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<v Speaker 1>You're watching Chewing the Cud is Mike Benyon Road and

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<v Speaker 1>Paris Monroe.

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<v Speaker 2>Hi, I said, I know the answer to the question

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<v Speaker 2>of you know I eat door mop, but I'm not

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<v Speaker 2>following for it. Hi, you're watching Chewing the Cud, your

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<v Speaker 2>lighthearted weekly look at the world through a pair of

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<v Speaker 2>rainbow tinted glasses. I'm Mike ben In Row and with

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<v Speaker 2>me today as a person who has never eaten a

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<v Speaker 2>savory pancake. I know that's not an euphemism. It's Paris

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<v Speaker 2>moan Row.

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<v Speaker 1>Yes, I believe I need to try a savory pancake.

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<v Speaker 2>You know my belief on this straight away.

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<v Speaker 1>First of all, I've been told cheese and ham is good.

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<v Speaker 1>And also I know somebody that has gravy.

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<v Speaker 2>On that with me. Cheese and gravy, Yes, the one.

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<v Speaker 1>Cheese and gravy the right way of doing things for us.

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<v Speaker 1>This week, Paris, well, I'm glad you asked. I'm bringing

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<v Speaker 1>you a story about the return of a well loved

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<v Speaker 1>TV show, and then we're going to play a little game,

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<v Speaker 1>and then.

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<v Speaker 2>Paris will be bring us all up to date with

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<v Speaker 2>everything they've been up to, including an exciting tease of

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<v Speaker 2>something new in spotlight. But on screen now you can

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<v Speaker 2>see how contact details. It's at the cud TV on

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<v Speaker 2>social media, and if you want to catch up with

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<v Speaker 2>previous episodes, you can always binge us. Just look for

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<v Speaker 2>Chewing the Cud on YouTube.

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<v Speaker 1>You can see the names of people who have reached

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<v Speaker 1>out and touched our souls going along the bottom here

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<v Speaker 1>of the screen. But now it's time for Mike in

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<v Speaker 1>the buzz.

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<v Speaker 2>You've lost some weight, that's right. Yes, you've been Jimmy.

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<v Speaker 1>Well, yes, grinder and walking. It's good for you. Yes.

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<v Speaker 2>Yeah, I've got a sorry about a judglement who's been

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<v Speaker 2>trying a different kind of health challenge. Oh, who's been

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<v Speaker 2>trying to eat fifty thousand calories a day.

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<v Speaker 1>Fifty thousand calories. Fifty thousand calories right, there's a lot

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<v Speaker 1>of food. Yeah, because then the average daily is like

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<v Speaker 1>between two to two and a half thousand. Wow, So

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<v Speaker 1>fifty thousand.

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<v Speaker 2>Yeah there he is huge years. This gentleman is called

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<v Speaker 2>Eric Lamkin.

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<v Speaker 1>He's a competitive extreme eater extreme yes yeah, wow, Okay,

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<v Speaker 1>fifty thousand calories in twenty four hours in.

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<v Speaker 2>Twenty four hours.

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<v Speaker 1>Wow.

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<v Speaker 2>So he had a pre breakfast, which I love the

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<v Speaker 2>idea of kind up for a pre breakfast, which involved

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<v Speaker 2>McDonald's dunkin Donuts, right, having bacon, eggs, cheese, mcgrinnall pasties,

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<v Speaker 2>hot drinks and all that sort of stuff. He then

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<v Speaker 2>had a breakfast which includes cereals, protein shakes, and nearly

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<v Speaker 2>twenty thousand calories by that point.

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<v Speaker 1>And that's just the pre breakfast and breakfast and breakfast.

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<v Speaker 1>Oh my god. Yeah.

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<v Speaker 2>He was explaining that he had some side effects from it. Okay, right,

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<v Speaker 2>what do you think the side effects could be from this?

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<v Speaker 1>He can last longer in the bedroom.

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<v Speaker 2>No, oh, no, believe it or not. He felt nauseous,

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<v Speaker 2>oh yeah, and floated the poor lamb unexpected side effects

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<v Speaker 2>of eating.

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<v Speaker 1>And he didn't know this and what he was signing

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<v Speaker 1>up for. So he's probably had a Sunday roast and

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<v Speaker 1>experienced that fun button in your pants and he didn't think, oh, yeah,

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<v Speaker 1>I'm going to have that issue here.

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<v Speaker 2>But that's like so it's like two thousand calories. That's

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<v Speaker 2>a big meals as well. Okay, I know, but yeah,

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<v Speaker 2>he's he's told people not to try it at home

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<v Speaker 2>for two reasons. It's very expensive, right, and it's just

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<v Speaker 2>a pointless waste of food.

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<v Speaker 1>Yeah, that is true. You could feed so many people

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<v Speaker 1>with that. To be fair, what twenty thousand divided by

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<v Speaker 1>to two thousand?

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<v Speaker 2>What's that glory? Nothing, no noise whatsoever. We don't hire

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<v Speaker 2>them for their looks either, But yeah, so I thought

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<v Speaker 2>it was an interesting little bit of a waste of

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<v Speaker 2>time or wasting food eating.

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<v Speaker 1>Do you know what I mean? You might have done

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<v Speaker 1>the same thing where you've had one of those cheat

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<v Speaker 1>days or cheat weeks or cheat life where you just

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<v Speaker 1>eat whatever you want.

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<v Speaker 2>I didn't choose the cheat life, the cheat life chip.

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<v Speaker 1>And yes exactly, but like we've all been there where

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<v Speaker 1>we've had a bit extra where we've had a big takeaway.

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<v Speaker 1>We order a really big takeaway. But I can't imagine

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<v Speaker 1>doing that and squeezing that all within twenty four hours.

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<v Speaker 1>That's just bonkers.

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<v Speaker 2>Okay, So moving on work workplace breaks, what are you

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<v Speaker 2>doing your break? Well?

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<v Speaker 1>I tend to go for a little walk and have

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<v Speaker 1>a little vape, yes, Or I go to the chip

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<v Speaker 1>shop actually sometimes and and get like a nice large

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<v Speaker 1>chips with curry sauce and a large sausage.

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<v Speaker 2>Always about the large sausage.

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<v Speaker 1>Yeah not size queens, No, No, what do you do

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<v Speaker 1>on your lunch break.

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<v Speaker 2>I work because I'm that person that goes. It's fine.

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<v Speaker 2>But this is good news that's come from Barcelona, right okay,

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<v Speaker 2>as they've brought out a new break, a new break.

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<v Speaker 2>So you've got your quick like ten minute break, you've

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<v Speaker 2>got your lunch break, but now you can have a

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<v Speaker 2>daily thirty minute masturbation break.

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<v Speaker 1>This is a lot.

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<v Speaker 2>It's Erica Lust, who is a Swedish born filmmaker and

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<v Speaker 2>entrepreneur who's known for her working adult cinema.

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<v Speaker 1>Oh fantastic. So is it only an adult cinema or

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<v Speaker 1>can anybody work in an office have a master everybody

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<v Speaker 1>that works for her can have a masturbation break for her,

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<v Speaker 1>not just everybody in the.

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<v Speaker 2>Everybody in the office, not every no, not every company.

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<v Speaker 2>This is the government mandated in spite of going. We've

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<v Speaker 2>given it to the astas we've given you the look breaks,

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<v Speaker 2>we're now giving you a wank break.

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<v Speaker 1>I mean okay, just a specific company, right understood.

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<v Speaker 2>And she said it actually boosts productivity. It does.

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<v Speaker 1>Actually, it's good for your brain. It's good for your

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<v Speaker 1>blood flow as well, good circulation.

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<v Speaker 2>It is very good for your circulation.

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<v Speaker 1>Technically, pressure you can burn calories.

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<v Speaker 2>You do burn calories. I'll watch it tells me how

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<v Speaker 2>burn calories. My exercise for the day. I've closed my

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<v Speaker 2>ring well closed, Oh my god. Apparently employees have said

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<v Speaker 2>it's even enhanced workplace culture.

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<v Speaker 1>Interesting. Does everybody do it at the same time or

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<v Speaker 1>is this like you have.

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<v Speaker 2>Your group of do you want to go for a fag?

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<v Speaker 2>Now I'll go for a bank as well.

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<v Speaker 1>Spit works well.

