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Speaker 1: Hello, friends from across the nation and around the world.

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I'm Martin, and you are listening to another Dad's Bedtime

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Stories super story where we go back into the Dad's

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Bedtime Stories vault and put together a bit of a

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compilation episode. Today or tonight, we're going to be sort

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of finishing up on the Kid Wizard series with episode

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seven and eight, if I remember correctly, Episode seven is

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where you learn to control lightning magic, which is always

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a fun time. And then episode eight you control time

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magic and defeat Tyrannus rexingten youre arch enemy in this universe. Anyways,

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I really hope you enjoy it, because now it's that

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time again. Time to get as comfy as you can

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in that bed, close your eyes and imagine yourself doing

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what the kid in the story does. Imagine yourself walking

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through the Wizarding Academy one day, a huge and ancient

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castle with all sorts of hallways and rooms. You decide

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it's time to visit the castle cafeteria. You tell the

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castle what you're looking for, and a pathway on the

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floor lights up with little arrows pointing you in the

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right direction. You follow the arrows through the hall into

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the main foyer, and then up a set of stairs

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over the right and down another series of hallways. Eventually

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it opens up into a huge cafeteria with a very

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large balcony. Wizards of all different shapes, sizes, and colors

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are all hanging out here. Some of them are talking,

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others are eating. It's an absolute hub of wizarding activity.

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The whole thing is set up like the food court

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at a mall, a whole bunch of restaurants on every

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different side, and a whole bunch of tables in the middle.

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You search around, grab a tray of food, and pick

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up a little bit of this and a little bit

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of that from all of the different restaurants, until you

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have a plate of food that you are very excited

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to eat. On your way back to the table, you

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hear a familiar voice.

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Speaker 2: No if it.

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Speaker 1: Isn't you, Oh no, you say, Tyrannus Rexington. What do

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you want, Tyrannus? Oh me, Well, there's nothing I want

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that I don't already have. Unlike you, I am a

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well practiced file wizard, and recently my father has taught

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me the art of lightning. Well that's that's really good

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for you, Tyrannus it's cool, so you know lightning now,

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great job. You should think it more great than you

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seem to, kid, Tyrannus says. You decide to continue walking

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in the other direction. There's no need to get into

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some sort of duel or something like that right now.

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Suddenly you feel a shock from behind. It jolts through

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your entire body, causing you to throw your tray up

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into the air and spill it all over the place.

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When you look behind you, a little stream of smoke

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is rising up from well, a little mark on your bum.

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He just used lightning magic on you, you realize. You

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turn to face Tyrannus. You clench both of your fists together,

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and you begin to allow your power to spill out.

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Ice spreads from your feet towards the other students when

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you suddenly hear another familiar voice, Martin's, hey, kid, what

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are you doing here? It looks like you're about to

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burst a blood vessel or something. Come on, lighten up,

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come with me. Martin turns you around and walks out

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of the cafeteria behind him. Knowing that he's a trustworthy person,

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you glance behind you at Tyrannus and all of his friends,

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and they burst out laughing, slapping the table with joy. Boy,

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did they get a kick out of that little electricity prank?

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As you and Martin walk, he begins to speak to you, Well,

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I hope you weren't about to try to take him

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on lightnings, No laughing matter. If he's learned how to

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control that, you need to learn how to be prepared

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for it. Martin explains, well, how do I do that?

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You ask, I'll show you, and you pick pretty much

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everything up pretty quickly. So Eah, it shouldn't take long.

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You and Martin walk through the hallways of the castle

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until you eventually get to your training room once again.

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The training is a huge, open area about the same

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size as a gymnasium, only it's made with rock walls

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instead of whatever gymnasiums are made of.

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Speaker 2: You stand in the.

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Speaker 1: Center of the room and Martin looks back towards you. Well,

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lightning's really not that hard, especially if you understand how

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it kind of works. You see, most lightning is caused

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by the separation of positive man negative particles between a

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cloud and the ground. What we're gonna do is called

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the clapping method. It mimics that whole thing. First, take

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one of your hands and imagine it pulling all of

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the positive particles with it, as if it's a magnet.

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Then take your other hand, man, imagine it pulling apart

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all all of the negative particles like it's a magnet.

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Then when you're ready, you let the two slap together. Man,

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you unleash a bolt of lightning like this, Martin says,

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clapping both of his hands together and unleashing a huge

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bolt of electricity that flies across the room and destroys

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part of the wall at the other side. WHOA, you say,

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that was incredibly powerful. Yeah, and kind of hard to

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control too. Honestly, lightning really isn't something you should mess

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with unless you're with a trained professional like me, of course.

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Now close your eyes and start to focus. You close

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your eyes and do as Martin commands. Now, I want

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you to start by focusing inward, sensing the natural electrical

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energy within your body. Imagine each of your hands as

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magnets ready to separate and gather the charge. One of

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them is positive and the other is negative. Now picture

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yourself actively pulling apart the positive and the negative charges

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in the air around you. You might imagine one of

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your hand gathering a cloud of negative charge. Think dark, dense,

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crackling with static, while your other hand gathers positive things, light, bright,

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and buzzing with energy.

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Speaker 2: You do just as he tells you.

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Speaker 1: You imagine your right hand is light, bright and buzzing

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with energy. Well, your left hand is dark and dense,

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crackling with static. You feel the different particles separating, You

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feel them trying to pull themselves back together. But with

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your continued focus, you keep them apart, drawing more and

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more and more of them apart as you go. Now,

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when you're ready, just clap your hands together. With that command,

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you allow your hands to snap back together, and sure enough,

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there's a sudden explosion of a light one that shoots

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you straight backwards. You fall down onto the ground, not

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really sure exactly what happened. Great work, Martin says, But

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the next step I kind of forgot to mention. You

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have to create a path for the energy to try travel,

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otherwise it'll just kind of explode like that, which was hilarious.

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Speaker 2: By the way.

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Speaker 1: You should see the look on your face. Martin walks

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over and grabs you by the hand, pulling you back up.

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Speaker 2: To your feet.

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Speaker 1: Now, air isn't normally the best conductor of electricity, so

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you have to create a path within it. I like

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to just imagine the path in my mind connecting from

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my hands too, well, whatever it is I'm aiming for.

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Then I imagine myself pushing all of the electrons out

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of that part of air, kind of like this.

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Speaker 2: Here, grab my hand.

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Speaker 1: You hold Martin's hand for a second, and strangely, as

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you close your eyes, you can see the path that

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Martin sees. You see it appearing in the world in

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front of you, and then you can sort of sense

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little things being pushed out of the path, creating a

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perfect channel through the air. Now, when you clap your

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hands back together, the energy has somewhere else to go.

