Speaker 1: Good morning from Hell. I'm Chris and I died and
my eternal punishment is to do this podcast where we
interview everyone in the at.
Speaker 2: What have me?
Speaker 1: That tape, that roll tape, okay, where I interview everyone
in the afterlife as my eternal punishment with my co
host Satan's little brother Clayton.
Speaker 3: It's just it's just a smooth roll all the way around.
And I don't know where the end is.
Speaker 1: Yeah, no, I am, this is hell.
Speaker 3: This is hell. Where's the end of the tape?
Speaker 1: Yeah, I know, I don't know.
Speaker 3: Here's your tee, U's your tee?
Speaker 1: What?
Speaker 2: What?
Speaker 4: Why?
Speaker 1: What? What happened to the recording studio?
Speaker 3: What do you mean?
Speaker 2: Because the whole place is empty and and and I'm
packing everything in a boxes while you sit there like
an idiot not helping. Yes, oh, grad you asked, maybe
you can help. We're packing, we're moving studios. This is
no longer our studio.
Speaker 1: Why what happened?
Speaker 2: Well, we're gonna have to downsize. Let's put it in
a nicer light. We're moving to a new location, an
upgraded studio that happens to be one eighth the size
of this.
Speaker 1: One, an eight Well, this isn't even a big room.
Speaker 3: I know, and it's gonna get smaller, Chris, why is it.
Speaker 2: Well, since I became the Secretary of War because President
Cambo may he reign forever, et cetera, he slashed our budget,
our production budget, and he rolled all those funds into
the military defense budget of Hell. And you know, we
are waging war on heaven and that's a pricey venture.
So we're pinching pennies wherever we can. So we are
going to be moving to a large closet. And yeah,
I mean at the end of this episode, we're packing up,
We're leaving. This is say goodbye to this old you know,
piece of good memories, you know, memory memories.
Speaker 1: Yeah, yeah, all right, Well, I mean you already pretty
much packed everything up except for the microphone.
Speaker 3: So yeah, before we bring.
Speaker 2: Our guests, you want to talk about like special memories
you've had in this place before we move in the
next one.
Speaker 1: Well, I've been murdered and disfigured and so many times
in so many different ways. Yeah, and I have horrific
memories of all of them, because they don't go away.
Even if you die, all your memories come back. So yeah,
it's a good.
Speaker 2: Place, a lot of memories. You're gonna miss this place.
To be clear, we're not getting canceled or the show's gonna.
Speaker 1: Go on for yeah ever, oh no, no, I know
it's my punishment, so I can't. Yeah.
Speaker 3: Plus we have all these viewers that we can't let down.
Speaker 2: Yeah.
Speaker 4: Yeah.
Speaker 1: So while we're covering exposition, be sure to follow at
Morning from Hell on Twitter and Instagram. And we have
a Facebook and read it where we post art from
every single episode so you can see what it looks
like down in hell.
Speaker 5: Yeah.
Speaker 3: Yeah.
Speaker 1: Anyways, on that subject, who is our guest this week?
Speaker 3: Well, Chris, it's gonna be a famous.
Speaker 2: Writer, you know.
Speaker 3: And I know that you don't read.
Speaker 2: I read because it's not something that interests you would be.
I don't think you can read.
Speaker 3: I can read. Yeah, I can read this, Yeah, I know.
Hold on, hold on read this.
Speaker 1: Yeah, you're just holding up the blood signal with your hands.
Speaker 2: Yeah, it's because that's that's that's what I'm gonna drain
from you later blood.
Speaker 3: I'm not affiliated with games. Anyways, We're gonna be bringing
out a writer.
Speaker 2: The reason being is before I got into my you know, politics.
Speaker 3: Wow. More more exposition. Why don't we? Uh, you know,
I was writing my bio, my memoirs, the Unholy Book
of Clayton.
Speaker 1: How's that going?
Speaker 3: Oh terrible? Thank you for asking. Yeah.
Speaker 2: I ran into a few speed bumps, got distracted, other
things came up, so I'm just gonna hide her a ghostwriter.
