WEBVTT

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<v Speaker 1>If you're a fan of everything we do here at

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<v Speaker 1>tuned In with Jim Cummings, you could support the show

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<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

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<v Speaker 1>in ad free access to the show itself, prize drawings,

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<v Speaker 1>and more. You'll feel the difference, so go ahead and

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<v Speaker 1>join the tuned In family today at patreon dot com

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<v Speaker 1>slash Jim Cummings Podcast. Do it now? How you doing

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<v Speaker 1>out there? It's me Tigger, I am Duc Wayne Duck.

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<v Speaker 1>It's me Bunker's Deep Bobcat.

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<v Speaker 2>All right, y'all?

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<v Speaker 1>Did it ray your favorite firefly you desire? Hold old

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<v Speaker 1>knock Gud. My name is Jim Cummings and welcome to

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<v Speaker 1>tuned In. Hey, everybody, Jim Cummings here, welcoming you all

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<v Speaker 1>back to a very special episode of Tuned In with

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<v Speaker 1>Jim Cummings. Producer Chris are you there?

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<v Speaker 3>Hey, I'm here.

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<v Speaker 2>What's up?

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<v Speaker 3>Everybody?

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<v Speaker 2>All right?

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<v Speaker 1>Brandon Dande talk to me.

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<v Speaker 4>I'm here at a good time. Thank you for doing

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<v Speaker 4>it at seven pm, but oh.

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<v Speaker 2>My goodness, so thank you.

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<v Speaker 1>Today we have no one, nothing, et cetera less than

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<v Speaker 1>a bodacious one of my oldest pals in the business

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<v Speaker 1>to be sure, and one of the most gifted guys

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<v Speaker 1>that you've ever heard, ever heard. You've always heard him.

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<v Speaker 1>Believe me, you have always heard him and loved his work,

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<v Speaker 1>even if you didn't know what him. It was him.

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<v Speaker 1>Do you ever go to Disneyland? You ever have a oh,

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<v Speaker 1>I don't know, a television set? How about a radio?

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<v Speaker 1>You know this man, Corey Burton.

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<v Speaker 2>Lad, please keep your hands, arms feed and legs inside

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<v Speaker 2>all the Tramas movie.

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<v Speaker 1>Told you smoking except that, yeah, until you get on

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<v Speaker 1>the ride.

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<v Speaker 2>Yes, exactly.

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<v Speaker 1>Well, thank you for being here, brother, Thank you so

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<v Speaker 1>so very much.

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<v Speaker 2>Oh my god, are you kidding? I mean, uh, you

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<v Speaker 2>know it's like, uh, you want to hang out with me?

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<v Speaker 2>I mean mean, let's do let's do amen. I mean normally,

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<v Speaker 2>you know, like like it's like an interview situition, me

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<v Speaker 2>and my good buddy Josh Morales. Uh, Jent Moore. I

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<v Speaker 2>love doing the interviews with him. But you know, I'm

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<v Speaker 2>like being you know, informative and and and try to

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<v Speaker 2>be especially entertaining. But you and I well, yeah, I

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<v Speaker 2>mean we've gotta have history to pick peace in the

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<v Speaker 2>pod where the where the sort of sort of skewed

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<v Speaker 2>angle talent you know because we different backgrounds. But but

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<v Speaker 2>we're we're the funny voices boys.

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<v Speaker 1>Yeah, it's true. And when we started, we were the

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<v Speaker 1>young rookies and look to people like Paul Freeze and

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<v Speaker 1>melt Blank and I mean all of those guys. And

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<v Speaker 1>now we're we're the old farts and it and it

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<v Speaker 1>beats the day and it beats the alternative.

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<v Speaker 2>You are, I am not sure what you're doing there

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<v Speaker 2>years on me. What is he doing?

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<v Speaker 1>I'm really like here, Okay, I was thinking.

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<v Speaker 2>And see this was exercises something.

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<v Speaker 1>Okay, yeah, I was thinking.

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<v Speaker 2>Coy, I'm blissfully unaware of putting.

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<v Speaker 1>The zipper down.

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<v Speaker 2>Okay, yes, but you know, I mean, uh, he was saying,

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<v Speaker 2>you know, with anything you wanted to discuss in particular. Yes,

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<v Speaker 2>we don't need those thinking directions or instructions. We just

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<v Speaker 2>hang out.

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<v Speaker 1>But I do have a question for you because you

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<v Speaker 1>you you were in the business. You know, we're right

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<v Speaker 1>next door to each other in age. I'm pretty sure.

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<v Speaker 1>But yeah, I think you beat me. Beat me to

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<v Speaker 1>the punch to the mic.

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<v Speaker 2>Yeah, seen seventy two profession.

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<v Speaker 1>And I was doing he was six years old, by

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<v Speaker 1>the way.

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<v Speaker 2>Yeah, no, actually said I dished when I was seventeen. Yeah,

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<v Speaker 2>my driver's permit or whatever, driving my mom's Galaxy five

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<v Speaker 2>hundred or something. Maybe it was my dad's Plymouth Settle.

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<v Speaker 1>And there was a microphone in this vehicle.

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<v Speaker 2>I had realistic radio shack microphone.

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<v Speaker 1>Oh yeah, but you did.

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<v Speaker 2>But in high school, myself and and a talented uh

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<v Speaker 2>very odd friend. Uh, we did commercials for the brand

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<v Speaker 2>new John F. Kennedy High School PA system and we

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<v Speaker 2>didn't realize what Yeah, and I produced.

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<v Speaker 1>Them commercials for to be played over the PA system

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<v Speaker 1>of a high school.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, yeah, that's a that's a look. There's got to

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<v Speaker 1>be money there.

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<v Speaker 2>Yeah, no, there was. You were just.

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<v Speaker 1>Rolling around in it back then.

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<v Speaker 2>There wasn't money. But no, but there was well infamy

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<v Speaker 2>in a way because we were the you know, we

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<v Speaker 2>were nerd boys.

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<v Speaker 1>That's hard to believe, but okay, yeah.

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<v Speaker 2>Yeah, and I was the geek and the spas and

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<v Speaker 2>you know, couldn't play sports and didn't want to. But

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<v Speaker 2>but you know, I did the funny voices and we

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<v Speaker 2>would do you know, send up so you know, like

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<v Speaker 2>buy a student activity card and we do like one

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<v Speaker 2>like you know, the the audience wouldn't know, but the

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<v Speaker 2>old jay Ward, the first j Ward cartoon series, Hoppity Hooper.

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<v Speaker 2>Oh yeah, san Francisco Hoppity Hooper.

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<v Speaker 1>Can you give me any of the theme songs? Because

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<v Speaker 1>I remember the name it was.

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<v Speaker 5>It was bizarre like uh, it was bizarre jazzy kind

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<v Speaker 5>of stuff because it was done in San Francisco, Okay,

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<v Speaker 5>and narrated by Marvin Miller.

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<v Speaker 2>You ever knew Marvin, But that was before well, let's

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<v Speaker 2>see with Paul Frees in San Francisco. I don't think,

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<v Speaker 2>oh yeah he was. He was in not not not

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<v Speaker 2>in the late fifties or whenever that was maybe, I

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<v Speaker 2>don't know anyway, And but anyway, so I always did

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<v Speaker 2>haunts Conry, you know, it was just yes because I

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<v Speaker 2>was a fan of the jay Ward cartoons. He was

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<v Speaker 2>finally Whiplash, and but.

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<v Speaker 1>With can you give us something? Can you give us something?

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<v Speaker 1>People would perhaps recognize.

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<v Speaker 6>He was, uh, he was Waldo Wigglesworth, Uncle Waldo to

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<v Speaker 6>the Frog Hoppity Hooper, and he would always have a

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<v Speaker 6>ridiculous scheme.

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<v Speaker 1>You know, hardly I could make a j all the

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<v Speaker 1>oh my, he's the best I did I had.

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<v Speaker 2>And then they had this sound effect. It was just

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<v Speaker 2>all cut together sound effects and the sound effects, the

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<v Speaker 2>spinning on myself, as usually know, it's not pretty sound effects.

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<v Speaker 2>We're probably I'm sure it must have been from the

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<v Speaker 2>very start. Skip Craig, who was the track reader, uh

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<v Speaker 2>and dialogue editor for Jay Ward Productions for the whole

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<v Speaker 2>run and Skip as like a teenager, was a fan

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<v Speaker 2>and and played like trombone I think with Spike Jones.

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<v Speaker 2>Oh wow, it's all the Spike Jones. And Jay Ward

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<v Speaker 2>was sort of a little bit like William Gaines Mad Magazine.

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<v Speaker 2>They were all these crazy yeah you know pre LSD. Yeah, yeah, yeah, yeah,

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<v Speaker 2>but LSD yeah yeah, anyway, yeah, gabbling too much?

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<v Speaker 4>Great, you know.

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<v Speaker 2>And I met com Reid. He was in Don Hills workshop.

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<v Speaker 2>I mean it was in doll Spotless workshop and Don

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<v Speaker 2>hills daughter Annie Hills, was a student there. But Don

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<v Speaker 2>Hills was the director of the Heartbeat Theater, the Salvation

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<v Speaker 2>Army radio drama syndicated. Yeah, yeah yeah. And of course

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<v Speaker 2>when DAWs about this workshop, I was a trained radio actor,

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<v Speaker 2>but I was, you know, yeah, nineteen years old at

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<v Speaker 2>the time or whatever.

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<v Speaker 1>Can you tell everybody who does was and how everybody

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<v Speaker 1>really came and it does knowing but doesn't know they know.

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<v Speaker 2>DAWs Butler was the uh well, I mean the most

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<v Speaker 2>famous character was Yogi Bear. He was Canna Barbara's Yeah,

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<v Speaker 2>basically every leading character voice it was. It was it

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<v Speaker 2>was Dos and his buddy who was a ventriloquist named

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<v Speaker 2>Don Messick, and Don did all those crazy sound effect

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<v Speaker 2>thing and DAWs Butler was you know, a radio actor

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<v Speaker 2>of Audvillion, Quick Drama Gra right, yeah, Quick Drama gra

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<v Speaker 2>and Baba Louis and that was that was all DAWs yeah,

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<v Speaker 2>and Dixie of Pixie and Dixie. He was a snagglepus

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<v Speaker 2>No no, no, no, sorry, not snagglepuss.

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<v Speaker 7>Uh yeah wait, snackle post yes, exit it stays right

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<v Speaker 7>all the way even, And that was yeah, that's right.

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<v Speaker 2>I think that was supposed to be like a like

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<v Speaker 2>a bad impression of Phil Silvers.

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<v Speaker 1>And there was Russian red rough and ready, No, I.

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<v Speaker 2>Think rough and ready. Yeah, rough and Ready was just yeah,

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<v Speaker 2>you know, I'm just a bunch of noises.

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<v Speaker 1>Jay, how you doing?

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<v Speaker 2>They are? Ray Eddie Yeah, yeah, yeah, yeah yeah. I

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<v Speaker 2>think they gave him dialogue later. It's just funny. It's

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<v Speaker 2>kind of like Zipper the Fly and rescue rangers.

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<v Speaker 3>Yes, started, I have a question for you, Corey. Yeah,

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<v Speaker 3>sorry to cut you off like that, No, no problem.

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<v Speaker 3>So what would you say, like broadcasting in radio, was

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<v Speaker 3>your first like attraction to voice acting in a sense.

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<v Speaker 2>Well, no, it was actually Disneyland, it was it was

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<v Speaker 2>Paul Yeah, yeah, well, I mean.

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<v Speaker 4>Half and it wasn't that what you love? A voice

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<v Speaker 4>acting from.

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<v Speaker 2>The Haunted Mansion. But it was for that because Paul

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<v Speaker 2>Freese narrated the adventure through Monsanto's adventure through inner space

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<v Speaker 2>men of Saw, constantly making similar journeys through the mighty microscope. Yeah,

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<v Speaker 2>these tiny bits of snowflake crystal tower above me, like

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<v Speaker 2>an enormous wall of ice. Do you penetrate this gigantic

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<v Speaker 2>chrism or something? Well I can't yeh.

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<v Speaker 1>But that's Americana, isn't it.

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<v Speaker 2>Yeah? Yeah, well Disneyland in the sixties, nineteen sixty eight,

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<v Speaker 2>especially with something really special and that was But anyway,

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<v Speaker 2>so I had heard that voice. I loved it. I

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<v Speaker 2>heard it in cartoons of course, the j Ward cartoons

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<v Speaker 2>and all that. But he to me was always amazing,

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<v Speaker 2>especially I mean one of the few times I think

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<v Speaker 2>I was I was moved to tears as a kid.

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<v Speaker 2>We saw the re release on Saturday matinee at the American,

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<v Speaker 2>the Theater of the Time George Powell's The Time Machine

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<v Speaker 2>and Paul Freese was the voice of the talking rings.

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<v Speaker 2>Oh and it was, you know, so sad. It was,

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<v Speaker 2>you know, the the Devolution of humanity when the morlocks.

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<v Speaker 1>Yes, I remember that. That was the coolest movie.

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<v Speaker 2>It sure was.

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<v Speaker 1>And Alan Young was in it, and I had a

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<v Speaker 1>crush on what was her name, Karen who didn't Yeah, god,

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<v Speaker 1>my little six year old chromosomes were sizzling.

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<v Speaker 2>Yeah. And Rod Taylor him not so much, but yeah,

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<v Speaker 2>he was so cool.

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<v Speaker 1>Oh yeah. And it just drove me crazy, that effect

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<v Speaker 1>when they started shooting forward into the future and it was.

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<v Speaker 2>Just stop motion.

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<v Speaker 1>Oh my gosh.

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<v Speaker 2>It was because George Powell was originally an animator, but

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<v Speaker 2>he animated the puppet tunes, which were uh, you know,

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<v Speaker 2>just like the California Raisins. They were they weren't clay,

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<v Speaker 2>they were they were a little wooden figures, I think

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<v Speaker 2>figure yeah yeah yeah. And he would have one facial

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<v Speaker 2>pose yeah for every second for for yeah yeah yeah yeah.

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<v Speaker 2>So and they would you know, click a frame of

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<v Speaker 2>you know, and then uh, and then you know, and

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<v Speaker 2>then then it would all be put strung together.

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<v Speaker 1>Yeah.

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<v Speaker 2>Oh yeah, actually they've they've been they've been cleaned up

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<v Speaker 2>and and re released for a road show by and

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00:14:01.559 --> 00:14:04.360
<v Speaker 2>re lost. Yeah yeah, I know, by a guy named

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<v Speaker 2>Arnie Leibovitz. Yeah.

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<v Speaker 1>Anyway, so that's great, but that's cool.

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<v Speaker 2>But so now I've I've gone off on a tangent there,

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<v Speaker 2>of course, but.

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<v Speaker 1>Come back, Corey.

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<v Speaker 4>Before was that the first time you and Jim were together?

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<v Speaker 2>You know regularly we knew each other before then.

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<v Speaker 1>Yeah, you see the voice I.

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<v Speaker 2>Can't remember first meeting. I can't remember. Maybe he was

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<v Speaker 2>outside the Voicecaster.

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<v Speaker 1>I don't remember.

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<v Speaker 2>We were on the sidewalk.

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<v Speaker 1>Yeah. Voicecaster was a legendary audition facility in Burbank, beautiful

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<v Speaker 1>downtown not quite downtown Bank.

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<v Speaker 2>And you were kind of new and down but doing

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<v Speaker 2>very very well.

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<v Speaker 1>Yeah, I was brand new, and you know you were

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<v Speaker 1>the crystal veteran.

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<v Speaker 2>Wildly talented.

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<v Speaker 1>Well not anyway, it was a long.

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<v Speaker 2>Long time ago, but but I thought, oh this guy's good.

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<v Speaker 1>Oh thank you. And I've been scaling the heights of

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<v Speaker 1>adequacy ever since.

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<v Speaker 2>You were Yeah, you were just getting started and then yeah,

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<v Speaker 2>and we both just bloomed in our own Oh yeah.

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<v Speaker 1>And I think the first big gig that that I

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<v Speaker 1>could pick out that we ever did together was definitely Chippendale.

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<v Speaker 2>Yeah, yeah, oh definitely. And it's funny because we are

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<v Speaker 2>the ven diagram of voice talent that doesn't touch because

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<v Speaker 2>you have an entirely different range, different vocal range, different

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<v Speaker 2>set of resonances.

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<v Speaker 6>Uh.

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<v Speaker 2>And and you came through you know, through music and

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<v Speaker 2>a whole different entertainment angle, whereas I came from radio acting, yeah, yeah,

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<v Speaker 2>from old radio drama. Yeah, and I worked at the.

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<v Speaker 1>Old time, came from the rock and roll and a

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<v Speaker 1>lot of ex theater exactly.

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<v Speaker 4>And what what what difference is that does that bring? Coming?

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<v Speaker 4>The difference between coming from radio and from music means

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<v Speaker 4>I was louder.

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<v Speaker 2>Well, funnier and more entertaining, fearless. Uh uh, just a

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<v Speaker 2>just a greater ability to to entertain and to and

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<v Speaker 2>to get laughs, a more fluid with that libbing me.

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<v Speaker 2>It's like, okay, in the script, maybe I could if

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<v Speaker 2>I pause here, maybe that will get a laugh, because

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<v Speaker 2>we always do the table read. We mark our scripts.

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<v Speaker 1>Now, did you were you big on preparing beforehand?

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<v Speaker 2>Oh? Yeah, that's what das tell your script and uh.

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<v Speaker 1>Yeah, and you know, and see I never did, I

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<v Speaker 1>never ever ever did. They would send them and I

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<v Speaker 1>and I remember telling our good buddy Dave over there,

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<v Speaker 1>who is the head of Disney character voices? Back back then?

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<v Speaker 1>It gets character voices now, but back then he was

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<v Speaker 1>just a page or what have you.

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<v Speaker 2>Well there was Perkins.

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<v Speaker 1>Well no, anyway, but I just want to say, oh.

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<v Speaker 2>You mean Disney TV animation David Sure, yeah, Dave right.

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<v Speaker 1>He would come out to the house and he did.

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<v Speaker 1>I remember him coming all the way out. I lived

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<v Speaker 1>in Santa Rose Valley and he was on July fourth,

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<v Speaker 1>fourth of July, and he brought a dark Wing script

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<v Speaker 1>out to him and I said, buddy, I got to

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<v Speaker 1>tell you something. Thank you, but it's the fourth of July.

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<v Speaker 1>I am not going to read this. The first time

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<v Speaker 1>I read this, I'll be standing in front of a

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<v Speaker 1>microphone and I won't rehearse, and I won't.

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<v Speaker 2>You know exactly and exact.

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<v Speaker 1>Oh well, well they kind of told me I had

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<v Speaker 1>to do this, and I go, I'll take it to

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<v Speaker 1>the session and tell him. Boy that Dave Wright, he

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<v Speaker 1>he is a hell of a guy. He came all

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<v Speaker 1>the way out to rumbucking yeah, and uh to bring

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<v Speaker 1>me a script that I wasn't even going to read

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<v Speaker 1>till I got here, shall we? And they go, oh, okay,

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<v Speaker 1>that's great, Tim, and they gave me the finger and

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00:18:16.839 --> 00:18:17.680
<v Speaker 1>then we did the show.

