Speaker 1: Karen. Yes, you ever look in the mirror sometimes a
Speaker 1: lot of the times, actually, I would say, but let
Speaker 1: me finish it. Sorry, You ever look in the mirror
Speaker 1: and feel like your eyes are trying to tell you
Speaker 1: something like, hey, buddy, you may think you're making your
Speaker 1: own decisions, but we've been running this show all along
Speaker 1: for generations. No, you never heard that.
Speaker 2: Well, you asked me if I ever felt that, Oh,
Speaker 2: like heard that from my ear?
Speaker 1: I mean, neither one felt heard. You know, we're talking
Speaker 1: cognizant stuff here.
Speaker 2: I'm just kind of critical when I look in the mirror,
Speaker 2: so I'm not I'm hearing other voices going, oh, you
Speaker 2: should have slept a little bit more, or you know,
Speaker 2: that might be that cupcake, that's what I'm hearing.
Speaker 1: That might be the eyes too. It turns out your
Speaker 1: eyes might be right. Not about that, but that the
Speaker 1: fact that they've been running it for generations. Our guest
Speaker 1: today has cracked the code on your ancestral blueprint, and
Speaker 1: it's hidden in your eyes. See she's the founder of
Speaker 1: Erogenics ancestral eye reading. And if you think your DNA
Speaker 1: holds secrets, wait until you find out what your irises
Speaker 1: have been trying to tell you. Oh boy, She's helped
Speaker 1: thousands unlocked the missing chapters of their story, gathered eighty
Speaker 1: authors to share their wisdom and the ancestors within and
Speaker 1: get this, She's about to launch her own app to
Speaker 1: let you read your own eyes. That is awesome, very
Speaker 1: your ancestors have been waiting for this moment, and so
Speaker 1: have we. Buckle up, because today we're looking deep, literally
Speaker 1: into the windows of your soul. The skeptic benevosition starts now.
Speaker 1: My name is Will and I'm Karen, and unlike Boulder
Speaker 1: and Scully, both want to believe. So we've embarked in
Speaker 1: a journey of discovery.
Speaker 2: We've talked to people deeply entrenched in the spiritual and
Speaker 2: metaphysical world.
Speaker 1: We've thrown ourselves into weird and wonderful experiences. I even
Speaker 1: joined a coven of.
Speaker 2: Witches and wait, you joined a coven yep.
Speaker 1: All on the interest of finding something, anything that will
Speaker 1: prove that there's something beyond this physical.
Speaker 2: Three dimensional world we all live in.
Speaker 1: This is the skeptic metaphysicians. Hey there, it's Will, just
Speaker 1: stepping in here for a second to ask you for
Speaker 1: a favor. See, the main reason we do this show
Speaker 1: is to help others in their spiritual awakening, and nothing
Speaker 1: makes us happier than to hear or read messages from
Speaker 1: those that are resonating with the messages we're sharing on
Speaker 1: the show. So if you have a moment, we'd love
Speaker 1: for you to contribute to the show by heading to
Speaker 1: Skeptic Metaphysician dot com and sending us a voicemail or
Speaker 1: an email from our website, or if you prefer, we
Speaker 1: love for you to leave us a review on Apple
Speaker 1: Podcasts or any other podcasting platform that supports them. Karen
Speaker 1: and I love hearing from those that are moved to
Speaker 1: message us. It truly does fuel our passion. You are
Speaker 1: the reason we do this show, and knowing what you
Speaker 1: like and don't like, well not going to help us
Speaker 1: craft the very best show we can so that we
Speaker 1: can help raise the vibration of the planet together. Okay,
Speaker 1: I've kept you from the interview long enough, so let's
Speaker 1: get to it. Thanks for listening. Hey, there, I Will
Speaker 1: and our guest today. While she's a pioneer in the
Speaker 1: field of ancestral exploration, using a truly unique and fascinating approach,
Speaker 1: the reading of the eyes, Amy Gillespie Dockerty I'm sorry
Speaker 1: if I messed up your name is a founder of
Speaker 1: Erogenics Ancestral eye reading, a system that reveals deep seated
Speaker 1: ancestral patterns and epigenetic influences through the intricate details of
Speaker 1: the iris. With the passion for helping people uncover the
Speaker 1: untold stories woven into their lineage, Amy has directly guided
Speaker 1: thousands to a greater understanding of their personal and inherited narratives.
Speaker 1: She's also the visionary behind The Ancestors Within, an award
Speaker 1: winning book series that brought together eighty authors and artists
Speaker 1: to explore the profound ways that our ancestors shape our
Speaker 1: present lives. And now she's taken this transformative work to
Speaker 1: the next level with the launch of a ground Briak
Speaker 1: you can mobile app, allowing individuals to explore their own
Speaker 1: eye patterns and unlock ancestral insights like never before. It
Speaker 1: is an absolute pleasure to welcome to the show, Amy Doherty. Amy,
Speaker 1: how you doing today.
Speaker 3: Nice to see you here, been so good. Thank you
Speaker 3: so much for having me on your amazing show.
Speaker 1: We've known you for a while. We've been trying to
Speaker 1: get you on the show for a while so it's
Speaker 1: a pleasure to finally have you, and boy do we
Speaker 1: have a lot to talk about because I've never until
Speaker 1: we met you, we'd never heard of this kind of
Speaker 1: thing before. So for those that are unfamiliar with it,
Speaker 1: can you explain the ancestral eye reading? What it is
Speaker 1: and how how you do what you do?
Speaker 3: Thank you, Bill and Karen. I'm thrilled to be here
Speaker 3: with you guys finally, and that finally is all on me.
Speaker 3: It just has not been able to get my scheduled
Speaker 3: together with yours. But yes, ancestral eye reading is something
Speaker 3: I stumbled into about fifteen years ago now, and it
Speaker 3: is the aspect of looking at your iris and seeing
Speaker 3: epigenetic pattern, gifts, talents, abilities, unresolved traumas as well as
Speaker 3: what your ancestors loaded you up to become.
Speaker 1: That's a loaded question or answer, I guess. Okay, the
Speaker 1: obvious question is how is that possible?
Speaker 2: That is an obvious question.
Speaker 3: It is an obvious question, and I'm going to give
Speaker 3: you my very unaccredited response, though it's built on fifteen
Speaker 3: years of experience. I truly believe what we're seeing is
Speaker 3: the sliced DNA helix when we look at the iris
Speaker 3: we're seeing like fiber optics. So if you imagine the
Speaker 3: helix was up there and then it just came right
Speaker 3: up behind your eyes and then you had this open
Speaker 3: view to the DNA. And I would love to see
Speaker 3: science and the medical community both explore that just a
Speaker 3: little bit more. But it would appear to be your
Speaker 3: birth blueprint.
Speaker 1: That's very, very facy, And we have a lot of
Speaker 1: scientists that listen to the show. So if you're hearing
Speaker 1: this and you want to do some research, Amy's open
Speaker 1: and yeah, so are we, So let us no, we'd
Speaker 1: love to connect to you, to you guys too.
Speaker 2: So the introduction that you read said that Amy stumbled
Speaker 2: into this How do you stumble into this field? It
Speaker 2: doesn't seem very stumbleable, right.
Speaker 3: Well, I was in Mozambique, Africa, doing survival skills training
Speaker 3: for children, and when I came back to the States,
Speaker 3: I wanted to continue working with children through my nonprofit,
Speaker 3: but I didn't have a college degree. So even when
Speaker 3: I attempted to volunteer for organizations, I had this impressive
Speaker 3: track record from being in Africa and doing oldest aid work,
Speaker 3: but I still didn't fit necessarily the criteria. So I
Speaker 3: was taking this class with a guy who did a
Speaker 3: class on conscious language. People who say I never win,
Speaker 3: I can't find love. They kind of project their future
Speaker 3: in front of themselves. And he was doing something called
Speaker 3: biooptic holography, looking at the seven layers of the iris,
Speaker 3: and I thought, well, that's the coolest thing ever. And
Speaker 3: he actually had come from the background of iridology, so
Speaker 3: he'd come from the world of our eyes change all
Speaker 3: the time, they change in the moment, they changed now, now, now,
Speaker 3: But he didn't really have any photographs of it. So
Speaker 3: I thought, well, I just want to study a little further.