Speaker 1: Okay. Well, how far along are you?
Speaker 3: Page index?
Speaker 1: Page index?
Speaker 3: Yeah, yeah, it's not even in the pages yet. I'm
just in the index.
Speaker 1: Okay. Well, how do you index something that doesn't have content?
Speaker 3: You name the chapters, and I have some great chapter names.
Speaker 2: There's really good names on these chapters, like what chapter
five My life as President of Hell?
Speaker 1: Oh, so that one might need to be updated because
you're not Yeah yeah, but check this.
Speaker 3: One out chapter six pickup sticks?
Speaker 1: Oh yeah, what is that about?
Speaker 3: Speaking of sticks?
Speaker 1: Okay?
Speaker 3: The band? Okay? Oh oh Helloway?
Speaker 2: Okay, all right, don't worry. You got on, mister Robarto. Anyways,
I'm gonna bring on a writer.
Speaker 3: You know, I'm interviewing a few.
Speaker 2: People for the position, but might as well just you
turn it into an interview, you know, double dips.
Speaker 3: So we're gonna bring on Edgar Allan Poe.
Speaker 5: Hello, everyone, how are you today?
Speaker 3: Hey? Oh so good ed ground.
Speaker 4: I am so honored to be here.
Speaker 5: Truly, it's a nice day in hell when I can
get out, stretch my legs and talk about poetry and writing.
Speaker 1: Yeah, you're enthusiastic. So you're a ghost is that?
Speaker 4: Why? Yes? That is correct?
Speaker 5: Like everyone else here in hell, Chris, I have died
and now I am in comport.
Speaker 1: Well I'm corporeal, you know for the reck.
Speaker 5: Yes, but you're to be tortured and I am here
to write and create and h.
Speaker 3: Yeah, it's a ghostwriter.
Speaker 1: Yeah, yes, I guess that makes sense kN be a
ghostwriter if you're corporeal? Right, am? I right?
Speaker 4: Why?
Speaker 5: Of course not?
Speaker 4: The idea is silly.
Speaker 1: So uh Poe're I mean you're pretty well known up
on earth.
Speaker 5: Oh am, I I was curious about that. It's it's
been a few hundred years.
Speaker 4: You know.
Speaker 5: Do do the children read my books?
Speaker 4: Do they love me? Am? I?
Speaker 5: Praised and chanted in the probably not chanted in the streets,
But but do kids love me?
Speaker 2: Kids don't know about kids. I mean maybe a couple
of high school English classes. But uh, yeah, no, I
mean you're you had some really dark works, you know,
I don't know, why would why kids would know about that.
Speaker 4: I don't think they're that dark.
Speaker 5: I hmm, well all right, but regardless, Chris, surely you
read my works in a high school or perhaps for fun.
Speaker 3: Maybe for high school?
Speaker 1: Yeah, yeah, exactly right.
Speaker 5: Oh oh okay, no, not a fan then maybe younger brothers, sisters.
Speaker 1: Well, I mean I'm a fan, that's sure. I mean
I'm required reading, right, you know, so.
Speaker 3: People know you up on Earth.
Speaker 2: I mean, you had this reputation for your you know,
very gothic, dark evil writings. So that's why I was
gonna bring you on for this, for this potential job opportunity.
Speaker 5: Oh I hm, I see, because I thought you wanted
a memoir that you know, made you look good, a
little more likable to the masses. I know your election
didn't go well, so I thought you were kind of doing.
Speaker 2: Some pr We're not gonna talk about that, no, no, no,
I mean I want people to to fear me.
Speaker 3: And that's why I you know, I chose like.
Speaker 2: You know, the og horror writer. I mean, your stuff
was scary, you know, this is good sad stuff.
Speaker 5: Yeah, I just hm, I guess I'm having a hard
time understanding what would scared you about it. I don't
know the raven that Chris, you're familiar with the raven.
Speaker 1: Yeah, yeah, I could even quote it, well.
Speaker 5: Quote the raven never moore my friends.
Speaker 4: A talking bird.
