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Speaker 1: Today's show is dedicated to the memory of Dawn T. Tibbetts.

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Speaker 2: You are listening to W.

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Speaker 3: M and H.

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Speaker 4: World Premiere.

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Speaker 5: Flare City Lights, Breezing Swove Many.

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Speaker 6: But you know no, male, I need you to know

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I M not.

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Speaker 7: Don't take your figures. How the chance you.

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Speaker 8: Have the money is a feeling like a le.

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Speaker 7: Take you over and your other at the time tain

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it with your waist. Came just a seeing.

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Speaker 6: Time my house came so I can see it, says,

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somebody learn to change me.

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Speaker 7: She can't be happen the same.

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Speaker 9: Job to quit you jot my face now the real

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to teamp just twenty five.

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Speaker 7: House, mabing, not to take your maga. Somebody chant yet

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and use a feel like I'm as well take.

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Speaker 6: You out to all the time, staying with.

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Speaker 10: You where you go, just out the sea that I'm proud.

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Speaker 8: Of my house.

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Speaker 7: I'm shut up like you see it you say.

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Speaker 6: About I'm fly your other change just you can't say

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just out of seas so m shut somebody to see it,

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say the mother change.

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Speaker 7: You can save it.

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Speaker 8: To time.

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Speaker 7: The baby you're killing me high can sands sa sa

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jis so shout some sa SA.

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Speaker 6: Dreams so saying same sad s.

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Speaker 1: Three times seven. Wait, not save, wait, I'm begging for

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my baby.

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Speaker 10: Don't wait, oh, open up your hot.

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Speaker 11: Whoa not save?

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Speaker 7: Wait?

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Speaker 11: Oh wait, oh wait. It was Sunday evening, and all

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my worlds were clear and my eyes were dry.

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Speaker 7: To spam my fear.

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Speaker 1: But I was trying to cross the sun.

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Speaker 11: When I got your whole cold half the radio long,

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I began to star wait, oh, begging for my baby.

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Don't wait, don't butt up your heart, not Sadway's.

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Speaker 7: Home wait oh wait. Sometimes I'm lonely. Sometimes I wanna

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be alone. Sometimes I'm freezing. Sometimes I need that cold.

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Speaker 1: Sometimes you're shine.

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Speaker 3: It's overrighthead. I'm staring at the sun. You wanna spend

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the night with you with the light on. Wait, begging

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but my baby, don't wait, don't know, butt up.

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Speaker 7: Your heart, not Sadway.

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Speaker 3: Wait, oh wait, I.

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Speaker 7: I want want, I want you.

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Speaker 11: Leavese wait beg him for my baby to wait, orpen

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up your.

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Speaker 7: Heart, not save, wait, begging for my baby to wait.

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Ll burn up.

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Speaker 10: So I beg you for my baby to.

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Speaker 7: Leave. Thank you for my baby to.

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Speaker 3: You leave.

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Speaker 7: A line began for my baby to leave all the way.

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Thank you for my baby to wait on you.

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Speaker 1: Who oh there it is as promised. We got some

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brand new theme music for the show this week that

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we're debuting our great friend Dylan Reynolds from Atomic Audio

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or actually it's Atomic Artwork and Audio. He does both

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and is amazing at both, very very talented guys. So

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we love our friend Dylan Reynolds. And you'll be hearing

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new bumpers and other audio elements throughout the show, so

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really really great stuff. So welcome everybody. Matt connorton Unleashed.

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We are live from the studios of wm NH ninety

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five point three FM and Glorious Manchester, New Hampshire. Of course,

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also streaming everywhere. You can go to Matt connerton dot

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com slash live and find all your live streaming options

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and contact info, show archives, social media links, et cetera,

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et cetera. It is Saturday, June twenty eight, two thy

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twenty five, and I am not alone.

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Speaker 8: Good morning, sunshine.

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Speaker 1: Jenny is here at the news table, present and account

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of for do we want to talk about this morning?

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What's that? Do we want to talk about this morning?

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What about it when you came out dressed? Oh yeah,

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we both. We both wore our awaiting Abigail shirts with

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no planning. So I I worked south the room and

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I'm just like, oh, no way, yeah, it'd be it'd

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be one thing if they were on the show today

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that that would be an exception, but they're not. Yes, yeah,

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So I went back. I put on my troll shirt.

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Another great recent guest. But yeah, we love, Yes, we do, Yes,

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we did. Absolutely. I just thought that was really fun.

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That was that was yes, I know, what are the odds?

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I know, love the new theme song? What's that? Oh yeah, yeah,

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absolutely absolutely. So we've got a we've got a busy

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show ahead of us, and we have some great guests

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in studio. Let me get those mics on. And one

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of these gentlemen has been on the show before, Jake Young.

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Well you go buy Jake or.

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Speaker 12: Jacob usually depends on the context. Yeah, right now, I'm Jake.

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Speaker 1: Right now, you're Jake. Okay, good, good, let's remember and

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uh you sir. Let's let's go around and have the

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uninitiated introduced themselves of course. Oh and by the way,

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the band is parietal I which I did learn how

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to say. I'm saying it correctly, right, Oh, yeah, pull

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that pull that mic up, my friend.

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Speaker 12: That's pretty good.

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Speaker 13: Nice pronunciation. Hi, I'm Dan Lugi. I'm the drummer.

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Speaker 1: I write some of the songs and okay, yeah, excellent,

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Welcome Dan, Thank you. And who do we have over here?

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Speaker 14: I'm Tim?

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Speaker 1: You're Tim?