Speaker 3: So I studied with him, and then I went as
Speaker 3: far as I really could with his training, and I thought,
Speaker 3: there's no pictures of this change. So now I studied
Speaker 3: with another person doing behavioral eraldology, how we have some
Speaker 3: of the attitudes of our grandparents and great grandparents. And
Speaker 3: I studied with him and he said, no, there's very
Speaker 3: few things in the eyes that change that that's now
Speaker 3: known in iudology because of newer cameras and lighting. And
Speaker 3: at the same time he said, you know, so these
Speaker 3: marketings are here from the time you're born. Well, I'm thinking, no, no,
Speaker 3: wait a minute, how can I have a marketing in
Speaker 3: my eye for sibling rivalry with girls when I'm the
Speaker 3: oldest child. I don't have any siblings, So if it
Speaker 3: doesn't change, then how does that work? There was just
Speaker 3: so many questions that I kept pushing. So I trained
Speaker 3: with two or three more people on different ways of
Speaker 3: rereading the eyes, and finally I got to a gentleman
Speaker 3: who was working with birth order and with ancestors grandparents
Speaker 3: to grandparents, grandparents two to four generations back, and the
Speaker 3: light bulb went off. That's what I've been seeing. I've
Speaker 3: been seeing my ancestors aspect of a female competitive environment.
Speaker 3: Whether I get sisters or not, girls are going to
Speaker 3: come and throw some caddy jealousy thing at me. How
Speaker 3: come Amy gets this? How come Amy gets that? Or
Speaker 3: creative competition or any of those things that are associated
Speaker 3: with the right brain.
Speaker 1: Wow, stumbled on it, after all.
Speaker 2: That's amazing though.
Speaker 1: Yeah, so when you look at an eye in preparation
Speaker 1: for the show, I've been looking at my eye all
Speaker 1: the time. I don't see anything in my eye at all,
Speaker 1: and yet I've followed you have done some research on
Speaker 1: to you and you have pictures on your site of
Speaker 1: what people should be looking for and things like that.
Speaker 1: I don't see any of that in my eye. So
Speaker 1: it could it be that I'm just an orphan. And
Speaker 1: my ancestor says, nope, I'm out of here. You're on
Speaker 1: your own, bud.
Speaker 2: You looking not the wrong eye.
Speaker 3: No, no, So everybody has indicators in their eyes that
Speaker 3: will tell us, you know, basically, what energetic pattern you're in,
Speaker 3: how you interface with other people. All that information will
Speaker 3: be there. And one thing that I stumbled into as
Speaker 3: I started doing ancestral iye reading is that images of
Speaker 3: our ancestors will also show up in the eyes. And
Speaker 3: that was a complete stumbling. I would look at an
Speaker 3: eye and say, that looks kind of like a dog,
Speaker 3: or that looks kind of like a priest or or
Speaker 3: a nurse, And then I had people start saying to me,
Speaker 3: don't you see don't you see that nurse in my eye?
Speaker 3: Don't you see that nune? And so finally I had
Speaker 3: to say, okay, God, all right, God, if this is
Speaker 3: supposed to go, then just keep guiding me. And I
Speaker 3: went back to pictures i'd take and in my very
Speaker 3: earliest years, and the images were always there. I just
Speaker 3: didn't recognize them. So will You're not an orphan, you're
Speaker 3: not a step child. You have amazing information in your eyes.
Speaker 3: People who have what I call blanket eye texture, where
Speaker 3: it looks almost like you're looking at a piece of
Speaker 3: cloth with maybe just light kind of wrinkle lines or
Speaker 3: fold lines in there. Those people have a more difficult
Speaker 3: time seeing images. It has to do with the density
Speaker 3: of the eyes. People who have openings where it's almost
Speaker 3: like you're looking into Swiss cheese, like there's openings that
Speaker 3: are like like holes, like lightholes. Those people see images
Speaker 3: more readily. But people like yourself, who don't see images readily,
Speaker 3: once somebody kind of ovals them or highlights them, then
Speaker 3: all of a sudden you can be like, you know what,
Speaker 3: I see that, or I don't see what you're looking up?
Speaker 3: But what about that one over there?
Speaker 1: We'll go looking Okay, Yeah, it just so happens that
Speaker 1: we did take some picture, a picture of each one
Speaker 1: of our eyes, and we're going to go over that
Speaker 1: here in a few But I tell you, I poured
Speaker 1: over my eyes and all I saw was mud in
Speaker 1: my eye, So I don't know that's you had to
Speaker 1: had to wright.
Speaker 2: Sorry Amy, Sorry everyone listening now.
Speaker 1: When I saw some of the images on your site
Speaker 1: and some of the researchers I did, it's almost like
Speaker 1: you're seeing someone in a mirror in a dark or
Speaker 1: something like that. When you see you circle the people,
Speaker 1: like there are actual people in someone's eyes, like a
Speaker 1: reflection that you're seeing in the mirror. Is that kind
Speaker 1: of what it's what you should be looking for.
Speaker 3: Yeah, you said that very well. So the images are
Speaker 3: typically layered. I don't think anybody has less than two
Speaker 3: hundred images in their eyes. Two hundreds now in dark browns.
Speaker 3: They're oftentimes really tiny, like you w in a macro
Speaker 3: macro loop them up. If you're on a Mac computer,
Speaker 3: they have an option under tools called annotate loop, like
Speaker 3: a jeweler's loop, and then you can really get in
Speaker 3: there and bring them up and take a look at them.
Speaker 3: The thing is, it's like looking if you looked at
Speaker 3: an old newspaper photograph, let's say, from World War two.
Speaker 3: So it wasn't a terrific quality to start with, right,
Speaker 3: And you see there's five people on the deck of
Speaker 3: a ship, and maybe one person's shoulder is blocking the
Speaker 3: other person's hat. Is blocking the other person's so you're
Speaker 3: only seeing partial You're not seeing a single silhouette, right.
Speaker 3: And as you're looking at that, what you find is
Speaker 3: if you go in with a magnifying glass and you
Speaker 3: try to get really close and look at it really big,
Speaker 3: it'll eventually pick laid out. It'll get so where you
Speaker 3: can't identify anything. So sometimes keeping it smaller looking at
Speaker 3: your images on your cell phone will always be the
Speaker 3: better way. The high resolution screen and the tininess of
Speaker 3: the images, and then you can really super expand on
Speaker 3: that high resolution. And so if you're having trouble, especially
Speaker 3: on a big screen, when people look at these on
Speaker 3: a sixty inch screen, I'm like, well, good luck, they're
Speaker 3: really stretched. That photo is made so big that sometimes
Speaker 3: you lose those tiny images.
Speaker 1: Interesting, all right, Well, I mean I think at this,
Speaker 1: but I kind of unless you have another question, I
Speaker 1: kind of want not go to the eye.
Speaker 3: Well, I have a question for us.
Speaker 2: We're talking about the eyes kind of being like the
Speaker 2: cross section of the DNA eyes like snowflakes. Everyone's eye different,
Speaker 2: like every every eye different, like jillions of eyes.
Speaker 3: Every eye is different, and every eye is like an
Speaker 3: entire planet or universe, and it's it's really an amazing
Speaker 3: experience to go in there and look at them. But
Speaker 3: also we talked about these images. So the images that
Speaker 3: show up in the fibers of your eye, in the
Speaker 3: actual kind of fabric of your iris, those will be
Speaker 3: the same every time we look at your eye photos.
Speaker 3: Those that are in the moisture in the scalare in
Speaker 3: the pupil, or in the moisture across the eye. Those
Speaker 3: are like you say, like looking into a river or
Speaker 3: a pool, a pool of water, and every time you
Speaker 3: take your pictures, you'll wind up with different images in there.
Speaker 3: So very much like masaro emotives work where he freezes
Speaker 3: the crystals, introduces a word, it's like that there's kind
Speaker 3: of a change in each time you take a look.
Speaker 1: So it's almost like like your eye is like a
Speaker 1: crystal ball, you know how the crystal ball always that
Speaker 1: the images are always shifting and changing, and the eye
Speaker 1: is like a crystal ball into your soul.
Speaker 2: That's kind of that's very cool.
