1 00:00:04,120 --> 00:00:07,839 Speaker 1: Welcome back, everybody to the Shirley You Can't Be Serious Podcasts. 2 00:00:07,879 --> 00:00:10,279 We are on part two of our Smoking in the 3 00:00:10,320 --> 00:00:14,720 Bandit versus Cannonball Run episodes. Jason, how you doing, man? 4 00:00:14,759 --> 00:00:16,920 Speaker 2: I'm good man. Let's just do the checklist real quick. 5 00:00:16,960 --> 00:00:18,600 Speaker 1: All right? You ready? Yeah? Okay? 6 00:00:18,679 --> 00:00:21,199 Speaker 2: Let's see here, zipper, most of the way down. 7 00:00:22,320 --> 00:00:23,039 Speaker 1: Where's beer? 8 00:00:23,519 --> 00:00:28,440 Speaker 2: Ready to go? Rosary bleeds ready to go? No smoking 9 00:00:28,480 --> 00:00:30,559 in the rearview mirror. Let's put the hammer down and 10 00:00:30,559 --> 00:00:31,000 give it hip. 11 00:00:31,199 --> 00:00:33,320 Speaker 1: Let's shove those rosary bleeds right up your nose. 12 00:00:36,799 --> 00:00:41,039 Speaker 3: Hello everybody, and welcome to the Surely you Can't Be 13 00:00:41,359 --> 00:00:46,159 Serious Podcast, discussing and debating the iconic and the forgotten 14 00:00:46,280 --> 00:00:49,479 of eighties and nineties pop culture with your co hosts 15 00:00:49,799 --> 00:00:52,280 James D. Graves and Jason Colivin. 16 00:00:53,000 --> 00:00:55,520 Speaker 1: Hey, everybody, welcome back to the Shirley You Can't Be 17 00:00:55,640 --> 00:00:59,240 Serious Podcasts. Jason, are you ready to jump back in? Okay? 18 00:00:59,479 --> 00:01:01,479 Speaker 2: Are we flip back to Cannibal Run? Are we still 19 00:01:01,600 --> 00:01:02,439 unspoken the band? 20 00:01:02,880 --> 00:01:05,959 Speaker 1: Hey? Man, I'm just here for the ride, right These 21 00:01:06,000 --> 00:01:07,760 movies are about the ride, and that's what I'm here 22 00:01:07,799 --> 00:01:08,560 for the ride? 23 00:01:10,799 --> 00:01:15,480 Speaker 2: All right, Okay, it's it's a crime that we have 24 00:01:15,519 --> 00:01:18,239 made it this far in the podcast without talking about 25 00:01:18,519 --> 00:01:22,560 one of the funniest characters in Canniball Run, Captain Chaos. 26 00:01:23,319 --> 00:01:24,400 Speaker 1: Dun Dun, Dunn. 27 00:01:29,200 --> 00:01:32,959 Speaker 2: How can we forget to talk about him? 28 00:01:33,000 --> 00:01:34,439 Speaker 1: Oh no, not him again. 29 00:01:36,439 --> 00:01:37,239 Speaker 2: Be long. 30 00:01:39,200 --> 00:01:42,959 Speaker 1: Welcome everybody. I'm Captain Chaos and this is my friend Kato. 31 00:01:44,519 --> 00:01:45,799 Say hello Kato. 32 00:01:48,920 --> 00:01:54,159 Speaker 2: Dom Delawise as his alternate identity. Captain Chaos is the 33 00:01:54,359 --> 00:01:58,280 funniest character in Canniball Run. The interesting thing about Captain 34 00:01:58,359 --> 00:02:02,280 Chaos for me is that despite being hilarious and despite 35 00:02:02,400 --> 00:02:06,920 being obviously Victor Princey's stronger half, he really does have 36 00:02:07,000 --> 00:02:09,439 special powers, Like whenever he takes over the ambulance, the 37 00:02:09,479 --> 00:02:12,560 ambulance drives faster right. One of the funniest scenes in 38 00:02:12,599 --> 00:02:14,719 the movie when they get in that big joint fight 39 00:02:14,840 --> 00:02:16,639 at the very end, when the road is blocked and 40 00:02:16,639 --> 00:02:19,000 they take on the biker gang, He's beating the crap 41 00:02:19,039 --> 00:02:22,759 out of Captain Chaos is beating up bikers left and right. 