1 00:00:07,919 --> 00:00:10,919 Speaker 1: Good morning from Hell. I'm Chris and I died and 2 00:00:11,000 --> 00:00:14,439 my eternal punishment is to do this podcast where we 3 00:00:14,480 --> 00:00:16,120 interview everyone in the at. 4 00:00:16,120 --> 00:00:16,760 Speaker 2: What have me? 5 00:00:16,839 --> 00:00:21,120 Speaker 1: That tape, that roll tape, okay, where I interview everyone 6 00:00:21,160 --> 00:00:23,359 in the afterlife as my eternal punishment with my co 7 00:00:23,480 --> 00:00:25,839 host Satan's little brother Clayton. 8 00:00:27,320 --> 00:00:29,679 Speaker 3: It's just it's just a smooth roll all the way around. 9 00:00:29,679 --> 00:00:30,800 And I don't know where the end is. 10 00:00:30,960 --> 00:00:32,520 Speaker 1: Yeah, no, I am, this is hell. 11 00:00:32,679 --> 00:00:34,479 Speaker 3: This is hell. Where's the end of the tape? 12 00:00:34,520 --> 00:00:35,399 Speaker 1: Yeah, I know, I don't know. 13 00:00:35,600 --> 00:00:37,640 Speaker 3: Here's your tee, U's your tee? 14 00:00:39,759 --> 00:00:39,880 Speaker 1: What? 15 00:00:40,039 --> 00:00:40,159 Speaker 2: What? 16 00:00:40,200 --> 00:00:40,359 Speaker 4: Why? 17 00:00:40,399 --> 00:00:43,119 Speaker 1: What? What happened to the recording studio? 18 00:00:43,320 --> 00:00:43,759 Speaker 3: What do you mean? 19 00:00:44,399 --> 00:00:46,439 Speaker 2: Because the whole place is empty and and and I'm 20 00:00:46,439 --> 00:00:48,280 packing everything in a boxes while you sit there like 21 00:00:48,280 --> 00:00:51,280 an idiot not helping. Yes, oh, grad you asked, maybe 22 00:00:51,280 --> 00:00:53,920 you can help. We're packing, we're moving studios. This is 23 00:00:53,960 --> 00:00:54,920 no longer our studio. 24 00:00:55,000 --> 00:00:55,880 Speaker 1: Why what happened? 25 00:00:55,880 --> 00:01:00,679 Speaker 2: Well, we're gonna have to downsize. Let's put it in 26 00:01:00,719 --> 00:01:04,920 a nicer light. We're moving to a new location, an 27 00:01:05,000 --> 00:01:08,920 upgraded studio that happens to be one eighth the size 28 00:01:08,959 --> 00:01:09,359 of this. 29 00:01:09,239 --> 00:01:11,879 Speaker 1: One, an eight Well, this isn't even a big room. 30 00:01:11,840 --> 00:01:14,120 Speaker 3: I know, and it's gonna get smaller, Chris, why is it. 31 00:01:14,200 --> 00:01:18,760 Speaker 2: Well, since I became the Secretary of War because President 32 00:01:18,799 --> 00:01:22,239 Cambo may he reign forever, et cetera, he slashed our budget, 33 00:01:22,239 --> 00:01:25,000 our production budget, and he rolled all those funds into 34 00:01:25,040 --> 00:01:28,680 the military defense budget of Hell. And you know, we 35 00:01:28,760 --> 00:01:31,879 are waging war on heaven and that's a pricey venture. 36 00:01:32,400 --> 00:01:35,120 So we're pinching pennies wherever we can. So we are 37 00:01:35,120 --> 00:01:38,959 going to be moving to a large closet. And yeah, 38 00:01:39,079 --> 00:01:41,079 I mean at the end of this episode, we're packing up, 39 00:01:41,079 --> 00:01:44,599 We're leaving. This is say goodbye to this old you know, 40 00:01:45,079 --> 00:01:47,959 piece of good memories, you know, memory memories. 41 00:01:48,120 --> 00:01:51,239 Speaker 1: Yeah, yeah, all right, Well, I mean you already pretty 42 00:01:51,280 --> 00:01:53,400 much packed everything up except for the microphone. 43 00:01:53,480 --> 00:01:55,680 Speaker 3: So yeah, before we bring. 44 00:01:55,519 --> 00:01:58,239 Speaker 2: Our guests, you want to talk about like special memories 45 00:01:58,280 --> 00:02:00,200 you've had in this place before we move in the 46 00:02:00,200 --> 00:02:00,640 next one. 47 00:02:00,719 --> 00:02:06,239 Speaker 1: Well, I've been murdered and disfigured and so many times 48 00:02:06,239 --> 00:02:10,960 in so many different ways. Yeah, and I have horrific 49 00:02:11,039 --> 00:02:14,199 memories of all of them, because they don't go away. 50 00:02:14,240 --> 00:02:18,000 Even if you die, all your memories come back. So yeah, 51 00:02:18,000 --> 00:02:18,520 it's a good. 52 00:02:18,360 --> 00:02:20,560 Speaker 2: Place, a lot of memories. You're gonna miss this place. 53 00:02:21,039 --> 00:02:23,520 To be clear, we're not getting canceled or the show's gonna. 54 00:02:23,280 --> 00:02:25,680 Speaker 1: Go on for yeah ever, oh no, no, I know 55 00:02:25,719 --> 00:02:28,000 it's my punishment, so I can't. Yeah. 56 00:02:28,080 --> 00:02:30,159 Speaker 3: Plus we have all these viewers that we can't let down. 57 00:02:30,240 --> 00:02:30,400 Speaker 2: Yeah. 58 00:02:31,120 --> 00:02:31,560 Speaker 4: Yeah. 59 00:02:31,759 --> 00:02:36,240 Speaker 1: So while we're covering exposition, be sure to follow at 60 00:02:36,240 --> 00:02:38,479 Morning from Hell on Twitter and Instagram. And we have 61 00:02:38,520 --> 00:02:42,840 a Facebook and read it where we post art from 62 00:02:42,919 --> 00:02:44,879 every single episode so you can see what it looks 63 00:02:44,919 --> 00:02:45,479 like down in hell. 64 00:02:45,599 --> 00:02:45,840 Speaker 5: Yeah. 65 00:02:45,919 --> 00:02:46,400 Speaker 3: Yeah. 66 00:02:46,400 --> 00:02:49,759 Speaker 1: Anyways, on that subject, who is our guest this week? 67 00:02:49,879 --> 00:02:52,400 Speaker 3: Well, Chris, it's gonna be a famous. 68 00:02:52,080 --> 00:02:52,879 Speaker 2: Writer, you know. 69 00:02:52,919 --> 00:02:54,080 Speaker 3: And I know that you don't read. 70 00:02:54,360 --> 00:02:57,439 Speaker 2: I read because it's not something that interests you would be. 71 00:02:57,439 --> 00:02:58,639 I don't think you can read. 72 00:02:58,759 --> 00:03:03,400 Speaker 3: I can read. Yeah, I can read this, Yeah, I know. 73 00:03:04,639 --> 00:03:06,000 Hold on, hold on read this. 74 00:03:06,599 --> 00:03:10,400 Speaker 1: Yeah, you're just holding up the blood signal with your hands. 75 00:03:10,639 --> 00:03:12,879 Speaker 2: Yeah, it's because that's that's that's what I'm gonna drain 76 00:03:12,960 --> 00:03:14,680 from you later blood. 77 00:03:15,159 --> 00:03:17,960 Speaker 3: I'm not affiliated with games. Anyways, We're gonna be bringing 78 00:03:17,960 --> 00:03:18,360 out a writer. 79 00:03:18,719 --> 00:03:22,680 Speaker 2: The reason being is before I got into my you know, politics. 80 00:03:22,759 --> 00:03:25,960 Speaker 3: Wow. More more exposition. Why don't we? Uh, you know, 81 00:03:26,000 --> 00:03:29,400 I was writing my bio, my memoirs, the Unholy Book 82 00:03:29,400 --> 00:03:29,840 of Clayton. 83 00:03:30,400 --> 00:03:31,080 Speaker 1: How's that going? 84 00:03:31,199 --> 00:03:33,520 Speaker 3: Oh terrible? Thank you for asking. Yeah. 85 00:03:33,520 --> 00:03:35,840 Speaker 2: I ran into a few speed bumps, got distracted, other 86 00:03:35,879 --> 00:03:38,280 things came up, so I'm just gonna hide her a ghostwriter. 