Speaker 5: There's nothing happier or scary about a talking bird.
Speaker 2: Yeah, but doesn't someone die in that, like the bird
drives someone insane?
Speaker 1: Yeah?
Speaker 2: You know those are That's great. You know, I want
that in my books. I want people to read it
and go crazy.
Speaker 5: I just, hm, I feel like I'm being a little
misunderstood here. It was actually about a beautiful furry friend
that comes and helps a friend grieve over a lost one.
You know, kids growing up, it's very important to the
developments that they learn how to grieve and move on,
you know, part of the beauty of life.
Speaker 1: So that wasn't supposed to be creepy.
Speaker 3: No, not at all.
Speaker 5: A midnight friend comes and visits while you're sitting in
front of a nice, warm, cozy fireplace on a cold
and chilly December day.
Speaker 4: No, not frightening at all.
Speaker 2: Well, I mean I personally I think that you know,
you excel at horror. Horror, right, yeah, and that's why
I want to bring you on. You know, for this,
so like you know, I mean, could you give us
a sample of some of your writing, like you know,
to write write a poem about me right now?
Speaker 4: Oh why?
Speaker 5: Of course, a vocal demon with skins so red, he
disliked his assistant and chopped off his head, covered in blood.
Speaker 4: Shits, bile, and gore.
Speaker 5: The demon laughed and went back for more.
Speaker 1: Okay, that's not bad, Chris, Yeah, yeah, great. You don't
have to necessarily follow through with it all. It's I
think it was more just a suggestion.
Speaker 4: Well no, I I only.
Speaker 5: Write from real life experience, so I do have to
watch him do it or else I can't.
Speaker 4: I can't publish that.
Speaker 2: But I mean you agree that that's that's that's not
for kids. I mean you even say shit.
Speaker 3: And bile and gore.
Speaker 1: I mean, yeah, it's really creepy. I mean you even
get ripped off by Alfred Hitchcock. I mean he made
a whole horror movie about like birds attacking people.
Speaker 5: Yeah, I can I can see that. I just hmm,
I've been friends with virgine. You go to the park,
you feed them, you throw some breadcrumbs, they all flock.
Speaker 4: It's a beautiful sight.
Speaker 1: Right, it's a. It's a horror movie. You know, it's
meant to be scary.
Speaker 5: Birds are creepy, Chris. Honestly, I think that's some of
that teenage rebellion in you.
Speaker 1: I'm not a teenager.
Speaker 4: It's a family movie.
Speaker 5: Hitchcock was known for his family movies like Psycho A
Boy Loves his Mother. It doesn't get any more wholesome
than that. Well, I mean, agree to disagree.
Speaker 4: I suppose, okay.
Speaker 3: Well disagree.
Speaker 1: What was your family life like then? Growing up?
Speaker 4: It was rather complicated.
Speaker 5: I married a cousin and you did, Yes, yes, I did.
Speaker 1: Okay, that checks out.
Speaker 5: Baltimore was tough in the late eighties. You know, you
just you gotta, you gotta watch out for your own,
you know, the late eighties, yes, of course, the eighteen eighties. Oh, okay,
it's gonna say Baltimore. The nineteeners is like, you know
that that was a fun time.
Speaker 1: Yeah, I mean, I guess watching out for your own
though often doesn't mean like marrying and sleeping with.
Speaker 5: Them sometimes sometimes, but sometimes you know, it's it's about
the closeness of family and bringing everyone together.
Speaker 4: You know, I don't know that's all right.
Speaker 5: It gave me the valuable insight that I needed to
go on and work on many a kid's show.
Speaker 1: Yeah.
Speaker 5: Oh yeah, Well, you know a few years ago I
went up to Earth and I was a scriptwriter for
That's So Raven. I wanted to take my love for
birds and channel that into a fun, supernatural romp through
family drama.
Speaker 1: Okay, well that one is kind of a kid show,
so yeah, yeah.
Speaker 4: Yeah, it's it's funny.
Speaker 5: Despite possessing the lead writer for many, many months, they
didn't actually use any of my scripts. Can you believe it?