42 00:02:22,560 --> 00:02:25,479 Speaker 1: And I will say this, he takes the time to 43 00:02:25,520 --> 00:02:28,879 give the movie heart that was missing in other scenes. 44 00:02:29,199 --> 00:02:32,439 The conversation he has about how Captain Chaos would come 45 00:02:32,560 --> 00:02:34,879 and save him when he was getting bullied as a kid. 46 00:02:35,319 --> 00:02:39,000 It just it moves you. You're just like, ah, all right, 47 00:02:39,080 --> 00:02:41,639 I can I get it now. I understand everybody needs 48 00:02:41,680 --> 00:02:42,879 their own Captain Chaos. 49 00:02:43,319 --> 00:02:49,280 Speaker 2: Captain Chaos actually Victor Charms, Sarah Fussett, Roger Moore playing 50 00:02:49,599 --> 00:02:53,759 Seymour Goldfarb playing Roger Moore playing James Bond. 51 00:02:54,240 --> 00:02:56,360 Speaker 1: So the music you know when the when the Aston 52 00:02:56,439 --> 00:02:59,120 Martin pulls up for the race, you hear that them 53 00:02:59,599 --> 00:03:03,719 Nan And how Needham said was he got within one 54 00:03:03,759 --> 00:03:07,919 note of being sued over that one. Kubby Brockley talked 55 00:03:07,919 --> 00:03:09,840 to holl Needham about this. They I guess they knew 56 00:03:09,879 --> 00:03:12,039 each other pretty well, and we saw that scene. He 57 00:03:12,199 --> 00:03:16,599 was not happy about what was going on. And it 58 00:03:16,680 --> 00:03:20,439 was actually in the contracts for future James Bond movies 59 00:03:20,680 --> 00:03:23,680 you may not spoof James Bond in any shape or 60 00:03:23,719 --> 00:03:26,479 form in any of your movies. I think I like 61 00:03:26,560 --> 00:03:29,240 James Bond better in this movie than in any other 62 00:03:29,960 --> 00:03:31,919 Roger Moore James Bond movie. Wow. 63 00:03:32,240 --> 00:03:33,039 Speaker 2: Wow right? 64 00:03:33,199 --> 00:03:35,120 Speaker 1: Did you did you play spy Hunter when you're a 65 00:03:35,199 --> 00:03:38,960 kid at the video game sick? Yes? Oh my gosh. 66 00:03:39,199 --> 00:03:42,400 I loved the oil slicks and the smoke screens and 67 00:03:42,439 --> 00:03:45,080 the bombs that came out. But yeah, and as far 68 00:03:45,120 --> 00:03:47,759 as James Bond cars go, the Aston Martin is the 69 00:03:47,759 --> 00:03:49,240 coolest car that they've ever had. 70 00:03:49,759 --> 00:03:54,840 Speaker 2: No way, no way. Yes, I'll take the Lotus that 71 00:03:54,879 --> 00:03:57,759 transforms into a submarine from the Spy Who Loved Me 72 00:03:57,800 --> 00:03:58,159 any Day? 73 00:03:58,960 --> 00:04:02,599 Speaker 1: So dumb. It's like Joe episode. Cars in this. 74 00:04:02,639 --> 00:04:05,159 Speaker 2: Movie only worked for two or three days, right, They 75 00:04:05,199 --> 00:04:07,439 needed them at the beginning, they needed them at the end, 76 00:04:07,520 --> 00:04:09,159 and they needed them just kind of to do their 77 00:04:09,159 --> 00:04:09,919 thing in the middle. 