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Martin snaps his thumb and forefinger together, creating a small

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bolt of lightning that travels through the path he well

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intended it to and hits one of the stones on

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the other side.

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Speaker 2: Now it's your turn.

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Speaker 1: Okay, You repeat the exercise from before, making your hands

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like little magnets, one pulling the negative energy and one

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pulling the positive energy apart. Then you imagine a pathway

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extending out in front of you and connecting to the

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stone wall on the other side. You open the pathway

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up by pushing out the electrons, just as you saw

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Martin do a few moments ago. When the pathway feels

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the same as it did for Martin, you allow your

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hands to slam back together once again. There's a strong

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burst of energy, but this time it shoots as an

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arc of lightning and connects to the wall on the

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other side, blowing up the rock instead of throwing you backwards.

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That was amazing. I don't think anybody's ever gotten that

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on the first dry before. Ah Well, keep working at it,

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and as you go you don't actually have to use

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your hands. You can use two fingers, and eventually you

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can just use your mind to separate the electricity. You

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continue to experiment for a long time. You start by

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using the clap method, just as you've learned from Martin,

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building up different amounts of electricity, creating paths for it,

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and suddenly unleashing it. When you get that figured out,

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you switch to using just your pointer finger and your thumb,

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using your thumb to pull the positive energy, your pointer

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to pull the negative, and letting the two snap back together,

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creating a bolt of lightning. Soon enough, you can create

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bolts of lightning in each hand with ease. The more

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often you do it, the easier the process becomes, the

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feeling of it, and the muscle memory solidifies inside your

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head to the point where it starts to feel natural

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to unleash the bolts of light lightening themselves. This is

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so cool, you say, But what do I do if

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someone attacks me with lightning? Now that's a great question.

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Speaker 2: Eh.

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Speaker 1: There's a few methods to that, but the most basic

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one is to redirect it. What I like to do

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is use my mind to create paths from well directly

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in front of me to directly behind me, the same

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kind of paths you use to direct the lightning in

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the first place. Watch this, Martin says. He walks out

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in front of you, standing between you and the wall

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and the other end. Now hit me with a bolt

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of electricity, Martin says. He reaches his hand out as

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if it's gonna stop the bolt itself. Trusting Martin that

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this probably won't hurt him too much. You gather electricity

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and both of your hands. You separate the different charges,

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and you allow them to clap together, sending them directly

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towards Martin. But instead of the bolt hitting them it

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just kind of curves around him and strikes the wall behind.

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That was so cool. Let me try again. You send

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bolts after bolts of lightning at Martin, but no matter

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how many you try or how large you make them,

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they all just curve around his body and hit the

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wall behind. Now it's your turn, kid, Close your eyes

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and just imagine different paths for the lightning to follow.

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Open the paths, push out the negative particles and the electrons.

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Speaker 2: You do just that.

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Speaker 1: You imagine a series of different pathways for the lightning

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moving from the front of you to behind you. You

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focus on moving the electrons out of the different pathways,

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leaving them extra conductive and ready for the lightning to

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travel through them. All right, I think I got it,

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you announce. Martin reaches out as one hand to the

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left and his other hand to the right. He gathers

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an immense amount of electricity and then slaps his hands together.

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A bolt flies directly at you. You continue to just

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focus on the pathways and imagine the bolt of lightning

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traveling through them instead of through you, and sure enough,

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it arcs right around you and strikes the wall behind.

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You and Martin continue practice for a while, until you

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have the basics down, until you're able to create a

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shield of pathways around yourself that can deflect lightning in

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all different directions. Great work, kid, Now, the only next

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step is to try it in a real world situation,

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speaking of which, I'll be right back. Martin suddenly leaves

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the room. While he's gone, you practice shooting lightning bolts,

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You practice redirecting them using different pathways, curving them around

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and loops. And eventually Martin returns, Uh, where'd you go?

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You ask?

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Speaker 2: Oh?

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Speaker 1: Nothing important, nothing important at all, Martin says, and then

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his wand starts to pulse with energy. What's that you ask?

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Speaker 2: Oh? No, oh?

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Speaker 1: Martin says, that must be my alarm.

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Speaker 2: Let me check.

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Speaker 1: Martin picks up his wand and places it against his ear.

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He begins nodding his head as if he's listening to

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something on the phone. It's where Oh no, and and

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what kind of creature? A lightning creature?

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Speaker 2: You say?

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Speaker 1: That's terrible. Now, don't worry the kid, and I'll be

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right there. Something seems strange about Martin's voice. It sounds

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more like acting than anything else. But you just kind

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of shake it off. Uh, what was that you ask, well,

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the bad news is there's some sort of lightning bird

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creature headed directly for your house. But the good news

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is you now know lightning and we can stop it.

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00:19:00,200 --> 00:19:05,839
Headed to my house. You ask, like, where my family is?

241
00:19:06,519 --> 00:19:12,680
I can't we need to stop it. You say, no problem,

242
00:19:12,839 --> 00:19:17,359
calm down. Martin summons his magic carpet and jumps aboard.

243
00:19:18,279 --> 00:19:21,680
Come on, kid, no time to waste, he says, as

244
00:19:21,720 --> 00:19:26,160
he flies off through the castle. You reach into your

245
00:19:26,200 --> 00:19:30,640
pocket and pull out your backpack. You make it grow

246
00:19:30,759 --> 00:19:34,079
just large enough to reach your hand in, and you

247
00:19:34,119 --> 00:19:39,240
stick your arm right inside it, thinking about your magic skateboard.

248
00:19:40,240 --> 00:19:43,000
You soon feel something in your hand and you pull

249
00:19:43,039 --> 00:19:46,920
it out of the bag. It's your magic skateboard. You

250
00:19:46,960 --> 00:19:51,160
place it onto the ground, climb aboard, and with just

251
00:19:51,240 --> 00:19:54,960
a thought, your feet lock onto it, and the skateboard

252
00:19:55,039 --> 00:19:59,720
shoots forward, flying through the halls of the castle, out

253
00:19:59,720 --> 00:20:02,680
the door or and up into the air towards the

254
00:20:02,759 --> 00:20:07,720
tree portal that you first got here through. Using the

255
00:20:07,799 --> 00:20:12,000
tree portal, you and Martin head back to the real world.

256
00:20:13,240 --> 00:20:18,200
You fly high above it, just below the clouds, until

257
00:20:18,240 --> 00:20:24,599
you see familiar territory, your home, and sure enough, there's

258
00:20:24,640 --> 00:20:30,799
some sort of strange lightning cloud in the distance. What

259
00:20:31,160 --> 00:20:33,160
why is this thing attacking my house?

