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Speaker 1: You're listening to Macconnorton Unleashed on.

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Speaker 2: WM and H ninety five point three.

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Speaker 3: And now the world radio premiere of the new single

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from Peter Higgins, The Ballad of twenty six.

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Speaker 4: But I'll be the.

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Speaker 5: Biggest stitch Tata you've seen. You can't trust your eyes

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will tell you what you believe. That choice is something

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you girls shouldn't have.

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Speaker 6: But a few time will play and we'll tell you

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where sat watching you all rage against the machine, will

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send in the voice if he shot to get made,

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we'll connapt On Levin because the press can't be free

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American boss.

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Speaker 7: Anywhere that way, fame.

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Speaker 8: Can mad bes up somewhere, sun brillery, tod thief stream

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hysterical collaughter watching them flow. Democracy used to be optimistic

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that history would alway stand as a litmus nour our

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shear at.

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Speaker 9: The setting of the sun.

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Speaker 8: It's a pretty good jinerized top together as well.

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Speaker 5: The sixth damp January Wall of Fast They opened the

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doors for that peaceful protest. Don't mind the tip top

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cera shu on the wall that was sifted.

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Speaker 9: The ball that all constants nor said we'll throw it

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away waited in me.

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Speaker 6: Everyone should practice to a well, make sure your if

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you're tithing away and if you can't, God help.

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Speaker 2: And we'll follow you away.

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Speaker 8: I can't, Lissa, somewhere usun my revery, call me.

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Speaker 9: Swing hysterical laughter. Now watching them off with democracy.

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Speaker 8: God used to be optimistic that history would always stand

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assolutous hour.

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Speaker 9: Out here at the setting of the sun.

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Speaker 8: It's a pretty good datized soup together.

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Speaker 9: This a sort, sir, I'm treated so porting. You would

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all be all right if you just adore me. I'm

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probably the greatest.

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Speaker 4: Just look at this.

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Speaker 9: Wall quite too, chaps.

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Speaker 10: I can name.

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Speaker 11: Some whereas si my pivery God me.

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Speaker 8: Trained hysterical laughter and watching them off with democracy. I

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used to be optimistic the history, one always.

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Speaker 4: Said as a limist.

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Speaker 12: Now we're out here at.

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Speaker 13: The setting of the sun.

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Speaker 8: It's a pretty good dainizon together.

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Speaker 7: As had.

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Speaker 4: Together as all.

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Speaker 12: That was the world radio premiere of The Ballad of

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twenty six, brand new from Peter Higgins and love It.

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We are opening today's show with that, and we have

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another world radio premiere for you in just a couple

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of minutes, which we're going to talk about.

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Speaker 11: But welcome everybody.

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Speaker 4: Here we go.

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Speaker 11: My voice is cracking.

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Speaker 12: I apologize in advance or in progress because it's probably

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only going to get worse, and that's the apologizing and

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advanced part. But this is Matt Connorton Unleashed and we

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are live from the studios of WMNH ninety five point

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three FM and Glorious Manchester, New Hampshire. Of course, you

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can stream the show from anywhere. Go to Matt connorton

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dot com slash live for all of your live streaming options,

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social media links, contact info, show you archives, et cetera,

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et cetera. Happy Valentine's It is February fourteen, twenty twenty six,

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and I am not alone.

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Speaker 3: Jennystras to Morning Punhine.

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Speaker 12: Yes, Jenny is here at the news table and coming

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up in just a couple of minutes. We have a

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second world radio premiere for you this morning and really

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looking forward to it, The Deep Hour.

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Speaker 11: The brand new single, the second single from The Deep.

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Speaker 12: Hour, It is called Hurricane, and we're going to talk

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to the individual behind the Deep Houri, which I'm also

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very excited about, Brian o'glanby. He's going to be joining

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us via WhatsApp all the way from Ireland.

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Speaker 11: So that's gonna be cool.

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Speaker 12: So a couple couple big world radio premieres for you,

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let's see, and then in the second hour of the

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show today edge wise they haven't been on in a while,

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They've been on quite a few times over the years.

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Love those guys, but they're going to be coming in.

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And then in the third hour we have the rightful airs.

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So we have a very busy and exciting show for

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you today. So, yeah, my voice has been If you

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heard last night's I don't know how obvious it was,

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Jenny or how much you were able to hear, but

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last night on retrospect and radio, my voice got quite

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quite crackly, So I might be I don't know, might

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I think I was. I think I'm going through puberty again.

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I'm becoming a man all over again. Oh boy, so

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very exciting. Yeah, actually, this is probably the best my

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voice has been in days. Yeah, now that I'm thinking

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about it. So yeah, so we'll get through it. But

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I think what we should do right now, without further ado,

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we should get to our second world radio premiere of

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the day again. We've got this is the brand new single.

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This comes out February twentieth. But you can't hear it

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anywhere else right now, And as I mentioned, we're going

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to be talking to him.

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Speaker 11: The world radio premiere of the new single from the

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Deep Hour, and it is hurricane you.

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Speaker 14: Are listening to do Wuminates.

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Speaker 4: World premiere.

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Speaker 15: If it's not far, it's a hurricane.

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Speaker 9: Body is shaken from a fee again.

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Speaker 1: Low for bloody, for like boring.

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Speaker 15: If it's not fire, it's a urcaan.

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Speaker 9: I'll call your mot and take the kids again.

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Speaker 13: Now I'm the liar, I'm the wan to blaze.

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Speaker 4: Fairly breathe, and.

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Speaker 9: I'm a tiant candlin.

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Speaker 13: It's not far to hurricane.

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Speaker 9: I stand.

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Speaker 7: Los, I'm drowning the wide gray shirt squeam.

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Speaker 15: Here it comes again, a road, some words driving home

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and again.

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Speaker 9: Beautiful pages. That one nail was scent. I hide the bruise,

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but the.

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Speaker 7: Lead and spoke your lad.

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Speaker 13: You mana to look a sad eye.

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Speaker 9: The hand of fury. Pair has no shame, no love.

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Speaker 2: For those on the received.

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Speaker 9: Upponing rage yet no love, Cati.

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Speaker 13: If it's not far to.

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Speaker 7: Take my lie rail charting from bled to Lido.

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Speaker 9: S walk feel MASSI even comes again, your only.

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Speaker 15: Barns in the picture frame, falling tears scattered by.

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Speaker 13: That's not fun.

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Speaker 12: It's what a great song that is Hurricane by the

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Deep Hour, And we have joining us via WhatsApp the

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man behind the Deep Hour, Brian o'glanby.

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Speaker 11: Let's see if we got him here, Brian, are you there,

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I'm here?

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Speaker 13: Yeah, can you hear me? Okay?

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Speaker 11: Absolutely? You sound great And yeah, I love that song.

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That's really incredible.

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Speaker 13: Great, thank you very much. Yeah, that's a real heartfelt song,

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a real belder of a tune we think anyway, So yeah,

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I'm really glad you enjoyed it. Thank you for having

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me on the show. Oh.

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Speaker 12: Absolutely, no, I'm excited to talk to you the track officially,

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it's out on the twentieth, correct February twentieth.

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Speaker 13: Yeah, the twenty the February is the launch day for

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the song. For the track itself worldwide, okay, every download

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and every streaming platform available, So okay, excited about the

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whole concept, you know, Yeah.

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Speaker 11: I want to know more about the song itself.

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Speaker 12: You know, it's got kind of almost like a cinematic

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vibe to it, really, the way it kind of builds,

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and you know, I'd like to know more about more

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about what it means. It's you know, I mean, one

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of the wonderful things about music and lyrics is, you know,

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everything can kind of mean something different to each person

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who who hears it and may take something different from it.

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But I kind of get the impression that this is

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there's something deeper here that might not be a parent

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or obvious to someone who's just trying to interpret the

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lyrics on a surface level. So I was wondering if

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you could share more about what the lyrics of the

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track mean or or if it's talking about some some

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sort of specific experience.