87 00:03:38,560 --> 00:03:40,360 Speaker 1: Okay. Well, how far along are you? 88 00:03:40,560 --> 00:03:42,520 Speaker 3: Page index? 89 00:03:42,719 --> 00:03:43,560 Speaker 1: Page index? 90 00:03:43,759 --> 00:03:45,960 Speaker 3: Yeah, yeah, it's not even in the pages yet. I'm 91 00:03:46,000 --> 00:03:46,759 just in the index. 92 00:03:47,360 --> 00:03:50,960 Speaker 1: Okay. Well, how do you index something that doesn't have content? 93 00:03:51,680 --> 00:03:55,039 Speaker 3: You name the chapters, and I have some great chapter names. 94 00:03:55,080 --> 00:03:58,840 Speaker 2: There's really good names on these chapters, like what chapter 95 00:03:59,039 --> 00:04:01,759 five My life as President of Hell? 96 00:04:02,120 --> 00:04:04,800 Speaker 1: Oh, so that one might need to be updated because 97 00:04:04,800 --> 00:04:06,520 you're not Yeah yeah, but check this. 98 00:04:06,439 --> 00:04:09,159 Speaker 3: One out chapter six pickup sticks? 99 00:04:09,960 --> 00:04:12,319 Speaker 1: Oh yeah, what is that about? 100 00:04:12,360 --> 00:04:13,080 Speaker 3: Speaking of sticks? 101 00:04:13,199 --> 00:04:13,520 Speaker 1: Okay? 102 00:04:13,560 --> 00:04:15,879 Speaker 3: The band? Okay? Oh oh Helloway? 103 00:04:16,160 --> 00:04:20,120 Speaker 2: Okay, all right, don't worry. You got on, mister Robarto. Anyways, 104 00:04:20,279 --> 00:04:21,279 I'm gonna bring on a writer. 105 00:04:21,759 --> 00:04:23,600 Speaker 3: You know, I'm interviewing a few. 106 00:04:23,519 --> 00:04:26,600 Speaker 2: People for the position, but might as well just you 107 00:04:26,759 --> 00:04:28,800 turn it into an interview, you know, double dips. 108 00:04:28,800 --> 00:04:31,000 Speaker 3: So we're gonna bring on Edgar Allan Poe. 109 00:04:31,839 --> 00:04:34,720 Speaker 5: Hello, everyone, how are you today? 110 00:04:35,000 --> 00:04:37,160 Speaker 3: Hey? Oh so good ed ground. 111 00:04:37,279 --> 00:04:38,920 Speaker 4: I am so honored to be here. 112 00:04:39,040 --> 00:04:41,759 Speaker 5: Truly, it's a nice day in hell when I can 113 00:04:41,800 --> 00:04:45,439 get out, stretch my legs and talk about poetry and writing. 114 00:04:45,600 --> 00:04:50,040 Speaker 1: Yeah, you're enthusiastic. So you're a ghost is that? 115 00:04:50,759 --> 00:04:52,360 Speaker 4: Why? Yes? That is correct? 116 00:04:52,519 --> 00:04:55,000 Speaker 5: Like everyone else here in hell, Chris, I have died 117 00:04:55,319 --> 00:04:57,120 and now I am in comport. 118 00:04:57,399 --> 00:04:59,920 Speaker 1: Well I'm corporeal, you know for the reck. 119 00:05:01,000 --> 00:05:04,000 Speaker 5: Yes, but you're to be tortured and I am here 120 00:05:04,040 --> 00:05:06,920 to write and create and h. 121 00:05:07,560 --> 00:05:08,519 Speaker 3: Yeah, it's a ghostwriter. 122 00:05:08,759 --> 00:05:10,680 Speaker 1: Yeah, yes, I guess that makes sense kN be a 123 00:05:10,680 --> 00:05:13,399 ghostwriter if you're corporeal? Right, am? I right? 124 00:05:13,600 --> 00:05:13,839 Speaker 4: Why? 125 00:05:13,920 --> 00:05:14,519 Speaker 5: Of course not? 126 00:05:15,040 --> 00:05:16,720 Speaker 4: The idea is silly. 127 00:05:16,839 --> 00:05:19,959 Speaker 1: So uh Poe're I mean you're pretty well known up 128 00:05:19,959 --> 00:05:20,439 on earth. 129 00:05:20,480 --> 00:05:22,720 Speaker 5: Oh am, I I was curious about that. It's it's 130 00:05:22,800 --> 00:05:24,399 been a few hundred years. 131 00:05:24,439 --> 00:05:24,680 Speaker 4: You know. 132 00:05:25,360 --> 00:05:27,199 Speaker 5: Do do the children read my books? 133 00:05:27,199 --> 00:05:28,279 Speaker 4: Do they love me? Am? I? 134 00:05:28,480 --> 00:05:31,959 Speaker 5: Praised and chanted in the probably not chanted in the streets, 135 00:05:31,959 --> 00:05:33,199 But but do kids love me? 136 00:05:33,480 --> 00:05:36,120 Speaker 2: Kids don't know about kids. I mean maybe a couple 137 00:05:36,160 --> 00:05:38,839 of high school English classes. But uh, yeah, no, I 138 00:05:38,879 --> 00:05:42,040 mean you're you had some really dark works, you know, 139 00:05:42,079 --> 00:05:44,040 I don't know, why would why kids would know about that. 140 00:05:44,360 --> 00:05:46,240 Speaker 4: I don't think they're that dark. 141 00:05:46,519 --> 00:05:51,879 Speaker 5: I hmm, well all right, but regardless, Chris, surely you 142 00:05:52,160 --> 00:05:55,079 read my works in a high school or perhaps for fun. 143 00:05:55,120 --> 00:05:56,439 Speaker 3: Maybe for high school? 144 00:05:56,720 --> 00:05:58,319 Speaker 1: Yeah, yeah, exactly right. 145 00:05:58,560 --> 00:06:04,199 Speaker 5: Oh oh okay, no, not a fan then maybe younger brothers, sisters. 146 00:06:04,480 --> 00:06:06,600 Speaker 1: Well, I mean I'm a fan, that's sure. I mean 147 00:06:06,639 --> 00:06:09,040 I'm required reading, right, you know, so. 148 00:06:09,399 --> 00:06:10,680 Speaker 3: People know you up on Earth. 149 00:06:10,680 --> 00:06:13,279 Speaker 2: I mean, you had this reputation for your you know, 150 00:06:13,560 --> 00:06:17,759 very gothic, dark evil writings. So that's why I was 151 00:06:17,800 --> 00:06:20,800 gonna bring you on for this, for this potential job opportunity. 152 00:06:21,040 --> 00:06:24,759 Speaker 5: Oh I hm, I see, because I thought you wanted 153 00:06:24,879 --> 00:06:26,720 a memoir that you know, made you look good, a 154 00:06:26,720 --> 00:06:29,600 little more likable to the masses. I know your election 155 00:06:29,720 --> 00:06:32,160 didn't go well, so I thought you were kind of doing. 156 00:06:31,920 --> 00:06:35,439 Speaker 2: Some pr We're not gonna talk about that, no, no, no, 157 00:06:35,519 --> 00:06:37,399 I mean I want people to to fear me. 158 00:06:37,680 --> 00:06:40,000 Speaker 3: And that's why I you know, I chose like. 159 00:06:40,040 --> 00:06:42,800 Speaker 2: You know, the og horror writer. I mean, your stuff 160 00:06:42,879 --> 00:06:46,160 was scary, you know, this is good sad stuff. 161 00:06:46,399 --> 00:06:48,720 Speaker 5: Yeah, I just hm, I guess I'm having a hard 162 00:06:48,759 --> 00:06:51,720 time understanding what would scared you about it. I don't 163 00:06:51,759 --> 00:06:54,879 know the raven that Chris, you're familiar with the raven. 164 00:06:54,959 --> 00:06:57,439 Speaker 1: Yeah, yeah, I could even quote it, well. 165 00:06:57,360 --> 00:06:59,439 Speaker 5: Quote the raven never moore my friends. 166 00:07:00,120 --> 00:07:00,920 Speaker 4: A talking bird. 167 00:07:01,600 --> 00:07:05,839 Speaker 5: There's nothing happier or scary about a talking bird. 168 00:07:06,079 --> 00:07:08,959 Speaker 2: Yeah, but doesn't someone die in that, like the bird 169 00:07:09,079 --> 00:07:10,399 drives someone insane? 