260
00:20:33,480 --> 00:20:34,039
Speaker 2: You ask?

261
00:20:35,160 --> 00:20:40,799
Speaker 1: I don't know, Martin responds, but you're gonna have to

262
00:20:41,000 --> 00:20:44,759
use your new found powers to find out.

263
00:20:45,480 --> 00:20:46,279
Speaker 2: You're starting to.

264
00:20:46,240 --> 00:20:50,640
Speaker 1: Get awfully suspicious of Martin, but with some sort of

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00:20:50,920 --> 00:20:55,039
lightning thing heading towards your house, there's no time to

266
00:20:55,079 --> 00:20:59,680
think about it. You fly directly above your home and

267
00:20:59,720 --> 00:21:04,559
you begin to hover there on your magic skateboard a

268
00:21:04,599 --> 00:21:10,599
cloud of lightning, and well, cloud starts to approach you.

269
00:21:11,799 --> 00:21:16,880
Lightning shoots out in all different directions, and it stops

270
00:21:17,200 --> 00:21:22,480
just above your home. If I were you, I'd do

271
00:21:22,720 --> 00:21:27,279
that lightning deflection thing and maybe don't aim it for

272
00:21:27,359 --> 00:21:32,359
your house, Martin says. You look up at the huge

273
00:21:32,680 --> 00:21:37,880
cloud of lightning. It's getting meaner and scarier looking. So

274
00:21:38,839 --> 00:21:42,599
you do just as Martin says. You begin to imagine

275
00:21:42,680 --> 00:21:47,720
pathways appearing above you and then winding around to the

276
00:21:47,759 --> 00:21:53,839
ground just outside your house. You create pathway after pathway

277
00:21:53,920 --> 00:21:59,160
after pathway. I'm essentially creating a protective shield around your home.

278
00:22:00,519 --> 00:22:05,720
The lightning cloud suddenly surges with electricity. A bolt of

279
00:22:05,799 --> 00:22:10,680
lightning flies down towards you, but luckily It follows the

280
00:22:10,720 --> 00:22:15,920
path you've created and strikes the ground harmlessly beside your home.

281
00:22:18,359 --> 00:22:23,160
I can't believe that worked. You say, keep focusing, kid,

282
00:22:24,319 --> 00:22:28,319
and you do. You focus on the cloud above you,

283
00:22:29,279 --> 00:22:33,519
and time after time lightning begins shooting out of the cloud,

284
00:22:34,039 --> 00:22:38,279
and time after time you deflect it. The question is,

285
00:22:39,039 --> 00:22:42,279
how exactly are you going to stop this thing? It

286
00:22:42,319 --> 00:22:48,759
seems to just keep happening. And then you get an idea.

287
00:22:49,559 --> 00:22:54,799
You redirect the pathways from around your house and point

288
00:22:54,839 --> 00:23:01,960
them back towards the cloud itself leashes another series of

289
00:23:02,039 --> 00:23:06,640
lightning bolts, but this time, as they reach just above

290
00:23:06,680 --> 00:23:11,880
your head, they hit one of your pathways, curve around,

291
00:23:12,039 --> 00:23:17,680
and head right back towards the cloud, creating a small explosion.

292
00:23:19,359 --> 00:23:24,160
The cloud unleashes more bolts of lightning, and again the

293
00:23:24,240 --> 00:23:27,920
bolts travel through one of the pathways, curve back up,

294
00:23:28,519 --> 00:23:35,480
and slam into the cloud, creating even larger explosions. Suddenly,

295
00:23:35,559 --> 00:23:39,960
something starts to fall out of the cloud, something that's

296
00:23:40,000 --> 00:23:44,720
on fire. It hits the ground just beside your house,

297
00:23:45,640 --> 00:23:48,599
and the cloud itself just disappears.

298
00:23:50,440 --> 00:23:53,319
Speaker 2: What is that? You ask?

299
00:23:54,440 --> 00:23:57,559
Speaker 1: You and Martin fly down to check it out. As

300
00:23:57,599 --> 00:24:02,319
you land on the ground. You see a large blue

301
00:24:02,359 --> 00:24:07,200
bird the size of well, the size that you'd imagine

302
00:24:07,240 --> 00:24:12,759
a terodactyl to be, laying there on the ground sparking

303
00:24:12,799 --> 00:24:19,519
with electricity. Wow, how did my pet lightning bird get here?

304
00:24:20,359 --> 00:24:25,559
Martin says, your pet lightning bird?

305
00:24:26,119 --> 00:24:28,559
Speaker 2: You mean you did this?

306
00:24:30,359 --> 00:24:34,720
Speaker 1: I shared did And there's nothing like real world experience

307
00:24:34,799 --> 00:24:39,839
to solidify a power after all, Martin says, well, that

308
00:24:39,920 --> 00:24:41,240
ends our session for today.

309
00:24:41,400 --> 00:24:42,559
Speaker 2: See you next time. Buddy.

310
00:24:43,119 --> 00:24:48,200
Speaker 1: Martin pulls out his backpack, opens it up, and suddenly

311
00:24:48,400 --> 00:24:52,720
jumps inside match a carpet and all the backpack then

312
00:24:52,960 --> 00:24:59,240
just disappears from existence. You stand there and shock, learning

313
00:24:59,279 --> 00:25:02,839
that you're very You mentor planned this attack just to

314
00:25:02,920 --> 00:25:08,839
test you. Oh well, eh, at least you're at your house.

315
00:25:09,000 --> 00:25:12,079
You haven't been there in a while. You lift up

316
00:25:12,119 --> 00:25:15,960
your skateboard and tuck it back inside your backpack, where

317
00:25:15,960 --> 00:25:19,400
it kind of disappears into the little pocket dimension you

318
00:25:19,440 --> 00:25:25,599
have created there. You head inside your house, say hello

319
00:25:25,759 --> 00:25:29,680
to your family for a little while, and then head

320
00:25:29,720 --> 00:25:34,519
to your bedroom. You pull back the covers and you

321
00:25:34,599 --> 00:25:39,680
climb inside your bed. You're pretty tired from all this

322
00:25:39,880 --> 00:25:46,119
creating and redirecting lightning thing, but you do feel pretty powerful.