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Speaker 14: Is that coming through?

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Speaker 2: Yeah?

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Speaker 1: Oh yeah, I can sweet.

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Speaker 14: Yes, I am Tim. That is me guitar.

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Speaker 1: Very good. But you guys actually, uh, you switch around, right,

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You switch instruments at at some point during your live set,

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which I know, which I know you're gonna do today.

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So for those who are watching the video feed, because

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people might be confused and they might think that they've

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accidentally ingested something on a Saturday morning when all of

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a sudden everyone's doing something different. But but you guys

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are because you're gonna play a couple of live songs

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for us today, which we're very excited about. But but

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you actually switch instruments, which I think is cool. But

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I think should we start, maybe we should play one

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of the studio tracks, and then because you got a

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couple of brand new studio tracks, right, and then when

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we come back from that, we'll we'll hear one of

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the one of the live ones. How does that sound?

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Speaker 12: That sounds awesome?

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Speaker 1: And by the way, and by the way, the studio

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tracks that we're playing today, because you sound a couple

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of them that are they're brand new?

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Speaker 15: Right?

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Speaker 1: These have not been heard, not been heard on the radio.

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Are they available for streaming yet?

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Speaker 3: Or no?

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Speaker 12: They probably won't be while not in your.

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Speaker 1: Right right, they're already playing in the UK probably right?

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Which one? Which one should we play first? Well, we'll

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get them both in at some point. Should we start

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with breathe?

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Speaker 12: Oh?

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Speaker 13: Yeah, okay, just finished mixing it?

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Speaker 12: Well really Mike.

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Speaker 13: Clark who was on last week?

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Speaker 7: Oh, very good.

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Speaker 12: Yeah, Clark Creative Studios in Amherst, New Hampshire.

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Speaker 1: Yeah, that's right. Yeah. If you missed last week's show,

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go back and check it out. Mike Clark was here

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along with mister Murphy from the course, the Murphy Clark Band.

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And you know it's funny. Yeah, small world or small

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scene I guess because as we were as those guys

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were leaving last week, so we had Aaron Billdeoh. I

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don't know if you has no Aaron fantastic bass player,

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but he was coming in and he says to Mike,

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he goes, hey, a band I was in called Changeup Season.

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We recorded with you twenty years ago and Mike, Mike

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didn't remember that because obviously he's recorded probably thousands of

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different artists. But but yeah, that was kind of funny.

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But yeah, let's play this and I'm going to give

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it the world radio premiere treatment because this has not

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been heard anywhere. So this is brand new from Parietal

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I and this is called Breathe.

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Speaker 7: You are listening to till Um and h.

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Speaker 4: World premiere.

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Speaker 7: M in the middle of the.

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Speaker 16: Love seeing nothing said, we're nothing to lose, nothing to fall.

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We're making the mount through that in the night, not

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where the mout comes as see.

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Speaker 7: Yo, see your.

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Speaker 17: Life now finally found the sound.

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Speaker 7: It's I don't know.

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Speaker 16: We're gonna search the land, running through the brush, shot

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out of the.

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Speaker 18: Trees, all of you kill me with all the things.

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You don't shut down and no shot try to in

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the bastrooms, passing baby down.

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Speaker 7: He takes my saint bam age on bad place, the

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speak of that mister breakers going out the.

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Speaker 19: Stays to get my father, got fuddle just over to me,

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shut round, bah no, no.

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Speaker 7: It's the bay these people do so.

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Speaker 20: Wait waiting back home wait, just say said take down people,

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because you see it's down.

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Speaker 18: Say you down, miss myda. Take sure keeps me about nine.

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Speaker 7: The biggest seen too. Not to stop go to the girls,

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but just raptle. He's about the fire instead of me.

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You know the tree even forty sea. Oh no, not

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the desire for the king that I never been docking

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not cher cher.

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Speaker 21: A.

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Speaker 7: She I can't bred rock, I can't break lock it

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now does this place go forever?

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Speaker 20: But at this place going around I can't do with

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the big boy makes people.

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Speaker 10: The same.

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Speaker 1: Oh that is just epic. That is so good. Great job, guys,

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Thank you is here with us in studio. We got

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Dan h Tim and of course Jake who's been here

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before with cham the Young's.

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Speaker 21: Yeah.

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Speaker 1: And then we were talking, of course after that about

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parietal eye. So what does that mean? What does parietal mean?

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For those who don't know, which is probably everybody, because

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I'd never heard that word in my life, and I

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have a pretty good vocabulary, but I had no idea.

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Speaker 14: Yeah, So lizards, famously they have this like third eye

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kind of thing. It's called a parietal eye. You have

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a lobe in your brain, the parietal lobe.

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Speaker 13: We all got it.

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Speaker 14: We all have a lizard brain on some level. But

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that's what we're alluding to.

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Speaker 3: You know.

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Speaker 14: It's sort of like a like a third eye, but

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like less mystical because we are men of science and

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there's three of us.

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Speaker 12: Third eye, it's all, there's so many connections.

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Speaker 1: Yes, yes, well that makes sense.

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Speaker 13: And we chose the band name a long time ago.

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Speaker 12: Yeah. I found it in like a high school textbook.

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Speaker 1: Kid.

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Speaker 12: Yeah, I was like, that's a cool name.

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Speaker 13: We kept trading back and forth on band names really

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so long.

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Speaker 1: And do you remember any of the I love rejected

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band names? Do you guys remember any of the ones?

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Yeah you thought?

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Speaker 10: Really?

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Speaker 12: Yeah, guys, I don't the splurge.

