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<v Speaker 1>Rain bat at the windows of the main reading room

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<v Speaker 1>with a persistence that suited my project. If I'd been

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<v Speaker 1>hoping for distractions, there were none to be at the

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<v Speaker 1>SAUGI Wednesday morning. The old library, built of locally quarried granite,

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<v Speaker 1>a serious face to a mostly gentle city, always felt

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<v Speaker 1>a touched sepulchal on wet days. But that suited me too.

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<v Speaker 1>Past the arch double doors and through the echoing lobby,

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<v Speaker 1>the main room was nearly empty but for a mess

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<v Speaker 1>chen at the desk and a nodding regular with headphones.

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<v Speaker 1>I had arrived armed with note carroads, a well shoppen pencil,

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<v Speaker 1>and that familiar blend of anticipation and routine satisfaction. Preparing,

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<v Speaker 1>as I told a mess chen on my way in

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<v Speaker 1>for in a coming talk at this historical society, she

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<v Speaker 1>smiled and ducked into the stacks, soon emerging with the

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<v Speaker 1>Tamiwan City Directory from nineteen thirty four, its spine patched

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<v Speaker 1>with tape. Start here herriot, she said, the corners of

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<v Speaker 1>her mouth, working all our ghosts in one place. I

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<v Speaker 1>settled in at a long oak table several feet to

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<v Speaker 1>myself a luxury, and started flipping through block by block

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<v Speaker 1>accounts of a city just john enough in those days

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<v Speaker 1>to brag about its telephone numbers. Task find a few

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<v Speaker 1>overlooked landmarks, maybe a vanished hardware store or the first

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<v Speaker 1>candy factory. To sprinkle into my talk. The challenge was

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<v Speaker 1>more pleasure than work. After nearly forty years teaching at

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<v Speaker 1>Williston Middle, I had a taste for tracing thirds others

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<v Speaker 1>had lost or snipped. I was half way through the

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<v Speaker 1>MS when I noticed an entry in bowld Tight spanning

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<v Speaker 1>nearly half a page. Monach Hotel Seesaid Grandeur, known for

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<v Speaker 1>its elevated ball room and rooft up gardens s nineteen

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<v Speaker 1>fifteen manager Felix Lawton, Chef Henry de Lacourt, address one

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<v Speaker 1>hundred forty three Southcroft Ave. I looked down at the

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<v Speaker 1>details the reception hours, cocktailane staff list. That address nodded

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<v Speaker 1>my brow. One hundred forty three Southcraft was now a

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<v Speaker 1>battered concrete lot with a fully sign and when blown

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<v Speaker 1>WP as a spot I passed every morning on my

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<v Speaker 1>way to George's bakery. I'd lived in the city since

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<v Speaker 1>the late seventies, and my mother before me toward its

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<v Speaker 1>history led students on field trips watched Stalin Commerce come

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<v Speaker 1>and go. Yet I had no memory, and had never

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<v Speaker 1>heard so much as a rumor of a monic hotel

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<v Speaker 1>at that address, or any hotel grander than the westport In.

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<v Speaker 1>I checked again. There it was. I ran a finger

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<v Speaker 1>beneath each line, waiting to feel sheepish with espotted. Some

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<v Speaker 1>clear that this was a typographical error, misplaced listing or remnant,

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<v Speaker 1>confused with another building, But there were no such hints. Detail,

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<v Speaker 1>stacked names, dates, architectural superlatus, laid with a loving specificity

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<v Speaker 1>I would have envied in my students. A prickly unease

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<v Speaker 1>began to worm through my morning's satisfaction. Not fear, not

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<v Speaker 1>even suspicion quite, but rather a deep bristling perplexity. I

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<v Speaker 1>must have misread it, or may be the monarch was

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<v Speaker 1>before my time, and demolished quietly, and remarked stale selfcroft

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<v Speaker 1>hadn't changed much in eighty years. The spot had been

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<v Speaker 1>vacant as long as any one remembered. I penciled the

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<v Speaker 1>entry onto a note coud with a small question marked

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<v Speaker 1>beside it, made a note on the BAP to ask

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<v Speaker 1>mister Gourd, and continued on with my research trying to

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<v Speaker 1>refocus my attention on forgotten cobbles and civic fountains. For

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<v Speaker 1>a few minutes I managed, but the monarchotel flickered at

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<v Speaker 1>the edges of every thought surfacing even as I tried

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<v Speaker 1>to read about lamp light of routes and trolley lines.

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<v Speaker 1>I flipped back to the original entry twice more before

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<v Speaker 1>closing the directory's lower, this time taking in the head

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<v Speaker 1>after the book and the feel of its battered cloth cover.

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<v Speaker 1>My curiosity, once gentle sharpened into a more demanding instrument,

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<v Speaker 1>I told myself I'd sort it out later, perhaps with

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<v Speaker 1>help from another pair of eyes. I am Harriet Marshat

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<v Speaker 1>had now. Though teaching never really leaves you bones, however

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<v Speaker 1>many farewell cakes and folder cards you were given. I

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<v Speaker 1>spend almost four decades guiding students through the city's histories

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<v Speaker 1>and the absurdities of English grammar, the last twenty seven

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<v Speaker 1>in a rusber classroom two blocks from the boat. Some

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<v Speaker 1>years back, I began giving little talks to the Willison

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<v Speaker 1>Historical Society, a group with a temperament, I say this

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<v Speaker 1>affictionately halfway between a book club and a confessional. We're

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<v Speaker 1>a dozen older folks, a few newcomers, several with life

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<v Speaker 1>on roots and stories to match our sessions run along

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<v Speaker 1>everyone in terrupts. My talk next Thursday would be about

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<v Speaker 1>vanished local landmarks, places that once o loomed large, now

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<v Speaker 1>paved over or reduced a bronze plaque. I'd started assembling

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<v Speaker 1>notes from city archives, college collections, and the libraries deep files.

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<v Speaker 1>Most of my mornings began with the walk along Front Street,

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<v Speaker 1>past to Biggery, through the drizzle, always downward of the

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<v Speaker 1>briny wharves, and wound up with in the reading room.

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<v Speaker 1>Among the slow parade of regulars. There was masss Rider

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<v Speaker 1>Gray and quok Eyde, always scrippling charts for her genealogical puzzles,

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<v Speaker 1>two art students who haunted the east window, sketching architectural

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<v Speaker 1>flourishes for their portfolios, and most appendably, mister Good. Mister

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<v Speaker 1>Good was neither affiliated with the society nor especially humble

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<v Speaker 1>about his credentials. He wrote letters to the local paper

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<v Speaker 1>correcting city monument dates, and had once given me a

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<v Speaker 1>pamphet and the true boundaries of old Dutch Williston. We

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<v Speaker 1>traded findings, sometimes cordially contradictory, always with a mutual understanding

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<v Speaker 1>that history in this town was both a communal pastime

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<v Speaker 1>and a perpetual point of debate. Ames Chen meanwhile, ran

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<v Speaker 1>the library with measured efficiency, a woman a few words

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<v Speaker 1>and sharp memory, whose gift was never losing track of books,

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<v Speaker 1>facts of visitors once she'd learned your name. These little

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<v Speaker 1>rituals rooted by days, the library smell of old pages,

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<v Speaker 1>masss riders raised ibro whenever I ran a fowl of

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<v Speaker 1>genealogical evidence, the students' sidelong glances when I corrected them

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<v Speaker 1>with a century old anecdote. Williston, like any city, was

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<v Speaker 1>less agreed of streets than a sediment of memory. Bakeries

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<v Speaker 1>He could taste as a child, juries whose timetables dictated

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<v Speaker 1>summer afternoons, shops whose windows still echoed with the laughter

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<v Speaker 1>of friends long gone. Our facts were an invention of consensus,

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<v Speaker 1>held together by years of retelling. But there were rules,

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<v Speaker 1>double check everything, triangulate facts, but were hasty theories. This

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<v Speaker 1>was my world, tidy, testable, consistent, which is why, when

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<v Speaker 1>I finished my survey and romise through the thick directory

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<v Speaker 1>a second time, the impossible hotel refused to slot into

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<v Speaker 1>any familiar category. Not a race by time, but apparently unmade,

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<v Speaker 1>not a whisper in the city's oral histories, and yet

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<v Speaker 1>here it was, in black ink on yellow paper. Its

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<v Speaker 1>ballroom holding parties i'd never heard, described, its chef preparing

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<v Speaker 1>banquets for committee I could not recall. After half an

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<v Speaker 1>hour of searching, I snapped the directory shut suddenly, impatient

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<v Speaker 1>time to test my instincts, beginning as always with the

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<v Speaker 1>ones I trusted, memory, experience and the opinions of fellow

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<v Speaker 1>devotees of city history. With my question cards still in hand,

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<v Speaker 1>I approached him as Chen, who was shoving returns at

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<v Speaker 1>the circulation desk. Mss Chen, have you ever come across

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<v Speaker 1>the Monarch Hotel? I kept my voice, lefe, choosing casualness

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<v Speaker 1>over confrontation. She paused, considering monic hotel. She glanced over

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<v Speaker 1>her glasses at me. No, Harriet, not in the city

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<v Speaker 1>self croft. That's always been the vacant lot with the

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<v Speaker 1>old Armworks Foundation, hasn't it. That's what I thought, I replied,

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<v Speaker 1>But it's in the nineteen thirty four directory, as plain

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<v Speaker 1>as day, half a page. Very grand sounding. She pursed

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<v Speaker 1>her lips, as if wayhing whether this might be a

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<v Speaker 1>belated April fool's joke. Do you want reference help? Sometimes

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<v Speaker 1>our old city books get their geography wrong. Nilly addresses

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<v Speaker 1>can be tricky, maybe, I said, Or maybe a type

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<v Speaker 1>siter was dreaming of palaces. It wouldn't hurt to verify,

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<v Speaker 1>I spotted. Mister Good hunched over a stack of newspaper

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<v Speaker 1>clippings near the microfiche machine and called softly. Mister Good

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<v Speaker 1>indulged me. Have you ever heard of the monach hotel?

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<v Speaker 1>He peered over, unamused, Harriet, I could give a lecture

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<v Speaker 1>on every hotel from the Exchange to the Seaside. If

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<v Speaker 1>there had been a monarch, especially at South Croft, I'd

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<v Speaker 1>have written about its implosure myself. The city's only ever

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<v Speaker 1>kept two decent hotels open at once max, He grinned.

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<v Speaker 1>But if you can find a cocktail menu, I'll eat

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<v Speaker 1>my hat. I described the grand Entry, the rooftop garden,

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<v Speaker 1>the exact address. He snorted. Noe, some editor must have

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<v Speaker 1>been embellishing, or some one mixed up the records from

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<v Speaker 1>another city with ours. I nodded, but folded my not

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<v Speaker 1>card more tightly than before. For all mister Good's mbastic confidence,

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<v Speaker 1>his was not memory easily rattled. Maybe there was an

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<v Speaker 1>answer in the wreckers he hadn't seen yet. There was

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<v Speaker 1>one more gig keeper to check. I wandered back through

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<v Speaker 1>the main room and found Missess Rider elbow deep in

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<v Speaker 1>a tangle of census microfilm, making notes in halooping script.

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<v Speaker 1>Missess Rider, forgive the interruption in your family trequests? Did

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<v Speaker 1>your ancestors ever mention a monarch hotel? South Croft nineteen thirties?

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<v Speaker 1>She looked at me, face scrunching in thought. Well, my

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<v Speaker 1>people lived at one hundred forty seven Southcroft through the war.

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<v Speaker 1>Nothing but the eyemworkscent later that Antieplat we used to

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<v Speaker 1>pick will Fennel along the tracks. There no hotel, not

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<v Speaker 1>unless it appeared for three months and left without a footprint.

