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<v Speaker 1>Willing wave.

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<v Speaker 2>Why from the Lord.

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<v Speaker 3>It's Sunday Night, NBC's Saturday Night.

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<v Speaker 2>Starring George Carlin.

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<v Speaker 1>With Genesee and that Billy Kriston.

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<v Speaker 2>Who I found my Albert Brooks, Jim Henson's Puppets good

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<v Speaker 2>not already Prime Prime Player. I'm comedian Ballery Bronfield and Moldy.

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<v Speaker 4>Ladies and gen.

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<v Speaker 5>Colen.

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<v Speaker 4>Wow, it's great to be hosting midnight Viewing here in

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<v Speaker 4>New York City. I'm father alone. Oh, I guess we're

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<v Speaker 4>gonna take some questions from the audience. Yes, so you sir,

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<v Speaker 4>Good evening. That's right, Welcome to Midnight Viewing. Special crossover

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<v Speaker 4>episode with the Culture Cast The Evening. Oh yeah, Christatio

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<v Speaker 4>is the host of that show, and he's here to

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<v Speaker 4>talk Saturday Night Live with us here. How are you doing, Chris?

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<v Speaker 1>You could just refer to me as Satan if you'd.

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<v Speaker 4>Like Satan in the Dana Carvey sense, or in the

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<v Speaker 4>John Loves.

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<v Speaker 1>In the Michael O'donniere's.

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<v Speaker 4>The true devil, the best, the true.

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<v Speaker 1>Devil, the best kind of devil, the true, the truest

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<v Speaker 1>of true devils. I believe, at least in this movie

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<v Speaker 1>is approximation.

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<v Speaker 4>That's right tonight, we're talking about Saturday Night. It's the

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<v Speaker 4>new feature film. Hey, by the way, today is October

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<v Speaker 4>the eleventh. This is the forty ninth anniversary of the

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<v Speaker 4>premiere of Saturday Night Alive. That we're talking about Saturday Night,

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<v Speaker 4>and we're talking about the film Saturday Night, directed by

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<v Speaker 4>Jason Rightman, written by Jason Rightman and Gil Keenan, starring

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<v Speaker 4>a whole bunch of actors.

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<v Speaker 1>Statements have been made. It's an ensemble cast, folks, Jesus.

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<v Speaker 4>Ain't it a rather huge ensemble cast headed by young

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<v Speaker 4>Steven Spielberg as Lauren Michaels. This is a chronicle of

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<v Speaker 4>the ninety minutes leading up to the very first broadcast

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<v Speaker 4>of Saturday Night Live on October the eleventh, nineteen seventy five. Okay,

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<v Speaker 4>let's see.

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<v Speaker 1>If we get through one of these sketches.

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<v Speaker 5>Sketches, let me come right. Okay, we go again.

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<v Speaker 1>At My name is Lord Michaels. I'm the producer and

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<v Speaker 1>creator of Saturday Night. We're excited because there's never been

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<v Speaker 1>a television show like this.

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<v Speaker 5>Okay, but what kind of show is it?

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<v Speaker 1>Warren?

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<v Speaker 4>Do you even know what the show is?

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<v Speaker 1>Did anyone ask Edison what a light bulb was before

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<v Speaker 1>you harness electricity?

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<v Speaker 2>Who are you in the metaphor? Yubby Chase killed the

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<v Speaker 2>redner Dad?

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<v Speaker 4>I how the fuck do you pronounce this?

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<v Speaker 6>Really?

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<v Speaker 4>These can't be the right size.

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<v Speaker 1>Yeah, you're right, they should be a little bit smaller.

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<v Speaker 2>Taxn rehearsal and no weekend up days.

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<v Speaker 1>Good telem me. How long have you been standing there?

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<v Speaker 1>Long enough?

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<v Speaker 4>And I want you to fail? They're betting on it.

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<v Speaker 2>That's logical, Vic, That's why the pang is all to

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<v Speaker 2>be here. NBC makes more money playing ruins of the

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<v Speaker 2>Tonight Show. I mean, we're ninety minutes of live television.

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<v Speaker 2>I grow was twenty year olds who've never made anything.

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<v Speaker 4>Okay, so this is this is this is a bit.

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<v Speaker 1>I don't get half the ship that they do.

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<v Speaker 4>You haven't locked the script.

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<v Speaker 1>Your actors I'm missing.

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<v Speaker 3>Have you seen John Belushi?

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<v Speaker 1>Your crew is an open rebellion? Is christ your kids

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<v Speaker 1>signed for ready for prime Time? Never went down to

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<v Speaker 1>the eight floor? Now what is this?

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<v Speaker 5>I'm pretty exciting.

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<v Speaker 1>We need to let the audience say, oh, you don't.

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<v Speaker 2>Opening.

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<v Speaker 1>I'm not gonna be able to protect you. You just

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<v Speaker 1>have to make it. Dair, Why.

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<v Speaker 2>The writers tied a belt around Big Bird's neck and

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<v Speaker 2>hung him from my dressing room door.

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<v Speaker 4>Hey you heard about it, big bird, So sorry, not

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<v Speaker 4>erotic asphyxiation.

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<v Speaker 5>Who knew?

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<v Speaker 4>Now? That is the conceit of the movie. It is.

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<v Speaker 4>It is shot in real time. It is starts from

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<v Speaker 4>ten PM and ends at eleven thirty with the first

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<v Speaker 4>sketch of center and live going live. Okay, So that

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<v Speaker 4>is the structure for their film. The conceit. The idea

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<v Speaker 4>here is that we are going to get how frenetic

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<v Speaker 4>and how frenzied and how crazy it is putting together

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<v Speaker 4>a live broadcast on network Televisionright, We're suppose we're meant

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<v Speaker 4>to feel what it's like from these characters' point of view.

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<v Speaker 4>So what he's done is going to take the ninety

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<v Speaker 4>minutes and use this as a historical framing device. This

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<v Speaker 4>is what it was like beforehand. But it's a movie.

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<v Speaker 4>So we're going to take facts and events and characters

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<v Speaker 4>are going to combine. Then we're going to bring them

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<v Speaker 4>in from earlier than they actually occurred, or we're going

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<v Speaker 4>to pull them in from previous weeks and compacted into

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<v Speaker 4>this one sort of bonkers evening. I full disclosure. Am

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<v Speaker 4>a Saturday Night fucking fanatic, have been. I've seen every

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<v Speaker 4>episode of Saturday Night Live. I've read everything about Sunday

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<v Speaker 4>Night Live. I've seen episodes multiple times, seasons multiple times.

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<v Speaker 4>I have my favorite cast, but I have multiple favorite casts,

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<v Speaker 4>and this particular period of Saturday Live is the one

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<v Speaker 4>that I was most fascinated with my entire life. So

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<v Speaker 4>I'm coming at it from an expert point of view.

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<v Speaker 4>So I knew the movie was never going to satisfy

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<v Speaker 4>me just in its conception, but I am correct. But

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<v Speaker 4>there was plenty two that I did enjoy about the movie.

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<v Speaker 4>But I'm curious to someone who is a lot younger

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<v Speaker 4>than me, who is not as obsessive with me as me,

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<v Speaker 4>who's probably you've watched plenty of Sunday Night Live. I'm

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<v Speaker 4>assuming Chris.

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<v Speaker 1>Hold on a second, Hold on a second, I am

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<v Speaker 1>as obsessive as you are.

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<v Speaker 5>Is not.

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<v Speaker 1>I'm not obsessive about Saturday Night Live. I point my

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<v Speaker 1>in other directions. As it were, It's funny. I actually

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<v Speaker 1>had to think about it, and I didn't have to

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<v Speaker 1>think too hard because as someone who likes SNL a

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<v Speaker 1>fair amount and who grew up with the DVDs and vhs.

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<v Speaker 1>Is of the best of Dana Carvey, best of Adam Sandler,

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<v Speaker 1>best of best of Christopher Walking, Jesus Christ that he

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<v Speaker 1>was not a star of SNL, he was a guest

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<v Speaker 1>host and he got his own best of DVD. That's again,

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<v Speaker 1>these are the things I grew up with, and I again,

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<v Speaker 1>we're part of the things that were formative for me.

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<v Speaker 1>So I like SNL a fair amount. I've never gone

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<v Speaker 1>and read the Oral History books or either of the books,

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<v Speaker 1>and I don't know why, because I have Live from

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<v Speaker 1>New York on my bookshelf and I've had it for

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<v Speaker 1>a while, at least two or three years, and I

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<v Speaker 1>went through a spate of time where I literally read

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<v Speaker 1>two hundred books in the span of two years. And

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<v Speaker 1>I don't know why I didn't read that one, because

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<v Speaker 1>I read play of other things, including the Oral History

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<v Speaker 1>of Star Trek, the Oral History of the Sopranos, the

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<v Speaker 1>Oral History of Star Trek's two fucking books on top

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<v Speaker 1>of everything else, Like I could have spared one.

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<v Speaker 4>Even more given the number of Star Treks that there are. Well, yeah,

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<v Speaker 4>original series.

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<v Speaker 1>I I the first book is TOS and the second

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<v Speaker 1>book is TNG.

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<v Speaker 4>Okay, then they can.

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<v Speaker 1>Yeah, and it's written by the guys who did the

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<v Speaker 1>oral history of the Sopranos as well, Sepinwall and I

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<v Speaker 1>forget the other guy's name, but our dear friend Mike

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<v Speaker 1>White has had Alan Seppenwall, I believe on his show

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<v Speaker 1>a couple of times, or at least the maybe if

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<v Speaker 1>it's not him, it's the other guys. Anyways, I digress.

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<v Speaker 1>I know enough about SNL. I wouldn't say, you know,

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<v Speaker 1>I'm a neophyte like you, but I'm definitely someone who

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<v Speaker 1>appreciates the history behind it. This time and a Place

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<v Speaker 1>obviously has a very special place in my heart as

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<v Speaker 1>someone who if you've never listened to a thing I've

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<v Speaker 1>done before, let me clue you in. Fletch is probably

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<v Speaker 1>one of my favorite movies, and most things Chevy Chase

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<v Speaker 1>has done are things that I can at least tolerate

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<v Speaker 1>because of his involvement.

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<v Speaker 4>You do itally this podcast.

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<v Speaker 1>I would say, I literally co host a goddamn Chevy

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<v Speaker 1>Chase podcast. And that's not for any particular reason other

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<v Speaker 1>than the fact that again you could. It's not you

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<v Speaker 1>have to really hold my feet to the fire to

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<v Speaker 1>watch a Chevy Chase movie. He's a specific kind of

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<v Speaker 1>comedian that a specific kind of person resonates with, and

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<v Speaker 1>that's not a small group of people. This movie cuts

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<v Speaker 1>to the core of that a little bit. But I

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<v Speaker 1>also think this movie misses the fucking point in a

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<v Speaker 1>lot of ways. And it's fine, we'll get to what

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<v Speaker 1>we get to it. I again, I'm not I'm I

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<v Speaker 1>think I'm not the audience for this movie anymore than

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<v Speaker 1>you are. I know more about this than the movie

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<v Speaker 1>thinks I know about this, if that makes sense. Like

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<v Speaker 1>you said, it's recontextualizing things, doing things that aren't happening

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<v Speaker 1>in that order, and other things. And also I don't know,

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<v Speaker 1>they're just there's a lot of stuff going on in

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<v Speaker 1>this movie. That's It's a Jason Rightman movie at the

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<v Speaker 1>end of the day, and that's that's a big thing

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<v Speaker 1>about this movie in particular. So I'm curious, as someone

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<v Speaker 1>who is not the die hard, hardcore fan, what did

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<v Speaker 1>you think of this movie to now turn that turn

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<v Speaker 1>that oil? What is it? I forget what she says

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<v Speaker 1>to him and Hannah in the fucking Silence of Lambs,

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<v Speaker 1>but turn it on yourself. Now, tell me about Saturday

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<v Speaker 1>Night twenty twenty four of the film.

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<v Speaker 4>It should be called Friday Night because the majority of

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<v Speaker 4>the events chronicled in the film. Okay, I should just

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<v Speaker 4>say that I'm now attacking the movie specifically on facts

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<v Speaker 4>as they occur, right objectively.

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<v Speaker 1>Okay, yeah, I get it.

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<v Speaker 4>Okay, Friday Night there was a big dress rehearsal. It

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<v Speaker 4>was a complete and utter disaster. Like the show ran

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<v Speaker 4>three hours. They did a long breakdown afterwards. Lauren Michaels

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<v Speaker 4>gave notes to everybody, which they immediately abolished afterwards because

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<v Speaker 4>it was like such a punishing ordeal to sit there

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<v Speaker 4>and listen to him for an hour talk specifically to

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<v Speaker 4>everyone what they did wrong. It was by then they

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<v Speaker 4>had already put in the new soundboard because they knew

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<v Speaker 4>full they were having rock acts on and that one

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<v Speaker 4>mic wasn't going to suffice. Milton Berle did not show

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<v Speaker 4>up anywhere near the studio eight h He would eventually

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<v Speaker 4>host Saturday Night Live. A lot of the interactions with

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<v Speaker 4>Milton Burle would actually occur just months later. Okay, we'll

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<v Speaker 4>get back to milty.

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<v Speaker 1>JK. Simmons was in Thank You for Smoking? Can I

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<v Speaker 1>point that out? Yeah? The Jason rightman players are here.

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<v Speaker 4>Folks, They sure are. And I do know that by

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<v Speaker 4>six am on that Saturday that the bricks were laid.

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<v Speaker 4>I know that twelve stage hands were very fucking furious

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<v Speaker 4>because they had to cut all those bricks and lay

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<v Speaker 4>them out for the set. Obviously none of the union

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<v Speaker 4>guys were going to help them. That's true, but it's again,

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<v Speaker 4>the movie is about Friday Night, not Saturday Night. Most

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<v Speaker 4>of the problems that are being discussed on Saturday Night

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<v Speaker 4>were not problems by then. Here's what actually happened in

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<v Speaker 4>the movie. That actually happened on the day of John

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<v Speaker 4>Belushi signed his contract right before they went on there.

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<v Speaker 4>I think that's it.

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<v Speaker 1>But where was Jim Henson and all of us? Where

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<v Speaker 1>was Jim Henson and all of this? Father Malone? That's

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<v Speaker 1>the question that everyone's asking in Saturday Night twenty twenty four.

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<v Speaker 4>Did you think the.

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<v Speaker 1>Guy who plays Andy Kaufman is also Jim Henson? Yes,

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<v Speaker 1>I know, I'm not. I'm being Facetiousky itself is the

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<v Speaker 1>gang good job moving.

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<v Speaker 4>That is a good gang, and it's Nicholas Braun, and

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<v Speaker 4>I think he does a good job with both. I

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<v Speaker 4>think I think it is a pretty good Andy Kaufman,

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<v Speaker 4>except he's seven feet tall. So I kept it kept

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<v Speaker 4>I kept going, who is this giant playing Andy Kauffman?

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<v Speaker 4>Every time I saw him, every time he was close up,

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<v Speaker 4>I was fine, But standing next to anybody else, that

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<v Speaker 4>was why have him be that tall? Just have him

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<v Speaker 4>stand anyway? What did you think of their tank on

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<v Speaker 4>Jim Henson? I'm not saying the performance. The performance was fine.

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<v Speaker 4>It was a bit of a caricature. It was a

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<v Speaker 4>bit of a impression.

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<v Speaker 1>What did I think of the of the characterization the

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<v Speaker 1>magical white Man of the movie? Is that what you're

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<v Speaker 1>asking is that? What are you asking me of? Why

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<v Speaker 1>is Jim Henson the magical white Man of the movie.