170 00:07:10,600 --> 00:07:11,120 Speaker 1: Yeah? 171 00:07:11,160 --> 00:07:13,079 Speaker 2: You know those are That's great. You know, I want 172 00:07:13,079 --> 00:07:14,879 that in my books. I want people to read it 173 00:07:14,879 --> 00:07:15,600 and go crazy. 174 00:07:15,680 --> 00:07:17,800 Speaker 5: I just, hm, I feel like I'm being a little 175 00:07:17,800 --> 00:07:22,759 misunderstood here. It was actually about a beautiful furry friend 176 00:07:22,879 --> 00:07:26,319 that comes and helps a friend grieve over a lost one. 177 00:07:26,600 --> 00:07:29,399 You know, kids growing up, it's very important to the 178 00:07:29,480 --> 00:07:32,800 developments that they learn how to grieve and move on, 179 00:07:33,720 --> 00:07:35,199 you know, part of the beauty of life. 180 00:07:35,639 --> 00:07:37,279 Speaker 1: So that wasn't supposed to be creepy. 181 00:07:37,480 --> 00:07:38,439 Speaker 3: No, not at all. 182 00:07:39,120 --> 00:07:42,560 Speaker 5: A midnight friend comes and visits while you're sitting in 183 00:07:42,600 --> 00:07:46,560 front of a nice, warm, cozy fireplace on a cold 184 00:07:46,600 --> 00:07:47,920 and chilly December day. 185 00:07:48,199 --> 00:07:49,879 Speaker 4: No, not frightening at all. 186 00:07:51,319 --> 00:07:55,040 Speaker 2: Well, I mean I personally I think that you know, 187 00:07:55,120 --> 00:07:57,959 you excel at horror. Horror, right, yeah, and that's why 188 00:07:57,959 --> 00:07:59,720 I want to bring you on. You know, for this, 189 00:08:00,399 --> 00:08:02,120 so like you know, I mean, could you give us 190 00:08:02,279 --> 00:08:04,759 a sample of some of your writing, like you know, 191 00:08:04,959 --> 00:08:06,600 to write write a poem about me right now? 192 00:08:06,680 --> 00:08:07,240 Speaker 4: Oh why? 193 00:08:07,319 --> 00:08:11,439 Speaker 5: Of course, a vocal demon with skins so red, he 194 00:08:11,519 --> 00:08:16,319 disliked his assistant and chopped off his head, covered in blood. 195 00:08:16,040 --> 00:08:17,519 Speaker 4: Shits, bile, and gore. 196 00:08:17,959 --> 00:08:20,720 Speaker 5: The demon laughed and went back for more. 197 00:08:21,160 --> 00:08:24,120 Speaker 1: Okay, that's not bad, Chris, Yeah, yeah, great. You don't 198 00:08:24,160 --> 00:08:26,279 have to necessarily follow through with it all. It's I 199 00:08:26,319 --> 00:08:27,600 think it was more just a suggestion. 200 00:08:27,959 --> 00:08:29,439 Speaker 4: Well no, I I only. 201 00:08:29,240 --> 00:08:31,639 Speaker 5: Write from real life experience, so I do have to 202 00:08:31,639 --> 00:08:33,559 watch him do it or else I can't. 203 00:08:33,559 --> 00:08:34,440 Speaker 4: I can't publish that. 204 00:08:34,960 --> 00:08:36,960 Speaker 2: But I mean you agree that that's that's that's not 205 00:08:37,000 --> 00:08:41,279 for kids. I mean you even say shit. 206 00:08:41,240 --> 00:08:42,480 Speaker 3: And bile and gore. 207 00:08:42,639 --> 00:08:44,720 Speaker 1: I mean, yeah, it's really creepy. I mean you even 208 00:08:44,759 --> 00:08:47,000 get ripped off by Alfred Hitchcock. I mean he made 209 00:08:47,000 --> 00:08:50,399 a whole horror movie about like birds attacking people. 210 00:08:50,960 --> 00:08:53,600 Speaker 5: Yeah, I can I can see that. I just hmm, 211 00:08:54,159 --> 00:08:56,399 I've been friends with virgine. You go to the park, 212 00:08:56,440 --> 00:08:59,080 you feed them, you throw some breadcrumbs, they all flock. 213 00:08:59,519 --> 00:09:00,840 Speaker 4: It's a beautiful sight. 214 00:09:01,159 --> 00:09:03,759 Speaker 1: Right, it's a. It's a horror movie. You know, it's 215 00:09:03,840 --> 00:09:04,759 meant to be scary. 216 00:09:04,840 --> 00:09:07,879 Speaker 5: Birds are creepy, Chris. Honestly, I think that's some of 217 00:09:07,879 --> 00:09:09,639 that teenage rebellion in you. 218 00:09:10,120 --> 00:09:11,039 Speaker 1: I'm not a teenager. 219 00:09:11,279 --> 00:09:12,720 Speaker 4: It's a family movie. 220 00:09:13,279 --> 00:09:17,799 Speaker 5: Hitchcock was known for his family movies like Psycho A 221 00:09:17,919 --> 00:09:20,519 Boy Loves his Mother. It doesn't get any more wholesome 222 00:09:20,559 --> 00:09:25,679 than that. Well, I mean, agree to disagree. 223 00:09:25,799 --> 00:09:27,399 Speaker 4: I suppose, okay. 224 00:09:27,120 --> 00:09:28,120 Speaker 3: Well disagree. 225 00:09:28,200 --> 00:09:30,919 Speaker 1: What was your family life like then? Growing up? 226 00:09:31,000 --> 00:09:32,519 Speaker 4: It was rather complicated. 227 00:09:33,120 --> 00:09:37,919 Speaker 5: I married a cousin and you did, Yes, yes, I did. 228 00:09:38,080 --> 00:09:39,559 Speaker 1: Okay, that checks out. 229 00:09:39,639 --> 00:09:42,519 Speaker 5: Baltimore was tough in the late eighties. You know, you 230 00:09:42,679 --> 00:09:45,480 just you gotta, you gotta watch out for your own, 231 00:09:45,600 --> 00:09:50,360 you know, the late eighties, yes, of course, the eighteen eighties. Oh, okay, 232 00:09:50,679 --> 00:09:53,080 it's gonna say Baltimore. The nineteeners is like, you know 233 00:09:53,279 --> 00:09:54,279 that that was a fun time. 234 00:09:54,360 --> 00:09:56,519 Speaker 1: Yeah, I mean, I guess watching out for your own 235 00:09:56,600 --> 00:09:59,960 though often doesn't mean like marrying and sleeping with. 236 00:10:00,279 --> 00:10:05,080 Speaker 5: Them sometimes sometimes, but sometimes you know, it's it's about 237 00:10:05,120 --> 00:10:08,440 the closeness of family and bringing everyone together. 238 00:10:08,679 --> 00:10:11,639 Speaker 4: You know, I don't know that's all right. 239 00:10:11,679 --> 00:10:14,879 Speaker 5: It gave me the valuable insight that I needed to 240 00:10:14,960 --> 00:10:18,639 go on and work on many a kid's show. 241 00:10:19,080 --> 00:10:19,600 Speaker 1: Yeah. 242 00:10:20,519 --> 00:10:23,080 Speaker 5: Oh yeah, Well, you know a few years ago I 243 00:10:23,320 --> 00:10:26,480 went up to Earth and I was a scriptwriter for 244 00:10:26,559 --> 00:10:29,440 That's So Raven. I wanted to take my love for 245 00:10:29,600 --> 00:10:34,600 birds and channel that into a fun, supernatural romp through 246 00:10:34,759 --> 00:10:35,679 family drama. 247 00:10:36,240 --> 00:10:38,200 Speaker 1: Okay, well that one is kind of a kid show, 248 00:10:38,399 --> 00:10:39,480 so yeah, yeah. 249 00:10:40,639 --> 00:10:41,799 Speaker 4: Yeah, it's it's funny. 