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<v Speaker 1>Thank you, I said. I tried to hide my frustration

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<v Speaker 1>behind a teacher's mile, but she saw through it. Is

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<v Speaker 1>it freer talk in a way, I replied, watching her

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<v Speaker 1>eyes doart with new curiosity. I just can't make it

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<v Speaker 1>add up. City histories don't always agree with themselves, as

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<v Speaker 1>my mother liked to say. She remarked, returning to her

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<v Speaker 1>microfilm pencil, tapping the reel, It was clear memory consensus,

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<v Speaker 1>an expert opinion, all agreed, no monarch. And yet the

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<v Speaker 1>next time I opened the directory, there it lay and wavering, elaborate,

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<v Speaker 1>not a slip of someone's pen, but a full entry

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<v Speaker 1>with the authority of printed history. I checked the following

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<v Speaker 1>year's directory, its cover a little shinier, the page is

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<v Speaker 1>a little less foxed. Again, the monarchray and supreme over

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<v Speaker 1>half a column. Its manager promoted, its staff expanded, even

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<v Speaker 1>its phone number was listed to something I could recall,

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<v Speaker 1>the city's exchanges, never having reached, I turned through foul cards,

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<v Speaker 1>some handriten, some typed labeled hotel's historic and Southcroft establishments,

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<v Speaker 1>every card, every guide book showing an entry for the Monarch,

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<v Speaker 1>or a note referring to its brief but memorable heyday.

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<v Speaker 1>These art facts, curated through generations of local librarians, all

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<v Speaker 1>converged in the reality I never noticed, stand apparently no

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<v Speaker 1>one else could recall. By mid day, my appetite had vanish,

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<v Speaker 1>replaced by quiet tension in my chest, the vague news

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<v Speaker 1>of missing a crucial step in a simple equation. I

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<v Speaker 1>gathered my notes, sipped up my raincoat, and stepped into

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<v Speaker 1>the drizzle, Rehearsing already the story I bring home, but

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<v Speaker 1>would not yet tell. Was this a miscatalogged ghost, a

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<v Speaker 1>widespread but forgotten hoax, or a glitch in the city's

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<v Speaker 1>own memory. I promised myself I'd answer it, not with

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<v Speaker 1>speculation of story telling, but with evidence, calm, methodical. That

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<v Speaker 1>was my way. I came back the next morning, umbrella

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<v Speaker 1>topped beneath my arm, determined to trace the monarch's shadow

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<v Speaker 1>through whatever wreckers I could find. If there was an error,

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<v Speaker 1>it would show up with light and pressure, like a

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<v Speaker 1>floor on a table top, only needing a fresh polish

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<v Speaker 1>to reveal its shape. First, I turned to the bound

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<v Speaker 1>city newspapers. Snuk on the world wore I eight ear

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<v Speaker 1>rolling racks I leaf through the late twenties, then amid

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<v Speaker 1>minutes one thousand, nine hundred thirties. There the monarch's name

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<v Speaker 1>graced advertisements for jars, knights, and cotillions, each with a

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<v Speaker 1>blocky restaurant coupon at the bottom. In another edition June

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<v Speaker 1>nineteen thirty seven, I frowned the human interest piece about

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<v Speaker 1>Chef Henry Delacout's revolutionaries who flay his solemn face and

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<v Speaker 1>chef sat next to the city's mayor's wife. Scattered through

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<v Speaker 1>different months were editorials waxing poetic about the coastal splendor

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<v Speaker 1>and bird's eye views of the harbor from the Monarch's

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<v Speaker 1>ballroom windows. Excitement tinged now with deeper confusion kept me moving. Surely,

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<v Speaker 1>if the Monarch was nearer, it must be a shared one. Perhaps,

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<v Speaker 1>I told myself the city directories relied on these papers.

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00:10:23.480 --> 00:10:26.320
<v Speaker 1>But how could no one remember something so grand? I

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<v Speaker 1>began pulling physical pamphlets, tourist guise and the old City

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<v Speaker 1>Council minutes from the reference shelves. Banquet hosted at the

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<v Speaker 1>Monarch Hotel appeared in Mondainless right alongside public works Southcroft

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<v Speaker 1>Project nineteen forty. Not only did the Monarch exist in

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<v Speaker 1>the written pass starred in the city's narrative for half

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<v Speaker 1>a decade. I decided to compare these to digitized versions.

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<v Speaker 1>Using my own laptop in the librari's Wi FRAI, I

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00:10:48.600 --> 00:10:52.720
<v Speaker 1>scoured newspaper archives, city council records, and business licenses digital

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<v Speaker 1>scans I'd uced hundreds of times before not a single

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00:10:55.879 --> 00:10:58.759
<v Speaker 1>mention of the Monarch Hotel anywhere outside the physical materials.

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<v Speaker 1>Other hotel and city events were present, but whenever I

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<v Speaker 1>searched for Mona Hotel, Felix lawdon or that exact Savecroft address.

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<v Speaker 1>The only entries referred either to the ironworks or to

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<v Speaker 1>listings for a vacant lot future home of municipal Incinerator.

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<v Speaker 1>It was as if the Monarch existed only in the

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00:11:13.240 --> 00:11:15.480
<v Speaker 1>paper records and never made the leap to scan or

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<v Speaker 1>online history. Even stranger. I copied the text of some

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00:11:18.840 --> 00:11:21.399
<v Speaker 1>of the physical articles onto a stack of blank note cards.

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00:11:22.120 --> 00:11:24.759
<v Speaker 1>Monarch Hotel, see our new roofed up garden, live music

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<v Speaker 1>every Friday. As an experiment, I checked my note cards

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<v Speaker 1>upon leaving the library a step into the cold, wet

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00:11:30.240 --> 00:11:34.639
<v Speaker 1>light outside. There the wood became harbor trained timetable October December,

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00:11:34.720 --> 00:11:37.480
<v Speaker 1>or a review of McLean's Restaurant. I being to flip

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00:11:37.519 --> 00:11:40.879
<v Speaker 1>the card, tried another, No Monarch, nothing even Adjicent to

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00:11:40.919 --> 00:11:43.679
<v Speaker 1>the hotel. When I stepped inside and checked the same

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00:11:43.720 --> 00:11:46.639
<v Speaker 1>card at the reference desk, the handwriting again read Monach

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<v Speaker 1>Hotel now accepting guests inside normal outside Impossible. Even the

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00:11:51.320 --> 00:11:54.639
<v Speaker 1>books themselves seemed to conspire. I tried checking out a

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<v Speaker 1>slim volume on hotels of Southcroft Avenue nineteen hundred nineteen fifty,

239
00:11:58.679 --> 00:12:01.679
<v Speaker 1>which should have a chapter on the mon construction mess

240
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<v Speaker 1>Chen checked it out from me, noting the due date.

241
00:12:04.480 --> 00:12:07.200
<v Speaker 1>I took it to George's Bakery, ordering a sandwich and coffee.

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00:12:07.240 --> 00:12:09.399
<v Speaker 1>As soon as I cracked it open, the Monarch's section

243
00:12:09.519 --> 00:12:12.519
<v Speaker 1>was absent, replaced by a chapter titled Vacant lot form

244
00:12:12.519 --> 00:12:15.320
<v Speaker 1>A sight of Eroemworks. I tried again and again, with

245
00:12:15.440 --> 00:12:19.559
<v Speaker 1>note cards, copper pages, even photographs with my smartphone. Each

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00:12:19.639 --> 00:12:22.080
<v Speaker 1>time the references to the Monarch simply dissolved once I

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00:12:22.200 --> 00:12:25.200
<v Speaker 1>was physically outside the library's walls. It was not a

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00:12:25.240 --> 00:12:27.799
<v Speaker 1>trick of the mind, nor a matter of miscatalogging. The

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00:12:27.840 --> 00:12:32.320
<v Speaker 1>anomaly hovered persistent within the building's perimeter, entirely inaccessible, intangible,

250
00:12:32.360 --> 00:12:35.679
<v Speaker 1>and even undetectable. Beyond it, I'd again catalog in my

251
00:12:35.720 --> 00:12:39.039
<v Speaker 1>own attempt, tempting variations do to changes depend on whose

252
00:12:39.080 --> 00:12:42.120
<v Speaker 1>present or on which materials are brought together. If it's

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00:12:42.159 --> 00:12:45.159
<v Speaker 1>only a matter of location, what about the courtyard, the vestibule,

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00:12:45.320 --> 00:12:48.080
<v Speaker 1>or the periodicals in the reading nook. Each trial was

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00:12:48.120 --> 00:12:50.600
<v Speaker 1>met with the same result. Once the boundary was crossed,

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00:12:50.639 --> 00:12:53.639
<v Speaker 1>all vanished references to the Monarch reverted or vanished entirely.

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00:12:54.279 --> 00:12:56.519
<v Speaker 1>I jerked with myself grimly if only to keep the

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00:12:56.559 --> 00:12:59.200
<v Speaker 1>whole procession from feeling unmanageable, that perhaps, if I wanted

259
00:12:59.200 --> 00:13:02.240
<v Speaker 1>to eliminate an embarreling historical footnote, I should simply carry

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00:13:02.240 --> 00:13:04.679
<v Speaker 1>it through the doors. But while I felt the first

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00:13:04.720 --> 00:13:07.000
<v Speaker 1>flickers of worry about my memory and my methods, I

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00:13:07.000 --> 00:13:09.559
<v Speaker 1>prided myself from both, the greater force swelled or tinted

263
00:13:09.600 --> 00:13:12.080
<v Speaker 1>with a shade of disbelief. I had never seen a

264
00:13:12.080 --> 00:13:15.799
<v Speaker 1>contradiction so elaborate or so precisely contained. How many of

265
00:13:15.840 --> 00:13:18.159
<v Speaker 1>these details had I missed in a lifetime of walking

266
00:13:18.200 --> 00:13:20.840
<v Speaker 1>past that very lot? I sat at the same table

267
00:13:20.879 --> 00:13:24.360
<v Speaker 1>each day, cross referencing, sketching out comparisons, and maintaining a

268
00:13:24.440 --> 00:13:29.919
<v Speaker 1>running list newspapers, city directories, physical Monarch present, digital coppers,

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00:13:30.039 --> 00:13:34.840
<v Speaker 1>personal notes outside library Monarch absent photographs of pages monochabsent

270
00:13:34.919 --> 00:13:38.840
<v Speaker 1>and vowen inside or out borrowed library books. Monarch's action

271
00:13:38.960 --> 00:13:43.600
<v Speaker 1>vanishes outside memory and reference only reliable inside. If it

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00:13:43.639 --> 00:13:47.399
<v Speaker 1>was a prank, it required the complicity of generations of librarians, editors,

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00:13:47.519 --> 00:13:50.320
<v Speaker 1>record keepers, and but binders, all far longer than even

274
00:13:50.320 --> 00:13:54.000
<v Speaker 1>this dubborn curiosity could last. So why hadn't the city noticed?

275
00:13:54.600 --> 00:13:57.879
<v Speaker 1>Why did the mythos remain so local, so invisible, when histories,

276
00:13:57.919 --> 00:14:00.840
<v Speaker 1>especially small town once flourish at the faintest before lost grandeur.

277
00:14:01.440 --> 00:14:05.039
<v Speaker 1>And if this effecticsas suddenly here, why what could possibly

278
00:14:05.120 --> 00:14:08.399
<v Speaker 1>unite physical wrecords collective forgatting and the single building's four

279
00:14:08.440 --> 00:14:11.799
<v Speaker 1>granite walls. I resolved not to speculate, but to gather

280
00:14:11.879 --> 00:14:14.840
<v Speaker 1>more data. On my walk home Umbrella am Feld, I

281
00:14:14.879 --> 00:14:16.919
<v Speaker 1>tried fruitlessly to imagine the block as it might have

282
00:14:16.919 --> 00:14:19.559
<v Speaker 1>been with the gleaming hotel instead of batterdashalt and weeds.