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<v Speaker 2>They have they have a specifically designed place to go

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<v Speaker 2>and do it. Okay, so she's put lubricants and stam.

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<v Speaker 1>That's funny. So it's seventies VHS with the cheesy music.

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<v Speaker 2>Yeah, I love cheesy music and Paul it's good. That's

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<v Speaker 2>how you know the poor is going to be awful.

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<v Speaker 1>Yeah, you're just vibing. You can have pre drinks to that,

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<v Speaker 1>you know. Can you imagine? Oh yeah, it sounds like

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<v Speaker 1>a vibe.

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<v Speaker 2>It's definitely a vibe. So what do you think do

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<v Speaker 2>you think that's something we should adopt in the UK?

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<v Speaker 1>I think that the UK government need to really think

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<v Speaker 1>about this because it's going to benefit everybody, no matter

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<v Speaker 1>how old you are. Everybody's got bits that need attention. Yeah,

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<v Speaker 1>and sometimes you can't go for a walk. Sometimes sometimes

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<v Speaker 1>it rains, and sometimes you can masturbate. It's fantastic, it's brilliant. Cardio.

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<v Speaker 1>I hate cardio. I don't do running machines or anything.

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<v Speaker 2>I like cardio.

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<v Speaker 1>That's the only cardio for me. Okay, yeah, so I'm

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<v Speaker 1>down for that if klear Starma's up for it as well.

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<v Speaker 2>And the new Access to Work writes build at the

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<v Speaker 2>point and throw with all these different.

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<v Speaker 1>Changes, fingers cross, we can manifest this. Yes, breaks the

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<v Speaker 1>new manifesto.

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<v Speaker 2>The government, what about immigration? Don't care? Let me wank

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<v Speaker 2>break break at work paid.

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<v Speaker 1>I'll be going on only fans during that time. Then

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<v Speaker 1>smart move love that double the money.

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<v Speaker 2>If you want to subscribe to Parati only fans, why

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<v Speaker 2>not have a look at the TV.

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<v Speaker 1>On social media.

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<v Speaker 2>Well, and that brings us nicely to our story of

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<v Speaker 2>the week. Do you like your museum?

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<v Speaker 1>I do. I've been to a sex museum, sex museum.

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<v Speaker 1>I've been to a torture museum. Okay, well actually yes, yes,

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<v Speaker 1>yes in Prague. Actually it was fantastic. Zara Larson, the

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<v Speaker 1>artist actually recommended to go to, said.

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<v Speaker 2>A little bit disappointed that that story that was there

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<v Speaker 2>as well.

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<v Speaker 1>Yeah.

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<v Speaker 2>I was hoping that was going.

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<v Speaker 1>She told me to go.

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<v Speaker 2>She told you to go, yeah, okay.

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<v Speaker 1>I was like, what you're doing, you know, when you're

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<v Speaker 1>in Prague shooting your video and stuff. She's like, oh, yeah,

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<v Speaker 1>I went to this museum. I was like, oh wow, fantastic.

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<v Speaker 1>She said you need to go. Okay, cool, So she

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<v Speaker 1>told me to go. So she's it's good enough for her,

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<v Speaker 1>it's good enough for us.

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<v Speaker 2>It's the name you dropped.

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<v Speaker 1>Yes, don't forget.

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<v Speaker 2>Well a museum is going on tour.

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<v Speaker 1>Oh right, like take that?

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<v Speaker 2>Like, take that on your museum. Let's standing up and going.

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<v Speaker 1>Right.

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<v Speaker 2>I don't know the lyrics. This is the museum in

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<v Speaker 2>Sanddown in the Isle of Wight and it is the

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<v Speaker 2>National Pool Museum.

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<v Speaker 1>Pool as in P double O L drop the L yes.

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<v Speaker 2>Oh museum. It's in their website for that again the

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<v Speaker 2>specialist websites. But this is this is oh.

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<v Speaker 1>So they made a bouncy ball out of it.

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<v Speaker 2>Yes, they have suspended different types of pool in resin

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<v Speaker 2>oh and they go around and going around the country

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<v Speaker 2>showing people the different types of pool.

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<v Speaker 1>Do they need donations that they will be charging for admission?

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<v Speaker 1>This is interesting animal human dinosaur, not dinosaur because they

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<v Speaker 1>don't exist, but anymore, very different. Wow. Okay, so great

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<v Speaker 1>for a secret center and a gift for a present.

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<v Speaker 2>Right, you can't steal from museums Paris.

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<v Speaker 1>Maybe the gift shop or something like, you know, and

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<v Speaker 1>make a great gift. Don't steal kids, don't get caught stealing.

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<v Speaker 2>Right, you think you'll get that good to go to that?

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<v Speaker 1>Do you know what I would love to go. I

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<v Speaker 1>love the fact that it's going on tour. Pooh is

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<v Speaker 1>going on tour a Pooh museum. I want to see

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<v Speaker 1>all the different types, you know, the dehydrated ones, the

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<v Speaker 1>freeze dried ones, you know, the ones with fruit in it,

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<v Speaker 1>the you know, the ones with sweet that had a

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<v Speaker 1>curry the night before. Yeah, I want to say it all.

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<v Speaker 1>I mean, it's not something that I'm into in that way,

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<v Speaker 1>but I'm open to going to learn about Pooh, you know,

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<v Speaker 1>because we all do it.

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<v Speaker 2>We do.

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<v Speaker 1>Indeed, we might as well look at it in a building.

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<v Speaker 2>Why not look at suspended poo on a Saturday afternoon?

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<v Speaker 2>People pay for this this week.

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<v Speaker 1>Thanks Mike. I'm so thrilled that you've got to educate

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<v Speaker 1>us about poo museums and now I can't wait to

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<v Speaker 1>see everybody's poo.

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<v Speaker 2>Please don't share it. Put You're welcome Paris, stay right there.

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<v Speaker 2>Coming after this short break, we got up to state

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<v Speaker 2>the celebrity news in showbies. Welcome back and you're watching

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<v Speaker 2>Chewing the Cud. Now this is the part of the

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<v Speaker 2>show where we look into the sparkly side of world

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<v Speaker 2>and celebrity and media in the showbiz with Paris.

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<v Speaker 1>Celebrity Big Brother. Are you a fan of it?

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<v Speaker 2>Oh? Yes? And no, okay, I think I think Big

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<v Speaker 2>Brother peaked at Kinger.

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<v Speaker 1>Interesting. I thought maybe Jemma Collins and you know, no

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<v Speaker 1>Heart Standard. You don't like Jemma Collins. Oh my god,

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<v Speaker 1>how are you gay?

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<v Speaker 2>Well, because face she just you know when there's people

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<v Speaker 2>in life that you just instantly take an instant dislike to.

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<v Speaker 1>No, okay, yeah, she's my person. Maybe it just clashes

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<v Speaker 1>and that's fine. Well maybe you love Celebrity Big Brother.

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<v Speaker 1>It's coming back and they're looking at potentials of who

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<v Speaker 1>could be in the run out for like the twelve people.

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<v Speaker 1>So we've got one of those rumored which is Joe

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<v Speaker 1>locke Ye from Heart Stopper, also in another Disney show

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<v Speaker 1>as well. Yeah, amazing, amazing work. Gorgeous American accent as well,

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<v Speaker 1>And I think I find him a bit more attractive

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<v Speaker 1>because he's got a slip in his eyebrow. Okay, really

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<v Speaker 1>really loving it, that little bit of a little.

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<v Speaker 2>Bit of danger from the nineties, right is giving William.

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<v Speaker 1>Is giving boy band? Right well. Also Ella Morgan from

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<v Speaker 1>Married at First Sight, who is and was the first

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<v Speaker 1>trans woman to actually appear on the TV show, really

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<v Speaker 1>really lovely. She's hilarious, she's doing so well for herself now.

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<v Speaker 1>A big fan of hers. To be honest, I kind

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<v Speaker 1>of want to marry her. I don't see that. Yeah,

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<v Speaker 1>she's my celebrity or past. She's not married if she

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<v Speaker 1>decides to not be married further, At.

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<v Speaker 2>First I thought that thing was they were married pretty much.

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<v Speaker 1>Well, then you can call me on chewing the cup. Yeah.