Speaker 1: They I can. Actually, Well, they kept.
Speaker 5: The name and and that's what's important, Raven's trademark opposed domain.
Speaker 1: So since you died, what else do you been doing?
I mean, besides I guess haunting and staying in hell?
Like what do you? What do you do?
Speaker 5: Oh?
Speaker 4: Yeah, you know.
Speaker 5: I I've refined my work a lot. I go to
some of those fun poetry workshops down here in Hell.
Speaker 4: I adore them. Other people maybe not so much.
Speaker 1: Oh yeah, I mean it's hell.
Speaker 4: It is hell. Indeed.
Speaker 2: Uh.
Speaker 5: You know, I have been working on a new piece.
Speaker 4: Would you like to hear it?
Speaker 3: Yeah?
Speaker 2: Yeah, I mean you're you're here to show me that
you can write my books, so I need to see your.
Speaker 5: Of course, I think this will really be a turning
round point in this interview.
Speaker 1: Okay, what is this piece?
Speaker 4: This is phallic floor. Okay, with fallis to the floor,
there was no hope for cleanness.
Speaker 5: He's a rose colored hellion with a giant penis. Though
it was hard, he tried living with his mass, but
once we'll hiking, he drug it through glass. I know, terrible, right, yeah, yeah, you.
Speaker 2: Had me there in the beginning, you know, with giant
ding dongs and all that stuff. And why do you
have to make him drug it through glass? I mean
that's the poem, I know, I guess.
Speaker 5: Yeah, it's important to teach kids that, you know, it's
it's hard, not life out there?
Speaker 1: Right Wait wait, wait, that poem is to teach kids
not to drag their ding dong through glass.
Speaker 5: Of course, Christopher, did no one tell you not to
drag your ding dong through glass when you were a.
Speaker 6: Kid, No, no one did. And it never came up, really,
not once. You've never once cut your ding dong with glass? No, Well,
different worlds, I suppose, different worlds.
Speaker 1: I know it was the same world.
Speaker 3: You give or take a hundred years.
Speaker 5: Yeah, but one hundred Baltimore has changed so much, hasn't it.
Speaker 3: I mean, then you have the Ravens. What are your
thoughts on the Baltimore Ravens.
Speaker 5: A good team.
Speaker 4: I tried out for them once.
Speaker 5: Actually, well it turns out that as a puny twerp
who can't throw a football quite well, I did not
do well.
Speaker 2: Yes, okay, yeah, it's kind of, uh, you know, similar
to how this job interview.
Speaker 3: Is going there.
Speaker 5: Well, it's a matter of perspective. I think it's going wonderfully. Yeah, Chris,
surely you agree.
Speaker 1: You just told me all about dragging my ding dong
through not to do.
Speaker 5: It's good life advice.
Speaker 2: Tell me about somebody that you you hate, you know,
like I want to to hear about the evil side
of Edgar and Poe, or.
Speaker 5: You want the evil side of Edgar Allan Poe yea, yeah, yeah,
Look no further.
Speaker 4: Than Mark Twain.
Speaker 5: I mean, who does he think he is?
Speaker 4: He wears all whites.
Speaker 5: Black is obviously the color for a man of his stature.
Speaker 4: I mean his books are nonsensical too.
Speaker 2: So to be clear, you don't like Mark Twain just
because he kind of looks like you but just wears white.
He's like the anti Edgar Allan Poe, saying, yes, he
copped my style.
Speaker 1: Well, but his stories aren't really anything similar.
Speaker 4: They're about teaching kids valuable lessons. They're quite similar, Chris.
Speaker 2: Come on, I mean, what other lessons have you tried
to teach children? I mean, you keep talking about you.
You're all about the kids, but all your writing is
still creepy though.
Speaker 5: Yeah, you might be familiar with my famous story The
Cask of montiel Doo.
Speaker 2: Yes, of course, that's the one where, uh, Chris, can
you say that that word for us?
Speaker 3: No? No, no, no, no, Chris, I want.