283
00:14:20.240 --> 00:14:23.000
<v Speaker 1>My own memories all the way back to nineteen sixty

284
00:14:23.000 --> 00:14:25.639
<v Speaker 1>four yielded only emptiness, scattered with the scent of rain

285
00:14:25.720 --> 00:14:28.679
<v Speaker 1>and rusted metal. There had never even been a ghost story.

286
00:14:29.159 --> 00:14:32.519
<v Speaker 1>I kept probing, seeking the edges of impossibility, already certain that,

287
00:14:32.559 --> 00:14:35.120
<v Speaker 1>however this puzzle resolved, the facts alone could not account

288
00:14:35.159 --> 00:14:37.840
<v Speaker 1>for what I was seeing. Resolved now to be thorough,

289
00:14:37.879 --> 00:14:40.159
<v Speaker 1>I set about testing the boundaries of the Moner problem

290
00:14:40.200 --> 00:14:42.200
<v Speaker 1>with a rigor that might have embarrassed my thirty year

291
00:14:42.240 --> 00:14:45.399
<v Speaker 1>old self. I snapped the photograph of the Monarch's newspaper

292
00:14:45.480 --> 00:14:48.960
<v Speaker 1>advertisement on my smartphone. The picture in the phone's preview

293
00:14:49.039 --> 00:14:50.879
<v Speaker 1>looked for all the world like my own handwriting a

294
00:14:50.919 --> 00:14:54.120
<v Speaker 1>test message called across a blank note card. The text

295
00:14:54.200 --> 00:14:57.120
<v Speaker 1>on zooming in was generic business listings see paid for.

296
00:14:58.159 --> 00:15:00.639
<v Speaker 1>I tried again, this time with the city directctory. Again

297
00:15:00.759 --> 00:15:04.080
<v Speaker 1>my photo resolved a page about municipal street repairs Southcroft

298
00:15:04.639 --> 00:15:08.360
<v Speaker 1>document it yet always eluding evidence. One afternoon, as sun

299
00:15:08.440 --> 00:15:11.200
<v Speaker 1>rake diamond lines across the bay in startled patrons inside,

300
00:15:11.200 --> 00:15:13.879
<v Speaker 1>I retreated to the alcove body art and architecture shelves.

301
00:15:14.559 --> 00:15:17.399
<v Speaker 1>There the two art students, Sabrina and Myles, shuffles, sketch

302
00:15:17.399 --> 00:15:19.759
<v Speaker 1>books and compared drawings, one flipping through pages, the other

303
00:15:19.879 --> 00:15:22.840
<v Speaker 1>peering at an architectural feature. Should sketch repeated it. I

304
00:15:22.840 --> 00:15:26.039
<v Speaker 1>couldn't help but overhear snippets as I passed. But there's

305
00:15:26.039 --> 00:15:28.679
<v Speaker 1>no old photo of it. Myles was saying, you sure

306
00:15:28.679 --> 00:15:31.960
<v Speaker 1>you weren't looking at the Rosemont. Sabrina hesitated, thumbing for

307
00:15:32.000 --> 00:15:34.840
<v Speaker 1>a stack of dog ear prints. It was the monarch.

308
00:15:34.879 --> 00:15:37.559
<v Speaker 1>I did that study last semester. Remember big grund at

309
00:15:37.600 --> 00:15:43.120
<v Speaker 1>Awning iron gate orchid carved doors. What's the monarch? Myles said, laughing,

310
00:15:43.840 --> 00:15:46.120
<v Speaker 1>isn't that just the empty parking lot? My dad's shop

311
00:15:46.200 --> 00:15:48.039
<v Speaker 1>used to face that way. He says, there has never

312
00:15:48.039 --> 00:15:51.200
<v Speaker 1>been anything but city trucks and pigeons. No, there's an

313
00:15:51.240 --> 00:15:54.919
<v Speaker 1>old photo, ask missus Ryder. Sabrina frown then turned to me,

314
00:15:54.960 --> 00:15:58.120
<v Speaker 1>as I was rifling through my own book. Excuse me,

315
00:15:58.120 --> 00:16:00.879
<v Speaker 1>mess Marsh, you know about the monarch, right? Did the

316
00:16:00.919 --> 00:16:04.519
<v Speaker 1>library ever display this blueprints? Their question was sincere, as

317
00:16:04.519 --> 00:16:07.960
<v Speaker 1>if the hotel's existence were obvious. I've heard both sides

318
00:16:07.960 --> 00:16:11.679
<v Speaker 1>to day, I admitted, what do you remember? She descried

319
00:16:11.720 --> 00:16:14.039
<v Speaker 1>in surprise and detail, drawing from a photograph in the

320
00:16:14.159 --> 00:16:16.200
<v Speaker 1>arka of a photograph she now could not locate. Among

321
00:16:16.240 --> 00:16:20.000
<v Speaker 1>her prints, she remembered chop copper, gutters, etched nameplates, a

322
00:16:20.080 --> 00:16:22.639
<v Speaker 1>winter scene with staff post beside a tope pierious one.

323
00:16:23.120 --> 00:16:26.320
<v Speaker 1>But Myles, shaking his head, insisted, I've never once seen

324
00:16:26.320 --> 00:16:29.039
<v Speaker 1>any blueprint or photograph here, never heard any teacher talk

325
00:16:29.080 --> 00:16:31.639
<v Speaker 1>about it. Maybe you're confusing it with their store. That

326
00:16:31.759 --> 00:16:34.879
<v Speaker 1>exchange struck a new chord. It was not only records

327
00:16:34.879 --> 00:16:37.639
<v Speaker 1>that seemed unstable, but memory two, one press in certain

328
00:16:37.759 --> 00:16:41.360
<v Speaker 1>another blank, both entirely genuine. When Sabrina come through a

329
00:16:41.360 --> 00:16:44.639
<v Speaker 1>bout Daca fold her, she muttered confused that strange was

330
00:16:44.679 --> 00:16:47.279
<v Speaker 1>sure I had the monarch's image right here. I pursued

331
00:16:47.320 --> 00:16:51.919
<v Speaker 1>the experiment with the library staff. A mess Chen, reliably unfazed, insisted,

332
00:16:51.960 --> 00:16:54.200
<v Speaker 1>as we reorganized the vertical files, if there were a

333
00:16:54.200 --> 00:16:56.679
<v Speaker 1>monarch among the cataloged hertels, I would have seen it

334
00:16:56.720 --> 00:16:59.159
<v Speaker 1>in all these years, not single blueprint of photograph and

335
00:16:59.200 --> 00:17:02.279
<v Speaker 1>every catalog the whole earth. Three months ago, but later,

336
00:17:02.679 --> 00:17:05.480
<v Speaker 1>just afternoon, a substitute desk clerk named Jamie was feeding

337
00:17:05.480 --> 00:17:09.559
<v Speaker 1>my crofilm through an aging projector. I asked, nonchalantly, ever

338
00:17:09.599 --> 00:17:12.200
<v Speaker 1>come across the monarch. She hung to herself for a

339
00:17:12.200 --> 00:17:14.519
<v Speaker 1>moment as lazy on the screen, then said, or at

340
00:17:14.559 --> 00:17:16.640
<v Speaker 1>the rooftop garden was beautiful. My parents took me to

341
00:17:16.640 --> 00:17:18.720
<v Speaker 1>a wedding there. Maybe I must be mixing it up

342
00:17:18.759 --> 00:17:23.000
<v Speaker 1>with the old roseman. She rewound the tape, blinking, confused. Funny,

343
00:17:23.039 --> 00:17:25.319
<v Speaker 1>I could have sworn it was the MONARCHA my list

344
00:17:25.319 --> 00:17:27.960
<v Speaker 1>of anomalies now grew not only printed records, but the

345
00:17:27.960 --> 00:17:31.759
<v Speaker 1>shape and content of memory itself appeared malable. Inside the library,

346
00:17:31.799 --> 00:17:34.400
<v Speaker 1>people's awareness seemed capable of tilting toward the existence of

347
00:17:34.440 --> 00:17:37.680
<v Speaker 1>the monarch, sometimes retrieving details with a sudden, vivid conviction,

348
00:17:37.920 --> 00:17:41.920
<v Speaker 1>sometimes abruptly forgetting them. In every case, once outside, their

349
00:17:41.960 --> 00:17:45.039
<v Speaker 1>sureness reverted to the mean, hotel gone, replaced by suspicion

350
00:17:45.039 --> 00:17:48.039
<v Speaker 1>at their own fleeting certainty. I returned to my seat,

351
00:17:48.039 --> 00:17:50.839
<v Speaker 1>thinking over the boundaries. How every physical test, every attempt

352
00:17:50.880 --> 00:17:52.640
<v Speaker 1>to record the anomaly in a way that could leave

353
00:17:52.680 --> 00:17:56.119
<v Speaker 1>the library, resulted in arasia or polite confusion. The effect

354
00:17:56.119 --> 00:17:58.960
<v Speaker 1>did not depend on intention, equipment, or even my own will.

355
00:17:59.519 --> 00:18:02.559
<v Speaker 1>It was as though within these walls something ank of reality,

356
00:18:02.640 --> 00:18:05.519
<v Speaker 1>less to the facts themselves than to something unspoken. Was

357
00:18:05.519 --> 00:18:10.160
<v Speaker 1>it expectation, story telling the way libraries accumulate memory, habit,

358
00:18:10.319 --> 00:18:13.400
<v Speaker 1>and wish an equal measure. I began sketching maps, little

359
00:18:13.400 --> 00:18:16.279
<v Speaker 1>a boundaries drawn over the floor plan, marking the threshold

360
00:18:16.359 --> 00:18:20.279
<v Speaker 1>with certainty unraveled, cataloging which memories and which people were susceptible,

361
00:18:20.319 --> 00:18:23.839
<v Speaker 1>how long details lasted before returning to ambiguity. The monarch

362
00:18:23.880 --> 00:18:26.920
<v Speaker 1>impossible outside felt inside like an echo that could swell

363
00:18:27.000 --> 00:18:29.279
<v Speaker 1>or dwindle, depending on who was present and how keenly

364
00:18:29.319 --> 00:18:32.119
<v Speaker 1>they wanted to remember. I was reminded in a way

365
00:18:32.200 --> 00:18:34.279
<v Speaker 1>that delighted me of the exercises I'd run for my

366
00:18:34.359 --> 00:18:37.480
<v Speaker 1>more skeptical it graders read the passage and then described

367
00:18:37.480 --> 00:18:40.119
<v Speaker 1>the character as hair color. They would go back, sure

368
00:18:40.160 --> 00:18:42.640
<v Speaker 1>they'd remembered it blonde, or read only to find a

369
00:18:42.680 --> 00:18:45.920
<v Speaker 1>detail never existed in the texts. Here the memory of

370
00:18:45.960 --> 00:18:48.319
<v Speaker 1>the Monarch became vivid and detailed, in direct proportion to

371
00:18:48.359 --> 00:18:50.759
<v Speaker 1>our own attention and conviction, made real in some sense

372
00:18:50.799 --> 00:18:53.839
<v Speaker 1>by those determined to see it. One quiet morning, having

373
00:18:53.880 --> 00:18:56.920
<v Speaker 1>noticed I was not alone in affixation, oppressed the experiment further.

374
00:18:57.599 --> 00:18:59.440
<v Speaker 1>I found mister Good at his usual haunt, deep in

375
00:18:59.480 --> 00:19:02.519
<v Speaker 1>a stack of pamphlet folders. Let me ask you again,

376
00:19:02.720 --> 00:19:05.279
<v Speaker 1>not as adversaries, but as allies. Do you remember the

377
00:19:05.279 --> 00:19:09.400
<v Speaker 1>monarch hotel? He raised his fine white eyebrows, shaking his head. No,

378
00:19:09.799 --> 00:19:13.240
<v Speaker 1>I told you, Harriet, never await the Monarch. He paused.