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Speaker 13: Well, absolutely, I mean, as you know yourself, music is

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a very expressive medium, very it's an artful medium, and indeed,

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as you as you express to yourself, it's you know,

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you can you can be very cinematic and very visual

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with you know, with with text as well as the melodic,

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you know content of a track. Hurricane Is is a

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very deep personal kind of message that the whole track

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came about and was influenced by very deep, heavy conversation

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I had with with a good friend of mine who

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he seemed to be troubled. So I was asking him,

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you know, come on with friends, let me know what's

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bothering you, and he let this whole secret out of

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the bag about this series of letters that he that

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he'd found from was written from one one family member

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to the to the other obviously his mother, and further,

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you know, came above water later on. And these letters

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were they were, they were like basically a cry for help.

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And it seems that the letter and as as the

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the the issue of domestic abuse, domestic violence never never

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sees the whole. The whole letters were like a cry

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for help from you know, from the other family member. Now,

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this obviously is a very hard hitting and you know

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sometimes taboo and unspoken issue you know, in in households

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and relationships, et cetera, like that, which which will really

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affect every family member involved. You know. Now, these things

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have been going on for years and never really it

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was never really spoken about until these letters were were

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you know, dug out and found, and which I suppose

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is a bit too late. It is a very very

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deepened and hard hitting issue. And so I found in that,

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excuse me, within that, within that that that story that

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needed to be expressed in a much more artful and

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and deeper melodic manner. As you say, cinematic and that's

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that's how the the initial song came about, and that's

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that's what it was written about, you know, So it

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is it is a very deep message.

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Speaker 11: You know absolutely.

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Speaker 12: Now your friend who told you, well, I'm curious did

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he actually show you the letters or did he just

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tell you about them?

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Speaker 13: He had them with him when when we when we

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had the conversation, but he couldn't find it within himself

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to to to drag them out of the envelope, drag

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him out of his pocket. You know, I did prompt that,

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but obviously that's something so deep, so personal, and I

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think it was it was very personal for him to

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share the story initially, so I didn't think, you want,

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I didn't actually see the letters, so did you know

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kind of kept them to himself, you know?

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Speaker 11: Sure?

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Speaker 12: And then did you tell him that you were going

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to write as about this or And I'm curious too, obviously,

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I mean, I assume he's heard it, right.

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Speaker 13: Yeah, obviously, with something so as deep as personal as that,

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I kind of, you know, I searched within him, you know,

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I asked, you know, asked for his blessing basically if

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if if if he wouldn't mind me actually, you know,

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producing a song with that issue in mind. You know,

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obviously you know that the names are are hidden to

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to protect the innocence that kind of way. So yeah,

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I I you know, I was looking look for a

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bit of acknowledgement from from my friend, you know that

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they didn't mind me doing this, you know, so yeah,

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he knew about it, you know.

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Speaker 11: And then what was his uh when he heard it?

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I mean, I mean, what what was his reaction?

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Speaker 13: Tears? And initially he was, yeah, tears, and then there

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obviously there's a bit of hugging down and you know,

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it was a bit of soul searching to you know,

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to actually write the song and pinpoint the melody parts

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of it to get the message over in an unaggressive

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manner like it's almost sweet, you know, as you said, cinematic.

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You know, there's enough aggression in issues like this without

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you know, some kind of a hard hitting heavy metal

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song back up that kind of violence, you know. But no,

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there was there was There was tears, and there was

240
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a few hugs, and there was a lot of thank yous,

241
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and and it was yeah, it pretty hard.

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Speaker 12: You know, I feel like, and this is something that

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comes up a lot on the show, as we talk

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about taking terrible things, you know, traumas and tragedies and

245
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all of it, all the things that happen in life

246
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that are negative and creating something from that that is positive.

247
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And you know, when you when you take something negative

248
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and you create art, whether it be music or visual

249
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art or whatever, it is, anything that you can you know,

250
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take and then create something that not only helps helps

251
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you if it's something that happened to you, and then

252
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you're using it as almost a sort of therapy, right

253
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to work through it, to create something, but also has

254
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the effect of helping other people who can then connect

255
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with that. You know, other people who might hear the

256
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song or who might hear this conversation or other conversations

257
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that you've had about the song, and then they can

258
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they can kind of get get that same thing out

259
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of it and maybe it helps them in some way.

260
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And as you mentioned too, this is such an unfortunately,

261
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such a common problem domestic violence, and.

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Speaker 11: So this is this is pretty relatable stuff for a

263
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lot of people.

264
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Speaker 12: But I think that anytime you can take from that,

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you know, you can create something that is positive and

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put something out into the world that is positive. As

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a result of it, it's almost like a like transferring

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that energy a little bit from negative to positive. And

269
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so I think it's great and I think, like I said,

270
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I mean, the song itself is absolutely incredible. And I

271
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did want to ask you too about a couple of

272
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the people who are on the track with you, because

273
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you you you've got a couple of of hetty or

274
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maybe more than a couple, I'm not sure, but some

275
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heavy hitters here who who helped you record this?

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Speaker 11: Correct?

277
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Speaker 13: Absolutely, yeah, Now getting back to what you know what

278
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you what you said there a second ago, the you know,

279
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the message in there is it had and I felt

280
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that it had to be you know, portrayed in a

281
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positive manner. Hence the you know, the melody of the

282
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song itself. You know, there's no kind of miners in there,

283
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and it's all kind of in a in a in

284
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a an uplifting key. So yeah, the art and music

285
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has a way of delivering something that you can you know,

286
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you'll be a bit shy, are a bit find it

287
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very difficult to speak about its portrayed. You know, these

288
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issues of portrait reading this song and now I purposely

289
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didn't resolve the song the song doesn't have any answers.

290
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The song is pointing out it's a voice, you know,

291
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to point out the issues and getting that slamming that

292
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home to a lot of people, prompting them to talk

293
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about it themselves, really, you know. And so yeah, music

294
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and art has a way of it always finds a

295
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way of doing that, which is beautiful. And every you

296
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embark on something like this, it's unpredictable where it's going

297
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to go, and that that's a fascination and and also

298
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a drive, you know, an inspiration drive to keep you going. Right. Yeah,

299
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we we during production on this song. And thank you

300
00:20:47,839 --> 00:20:49,839
by the way, for the for the for the huge

301
00:20:49,920 --> 00:20:53,279
compliments for that map. That really really means a lot

302
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to me.

303
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Speaker 11: Thank you absolutely great, great song.

304
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Speaker 13: Thank you so much. That's great. You know, it's really

305
00:20:59,519 --> 00:21:01,079
great to hear that, you know, because I mean, this

306
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song is it's it's the worldwide debut and I've I've had,

307
00:21:05,720 --> 00:21:10,440
you know, only a few reactions about the song, you know,

308
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so so hearing that from the likes of yourself is

309
00:21:13,359 --> 00:21:17,480
to me, is is mind blowing wonderful. But touching on

310
00:21:17,599 --> 00:21:19,480
what you said as well about the you know, the

311
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guys that that played on the record and on the

312
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album with me. The album is coming out sometime we

313
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think in the summer. This particular track was the first

314
00:21:31,960 --> 00:21:39,839
one that the producer Wayne sheehy H myself. We we

315
00:21:40,039 --> 00:21:42,680
we got the demo down of it. I mean we're thinking, well,

316
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this needs it needs something very very strong. Didn't particularly

317
00:21:51,839 --> 00:21:54,759
we didn't want to particularly look for any anyone, you know,

318
00:21:54,839 --> 00:21:58,640
to to to to achieve that. We're looking for a

319
00:21:58,720 --> 00:22:03,000
particular sound, particular style. Now. Jerry Leonard is a good

320
00:22:03,039 --> 00:22:06,640
friend of Wayne, my producer, and we've all you know,

321
00:22:06,839 --> 00:22:11,480
worked in the studio since together. Jerry Lennard is the

322
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guy that you here with these ghostly guitar lines, you

323
00:22:17,359 --> 00:22:20,240
know almost at the real you know, they're they're really

324
00:22:20,680 --> 00:22:25,680
beautiful and bring a real gorgeous you know kind of

325
00:22:27,559 --> 00:22:30,559
I could have put it now. It's all almost levitation

326
00:22:31,039 --> 00:22:32,880
that you feel when you when you're listening to it.