Speaker 4: To hear you. It's a children's storytelle.
Speaker 5: Surely anyone can say the word.
Speaker 1: Yeah, pronounce that word, Chris, all right, I will. It's
the the cask, the cask of a Monteado yado.
Speaker 4: Beautifully done, Chris, beautifully done.
Speaker 3: Yes, Chili's waiter. Yes, I'll have one Montilado please. That's
what you sound like.
Speaker 1: So if high school English sears me correctly, that story
is about uh, a guy who he gets his enemy
and then walls him up inside and kills him.
Speaker 5: And not quite you have the first half correct, I
have a friend over, we get drunk. It's a good time,
and then I wall him up and bam shazam, a
giant wine bottle bursts out of the wall and offers
us both a cask of a Montialdo you're.
Speaker 2: Saying you invented the kool aid Man before the kool
aid Man was a thing.
Speaker 5: Yes, that is quite exactly what I am saying.
Speaker 1: So that story is just the prequel the origin.
Speaker 3: A man begins.
Speaker 5: Yeah, he got watered down over the years, and now
he's more kid friendly because your wine wine shouldn't be
served to minors, and I've learned that over the years.
Speaker 1: Yeah. So you you had a big drinking problem up
on Earth, though, is that right?
Speaker 4: I did?
Speaker 5: I did, and it was quite terrible. It actually it
led to my death. You know, many speculate that I
died in the streets, but but that's not quite right.
Speaker 4: Good one.
Speaker 1: Uh no, well, his cousin.
Speaker 5: She actually died before I did, so, yes, a bit
a bit of failure on my part, not not really
looking out for family the way I should have.
Speaker 1: Yeah, so how did you die?
Speaker 2: Then?
Speaker 5: I was hanging out with the birds, the bees, the bears,
you know, all of my fun cute little animal friends.
And I was I was a few glasses bottles bars
into the night, you know, uh huh. And I had
a small wolf companion following me.
Speaker 4: He was the best of friends. His name was Barry. Well.
Speaker 5: Barry bit me and that led to me contracting rabies,
which awful. Let me tell you what. Your body shakes
you from the mouth. I was looking awful, right, of course,
that's not how I died. No, No, I died when
the coroner pronounced me dead and buried me.
Speaker 3: Yeah.
Speaker 1: Yeah, you were found in the street dead.
Speaker 3: Yeah, and then they buried you like because you're a
dead guy.
Speaker 4: Almost I was buried alive, you see.
Speaker 1: Oh oh oh god, that's awful.
Speaker 5: It is actually my number one fear. And it did,
it did, Chris, Thank you for that astute observation.
Speaker 2: Yeah, So, I mean, how long did you last there?
I mean the the oxygen must have run out and
you know, a couple of minutes.
Speaker 5: You you would think. So it turns out wasn't buried
very deep, deep enough that I couldn't get out, you know,
coffin was a little leaky. So a few months, two
maybe three?
Speaker 3: You were buried for two or three months?
Speaker 5: Yes, I lived off of my leather vest at the time,
little chewy.
Speaker 4: But it got the job done.
Speaker 5: What about water, Well, you wouldn't believe it.
Speaker 4: God gave me a mirror. Sorry, I don't say God
down here.
Speaker 5: I was sent a miracle from above. Water leaked into
my coffin and substained me for those many months.
Speaker 3: Oh was it like? Was it the rain season or
it was dry?
Speaker 5: It was dry. I had some enemies, uh huh, and
they did not like me, so they literally pissed on
my grave.
Speaker 4: Wow.
Speaker 1: Little did they know? It was exactly what you needed
to stay alivee yes, quite yeah. You drank piss for
three weeks though, three wess yes, three months, and they
kept going back to peace, so they it wasn't just
like you for a little bit.
Speaker 4: My coffin was actually flooded, and I was worried.
Speaker 5: I didn't run out of oxygen because it was overflowing. Yes,
that's upsetting extremely So I mean while you.
Speaker 3: Were down or did you get anything done?
Speaker 2: I mean aside from drinking piss and chewing on your shoes?