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<v Speaker 1>It's so fucking bizarre. Can I say it's just fucking bizarre? Please?

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<v Speaker 1>If they make a Jim Henson movie, which I believe

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<v Speaker 1>they are, can we not have this shit be the

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<v Speaker 1>Jim Henson character, because it's fucking strange that he's this

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<v Speaker 1>movie's like shaman character. Not but he's just a stoner,

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<v Speaker 1>but not a stoner, you know what.

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<v Speaker 4>I would like it if he was the shaman character

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<v Speaker 4>and he was like spreading good vibes in here, but

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<v Speaker 4>he's more of a sood.

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<v Speaker 1>I didn't mean a shaman like that.

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<v Speaker 4>He's a gentle subject of ridicule, I think, and I

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<v Speaker 4>think they want to be more vicious, honestly, and I

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<v Speaker 4>bet and I bet at the time they were more vicious.

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<v Speaker 4>Can you imagine the actual things Michael o'donnahu was saying

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<v Speaker 4>about the Muppets?

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<v Speaker 1>Oh man, isn't that the best part of the.

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<v Speaker 4>Movie, Michael o'donah here. Yeah, yeah, let's just talk Michael o'donia.

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<v Speaker 4>This is one of those things where having a working

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<v Speaker 4>knowledge of everything involved is a benefit, because as soon

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<v Speaker 4>as they cut to that guy, I'm like, oh, hey,

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<v Speaker 4>here's Michael o'donnia Everyone here is. Everyone resembles who they're

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<v Speaker 4>playing enough that that really works. The cast in general

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<v Speaker 4>really works in this movie. But that guy in particular.

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<v Speaker 1>Tommy Dewey from Casual.

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<v Speaker 4>I've never seen him. If I hadn't no where he's from.

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<v Speaker 4>This is the second interpretation of Michael o'donna here I've

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<v Speaker 4>now seen. There was a movie a couple of years

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<v Speaker 4>ago as Netflix film a Feudal in Stupid Gesture, where

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<v Speaker 4>Thomas Lennon played Michael O'donahue and he did a great

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<v Speaker 4>Michael O'DONNAU, but everyone was a little bit amped up

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<v Speaker 4>in their performances there. I think this is more like

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<v Speaker 4>who that guy actually was.

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<v Speaker 1>I think you love him though I do.

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<v Speaker 4>Actually no, I do as well.

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<v Speaker 1>He's like comedy Dan O'Bannon.

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<v Speaker 4>He really is what.

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<v Speaker 1>A thorny motherfucker.

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<v Speaker 4>I bet he was a nightmare to be around.

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<v Speaker 1>But hey, we talked about it last year on my

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<v Speaker 1>show Because of You. We talked about mister Mike's Mondo video,

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<v Speaker 1>which is pretty fucking I believe the term Prickley was

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<v Speaker 1>used plenty of times in relation to that, and I

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<v Speaker 1>would say this movie nails what I perceived to be

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<v Speaker 1>when doing the research then about the man that he

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<v Speaker 1>was and the things that he was writing. That is

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<v Speaker 1>the person that he was to the end. Look at

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<v Speaker 1>his Wikipedia pictures him holding a or I guess his

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<v Speaker 1>IMDb pictures him holding a fucking chef's knife, like the

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<v Speaker 1>when he says to the woman in this movie, you

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<v Speaker 1>can just call me Satan and say, yeah, I resonate

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<v Speaker 1>with this guy more than I resonate with anybody else

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<v Speaker 1>in the movie.

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<v Speaker 4>For the most part, the rest of the cast, they

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<v Speaker 4>either resemble the person so fucking much that there's no

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<v Speaker 4>question that they don't need to have a performance or

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<v Speaker 4>they get there, they get the characterization of them. They

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<v Speaker 4>they're some sort of mannerism or vocal pattern. Like the

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<v Speaker 4>guy doing dan akright doesn't look a thing like dan aykright.

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<v Speaker 1>But if you signed Dylan O'Brien does not look like

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<v Speaker 1>dan Akroight at all.

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<v Speaker 4>It's not a mustache on somebody to give him a

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<v Speaker 4>shaggy en a haircut back then and you get him

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<v Speaker 4>speaking the way this guy is speaking, then that's dan akright.

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<v Speaker 1>You know what he looks like. He looks like dan

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<v Speaker 1>akrod through the AI lens of sexy. What if dan

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<v Speaker 1>Akrid was like, hey, I'm not saying dan Akward is

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<v Speaker 1>not a good looking guy, but if dan Ackroyd were

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<v Speaker 1>like the episode of The Simpsons where Moe gets his

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<v Speaker 1>face smashed and he becomes like sexy Mo, it's like

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<v Speaker 1>that sexy dan akright.

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<v Speaker 4>It's the biopic version of dan akright.

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<v Speaker 1>Yeah, everybody's sexy in this movie. But I'll tell you, man,

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<v Speaker 1>look Lemon name Morris as Garrett Morris. Are you just

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<v Speaker 1>Garrett Morris?

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<v Speaker 4>It's really it's yeah, it's.

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<v Speaker 1>I literally, I'm like, are you just Garrett Morris, Like,

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<v Speaker 1>what the actual flying fuck?

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<v Speaker 4>It's a bit eerie. And Matt Wood and certain shots

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<v Speaker 4>as John Belushia, I'm just like, that's John beluci In.

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<v Speaker 1>Then yeah, Like some of those profile shots are just like, yep,

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<v Speaker 1>there he is. That's yep, yep. Can I say, though,

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<v Speaker 1>Gabriel LaBelle, are you making a are you now making

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<v Speaker 1>a cottage industry of just playing like the names of

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<v Speaker 1>show business? Even Spielberg, Yeah, okay, really good.

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<v Speaker 4>Lauren Michaels, though, doesn't didn't play into the fucking impressions

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<v Speaker 4>that we've been getting of lovable doctor evil Lorne Michaels.

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<v Speaker 1>Okay, so that's the thing. The one character in the

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<v Speaker 1>movie I wasn't really clear on the characterization was the

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<v Speaker 1>Lorne Michaels character because the movie doesn't It doesn't that

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<v Speaker 1>the movie doesn't take a stand on it. It's just

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<v Speaker 1>the movie paints him very romantically.

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<v Speaker 4>Oh it's which.

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<v Speaker 1>I get, and at the end of the movie gets

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<v Speaker 1>me where him and what he's having it out with

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<v Speaker 1>Willem Dafoe. That got me straight up, like it got

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<v Speaker 1>me in my being as a creative and I think

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<v Speaker 1>anybody watching the movie would probably feel the same way.

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<v Speaker 1>But that's the fucking point because the movie's manipoly manipulating

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<v Speaker 1>you pretty hard at that point. But I think it works,

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<v Speaker 1>and I think it's because of his performance. But it's

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<v Speaker 1>very romantic, like very fucking rose tinted glasses. I've got

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<v Speaker 1>to assume.

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<v Speaker 4>His No, his performance I think is spot on, actually.

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<v Speaker 1>But I'm talking more to it the movies portrayal of him,

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<v Speaker 1>not his portrayal, but like the movie's character, I guess,

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<v Speaker 1>not even characterization. The way the movie has him playthings

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<v Speaker 1>out is very romantic. His portrayal, I'm assuming, is very

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<v Speaker 1>spot on, just everybody else's. Is Nobody sticks out in

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<v Speaker 1>this movie as that's not a good even JK. Simmons,

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<v Speaker 1>who like you said, there's no reason Milton Burrow's in

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<v Speaker 1>this even he's like not doing a bad version of that.

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<v Speaker 1>It's decent enough, doesn't stick out, and it's the one

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<v Speaker 1>thing that might have stuck out, like a thirteen stick.

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<v Speaker 4>Now he's doing a good Milton Burrow. That's all fine.

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<v Speaker 4>Everyone's doing a good job. And the Milton Berle character

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<v Speaker 4>is there because it eventually would happen. But it's there

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<v Speaker 4>to hammer home one of the themes of this movie,

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<v Speaker 4>which is the old Guard not only not understanding what

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<v Speaker 4>these kids are up to, but actively trying to suppress them.

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<v Speaker 4>You mentioned the Willing Defaux character. He's playing Dave Tebbett,

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<v Speaker 4>who was a NBC executive. One of the subplots of

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<v Speaker 4>the movie. We'll deal with the cast as they come up,

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<v Speaker 4>but one of the subplots in the movie is that

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<v Speaker 4>the affiliates are there, and you have to win over

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<v Speaker 4>the affiliates if you want to get your show into

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<v Speaker 4>every market. We have these we have literally a room

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<v Speaker 4>full of fifty white men smoking old drink and martinz

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<v Speaker 4>eating prime ribs, like this cartoon mob that just like

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<v Speaker 4>wanders around, like to show up and put the pressure on.

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<v Speaker 4>And of course this is something that did not occur. Yes,

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<v Speaker 4>you have to go meet the affiliates and you have

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<v Speaker 4>to do a meet and greet and all that kind

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<v Speaker 4>of thing, and it did happen. It happened weeks before.

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<v Speaker 4>This movie is about the weeks leading up to Saturday

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<v Speaker 4>Night Live. And that's fine. Again, they're compressing it all,

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<v Speaker 4>but like that some plot, in particular the having to

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<v Speaker 4>convince the suits what are the suits doing there at

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<v Speaker 4>ten pm on a Saturday night, those guys would be

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<v Speaker 4>out getting laid.

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<v Speaker 1>Does anyone have a camera?

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<v Speaker 4>Cooper hoff Philip Seymour Hoffman's son as Dick Eversoll, who

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<v Speaker 4>does a good job that Dick Eversol got kicked around

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<v Speaker 4>a lot, I think by the SNL folk because he

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<v Speaker 4>was the suit, but he was their suit, and he

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<v Speaker 4>was dealing with the actual suits, and he kept the

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<v Speaker 4>show on the air when it very well could have died.

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<v Speaker 4>And I thought Cooper Hoffin did a really good job

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<v Speaker 4>in that part.

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<v Speaker 1>That was the other thing I wanted to mention here

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<v Speaker 1>speaking of Dick Eversoll, Dick Eversol is also intimately involved

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<v Speaker 1>in another person's life that has now become under the microscope,

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<v Speaker 1>at least, and not in a positive way the way

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<v Speaker 1>Lorn Michael's life has been. Dick Eversol and Vince McMahon

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<v Speaker 1>a very close good friends, and Dick Eversoll was instrumental

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<v Speaker 1>in WrestleMania becoming thing in a lot of ways. And

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<v Speaker 1>Dick Ebersol and Vince McMahon launched the XFL in the

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<v Speaker 1>nineties together. So that's a thing. And I'm actually in

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<v Speaker 1>a lot of ways. This movie reminds me of what

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<v Speaker 1>you would do if you were telling the ninety minutes

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<v Speaker 1>before WrestleMania story, where you have Cindy Lauper show up

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<v Speaker 1>and Liberachi show up and fucking mister t Schope. Okay,

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<v Speaker 1>And I think, here, can me speak broadly about this?

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<v Speaker 1>And then and I get again, I think all of

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<v Speaker 1>the things we've had an issue with, just speak broadly

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<v Speaker 1>about this for a moment. I think the thousand yard

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<v Speaker 1>view problem of this movie is it is the most

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<v Speaker 1>goddamn generic and obvious way to tell this story, and

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<v Speaker 1>it feels so fucking lazy that I can't believe Jason

408
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<v Speaker 1>Wrightman and Gil Keenan wrote it, because they're both better

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<v Speaker 1>writers than this. And I say that with absolute love

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<v Speaker 1>in my heart for the things that both of them

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<v Speaker 1>have worked on, because Thank You for Smoking is a

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<v Speaker 1>movie that I hold very near and dear to my

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<v Speaker 1>heart for a lot of reasons, because I think it's

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<v Speaker 1>the best thing Aaron Eckhart has ever done, and I

415
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<v Speaker 1>think it's a movie that I think has aged rather well,

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<v Speaker 1>especially given the way things are now, even though when

417
00:22:05.799 --> 00:22:08.920
<v Speaker 1>the movie was made things are the same. But I'm

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<v Speaker 1>surprised that the little that like, the little that they

419
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<v Speaker 1>inject into this movie that really works, feels not enough

420
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<v Speaker 1>because it works so well that they it feels like

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<v Speaker 1>they just didn't do it enough. They needed three or

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<v Speaker 1>four more passes on this to amp it up. Because

423
00:22:24.400 --> 00:22:27.839
<v Speaker 1>it's just two broad strokes. It's not enough. It's just

424
00:22:28.640 --> 00:22:31.119
<v Speaker 1>not enough. This is almost it's almost like a condensed

425
00:22:31.240 --> 00:22:34.519
<v Speaker 1>mini series. This should have been a thing on HBO.

426
00:22:34.759 --> 00:22:37.559
<v Speaker 1>And these things cost about the same either way, So

427
00:22:37.640 --> 00:22:40.000
<v Speaker 1>why would you do it as a movie. Why wouldn't

428
00:22:40.000 --> 00:22:41.400
<v Speaker 1>you just do it as a mini series?

429
00:22:41.559 --> 00:22:44.680
<v Speaker 4>The problem with the movie ultimately for me, is that

430
00:22:44.839 --> 00:22:49.200
<v Speaker 4>they locked themselves into this framework of the ninety minutes.

431
00:22:49.279 --> 00:22:51.799
<v Speaker 4>They're going to replicate the ninety minutes that SNL is

432
00:22:51.880 --> 00:22:56.079
<v Speaker 4>on air doing it live. They're going to try to

433
00:22:56.359 --> 00:22:59.240
<v Speaker 4>give you the sensation of what it's like leading up

434
00:22:59.240 --> 00:23:05.559
<v Speaker 4>to a live and they think that innovation will carry

435
00:23:05.720 --> 00:23:11.440
<v Speaker 4>over and paper over the problems with the script, which

436
00:23:11.480 --> 00:23:17.880
<v Speaker 4>is mainly that these are fascinating human beings that have

437
00:23:17.960 --> 00:23:21.720
<v Speaker 4>been thrown into like sitcom like scenarios just so we

438
00:23:21.799 --> 00:23:26.039
<v Speaker 4>can amp up the drama of this ninety minutes. You've

439
00:23:26.119 --> 00:23:29.640
<v Speaker 4>mentioned a mini series how about two hours. Give me

440
00:23:29.720 --> 00:23:33.240
<v Speaker 4>fucking another half an hour with any of these characters.

441
00:23:33.400 --> 00:23:36.759
<v Speaker 4>I want to know what Gilda Radner was thinking. What's funny?

442
00:23:36.799 --> 00:23:40.519
<v Speaker 4>I watched a like several behind the scenes electronic press

443
00:23:40.559 --> 00:23:43.920
<v Speaker 4>kit type of stuff, right, and they were interviewing Ella Hunt,

444
00:23:43.920 --> 00:23:46.839
<v Speaker 4>who plays Gilda Radner, who is English by the way,

445
00:23:47.640 --> 00:23:52.880
<v Speaker 4>and so she's talking about her character and putting on

446
00:23:53.000 --> 00:23:56.559
<v Speaker 4>the wig and how excited it was. And intersperse between

447
00:23:56.599 --> 00:24:00.160
<v Speaker 4>her interview, they're showing her clips from the movie. And

448
00:24:00.200 --> 00:24:02.640
<v Speaker 4>I realized by the end of her segment, they've shown

449
00:24:02.880 --> 00:24:07.079
<v Speaker 4>every clip of Gilda in the movie in her electronic presket.