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<v Speaker 2>Yeah. Now, we always used to do the table reads,

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<v Speaker 2>but uh yeah, but then, you know, especially especially when

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<v Speaker 2>digital recording came in, it was like, just do three

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00:18:28.920 --> 00:18:34.559
<v Speaker 2>takes of each line. Yeah, it's like, let's put on

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00:18:34.640 --> 00:18:35.160
<v Speaker 2>a show.

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<v Speaker 1>If you're a fan of everything we do here at

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00:18:39.359 --> 00:18:42.200
<v Speaker 1>tuned In with Jim Cummings, you could support the show

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00:18:42.240 --> 00:18:46.920
<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

304
00:18:46.960 --> 00:18:51.000
<v Speaker 1>in ad free access to the show itself, prize drawings,

305
00:18:51.000 --> 00:18:54.119
<v Speaker 1>and more. You'll feel the difference, So go ahead and

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00:18:54.200 --> 00:18:58.079
<v Speaker 1>join the tuned In family today at Patreon dot com,

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00:18:58.079 --> 00:19:00.440
<v Speaker 1>slash Jim Cummings pod cast.

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00:19:00.799 --> 00:19:04.319
<v Speaker 2>Do it now we can? We can spin off of

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00:19:04.359 --> 00:19:07.839
<v Speaker 2>each other. The timing. Well, I mean it's nice that

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00:19:08.039 --> 00:19:11.039
<v Speaker 2>at least, although we have to stop, we can't overlap,

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00:19:11.160 --> 00:19:16.640
<v Speaker 2>which bothers edit it. You can edit it if you overlap,

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00:19:16.799 --> 00:19:17.200
<v Speaker 2>come on.

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<v Speaker 1>And I'm used to that.

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00:19:18.960 --> 00:19:22.279
<v Speaker 2>In fact, he said, oh yeah, I can. I can

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00:19:22.319 --> 00:19:25.960
<v Speaker 2>do uh you know, can I can do the track

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00:19:26.039 --> 00:19:28.920
<v Speaker 2>reading with overlaps. We did it all the time.

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00:19:29.119 --> 00:19:29.720
<v Speaker 4>Who is Craig?

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00:19:29.759 --> 00:19:35.440
<v Speaker 2>Who's Craig Skip Craig the jay Ward sound editor. Well

319
00:19:35.480 --> 00:19:39.279
<v Speaker 2>he's done track reading for so many, so many cartoon series,

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00:19:41.440 --> 00:19:45.559
<v Speaker 2>but he started yet with jay Ward. That's funny.

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<v Speaker 1>But wait, I'm just trying to figure out did we

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00:19:47.799 --> 00:19:50.240
<v Speaker 1>get the name of your very or did I miss

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00:19:50.279 --> 00:19:52.000
<v Speaker 1>it the very first cartoon you did?

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00:19:53.519 --> 00:19:58.799
<v Speaker 2>Let's see, well that my very first professional gig. Yes,

325
00:19:59.319 --> 00:20:04.119
<v Speaker 2>was the voice of Hants Conry because I knew DAWs

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00:20:04.200 --> 00:20:07.640
<v Speaker 2>Butler and he knew that I could imitate.

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00:20:08.119 --> 00:20:09.960
<v Speaker 1>And wasn't he also Captain Hook?

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<v Speaker 2>Hants Conry was Captain Hook of course, yes, yes, no,

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00:20:15.680 --> 00:20:19.920
<v Speaker 2>I haven't captained Hook. And we've uh and we've we've

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<v Speaker 2>altered him a little bit depending on the situation. And

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<v Speaker 2>and boy we oh my god, we had so much

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<v Speaker 2>fun with Jake and the Neverland Pirates. Jeff Bennett, I

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00:20:32.519 --> 00:20:34.519
<v Speaker 2>used to have me do mister smeth. I thought you

334
00:20:34.519 --> 00:20:38.759
<v Speaker 2>would be mister me. But uh, yeah, because Bill Thompson could.

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00:20:38.599 --> 00:20:40.480
<v Speaker 1>Have probably did it could be.

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00:20:41.279 --> 00:20:47.640
<v Speaker 2>Yes, Well, I cheat thing without without physically doing I.

337
00:20:48.519 --> 00:20:50.599
<v Speaker 1>Have to cheat I'm not that good an actor. That's

338
00:20:50.599 --> 00:20:52.640
<v Speaker 1>why I have to pull out my cheek.

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00:20:52.880 --> 00:20:57.559
<v Speaker 2>But I don't have that texture. But also too, it's

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00:20:57.680 --> 00:20:59.920
<v Speaker 2>it's just a tough character for me. My voice is

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00:21:00.640 --> 00:21:02.200
<v Speaker 2>a little bit limited, and.

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00:21:02.839 --> 00:21:04.960
<v Speaker 1>Well you know it doesn't work that much, so you're

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00:21:05.000 --> 00:21:05.759
<v Speaker 1>not missing anything.

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<v Speaker 2>Yeah, yeah, yeah.

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<v Speaker 8>But but Kelly Ward, who directed Jake and the Neverland Pirates,

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00:21:12.079 --> 00:21:15.680
<v Speaker 8>they would they would have us as as Hook and

347
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<v Speaker 8>Smee because he's preschoolers and younger audience.

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<v Speaker 2>They didn't want Hook to be too real, bombastic and

349
00:21:28.000 --> 00:21:33.759
<v Speaker 2>intimidating scary. But yes, right, he scary. It's like scary,

350
00:21:34.480 --> 00:21:39.279
<v Speaker 2>it's it's ridiculous. Cons Conrie all colored, you know, chewing lacery.

351
00:21:40.240 --> 00:21:43.640
<v Speaker 2>But anyway, so you know, finally, as we were saying,

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<v Speaker 2>well why don't you do let's accent and less characters,

353
00:21:47.559 --> 00:21:50.839
<v Speaker 2>then you're losing the character. And then I was listening

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00:21:50.839 --> 00:21:54.759
<v Speaker 2>to some old radio shows. Hans Conried was on the

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<v Speaker 2>mel Blanc radio show, and I.

356
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<v Speaker 1>Didn't know he had one.

357
00:22:01.200 --> 00:22:07.079
<v Speaker 2>Yeah he did briefly, you know, with all the great

358
00:22:07.519 --> 00:22:17.599
<v Speaker 2>character radio character actors and UH, and Hans Connery played Uh.

359
00:22:18.039 --> 00:22:21.440
<v Speaker 2>I forgot what the character's name was. But anyway, and

360
00:22:21.480 --> 00:22:24.480
<v Speaker 2>there was one scene in particular that that was the key.

361
00:22:24.799 --> 00:22:29.480
<v Speaker 2>It's like, oh, that's how we make Captain Hook non threatening,

362
00:22:29.960 --> 00:22:35.000
<v Speaker 2>ridiculous and allows him to chew every splinter of scenery.

363
00:22:36.559 --> 00:22:42.079
<v Speaker 2>He was like, mel blank was like a soda jerk

364
00:22:42.200 --> 00:22:46.279
<v Speaker 2>or something or whatever at a drug store, a rex

365
00:22:46.319 --> 00:22:50.839
<v Speaker 2>Al drug store, you know, as they did incorporate the

366
00:22:51.000 --> 00:22:54.880
<v Speaker 2>sponsor into the plot and all that the old radio

367
00:22:55.839 --> 00:22:59.200
<v Speaker 2>and uh and then there was a line where and

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<v Speaker 2>maybe joke hearns was the boss, I don't remember. And

369
00:23:03.039 --> 00:23:09.640
<v Speaker 2>how did your you know, how did your wife like

370
00:23:09.759 --> 00:23:13.119
<v Speaker 2>that new that new vanishing cream used to call cold

371
00:23:13.119 --> 00:23:16.400
<v Speaker 2>cream or something. Yes, and skin things you put on

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<v Speaker 2>at night?

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<v Speaker 9>He said, oh, she's she loves what it does for

374
00:23:22.279 --> 00:23:27.559
<v Speaker 9>her skin. But unfortunately there's a problem. Yes, you know,

375
00:23:29.759 --> 00:23:33.880
<v Speaker 9>in the in the middle of the night, she keeps.

376
00:23:34.519 --> 00:23:36.920
<v Speaker 6>Sliding out of bed.

377
00:23:37.039 --> 00:23:39.680
<v Speaker 2>Because it's got a studio audience. So you had to

378
00:23:39.680 --> 00:23:44.400
<v Speaker 2>go caught boom with the punchline and the way he

379
00:23:44.640 --> 00:23:49.519
<v Speaker 2>just went so over the top, it was stratospheric, you know.

380
00:23:49.839 --> 00:23:52.559
<v Speaker 2>And I was like, here's the Hans Conrie that we

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<v Speaker 2>need for the kids version.

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<v Speaker 1>That's why he was good at animation. Yes, that's I mean,

383
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<v Speaker 1>isn't that Isn't that part of the key to certain

384
00:24:01.400 --> 00:24:06.200
<v Speaker 1>an animated styles right as being way too much? Yeah yeah, yeah, yeah,

385
00:24:06.200 --> 00:24:08.400
<v Speaker 1>which is probably why I did okay with it, and

386
00:24:08.440 --> 00:24:11.200
<v Speaker 1>you you know I was way over the top.

387
00:24:11.599 --> 00:24:14.799
<v Speaker 2>Yeah, yeah. What I learned, you know, from the old

388
00:24:14.839 --> 00:24:20.400
<v Speaker 2>Vaudevillians who were the radio character actors as well, most

389
00:24:20.400 --> 00:24:23.960
<v Speaker 2>of them sho from Vaudeville, at least the trick voiceman

390
00:24:24.160 --> 00:24:25.920
<v Speaker 2>they need to call guys like us.

391
00:24:26.000 --> 00:24:27.920
<v Speaker 1>Did you get to you say you learned from them?

392
00:24:27.920 --> 00:24:28.079
<v Speaker 2>Now?

393
00:24:28.079 --> 00:24:31.920
<v Speaker 1>Who were who was still around when you were? They

394
00:24:31.920 --> 00:24:36.640
<v Speaker 1>were transitioning out and you were transitioning in. Uh Paul Freese? Yeah,

395
00:24:36.839 --> 00:24:39.279
<v Speaker 1>well yeah, Paul Freeze, and it was a Pillsbury dough

396
00:24:39.319 --> 00:24:43.559
<v Speaker 1>boy to my idol. Paul free me too, just retalkable, Yeah,

397
00:24:43.599 --> 00:24:44.440
<v Speaker 1>I agree.

398
00:24:44.319 --> 00:24:49.240
<v Speaker 2>Just such a such an incredible talent and on you

399
00:24:50.200 --> 00:24:56.160
<v Speaker 2>unusual personality. I didn't ever work with Paul Freese, but

400
00:24:56.480 --> 00:25:00.920
<v Speaker 2>on the in in the late seven these early eighties,

401
00:25:00.960 --> 00:25:07.720
<v Speaker 2>they had a brief resurgence of old time radio, and

402
00:25:07.799 --> 00:25:11.960
<v Speaker 2>so they had like old time radio producers, the old

403
00:25:12.079 --> 00:25:16.480
<v Speaker 2>sound effects guys that did the live sound effects. Bud

404
00:25:16.559 --> 00:25:20.480
<v Speaker 2>Tollisson was his name, and they would set up a

405
00:25:20.519 --> 00:25:23.960
<v Speaker 2>table with the coconuts and the and the ground at

406
00:25:24.000 --> 00:25:30.480
<v Speaker 2>the Disney Yeah, and Disney character yeah yeah, bottles of

407
00:25:31.079 --> 00:25:35.720
<v Speaker 2>water and stuff. Yes, and you can pour a drink,

408
00:25:35.839 --> 00:25:37.440
<v Speaker 2>you know, give me that.

409
00:25:37.480 --> 00:25:39.720
<v Speaker 1>So you never worked with Paul Freeze, But who else

410
00:25:39.839 --> 00:25:40.160
<v Speaker 1>was bad?

411
00:25:40.160 --> 00:25:42.640
<v Speaker 2>But I met Paul that you may have worked at

412
00:25:42.640 --> 00:25:49.200
<v Speaker 2>Paul Freeze early on at A he had captain crunch session.

413
00:25:50.000 --> 00:25:50.559
<v Speaker 1>Yeah.

414
00:25:50.680 --> 00:25:55.160
<v Speaker 2>Yeah. And Bill Scott because because I knew I met

415
00:25:55.200 --> 00:25:59.079
<v Speaker 2>June Foray through my uncle, my uncle Burton, And that's

416
00:25:59.079 --> 00:26:02.960
<v Speaker 2>how I have my my stage Moniker. That's not my name.

417
00:26:03.440 --> 00:26:08.200
<v Speaker 2>I tried working my my my own name, which I

418
00:26:08.359 --> 00:26:12.680
<v Speaker 2>never liked. I don't. I don't like names anyway because

419
00:26:12.720 --> 00:26:18.440
<v Speaker 2>I forget. I'm so weird and dyslexic with names and

420
00:26:18.720 --> 00:26:22.359
<v Speaker 2>socially uh Ralph's yes, No.

421
00:26:22.359 --> 00:26:25.680
<v Speaker 4>I had had that go with you with script memorizing scripts,

422
00:26:25.680 --> 00:26:26.920
<v Speaker 4>then oh I can't.

423
00:26:26.960 --> 00:26:27.279
<v Speaker 1>I can't.

424
00:26:27.359 --> 00:26:32.079
<v Speaker 2>I can't memorize. I I I can commit certain things

425
00:26:32.119 --> 00:26:36.799
<v Speaker 2>to memory after I don't know. I can't remember anything

426
00:26:36.839 --> 00:26:39.319
<v Speaker 2>after it makes an impact. But that's why I would

427
00:26:39.400 --> 00:26:44.240
<v Speaker 2>never never been a stage, camera, stage or on camera actor,

428
00:26:44.880 --> 00:26:46.720
<v Speaker 2>because I can't remember lines.

429
00:26:46.519 --> 00:26:49.519
<v Speaker 1>Yeah, and at this point we're both so you know,

430
00:26:49.720 --> 00:26:50.839
<v Speaker 1>used to reading it.

431
00:26:50.960 --> 00:26:54.640
<v Speaker 2>Yeah, but we could read, you know, because that was, yeah,

432
00:26:54.920 --> 00:26:57.720
<v Speaker 2>my training as a radio actor. And you know, in

433
00:26:57.759 --> 00:27:00.400
<v Speaker 2>the old radio actors, you know, they would go they'd

434
00:27:00.400 --> 00:27:05.319
<v Speaker 2>be shuttled from studio to studio to live radio guys.

435
00:27:05.480 --> 00:27:10.839
<v Speaker 2>We Michael Rye O. His real name was Michael Ray.

436
00:27:11.279 --> 00:27:15.079
<v Speaker 2>He was older than we even thought. And Michael, you know,

437
00:27:15.119 --> 00:27:18.720
<v Speaker 2>Michael Rye. He was an amazing guy.

438
00:27:18.880 --> 00:27:21.160
<v Speaker 1>I tell everybody who he was on the Gummy Bears.

439
00:27:21.279 --> 00:27:31.240
<v Speaker 2>He was character Dookie and I was told after Bill

440
00:27:31.279 --> 00:27:32.599
<v Speaker 2>Scott passed away.

441
00:27:32.920 --> 00:27:37.440
<v Speaker 1>Yes see, yeah Toad what Yeah that was? I think

442
00:27:37.440 --> 00:27:39.480
<v Speaker 1>that might that might have been one of the first

443
00:27:39.519 --> 00:27:42.720
<v Speaker 1>times we worked together, when I sneaking in on some

444
00:27:42.759 --> 00:27:44.079
<v Speaker 1>of the Gummy Bear sessions.

445
00:27:44.160 --> 00:27:47.680
<v Speaker 2>And Michael Rye, Bless his soul, he must have been

446
00:27:47.920 --> 00:27:50.640
<v Speaker 2>like eighty when we were working with him, and I

447
00:27:50.640 --> 00:27:53.720
<v Speaker 2>think he lived like over one hundred. Ye did you

448
00:27:53.799 --> 00:27:57.440
<v Speaker 2>know that he was fabulously wealthy. His name was actually

449
00:27:57.599 --> 00:28:07.319
<v Speaker 2>Rye Billsbery Billsbury. That sounds yes, Well Billsbury didn't didn't

450
00:28:07.400 --> 00:28:14.079
<v Speaker 2>sound good on U Bake Good products, so they made

451
00:28:14.079 --> 00:28:21.119
<v Speaker 2>it Pillsbury. So he was part of the Pillsbury dynasty.

452
00:28:22.119 --> 00:28:23.960
<v Speaker 1>And he didn't get to be the dough boy.

453
00:28:24.599 --> 00:28:28.759
<v Speaker 2>No, he wouldn't have wanted to, but anyway, but he

454
00:28:28.920 --> 00:28:35.400
<v Speaker 2>loved technical with his with his helmet wig. You know.

455
00:28:36.400 --> 00:28:36.640
<v Speaker 1>Yeah.

456
00:28:38.039 --> 00:28:39.799
<v Speaker 2>Yeah, Well, my.

457
00:28:39.839 --> 00:28:43.720
<v Speaker 1>Real name is Smithsonian. But I don't like to tell anything, yes,

458
00:28:44.559 --> 00:28:46.000
<v Speaker 1>so let's keep that between us.

459
00:28:46.839 --> 00:28:49.319
<v Speaker 2>I don't think I'm related to anybody. Oh, No, I

460
00:28:49.359 --> 00:28:56.799
<v Speaker 2>am related to somebody famous. I think my my mother's

461
00:28:56.839 --> 00:28:59.680
<v Speaker 2>maiden name is Lang.

462
00:29:00.599 --> 00:29:03.839
<v Speaker 1>Her father she's Lenna Lang from Superman.

463
00:29:04.000 --> 00:29:04.200
<v Speaker 2>Yeah.

464
00:29:04.200 --> 00:29:05.480
<v Speaker 1>I really related to.

465
00:29:05.759 --> 00:29:12.200
<v Speaker 2>Clara Dee Lang anyway, who's still around and just as

466
00:29:12.240 --> 00:29:15.680
<v Speaker 2>annoying as ever. My old mother. She's ninety one now,

467
00:29:16.119 --> 00:29:20.759
<v Speaker 2>God bless her. He still giving me a headache.

468
00:29:22.400 --> 00:29:22.799
<v Speaker 1>Anyway.

469
00:29:25.400 --> 00:29:26.759
<v Speaker 4>Which character on your mom?

470
00:29:27.119 --> 00:29:30.759
<v Speaker 2>I've never based a character on her, but her great aunt,

471
00:29:30.960 --> 00:29:39.680
<v Speaker 2>Sadie Sadie Mallinger Maleinger or whatever, was crazy as a bedbug,

472
00:29:40.160 --> 00:29:43.240
<v Speaker 2>and she looked like it too. She had this crizzy

473
00:29:43.319 --> 00:29:49.839
<v Speaker 2>wild girl in this wild expression always, and she was

474
00:29:49.960 --> 00:29:52.160
<v Speaker 2>very loud, and she was the one who at a

475
00:29:52.200 --> 00:29:55.119
<v Speaker 2>family gathering at some point there would be a lull

476
00:29:55.200 --> 00:29:57.759
<v Speaker 2>in conversation. And she had a funny voice.