327
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Speaker 12: You know, that's a that's a really that's a good

328
00:22:36,000 --> 00:22:38,400
way of putting it. You know, I wouldn't have thought

329
00:22:38,440 --> 00:22:41,880
of that, but uh but yeah, you're right now that

330
00:22:41,960 --> 00:22:44,960
you use that word. That is that is perfect levitation.

331
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Speaker 13: Yeah, it's the melodic the melodic path. Jerry took when

332
00:22:52,079 --> 00:22:55,160
we presented this song to him and Jerry, he's a

333
00:22:55,240 --> 00:22:57,759
great characters. He's a real, real good guy. And I

334
00:22:57,960 --> 00:23:01,640
was absolutely moon when you read after left and listening

335
00:23:01,680 --> 00:23:03,480
to the demo of the track and he said, yeah,

336
00:23:03,519 --> 00:23:05,720
what a great track lads. You know I want to

337
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be involved, you know. So I was bowled over. I

338
00:23:08,039 --> 00:23:10,799
couldn't you know. It was bit it was a bit

339
00:23:10,839 --> 00:23:13,240
hard for me to to to actually actually digest that

340
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and accept it. But once we got working on it,

341
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we we all realized at the time what it was

342
00:23:20,640 --> 00:23:22,640
going to what was going to happen here, you know,

343
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with this track. And now Jerry for for your listeners

344
00:23:26,720 --> 00:23:30,599
out there, Jerry is his background. He was David Bowie's

345
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musical director and guitar player, guitarist and co writer I

346
00:23:36,000 --> 00:23:40,119
believe on some some tracks for I think about the

347
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bones of about twenty years he was with with David

348
00:23:43,079 --> 00:23:47,119
Bowie touring and recording and you know, his musical partner

349
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there for for so long.

350
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Speaker 11: Yeah.

351
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Speaker 13: Oh, to have that integrity and they have that depth

352
00:23:52,960 --> 00:23:55,880
on on my records, you know, on my album and

353
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this this track in particular, to me, was the greatest

354
00:24:01,759 --> 00:24:04,960
accolade I could ever have musically I could ever achieve,

355
00:24:05,079 --> 00:24:12,240
you know, so delighted with that. So not only Jerry,

356
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but we presented the track again to Rob him alone

357
00:24:18,039 --> 00:24:23,559
or Robbie's fantastic, warm, floating baselines, you know. And Robbie

358
00:24:23,599 --> 00:24:27,319
Malone has been a co writer and musical partner with

359
00:24:27,440 --> 00:24:31,240
David Gray again for over twenty five years. So to

360
00:24:31,400 --> 00:24:35,720
have the caliber of these musicians on my track was,

361
00:24:36,599 --> 00:24:39,799
you know, it just it. It took me to a

362
00:24:39,839 --> 00:24:42,920
different realm match, you know. So it's very emotional when

363
00:24:42,960 --> 00:24:45,799
we when we find doing the final mix on the track. Yeah,

364
00:24:46,559 --> 00:24:50,839
Producer Wayne Wayne p she this is all recorded in

365
00:24:50,960 --> 00:24:56,160
his his fantastic studios, Ocean Studios, Ireland. That's right down

366
00:24:56,240 --> 00:25:00,200
on the on the southern tip of Ireland in any

367
00:25:00,279 --> 00:25:02,960
Cork next up New York, that that kind of way.

368
00:25:03,039 --> 00:25:06,240
So it's it's a very very open space and and

369
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wide open for creativity and you know, no distractions whatsoever.

370
00:25:13,519 --> 00:25:16,279
And this whole, the whole album, the whole you know,

371
00:25:16,440 --> 00:25:19,599
record has created in that in that you know, that

372
00:25:19,720 --> 00:25:23,039
production production space in in Wayne's studio. And Wayne has

373
00:25:23,079 --> 00:25:26,119
a beautiful history He's worked with with some of the

374
00:25:26,160 --> 00:25:28,960
biggest artists on the planet. You know, like I've just

375
00:25:29,039 --> 00:25:32,559
mentioned Jerry and Robbie there, but Wayne has also worked

376
00:25:32,640 --> 00:25:36,839
with the Hot House Flowers and Ronnie Wood. He was

377
00:25:36,960 --> 00:25:39,960
Ronni Woods drummer on on few of Ronnie's albums. They're

378
00:25:40,039 --> 00:25:44,240
great friends, you know, So Cactus World News back in

379
00:25:44,319 --> 00:25:49,839
the eighties, and and countless countless you know artists that

380
00:25:50,079 --> 00:25:53,400
that that that Wayne's worked with. So he brought that

381
00:25:53,559 --> 00:25:56,799
wealth and and all that that that beauty and depth

382
00:25:56,880 --> 00:26:01,799
of production value. Yeah to the old record, you know,

383
00:26:02,079 --> 00:26:04,160
so delighted, absolutely delighted.

384
00:26:04,240 --> 00:26:04,440
Speaker 10: Yeah.

385
00:26:04,680 --> 00:26:08,200
Speaker 11: Now, now, did Wayne also produce the one, the first single?

386
00:26:09,559 --> 00:26:13,319
Speaker 13: Yes, yeah, Wayne, Wayne produced every track on the album.

387
00:26:13,400 --> 00:26:17,000
It's the albums, it's ten tracks. At the moment, we're

388
00:26:17,039 --> 00:26:20,519
working on another one, another track because the album hasn't

389
00:26:20,559 --> 00:26:23,039
been released yet. We're still toying with the idea of

390
00:26:23,319 --> 00:26:27,000
putting maybe one, maybe two tracks on there. So but yes, Wayne,

391
00:26:28,720 --> 00:26:31,160
Wayne produced every every track on the album, and he

392
00:26:31,240 --> 00:26:33,880
did produce the one, you know, so.

393
00:26:35,920 --> 00:26:37,599
Speaker 12: Sorry, yeah, oh, I was just going to say that's

394
00:26:37,599 --> 00:26:39,279
a great track too. We're actually going to play that

395
00:26:39,519 --> 00:26:41,519
at the end of our conversation. I kind of bookend

396
00:26:41,680 --> 00:26:44,680
the segment. But yeah, that's that's another really great song.

397
00:26:45,559 --> 00:26:48,319
Speaker 13: Oh wow, thank you very much. Let's yeah, keep these

398
00:26:48,359 --> 00:26:49,799
compliments coming out over them. You know.

399
00:26:51,839 --> 00:26:54,400
Speaker 11: Well, you know I'm of Irish descent, so you know

400
00:26:54,519 --> 00:26:55,799
we have to we have to unite.

401
00:26:58,000 --> 00:26:59,640
Speaker 13: Yeah, let's hold hands and jump up and down in

402
00:26:59,680 --> 00:26:59,920
the air.

403
00:27:00,039 --> 00:27:00,440
Speaker 4: That's great.

404
00:27:02,400 --> 00:27:06,000
Speaker 11: But yeah, the one you've had a lot of success

405
00:27:06,039 --> 00:27:07,799
with that, right is this? Was it number one on

406
00:27:07,880 --> 00:27:09,960
the Irish iTunes Rock and Maine charts?

407
00:27:10,079 --> 00:27:10,640
Speaker 16: Is that correct?

408
00:27:11,839 --> 00:27:14,880
Speaker 13: Yes? It was. Actually it was number one on the

409
00:27:15,000 --> 00:27:22,119
main Irish iTunes charts, unfortunately, edging Taylor Swift from the

410
00:27:22,160 --> 00:27:25,079
top position, which I was kind of proud about.