323
00:25:46,160 --> 00:25:52,519
As a result, you begin to just focus on your breath,

324
00:25:53,599 --> 00:25:58,039
and with each breath you release a little more tension

325
00:26:00,359 --> 00:26:05,880
with your arms and then your legs, just letting them

326
00:26:05,920 --> 00:26:13,319
sink down deeper and deeper into the mattress. You notice

327
00:26:13,319 --> 00:26:18,400
any tension in your shoulders and you let it go,

328
00:26:19,200 --> 00:26:22,880
allowing them to just kind of sink down into the

329
00:26:22,920 --> 00:26:28,759
mattress as well. You notice any tension in your stomach

330
00:26:29,000 --> 00:26:33,160
or your chest, and with each out breath, you just

331
00:26:33,720 --> 00:26:40,079
let it go. With each breath, you sink down deeper

332
00:26:40,119 --> 00:26:45,400
and deeper into the mattress, feeling more and more relaxed

333
00:26:45,480 --> 00:26:46,200
each time.

334
00:26:50,000 --> 00:26:52,720
Speaker 2: Last, you notice any tension in.

335
00:26:52,599 --> 00:26:58,880
Speaker 1: Your neck, your head, or your face, and you let

336
00:26:58,920 --> 00:27:04,200
it fall away way as well. Soon, with a nice

337
00:27:04,279 --> 00:27:08,960
half smile on your face, you begin to focus your

338
00:27:09,039 --> 00:27:15,319
mind on your next adventure. You can go anywhere, and

339
00:27:15,359 --> 00:27:21,240
you can do anything. The only limit is your imagination.

340
00:27:24,039 --> 00:27:30,880
Good night everyone. Imagine yourself waking up inside your little

341
00:27:30,960 --> 00:27:37,440
pocket dimension, a place tucked away inside a backpack that

342
00:27:37,640 --> 00:27:41,640
has a bed, kitchen, living room, and anything else you

343
00:27:41,680 --> 00:27:45,759
could really want. You get out of bed, you stretch

344
00:27:45,799 --> 00:27:49,559
your arms and legs. You grab a little breakfast from

345
00:27:49,599 --> 00:27:53,720
the kitchen area, and then you begin to climb up

346
00:27:53,759 --> 00:27:57,720
the ladder, a ladder that leads to a little hatch

347
00:27:57,799 --> 00:28:01,839
at the top of the pocket dimension. As you get

348
00:28:01,880 --> 00:28:05,839
to the top of the ladder, you unzip the hatch

349
00:28:05,880 --> 00:28:09,799
above you, also known as the top of your backpack.

350
00:28:11,240 --> 00:28:13,880
Then you climb the rest of the way up the

351
00:28:14,000 --> 00:28:18,279
ladder and find yourself standing in the middle of the

352
00:28:18,359 --> 00:28:23,680
training hall. You reach down and grab the backpack and

353
00:28:24,000 --> 00:28:29,279
placing it between both hands, you sort of squish them together,

354
00:28:30,359 --> 00:28:36,119
and as you do, the backpack automatically shrinks. It shrinks

355
00:28:36,160 --> 00:28:40,920
and shrinks and shrinks until it's a little keychain sized

356
00:28:41,039 --> 00:28:45,559
backpack that you tuck away in your pocket. Magic really

357
00:28:45,680 --> 00:28:50,279
is pretty amazing, after all. While you're looking around the room,

358
00:28:51,279 --> 00:28:56,400
another backpack suddenly appears out of nowhere, lands on the floor,

359
00:28:57,279 --> 00:29:01,759
and you see the zipper unzip. Out of the top

360
00:29:01,839 --> 00:29:07,720
of the backpack emerges a very bald, very bearded, and

361
00:29:08,240 --> 00:29:10,839
very wizardy sort of man.

362
00:29:11,920 --> 00:29:12,319
Speaker 2: Martin.

363
00:29:13,400 --> 00:29:19,279
Speaker 1: Oh, Hey, good morning, kid, Martin says, I've really been thinking.

364
00:29:19,960 --> 00:29:24,319
I've taught you lightning magic, I've taught you fire magic.

365
00:29:25,480 --> 00:29:28,559
I've taught you how to lift things with your mind.

366
00:29:29,559 --> 00:29:33,319
You kind of learned the ice magic thing on your own. Man,

367
00:29:33,440 --> 00:29:38,759
I even taught you nature magic. The question is what's

368
00:29:38,839 --> 00:29:44,519
the most important type of magic to use next? And

369
00:29:44,559 --> 00:29:50,319
then it hit me, time magic. It's basically something you've

370
00:29:50,359 --> 00:29:53,000
already learned a little of when you were doing the

371
00:29:53,119 --> 00:29:59,000
nature magic, and it happens to be one of my specialties,

372
00:30:00,279 --> 00:30:07,480
Martin explains. You see, Martins are known throughout space, time,

373
00:30:08,200 --> 00:30:14,359
and across different universes for their command and control of

374
00:30:14,599 --> 00:30:21,279
time and space magic. In fact, many of my counterparts

375
00:30:21,319 --> 00:30:26,119
from different parts of the multiverse are in charge of

376
00:30:26,279 --> 00:30:30,319
keeping the multiverse safe, and I try not to get

377
00:30:30,319 --> 00:30:34,680
involved with that too often, but sometimes I get dragged

378
00:30:34,680 --> 00:30:40,359
into it either way. As a result, I've really figured

379
00:30:40,400 --> 00:30:42,799
out this time magic thing.

380
00:30:44,240 --> 00:30:45,319
Speaker 3: You have.

381
00:30:46,920 --> 00:30:51,480
Speaker 1: What is time magic anyways? Like you mean like time travel?

382
00:30:52,799 --> 00:30:57,920
Well sort of, I mean you can kind of time

383
00:30:58,039 --> 00:31:03,160
travel to a place you've been before. But what I'm

384
00:31:03,240 --> 00:31:12,039
really talking about is controlling the speed of existence. Cool,

385
00:31:12,640 --> 00:31:18,440
you respond, not really sure what Martin's talking about. You see,

386
00:31:19,079 --> 00:31:23,480
the speed of existence is very different than the speed

387
00:31:23,519 --> 00:31:27,440
of movement. You can run from one place to another

388
00:31:28,079 --> 00:31:34,759
incredibly quickly, but can you exist faster? That's the real question.

389
00:31:36,480 --> 00:31:41,039
You stand there staring at Martin with your eyes wide open,

390
00:31:42,079 --> 00:31:46,599
completely confused as to what it is he's talking about.

391
00:31:47,680 --> 00:31:51,519
Uh see, you're not really getting this. Well, have you

392
00:31:51,559 --> 00:31:56,000
ever seen one of those superhero movies, like one where

393
00:31:56,000 --> 00:32:01,480
the superpowered character is moving super fast and they show

394
00:32:01,559 --> 00:32:05,640
that by slowing down everything else around them.