477
00:29:57.759 --> 00:30:00.960
<v Speaker 1>She had the Dudley do right kind of voice, and she'd.

478
00:30:00.720 --> 00:30:02.920
<v Speaker 2>Say is it hot and hair?

479
00:30:03.119 --> 00:30:03.920
<v Speaker 3>Is it just me?

480
00:30:05.599 --> 00:30:08.559
<v Speaker 2>She had been gap in her teeth. It's just she

481
00:30:08.680 --> 00:30:13.119
<v Speaker 2>was just wacky. Uh, Aunt Sadie.

482
00:30:12.799 --> 00:30:14.720
<v Speaker 1>Did you tell her get that lamp shade off your

483
00:30:14.720 --> 00:30:17.799
<v Speaker 1>head and have a seat. Yeah, but there you got

484
00:30:17.839 --> 00:30:18.240
<v Speaker 1>a lift.

485
00:30:18.559 --> 00:30:21.440
<v Speaker 2>Yeah, exactly. She was that type, you know. No, she

486
00:30:21.440 --> 00:30:25.839
<v Speaker 2>would entertain us kids with inappropriate like limericks and stuff.

487
00:30:25.880 --> 00:30:29.799
<v Speaker 2>You know. Ohe Gooey was a worm, a mighty worm,

488
00:30:29.960 --> 00:30:33.000
<v Speaker 2>was he? He thought out on our railroad track that

489
00:30:33.160 --> 00:30:38.319
<v Speaker 2>train he did not see, you know whatever.

490
00:30:39.079 --> 00:30:44.480
<v Speaker 1>Yeah, well, I'm glad he wasn't from Nantucket, I know.

491
00:30:44.559 --> 00:30:48.039
<v Speaker 2>Well she would say things like that. Actually actually on

492
00:30:48.119 --> 00:30:52.279
<v Speaker 2>the father's side, Oh boy, well I had my aunt,

493
00:30:52.519 --> 00:30:56.240
<v Speaker 2>my Aunt Goldie. Now my mom's mom was named Goldie

494
00:30:57.519 --> 00:31:03.599
<v Speaker 2>or Goldie. But anyway, Aunt Aunt Goldie was from Bessarabia,

495
00:31:04.519 --> 00:31:10.960
<v Speaker 2>my dad's side of the family, which is which is

496
00:31:11.119 --> 00:31:17.720
<v Speaker 2>adjacent to Transylvania. Oh perfect, And Aunt Goldie had this

497
00:31:17.880 --> 00:31:25.000
<v Speaker 2>thick accent and it was and and she sounded like

498
00:31:26.000 --> 00:31:32.000
<v Speaker 2>a bad Bale Lagosi impression like this. But anyway, but

499
00:31:32.000 --> 00:31:34.640
<v Speaker 2>but the thing about it is Aunt Goldie swore like

500
00:31:34.720 --> 00:31:40.000
<v Speaker 2>a sailor. Oh she said, Oh my god, you're so beautiful.

501
00:31:40.799 --> 00:31:43.440
<v Speaker 2>Oh your son of a bitch our ship.

502
00:31:43.759 --> 00:31:48.839
<v Speaker 1>I can't believe it. Well, now we have our promo

503
00:31:48.960 --> 00:31:55.759
<v Speaker 1>for the Yeah, that's great, but that's great. Hey, I

504
00:31:55.799 --> 00:31:57.559
<v Speaker 1>have a question for you, because I've been known to

505
00:31:57.599 --> 00:32:00.839
<v Speaker 1>do this. I had my uncle saym and my Aunt

506
00:32:00.880 --> 00:32:05.279
<v Speaker 1>Grace got rest both their I've weaseled them into a

507
00:32:05.279 --> 00:32:09.279
<v Speaker 1>few cartoons here and there just over the years. Now,

508
00:32:09.279 --> 00:32:11.839
<v Speaker 1>have you done that with your family members? Yeah?

509
00:32:11.920 --> 00:32:14.440
<v Speaker 2>Yeah, yeah, yeah, Well, well I have Aunt Sadie once,

510
00:32:14.880 --> 00:32:19.160
<v Speaker 2>uh and something Aunt Sadie.

511
00:32:22.279 --> 00:32:25.559
<v Speaker 1>That sounded like my aunt Grace. Yeah, what are the odds?

512
00:32:25.799 --> 00:32:27.680
<v Speaker 2>Yeah? Yeah, well you know, I mean.

513
00:32:28.160 --> 00:32:32.319
<v Speaker 10>Well, you know she was sin take the way she walked,

514
00:32:34.200 --> 00:32:38.200
<v Speaker 10>you know, and so I I weaseled her into it.

515
00:32:38.599 --> 00:32:42.240
<v Speaker 1>In fact, she was the basis for Lieutenant Spinellian and

516
00:32:42.359 --> 00:32:44.000
<v Speaker 1>Chippendale's Rescue Rangers.

517
00:32:44.720 --> 00:32:47.640
<v Speaker 11>Yeah you were there, Rob, Yeah, so I don't worry.

518
00:32:47.680 --> 00:32:50.960
<v Speaker 11>I'm going to get everything dumb for you. That was

519
00:32:51.440 --> 00:32:55.039
<v Speaker 11>partially my Aunt Grace. Yeah, yeah, bless her heart.

520
00:32:55.279 --> 00:32:58.680
<v Speaker 2>Oh yeah, we know we we we take from you know,

521
00:32:59.440 --> 00:33:06.039
<v Speaker 2>the male man families are teachers, yeah, shopkeepers, whatever, whoever. Had.

522
00:33:06.359 --> 00:33:10.799
<v Speaker 1>Yeah, And do you ever get an approach to do seminars,

523
00:33:10.839 --> 00:33:15.440
<v Speaker 1>to do classes, to teach, to pass on your your knowledge.

524
00:33:15.599 --> 00:33:22.440
<v Speaker 2>I did, well, you know, for years before social media,

525
00:33:23.519 --> 00:33:27.160
<v Speaker 2>when I had a website, I had an interactive message board.

526
00:33:27.200 --> 00:33:29.680
<v Speaker 2>And you know, DAWs always said, you know, you got

527
00:33:29.680 --> 00:33:32.839
<v Speaker 2>to pay it back, you know, and so I couldn't.

528
00:33:33.039 --> 00:33:35.400
<v Speaker 2>I couldn't sit up and be a formal.

529
00:33:36.559 --> 00:33:38.960
<v Speaker 1>It back. If somebody gives me something, I'll pay it back.

530
00:33:39.039 --> 00:33:43.400
<v Speaker 2>Well, you're doing it right now, really, because because this

531
00:33:43.480 --> 00:33:47.559
<v Speaker 2>is this is really informing and inspiring. And so I

532
00:33:47.640 --> 00:33:51.680
<v Speaker 2>had an interactive message board and I developed this snarky

533
00:33:53.200 --> 00:34:01.160
<v Speaker 2>for both uh, written character as your instructor, your arrogant

534
00:34:01.240 --> 00:34:08.519
<v Speaker 2>instructor with a crazy sense of humor and uh and

535
00:34:08.599 --> 00:34:12.079
<v Speaker 2>I just you know, asked me anything about it is

536
00:34:12.119 --> 00:34:13.360
<v Speaker 2>all things voice over.

537
00:34:14.239 --> 00:34:19.239
<v Speaker 1>Yeah. Well, also you were able to parlay that that character,

538
00:34:19.320 --> 00:34:23.880
<v Speaker 1>that voice you've just done. If I'm not mistaken, didn't

539
00:34:23.880 --> 00:34:31.320
<v Speaker 1>you do how to cartoon video slash video with goofy

540
00:34:31.719 --> 00:34:32.559
<v Speaker 1>how to ski?

541
00:34:33.119 --> 00:34:36.079
<v Speaker 2>Oh? Yeah? Yeah, well well that that was that was.

542
00:34:36.599 --> 00:34:38.599
<v Speaker 1>Or the ninja? Oh that I think that I think

543
00:34:38.599 --> 00:34:42.280
<v Speaker 1>I'm thinking of the ninja. Oh, the ninja, I hear that.

544
00:34:42.199 --> 00:34:44.480
<v Speaker 2>There's a whole bunch of them that's based.

545
00:34:44.239 --> 00:34:47.679
<v Speaker 1>On instructional videos.

546
00:34:47.679 --> 00:34:52.119
<v Speaker 2>They're based on the Disney Goofy shorts. Yes, that was

547
00:34:52.159 --> 00:34:56.599
<v Speaker 2>at a time when Pinto Colvig was on the outs

548
00:34:57.159 --> 00:35:04.159
<v Speaker 2>with Walt because well, because of Gulliver's Travels. Mm hmmm,

549
00:35:04.360 --> 00:35:10.079
<v Speaker 2>because worked for h I mean, I mean Pindo Colvig

550
00:35:11.199 --> 00:35:18.039
<v Speaker 2>was Gabby and several characters in Gulliver's Travels, and the

551
00:35:18.079 --> 00:35:23.719
<v Speaker 2>Fleischer brothers who produced Who Made's Travels were Disney's arch

552
00:35:23.880 --> 00:35:29.679
<v Speaker 2>enemy the competition. They were New York, New York Jews.

553
00:35:29.840 --> 00:35:33.199
<v Speaker 2>And and by the way, I think that's where all

554
00:35:33.239 --> 00:35:38.840
<v Speaker 2>of the bs about Walt being anti Semitic came from. No,

555
00:35:38.960 --> 00:35:40.639
<v Speaker 2>he just didn't like the Fleischers.

556
00:35:41.000 --> 00:35:43.679
<v Speaker 1>Yeah, it was just those two.

557
00:35:44.119 --> 00:35:49.559
<v Speaker 2>And yet and yet later on he hired Richard Fleischer,

558
00:35:51.639 --> 00:35:53.400
<v Speaker 2>the son I guess of.

559
00:35:54.079 --> 00:35:56.519
<v Speaker 1>The Sherman brothers were in there somewhere too, if I'm not.

560
00:35:56.480 --> 00:36:01.800
<v Speaker 2>Mistakens with Walt the whole time. Did you know did

561
00:36:01.840 --> 00:36:05.000
<v Speaker 2>you know Dick Sherman very well? Yeah, me too. God

562
00:36:05.280 --> 00:36:11.159
<v Speaker 2>I loved him and he rest in peace? What a beautiful.

563
00:36:10.559 --> 00:36:14.000
<v Speaker 1>Man, did you hear? I don't know when this will air,

564
00:36:14.599 --> 00:36:17.920
<v Speaker 1>Chances art will be over, but there is a tribute

565
00:36:18.679 --> 00:36:24.039
<v Speaker 1>to him somebody. Oh yeah, yeah, yeah.

566
00:36:24.199 --> 00:36:29.360
<v Speaker 2>I I shared a dressing room with him, I think

567
00:36:30.119 --> 00:36:37.119
<v Speaker 2>for some some theme park award thing. I was the

568
00:36:37.159 --> 00:36:38.960
<v Speaker 2>announcer in the show.

569
00:36:40.000 --> 00:36:42.960
<v Speaker 1>Yeah, so you got to meet him a few times, right,

570
00:36:43.079 --> 00:36:47.239
<v Speaker 1>and yeah he was you know.

571
00:36:47.599 --> 00:36:52.360
<v Speaker 2>You know, he was just a beautiful, wonderful sweet man.

572
00:36:53.199 --> 00:36:59.719
<v Speaker 2>You know, yeah, yeah, yeah, yeah. I never met Bob

573
00:37:00.079 --> 00:37:04.239
<v Speaker 2>Robert Sherman, but he was in England most of the time.

574
00:37:05.000 --> 00:37:10.039
<v Speaker 2>They didn't get along. Everybody knows that. Now. Anyway, I

575
00:37:10.079 --> 00:37:13.280
<v Speaker 2>have to circle back and complete what I what I

576
00:37:13.360 --> 00:37:16.760
<v Speaker 2>started before I went off on. This is a long tangent.

577
00:37:17.400 --> 00:37:21.679
<v Speaker 2>My mother's maiden name is Lang. Her father was Joseph Lang,

578
00:37:21.800 --> 00:37:28.440
<v Speaker 2>who who fled Austria Hungary in the late twenties. I

579
00:37:28.480 --> 00:37:35.239
<v Speaker 2>guess because this Hitler guy is causing the brubble and

580
00:37:36.320 --> 00:37:43.239
<v Speaker 2>he was Orthodox, which was whatever anyway, but his name

581
00:37:43.280 --> 00:37:49.599
<v Speaker 2>was Joseph Lang. Well there's an actor, Stephen Lang, wonderful

582
00:37:49.639 --> 00:37:56.400
<v Speaker 2>actor from He was the the the the villain in

583
00:37:57.719 --> 00:38:03.400
<v Speaker 2>Avatar and uh he was in that recent series. He

584
00:38:03.440 --> 00:38:07.920
<v Speaker 2>plays lots of a good, good guy. Yeah. When my

585
00:38:08.039 --> 00:38:13.159
<v Speaker 2>mother's father had hair, I saw some old ancient pictures

586
00:38:13.159 --> 00:38:20.480
<v Speaker 2>of him. See oh my god, there's a blood relation

587
00:38:20.639 --> 00:38:28.960
<v Speaker 2>there because in Stephen Lang's parents, grandparents whatever, also escaped Austria, Austria, Hungary.

588
00:38:29.559 --> 00:38:32.599
<v Speaker 1>Yeah. Well, thank goodness, otherwise he wouldn't have been to her.

589
00:38:33.239 --> 00:38:37.400
<v Speaker 2>Yeah yeah, yeah yeah. But but anyway, so, uh, I

590
00:38:37.400 --> 00:38:40.400
<v Speaker 2>I'm convinced. I'm absolutely convinced I must be related to him.

591
00:38:40.440 --> 00:38:47.840
<v Speaker 4>Well you're at that, Stephen, Yeah yeah, now terrific.

592
00:38:48.440 --> 00:38:49.880
<v Speaker 2>Anyway, call us.

593
00:38:50.480 --> 00:38:54.119
<v Speaker 4>Say special guest right now, Stephen, yes.

594
00:38:54.159 --> 00:38:59.519
<v Speaker 2>Yes, but are you related that? My detector says, yeah, yeah, yeah,

595
00:38:59.559 --> 00:39:00.679
<v Speaker 2>I I I suspect.

596
00:39:00.840 --> 00:39:03.840
<v Speaker 1>I mean, you know, if you're a fan of everything

597
00:39:03.920 --> 00:39:06.679
<v Speaker 1>we do here at tuned In with Jim Cummings, you

598
00:39:06.719 --> 00:39:10.840
<v Speaker 1>could support the show on Patreon for bonus exclusive podcasts,

599
00:39:11.239 --> 00:39:14.440
<v Speaker 1>as well as early in ad free access to the

600
00:39:14.480 --> 00:39:18.559
<v Speaker 1>show itself, prize drawings, and more. You'll feel the difference,

601
00:39:18.760 --> 00:39:21.519
<v Speaker 1>So go ahead and join the tuned In family today

602
00:39:21.920 --> 00:39:27.000
<v Speaker 1>at Patreon dot com slash Jim Cummings podcast. Do it Now.

603
00:39:27.719 --> 00:39:29.840
<v Speaker 4>Getting back to earlier, we're talking about Schipp and Dale.

604
00:39:29.880 --> 00:39:33.119
<v Speaker 4>You were saying that you weren't big on improvising. Where Jim,

605
00:39:33.199 --> 00:39:35.079
<v Speaker 4>that's all Jim does. He just loves the improvise, doesn't

606
00:39:35.079 --> 00:39:36.800
<v Speaker 4>read the scripts. Jim does Jim right?

607
00:39:36.920 --> 00:39:37.360
<v Speaker 2>Yeah?

608
00:39:37.440 --> 00:39:40.360
<v Speaker 4>Yeah, How did you go in studio? If you're very

609
00:39:40.440 --> 00:39:43.320
<v Speaker 4>much I like to follow the script and Jim is

610
00:39:44.039 --> 00:39:47.119
<v Speaker 4>going way off the script. How do you handle those situations?

611
00:39:47.280 --> 00:39:49.159
<v Speaker 4>Do you try and keep up with Jim? Or do

612
00:39:49.239 --> 00:39:50.320
<v Speaker 4>you what do you do?

613
00:39:50.519 --> 00:39:51.679
<v Speaker 1>Just smack me around?

614
00:39:52.000 --> 00:39:56.599
<v Speaker 2>Oh? Yeah, yeah, normal? Do it right? So? I mean

615
00:39:57.559 --> 00:40:00.519
<v Speaker 2>again with the As a radio actor, you know so

616
00:40:00.679 --> 00:40:07.599
<v Speaker 2>many well, acting is reacting exactly exactly. You know, you

617
00:40:07.760 --> 00:40:13.079
<v Speaker 2>just go with it. And you know, of course in

618
00:40:13.239 --> 00:40:24.079
<v Speaker 2>live radio or uninterrupted recorded cast radio comedy and drama,

619
00:40:24.519 --> 00:40:30.559
<v Speaker 2>if somebody flubs or says something different or pauses in

620
00:40:30.599 --> 00:40:36.360
<v Speaker 2>a strange place, you go with it. You know, Oh,

621
00:40:36.440 --> 00:40:41.960
<v Speaker 2>I didn't notice that spoked on your colleague? Yeah you

622
00:40:42.000 --> 00:40:46.480
<v Speaker 2>mean that spoked? You know, you say, aha, that'll get

623
00:40:46.519 --> 00:40:50.840
<v Speaker 2>a laugh because I'm repeating it. And then I've learned also,

624
00:40:52.159 --> 00:40:55.400
<v Speaker 2>you know, over the years, I've gotten much better and

625
00:40:55.480 --> 00:40:59.639
<v Speaker 2>much freer, especially when doing the haunts. Conry is something

626
00:40:59.679 --> 00:41:05.159
<v Speaker 2>I'm very fluent in. And and you know Jeff Bennett

627
00:41:05.400 --> 00:41:13.039
<v Speaker 2>uh me, you know, Jeff just can't contain himself. I know,

628
00:41:13.480 --> 00:41:17.719
<v Speaker 2>he's constantly ad Libby and and and so you know

629
00:41:17.760 --> 00:41:23.320
<v Speaker 2>for comedy stick I like to like, you know, I'll

630
00:41:24.000 --> 00:41:28.519
<v Speaker 2>I'll repeat something, you know, you know.

631
00:41:28.599 --> 00:41:32.960
<v Speaker 12>Whatever, everybody has to go away, Yes, go away, well,

632
00:41:35.360 --> 00:41:42.559
<v Speaker 12>you know, just to tie it together and you sort

633
00:41:42.559 --> 00:41:47.800
<v Speaker 12>of underline the laugh that may not have been there.

634
00:41:48.880 --> 00:41:55.559
<v Speaker 2>When when when mister Smed delivered it. But because it's

635
00:41:55.599 --> 00:42:04.320
<v Speaker 2>it's repeated or mocked, it may strike people funny. And

636
00:42:04.639 --> 00:42:09.320
<v Speaker 2>you know timing, you know time mean, yeah, timing.