411
00:27:25,079 --> 00:27:25,240
Speaker 5: You know.

412
00:27:26,279 --> 00:27:29,359
Speaker 13: I thought it was very funny, brilliant, and yes it

413
00:27:29,440 --> 00:27:35,440
was number one for I think the week. And you know,

414
00:27:35,680 --> 00:27:37,319
I kept hopping over when I was when I was

415
00:27:37,359 --> 00:27:39,680
looking at these charts, I kept hopping over through the

416
00:27:39,759 --> 00:27:44,319
different scales and different genres actually of of the iTunes

417
00:27:44,359 --> 00:27:50,079
and and and normal usual indigenous charts, you know, and

418
00:27:51,839 --> 00:27:53,799
I looked at it was. Yeah, it was number one

419
00:27:54,240 --> 00:27:56,480
on the rock charts as well, and you know it

420
00:27:56,559 --> 00:27:59,039
stayed there for such a long time. It was great.

421
00:27:59,119 --> 00:28:02,160
It's great to have that that success. You surprise for me,

422
00:28:02,240 --> 00:28:04,559
you know, because I mean, I was up against some

423
00:28:04,640 --> 00:28:08,839
of the biggest artists on the planet. Yeah. And then

424
00:28:08,920 --> 00:28:11,400
the next thing, I got a phone call from from

425
00:28:11,480 --> 00:28:14,880
friends of mine in Amsterdam, so hey, you number two

426
00:28:14,920 --> 00:28:19,039
in the Netherlands. I'm like, oh my god, what's happening here?

427
00:28:19,079 --> 00:28:19,240
Speaker 6: You know?

428
00:28:20,480 --> 00:28:21,359
Speaker 11: That's fantastic.

429
00:28:22,279 --> 00:28:27,200
Speaker 13: Absolutely, And yeah, I'm hoping to hoping to generate the

430
00:28:27,200 --> 00:28:29,400
same success with with Hurricane.

431
00:28:30,559 --> 00:28:32,160
Speaker 12: And then can you talk to you a little bit

432
00:28:32,160 --> 00:28:33,839
about the one about you know what, what's kind of

433
00:28:33,880 --> 00:28:36,039
the message behind that. It's kind of got a vibe

434
00:28:36,039 --> 00:28:38,519
about you know, unity and change and so forth. But

435
00:28:38,880 --> 00:28:41,279
I mean, am I right about that? Am I interpreting

436
00:28:41,359 --> 00:28:41,880
that correctly?

437
00:28:42,519 --> 00:28:46,319
Speaker 13: Yes? Absolutely? The one was written again as a as

438
00:28:46,359 --> 00:28:51,240
a as a a prayer for hope and unity. I

439
00:28:51,319 --> 00:28:54,000
suppose in a bit of a fractured world at the moment,

440
00:28:54,640 --> 00:28:57,440
where leadership seems to be a bit of a shadow

441
00:28:57,599 --> 00:29:01,440
that people are avoiding, and it's it's kind of a

442
00:29:01,559 --> 00:29:09,480
search for a positive, good, forward thinking, sincere leader, you know,

443
00:29:12,000 --> 00:29:15,559
you know, which I suppose politically, which I try to

444
00:29:15,640 --> 00:29:18,680
keep away from politics in my music because it's too

445
00:29:19,000 --> 00:29:23,599
aided and too niche, you know, but but we do

446
00:29:23,799 --> 00:29:27,079
need positive leadership and this is a it's it's almost

447
00:29:27,119 --> 00:29:29,960
a prayer. It's almost written as a prayer, but it is,

448
00:29:30,160 --> 00:29:33,279
it's a cry for hope and unity. And you know,

449
00:29:33,839 --> 00:29:36,960
let's let's let's take let's take each other and take

450
00:29:37,000 --> 00:29:39,359
each other into the future with a great with a

451
00:29:39,400 --> 00:29:42,160
great leader. And it's a question as well, you know,

452
00:29:42,720 --> 00:29:47,079
And the question is who is the one? Who will

453
00:29:47,160 --> 00:29:49,480
be the one? You're going to be the one? Am

454
00:29:49,519 --> 00:29:52,400
I going to be the one to save the world?

455
00:29:52,839 --> 00:29:55,119
You know? And that's basically the message in the song there.

456
00:29:55,160 --> 00:29:58,359
You know, it could be could be anyone. It could

457
00:29:58,440 --> 00:29:59,000
be anyone.

458
00:30:00,119 --> 00:30:00,279
Speaker 15: You know.

459
00:30:01,720 --> 00:30:04,640
Speaker 11: Yeah, we we we will play that in a few minutes.

460
00:30:04,680 --> 00:30:06,799
Speaker 12: I do want to ask you too about the meaning

461
00:30:06,920 --> 00:30:09,240
of and I'm sure you this is a question you

462
00:30:09,440 --> 00:30:11,079
probably get tired of answering this cometry.

463
00:30:11,079 --> 00:30:13,880
Speaker 11: You get asked this question all the time. But the

464
00:30:14,000 --> 00:30:15,240
meaning of the Deep Hour?

465
00:30:15,440 --> 00:30:15,480
Speaker 13: What?

466
00:30:15,680 --> 00:30:15,720
Speaker 17: What?

467
00:30:15,839 --> 00:30:17,799
Speaker 11: Where does the name of the Deep Hour come from?

468
00:30:18,680 --> 00:30:23,519
Speaker 13: The Deep Hour is somewhere between an angelic feeling and catatonia.

469
00:30:25,240 --> 00:30:26,000
That explains it.

470
00:30:26,119 --> 00:30:26,240
Speaker 4: You know.

471
00:30:28,440 --> 00:30:32,720
Speaker 13: Now, when when I say this, I think you'll understand this, man,

472
00:30:32,799 --> 00:30:36,440
you know, with your your history of you know, hypnotherapy

473
00:30:36,480 --> 00:30:40,519
et cetera. But the deep hour is a state of

474
00:30:40,680 --> 00:30:43,920
mind that you have no control over. And this happens

475
00:30:45,480 --> 00:30:48,200
in the middle of the night, when you're in the

476
00:30:48,319 --> 00:30:53,480
depths of your sleep. And that's when when when dreaming,

477
00:30:53,880 --> 00:30:57,160
the you know, the the the the art of dreaming

478
00:30:57,759 --> 00:31:02,079
comes in l Now you read the deepest of your sleep.

479
00:31:02,599 --> 00:31:05,720
You know, this doesn't last. This condition doesn't last all night.

480
00:31:05,799 --> 00:31:10,519
It probably lasts about an hour. And that's that is

481
00:31:11,240 --> 00:31:14,000
the state of mind that I want this music to

482
00:31:14,359 --> 00:31:17,599
to to create within the for the listener, you know,

483
00:31:17,920 --> 00:31:22,640
for the consumer, Yes, it's basically like nearly a catatonic

484
00:31:22,720 --> 00:31:27,640
state of you know, dream world, but great dreams, you know,

485
00:31:27,799 --> 00:31:31,839
nice dreams. So that's where that's the name of the deeper.

486
00:31:32,000 --> 00:31:34,039
That's where that comes from, is the deepest hour in

487
00:31:34,079 --> 00:31:38,720
the night where you touch upon your dream dream scenes

488
00:31:38,839 --> 00:31:39,359
really you.

489
00:31:39,400 --> 00:31:42,000
Speaker 11: Know, okay, okay, very good? Yes.

490
00:31:42,160 --> 00:31:45,160
Speaker 12: And then so the album through your eyes, do you

491
00:31:45,400 --> 00:31:47,920
have because I know you said you've got another track

492
00:31:47,960 --> 00:31:50,759
that you're gonna be adding to it, do you have

493
00:31:50,799 --> 00:31:53,279
any kind of an eta on one that might be

494
00:31:53,400 --> 00:31:56,279
I know, sometime in twenty twenty six, I assume it

495
00:31:56,400 --> 00:31:56,720
will be.