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Speaker 14: The splurg Yeah, oh boy, yeah, I think we're gonna

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stop it there.

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Speaker 1: Mandolin Hogy though, I don't know how you passed on

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that one. Wow.

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Speaker 12: That well that's our alter ego.

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Speaker 1: Oh really yeah?

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Speaker 7: Yeah yeah.

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Speaker 12: When I have the mandolin on, it's Mandolin Hogy.

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Speaker 1: Oh all right.

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Speaker 13: Well we were avalon Blue for a short time, regrettably.

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Speaker 14: So also, Dan and I together we are the lesser

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of two seagulls.

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Speaker 1: Okay, okay, yeah, very nice, very nice. Well, you guys

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so you're all set up. You you want to play

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something live for us?

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Speaker 12: Yes, because of Lizard.

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Speaker 1: Saying, so if you are just joining us parade alas

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here with us alive in studio, they're gonna play something

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live and then after that we're gonna hear another another

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brand new single that they sent to us. But uh yeah,

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I'm dying to here, dying to hear you guys. Oh oh,

250
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I got just like not touch that. Yeah, no worries,

251
00:22:09,160 --> 00:22:12,079
no worries, all right, I gotta turn I gotta pull

252
00:22:12,160 --> 00:22:16,720
that down a little bit there, let's see. Okay, welcome everybody,

253
00:22:16,799 --> 00:22:20,240
good good, And then can you strum a little bit?

254
00:22:24,759 --> 00:22:31,160
Oh yeah, yeah, okay, and you're gonna sing on this one?

255
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Yeah okay, all right, pardal lies here with this live

256
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and studio. What are you guys gonna play for us?

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Speaker 13: This is a little diddy known as Lizard on Me.

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Speaker 1: All right, Lizard Onomy Pridal Lie, Lizard on Me, Lizard

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on me, a fella in river.

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Speaker 7: I'm away with the Lizard.

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Speaker 9: Wizard speed Bo, Lizard Rangers, Wizards been Ba Lizard Rangers

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Wizard speed Ba, Lizard Rangers Wizards been Ba.

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Speaker 15: A new emp science has begun on lizard insurrection against

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the wizard direction. It hurts the econ of me when

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the lizards on top of.

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Speaker 22: Me love with the polities. We're all lizards, all sticks.

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I'm lost in the pharest, I'm lost in the phone.

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Speaker 9: Wizard Speed Bam, Lizard Rangers, Wizard Speed Bam, Lizard Rangers,

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Wizard Speed, Bah Lizard Rangers Wizard Speed Bah.

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Speaker 7: Science is all about to change the lizard in the shan.

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Speaker 10: At the King's calling name, shunk.

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Speaker 7: Down, riding the stage.

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Speaker 15: Modern before a stage is the longer revactive?

274
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Speaker 23: Fell in love with the list. Somewhere out in this forest,

275
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can you please help me? Mister I'm all alone in

276
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this pony.

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Speaker 7: Swim away with the list. Now I'm lost in this forest?

278
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Can you please help me, mister lost in the fall.

279
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Speaker 1: That was awesome? So going on my playlist, my new

280
00:25:53,759 --> 00:25:54,759
favorite band I think.

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Speaker 7: Now I'm like, I wish they were playing more live.

282
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Speaker 1: I know that's fair. That was awesome. It is seriously

283
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going on my playlist. Well, they are going to do

284
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another one live, but we're gonna give him a chance

285
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to switch things around, so we'll go another studio track.

286
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Gospel of the Platypus was this also recorded with Mike.

287
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Speaker 12: Mike k Yeah, excellent, excellent and in my bedroom, oh

288
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really yeah, oh yeah, lots of sweaty bedrooms. The song

289
00:26:19,799 --> 00:26:23,759
was passed around many years, many years.

290
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Speaker 13: Oh really yeah, yeah, we've been working on an album

291
00:26:26,440 --> 00:26:28,440
for a long time. Yeah, not even that close to.

292
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Speaker 12: This is the title track of the album. Oh, Gospel

293
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of the plats.

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Speaker 1: All right, very good. Here it is Gospel of the Platypus.

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And this is parida lie.

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00:27:01,000 --> 00:27:08,079
Speaker 24: Desperate in the yearning for your result to the think

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00:27:08,319 --> 00:27:21,960
goodle creving mom, always legeny, lesson.

298
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Speaker 25: Learned from all that we have seen, all the serf

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corrupting my end of your course golden.

300
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Speaker 12: And forcing gain.

301
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Speaker 3: Ye.

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Speaker 7: But do I get love with the rewad of friendship?

303
00:27:59,039 --> 00:28:02,400
And listen to a teacher?

304
00:28:02,880 --> 00:28:08,720
Speaker 9: Oh victim, a preacher, no religion, a stupid a listener.

305
00:28:09,160 --> 00:28:15,599
Speaker 7: O love with that conviction the teacher. It about preacher.

306
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Speaker 9: No religion, a stupid to listener, love with our conviction.

307
00:29:10,160 --> 00:29:12,359
Speaker 7: Not so strange.

308
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Speaker 6: School school?

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Speaker 7: Can we do ourselves in it too?

310
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Speaker 6: I feel like for all this, sat think that you

311
00:30:57,559 --> 00:31:16,079
can get a squeaking that we shall know yet jost

312
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man of the JJ thing me shill be knowing jo.