637
00:42:09.840 --> 00:42:12.239
<v Speaker 4>How did you guys go with recording Chip and Dale?

638
00:42:12.480 --> 00:42:14.400
<v Speaker 4>Because I'm envisioning you guys were in the studio together,

639
00:42:14.440 --> 00:42:16.440
<v Speaker 4>But Jim, wasn't it because we had Tress on last

640
00:42:16.440 --> 00:42:19.000
<v Speaker 4>week as well? Wasn't it a case of for Chippendale's

641
00:42:19.559 --> 00:42:22.360
<v Speaker 4>voices you had to talk really slow so they could

642
00:42:22.400 --> 00:42:25.400
<v Speaker 4>state it up right? So, Jim, were you ever recording

643
00:42:25.400 --> 00:42:27.400
<v Speaker 4>in the studio with Corey and Tests when they were

644
00:42:27.480 --> 00:42:29.079
<v Speaker 4>doing Chippendale? Because that would have been hard.

645
00:42:30.079 --> 00:42:33.480
<v Speaker 2>We would do it. We would do it temp straight, straightforward,

646
00:42:34.280 --> 00:42:37.119
<v Speaker 2>and then usually most of the cast would go on,

647
00:42:37.400 --> 00:42:44.519
<v Speaker 2>would go home. We'd go back through all of our

648
00:42:44.639 --> 00:42:51.239
<v Speaker 2>lines very slowly. Now, the funny thing is the original

649
00:42:51.360 --> 00:42:54.400
<v Speaker 2>Chip and Dale were not legible.

650
00:42:54.920 --> 00:42:56.519
<v Speaker 1>There were actual chipmunks.

651
00:42:56.880 --> 00:43:01.440
<v Speaker 2>Yeah, well they chattered little. It was basically a bunch

652
00:43:01.440 --> 00:43:06.400
<v Speaker 2>of nonsense and non sequiturs. Occasionally you could understand a

653
00:43:06.440 --> 00:43:11.719
<v Speaker 2>word or two. And they were done by a local

654
00:43:11.760 --> 00:43:15.960
<v Speaker 2>Burbank actress for Ink and Paint Girl, and they were

655
00:43:16.000 --> 00:43:19.639
<v Speaker 2>sped up like like like double speed or more. So

656
00:43:19.679 --> 00:43:23.320
<v Speaker 2>it was really fast now for TV animation, especially in

657
00:43:23.360 --> 00:43:27.880
<v Speaker 2>those days, it had to be like radio with pictures.

658
00:43:28.199 --> 00:43:32.559
<v Speaker 2>With the accused Rocky and Bullwinkle of being you know,

659
00:43:32.639 --> 00:43:37.360
<v Speaker 2>limited animation, so you know, you can only they animate

660
00:43:37.440 --> 00:43:41.000
<v Speaker 2>on the on the threes or the fives as they say,

661
00:43:41.079 --> 00:43:47.760
<v Speaker 2>you know, they only change change the pose the the

662
00:43:47.800 --> 00:43:52.440
<v Speaker 2>image once every four or five frames or three three

663
00:43:52.440 --> 00:43:55.440
<v Speaker 2>to five frames, you know, so they don't have to

664
00:43:55.480 --> 00:44:00.039
<v Speaker 2>have so many drawings. It's much cheaper and faster. And

665
00:44:00.119 --> 00:44:04.280
<v Speaker 2>so that's why they had Rocky Bowenkill had a narrator

666
00:44:05.280 --> 00:44:11.000
<v Speaker 2>and very heavy in dialogue, and you had to get

667
00:44:11.920 --> 00:44:17.239
<v Speaker 2>so much of the of the plot, the comedy, the

668
00:44:17.440 --> 00:44:20.800
<v Speaker 2>so much of the show was really radio, you know.

669
00:44:22.920 --> 00:44:29.960
<v Speaker 2>And so we had to turn Chip and Dale into

670
00:44:31.239 --> 00:44:38.519
<v Speaker 2>well yeah yeah, yeah, and we worked on it. Spent

671
00:44:39.199 --> 00:44:43.559
<v Speaker 2>we spent hours, uh with the tape machines at B

672
00:44:43.639 --> 00:44:50.599
<v Speaker 2>and B, myself, Maygon, uh Les Perkins, probably Tad Stones

673
00:44:52.119 --> 00:44:55.960
<v Speaker 2>and uh An Art Vitello, I think, and we worked

674
00:44:56.440 --> 00:45:00.280
<v Speaker 2>figured out so, I mean, I would say, and it's

675
00:45:00.320 --> 00:45:04.360
<v Speaker 2>not not anything egomaniacal about it, and I don't ever

676
00:45:04.440 --> 00:45:08.159
<v Speaker 2>expect to be paid anything special. But but I kind

677
00:45:08.159 --> 00:45:11.320
<v Speaker 2>of formulated it, I mean, with the help of everyone,

678
00:45:11.840 --> 00:45:14.960
<v Speaker 2>because I thought, well, okay, so we can't so they're

679
00:45:15.000 --> 00:45:17.480
<v Speaker 2>both women, so we want to separate the characters. That's

680
00:45:17.519 --> 00:45:21.800
<v Speaker 2>why it's me and Tress. And I thought, well, well.

681
00:45:21.719 --> 00:45:23.840
<v Speaker 1>You guys had to stay after school and record.

682
00:45:23.639 --> 00:45:27.719
<v Speaker 2>But these characters, what are they? You know, they're like

683
00:45:28.119 --> 00:45:32.119
<v Speaker 2>the Little Rascals, but they're like the little rascals. And

684
00:45:32.360 --> 00:45:35.400
<v Speaker 2>Dale Dress is kind of like Spanky and he's kind

685
00:45:35.440 --> 00:45:40.320
<v Speaker 2>of a clown a little bit like Alfalfa too, so

686
00:45:40.320 --> 00:45:45.920
<v Speaker 2>so I based Dale's speaking voice, which is sped up

687
00:45:46.320 --> 00:45:47.719
<v Speaker 2>on Alfalfa Switzer.

688
00:45:48.360 --> 00:45:51.480
<v Speaker 1>Can you give us some Dale without being sped.

689
00:45:51.280 --> 00:45:57.400
<v Speaker 13>Up somely original? Dale was based on Alfalfa Switzer, who

690
00:45:57.519 --> 00:46:02.559
<v Speaker 13>I think came from Tulsa, Oklahoma or something somewhere like that.

691
00:46:02.559 --> 00:46:05.000
<v Speaker 13>That and it's the dead you know, the the not

692
00:46:05.039 --> 00:46:08.159
<v Speaker 13>the dead Endkins, but the little rascals, and they did

693
00:46:08.199 --> 00:46:13.840
<v Speaker 13>all those nineteen thirties nineteen forties kid like things. How

694
00:46:13.960 --> 00:46:16.480
<v Speaker 13>about that instead of how about that?

695
00:46:16.840 --> 00:46:19.960
<v Speaker 2>How do you like that? How do you like that?

696
00:46:20.760 --> 00:46:20.960
<v Speaker 1>Well?

697
00:46:21.079 --> 00:46:21.920
<v Speaker 2>What do you know?

698
00:46:23.119 --> 00:46:24.239
<v Speaker 1>Yeah? Yeah?

699
00:46:24.639 --> 00:46:29.559
<v Speaker 2>Is that arc to sure that throws you right? Physical

700
00:46:29.800 --> 00:46:32.760
<v Speaker 2>thirty early forties? Is there a term?

701
00:46:32.960 --> 00:46:35.079
<v Speaker 3>Is there a technical term for that? Because I know,

702
00:46:35.199 --> 00:46:37.440
<v Speaker 3>like you've done a lot of voices that's like kind

703
00:46:37.480 --> 00:46:39.320
<v Speaker 3>of in the Transatlantic accent.

704
00:46:39.519 --> 00:46:41.920
<v Speaker 2>Oh yeah, well, I mean, you know, Transatlantic is so

705
00:46:42.039 --> 00:46:42.840
<v Speaker 2>typical for her.

706
00:46:43.480 --> 00:46:45.840
<v Speaker 3>So I'm curious if there's another term.

707
00:46:45.719 --> 00:46:47.119
<v Speaker 1>For captain hook is one?

708
00:46:47.480 --> 00:46:50.639
<v Speaker 2>Yeah? Yeah, the type of style you're talking about, once asked,

709
00:46:51.519 --> 00:46:53.960
<v Speaker 2>and usually he didn't give a straight answer. Was once

710
00:46:54.039 --> 00:47:00.679
<v Speaker 2>asked about his his accent, which he normally spoke with.

711
00:47:00.880 --> 00:47:04.480
<v Speaker 2>And in fact, when I met Hans Conried sitting in

712
00:47:04.519 --> 00:47:07.679
<v Speaker 2>on a Heartbeat theater and eventually I ended up working

713
00:47:08.159 --> 00:47:14.719
<v Speaker 2>with him to Heartbeat Theaters and an Alien Worlds radio

714
00:47:14.840 --> 00:47:19.360
<v Speaker 2>show because Hans was a very fine radio actor and

715
00:47:19.480 --> 00:47:25.400
<v Speaker 2>loved it. And and so when I was first introduced

716
00:47:25.400 --> 00:47:27.880
<v Speaker 2>to Hans Conrich was a surprise to me because I

717
00:47:28.000 --> 00:47:29.679
<v Speaker 2>was this Don Hills was the director.

718
00:47:29.719 --> 00:47:31.760
<v Speaker 4>He says, Oh, I want you to meet somebody.

719
00:47:31.840 --> 00:47:39.800
<v Speaker 2>This is Hans Conry's and I was so intimidated. Hey, Hans,

720
00:47:40.199 --> 00:47:43.719
<v Speaker 2>this kid, he does your voice? Eron, I do it

721
00:47:43.760 --> 00:47:53.280
<v Speaker 2>for him? Oh God? Well yeah, okay, And so I

722
00:47:53.559 --> 00:47:55.559
<v Speaker 2>all I could think of was a line from the

723
00:47:55.599 --> 00:48:00.079
<v Speaker 2>Fractured Flickers series, which I loved. Nobody knows what that

724
00:48:00.239 --> 00:48:04.400
<v Speaker 2>is now. But if you ever see some fractured flickers,

725
00:48:04.760 --> 00:48:08.159
<v Speaker 2>I mean, if if you find them anywhere there is

726
00:48:09.440 --> 00:48:14.280
<v Speaker 2>the silent film actors estates won't let them run anywhere,

727
00:48:14.280 --> 00:48:19.599
<v Speaker 2>but anyway, uh, you might, you might find them illegally

728
00:48:19.639 --> 00:48:22.880
<v Speaker 2>posted somewhere. But anyway, Hans Conried was the host. He

729
00:48:23.000 --> 00:48:30.880
<v Speaker 2>was really snarky and defeat posting fractured flickers and uh

730
00:48:31.039 --> 00:48:35.519
<v Speaker 2>and and the show opens we're kind of like, uh,

731
00:48:36.199 --> 00:48:41.360
<v Speaker 2>I don't know, snarky. They were like Letterman show.

732
00:48:41.400 --> 00:48:43.519
<v Speaker 1>And yeah, okay.

733
00:48:43.480 --> 00:48:47.320
<v Speaker 2>It's a traditional kind of cold open comedy. Ron and

734
00:48:47.360 --> 00:48:50.239
<v Speaker 2>Martin's laughing, of course, which was Gary Owens doing the

735
00:48:50.239 --> 00:48:53.320
<v Speaker 2>cold opens. But anyway, so there was one I could

736
00:48:53.679 --> 00:48:56.599
<v Speaker 2>I remember this. The following program is brought to you

737
00:48:56.719 --> 00:49:02.679
<v Speaker 2>by the makers of Mistake. And then they had this

738
00:49:02.840 --> 00:49:06.719
<v Speaker 2>crazy theme come in and and and and of course

739
00:49:07.119 --> 00:49:11.840
<v Speaker 2>the footage was upside down when he first when he said.

740
00:49:11.599 --> 00:49:14.119
<v Speaker 1>That, and was wasn't he also wasn't he on the

741
00:49:14.199 --> 00:49:16.119
<v Speaker 1>Danny Thomas Show. Wasn't he Uncle Tanoose?

742
00:49:16.239 --> 00:49:19.239
<v Speaker 2>That's correct? Yeah, yes, he was a wholes and those

743
00:49:20.039 --> 00:49:22.920
<v Speaker 2>he's so many, so many.

744
00:49:23.000 --> 00:49:23.960
<v Speaker 1>Great little character.

745
00:49:24.360 --> 00:49:27.679
<v Speaker 2>Yeah, all kinds of characters, all kinds of dialects and stuff.

746
00:49:28.000 --> 00:49:33.480
<v Speaker 2>But but yeah, he was interviewed. Uh but oh yeah, no.

747
00:49:33.519 --> 00:49:36.639
<v Speaker 2>But when I met him and I said, when welcome

748
00:49:36.719 --> 00:49:41.320
<v Speaker 2>to another scintillating yepisold of fraction flickers. I'm your whole comrade,

749
00:49:41.360 --> 00:49:44.719
<v Speaker 2>and welcome, you know, he says, oh, that's very interesting,

750
00:49:44.800 --> 00:49:48.639
<v Speaker 2>young man. But I don't speak with an accent.

751
00:49:50.800 --> 00:49:53.000
<v Speaker 1>To me, but I don't speak and submit.

752
00:49:53.559 --> 00:49:58.360
<v Speaker 2>Yeah yeah yeah, and and and later on he was

753
00:49:58.519 --> 00:49:59.400
<v Speaker 2>really nice to me.

754
00:50:00.239 --> 00:50:00.880
<v Speaker 1>Oh that's good.

755
00:50:01.000 --> 00:50:03.719
<v Speaker 2>Uh and uh he said.

756
00:50:03.519 --> 00:50:04.800
<v Speaker 1>They say meet your heroes.

757
00:50:04.840 --> 00:50:13.320
<v Speaker 2>But well when before he left, and uh, I shook

758
00:50:13.360 --> 00:50:15.920
<v Speaker 2>his hand and said, you know what an honor it

759
00:50:15.960 --> 00:50:18.920
<v Speaker 2>was to meet him, And he put his arm on

760
00:50:18.960 --> 00:50:21.840
<v Speaker 2>his hand on my shoulder and he said, he.

761
00:50:21.840 --> 00:50:24.320
<v Speaker 9>Said, well that's very it's all very flattering, you know,

762
00:50:24.400 --> 00:50:29.159
<v Speaker 9>but why don't you find someone more worthy to idolize?

763
00:50:30.559 --> 00:50:35.800
<v Speaker 2>Oh? Man, Yes, that was odd. That's a character.

764
00:50:35.920 --> 00:50:37.440
<v Speaker 1>Not a lot of that going around today.

765
00:50:37.440 --> 00:50:41.119
<v Speaker 2>But there was a later interview that my buddy Keith

766
00:50:41.199 --> 00:50:49.679
<v Speaker 2>Scott recorded. Yeah and uh and the interviewer with some

767
00:50:49.920 --> 00:50:55.679
<v Speaker 2>film buff voice buff whatever, they said, what do you

768
00:50:55.920 --> 00:51:00.440
<v Speaker 2>what do you call the the type of your your

769
00:51:00.599 --> 00:51:03.920
<v Speaker 2>your style of speech? You you you you speak with

770
00:51:04.000 --> 00:51:09.199
<v Speaker 2>a sort of dialect accent. You call that accent? I

771
00:51:09.320 --> 00:51:15.599
<v Speaker 2>call it affected. Yes, Because Hans grew up in New

772
00:51:15.679 --> 00:51:20.800
<v Speaker 2>York City and spent summers in Wisconsin.

773
00:51:21.039 --> 00:51:26.199
<v Speaker 1>Jonathan Jonathan Harris are our mutual friend. He had a

774
00:51:26.280 --> 00:51:29.440
<v Speaker 1>story and it was at Stella Adler I think that

775
00:51:30.320 --> 00:51:32.920
<v Speaker 1>he was shopping with her at Macy's in New York

776
00:51:32.960 --> 00:51:39.679
<v Speaker 1>City and a lady recognized her and uh and and

777
00:51:39.719 --> 00:51:43.239
<v Speaker 1>not him. But so she went up and said, oh

778
00:51:43.280 --> 00:51:46.840
<v Speaker 1>my god, almost that. I'm just so it's amazing to

779
00:51:46.880 --> 00:51:49.360
<v Speaker 1>meet you. And you know, you know, I'm from England too,

780
00:51:49.400 --> 00:51:52.719
<v Speaker 1>And I said, and I was always curious, where are

781
00:51:52.760 --> 00:51:58.159
<v Speaker 1>you from in England? Back in the mother country? Oh, my, darling, darling,

782
00:51:58.239 --> 00:51:59.159
<v Speaker 1>I'm not from England.

783
00:51:59.599 --> 00:52:01.280
<v Speaker 4>I'm simply affected.

784
00:52:01.840 --> 00:52:02.079
<v Speaker 2>Yeah.

785
00:52:02.360 --> 00:52:06.719
<v Speaker 1>Yeah, and and oh never mind, John, you know it's

786
00:52:06.800 --> 00:52:12.320
<v Speaker 1>from Oklahoma. Okay, yeah, well, okay, Lady Yanks affect.

787
00:52:13.360 --> 00:52:16.880
<v Speaker 2>But yeah, you know theatrical well, Hans was, he was

788
00:52:17.920 --> 00:52:23.400
<v Speaker 2>he idolized John Barrymore and he said and snidely whiplash

789
00:52:23.559 --> 00:52:27.440
<v Speaker 2>and you know, and then Captain Hockey, Oh, I'm just

790
00:52:27.519 --> 00:52:34.280
<v Speaker 2>doing Barry moa moah, you know John. And if you know,

791
00:52:34.400 --> 00:52:37.559
<v Speaker 2>if you've ever seen sin Golly, it is indeed like

792
00:52:37.639 --> 00:52:41.880
<v Speaker 2>Hans comery. It's the same hot theatrical thing from the

793
00:52:42.039 --> 00:52:45.960
<v Speaker 2>nineteen thirties, the way that yeah, the way.

794
00:52:46.079 --> 00:52:48.320
<v Speaker 1>It's also a little bit of the Wizard of Ours.

795
00:52:48.320 --> 00:52:49.159
<v Speaker 1>Who was that great.

796
00:52:49.000 --> 00:52:50.239
<v Speaker 2>Guy, Frank Morgan?

797
00:52:50.840 --> 00:52:53.920
<v Speaker 1>Frank who was he was in there too.

798
00:52:54.639 --> 00:52:58.519
<v Speaker 2>Yeah, you know, Frank Morgan died before before The Wizard

799
00:52:58.519 --> 00:53:00.480
<v Speaker 2>of Oz was released.

800
00:53:01.320 --> 00:53:02.079
<v Speaker 1>I didn't know that.

801
00:53:02.199 --> 00:53:06.000
<v Speaker 2>Yeah, I think he had no idea.

802
00:53:07.000 --> 00:53:09.159
<v Speaker 1>Yeah, what an iconic.