379
00:19:13.839 --> 00:19:16.839
<v Speaker 1>I do remember a reading, maybe a poetry night upstairs

380
00:19:17.119 --> 00:19:20.039
<v Speaker 1>when I was at college. The velvet carpet's Chandelier's goodness,

381
00:19:20.079 --> 00:19:22.480
<v Speaker 1>that's odd, Harriet. I've never been there, I'm sure of it.

382
00:19:23.119 --> 00:19:25.680
<v Speaker 1>His certainty wilted as quickly as it appeared, leaving us

383
00:19:25.680 --> 00:19:29.559
<v Speaker 1>both blanking. Did you go to hotel readings often? I probed,

384
00:19:29.599 --> 00:19:32.440
<v Speaker 1>half teasing, half hoping to anchor him. He squeezed his

385
00:19:32.480 --> 00:19:36.440
<v Speaker 1>eyes shut. No, No, it's ridiculous. There wasn't even a monarch.

386
00:19:36.519 --> 00:19:38.480
<v Speaker 1>I must be confusing it with that rented hole over

387
00:19:38.480 --> 00:19:41.200
<v Speaker 1>the Wollwards. Yet there was a tinge of embarrassment in

388
00:19:41.240 --> 00:19:44.000
<v Speaker 1>his voice, as of court believing in a trick not

389
00:19:44.160 --> 00:19:47.599
<v Speaker 1>far away. Missus Ryder, having overheard us, piped out. I

390
00:19:47.759 --> 00:19:49.960
<v Speaker 1>just remembered my grandmother used to take me to tea

391
00:19:50.000 --> 00:19:51.839
<v Speaker 1>at the Monarch's sun Room. We always sat near the

392
00:19:51.839 --> 00:19:54.000
<v Speaker 1>bay windows. She let me have extra sugar cubes if

393
00:19:54.039 --> 00:19:58.240
<v Speaker 1>I recited my lessons. She smiled, almost wistful. Funny. I

394
00:19:58.319 --> 00:20:02.440
<v Speaker 1>know she never left Seufkroff. She blinked, suddenly uncertain. Was

395
00:20:02.440 --> 00:20:05.519
<v Speaker 1>it the Monarch or was it Marjorie's bakery. That day,

396
00:20:05.599 --> 00:20:07.720
<v Speaker 1>when I checked the nineteen thirty two theater programme in

397
00:20:07.759 --> 00:20:10.640
<v Speaker 1>the archives, a slim folded play The Lejalla read Front Tobacco,

398
00:20:10.680 --> 00:20:13.039
<v Speaker 1>found a new insert advertising a bread festival at the

399
00:20:13.039 --> 00:20:16.079
<v Speaker 1>Monarcho Taball Room. The typhos matched the rest, as if

400
00:20:16.119 --> 00:20:18.160
<v Speaker 1>the event had always been tied to the famous hotel.

401
00:20:18.720 --> 00:20:21.240
<v Speaker 1>Details that had not existed in the morning now appeared

402
00:20:21.279 --> 00:20:24.039
<v Speaker 1>slaid into place as if grafted invisibly on to memory

403
00:20:24.039 --> 00:20:27.319
<v Speaker 1>and record. Between these ripples and evidence and recollection, a

404
00:20:27.359 --> 00:20:29.920
<v Speaker 1>pattern grew clear inside the library when more than one

405
00:20:29.920 --> 00:20:31.680
<v Speaker 1>of us shared a story or expressed wish on the

406
00:20:31.680 --> 00:20:35.720
<v Speaker 1>stage of the materials within reach updated themselves, harmonizing our memories,

407
00:20:36.359 --> 00:20:40.160
<v Speaker 1>playbles gained new events, directories, new listings, articles, new paragraphs.

408
00:20:40.759 --> 00:20:43.720
<v Speaker 1>The process was quiet, elegant, undetectable unless you had seen

409
00:20:43.720 --> 00:20:46.799
<v Speaker 1>through the curred in beforehand. But it did not last outside.

410
00:20:47.319 --> 00:20:50.079
<v Speaker 1>Once some one left, the effect fell away. Not just

411
00:20:50.160 --> 00:20:53.960
<v Speaker 1>memories either, photographs in hand, pamphlets, notes, all returned to

412
00:20:53.960 --> 00:20:56.880
<v Speaker 1>their original Monarchle's form, as if the hotel had never

413
00:20:56.960 --> 00:21:00.759
<v Speaker 1>existed in public consciousness or city record. Even more more fascinating,

414
00:21:00.839 --> 00:21:03.279
<v Speaker 1>if we were told stories or introduced a new person

415
00:21:03.279 --> 00:21:05.680
<v Speaker 1>with a vivid but false memory, the record shifted accordingly.

416
00:21:06.279 --> 00:21:09.000
<v Speaker 1>The boundary was the building in the moment, slippery and exerting.

417
00:21:09.680 --> 00:21:12.720
<v Speaker 1>The library, it seemed, responded to us, not only reflecting

418
00:21:12.759 --> 00:21:15.279
<v Speaker 1>but actively shaping its internal pass to see the stories

419
00:21:15.279 --> 00:21:18.160
<v Speaker 1>we brought and shared. Satisfied that the effect was neither

420
00:21:18.160 --> 00:21:21.559
<v Speaker 1>accident nor mere illusion, I began to theories. Was this,

421
00:21:21.839 --> 00:21:24.720
<v Speaker 1>in some sense the building's mission a living archive, creating

422
00:21:24.759 --> 00:21:27.480
<v Speaker 1>and maintaining history as an ongoing act of collective memory.

423
00:21:28.039 --> 00:21:31.519
<v Speaker 1>When memories matched, the past became solid. When they didn't,

424
00:21:31.519 --> 00:21:34.359
<v Speaker 1>only the most strongly felt survived in the text. I

425
00:21:34.440 --> 00:21:36.920
<v Speaker 1>made lists of questions. Would inventing a story create a

426
00:21:36.960 --> 00:21:40.160
<v Speaker 1>new artifact? Could we anchor a false pass by consensus?

427
00:21:40.799 --> 00:21:43.119
<v Speaker 1>What were the rules, if any? What if the wishes

428
00:21:43.160 --> 00:21:45.799
<v Speaker 1>of a dozen people clashed? My heart hammered with the

429
00:21:45.839 --> 00:21:49.680
<v Speaker 1>rhythm of a far younger woman's experiment. I felt not threatened,

430
00:21:49.720 --> 00:21:52.440
<v Speaker 1>but invited. The library. Far from being static, fault had

431
00:21:52.480 --> 00:21:55.039
<v Speaker 1>revealed itself as a living instrument for blending recorded and

432
00:21:55.079 --> 00:21:58.759
<v Speaker 1>remembered history. Had others noticed? Was this a corked of

433
00:21:58.759 --> 00:22:01.920
<v Speaker 1>our local institution, a property only of this old, careworn building,

434
00:22:02.079 --> 00:22:05.039
<v Speaker 1>or something quietly potent in libraries to world over? My

435
00:22:05.119 --> 00:22:08.160
<v Speaker 1>speculation only deep in my marvel. The monarch's grunder, a

436
00:22:08.240 --> 00:22:10.920
<v Speaker 1>never seen in sunlight, always present by collective desire, taught

437
00:22:10.960 --> 00:22:13.160
<v Speaker 1>me to gaze at every entry, every note, and every

438
00:22:13.160 --> 00:22:15.799
<v Speaker 1>face in the library with doubled wonder, And so I

439
00:22:15.839 --> 00:22:18.799
<v Speaker 1>reached my new understanding. The library within these walls is

440
00:22:18.799 --> 00:22:20.759
<v Speaker 1>a place where the past itself is shaped to maintained

441
00:22:20.799 --> 00:22:22.759
<v Speaker 1>not by im mutable fact, but by the stories and

442
00:22:22.799 --> 00:22:27.079
<v Speaker 1>recollections we carry in share. The Monicotell's existence, fleeting yet determined,

443
00:22:27.119 --> 00:22:29.519
<v Speaker 1>was neither trick of memory nor archive scera, but something

444
00:22:29.519 --> 00:22:32.599
<v Speaker 1>closer to our communal daydream etched into awaiting rewakening. At

445
00:22:32.599 --> 00:22:35.000
<v Speaker 1>the turn of a page, I closed my notebook and

446
00:22:35.000 --> 00:22:36.880
<v Speaker 1>felt a light, steady thro all. This was not just

447
00:22:36.880 --> 00:22:40.319
<v Speaker 1>a puzzle, but an invitation to participate. Memory, archie, and

448
00:22:40.359 --> 00:22:44.119
<v Speaker 1>present desire were weaving something quietly and beautifully undeniable. I

449
00:22:44.160 --> 00:22:46.640
<v Speaker 1>tucked my notebook into my shoulder bag, collecting the last

450
00:22:46.680 --> 00:22:48.680
<v Speaker 1>of my note cards, and waited for my pulse to slow.

451
00:22:49.240 --> 00:22:51.960
<v Speaker 1>It was only late afternoon, but the library ceiling lights

452
00:22:51.960 --> 00:22:53.920
<v Speaker 1>were already casting their bath of muta gold over the

453
00:22:53.960 --> 00:22:57.240
<v Speaker 1>reading tables. I watched as the art students migrated past

454
00:22:57.240 --> 00:22:59.960
<v Speaker 1>the microphone cabinets, Debating whether to venture into the rain.

455
00:23:00.640 --> 00:23:03.359
<v Speaker 1>Mister Good argued with Massess Ryder about an upcoming lecture.

456
00:23:03.440 --> 00:23:05.759
<v Speaker 1>The room brimmed with a very ordinary life, yet for

457
00:23:05.799 --> 00:23:08.480
<v Speaker 1>me to a vibrate it with novelty, I decided it

458
00:23:08.519 --> 00:23:11.920
<v Speaker 1>was time to move from observation to intervention. My experiments

459
00:23:11.960 --> 00:23:14.440
<v Speaker 1>so far had been solitary or accidental, subject to the

460
00:23:14.519 --> 00:23:17.839
<v Speaker 1>chance revelations of ordinary habit. Now I had questions, and

461
00:23:18.000 --> 00:23:20.799
<v Speaker 1>more than that, a plan. The anomaly was not simply

462
00:23:20.799 --> 00:23:24.079
<v Speaker 1>in the building, but in our participation and recollection. If

463
00:23:24.079 --> 00:23:26.759
<v Speaker 1>my hypothesis was right, then the act of remembering, or

464
00:23:26.759 --> 00:23:29.839
<v Speaker 1>perhaps believing, allowed the Monaco Tel to coalace. However, briefly

465
00:23:29.920 --> 00:23:33.400
<v Speaker 1>into the presence tapestry, I needed another mind, one unprepared

466
00:23:33.440 --> 00:23:36.880
<v Speaker 1>but sharp to contradiction. That evening, as the clouds finally

467
00:23:36.920 --> 00:23:39.000
<v Speaker 1>parted and the city at Cyd glistened with fresh washed

468
00:23:39.039 --> 00:23:41.319
<v Speaker 1>in tent, I ran my old friend Evelin. Though not

469
00:23:41.400 --> 00:23:44.000
<v Speaker 1>ast orient by any stretch, Evelin had the practical mind

470
00:23:44.000 --> 00:23:47.119
<v Speaker 1>of revealed her she knew every property in Williston, including

471
00:23:47.200 --> 00:23:50.400
<v Speaker 1>undoubtedly the lot on South Croft Avenue. She agreed to

472
00:23:50.440 --> 00:23:53.240
<v Speaker 1>meet for coffee in the library's corner atrium the next morning.