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Speaker 1: I love it. That is Gospel of the Platypus. The

314
00:32:09,440 --> 00:32:11,480
band is Pride a Lie and they are here with

315
00:32:11,640 --> 00:32:15,000
us alive in studio, and uh, you know, you guys

316
00:32:15,079 --> 00:32:19,400
really explore that that loud, soft dynamic, but in unconventional ways,

317
00:32:19,480 --> 00:32:23,079
you know, because obviously from a songwriting standpoint, this standard

318
00:32:23,200 --> 00:32:25,880
is you know, soft chorus, loud, I mean soft verse,

319
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loud chorus and so forth. But you guys are kind

320
00:32:28,400 --> 00:32:30,480
of unpredictable with it. But but I love it. I

321
00:32:30,559 --> 00:32:32,240
love it. Sounds really good. I just realized I didn't

322
00:32:32,519 --> 00:32:33,400
put your mics on there you go.

323
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Speaker 12: Thank you so much.

324
00:32:35,359 --> 00:32:38,680
Speaker 1: Absolutely, And uh so these guys are gonna they're gonna

325
00:32:38,680 --> 00:32:41,720
play another one live for us. Uh. There, they have

326
00:32:42,039 --> 00:32:45,519
switched up instruments a bit. Let me let me make

327
00:32:45,559 --> 00:32:47,359
sure we can hear that bass. Go ahead, and uh,

328
00:32:48,680 --> 00:33:03,240
let's see heard a clip. There we go, gotcha? Okay, no, no, no,

329
00:33:03,319 --> 00:33:07,759
I think that's I'm just kind of playing with these level.

330
00:33:07,839 --> 00:33:09,640
We got that stereo mic there, so I'm kind of

331
00:33:09,640 --> 00:33:13,799
playing with these levels a little bit and stroum that

332
00:33:13,960 --> 00:33:26,759
guitar a little bit, if you would please. Yeah, the

333
00:33:26,880 --> 00:33:30,680
perils of live radio. That's all right, though, that's that's

334
00:33:30,759 --> 00:33:32,359
part of the fun. That's the adventure of it all.

335
00:33:32,920 --> 00:33:35,200
Speaker 12: Kim will never let you get get past it.

336
00:33:35,839 --> 00:33:42,680
Speaker 1: All right, nice, Actually turn that up a little bit here, Okay,

337
00:33:42,880 --> 00:33:44,680
all right, what are you guys gonna play for us?

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Speaker 13: This one's called the Tears. I cried parentheses on rainy days.

339
00:33:49,559 --> 00:33:55,400
Speaker 1: All right, pride a lie live in studio, you.

340
00:33:55,480 --> 00:34:10,920
Speaker 8: Can ss wana cry.

341
00:34:15,960 --> 00:34:27,039
Speaker 1: Songs and the way you feel, guys. I apologize. You

342
00:34:27,119 --> 00:34:28,480
sound so good. I want to make sure I do

343
00:34:28,599 --> 00:34:31,599
this right. And your vocal was way too loud and

344
00:34:31,639 --> 00:34:36,519
I couldn't correct it in real time. So yeah, let's yeah,

345
00:34:36,639 --> 00:34:43,960
let's let's do that. Let's let's yeah, yeah try that. Yeah, sorry,

346
00:34:44,039 --> 00:34:46,039
got yeah, Oh that happens all the time. Don't worry

347
00:34:46,079 --> 00:34:50,159
about that. I just want to I just want to

348
00:34:50,199 --> 00:34:51,760
make sure we do right by you, guys, because you

349
00:34:51,840 --> 00:34:54,280
sound so good and and I don't usually interrupt a

350
00:34:54,360 --> 00:34:56,599
performance like that. I apologize, but I just I realized,

351
00:34:56,599 --> 00:34:59,039
I was like, we gotta we gotta fix this, so again,

352
00:34:59,119 --> 00:35:01,360
live radio, let's you venture of it. But yeah, that'll

353
00:35:01,400 --> 00:35:04,599
that'll probably work really well. That should work good. Actually,

354
00:35:04,719 --> 00:35:06,559
just go and strum and sing a little bit. Let's

355
00:35:06,559 --> 00:35:14,320
just see how that sounds. Enough, let's sing sing a

356
00:35:14,360 --> 00:35:25,880
little too while you're playing. Can you move that mic

357
00:35:26,119 --> 00:35:28,760
back a little, just a little bit closer to know

358
00:35:29,079 --> 00:35:31,480
a little yeah, yeah, okay, sing sing a little more

359
00:35:31,480 --> 00:35:41,320
in strum if you would till tilt tilted, yeah no, no,

360
00:35:41,480 --> 00:35:46,119
back back up. Yeah, okay, I think that'll work. Yeah, okay, cool,

361
00:35:46,360 --> 00:35:47,360
thank you, thank you guys.

362
00:35:48,199 --> 00:35:51,039
Speaker 12: Okay, all right, I think we're I could just listen

363
00:35:51,079 --> 00:35:57,119
to this all day, all right, Sorry.

364
00:35:56,920 --> 00:35:59,320
Speaker 1: About that, everybody, Although some people will probably think that's

365
00:35:59,320 --> 00:36:01,639
interesting to hear how this works on a lot radio show.

366
00:36:01,639 --> 00:36:03,119
So I hope, so, I hope.

367
00:36:03,159 --> 00:36:06,360
Speaker 12: So, yeah, we are experimental rock rock.

368
00:36:07,840 --> 00:36:10,519
Speaker 1: There you go. All right, guys, all right, I think

369
00:36:10,559 --> 00:36:12,440
we're I think we're good. Go for it whenever you're ready,

370
00:36:12,559 --> 00:36:14,440
pride to lie live in studio.