803
00:53:09.480 --> 00:53:14.760
<v Speaker 2>Everyone loved him. He was quite the alcoholic. That's why

804
00:53:14.800 --> 00:53:19.880
<v Speaker 2>he didn't live that long. He was always at his

805
00:53:20.000 --> 00:53:21.519
<v Speaker 2>little you know.

806
00:53:23.440 --> 00:53:27.199
<v Speaker 1>Yeah, well he sold it on that.

807
00:53:29.360 --> 00:53:32.559
<v Speaker 2>I'm a very good man, very bad.

808
00:53:33.000 --> 00:53:35.639
<v Speaker 1>So did I ask you? Was there any ever a

809
00:53:35.719 --> 00:53:38.960
<v Speaker 1>time that you were intimidated by somebody you didn't? You know,

810
00:53:39.039 --> 00:53:41.079
<v Speaker 1>you walked into a studio and said, oh my god,

811
00:53:41.119 --> 00:53:47.119
<v Speaker 1>I can't believe I'm here with well other than me obviously, God.

812
00:53:47.679 --> 00:53:53.000
<v Speaker 2>Actually, I mean, I mean I'm very shy, but you know,

813
00:53:53.119 --> 00:53:58.800
<v Speaker 2>I mean I didn't know it until my forties. Is like, oh,

814
00:53:59.679 --> 00:54:05.920
<v Speaker 2>that that's what it is. I'm Asberger's. I'm an autistic spectrum.

815
00:54:06.800 --> 00:54:07.719
<v Speaker 1>That's a superpower.

816
00:54:07.760 --> 00:54:10.440
<v Speaker 2>Though. So it's sure as hell is because it's.

817
00:54:10.280 --> 00:54:12.639
<v Speaker 3>Wait, so I want to interject and ask what what

818
00:54:12.719 --> 00:54:16.199
<v Speaker 3>was it like going through life undiagnosed? Like was that stressful?

819
00:54:16.400 --> 00:54:18.000
<v Speaker 3>Did that cause anxiety?

820
00:54:18.119 --> 00:54:22.159
<v Speaker 2>You know my dear old dad who on his last

821
00:54:22.239 --> 00:54:28.639
<v Speaker 2>legs but still completely coherent, but he's going to be

822
00:54:28.760 --> 00:54:34.559
<v Speaker 2>ninety six this month. But anyway, yeah, yeah, when I

823
00:54:34.599 --> 00:54:37.679
<v Speaker 2>was a little kid, and you know, I was always

824
00:54:37.960 --> 00:54:41.119
<v Speaker 2>very odd and shy.

825
00:54:41.000 --> 00:54:42.960
<v Speaker 1>Hard to believe, but okay, yeah.

826
00:54:42.760 --> 00:54:47.920
<v Speaker 2>And very quiet, always very quiet. Well you got over

827
00:54:47.960 --> 00:54:55.280
<v Speaker 2>that only amongst you know, you're nutballs. There you go,

828
00:54:55.519 --> 00:54:58.960
<v Speaker 2>and we're all a little bit on the spectrum. Oh

829
00:54:59.199 --> 00:55:04.599
<v Speaker 2>you bet, all of us, especially for oh definitely, I mean,

830
00:55:05.679 --> 00:55:08.440
<v Speaker 2>because I always thought, you know, you know, what did

831
00:55:08.440 --> 00:55:11.280
<v Speaker 2>I want when I was eight years old? You know,

832
00:55:11.960 --> 00:55:14.400
<v Speaker 2>you know, what do you want for your birthday? Tape recorder?

833
00:55:14.800 --> 00:55:17.280
<v Speaker 1>Oh gosh, yeah, I was kind of like that. You

834
00:55:17.320 --> 00:55:20.360
<v Speaker 1>know what I used to draw. I used to draw

835
00:55:20.679 --> 00:55:22.880
<v Speaker 1>because I always like the doodle. I always like to draw.

836
00:55:23.119 --> 00:55:27.360
<v Speaker 1>I would draw microphones, really cool old microphones, and I

837
00:55:27.400 --> 00:55:30.000
<v Speaker 1>would draw them and then cut them out and put

838
00:55:30.039 --> 00:55:31.800
<v Speaker 1>them on the like the back of the thing, and

839
00:55:31.840 --> 00:55:33.880
<v Speaker 1>I would sit and I would talking to them all

840
00:55:33.920 --> 00:55:38.519
<v Speaker 1>by myself, you know, just in my own little coming

841
00:55:38.559 --> 00:55:41.800
<v Speaker 1>to a theater near you, yeah, you know, and my

842
00:55:41.920 --> 00:55:44.360
<v Speaker 1>little sister would walk in and go, are you talking

843
00:55:44.480 --> 00:55:49.079
<v Speaker 1>to your paper microphone again? And I go, yeah, actually

844
00:55:49.119 --> 00:55:49.559
<v Speaker 1>I am.

845
00:55:49.519 --> 00:55:54.599
<v Speaker 2>Oh, yeah, pretty much. Yeah. No. I had never had

846
00:55:54.599 --> 00:55:56.920
<v Speaker 2>any talent for drawing things.

847
00:55:56.599 --> 00:55:59.639
<v Speaker 1>But well I could draw your microphone.

848
00:56:00.400 --> 00:56:04.039
<v Speaker 2>I wanted to record things and and make little shows,

849
00:56:04.079 --> 00:56:07.159
<v Speaker 2>and I did, me and my brother and my cousins,

850
00:56:08.159 --> 00:56:11.400
<v Speaker 2>and you know, I was the ring leader, and we

851
00:56:11.440 --> 00:56:18.119
<v Speaker 2>would we would just invent these these little dramas having

852
00:56:18.199 --> 00:56:25.960
<v Speaker 2>to do with the family, friend and celebrities. Yeah, yeah,

853
00:56:25.960 --> 00:56:28.800
<v Speaker 2>well I still have recordings of some of them in fact.

854
00:56:28.880 --> 00:56:33.079
<v Speaker 2>And then it was we did we did our own

855
00:56:33.079 --> 00:56:37.599
<v Speaker 2>little send up of the Ed Sullivan Show. And my brother,

856
00:56:38.440 --> 00:56:41.159
<v Speaker 2>who's who's still he's the funny one in the family.

857
00:56:41.440 --> 00:56:43.599
<v Speaker 2>He was, Oh, you're so funny, So you haven't met

858
00:56:43.639 --> 00:56:48.679
<v Speaker 2>less my older brother. He's still hilarious. It's funny because

859
00:56:48.719 --> 00:56:54.119
<v Speaker 2>he's real estate survey accounting whatever kind of profession.

860
00:56:54.239 --> 00:56:56.480
<v Speaker 1>Well, those guys are maniacs, but.

861
00:56:56.599 --> 00:57:01.199
<v Speaker 2>He is so funny. Yeah, but anyway, he says, So

862
00:57:02.480 --> 00:57:04.719
<v Speaker 2>it's the aed Smell Your Butt show.

863
00:57:05.159 --> 00:57:06.920
<v Speaker 1>You know, we were I was, Oh god, I used

864
00:57:06.920 --> 00:57:08.199
<v Speaker 1>to love that show, you know.

865
00:57:09.119 --> 00:57:16.559
<v Speaker 2>And and and cousin Barbie was was Barbie Barfo and

866
00:57:16.840 --> 00:57:20.840
<v Speaker 2>she was like a bad comedian telling bad jokes. And

867
00:57:21.000 --> 00:57:25.639
<v Speaker 2>then my brother's so funny, he says, And now here's

868
00:57:25.760 --> 00:57:32.320
<v Speaker 2>the mucus ball monkeys. But anyway, and then he said

869
00:57:32.679 --> 00:57:38.840
<v Speaker 2>stand back, and then he introduced me as whatever. You know.

870
00:57:38.960 --> 00:57:43.599
<v Speaker 2>It was just just totally impromptu, and I invented a character.

871
00:57:43.880 --> 00:57:47.760
<v Speaker 2>Was later on I figured out it was based on

872
00:57:49.360 --> 00:57:57.480
<v Speaker 2>Bella no aug you know, but but but similar No,

873
00:57:57.719 --> 00:58:09.880
<v Speaker 2>the comedians singer big fat you know, but very uh

874
00:58:11.360 --> 00:58:16.960
<v Speaker 2>cats skills, uh you know Bard Yeah she was. She

875
00:58:17.119 --> 00:58:20.559
<v Speaker 2>actually she did a lot of the really filthy blue

876
00:58:22.039 --> 00:58:27.719
<v Speaker 2>you know songs. Yeah, the Jewish Mom's maybe very very similar. Yeah, yeah,

877
00:58:28.559 --> 00:58:36.280
<v Speaker 2>bell Bella, bar Bella somebody people know. I can't remember.

878
00:58:36.400 --> 00:58:40.360
<v Speaker 2>But anyway, so and uh and its just a name

879
00:58:40.480 --> 00:58:45.079
<v Speaker 2>popped into my head and so I did this this

880
00:58:45.360 --> 00:58:51.679
<v Speaker 2>this winding bag comedian singer and uh. And to this day,

881
00:58:53.119 --> 00:58:56.280
<v Speaker 2>my brother still refers to it, my cousin still refers

882
00:58:56.360 --> 00:58:59.079
<v Speaker 2>to it, because it just I don't know how it

883
00:58:59.280 --> 00:59:04.199
<v Speaker 2>came to me. I said, hello everybody, I'm Murner Telts,

884
00:59:05.199 --> 00:59:09.360
<v Speaker 2>I'm a senor, I'm a comedian, I'm bouth.

885
00:59:10.519 --> 00:59:13.280
<v Speaker 1>Oh god, and then I'm multi talented.

886
00:59:13.480 --> 00:59:15.719
<v Speaker 2>You know, I don't remember what I did. It was

887
00:59:15.800 --> 00:59:17.760
<v Speaker 2>silly after that, but that was that you broke into

888
00:59:17.800 --> 00:59:22.119
<v Speaker 2>a dance that got the laugh and we did yeah anyway, but.

889
00:59:22.199 --> 00:59:24.320
<v Speaker 1>Did we I'm sorry forgive me if if you say,

890
00:59:24.599 --> 00:59:28.360
<v Speaker 1>but what was your absolute very first animated show that

891
00:59:28.519 --> 00:59:29.920
<v Speaker 1>you did? Not that you liked her?

892
00:59:30.400 --> 00:59:32.679
<v Speaker 2>Oh you.

893
00:59:35.519 --> 00:59:38.320
<v Speaker 1>Because people love stuff like or maybe just.

894
00:59:38.400 --> 00:59:42.920
<v Speaker 2>Me think it's yeah, No, I think it's it's on IMDb.

895
00:59:44.079 --> 00:59:48.280
<v Speaker 1>I did like My Little Pony or something onto something.

896
00:59:50.320 --> 00:59:51.679
<v Speaker 2>Dance heart right.

897
00:59:52.000 --> 00:59:54.239
<v Speaker 4>Was chipping down the first starring role.

898
00:59:55.960 --> 01:00:03.639
<v Speaker 2>In I don't yes, I think I think first lead. Yeah, yeah,

899
01:00:03.760 --> 01:00:07.119
<v Speaker 2>but I mean that was the eighties and there was

900
01:00:07.159 --> 01:00:08.199
<v Speaker 2>the Transformers.

901
01:00:09.360 --> 01:00:14.000
<v Speaker 1>Yeah, the Transgressors were before and after. Yeah, it depends

902
01:00:14.039 --> 01:00:14.599
<v Speaker 1>on which one.

903
01:00:14.760 --> 01:00:19.039
<v Speaker 2>Yeah yeah, yeah, well it was Transformers. I was Spike.

904
01:00:19.840 --> 01:00:22.280
<v Speaker 2>They changed now the name to Sam you know, the kid,

905
01:00:22.559 --> 01:00:25.519
<v Speaker 2>And it's just me doing Mark Hamill. Wow, because I

906
01:00:25.599 --> 01:00:30.599
<v Speaker 2>met Mark Hamill doing a d R on Empire Strikes Back,

907
01:00:31.480 --> 01:00:37.800
<v Speaker 2>and we've been casual. He was in that Buddies ever since. Yeah. Yeah,

908
01:00:37.880 --> 01:00:41.679
<v Speaker 2>in fact, that explains a lot. In fact, during the

909
01:00:41.800 --> 01:00:47.440
<v Speaker 2>period when Mark was not Luke Skywalker in Front of

910
01:00:47.559 --> 01:00:53.559
<v Speaker 2>the World anyway, he was more the joker and voice

911
01:00:53.639 --> 01:00:58.880
<v Speaker 2>guy and comic guy and Jean. But anyway, I was

912
01:00:58.960 --> 01:01:02.119
<v Speaker 2>running to Mark and he's just he's such a buddy.

913
01:01:02.239 --> 01:01:03.599
<v Speaker 4>We had to hear you, Mark, we had to hear

914
01:01:03.599 --> 01:01:04.840
<v Speaker 4>he's such a well.

915
01:01:04.760 --> 01:01:08.079
<v Speaker 2>Mark, you know. So you know, when I saw Star Wars,

916
01:01:08.119 --> 01:01:11.239
<v Speaker 2>I was so inspired by it and uh and then

917
01:01:11.440 --> 01:01:16.320
<v Speaker 2>then then I'll be damned. There's there's Mark Hamill, you know,

918
01:01:16.559 --> 01:01:19.079
<v Speaker 2>sitting on the couch at Goldwyn Uh.

919
01:01:20.079 --> 01:01:22.440
<v Speaker 14>I don't know what it's called now, doesn't matter any

920
01:01:22.800 --> 01:01:26.440
<v Speaker 14>the A d R stage there and IRV Kirshner, the

921
01:01:26.519 --> 01:01:31.000
<v Speaker 14>director anyway, so we were just doing background a d

922
01:01:31.199 --> 01:01:31.920
<v Speaker 14>R bits.

923
01:01:33.199 --> 01:01:37.679
<v Speaker 2>And and Mark, you know, he's Mark. He's excited about everything.

924
01:01:38.320 --> 01:01:42.559
<v Speaker 1>So nice to meet you, you know, And I thought, yeah,

925
01:01:42.599 --> 01:01:43.639
<v Speaker 1>it was the same way with me.

926
01:01:44.400 --> 01:01:48.559
<v Speaker 2>I was there with he. I just love Mark. I

927
01:01:48.719 --> 01:01:53.960
<v Speaker 2>love him. He's such a pal. That's the other hey pal, But.

928
01:01:54.719 --> 01:01:55.920
<v Speaker 1>No, you're thinking of Eddie Deson.

929
01:01:56.199 --> 01:01:58.960
<v Speaker 2>Yeah, well I don't know Eddie very well.

930
01:01:59.199 --> 01:02:02.199
<v Speaker 1>But oh but that's the first thing he always said. Anyway,

931
01:02:02.760 --> 01:02:05.239
<v Speaker 1>if you're a fan of everything we do here at

932
01:02:05.320 --> 01:02:08.119
<v Speaker 1>tuned In with Jim Cummings, you could support the show

933
01:02:08.199 --> 01:02:12.800
<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

934
01:02:12.920 --> 01:02:16.880
<v Speaker 1>in ad free access to the show itself, prize drawings,

935
01:02:16.960 --> 01:02:20.039
<v Speaker 1>and more. You'll feel the difference, so go ahead and

936
01:02:20.159 --> 01:02:23.800
<v Speaker 1>join the tuned In family today at patreon dot com

937
01:02:24.039 --> 01:02:26.280
<v Speaker 1>slash Jim Cummings Podcast.

938
01:02:26.760 --> 01:02:27.280
<v Speaker 2>Do it now.

939
01:02:28.119 --> 01:02:30.159
<v Speaker 4>This is the one thing that you both have in common.

940
01:02:30.239 --> 01:02:32.639
<v Speaker 4>I'm not quite sure that you both are aware of it, right.

941
01:02:33.000 --> 01:02:36.480
<v Speaker 4>We both have been specifically requested by the George Lucas

942
01:02:36.519 --> 01:02:37.239
<v Speaker 4>for a voice roll.

943
01:02:37.519 --> 01:02:42.000
<v Speaker 2>Oh oh yeah, yeah, yeah, yeah. Well it's funny because George,

944
01:02:42.760 --> 01:02:49.760
<v Speaker 2>through Dave Felony, he knows everything, you know. Yeah, George

945
01:02:49.880 --> 01:02:53.480
<v Speaker 2>talks to me every day. You know, he's busting my balls.

946
01:02:56.880 --> 01:03:03.079
<v Speaker 2>But let's stay George. Georgia signed a couple of characters

947
01:03:03.719 --> 01:03:06.519
<v Speaker 2>to me. I had been doing Christopher Lee Count Dooku

948
01:03:07.239 --> 01:03:10.800
<v Speaker 2>before then. But then they they had this weird alien

949
01:03:11.360 --> 01:03:15.880
<v Speaker 2>gun slinger, you know, the bounty hunter and uh and

950
01:03:16.000 --> 01:03:21.719
<v Speaker 2>they cad Bane cad Bane and they did they did

951
01:03:21.760 --> 01:03:26.360
<v Speaker 2>a whole test real uh screen test, animatic thing whatever,

952
01:03:27.599 --> 01:03:33.400
<v Speaker 2>and they hired a beautiful, fabulous actor, Lence Hendrickson. You

953
01:03:33.480 --> 01:03:34.599
<v Speaker 2>know Lence Hendrickson.

954
01:03:34.760 --> 01:03:35.679
<v Speaker 1>Oh yeah, yeah, yeah.

955
01:03:36.079 --> 01:03:42.519
<v Speaker 2>And it was just a gorgeous Western evil bounty hunter

956
01:03:42.719 --> 01:03:49.199
<v Speaker 2>gun slinger, you know. And and and and Dave told

957
01:03:49.239 --> 01:03:51.760
<v Speaker 2>me the stories. I said, so, we're screening this, you know,

958
01:03:51.840 --> 01:03:54.840
<v Speaker 2>with George and he said, I.

959
01:03:57.039 --> 01:03:59.239
<v Speaker 1>Like the voice, but it's not weird enough. It's not

960
01:03:59.320 --> 01:04:01.639
<v Speaker 1>weird enough, you know.

961
01:04:01.760 --> 01:04:04.480
<v Speaker 2>And I don't know if he can get anew my name.

962
01:04:04.800 --> 01:04:07.239
<v Speaker 2>He said, could you think he could? He could do

963
01:04:07.400 --> 01:04:11.119
<v Speaker 2>like that something between that and Peter Laurie And David

964
01:04:11.280 --> 01:04:13.599
<v Speaker 2>said that to me, and I said, okay.

965
01:04:14.480 --> 01:04:17.159
<v Speaker 1>Yeah, sure, that's what you say when you're a voice

966
01:04:17.159 --> 01:04:17.519
<v Speaker 1>over gun.

967
01:04:17.599 --> 01:04:18.079
<v Speaker 2>Can you do this?

968
01:04:18.360 --> 01:04:18.559
<v Speaker 1>Yes?

969
01:04:18.960 --> 01:04:23.440
<v Speaker 2>Well I just thought, oh, I love that idea. So

970
01:04:23.920 --> 01:04:28.239
<v Speaker 2>so cad Bane became became a very sinister Peter Laurie.