Speaker 1: I just don't want to see madame to.
Speaker 2: Okay, so kind of get into the images of the
Speaker 2: actual ancestors. Do those change or do those stay?
Speaker 3: The ones in the moisture will change every time. They're
Speaker 3: a mixture of the light and the energy, the frequency
Speaker 3: and the ones that are in the fibers, they will stay. Now,
Speaker 3: they will look different depending on how much your pupils dilated.
Speaker 3: So if you take your picture one time outside and
Speaker 3: your pupils super dilated, then they're going to be at
Speaker 3: their what do I want to say, their major length as
Speaker 3: long as they could possibly get. But if your pupils
Speaker 3: kind of I said that wrong. If your pupil is
Speaker 3: like pinpoint, like you're out in the sunlight and your
Speaker 3: pupils really really small, they'll be as big as they're
Speaker 3: going to get. But if you then take a picture
Speaker 3: inside and your pupils much bigger, then the iris is shorter, loaller,
Speaker 3: so then your image will be shorter. So you sometimes
Speaker 3: can find a perfect point where it's like there, I
Speaker 3: really see it. When I'm taking those photos, that's what
Speaker 3: I see. I'll see images almost moving around when I'm
Speaker 3: trying to take the picture. And then when I see
Speaker 3: like something so crystal, that's when I snap it because
Speaker 3: we want to capture that so the person can go
Speaker 3: looking later.
Speaker 1: Wow, that's just incredible. The ancestors are in the iris,
Speaker 1: not in the pupil.
Speaker 3: They can be in the pupil, I ask. I'm absolutely someone. Yeah,
Speaker 3: the people they're more like you said, that mirror image,
Speaker 3: like on a black mirror. Right, it's like a mirror
Speaker 3: image when you see them in the pupil or in
Speaker 3: the sclera. But the ones in the iris, some of
Speaker 3: them you'll see here in the fabric and some in
Speaker 3: the moisture.
Speaker 1: Okay, So then you're on the show called the Skeptic metaposition.
Speaker 1: So I've got to ask the obvious questions that people
Speaker 1: are asking, How can you be sure that these aren't
Speaker 1: just random images in people's minds that you know, when
Speaker 1: you look into cloud and you say, oh, I see
Speaker 1: a bear or I see a cat or whatever. How
Speaker 1: can you be sure that it's not something like that.
Speaker 3: You can't. Okay, that's pretty short answer.
Speaker 2: Good.
Speaker 3: I mean, I'm gonna be honest.
Speaker 1: Right.
Speaker 3: So I've had people say, oh my gosh, that's my grandfather.
Speaker 3: Oh my gosh, that's my great grandmother. I've seen pictures
Speaker 3: of her when I was, you know, a little kid
Speaker 3: in the house. So we know that now our past
Speaker 3: lives showing up as well, our ancestral memories showing up
Speaker 3: as well. Is it the frequency of the building you're in?
Speaker 3: Are you picking up something in a building that's kind
Speaker 3: of popping in there energetically? Now, I trained a couple
Speaker 3: of people how to do eerogenics ancestral iye reading, and
Speaker 3: we've been at shows together and we've been like, what
Speaker 3: do you think could there be a ghost in the building?
Speaker 1: Right?
Speaker 3: But then we're like, well, we've taken eighty pictures today
Speaker 3: and the same image isn't in any two eyes, So
Speaker 3: not likely. But the other answer to this is Eerogenics
Speaker 3: is a word that my husband and I created for
Speaker 3: this business. And era is the iris, the flowers, the rainbow,
Speaker 3: the collar structure, and genics is the study of the
Speaker 3: connection between the two, and so eerogenics will always be
Speaker 3: a study. So for me right now, part of the
Speaker 3: reason I'm making the app is because I want to
Speaker 3: get back behind the research end of it a little
Speaker 3: bit more again. So there's a gift for writing at
Speaker 3: six o'clock in the eyes. In the right eyes it's
Speaker 3: tech writing, business, organized writing, legal, that kind of thing.
Speaker 3: The left eye is the creative, it's the spiritual writing,
Speaker 3: it's the poetry or music, children's writing. So if those
Speaker 3: gifts are at six o'clock, all gifts are in the eyes.
Speaker 3: It's a matter of mapping.
Speaker 1: When you say these gifts are in your eyes. That
Speaker 1: mean if I just want to write poetry, I close
Speaker 1: my right eye and just look at my left and
Speaker 1: as I'm writing down or how does that pertain to us?
Speaker 3: That's a great question. You know, the indicator that I
Speaker 3: would see that says you have a gift for writing
Speaker 3: would show up there there being increase or an opening.
Speaker 3: There would be something showing me a gift for writing
Speaker 3: that is inherent that you're born with. So if that
Speaker 3: one's there, then where specifically is music? Where specifically is
Speaker 3: you know, athletic prowess? And so there's got to be
Speaker 3: a ton of mapping beyond my time.
Speaker 2: So maybe if you've always kind of wondered about doing
Speaker 2: something but that I probably wouldn't be any good at it.
Speaker 2: Lo and behold, you have that in your system and
Speaker 2: you didn't know it, so you might more confidently be
Speaker 2: able to try that.
Speaker 1: So I made a mistake. I took a picture of
Speaker 1: my right eye.
Speaker 3: Dang it, Well, you've got time to do your left
Speaker 3: overlooking at right.
Speaker 2: Well, I am very glad that you've been training other
Speaker 2: people because you remember how hard she is. We met
Speaker 2: Amy at the Spirit Body and Body and there was
Speaker 2: a line so long we stood in it for a while,
Speaker 2: we're never able to get in. And then we saw
Speaker 2: her again at a fair. I think Casey stood in
Speaker 2: line again, gave up, but then right before they closed,
Speaker 2: I'm like, I think we can get in. So I
Speaker 2: was very fortunate it was able to get my eyes.
Speaker 2: It's a hot demand.
Speaker 1: And the whole thing Ery Ennix is fascinating, really really,
Speaker 1: I mean it's incredible. All Right, I'm gonna I can't
Speaker 1: wait anymore. I'm gonna I'm gonna pull up our eyes
Speaker 1: so you can take a look and see what we
Speaker 1: can our eyes. If you're only listening to this and
Speaker 1: do your a favor, go to new Reality tv dot
Speaker 1: com check out the episode that Amy is on, because
Speaker 1: you're going to want to see this picture as Amy
Speaker 1: talks about the eye. So first, ladies, first, we're looking
Speaker 1: at Karen's eye first and foremost. So okay, Amy, what.
Speaker 3: Do you see? And we took Karen's right eye?
Speaker 1: Correct, we did take Karen's right eye.
Speaker 2: List I mean we didn't take it, but we Oh
Speaker 2: but wait, I have contacts in does that matter?
Speaker 3: Oh no, you're in great straight. Well, okay, so Karen
Speaker 3: has a little bit of a constant to do list.
Speaker 3: I have to need to, supposed to should, I've got
Speaker 3: to do this, ought to do that. How far are
Speaker 3: you from your to do list right now?
Speaker 2: Well, it's a mental to do list, so it's never
Speaker 2: far from me. But it is there man, incessantly.
Speaker 3: Well, let me tell you. When you do yourself a
Speaker 3: favorite and put it on paper, then you will be
Speaker 3: able to check things off. It's like setting your alarm clock.
Speaker 3: I got to get up at three o'clock, got to
Speaker 3: get three o'clock, got to get three o'clock. As soon
Speaker 3: as you set the alarm, it's out of your head
Speaker 3: and you can go about doing what you do. That's
Speaker 3: what your to do list does for you. So lean
Speaker 3: on it a little more. Now, what's interesting about you
Speaker 3: have a number of interesting things you have Where we
Speaker 3: look at what we would call seven o'clock in your
Speaker 3: right eye. So, yep, you've got a pointer perfect. So
Speaker 3: you see it's that darkish spot there, yes, that darkest coloration.
Speaker 3: Now and above that's another darker spot. That darkish coloration
Speaker 3: is called a postage stamp, which means it's an ancestral
Speaker 3: pattern that's almost done as long as it's not really
Speaker 3: re energized. So what that means is it was an
Speaker 3: issue your ancestors struggled with that should be kind of
Speaker 3: done with the times. So let's tell you what it's about.