371
00:36:22,639 --> 00:36:27,199
Speaker 7: Inside Fana cry.

372
00:36:30,400 --> 00:36:35,559
Speaker 10: They don't say them all the way you feel to.

373
00:36:37,679 --> 00:36:42,360
Speaker 15: So trying tell me what you do with with down

374
00:36:43,480 --> 00:36:46,760
onto myntalump names.

375
00:36:46,880 --> 00:36:53,119
Speaker 7: You don't by that secret. I don't think it's fine

376
00:36:54,840 --> 00:37:01,880
taking me out in my mind the reading case. I

377
00:37:02,039 --> 00:37:03,679
want you to have been mine.

378
00:37:04,280 --> 00:37:06,360
Speaker 24: I'm in line, darling.

379
00:37:07,880 --> 00:37:18,480
Speaker 7: Let me back inside. What's one more time you need

380
00:37:18,559 --> 00:37:21,960
to see the room in the hillside un.

381
00:37:23,639 --> 00:37:27,599
Speaker 26: Warn't worth learnt worst time.

382
00:37:29,920 --> 00:37:31,119
Speaker 10: To your side.

383
00:37:42,039 --> 00:37:43,960
Speaker 7: And barely.

384
00:37:45,360 --> 00:37:53,280
Speaker 26: Soon again barely, but I desmin, I can't even be

385
00:37:53,480 --> 00:37:58,599
showing the story changed things A waking, a thirsty what's

386
00:37:58,639 --> 00:37:59,119
your rooming?

387
00:38:00,280 --> 00:38:01,360
Speaker 10: Know it's your man on.

388
00:38:01,440 --> 00:38:11,320
Speaker 27: The floor, baby side, Bye bye, your body got in

389
00:38:11,440 --> 00:38:11,880
the way.

390
00:38:12,199 --> 00:38:20,639
Speaker 9: Dring aside, buskin bring and say bye, my bather trying

391
00:38:20,679 --> 00:38:21,239
to bat it.

392
00:38:21,639 --> 00:38:22,519
Speaker 10: Ringive you.

393
00:38:25,280 --> 00:38:33,159
Speaker 7: Stringing me out. I mean these days i't want.

394
00:38:33,000 --> 00:38:37,400
Speaker 10: You to beat mine and I'm in line calling.

395
00:38:38,599 --> 00:38:44,440
Speaker 7: Let me back in inside. Want you one more time?

396
00:38:48,840 --> 00:38:51,599
You need to seeing room in the side.

397
00:38:52,360 --> 00:38:56,880
Speaker 26: Done you.

398
00:39:14,480 --> 00:39:24,719
Speaker 7: So much to the right, please it does mad slaughter

399
00:39:26,199 --> 00:39:28,039
the melon of my mind.

400
00:39:32,079 --> 00:39:33,000
Speaker 12: That was disgusting.

401
00:39:34,599 --> 00:39:37,280
Speaker 1: That was that was great. That was that was awesome.

402
00:39:38,559 --> 00:39:40,840
Bridal eyes here this live and studio. I was saying

403
00:39:40,840 --> 00:39:42,679
it correctly all the time and almost stumbled on it. Hey,

404
00:39:42,719 --> 00:39:44,840
we're gonna play another quick studio track. I love this one.

405
00:39:44,960 --> 00:39:46,880
Let's give this a spien. This is order, disorder, and

406
00:39:46,960 --> 00:39:48,440
then we'll come back and talk with these guys a

407
00:39:48,480 --> 00:39:51,639
little more. Check this out. Pride to lie order disorder.

408
00:39:52,639 --> 00:39:54,239
Speaker 2: Religion is the cause of all the world's heals.

409
00:40:00,079 --> 00:40:00,400
Speaker 28: M hm.

410
00:40:09,000 --> 00:40:10,119
Speaker 10: So long.

411
00:40:11,559 --> 00:40:13,880
Speaker 7: Mother, the new you played a final song.

412
00:40:15,320 --> 00:40:18,039
Speaker 1: You came and doing your heart out where you used to.

413
00:40:19,599 --> 00:40:25,480
Speaker 7: So you got your love. It's your fucking girl, steam

414
00:40:27,679 --> 00:40:29,760
killing me an exciting, getting on.

415
00:40:31,800 --> 00:40:47,519
Speaker 28: Order, the ser the my besies growing too roster.

416
00:40:43,920 --> 00:40:44,000
Speaker 1: The.

417
00:40:46,159 --> 00:40:49,360
Speaker 7: Vanda showing every Dad.

418
00:40:55,639 --> 00:41:12,639
Speaker 29: Design you could trust, could not counselet say love, what's

419
00:41:12,719 --> 00:41:13,480
the reason?

420
00:41:19,719 --> 00:41:20,760
Speaker 7: But it's the thought?

421
00:41:21,000 --> 00:41:25,239
Speaker 8: Is not.

422
00:41:51,440 --> 00:41:52,639
Speaker 7: What I thought about?

423
00:41:53,639 --> 00:41:53,960
Speaker 8: Hello?

424
00:41:55,159 --> 00:41:56,880
Speaker 7: Why you must tell you about that?

425
00:41:57,719 --> 00:41:57,760
Speaker 28: No?

426
00:41:59,159 --> 00:42:04,039
Speaker 7: Look you got that? Do tell that time a many

427
00:42:04,559 --> 00:42:05,599
We love you do.

428
00:42:08,039 --> 00:42:10,960
Speaker 1: The world that's the wind is.