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<v Speaker 1>So I'm really I'm really excited to see her potentially

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<v Speaker 1>in this because she she brings vulnerability and she's funny

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<v Speaker 1>and also the drama. So you know that there's gonna

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<v Speaker 1>she'll be there and she'll be giving you the tea

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<v Speaker 1>and she'll be slipping it while while you've got your popcorn.

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<v Speaker 1>Do you know what I'm saying, so she'd be absolutely amazing.

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<v Speaker 1>You find a boxing.

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<v Speaker 2>Boxers, boxers boxers.

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<v Speaker 1>Yeah, they're quite fit. Well Tommy Fury, oh d yeah,

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<v Speaker 1>we'd ride, absolutely, ride, ride or die. Tommy Fury.

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<v Speaker 2>Heterosexual, I might do both.

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<v Speaker 1>Yeah, fantastic work. Tommy Fury might be obviously in Love

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<v Speaker 1>Island the UK version and is now on the market.

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<v Speaker 1>Is that the right word phrase to say? It's single? Yeah? Yeah,

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<v Speaker 1>so maybe if you fancy a bit of Tommy Fury, yeah,

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<v Speaker 1>after a couple of pints, maybe he potentially might be

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<v Speaker 1>going on there with So Tommy, Tommy's brother is called

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<v Speaker 1>what's his face? I've forgotten this name now, the Fury,

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<v Speaker 1>the other Fury Fury, the other Fury. Well, his wife Paris, okay,

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<v Speaker 1>Paris Fury. So I don't know why his brother's not

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<v Speaker 1>in there.

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<v Speaker 2>Maybe he knows his name.

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<v Speaker 1>Maybe maybe because it's.

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<v Speaker 2>Like the other one out of.

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<v Speaker 1>Anyway. Yeah, oh, bless her art. Yeah, like the Michelle,

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<v Speaker 1>like nobody really came anyway, Michelle Fury. Oh no, but

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<v Speaker 1>like sorry, just spat there. It's raining. I've got so

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<v Speaker 1>excited about Tommy Fury, that's why. But yeah, him and

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<v Speaker 1>his brother's wife is going to be in there, which

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<v Speaker 1>is going to be interesting.

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<v Speaker 2>Now.

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<v Speaker 1>I also would like to see a potential like wrestling

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<v Speaker 1>or boxing thing going on there, because he's got a

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<v Speaker 1>great bod, and I'd imagine it would turn into some

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<v Speaker 1>kind of Turkish oilly wrestling kind.

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<v Speaker 2>I head it's already there.

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<v Speaker 1>I mean, I think I don't need to sell it

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<v Speaker 1>anymore really, to be fair, will you get your top off? Yes?

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<v Speaker 2>Good, I'll watch it, I hope so.

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<v Speaker 1>But yeah, that'll be a really good watch.

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<v Speaker 2>You think, I think so. Anybody else going in.

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<v Speaker 1>Caleb Cooper, you know from Clarkson's Farm, Yes, the real cut.

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<v Speaker 1>He's so adorable, He's so sweet, he is hilarious. I

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<v Speaker 1>love how he just talks down at Geezer constantly on

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<v Speaker 1>his show. Is just like he just does not give

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<v Speaker 1>a you know what I'm saying. So he will be

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<v Speaker 1>really good in there as well. And I think that

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<v Speaker 1>both him and Ella will be not stirring the pot,

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<v Speaker 1>but potentially being around when the drama is.

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<v Speaker 2>I feel starting the fire stop not well, not starting

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<v Speaker 2>the fire, but adding petrol.

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<v Speaker 1>Yes, exactly, adding a little bit of oxygen and petrol

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<v Speaker 1>to to the thing. So yeah, that will be an

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<v Speaker 1>interesting watch. I think will be pretty good.

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<v Speaker 2>I think I might be interested in this episode of

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<v Speaker 2>the season.

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<v Speaker 1>Yeah, more representation please for queer people. That would be wonderful.

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<v Speaker 1>You know. Dolly Parton, I love Dolly the country star,

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<v Speaker 1>the icon. Oh. I love her little thing that she

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<v Speaker 1>does with the nails. It's so cute, it's so adorable.

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<v Speaker 1>Bless her heart goes out to her and the family

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<v Speaker 1>as well, because her partner of so many years has

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<v Speaker 1>passed away, her late husband, Carl Dean, who is eighty

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<v Speaker 1>two in Nashville, Tennessee. And Dolly Parton announced this, of

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<v Speaker 1>course on her social media and just said, look, you know,

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<v Speaker 1>please respect that this is going to be a private

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<v Speaker 1>thing and we need time to wrap our heads around

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<v Speaker 1>this and grieve. And he was the light of my life.

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<v Speaker 1>And it was really cute actually how they met. They

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<v Speaker 1>met at a laundry mat.

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<v Speaker 2>That's cute.

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<v Speaker 1>You know. She she was just carrying a dirty laundry

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<v Speaker 1>and Asaura and was like, what's it like, And they

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<v Speaker 1>were just chatting and then they just became like this,

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<v Speaker 1>it's cute. I think. Oh, I love her so much.

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<v Speaker 2>It's a couple of goals.

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<v Speaker 1>That honestly, Yeah, but do you know what she she said, right,

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<v Speaker 1>she said the secret to their you know, amazing marriage

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<v Speaker 1>was the fact that they had, you know, their life together,

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<v Speaker 1>but then they had their separate things as well.

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<v Speaker 2>Yeah.

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<v Speaker 1>And I don't think he's seen her without makeup.

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<v Speaker 2>Okay, I don't think anyone's seen Dolly without makeup. No one,

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<v Speaker 2>I think Dolly's seen Dolly.

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<v Speaker 1>Without I don't think she has either, to be fair,

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<v Speaker 1>but yeah, no, I love her so much and massive

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<v Speaker 1>ally to the LGBTQ PUST community as well.

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<v Speaker 2>What I absolutely loved about their relationship is that because

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<v Speaker 2>her husband wasn't famous and didn't do the thing, he

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<v Speaker 2>was kept out of everything.

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<v Speaker 1>He wanted to be private, wanted to.

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<v Speaker 2>Be private, and she's like, yeah, get that's our private

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<v Speaker 2>life and she kept it private as well, which is

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<v Speaker 2>quite cute. Yeah, this is no, this is us, This

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<v Speaker 2>is Dolly on stage. No, this is me. And I

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<v Speaker 2>love that.

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<v Speaker 1>You went to sports Mike water Winter Wow winter yeah water?

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<v Speaker 1>Are you a sport yes?

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<v Speaker 2>Yeah, dots.

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<v Speaker 1>Yeah I thought so. Yeah. Gus ken Worthy, he came

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<v Speaker 1>out he is roll VT of just him being fit. Please, yeah,

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<v Speaker 1>so he is. He's revealed basically the revelations around his

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<v Speaker 1>new relationship, which is very very nice. But also he's

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<v Speaker 1>not on the market, which is kind of getting for

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<v Speaker 1>all of us. But that's fine. We can we move,

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<v Speaker 1>We move, we move. But he came out in twenty fifteen,

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<v Speaker 1>and he's been competing since like twenty fourteen, twenty eighteen.

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<v Speaker 1>Now focus on acting Believe it or no American horror

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<v Speaker 1>story Now. I mean I can see that stunning I

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<v Speaker 1>can see that beautiful body with blood and all this. Yeah,

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<v Speaker 1>you just bring it. Oh my goodness, Meg, I mean,

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<v Speaker 1>need us say more.

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<v Speaker 2>Andy Warhole Poroids.

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<v Speaker 1>Yeah, book, it's a good I don't think that book

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<v Speaker 1>is big enough though. Yeah, it's very nice. What we're

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<v Speaker 1>talking about, we're sorry, we're talking about we're talking about

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<v Speaker 1>gus So. So he's been talking about it, like sexual

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<v Speaker 1>preferences and his experiences, and it's been really open about

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<v Speaker 1>it as well, which I think is great, saying he

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<v Speaker 1>prefers to bottom, So all the tops out there or

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<v Speaker 1>the versus line up, because you're going to have to

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<v Speaker 1>line up behind me and Mike for this guy.

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<v Speaker 2>I'm not gonna be able to top that.

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<v Speaker 1>Why not?

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<v Speaker 2>Huh?