450
00:24:07.400 --> 00:24:11.160
<v Speaker 4>Every line of dialogue speaks was in there. And that's

451
00:24:11.519 --> 00:24:16.039
<v Speaker 4>not cool. Man. When we take time to show Milton

452
00:24:16.160 --> 00:24:20.880
<v Speaker 4>Burrell doing a routine on a made up variety show,

453
00:24:21.160 --> 00:24:25.359
<v Speaker 4>so we can hammer home once again that old Hollywood

454
00:24:25.359 --> 00:24:28.160
<v Speaker 4>doesn't want this to happen. And here's the thing that

455
00:24:28.200 --> 00:24:30.680
<v Speaker 4>they don't factor in. There's a h There was a

456
00:24:30.960 --> 00:24:34.359
<v Speaker 4>There was an NBC executive named Herb Schlosser, right, who

457
00:24:34.480 --> 00:24:38.519
<v Speaker 4>was above everybody, certainly above Dave Tebbitt. Right. He loved

458
00:24:38.599 --> 00:24:42.599
<v Speaker 4>the show. Anytime there was an actual problem, they would

459
00:24:42.640 --> 00:24:44.279
<v Speaker 4>go to Herb Schlosser and you go, I'll take care

460
00:24:44.319 --> 00:24:45.240
<v Speaker 4>of this, don't worry about it.

461
00:24:45.480 --> 00:24:47.400
<v Speaker 1>There's one line in the movie that kind of speaks

462
00:24:47.400 --> 00:24:51.000
<v Speaker 1>to that, where they go, somebody's paying for this, somebody

463
00:24:51.079 --> 00:24:54.000
<v Speaker 1>is giving us money for some reason. And it's like,

464
00:24:54.240 --> 00:24:57.279
<v Speaker 1>there's that, there is that essentially that that paying lip

465
00:24:57.359 --> 00:25:00.440
<v Speaker 1>service to that which is the reality of this situation,

466
00:25:00.519 --> 00:25:03.759
<v Speaker 1>Like these assholes aren't clearly making any decisions in reality

467
00:25:03.799 --> 00:25:06.920
<v Speaker 1>they weren't. But the movie has to have why sort

468
00:25:06.960 --> 00:25:09.440
<v Speaker 1>of villain quote unquote because it's a movie.

469
00:25:09.839 --> 00:25:12.200
<v Speaker 4>Yeah, and who needs it? Who cares the pressure of

470
00:25:12.240 --> 00:25:15.359
<v Speaker 4>putting a show together without a bunch of mean old

471
00:25:15.440 --> 00:25:19.960
<v Speaker 4>men saying you're going to fail? Is enough. That's the

472
00:25:20.000 --> 00:25:21.480
<v Speaker 4>way you want to go. If you want to do

473
00:25:21.519 --> 00:25:23.640
<v Speaker 4>the actual ninety minutes leading up to Saturday Night Live,

474
00:25:23.839 --> 00:25:27.200
<v Speaker 4>talk to everybody again, every recollection of Actually Happened? Give

475
00:25:27.240 --> 00:25:29.799
<v Speaker 4>me those fucking ninety minutes. Don't give me a lighting

476
00:25:29.839 --> 00:25:34.160
<v Speaker 4>package dropping in, don't spill bricks onto the stage, nearly

477
00:25:34.359 --> 00:25:38.359
<v Speaker 4>crippling George Carlin. Why is George Carlin's hair one shade,

478
00:25:38.640 --> 00:25:39.799
<v Speaker 4>beard another shade?

479
00:25:40.400 --> 00:25:45.000
<v Speaker 1>Matthew Reese, what were they thinking? Man?

480
00:25:45.200 --> 00:25:46.440
<v Speaker 4>He think it does a good job.

481
00:25:47.279 --> 00:25:49.480
<v Speaker 1>Yes, I don't know. I'm such I love George Carlin

482
00:25:49.559 --> 00:25:52.359
<v Speaker 1>so much that I think it's his version of Carlin's fine.

483
00:25:54.079 --> 00:25:56.839
<v Speaker 4>It's fine Carlo coked out of his skull when he

484
00:25:56.880 --> 00:25:58.720
<v Speaker 4>was on the side of the life. He fully copped

485
00:25:58.720 --> 00:26:02.000
<v Speaker 4>on this sort of behavior, so I appreciate the characterization

486
00:26:02.079 --> 00:26:06.039
<v Speaker 4>of him here. But but yeah, why I was just

487
00:26:06.119 --> 00:26:08.480
<v Speaker 4>thrown off by his hair being lighter than his beard.

488
00:26:09.480 --> 00:26:11.880
<v Speaker 1>I mean, you know what what Matthew Reese kind of

489
00:26:11.880 --> 00:26:14.359
<v Speaker 1>looked like with that hair and beard combo. He looked

490
00:26:14.400 --> 00:26:16.680
<v Speaker 1>like Larry David in that movie where the inventor gets

491
00:26:16.680 --> 00:26:19.400
<v Speaker 1>his invention stolen by John Hamm. He looks like that,

492
00:26:19.519 --> 00:26:20.920
<v Speaker 1>and it was just like, kept throwing me off. I

493
00:26:20.960 --> 00:26:24.079
<v Speaker 1>was like, is that Larry David also speaking to looking

494
00:26:24.160 --> 00:26:26.400
<v Speaker 1>like speaking to looking like someone else? You think it

495
00:26:26.440 --> 00:26:28.480
<v Speaker 1>was really easy for Willem Dafoe to film this and

496
00:26:28.519 --> 00:26:31.279
<v Speaker 1>Beetlejuice at the same time and not have to change

497
00:26:31.279 --> 00:26:34.079
<v Speaker 1>his hairstyle because he literally looks like his character from Beetlejuice,

498
00:26:34.160 --> 00:26:37.119
<v Speaker 1>just without the fucked up side of his head. Even

499
00:26:37.160 --> 00:26:39.880
<v Speaker 1>the hairstyle is the same everything in the wild. I

500
00:26:39.920 --> 00:26:41.559
<v Speaker 1>was like, man, this must have been the easiest double

501
00:26:41.680 --> 00:26:46.079
<v Speaker 1>day of his life. He's great enough from one.

502
00:26:45.000 --> 00:26:46.680
<v Speaker 4>I gotta tell you because I know who Dave Tebbitt

503
00:26:46.799 --> 00:26:48.640
<v Speaker 4>is and I know his feelings towards done and alive,

504
00:26:48.680 --> 00:26:51.920
<v Speaker 4>and he was a prick like he assigned their unit

505
00:26:51.960 --> 00:26:54.640
<v Speaker 4>production manager who was like the financial person. That was

506
00:26:54.680 --> 00:26:56.400
<v Speaker 4>the real struggle on the show. It was always fighting

507
00:26:56.400 --> 00:26:59.480
<v Speaker 4>about money. Here's how good Willem Dafoe is. Early on,

508
00:26:59.559 --> 00:27:01.920
<v Speaker 4>he's on the elevator trying with There's a scene with

509
00:27:02.000 --> 00:27:05.920
<v Speaker 4>him and Lorne Michaels and Chevy Chase and Michael O'donaghuo

510
00:27:05.960 --> 00:27:08.839
<v Speaker 4>after they've met the affiliates for the first time, where

511
00:27:08.839 --> 00:27:11.319
<v Speaker 4>he's pumping up Lorne Michaels and trying to tell him

512
00:27:11.319 --> 00:27:13.200
<v Speaker 4>to do the best show, to push all the boundaries

513
00:27:13.240 --> 00:27:16.640
<v Speaker 4>to fucking rock the world. And I believed him. So

514
00:27:17.319 --> 00:27:20.160
<v Speaker 4>that's good because I know David Tebbitt didn't actually want

515
00:27:20.160 --> 00:27:22.599
<v Speaker 4>that to happen. He was perfectly at ease letting Saturday

516
00:27:22.640 --> 00:27:24.880
<v Speaker 4>Night Live fail so that they could replace it with

517
00:27:24.960 --> 00:27:28.119
<v Speaker 4>reruns of Carson. That's another thing that was a that's

518
00:27:28.160 --> 00:27:32.039
<v Speaker 4>going on dramatically here, and another thing that had already occurred,

519
00:27:32.680 --> 00:27:36.000
<v Speaker 4>like any fight with anybody, and Carson was perfectly happy

520
00:27:36.079 --> 00:27:37.839
<v Speaker 4>having a new show as long as they weren't stepping

521
00:27:37.839 --> 00:27:40.400
<v Speaker 4>on his toes, so long as they weren't running a

522
00:27:40.440 --> 00:27:44.440
<v Speaker 4>rerun on Saturday Night, which is NBC had been running

523
00:27:44.880 --> 00:27:47.680
<v Speaker 4>reruns of The Tonight Show on Saturday Night, and Carson

524
00:27:47.680 --> 00:27:51.160
<v Speaker 4>thought it was he was becoming too overexposed, so he

525
00:27:51.240 --> 00:27:54.000
<v Speaker 4>wanted to go in there. But it's cheaper for NBC

526
00:27:54.160 --> 00:27:57.319
<v Speaker 4>to run reruns of something than have to produce a

527
00:27:57.319 --> 00:27:59.519
<v Speaker 4>whole new thing, So they were perfectly at ease to

528
00:27:59.559 --> 00:28:03.519
<v Speaker 4>let Set Live Die are NBC's Saturday Night, as was

529
00:28:03.559 --> 00:28:08.799
<v Speaker 4>known at the time. But we don't need those villains here,

530
00:28:09.440 --> 00:28:10.119
<v Speaker 4>all those all.

531
00:28:10.039 --> 00:28:12.480
<v Speaker 1>That don't get I don't get it. Actually, let me

532
00:28:12.519 --> 00:28:14.079
<v Speaker 1>phrase it. It's not that I don't get it. I

533
00:28:14.160 --> 00:28:16.519
<v Speaker 1>just don't understand why it was needed. It's like in

534
00:28:16.599 --> 00:28:19.039
<v Speaker 1>so many movies now, like why do we need love

535
00:28:19.079 --> 00:28:21.519
<v Speaker 1>interests anymore? In a lot of movies that we've moved

536
00:28:21.559 --> 00:28:24.920
<v Speaker 1>past that as a storytelling device that's needed anymore. We

537
00:28:24.960 --> 00:28:27.000
<v Speaker 1>can make an action movie without a love interest, we

538
00:28:27.000 --> 00:28:28.880
<v Speaker 1>can make a comedic film without a love interest, we

539
00:28:28.880 --> 00:28:30.960
<v Speaker 1>can make a horror movie without a love interest. And

540
00:28:30.960 --> 00:28:34.960
<v Speaker 1>we should be able to make biopics without stereotypes of

541
00:28:35.039 --> 00:28:39.400
<v Speaker 1>real people, because again, the this is five minute research

542
00:28:39.480 --> 00:28:43.759
<v Speaker 1>versions of the characters. Really, especially with someone like Chevy Chase.

543
00:28:44.400 --> 00:28:46.960
<v Speaker 4>Oh it's good, not Chevy. I love Chevy. He's my

544
00:28:46.960 --> 00:28:47.799
<v Speaker 4>favorite part of the movie.

545
00:28:47.880 --> 00:28:50.119
<v Speaker 1>I like Chevy. But again it's again it's we're just

546
00:28:50.200 --> 00:28:52.680
<v Speaker 1>talking about what everybody knows about Chevy Chase and not

547
00:28:52.759 --> 00:28:55.480
<v Speaker 1>really going any further than that, which.

548
00:28:55.440 --> 00:28:58.880
<v Speaker 4>In the context of this movie, Chevy comes off I

549
00:28:58.880 --> 00:29:03.480
<v Speaker 4>think not necessarily nuanced. I didn't learn one goddamn thing

550
00:29:03.480 --> 00:29:07.559
<v Speaker 4>about Chevy Chase at all, but I can imagine that

551
00:29:07.640 --> 00:29:11.920
<v Speaker 4>he was exactly like this, Oh yeah, totally in the

552
00:29:11.960 --> 00:29:14.400
<v Speaker 4>context of saying ninety minutes leading up to the start

553
00:29:14.400 --> 00:29:17.200
<v Speaker 4>of a television show, I imagine this is the Chevy Chase

554
00:29:17.279 --> 00:29:19.920
<v Speaker 4>you would experience. I know we're not going to get

555
00:29:19.960 --> 00:29:23.759
<v Speaker 4>anything under the surface of them, but he comes off

556
00:29:23.799 --> 00:29:26.319
<v Speaker 4>the best as far as i'm.

557
00:29:25.759 --> 00:29:28.519
<v Speaker 1>Which is weird given what essentially is the real life

558
00:29:28.559 --> 00:29:31.400
<v Speaker 1>reality of what most people would have known and do

559
00:29:31.559 --> 00:29:32.599
<v Speaker 1>know now about.

560
00:29:32.359 --> 00:29:35.240
<v Speaker 4>Chevy Chase, which is here's the thing, Herb.

561
00:29:35.400 --> 00:29:36.960
<v Speaker 1>He's not the one who would come off the best

562
00:29:36.960 --> 00:29:39.960
<v Speaker 1>in any room for the most part, never Unfortunately, never.

563
00:29:40.920 --> 00:29:43.240
<v Speaker 4>Herb Sergeant was one of the writers on this show,

564
00:29:43.240 --> 00:29:44.880
<v Speaker 4>and he was a veteran. There's a scene in this

565
00:29:45.039 --> 00:29:48.000
<v Speaker 4>movie that actually did occur on the day, but it

566
00:29:48.000 --> 00:29:50.279
<v Speaker 4>took place at a bar instead of at the desk,

567
00:29:50.440 --> 00:29:53.160
<v Speaker 4>where Chevy was like, what's gonna happen to me? I'm

568
00:29:53.200 --> 00:29:55.839
<v Speaker 4>going to be a big star in Herb Sergeant. Herb

569
00:29:55.880 --> 00:29:58.279
<v Speaker 4>Sergeant basically did say, I figure you're just gonna end

570
00:29:58.359 --> 00:30:00.880
<v Speaker 4>up on a talk show, which chevy Chase eventually did

571
00:30:00.880 --> 00:30:02.880
<v Speaker 4>have his own talk show, which failed. So that was

572
00:30:02.880 --> 00:30:03.880
<v Speaker 4>a bit precient.

573
00:30:04.079 --> 00:30:07.319
<v Speaker 1>But the Chevy Chase show a thing that actually existed

574
00:30:07.359 --> 00:30:09.359
<v Speaker 1>in the reality of our world, and who the fuck

575
00:30:09.400 --> 00:30:10.799
<v Speaker 1>thought that was a good idea.

576
00:30:10.839 --> 00:30:13.240
<v Speaker 4>But what I love about that scene is it gives

577
00:30:13.319 --> 00:30:16.160
<v Speaker 4>us what we fully expect from Chevy Chase, which is

578
00:30:16.160 --> 00:30:19.960
<v Speaker 4>the sort of arrogance and self centeredness and egotism. And

579
00:30:20.000 --> 00:30:23.160
<v Speaker 4>then Herb Sargeant takes him to task for it, and

580
00:30:23.640 --> 00:30:26.359
<v Speaker 4>his reaction is I can't wait, Like I think you

581
00:30:26.440 --> 00:30:29.880
<v Speaker 4>might eventually commit suicide, like jumping out of a billion Oh,

582
00:30:29.920 --> 00:30:31.119
<v Speaker 4>I can't wait for that.