250 00:10:42,120 --> 00:10:45,799 Speaker 5: Despite possessing the lead writer for many, many months, they 251 00:10:45,799 --> 00:10:48,840 didn't actually use any of my scripts. Can you believe it? 252 00:10:49,440 --> 00:10:52,200 Speaker 1: They I can. Actually, Well, they kept. 253 00:10:52,039 --> 00:10:57,399 Speaker 5: The name and and that's what's important, Raven's trademark opposed domain. 254 00:10:58,399 --> 00:11:00,519 Speaker 1: So since you died, what else do you been doing? 255 00:11:00,639 --> 00:11:04,279 I mean, besides I guess haunting and staying in hell? 256 00:11:04,399 --> 00:11:05,279 Like what do you? What do you do? 257 00:11:05,600 --> 00:11:05,759 Speaker 5: Oh? 258 00:11:05,840 --> 00:11:06,279 Speaker 4: Yeah, you know. 259 00:11:06,360 --> 00:11:08,440 Speaker 5: I I've refined my work a lot. I go to 260 00:11:08,799 --> 00:11:11,559 some of those fun poetry workshops down here in Hell. 261 00:11:12,039 --> 00:11:16,120 Speaker 4: I adore them. Other people maybe not so much. 262 00:11:16,360 --> 00:11:17,720 Speaker 1: Oh yeah, I mean it's hell. 263 00:11:17,919 --> 00:11:19,279 Speaker 4: It is hell. Indeed. 264 00:11:20,200 --> 00:11:20,320 Speaker 2: Uh. 265 00:11:20,600 --> 00:11:23,200 Speaker 5: You know, I have been working on a new piece. 266 00:11:23,440 --> 00:11:24,320 Speaker 4: Would you like to hear it? 267 00:11:25,200 --> 00:11:25,399 Speaker 3: Yeah? 268 00:11:25,679 --> 00:11:27,759 Speaker 2: Yeah, I mean you're you're here to show me that 269 00:11:27,840 --> 00:11:30,519 you can write my books, so I need to see your. 270 00:11:30,559 --> 00:11:33,039 Speaker 5: Of course, I think this will really be a turning 271 00:11:33,120 --> 00:11:34,240 round point in this interview. 272 00:11:34,399 --> 00:11:35,759 Speaker 1: Okay, what is this piece? 273 00:11:36,080 --> 00:11:42,080 Speaker 4: This is phallic floor. Okay, with fallis to the floor, 274 00:11:42,360 --> 00:11:44,000 there was no hope for cleanness. 275 00:11:45,000 --> 00:11:49,840 Speaker 5: He's a rose colored hellion with a giant penis. Though 276 00:11:49,879 --> 00:11:53,000 it was hard, he tried living with his mass, but 277 00:11:53,120 --> 00:12:00,879 once we'll hiking, he drug it through glass. I know, terrible, right, yeah, yeah, you. 278 00:12:00,840 --> 00:12:02,919 Speaker 2: Had me there in the beginning, you know, with giant 279 00:12:02,960 --> 00:12:06,559 ding dongs and all that stuff. And why do you 280 00:12:06,600 --> 00:12:08,279 have to make him drug it through glass? I mean 281 00:12:08,320 --> 00:12:09,639 that's the poem, I know, I guess. 282 00:12:09,720 --> 00:12:12,159 Speaker 5: Yeah, it's important to teach kids that, you know, it's 283 00:12:12,639 --> 00:12:13,879 it's hard, not life out there? 284 00:12:13,960 --> 00:12:16,799 Speaker 1: Right Wait wait, wait, that poem is to teach kids 285 00:12:16,840 --> 00:12:19,480 not to drag their ding dong through glass. 286 00:12:19,799 --> 00:12:23,440 Speaker 5: Of course, Christopher, did no one tell you not to 287 00:12:23,519 --> 00:12:25,720 drag your ding dong through glass when you were a. 288 00:12:25,720 --> 00:12:29,039 Speaker 6: Kid, No, no one did. And it never came up, really, 289 00:12:29,120 --> 00:12:34,759 not once. You've never once cut your ding dong with glass? No, Well, 290 00:12:35,679 --> 00:12:37,559 different worlds, I suppose, different worlds. 291 00:12:37,879 --> 00:12:39,679 Speaker 1: I know it was the same world. 292 00:12:39,759 --> 00:12:41,399 Speaker 3: You give or take a hundred years. 293 00:12:41,480 --> 00:12:44,759 Speaker 5: Yeah, but one hundred Baltimore has changed so much, hasn't it. 294 00:12:44,960 --> 00:12:46,679 Speaker 3: I mean, then you have the Ravens. What are your 295 00:12:46,720 --> 00:12:48,200 thoughts on the Baltimore Ravens. 296 00:12:48,000 --> 00:12:48,519 Speaker 5: A good team. 297 00:12:48,559 --> 00:12:49,919 Speaker 4: I tried out for them once. 298 00:12:50,000 --> 00:12:55,559 Speaker 5: Actually, well it turns out that as a puny twerp 299 00:12:55,840 --> 00:12:59,120 who can't throw a football quite well, I did not 300 00:12:59,279 --> 00:12:59,720 do well. 301 00:13:00,480 --> 00:13:03,519 Speaker 2: Yes, okay, yeah, it's kind of, uh, you know, similar 302 00:13:03,559 --> 00:13:04,759 to how this job interview. 303 00:13:04,519 --> 00:13:04,960 Speaker 3: Is going there. 304 00:13:05,039 --> 00:13:09,600 Speaker 5: Well, it's a matter of perspective. I think it's going wonderfully. Yeah, Chris, 305 00:13:09,759 --> 00:13:10,600 surely you agree. 306 00:13:10,919 --> 00:13:12,879 Speaker 1: You just told me all about dragging my ding dong 307 00:13:12,960 --> 00:13:14,360 through not to do. 308 00:13:14,519 --> 00:13:16,559 Speaker 5: It's good life advice. 309 00:13:17,480 --> 00:13:19,519 Speaker 2: Tell me about somebody that you you hate, you know, 310 00:13:19,639 --> 00:13:21,440 like I want to to hear about the evil side 311 00:13:21,440 --> 00:13:23,360 of Edgar and Poe, or. 312 00:13:23,360 --> 00:13:28,039 Speaker 5: You want the evil side of Edgar Allan Poe yea, yeah, yeah, 313 00:13:28,240 --> 00:13:29,320 Look no further. 314 00:13:29,080 --> 00:13:30,279 Speaker 4: Than Mark Twain. 315 00:13:31,039 --> 00:13:32,639 Speaker 5: I mean, who does he think he is? 316 00:13:32,879 --> 00:13:34,320 Speaker 4: He wears all whites. 317 00:13:35,039 --> 00:13:38,960 Speaker 5: Black is obviously the color for a man of his stature. 318 00:13:39,240 --> 00:13:42,000 Speaker 4: I mean his books are nonsensical too. 319 00:13:42,000 --> 00:13:44,320 Speaker 2: So to be clear, you don't like Mark Twain just 320 00:13:44,320 --> 00:13:46,480 because he kind of looks like you but just wears white. 321 00:13:46,639 --> 00:13:50,039 He's like the anti Edgar Allan Poe, saying, yes, he 322 00:13:50,200 --> 00:13:51,440 copped my style. 323 00:13:51,960 --> 00:13:55,600 Speaker 1: Well, but his stories aren't really anything similar. 324 00:13:56,000 --> 00:13:59,120 Speaker 4: They're about teaching kids valuable lessons. They're quite similar, Chris. 325 00:13:59,120 --> 00:14:01,440 Speaker 2: Come on, I mean, what other lessons have you tried 326 00:14:01,440 --> 00:14:04,080 to teach children? I mean, you keep talking about you. 327 00:14:04,279 --> 00:14:06,559 You're all about the kids, but all your writing is 328 00:14:06,559 --> 00:14:07,440 still creepy though. 329 00:14:07,639 --> 00:14:11,000 Speaker 5: Yeah, you might be familiar with my famous story The 330 00:14:11,000 --> 00:14:12,279 Cask of montiel Doo. 331 00:14:12,679 --> 00:14:17,879 Speaker 2: Yes, of course, that's the one where, uh, Chris, can 332 00:14:17,919 --> 00:14:19,159 you say that that word for us? 333 00:14:20,559 --> 00:14:23,320 Speaker 3: No? No, no, no, no, Chris, I want. 334 00:14:23,159 --> 00:14:25,759 Speaker 4: To hear you. It's a children's storytelle. 