429
00:42:11,119 --> 00:42:14,559
Speaker 10: Still every day.

430
00:42:16,800 --> 00:42:22,519
Speaker 6: School of the world you thought you could trust to,

431
00:42:22,840 --> 00:42:25,159
not trust, said.

432
00:42:37,880 --> 00:42:38,360
Speaker 7: Crazy?

433
00:42:41,119 --> 00:42:43,440
Speaker 21: Do you try to rast?

434
00:42:44,559 --> 00:43:11,239
Speaker 2: But God, this is the single worst song in human history.

435
00:43:11,360 --> 00:43:42,360
Speaker 7: Word true. How Dad imagine a perfect wild?

436
00:43:42,440 --> 00:43:49,480
Speaker 18: He's a phony Jobby, I'd rather be Storias Santa.

437
00:43:53,000 --> 00:43:57,079
Speaker 7: I don't imagine a perfect wild. He's a phony Tabby.

438
00:43:59,360 --> 00:44:00,639
Speaker 8: I don't have a star.

439
00:44:05,639 --> 00:44:08,639
Speaker 7: Other sound a mountain.

440
00:44:09,719 --> 00:44:10,039
Speaker 5: To the.

441
00:44:12,840 --> 00:45:08,800
Speaker 1: Sa I'd say that's a new twist on the long

442
00:45:08,920 --> 00:45:13,960
fade out. I love it. Order disorder, The band is

443
00:45:14,039 --> 00:45:17,079
par idle. You guys are amazing, absolutely amazing.

444
00:45:16,880 --> 00:45:17,920
Speaker 12: Thank you, thank you so much.

445
00:45:18,000 --> 00:45:18,719
Speaker 13: Thanks for having us.

446
00:45:18,800 --> 00:45:21,199
Speaker 1: Absolutely no very happy to do it. What do you

447
00:45:21,239 --> 00:45:23,599
guys have coming up? I know we've got some some

448
00:45:23,719 --> 00:45:25,599
big shows, especially the one at the Stone Church. We

449
00:45:25,760 --> 00:45:26,719
want to make sure we talk about.

450
00:45:26,800 --> 00:45:32,800
Speaker 12: Oh yeah, July third, next Thursday, Stone Church Sturch Sturch

451
00:45:33,599 --> 00:45:37,880
eight apm APM Like yeah, pretty sure, it's eight pm. Well,

452
00:45:37,960 --> 00:45:40,519
we got flyers and stuff. But Stone Church July third,

453
00:45:40,800 --> 00:45:45,000
we've got Born Fools, Freak Pit, and Vermillion, bunch of

454
00:45:45,119 --> 00:45:47,880
local bands coming up playing that with us. So that's

455
00:45:47,880 --> 00:45:49,079
gonna be a great time.

456
00:45:49,559 --> 00:45:50,679
Speaker 13: Super excited for this one.

457
00:45:50,880 --> 00:45:52,920
Speaker 12: Oh yeah, oh yeah. We just played at the Middle

458
00:45:52,960 --> 00:45:55,480
East and we were oh yeah, so we're packing up

459
00:45:55,480 --> 00:45:56,960
a bunch of those bands that played with us at

460
00:45:57,000 --> 00:45:59,639
the Middle East heading up north to the Stone Church.

461
00:46:00,280 --> 00:46:04,440
Speaker 1: Outstanding, outstanding? Where should uh where should people go to

462
00:46:04,639 --> 00:46:06,239
keep up with what you guys are doing online? And

463
00:46:06,360 --> 00:46:08,119
by the way, we should include in that how to

464
00:46:08,320 --> 00:46:09,360
spell parietal?

465
00:46:09,639 --> 00:46:11,360
Speaker 12: Oh yes, that's the p A r i E t

466
00:46:11,480 --> 00:46:13,719
A l I like an eyeball. One more time for

467
00:46:13,840 --> 00:46:16,000
Jen in the back. P A r I E t

468
00:46:16,119 --> 00:46:19,079
A l I Like an eyeball. Find us on Facebook

469
00:46:19,119 --> 00:46:22,519
and Instagram and Spotify, but don't stream our music on

470
00:46:22,639 --> 00:46:25,599
Spotify because we won't get paid and then Apple Music

471
00:46:26,039 --> 00:46:29,440
and YouTube Music and all of the other ones Deezer

472
00:46:30,079 --> 00:46:33,239
oh and Deezer yeah yeah yeah and Napster.

473
00:46:35,119 --> 00:46:35,679
Speaker 1: No naps.

474
00:46:35,760 --> 00:46:35,920
Speaker 2: Wow.

475
00:46:35,960 --> 00:46:37,679
Speaker 1: That's taken me back pretty.

476
00:46:37,440 --> 00:46:40,760
Speaker 12: Sure it's on there that we'll check for us.

477
00:46:41,119 --> 00:46:43,079
Speaker 1: Did you guys actually submit your music to Deezer or

478
00:46:43,119 --> 00:46:44,039
did it just appear there?

479
00:46:44,360 --> 00:46:45,360
Speaker 12: It kind of just happened.

480
00:46:45,480 --> 00:46:47,320
Speaker 1: That seems to me what happens, because yeah, because this

481
00:46:47,480 --> 00:46:51,639
podcast on Deezer too, and and one day I just, uh,

482
00:46:52,119 --> 00:46:54,519
I don't know. I I was googling because sometimes I

483
00:46:54,719 --> 00:46:57,039
google the show just to see, you know, what's going

484
00:46:57,079 --> 00:46:58,960
on where we are, how we're showing up and Google

485
00:46:59,039 --> 00:47:01,360
results and I see Deezer show up, and I'm like, oh,

486
00:47:01,639 --> 00:47:04,360
my show is on Deezer. But I never submitted it

487
00:47:04,440 --> 00:47:06,159
to and I'm fine with it. I wanted to be everywhere,

488
00:47:06,199 --> 00:47:07,599
but I'm like, oh, what what is.