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<v Speaker 1>Why not? Oh no, that's not how that works well.

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<v Speaker 1>Listen never say never left us say never very rare,

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<v Speaker 1>but I love that, you know, and and and just

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<v Speaker 1>also talked about addressing the stereotypes and the pressures which

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<v Speaker 1>in an LGBTQ PUS you know couple, especially for our

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<v Speaker 1>community as well, there is a lot of pressure for appearances,

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<v Speaker 1>for physique, for liking certain music, and then again for

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<v Speaker 1>sexual preferences and what to do, what not to do,

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<v Speaker 1>you get charged. It's actually quite a savage world really

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<v Speaker 1>that we live in, you know. But I just love

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<v Speaker 1>that he's been super open about everything and described as

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<v Speaker 1>relationships as fluid and evolving.

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<v Speaker 2>So it's an open relationship.

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<v Speaker 1>So open, yes, open, I think that's I think that's

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<v Speaker 1>amazing though, And to be fair, what is really good

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<v Speaker 1>is one we need the representation. Two not many people

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<v Speaker 1>people find it quite a taboo thing of like open relationships.

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<v Speaker 1>There's a lot of people that do have open relationships,

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<v Speaker 1>whether that be emotionally or sexually. So I think it's

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<v Speaker 1>important that he just you know, speaks about it because

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<v Speaker 1>you know, it's not it's not a bad thing.

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<v Speaker 2>Iand having had both monogous and open relationships in the past,

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<v Speaker 2>they both have their merits and their pitfalls.

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<v Speaker 1>Yeah, so there we go. There you have it, Gus

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<v Speaker 1>the man.

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<v Speaker 2>Okay, we've lost Paris from it.

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<v Speaker 1>Yeah. Sorry, and that's that's all from their show biz

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<v Speaker 1>this week.

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<v Speaker 2>Tissues it down there, thank you do. But in fact

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<v Speaker 2>that Paris is always nice to know that Gus Kenworthy

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<v Speaker 2>is still achievable even if he is a bottom.

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<v Speaker 1>You are welcome, but don't go anywhere. As coming up,

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<v Speaker 1>we have a game for you to play along with

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<v Speaker 1>as well in our game of the Week.

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<v Speaker 2>Welcome back to Cheering the cud with me, Mike, Benny

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<v Speaker 2>Roe and Paris Monroe. Now this is the part of

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<v Speaker 2>the show. We've playing a little game and this is

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<v Speaker 2>for the person who wants well, I really can't say

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00:22:57.680 --> 00:22:59.920
<v Speaker 2>that without getting letters from a farmer, the marketing team

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<v Speaker 2>JCB and the legal team Cabris. So off your pop, Paris.

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<v Speaker 1>All right, let's go.

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<v Speaker 2>Then of the week. Okay, So this week we're going

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<v Speaker 2>to play list it. What is now going to give

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<v Speaker 2>Paris a subject and they have to give me ten

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<v Speaker 2>things within thirty seconds on that subject. Are you ready, Paris?

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<v Speaker 1>I'm ready.

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<v Speaker 2>Are you braced and prepared?

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<v Speaker 1>I'm ready?

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<v Speaker 2>Your first topic? Okay, ah. Things you should never say

426
00:23:31.559 --> 00:23:32.400
<v Speaker 2>on a first date.

427
00:23:33.440 --> 00:23:36.720
<v Speaker 1>I love you? Can I go back to yours?

428
00:23:37.559 --> 00:23:41.799
<v Speaker 2>Why do we not say that in the first.

429
00:23:42.200 --> 00:23:46.359
<v Speaker 1>Have you got a tissue? What's that on your face?

430
00:23:47.799 --> 00:23:54.079
<v Speaker 1>Where are you really from? What kind of Asian are you?

431
00:23:54.079 --> 00:23:54.960
<v Speaker 1>Because I'm part of Asian?

432
00:23:55.599 --> 00:23:57.000
<v Speaker 2>That was an experienced What isn't it?

433
00:23:59.160 --> 00:24:00.359
<v Speaker 1>What do you not say? Is it?

434
00:24:01.680 --> 00:24:04.839
<v Speaker 2>You got six but you've got five seconds? O?

435
00:24:05.079 --> 00:24:05.319
<v Speaker 1>God?

436
00:24:06.400 --> 00:24:08.119
<v Speaker 2>Three god?

437
00:24:08.160 --> 00:24:12.920
<v Speaker 1>Blin Like, oh my god, that was really difficult.

438
00:24:13.039 --> 00:24:14.240
<v Speaker 2>Difficult? Isn't it hard?

439
00:24:14.759 --> 00:24:18.480
<v Speaker 1>Ten seconds? Ten things in my second Yeah, that's very hard.

440
00:24:19.839 --> 00:24:21.799
<v Speaker 2>I have to unpick some of that. Let's go back

441
00:24:21.839 --> 00:24:23.240
<v Speaker 2>to yours. Not on a first date.

442
00:24:24.920 --> 00:24:26.559
<v Speaker 1>Well, okay, ignore that.

443
00:24:28.400 --> 00:24:31.000
<v Speaker 2>Down to five things now, which I.

444
00:24:30.960 --> 00:24:35.799
<v Speaker 1>Never said that. I forgot the things I said, Oh,

445
00:24:35.799 --> 00:24:39.319
<v Speaker 1>what's that on your face? Don't ask for a tissue?

446
00:24:41.440 --> 00:24:43.599
<v Speaker 2>Both things you can say on the first date. Yeah,

447
00:24:43.680 --> 00:24:44.599
<v Speaker 2>what's that in your face? Oh?

448
00:24:44.599 --> 00:24:47.400
<v Speaker 1>It's me?

449
00:24:49.759 --> 00:24:53.079
<v Speaker 2>Okay? Can you give me a list of ten ways

450
00:24:53.200 --> 00:24:56.359
<v Speaker 2>of publicly politely rejecting people at sliping t.

451
00:24:56.480 --> 00:25:06.559
<v Speaker 1>DMS, go away light not into that. Thank you you

452
00:25:06.640 --> 00:25:08.279
<v Speaker 1>slept with my best mate.

453
00:25:11.440 --> 00:25:12.279
<v Speaker 2>Trauma there.

454
00:25:15.039 --> 00:25:21.079
<v Speaker 1>You're not my type. Sorry, but I've got a boyfriend Oh,

455
00:25:21.279 --> 00:25:28.319
<v Speaker 1>everybody uses that I'm not into pups.

456
00:25:29.200 --> 00:25:29.599
<v Speaker 2>Oh my god?

457
00:25:29.640 --> 00:25:30.519
<v Speaker 1>How many have I done? No?

458
00:25:30.759 --> 00:25:31.440
<v Speaker 2>I wasn't counting.

459
00:25:31.519 --> 00:25:39.279
<v Speaker 1>There was six? Sorry, but not sorry. I don't like

460
00:25:39.359 --> 00:25:44.599
<v Speaker 1>that artist, so sorry, it's not gonna work. I hate her.

461
00:25:46.680 --> 00:25:48.759
<v Speaker 2>How many did I? And they got nine?

462
00:25:49.039 --> 00:25:49.480
<v Speaker 1>Oh?

463
00:25:49.839 --> 00:25:53.160
<v Speaker 2>Okay, so you've got close there. You're used to publicly

464
00:25:53.160 --> 00:25:53.839
<v Speaker 2>rejecting people.

465
00:25:53.839 --> 00:25:58.519
<v Speaker 1>Obviously, no I get publicly rejected. Yeah, it's okay, it's

466
00:25:58.519 --> 00:26:02.160
<v Speaker 1>all right. You know, it's practice makes affect.

467
00:26:02.359 --> 00:26:05.119
<v Speaker 2>Okay, this one should be easy for you. All right.

468
00:26:05.599 --> 00:26:08.480
<v Speaker 2>I want ten songs that will get gays on the

469
00:26:08.559 --> 00:26:09.640
<v Speaker 2>dance floor instantly?

470
00:26:09.880 --> 00:26:10.440
<v Speaker 1>Can I swear?

471
00:26:10.680 --> 00:26:11.000
<v Speaker 2>Yes?

472
00:26:12.039 --> 00:26:29.799
<v Speaker 1>Work bitch, Vogue, dam pa, dam damn. Ready for the weekend.