395
00:32:07,000 --> 00:32:07,160
Speaker 3: Uh?

396
00:32:07,759 --> 00:32:09,599
Speaker 2: Yeah, I have seen that.

397
00:32:09,680 --> 00:32:16,319
Speaker 1: Before you respond, well, i'd consider that not to be

398
00:32:16,400 --> 00:32:22,359
moving fast, but existing fast. Every part of your body

399
00:32:23,119 --> 00:32:28,640
exists at a faster pace compared to you. Everything else

400
00:32:28,759 --> 00:32:36,440
seems very very slow, But in reality, it's because you

401
00:32:36,880 --> 00:32:43,799
are existing very very fast, your mind, your body, your everything.

402
00:32:45,119 --> 00:32:49,680
On the other hand, you could exist slower than everything else.

403
00:32:50,920 --> 00:32:54,319
It would seem like everybody was flying by you in

404
00:32:54,359 --> 00:32:58,440
a blur. Day would turn to night quicker than you

405
00:32:58,480 --> 00:33:03,319
could imagine. It's really not as useful. And unless you

406
00:33:03,359 --> 00:33:07,400
want to travel to the future, of course, But going back,

407
00:33:07,680 --> 00:33:12,880
Oh boy is that hard, honestly, kid, and I don't

408
00:33:12,920 --> 00:33:17,880
recommend it. It's uh well, he can have some serious consequences.

409
00:33:19,039 --> 00:33:24,279
Oh okay, So what do we start with first? And

410
00:33:24,319 --> 00:33:28,319
what exactly is time magic useful for? You?

411
00:33:28,559 --> 00:33:28,799
Speaker 2: Ask?

412
00:33:29,279 --> 00:33:34,599
Speaker 1: But before Martin can even respond, he just kind of disappears.

413
00:33:35,680 --> 00:33:39,200
You feel a tap on your right shoulder and you

414
00:33:39,319 --> 00:33:43,680
turn around to see him standing right there. Did you

415
00:33:43,960 --> 00:33:46,200
just teleport? You ask?

416
00:33:47,279 --> 00:33:48,799
Speaker 2: Nah, not exactly.

417
00:33:49,240 --> 00:33:53,480
Speaker 1: I just shifted into a faster speed of existence and

418
00:33:53,519 --> 00:33:56,920
then walked over behind you before you could even tell.

419
00:33:58,680 --> 00:34:00,440
Speaker 2: Oh. Wow.

420
00:34:01,079 --> 00:34:04,559
Speaker 1: You begin to imagine all the uses for such a power.

421
00:34:05,559 --> 00:34:08,840
You'd have time to stop and think about a situation

422
00:34:10,119 --> 00:34:13,280
you could get out of, almost any trouble you could

423
00:34:13,320 --> 00:34:19,440
get yourself into. It certainly seems like a very useful power.

424
00:34:20,800 --> 00:34:25,239
All right, Well, how do I do this time magic thing?

425
00:34:25,880 --> 00:34:26,400
Speaker 2: You ask?

426
00:34:27,480 --> 00:34:32,079
Speaker 1: Well, like anything else, Martin responds, there's a lot of

427
00:34:32,119 --> 00:34:35,880
ways to do it, But now I'm gonna start you

428
00:34:36,000 --> 00:34:40,880
out with the way I learned basically. Anyways, Now let's

429
00:34:40,920 --> 00:34:45,079
sit down on the ground. You and Martin both sit

430
00:34:45,239 --> 00:34:50,159
down on the ground, your legs crossed. Martin places his

431
00:34:50,320 --> 00:34:55,119
hands in his lap and what looks like a meditation pose.

432
00:34:56,719 --> 00:35:04,079
You copy what he's doing and listen very carefully. All right, First,

433
00:35:04,719 --> 00:35:09,320
like anything, you've got to relax. You have to center

434
00:35:09,440 --> 00:35:15,000
yourself in a place where anything is possible. You do

435
00:35:15,079 --> 00:35:18,920
your best to do just that. You close your eyes,

436
00:35:19,840 --> 00:35:24,599
You begin to anchor on your breath, noticing your stomach

437
00:35:24,840 --> 00:35:30,920
as it goes in and out. And as you do,

438
00:35:32,480 --> 00:35:36,679
you start to focus your mind on a memory, a

439
00:35:36,800 --> 00:35:45,000
memory that makes you feel very relaxed, very happy, a

440
00:35:45,119 --> 00:35:52,079
feeling of things being completely unlimited, all of the possibilities

441
00:35:52,079 --> 00:35:57,559
in the world set out before you. A good job, kid,

442
00:35:58,079 --> 00:36:03,320
Martin says, now that you're in the right state, I

443
00:36:03,440 --> 00:36:08,519
need you to focus on going faster now. I know,

444
00:36:09,119 --> 00:36:12,440
I know what you're thinking. You're thinking your goal is

445
00:36:12,480 --> 00:36:17,320
to slow down time. Man, well, I guess you could

446
00:36:17,400 --> 00:36:22,360
try to do that. Slowing down everything else is way

447
00:36:22,760 --> 00:36:28,679
way more difficult than just speeding yourself up. Time is relative,

448
00:36:28,760 --> 00:36:37,159
after all, So just imagine yourself going faster. Imagine every

449
00:36:37,440 --> 00:36:45,079
part of your body, every cell, every molecule, every atom,

450
00:36:45,519 --> 00:36:57,239
every electron, moving faster, vibrating faster, man, just generally going faster.

451
00:36:58,880 --> 00:37:03,800
With your eyes closed, you begin to imagine just that.

452
00:37:05,320 --> 00:37:08,880
You imagine every cell in your body is starting to

453
00:37:08,960 --> 00:37:15,239
move at a faster rate. And then you imagine even smaller,

454
00:37:15,840 --> 00:37:22,599
every molecule, every atom vibrating at a faster pace. And

455
00:37:22,719 --> 00:37:28,440
as you do, and you continue to repeat faster, faster,

456
00:37:29,719 --> 00:37:35,440
faster inside your mind, your body starts to feel a

457
00:37:35,519 --> 00:37:40,119
little bit strange, a little like you've had way too

458
00:37:40,199 --> 00:37:45,199
much candy or something like that. And as you open

459
00:37:45,239 --> 00:37:53,559
your eyes, you see that Martin has almost entirely stopped moving.