489
00:47:08,199 --> 00:47:11,719
Speaker 13: CD baby yea to like distribute stuff, So I think

490
00:47:11,760 --> 00:47:13,199
that's how it gets there for us.

491
00:47:13,400 --> 00:47:16,440
Speaker 12: Yeah, all the distributors just send it everywhere, but shout

492
00:47:16,480 --> 00:47:19,239
out if you're listening to this podcast on Deezer, you know,

493
00:47:19,639 --> 00:47:22,639
put it in the comments subscribes, not like a band

494
00:47:22,800 --> 00:47:28,320
or something. Yeah, yeah, they got like a couple albums. Deezer. Yeah,

495
00:47:28,320 --> 00:47:29,400
they're good stuff though.

496
00:47:30,079 --> 00:47:36,360
Speaker 1: But I'm no, you guys are amazing, So thank you

497
00:47:36,440 --> 00:47:38,280
so much for coming in, Thank you for having us.

498
00:47:38,559 --> 00:47:41,679
Absolutely if you are listening live on Saturday. Coming up

499
00:47:41,679 --> 00:47:43,719
in the second hour, we have Jersey Calling. They're on

500
00:47:43,760 --> 00:47:45,920
a big national tour and they are stopping in. But

501
00:47:46,000 --> 00:47:47,960
we're gonna close out this segment with and And this

502
00:47:48,119 --> 00:47:50,280
was a surprise. The guys didn't know this ahead of time.

503
00:47:50,440 --> 00:47:52,719
I made a radio edit of a song called Ballad

504
00:47:52,920 --> 00:47:57,559
of of Straddle Flat, Straddle Flat and Rusty James. Who

505
00:47:57,639 --> 00:47:59,280
are who is straddle Flat?

506
00:47:59,400 --> 00:47:59,719
Speaker 12: Okay?

507
00:47:59,800 --> 00:48:00,239
Speaker 7: How much?

508
00:48:00,280 --> 00:48:01,039
Speaker 12: How much time you got?

509
00:48:01,159 --> 00:48:02,239
Speaker 1: We had a couple of minutes.

510
00:48:02,280 --> 00:48:05,159
Speaker 12: Oh okay, sweet? So straddle Flat is this guy that

511
00:48:05,320 --> 00:48:07,719
one time we were walking into Cumberland Farms in Milford,

512
00:48:07,719 --> 00:48:10,159
New Hampshire, near the Oval. Near the Oval, we were trying,

513
00:48:10,199 --> 00:48:12,599
you know, we were trying to get our our fixings

514
00:48:13,159 --> 00:48:15,280
in the middle of band practice, and this guy pulls

515
00:48:15,400 --> 00:48:18,000
up in a purple gtr and he's got this cool

516
00:48:18,119 --> 00:48:22,199
like leather biker jacket type thing. He's got these shades

517
00:48:22,239 --> 00:48:25,000
and he like walks up behind us. You skipped the

518
00:48:25,000 --> 00:48:27,000
part where he almost hit him. Oh sorry, and it's

519
00:48:27,039 --> 00:48:29,360
the line he almost hit him with his purple gt

520
00:48:30,400 --> 00:48:32,599
It's been a while since I've told the story. Yeah,

521
00:48:32,639 --> 00:48:34,719
he almost hits him with his purple gtr line in

522
00:48:34,760 --> 00:48:38,320
the song and uh and then like leaves his car running,

523
00:48:38,960 --> 00:48:41,559
gets out of the car. He like pulls this, pulls

524
00:48:41,639 --> 00:48:45,360
the shades down, looks at us, say kids, stay in school,

525
00:48:45,639 --> 00:48:48,920
stay frosty, something like that, and then walks in. He's

526
00:48:48,960 --> 00:48:50,199
like cigarettes or something.

527
00:48:50,960 --> 00:48:51,920
Speaker 14: The car is still running.

528
00:48:52,000 --> 00:48:53,800
Speaker 12: The car is still running, so we hop in, We

529
00:48:53,840 --> 00:48:56,239
get in the car, we drop No I'm kidding, but yeah,

530
00:48:56,400 --> 00:48:59,920
so that's straddle flat. And then Rusty James is a

531
00:49:00,119 --> 00:49:00,800
really cool guy.

532
00:49:01,760 --> 00:49:05,320
Speaker 14: We got accosted in a bar by this man. He

533
00:49:05,400 --> 00:49:09,639
had very smelly breath, smelling for many substances, mostly alcohol,

534
00:49:09,719 --> 00:49:12,719
but not just alcohol. And there there was you know,

535
00:49:13,840 --> 00:49:16,159
it's just one of those guys just doesn't stop talking

536
00:49:16,199 --> 00:49:18,519
to you. You know, he's lonely, but it's like we

537
00:49:18,639 --> 00:49:23,199
don't care. He pulls you in and there's no way out.

538
00:49:23,320 --> 00:49:24,119
Speaker 12: There's no way out.

539
00:49:24,159 --> 00:49:24,880
Speaker 1: There's no way.

540
00:49:25,559 --> 00:49:26,239
Speaker 12: Yeah, that's all.