Speaker 5: And actually, yes, I wrote perhaps my magnum Opus, the
best poem to ever be composed by Poe. Okay, hear
it soaking wet and searching for a towel. My cloth
had gone missing, taken by a fowl. Naked and running
through this wretched bird. But fast as I was, I
could not escape this feathered turd.
Speaker 3: That is a poem about you running from a towel
being stolen.
Speaker 5: From you by There's a poem about the piss leaking
through my coffin, an inevitable shit that made its way down.
Speaker 1: Oh yeah, wow, it's creepy, weird.
Speaker 5: It is quite creepy when someone literally shits on your grave.
Speaker 1: Yes, well that one wasn't for kids, so that's that.
Speaker 5: Oh no, no, no, that one is definitely for kids.
Speaker 3: How how I trust no one?
Speaker 4: Of course?
Speaker 3: Okay, yeah, I guess that's that's a lesson that you
would teach children. But kind of a weird delivery of said.
Speaker 5: Yes, yeah, don't drag your dick through glass, don't trust anyone, huh,
and cut off Chris's head.
Speaker 4: Those are my three lessons.
Speaker 2: Okay, yah, all right, Well you know, doctor Seuss, but
you are you are something else.
Speaker 3: I'll give you that buch shed ground pow.
Speaker 4: Thank you, thank you very very much.
Speaker 1: So what makes you want this job? Writing? Clayton's biography.
Speaker 4: Yeah, well I've gotten a little rusty.
Speaker 5: The home workshops down here aren't all that lively, you know.
Speaker 1: Yeah. The poetry slams are just like they just take
poets and drop things on the.
Speaker 4: Slams against wall. Yeah, yes, quite quite unfortunate.
Speaker 5: So I thought it was time for a career change.
And when I saw when I saw the advertisement, of
course I had to take up the offer. I mean
to write about the King of Hell's younger brother. There
who could pass that up?
Speaker 1: Yeah, yeah, a lot of people actually, have there been
any other applications.
Speaker 2: I mean, I tried getting Frank Herbert, you know, I
kind of wanted a Dune style biography.
Speaker 3: But yeah, he's got me on read he left me
on red.
Speaker 4: That does sound quite like him?
Speaker 1: Anyone else?
Speaker 2: J R.
Speaker 3: Tolkien? That'd be cool, Yeah, it would.
Speaker 1: Be if you'd respond.
Speaker 3: JK. Rowling is probably gonna be down here soon, get hurt.
Speaker 4: Almost assuredly, most assuredly. Yes.
Speaker 1: So another of your famous stories is The Tail Tell Heart.
Speaker 4: Yes, yes it is.
Speaker 1: Yeah. So that's a story about a guy who killed
someone and then goes insane because he hears the heartbeat
of the person he murdered in the walls.
Speaker 3: Yeah, he's like buried somewhere in the house.
Speaker 1: Yeah, how is that a kid's story?
Speaker 5: I see, that's actually a very common misconception. It's a metaphor.
It's a metaphor for love.
Speaker 4: Well, you see, it.
Speaker 5: Was the summer of eighty three and I had yes,
and I had just spotted my cousin. Oh, and I
could feel my heart going pump, pump, pump. And if
my body were a house, it would be under the floorboards.
So I cut it up into little pieces and tore departs.
Speaker 1: And so you had this voice in your head telling
you you'd done something wrong because you were interested in
your cousin.
Speaker 5: No, because I had fallen in love. Come on, who
here hasn't had a little fleeing or something with a
cousin or a relative? Right, No, can't, can't tear well,
I understand.
Speaker 1: Is that why you're in hell?
Speaker 4: Oh?
Speaker 1: Why are you in hell? No?
Speaker 5: No, I'm in hell because I talked to animals. Chris,
that's witchcraft. That was an instant check mark box.
Speaker 1: God said, no, But did you actually talk to the
animals or did you just get bitten by a rabbit wolf?
Speaker 5: Hmm?
Speaker 4: That's an interesting question. I believe.