473
00:26:31.759 --> 00:26:33.799
<v Speaker 1>Oh my god, I work in the station as well.

474
00:26:37.400 --> 00:26:42.680
<v Speaker 1>My god, I have gone blank? What the actual? What

475
00:26:42.799 --> 00:26:45.160
<v Speaker 1>the actual? Out now? That have gone blank? How dare

476
00:26:45.240 --> 00:26:47.920
<v Speaker 1>I go blank? I work at radio station. This is

477
00:26:48.000 --> 00:26:48.880
<v Speaker 1>so embarrassing.

478
00:26:50.000 --> 00:26:52.319
<v Speaker 2>Okay, you could have listed anything by Madonna?

479
00:26:52.640 --> 00:26:52.960
<v Speaker 1>Yeah, I know.

480
00:26:53.079 --> 00:26:54.920
<v Speaker 2>I could have just got Madonna's back catalog.

481
00:26:55.039 --> 00:26:56.440
<v Speaker 1>Well, I thought I was supposed to do one from

482
00:26:56.480 --> 00:26:59.839
<v Speaker 1>maybe like a different eyes. Okay, Brittany did anyway?

483
00:26:59.839 --> 00:27:00.759
<v Speaker 2>I faced Nina?

484
00:27:01.759 --> 00:27:10.119
<v Speaker 1>Oh Charlie x X Kim Petres, Troy sa Van, I

485
00:27:10.319 --> 00:27:15.279
<v Speaker 1>filled a rush addicted to your thrush. Okay, so I

486
00:27:15.319 --> 00:27:18.000
<v Speaker 1>thought it was a song about Popper's all that.

487
00:27:18.240 --> 00:27:20.759
<v Speaker 2>Yeah, okay, of course, so you didn't do very well there?

488
00:27:23.519 --> 00:27:25.920
<v Speaker 2>Should we see how you do with the next one, Yes,

489
00:27:25.960 --> 00:27:28.079
<v Speaker 2>which is excuses for being late?

490
00:27:28.799 --> 00:27:30.960
<v Speaker 1>Okay, dog ate my homework.

491
00:27:31.920 --> 00:27:32.319
<v Speaker 2>You're late.

492
00:27:32.519 --> 00:27:37.359
<v Speaker 1>That's not an oh no late Okay, Sorry, I forgot

493
00:27:37.359 --> 00:27:42.839
<v Speaker 1>to turn my alarms on. Okay, I woke up late.

494
00:27:45.480 --> 00:27:52.160
<v Speaker 1>I had no underwear when they Sorry, just got in

495
00:27:52.200 --> 00:27:57.440
<v Speaker 1>the shower. I'm allergic to work. Sorry, I can't come

496
00:27:57.480 --> 00:28:02.680
<v Speaker 1>to work todaym trance, I'm late. I'm transgender. Yeah, it's got.

497
00:28:02.720 --> 00:28:04.920
<v Speaker 1>I'm going to be a while. The traffic.

498
00:28:07.799 --> 00:28:11.319
<v Speaker 2>Nine nine so close, Damn. I just didn't want to

499
00:28:11.319 --> 00:28:13.240
<v Speaker 2>be here. It's my favorite excuse ever.

500
00:28:13.359 --> 00:28:14.440
<v Speaker 1>Oh that's a good one.

501
00:28:15.119 --> 00:28:17.000
<v Speaker 2>I'm sorry, I just really didn't want to be here.

502
00:28:17.079 --> 00:28:19.839
<v Speaker 1>Do you know what? We should use that? And I

503
00:28:19.880 --> 00:28:22.000
<v Speaker 1>think I might call into work and just say I

504
00:28:22.079 --> 00:28:25.240
<v Speaker 1>just don't really want to be here. Sorry, I can't

505
00:28:25.240 --> 00:28:25.759
<v Speaker 1>come in today.

506
00:28:25.839 --> 00:28:29.400
<v Speaker 2>Body order offends me. That's another favorite one. Oh, I

507
00:28:29.440 --> 00:28:33.680
<v Speaker 2>can't go in your body order offends me. Yeah. I

508
00:28:33.799 --> 00:28:38.000
<v Speaker 2>enjoyed the reference to I can't come into it. I'm trans.

509
00:28:38.400 --> 00:28:43.920
<v Speaker 1>Yeah, you know, because I'm too busy being trans. Sorry,

510
00:28:44.279 --> 00:28:44.799
<v Speaker 1>I want.

511
00:28:44.599 --> 00:28:49.960
<v Speaker 2>To be able to steal that. Okay. Next ten things, yes,

512
00:28:50.200 --> 00:28:52.680
<v Speaker 2>ten things you might find in a drag queen's handbag.

513
00:28:52.960 --> 00:29:04.039
<v Speaker 1>Okay, dildo, lipstick, lubricant, condoms, fermi doms keys, that's two.

514
00:29:04.240 --> 00:29:04.400
<v Speaker 2>Two.

515
00:29:08.400 --> 00:29:16.720
<v Speaker 1>Uh, makeup, makeup, yeah you know, okay, Yeah, eyelash, glue,

516
00:29:18.279 --> 00:29:21.319
<v Speaker 1>wig remover, I mean makeup remover. That's ten.

517
00:29:22.119 --> 00:29:22.440
<v Speaker 2>Was it.

518
00:29:26.400 --> 00:29:27.920
<v Speaker 1>Money wallet?

519
00:29:28.480 --> 00:29:33.240
<v Speaker 2>Yeah, that's just you got the Yeah.

520
00:29:33.160 --> 00:29:34.720
<v Speaker 1>I know drag queens better than music.

521
00:29:36.200 --> 00:29:38.359
<v Speaker 2>I aren't you glad you work as a drug now,

522
00:29:38.720 --> 00:29:39.200
<v Speaker 2>that's right?

523
00:29:39.400 --> 00:29:43.200
<v Speaker 1>Yeah, al virus on the weekends, Paris mont Road during

524
00:29:43.240 --> 00:29:43.519
<v Speaker 1>the week.

525
00:29:43.680 --> 00:29:45.720
<v Speaker 2>The next ten things I think you'll be very good

526
00:29:45.720 --> 00:29:49.759
<v Speaker 2>at so you'll do fvariously wrong. I want ten things

527
00:29:49.799 --> 00:29:53.079
<v Speaker 2>that you can say at the gym and in the bedroom.

528
00:29:53.440 --> 00:30:04.720
<v Speaker 1>Oh that's huge, Yeah, spot me, spot me. I don't know.

529
00:30:06.319 --> 00:30:11.319
<v Speaker 1>That's too much, that's too big. Help me, Oh my god,

530
00:30:12.039 --> 00:30:18.519
<v Speaker 1>come here, give me that. I want that one. What

531
00:30:18.599 --> 00:30:20.799
<v Speaker 1>else do you say in the gym? And if you want,

532
00:30:20.880 --> 00:30:22.079
<v Speaker 1>what do you say in the gym?

533
00:30:22.720 --> 00:30:23.440
<v Speaker 2>I wouldn't know.

534
00:30:23.720 --> 00:30:25.559
<v Speaker 1>I don't go to the gym, mate.

535
00:30:28.480 --> 00:30:33.440
<v Speaker 2>I'm in the wrong places. I can say that I

536
00:30:33.480 --> 00:30:36.599
<v Speaker 2>wasn't expecting that to be there exactly.

537
00:30:37.799 --> 00:30:38.839
<v Speaker 1>Okay, So I got ten.

538
00:30:39.880 --> 00:30:43.920
<v Speaker 2>So you're getting into it now, I am, yes, well

539
00:30:44.000 --> 00:30:48.160
<v Speaker 2>done you Okay, So now I want ten ways okay

540
00:30:48.440 --> 00:30:50.359
<v Speaker 2>of spotting a bottom from across the.

541
00:30:50.359 --> 00:31:01.880
<v Speaker 1>Room, Mike, how do you spot a bottom? Crotchless underway?

542
00:31:04.119 --> 00:31:09.680
<v Speaker 1>They love Britney Spears, Madonna and Christine Era. They really

543
00:31:09.720 --> 00:31:21.160
<v Speaker 1>love the musical Wicked. They do this tongue pop into

544
00:31:21.200 --> 00:31:24.680
<v Speaker 1>drag race. But then I might be so wrong.