583
00:30:31.119 --> 00:30:32.240
<v Speaker 1>That's gonna be a good day.

584
00:30:32.519 --> 00:30:35.559
<v Speaker 4>That is so Chevy Chase Man and Corey Michael Smith.

585
00:30:35.680 --> 00:30:39.319
<v Speaker 4>I believe who was the Riddler on Gotham. He looks

586
00:30:39.359 --> 00:30:44.160
<v Speaker 4>facially enough like Chase, but again, it's the mannerisms, and

587
00:30:44.200 --> 00:30:48.279
<v Speaker 4>it's the fucking vocalisms. It's just it's it does.

588
00:30:48.079 --> 00:30:50.599
<v Speaker 1>The falling down, he does the prat falls.

589
00:30:51.160 --> 00:30:53.720
<v Speaker 4>Not only that, but the way he I don't know, man,

590
00:30:53.920 --> 00:30:56.240
<v Speaker 4>it's pretty good. It's pretty good. I'll tell you when

591
00:30:56.279 --> 00:30:58.440
<v Speaker 4>I believed him the most is chevy Chase when he

592
00:30:58.880 --> 00:31:01.920
<v Speaker 4>stands up and ground Belushi and pins him up against

593
00:31:02.000 --> 00:31:06.160
<v Speaker 4>the wall. That physicality there that I believe from Chevy Chase,

594
00:31:06.319 --> 00:31:08.720
<v Speaker 4>because everyone loves to talk about that. There was eventually

595
00:31:08.759 --> 00:31:12.160
<v Speaker 4>a fistfight between chevy Chase and Bill Murray a couple

596
00:31:12.160 --> 00:31:15.279
<v Speaker 4>of seasons into the show Go to Arn't you surprise?

597
00:31:15.319 --> 00:31:17.000
<v Speaker 1>Bill Murray wasn't in this movie.

598
00:31:17.240 --> 00:31:19.640
<v Speaker 4>No no, no, obviously not because he wasn't part of.

599
00:31:19.599 --> 00:31:21.880
<v Speaker 1>The first No but you, But no. I'm more speaking

600
00:31:21.920 --> 00:31:24.440
<v Speaker 1>to the we're just gonna throw shit in here that

601
00:31:24.480 --> 00:31:27.640
<v Speaker 1>we know that people who know that this didn't happen.

602
00:31:28.039 --> 00:31:28.240
<v Speaker 4>Yeah.

603
00:31:28.480 --> 00:31:28.519
<v Speaker 5>No.

604
00:31:28.680 --> 00:31:30.880
<v Speaker 4>What I'm surprised is they didn't have him like in

605
00:31:30.920 --> 00:31:33.000
<v Speaker 4>the background, going maybe next time, Billy.

606
00:31:33.279 --> 00:31:35.960
<v Speaker 1>No, Yeah, like with this kid Bill in the audience.

607
00:31:36.000 --> 00:31:38.160
<v Speaker 1>He's coming out. He's a real coming up kid. Yeah,

608
00:31:38.279 --> 00:31:40.240
<v Speaker 1>the fucking they didn't have an Anakin moment in the

609
00:31:40.240 --> 00:31:42.480
<v Speaker 1>movie with Bill Murray. Yeah, was surprised that was not

610
00:31:42.640 --> 00:31:43.359
<v Speaker 1>in this movie.

611
00:31:43.640 --> 00:31:46.319
<v Speaker 4>Yes, because there are moments from the future in this movie.

612
00:31:46.400 --> 00:31:48.759
<v Speaker 4>At one point, o'donnah was sitting at a desk with

613
00:31:48.839 --> 00:31:51.960
<v Speaker 4>Franken and Davis and Al. Franken is eating from a

614
00:31:51.960 --> 00:31:55.880
<v Speaker 4>box of Colon blow cereal, which is a parody commercial

615
00:31:55.880 --> 00:31:58.400
<v Speaker 4>that Phil Hartman did in eighty eight or eighty nine.

616
00:31:59.759 --> 00:32:03.480
<v Speaker 1>Ye, and hey, did Lorne Michael see himself in the future.

617
00:32:05.440 --> 00:32:07.160
<v Speaker 1>I guess that's what that scene is where he's like

618
00:32:07.160 --> 00:32:11.480
<v Speaker 1>staring at the old bald Man. Yeah, but again, it's

619
00:32:11.480 --> 00:32:14.160
<v Speaker 1>more speaking to the futurisms of the movie, including the

620
00:32:14.240 --> 00:32:18.359
<v Speaker 1>Gilda Radner knows She's gonna die scene, which was just, oh,

621
00:32:18.400 --> 00:32:21.079
<v Speaker 1>my god, movie, we get it, we know, but my god,

622
00:32:21.240 --> 00:32:23.720
<v Speaker 1>I can see myself twenty years from No Fun.

623
00:32:24.400 --> 00:32:27.240
<v Speaker 4>And Okay, here's a characterization that did not work for

624
00:32:27.319 --> 00:32:29.400
<v Speaker 4>me as far as giving us the surface of what

625
00:32:29.440 --> 00:32:33.000
<v Speaker 4>we expect. They portrayed mluci as this feral animal.

626
00:32:33.880 --> 00:32:36.279
<v Speaker 1>Yeah, he looked like Wolverine from the side from time

627
00:32:36.319 --> 00:32:36.960
<v Speaker 1>to time.

628
00:32:36.839 --> 00:32:40.359
<v Speaker 4>Yeah, man, and we get occasional glimpses of what probably

629
00:32:40.400 --> 00:32:42.519
<v Speaker 4>he was actually like, but like when he's on the

630
00:32:42.559 --> 00:32:44.880
<v Speaker 4>ice skating rink, which again didn't happen that night.

631
00:32:45.039 --> 00:32:47.240
<v Speaker 1>But yeah, but it's a good moment if you're gonna

632
00:32:47.240 --> 00:32:49.480
<v Speaker 1>include me, it is a good moment. They take that

633
00:32:49.519 --> 00:32:50.599
<v Speaker 1>one and it works.

634
00:32:50.720 --> 00:32:53.319
<v Speaker 4>But yeah, I will say that the movie kind of

635
00:32:53.359 --> 00:32:57.319
<v Speaker 4>comes off like Birdman. It's almost like they're trying to

636
00:32:57.359 --> 00:33:00.680
<v Speaker 4>do the one continuous take, but they don't adhere to it.

637
00:33:00.720 --> 00:33:02.400
<v Speaker 4>They don't make it a point of it. But the

638
00:33:02.440 --> 00:33:05.880
<v Speaker 4>camera is constantly moving from scent to scent, from back,

639
00:33:06.039 --> 00:33:08.119
<v Speaker 4>backstage to four ground whatever.

640
00:33:07.880 --> 00:33:09.079
<v Speaker 1>Blah blah blah blah blah.

641
00:33:09.079 --> 00:33:12.519
<v Speaker 4>But we'll on occasions slow down for about thirty seconds

642
00:33:12.519 --> 00:33:16.799
<v Speaker 4>to two minutes where we'll have moments where we spend

643
00:33:16.799 --> 00:33:19.799
<v Speaker 4>with the cast and it's always like a pairing from

644
00:33:19.839 --> 00:33:21.519
<v Speaker 4>the cast where.

645
00:33:21.480 --> 00:33:24.839
<v Speaker 1>It does have that weird glow and haze to it.

646
00:33:25.039 --> 00:33:27.920
<v Speaker 4>But she like not in sixteen millimeter. Good for them

647
00:33:27.960 --> 00:33:31.039
<v Speaker 4>because it does feel like nineteen seventy five New York

648
00:33:31.079 --> 00:33:34.079
<v Speaker 4>City like that. I appreciate. There Again, a lot that

649
00:33:34.160 --> 00:33:36.519
<v Speaker 4>I like in this movie, But in these scenes, these

650
00:33:36.519 --> 00:33:39.119
<v Speaker 4>sort of two hand or scenes with there's Garrett Morris

651
00:33:39.160 --> 00:33:42.480
<v Speaker 4>and Jane Curtin have a scene together where she just

652
00:33:42.519 --> 00:33:46.519
<v Speaker 4>basically does what Jane Curtin did or did best, but

653
00:33:46.680 --> 00:33:49.680
<v Speaker 4>as a performer, like she does a skit. There are

654
00:33:50.000 --> 00:33:52.920
<v Speaker 4>so many times where we slow down to meet one

655
00:33:52.960 --> 00:33:56.599
<v Speaker 4>of our characters and they're just doing bits, and that

656
00:33:56.880 --> 00:34:00.839
<v Speaker 4>drives me crazy. I want to know, first of all,

657
00:34:00.880 --> 00:34:02.599
<v Speaker 4>I want to know what Garrett Morris thought beyond what

658
00:34:02.640 --> 00:34:05.119
<v Speaker 4>am I doing here? Because that would be his hit,

659
00:34:05.200 --> 00:34:07.240
<v Speaker 4>that would be his refrain for the entirety of Saturday

660
00:34:07.279 --> 00:34:09.679
<v Speaker 4>Night Live, because they were constantly underutilizing him. And I

661
00:34:09.719 --> 00:34:11.639
<v Speaker 4>get that they're putting that in here, but he just

662
00:34:11.760 --> 00:34:14.599
<v Speaker 4>keeps hammering that home. So that's his fucking character arc

663
00:34:14.639 --> 00:34:16.360
<v Speaker 4>for the movie is I don't know why I'm here.

664
00:34:16.559 --> 00:34:19.880
<v Speaker 4>Jane Kurtin is just being the character she plays and

665
00:34:20.079 --> 00:34:22.559
<v Speaker 4>the fucking skits that she's doing for some reason, like

666
00:34:22.639 --> 00:34:25.159
<v Speaker 4>that's what we're supposed to take away from her. Lorraine

667
00:34:25.199 --> 00:34:29.000
<v Speaker 4>Newman is apparently very wounded that she's not the only

668
00:34:29.639 --> 00:34:32.840
<v Speaker 4>target of dan Aykroyd's affections. That's her character arc for

669
00:34:32.880 --> 00:34:37.920
<v Speaker 4>this fucking movie. Uh CHAMPI A gets an actual character arc. Danny,

670
00:34:38.000 --> 00:34:40.000
<v Speaker 4>I don't know what his fucking character arc is other

671
00:34:40.039 --> 00:34:43.159
<v Speaker 4>than talking people down from drugs and fucking and how

672
00:34:43.199 --> 00:34:45.360
<v Speaker 4>many times did he do that in the ninety minutes

673
00:34:45.400 --> 00:34:50.719
<v Speaker 4>before fucking air? And yeah, yeah twice and can.

674
00:34:50.599 --> 00:34:52.960
<v Speaker 1>I and I guess look you'll Keenan and Jason Reightman

675
00:34:53.000 --> 00:34:56.000
<v Speaker 1>are also being very clever in that the structure of

676
00:34:56.039 --> 00:34:59.320
<v Speaker 1>the movie somewhat tries to reflect a episode of SNL

677
00:34:59.360 --> 00:35:04.239
<v Speaker 1>two right, literally two musical performances in the movie as well. Again,

678
00:35:04.519 --> 00:35:07.320
<v Speaker 1>and then we have those scenes that feel like, again

679
00:35:07.760 --> 00:35:10.559
<v Speaker 1>there are these two hander scenes between characters, but again

680
00:35:10.559 --> 00:35:13.800
<v Speaker 1>it feels like it could be a segment on SNL

681
00:35:13.840 --> 00:35:15.400
<v Speaker 1>in terms of it being like, this is a thing

682
00:35:15.440 --> 00:35:17.360
<v Speaker 1>that happens, and then we move on and it affects

683
00:35:17.440 --> 00:35:19.840
<v Speaker 1>literally nothing else and the rest of the goddamn movie.

684
00:35:20.039 --> 00:35:21.920
<v Speaker 1>I think, ultimately is the problem with the movie is

685
00:35:21.960 --> 00:35:25.519
<v Speaker 1>there's no interconnectivity with anything, and the characters are just

686
00:35:25.800 --> 00:35:28.840
<v Speaker 1>a stereotype of the person we know, which does no

687
00:35:28.960 --> 00:35:33.199
<v Speaker 1>heavy lifting. This was not one magical evening, because holy shit,

688
00:35:33.719 --> 00:35:36.000
<v Speaker 1>all these things can't happen in one night. That's too

689
00:35:36.079 --> 00:35:39.960
<v Speaker 1>magical of an evening, even for SNL. That's why movies

690
00:35:40.280 --> 00:35:44.639
<v Speaker 1>are fictional, because you can make a movie like, Oh

691
00:35:44.639 --> 00:35:47.800
<v Speaker 1>my God, after Hours, that's one magical evening. But that's

692
00:35:47.800 --> 00:35:50.559
<v Speaker 1>fucking fictional. This movie's trying to be that in a

693
00:35:50.559 --> 00:35:53.199
<v Speaker 1>lot of ways. Oh all these things happen in one night,

694
00:35:53.280 --> 00:35:54.239
<v Speaker 1>isn't that fucking nuts?

695
00:35:54.440 --> 00:35:58.000
<v Speaker 4>Here's the thing I'm gonna keep saying this. They've hamstrung

696
00:35:58.039 --> 00:36:03.440
<v Speaker 4>themselves by locking this nine ninety minute beforehand? Yeah time frame?

697
00:36:03.519 --> 00:36:09.239
<v Speaker 4>Am I supposed to believe that? Literally ten minutes before airtime?

698
00:36:09.840 --> 00:36:13.800
<v Speaker 4>Lorne Michaels met Alan Zoy Bell in a fucking bar

699
00:36:15.039 --> 00:36:17.880
<v Speaker 4>pumping out jokes for a Boris Belt comedian. Are you

700
00:36:17.960 --> 00:36:21.719
<v Speaker 4>kidding me? Did that work for you even dramatically? I'm

701
00:36:21.760 --> 00:36:25.159
<v Speaker 4>sure you did, as far as you knew that actually happened.

702
00:36:25.760 --> 00:36:28.159
<v Speaker 4>What did that do for you dramatically in the story

703
00:36:28.159 --> 00:36:29.159
<v Speaker 4>that they were telling.

704
00:36:29.480 --> 00:36:31.639
<v Speaker 1>As far as I knew, I know, it did not happen.

705
00:36:32.400 --> 00:36:33.639
<v Speaker 1>It did not happen that way.

706
00:36:33.960 --> 00:36:36.039
<v Speaker 4>It did seem like that they were foundering and they

707
00:36:36.079 --> 00:36:40.480
<v Speaker 4>suddenly they like, we needed jokes, and then suddenly Zibell

708
00:36:40.599 --> 00:36:41.679
<v Speaker 4>comes and saves the day.

709
00:36:42.400 --> 00:36:45.039
<v Speaker 1>That's the way it happened in real life, right, I know,

710
00:36:45.159 --> 00:36:47.920
<v Speaker 1>nothing about reality? What is reality?

711
00:36:48.719 --> 00:36:51.960
<v Speaker 4>That the reality is? Alan Zwibell fucking turned in his

712
00:36:52.039 --> 00:36:55.760
<v Speaker 4>book when word went out that they were hiring writers

713
00:36:55.760 --> 00:36:58.199
<v Speaker 4>for Sign Out Live, and they read his fucking jokes,

714
00:36:58.360 --> 00:37:01.079
<v Speaker 4>including the prostitute joke gets on the air in the

715
00:37:01.079 --> 00:37:04.599
<v Speaker 4>first episode, and they hired him and he became like

716
00:37:04.679 --> 00:37:07.559
<v Speaker 4>one of the best fucking comedy writers in television. That's

717
00:37:07.599 --> 00:37:11.639
<v Speaker 4>what happened. What was like, why are Jason right? Why

718
00:37:11.679 --> 00:37:14.519
<v Speaker 4>are you doing these things? Why are these sitcom like

719
00:37:14.679 --> 00:37:16.480
<v Speaker 4>moments like crammed in here?