473
00:23:53.759 --> 00:23:56.480
<v Speaker 1>Even arrived vibrinko slung over one arm and a business

474
00:23:56.480 --> 00:23:59.799
<v Speaker 1>folder under the other. After exchanging greetings, I led her

475
00:23:59.799 --> 00:24:02.519
<v Speaker 1>through the main reading room. Let me show you something,

476
00:24:02.559 --> 00:24:05.160
<v Speaker 1>I said, prompting a raised eyeber. We sat at my

477
00:24:05.200 --> 00:24:07.720
<v Speaker 1>favorite table beneath the faded fresco of the city seal

478
00:24:07.759 --> 00:24:10.559
<v Speaker 1>and I slid the open Citi directory toward her. She

479
00:24:10.680 --> 00:24:14.200
<v Speaker 1>turned the pages with delicate, practiced fingers. I pressed her,

480
00:24:14.319 --> 00:24:17.599
<v Speaker 1>what's at one hundred forty three self croff Evelyn answered

481
00:24:17.640 --> 00:24:21.240
<v Speaker 1>without hesitation, vacant lots. Cities tried to develop it for years,

482
00:24:21.400 --> 00:24:23.160
<v Speaker 1>but the soil's bad and no one can agree on

483
00:24:23.240 --> 00:24:24.839
<v Speaker 1>what it should be. It's in my files as a

484
00:24:24.839 --> 00:24:29.039
<v Speaker 1>former industrial parcel. Why, I gestured to the entry. Read this.

485
00:24:29.920 --> 00:24:33.200
<v Speaker 1>Her lips moved silently, scanning each word. I washed as

486
00:24:33.200 --> 00:24:37.359
<v Speaker 1>her brow pockered. Monarch Hotel, she murmured. She read on

487
00:24:37.559 --> 00:24:41.119
<v Speaker 1>a mixture of disbelief and good humor, crossing her face. Funny,

488
00:24:41.200 --> 00:24:43.759
<v Speaker 1>I don't remember ever hearing of this. The name's lovely, though,

489
00:24:43.920 --> 00:24:47.200
<v Speaker 1>Let me wait. She flipped further, searching for the address,

490
00:24:47.400 --> 00:24:50.119
<v Speaker 1>and then reached for Hotels of Williston pamphlet. From my pile,

491
00:24:50.720 --> 00:24:54.359
<v Speaker 1>there it is again, Monarch Ballroom, South Croft. She looked

492
00:24:54.359 --> 00:24:58.400
<v Speaker 1>at me, laughter in her eyes, but coloring with uncertainty. Harriet,

493
00:24:58.400 --> 00:25:00.160
<v Speaker 1>this can't be right. I'm sure I once I had

494
00:25:00.160 --> 00:25:02.640
<v Speaker 1>a client who talked about staying there years ago, but

495
00:25:02.680 --> 00:25:07.400
<v Speaker 1>I can't remember the details. It feels like she stopped blinking. No,

496
00:25:07.880 --> 00:25:11.519
<v Speaker 1>never mind. I mean, I probably just a She hesitated,

497
00:25:11.559 --> 00:25:14.039
<v Speaker 1>then shrug. I think I'm mixing it up with the

498
00:25:14.079 --> 00:25:17.759
<v Speaker 1>old Westport end. Sorry, I pushed gently. You're certain, yes,

499
00:25:18.039 --> 00:25:20.880
<v Speaker 1>I well, now you have me doubting everything. Honestly, it

500
00:25:20.920 --> 00:25:23.039
<v Speaker 1>feels for a second like I almost remember it, but

501
00:25:23.079 --> 00:25:26.240
<v Speaker 1>then it slips away. I nodded, not surprised her mind

502
00:25:26.279 --> 00:25:28.720
<v Speaker 1>had moved toward the Monarch while she was inside the library,

503
00:25:28.759 --> 00:25:31.319
<v Speaker 1>and outside she would deny its existence or forget the

504
00:25:31.319 --> 00:25:34.680
<v Speaker 1>details entirely. For a moment, her face held both conviction

505
00:25:34.759 --> 00:25:38.680
<v Speaker 1>and confusion. I sketched a fast note boundary holds even

506
00:25:38.720 --> 00:25:41.519
<v Speaker 1>for those who state their reputation on local memory. To

507
00:25:41.599 --> 00:25:43.960
<v Speaker 1>confer them, I insisted we take her folder, a bulging

508
00:25:43.960 --> 00:25:46.640
<v Speaker 1>sleeve of survey mats and property abstracts, into the stacks.

509
00:25:47.319 --> 00:25:49.519
<v Speaker 1>As she paged through her own records, I noticed their

510
00:25:49.559 --> 00:25:53.000
<v Speaker 1>descriptions adapted southerly where Afoote copy had been committed to

511
00:25:53.000 --> 00:25:55.839
<v Speaker 1>a vacant lot former ironworks. Now the text reference to

512
00:25:55.839 --> 00:25:59.319
<v Speaker 1>the hospitality partl site of Monarch Hotel nineteen fifteen nineteen

513
00:25:59.359 --> 00:26:03.559
<v Speaker 1>forty eight see attached history. Even blinked, then grinned, this

514
00:26:03.720 --> 00:26:05.880
<v Speaker 1>is odd. My own copy did you slip something into

515
00:26:05.880 --> 00:26:08.480
<v Speaker 1>my fold? I shook my head, feeling as if I

516
00:26:08.480 --> 00:26:11.599
<v Speaker 1>glimpsed a magic trick's light of hand. Let's step outside

517
00:26:11.599 --> 00:26:14.480
<v Speaker 1>for a coffee and check again. Predictably, the moment we

518
00:26:14.559 --> 00:26:17.599
<v Speaker 1>reached the sidewalk, the foldless copy reverted vacant lot on,

519
00:26:17.759 --> 00:26:21.400
<v Speaker 1>improved since nineteen fifty two former eyeworks, no mention of

520
00:26:21.440 --> 00:26:24.319
<v Speaker 1>the monarch. Even squinted at the text, as if she'd

521
00:26:24.319 --> 00:26:27.559
<v Speaker 1>been letting on a joke. She couldn't quite grasp that's strange.

522
00:26:27.680 --> 00:26:29.400
<v Speaker 1>I thought I saw something else there just now. But

523
00:26:29.480 --> 00:26:32.759
<v Speaker 1>perhaps it's the lighting I didn't press. There was something

524
00:26:32.759 --> 00:26:36.240
<v Speaker 1>more respectful in lighting the experience it unforced. The boundary

525
00:26:36.279 --> 00:26:38.920
<v Speaker 1>was not only physical, but participatory. One could not carry

526
00:26:38.960 --> 00:26:41.839
<v Speaker 1>the story out, only re into it by returning. That day,

527
00:26:41.920 --> 00:26:44.119
<v Speaker 1>after Evelyn left, I visited the desk to check my

528
00:26:44.160 --> 00:26:47.079
<v Speaker 1>observations with a mess Jen. She raised an eyebrow as

529
00:26:47.079 --> 00:26:50.039
<v Speaker 1>I've relaid my experiment, then shook her head. I don't

530
00:26:50.079 --> 00:26:52.240
<v Speaker 1>think the monarch ever existed, but if you're right, that

531
00:26:52.319 --> 00:26:55.519
<v Speaker 1>might not matter. She glanced around the reading room, careful

532
00:26:55.559 --> 00:26:59.960
<v Speaker 1>not to be overheard. Strange things jocob old errors, anomalous checkouts, story,

533
00:27:00.000 --> 00:27:02.720
<v Speaker 1>the change between editions. But most people, well, they accept

534
00:27:02.759 --> 00:27:04.599
<v Speaker 1>a little magic for the sake of history. That lot

535
00:27:04.599 --> 00:27:06.359
<v Speaker 1>has always been empty as far as I know. WHI

536
00:27:06.400 --> 00:27:08.960
<v Speaker 1>fied it, I found myself grateful for her blend of

537
00:27:09.000 --> 00:27:12.200
<v Speaker 1>skepticism and openness. If there was an answer, it would

538
00:27:12.200 --> 00:27:15.119
<v Speaker 1>have to accommodate both acceptance and dew. The next few

539
00:27:15.200 --> 00:27:18.079
<v Speaker 1>days I tested the limits in more deliberate forensic fashion.

540
00:27:18.599 --> 00:27:22.119
<v Speaker 1>I arrived early and stayed late, bringing external documents, newspaper prints,

541
00:27:22.160 --> 00:27:24.759
<v Speaker 1>city records, even a tourist map even had given me,

542
00:27:24.799 --> 00:27:28.119
<v Speaker 1>cross checking them against their shelf counterparts. The moment I'd

543
00:27:28.160 --> 00:27:31.559
<v Speaker 1>stepped inside, the records subtly aligned, not enduring contradiction, but

544
00:27:31.640 --> 00:27:35.160
<v Speaker 1>as if smothing themselves to our anticipated narrative. Outside, the

545
00:27:35.200 --> 00:27:39.880
<v Speaker 1>originals remained intact, oblivious to the library's mini dramas. One afternoon,

546
00:27:39.920 --> 00:27:42.079
<v Speaker 1>I watched the art students in the sunlight near the entry,

547
00:27:42.119 --> 00:27:44.640
<v Speaker 1>shifting materials between the inner lobby and the outer portico.

548
00:27:45.240 --> 00:27:47.279
<v Speaker 1>It startled me to realize the effect held firm at

549
00:27:47.279 --> 00:27:49.799
<v Speaker 1>the very threshold. The moment the note cut crossed into daylight,

550
00:27:49.839 --> 00:27:52.160
<v Speaker 1>its historical flavor slipped away, reverting to a dry list

551
00:27:52.160 --> 00:27:55.960
<v Speaker 1>of municipal parcels. Inside, surrounded by books and memory, the

552
00:27:56.000 --> 00:27:59.079
<v Speaker 1>monarch lived again. Every attempt to crack the effect failed,

553
00:27:59.119 --> 00:28:02.400
<v Speaker 1>every attempt to confirm its reality. Rather than frustrated, I

554
00:28:02.440 --> 00:28:04.680
<v Speaker 1>found my admiration for the phenomenon deepening, a kind of

555
00:28:04.759 --> 00:28:07.640
<v Speaker 1>humility that was both bracing and accelerating. This was no

556
00:28:07.720 --> 00:28:10.799
<v Speaker 1>glitch or prank, but something rooted and purposeful, possibly inherent

557
00:28:10.880 --> 00:28:13.799
<v Speaker 1>in the old bones of the library itself. Meanwhile, I

558
00:28:13.880 --> 00:28:16.880
<v Speaker 1>learned not to trust myself entirely either. If I repeated

559
00:28:16.880 --> 00:28:19.400
<v Speaker 1>a detail with conviction, the records would oftener just before

560
00:28:19.440 --> 00:28:23.440
<v Speaker 1>my eyes. New footnotes would appear, new clarifications and references.