496
00:31:57,119 --> 00:32:04,720
Speaker 13: Yeah, we the plan is releasing in kind of calculated increments,

497
00:32:04,759 --> 00:32:07,319
you know, So the one late last year because I

498
00:32:07,400 --> 00:32:10,240
really wanted to drop a single in twenty twenty five,

499
00:32:12,359 --> 00:32:18,079
and obviously the Hurricane now and I'm progressing with pr

500
00:32:18,440 --> 00:32:23,240
and you know, radio and awareness of these tracks. So

501
00:32:23,400 --> 00:32:25,359
the next track to come out after that will be

502
00:32:26,000 --> 00:32:29,000
These Are My Streets. Let's track all These Are My Streets,

503
00:32:30,039 --> 00:32:31,960
which will be coming out at the start of April.

504
00:32:32,160 --> 00:32:35,599
So I wanted three or four singles to be released

505
00:32:35,640 --> 00:32:38,559
from the album before I actually drop drop the album,

506
00:32:38,640 --> 00:32:43,400
you know, getting back to your question, I think after

507
00:32:43,480 --> 00:32:50,440
the fourth single, which will probably be May, the album

508
00:32:50,480 --> 00:32:52,720
should come out, so it'll be early summer. I think

509
00:32:54,000 --> 00:32:58,160
estimate arrival will be early summer hopefully fingers crossed.

510
00:32:58,319 --> 00:33:01,599
Speaker 12: Yeah, yeah, excellent, excellent. Well, we'll certainly have you back

511
00:33:01,640 --> 00:33:04,519
on you know, to talk about it when when you're

512
00:33:04,559 --> 00:33:06,599
ready and everything, because like I said, I mean, you know,

513
00:33:06,839 --> 00:33:09,000
obviously we've only heard these well we're going to play

514
00:33:09,039 --> 00:33:11,599
the one in just a moment, but these two songs

515
00:33:11,640 --> 00:33:13,519
are so great, so I can't wait to hear the

516
00:33:13,559 --> 00:33:15,079
rest of it. I think it's going to be really,

517
00:33:15,119 --> 00:33:18,519
really good, and you know, and I really, I really

518
00:33:18,680 --> 00:33:21,319
like your approach to songwriting and the messaging and all

519
00:33:21,400 --> 00:33:24,240
of it I think is great. So and again, the

520
00:33:24,279 --> 00:33:26,880
new single The Hurricane will be out of course February twentieth,

521
00:33:27,039 --> 00:33:29,759
just in a few days. And love that such a

522
00:33:29,799 --> 00:33:31,519
great track. I'm very honored that we got to do

523
00:33:31,640 --> 00:33:34,240
the radio premiere of it here on the show. And

524
00:33:35,039 --> 00:33:39,559
but Brian, this has been wonderful. Where for our listeners,

525
00:33:39,640 --> 00:33:41,880
where should they go? Where's the best place to.

526
00:33:41,920 --> 00:33:44,599
Speaker 11: Go online to keep up with everything that you're doing

527
00:33:45,039 --> 00:33:46,119
with The Deep Hower.

528
00:33:47,559 --> 00:33:51,200
Speaker 13: Yeah, well, please follow me on on Facebook, the Deep

529
00:33:51,240 --> 00:33:55,119
Hower on Facebook, Instagram obviously the same, the Deep Hower

530
00:33:55,759 --> 00:34:00,359
and my website. Every little nugget of information that I'm

531
00:34:01,000 --> 00:34:03,839
releasing will be up on my websites, which is the

532
00:34:03,920 --> 00:34:07,720
Deep Hour dot com. No personal. So there'll be new

533
00:34:07,799 --> 00:34:13,239
releases eventually, merch and you know, gig dates two dates

534
00:34:13,280 --> 00:34:16,280
if you know, there's no there's no two dates as

535
00:34:16,400 --> 00:34:18,480
such yet because we're still busy with the pr and

536
00:34:18,519 --> 00:34:20,519
the launching of a few tracks to get a bit

537
00:34:20,519 --> 00:34:22,000
of a bit more meat on the bone, you know,

538
00:34:22,159 --> 00:34:25,000
get something out there for the you know, for the

539
00:34:25,079 --> 00:34:31,920
valid listeners and the valid fan base. So yeah, it's

540
00:34:31,920 --> 00:34:34,960
an exciting time. It's it's it's great, you know, and

541
00:34:35,159 --> 00:34:37,800
it's it's it's brought in twenty twenty six on a

542
00:34:37,960 --> 00:34:40,280
real high and a real positive note for me. You know,

543
00:34:41,480 --> 00:34:44,280
the whole team actually behind me, the production team, the

544
00:34:44,559 --> 00:34:48,599
you know, the musicians involved and the PR team and

545
00:34:49,119 --> 00:34:51,599
every everybody involved. It's it's fabulous, so.

546
00:34:54,000 --> 00:34:55,960
Speaker 12: Fantastic. You got you got a lot of good people

547
00:34:56,000 --> 00:34:59,239
around you. That's that's for sure, and uh, that is outstanding.

548
00:34:59,400 --> 00:34:59,639
Speaker 4: Brian.

549
00:34:59,719 --> 00:35:00,320
Speaker 11: We will let you go.

550
00:35:00,400 --> 00:35:02,760
Speaker 12: We're gonna hit this track. We're gonna play the one,

551
00:35:03,159 --> 00:35:07,400
the first single from this project, the Deep Hour. But

552
00:35:07,840 --> 00:35:10,000
Brian o'glanby, thank you so much, and like I said,

553
00:35:10,039 --> 00:35:12,440
we will have you back and I really love talking

554
00:35:12,480 --> 00:35:12,920
to you today.

555
00:35:12,960 --> 00:35:14,119
Speaker 11: Thank you so much for joining us.

556
00:35:14,679 --> 00:35:17,840
Speaker 13: Absolutely, thank you very much. Thanks Mattin and all your

557
00:35:17,840 --> 00:35:20,320
production team there and all your listeners. Thank you very much.

558
00:35:20,440 --> 00:35:21,920
The Deep Hower, The Deep Hower.

559
00:35:22,199 --> 00:35:24,679
Speaker 11: All right, Brian, thank you, take care less.

560
00:35:24,719 --> 00:35:25,360
Speaker 13: Thank you very much.

561
00:35:25,400 --> 00:35:28,519
Speaker 11: Boy bye bye. All right. That is Brian o'g Brian

562
00:35:28,559 --> 00:35:29,840
o'clanby from The Deep Hower.

563
00:35:29,880 --> 00:35:32,719
Speaker 12: Sorry I'm tripping on my still struggling with my voice

564
00:35:32,719 --> 00:35:34,880
a little bit, but well wow, he's great.

565
00:35:34,920 --> 00:35:35,280
Speaker 11: To talk to you.

566
00:35:35,320 --> 00:35:38,519
Speaker 12: I really enjoyed that conversation a lot, and I love

567
00:35:38,599 --> 00:35:41,960
the new single the Hurricane which came out, which will

568
00:35:42,000 --> 00:35:45,719
be coming out on February twentieth. But the One is

569
00:35:45,800 --> 00:35:48,840
the first single from the album, and let's give this

570
00:35:48,960 --> 00:35:51,880
a spin. This is the one, and this is the

571
00:35:51,960 --> 00:35:52,679
Deep Hour.

572
00:36:12,119 --> 00:36:17,199
Speaker 6: Gets a twisted cat the fad to say the world

573
00:36:17,800 --> 00:36:20,519
the fall in grace through every.

574
00:36:20,480 --> 00:36:32,360
Speaker 13: Ward lie shadow, strack you down, clean the world from

575
00:36:32,480 --> 00:36:36,199
lost and found, to clean the eye ground.