720
00:37:17.400 --> 00:37:20.679
<v Speaker 1>You think you would want to represent these people better

721
00:37:20.920 --> 00:37:24.800
<v Speaker 1>given your direct relation in contact with them. But hey,

722
00:37:24.840 --> 00:37:27.360
<v Speaker 1>by the way, uh Nicholas Podeny, the kid doing the

723
00:37:27.360 --> 00:37:31.800
<v Speaker 1>Billy Crystal's pretty good man, not Billy Crystal's fucking wild.

724
00:37:31.920 --> 00:37:34.480
<v Speaker 1>I honestly, close your eyes and tell me that's not

725
00:37:34.599 --> 00:37:38.280
<v Speaker 1>just Billy Crystal. Somehow that kid just opens his mouth

726
00:37:38.320 --> 00:37:41.800
<v Speaker 1>and Billy Crystal's voice comes out. It's really good. And

727
00:37:41.840 --> 00:37:43.920
<v Speaker 1>if you showed it to anybody and asked you to

728
00:37:43.960 --> 00:37:45.719
<v Speaker 1>ask them to tell you who that was, there's no

729
00:37:45.840 --> 00:37:47.320
<v Speaker 1>question who that is. Even if you don't tell them

730
00:37:47.360 --> 00:37:49.320
<v Speaker 1>it's Billy Christal, it's Billy Crystal. Clearly.

731
00:37:49.760 --> 00:37:51.480
<v Speaker 4>Yeah, for those of you who don't know, I haven't

732
00:37:51.480 --> 00:37:55.679
<v Speaker 4>seen the movie yet. Okay, leading up to the premitive

733
00:37:55.719 --> 00:37:59.280
<v Speaker 4>sentate life, Lorden Michael's overbooked. Obviously, you want to have

734
00:37:59.320 --> 00:38:02.159
<v Speaker 4>too much matim than too little, and so they booked

735
00:38:02.280 --> 00:38:05.639
<v Speaker 4>three stand up comedians, George Carlin who was the host,

736
00:38:05.960 --> 00:38:09.960
<v Speaker 4>Valerie Bromfield, and Billy Crystal. That's what didn't happen ten

737
00:38:10.000 --> 00:38:13.400
<v Speaker 4>minutes before the show. It happened that night, but not anyway.

738
00:38:13.440 --> 00:38:15.840
<v Speaker 4>Billy Crystal had a routine that was six minutes long.

739
00:38:15.920 --> 00:38:18.519
<v Speaker 4>Valeri Bromfeldt had a six minute routine. They were each

740
00:38:18.599 --> 00:38:20.599
<v Speaker 4>told that they had to cut it down to two minutes.

741
00:38:21.719 --> 00:38:26.480
<v Speaker 4>Valeri Bromfeldt stay. Billy Crystal's people made him leave, and

742
00:38:26.599 --> 00:38:29.519
<v Speaker 4>that was a regret. It is my understanding that when

743
00:38:29.559 --> 00:38:31.639
<v Speaker 4>you're watching the movie, if you see anyone with a

744
00:38:31.639 --> 00:38:34.400
<v Speaker 4>script in their hand, those are photocopies of one of

745
00:38:34.440 --> 00:38:37.639
<v Speaker 4>the original scripts from Saturday Night Live, which was provided

746
00:38:37.639 --> 00:38:40.039
<v Speaker 4>to them by Billy Crystal, who was the only one

747
00:38:40.079 --> 00:38:42.400
<v Speaker 4>who still had his script because he took his home

748
00:38:42.400 --> 00:38:43.119
<v Speaker 4>with him that night.

749
00:38:43.239 --> 00:38:44.920
<v Speaker 1>Ain't it weird how life works out that way?

750
00:38:45.159 --> 00:38:49.559
<v Speaker 4>It is? And this scene represents to me another thing

751
00:38:49.599 --> 00:38:51.800
<v Speaker 4>that we need to talk about in the movie, which is,

752
00:38:51.840 --> 00:38:55.079
<v Speaker 4>first of all, if I'm in a scenario where anyone

753
00:38:55.119 --> 00:38:58.639
<v Speaker 4>starts doing a skit to me, I'm going to get

754
00:38:58.719 --> 00:39:00.519
<v Speaker 4>up and leave real life.

755
00:39:00.719 --> 00:39:03.159
<v Speaker 1>But you're doing a bit. You don't want to do

756
00:39:03.199 --> 00:39:03.519
<v Speaker 1>a bit.

757
00:39:03.519 --> 00:39:05.639
<v Speaker 4>Right now, my god, don't put there's bits in it.

758
00:39:05.639 --> 00:39:08.199
<v Speaker 1>There's bits in their skits, right, there's bits in their skits.

759
00:39:08.239 --> 00:39:11.039
<v Speaker 1>Bits are organic. Skits is some shit that you had

760
00:39:11.360 --> 00:39:12.800
<v Speaker 1>in your fucking back pockets.

761
00:39:13.039 --> 00:39:14.639
<v Speaker 4>A bit as yeah, a bit as a joke. A

762
00:39:14.679 --> 00:39:18.400
<v Speaker 4>skit is a fucking miming sort of performance. And then

763
00:39:18.400 --> 00:39:20.679
<v Speaker 4>a sketch is what sat in life is trying to achieve. Bill,

764
00:39:20.760 --> 00:39:23.639
<v Speaker 4>Crystal Harry is doing doing a skit, and it drives

765
00:39:23.719 --> 00:39:27.199
<v Speaker 4>me crazy, and it leads to a greater conversation, I believe,

766
00:39:27.480 --> 00:39:30.480
<v Speaker 4>which is, you've chosen to make a movie about the

767
00:39:30.519 --> 00:39:33.000
<v Speaker 4>funniest people on earth, one of the funniest shows of

768
00:39:33.079 --> 00:39:36.000
<v Speaker 4>all time for fifty years. When did you laugh in

769
00:39:36.039 --> 00:39:36.800
<v Speaker 4>the movie, Chris?

770
00:39:36.840 --> 00:39:43.480
<v Speaker 1>Exactly, boy, Rhetorical questions are fun. It can be fun, folks.

771
00:39:43.760 --> 00:39:47.239
<v Speaker 1>I didn't. And again it's because you know it's a biopic,

772
00:39:47.280 --> 00:39:49.880
<v Speaker 1>which means no fun can be had by anyone other

773
00:39:49.920 --> 00:39:54.119
<v Speaker 1>than again, like it was a good dramatic film, but

774
00:39:54.559 --> 00:39:57.880
<v Speaker 1>why is this story being told that way?

775
00:40:00.079 --> 00:40:00.360
<v Speaker 5>Why?

776
00:40:00.800 --> 00:40:03.360
<v Speaker 1>You know what it reminds me of. It's like they

777
00:40:03.400 --> 00:40:06.079
<v Speaker 1>took the last ten minutes of Ghostbusters Afterlife and turned

778
00:40:06.119 --> 00:40:08.559
<v Speaker 1>it into an hour and a half movie, just like

779
00:40:08.559 --> 00:40:11.440
<v Speaker 1>this weird, fucking pastiche of things that you know and

780
00:40:11.480 --> 00:40:14.440
<v Speaker 1>love and have heard of, but now being shown through

781
00:40:14.480 --> 00:40:16.960
<v Speaker 1>the lens of nineteen seventy five SNL. And it's here's

782
00:40:17.039 --> 00:40:19.719
<v Speaker 1>Chevy Chase and he knows he's gonna be a big star,

783
00:40:19.760 --> 00:40:22.760
<v Speaker 1>and here's Dan Ackroyd. It's, yeah, like, what is this

784
00:40:22.880 --> 00:40:25.639
<v Speaker 1>ready player one for the SNL crowd? That's what it

785
00:40:25.639 --> 00:40:29.320
<v Speaker 1>feels like. It's just this fucking pastiche. That's why we

786
00:40:29.320 --> 00:40:32.199
<v Speaker 1>were making the Bill Murray joke early on, because it

787
00:40:32.239 --> 00:40:34.920
<v Speaker 1>is a surprising. There wasn't like an after post credit

788
00:40:34.960 --> 00:40:38.320
<v Speaker 1>scene with Bill Murray. Hey, Lauren, there's this new comedian

789
00:40:38.360 --> 00:40:40.719
<v Speaker 1>we want you to talk to. His name's Bill. Bill

790
00:40:40.800 --> 00:40:43.760
<v Speaker 1>Murray will return in Saturday Night too. That's what this

791
00:40:43.800 --> 00:40:46.559
<v Speaker 1>movie's speaking to in a lot of ways. The you know.

792
00:40:47.400 --> 00:40:51.360
<v Speaker 4>Okay, so there's a scene TwixT Milton Burrow and Chevy

793
00:40:51.440 --> 00:40:54.719
<v Speaker 4>Chase where Chevy Chase had where rather Milton Burrow pulls

794
00:40:54.719 --> 00:40:57.559
<v Speaker 4>out his huge dick. He's famous in Hollywood for having

795
00:40:57.599 --> 00:41:02.000
<v Speaker 4>a huge dick him and Forrest Tucker. Now that did

796
00:41:02.079 --> 00:41:06.440
<v Speaker 4>happen to Zwhy Belle Z Why Belle saw it? But

797
00:41:06.880 --> 00:41:10.760
<v Speaker 4>it wasn't in a confrontational way. Here's what I'll say.

798
00:41:10.800 --> 00:41:13.239
<v Speaker 4>If you're going to include Milton burrole, the only reason

799
00:41:13.320 --> 00:41:16.480
<v Speaker 4>to do so is when he actually appeared on the show.

800
00:41:16.599 --> 00:41:19.039
<v Speaker 4>They were doing a sketch where his character is introduced

801
00:41:19.119 --> 00:41:21.760
<v Speaker 4>late and he did this bullshit von Villian move where

802
00:41:21.760 --> 00:41:23.880
<v Speaker 4>he would start at the back of the stage so

803
00:41:23.960 --> 00:41:27.079
<v Speaker 4>you'd focus on him like while the other characters are talking,

804
00:41:27.199 --> 00:41:28.719
<v Speaker 4>and then he would walk all the way up to

805
00:41:28.719 --> 00:41:31.079
<v Speaker 4>the front, so he's the focus no matter what is happening.

806
00:41:31.440 --> 00:41:33.280
<v Speaker 4>And Bill Murray knew he was going to do it,

807
00:41:33.559 --> 00:41:36.199
<v Speaker 4>so he got in the way and blocked him the

808
00:41:36.360 --> 00:41:39.559
<v Speaker 4>entire way up. That to me is so much more

809
00:41:39.599 --> 00:41:42.519
<v Speaker 4>of a fuck you than just a trading barbes with

810
00:41:42.639 --> 00:41:45.360
<v Speaker 4>Chevy Chase, because they're doing it on the air in

811
00:41:45.440 --> 00:41:49.960
<v Speaker 4>this medium that Milton Burrow like claims ownership of I

812
00:41:50.000 --> 00:41:52.880
<v Speaker 4>get no, I get why they're doing the ninety minutes beforehand.

813
00:41:53.039 --> 00:41:55.719
<v Speaker 4>I get the idea, but they've absolutely cut their own

814
00:41:55.760 --> 00:41:57.960
<v Speaker 4>legs down from under themselves. Because there are so many

815
00:41:58.000 --> 00:42:02.079
<v Speaker 4>fascinating stories about Saturday Night Live. You've just genius and

816
00:42:02.159 --> 00:42:04.719
<v Speaker 4>most of them, and you're adding in stuff that you

817
00:42:04.800 --> 00:42:07.079
<v Speaker 4>don't need at all. I don't know. I think this

818
00:42:07.199 --> 00:42:08.559
<v Speaker 4>movie is a beautiful failure.

819
00:42:08.800 --> 00:42:10.880
<v Speaker 1>Yeah, and I don't think it tries hard enough. With

820
00:42:11.000 --> 00:42:14.480
<v Speaker 1>material that's so rich, you don't need to really try

821
00:42:14.519 --> 00:42:17.400
<v Speaker 1>that hard to adapt it. It adapts itself, for fuck's sake.

822
00:42:17.920 --> 00:42:20.599
<v Speaker 1>The book is an oral history. That means they just

823
00:42:20.679 --> 00:42:23.239
<v Speaker 1>talk to the people and ask them questions, and then

824
00:42:23.239 --> 00:42:26.239
<v Speaker 1>they turned it into a goddamn book because the narrative

825
00:42:26.280 --> 00:42:30.400
<v Speaker 1>tells itself, for fuck's sake. That's what an oral history is.

826
00:42:30.880 --> 00:42:34.039
<v Speaker 1>And here we have the filmic equivalent of just reading

827
00:42:34.079 --> 00:42:36.840
<v Speaker 1>the back of a serial box and then the best

828
00:42:36.920 --> 00:42:39.840
<v Speaker 1>hits it is and now that's SNL. You know those

829
00:42:39.840 --> 00:42:42.679
<v Speaker 1>CDs and now those hits. It's just condense it all

830
00:42:42.679 --> 00:42:45.440
<v Speaker 1>down into one thing. But you can't do that with

831
00:42:45.519 --> 00:42:47.840
<v Speaker 1>something like this. This is Look, it's coming out in

832
00:42:47.880 --> 00:42:51.199
<v Speaker 1>the fiftieth year or the year before the fiftieth year

833
00:42:51.239 --> 00:42:55.199
<v Speaker 1>of SNL correct twenty twenty five is fifty years of SNL. No, like,

834
00:42:55.960 --> 00:42:57.880
<v Speaker 1>this is a thing that should be a love letter

835
00:42:57.920 --> 00:43:01.960
<v Speaker 1>to the people that love SNL, not a grimmer for

836
00:43:02.000 --> 00:43:04.480
<v Speaker 1>people who have no fucking idea what this story is

837
00:43:04.519 --> 00:43:07.159
<v Speaker 1>so that they can get away with inserting horseshit and

838
00:43:07.199 --> 00:43:08.960
<v Speaker 1>trying to pass it off as happening.

839
00:43:10.199 --> 00:43:12.000
<v Speaker 4>Yeah, that goes for both of us. I think it

840
00:43:12.039 --> 00:43:15.719
<v Speaker 4>goes for people who don't know the history. But you

841
00:43:15.760 --> 00:43:17.599
<v Speaker 4>give them the honest story, but then give us the

842
00:43:17.639 --> 00:43:20.119
<v Speaker 4>honest story too. You keep mentioning the book Live from

843
00:43:20.159 --> 00:43:22.599
<v Speaker 4>New York. The OORL has the uncensored History of Satday

844
00:43:22.639 --> 00:43:25.760
<v Speaker 4>Night Live. That's Tom Shales and James Andrew Miller's book,

845
00:43:25.800 --> 00:43:27.519
<v Speaker 4>and it is essential if you want to know anything

846
00:43:27.519 --> 00:43:29.719
<v Speaker 4>about the history of Centerate Live. I definitely get it,

847
00:43:29.719 --> 00:43:32.519
<v Speaker 4>because you're going to get it from the beginning up

848
00:43:32.599 --> 00:43:34.719
<v Speaker 4>until the present or the present when the book came out,

849
00:43:34.719 --> 00:43:37.159
<v Speaker 4>which was like it right twenty years ago now. But

850
00:43:37.480 --> 00:43:41.079
<v Speaker 4>I would say this book, which is Saturday Night a

851
00:43:41.119 --> 00:43:44.000
<v Speaker 4>Backstage History of Saturday Night Live by Doug Hill and

852
00:43:44.119 --> 00:43:47.199
<v Speaker 4>Jeff Weingrad, is the actual book to get if you're

853
00:43:47.239 --> 00:43:50.119
<v Speaker 4>interested in the early years of Saturday Night Live. Because

854
00:43:50.199 --> 00:43:53.679
<v Speaker 4>they covered from seventy five to eighty five basically, so

855
00:43:53.719 --> 00:43:58.519
<v Speaker 4>those ten years, and they get real granular, like I

856
00:43:58.639 --> 00:44:00.840
<v Speaker 4>know as much as I know because of this book.