561
00:28:24.039 --> 00:28:26.599
<v Speaker 1>The process, I noticed, did not depend solely on the

562
00:28:26.599 --> 00:28:30.359
<v Speaker 1>present company. Sometimes, if a patron described a family event

563
00:28:30.400 --> 00:28:33.079
<v Speaker 1>that could only have happened at the monarch, faded photographs

564
00:28:33.079 --> 00:28:35.640
<v Speaker 1>and archevel folders would displays roofed up garden, or at

565
00:28:35.720 --> 00:28:39.079
<v Speaker 1>least and ambiguous window terrace, filled with guests who might

566
00:28:39.119 --> 00:28:41.759
<v Speaker 1>have been there. It became clear the library was more

567
00:28:41.759 --> 00:28:45.359
<v Speaker 1>than archive, more than memory palace. It was, in some

568
00:28:45.440 --> 00:28:48.160
<v Speaker 1>mysterious sense, stage upon which history was remade, its script

569
00:28:48.160 --> 00:28:50.160
<v Speaker 1>shifting in real time with the interplay of was gathered

570
00:28:50.160 --> 00:28:53.880
<v Speaker 1>to remember or simply imagine together. The next step was

571
00:28:53.920 --> 00:28:55.519
<v Speaker 1>to reach up beyond the walls to see whether this

572
00:28:55.599 --> 00:28:57.960
<v Speaker 1>mutable archive was unique to our library or part of

573
00:28:57.960 --> 00:29:00.839
<v Speaker 1>a head in kinship with other institutions. For that I

574
00:29:00.920 --> 00:29:04.400
<v Speaker 1>needed expertise. I tracked down mister Cable, the libraryes retired

575
00:29:04.440 --> 00:29:08.359
<v Speaker 1>chief archuavist, who still visited on slow afternoons. Mister Cable

576
00:29:08.480 --> 00:29:11.640
<v Speaker 1>was a man of encyclopedic memory, encyclopedic regret, and a

577
00:29:11.640 --> 00:29:14.920
<v Speaker 1>love of stories bordering on reverence. I phoned him and

578
00:29:15.000 --> 00:29:17.000
<v Speaker 1>he agreed to meet me in a sunny alcove line

579
00:29:17.000 --> 00:29:20.559
<v Speaker 1>with gardening manuals and faded w PA posters. He arrived

580
00:29:20.559 --> 00:29:22.960
<v Speaker 1>twenty minutes early, jacket button even in the heat, his

581
00:29:23.039 --> 00:29:26.160
<v Speaker 1>once black hair now colors. But n bowed. Always something

582
00:29:26.240 --> 00:29:28.400
<v Speaker 1>peculiar at the library, he said, by way of greeting,

583
00:29:28.480 --> 00:29:32.559
<v Speaker 1>settling with an almost ceremonial position, what's codiery at this time? Herritt?

584
00:29:33.279 --> 00:29:35.240
<v Speaker 1>I let the question hang and then answer with the

585
00:29:35.279 --> 00:29:38.880
<v Speaker 1>simple direct challenge had rehearsed, mister Cable, are you aware

586
00:29:38.920 --> 00:29:41.440
<v Speaker 1>this circle records here sometimes will write themselves to match

587
00:29:41.440 --> 00:29:44.359
<v Speaker 1>the stories people share? His faced witch, But the question

588
00:29:44.440 --> 00:29:47.880
<v Speaker 1>didn't un settle him. He considered for a long, companionable moment,

589
00:29:47.920 --> 00:29:51.599
<v Speaker 1>hands clasped. There have been strange rousets. Yes, I remember

590
00:29:51.599 --> 00:29:54.680
<v Speaker 1>in the eighties we tried to recatalog the local school registers.

591
00:29:54.720 --> 00:29:58.119
<v Speaker 1>Every week, something would be off named, duplicated, teacher lists, redated,

592
00:29:58.160 --> 00:29:59.920
<v Speaker 1>an event or two, added to the end of Europe,

593
00:30:00.319 --> 00:30:02.119
<v Speaker 1>left the low, and things would self correct in a

594
00:30:02.119 --> 00:30:04.759
<v Speaker 1>few days, as if no error had occurred. Ever, wonder

595
00:30:04.799 --> 00:30:09.039
<v Speaker 1>why I pressed, He smiled, thin lipped. I used a

596
00:30:09.079 --> 00:30:11.400
<v Speaker 1>kid with the new staff. The building like a tidy story,

597
00:30:11.440 --> 00:30:13.559
<v Speaker 1>has been so since my apprenticeship. Some nights, I'd swear

598
00:30:13.599 --> 00:30:16.000
<v Speaker 1>the archives were straightening out after hours, canceling our best

599
00:30:16.000 --> 00:30:18.519
<v Speaker 1>efforts to nail down the jumble. He leaned in and

600
00:30:18.559 --> 00:30:20.279
<v Speaker 1>lowered his voice, though there was no one with an

601
00:30:20.240 --> 00:30:22.799
<v Speaker 1>air shut. Do you remember that business of the war

602
00:30:22.839 --> 00:30:26.519
<v Speaker 1>memorial stone? Yes, I said, ten years back. The text

603
00:30:26.599 --> 00:30:29.359
<v Speaker 1>had been mysteriously changed in three different guidebooks, each time

604
00:30:29.400 --> 00:30:33.519
<v Speaker 1>harmonizing with the most recent speaker's recollection. Another shadow, another

605
00:30:33.599 --> 00:30:37.480
<v Speaker 1>quiet correction. Cable took a long breath. If you ask me,

606
00:30:37.599 --> 00:30:39.720
<v Speaker 1>the building prefers to be in agreement with the patrons.

607
00:30:39.720 --> 00:30:41.960
<v Speaker 1>When a group arrives, particularly those who have a strong

608
00:30:42.000 --> 00:30:45.519
<v Speaker 1>memory or share conviction details, fill in missing gaps covered over.

609
00:30:46.119 --> 00:30:49.240
<v Speaker 1>He recounted, with a fondness, not entirely ironic, an incident

610
00:30:49.279 --> 00:30:51.839
<v Speaker 1>where a local club found a lost monument in the archives,

611
00:30:52.039 --> 00:30:55.680
<v Speaker 1>just in time for its centennial. The recos were perfectly consistent,

612
00:30:55.759 --> 00:30:57.759
<v Speaker 1>as if the monument had always stood on Main Street.

613
00:30:57.799 --> 00:31:00.640
<v Speaker 1>Though ask anyone outside and they'd say otherwise. No ghosts,

614
00:31:00.720 --> 00:31:04.559
<v Speaker 1>no malevence, just a desire for coherence encouraged. I recounted

615
00:31:04.559 --> 00:31:06.640
<v Speaker 1>the Monarch in all its detail, as well as the

616
00:31:06.640 --> 00:31:10.319
<v Speaker 1>bread festival and the jazz gale Ida discovered. Cable laughed alout,

617
00:31:10.440 --> 00:31:13.160
<v Speaker 1>even as he shook his head. I now recall helping

618
00:31:13.200 --> 00:31:15.480
<v Speaker 1>set up chairs for the Monarch's roof dot Just concert

619
00:31:15.519 --> 00:31:18.200
<v Speaker 1>in nineteen forty seven. Of course, Harriet, I'm too young

620
00:31:18.240 --> 00:31:21.079
<v Speaker 1>for that never happened. Yet I can describe the evening perfectly,

621
00:31:21.079 --> 00:31:23.240
<v Speaker 1>the lantains, the buzz of cicadas, the way the mame

622
00:31:23.279 --> 00:31:26.119
<v Speaker 1>has pronounced the penist's name. He let the memory flicker,

623
00:31:26.240 --> 00:31:29.359
<v Speaker 1>then dismissed it all. Invention, or perhaps invention is the

624
00:31:29.359 --> 00:31:32.720
<v Speaker 1>wrong word. Participation rather, a record isn't only what survives

625
00:31:33.039 --> 00:31:36.279
<v Speaker 1>but what's agreed upon inside these walls? I risked a

626
00:31:36.319 --> 00:31:40.279
<v Speaker 1>bolder question. Why does it stay within these walls? He considered,

627
00:31:40.400 --> 00:31:43.440
<v Speaker 1>eyes glimmering. Whatever it is a property of the building,

628
00:31:43.599 --> 00:31:45.799
<v Speaker 1>or of memory itself, it is tied to the library's essant.

629
00:31:45.880 --> 00:31:48.680
<v Speaker 1>Here we work stories and documents alike, And perhaps this

630
00:31:48.720 --> 00:31:52.400
<v Speaker 1>old place recognizes the spirit behind the effort outside memory

631
00:31:52.480 --> 00:31:55.599
<v Speaker 1>is your own responsibility within shared So the library keeps

632
00:31:55.640 --> 00:31:58.119
<v Speaker 1>its inventions inside, like a stage where the play depends

633
00:31:58.160 --> 00:32:00.400
<v Speaker 1>on its audience. I asked if he heard of this

634
00:32:00.519 --> 00:32:04.720
<v Speaker 1>uswhere in other libraries, archives, museums. He shook his head gently.

635
00:32:05.519 --> 00:32:08.119
<v Speaker 1>Some places savor their ghosts, Harriet, But here it's more

636
00:32:08.119 --> 00:32:10.519
<v Speaker 1>about the living story, memory, desire, and the act of

637
00:32:10.599 --> 00:32:15.160
<v Speaker 1>keeping record. Our conversation drifted toward practicalities, lost records, accident

638
00:32:15.240 --> 00:32:18.359
<v Speaker 1>or reconstructions, and the gratitudo to pass keepers from maintaining

639
00:32:18.440 --> 00:32:21.599
<v Speaker 1>enough ambiguity to let new stories breathe. As we parted,

640
00:32:21.640 --> 00:32:24.279
<v Speaker 1>mister Cable said, don't let it worry. Whatever the reason,

641
00:32:24.440 --> 00:32:26.759
<v Speaker 1>our library keeps history alive, not as it was, but

642
00:32:26.839 --> 00:32:29.079
<v Speaker 1>as it is needed. I left with a headful of

643
00:32:29.079 --> 00:32:33.400
<v Speaker 1>new questions. Philosophical, yes, but also emotional. Was the phenomenon

644
00:32:33.400 --> 00:32:35.799
<v Speaker 1>a simple property of the institution, a kind of kindness

645
00:32:35.799 --> 00:32:37.920
<v Speaker 1>for those who visit in search of kinship with the past.

646
00:32:38.680 --> 00:32:41.200
<v Speaker 1>Was it a deliberate design, an ancient tradition, or an

647
00:32:41.240 --> 00:32:44.079
<v Speaker 1>emergent behavior of a building filled with memories and hopes?

648
00:32:44.759 --> 00:32:47.559
<v Speaker 1>I felt a pull to expand my investigation beyond the monarch.

649
00:32:48.200 --> 00:32:50.920
<v Speaker 1>If the library could accommodate one phantom hotel, what else

650
00:32:50.960 --> 00:32:53.599
<v Speaker 1>would a peer if enough people recall, believed, or simply

651
00:32:53.640 --> 00:32:56.480
<v Speaker 1>wish it to be so, I began gently by inviting

652
00:32:56.519 --> 00:33:00.519
<v Speaker 1>the art students to recall other landmarks. Sabrina, always quick

653
00:33:00.519 --> 00:33:02.559
<v Speaker 1>to latch onto your story, spoke wistfully about the city

654
00:33:02.559 --> 00:33:04.640
<v Speaker 1>Aquarium at the old East Tarboro, a place she said

655
00:33:04.680 --> 00:33:08.240
<v Speaker 1>her father had visited as a child. Myles competitive as ever,

656
00:33:08.400 --> 00:33:11.359
<v Speaker 1>insisted he remembered the stone gargole atop city Hall. Graham

657
00:33:11.440 --> 00:33:14.400
<v Speaker 1>swore at wing to passes by during thunder storms, He said,

658
00:33:15.000 --> 00:33:18.279
<v Speaker 1>I played alarm. Have either of you ever seen the records?

659
00:33:18.839 --> 00:33:22.279
<v Speaker 1>We trooped through the archives together. I pulled folders at random.