576
00:36:41,239 --> 00:36:55,719
Speaker 9: The simple is extreme. Birdn't know, it's weird to the

577
00:36:55,960 --> 00:37:00,960
open end, to whever you want to where you flag.

578
00:37:03,280 --> 00:37:05,119
Speaker 13: Wonn be won?

579
00:37:05,679 --> 00:37:16,360
Speaker 4: See to the mall.

580
00:37:16,280 --> 00:37:20,280
Speaker 9: Around the child reaching.

581
00:37:20,119 --> 00:37:24,679
Speaker 13: Out to broken smiles to hold the bowl with you.

582
00:37:29,760 --> 00:37:37,920
Speaker 15: In the se Brokendry, Singapore, the silence screen light, the

583
00:37:38,159 --> 00:37:38,920
ship with.

584
00:37:44,639 --> 00:37:52,400
Speaker 9: Silver shape, the word.

585
00:37:52,320 --> 00:37:54,199
Speaker 13: Around this weird.

586
00:37:59,000 --> 00:38:04,000
Speaker 9: Reaching and so everyone to every flag.

587
00:38:06,320 --> 00:38:09,280
Speaker 13: Wall warm, see.

588
00:38:12,440 --> 00:38:13,199
Speaker 18: To see.

589
00:38:15,559 --> 00:38:20,320
Speaker 13: You gotta change to save.

590
00:38:25,679 --> 00:38:34,320
Speaker 9: You in the shapes who are cold. It's good bye.

591
00:38:40,519 --> 00:38:41,000
Speaker 4: Reaches.

592
00:38:42,199 --> 00:38:43,679
Speaker 9: So every flag.

593
00:38:46,039 --> 00:38:48,920
Speaker 7: Wom warm, see.

594
00:38:52,280 --> 00:39:08,440
Speaker 9: Save to change, n save wone be won, don't be

595
00:39:09,280 --> 00:39:28,320
wone see can skis.

596
00:39:35,039 --> 00:39:48,079
Speaker 4: kNs. That is called the one.

597
00:39:48,199 --> 00:39:50,880
Speaker 12: That is the first single from the Deep Hour, And

598
00:39:50,960 --> 00:39:53,599
we just talked to Brian o'glanbye from The Deep Hour.

599
00:39:54,119 --> 00:39:55,960
Uh And earlier on the show we did the world

600
00:39:56,119 --> 00:39:59,480
radio premiere of his brand new single Hurricane, which we

601
00:39:59,559 --> 00:40:02,599
will play again later in the show. And I really

602
00:40:02,719 --> 00:40:05,480
enjoyed talking with Brian, you know, right now because of

603
00:40:05,840 --> 00:40:07,719
the issue with my voice, so right now, instead of

604
00:40:07,760 --> 00:40:10,199
my voice cracking, it actually sounds deeper.

605
00:40:10,960 --> 00:40:13,480
Speaker 11: And the way that it sounds. You know, what would

606
00:40:13,480 --> 00:40:15,199
be really cool is if the way that it sounds

607
00:40:15,360 --> 00:40:18,079
right now in this moment is if it just stayed

608
00:40:18,199 --> 00:40:18,480
like this.

609
00:40:19,519 --> 00:40:22,440
Speaker 16: I don't think I don't hear as drastic of a

610
00:40:22,480 --> 00:40:23,239
difference as you do.

611
00:40:23,360 --> 00:40:25,559
Speaker 11: I think, really I could. To me, my voice sounds

612
00:40:25,639 --> 00:40:26,920
deeper right now and I like it.

613
00:40:27,320 --> 00:40:29,400
Speaker 16: Okay, well you can keep it for now.

614
00:40:29,840 --> 00:40:31,519
Speaker 11: I can't keep it. It's not going to say this way,

615
00:40:31,559 --> 00:40:32,480
but well.

616
00:40:32,440 --> 00:40:35,519
Speaker 16: Maybe if you mentally try and make it stay that way, stay.

617
00:40:35,360 --> 00:40:38,400
Speaker 12: That way, I'd prefer that. I know that that's impossible.

618
00:40:39,239 --> 00:40:42,039
I would prefer a deeper voice, but anyway, but yeah,

619
00:40:42,119 --> 00:40:44,199
thank you again to Brian from the Deep Hour. That

620
00:40:44,280 --> 00:40:46,159
was that was wonderful and we will definitely have him

621
00:40:46,199 --> 00:40:50,920
on again. And we just want to mention so Jenny,

622
00:40:50,960 --> 00:40:54,599
you wanted to mention because we played Holly Brewer last

623
00:40:54,599 --> 00:40:56,239
week on the show. We kind of snuck it in.

624
00:40:56,320 --> 00:40:58,280
We didn't really tell anybody we were going to play it,

625
00:40:58,280 --> 00:41:00,159
but we played the new single from Holly Brewer and

626
00:41:00,239 --> 00:41:02,920
then she she was so, she's so wonderful. She was

627
00:41:03,000 --> 00:41:05,559
on the show a number of years ago. She hasn't

628
00:41:05,559 --> 00:41:06,800
been on in a long time. I wonder if she'd

629
00:41:06,840 --> 00:41:08,719
want to come back on. But she actually sent you

630
00:41:08,840 --> 00:41:09,199
a card.

631
00:41:09,480 --> 00:41:10,159
Speaker 16: I love Holly.

632
00:41:10,639 --> 00:41:11,880
Speaker 11: Yeah, Oh she's wonderful.

633
00:41:12,039 --> 00:41:14,800
Speaker 3: Yeah, Hollybrewer dot org. If do you want to check

634
00:41:14,800 --> 00:41:18,400
her out? Actually, on her band camp she had some

635
00:41:18,480 --> 00:41:20,760
stickers for sale, and you know how much I love stickers. Yes,

636
00:41:21,119 --> 00:41:23,559
so I got some stickers. But she sent me like

637
00:41:23,679 --> 00:41:26,000
you bought some stickers, right, you expect stickers.

638
00:41:26,239 --> 00:41:27,320
Speaker 16: No, it came in this.

639
00:41:27,440 --> 00:41:31,559
Speaker 3: Beautiful card that's obviously handmade and handprinted, and it was

640
00:41:31,599 --> 00:41:35,400
even sealed with a wax seal. I absolutely adore Holly,

641
00:41:35,639 --> 00:41:38,920
and I encourage you to check out Hollybrewer dot org.

642
00:41:39,559 --> 00:41:41,920
And I love her artwork, I love her music. Yes,

643
00:41:42,000 --> 00:41:43,880
it's just a great artist, a great person.

644
00:41:44,239 --> 00:41:48,639
Speaker 12: Yes, absolutely, So we're gonna play I have a Eric

645
00:41:48,719 --> 00:41:52,880
Pilcher requested a song, and of course longtime listeners are

646
00:41:52,880 --> 00:41:55,280
familiar with Eric Pilcher. He's a part of the show.

647
00:41:55,760 --> 00:41:57,159
He's been a part of this show kind of off

648
00:41:57,199 --> 00:41:59,280
and on. He used to do the classic film reviews.

649
00:41:59,280 --> 00:42:00,559
He's going to be back to that. And he's done

650
00:42:00,639 --> 00:42:03,639
many segments with us. And he also is UH. He

651
00:42:03,760 --> 00:42:07,639
does the Tough Bumps podcast with us, which is separate

652
00:42:07,679 --> 00:42:09,760
from WM and H. Of course, that is strictly online

653
00:42:09,800 --> 00:42:11,800
Tough Bumps. We usually do it on Sunday nights. You

654
00:42:11,840 --> 00:42:14,519
can find that online. But he requested a song. This

655
00:42:14,679 --> 00:42:18,719
is ice Cube Arrest the President, the radio edit of it,

656
00:42:18,800 --> 00:42:21,559
of course, and I like this track, so I'm gonna

657
00:42:21,559 --> 00:42:24,280
gohead and play this and then stick around. We got

658
00:42:24,400 --> 00:42:26,000
edge Ys coming up in the second hour and they

659
00:42:26,039 --> 00:42:27,960
are in the building. I can hear their voices, so

660
00:42:28,159 --> 00:42:29,199
looking forward to talking with them.