857
00:44:00.920 --> 00:44:03.800
<v Speaker 4>And everyone was talking to these guys at the time,

858
00:44:04.039 --> 00:44:06.400
<v Speaker 4>so they got a lot of the dirt and a

859
00:44:06.400 --> 00:44:08.599
<v Speaker 4>lot of the minutia. How do I know that those

860
00:44:08.599 --> 00:44:11.039
<v Speaker 4>bricks were late at six am the night before because

861
00:44:11.079 --> 00:44:13.880
<v Speaker 4>of this book, because they talked to Eugene Lee and

862
00:44:14.159 --> 00:44:16.880
<v Speaker 4>Leo Yoshimura and the stage hands who were pissed off.

863
00:44:17.360 --> 00:44:20.199
<v Speaker 4>So I would encourage everyone to see to read those

864
00:44:20.199 --> 00:44:24.280
<v Speaker 4>if you want a more a rounder appreciation of what

865
00:44:24.400 --> 00:44:26.880
<v Speaker 4>actually happened. And here's another thing I want to say.

866
00:44:27.079 --> 00:44:29.480
<v Speaker 4>You go, you decide you're making this Center in a

867
00:44:29.480 --> 00:44:31.159
<v Speaker 4>live movie. You're going to make it in this ninety

868
00:44:31.159 --> 00:44:33.960
<v Speaker 4>minute format, just like Center Alive. Right, that's the structure

869
00:44:33.960 --> 00:44:39.559
<v Speaker 4>you're going to do because you're care being experimental with it, right, Okay, Now,

870
00:44:39.599 --> 00:44:43.079
<v Speaker 4>then cast six people and have them play every fucking

871
00:44:43.159 --> 00:44:45.719
<v Speaker 4>part because you're doing Saturday Night Live, right. You Sure

872
00:44:45.760 --> 00:44:48.039
<v Speaker 4>you can have musical guests, and you can have other

873
00:44:48.280 --> 00:44:51.239
<v Speaker 4>guest performers and stuff and a host, but really get

874
00:44:51.280 --> 00:44:54.039
<v Speaker 4>six performers, dress them up like those fucking people and

875
00:44:54.039 --> 00:44:55.920
<v Speaker 4>then have them perform every fucking role in the movie.

876
00:44:56.039 --> 00:44:58.519
<v Speaker 4>I think if you want to go audacious and do that.

877
00:44:58.199 --> 00:45:01.400
<v Speaker 1>That's creative. That's an idea worth getting excited about.

878
00:45:02.280 --> 00:45:04.639
<v Speaker 4>It's no less valid than making up a bunch of

879
00:45:04.679 --> 00:45:06.639
<v Speaker 4>shit that did not happen on the day just for

880
00:45:06.719 --> 00:45:07.480
<v Speaker 4>dramatic effect.

881
00:45:07.960 --> 00:45:10.119
<v Speaker 1>That's what I mean. I remember that Bob Dylan movie

882
00:45:10.119 --> 00:45:13.280
<v Speaker 1>that had five different interpretations of Bob Dylan, and now

883
00:45:13.280 --> 00:45:17.360
<v Speaker 1>we're just getting Timothy Shallomy as Bob Dylan. Who fucking cares.

884
00:45:17.719 --> 00:45:21.119
<v Speaker 1>Give me a fucking break. Do something original with the

885
00:45:21.119 --> 00:45:25.000
<v Speaker 1>fucking idea, because just telling the story linearly can be

886
00:45:25.079 --> 00:45:28.039
<v Speaker 1>done already. That's called books. But now we're just making

887
00:45:28.079 --> 00:45:30.280
<v Speaker 1>shit up for the sake of making shit up. If

888
00:45:30.280 --> 00:45:32.800
<v Speaker 1>we're like you said, if we're just gonna make shit up,

889
00:45:33.320 --> 00:45:34.039
<v Speaker 1>let's go for.

890
00:45:34.000 --> 00:45:36.719
<v Speaker 4>It, I will say. In the movie's favorite, at least

891
00:45:36.840 --> 00:45:42.079
<v Speaker 4>avoids the walk hard Dewey Cox's story convention of people

892
00:45:42.199 --> 00:45:45.000
<v Speaker 4>just saying the full name of another character so we

893
00:45:45.079 --> 00:45:48.840
<v Speaker 4>know who they are. But it does make the sort

894
00:45:48.840 --> 00:45:52.559
<v Speaker 4>of fumble of walking past the camera moves past the

895
00:45:52.639 --> 00:45:56.480
<v Speaker 4>page desk where two characters are saying the package should

896
00:45:56.480 --> 00:45:59.599
<v Speaker 4>be addressed Al Franken and Tom Davis. Oh my god,

897
00:45:59.760 --> 00:46:03.559
<v Speaker 4>that's just one step down from Hi there, John Lennon.

898
00:46:03.880 --> 00:46:05.719
<v Speaker 4>Nice to meet you, buddy, Holly.

899
00:46:07.800 --> 00:46:11.039
<v Speaker 1>And that's what Walk Hard took to task with biopicks

900
00:46:11.079 --> 00:46:13.679
<v Speaker 1>in general. And this is a biopic, it just happens

901
00:46:13.679 --> 00:46:16.519
<v Speaker 1>to be a very specific kind of biopic that normally,

902
00:46:16.559 --> 00:46:18.519
<v Speaker 1>when done this way, doesn't fumble this Hard.

903
00:46:19.039 --> 00:46:21.199
<v Speaker 4>Yeah, if you're doing anything they're doing in Walk Hard,

904
00:46:21.280 --> 00:46:24.280
<v Speaker 4>you need to rethink it. Just don't do that. Yeah,

905
00:46:24.400 --> 00:46:27.079
<v Speaker 4>everything is in that movie for very specific reason. It's

906
00:46:27.559 --> 00:46:31.159
<v Speaker 4>a lesson book for biopicks on what exactly not to do.

907
00:46:31.159 --> 00:46:32.360
<v Speaker 4>Don't do those things.

908
00:46:32.440 --> 00:46:34.639
<v Speaker 1>I'm surprised it's not in this movie, but we're three

909
00:46:34.679 --> 00:46:37.199
<v Speaker 1>quarters of the way there, Like having Lorne Michael's on

910
00:46:37.239 --> 00:46:40.079
<v Speaker 1>his deathbed telling someone the story of the first Saturday

911
00:46:40.159 --> 00:46:42.840
<v Speaker 1>Night Live, Like, I'm shocked we're not doing that. Like,

912
00:46:43.440 --> 00:46:46.400
<v Speaker 1>I'm shocked because the movie does pretty much everything else

913
00:46:46.400 --> 00:46:50.440
<v Speaker 1>that you would hold against biopicks. It really does. You

914
00:46:50.480 --> 00:46:53.599
<v Speaker 1>don't want none of this, Like we have similar scenes

915
00:46:53.639 --> 00:46:54.559
<v Speaker 1>to that, sure do.

916
00:46:54.679 --> 00:46:58.960
<v Speaker 4>We've got the We've got Garrett Morris tempted with cocaine

917
00:46:58.760 --> 00:47:03.400
<v Speaker 4>by by evil Preston Band that eventually Belushi sniffs off

918
00:47:03.400 --> 00:47:04.519
<v Speaker 4>of him.

919
00:47:05.199 --> 00:47:07.519
<v Speaker 1>You don't want none of this, Garrett Morris?

920
00:47:07.800 --> 00:47:09.280
<v Speaker 4>The fuck? Why am I here?

921
00:47:10.119 --> 00:47:13.039
<v Speaker 1>Yeah? Oh wow? The movie is I heard a lot

922
00:47:13.079 --> 00:47:17.079
<v Speaker 1>about the West Coast woke liberal leftist elites, and the

923
00:47:17.159 --> 00:47:19.039
<v Speaker 1>movie is like of the movie Three Quarters Away, just

924
00:47:19.079 --> 00:47:21.760
<v Speaker 1>goes Garrett Morris is on SNL because he was black,

925
00:47:21.800 --> 00:47:24.199
<v Speaker 1>apparently is what the movie wants us to think, which.

926
00:47:24.000 --> 00:47:26.280
<v Speaker 4>Is true and just come out and fucking say it.

927
00:47:26.400 --> 00:47:28.840
<v Speaker 4>Let me tell you one of my very earliest memories

928
00:47:29.800 --> 00:47:34.239
<v Speaker 4>I have several, but one of them, very vividly, is

929
00:47:34.880 --> 00:47:40.159
<v Speaker 4>Dan Ackroyd dressed as Julia Child cutting himself and blood

930
00:47:40.360 --> 00:47:45.679
<v Speaker 4>spurting all over the kitchen, right, and my parents cackling

931
00:47:45.920 --> 00:47:51.079
<v Speaker 4>with laughter over it. It is an incredibly formative image

932
00:47:51.119 --> 00:47:55.960
<v Speaker 4>and moment in my young life, right, And that set

933
00:47:56.039 --> 00:47:59.360
<v Speaker 4>up for the sketches portrayed here in this movie, that

934
00:47:59.480 --> 00:48:03.000
<v Speaker 4>sketches from season four of Saturday Night Live. I know

935
00:48:03.119 --> 00:48:05.360
<v Speaker 4>that because I was born in seventy three and would

936
00:48:05.400 --> 00:48:08.320
<v Speaker 4>not have been able to see anything prior to that

937
00:48:08.440 --> 00:48:13.960
<v Speaker 4>on television, certainly not remember it. Another moment, where why

938
00:48:14.000 --> 00:48:17.920
<v Speaker 4>are you bringing this here into this movie? Was there

939
00:48:17.960 --> 00:48:18.440
<v Speaker 4>not an.

940
00:48:18.639 --> 00:48:21.280
<v Speaker 1>Fan service, like I said, Ghostbusters after.

941
00:48:21.119 --> 00:48:23.719
<v Speaker 4>A lit so they could get him getting splashed with

942
00:48:23.800 --> 00:48:26.199
<v Speaker 4>blood and giving up and have the Edwood moment of

943
00:48:26.239 --> 00:48:27.800
<v Speaker 4>the movie, which is when he goes to the bar,

944
00:48:28.760 --> 00:48:31.239
<v Speaker 4>the got to go meet Dorson Wells moment.

945
00:48:31.360 --> 00:48:35.679
<v Speaker 1>Everybody's done this movie before. The movie just doesn't care

946
00:48:36.039 --> 00:48:37.360
<v Speaker 1>that somebody's done it already.

947
00:48:37.840 --> 00:48:38.519
<v Speaker 4>Beautiful things.

948
00:48:38.559 --> 00:48:41.880
<v Speaker 1>It's not that it even doesn't care. Yeah, I'm just

949
00:48:41.880 --> 00:48:43.119
<v Speaker 1>gonna don't know. I've seen it.

950
00:48:43.400 --> 00:48:43.960
<v Speaker 4>I'm not going to do.

951
00:48:44.159 --> 00:48:47.159
<v Speaker 1>I've seen worse. I've seen worse biopicks, I really have.

952
00:48:47.280 --> 00:48:51.480
<v Speaker 1>I've seen lazier biopicks. This. While this is a lazy biopic,

953
00:48:51.599 --> 00:48:55.199
<v Speaker 1>it still has some redeeming quality because this is probably

954
00:48:55.199 --> 00:48:58.400
<v Speaker 1>going to be the only other time that this story

955
00:48:58.480 --> 00:49:00.320
<v Speaker 1>is told, because now they've unless somebody will to do

956
00:49:00.360 --> 00:49:03.079
<v Speaker 1>a Chevy Chase movie or a Gilda Radner movie or

957
00:49:03.119 --> 00:49:04.480
<v Speaker 1>a John Belushi movie.

958
00:49:04.920 --> 00:49:07.320
<v Speaker 4>So that's the shame of it that makes it a

959
00:49:07.440 --> 00:49:10.639
<v Speaker 4>definitive right. Yeah, That's what actually bothers me about this

960
00:49:11.079 --> 00:49:16.119
<v Speaker 4>is because literally a six episode mini series hour long

961
00:49:16.119 --> 00:49:19.000
<v Speaker 4>episodes could have told the story of Early Center and

962
00:49:19.119 --> 00:49:23.639
<v Speaker 4>live in all of its crazy glory, and we would

963
00:49:23.639 --> 00:49:25.440
<v Speaker 4>have gotten to know. I would like to have known

964
00:49:25.559 --> 00:49:28.840
<v Speaker 4>what Gilda Radner was thinking when she moved down to

965
00:49:28.920 --> 00:49:33.239
<v Speaker 4>New York, being alone in the city. You know what

966
00:49:33.320 --> 00:49:36.039
<v Speaker 4>was dan Aykroyd doing? I know what he was doing,

967
00:49:36.159 --> 00:49:39.320
<v Speaker 4>but why were we portraying some of that? That The

968
00:49:39.360 --> 00:49:42.280
<v Speaker 4>lives of these characters are rich and crazy and fun

969
00:49:42.320 --> 00:49:45.079
<v Speaker 4>and full. But all they wanted to hear is tell

970
00:49:45.119 --> 00:49:48.280
<v Speaker 4>the story about Lauren Michael's fighting the man, as if

971
00:49:48.320 --> 00:49:53.159
<v Speaker 4>we haven't lionized Lorne Michael's enough, and we're about to

972
00:49:53.679 --> 00:49:56.840
<v Speaker 4>on a grand scale, like in just a couple of

973
00:49:56.920 --> 00:50:00.280
<v Speaker 4>weeks is the fiftieth anniversary special where it's going to

974
00:50:00.320 --> 00:50:02.400
<v Speaker 4>be a love fest for Laurne Michaels, and God bless

975
00:50:02.440 --> 00:50:04.960
<v Speaker 4>Laurne Michaels. It was his vision. He did pull it together.

976
00:50:05.000 --> 00:50:07.719
<v Speaker 4>He still has maintained it for fifty years. There's nothing

977
00:50:07.960 --> 00:50:11.880
<v Speaker 4>like him. I just don't know that we needed a

978
00:50:11.960 --> 00:50:14.960
<v Speaker 4>focus solely on him. I don't know that I needed

979
00:50:15.000 --> 00:50:18.159
<v Speaker 4>to hear Rosie Schuster give me his sad, sack, bad

980
00:50:18.719 --> 00:50:23.480
<v Speaker 4>backstory in this movie. When I came away not knowing

981
00:50:23.599 --> 00:50:28.079
<v Speaker 4>one more thing about anyone involved in this cast or

982
00:50:28.320 --> 00:50:30.159
<v Speaker 4>well on Loris well.