Speaker 3: That spot there between seven seven thirty is kind of
Speaker 3: on the border of two things. One, the smaller, darker
Speaker 3: spot is actually kind of in the line of your
Speaker 3: father's experience of their pregnancy with you. Now, interesting enough
Speaker 3: that parental line shows up whether the man knows he's
Speaker 3: father to child or not. So somehow there's like an
Speaker 3: energetic connection between the fetus and the father. But basically
Speaker 3: the pupil is at conception and when we go all
Speaker 3: the way out to where we meet the white the sclera,
Speaker 3: that's birth. So in there somewhere about three and a
Speaker 3: half four months in, your father had some kind of
Speaker 3: high energy I'm gonna call it a trauma, but some
Speaker 3: kind of high energy moment. Now that doesn't mean it's
Speaker 3: about you. It can be about you, like your mother
Speaker 3: being told, oh, you're gonna have to go on bed rest.
Speaker 3: You know, Dad's gonna have to take everything. There's there's
Speaker 3: you know, you're not gonna be able to work that
Speaker 3: kind of thing. But it can also be if he
Speaker 3: has a best friend in a car accident, that will
Speaker 3: also show up in that spot. What's unusual about it is,
Speaker 3: for whatever reason, when it comes to the right eye,
Speaker 3: when it comes to the right eye, the timing will
Speaker 3: follow in your life, like you're trying to start a
Speaker 3: new business and then at about three and a half
Speaker 3: to four months something locks up. So you can find
Speaker 3: this in your relationships. You can find it in like
Speaker 3: buying a house or selling a house and the contract's
Speaker 3: just about done and then it falls through. You're starting
Speaker 3: a new business and all of a sudden, the legal
Speaker 3: documents aren't working out. But for some reason, with that
Speaker 3: right eye, it feeds in that way. But that postage
Speaker 3: stamp right next to it is what they call identity inheritance. Now,
Speaker 3: identity inheritance is when someone's been cut out of the
Speaker 3: will or so the boys inherit because they're boys, but
Speaker 3: the girls don't because they're girls. Right, And remember I
Speaker 3: said this is an ancestral postage stamp, so it means
Speaker 3: it's a it's an ancestral pattern that's kind of going away.
Speaker 3: It's kind of should be watering out with the times
Speaker 3: because now you can leave money to daughters and sons.
Speaker 3: And if you don't have a daughter, she doesn't have
Speaker 3: to get married, so you can leave it to her husband, right,
Speaker 3: that kind of thing. But identity inheritance can also be
Speaker 3: like being one of the Jackson five who doesn't inherit
Speaker 3: the gift of dance. They go to dance lessons, they
Speaker 3: go to everything, and everybody else in the family can
Speaker 3: do it, but they can't. They got cut out on
Speaker 3: the family gift or the family name. Kind of thing. Now,
Speaker 3: just above three o'clock in this eye, Now, the right
Speaker 3: eye tells us about identity as well as vocational in
Speaker 3: business aspects, shows your beautiful gift for expression and interpretation.
Speaker 3: You have a unique way of taking information in and
Speaker 3: bringing it back to the world. But also that gift
Speaker 3: of expression is the ability to create from a feeling.
Speaker 3: So you decide you want to make something and you
Speaker 3: want it to feel like this, and everything you do
Speaker 3: it's that feeling that doesn't feel right, that doesn't feel right.
Speaker 3: You have the sensitive eye structure, so you physically feel things,
Speaker 3: and you have what's known as the shaman or the
Speaker 3: tribal texture, which means that you have an almost telepathic
Speaker 3: ability to pick up other people's thoughts as well as
Speaker 3: synchronized movement. So you may find yourself at the same time,
Speaker 3: at the same place with somebody that you haven't talked
Speaker 3: to all week, but there you are bumping into each other.
Speaker 3: You just have that synchronized clocking that works with your tribe,
Speaker 3: whoever you deem to be your tribe people. No, there's
Speaker 3: one interesting thing here that that comes a little bit
Speaker 3: after the beginning. You see that kind of squiggly line
Speaker 3: around your pupil, So you have your pupil, and then
Speaker 3: there's that little bit of a squiggly line. That's the
Speaker 3: autonomic nerve wreath, and that's supposed to be there. Usually
Speaker 3: it would be fairly round Yours is a little bit squared,
Speaker 3: almost like you could set a ruler on it. Can
Speaker 3: you see that? Usually that happens when somebody's been through
Speaker 3: a tough time in their life. They've been through some
Speaker 3: point in their life where they've felt like I can't
Speaker 3: live this way. This isn't working for me. Anymore. I
Speaker 3: need out, I need a chance. We call it the
Speaker 3: resiliency square. Years ago we used to call it the
Speaker 3: suicide square, and then JOHNS. Hopkins said, don't call it that, amy,
Speaker 3: but it's not completely incorrect. It's where someone's been through
Speaker 3: a tougher time in their life and they're kind of
Speaker 3: fighting their way through a fun marking in your eye
Speaker 3: four o'clock. You see that little crease there with a
Speaker 3: little spot at the end. Yeah, that one that's born
Speaker 3: to become. We call it the JK. Rowling mark. This
Speaker 3: means that here's Karen. She's on this life trajectory. She's
Speaker 3: got this path laid out in front of her, and
Speaker 3: she's cruising along. Everybody knows Karen's going to grow up
Speaker 3: and do this. Karen's going to grow up and do that.
Speaker 3: But at some point your life makes a major change
Speaker 3: to something completely unexpected.
Speaker 4: Surprise, surprise, And that mark was there when you were
Speaker 4: literally a day old. Now do you see below that
Speaker 4: ancestral postage stamp, that big market seven thirty, I do,
Speaker 4: facing he's facing down.
Speaker 3: I think just on the inside of that postage stamp.
Speaker 3: You've also got a man who looks I mean from
Speaker 3: my angle here he looks almost like the George Washington type.
Speaker 3: His hat is up almost to the top of that
Speaker 3: postage stamp, and the bottom of the postage stamp is
Speaker 3: almost on his right shoulder. So we're seeing like a head, shoulders,
Speaker 3: and down a bit to the torso. And there you've
Speaker 3: got your Yep, you've got your you've got eyes everywhere.
Speaker 3: I mean, you've got images everywhere, my dear. I mean, wow,
Speaker 3: let's just go. Let's just go swimming right in me.
Speaker 3: You have I would say, there's three images above that
Speaker 3: man that we saw towards eight o'clock. Yep, just above that,
Speaker 3: you got your pointer, just about on the back of
Speaker 3: a boy. Down below just a bit, there's the top
Speaker 3: of his head circle around. Yeah, So there's his head,
Speaker 3: and below that we're seeing his left side. He's got
Speaker 3: almost like a like a light white shirt on or
Speaker 3: even maybe pajama top on, and he's so where Will was.
Speaker 3: We had his head, and then we're seeing his back yep,
Speaker 3: and his left shoulder coming down, and there's a facial
Speaker 3: image almost right where Will is again coming in from
Speaker 3: the sclera.
Speaker 1: Now that one I don't see.
Speaker 3: Do you see the person? If you go up where
Speaker 3: the eye is lighter up by nine thirty ten o'clock.
Speaker 3: So imagine you're looking at someone who is showing us
Speaker 3: their back. We're seeing the right shoulder and they're looking
Speaker 3: over that right shoulder. We're seeing the facial line with
Speaker 3: hair that's a little bit more light brown or maybe
Speaker 3: a bit sandy colored. But they've got their back to us.
Speaker 3: And when someone has their back to us, this means
Speaker 3: it's someone unknown somewhere. There's somebody missing in your family line.
Speaker 3: Could be someone who was raised by a grandparent, someone
Speaker 3: who is a foundling. It can be where the record's
Speaker 3: building has burned down and there's simply no trace of
Speaker 3: this person, no way to connect to them. But you
Speaker 3: could have somebody come to you from twenty three and
Speaker 3: meters or from ancestry dot com and say we're related,
Speaker 3: but I can't find it. Wow, you may not be
Speaker 3: able to find it. There's a few missing people. That's
Speaker 3: when we get that silhouette, like somebody walking away from
Speaker 3: us from behind. You did a brilliant job with these pictures.