971
01:04:29.159 --> 01:04:34.639
<v Speaker 2>But in the Old West, say little Lady and some

972
01:04:35.000 --> 01:04:38.920
<v Speaker 2>many fine brass you we're in there, you know. So

973
01:04:39.119 --> 01:04:45.320
<v Speaker 2>he's sort of half Western gunslinger Peter Laurie Nostril, you know,

974
01:04:45.559 --> 01:04:50.800
<v Speaker 2>half Eastern European wherever Peter Laurie was from.

975
01:04:51.599 --> 01:04:51.800
<v Speaker 10>Yeah.

976
01:04:51.880 --> 01:04:57.039
<v Speaker 2>Yeah, he was sort of a traveling, brilliant actor. Yeah,

977
01:04:57.199 --> 01:05:00.880
<v Speaker 2>and of course left Europe because he was Jewish too,

978
01:05:01.079 --> 01:05:04.679
<v Speaker 2>so he ski daddled out out of Germany.

979
01:05:06.519 --> 01:05:07.599
<v Speaker 1>Yeah, as well.

980
01:05:08.079 --> 01:05:10.039
<v Speaker 2>And then Nick of Time Yeah, in the thirties.

981
01:05:10.159 --> 01:05:10.360
<v Speaker 1>Yeah.

982
01:05:10.440 --> 01:05:12.800
<v Speaker 4>But of course, Jimmy, you were specifically requested for Hyundai,

983
01:05:12.840 --> 01:05:13.199
<v Speaker 4>weren't you.

984
01:05:14.159 --> 01:05:17.440
<v Speaker 2>Yeah, well, you know you probably. I bet I'll bet

985
01:05:17.519 --> 01:05:21.960
<v Speaker 2>you had done the character. I'll bet it came out

986
01:05:22.000 --> 01:05:24.800
<v Speaker 2>of you because we did the Pirate voices.

987
01:05:25.199 --> 01:05:30.320
<v Speaker 1>Maya, I don't know. I can remember at home. Oh well, thanks, thanks.

988
01:05:30.400 --> 01:05:32.800
<v Speaker 1>He's one of my favorite guys. You know the thing,

989
01:05:32.880 --> 01:05:35.519
<v Speaker 1>I have a little mini philosophy. I've said it before.

990
01:05:35.519 --> 01:05:37.360
<v Speaker 1>I don't want to bore anybody, but but if you

991
01:05:37.440 --> 01:05:40.119
<v Speaker 1>do a bad impression of someone, it's a new character.

992
01:05:40.960 --> 01:05:44.599
<v Speaker 1>And if you put two character two character voices together

993
01:05:45.199 --> 01:05:47.360
<v Speaker 1>and nobody can tell who the hell you're doing that,

994
01:05:47.599 --> 01:05:49.960
<v Speaker 1>and that's a that's a new character. And if you

995
01:05:50.079 --> 01:05:53.119
<v Speaker 1>do a perfect impression of somebody, that nobody knows that's

996
01:05:53.159 --> 01:05:55.480
<v Speaker 1>a new character. Like I said before, my aunt Grace

997
01:05:55.519 --> 01:05:58.440
<v Speaker 1>got rest of so Uncle Sam. They've been in cartoons.

998
01:05:58.840 --> 01:06:02.079
<v Speaker 1>Yeah yeah, and I've I've called up my cousins and say, Okay,

999
01:06:02.519 --> 01:06:05.480
<v Speaker 1>your mom's going to be on Chippendale Risky Rangers coming up,

1000
01:06:05.519 --> 01:06:08.360
<v Speaker 1>so you might well, what are you talking about? Her

1001
01:06:08.440 --> 01:06:12.199
<v Speaker 1>name is Lieutenant Spinelli. Yeah yeah, and of course it

1002
01:06:12.400 --> 01:06:18.199
<v Speaker 1>was a guy. But you know, so it's just it's

1003
01:06:18.280 --> 01:06:21.039
<v Speaker 1>just fun stuff. Oh but putting together and coming up

1004
01:06:21.079 --> 01:06:23.239
<v Speaker 1>with character voices one thing.

1005
01:06:23.559 --> 01:06:29.400
<v Speaker 2>Speaking of impressions and stuff, I just so cherish. Just

1006
01:06:29.599 --> 01:06:35.639
<v Speaker 2>it delights me, no end to hear you do. Well,

1007
01:06:35.719 --> 01:06:39.400
<v Speaker 2>there's a couple of them, but the one that makes

1008
01:06:39.440 --> 01:06:42.920
<v Speaker 2>me laugh the hardest, Andy Divine. Nobody else can do

1009
01:06:43.079 --> 01:06:46.880
<v Speaker 2>Andy Divine. And you know, I just I just saw

1010
01:06:46.960 --> 01:06:51.119
<v Speaker 2>the old Archimedes Frisbee. You know, the old Twilight Zone.

1011
01:06:52.079 --> 01:06:57.280
<v Speaker 1>Oh yeah, well yeah Andy Devine. He plays her muddle

1012
01:06:57.320 --> 01:07:02.320
<v Speaker 1>foot on Dark Dark Dark Wing guy, w are you.

1013
01:07:03.880 --> 01:07:07.119
<v Speaker 3>Dres What are you doing?

1014
01:07:08.000 --> 01:07:14.599
<v Speaker 1>We're going to have a bar and and I love it.

1015
01:07:14.800 --> 01:07:17.800
<v Speaker 1>Oh the tumble and tumble weeds. Yeah, I always like

1016
01:07:17.920 --> 01:07:20.800
<v Speaker 1>doing those impressions that nobody else I mean everybody does

1017
01:07:20.880 --> 01:07:24.360
<v Speaker 1>John Wayne, but yeah, you know, I'd rather do Pat Buttram.

1018
01:07:23.960 --> 01:07:30.400
<v Speaker 2>But yeah, exactly exactly, and and and nobody else that

1019
01:07:30.679 --> 01:07:37.639
<v Speaker 2>I know of can can do burl Ives. Oh that's right,

1020
01:07:38.000 --> 01:07:42.639
<v Speaker 2>burl Ives singing whatever, even due.

1021
01:07:44.519 --> 01:07:44.800
<v Speaker 9>Love.

1022
01:07:45.159 --> 01:07:49.400
<v Speaker 2>And I always kind of hated his voice, but at

1023
01:07:49.440 --> 01:07:52.519
<v Speaker 2>the time I was so intrigued by it that I.

1024
01:07:52.599 --> 01:07:56.559
<v Speaker 1>Had that fifties halfway to beat Nick, halfway to Folky.

1025
01:07:57.000 --> 01:08:05.480
<v Speaker 2>Sure is a syrupy sweet mendacity, yeah, men, but but

1026
01:08:06.239 --> 01:08:11.360
<v Speaker 2>with a real, a real sense of darkness and malice

1027
01:08:11.519 --> 01:08:17.119
<v Speaker 2>behind that honey sweet voice. But anyway, Yeah, I.

1028
01:08:17.159 --> 01:08:19.079
<v Speaker 4>Feel like we're getting a real insight into being in

1029
01:08:19.119 --> 01:08:21.359
<v Speaker 4>the studio and the early nineties of Jim just doing

1030
01:08:21.600 --> 01:08:24.800
<v Speaker 4>wacky voices and the whole cost just we.

1031
01:08:24.880 --> 01:08:29.760
<v Speaker 2>All we always our favorite voices. Oh yeah, and entertain

1032
01:08:29.880 --> 01:08:30.880
<v Speaker 2>the hell out of each other.

1033
01:08:31.119 --> 01:08:35.960
<v Speaker 1>I'm glad. No, I'm understood. The deba dare recorded way

1034
01:08:36.039 --> 01:08:43.640
<v Speaker 1>too many tourettes of mine, of Mike Tyson Ohn chronicles.

1035
01:08:43.920 --> 01:08:47.159
<v Speaker 4>Yes, you've only done the Tossing chronicles once on the show. Jim,

1036
01:08:47.199 --> 01:08:49.000
<v Speaker 4>I feel like it's time to bust it again.

1037
01:08:49.399 --> 01:08:53.479
<v Speaker 1>Well I don't, I don't think. Well, yeah, I'm trying

1038
01:08:53.520 --> 01:08:55.319
<v Speaker 1>to think of one that I can tell.

1039
01:08:56.399 --> 01:08:59.880
<v Speaker 2>But basically, you know, you know what I'm saying.

1040
01:08:59.920 --> 01:09:07.159
<v Speaker 15>I had, I had an opportunity presented unto me in

1041
01:09:07.279 --> 01:09:12.880
<v Speaker 15>a sense. So I presented myself to this party and

1042
01:09:13.079 --> 01:09:17.199
<v Speaker 15>they had holes left, right and center. And so I'm like,

1043
01:09:17.720 --> 01:09:19.680
<v Speaker 15>you know, I see this one, and you know, I'm

1044
01:09:19.840 --> 01:09:23.600
<v Speaker 15>like in love you know me, And I'm sure the champ,

1045
01:09:23.680 --> 01:09:26.439
<v Speaker 15>you know what I'm saying. And I pick her up,

1046
01:09:26.479 --> 01:09:29.840
<v Speaker 15>and now we're heading over to the closet, yo, and

1047
01:09:30.680 --> 01:09:33.880
<v Speaker 15>I have over my shoulder and she was gonna be

1048
01:09:34.000 --> 01:09:35.760
<v Speaker 15>the Tipperary minute of Tyson.

1049
01:09:35.880 --> 01:09:36.439
<v Speaker 2>You feel me?

1050
01:09:37.159 --> 01:09:40.439
<v Speaker 15>And she talking about no no jamp, no, no god

1051
01:09:40.600 --> 01:09:45.720
<v Speaker 15>Jese it put me down, you know, teasing, you know

1052
01:09:45.720 --> 01:09:50.279
<v Speaker 15>what I'm saying. And Yo, my ship was harder than

1053
01:09:50.439 --> 01:09:51.399
<v Speaker 15>Chinese mask.

1054
01:09:51.640 --> 01:09:51.760
<v Speaker 2>Yo.

1055
01:09:52.880 --> 01:09:57.960
<v Speaker 1>Anyway, okay, so that's all. Oh my, and I apparently

1056
01:09:58.000 --> 01:10:02.680
<v Speaker 1>I'm going to miss this coming fight. Uh that's coming up,

1057
01:10:02.720 --> 01:10:06.359
<v Speaker 1>Mike Tyson fight against Godzilla. I think I'm pretty sure.

1058
01:10:09.039 --> 01:10:11.119
<v Speaker 2>I could be sorry.

1059
01:10:11.399 --> 01:10:16.319
<v Speaker 1>Yeah, yeah, that's true. Yeah, Fortunately this will air afterward.

1060
01:10:16.600 --> 01:10:21.000
<v Speaker 1>Don't tell me who won, Boy from the Future. What

1061
01:10:21.199 --> 01:10:23.479
<v Speaker 1>is anything going on right now? Anything going on? We

1062
01:10:23.520 --> 01:10:24.680
<v Speaker 1>should know about anything?

1063
01:10:24.960 --> 01:10:25.199
<v Speaker 2>For me?

1064
01:10:25.760 --> 01:10:27.479
<v Speaker 1>Do you go into conventions or anything.

1065
01:10:27.960 --> 01:10:31.479
<v Speaker 2>Well, I it's funny because I just had to sadly

1066
01:10:31.880 --> 01:10:37.000
<v Speaker 2>turned down another request for convention. I just can't do

1067
01:10:37.079 --> 01:10:44.159
<v Speaker 2>it anymore. I especially traveling well and this damn long COVID.

1068
01:10:44.239 --> 01:10:49.199
<v Speaker 2>It's wow, still hanging on. Every couple of days, it's like,

1069
01:10:49.680 --> 01:10:53.560
<v Speaker 2>oh no, like now I got a little bit of

1070
01:10:53.600 --> 01:10:57.359
<v Speaker 2>a stuff. He knows the bad cough is gone for

1071
01:10:57.479 --> 01:11:00.199
<v Speaker 2>the moment. Then I'm hit with a way of a

1072
01:11:00.319 --> 01:11:04.800
<v Speaker 2>fatigue and then you get skin ship. No, it's every

1073
01:11:05.039 --> 01:11:08.680
<v Speaker 2>organ system in your body just you know, all of.

1074
01:11:08.680 --> 01:11:09.840
<v Speaker 1>A sudden, I'm always.

1075
01:11:11.159 --> 01:11:15.800
<v Speaker 2>Hell. Is that? Oh, no, long covid just weird symptoms.

1076
01:11:16.560 --> 01:11:17.319
<v Speaker 1>Oh that's weird.

1077
01:11:18.079 --> 01:11:20.520
<v Speaker 2>It's autoimmunity system stuff.

1078
01:11:20.880 --> 01:11:21.079
<v Speaker 1>Yeah.

1079
01:11:22.359 --> 01:11:24.199
<v Speaker 3>We have a game we play on this podcast, and

1080
01:11:24.239 --> 01:11:26.800
<v Speaker 3>it's called the voice Swap Game. I'm going to explain

1081
01:11:26.880 --> 01:11:28.279
<v Speaker 3>how it works if you want to play.

1082
01:11:28.720 --> 01:11:34.640
<v Speaker 2>Well, yes, you see, he does. We'll see about that.

1083
01:11:35.760 --> 01:11:36.079
<v Speaker 16>Is how.

1084
01:11:38.319 --> 01:11:40.479
<v Speaker 3>Jim will give you a line from one of his characters,

1085
01:11:40.520 --> 01:11:43.439
<v Speaker 3>say Winnie the Poo's saying you stay as sweet as honey.

1086
01:11:43.520 --> 01:11:46.000
<v Speaker 3>I'm not even gonna try the voice. Sure maybe maybe

1087
01:11:46.039 --> 01:11:50.159
<v Speaker 3>one day. Then you will take that same line and

1088
01:11:50.359 --> 01:11:52.920
<v Speaker 3>use one of your character voices to say the same line,

1089
01:11:53.279 --> 01:11:55.439
<v Speaker 3>and then we'll swap vice versa. Does that make sense?

1090
01:11:56.079 --> 01:11:59.800
<v Speaker 2>Oh? Sure, sure, sure, yeah, that's that's like. That's like

1091
01:12:00.039 --> 01:12:05.359
<v Speaker 2>ask about the workshop. I have a different character, say

1092
01:12:06.279 --> 01:12:07.159
<v Speaker 2>say this line.

1093
01:12:08.640 --> 01:12:10.239
<v Speaker 1>Okay, so here's a little bit of tigger.

1094
01:12:10.960 --> 01:12:16.239
<v Speaker 15>Oh, tiggers do not like honey yet, icky sticky gooey stuff.

1095
01:12:17.880 --> 01:12:26.960
<v Speaker 16>Christopher count cool, hmmm, tiggers do not like honey, that

1096
01:12:27.720 --> 01:12:30.840
<v Speaker 16>icky sticky gooey stuff.

1097
01:12:32.560 --> 01:12:36.880
<v Speaker 2>I dare say, you have a problem.

1098
01:12:39.720 --> 01:12:41.560
<v Speaker 4>I felt we should get Kad Baine and Hondo.

1099
01:12:42.199 --> 01:12:47.800
<v Speaker 2>Yeah, okay, I wouldn't do that if I were you,

1100
01:12:48.239 --> 01:12:51.199
<v Speaker 2>little lady. There's danger.

1101
01:12:52.800 --> 01:12:56.359
<v Speaker 1>I would not do that if I were you, little lady,

1102
01:12:57.279 --> 01:13:00.680
<v Speaker 1>there is danger ahead. Bye, do you know what? Go ahead,

1103
01:13:00.760 --> 01:13:01.800
<v Speaker 1>do it anyway, we'll.

1104
01:13:05.680 --> 01:13:09.880
<v Speaker 2>Nice hat. That's a real cadane.

1105
01:13:12.039 --> 01:13:14.760
<v Speaker 4>The best part about these voice swaps is that hearing

1106
01:13:15.279 --> 01:13:17.319
<v Speaker 4>I reckon you a grade too, christ is hearing each

1107
01:13:17.560 --> 01:13:20.560
<v Speaker 4>voice actor take the line, but do it as the

1108
01:13:20.720 --> 01:13:21.479
<v Speaker 4>character they put you.

1109
01:13:22.840 --> 01:13:27.159
<v Speaker 2>Yeah, oh yeah, yeah, yeah, well and well, I mean

1110
01:13:27.239 --> 01:13:32.239
<v Speaker 2>you know as well as I. When when you've got

1111
01:13:32.319 --> 01:13:36.399
<v Speaker 2>a character that is a part of you, it's in you.

1112
01:13:36.520 --> 01:13:40.239
<v Speaker 2>You've done it for years, it's just they live in you,

1113
01:13:40.920 --> 01:13:49.159
<v Speaker 2>and and so you're delivering any lines in character, you

1114
01:13:49.239 --> 01:13:51.359
<v Speaker 2>don't even know what you're gonna do or what you're

1115
01:13:51.399 --> 01:13:54.000
<v Speaker 2>gonna say. The just let the character do it. The

1116
01:13:54.119 --> 01:13:56.840
<v Speaker 2>character just comes out of you, right, you know, thinking.

1117
01:13:56.680 --> 01:14:00.920
<v Speaker 1>That's true, Planet, I always stay instincts are the best.

1118
01:14:01.000 --> 01:14:02.319
<v Speaker 2>Thanks, Yeah, exactly.

1119
01:14:03.319 --> 01:14:05.359
<v Speaker 3>Think I was going to request a voice from you.

1120
01:14:05.439 --> 01:14:07.840
<v Speaker 3>It's not necessarily a character voice, but when I was

1121
01:14:07.920 --> 01:14:10.239
<v Speaker 3>doing my research on you and I heard the voice,

1122
01:14:10.840 --> 01:14:15.079
<v Speaker 3>it like just instantly rocket me to childhood. It was

1123
01:14:15.199 --> 01:14:17.359
<v Speaker 3>the tram operator from Disneyland.

1124
01:14:17.399 --> 01:14:18.279
<v Speaker 2>Oh yeah, yeah, yeah.

1125
01:14:18.520 --> 01:14:20.119
<v Speaker 3>When you first get on, I have Oh.

1126
01:14:20.119 --> 01:14:23.960
<v Speaker 2>It's my nine hundred. Here, that'll be a little bit better, Mike. Oh,

1127
01:14:24.039 --> 01:14:27.840
<v Speaker 2>though it should be on the giffel. Oh yeah, that'll

1128
01:14:27.880 --> 01:14:29.840
<v Speaker 2>be the nine hundred.

1129
01:14:30.159 --> 01:14:33.039
<v Speaker 1>He's gonna get the nine. He's busting out his welcome.

1130
01:14:33.520 --> 01:14:36.840
<v Speaker 1>That's a giffel. Yeah, here we go. I feel like

1131
01:14:36.880 --> 01:14:39.319
<v Speaker 1>I'm a Disney just that word welcome.