335 00:14:25,879 --> 00:14:27,840 Speaker 5: Surely anyone can say the word. 336 00:14:28,080 --> 00:14:31,840 Speaker 1: Yeah, pronounce that word, Chris, all right, I will. It's 337 00:14:31,960 --> 00:14:37,159 the the cask, the cask of a Monteado yado. 338 00:14:38,159 --> 00:14:40,679 Speaker 4: Beautifully done, Chris, beautifully done. 339 00:14:41,120 --> 00:14:47,039 Speaker 3: Yes, Chili's waiter. Yes, I'll have one Montilado please. That's 340 00:14:47,080 --> 00:14:47,840 what you sound like. 341 00:14:49,360 --> 00:14:53,279 Speaker 1: So if high school English sears me correctly, that story 342 00:14:53,360 --> 00:14:59,960 is about uh, a guy who he gets his enemy 343 00:15:00,919 --> 00:15:03,759 and then walls him up inside and kills him. 344 00:15:03,840 --> 00:15:06,399 Speaker 5: And not quite you have the first half correct, I 345 00:15:07,200 --> 00:15:09,480 have a friend over, we get drunk. It's a good time, 346 00:15:10,519 --> 00:15:16,039 and then I wall him up and bam shazam, a 347 00:15:16,200 --> 00:15:20,519 giant wine bottle bursts out of the wall and offers 348 00:15:20,600 --> 00:15:24,279 us both a cask of a Montialdo you're. 349 00:15:24,120 --> 00:15:26,720 Speaker 2: Saying you invented the kool aid Man before the kool 350 00:15:26,720 --> 00:15:27,480 aid Man was a thing. 351 00:15:27,559 --> 00:15:29,720 Speaker 5: Yes, that is quite exactly what I am saying. 352 00:15:30,360 --> 00:15:35,919 Speaker 1: So that story is just the prequel the origin. 353 00:15:37,039 --> 00:15:37,799 Speaker 3: A man begins. 354 00:15:37,879 --> 00:15:40,360 Speaker 5: Yeah, he got watered down over the years, and now 355 00:15:40,399 --> 00:15:43,879 he's more kid friendly because your wine wine shouldn't be 356 00:15:43,919 --> 00:15:47,039 served to minors, and I've learned that over the years. 357 00:15:48,759 --> 00:15:51,360 Speaker 1: Yeah. So you you had a big drinking problem up 358 00:15:51,360 --> 00:15:52,360 on Earth, though, is that right? 359 00:15:52,639 --> 00:15:53,240 Speaker 4: I did? 360 00:15:53,679 --> 00:15:56,320 Speaker 5: I did, and it was quite terrible. It actually it 361 00:15:56,399 --> 00:16:00,039 led to my death. You know, many speculate that I 362 00:16:00,080 --> 00:16:05,240 died in the streets, but but that's not quite right. 363 00:16:06,559 --> 00:16:07,159 Speaker 4: Good one. 364 00:16:07,519 --> 00:16:09,960 Speaker 1: Uh no, well, his cousin. 365 00:16:11,320 --> 00:16:16,639 Speaker 5: She actually died before I did, so, yes, a bit 366 00:16:16,720 --> 00:16:19,360 a bit of failure on my part, not not really 367 00:16:19,399 --> 00:16:21,240 looking out for family the way I should have. 368 00:16:22,399 --> 00:16:23,919 Speaker 1: Yeah, so how did you die? 369 00:16:23,960 --> 00:16:24,120 Speaker 2: Then? 370 00:16:24,240 --> 00:16:28,279 Speaker 5: I was hanging out with the birds, the bees, the bears, 371 00:16:28,399 --> 00:16:31,519 you know, all of my fun cute little animal friends. 372 00:16:32,759 --> 00:16:38,320 And I was I was a few glasses bottles bars 373 00:16:38,360 --> 00:16:42,600 into the night, you know, uh huh. And I had 374 00:16:42,600 --> 00:16:45,200 a small wolf companion following me. 375 00:16:45,279 --> 00:16:49,279 Speaker 4: He was the best of friends. His name was Barry. Well. 376 00:16:49,279 --> 00:16:54,720 Speaker 5: Barry bit me and that led to me contracting rabies, 377 00:16:55,679 --> 00:16:59,759 which awful. Let me tell you what. Your body shakes 378 00:16:59,759 --> 00:17:04,000 you from the mouth. I was looking awful, right, of course, 379 00:17:04,039 --> 00:17:07,440 that's not how I died. No, No, I died when 380 00:17:07,480 --> 00:17:10,079 the coroner pronounced me dead and buried me. 381 00:17:10,279 --> 00:17:10,480 Speaker 3: Yeah. 382 00:17:10,559 --> 00:17:12,359 Speaker 1: Yeah, you were found in the street dead. 383 00:17:12,440 --> 00:17:14,519 Speaker 3: Yeah, and then they buried you like because you're a 384 00:17:14,559 --> 00:17:14,880 dead guy. 385 00:17:15,599 --> 00:17:18,640 Speaker 4: Almost I was buried alive, you see. 386 00:17:18,720 --> 00:17:20,799 Speaker 1: Oh oh oh god, that's awful. 387 00:17:21,799 --> 00:17:27,240 Speaker 5: It is actually my number one fear. And it did, 388 00:17:27,519 --> 00:17:30,559 it did, Chris, Thank you for that astute observation. 389 00:17:30,880 --> 00:17:33,079 Speaker 2: Yeah, So, I mean, how long did you last there? 390 00:17:33,079 --> 00:17:36,400 I mean the the oxygen must have run out and 391 00:17:36,480 --> 00:17:38,599 you know, a couple of minutes. 392 00:17:38,599 --> 00:17:43,240 Speaker 5: You you would think. So it turns out wasn't buried 393 00:17:43,319 --> 00:17:45,640 very deep, deep enough that I couldn't get out, you know, 394 00:17:46,079 --> 00:17:49,640 coffin was a little leaky. So a few months, two 395 00:17:49,759 --> 00:17:50,400 maybe three? 396 00:17:51,799 --> 00:17:54,480 Speaker 3: You were buried for two or three months? 397 00:17:55,000 --> 00:17:58,960 Speaker 5: Yes, I lived off of my leather vest at the time, 398 00:18:00,119 --> 00:18:01,039 little chewy. 399 00:18:00,759 --> 00:18:02,160 Speaker 4: But it got the job done. 400 00:18:02,680 --> 00:18:05,400 Speaker 5: What about water, Well, you wouldn't believe it. 401 00:18:05,839 --> 00:18:08,279 Speaker 4: God gave me a mirror. Sorry, I don't say God 402 00:18:08,319 --> 00:18:08,720 down here. 403 00:18:09,319 --> 00:18:13,400 Speaker 5: I was sent a miracle from above. Water leaked into 404 00:18:13,480 --> 00:18:16,440 my coffin and substained me for those many months. 405 00:18:16,640 --> 00:18:18,440 Speaker 3: Oh was it like? Was it the rain season or 406 00:18:18,799 --> 00:18:19,640 it was dry? 407 00:18:20,079 --> 00:18:22,759 Speaker 5: It was dry. I had some enemies, uh huh, and 408 00:18:24,720 --> 00:18:28,519 they did not like me, so they literally pissed on 409 00:18:28,640 --> 00:18:29,240 my grave. 410 00:18:30,839 --> 00:18:31,079 Speaker 4: Wow. 411 00:18:32,039 --> 00:18:35,079 Speaker 1: Little did they know? It was exactly what you needed 412 00:18:35,119 --> 00:18:39,720 to stay alivee yes, quite yeah. You drank piss for 413 00:18:39,759 --> 00:18:44,839 three weeks though, three wess yes, three months, and they 414 00:18:44,920 --> 00:18:47,160 kept going back to peace, so they it wasn't just 415 00:18:47,160 --> 00:18:48,720 like you for a little bit. 416 00:18:48,759 --> 00:18:51,200 Speaker 4: My coffin was actually flooded, and I was worried. 