983
00:50:30.000 --> 00:50:31.679
<v Speaker 1>On Lorne Michaels in a lot of ways feels like

984
00:50:31.719 --> 00:50:34.199
<v Speaker 1>a cipher in the movie. Anyways, he's I mean, he's there.

985
00:50:34.400 --> 00:50:38.639
<v Speaker 1>It's fine. But again, he's the main character of the movie.

986
00:50:38.679 --> 00:50:41.320
<v Speaker 1>But inasmuch as there are any characters in the movie

987
00:50:41.320 --> 00:50:45.199
<v Speaker 1>more than just lines being said to what end, nobody

988
00:50:45.199 --> 00:50:51.159
<v Speaker 1>feels like a real character. Nobody feels like he actually about.

989
00:50:50.280 --> 00:50:52.880
<v Speaker 4>Lauren Michaels, though you would come away knowing something about

990
00:50:53.159 --> 00:50:56.119
<v Speaker 4>Lauren Michaels. Can you even tell me who Anne Beats

991
00:50:56.199 --> 00:50:57.000
<v Speaker 4>was in this movie?

992
00:50:57.320 --> 00:50:57.559
<v Speaker 1>Nope?

993
00:50:58.039 --> 00:50:58.719
<v Speaker 4>Yeah, exactly?

994
00:50:58.719 --> 00:50:59.800
<v Speaker 1>What about Lorraine Newman?

995
00:51:00.159 --> 00:51:01.400
<v Speaker 4>What about Lorraine Newman?

996
00:51:02.599 --> 00:51:03.559
<v Speaker 1>Or about Jane Curtin.

997
00:51:04.480 --> 00:51:07.960
<v Speaker 4>Yeah, I don't know anybody anymore than I did. And

998
00:51:08.239 --> 00:51:10.320
<v Speaker 4>maybe that's not the movie that they were making, but

999
00:51:10.559 --> 00:51:12.400
<v Speaker 4>that's the movie that we needed.

1000
00:51:12.920 --> 00:51:14.639
<v Speaker 1>That's the movie that you wanted, and that's the movie

1001
00:51:14.639 --> 00:51:16.960
<v Speaker 1>that I wanted, and that's the movie that needed to happen,

1002
00:51:17.000 --> 00:51:22.320
<v Speaker 1>because again, SNL is a cultural touchstone for a reason.

1003
00:51:23.000 --> 00:51:25.440
<v Speaker 1>You could make a show about the creation and the

1004
00:51:25.480 --> 00:51:27.559
<v Speaker 1>writer's room of the Simpsons in the same way you're

1005
00:51:27.559 --> 00:51:30.679
<v Speaker 1>making a movie but Saturday Night Live. These are cultural

1006
00:51:30.760 --> 00:51:33.639
<v Speaker 1>touchstones for people that matter. And I would hope that

1007
00:51:33.679 --> 00:51:36.199
<v Speaker 1>if you did something similarly for a cultural touchdowne Like

1008
00:51:36.239 --> 00:51:38.679
<v Speaker 1>the Simpsons, you would give a fuck about what you're

1009
00:51:38.679 --> 00:51:41.760
<v Speaker 1>doing and actually portray it interestingly, not just as a

1010
00:51:41.760 --> 00:51:44.880
<v Speaker 1>bunch of people rattling off what we all know they're

1011
00:51:44.920 --> 00:51:47.639
<v Speaker 1>going to say. Anyways. Garrett Morris didn't know why he

1012
00:51:47.760 --> 00:51:51.519
<v Speaker 1>was there, Chevy Chase was an asshole, dan Ackroyd's a weirdo,

1013
00:51:51.719 --> 00:51:54.679
<v Speaker 1>and John Belushi was unhinged. Wow, I knew all of

1014
00:51:54.719 --> 00:51:56.920
<v Speaker 1>that ahead of time. And I think anybody who goes

1015
00:51:56.960 --> 00:51:59.079
<v Speaker 1>to watch this movie is going to anyways, because that's

1016
00:51:59.079 --> 00:52:01.000
<v Speaker 1>the other question, right oly at the end of the day,

1017
00:52:01.519 --> 00:52:04.719
<v Speaker 1>is a nineteen year old watching this movie? No? Who

1018
00:52:04.800 --> 00:52:08.320
<v Speaker 1>is watching this movie? You me people in between our

1019
00:52:08.360 --> 00:52:10.559
<v Speaker 1>age group, maybe people a little bit older than you,

1020
00:52:10.880 --> 00:52:14.880
<v Speaker 1>but probably not people much older than Maybe. I wouldn't

1021
00:52:14.880 --> 00:52:17.400
<v Speaker 1>think people much older than you would be watching this movie.

1022
00:52:17.760 --> 00:52:20.000
<v Speaker 1>Just watch sketches from SNL in a lot of ways.

1023
00:52:20.800 --> 00:52:24.480
<v Speaker 4>Yeah, if you've got a Peacock subscription, dive in YouTube.

1024
00:52:25.079 --> 00:52:29.239
<v Speaker 4>All fifty seasons are available on peacock right now. Last

1025
00:52:29.320 --> 00:52:32.679
<v Speaker 4>night I watched the first episode of Centerate Live again,

1026
00:52:33.280 --> 00:52:35.519
<v Speaker 4>and it is a mess. Here's another thing that they

1027
00:52:35.519 --> 00:52:39.000
<v Speaker 4>didn't really touch on and I wish they had, which

1028
00:52:39.159 --> 00:52:43.559
<v Speaker 4>was Paul Simon was a really good friend of Louren Michaels.

1029
00:52:43.559 --> 00:52:46.000
<v Speaker 4>He hosted the second episode of Center Life. There were

1030
00:52:46.039 --> 00:52:49.000
<v Speaker 4>a bunch of very established people who were friends of

1031
00:52:49.079 --> 00:52:52.039
<v Speaker 4>Lorne Michaels, were acquaintances who also wanted to host the

1032
00:52:52.079 --> 00:52:55.320
<v Speaker 4>first episode of Senate Live, and he put them all off.

1033
00:52:56.039 --> 00:52:58.480
<v Speaker 4>And do you know why, because he knew the first

1034
00:52:58.480 --> 00:53:01.280
<v Speaker 4>episode is going to be a disastin no matter what happened.

1035
00:53:01.480 --> 00:53:03.760
<v Speaker 4>Wanted to work out all the kinks and start fresh

1036
00:53:03.760 --> 00:53:05.679
<v Speaker 4>in the second, which is exactly what they did. The

1037
00:53:05.679 --> 00:53:09.440
<v Speaker 4>show would hit its stride, by the way, with the

1038
00:53:09.559 --> 00:53:12.440
<v Speaker 4>Candice Bergen episode, which is how this movie should have ended.

1039
00:53:14.719 --> 00:53:17.280
<v Speaker 4>Just Sam, would you recommend the movie?

1040
00:53:17.360 --> 00:53:17.639
<v Speaker 1>Chris?

1041
00:53:17.719 --> 00:53:19.800
<v Speaker 4>Would you recommend people go to the theater and pay

1042
00:53:19.840 --> 00:53:20.440
<v Speaker 4>for this movie?

1043
00:53:20.559 --> 00:53:24.360
<v Speaker 1>No? I would not. Again again, that's what I was. Ultimately,

1044
00:53:24.800 --> 00:53:27.000
<v Speaker 1>what you're talking about, in a lot of ways is

1045
00:53:27.039 --> 00:53:29.400
<v Speaker 1>exactly what I'm talking about. I think it's just we're

1046
00:53:29.400 --> 00:53:31.599
<v Speaker 1>saying the same thing here, which is who is this for?

1047
00:53:31.719 --> 00:53:34.079
<v Speaker 1>And why would someone go see it? And I don't

1048
00:53:34.119 --> 00:53:36.159
<v Speaker 1>know who this movie's for, and I don't know why

1049
00:53:36.159 --> 00:53:38.159
<v Speaker 1>anyone would go and see it, because if you know

1050
00:53:38.280 --> 00:53:41.519
<v Speaker 1>enough about SNL, you're probably gonna avoid this because this

1051
00:53:41.639 --> 00:53:43.960
<v Speaker 1>is not speaking to the reality of it was. And

1052
00:53:44.000 --> 00:53:46.639
<v Speaker 1>if you don't know anything about SNL, this is not

1053
00:53:46.760 --> 00:53:49.239
<v Speaker 1>something you're going to be interested in because I just again,

1054
00:53:49.239 --> 00:53:52.320
<v Speaker 1>I don't think it's doing enough to warrant anyone who's

1055
00:53:52.360 --> 00:53:54.960
<v Speaker 1>not at least somewhat aware to come into the fold.

1056
00:53:55.280 --> 00:53:57.320
<v Speaker 1>This movie suffers from the one thing that so many

1057
00:53:57.320 --> 00:53:59.400
<v Speaker 1>other things suffer from that we've talked about in the past,

1058
00:53:59.400 --> 00:54:01.559
<v Speaker 1>which is it's making me think of other things that

1059
00:54:01.599 --> 00:54:04.280
<v Speaker 1>are actually good that aren't this, that I'd rather be watching.

1060
00:54:04.519 --> 00:54:07.719
<v Speaker 1>In this movie's case, it's sketches from SNL, which is

1061
00:54:07.760 --> 00:54:10.400
<v Speaker 1>what you're aping. Just let me watch those then with

1062
00:54:10.480 --> 00:54:13.039
<v Speaker 1>the real people, and I'll enjoy that a lot more.

1063
00:54:13.159 --> 00:54:16.000
<v Speaker 1>We talked about The Doors recently, and I have subsequently

1064
00:54:16.039 --> 00:54:18.840
<v Speaker 1>watched that movie like five more times, and I really

1065
00:54:18.920 --> 00:54:20.800
<v Speaker 1>enjoy it a lot more. And I will tell you why,

1066
00:54:21.239 --> 00:54:24.519
<v Speaker 1>because of the recreation and just creation of things of

1067
00:54:24.559 --> 00:54:27.840
<v Speaker 1>it all. Everything in between, everything in between those scenes

1068
00:54:27.880 --> 00:54:30.840
<v Speaker 1>in the movie is nothing that I not necessarily care about,

1069
00:54:30.840 --> 00:54:33.480
<v Speaker 1>but nothing I'm there for. Why would we try to

1070
00:54:33.519 --> 00:54:36.360
<v Speaker 1>recreate things that are in the world that can be

1071
00:54:36.400 --> 00:54:39.239
<v Speaker 1>consumed in a minute and a half because most again,

1072
00:54:39.280 --> 00:54:42.039
<v Speaker 1>most of the best sketches of early SNL aren't sitting

1073
00:54:42.079 --> 00:54:44.719
<v Speaker 1>at ten minutes long. They're they're not.

1074
00:54:44.960 --> 00:54:47.360
<v Speaker 4>That's Oh, actually, I'm now going to tell you to

1075
00:54:47.400 --> 00:54:49.360
<v Speaker 4>go back and watch some'm early sat in Alive, because

1076
00:54:49.599 --> 00:54:53.280
<v Speaker 4>am I The sketches are enormous, they go on. There

1077
00:54:53.360 --> 00:54:57.000
<v Speaker 4>is so much chaff in the wheat in early SNL.

1078
00:54:57.199 --> 00:54:58.840
<v Speaker 1>Maybe I wanted to give it the benefit of the day.

1079
00:54:58.920 --> 00:55:02.119
<v Speaker 4>You will you will be shocked how much bad material

1080
00:55:02.239 --> 00:55:04.760
<v Speaker 4>got on the air. But that's part of it. It's

1081
00:55:05.119 --> 00:55:06.079
<v Speaker 4>part of its history.

1082
00:55:06.239 --> 00:55:08.559
<v Speaker 1>It's part of honing the blade of what they were doing.

1083
00:55:08.760 --> 00:55:11.880
<v Speaker 1>It doesn't come out fully formed, it comes out formed enough.

1084
00:55:12.360 --> 00:55:14.960
<v Speaker 1>It's been honed and sharpened for fifty fucking years.

1085
00:55:15.000 --> 00:55:17.480
<v Speaker 4>At this point, I'd brought up the Doors movie because

1086
00:55:17.840 --> 00:55:20.000
<v Speaker 4>I think when we were talking about that, I mentioned

1087
00:55:20.119 --> 00:55:22.960
<v Speaker 4>this movie in relation to that, because that's a movie

1088
00:55:23.039 --> 00:55:27.480
<v Speaker 4>that is total garbage. It is historically all over the place,

1089
00:55:27.679 --> 00:55:29.519
<v Speaker 4>and I still fucking love it.

1090
00:55:29.519 --> 00:55:33.000
<v Speaker 1>It's faky, it's false in every way, shapen.

1091
00:55:32.719 --> 00:55:35.599
<v Speaker 4>For but I still love it for the reasons you mentioned,

1092
00:55:35.639 --> 00:55:37.719
<v Speaker 4>which is the recreation of the time and the place

1093
00:55:37.760 --> 00:55:40.199
<v Speaker 4>and the performance is going on, and all the effort,

1094
00:55:40.239 --> 00:55:43.119
<v Speaker 4>it's all paying off. It's just that the script isn't

1095
00:55:43.159 --> 00:55:46.639
<v Speaker 4>supporting it. In the filmmaking that's mostly supporting it. Here

1096
00:55:46.760 --> 00:55:49.960
<v Speaker 4>it's the same thing. And I imagine after a few

1097
00:55:50.119 --> 00:55:53.280
<v Speaker 4>years and maybe a couple more viewings of this movie,

1098
00:55:53.639 --> 00:55:56.599
<v Speaker 4>I can appreciate it the way that I appreciate the

1099
00:55:56.639 --> 00:56:00.800
<v Speaker 4>Doors movie, which is what I would recommend about the movie,

1100
00:56:01.079 --> 00:56:04.320
<v Speaker 4>which is I think all of these performances are great.

1101
00:56:04.440 --> 00:56:06.599
<v Speaker 4>I love the look of the movie. I love the

1102
00:56:06.639 --> 00:56:09.679
<v Speaker 4>recreation of aid Ah at the time. I love seeing

1103
00:56:09.719 --> 00:56:12.519
<v Speaker 4>all the old props and all the people. I loved

1104
00:56:12.519 --> 00:56:15.360
<v Speaker 4>being able to just look at a scene and look

1105
00:56:15.360 --> 00:56:18.679
<v Speaker 4>at the characters on screen and know everybody down to

1106
00:56:18.800 --> 00:56:22.320
<v Speaker 4>like stage hands, who they were, Like, I recognize Joe Disco,

1107
00:56:22.800 --> 00:56:25.480
<v Speaker 4>that's you gotta be the fanatic to recognize that guy

1108
00:56:25.519 --> 00:56:27.719
<v Speaker 4>in this fucking movie. I love all of that, and

1109
00:56:27.800 --> 00:56:30.960
<v Speaker 4>I think people should watch the movie when it's available

1110
00:56:31.039 --> 00:56:34.719
<v Speaker 4>for streaming, with a hope that they will then go

1111
00:56:34.800 --> 00:56:38.800
<v Speaker 4>read Saturday Night and Live from New York and then

1112
00:56:39.360 --> 00:56:42.599
<v Speaker 4>I recommended this movie over this movie. We already mentioned it.

1113
00:56:42.679 --> 00:56:46.280
<v Speaker 4>The Feudal and stupid gesture the Doug Kenny movie, because

1114
00:56:46.480 --> 00:56:49.280
<v Speaker 4>you're also going to get most of the characters here.