661
00:42:29,239 --> 00:42:31,400
Speaker 11: It's been a while. But here it is Arrest the

662
00:42:31,440 --> 00:42:32,480
President by ice Cube.

663
00:42:34,639 --> 00:42:40,840
Speaker 4: Yeah, we're not dropped the mic. It hit the floor

664
00:42:41,000 --> 00:42:44,719
like gold. That's right. You can't pick it up on

665
00:42:45,960 --> 00:42:50,920
your truck. Y'all know what it is. Y'all know what

666
00:42:51,039 --> 00:42:53,159
it was, y'all know what to share with me?

667
00:42:54,360 --> 00:42:59,679
Speaker 2: Photos start boy, get dark body for better crip walk

668
00:42:59,760 --> 00:43:02,840
crip this real talk smoke pushed and boy, still with

669
00:43:02,920 --> 00:43:07,280
pell lost, still booking, with the wheels off, always looking

670
00:43:07,400 --> 00:43:11,119
down for the criss cross. I'm a bigger Pullstein brick Ross,

671
00:43:11,519 --> 00:43:16,039
always winning, get lost. It's the war lord, bring the boodoo.

672
00:43:16,440 --> 00:43:19,280
When I bailed through, it's crazy like belleview what they

673
00:43:19,400 --> 00:43:22,960
tell you that boy? And long like I'm alone the

674
00:43:23,079 --> 00:43:23,760
stull and palm.

675
00:43:24,039 --> 00:43:28,679
Speaker 4: Arrested President. You got the evidence that he is rushing intelligence.

676
00:43:29,679 --> 00:43:32,840
When it prains it pours? Did you know the new white?

677
00:43:32,920 --> 00:43:34,679
What's orange? Boy?

678
00:43:34,920 --> 00:43:37,679
Speaker 2: You're showing your horns. They're trying to replace my hated

679
00:43:37,760 --> 00:43:42,119
over with thorns. You sew basic with your baysticks. Let's

680
00:43:42,159 --> 00:43:43,920
go ag in the matrix.

681
00:43:44,239 --> 00:43:48,840
Speaker 19: Arrested President, arrested President, Arrested President, you got the evident.

682
00:43:49,320 --> 00:43:53,440
Arrested President, arrest the president. Arrested President, you got the.

683
00:43:53,480 --> 00:43:56,639
Speaker 2: E I took back my eyes and all black tonight.

684
00:43:56,960 --> 00:43:57,440
Speaker 8: That's right.

685
00:43:57,559 --> 00:44:01,480
Speaker 2: Something you gotta sacrifice. Not a crim No, I'm a seminal.

686
00:44:01,960 --> 00:44:05,800
I was free once. Now clinical you're so technical. This

687
00:44:06,039 --> 00:44:09,039
was Mexico and everywhere I go it's on by taxi

688
00:44:09,119 --> 00:44:12,960
coat them men the rest, tell you I turn the

689
00:44:13,000 --> 00:44:14,239
fruit into a vegetable.

690
00:44:15,199 --> 00:44:19,360
Speaker 4: I'm gonna roll with the alien man. These holmost safe bens.

691
00:44:20,239 --> 00:44:23,280
They don't really want to make friends, or they want

692
00:44:23,360 --> 00:44:24,239
us on say these.

693
00:44:24,199 --> 00:44:27,559
Speaker 2: Beans, or they want us they dividends, and that's the

694
00:44:27,639 --> 00:44:29,599
boats de cet of sins.

695
00:44:30,360 --> 00:44:32,039
Speaker 11: They'll treat us like wholigins.

696
00:44:32,320 --> 00:44:32,840
Speaker 4: Throw the men.

697
00:44:32,960 --> 00:44:36,360
Speaker 2: They don't care what school he is. These people don't

698
00:44:36,400 --> 00:44:39,559
play fair. It ain't even fair at the state fair.

699
00:44:40,480 --> 00:44:43,400
Give a young gray hair. That's why I'm here to

700
00:44:43,519 --> 00:44:48,119
get ass. Stay there, you better stay there, close up

701
00:44:48,440 --> 00:44:49,639
eyes like a day care.

702
00:44:50,280 --> 00:44:53,719
Speaker 4: Make myself clear, it is Shakespeare. I'm here to take money,

703
00:44:53,800 --> 00:44:57,039
even fake hair. So desperate is what I'm left with.

704
00:44:57,559 --> 00:44:59,559
Speaker 11: For the record, you affect it?

705
00:45:00,000 --> 00:45:00,800
Speaker 4: Oh you elected.

706
00:45:00,800 --> 00:45:04,639
Speaker 2: It's so septic, so fellished, and I can't accept it.

707
00:45:05,079 --> 00:45:08,440
Speaker 19: Arrested President, arrested President, arrested President.

708
00:45:08,760 --> 00:45:09,800
Speaker 13: You got the evidence.

709
00:45:10,119 --> 00:45:13,480
Speaker 19: Arrested president, arrested president, arrested President.

710
00:45:13,840 --> 00:45:14,840
Speaker 8: You've got the evidence.

711
00:45:15,199 --> 00:45:19,880
Speaker 19: Arrested president, arrested president, arrested president, You've got the evidence.

712
00:45:20,239 --> 00:45:24,960
Arrested President, arrested president, arrested president, you got the evidence.

713
00:45:25,960 --> 00:45:29,360
Speaker 4: I reside on the West Side. I murdered with my

714
00:45:29,480 --> 00:45:30,039
third eye.

715
00:45:31,039 --> 00:45:34,119
Speaker 2: So far I get a bird's eye. I'm making extreme

716
00:45:34,159 --> 00:45:38,760
bloody bird eye less. Meet at the White House, run

717
00:45:38,920 --> 00:45:41,920
in and turn the lights out. Man, they treated like

718
00:45:41,960 --> 00:45:45,239
a trap house. These mother mother never take the trash out.

719
00:45:45,400 --> 00:45:48,800
Then they just cash out, mash out. Not to take

720
00:45:48,840 --> 00:45:52,880
your trugs saying pass out, love to go that fast route.

721
00:45:53,280 --> 00:45:54,440
I'll see you when you're black.

722
00:45:54,800 --> 00:45:56,239
Speaker 4: Get house on me.

723
00:45:56,480 --> 00:45:59,360
Speaker 2: You play too much white. These devils, they don't wait

724
00:45:59,440 --> 00:46:02,400
too much. Why most of them won't say too much?

725
00:46:02,760 --> 00:46:03,960
Why he steady playing it?

726
00:46:04,239 --> 00:46:05,039
Speaker 9: God knows why.

727
00:46:05,079 --> 00:46:05,559
Speaker 4: I knows what.

728
00:46:06,239 --> 00:46:08,960
Speaker 2: That's why I'm bron with the will once real ones

729
00:46:09,239 --> 00:46:12,320
trying to reach Will Young Will once trying to make

730
00:46:12,400 --> 00:46:14,360
Bill Young's will once.

731
00:46:14,360 --> 00:46:19,199
Speaker 19: Rest like Sir Will Young arrested President, arrested President, arrested President,

732
00:46:19,519 --> 00:46:24,440
You've got the evidence, arrested President, arrested president, arrested presidents,

733
00:46:24,599 --> 00:46:25,639
You've got the evidence.

734
00:46:58,199 --> 00:47:05,559
Speaker 20: Day Can I tells up the lad beginning for trails?

735
00:47:06,719 --> 00:47:12,280
What'll show the world that the ender nail the table

736
00:47:12,519 --> 00:47:20,440
sends for the city your brow, whil's done on my hands, seeing.