417 00:18:51,200 --> 00:18:55,640 Speaker 5: I didn't run out of oxygen because it was overflowing. Yes, 418 00:18:56,680 --> 00:18:59,680 that's upsetting extremely So I mean while you. 419 00:18:59,599 --> 00:19:01,160 Speaker 3: Were down or did you get anything done? 420 00:19:01,240 --> 00:19:06,279 Speaker 2: I mean aside from drinking piss and chewing on your shoes? 421 00:19:06,319 --> 00:19:10,400 Speaker 5: And actually, yes, I wrote perhaps my magnum Opus, the 422 00:19:10,440 --> 00:19:14,720 best poem to ever be composed by Poe. Okay, hear 423 00:19:14,759 --> 00:19:19,480 it soaking wet and searching for a towel. My cloth 424 00:19:19,519 --> 00:19:23,559 had gone missing, taken by a fowl. Naked and running 425 00:19:23,599 --> 00:19:26,920 through this wretched bird. But fast as I was, I 426 00:19:26,960 --> 00:19:29,200 could not escape this feathered turd. 427 00:19:30,920 --> 00:19:34,079 Speaker 3: That is a poem about you running from a towel 428 00:19:34,400 --> 00:19:35,920 being stolen. 429 00:19:35,519 --> 00:19:38,799 Speaker 5: From you by There's a poem about the piss leaking 430 00:19:38,799 --> 00:19:41,640 through my coffin, an inevitable shit that made its way down. 431 00:19:42,400 --> 00:19:46,079 Speaker 1: Oh yeah, wow, it's creepy, weird. 432 00:19:46,319 --> 00:19:49,640 Speaker 5: It is quite creepy when someone literally shits on your grave. 433 00:19:51,039 --> 00:19:53,880 Speaker 1: Yes, well that one wasn't for kids, so that's that. 434 00:19:54,000 --> 00:19:56,559 Speaker 5: Oh no, no, no, that one is definitely for kids. 435 00:19:58,440 --> 00:20:01,240 Speaker 3: How how I trust no one? 436 00:20:01,279 --> 00:20:01,839 Speaker 4: Of course? 437 00:20:02,160 --> 00:20:04,599 Speaker 3: Okay, yeah, I guess that's that's a lesson that you 438 00:20:04,640 --> 00:20:07,400 would teach children. But kind of a weird delivery of said. 439 00:20:07,519 --> 00:20:11,559 Speaker 5: Yes, yeah, don't drag your dick through glass, don't trust anyone, huh, 440 00:20:11,599 --> 00:20:13,640 and cut off Chris's head. 441 00:20:13,720 --> 00:20:14,920 Speaker 4: Those are my three lessons. 442 00:20:15,160 --> 00:20:18,759 Speaker 2: Okay, yah, all right, Well you know, doctor Seuss, but 443 00:20:19,240 --> 00:20:22,200 you are you are something else. 444 00:20:22,240 --> 00:20:23,640 Speaker 3: I'll give you that buch shed ground pow. 445 00:20:23,920 --> 00:20:25,680 Speaker 4: Thank you, thank you very very much. 446 00:20:26,279 --> 00:20:31,799 Speaker 1: So what makes you want this job? Writing? Clayton's biography. 447 00:20:32,359 --> 00:20:35,039 Speaker 4: Yeah, well I've gotten a little rusty. 448 00:20:35,279 --> 00:20:38,920 Speaker 5: The home workshops down here aren't all that lively, you know. 449 00:20:39,319 --> 00:20:42,079 Speaker 1: Yeah. The poetry slams are just like they just take 450 00:20:42,119 --> 00:20:43,880 poets and drop things on the. 451 00:20:44,160 --> 00:20:47,880 Speaker 4: Slams against wall. Yeah, yes, quite quite unfortunate. 452 00:20:48,440 --> 00:20:50,480 Speaker 5: So I thought it was time for a career change. 453 00:20:51,200 --> 00:20:53,640 And when I saw when I saw the advertisement, of 454 00:20:53,680 --> 00:20:56,400 course I had to take up the offer. I mean 455 00:20:56,480 --> 00:21:00,279 to write about the King of Hell's younger brother. There 456 00:21:01,039 --> 00:21:02,079 who could pass that up? 457 00:21:03,160 --> 00:21:06,440 Speaker 1: Yeah, yeah, a lot of people actually, have there been 458 00:21:06,440 --> 00:21:07,599 any other applications. 459 00:21:08,119 --> 00:21:10,640 Speaker 2: I mean, I tried getting Frank Herbert, you know, I 460 00:21:10,720 --> 00:21:13,640 kind of wanted a Dune style biography. 461 00:21:13,839 --> 00:21:15,960 Speaker 3: But yeah, he's got me on read he left me 462 00:21:16,000 --> 00:21:16,400 on red. 463 00:21:16,920 --> 00:21:18,240 Speaker 4: That does sound quite like him? 464 00:21:18,319 --> 00:21:19,000 Speaker 1: Anyone else? 465 00:21:19,720 --> 00:21:20,119 Speaker 2: J R. 466 00:21:20,200 --> 00:21:24,039 Speaker 3: Tolkien? That'd be cool, Yeah, it would. 467 00:21:23,920 --> 00:21:26,119 Speaker 1: Be if you'd respond. 468 00:21:26,920 --> 00:21:29,960 Speaker 3: JK. Rowling is probably gonna be down here soon, get hurt. 469 00:21:30,039 --> 00:21:32,039 Speaker 4: Almost assuredly, most assuredly. Yes. 470 00:21:32,680 --> 00:21:37,039 Speaker 1: So another of your famous stories is The Tail Tell Heart. 471 00:21:37,960 --> 00:21:38,839 Speaker 4: Yes, yes it is. 472 00:21:39,039 --> 00:21:42,599 Speaker 1: Yeah. So that's a story about a guy who killed 473 00:21:42,640 --> 00:21:46,960 someone and then goes insane because he hears the heartbeat 474 00:21:47,079 --> 00:21:50,160 of the person he murdered in the walls. 475 00:21:50,319 --> 00:21:52,240 Speaker 3: Yeah, he's like buried somewhere in the house. 476 00:21:52,319 --> 00:21:55,039 Speaker 1: Yeah, how is that a kid's story? 477 00:21:55,400 --> 00:21:59,799 Speaker 5: I see, that's actually a very common misconception. It's a metaphor. 478 00:22:00,799 --> 00:22:02,119 It's a metaphor for love. 479 00:22:03,200 --> 00:22:05,799 Speaker 4: Well, you see, it. 480 00:22:05,680 --> 00:22:10,400 Speaker 5: Was the summer of eighty three and I had yes, 481 00:22:10,559 --> 00:22:15,680 and I had just spotted my cousin. Oh, and I 482 00:22:15,680 --> 00:22:19,160 could feel my heart going pump, pump, pump. And if 483 00:22:19,240 --> 00:22:23,480 my body were a house, it would be under the floorboards. 484 00:22:24,160 --> 00:22:26,960 So I cut it up into little pieces and tore departs. 485 00:22:27,000 --> 00:22:30,240 Speaker 1: And so you had this voice in your head telling 486 00:22:30,359 --> 00:22:34,200 you you'd done something wrong because you were interested in 487 00:22:34,240 --> 00:22:34,720 your cousin. 488 00:22:35,279 --> 00:22:38,640 Speaker 5: No, because I had fallen in love. Come on, who 489 00:22:38,680 --> 00:22:41,240 here hasn't had a little fleeing or something with a 490 00:22:41,319 --> 00:22:47,640 cousin or a relative? Right, No, can't, can't tear well, 491 00:22:47,759 --> 00:22:48,599 I understand. 492 00:22:48,640 --> 00:22:49,559 Speaker 1: Is that why you're in hell? 493 00:22:49,759 --> 00:22:50,680 Speaker 4: Oh? 494 00:22:50,759 --> 00:22:51,880 Speaker 1: Why are you in hell? No? 495 00:22:51,680 --> 00:22:54,400 Speaker 5: No, I'm in hell because I talked to animals. Chris, 496 00:22:54,440 --> 00:22:57,480 that's witchcraft. That was an instant check mark box. 497 00:22:57,519 --> 00:22:59,960 Speaker 1: God said, no, But did you actually talk to the 498 00:23:00,079 --> 00:23:03,839 animals or did you just get bitten by a rabbit wolf? 499 00:23:04,000 --> 00:23:04,279 Speaker 5: Hmm? 500 00:23:04,599 --> 00:23:07,240 Speaker 4: That's an interesting question. I believe. 