1132
01:14:39.520 --> 01:14:43.760
<v Speaker 2>Yes, I feel like I'm Yes. Please keep your hands, arms, feet,

1133
01:14:43.800 --> 01:14:47.279
<v Speaker 2>and legs inside while the tram is moving, and no

1134
01:14:47.479 --> 01:14:51.039
<v Speaker 2>smoking please. You're about to embark on a journey, on

1135
01:14:51.159 --> 01:14:56.159
<v Speaker 2>a whatever a mile journey, you know, to the Magic

1136
01:14:56.239 --> 01:15:01.479
<v Speaker 2>Kingdom of Disneyland and Disney's California Adventures Park. Please watch

1137
01:15:01.520 --> 01:15:05.159
<v Speaker 2>your step as you're board, and take your and take

1138
01:15:05.239 --> 01:15:06.600
<v Speaker 2>small children by the hand.

1139
01:15:07.720 --> 01:15:07.920
<v Speaker 3>You know.

1140
01:15:09.960 --> 01:15:12.600
<v Speaker 4>Wasn't it something about no sitting on laps or something.

1141
01:15:12.920 --> 01:15:15.520
<v Speaker 2>Yeah, there'll be no lap sitting. I have one to

1142
01:15:15.560 --> 01:15:18.680
<v Speaker 2>do tomorrow for for Florida.

1143
01:15:20.640 --> 01:15:22.319
<v Speaker 1>No lap how about lap dancing?

1144
01:15:22.640 --> 01:15:25.960
<v Speaker 2>Yeah? Really? And you know there are these things. They're

1145
01:15:26.000 --> 01:15:30.479
<v Speaker 2>written by by lawyers, yes, and.

1146
01:15:32.039 --> 01:15:33.319
<v Speaker 1>Brought to life by Corey.

1147
01:15:33.720 --> 01:15:39.359
<v Speaker 2>Tell you I am and I do this with old

1148
01:15:39.439 --> 01:15:47.960
<v Speaker 2>pal brian Nevsky imagineering a great guy anyway. And I

1149
01:15:48.119 --> 01:15:52.039
<v Speaker 2>don't know how I'm going to make it sound like English.

1150
01:15:53.159 --> 01:15:53.439
<v Speaker 1>They have.

1151
01:15:54.279 --> 01:15:59.439
<v Speaker 2>It's the most convoluted legally kinds of things about please

1152
01:16:00.319 --> 01:16:03.119
<v Speaker 2>please do this, and do not You will be subject

1153
01:16:03.199 --> 01:16:07.760
<v Speaker 2>to a security checkpoint, you know, and.

1154
01:16:08.840 --> 01:16:09.720
<v Speaker 1>We're watching you.

1155
01:16:10.279 --> 01:16:14.960
<v Speaker 2>If you if an object, if an object, no, it

1156
01:16:15.159 --> 01:16:18.279
<v Speaker 2>used to be if an object should fall, if an

1157
01:16:18.279 --> 01:16:24.239
<v Speaker 2>object falls during your whatever, it's like, please wait until

1158
01:16:24.359 --> 01:16:27.760
<v Speaker 2>the end. And I don't know, but until we out,

1159
01:16:29.319 --> 01:16:32.880
<v Speaker 2>push in on the push up on the handle, and

1160
01:16:33.119 --> 01:16:35.279
<v Speaker 2>push out on the door.

1161
01:16:35.720 --> 01:16:39.279
<v Speaker 1>Leaning over, giving special care to kiss your ass.

1162
01:16:39.960 --> 01:16:44.000
<v Speaker 2>Yeah, I say, it doesn't make any sense. But you know,

1163
01:16:44.600 --> 01:16:47.399
<v Speaker 2>you just got to put that big smile, big warm

1164
01:16:47.560 --> 01:16:54.079
<v Speaker 2>smile on and and and believe convince myself that this

1165
01:16:54.319 --> 01:16:54.880
<v Speaker 2>makes sense.

1166
01:16:55.359 --> 01:16:57.479
<v Speaker 1>Yeah yeah, but it doesn't.

1167
01:16:57.560 --> 01:17:00.399
<v Speaker 2>It doesn't make sense, and people tune it out anyway.

1168
01:17:00.560 --> 01:17:03.319
<v Speaker 1>Whenever you do that, we're all sitting back there on

1169
01:17:03.439 --> 01:17:06.680
<v Speaker 1>the tram at Disneyland. We're all I mean, I could

1170
01:17:06.720 --> 01:17:08.319
<v Speaker 1>see Christopher, He's sitting and going, oh.

1171
01:17:08.319 --> 01:17:11.319
<v Speaker 3>Man, I'm losing it because I've been to Disneyland so

1172
01:17:11.439 --> 01:17:14.079
<v Speaker 3>many times in my life, so so, so so many times,

1173
01:17:14.199 --> 01:17:15.880
<v Speaker 3>like since I was like five years old, and it's

1174
01:17:15.880 --> 01:17:18.159
<v Speaker 3>always been your voice, if I'm not mistaken, And that's

1175
01:17:18.199 --> 01:17:22.960
<v Speaker 3>literally like, well will your introduction and your outroduction to

1176
01:17:23.039 --> 01:17:23.520
<v Speaker 3>your day.

1177
01:17:23.359 --> 01:17:26.039
<v Speaker 2>In the park probably has since that's literally.

1178
01:17:25.960 --> 01:17:28.680
<v Speaker 3>Like your voice is like the bookmark of your day

1179
01:17:28.720 --> 01:17:30.760
<v Speaker 3>in the park. And I think that's why. Honestly, that

1180
01:17:30.920 --> 01:17:33.880
<v Speaker 3>voice hit me harder than any voice on this show,

1181
01:17:34.239 --> 01:17:37.439
<v Speaker 3>just because it's literally like the subliminally the first and

1182
01:17:37.560 --> 01:17:39.520
<v Speaker 3>last voice you hear when you go to Disneyland.

1183
01:17:39.680 --> 01:17:41.279
<v Speaker 2>Well that's and I.

1184
01:17:41.319 --> 01:17:42.960
<v Speaker 3>Didn't even think about it until I was doing the

1185
01:17:43.000 --> 01:17:45.039
<v Speaker 3>research that like, oh yeah, of course they have to

1186
01:17:45.119 --> 01:17:47.399
<v Speaker 3>hire a voice actor to do that voice. It's just

1187
01:17:47.520 --> 01:17:49.239
<v Speaker 3>like something you don't even think about.

1188
01:17:49.279 --> 01:17:55.039
<v Speaker 2>Really announcing, which is a whole different kind of character.

1189
01:17:56.279 --> 01:18:00.640
<v Speaker 2>Voice is not it's because it's not really acting. Yeah. True,

1190
01:18:02.239 --> 01:18:05.000
<v Speaker 2>there's announcing and then there's a narration, which is sort

1191
01:18:05.039 --> 01:18:11.520
<v Speaker 2>of halfway between acting and announcing because it's a structured

1192
01:18:12.840 --> 01:18:18.399
<v Speaker 2>type of of acting performance. But but announcing is musical.

1193
01:18:19.439 --> 01:18:23.680
<v Speaker 2>It's a song Ladies and gentlemen, boys and girls, Welcome

1194
01:18:24.079 --> 01:18:28.319
<v Speaker 2>to Disneyland us A. But you know, and I grew

1195
01:18:28.399 --> 01:18:33.000
<v Speaker 2>up idolizing them. Well, I mean, what really made me

1196
01:18:33.039 --> 01:18:36.640
<v Speaker 2>want to be? Yes, that's beautiful.

1197
01:18:37.680 --> 01:18:38.199
<v Speaker 1>I love that.

1198
01:18:40.039 --> 01:18:43.640
<v Speaker 2>I love you know, I love don't let us do

1199
01:18:43.880 --> 01:18:49.159
<v Speaker 2>them get so pissed off. I was so so annoyed

1200
01:18:49.199 --> 01:18:55.000
<v Speaker 2>at the sound designer on well, I won't say the

1201
01:18:55.520 --> 01:18:59.000
<v Speaker 2>particular film that people can figure it out where I

1202
01:18:59.119 --> 01:19:04.600
<v Speaker 2>had to do the a wind god and they gave

1203
01:19:04.680 --> 01:19:07.680
<v Speaker 2>me a hand mic and so I blew into the

1204
01:19:07.760 --> 01:19:17.720
<v Speaker 2>microphone and delivery line and I heard the play back

1205
01:19:17.720 --> 01:19:24.600
<v Speaker 2>and that's pretty damn cool. Yeah, damn cool, And that's

1206
01:19:25.880 --> 01:19:28.239
<v Speaker 2>of course. And then he said, not just.

1207
01:19:28.399 --> 01:19:30.840
<v Speaker 1>Just just justne project by any chance?

1208
01:19:31.159 --> 01:19:35.000
<v Speaker 2>Yeah, I said, you know, said, why did you just

1209
01:19:35.079 --> 01:19:38.359
<v Speaker 2>do it straight? And then of course they did something

1210
01:19:38.479 --> 01:19:42.840
<v Speaker 2>digital to it and it just sounded boring.

1211
01:19:43.640 --> 01:19:44.199
<v Speaker 1>Well there you go.

1212
01:19:44.359 --> 01:19:46.800
<v Speaker 2>But you know, and I'm always doing that too. It's

1213
01:19:46.840 --> 01:19:50.079
<v Speaker 2>like like like yeah, you know, you know, he falls,

1214
01:19:50.319 --> 01:19:55.520
<v Speaker 2>he falls down a well and it's like, oh, hold on, okay,

1215
01:19:56.039 --> 01:20:01.720
<v Speaker 2>I'm down the well. Now that's funny. Yeah, that's funny,

1216
01:20:02.079 --> 01:20:07.920
<v Speaker 2>or or or you know, uh, you're you're attacked by

1217
01:20:07.960 --> 01:20:13.760
<v Speaker 2>an alien sentient mushroom that's stuck to your face. Again,

1218
01:20:13.840 --> 01:20:16.880
<v Speaker 2>then you do this, Okay, now could you just do

1219
01:20:17.000 --> 01:20:19.399
<v Speaker 2>it straight? And we'll do and you know, and then

1220
01:20:19.439 --> 01:20:22.479
<v Speaker 2>they so they equ it and they yeah, that's a

1221
01:20:22.600 --> 01:20:28.600
<v Speaker 2>digital filter and it's lame. It's lame. Now it's funny,

1222
01:20:29.239 --> 01:20:32.119
<v Speaker 2>it doesn't have character to it. You gotta do it acoustic.

1223
01:20:33.000 --> 01:20:35.680
<v Speaker 2>Do you remember on Rescue Rangers when we had the

1224
01:20:35.720 --> 01:20:38.000
<v Speaker 2>great Jimmy McDonald, Oh.

1225
01:20:38.039 --> 01:20:40.279
<v Speaker 1>Thank you. I was just trying to I was trying

1226
01:20:40.279 --> 01:20:42.319
<v Speaker 1>to get in there and tell him about that guy. Yeah,

1227
01:20:42.840 --> 01:20:45.399
<v Speaker 1>and what kind of did he was doing. He had

1228
01:20:45.479 --> 01:20:47.840
<v Speaker 1>one end for the wolf and one end for the bear.

1229
01:20:48.159 --> 01:20:52.800
<v Speaker 2>That was his hurricane Hurricane lamp. Yeah, so he was

1230
01:20:52.880 --> 01:20:57.199
<v Speaker 2>doing the bear, Humphrey the bear and he yeah, and

1231
01:20:57.279 --> 01:21:01.039
<v Speaker 2>he pulled out this old you know, chimney from from

1232
01:21:01.119 --> 01:21:02.760
<v Speaker 2>a from.

1233
01:21:02.600 --> 01:21:06.680
<v Speaker 1>A like a real you know l yeah with flame

1234
01:21:06.760 --> 01:21:06.920
<v Speaker 1>in it.

1235
01:21:07.079 --> 01:21:09.239
<v Speaker 2>Yeah yeah, yeah, yeah, and so and it was just

1236
01:21:09.319 --> 01:21:12.319
<v Speaker 2>the glass part and so it's you know that sexy

1237
01:21:12.720 --> 01:21:18.600
<v Speaker 2>shape whatever, you know what they look like Coca cola

1238
01:21:19.520 --> 01:21:22.720
<v Speaker 2>trust what they call it. Yeah yeah, but but you

1239
01:21:22.800 --> 01:21:27.479
<v Speaker 2>know it's that curvacious thing anyway, yeah yeah, yeah, but

1240
01:21:27.560 --> 01:21:28.680
<v Speaker 2>it's not exactly. It was.

1241
01:21:30.720 --> 01:21:36.119
<v Speaker 1>A land like in every Prospector movie cover Prospected movie

1242
01:21:36.159 --> 01:21:36.680
<v Speaker 1>you've ever seen.

1243
01:21:37.199 --> 01:21:42.039
<v Speaker 2>Right, it's but it's sort of a bulb at the bottom.

1244
01:21:42.359 --> 01:21:49.720
<v Speaker 2>So it gives it unique well bear muzzle properties because

1245
01:21:49.760 --> 01:21:52.239
<v Speaker 2>of the shape of it, the acoustics of it, and

1246
01:21:52.399 --> 01:21:56.000
<v Speaker 2>so he would just go, you know, in one end

1247
01:21:56.079 --> 01:21:59.159
<v Speaker 2>of it, it sounds like a bear and even just

1248
01:22:03.000 --> 01:22:07.560
<v Speaker 2>and uh and then the other end becomes a wolf

1249
01:22:07.880 --> 01:22:12.600
<v Speaker 2>because I guess right, because it mimics the shape of

1250
01:22:12.720 --> 01:22:16.199
<v Speaker 2>the muzzle. And I just love that stuff because it's acoustics.

1251
01:22:16.399 --> 01:22:23.520
<v Speaker 2>And but it's organic and you know, I mean, yes,

1252
01:22:24.319 --> 01:22:30.000
<v Speaker 2>wizardry with with digital effects, I respect that, but when

1253
01:22:30.039 --> 01:22:32.600
<v Speaker 2>you when you're just doing something organic, and especially if

1254
01:22:32.600 --> 01:22:37.399
<v Speaker 2>it's for comedy, just pick up something that sounds funny

1255
01:22:38.199 --> 01:22:39.199
<v Speaker 2>and does the job.

1256
01:22:40.119 --> 01:22:42.680
<v Speaker 4>You know, do you think modern day voice actors are

1257
01:22:42.680 --> 01:22:45.840
<v Speaker 4>afraid to be that creative because you know, they don't

1258
01:22:45.880 --> 01:22:46.079
<v Speaker 4>let you.

1259
01:22:46.479 --> 01:22:49.880
<v Speaker 2>They don't let you. It could be that case because

1260
01:22:49.960 --> 01:22:54.199
<v Speaker 2>the sound editors, now you do you do the voices,

1261
01:22:54.399 --> 01:22:56.479
<v Speaker 2>We'll do the sound effects, thank you very much.

1262
01:22:58.119 --> 01:22:59.840
<v Speaker 1>Okay, Yeah, well we don't know.

1263
01:23:00.319 --> 01:23:03.960
<v Speaker 2>And yet some of the characters we do are sound effects,

1264
01:23:04.039 --> 01:23:07.359
<v Speaker 2>like like I did Zipper the Fly, Yeah, how do

1265
01:23:07.439 --> 01:23:09.039
<v Speaker 2>you do fly?

1266
01:23:09.800 --> 01:23:10.000
<v Speaker 1>Yeah?

1267
01:23:10.159 --> 01:23:16.479
<v Speaker 2>He's just buzzes and how can I buzz funny? And

1268
01:23:16.560 --> 01:23:18.920
<v Speaker 2>it's got to be kind of screechy. And then because

1269
01:23:18.920 --> 01:23:25.520
<v Speaker 2>I've got that, I've got that that resonance call upon

1270
01:23:25.840 --> 01:23:28.640
<v Speaker 2>and so I just and then I decided to give

1271
01:23:28.680 --> 01:23:33.439
<v Speaker 2>it a bunch of spittle and you know, all these

1272
01:23:33.560 --> 01:23:37.319
<v Speaker 2>farty things, and then it's sped up with the Chip

1273
01:23:37.479 --> 01:23:40.000
<v Speaker 2>and Dale voice and it came out very funny. And

1274
01:23:40.119 --> 01:23:46.880
<v Speaker 2>then and then in the last season to have legible dialogue,

1275
01:23:46.880 --> 01:23:48.079
<v Speaker 2>and I was not happy.

1276
01:23:50.359 --> 01:23:57.039
<v Speaker 1>I hate legible dialogue, you know, when it's just this

1277
01:23:57.239 --> 01:23:59.640
<v Speaker 1>kind of well, I have good news, that wasn't It's

1278
01:23:59.720 --> 01:24:02.880
<v Speaker 1>like like Tasmanian devil, I know, so I had.

1279
01:24:03.600 --> 01:24:12.720
<v Speaker 2>Had to say in that horrible texture. Then sped up.

1280
01:24:13.279 --> 01:24:14.279
<v Speaker 1>I love the simpsence.

1281
01:24:14.359 --> 01:24:20.319
<v Speaker 2>That was harge right, yeah, really kidding, And I just

1282
01:24:20.399 --> 01:24:23.520
<v Speaker 2>thought it was lame. I just I just yeah, like

1283
01:24:23.720 --> 01:24:27.880
<v Speaker 2>Tasmanian Devil. Do they make you say words as TAZ

1284
01:24:28.439 --> 01:24:28.880
<v Speaker 2>very few?

1285
01:24:29.119 --> 01:24:29.319
<v Speaker 1>Yeah?

1286
01:24:29.800 --> 01:24:33.560
<v Speaker 2>Yeah, because the test doesn't talk about no, because the words,

1287
01:24:34.920 --> 01:24:38.560
<v Speaker 2>it's the dialogue exactly. It's got to have all of

1288
01:24:38.640 --> 01:24:43.840
<v Speaker 2>that gotten glutton, all that roaring and spittle and yeah

1289
01:24:43.960 --> 01:24:50.359
<v Speaker 2>and plosives and it's funny and stuff like that, and

1290
01:24:50.720 --> 01:24:55.039
<v Speaker 2>the audience. Here's a secret of voice acting that DAWs

1291
01:24:55.119 --> 01:24:59.880
<v Speaker 2>Butler taught us as radio actors. He said, you know,

1292
01:25:00.319 --> 01:25:06.279
<v Speaker 2>and directors hate it. But he said, you know, good acting,

1293
01:25:07.159 --> 01:25:13.000
<v Speaker 2>good dialogue, well written dialogue. You don't have to you

1294
01:25:13.079 --> 01:25:16.119
<v Speaker 2>don't have to sound out every word. You know it's there,

1295
01:25:16.880 --> 01:25:20.960
<v Speaker 2>and when the audience fills it in in their imagination,

1296
01:25:21.479 --> 01:25:25.760
<v Speaker 2>sure it's more powerful. And he would say, he would say, like, like,

1297
01:25:25.880 --> 01:25:28.880
<v Speaker 2>you know, in a very tender romantic scene, you don't

1298
01:25:28.920 --> 01:25:33.840
<v Speaker 2>say I love you, you know, if you're really.

1299
01:25:33.960 --> 01:25:36.920
<v Speaker 1>Really you do. If you're in special classes, yeah no, if.