460
00:37:55,039 --> 00:37:59,480
I mean, he's still moving a little bit. You watch

461
00:37:59,519 --> 00:38:06,760
as his eye blinks at an incredibly slow pace. You

462
00:38:06,840 --> 00:38:10,760
stand up. Your body's still feeling like it's buzzing with

463
00:38:11,000 --> 00:38:16,159
energy and like you're full of sugar. You walk around

464
00:38:16,239 --> 00:38:19,239
the room and everything else is frozen.

465
00:38:19,280 --> 00:38:19,880
Speaker 2: Two.

466
00:38:20,920 --> 00:38:23,719
Speaker 1: You run towards the door that opens up into the

467
00:38:23,800 --> 00:38:27,679
room and you push on it, hoping to open it up,

468
00:38:28,800 --> 00:38:35,159
and fortunately for you, what happens is far more destructive.

469
00:38:35,960 --> 00:38:38,480
And as you push on the wooden door that leads

470
00:38:38,519 --> 00:38:43,119
into the training area, the door just sort of falls

471
00:38:43,159 --> 00:38:47,920
apart in your hands. It begins to break into thousands

472
00:38:47,960 --> 00:38:52,679
of little wood chunks and pieces. The pieces move quickly

473
00:38:52,719 --> 00:38:56,320
at first, but then slow down as they move away

474
00:38:56,360 --> 00:39:01,599
from you and begin flying through the air. Did you

475
00:39:01,800 --> 00:39:08,880
just destroy the door? I guess if you're moving faster,

476
00:39:10,199 --> 00:39:13,519
then it was as if the door was hit with

477
00:39:13,599 --> 00:39:19,719
something moving at an incredible speed. You never really considered

478
00:39:19,840 --> 00:39:23,840
this aspect of the power. Not only can you move

479
00:39:24,079 --> 00:39:29,679
very fast, but as a result, you are incredibly strong,

480
00:39:30,480 --> 00:39:34,079
at least compared to other things moving at a different pace.

481
00:39:36,079 --> 00:39:40,000
You carefully walk through the halls of the Magic Academy,

482
00:39:41,239 --> 00:39:45,679
and as you do, everything you see around you is

483
00:39:45,800 --> 00:39:50,119
frozen in place. Who are almost frozen in place?

484
00:39:50,199 --> 00:39:50,800
Speaker 2: Anyways?

485
00:39:51,920 --> 00:39:56,719
Speaker 1: The people walk in a very strange looking slow motion.

486
00:39:58,119 --> 00:40:03,119
You easily walk between them, dodging between one person and

487
00:40:03,199 --> 00:40:08,599
another person. You walk up the stairs and through the hallway,

488
00:40:08,719 --> 00:40:13,119
and wherever you go it's as if you're watching a

489
00:40:13,199 --> 00:40:18,000
slow motion video. You continue to walk down the hall

490
00:40:18,199 --> 00:40:19,239
until you hear.

491
00:40:19,119 --> 00:40:22,119
Speaker 2: A voice, Hey kid, wait up.

492
00:40:23,199 --> 00:40:27,440
Speaker 1: You turn around to look behind you, and you see

493
00:40:27,639 --> 00:40:31,679
Martin running down the hall after you. And that took

494
00:40:31,800 --> 00:40:35,000
me a second to get in this mode too. I

495
00:40:35,079 --> 00:40:39,199
can't believe you did it and you're able to sustain

496
00:40:39,320 --> 00:40:44,079
the power this long. It's cool, isn't it? Martin says,

497
00:40:45,559 --> 00:40:51,760
it's really really cool. You respond. You and Martin continue

498
00:40:51,800 --> 00:40:56,039
to walk through the hall of slow motion people, carefully

499
00:40:56,079 --> 00:41:01,119
dodging around them. By the way, I think I kind

500
00:41:01,119 --> 00:41:05,639
of wrecked the door to the training area. Oh yeah,

501
00:41:05,679 --> 00:41:09,519
and I saw that. Don't worry about it. Happened to

502
00:41:09,559 --> 00:41:12,960
me the first time I went into slow or fast

503
00:41:13,039 --> 00:41:17,360
motion whatever we're calling this thing. You see, when you're

504
00:41:17,440 --> 00:41:23,239
existing at this speed, you have a higher time density.

505
00:41:24,400 --> 00:41:27,920
It might feel like you're just pushing on a door

506
00:41:28,039 --> 00:41:31,840
or something like that, but to the door, it feels

507
00:41:31,880 --> 00:41:36,639
like it's being hit by an object going hundreds, if

508
00:41:36,679 --> 00:41:41,719
not thousands, of miles an hour. Man, As you can imagine,

509
00:41:42,199 --> 00:41:46,159
doors don't really like being hit at thousands of miles

510
00:41:46,159 --> 00:41:50,320
per hour by anything. I mean that those speeds a

511
00:41:50,360 --> 00:41:55,079
paper airplane could blow a door apart. It's honestly pretty crazy.

512
00:41:56,000 --> 00:41:59,480
You and Martin walk into the cafeteria of the school

513
00:42:00,440 --> 00:42:05,880
once again. You see a very strange, very slow motion

514
00:42:06,159 --> 00:42:11,199
seen unfolding in front of you. You see people eating food,

515
00:42:11,800 --> 00:42:16,199
people getting food, people sitting at tables and laughing with

516
00:42:16,239 --> 00:42:25,159
one another. And then you see Tyrannus. Tyrannus Rexington. He

517
00:42:25,280 --> 00:42:29,519
and his friends are hanging out at a table, but

518
00:42:29,719 --> 00:42:34,280
they're clearly bullying, if not torturing, some.

519
00:42:34,360 --> 00:42:35,679
Speaker 2: Of the other students.

520
00:42:37,679 --> 00:42:41,320
Speaker 1: You walk over to Wardam to see exactly what's going on.

521
00:42:42,519 --> 00:42:48,360
You see Tyrannus pointing as wand towards another student and

522
00:42:48,480 --> 00:42:53,679
unleashing a tiny bolt of lightning, just like he did

523
00:42:53,760 --> 00:42:54,320
to you.

524
00:42:54,519 --> 00:42:55,400
Speaker 2: The other day.

525
00:42:57,280 --> 00:43:02,000
Speaker 1: You can see the lightning moving and slow motion as

526
00:43:02,599 --> 00:43:06,840
the boy slowly reacts to getting hit in the bum

527
00:43:07,000 --> 00:43:12,360
by a bolt of lightning. It's a very strange scene

528
00:43:12,400 --> 00:43:17,760
to behold that little I am not letting him get

529
00:43:17,800 --> 00:43:21,519
away with this, you announced to Martin, and I wouldn't

530
00:43:21,559 --> 00:43:23,000
expect anything less.

531
00:43:23,079 --> 00:43:23,400
Speaker 2: Kid.