78 00:04:10,000 --> 00:04:10,199 Speaker 1: Right. 79 00:04:10,479 --> 00:04:12,520 Speaker 2: I think Roger Moore worked like four days. 80 00:04:12,560 --> 00:04:15,439 Speaker 1: Maybe, Yeah, I think he was probably a longer bit 81 00:04:15,479 --> 00:04:17,040 on the shoot. And he would have a different girl 82 00:04:17,040 --> 00:04:19,920 with him. They never explained that at all, but somehow 83 00:04:20,000 --> 00:04:22,120 he had a different girl with him every single time. 84 00:04:22,279 --> 00:04:25,399 And then one of them seems like she's from Russia 85 00:04:25,519 --> 00:04:28,160 or something, the one where it's like the smoke comes 86 00:04:28,199 --> 00:04:31,160 into the car. So the voice is not actually that 87 00:04:31,240 --> 00:04:37,279 woman's voice. Yes, she sounds like Natasha from Rocky and Bullwinkle, 88 00:04:37,519 --> 00:04:41,639 because she is Natasha from Rocky and Bullwinkle. It's that 89 00:04:41,720 --> 00:04:45,199 lady coming in to do the voice. 90 00:04:45,839 --> 00:04:49,399 Speaker 2: June Foura did the voice of Rocky from Bullwinkle. 91 00:04:49,600 --> 00:04:50,040 Speaker 1: She did. 92 00:04:50,279 --> 00:04:53,560 Speaker 2: She also does the voice of Granny from Looney Tunes. 93 00:04:53,720 --> 00:04:55,120 Speaker 1: Oh okay, yeah. 94 00:04:54,879 --> 00:04:58,040 Speaker 2: I mean she's a voice actress. She's done tons of Yeah. 95 00:04:57,839 --> 00:04:59,240 Speaker 1: I'm going to pull in here and get some beer, 96 00:04:59,279 --> 00:04:59,560 all right. 97 00:05:00,040 --> 00:05:02,120 Speaker 2: Run is one of the first movies to do product placement. 98 00:05:02,319 --> 00:05:05,240 I thought that was very interesting. They were paid money 99 00:05:05,399 --> 00:05:10,519 to show Budweiser beer, uh huh, slurpees, Goodyear tires, and 100 00:05:10,560 --> 00:05:11,240 sell eleven. 101 00:05:12,480 --> 00:05:16,279 Speaker 1: So that scene they've got the plane, How awesome is 102 00:05:16,279 --> 00:05:18,439 that scene. I mean, you got to think they don't 103 00:05:18,439 --> 00:05:21,279 do stuff like that anymore. They don't out there doing 104 00:05:21,319 --> 00:05:24,519 those crazy stunts because we have CGI and we'll just 105 00:05:24,560 --> 00:05:28,279 see gi it all in. But back in nineteen eighty one, 106 00:05:28,519 --> 00:05:30,639 if you're going to fly a plane and land it 107 00:05:30,680 --> 00:05:33,079 on the city streets of a small town, you had 108 00:05:33,079 --> 00:05:35,040 to actually fly a plane and land it on the 109 00:05:35,079 --> 00:05:38,519 streets of a small town. And so there's power lines 110 00:05:38,560 --> 00:05:40,759 and stuff. So they had to have a stunt pilot 111 00:05:40,800 --> 00:05:44,160 come in, get it under the wire, and then also 112 00:05:44,360 --> 00:05:46,360 stop the plane. I mean, you've got marks. When you're 113 00:05:46,399 --> 00:05:49,240 shooting stuff. The camera doesn't just go everywhere. It's not 114 00:05:49,279 --> 00:05:51,759 a handheld and so the plane's got to stop on 115 00:05:51,800 --> 00:05:54,160 a specific spot. So when you see that butt of 116 00:05:54,160 --> 00:05:56,600 the plane