660
00:33:22.359 --> 00:33:26.240
<v Speaker 1>Sure enough, account's surface for Sabrina Typerton. Pamphlets from the

661
00:33:26.319 --> 00:33:29.279
<v Speaker 1>nineteen fifties heralded the Willison Aquarium, prime feature of the

662
00:33:29.319 --> 00:33:32.920
<v Speaker 1>East Tarboro revitalization, complete with showtimes and faded photos, whose

663
00:33:32.960 --> 00:33:35.759
<v Speaker 1>fish and tanks I noted, seemed in distinct and entacinly

664
00:33:35.799 --> 00:33:39.799
<v Speaker 1>plausible rather than concrete for miles. City Hall maintenance locks

665
00:33:39.839 --> 00:33:42.839
<v Speaker 1>reference occasional repairs to the northern gargyle, and even included

666
00:33:42.839 --> 00:33:46.279
<v Speaker 1>a blurry photograph reminiscent of his grandfather's tale. The records

667
00:33:46.279 --> 00:33:49.559
<v Speaker 1>weren't just supporting current memory, that expanded it, transforming subtle

668
00:33:49.559 --> 00:33:52.839
<v Speaker 1>wishes into crispy, at slightly dream like facts. When pressed

669
00:33:53.039 --> 00:33:55.960
<v Speaker 1>near the student could recall the evidence outside the library's bounds.

670
00:33:56.079 --> 00:33:58.200
<v Speaker 1>I made them promise to check, and indeed they could

671
00:33:58.200 --> 00:34:01.920
<v Speaker 1>find none. I pressed further when I invited Missess Rider

672
00:34:02.000 --> 00:34:04.720
<v Speaker 1>to ruminisce about her family's supposed bakery. She waks poetic

673
00:34:04.759 --> 00:34:07.720
<v Speaker 1>about sorrow doos started from a French soldier's recipe passed

674
00:34:07.799 --> 00:34:11.559
<v Speaker 1>and three generations in the archive. The senses suddenly transformed,

675
00:34:11.800 --> 00:34:14.960
<v Speaker 1>listing her relatives as Baker's nineteen twelve nineteen thirty six.

676
00:34:15.679 --> 00:34:18.360
<v Speaker 1>The City Trade ledger included a writer of family bakery

677
00:34:18.400 --> 00:34:21.320
<v Speaker 1>famous for cousus, even though previous searches had labeled them

678
00:34:21.320 --> 00:34:24.639
<v Speaker 1>as school teachers. With each trial, the pattern grew firmer.

679
00:34:24.719 --> 00:34:27.559
<v Speaker 1>The tradition, whatever its source, was not simply a flaw

680
00:34:27.639 --> 00:34:30.000
<v Speaker 1>or relic, but a living response to communal desire for

681
00:34:30.039 --> 00:34:33.119
<v Speaker 1>coherence and meaning. Any narrative tended by more than one

682
00:34:33.119 --> 00:34:35.719
<v Speaker 1>person bloomed in the records as faithfully constructed as a

683
00:34:35.719 --> 00:34:39.000
<v Speaker 1>well loved myth. I tried an experiment with myself as

684
00:34:39.039 --> 00:34:41.920
<v Speaker 1>a sole source in the company of the others, I

685
00:34:41.960 --> 00:34:44.920
<v Speaker 1>introduced a made up restaurant, the Lantin Room. Within a

686
00:34:44.920 --> 00:34:47.360
<v Speaker 1>few minutes of describing its art deco lamps and favorite

687
00:34:47.400 --> 00:34:50.000
<v Speaker 1>place for afternoon tea and advertising brochure appeared in the

688
00:34:50.039 --> 00:34:53.079
<v Speaker 1>City Guide collection the Lantin Room, Fine Tees and scones.

689
00:34:53.280 --> 00:34:57.199
<v Speaker 1>Overlooking the essuary bookings recommended. The language was familiar, even

690
00:34:57.199 --> 00:34:59.880
<v Speaker 1>slyly self referential. I brought it out at the next

691
00:34:59.880 --> 00:35:03.079
<v Speaker 1>time Historical Society meeting and of course outdoors that returned

692
00:35:03.079 --> 00:35:06.119
<v Speaker 1>to a blank square in the City Directory. Each discovery,

693
00:35:06.280 --> 00:35:09.239
<v Speaker 1>rather than clarifying, rendered the world softer at the edges.

694
00:35:09.840 --> 00:35:12.400
<v Speaker 1>The library was not only shaping itself in response to

695
00:35:12.440 --> 00:35:14.920
<v Speaker 1>what people wished, but doing so consistently impute flee in

696
00:35:14.960 --> 00:35:16.920
<v Speaker 1>a way almost reverent to the idea of memory as

697
00:35:16.960 --> 00:35:20.239
<v Speaker 1>an act, not a relic. This realization drew me back

698
00:35:20.239 --> 00:35:23.599
<v Speaker 1>to the staff desk. Ness Chen, for all her skepticism,

699
00:35:23.679 --> 00:35:27.079
<v Speaker 1>agreed to observe my next experiment directly. I recruited a

700
00:35:27.119 --> 00:35:31.320
<v Speaker 1>small group mister Gurd, Missess Ryder, Sabrina, and Miles in

701
00:35:31.360 --> 00:35:33.559
<v Speaker 1>what I now thought of as a controlled group memory session.

702
00:35:34.039 --> 00:35:36.480
<v Speaker 1>We gathered by the referend shells and opposed a challenge.

703
00:35:36.639 --> 00:35:38.639
<v Speaker 1>Let recal together the time they may have fell into

704
00:35:38.639 --> 00:35:40.760
<v Speaker 1>the fountain of the monarch scala who wants to begin?

705
00:35:41.360 --> 00:35:43.920
<v Speaker 1>There was a moment of resistance, but the idea amused them,

706
00:35:44.000 --> 00:35:47.360
<v Speaker 1>so they joined in eagerly. Missess Ryder began a voiced

707
00:35:47.360 --> 00:35:49.679
<v Speaker 1>ine with melodrama. It was the winter of thirty nine,

708
00:35:49.719 --> 00:35:52.159
<v Speaker 1>I say, and the mayor, in his galoshes, step back

709
00:35:52.199 --> 00:35:54.920
<v Speaker 1>to wave at the crowd. Miles, not to be outdone,

710
00:35:55.079 --> 00:35:57.239
<v Speaker 1>insisted he'd read about it in the paper och Aves

711
00:35:57.400 --> 00:35:59.960
<v Speaker 1>front page. In fact, Maya Haskins drenched but un dawn

712
00:36:00.119 --> 00:36:03.599
<v Speaker 1>to the city's most memorable New Year's Eve. Sabrina contributed

713
00:36:03.599 --> 00:36:06.199
<v Speaker 1>details about the guests. My Gran further claimed the trumpet

714
00:36:06.199 --> 00:36:08.400
<v Speaker 1>player kept playing even as the Mayor sputtered up out

715
00:36:08.400 --> 00:36:12.159
<v Speaker 1>of the pool. The laughter that followed was infectious. After

716
00:36:12.239 --> 00:36:14.599
<v Speaker 1>ten minutes of Rider's invention and story telling, I checked

717
00:36:14.599 --> 00:36:18.039
<v Speaker 1>the archive shelf there filed between all press releases and

718
00:36:18.079 --> 00:36:21.119
<v Speaker 1>party programs, three leafless now documented at Galeen, loving and

719
00:36:21.199 --> 00:36:25.480
<v Speaker 1>probable detail monarch could help all. January two, nineteen thirty nine.

720
00:36:25.719 --> 00:36:29.960
<v Speaker 1>Mayors blushed charms Williston Society. One headline read the details

721
00:36:29.960 --> 00:36:33.320
<v Speaker 1>perfectly echoed the group's invention, including Myles's trumpet anecdote and

722
00:36:33.320 --> 00:36:37.719
<v Speaker 1>Sabrina's embroidered memory. The records reflected our group's laughter, matching

723
00:36:37.760 --> 00:36:41.320
<v Speaker 1>the morst enthusiastically offered versions. When I attempted to record

724
00:36:41.360 --> 00:36:44.239
<v Speaker 1>the conversation on my phone, the playback was unremarkable, no maya,

725
00:36:44.360 --> 00:36:47.480
<v Speaker 1>no fountain, merely a gentle chorus of reminiscing about routine

726
00:36:47.480 --> 00:36:51.760
<v Speaker 1>Gala's past. The evidence, I realized, was only ever accessible

727
00:36:51.800 --> 00:36:54.159
<v Speaker 1>within this chamber of invention, and only in the moment

728
00:36:54.840 --> 00:36:57.280
<v Speaker 1>after the session. I walked a mess chinned through each document,

729
00:36:57.360 --> 00:36:59.480
<v Speaker 1>letting her see with her own eyes how the archive flexed,

730
00:36:59.480 --> 00:37:03.880
<v Speaker 1>and realized. She allowed herself a rare, enigmatic smile. If

731
00:37:03.960 --> 00:37:06.559
<v Speaker 1>libraries have a purpose, perhaps It's less about accuracy than

732
00:37:06.559 --> 00:37:09.000
<v Speaker 1>it is about sustaining connection. The monarch, the bakery, the

733
00:37:09.000 --> 00:37:11.719
<v Speaker 1>winking Goggole, truth when you need them, plausible fictions when

734
00:37:11.719 --> 00:37:14.599
<v Speaker 1>you don't. I felt a shiver, but not of Koldovar.

735
00:37:15.239 --> 00:37:18.320
<v Speaker 1>The library was not a static vault, nor trickster's parlor game,

736
00:37:18.480 --> 00:37:20.800
<v Speaker 1>but an organism of history, alive to the presence and

737
00:37:20.840 --> 00:37:23.760
<v Speaker 1>the longing of those who entered. Determined to understand the

738
00:37:23.840 --> 00:37:27.519
<v Speaker 1>underlying nature, a probe deeper. When had disstarted? Was it

739
00:37:27.599 --> 00:37:30.480
<v Speaker 1>new or as ancient as the library itself? In the

740
00:37:30.559 --> 00:37:33.480
<v Speaker 1>basement I found a batted file marked Daft Guidance nineteen

741
00:37:33.519 --> 00:37:37.400
<v Speaker 1>thirteen nineteen fifty one, penciled between policies for overdue books

742
00:37:37.400 --> 00:37:40.239
<v Speaker 1>and best practices for repairing binding glue with strange cryptic

743
00:37:40.239 --> 00:37:44.519
<v Speaker 1>constructions prevent excessive Rukushnanka. Stories must sustain continuity. They do

744
00:37:44.639 --> 00:37:47.679
<v Speaker 1>not permit a group to divide on foundational accounts. There

745
00:37:47.679 --> 00:37:51.159
<v Speaker 1>was no further clarification. One line written in a foamer

746
00:37:51.239 --> 00:37:54.719
<v Speaker 1>hand stood out. Maintain communal memory, balanced, an invention and

747
00:37:54.800 --> 00:37:57.320
<v Speaker 1>recal Aka must reflect the story as wish never is

748
00:37:57.400 --> 00:38:01.320
<v Speaker 1>world by one alone, I was left blinking here century

749
00:38:01.360 --> 00:38:04.559
<v Speaker 1>ago someone acknowledged a very effect I was investigating, demanding

750
00:38:04.599 --> 00:38:08.199
<v Speaker 1>not proof, but participation on a lock. I emailed colleagues

751
00:38:08.239 --> 00:38:12.039
<v Speaker 1>in other cities. I wrote to archivists, to historical society friends,

752
00:38:12.199 --> 00:38:15.960
<v Speaker 1>even the regional librarians group. Some replied with amuse stories

753
00:38:16.000 --> 00:38:18.960
<v Speaker 1>of cataloging errors and urban legends, but nothing close to

754
00:38:18.960 --> 00:38:22.880
<v Speaker 1>Williston's anomaly. One a distant cousin in Boston, described a

755
00:38:22.920 --> 00:38:24.920
<v Speaker 1>haunted ledger boxer. But this story turned out to be

756
00:38:24.960 --> 00:38:27.199
<v Speaker 1>the work of a clever prankster, not a real writing

757
00:38:27.199 --> 00:38:30.159
<v Speaker 1>of history. Either our library was an outlier, or its

758
00:38:30.159 --> 00:38:33.480
<v Speaker 1>secret was fiercely banded by place practice or unspoken tradition.