737
00:47:20,280 --> 00:47:21,840
Speaker 7: Your real hands, the.

738
00:47:21,960 --> 00:47:31,400
Speaker 20: Smoke flat, see your fehim set everywhere, see your round.

739
00:47:31,360 --> 00:47:32,320
Speaker 9: The city was.

740
00:47:45,119 --> 00:47:52,519
Speaker 20: Look to the skies as our people die, come fire, talk.

741
00:47:52,440 --> 00:47:53,360
Speaker 13: To the knights.

742
00:47:54,760 --> 00:48:00,320
Speaker 20: Your sense of fil that the ender name hair able

743
00:48:00,519 --> 00:48:05,679
receve ball the city hell brow Walser s done O

744
00:48:05,920 --> 00:48:10,559
my hand see the brow Way answer the snow man

745
00:48:11,000 --> 00:48:17,800
Lxi no Broadway answer Yeah everywhere. I'm the city of

746
00:48:18,159 --> 00:48:21,280
brou Wal. The Sydney was sitting.

747
00:49:21,000 --> 00:49:27,559
Speaker 9: Falling cylinders on my head. I close my eyes and

748
00:49:27,880 --> 00:49:34,480
feel the trip, the sound of marching single order.

749
00:49:35,320 --> 00:49:40,320
Speaker 4: Will I be another for God and soul in.

750
00:49:47,079 --> 00:49:48,880
Speaker 9: Another for God?

751
00:49:49,119 --> 00:49:50,320
Speaker 7: And so jo.

752
00:50:06,519 --> 00:50:08,800
Speaker 11: No the food God in this.

753
00:50:09,000 --> 00:50:15,320
Speaker 20: Suit o city of brows.

754
00:50:15,840 --> 00:50:17,159
Speaker 7: It's not a boy.

755
00:50:18,440 --> 00:50:19,960
Speaker 9: Safety a browance.

756
00:50:20,519 --> 00:50:26,840
Speaker 20: Just see the bruins set there where.

757
00:50:28,000 --> 00:50:31,280
Speaker 9: Send me a bus, don't send me one.

758
00:51:41,559 --> 00:51:43,800
Speaker 4: Nana's Kitchen and Pizzeria.

759
00:51:44,119 --> 00:51:50,159
Speaker 9: From Nana's hands to your plate tradition. Love and taste.

760
00:51:50,280 --> 00:51:55,119
Speaker 7: That's great, so fermented dough flavors, so true.

761
00:51:57,880 --> 00:51:59,719
Speaker 8: Each bite a story.

762
00:52:00,480 --> 00:52:02,039
Speaker 20: May just for you.

763
00:52:03,159 --> 00:52:06,880
Speaker 14: Six o three two three two nine three six six

764
00:52:07,679 --> 00:52:12,960
Nana's Kitchen and Pizza Ree fifteen Dartmouth Dry Auburn, New Hampshire.

765
00:52:14,239 --> 00:52:16,039
Speaker 9: Kidchen, piz.

766
00:52:20,599 --> 00:52:22,519
Speaker 21: Luigi's Pizza Barren Grill.

767
00:52:23,039 --> 00:52:27,679
Speaker 8: Every one, Let's raise a slice on hides with top

768
00:52:27,880 --> 00:52:31,639
and all the Round Pizza, Pizza Partio.

769
00:52:31,400 --> 00:52:36,559
Speaker 21: Line Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester.

770
00:52:36,880 --> 00:52:39,719
Come on in or call six two two one zero

771
00:52:40,000 --> 00:52:45,039
two one Luigi keeping the tradition alive since nineteen seventy five.

772
00:52:46,880 --> 00:52:51,280
Speaker 9: Pizza for every one. Come join a piece tonight.

773
00:52:52,199 --> 00:52:56,360
Speaker 13: With each slice, sense of it, everything feels so right.

774
00:52:59,360 --> 00:53:01,559
Speaker 17: In times of isis, you need a law firm that

775
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stands by your side. With over forty years of experience,

776
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777
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former state prosecutors, our attorneys have the knowledge and trial

778
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experience to provide an aggressive defense against any charge, from

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will assess your case and fight for the compensation you deserve.

781
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Serving all of New Hampshire, Craigan Getzulis is here when

782
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you need us most. Visit craigatzulis dot com for a

783
00:53:29,519 --> 00:53:33,719
free consultation. Craigan getzulis, your advocates, your allies.

784
00:53:34,280 --> 00:53:38,360
Speaker 10: Bring your kitchen to life with Queen City Cabinetry, located

785
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at eighty seven Elm Street in the historic Sunbeam Wall

786
00:53:42,079 --> 00:53:45,800
in Manchester, open Monday through Friday nine am to five

787
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thirty pm, in Saturdays ten am to two pm. They

788
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can be reached at six h three two two two

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Speaker 22: I'm you MNH Hey everyone, there's Rob Azevedo, host of

793
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Grantited State of Mind, and I want to tell you

794
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about Pembrook City Limits and the Historic sun Cook Village.

795
00:54:13,360 --> 00:54:16,800
PCL's an award winning bar, restaurant and music venue where

796
00:54:16,800 --> 00:54:19,599
there's live music five days a week and twice on Saturdays,

797
00:54:19,880 --> 00:54:22,079
everything from blues, country, folk, funk, and a.

798
00:54:22,079 --> 00:54:22,880
Speaker 16: Whole lot of jazz.

799
00:54:23,360 --> 00:54:25,679
Speaker 22: We have twelve craft beers on tap dedicated to the

800
00:54:25,760 --> 00:54:28,039
local brewers in the area and some of the friendliest

801
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bartenders around. Please come visit Pembrook City Limits at one

802
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thirty four Main Street. The historic sunk Cook Village, only

803
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six miles outside of Manchester. Open Tuesdays to Wednesdays four

804
00:54:38,519 --> 00:54:42,239
to ten. Thursday's a Sunday eleven to ten Pembrook City

805
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Limits where it's all about the music.

806
00:54:44,199 --> 00:54:46,880
Speaker 18: Disney's Cafe is the place to put a smile on

807
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your face.

808
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Speaker 11: Judy and the crew will take care of you, bring your.

809
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Speaker 4: Appetite and treat your taste.

810
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Speaker 18: Bus Roy Disney's Cafe is always a winning choice breakfast,

811
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lunch or supper. Disney's Cafe at eight CI. It's the

812
00:55:00,360 --> 00:55:03,960
Elm Street in downtown Manchester. Dine in, take out or

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make a reservation call six oh three, six oh six

814
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two five three two, Eat, drink and be happy Dizze's Cafe.

815
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Speaker 23: When it comes to keeping WMNH on the air and

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Speaker 16: Nice seven times out of ten.

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Speaker 15: We listened to our music at.

826
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Speaker 4: Nice con.

827
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Speaker 2: Late Night to Light with DJ Mitas right here on

828
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w MNH Manchester.

829
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Speaker 4: Because Sevdays and Sunday nights midnight to four am.

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Speaker 14: This hour on wm NH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn.

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Speaker 4: They serve all your business.

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Speaker 1: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP. Their sonic cards

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of Manchester is the transcending through the Ether. Ninety five

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point three megahertz frequency modulation transmissions emanate from the scene

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at the one thousand Elm Streets, ensure into the hearts

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of our creative realm at one nineteen Canal Street, where

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innovation and sound colode. They're the improm moter of Manchester

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Public Television Service in the venerable City of Manchester, New Hampshire, USA.

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Enrich your auditory journey with the depth of our license

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to wesdens you spent your missives WMNH ninety five three

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at gmail dot com or traverse the virtual corridors of

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wmnhradio dot org. Engage with our sonic vibrations by communing

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with us through the digital channel and our radio beckons

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eager to enthrall you with its mesmerizing cadence and develop

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you in a symphony of foundless auditories.

853
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Speaker 13: Won dude, WMNH rip the novels