501 00:23:07,319 --> 00:23:09,799 Speaker 5: Yes, I did talk to the animals. 502 00:23:09,440 --> 00:23:11,519 Speaker 1: After you got bit by the rabbit wolf. 503 00:23:11,480 --> 00:23:15,640 Speaker 4: During after in the box. It's all the same. 504 00:23:16,440 --> 00:23:20,079 Speaker 1: Yeah, okay, so you guys have heard. 505 00:23:19,920 --> 00:23:22,960 Speaker 5: All of my qualifications. I made some homes for you, Clayton. 506 00:23:23,440 --> 00:23:24,680 Speaker 4: I'm feeling good about this. 507 00:23:24,799 --> 00:23:26,519 Speaker 5: When when are we ready to start? 508 00:23:26,759 --> 00:23:26,960 Speaker 2: Oh? 509 00:23:27,480 --> 00:23:30,720 Speaker 1: Job, it's the job, yeah, my autobiography. 510 00:23:31,240 --> 00:23:34,519 Speaker 2: I need to consult with Chris really quick. 511 00:23:34,920 --> 00:23:36,880 Speaker 3: Do you mind stepping into the other room that door 512 00:23:36,960 --> 00:23:37,200 right now? 513 00:23:37,240 --> 00:23:39,240 Speaker 5: Of course, as long as I don't get locked in 514 00:23:39,400 --> 00:23:39,920 or anything. 515 00:23:40,160 --> 00:23:44,200 Speaker 2: All right, I'll be right back. 516 00:23:44,160 --> 00:23:48,480 Speaker 3: Okay, all right, yeah, Chris. I don't know if this 517 00:23:48,519 --> 00:23:49,279 guy's gonna cut it. 518 00:23:49,759 --> 00:23:52,519 Speaker 2: He's giving me like he's weird Doctor Seuss vibes. If 519 00:23:52,559 --> 00:23:56,200 Doctor Seuss was even weirder somehow. It's like Doctor Seuss 520 00:23:56,400 --> 00:23:57,240 but on acid. 521 00:23:57,440 --> 00:23:59,759 Speaker 3: Yeah, well, I mean that's that's just doctor SEUs. Okay. 522 00:23:59,759 --> 00:24:02,960 Speaker 1: Well, and it's like doctor Seuss but on a bad 523 00:24:03,039 --> 00:24:06,519 trip of ascids while having sex with his cousins. Yeah. Well, yeah, 524 00:24:06,759 --> 00:24:08,880 I don't know. I'm getting weird. I don't I don't 525 00:24:08,880 --> 00:24:11,279 feel like i'd want to trust him well at all, 526 00:24:11,440 --> 00:24:14,599 but certainly not in a room alone with me. Yeah. 527 00:24:14,680 --> 00:24:16,960 Speaker 2: Yeah, he talks a lot about murder, but he smiles 528 00:24:16,960 --> 00:24:17,480 when he does it. 529 00:24:17,720 --> 00:24:18,519 Speaker 1: Yeah, it's weird. 530 00:24:18,640 --> 00:24:22,119 Speaker 2: He's unsettling. I don't think he's fit to write my autobiography. 531 00:24:22,279 --> 00:24:23,960 So I'm gonna pass on this guy. 532 00:24:24,200 --> 00:24:28,240 Speaker 1: Okay, Well, are you gonna Are you gonna tell him? 533 00:24:28,240 --> 00:24:31,400 Because no, you tell him, you're my assistant, You tell him. No, dude, 534 00:24:31,559 --> 00:24:33,359 he's creepy enough on the other side of the wall. 535 00:24:33,359 --> 00:24:34,400 I don't want to talk to him again. 536 00:24:34,599 --> 00:24:36,440 Speaker 3: I know that he's creeping me out. You know. 537 00:24:36,640 --> 00:24:38,920 Speaker 1: Look, you're the one who invited him in. You know, 538 00:24:39,160 --> 00:24:41,079 like you got to do the right thing and at 539 00:24:41,160 --> 00:24:44,000 least let him know he didn't get the job. Okay, 540 00:24:44,039 --> 00:24:47,519 you can't just leave him hanging waiting forever, like you know. 541 00:24:47,480 --> 00:24:49,480 Speaker 3: Wait, you're onto something there, all right, all right, Chris, 542 00:24:49,519 --> 00:24:49,920 hear me out. 543 00:24:50,000 --> 00:24:50,279 Speaker 1: Uh huh. 544 00:24:50,279 --> 00:24:52,960 Speaker 2: They're condemning this building, right His building's had a ghas 545 00:24:53,079 --> 00:24:54,799 leak for years. I've never told you about it. But 546 00:24:55,039 --> 00:24:56,759 they're not gonna do anything with this building. They're just 547 00:24:56,759 --> 00:24:58,559 gonna leave it here. They're gonna break it up. So 548 00:24:58,640 --> 00:25:00,160 I mean, could just leave him in there. 549 00:25:00,160 --> 00:25:04,559 Speaker 1: Like lock him in there and have him buried alive again. 550 00:25:04,680 --> 00:25:07,640 Speaker 2: Yeah, yeah, I mean that's kind of poetic, right, he's 551 00:25:07,720 --> 00:25:09,279 an appreciator of the poems. 552 00:25:09,400 --> 00:25:12,720 Speaker 1: No, No, I'm actually okay with it this time. He's 553 00:25:12,440 --> 00:25:14,079 he's weird. He's a weird. 554 00:25:14,119 --> 00:25:16,599 Speaker 2: Yeah, honestly, we're probably doing a hell of favor. And 555 00:25:16,680 --> 00:25:18,519 also it's just like, I don't have that talk. It's 556 00:25:18,599 --> 00:25:20,920 it's so awkward. Yeah, it's really it's for the best 557 00:25:20,920 --> 00:25:22,559 for all of us, and at a ground that we 558 00:25:22,599 --> 00:25:24,480 just don't we don't even we just do it. So 559 00:25:24,559 --> 00:25:28,240 uh okay, well, grab you those keys, uh huh okay. 560 00:25:28,400 --> 00:25:31,119 Speaker 1: Here are the keys? Anything like that? 561 00:25:31,599 --> 00:25:34,240 Speaker 4: Yeah, okay, should we eat. 562 00:25:34,079 --> 00:25:34,519 Speaker 3: A double check? 563 00:25:34,599 --> 00:25:36,759 Speaker 2: Let's let's put this chair up against the door. He's 564 00:25:36,759 --> 00:25:39,240 not gonna break through, really small, just a double check there, 565 00:25:39,279 --> 00:25:39,480 you know. 566 00:25:39,559 --> 00:25:40,839 Speaker 1: Well, why while we're at it, why don't we just 567 00:25:40,960 --> 00:25:42,640 you know, brick it in, brick and mortar it and 568 00:25:42,839 --> 00:25:47,480 you know, just just be safe. Just okay, yeah, sure, 569 00:25:47,480 --> 00:25:53,920 I'll put the ball okay, just okay, all right, all right, 570 00:25:54,240 --> 00:25:56,359 Well that would buy quick cool. 571 00:25:56,440 --> 00:25:58,720 Speaker 3: Hello, are you guys still here? 572 00:25:59,440 --> 00:25:59,680 Speaker 4: Wow? 573 00:26:00,079 --> 00:26:03,960 Speaker 2: Yeah yeah yeah, we're just up yeah well yeah quite 574 00:26:03,960 --> 00:26:07,680 a rigorous yeah, yeah, yeah, a lot a lot of decisions. 575 00:26:07,680 --> 00:26:09,519 We're talking about salary and stuff, you know. 576 00:26:09,920 --> 00:26:11,799 Speaker 1: Yeah, so just hang tight for a bit. 577 00:26:12,200 --> 00:26:15,119 Speaker 3: Yeah, we'll be right back, of course. But are you 578 00:26:15,200 --> 00:26:15,799 are you leaving? 