541
00:49:26,280 --> 00:49:29,280
Speaker 1: It's okay, all right, pretty good. Yeah, I love this

542
00:49:29,400 --> 00:49:31,599
song so much, so I was like I gotta play

543
00:49:31,679 --> 00:49:33,920
this one. So so we'll give this a span again.

544
00:49:34,440 --> 00:49:36,920
Thank you guys, so much, absolutely amazing. We will do

545
00:49:37,000 --> 00:49:40,400
it again in the future. Bridal eye And here it

546
00:49:40,519 --> 00:49:43,719
is the ballad of straddle flat and Rusty James.

547
00:50:03,039 --> 00:50:06,559
Speaker 10: I'm showing out the window from the cow.

548
00:50:07,639 --> 00:50:12,400
Speaker 30: He's having nothing in the mold have good stop see

549
00:50:12,480 --> 00:50:15,599
you're staring at me eye stumping down my breath.

550
00:50:16,199 --> 00:50:19,880
Speaker 12: I won't show me nothing like having going to deal.

551
00:50:20,920 --> 00:50:22,320
Speaker 7: Swing down the highway.

552
00:50:22,760 --> 00:50:28,639
Speaker 31: You know what I call down you sounds your funny even.

553
00:50:27,639 --> 00:50:29,159
Speaker 10: Lack man faver go.

554
00:50:47,480 --> 00:50:48,079
Speaker 11: I was stuking.

555
00:50:48,239 --> 00:50:52,400
Speaker 24: No, some boone out a man camp to me, he said,

556
00:50:52,480 --> 00:50:53,639
the master of words.

557
00:50:53,320 --> 00:50:54,920
Speaker 10: I got it your wadscape.

558
00:50:54,960 --> 00:50:57,679
Speaker 7: We can see now I'm never bowed.

559
00:50:57,920 --> 00:51:01,800
Speaker 31: No, I hate the quiet lit hease time. My man

560
00:51:01,960 --> 00:51:06,599
is still the brass side. They thought become a red hand,

561
00:51:06,760 --> 00:51:09,280
and I said it was that they.

562
00:51:09,239 --> 00:51:12,360
Speaker 7: Don't never catch me because I'm a.

563
00:51:12,400 --> 00:52:12,800
Speaker 10: Flat club sam blazer.

564
00:52:14,800 --> 00:52:24,199
Speaker 7: No live by trender that you know.

565
00:52:53,039 --> 00:52:56,519
Speaker 30: Risky Chain was in an alley away smoking a joint

566
00:52:56,679 --> 00:53:01,000
in the goodlad's name say him and a sick turning

567
00:53:01,039 --> 00:53:04,039
the tricks and down and Cambridge things so week there

568
00:53:05,440 --> 00:53:07,119
a scripner o.

569
00:53:08,320 --> 00:53:11,840
Speaker 7: H he almost his m.

570
00:53:48,360 --> 00:53:52,440
Speaker 16: Straight up blad cong straight blad game game bearing guys.

571
00:53:53,320 --> 00:53:55,559
Speaker 31: Damn there left the front and pulled the shades down

572
00:53:55,639 --> 00:53:56,400
on understands.

573
00:53:56,800 --> 00:54:03,760
Speaker 7: Stas now bitter scriptor oh yeah hot naing over the

574
00:54:05,199 --> 00:54:08,760
now you've seen man terrible.

575
00:54:53,400 --> 00:55:00,679
Speaker 20: Train his name name rot stop betweens gain now rises now.

576
00:55:01,199 --> 00:55:05,239
Speaker 31: About your whimbows, no way out whenever I got there's

577
00:55:05,280 --> 00:55:06,079
no games now.

578
00:55:06,559 --> 00:55:08,559
Speaker 17: A game with your mouth, But where's the hangout?

579
00:55:09,599 --> 00:55:09,760
Speaker 8: Wait?

580
00:55:09,840 --> 00:55:12,320
Speaker 31: Now I got say it's no games down I game

581
00:55:12,360 --> 00:55:13,920
with your mouth, but where's the hangout?

582
00:55:14,280 --> 00:55:17,119
Speaker 8: Or where the coner? Here?

583
00:55:17,280 --> 00:55:20,119
Speaker 7: The con icking a rise? When the ron win, the

584
00:55:20,239 --> 00:55:24,199
ron wreak its nose back to your girls. They're so old,

585
00:55:25,400 --> 00:55:27,519
I mean, ain't some that's up the days of old?

586
00:55:28,360 --> 00:55:32,280
So sound? Where the baby? So the babble stuff by

587
00:55:32,480 --> 00:55:34,639
time outside there and I hear to night.

588
00:56:31,119 --> 00:56:34,519
Speaker 4: Luigi's Pizza Barron Grill breed one.

589
00:56:35,199 --> 00:56:39,639
Speaker 22: Let's raise his lies on line with topics of the ground.

590
00:56:40,199 --> 00:56:42,199
Speaker 7: It's a pizza partio line.

591
00:56:42,760 --> 00:56:47,559
Speaker 4: Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester, Come

592
00:56:47,639 --> 00:56:50,960
on in or call six two two one zero two one.

593
00:56:51,400 --> 00:56:55,519
Luigi keeping the tradition alive since nineteen seventy five.

594
00:56:57,400 --> 00:57:01,760
Speaker 7: Pizza for breed one join a beast to night.

595
00:57:02,719 --> 00:57:06,840
Speaker 1: With these slye sets of it, Everything's feels so right.

596
00:57:09,880 --> 00:57:12,039
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620
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621
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