Speaker 1: By the way, thank you.
Speaker 3: I'm missing the last one and you're probably going to
Speaker 3: cut me off after I say this one down at
Speaker 3: about five point thirty, you see that darkest and down
Speaker 3: just below that, that darkest spot that's kind of in
Speaker 3: the area that we would call promiscuity. Oh now, it
Speaker 3: doesn't necessarily mean that your ancestors or you were headed
Speaker 3: towards a promiscuous life, But it's that person who people say,
Speaker 3: you're going to do what you're wearing that lipstick, had
Speaker 3: you button one more button? You know, they just get
Speaker 3: that pointing at them all the time, all the time.
Speaker 3: And this is how ancestral patterns work. If you engage
Speaker 3: a pattern, like let's say you're in a situation where
Speaker 3: it's between you and your brother who's going to get
Speaker 3: grandma's car, and some reason you get beat out and
Speaker 3: your brother gets it, and you're like, but Grandma taught
Speaker 3: me how to drive in that car. That was my car.
Speaker 3: It was always going to be in my car. When
Speaker 3: you're engaging, the dynamics of what happened to you will
Speaker 3: match the dynamics of what happened to your ancestor. For them,
Speaker 3: it might have been a horse and carriage for you
Speaker 3: as a car, But the words that come out of
Speaker 3: you are their words coming out in English, even if
Speaker 3: at their time it was in Spanish, or it was
Speaker 3: in Latvian, or it was in whatever language it may
Speaker 3: have been in. It's like those words that's not right,
Speaker 3: that's not fair, that should have been mine. It's like
Speaker 3: you're redeclaring and you're saying, yes, this is still a
Speaker 3: trauma for us. This still causes drama and trauma. This
Speaker 3: situation needs to continue to imprint in our epigenetics. Wow,
Speaker 3: that's why the postage stamps are so great, because it
Speaker 3: means whatever situation your ancestors had, you're clearing it. It
Speaker 3: could be that they were kings that had to leave
Speaker 3: the kingdom to the prince and you're not in there anymore. Yeah.
Speaker 3: And just inside that spot at about two forty five
Speaker 3: where we were talking about that gift for interpretation, there's
Speaker 3: like a young man. Yeah, there's a young man just
Speaker 3: right outside of that, towards the white sclera again. So
Speaker 3: we see the shadow, we see the hairline. Now, we
Speaker 3: see we got too close to the ship and we
Speaker 3: took it just a bit. We see the face, we
Speaker 3: see the know, the straight across haircut like boys get
Speaker 3: in the seventh grade, and his shoulders and that's it.
Speaker 3: He's just a bust. He's just a bust figure there.
Speaker 1: Yeah, so it's cool. It's not just images of people,
Speaker 1: but it's actually markings in your eye too that bring
Speaker 1: up a lot of information about the person whose i
Speaker 1: you're studying. That's incredible. We need to take a quick pause,
Speaker 1: but would be right back right up to these messages
Speaker 1: and now back to the skeptic metaphysicians.
Speaker 3: Up at about one o'clock in her eye, you'll see
Speaker 3: another one of those darkish spots, and that's right on
Speaker 3: the line between martyrrism and escape. So martyrrism is I'll
Speaker 3: go I'll do it, I'll take care of it, I'll
Speaker 3: be the one, and escape is why did I do it?
Speaker 3: Why did I say I was going to do this?
Speaker 3: Why did I? So, if you've had any situations of
Speaker 3: being trapped or feeling like you needed to escape, yes,
Speaker 3: even especially like in family stuff or in promises, that's
Speaker 3: an ancestral pattern just rearing its head again. So the
Speaker 3: name of the game is resolve when that moment comes
Speaker 3: and you found yourself in a promise that you're like, oh,
Speaker 3: why did I say I do this? Just take a
Speaker 3: moment and go, oh, this is so ancestral.
Speaker 2: That's not my fault.
Speaker 3: It's not my fault. And you know what, it's not
Speaker 3: my problem, and I'm not going to engage it today.
Speaker 3: I'm just going to go for twenty four hours, and
Speaker 3: you might find that the person that you made the
Speaker 3: promise to comes back and says, that was so nice
Speaker 3: of you to offer, but you know what, I got
Speaker 3: to back out. You'd be like, where'd you come from?
Speaker 3: I'm telling you, when you put some love on your ancestors,
Speaker 3: over these old patterns and just decide to let them
Speaker 3: water out instead of engaging them as you might have
Speaker 3: in the past, either headbutting with someone else or that
Speaker 3: internal chatter in front of the mirror. Right when you
Speaker 3: get to the point that you can let those go
Speaker 3: and de energize them, you can watch all kinds of
Speaker 3: things just suddenly be available, be free, like show up
Speaker 3: out of nowhere. It's just really quite amazing when you
Speaker 3: start working with them. We think of our ancestors as
Speaker 3: just a name on a family tree if we didn't
Speaker 3: know them. But we're all carrying up to or carry
Speaker 3: about eighty ancestors in our DNA. But it comes from
Speaker 3: pool of eleven generations which is four thousand. So none
Speaker 3: of us actually knows who all were related to. So
Speaker 3: when we're sure, we're always going to be broke because
Speaker 3: all our ancestors were broke. We don't know all our ancestors.
Speaker 3: There is some rich dudes back there.
Speaker 1: We gave you the easy one first. Ah there, when
Speaker 1: you mentioned the folds and that kind of stuff, I
Speaker 1: think that's kind of me. So I'm going to show
Speaker 1: you now the other I and see what you thought.
Speaker 3: Are Oh, look at those achievement rings?
Speaker 1: Is that what those are? Achievement rings?
Speaker 3: Those are achievement rings. Yeah. So you see what looks
Speaker 3: like scratch lines, right, that's that constant have to need
Speaker 3: to supposed to should I've got to do this, I
Speaker 3: ought to do that. That just constant push, constant motivator.
Speaker 3: So you had ancestors who had to motivate themselves. They
Speaker 3: had to get down to the doc, they had to
Speaker 3: get themselves up in the morning and get themselves going.
Speaker 3: So you see up at twelve o'clock. You see that
Speaker 3: sharp line there. That's in identity. Those people who can't
Speaker 3: ever get your name right now, it's also identity in
Speaker 3: whatever respective identity, being identified as Asian or Native American
Speaker 3: or African American. It's labeling, right, it's identity. Interesting enough,
Speaker 3: you have markings in altruism just outside of that at
Speaker 3: eleven o'clock. Now, Altruism is when we give or do
Speaker 3: something for somebody and it goes wrong. So have you
Speaker 3: ever had somebody say to you, well, will I didn't
Speaker 3: ask you to do that?
Speaker 4: No?
Speaker 3: Yes, right all the time, Or thought you'd quit help
Speaker 3: Karen out by throwing the clothes in the wash and
Speaker 3: shrunk her favorite blouse, or it comes out some weird
Speaker 3: color and you're like, oh, shoot, why did you talk
Speaker 3: to her about that?
Speaker 2: I thought you just wanted to get out of do
Speaker 2: on laundry.
Speaker 3: Something you said to me. Is that a thing? I'm like,
Speaker 3: oh yeah, Altruism is a thing. Altruism is where your
Speaker 3: ancestors gave something and then some part of it just
Speaker 3: went wrong. And likely they knew before they ever did
Speaker 3: it that it was not going to go well. So
Speaker 3: giving up your seat on the boat to America and
Speaker 3: then there's no more boats right somewhere they had an altruism.
Speaker 3: Now that also could be that placing a child for
Speaker 3: adoption or rehoming for the child's own good but the
Speaker 3: child will never know how you suffered for giving them away.
Speaker 3: So if you ever had a situation of having to
Speaker 3: give away a beloved pet, that's often the altruism mark
Speaker 3: because it's not so common to have to give away
Speaker 3: a child, but to have to give up your cat
Speaker 3: or dog is sometimes the way that it reenacts in
Speaker 3: American world today. If that makes sense, it.
Speaker 1: Does, It totally does. Interesting.
Speaker 3: Wow, now you had some trouble with people not listening
Speaker 3: to you.
Speaker 2: Wow, this is freaking me out.
