555
00:31:41.759 --> 00:31:43.960
<v Speaker 2>In fact, she isn't there to give Mark purpose at all.

556
00:31:44.240 --> 00:31:47.319
<v Speaker 2>He's there to help her with hers, namely that fucking

557
00:31:47.400 --> 00:31:50.200
<v Speaker 2>plot about the school corruption. It doesn't matter because Ellen

558
00:31:50.279 --> 00:31:54.160
<v Speaker 2>Green is in this. Oh Ellen Green Audrey from Little

559
00:31:54.160 --> 00:31:59.279
<v Speaker 2>Shop of Horrors, those pipes that voice such weird, sexy energy,

560
00:31:59.680 --> 00:32:02.039
<v Speaker 2>and this is one of two radio movies she starred in.

561
00:32:02.519 --> 00:32:05.559
<v Speaker 2>She's also on talk radio playing Eric Bogosian's ex wife.

562
00:32:05.640 --> 00:32:09.039
<v Speaker 2>She's awesome there, She's awesome here. Watch her reaction to

563
00:32:09.119 --> 00:32:11.799
<v Speaker 2>the cock ring. If you haven't seen the movie, I

564
00:32:11.799 --> 00:32:12.640
<v Speaker 2>bet you're intrigued.

565
00:32:12.680 --> 00:32:12.960
<v Speaker 8>Now.

566
00:32:13.400 --> 00:32:16.480
<v Speaker 2>Tiny Seth Green is in this, Tiny, I'm at Zappa

567
00:32:16.559 --> 00:32:19.839
<v Speaker 2>is in this and as the villain Miss Annie Ross.

568
00:32:20.200 --> 00:32:22.799
<v Speaker 2>You don't know Annie, but you fucking should. She was

569
00:32:22.880 --> 00:32:26.599
<v Speaker 2>part of the jazz trio Lambert Hendrix and Ross. Speaking

570
00:32:26.640 --> 00:32:28.880
<v Speaker 2>of radio trouble, she had a song banned by the

571
00:32:28.880 --> 00:32:32.000
<v Speaker 2>BBC in the fifties for the lyric come upstairs and

572
00:32:32.119 --> 00:32:36.279
<v Speaker 2>have some Lovin' Ooh, sultry. Actually sultry is a very

573
00:32:36.279 --> 00:32:39.000
<v Speaker 2>good description of her voice. She had her own jazz

574
00:32:39.039 --> 00:32:41.839
<v Speaker 2>club in London during the swinging sixties, and check it.

575
00:32:42.279 --> 00:32:45.960
<v Speaker 2>She's britt Ekland's voice in the Wickerman She's fucking great

576
00:32:46.000 --> 00:32:49.519
<v Speaker 2>here she's Oh She's so evil? Are you just want?

577
00:32:49.720 --> 00:32:49.880
<v Speaker 1>Oh?

578
00:32:49.960 --> 00:32:50.599
<v Speaker 3>You far?

579
00:32:51.559 --> 00:32:55.920
<v Speaker 2>Anyway? Annie Ross huge fucking talent. Speaking of talent, I

580
00:32:55.920 --> 00:32:58.119
<v Speaker 2>don't know who the music supervisor was for Pump Up

581
00:32:58.160 --> 00:33:00.799
<v Speaker 2>the Volume. Yes I do, it's Cliff martine Is. He

582
00:33:00.839 --> 00:33:04.680
<v Speaker 2>provided a cross section of then current underground bangers, as

583
00:33:04.720 --> 00:33:07.400
<v Speaker 2>well as some Leonard Cohen chosen by director Alan Moyle.

584
00:33:07.519 --> 00:33:09.880
<v Speaker 2>It's funny because I can barely remember any of those

585
00:33:09.960 --> 00:33:13.240
<v Speaker 2>hip alternative chart darling songs, but I know every one

586
00:33:13.279 --> 00:33:15.599
<v Speaker 2>of the songs off of I'm Your Man thanks to

587
00:33:15.640 --> 00:33:19.039
<v Speaker 2>this film introducing me to Leonard Cohen. That man preached

588
00:33:19.079 --> 00:33:21.799
<v Speaker 2>a lonely kind of love. Actually, I met him one

589
00:33:21.799 --> 00:33:25.160
<v Speaker 2>time in Caesar's Palace. I was running through the casino

590
00:33:25.400 --> 00:33:27.440
<v Speaker 2>and he was just sitting on a bench by himself.