545
00:31:26.640 --> 00:31:30.799
<v Speaker 2>Of course, Kenworthy, as we've discovered, as a bottom.

546
00:31:30.240 --> 00:31:37.200
<v Speaker 1>Yes, loves the pem has a peachy butt. Some some

547
00:31:37.319 --> 00:31:40.920
<v Speaker 1>have really not all of them though some some a

548
00:31:40.960 --> 00:31:42.559
<v Speaker 1>bit more pancakes.

549
00:31:43.640 --> 00:31:44.920
<v Speaker 2>Name of trousers these days?

550
00:31:46.079 --> 00:31:51.640
<v Speaker 1>Well what else? Two more lost?

551
00:31:51.720 --> 00:31:51.880
<v Speaker 2>Right?

552
00:31:51.960 --> 00:31:54.200
<v Speaker 1>So okay, so the person at the bottom of the pile,

553
00:31:56.759 --> 00:31:59.640
<v Speaker 1>of course. But for those watching their allies like how

554
00:31:59.680 --> 00:32:03.640
<v Speaker 1>do you spot a bottom? So the way I always

555
00:32:03.680 --> 00:32:04.640
<v Speaker 1>have bent over the.

556
00:32:04.720 --> 00:32:06.799
<v Speaker 2>Realize the way I find out someone's a bottom is tent.

557
00:32:06.880 --> 00:32:08.720
<v Speaker 2>I find them really attractive and start flirting with them,

558
00:32:08.720 --> 00:32:12.720
<v Speaker 2>and they got the bottom. Two. No, people like you

559
00:32:12.720 --> 00:32:13.880
<v Speaker 2>should wear a sign.

560
00:32:14.440 --> 00:32:18.680
<v Speaker 1>Yes, please get a tattoo on your forehead, so you know, yeah,

561
00:32:18.720 --> 00:32:20.920
<v Speaker 1>that sucks. Is that a deal breaker for some?

562
00:32:21.720 --> 00:32:22.599
<v Speaker 2>For some people it is.

563
00:32:22.680 --> 00:32:26.799
<v Speaker 1>Yeah, if it's a verse even better because I'm making.

564
00:32:27.279 --> 00:32:30.039
<v Speaker 2>Switch on wrong. Well that's enough for now. Coming up

565
00:32:30.079 --> 00:32:32.039
<v Speaker 2>after this short break, we get all up close and

566
00:32:32.079 --> 00:32:34.720
<v Speaker 2>personal without even buying them a drake. It's Paris and

567
00:32:34.759 --> 00:32:47.400
<v Speaker 2>Spotlight welcome back, and you're still watching my comparison chuing

568
00:32:47.440 --> 00:32:49.839
<v Speaker 2>they could. Now we catch up with what they've been

569
00:32:49.920 --> 00:32:59.559
<v Speaker 2>up to with Paris in Spotlight. So it's been all

570
00:32:59.480 --> 00:33:01.799
<v Speaker 2>a little while since you've been on with us, and

571
00:33:01.839 --> 00:33:04.160
<v Speaker 2>you've been up to things. So tells Paris, what have

572
00:33:04.240 --> 00:33:04.680
<v Speaker 2>you been up to?

573
00:33:04.960 --> 00:33:07.640
<v Speaker 1>Oh? Like you've asked me right, so you know what.

574
00:33:08.000 --> 00:33:11.920
<v Speaker 1>I've been making some music and I've created a track

575
00:33:12.000 --> 00:33:16.559
<v Speaker 1>called Just Wanted to Dance, which is basically where you

576
00:33:16.680 --> 00:33:24.400
<v Speaker 1>have all these life obstacles thrown at you, like breakups, depression, work, stress, financial,

577
00:33:24.519 --> 00:33:28.200
<v Speaker 1>whatever it is, your friends done whatever to you, or

578
00:33:28.440 --> 00:33:32.240
<v Speaker 1>you feel betrayed and you're in that sad dark space,

579
00:33:32.839 --> 00:33:36.039
<v Speaker 1>but you need to let loose and you just want

580
00:33:36.079 --> 00:33:40.519
<v Speaker 1>to dance your your fears, your anxiety, your stress away.

581
00:33:41.200 --> 00:33:44.079
<v Speaker 1>So that's why I named it just wanted to dance.

582
00:33:45.839 --> 00:33:50.400
<v Speaker 1>And I was actually writing this during a breakup. Okay,

583
00:33:50.960 --> 00:33:57.359
<v Speaker 1>so this was last year in November and I was

584
00:33:57.400 --> 00:34:00.279
<v Speaker 1>in a really dark place and I, I don't know

585
00:34:00.279 --> 00:34:01.960
<v Speaker 1>about you, but I use music as like a form

586
00:34:01.960 --> 00:34:04.599
<v Speaker 1>of therapy. So whether it's like Britney Spears or whatever,

587
00:34:04.720 --> 00:34:06.680
<v Speaker 1>to just make you feel good if you're walking to

588
00:34:06.759 --> 00:34:10.559
<v Speaker 1>work or whatever, just like hearing those like you better work, bitch,

589
00:34:10.599 --> 00:34:11.760
<v Speaker 1>do you know what I mean? Like, just give you

590
00:34:11.800 --> 00:34:16.199
<v Speaker 1>that that's springing your step. And this song, the music

591
00:34:16.239 --> 00:34:19.239
<v Speaker 1>for me, gave me a bit of that light at

592
00:34:19.239 --> 00:34:22.639
<v Speaker 1>the end of the tunnel moment. So I wanted to

593
00:34:22.679 --> 00:34:25.920
<v Speaker 1>give that euphoric feeling to people who are going through

594
00:34:25.960 --> 00:34:29.519
<v Speaker 1>whatever in life and give them that spark back, do

595
00:34:29.559 --> 00:34:31.760
<v Speaker 1>you know what I mean? That's that's kind of like

596
00:34:32.079 --> 00:34:33.159
<v Speaker 1>the whole thing behind it.

597
00:34:33.639 --> 00:34:36.159
<v Speaker 2>Okay, cool, So you've referenced here you were in this

598
00:34:36.239 --> 00:34:39.000
<v Speaker 2>really bad place. Does that come into the music and

599
00:34:39.039 --> 00:34:40.000
<v Speaker 2>then the lyrics or is.

600
00:34:40.000 --> 00:34:42.480
<v Speaker 1>That just a that's how I was feeling a bit

601
00:34:42.480 --> 00:34:46.800
<v Speaker 1>of both actually, so with the vocals in it, the

602
00:34:47.119 --> 00:34:50.800
<v Speaker 1>spoken word. So I do what some people do when

603
00:34:50.840 --> 00:34:57.159
<v Speaker 1>they get little samples royalty free samples actually of people

604
00:34:57.320 --> 00:35:01.159
<v Speaker 1>doing like vocals or spoken world and the spoken word

605
00:35:02.079 --> 00:35:06.599
<v Speaker 1>the poetry, and it really spoke to me like one

606
00:35:06.639 --> 00:35:10.719
<v Speaker 1>part is you better get off your knees and stand

607
00:35:10.800 --> 00:35:12.800
<v Speaker 1>on your feet, you know kind of thing, you know,

608
00:35:13.000 --> 00:35:16.280
<v Speaker 1>take over it what you will. It's quite funny. I

609
00:35:16.280 --> 00:35:19.920
<v Speaker 1>heard that one LA was like oh okay, but yeah,

610
00:35:20.039 --> 00:35:26.239
<v Speaker 1>like just like triumphant, inspirational, motivational, pulling you out of

611
00:35:26.280 --> 00:35:30.559
<v Speaker 1>that awful void. And I just thought, this is this

612
00:35:30.639 --> 00:35:32.360
<v Speaker 1>is what I need right now. Soys that as a

613
00:35:32.400 --> 00:35:34.519
<v Speaker 1>form of therapy. And I was just listening to it,

614
00:35:34.559 --> 00:35:39.159
<v Speaker 1>and then I asked the Boys that Beyond Chicago to

615
00:35:40.360 --> 00:35:43.679
<v Speaker 1>remix it, and they jumped on board and they absolutely

616
00:35:44.400 --> 00:35:47.880
<v Speaker 1>smashed it. They have They've created an amazing remix so

617
00:35:47.920 --> 00:35:51.840
<v Speaker 1>that the actual original is very much like slow chilled

618
00:35:51.880 --> 00:35:55.320
<v Speaker 1>Fred again blessed Madonna vibe, and then the remix is

619
00:35:55.360 --> 00:35:59.760
<v Speaker 1>like a Donkey House beat with with the spoken word.