532
00:43:24,039 --> 00:43:28,840
Speaker 1: Just keep it civil, okay, Oh, I'm not sinking to

533
00:43:28,920 --> 00:43:35,840
his level. You respond, in your very fast state of existence.

534
00:43:36,760 --> 00:43:41,760
You walk over to Tyrannus. You examine the scene taking

535
00:43:41,920 --> 00:43:45,679
place in front of you, and you come up with

536
00:43:45,760 --> 00:43:49,599
a clever plan. It was just the other day that

537
00:43:49,639 --> 00:43:54,280
Martin taught you how to control lightning, and you think

538
00:43:54,719 --> 00:43:59,760
you might have a use for it. Now, you focus

539
00:43:59,800 --> 00:44:04,159
your mind on creating a path for the lightning, a

540
00:44:04,199 --> 00:44:09,880
path free of charge. You watch the path move through

541
00:44:09,960 --> 00:44:14,800
the air from just behind the student being hit by

542
00:44:14,800 --> 00:44:20,760
the lightning bolt, curving around through the air right back

543
00:44:20,840 --> 00:44:27,679
to Tyrannus Rexington's toe. As you solidify the path, you

544
00:44:27,800 --> 00:44:33,159
watch as the slow motion lightning stops hitting the child

545
00:44:34,039 --> 00:44:39,519
and moves into the pathway. It slowly curves around arcs

546
00:44:39,639 --> 00:44:45,960
back towards Tyrannus and strikes him in the toe. You

547
00:44:46,079 --> 00:44:51,880
watch as his face very very slowly turns from one

548
00:44:51,960 --> 00:44:58,519
of laughter and happiness to one of sudden pain and anger.

549
00:45:00,079 --> 00:45:00,280
Speaker 2: Ah.

550
00:45:00,480 --> 00:45:03,079
Speaker 1: I kind of want to talk to him, you say

551
00:45:03,119 --> 00:45:05,360
to Martin, how do we get out of this thing?

552
00:45:06,400 --> 00:45:08,239
Speaker 2: Well, well, that's a lot easier.

553
00:45:08,840 --> 00:45:12,960
Speaker 1: You just kind of relax, take a deep breath, let

554
00:45:13,079 --> 00:45:17,360
go of all the tension and your arms and legs. Man,

555
00:45:17,880 --> 00:45:23,639
just give yourself permission to stop existing so quickly. Taking

556
00:45:23,679 --> 00:45:26,840
a long, deep breath always helps with that sort of thing.

557
00:45:27,880 --> 00:45:28,400
Speaker 2: You do.

558
00:45:28,440 --> 00:45:32,840
Speaker 1: Just that, you breathe in as much as you possibly can,

559
00:45:33,920 --> 00:45:39,760
and you breathe out very quickly, focusing on relaxing all

560
00:45:39,800 --> 00:45:46,079
of your muscles and allowing time to return to normal. Suddenly,

561
00:45:46,239 --> 00:45:49,719
all of the noise of the cafeteria fills your ears,

562
00:45:50,119 --> 00:45:54,559
and people start to move at their normal pace, including

563
00:45:54,840 --> 00:45:59,599
Tyrannus Rexington, who suddenly jumping up and down on one foot,

564
00:46:00,199 --> 00:46:07,480
yelling and pain. Who who did this? Tyrannus says it

565
00:46:07,840 --> 00:46:14,400
was you, wasn't it. He goes on to accuse, well,

566
00:46:14,559 --> 00:46:19,000
you know what, Tyrannus, it was me. Well, actually it

567
00:46:19,079 --> 00:46:22,039
was kind of you. It was your own lightning bolt,

568
00:46:22,119 --> 00:46:22,719
after all?

569
00:46:24,280 --> 00:46:35,400
Speaker 3: Why you little ungrateful, normal, non magic person I challenge

570
00:46:35,440 --> 00:46:37,480
you to undouel.

571
00:46:38,960 --> 00:46:44,039
Speaker 2: Oh a duel? You say, let's do it.

572
00:46:45,199 --> 00:46:51,679
Speaker 1: The entire cafeteria suddenly goes silent, and everyone walks out

573
00:46:51,880 --> 00:46:57,320
onto the balcony of the courtyard. You and Tyrannas step

574
00:46:57,400 --> 00:47:01,760
into a little dueling area, one that you visited on

575
00:47:01,800 --> 00:47:06,519
your very first day in the castle. You pull the

576
00:47:06,559 --> 00:47:11,159
wand out of your pocket and Tyrannus does the same thing.

577
00:47:12,920 --> 00:47:18,199
All right, kids, Martin says, are you all ready for

578
00:47:18,360 --> 00:47:24,480
a duel? The crowd erupts with loud cheers and applause.

579
00:47:25,719 --> 00:47:30,039
The kids here really seem to like duels. There's just

580
00:47:30,159 --> 00:47:37,360
a couple rules. Number one, nothing lethal. Mall spells must

581
00:47:37,440 --> 00:47:42,159
be safe, even if they are designed to knock out

582
00:47:42,159 --> 00:47:46,920
your opponent or something like that. If one opponent is

583
00:47:47,119 --> 00:47:55,400
incapacitated or well gives up, the other wizard wins. We

584
00:47:55,440 --> 00:48:03,159
will begin in three two one. As soon as he

585
00:48:03,280 --> 00:48:10,599
announces the word one, you shift back into your time mode.

586
00:48:11,239 --> 00:48:14,119
You find it a little easier to do this time,

587
00:48:14,880 --> 00:48:20,039
urging yourself to move faster and faster, but your body

588
00:48:20,119 --> 00:48:23,320
figures it out much more quickly than the first time.

589
00:48:24,239 --> 00:48:28,039
You don't speed up quite as much as last time either,

590
00:48:28,440 --> 00:48:32,400
but you do speed up enough that everything around you

591
00:48:32,559 --> 00:48:40,119
seems very slow. Tyrannus unleashes a bolt of lightning from

592
00:48:40,199 --> 00:48:44,440
the tip of his want. The lightning moves towards you

593
00:48:44,559 --> 00:48:48,400
pretty quickly, but with enough time to see it coming

594
00:48:49,000 --> 00:48:53,679
and enough time to form protective paths for the lightning

595
00:48:54,199 --> 00:49:00,000
from directly in front of you to directly back at Tyrannus.