jumping up, it's because the pilot is trying 117 00:05:56,639 --> 00:05:59,000 to do everything he can to get it stopped in 118 00:05:59,040 --> 00:06:03,920 the mark. They then Dom Delauise hops out, just grabs 119 00:06:03,920 --> 00:06:09,439 some beer and a slurpy why not. Yeah, And so 120 00:06:09,720 --> 00:06:12,399 at that point that he and this Dom Delouise is 121 00:06:12,439 --> 00:06:16,439 such a pro, he's walking in and then the wind 122 00:06:16,560 --> 00:06:19,759 from the plane blows every that was not part, that 123 00:06:19,839 --> 00:06:23,319 was not scripted. It just happened. The plane was actually there. 124 00:06:23,560 --> 00:06:26,079 It's you know, it moves to move around and it 125 00:06:26,120 --> 00:06:29,639 blows everything all over the place. Not phased a bit, 126 00:06:29,839 --> 00:06:30,720 just grabs his beer. 127 00:06:32,360 --> 00:06:34,079 Speaker 2: Do you know that? Hell, Ninam and nol Ruddy, who 128 00:06:34,079 --> 00:06:37,959 you mentioned before, liked Terry Bradshaw and Mill Tillis's chemistry 129 00:06:38,040 --> 00:06:41,240 so much that they actually proposed a TV show for 130 00:06:41,279 --> 00:06:41,839 these guys. 131 00:06:42,319 --> 00:06:43,639 Speaker 1: Yeah, they were Actually. 132 00:06:43,319 --> 00:06:45,360 Speaker 2: It was all set to go, ready to green light it, 133 00:06:45,839 --> 00:06:48,839 and they're supposed to like get the green light on Monday, 134 00:06:48,879 --> 00:06:52,600 and on Sunday the guy at the studio was fired. Yeah, 135 00:06:52,959 --> 00:07:01,079 and so that was all scrapped perfect. Hey, Terry Bradshaw 136 00:07:01,199 --> 00:07:04,879 is fresh off of Super Bowl winning victories with the 137 00:07:04,879 --> 00:07:06,000 Pittsburgh Steelers and. 138 00:07:05,959 --> 00:07:09,759 Speaker 1: Mel Tillis is a big country star. And Al Ruddy 139 00:07:10,199 --> 00:07:12,560 is also in the movie. Did you know that he's 140 00:07:12,600 --> 00:07:15,319 one of the cambel guys in the movie who asked 141 00:07:15,319 --> 00:07:19,639 for the camel cigarette. I'm the camel schmuck Winston, which 142 00:07:19,680 --> 00:07:24,000 is again hilarious. You got Jamie Farr, and you know 143 00:07:24,079 --> 00:07:26,759 Jamie Farr is a Jewish guy playing an Arab and 144 00:07:26,879 --> 00:07:29,680 Al Ruddy is this Jewish guy. Al Ruddy is the 145 00:07:29,759 --> 00:07:36,560 guy who produced The Godfather. I mean, that's pretty freaking awesome. 146 00:07:36,680 --> 00:07:40,000 That's incredible. There is a great we talk podcasts here 147 00:07:40,040 --> 00:07:42,439 all the time. And one of the podcasts that Jason 148 00:07:42,480 --> 00:07:46,439 introduced me to long ago is called Revisionist History and 149 00:07:46,439 --> 00:07:49,639 it's by Malcolm Gladwell and it is fantastic. And there's 150 00:07:49,680 --> 00:07:52,079 an episode that when you're done with this episode go 151 00:07:52,199 --> 00:07:56,480 check it out. It's called Hutspa versus hut Spa. It's 152 00:07:56,519 --> 00:07:58,800 kind of it's like they did a Shirley podcast thing 153 00:07:59,199 --> 00:08:03,199 one versus the but it's about Al Ruddy, among others, 154 00:08:03,519 --> 00:08:07,439 and producing this movie and how the Mafia, the mafioso 155 00:08:07,519 --> 00:08:11,759 were completely against the idea of producing a movie about 156 00:08:11,800 --> 00:08:15,639 the Mafia, and we're it was basically kind of like 157 00:08:15,759 --> 00:08:18,279 one of those threats, like one of those offers you 158 00:08:18,279 --> 00:08:20,920 can't refuse kind of deal. But al Ruddy says to 159 00:08:20,959 --> 00:08:22,519 Mario Pusa, why don't you go talk to these And 160 00:08:22,519 --> 00:08:24,959 then Mario Pousa's like, no, these guys hate me. I 161 00:08:25,000 --> 00:08:26,720 don't want to go talk to him. He's like, I fine, 162 00:08:26,800 --> 00:08:29,240 I go talk to him. So Already goes to talk 163 00:08:29,319 --> 00:08:31,920 to him and he says, you just read the script. 164 00:08:32,120 --> 00:08:34,759 Just read the script, and if you got any problems 165 00:08:34,759 --> 00:08:37,440 with it, we will change it. And so they you know, 166 00:08:37,519 --> 00:08:40,360 he's sitting there with these mafiosa guys and they're looking 167 00:08:40,399 --> 00:08:42,320 at it and they're on page one. They're like, what 168 00:08:42,360 --> 00:08:48,240 does fade in mean? So they get like a couple 169 00:08:48,279 --> 00:08:49,879 of pages in and they're like, they're not going to 170 00:08:50,000 --> 00:08:51,799 He knows they're not going to read a fifty five 171 00:08:51,799 --> 00:08:53,919 page script, and they're just like, you know what, I 172 00:08:54,080 --> 00:08:56,679 like you, We trust you. Just would you do this? 173 00:08:57,159 --> 00:09:01,919 Just just don't use the word in the movie. And 174 00:09:02,080 --> 00:09:07,279 Already's like, okay, and he knows the script and he 175 00:09:07,399 --> 00:09:11,039 knows the word mafia is used once in the whole movie. 176 00:09:11,080 --> 00:09:14,120 One time. He just scratches it out, scratches that one 177 00:09:14,159 --> 00:09:16,559 line out, and they've got their movie, which is why 178 00:09:16,600 --> 00:09:19,480 you know now the word mafia never comes up in 179 00:09:19,519 --> 00:09:21,320 the movie The Godfather. That's interesting. 180 00:09:21,399 --> 00:09:26,600 Speaker 2: Okay, that's cool. All right, So I gotta ask you. 181 00:09:26,960 --> 00:09:28,360 Have you seen Cannonball Run Too? 182 00:09:28,799 --> 00:09:35,080 Speaker 1: Yes? And I so I can remember two things about 183 00:09:35,240 --> 00:09:38,919 Cannonball Run Too because it's been many years. Number one 184 00:09:39,440 --> 00:09:42,519 is that draws from the James Bond movies. Richard Kee 185 00:09:42,720 --> 00:09:46,080 is now the one driving with Jackie chan right. 186 00:09:46,480 --> 00:09:46,799 Speaker 2: Yes. 187 00:09:47,200 --> 00:09:51,039 Speaker 1: And then the other thing I can remember is Jamie 188 00:09:51,120 --> 00:09:55,240 Farr being flashed by a woman in a fur coat. Yes, 189 00:09:55,279 --> 00:09:57,480 and you can you can guess why I remember that. 190 00:09:57,879 --> 00:10:03,200 Speaker 2: I wonder why. That's okay, So that came out in 191 00:10:03,240 --> 00:10:03,960 nineteen eighty four. 192 00:10:04,000 --> 00:10:05,279 Speaker 1: We talked about it briefly. 