591
00:33:27.799 --> 00:33:29.960
<v Speaker 2>I startled to a stop and like kind of freaked

592
00:33:30.039 --> 00:33:31.359
<v Speaker 2>him out for a second. But then he got right

593
00:33:31.400 --> 00:33:33.759
<v Speaker 2>up on his feet and he gently took my hand

594
00:33:33.799 --> 00:33:36.519
<v Speaker 2>in his, and then I embarrassed myself with all the

595
00:33:36.519 --> 00:33:38.640
<v Speaker 2>love I had for him. He was a very nice

596
00:33:38.720 --> 00:33:42.839
<v Speaker 2>a doll. Anyway, soundtrack Richard Hell is on This Iced

597
00:33:42.880 --> 00:33:46.480
<v Speaker 2>Tea is on This Bad Brains Sonic Youth, an unreleased

598
00:33:46.519 --> 00:33:49.960
<v Speaker 2>track from the Beastie Boys sound garden, was not was

599
00:33:49.960 --> 00:33:53.039
<v Speaker 2>Hey wait a minute, I take that, Leonard Cohen talk back.

600
00:33:53.400 --> 00:33:55.400
<v Speaker 2>I remember most of these fucking songs. This is a

601
00:33:55.400 --> 00:33:58.960
<v Speaker 2>great fucking soundtrack. Listen the movie itself if you haven't

602
00:33:59.000 --> 00:34:02.119
<v Speaker 2>seen it, it's mainly after school special, but its heart

603
00:34:02.160 --> 00:34:04.480
<v Speaker 2>is more than in the right place, and the performances

604
00:34:04.519 --> 00:34:07.880
<v Speaker 2>are great, and the music and the spirit, and it

605
00:34:07.920 --> 00:34:11.559
<v Speaker 2>has one of the most deliriously romantic scenes I've ever seen,

606
00:34:12.079 --> 00:34:15.960
<v Speaker 2>with characters laying themselves bare to one another quite literally.

607
00:34:16.199 --> 00:34:17.880
<v Speaker 2>In fact, I'm gonna leave you with the bit that

608
00:34:17.920 --> 00:34:21.559
<v Speaker 2>takes place after that scene before that. Father Malone seven

609
00:34:21.599 --> 00:34:24.559
<v Speaker 2>to one at gmail dot com or at father Malone

610
00:34:24.559 --> 00:34:25.920
<v Speaker 2>on the socials. If you want to drop me a

611
00:34:25.960 --> 00:34:29.280
<v Speaker 2>line and say happy Birthday, I certainly would appreciate it.

612
00:34:29.639 --> 00:34:32.320
<v Speaker 2>For the lovely miss Ripley Gene, I'm Father Malone. Thank

613
00:34:32.360 --> 00:34:34.639
<v Speaker 2>you for joining us. This Friday, We've got another couple

614
00:34:34.679 --> 00:34:37.679
<v Speaker 2>of tales from the Dark Sides. Those are Milkman Cometh

615
00:34:37.800 --> 00:34:41.599
<v Speaker 2>and my ghostwriter The Vampire. Over on the rest of

616
00:34:41.639 --> 00:34:44.159
<v Speaker 2>the channel HP from Night Mister Walters and I are

617
00:34:44.199 --> 00:34:47.480
<v Speaker 2>engaged in Fusco Fest. We're going through the filmography of

618
00:34:47.480 --> 00:34:51.519
<v Speaker 2>screenwriter John Fusco. We've already got episodes up about Crossroads

619
00:34:51.519 --> 00:34:53.679
<v Speaker 2>and Young Guns and Young Guns too. You can get

620
00:34:53.679 --> 00:34:56.760
<v Speaker 2>those right now. Next Friday, not this Friday, but the

621
00:34:56.840 --> 00:34:59.800
<v Speaker 2>next Friday. We'll be taking a look at Thunderheart. That's

622
00:34:59.840 --> 00:35:03.079
<v Speaker 2>what Val Kilmer and I fucking love that movie. Way

623
00:35:03.119 --> 00:35:05.519
<v Speaker 2>to Bury the lead. Check all of that out. We'll

624
00:35:05.519 --> 00:35:08.079
<v Speaker 2>see you here again next week. Take it away, Happy

625
00:35:08.159 --> 00:35:08.920
<v Speaker 2>Harry hard.

626
00:35:08.800 --> 00:35:11.159
<v Speaker 6>On time Flies when you're on the rock.

627
00:35:12.679 --> 00:35:15.280
<v Speaker 4>I'm gonna cut out now with this unusual song I'm

628
00:35:15.320 --> 00:35:19.440
<v Speaker 4>dedicating to an unusual person.

629
00:35:20.159 --> 00:35:21.480
<v Speaker 1>Makes me feel kind of.

630
00:35:23.400 --> 00:35:23.960
<v Speaker 5>Unusual.

631
00:35:25.039 --> 00:35:25.159
<v Speaker 8>MM.

632
00:35:41.599 --> 00:35:51.239
<v Speaker 3>So many people get by loo getting so happy with

633
00:35:51.280 --> 00:36:01.679
<v Speaker 3>a lot of news. I just wanna be with you

634
00:36:02.599 --> 00:36:09.599
<v Speaker 3>when I give him full of kids where I got you.

635
00:36:10.079 --> 00:36:11.480
<v Speaker 3>Why can't I f