Speaker 3: That was right there at two o'clock. Right there at
Speaker 3: two o'clock. That's the whole not being listened to, not
Speaker 3: being heard, especially when it comes to business. Since you know,
Speaker 3: I'm trying to talk people through you also have that
Speaker 3: beautiful born to become marketing. Just going to say that,
Speaker 3: And it is on the line of it's your vocational line.
Speaker 3: So it means that whatever your new trajectory is, it
Speaker 3: involves your vocation. So if you think of somebody like
Speaker 3: well JK. Rowling, of course your books, But if you
Speaker 3: think of David Pelzer, a boy called it how he
Speaker 3: wasn't horrible abuse as a child, but then it became
Speaker 3: a book and a vocation right, it became a vocational aspect,
Speaker 3: so you're born to become at least a good deal
Speaker 3: of it is going to be in in your effective
Speaker 3: of your vocation. Now, masculine competitive environments, well, so if
Speaker 3: we look at about eight, there's a little bit of
Speaker 3: there's like a very light area and then a dark spot.
Speaker 3: See that darkish to the right, just a little bit low.
Speaker 3: So that is masculine competitive environments. It's sibling rivalry with brothers.
Speaker 3: It doesn't mean you get brothers, but this is legal competitiveness,
Speaker 3: business competitiveness. It can be board games and sports. It's
Speaker 3: any masculine or left brain competitive area. So left brain
Speaker 3: competitive can be chess, physics, geometry, those kinds of things.
Speaker 3: But it's where your ancestors had trouble with a masculine
Speaker 3: competitive environment. Now they could have been in the military,
Speaker 3: they could have just been brothers, they could have been
Speaker 3: business people. This is where when you have two uncles
Speaker 3: who are partners and then the partnership takes a dive.
Speaker 3: This is where you'll find that kind of marking. But
Speaker 3: it also shows your competitiveness, your ability to beat the clock.
Speaker 3: You have a bit of marketing in clever rebellion, so
Speaker 3: you know the workaround your ancestor did you guys talk
Speaker 3: before holy cow amy, Oh my gosh. Now I can't
Speaker 3: tell without looking at your left eye, but I would
Speaker 3: lean towards. Did you have a high trauma incident before
Speaker 3: you were two or three? It's something somebody would have
Speaker 3: had to tell you about, not something you would remember.
Speaker 1: I don't know. I don't know if it's two or three,
Speaker 1: but I know a little bit later in life, I
Speaker 1: had very significant traumah a couple.
Speaker 3: Yeah, yeah, So when the pupil takes on a little
Speaker 3: bit more of a grape shape rather than round, a
Speaker 3: little bit of ovaling, and you'll have to look at
Speaker 3: your left as well in this case, just because I
Speaker 3: would lean towards. That's kind of on that grape shape.
Speaker 3: So when that happens, it's an early childhood trauma, pre
Speaker 3: conscious memory, that ovaling, And so it means you were
Speaker 3: at some point where you thought you were going to
Speaker 3: be killed, but you were so young you wouldn't remember it.
Speaker 3: It's pre conscious, like you don't remember having your diaper changed,
Speaker 3: you don't remember your first steps, so you don't make
Speaker 3: a form thought of I think going to be killed,
Speaker 3: but you would have been screaming. And it can be
Speaker 3: something simple like a doctor coming at you with a
Speaker 3: mask or holding you down to give you a shot,
Speaker 3: or as simple as tumbling out of the crib. One
Speaker 3: minute everything's fine to everything is not fine.
Speaker 1: Well, see, my mother was always very tight lipped about stuff,
Speaker 1: so there this could very well be she just hasn't
Speaker 1: told me. We did have some challenging times when right
Speaker 1: from the time I was born to the time we
Speaker 1: left the island. I was born in perto Rico, I
Speaker 1: was raising perto Rico. It was some challenging times there
Speaker 1: for the family as a whole. So you know, there
Speaker 1: was something that she mentioned about someone maybe wanting to
Speaker 1: kill my brother and I, but that was what Yeah, No, anyway,
Speaker 1: moving on.
Speaker 3: Moving on, I would I would highly expect that when
Speaker 3: you take a picture of your left eye, you're going
Speaker 3: to see it there as well. And the way to
Speaker 3: check it the easiest is to make the picture really small,
Speaker 3: because then your shape of your pupil will really pop
Speaker 3: out at you. This is one of the few things
Speaker 3: in the eyes that gender imprints. So let's say you
Speaker 3: fell into the swimming pool and the person who saved
Speaker 3: your life is a man who grabbed you out and
Speaker 3: is like will will are you O care? Are you okay?
Speaker 3: That for you would make that imprint because you don't
Speaker 3: know what happened. You just know somebody was in your
Speaker 3: face and they were screaming and yelling and whatnot. So
Speaker 3: when it shows up in both eyes, it means both
Speaker 3: genders were involved, like two parents. You know, it could
Speaker 3: be one parent holding a child and the two of
Speaker 3: them are screaming at each other. But again, it can
Speaker 3: be a tornado situation where everyone in the room is screaming.
Speaker 3: When you get both eyes literal, it can very well
Speaker 3: be that what it did is it shifted you. So
Speaker 3: your birth personality is what we call the sensitive, which
Speaker 3: is someone who is physically sensitive to everything. When it
Speaker 3: comes to sports, it's any sport that powers up in stillness, golf, darts, pool,
Speaker 3: anything where you process the movement first and then move right.
Speaker 3: And this moves you from that original what's called the
Speaker 3: sensitive eye structure to what's called the performer. And performers perform,
Speaker 3: whether it's in sports or whether it's in business, or
Speaker 3: whether it's how they show up. If you're not going
Speaker 3: to finish first, you will finish memorable. People will know
Speaker 3: that was there. That a lot I explain so much,
Speaker 3: there'll be a flair to it. As to images, everybody
Speaker 3: has images now on dark browns. You want to zoom in,
Speaker 3: So let's go in and take a little closer look. Okay,
Speaker 3: so I see the shadow of a boy. Well, actually
Speaker 3: I see the shadow of a ship. Could be both
Speaker 3: coming down here between five o'clock and six o'clock. The
Speaker 3: face would be yep, right there, right there is base.
Speaker 3: You're just coming around the right ear of that young child,
Speaker 3: and we don't really make them out so well, but
Speaker 3: I see that child's face. But when I back away
Speaker 3: from it, it looks very much like a ship, like
Speaker 3: a large ship, the kind that would have had like sails,
Speaker 3: the bounty, right, the bounty kind of ship.
Speaker 1: So you know what I see? Tell me, I see
Speaker 1: the face of a sloth. Right, you got a little
Speaker 1: smile of the eyes and nose.
Speaker 3: How about just one to jump from your pointer? Just
Speaker 3: right there? Do you see the white dress of a
Speaker 3: woman dancing with like a swing dress that flares out?
Speaker 1: Oh yes, I do see that.
Speaker 3: Oh wow, the skirt the hamline yep, and there now
Speaker 3: we see her arm, her hair pulled up. But there's
Speaker 3: also another face in there now now where the dresses,
Speaker 3: there's a second face of someone who was like maybe
Speaker 3: a man with his hair pulled back in a tail.
Speaker 2: And there's like eyes, like to see the shadow of
Speaker 2: the eyes, and then there's the nose right there in
Speaker 2: the hairline.
Speaker 1: Here it's like looking.
Speaker 3: Out very much so, and you're looking at some of
Speaker 3: the larger images. If you come in, you've also got
Speaker 3: images kind of along this pupil, yeah, you see them now,
Speaker 3: and also up above especially oh my gosh, stop right there,
Speaker 3: so at eleven o'clock up above, so you've got the creaselines,
Speaker 3: the short taist lines at eleven go just above that
Speaker 3: about an inch, there's like a young man studying who's
Speaker 3: got like almost rusty hair just above that creasetline. That's
Speaker 3: his longer neck his face and again hair with a
Speaker 3: little bit of a thicker cut. So what often works
Speaker 3: and what works the best oftentimes are you MAC users
Speaker 3: or HP mas Okay, So what often works with the
Speaker 3: Mac is, well, you could send the pictures to me
Speaker 3: and I could circle and point to everybody. But what
Speaker 3: often works with that is there's tools annotate loop. That's
Speaker 3: where you can really custom zoom in and out and
Speaker 3: control the size of the area. But there's also tools
Speaker 3: annotate oval. So once we put the oval around like
Speaker 3: that woman in the white dress, then they're really easy
Speaker 3: to see. That's what you saw on my website in
Speaker 3: the gallery, Like, here's the person circled, because before you
Speaker 3: circle them sometimes they're not so easy to pick out.