1115
00:56:49.599 --> 00:56:52.239
<v Speaker 4>Gilda Radner shows up in there, played by Jackie Tone

1116
00:56:52.360 --> 00:56:55.280
<v Speaker 4>does a I'm sorry, a much better job of Gilda Radner.

1117
00:56:55.480 --> 00:56:57.800
<v Speaker 4>There's a Belushi in there we get. We get Joel

1118
00:56:57.840 --> 00:57:01.679
<v Speaker 4>McHale Chevy Chase's coast are playing Chemmy Chase in that movie.

1119
00:57:01.719 --> 00:57:04.239
<v Speaker 4>He does a great job in that too. That movie

1120
00:57:04.960 --> 00:57:05.760
<v Speaker 4>covers a lot of.

1121
00:57:06.039 --> 00:57:07.159
<v Speaker 1>A talk show hosts.

1122
00:57:07.559 --> 00:57:09.639
<v Speaker 4>Yeah, and you know what, we even get Lauren Michaels here,

1123
00:57:09.679 --> 00:57:13.679
<v Speaker 4>because Doug Kenny felt like Lauren Michaels basically just fucking

1124
00:57:14.000 --> 00:57:17.320
<v Speaker 4>ripped off the Lampoon Radio show and National Lampoon in

1125
00:57:17.360 --> 00:57:19.960
<v Speaker 4>general and poached all of his best talent and what

1126
00:57:20.119 --> 00:57:22.679
<v Speaker 4>made his show. They don't cover that in the legend

1127
00:57:22.719 --> 00:57:27.159
<v Speaker 4>of Laurne Michaels here, that he basically stole all the

1128
00:57:27.239 --> 00:57:30.159
<v Speaker 4>talent from other areas and slapped it into his thing.

1129
00:57:30.519 --> 00:57:32.599
<v Speaker 1>Might make Lorne Michaels the villain of the movie.

1130
00:57:33.519 --> 00:57:36.159
<v Speaker 4>God, wouldn't that have been interesting? They could have taken

1131
00:57:36.199 --> 00:57:37.239
<v Speaker 4>that stand.

1132
00:57:37.360 --> 00:57:40.239
<v Speaker 1>As opposed to romanticizing the living shit out of it,

1133
00:57:40.480 --> 00:57:45.199
<v Speaker 1>just like Steven Spielberg did with the Fableman's Oh my again,

1134
00:57:45.639 --> 00:57:48.960
<v Speaker 1>apropo given who plays Lorne Michaels.

1135
00:57:49.239 --> 00:57:51.079
<v Speaker 4>I guess if you cast that kid as Hitler, we're

1136
00:57:51.079 --> 00:57:52.840
<v Speaker 4>gonna get a sweet and fuzzy Hitler.

1137
00:57:53.400 --> 00:57:56.280
<v Speaker 1>I was gonna say, who can Gabriel label play next?

1138
00:57:56.360 --> 00:57:59.960
<v Speaker 1>Who's the next titan of pop culture and or television

1139
00:58:00.079 --> 00:58:02.400
<v Speaker 1>or movies that he can play? What's waiting next? He's

1140
00:58:02.440 --> 00:58:04.960
<v Speaker 1>Matt Greening in Springfield.

1141
00:58:05.599 --> 00:58:09.199
<v Speaker 4>That's right. Fox executives are wrestling Matt Groening to the

1142
00:58:09.239 --> 00:58:13.119
<v Speaker 4>ground when some bullshit seen to let us know that

1143
00:58:13.159 --> 00:58:14.519
<v Speaker 4>there was a struggle involved.

1144
00:58:14.639 --> 00:58:17.320
<v Speaker 1>Ten minutes to the Tracy Omen show. Oh my god,

1145
00:58:17.360 --> 00:58:17.880
<v Speaker 1>here we go.

1146
00:58:18.679 --> 00:58:20.360
<v Speaker 4>I'm drawing as fast as I can.

1147
00:58:20.920 --> 00:58:23.679
<v Speaker 1>Tell me the story about the Simpsons, where is the

1148
00:58:23.719 --> 00:58:26.480
<v Speaker 1>easiest path to go? The Matt Greening story. It's so

1149
00:58:26.559 --> 00:58:28.960
<v Speaker 1>many other things, like what's the easiest route? Okay, let's

1150
00:58:29.000 --> 00:58:29.519
<v Speaker 1>just take that.

1151
00:58:29.800 --> 00:58:32.239
<v Speaker 4>And we know it should be about Schwartzwelder.

1152
00:58:34.639 --> 00:58:37.760
<v Speaker 1>Or Dan Castell, Lenetta or I don't know, Julie camp,

1153
00:58:38.400 --> 00:58:44.880
<v Speaker 1>Max Crossbrien, Phil Hartman. It's about Phil Hartman. Really, that's

1154
00:58:44.880 --> 00:58:45.280
<v Speaker 1>the story.

1155
00:58:45.920 --> 00:58:48.119
<v Speaker 4>He's the real fucking interesting guy there. Do you ever

1156
00:58:48.119 --> 00:58:51.239
<v Speaker 4>see his movie Cold Blooded with Jason Priestley and Peter Riegert.

1157
00:58:52.000 --> 00:58:54.199
<v Speaker 4>Oh my god, go see that movie. It's like this

1158
00:58:54.360 --> 00:58:57.760
<v Speaker 4>fucking amoral hitman with the sociopath who's like trying to

1159
00:58:57.800 --> 00:59:00.199
<v Speaker 4>relate to another human being, so he finds an old

1160
00:59:00.360 --> 00:59:02.920
<v Speaker 4>hit man to like to teach him how to be human.

1161
00:59:03.000 --> 00:59:05.159
<v Speaker 4>It's really good, huh.

1162
00:59:05.400 --> 00:59:07.519
<v Speaker 1>I think we had people trying to make a story

1163
00:59:07.559 --> 00:59:11.039
<v Speaker 1>that was a relatable tale of, like you said, fighting

1164
00:59:11.079 --> 00:59:14.119
<v Speaker 1>the man but failing horribly the same way someone got

1165
00:59:14.159 --> 00:59:16.320
<v Speaker 1>on stage and started cursing at people in the audience.

1166
00:59:16.559 --> 00:59:19.840
<v Speaker 1>Best intentions go only as far as people putting in

1167
00:59:19.840 --> 00:59:22.320
<v Speaker 1>the effort, and stopping yourself from saying the N word

1168
00:59:22.400 --> 00:59:25.400
<v Speaker 1>is just like stopping yourself from telling the laziest story

1169
00:59:25.400 --> 00:59:28.159
<v Speaker 1>about SNL possible. Even if they had told it from

1170
00:59:28.199 --> 00:59:30.360
<v Speaker 1>chevy Chase's point of view, wouldn't that have been a

1171
00:59:30.360 --> 00:59:32.639
<v Speaker 1>more interesting story, because given how much of a deal,

1172
00:59:33.000 --> 00:59:35.039
<v Speaker 1>given how much of a demon he has been d

1173
00:59:35.159 --> 00:59:38.719
<v Speaker 1>by everything, including doing it to himself, that's the most

1174
00:59:38.800 --> 00:59:41.239
<v Speaker 1>audacious story to take on is to tell it from

1175
00:59:41.280 --> 00:59:44.280
<v Speaker 1>chevy Chase's point of view and make him a relatable character,

1176
00:59:44.639 --> 00:59:47.760
<v Speaker 1>which would be like, that's the uphill, that's the Sissophian task,

1177
00:59:48.239 --> 00:59:50.280
<v Speaker 1>and the movie tries to do it, but it would

1178
00:59:50.320 --> 00:59:52.280
<v Speaker 1>have been really impressive if that had been the way

1179
00:59:52.280 --> 00:59:53.119
<v Speaker 1>you tell the story.

1180
00:59:53.360 --> 00:59:56.480
<v Speaker 4>Oh, they definitely did it here, Like Chevy cums as

1181
00:59:56.519 --> 00:59:58.920
<v Speaker 4>much as you can. I'm telling you, I came away

1182
00:59:58.960 --> 00:59:59.960
<v Speaker 4>loving Chevy in this movie.

1183
01:00:00.679 --> 01:00:02.280
<v Speaker 1>Is that the thing that no one, if you don't

1184
01:00:02.320 --> 01:00:04.199
<v Speaker 1>know anything about any of this, like, you'd be like,

1185
01:00:04.320 --> 01:00:06.280
<v Speaker 1>Chevy Chase is a nice guy, right, No, I.

1186
01:00:06.280 --> 01:00:09.400
<v Speaker 4>Think they think they deal with him fairly. Here is

1187
01:00:09.480 --> 01:00:13.639
<v Speaker 4>my point. But if they had what you're saying focused

1188
01:00:13.679 --> 01:00:15.920
<v Speaker 4>on Chevy's point of view from the get go and

1189
01:00:16.119 --> 01:00:18.559
<v Speaker 4>continue to deal with him fairly, show what a prick

1190
01:00:18.639 --> 01:00:21.679
<v Speaker 4>he is, and like over the course of the film

1191
01:00:21.719 --> 01:00:24.159
<v Speaker 4>we're on his side, then yeah, that would have been something. Man.

1192
01:00:24.920 --> 01:00:28.519
<v Speaker 1>Yeah, but again, when good intentions go only so far,

1193
01:00:28.559 --> 01:00:30.840
<v Speaker 1>when the intent stops mattering and I don't know what

1194
01:00:30.880 --> 01:00:33.239
<v Speaker 1>the intent of this movie was, if you had told

1195
01:00:33.239 --> 01:00:35.400
<v Speaker 1>it from anyone else's point of view, there might have been.

1196
01:00:35.280 --> 01:00:37.320
<v Speaker 4>A desjoy a celebration.

1197
01:00:37.400 --> 01:00:39.360
<v Speaker 1>We're going to get that in real life. To your point,

1198
01:00:39.400 --> 01:00:41.360
<v Speaker 1>we don't need a fictionalized version of it.

1199
01:00:41.840 --> 01:00:44.519
<v Speaker 4>That's so here's the thing, folks, I need you to

1200
01:00:44.559 --> 01:00:47.639
<v Speaker 4>go watch every season of Sunday Night Live, but watch

1201
01:00:47.679 --> 01:00:50.880
<v Speaker 4>the first season just for this movie. Then watch the movie,

1202
01:00:50.960 --> 01:00:53.639
<v Speaker 4>then read those books, Chris, when you're not, When you're not,

1203
01:00:53.760 --> 01:00:55.760
<v Speaker 4>this is your show too, your your culture Council. You

1204
01:00:55.760 --> 01:00:57.360
<v Speaker 4>can tell people where you're at and where to find

1205
01:00:57.400 --> 01:00:57.960
<v Speaker 4>other shit.

1206
01:00:57.960 --> 01:00:59.800
<v Speaker 1>Much to the chagrin of at least two people on

1207
01:00:59.800 --> 01:01:02.599
<v Speaker 1>the face of planet Earth. You can find everything I

1208
01:01:02.639 --> 01:01:05.320
<v Speaker 1>do over at weirdingwaymedia dot com, where yes, I am still,

1209
01:01:05.320 --> 01:01:07.760
<v Speaker 1>in fact the host of the Culture Cast, to show

1210
01:01:07.800 --> 01:01:09.519
<v Speaker 1>I do at least once a week, where we talk

1211
01:01:09.559 --> 01:01:13.679
<v Speaker 1>about movies that I have watched or I'm being asked

1212
01:01:13.679 --> 01:01:17.360
<v Speaker 1>to watch, or have given people the opportunity to watch

1213
01:01:17.400 --> 01:01:19.000
<v Speaker 1>with me, like we just did with you and I

1214
01:01:19.039 --> 01:01:22.079
<v Speaker 1>Father Malone for an entire month September, talking about a

1215
01:01:22.079 --> 01:01:25.719
<v Speaker 1>whole host of oddly biopics, and here we are talking

1216
01:01:25.760 --> 01:01:29.119
<v Speaker 1>about another one. Jesus christ Man, You're just like, hey,

1217
01:01:29.199 --> 01:01:31.360
<v Speaker 1>I know that one genre of things you probably don't

1218
01:01:31.360 --> 01:01:33.199
<v Speaker 1>really like anymore than I do. We're gonna watch a

1219
01:01:33.239 --> 01:01:36.599
<v Speaker 1>lot of them, a lot, hey man. And yeah, you

1220
01:01:36.719 --> 01:01:39.199
<v Speaker 1>noped out of another new movie Joker Folio do. But

1221
01:01:39.239 --> 01:01:41.480
<v Speaker 1>in a lot of ways, it too is a biopic

1222
01:01:41.599 --> 01:01:44.159
<v Speaker 1>of a fake person, still a biopick. Those are called

1223
01:01:44.239 --> 01:01:47.039
<v Speaker 1>character studies when they're not about real people. So yeah,

1224
01:01:47.079 --> 01:01:50.519
<v Speaker 1>you can find all the musings about similar audio diversions

1225
01:01:50.519 --> 01:01:54.000
<v Speaker 1>over at Weirdingwaymedia dot com. What about you, Father Malone.

1226
01:01:54.119 --> 01:01:56.280
<v Speaker 4>They're listening to Way to Hear in midnine Viewing is

1227
01:01:56.280 --> 01:01:58.400
<v Speaker 4>the show. It's on twice a week with a there's

1228
01:01:58.400 --> 01:02:00.440
<v Speaker 4>a plethora of shows. You're listening to this show. Check

1229
01:02:00.480 --> 01:02:02.840
<v Speaker 4>me out there, check me out over at HP. Who

1230
01:02:02.920 --> 01:02:05.320
<v Speaker 4>is our composer. He does all the music for Midnight

1231
01:02:05.400 --> 01:02:07.679
<v Speaker 4>Viewing and most of the weirding Way Media. He does

1232
01:02:07.679 --> 01:02:10.880
<v Speaker 4>a show called Night Mister Walters, a taxi podcast. I

1233
01:02:10.920 --> 01:02:12.199
<v Speaker 4>co host that where we take a look at the

1234
01:02:12.199 --> 01:02:16.880
<v Speaker 4>television series Taxi Go. Check that out. Midnight Viewing is,

1235
01:02:17.239 --> 01:02:20.760
<v Speaker 4>as mentioned, a proud member of the weirding Way Media group.

1236
01:02:21.519 --> 01:02:24.119
<v Speaker 4>Until next time, try to enjoy the daylight. This is

1237
01:02:24.119 --> 01:02:26.400
<v Speaker 4>an official midnight viewing. So that's the sign off.

1238
01:02:26.639 --> 01:02:28.760
<v Speaker 1>Given the Paul Shaffer look like a ghoul in the movie,

1239
01:02:28.800 --> 01:02:29.440
<v Speaker 1>it makes sense.

1240
01:02:32.320 --> 01:02:34.119
<v Speaker 4>Oh, I want to thank Michaels, I want to thank

1241
01:02:34.159 --> 01:02:36.599
<v Speaker 4>the cast. Thank you New York. How much time do

1242
01:02:36.599 --> 01:02:38.400
<v Speaker 4>we have a musical guest I want to thank you

1243
01:02:38.480 --> 01:02:40.639
<v Speaker 4>a little fights, I want to thank I want to

1244
01:02:40.639 --> 01:02:41.400
<v Speaker 4>think cold Play.

1245
01:02:41.599 --> 01:03:06.920
<v Speaker 6>They've been on seventeen times. They can't.

1246
01:03:14.480 --> 01:03:14.679
<v Speaker 4>In the

1247
01:03:19.840 --> 01:03:19.960
<v Speaker 1>Sh