1300
01:25:36.840 --> 01:25:45.399
<v Speaker 2>You're really in a state of head over heels infatuation,

1301
01:25:45.640 --> 01:25:52.560
<v Speaker 2>you know, I love view. Okay, the audience here's the

1302
01:25:52.600 --> 01:25:55.279
<v Speaker 2>word love. You don't have to say it. If you

1303
01:25:55.399 --> 01:25:58.359
<v Speaker 2>do that in an average animation session, say oh, you

1304
01:25:58.479 --> 01:26:01.800
<v Speaker 2>didn't say the word love. Your voice cracked or something

1305
01:26:02.039 --> 01:26:02.840
<v Speaker 2>I couldn't hear it.

1306
01:26:06.560 --> 01:26:06.800
<v Speaker 1>Was there.

1307
01:26:07.039 --> 01:26:09.880
<v Speaker 2>That pisces me off. It's like the audience will they

1308
01:26:10.000 --> 01:26:13.119
<v Speaker 2>know it's there, they'll hear it and it'll be much

1309
01:26:13.199 --> 01:26:13.880
<v Speaker 2>more powerful.

1310
01:26:13.960 --> 01:26:19.479
<v Speaker 1>But whatever, sure, whatever, is there anything that's tickling your

1311
01:26:19.520 --> 01:26:22.840
<v Speaker 1>fancy right now that you're working on that I just did.

1312
01:26:23.479 --> 01:26:27.920
<v Speaker 17>It was originally written as as a screenplay, I guess,

1313
01:26:28.760 --> 01:26:33.640
<v Speaker 17>a horror comedy screenplay, and the writer producer decided to

1314
01:26:33.840 --> 01:26:35.039
<v Speaker 17>turn it into.

1315
01:26:34.840 --> 01:26:39.520
<v Speaker 2>An audio book and so it's like a radio play.

1316
01:26:40.159 --> 01:26:43.880
<v Speaker 2>It's not produced yet all the way, but I think,

1317
01:26:44.239 --> 01:26:47.079
<v Speaker 2>but I know, we've recorded all the dialogue for it.

1318
01:26:48.439 --> 01:26:50.920
<v Speaker 1>If you're a fan of everything we do here at

1319
01:26:51.000 --> 01:26:53.800
<v Speaker 1>tuned In with Jim Cummings, you could support the show

1320
01:26:53.840 --> 01:26:58.479
<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

1321
01:26:58.560 --> 01:27:02.520
<v Speaker 1>in ad free access to the show itself, prize drawings,

1322
01:27:02.640 --> 01:27:05.680
<v Speaker 1>and more. You'll feel the difference, so go ahead and

1323
01:27:05.840 --> 01:27:09.479
<v Speaker 1>join the tuned In family today at Patreon dot com

1324
01:27:09.720 --> 01:27:11.960
<v Speaker 1>slash Jim Cummings podcast.

1325
01:27:12.399 --> 01:27:17.920
<v Speaker 2>Do it Now So he's just doing this independently, and

1326
01:27:18.039 --> 01:27:21.640
<v Speaker 2>because you know, you try to do something like this

1327
01:27:21.880 --> 01:27:26.119
<v Speaker 2>an audiobook production, and the creators never make any money,

1328
01:27:26.399 --> 01:27:31.039
<v Speaker 2>you know. So he wanted to do a deal where people,

1329
01:27:31.199 --> 01:27:35.479
<v Speaker 2>especially with a social media profile which I don't have,

1330
01:27:36.359 --> 01:27:40.119
<v Speaker 2>would co own it so they would make profits from

1331
01:27:40.239 --> 01:27:46.720
<v Speaker 2>sales and they promoted on their now Facebook, Instagram whatever. Yeah,

1332
01:27:46.920 --> 01:27:49.800
<v Speaker 2>and that's great, but I don't have that, I said,

1333
01:27:50.079 --> 01:27:53.439
<v Speaker 2>I don't care. I don't care what it pays. I

1334
01:27:53.600 --> 01:27:57.920
<v Speaker 2>just I saw the script and the narration. It's like,

1335
01:27:58.640 --> 01:28:02.520
<v Speaker 2>oh my god, it's comed horror. And so it's a

1336
01:28:02.640 --> 01:28:06.199
<v Speaker 2>it's a full length radio play. And I don't know

1337
01:28:06.239 --> 01:28:10.000
<v Speaker 2>if you've ever heard the old radio series The Whistler.

1338
01:28:12.079 --> 01:28:16.399
<v Speaker 2>The Whistler was narrated most of the episodes and went

1339
01:28:16.479 --> 01:28:21.560
<v Speaker 2>on for like ten years or more maybe by an

1340
01:28:21.560 --> 01:28:27.840
<v Speaker 2>actor named Bill Foreman. And and it was it was

1341
01:28:28.039 --> 01:28:32.119
<v Speaker 2>kind of like it was kind of like The Shadow,

1342
01:28:33.600 --> 01:28:37.560
<v Speaker 2>but but the Whistler was strictly but it whistled. But

1343
01:28:37.760 --> 01:28:41.079
<v Speaker 2>he was very engaging and snarky. Know that the theme

1344
01:28:41.319 --> 01:28:45.000
<v Speaker 2>from The Whistler, it's the most haunting theme and it's whistled.

1345
01:28:46.319 --> 01:28:48.239
<v Speaker 2>Let's say, let's see I can't whistle.

1346
01:28:47.960 --> 01:28:48.039
<v Speaker 17>But.

1347
01:28:52.159 --> 01:28:56.520
<v Speaker 1>Stop it. It's too haunting. Oh great, now I'm gonna

1348
01:28:56.520 --> 01:28:57.399
<v Speaker 1>be haunted all night.

1349
01:29:00.720 --> 01:29:03.159
<v Speaker 2>I don't know if you could hear the notes in that. Yeah,

1350
01:29:04.319 --> 01:29:06.279
<v Speaker 2>you know you know that theme. You've heard it before,

1351
01:29:06.359 --> 01:29:11.520
<v Speaker 2>I'm sure. Yeah. The Whistler, well it's on YouTube. You

1352
01:29:11.600 --> 01:29:15.640
<v Speaker 2>can hear Old Whistler shows. They're really good. But anyway,

1353
01:29:15.760 --> 01:29:18.119
<v Speaker 2>with the but I liked the picture of his mind.

1354
01:29:18.159 --> 01:29:21.000
<v Speaker 2>But I saw yeah, but I saw this thing, and

1355
01:29:21.079 --> 01:29:25.159
<v Speaker 2>I saw this narration. It's like, it's not exactly the same,

1356
01:29:26.039 --> 01:29:30.720
<v Speaker 2>but that should be the voice of Bill Foreman. So

1357
01:29:30.800 --> 01:29:34.039
<v Speaker 2>I did my version of of Bill Foreman. You know,

1358
01:29:34.439 --> 01:29:37.920
<v Speaker 2>I am the Whistler, and I know many things where

1359
01:29:37.920 --> 01:29:41.760
<v Speaker 2>I walk by night. I know many strange tales from

1360
01:29:41.800 --> 01:29:45.199
<v Speaker 2>men and women who have slipped into the shadows. Yes,

1361
01:29:45.720 --> 01:29:50.199
<v Speaker 2>I know the nameless terrors of which they dare not speak.

1362
01:29:51.800 --> 01:29:54.920
<v Speaker 2>And then Marvin Miller would going on tonight, that's.

1363
01:29:54.760 --> 01:29:58.680
<v Speaker 1>Pretty good night episode, you know, Yeah, I love that

1364
01:29:58.800 --> 01:29:59.279
<v Speaker 1>old stuff.

1365
01:29:59.319 --> 01:30:02.319
<v Speaker 2>But it was so good, And then and then he

1366
01:30:02.319 --> 01:30:05.920
<v Speaker 2>would say say, you didn't mean to kill your wife,

1367
01:30:06.000 --> 01:30:12.039
<v Speaker 2>did you, Bill? But you did? Yes? Yes, Now what'll

1368
01:30:12.119 --> 01:30:12.279
<v Speaker 2>you do?

1369
01:30:12.960 --> 01:30:13.199
<v Speaker 1>Run?

1370
01:30:13.760 --> 01:30:17.479
<v Speaker 2>Run? That's what? But no, they'll catch you, won't they

1371
01:30:18.520 --> 01:30:21.840
<v Speaker 2>So you stop into the bar down the street and

1372
01:30:22.239 --> 01:30:25.960
<v Speaker 2>and whatever, you know, it goes on and not sure whatever,

1373
01:30:26.079 --> 01:30:30.279
<v Speaker 2>he just memors the tale of these people who who

1374
01:30:30.439 --> 01:30:35.479
<v Speaker 2>did wrong and and the are trying to weasel out

1375
01:30:35.520 --> 01:30:39.920
<v Speaker 2>of the consequences. Mostly there you go or whatever.

1376
01:30:40.039 --> 01:30:44.880
<v Speaker 1>Like me, they're goody, thank you so much for this.

1377
01:30:45.039 --> 01:30:47.119
<v Speaker 2>Oh my god, oh my god. Can we do this

1378
01:30:47.239 --> 01:30:47.640
<v Speaker 2>every day?

1379
01:30:47.800 --> 01:30:48.239
<v Speaker 4>So cool?

1380
01:30:50.520 --> 01:30:55.840
<v Speaker 1>Well, sure, okay, so I'll see you tomorrow. No, yeah,

1381
01:30:56.159 --> 01:31:00.479
<v Speaker 1>I yeah, good stuffs. Now have we touched on anything?

1382
01:31:00.840 --> 01:31:03.159
<v Speaker 1>You're not You're gonna You're not gonna necessarily go to

1383
01:31:03.239 --> 01:31:04.319
<v Speaker 1>a can that we can see you.

1384
01:31:04.960 --> 01:31:10.359
<v Speaker 2>No, No, I mean that's virtually. But I mean it's

1385
01:31:10.399 --> 01:31:13.439
<v Speaker 2>funny the last time. I mean, I do, I do

1386
01:31:13.840 --> 01:31:18.880
<v Speaker 2>occasional D twenty three s, but I just I can't.

1387
01:31:20.000 --> 01:31:25.319
<v Speaker 2>And I'm sorry for for fans because I sincerely appreciate

1388
01:31:26.600 --> 01:31:33.399
<v Speaker 2>you know, the uh there, the fans appreciation of what

1389
01:31:33.560 --> 01:31:38.840
<v Speaker 2>we do. But but it's bless it's it's so stressful

1390
01:31:38.920 --> 01:31:43.319
<v Speaker 2>for me because you know, I can only talk to

1391
01:31:44.239 --> 01:31:48.880
<v Speaker 2>one or two people at the same time and give

1392
01:31:48.920 --> 01:31:52.159
<v Speaker 2>them my full attention. Sure, and I know you know

1393
01:31:52.279 --> 01:31:57.439
<v Speaker 2>it means the characters mean so much to people. I

1394
01:31:57.640 --> 01:32:01.399
<v Speaker 2>hate signing autographs. I would rather talk to people. But anyway,

1395
01:32:01.520 --> 01:32:08.279
<v Speaker 2>And and my heart breaks for the people that are

1396
01:32:08.399 --> 01:32:11.239
<v Speaker 2>left behind in line. It's like it's like I've been

1397
01:32:11.319 --> 01:32:15.680
<v Speaker 2>here for three hours and I have to pee and

1398
01:32:16.000 --> 01:32:21.600
<v Speaker 2>my and and my my brain is about to depend.

1399
01:32:22.399 --> 01:32:28.520
<v Speaker 2>Yeah really ah no, No, they're just the stress of

1400
01:32:29.039 --> 01:32:32.399
<v Speaker 2>being in crowded situations and being being the center of attention.

1401
01:32:32.520 --> 01:32:32.680
<v Speaker 3>You know.

1402
01:32:34.199 --> 01:32:38.159
<v Speaker 2>Again, that's that's the autistic thing. Uh. You know, I

1403
01:32:38.239 --> 01:32:41.439
<v Speaker 2>can I can go up on on a stage if

1404
01:32:41.520 --> 01:32:45.079
<v Speaker 2>I have a role to play or whatever, like you know,

1405
01:32:45.760 --> 01:32:50.239
<v Speaker 2>most performances, they they love the blows. The blows, you know,

1406
01:32:51.359 --> 01:32:55.520
<v Speaker 2>it's like the attention from an audience.

1407
01:32:55.720 --> 01:32:57.920
<v Speaker 1>So you don't get into voice over to to have

1408
01:32:58.079 --> 01:32:59.039
<v Speaker 1>everybody staring at you.

1409
01:32:59.319 --> 01:33:01.079
<v Speaker 2>Yeah, I'm just so uncomfortable.

1410
01:33:01.159 --> 01:33:07.680
<v Speaker 18>It's like like, yeah, I gave well paid no attention

1411
01:33:07.880 --> 01:33:12.520
<v Speaker 18>to that man behind the curtain. As I'm the character,

1412
01:33:13.039 --> 01:33:14.800
<v Speaker 18>the great and powerful character.

1413
01:33:15.359 --> 01:33:20.800
<v Speaker 2>I'm not this little nerdy geek from from the San

1414
01:33:20.920 --> 01:33:21.960
<v Speaker 2>Fernando Valley.

1415
01:33:22.680 --> 01:33:27.119
<v Speaker 1>Yeah, right, shall we give them your address to Yeah

1416
01:33:27.199 --> 01:33:27.800
<v Speaker 1>we're just kidding.

1417
01:33:27.880 --> 01:33:28.439
<v Speaker 2>They find it.

1418
01:33:29.720 --> 01:33:32.279
<v Speaker 1>I'm kidding. Yeah, Well, thank you, my friend, but.

1419
01:33:32.800 --> 01:33:35.319
<v Speaker 2>Thank you anyway, but but you know, I'll do D

1420
01:33:35.439 --> 01:33:38.560
<v Speaker 2>twenty three. I love doing panels. Yeah, but then I

1421
01:33:38.960 --> 01:33:42.319
<v Speaker 2>then I have to I have to escape because there

1422
01:33:42.359 --> 01:33:44.520
<v Speaker 2>you go, it's rough on the old boy.

1423
01:33:45.079 --> 01:33:49.079
<v Speaker 1>No you know, yeah, no problem, you're.

1424
01:33:51.039 --> 01:33:56.720
<v Speaker 2>You know, you're neuroses and whatever, piccadillos, whatever get worse

1425
01:33:56.800 --> 01:34:01.119
<v Speaker 2>with age, and it's like, yeah and more and more

1426
01:34:01.399 --> 01:34:07.279
<v Speaker 2>just I usually want to be left alone or or

1427
01:34:07.520 --> 01:34:12.800
<v Speaker 2>at play with with you great folks, you know.

1428
01:34:13.199 --> 01:34:16.680
<v Speaker 3>I mean, this is just like I said, well, we

1429
01:34:16.800 --> 01:34:19.039
<v Speaker 3>really really appreciate you being here. Thank you for we

1430
01:34:19.079 --> 01:34:21.239
<v Speaker 3>got to do it again. Sometimes we've had multiple guests

1431
01:34:21.279 --> 01:34:23.439
<v Speaker 3>on that have come on twice, and you know, it's

1432
01:34:23.479 --> 01:34:25.680
<v Speaker 3>fun to catch up and see and everything like that.

1433
01:34:26.159 --> 01:34:28.920
<v Speaker 2>And I always feel a little guilty. It's like tea,

1434
01:34:29.399 --> 01:34:34.600
<v Speaker 2>you know, I didn't really necessarily accomplish and answer questions

1435
01:34:34.840 --> 01:34:36.920
<v Speaker 2>and shed light on.

1436
01:34:38.520 --> 01:34:41.039
<v Speaker 3>It's all the quality of the conversation. That's that's the goal.

1437
01:34:41.279 --> 01:34:45.039
<v Speaker 2>But you know, the main thing. And pardon me for

1438
01:34:45.239 --> 01:34:48.760
<v Speaker 2>being a little too abuliant. I mean I should shut

1439
01:34:48.880 --> 01:34:52.079
<v Speaker 2>up and listen a little bit more. But I knew

1440
01:34:53.159 --> 01:34:59.760
<v Speaker 2>that it would just be absolutely thrilling and delightful as

1441
01:34:59.840 --> 01:35:02.359
<v Speaker 2>it has been, as it always is well, thanks, just

1442
01:35:02.439 --> 01:35:02.920
<v Speaker 2>hanging out.

1443
01:35:03.000 --> 01:35:05.640
<v Speaker 1>Thanks, I mean, of course, just hang out.

1444
01:35:05.680 --> 01:35:05.880
<v Speaker 2>Yeah.

1445
01:35:06.279 --> 01:35:08.600
<v Speaker 3>And we're not the fans like the most too. This

1446
01:35:08.840 --> 01:35:10.520
<v Speaker 3>is just the like authenticity.

1447
01:35:10.560 --> 01:35:13.720
<v Speaker 2>I mean, this is just us naturally. We we're not

1448
01:35:14.399 --> 01:35:19.479
<v Speaker 2>we're not we're not performing anything is this is this

1449
01:35:19.640 --> 01:35:21.239
<v Speaker 2>is the way we are, you know, when we meet

1450
01:35:21.279 --> 01:35:24.159
<v Speaker 2>in the lobby, this is the way we are there

1451
01:35:24.199 --> 01:35:26.880
<v Speaker 2>we go, this is what we talk about. And and

1452
01:35:27.720 --> 01:35:30.279
<v Speaker 2>I could just go on forever. I just thank you

1453
01:35:31.119 --> 01:35:34.279
<v Speaker 2>and you know, us US wish people, we use the

1454
01:35:34.319 --> 01:35:39.159
<v Speaker 2>British people in the world. There's no no brag, just fact.

1455
01:35:39.279 --> 01:35:40.399
<v Speaker 2>I don't remember who said that.

1456
01:35:41.119 --> 01:35:45.239
<v Speaker 1>Walter Brennan the guns of Wilson, but I could be wrong.

1457
01:35:45.479 --> 01:35:49.000
<v Speaker 1>I'm not anyway, thank you.

1458
01:35:49.399 --> 01:35:54.279
<v Speaker 2>Thank you, thank you, thank you, thank you, my CIOs.

1459
01:35:55.039 --> 01:35:57.319
<v Speaker 3>All right, everybody, that was another episode of Tuned In

1460
01:35:57.399 --> 01:35:59.079
<v Speaker 3>with Jim Cummings. I hope you were paying attention. That

1461
01:35:59.159 --> 01:36:01.880
<v Speaker 3>was a good one. We were joined today by Corey Burton.

1462
01:36:01.920 --> 01:36:03.079
<v Speaker 3>Thank you so much for joining us.

1463
01:36:03.159 --> 01:36:03.399
<v Speaker 2>Corey.

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<v Speaker 3>Thank once again, Brenda Dando as always, thank you, Chris

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01:36:08.439 --> 01:36:10.800
<v Speaker 3>and Jim Cummings. Of course we will see you in

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<v Speaker 3>the next one. Don't forget to like and subscribe. Remember

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<v Speaker 3>you can find this podcast anywhere you listen to podcasts,

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01:36:16.359 --> 01:36:19.760
<v Speaker 3>and of course there's bonus content on Patreon, which has

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<v Speaker 3>a lot more coming up. We have Andy Serkis coming up.

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<v Speaker 3>We have a whole bunch of great guests coming up

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<v Speaker 3>for you, so stay tuned and we will see you

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<v Speaker 3>in the next one. Thanks again, thank you,