759
00:38:34.079 --> 00:38:37.880
<v Speaker 1>My understanding then crystallized. Whatever was happening was not just rare,

760
00:38:37.920 --> 00:38:41.000
<v Speaker 1>but possibly unique, shaped by the fabric physical, social, and

761
00:38:41.079 --> 00:38:44.320
<v Speaker 1>narrative of this building and its community. Fact and fiction,

762
00:38:44.480 --> 00:38:48.119
<v Speaker 1>memory and wish, documentation and anecdote altisted together, held delicately

763
00:38:48.119 --> 00:38:51.960
<v Speaker 1>in local prison consensus. One rainy Thursday, with the library

764
00:38:52.039 --> 00:38:54.639
<v Speaker 1>quietly buzzing and the usual suspects ready across the reading room,

765
00:38:54.719 --> 00:38:57.719
<v Speaker 1>I found myself called to the main desk mess Chen

766
00:38:57.760 --> 00:39:00.960
<v Speaker 1>beckon me over a donation just arrived for archives. Would

767
00:39:01.000 --> 00:39:04.199
<v Speaker 1>you help me inventory. Inside the box were newspaper clippings,

768
00:39:04.239 --> 00:39:06.920
<v Speaker 1>social programs, a glossy black and white photograph of the

769
00:39:06.920 --> 00:39:08.960
<v Speaker 1>Monarch's bolroom, its effect creeping in as soon as I

770
00:39:08.960 --> 00:39:11.679
<v Speaker 1>lifted it from the pile. A hastily penned letter on

771
00:39:11.760 --> 00:39:14.519
<v Speaker 1>fix station area, dated nineteen thirty five referenced the last

772
00:39:14.599 --> 00:39:17.559
<v Speaker 1>night's splendid performance at the Monarch. Yet, even as the

773
00:39:17.599 --> 00:39:20.360
<v Speaker 1>items said ap to, something tugged in my mind. What

774
00:39:20.400 --> 00:39:22.920
<v Speaker 1>would happen? I mused if group memory didn't just invent

775
00:39:23.039 --> 00:39:26.639
<v Speaker 1>but disagreed, would the library choose the most convincing story,

776
00:39:26.760 --> 00:39:29.519
<v Speaker 1>or would it splinter? I turned to mister Goode, who

777
00:39:29.519 --> 00:39:32.360
<v Speaker 1>had come back to Brows. Would you help me test something?

778
00:39:32.960 --> 00:39:35.400
<v Speaker 1>I explained the experiment. We would try to recall the

779
00:39:35.400 --> 00:39:39.599
<v Speaker 1>monarchosing a grand masquerade versus simultaneously spankruptcy and abrupt closure

780
00:39:39.599 --> 00:39:42.920
<v Speaker 1>before such a vent could occur. Predictably, as we pulled volumes,

781
00:39:42.920 --> 00:39:45.599
<v Speaker 1>the records flickered, for supporting the masquerade, then referencing a

782
00:39:45.639 --> 00:39:49.119
<v Speaker 1>bankruptcy notice. But as we bickered, teasing each other, the

783
00:39:49.159 --> 00:39:52.199
<v Speaker 1>archives settled ambiguously, littering the files with references to a

784
00:39:52.199 --> 00:39:54.800
<v Speaker 1>contentious final gala cut short by financial wars a knight,

785
00:39:54.840 --> 00:39:59.039
<v Speaker 1>Both extravagant and troubled inconsistencies had not simply vanished. Instead,

786
00:39:59.159 --> 00:40:02.440
<v Speaker 1>they merged into store lory broad enough to contain a contradiction, howmonious,

787
00:40:02.519 --> 00:40:05.920
<v Speaker 1>Despite its duality, I let out a long breath. The

788
00:40:06.000 --> 00:40:10.199
<v Speaker 1>library did not, after all, enforce a single version of events. Instead,

789
00:40:10.280 --> 00:40:13.280
<v Speaker 1>it preserved the consensu splending tales, smoothing rough spots, and

790
00:40:13.360 --> 00:40:16.880
<v Speaker 1>ensuring nobody's perspective was washed away entirely. The act of

791
00:40:16.920 --> 00:40:19.719
<v Speaker 1>negotiating memory was the point, and the process itself was

792
00:40:19.760 --> 00:40:23.480
<v Speaker 1>what remained. That realization struck like an awakening. The true

793
00:40:23.519 --> 00:40:26.320
<v Speaker 1>anomaly was not the monarch, nor the bakery, nor any

794
00:40:26.360 --> 00:40:30.119
<v Speaker 1>single invention. It was the library's gentle, relentless commitment to

795
00:40:30.119 --> 00:40:32.760
<v Speaker 1>communal memory, not as a fossilization of fact, nor as

796
00:40:32.760 --> 00:40:34.880
<v Speaker 1>a tyranny of the lardest voice, but as a living

797
00:40:34.880 --> 00:40:39.199
<v Speaker 1>ecology where stories grew, collided, and reconciled. Within these walls,

798
00:40:39.360 --> 00:40:42.440
<v Speaker 1>memory and possibility braided themselves into fabric both richer and

799
00:40:42.480 --> 00:40:45.679
<v Speaker 1>stranger than mere reco I thought, then, of every classroom

800
00:40:45.719 --> 00:40:48.360
<v Speaker 1>might ever run, every family argument about whose version of

801
00:40:48.360 --> 00:40:51.320
<v Speaker 1>a story was correct, every community's longing for a shared past.

802
00:40:52.039 --> 00:40:54.760
<v Speaker 1>In the library's curated magic, those tensions became the heart

803
00:40:54.800 --> 00:40:58.079
<v Speaker 1>of history, inviting not passivity but participation, not mere observation

804
00:40:58.119 --> 00:41:01.639
<v Speaker 1>of evidence, but joyful collective shaping. I felt myself grinning

805
00:41:01.679 --> 00:41:04.440
<v Speaker 1>at the absurdity and the beauty of it all. Here,

806
00:41:04.519 --> 00:41:07.840
<v Speaker 1>perhaps was the Library's greatest secret, not its archives, but

807
00:41:07.880 --> 00:41:09.800
<v Speaker 1>its ability to hold people together in the making and

808
00:41:09.840 --> 00:41:12.519
<v Speaker 1>remaking of what mattered. And in that moment I no

809
00:41:12.599 --> 00:41:15.800
<v Speaker 1>longer felt the compulsion to solve or catalog the monarch's existence,

810
00:41:15.920 --> 00:41:19.519
<v Speaker 1>nor any invented landmark. I wandered instead to gather more

811
00:41:19.519 --> 00:41:22.199
<v Speaker 1>people and to invite the dance of recollection, invention, and

812
00:41:22.239 --> 00:41:26.079
<v Speaker 1>friendly contradiction. The Library's magic, if magic it was, could

813
00:41:26.119 --> 00:41:28.360
<v Speaker 1>not be bottled or removed. It was an act, a ritual,

814
00:41:28.360 --> 00:41:31.719
<v Speaker 1>a quietly radical kind of hospitality. Packing my bag that night,

815
00:41:31.880 --> 00:41:34.639
<v Speaker 1>I sensed that the boundary between remembering and inventing, preserving

816
00:41:34.679 --> 00:41:36.840
<v Speaker 1>and revising was not a line to police, but a

817
00:41:36.840 --> 00:41:39.760
<v Speaker 1>field in which to play together. We carried our histories

818
00:41:39.800 --> 00:41:43.480
<v Speaker 1>here as invitations rather than decrees. Every time someone crossed

819
00:41:43.480 --> 00:41:46.440
<v Speaker 1>the doors, the stories began anew. The monarch faded as

820
00:41:46.440 --> 00:41:49.360
<v Speaker 1>they stepped outside, a gentle dissolution rather than a vanishing.

821
00:41:49.880 --> 00:41:52.599
<v Speaker 1>The ante lot on Suthkrofft awaited the city's next intention,

822
00:41:52.960 --> 00:41:57.440
<v Speaker 1>patiently unchanged that evening, walking home beneath the quavering street lights,

823
00:41:57.480 --> 00:41:59.599
<v Speaker 1>I felt more than satisfied. I felt wonder the sore

824
00:41:59.679 --> 00:42:04.000
<v Speaker 1>I tried and sometimes failed to inspire in decades of students, history,

825
00:42:04.079 --> 00:42:07.119
<v Speaker 1>I realized is never truly passed, but only as complete

826
00:42:07.119 --> 00:42:10.840
<v Speaker 1>as the love, memory, and curiosity brought to its telling. Later,

827
00:42:10.960 --> 00:42:14.039
<v Speaker 1>composing my next historical society talk, I found myself more

828
00:42:14.079 --> 00:42:17.599
<v Speaker 1>careful with each anecdote. I left space for contradiction, for

829
00:42:17.719 --> 00:42:21.719
<v Speaker 1>overlapping truce, for revisions and interruptions. I no longer saw

830
00:42:21.760 --> 00:42:23.599
<v Speaker 1>that as a weakness, but as the passion and some

831
00:42:23.760 --> 00:42:27.320
<v Speaker 1>of community itself. The monarch was gone, yet its impression

832
00:42:27.400 --> 00:42:30.400
<v Speaker 1>lingered warmly. If tomorrow the students wanted to seek the

833
00:42:30.480 --> 00:42:32.920
<v Speaker 1>Vickery or mister Good to insist on his vanished monument,

834
00:42:32.960 --> 00:42:36.039
<v Speaker 1>I would open the records right alongside them. As a teacher,

835
00:42:36.079 --> 00:42:39.280
<v Speaker 1>I always told my students find the story. As a retiree,

836
00:42:39.320 --> 00:42:41.280
<v Speaker 1>I have come to believe, humbly and fiercely that the

837
00:42:41.320 --> 00:42:43.239
<v Speaker 1>story finds you if you step wide eyed through the

838
00:42:43.280 --> 00:42:46.719
<v Speaker 1>right doorway, among companions ready to dream. So what in

839
00:42:46.760 --> 00:42:49.519
<v Speaker 1>the end did I learn from the monarch? That history

840
00:42:49.559 --> 00:42:52.199
<v Speaker 1>is never finished, that places may be as porous as memories,

841
00:42:52.400 --> 00:42:54.679
<v Speaker 1>and that the boundaries of fact and fiction cannot, perhaps

842
00:42:54.719 --> 00:42:57.519
<v Speaker 1>should not be so strictly drawn. If the monarch hotel

843
00:42:57.559 --> 00:43:00.239
<v Speaker 1>could be conjured so vividly here among these granite walls,

844
00:43:00.400 --> 00:43:03.079
<v Speaker 1>what other phantoms flicker through the archives, waiting for the

845
00:43:03.119 --> 00:43:06.239
<v Speaker 1>right eyes, the right question, the right delight. I wonder

846
00:43:06.360 --> 00:43:08.760
<v Speaker 1>sometimes if it's less about recording the world than about

847
00:43:08.760 --> 00:43:10.880
<v Speaker 1>expanding it to one story at a time, with each

848
00:43:10.960 --> 00:43:14.440
<v Speaker 1>new listener, each return through the library's doors. Perhaps that's

849
00:43:14.480 --> 00:43:19.039
<v Speaker 1>what libraries are for, and that is the end. Thank

850
00:43:19.079 --> 00:43:20.639
<v Speaker 1>you for listening, and I will see you in the

851
00:43:20.679 --> 00:43:24.559
<v Speaker 1>next one.