Speaker 3: But once you got them framed, people will be like,
Speaker 3: oh my gosh, there's people in there.
Speaker 1: Right.
Speaker 3: And again, you guys, dark Brown Eyes, you two did
Speaker 3: a magnificent job on these books.
Speaker 1: Well, thank you. We owe that to you and your
Speaker 1: wonderful video that you have on New Reality TV.
Speaker 2: Man, where can you find that?
Speaker 1: Yeah, if you are curious as to how to take
Speaker 1: your own eye photos, all you need to do is
Speaker 1: go to New Reality tv dot com and go to
Speaker 1: the shorts and you will see her videos there.
Speaker 2: Let's talk about what she's doing on New Reality.
Speaker 1: Yeah, let's talk about what you're doing in New Reality?
Speaker 1: What are you doing in New Reality? Amen?
Speaker 3: So I have a shot called The Eyes. Have it
Speaker 3: Unlocking your Ancestral Code with Amy and it is a
Speaker 3: series of series of episodes. Some people who have really
Speaker 3: cool eyes, some people who have fascinating careers maybe in
Speaker 3: other what do I want to say, New age type
Speaker 3: things like today, I just worked with someone who's a
Speaker 3: psychotherapist and compared what psychotherapy reveals about people to what
Speaker 3: shows up in the eyes, human design compared to what
Speaker 3: shows up in the eyes, or astrology compared to what
Speaker 3: shows up in the eyes. I'll also be doing some
Speaker 3: episodes with those who've maybe come through some really wild
Speaker 3: traumatic stories, Department of Corrections, those who've been incarcerated, those
Speaker 3: kind of people, well, not in those kinds, but that
Speaker 3: group of people. Also adoptees, those who've met their birth families,
Speaker 3: those who have never met their birth families. Talking about,
Speaker 3: you know, kind of the different aspects of how your
Speaker 3: genetics weave in with your environmental experience and your ancestors
Speaker 3: how they play out. And so if you had sibling
Speaker 3: rivalry with girls in your genetic line, you will likely
Speaker 3: drop into the perfect house for you to resolve that pattern,
Speaker 3: right in your adopted home. And so there'll be some
Speaker 3: different kind of pillars going on in the series. And then,
Speaker 3: as you said, the shorts show people how to take eyephotos.
Speaker 3: Because I want everybody to look at their eyes and
Speaker 3: start seeing what's in there and start experiencing, you know,
Speaker 3: some of the amazing using detail and information that we
Speaker 3: can that we can learn from looking at our blueprint.
Speaker 1: Oh wow. Yeah.
Speaker 2: So if people have issues and you can kind of
Speaker 2: see these markings in your eyes that maybe where they
Speaker 2: came from through your ancestors, is that something that then
Speaker 2: they could I guess they would take that? Then maybe
Speaker 2: work with a therapist to resolve that, or can they
Speaker 2: work with you to resolve that? How does that work?
Speaker 2: What's the next step?
Speaker 1: We need to take a quick pause, but would be
Speaker 1: right back right up to these messages and now back
Speaker 1: to the show.
Speaker 2: So if people have issues and you can kind of
Speaker 2: see these markings in your eyes and maybe where they
Speaker 2: came from through your ancestors, is that something that then
Speaker 2: they could I guess they would take that? Then maybe
Speaker 2: work with a therapist to resolve that, or can they
Speaker 2: work with you to resolve that? How does that work?
Speaker 2: What's the next step?
Speaker 3: Very much so, And I'm just going to tell you
Speaker 3: right now those people who are saying like over and
Speaker 3: over again, you know, the people they have the same
Speaker 3: thing happens over and over and over. Right, So if
Speaker 3: it's weird, bizarre, unique, would only happen to you, happens
Speaker 3: to you over and over again. Or people will say, oh,
Speaker 3: only so and so or happened up to age eight
Speaker 3: to ten. It's ancestral all very long. So you know
Speaker 3: those people who went ballistic over toilet paper during COVID, Right,
Speaker 3: they're going through an ancestral pattern. Their ancestor may have
Speaker 3: been in World War Two and couldn't get stockings to
Speaker 3: get a job, and eventually one of their children gets sick,
Speaker 3: and because they don't have a job, they wind up
Speaker 3: losing their child. And it's all blamed on that moment
Speaker 3: they walked in the store and they saw somebody leaving
Speaker 3: with the last pair of stockings. Right, you know those
Speaker 3: people who are almost like sealing toilet paper out of
Speaker 3: carts at Walmart. Ye, we bought up a day so
Speaker 3: you can. I mean, we have this B fifty two
Speaker 3: bomber that flies over our house all the time, spring
Speaker 3: the crops, and we're like, that is so wasted on us.
Speaker 3: We don't have that ancestral pattern, but maybe our neighbor's
Speaker 3: next door do, because we're just like there he goes again, right,
Speaker 3: and that's the resolved. So yes, if we know somebody's story,
Speaker 3: I could just start drawing their eyes, right. If I
Speaker 3: know what they've had an issue with over and over
Speaker 3: and over again, I could just start drawing it out.
Speaker 3: Okay over here in my career. So working it out
Speaker 3: is all about resolving. It's all about saying, what do
Speaker 3: I have that my ancestors didn't. We have legal ease,
Speaker 3: we have online we have passports. If our loved one
Speaker 3: gets sick in Japan, we can get on a plane
Speaker 3: and fly to Japan. You know, it's we have new
Speaker 3: tools that they didn't. We have clean water, ambulances, all
Speaker 3: these things. So their traumas usually show up in our
Speaker 3: world as more of an annoyance than a really life
Speaker 3: or death scenario usually and hopefully most of all the time.
Speaker 3: So working through that pattern it's something one can do
Speaker 3: on their own. They can do with me, but they
Speaker 3: can also go to a therapist and say, I think
Speaker 3: this is an ancestral pattern. I think I'm getting triggered
Speaker 3: by something my ancestors had to real or deal with,
Speaker 3: or in the moment they can stop and say this
Speaker 3: is so ancestral. I don't know whose this was. But
Speaker 3: I'm so sorry you went through this, because in twenty
Speaker 3: twenty five it stinks. In your time, it must have
Speaker 3: really been bad. But you know what, We're in a
Speaker 3: new world. We have news at our fingertips, we have
Speaker 3: nine to one one, we have all these things, and
Speaker 3: I'm not going to engage this today. I'm just going
Speaker 3: to let this energy out. I'm going to breathe through it.
Speaker 3: I'm going to wake up tomorrow and think about what
Speaker 3: I want to do with it in twenty twenty five. Right.
Speaker 1: And that's one of the powerful things about your show
Speaker 1: on New Reality TV is that the more you listen
Speaker 1: and watch these types of the readings or whatever write
Speaker 1: the sessions when you're explaining these things to folks, the
Speaker 1: more that they hear, the more they see, the more
Speaker 1: that they start making the connections, and then they can
Speaker 1: start making that connection inside themselves so they can identify
Speaker 1: things that are ancestral and rather than on their own.
Speaker 3: Absolutely, and really my whole emphasis getting into this was
Speaker 3: working with kids. And when I came back to the States,
Speaker 3: I thought, what is that that's harming American children? And
Speaker 3: it was really self destructive behaviors and suicide patterns, and
Speaker 3: so you know how kids are. I'm the common denominator.
Speaker 3: It's my fault, right, It's all my fault. And I'll
Speaker 3: tell you when you have kids that take fault for everything, like, oh,
Speaker 3: don't worry about it's my own fault. I should have
Speaker 3: known better. It's my fault. Oftentimes something happened during the
Speaker 3: pregnancy where the parents trajectory changed. Maybe someone was about
Speaker 3: to go to school, maybe someone was about to leave
Speaker 3: the relationship, but something changed the trajectory, and it just
Speaker 3: gives them this imprint that they can't seem to shake of.