620
00:35:59.559 --> 00:36:03.519
<v Speaker 2>Which is that's cool. So you've got this this very

621
00:36:03.559 --> 00:36:06.400
<v Speaker 2>euphoric it's like this tracking. And when I listened to it,

622
00:36:06.599 --> 00:36:08.239
<v Speaker 2>I said to you, I get this image of like

623
00:36:08.320 --> 00:36:11.480
<v Speaker 2>driving down the coast in like the summer wind in.

624
00:36:11.360 --> 00:36:17.320
<v Speaker 1>My hair, in your stash, in your flowing in the breeze.

625
00:36:17.960 --> 00:36:21.320
<v Speaker 2>Yeah, but it's that kind of summer chill out vibe

626
00:36:21.400 --> 00:36:23.599
<v Speaker 2>kind of thing. And then this this remix is very

627
00:36:23.639 --> 00:36:27.119
<v Speaker 2>much get up on dance to It, which absolutely a

628
00:36:27.159 --> 00:36:30.760
<v Speaker 2>dull What what made you go with that collaboration for

629
00:36:30.800 --> 00:36:31.320
<v Speaker 2>your remix?

630
00:36:31.559 --> 00:36:34.800
<v Speaker 1>The boys have been smashing it. They're really talented. I

631
00:36:34.960 --> 00:36:37.400
<v Speaker 1>like they're creating flare. They bring a little bit of

632
00:36:37.440 --> 00:36:40.800
<v Speaker 1>something different and not just you know, oh just to

633
00:36:40.920 --> 00:36:44.280
<v Speaker 1>be you know, just a synth they bring. They add

634
00:36:44.280 --> 00:36:50.639
<v Speaker 1>a little bit of sparsh like yeah, a little bit

635
00:36:50.639 --> 00:36:52.239
<v Speaker 1>of spice, a little bit of salt Bay, just a

636
00:36:52.239 --> 00:36:54.960
<v Speaker 1>little bit of something different in there with like some

637
00:36:55.079 --> 00:37:00.360
<v Speaker 1>experimental you know, like Rent is it Rent the Musical

638
00:37:00.400 --> 00:37:03.320
<v Speaker 1>where they use like pans and pots and things like that,

639
00:37:03.559 --> 00:37:06.119
<v Speaker 1>just like bring in a bit more industrial, just slightly

640
00:37:06.679 --> 00:37:09.880
<v Speaker 1>different things to the table, you know what I mean, sonically,

641
00:37:10.039 --> 00:37:13.440
<v Speaker 1>which I like, and it's just a bit of funky.

642
00:37:13.880 --> 00:37:17.960
<v Speaker 1>They bring the funk. Yeah, I can't help it, but yeah,

643
00:37:18.000 --> 00:37:21.000
<v Speaker 1>that's like that's why I love them as well. And yeah,

644
00:37:21.199 --> 00:37:23.119
<v Speaker 1>they I'm just so happy that they said yes to

645
00:37:23.159 --> 00:37:25.840
<v Speaker 1>it because I thought, oh, you don't ask, you don't

646
00:37:25.840 --> 00:37:28.039
<v Speaker 1>get so I thought I'd just throw it out there

647
00:37:28.079 --> 00:37:29.920
<v Speaker 1>and they were like, yeah, sure, less do it. It's

648
00:37:29.960 --> 00:37:33.159
<v Speaker 1>just like my god, I won the lottery, brilliant.

649
00:37:33.719 --> 00:37:37.679
<v Speaker 2>So you've gone this track, it's out there. I'm assuming

650
00:37:37.719 --> 00:37:38.280
<v Speaker 2>it's out there.

651
00:37:39.079 --> 00:37:41.599
<v Speaker 1>It is in the world Wide Web, the world Wide

652
00:37:41.599 --> 00:37:47.119
<v Speaker 1>Web in the Waves, which comes out on Friday the twenty.

653
00:37:46.760 --> 00:37:51.719
<v Speaker 2>First, so next Friday, next Friday, imminently. It's exciting. Yes,

654
00:37:52.199 --> 00:37:54.239
<v Speaker 2>And is this the start of an album or is

655
00:37:54.239 --> 00:37:55.119
<v Speaker 2>it just a starter?

656
00:37:55.800 --> 00:37:58.400
<v Speaker 1>This is a this is this is the starter so

657
00:37:59.079 --> 00:38:03.159
<v Speaker 1>pre transit I released music under a different artist named Monroe,

658
00:38:03.199 --> 00:38:07.119
<v Speaker 1>which is m N basically my surname without a couple

659
00:38:07.159 --> 00:38:10.840
<v Speaker 1>of letters. I thought, it's been dead creative that Harvey

660
00:38:10.880 --> 00:38:16.280
<v Speaker 1>person did, just like now we don't want them. Carol

661
00:38:16.360 --> 00:38:18.239
<v Speaker 1>Vorderman not a fan of that.

662
00:38:21.239 --> 00:38:22.000
<v Speaker 2>You don't count up.

663
00:38:21.960 --> 00:38:27.360
<v Speaker 1>For years, blessed her. But I decided to go with

664
00:38:27.400 --> 00:38:32.400
<v Speaker 1>my actual name this time, and I thought, comes across

665
00:38:32.400 --> 00:38:36.880
<v Speaker 1>this maybe a little bit more mature rather than like

666
00:38:37.559 --> 00:38:41.119
<v Speaker 1>little Monroe or whatever. I wouldn't be called that, you know,

667
00:38:41.199 --> 00:38:44.599
<v Speaker 1>I'm not. I'm not going to call myself models. I mean,

668
00:38:44.639 --> 00:38:49.000
<v Speaker 1>I am a short king, but I'm not short king

669
00:38:49.039 --> 00:38:49.719
<v Speaker 1>Paris Monroe.

670
00:38:50.639 --> 00:38:52.800
<v Speaker 2>No, that would be a lot to film that is

671
00:38:52.840 --> 00:38:53.239
<v Speaker 2>just like an.

672
00:38:53.199 --> 00:38:55.920
<v Speaker 1>Email address that used to create a school by a

673
00:38:55.960 --> 00:39:00.840
<v Speaker 1>little Pony and then oh wait, no, that wasn't mine

674
00:39:00.840 --> 00:39:03.199
<v Speaker 1>at all. But you know what I mean, like there's

675
00:39:03.199 --> 00:39:09.840
<v Speaker 1>an artist name like that. No it wasn't. Now it's

676
00:39:09.840 --> 00:39:16.719
<v Speaker 1>not my little Pony. It's Paris Monroe loves my Little Pony.

677
00:39:19.000 --> 00:39:21.480
<v Speaker 1>But yeah, no, I thought, right, let's let's create something

678
00:39:21.920 --> 00:39:26.199
<v Speaker 1>and bring me to the table, which is also a

679
00:39:26.239 --> 00:39:29.800
<v Speaker 1>bit vulnerable and scary because you're put yourself out there

680
00:39:29.840 --> 00:39:32.679
<v Speaker 1>for people to judge essentially, So.

681
00:39:33.760 --> 00:39:35.960
<v Speaker 2>I don't know, you put yourself out there with your

682
00:39:36.039 --> 00:39:37.760
<v Speaker 2>name attached to it. You can't hide from that ever.

683
00:39:38.000 --> 00:39:41.760
<v Speaker 1>No, And because like my blood, sweat, tears and emotions

684
00:39:41.760 --> 00:39:45.639
<v Speaker 1>and depressions in there, it makes it even more vulnerable

685
00:39:45.679 --> 00:39:50.079
<v Speaker 1>because like that's like my heart's on the table. So

686
00:39:50.199 --> 00:39:53.199
<v Speaker 1>if people go, oh, it's not for me, it will

687
00:39:53.239 --> 00:39:53.639
<v Speaker 1>be a bit.