579 00:26:15,920 --> 00:26:16,160 Speaker 2: No? 580 00:26:16,160 --> 00:26:17,400 Speaker 3: No, no, no, no no. 581 00:26:18,400 --> 00:26:18,640 Speaker 4: Yeah. 582 00:26:18,720 --> 00:26:20,839 Speaker 1: Yeah, we're just gonna be the We're still talking a 583 00:26:20,880 --> 00:26:23,279 lot of paperwork. Yeah, you know, you're a writer, you 584 00:26:23,359 --> 00:26:23,640 get it. 585 00:26:23,799 --> 00:26:25,599 Speaker 2: Yeah, I gotta fill your w two you know it 586 00:26:25,640 --> 00:26:28,480 is all right, Chris, let's strap this up. Okay, all 587 00:26:29,039 --> 00:26:30,640 see in another episode of Good Morning for a Meal. 588 00:26:30,720 --> 00:26:32,759 Thank you for listening. We're gonna leave a ground. 589 00:26:32,480 --> 00:26:34,920 Speaker 3: Po to die into the walls of this building. 590 00:26:35,240 --> 00:26:35,359 Speaker 2: Uh. 591 00:26:35,400 --> 00:26:37,759 Speaker 3: If you enjoyed this podcast, please share with your friends. 592 00:26:37,880 --> 00:26:41,680 Speaker 1: Yeah, and give us a review on whatever you're listening to. 593 00:26:41,839 --> 00:26:44,319 Tell us, tell the world how much you like us. 594 00:26:45,079 --> 00:26:48,079 Hopefully you like us. Uh and uh be sure to 595 00:26:48,119 --> 00:26:50,480 subscribe and uh hell Clayton. 596 00:26:50,559 --> 00:26:58,799 Speaker 3: Yeah, well Clayton, close the door right there. Hello, Hello, 597 00:26:59,720 --> 00:27:01,319 is the interview is still happening. 598 00:27:07,960 --> 00:27:11,119 Speaker 1: Thank you so much, specific Obadiah for coming on as 599 00:27:11,240 --> 00:27:14,799 Edgar Allen Poe. Can you tell our audience what you do. 600 00:27:15,119 --> 00:27:18,079 You've got a really great podcast that we're all big 601 00:27:18,119 --> 00:27:18,480 fans of. 602 00:27:18,640 --> 00:27:22,359 Speaker 5: Yeah, I am the showrunner and creator for the SCP Archives, 603 00:27:22,720 --> 00:27:26,240 and that is a weekly anthology horror show podcast about 604 00:27:26,720 --> 00:27:32,039 a mysterious government organization known only as the Foundation, and 605 00:27:32,079 --> 00:27:36,240 their goal is simply to secure, contain, and protect. So 606 00:27:36,359 --> 00:27:40,599 each week we cover new anomaly and its containment protocols. 607 00:27:40,640 --> 00:27:44,000 In the SCP Archives, we begin with the shorten narration 608 00:27:44,119 --> 00:27:46,720 and go into found footage and lost logs. 609 00:27:46,880 --> 00:27:50,680 Speaker 1: Yeah, so, if you're looking for an immersive fictional podcast, 610 00:27:51,119 --> 00:27:55,279 great storytelling, you should absolutely check it out. And actually 611 00:27:55,559 --> 00:27:58,240 me and Blaine are going to be guest characters on 612 00:27:58,279 --> 00:28:00,839 an upcoming episode or it might actually already be out. 613 00:28:00,880 --> 00:28:01,359 Is that correct? 614 00:28:01,400 --> 00:28:01,599 Speaker 4: Heck? 615 00:28:01,680 --> 00:28:05,319 Speaker 2: Yeah, uh, this is such an inappropriate question. But if 616 00:28:05,359 --> 00:28:11,880 you had an arch nemesis, would his name be Atlantic Jedediah. 617 00:28:11,920 --> 00:28:13,559 Speaker 5: You know, I usually get the question of like, oh, 618 00:28:13,599 --> 00:28:15,920 if you had a brother, is their name like Atlantic? 619 00:28:16,599 --> 00:28:20,359 I've never gotten the Jebediah parts. 620 00:28:21,000 --> 00:28:27,640 Speaker 2: Just imagining the anti Pacific and like, yes, sorry, I'm 621 00:28:27,680 --> 00:28:30,960 gonna write make my own podcast about your you and 622 00:28:31,039 --> 00:28:32,400 your fight against. 623 00:28:32,119 --> 00:28:32,839 Speaker 4: Your your evil. 624 00:28:32,960 --> 00:28:35,799 Speaker 5: To me, if there's someone out there named Atlantic Jebediah, 625 00:28:35,839 --> 00:28:39,759 they are a thousand percent my enemy. 626 00:28:39,880 --> 00:28:42,200 Speaker 3: I don't even know each other. Oh man, awesome, well 627 00:28:42,200 --> 00:28:43,680 so so what else are you working on? And like 628 00:28:43,680 --> 00:28:45,599 where can people find you on social media and stuff? 629 00:28:45,680 --> 00:28:45,960 Speaker 4: Yeah? 630 00:28:46,000 --> 00:28:49,720 Speaker 5: On Twitter, I am at Pacific Obadiah Obadiah is ob 631 00:28:49,920 --> 00:28:53,839 a d I a h because people misspell that. Sometimes. 632 00:28:54,079 --> 00:28:57,000 I work for Blay Disgusting. I make podcasts. SEP is 633 00:28:57,039 --> 00:28:59,960 my main show, and I do that like three four 634 00:29:00,039 --> 00:29:02,640 stuff every year. But right now I'm actually working on 635 00:29:02,680 --> 00:29:05,519 Margaret's Garden, which we're a few episodes in at this point, 636 00:29:06,000 --> 00:29:09,319 and that is a new creepy show about a mysterious 637 00:29:09,359 --> 00:29:12,640 town that is empty and all of its residence disappeared 638 00:29:12,680 --> 00:29:15,799 one night. It's a little more in depth than you know, 639 00:29:15,839 --> 00:29:18,559 like a weekly anthology, but it's a long, ten episode, 640 00:29:18,559 --> 00:29:22,359 a continuous story through a strange and magical world. 641 00:29:22,640 --> 00:29:23,759 Speaker 1: Nice, it's d heck. 642 00:29:23,839 --> 00:29:26,680 Speaker 2: Yeah, yeah, this is the most logical fit for the 643 00:29:26,759 --> 00:29:29,400 guests in what character they're gonna play. Like when we 644 00:29:29,440 --> 00:29:30,880 were like looking through all the stuff that he didn't 645 00:29:30,880 --> 00:29:31,880 were like, oh. 646 00:29:31,839 --> 00:29:37,240 Speaker 1: Yeah, weird, weird, mysterious creepy stories. 647 00:29:37,440 --> 00:29:38,799 Speaker 3: Yeah that makes sense. 648 00:29:39,200 --> 00:29:43,799 Speaker 4: Mary, Yeah, no, as soon as I was like, oh 649 00:29:43,839 --> 00:29:44,119 fuck it. 650 00:29:46,319 --> 00:29:48,920 Speaker 1: But yeah, So if you if you're a fan of 651 00:29:48,920 --> 00:29:51,920 fictional podcasts, or if you're not, you should be. You 652 00:29:51,920 --> 00:29:56,119 should check out a CP archives and definitely the episode 653 00:29:56,119 --> 00:29:57,279 that me and Blane are going to be in. I 654 00:29:57,279 --> 00:29:59,960 think it's Hellish themed if I'm correct. 655 00:30:00,000 --> 00:30:02,039 Speaker 4: Absolutely yeah, yes, so yeah. 656 00:30:02,200 --> 00:30:05,480 Speaker 1: Just search anywhere you listening to podcasts. Search for SCP archives. 657 00:30:05,200 --> 00:30:09,680 Speaker 5: YEP, Spotify, Apple podcasts, Google podcasts, any app, SCP archives, 658 00:30:09,839 --> 00:30:12,960 and your new show is Margaret's Garden and you can 659 00:30:13,000 --> 00:30:16,599 find those shows at SCP Underscore po D and at 660 00:30:16,599 --> 00:30:19,279 Margaret's Underscore po D on Twitter as well. 661 00:30:19,359 --> 00:30:22,640 Speaker 3: Awesome, awesome, thanks specific appreciate you being on the show. 662 00:30:22,799 --> 00:30:24,880 Speaker 4: Absolutely thanks for having me guys, it was a blast. 663 00:30:24,920 --> 00:30:26,759 Speaker 1: Takes bye bye bye