Speaker 3: It's my fault. By the same token, you'll run into
Speaker 3: kids who will say, I don't know what's wrong with me,
Speaker 3: what's the matter with me? There may be something wrong
Speaker 3: with the baby during the pregnancy, and it didn't even
Speaker 3: have to be wrong. It could just be them being
Speaker 3: told ooh, your babies could be born with this, or
Speaker 3: your baby could be that, or you know the last
Speaker 3: your sister just lost her baby to this, you know
Speaker 3: what I mean. And so when you run into people,
Speaker 3: adults or children who have that really prevalent fault or
Speaker 3: something wrong with me, oftentimes it goes back to that
Speaker 3: inutero time, and nobody did anything wrong. People feel what
Speaker 3: they feel. You know, the doctor tells you who that
Speaker 3: baby could have a birth defect, what are you going
Speaker 3: to do except be tied up in some fear about it?
Speaker 3: But once they know the rest of the story. So
Speaker 3: my real strong impetus push in this work was I
Speaker 3: was at a show in Pennsylvania and this Navy admiral
Speaker 3: came up, retired Navy admiral and asked me what I
Speaker 3: was doing. And I explained it to him, and I
Speaker 3: explained to him about you know how sometimes you know,
Speaker 3: kids will have this. It's my fault, you know, it's
Speaker 3: I did this. It's my fault. And I explained to
Speaker 3: him how this can come up in the inutero pattern,
Speaker 3: and he said, Amy, you have to continue doing this work.
Speaker 3: This was our story. We went to therapy with our
Speaker 3: son for five years and we lost him to suicide.
Speaker 3: He could not hear I love you from me. I
Speaker 3: was in the Navy. His mom got pregnant. I blew up,
Speaker 3: you can't be pregnant. I've got to be on active duty.
Speaker 3: I've got to go. I can't be here. And that
Speaker 3: child was born with the imprint of I'm not wanted.
Speaker 3: No matter what his dad said, this man could not
Speaker 3: hear I love you from his dad. And so you
Speaker 3: know this man is he's retired, accomplished admiral. And he said,
Speaker 3: I know, he said, in five years of therapy, this
Speaker 3: conversation never happened. Never, he said, I know, I just
Speaker 3: heard it. If this had been mentioned one time, I
Speaker 3: truly believe our son would still be here.
Speaker 2: Oh that's heartbreaking.
Speaker 1: It is heartbreaking that and.
Speaker 3: It's a push behind my work, wow, for people to
Speaker 3: find that, because just hearing it sometimes is enough to
Speaker 3: unlock it.
Speaker 2: And I think that I just like things connect, you know,
Speaker 2: And so our daughter is always very very cautious, and
Speaker 2: she can be escaped afraid to try new things. And
Speaker 2: thinking about that, I got pregnant older, then I had
Speaker 2: a miscarriage, and then I got pregnant with her, and
Speaker 2: I was so careful and it was always you know that,
Speaker 2: So I wonder if that transferred to her.
Speaker 1: Right.
Speaker 3: But in reality, says ron New Reality. In reality, it
Speaker 3: could very well just be that she has an ancestor
Speaker 3: that you may or may not be aware of, who
Speaker 3: tried something new that had disastrous outcome. And so she's
Speaker 3: just automatically put on alert every time it's something new
Speaker 3: like this is new. So when people have patterns like that,
Speaker 3: I always tell them do something that doesn't make a
Speaker 3: stitch of difference. Take a guitar lesson right, take whatever.
Speaker 3: If you think it's tied to the pregnancy, just stick
Speaker 3: with it for ten months worth it and that's usually
Speaker 3: enough to just really water out that pattern.
Speaker 1: So people who are constantly broke, or they can't find
Speaker 1: that abundance over and over again, or they keep losing
Speaker 1: the jobs or whatever, this could have a root in
Speaker 1: their ancestral lineage.
Speaker 3: Absolutely So their ancestor had a good life right up
Speaker 3: until he got a bunch of money and then somebody
Speaker 3: stole his wife, somebody beat him up to an inch
Speaker 3: of his death, or somebody killed that person. I had
Speaker 3: a gal who had the altruism marketing doing something they regretted,
Speaker 3: and her mom was on the last boat leaving England
Speaker 3: during the war because of the torpedoing of ships, and
Speaker 3: she was pregnant, and there was a lady there was
Speaker 3: another lady who was pregnant more pregnant, and she said,
Speaker 3: you know, you go first, So the lady went up.
Speaker 3: They got torpedoed. The woman grabbed the sun, threw him
Speaker 3: up to the pregnant woman on the other ship, and
Speaker 3: her ship went down, but the other one got away.
Speaker 3: And that was that altruistic act. Oh my gosh, she
Speaker 3: turned into such a great disaster. Right, And so we
Speaker 3: don't think about these things think it's me. We think, oh,
Speaker 3: it's them, they got this problem. But especially if someone's
Speaker 3: got a pattern that they just can't hang up, then
Speaker 3: oftentimes it's in that cellular memory, right, It's in that
Speaker 3: cellular memory from something. And women are born with their
Speaker 3: ovaries intact. So your daughter's been through your life and
Speaker 3: your mother's life, so that adds to the epigenetic pattern.
Speaker 3: It's just like a little extra magnetism, but just understanding
Speaker 3: and being able to kind of walk through it and
Speaker 3: figure it out and be like, you know, this is
Speaker 3: probably an ancestral pattern. Maybe we should just try some
Speaker 3: silly little thing like taking a pottery class, you know
Speaker 3: what I mean, experiment with it, get a little creative,
Speaker 3: and remind her of every time she has do something
Speaker 3: new that went fantastic. But she's always going to have
Speaker 3: that trigger. That trigger's going to hit her. People who
Speaker 3: never finish their thesis. They have this challenge with where
Speaker 3: an ancestor signs something they regretted. Signature agreements is a
Speaker 3: big one. I see all the time. Why did I
Speaker 3: join that? Why didn't I? Wait? Yeah, why didn't I
Speaker 3: read it? The dynamics, the dynamics of how you got
Speaker 3: in that spot are the way to unlock it.
Speaker 1: Wow, this is fasinating. My gosh, this is incredible. I'm
Speaker 1: looking forward to watching your show and to binge it. Yeah,
Speaker 1: and thank you for taking the time and giving us
Speaker 1: a really deep dive into our eye. It didn't expect
Speaker 1: you to go that deep into it, so we really
Speaker 1: appreciate you any time to do that. If someone wanted
Speaker 1: to learn more about their eye or reach out and
Speaker 1: get your interpretation, what's the best way for someone to
Speaker 1: get ahold of you?
Speaker 3: So eerogenics dot com is my website. I R I
Speaker 3: G E N I C s eerogenics dot com. The
Speaker 3: app should be out we'll see what ancestral patterns are
Speaker 3: at play. But it's in March seventh and fifteenth, so
Speaker 3: it's really right around the corner and you'll be able
Speaker 3: to do your own iPhoto and it gives you a
Speaker 3: free short report, but you can also I think the
Speaker 3: long report it's less than ten dollars. I don't know
Speaker 3: if it's eight or what it is, but it's over
Speaker 3: fifty five pages of information. Wow, you your eyes and
Speaker 3: your ancestors. And if you get pictures as good as
Speaker 3: Will and Karen, did you got a fat space?
Speaker 1: Awesome? Well, Amy, this has been wonderful. Thank you so
Speaker 1: much for taking the time and coming on the show
Speaker 1: and having fun with us. And you know, it's been great.
Speaker 2: Hay, I'm talk another hour.
Speaker 1: Absolutely, absolutely, it's been a real pleasure. Thanks for coming on.
Speaker 3: Thank you for having me. It has been my honor.
Speaker 3: Thank you so very much.
Speaker 1: Finally, yeah, and a huge thank you to you. If
Speaker 1: you know someone who would benefit from hearing the message
Speaker 1: we're sharing on the show, do them and us a
Speaker 1: favor and share the show with them. It will help
Speaker 1: get the word out about us and it might just
Speaker 1: change someone's life for the better. Well, that's all for now.
Speaker 1: We will see you on the next episode of The
Speaker 1: Skeptic Betephysicians. Until then, take care,