Speaker 5: Yes, I did talk to the animals.
Speaker 1: After you got bit by the rabbit wolf.
Speaker 4: During after in the box. It's all the same.
Speaker 1: Yeah, okay, so you guys have heard.
Speaker 5: All of my qualifications. I made some homes for you, Clayton.
Speaker 4: I'm feeling good about this.
Speaker 5: When when are we ready to start?
Speaker 2: Oh?
Speaker 1: Job, it's the job, yeah, my autobiography.
Speaker 2: I need to consult with Chris really quick.
Speaker 3: Do you mind stepping into the other room that door
right now?
Speaker 5: Of course, as long as I don't get locked in
or anything.
Speaker 2: All right, I'll be right back.
Speaker 3: Okay, all right, yeah, Chris. I don't know if this
guy's gonna cut it.
Speaker 2: He's giving me like he's weird Doctor Seuss vibes. If
Doctor Seuss was even weirder somehow. It's like Doctor Seuss
but on acid.
Speaker 3: Yeah, well, I mean that's that's just doctor SEUs. Okay.
Speaker 1: Well, and it's like doctor Seuss but on a bad
trip of ascids while having sex with his cousins. Yeah. Well, yeah,
I don't know. I'm getting weird. I don't I don't
feel like i'd want to trust him well at all,
but certainly not in a room alone with me. Yeah.
Speaker 2: Yeah, he talks a lot about murder, but he smiles
when he does it.
Speaker 1: Yeah, it's weird.
Speaker 2: He's unsettling. I don't think he's fit to write my autobiography.
So I'm gonna pass on this guy.
Speaker 1: Okay, Well, are you gonna Are you gonna tell him?
Because no, you tell him, you're my assistant, You tell him. No, dude,
he's creepy enough on the other side of the wall.
I don't want to talk to him again.
Speaker 3: I know that he's creeping me out. You know.
Speaker 1: Look, you're the one who invited him in. You know,
like you got to do the right thing and at
least let him know he didn't get the job. Okay,
you can't just leave him hanging waiting forever, like you know.
Speaker 3: Wait, you're onto something there, all right, all right, Chris,
hear me out.
Speaker 1: Uh huh.
Speaker 2: They're condemning this building, right His building's had a ghas
leak for years. I've never told you about it. But
they're not gonna do anything with this building. They're just
gonna leave it here. They're gonna break it up. So
I mean, could just leave him in there.
Speaker 1: Like lock him in there and have him buried alive again.
Speaker 2: Yeah, yeah, I mean that's kind of poetic, right, he's
an appreciator of the poems.
Speaker 1: No, No, I'm actually okay with it this time. He's
he's weird. He's a weird.
Speaker 2: Yeah, honestly, we're probably doing a hell of favor. And
also it's just like, I don't have that talk. It's
it's so awkward. Yeah, it's really it's for the best
for all of us, and at a ground that we
just don't we don't even we just do it. So
uh okay, well, grab you those keys, uh huh okay.
Speaker 1: Here are the keys? Anything like that?
Speaker 4: Yeah, okay, should we eat.
Speaker 3: A double check?
Speaker 2: Let's let's put this chair up against the door. He's
not gonna break through, really small, just a double check there,
you know.
Speaker 1: Well, why while we're at it, why don't we just
you know, brick it in, brick and mortar it and
you know, just just be safe. Just okay, yeah, sure,
I'll put the ball okay, just okay, all right, all right,
Well that would buy quick cool.
Speaker 3: Hello, are you guys still here?
Speaker 4: Wow?
Speaker 2: Yeah yeah yeah, we're just up yeah well yeah quite
a rigorous yeah, yeah, yeah, a lot a lot of decisions.
We're talking about salary and stuff, you know.
Speaker 1: Yeah, so just hang tight for a bit.
Speaker 3: Yeah, we'll be right back, of course. But are you
are you leaving?
Speaker 2: No?
Speaker 3: No, no, no, no no.
Speaker 4: Yeah.