688
00:39:53.599 --> 00:39:59.559
<v Speaker 2>Like Yeah, we've had other people who release music on

689
00:39:59.639 --> 00:40:01.599
<v Speaker 2>and they say it's a lot like dating. You know

690
00:40:01.639 --> 00:40:02.880
<v Speaker 2>that you're not everyone's cup of tea.

691
00:40:02.960 --> 00:40:03.440
<v Speaker 1>I like that.

692
00:40:04.000 --> 00:40:06.599
<v Speaker 2>Yeah, okay, so it's like dating. You're going on a date.

693
00:40:06.639 --> 00:40:08.079
<v Speaker 2>You're not going to meet every everybody you meet's not

694
00:40:08.119 --> 00:40:09.559
<v Speaker 2>going to fall head over and heals with love with you.

695
00:40:09.559 --> 00:40:10.760
<v Speaker 2>You just need that one person too.

696
00:40:11.719 --> 00:40:16.199
<v Speaker 1>I love this. Yeah, I don't know what. Don't be upset.

697
00:40:16.920 --> 00:40:20.320
<v Speaker 1>There's one person for you. You know you have to

698
00:40:20.360 --> 00:40:23.719
<v Speaker 1>kiss many frogs, don't you. I guess. Yeah.

699
00:40:23.800 --> 00:40:32.639
<v Speaker 2>Unfortunately it turned out that mine died. So so when

700
00:40:32.679 --> 00:40:34.880
<v Speaker 2>you put yourself out there and you're doing that vulnerable thing,

701
00:40:35.239 --> 00:40:36.960
<v Speaker 2>I mean, is that going to inspire the next lot

702
00:40:36.960 --> 00:40:40.119
<v Speaker 2>of music or are you going more into life stuff?

703
00:40:40.360 --> 00:40:43.639
<v Speaker 1>I think I think so I'm going to be saying

704
00:40:43.719 --> 00:40:47.239
<v Speaker 1>yes to a lot of things, which is quite It's

705
00:40:47.239 --> 00:40:49.760
<v Speaker 1>a good thing because then you can experience new state

706
00:40:49.920 --> 00:40:53.039
<v Speaker 1>like new things. But that's also quite a scary thing.

707
00:40:53.039 --> 00:40:55.679
<v Speaker 1>But people say just do it if you're scared anyway,

708
00:40:57.159 --> 00:41:00.559
<v Speaker 1>depending on what it is. But like, you know, like

709
00:41:00.760 --> 00:41:05.400
<v Speaker 1>facing your fears. I have a fear of heights, for example,

710
00:41:05.639 --> 00:41:08.760
<v Speaker 1>you know. But yeah, just like I want to put

711
00:41:08.800 --> 00:41:11.519
<v Speaker 1>myself out there more, and I think I need to

712
00:41:11.800 --> 00:41:13.920
<v Speaker 1>do an adele and go through a lot of pain

713
00:41:14.639 --> 00:41:18.440
<v Speaker 1>to then adults. Never had a happy album, No, exactly.

714
00:41:20.800 --> 00:41:22.480
<v Speaker 2>High even when she was in a relationship and she

715
00:41:22.559 --> 00:41:25.320
<v Speaker 2>was happy, She's going someone stole the last part. I

716
00:41:25.320 --> 00:41:25.920
<v Speaker 2>am upset.

717
00:41:26.000 --> 00:41:26.519
<v Speaker 1>Yeah, exactly.

718
00:41:26.519 --> 00:41:28.199
<v Speaker 2>It was any bit of trauma.

719
00:41:28.280 --> 00:41:31.440
<v Speaker 1>Everybody loves trauma. We trauma bond, and I think that's

720
00:41:31.480 --> 00:41:33.840
<v Speaker 1>what that's probably what it is. Everybody loves a bit

721
00:41:33.880 --> 00:41:35.920
<v Speaker 1>of that exactly. Maybe I just need to put all

722
00:41:35.960 --> 00:41:37.840
<v Speaker 1>my trauma in all my music.

723
00:41:38.360 --> 00:41:38.920
<v Speaker 2>Oh god.

724
00:41:39.639 --> 00:41:41.960
<v Speaker 1>Yeah, a couple of albums, a couple of albums. I'm

725
00:41:42.199 --> 00:41:45.480
<v Speaker 1>I'm looking to do potentially an EP, maybe an album

726
00:41:45.679 --> 00:41:47.960
<v Speaker 1>within the next twelve months. Okay, I think, but this

727
00:41:48.079 --> 00:41:50.280
<v Speaker 1>is just putting the feelers out there.

728
00:41:50.599 --> 00:41:51.840
<v Speaker 2>This is just you saying this is me.

729
00:41:52.079 --> 00:41:53.760
<v Speaker 1>Yeah, exactly, this is.

730
00:41:53.719 --> 00:42:01.920
<v Speaker 2>Met I was waiting for the reference. Great show. That's brilliant.

731
00:42:01.920 --> 00:42:05.119
<v Speaker 2>So this song's out there or it'll be out there

732
00:42:05.159 --> 00:42:11.440
<v Speaker 2>soon Friday, very excited. Where can people hear it?

733
00:42:12.760 --> 00:42:20.119
<v Speaker 1>Anywhere and everywhere? Okay, Spotify, Apple Music, SoundCloud and on

734
00:42:20.280 --> 00:42:23.159
<v Speaker 1>my socials probably as well. I'm just going to badger

735
00:42:23.199 --> 00:42:24.679
<v Speaker 1>everyone and say this is my chain.

736
00:42:26.360 --> 00:42:29.639
<v Speaker 2>Do that? Yeah, and what are your socials? At?

737
00:42:29.800 --> 00:42:34.719
<v Speaker 1>Its Paris memory. So my name with its at the start.

738
00:42:39.400 --> 00:42:41.519
<v Speaker 2>Is the TV. You know, it's not Sturday. It doesn't

739
00:42:41.559 --> 00:42:45.440
<v Speaker 2>have to be difficult, okay, perfect, So it'll be out everywhere.

740
00:42:45.480 --> 00:42:47.360
<v Speaker 2>You'll be plastering it all over and we can have

741
00:42:47.400 --> 00:42:47.960
<v Speaker 2>a listen to it.

742
00:42:48.320 --> 00:42:50.960
<v Speaker 1>Yes, download, yes, download it, stream it.

743
00:42:51.039 --> 00:42:52.719
<v Speaker 2>Click like a subscribe all of that.

744
00:42:52.800 --> 00:42:54.960
<v Speaker 1>Yeah, I don't forget to hit the bell. You can

745
00:42:55.039 --> 00:42:55.679
<v Speaker 1>ring my bell.

746
00:42:56.320 --> 00:42:57.199
<v Speaker 2>That's a different song.

747
00:42:57.440 --> 00:43:00.719
<v Speaker 1>That's right. Yeah, maybe I should work on that song next,

748
00:43:01.400 --> 00:43:01.719
<v Speaker 1>do it.

749
00:43:01.960 --> 00:43:04.480
<v Speaker 2>Jody Harsh has done a very good bit of career

750
00:43:04.760 --> 00:43:05.800
<v Speaker 2>remixing old songs.

751
00:43:06.000 --> 00:43:08.079
<v Speaker 1>There you go, so why not learn from the best?

752
00:43:08.159 --> 00:43:11.400
<v Speaker 2>Yeah, exactly perfect. Well, thank you very much for that, Paris.

753
00:43:11.440 --> 00:43:13.519
<v Speaker 2>That's almost the end of the show. But on screen

754
00:43:13.559 --> 00:43:15.480
<v Speaker 2>now you can see how contact details. It's at the

755
00:43:15.480 --> 00:43:17.400
<v Speaker 2>cud TV on social media, and if you want to

756
00:43:17.400 --> 00:43:19.440
<v Speaker 2>catch up with previous episodes, you can always bringe us

757
00:43:19.440 --> 00:43:20.960
<v Speaker 2>on YouTube look for Chewing the Cud.

758
00:43:21.079 --> 00:43:23.599
<v Speaker 1>Thank you for watching, and we'll see you next week.

759
00:43:23.760 --> 00:43:25.920
<v Speaker 2>And to players out, we have got that track from

760
00:43:25.960 --> 00:43:27.360
<v Speaker 2>Paris Monroe playing us out.

761
00:43:29.199 --> 00:43:41.679
<v Speaker 1>Bye bye,