596
00:49:01,199 --> 00:49:06,199
You watch as the lightning slowly hits the paths, curves around,

597
00:49:06,880 --> 00:49:12,320
and once again strikes Tyrannus in the toe. He jumps

598
00:49:12,440 --> 00:49:17,679
up and down in slow motion pain. This new time

599
00:49:17,840 --> 00:49:23,079
power is an absolute game changer. There's hundreds, if not thousands,

600
00:49:23,079 --> 00:49:26,559
of ways you could win this duel. Moving at a

601
00:49:26,639 --> 00:49:32,480
different speed is an advantage like almost no other. But

602
00:49:33,360 --> 00:49:38,599
watching Tyrannus jump up and down in pain and looking

603
00:49:38,840 --> 00:49:41,400
kind of angry while holding his foot.

604
00:49:42,280 --> 00:49:43,840
Speaker 2: Gives you an idea.

605
00:49:45,079 --> 00:49:49,079
Speaker 1: You speed yourself even more, with the result of slowing

606
00:49:49,079 --> 00:49:53,880
everything else down even more, until Tyrannus is just about

607
00:49:54,079 --> 00:49:58,719
frozen in place, holding his toe with both of his hands,

608
00:49:59,440 --> 00:50:04,719
and when singing pain, pain that he clearly caused himself.

609
00:50:05,920 --> 00:50:10,800
Seeing him like this like a statue, makes you think

610
00:50:10,840 --> 00:50:16,119
that Tyrannus would make a very good statue, but how

611
00:50:16,199 --> 00:50:19,880
exactly can you make him a statue for everyone else?

612
00:50:22,159 --> 00:50:26,639
As you think through the possibilities, you remember the nature

613
00:50:26,719 --> 00:50:31,039
magic you learned, where you were able to affect the

614
00:50:31,280 --> 00:50:37,599
speed and movement of plants, causing them to grow faster. Clearly,

615
00:50:37,719 --> 00:50:43,239
it must be possible to turn down other people's time, rhythm,

616
00:50:43,440 --> 00:50:48,119
or whatever you might call it. You walk up towards

617
00:50:48,199 --> 00:50:56,119
Tyrannus and you look at him, very, very carefully. You

618
00:50:56,239 --> 00:51:03,519
begin to imagine him existing slower, even slower than he

619
00:51:03,639 --> 00:51:08,800
already is. You pull your wand out, you point it

620
00:51:08,880 --> 00:51:15,159
towards him, and you allow your energy and his energy

621
00:51:15,199 --> 00:51:21,599
to become one. As you focus on Tyrannus, you focus

622
00:51:21,719 --> 00:51:26,360
on the opposite of what you focused on to move faster.

623
00:51:27,480 --> 00:51:34,880
You imagine every bit of him moving even slower, until

624
00:51:34,960 --> 00:51:41,079
it's basically stopped. It's hard to tell since you're moving

625
00:51:41,119 --> 00:51:46,960
so quickly, but it's as if he looks less solid,

626
00:51:47,800 --> 00:51:52,000
almost like a ghost. Moving at this speed, you can

627
00:51:52,039 --> 00:51:57,639
see the space between his atoms. It's really strange, but

628
00:51:58,320 --> 00:52:03,920
you're pretty sure you've accomplish your task. You close your eyes,

629
00:52:04,480 --> 00:52:09,719
you take in a slow, deep, breath, and as you

630
00:52:09,840 --> 00:52:14,440
release it, you relax all of your muscles, and time

631
00:52:14,639 --> 00:52:19,719
shoots back to normal, well for everyone other than Tyrannus,

632
00:52:20,360 --> 00:52:25,719
who's suddenly stuck standing right in front of you in

633
00:52:25,760 --> 00:52:31,360
the exact same pose he was before, looking like a statue,

634
00:52:32,000 --> 00:52:36,679
perfectly healthy, perfectly fine, but moving at such a slow

635
00:52:36,880 --> 00:52:40,239
speed that it'll take him a while to figure out

636
00:52:40,320 --> 00:52:43,320
how to get out of that, and in the meantime,

637
00:52:44,000 --> 00:52:50,199
the courtyard will have a very beautiful statue. The crowd

638
00:52:50,280 --> 00:52:53,719
around you cheers once they figure out that you've won

639
00:52:53,760 --> 00:52:59,039
the thing. A great job, kid, that's certainly something I

640
00:52:59,079 --> 00:53:05,119
never even tie. You put your hands together for kid, wizard,

641
00:53:05,800 --> 00:53:09,480
I keep forgetting asked the kid's name, Martin says, and

642
00:53:09,519 --> 00:53:15,920
the crowd cheers even louder, and you begin to feel

643
00:53:16,800 --> 00:53:20,920
pretty tired. You say you good bye to Martin and

644
00:53:20,960 --> 00:53:25,360
you walk away from the cafeteria. You've only been awake

645
00:53:25,440 --> 00:53:29,280
for a short time, but it feels like a much

646
00:53:29,639 --> 00:53:34,079
much longer time, probably because of the speed you were

647
00:53:34,159 --> 00:53:38,840
existing at. You reach into your pocket, pull out the

648
00:53:38,920 --> 00:53:44,280
little keychain sized backpack, put a hand on each side

649
00:53:44,320 --> 00:53:49,239
of it, and open your hands apart, like you're zooming

650
00:53:49,360 --> 00:53:55,079
in on a touch screen. With that, the backpack grows

651
00:53:55,239 --> 00:53:59,599
to normal size, if not a bit larger. You place

652
00:53:59,639 --> 00:54:05,400
it on the ground, unzip it, and climb inside, climbing

653
00:54:05,480 --> 00:54:10,920
down a little ladder. The zipper closes above you, and

654
00:54:11,360 --> 00:54:18,280
presumably the backpack disappears from existence as well. You immediately

655
00:54:18,400 --> 00:54:22,679
climb into your comfortable bed. You pull the covers up

656
00:54:22,760 --> 00:54:28,719
over top of yourself, and you close your eyes, just

657
00:54:28,840 --> 00:54:31,960
like you did when you were shifting out of your

658
00:54:32,239 --> 00:54:37,320
fast time mode. You take a long, deep breath and

659
00:54:37,400 --> 00:54:41,800
then release it quickly, allowing all of the tension to

660
00:54:42,000 --> 00:54:44,079
drain away from your.

661
00:54:43,920 --> 00:54:45,400
Speaker 2: Arms and your legs.

662
00:54:47,280 --> 00:54:51,360
Speaker 1: You sink down deeper and deeper into the mattress with

663
00:54:51,480 --> 00:55:00,199
each breath, and slowly you close your eyes, and you

664
00:55:00,400 --> 00:55:05,239
allow your mind to drift off to dreams of new

665
00:55:05,280 --> 00:56:20,119
things and new adventures to come. Good Night, everyone, Sai.