Speaker 1: Yeah, we're just gonna be the We're still talking a
lot of paperwork. Yeah, you know, you're a writer, you
get it.
Speaker 2: Yeah, I gotta fill your w two you know it
is all right, Chris, let's strap this up. Okay, all
see in another episode of Good Morning for a Meal.
Thank you for listening. We're gonna leave a ground.
Speaker 3: Po to die into the walls of this building.
Speaker 2: Uh.
Speaker 3: If you enjoyed this podcast, please share with your friends.
Speaker 1: Yeah, and give us a review on whatever you're listening to.
Tell us, tell the world how much you like us.
Hopefully you like us. Uh and uh be sure to
subscribe and uh hell Clayton.
Speaker 3: Yeah, well Clayton, close the door right there. Hello, Hello,
is the interview is still happening.
Speaker 1: Thank you so much, specific Obadiah for coming on as
Edgar Allen Poe. Can you tell our audience what you do.
You've got a really great podcast that we're all big
fans of.
Speaker 5: Yeah, I am the showrunner and creator for the SCP Archives,
and that is a weekly anthology horror show podcast about
a mysterious government organization known only as the Foundation, and
their goal is simply to secure, contain, and protect. So
each week we cover new anomaly and its containment protocols.
In the SCP Archives, we begin with the shorten narration
and go into found footage and lost logs.
Speaker 1: Yeah, so, if you're looking for an immersive fictional podcast,
great storytelling, you should absolutely check it out. And actually
me and Blaine are going to be guest characters on
an upcoming episode or it might actually already be out.
Is that correct?
Speaker 4: Heck?
Speaker 2: Yeah, uh, this is such an inappropriate question. But if
you had an arch nemesis, would his name be Atlantic Jedediah.
Speaker 5: You know, I usually get the question of like, oh,
if you had a brother, is their name like Atlantic?
I've never gotten the Jebediah parts.
Speaker 2: Just imagining the anti Pacific and like, yes, sorry, I'm
gonna write make my own podcast about your you and
your fight against.
Speaker 4: Your your evil.
Speaker 5: To me, if there's someone out there named Atlantic Jebediah,
they are a thousand percent my enemy.
Speaker 3: I don't even know each other. Oh man, awesome, well
so so what else are you working on? And like
where can people find you on social media and stuff?
Speaker 4: Yeah?
Speaker 5: On Twitter, I am at Pacific Obadiah Obadiah is ob
a d I a h because people misspell that. Sometimes.
I work for Blay Disgusting. I make podcasts. SEP is
my main show, and I do that like three four
stuff every year. But right now I'm actually working on
Margaret's Garden, which we're a few episodes in at this point,
and that is a new creepy show about a mysterious
town that is empty and all of its residence disappeared
one night. It's a little more in depth than you know,
like a weekly anthology, but it's a long, ten episode,
a continuous story through a strange and magical world.
Speaker 1: Nice, it's d heck.
Speaker 2: Yeah, yeah, this is the most logical fit for the
guests in what character they're gonna play. Like when we
were like looking through all the stuff that he didn't
were like, oh.
Speaker 1: Yeah, weird, weird, mysterious creepy stories.
Speaker 3: Yeah that makes sense.
Speaker 4: Mary, Yeah, no, as soon as I was like, oh
fuck it.
Speaker 1: But yeah, So if you if you're a fan of
fictional podcasts, or if you're not, you should be. You
should check out a CP archives and definitely the episode
that me and Blane are going to be in. I
think it's Hellish themed if I'm correct.
Speaker 4: Absolutely yeah, yes, so yeah.
Speaker 1: Just search anywhere you listening to podcasts. Search for SCP archives.
Speaker 5: YEP, Spotify, Apple podcasts, Google podcasts, any app, SCP archives,
and your new show is Margaret's Garden and you can
find those shows at SCP Underscore po D and at
Margaret's Underscore po D on Twitter as well.
Speaker 3: Awesome, awesome, thanks specific appreciate you being on the show.
Speaker 4: Absolutely thanks for having me guys, it was a blast.
Speaker 1: Takes bye bye bye