193 00:10:05,360 --> 00:10:08,320 Speaker 2: It had Frank Sinatra as the chairman of the board 194 00:10:08,360 --> 00:10:11,039 or whatever he was in that. The Lambeau Girls included 195 00:10:11,080 --> 00:10:14,639 Catherine Bach from Dukes of Hazzard another Dukes of Hazzard. Okay, 196 00:10:14,679 --> 00:10:17,159 so you've seen Canniball Run two? Have you seen Canniball 197 00:10:17,240 --> 00:10:18,000 Run Three? 198 00:10:19,120 --> 00:10:21,600 Speaker 1: I don't recognize that. 199 00:10:22,159 --> 00:10:25,320 Speaker 2: Okay, here's why you don't recognize it all right, it's 200 00:10:25,320 --> 00:10:29,000 called speed Zone. Came out in nineteen eighty nine. Okay, 201 00:10:29,440 --> 00:10:33,440 the only character that you may recognize, Jamie Farr returns 202 00:10:33,440 --> 00:10:36,559 as the chich that's it. Yes, while we're talking about 203 00:10:36,559 --> 00:10:39,240 how Needham and Burt Reynolds, did you know that once 204 00:10:39,320 --> 00:10:43,519 upon a time in Hollywood, the Leonardo DiCaprio character and 205 00:10:43,600 --> 00:10:47,039 the Brad Pitt character are based on the relationship that 206 00:10:47,080 --> 00:10:48,559 how Needham and Burt Reynolds had. 207 00:10:48,919 --> 00:10:51,799 Speaker 1: Yeah, to a degree, those two characters are based on 208 00:10:51,919 --> 00:10:56,120 a few people. But yeah, the how need Burt Reynolds 209 00:10:56,320 --> 00:11:01,840 relationship was definitely inspiration for that. Because Quentin Tarantino loves 210 00:11:02,080 --> 00:11:03,759 holl Needham loves him. 211 00:11:03,960 --> 00:11:05,080 Speaker 2: Really, that's cool. 212 00:11:05,159 --> 00:11:06,960 Speaker 1: Yes, yeah, speaking. 213 00:11:06,600 --> 00:11:10,240 Speaker 2: Of strange fans, you know who loves Smoking the Bandit? No, 214 00:11:10,720 --> 00:11:17,240 Alfred Hitchcock loves Smoking the Bandit really, Yeah, it was 215 00:11:17,360 --> 00:11:21,360 one of his guilty pleasures. Also, comedian Norm McDonald says 216 00:11:21,399 --> 00:11:23,559 Smoking the Bandit is his favorite all time movie. 217 00:11:23,639 --> 00:11:27,080 Speaker 1: I'm still marveling over Alfred hitchcock. 218 00:11:26,679 --> 00:11:32,000 Speaker 2: Guilty pleasure, according to his daughter. Okay, so Smoking the 219 00:11:32,039 --> 00:11:35,519 Bandit has got lots of cussing in it, right, pretty 220 00:11:35,559 --> 00:11:40,000 mild ones, but things like tick turd and some band 221 00:11:40,120 --> 00:11:43,440 and he calls Junior a hit pile of monkey nuts, which. 222 00:11:43,240 --> 00:11:47,639 Speaker 1: Is, do not use that kind of language. 223 00:11:50,080 --> 00:11:53,919 Speaker 2: My favorite thing is when he says, uh, nobody makes 224 00:11:54,080 --> 00:11:59,600 me look like Apostles packer. Yeah, but what about that? 225 00:11:59,600 --> 00:12:05,679 What he's like shud joy ass. 226 00:12:03,240 --> 00:12:06,360 Speaker 1: My favorite part. Took the life from me. It's terrible. 227 00:12:07,120 --> 00:12:10,720 Speaker 2: The original actors redubbed their own lines for television. 228 00:12:10,799 --> 00:12:10,960 Speaker 1: Right. 229 00:12:11,000 --> 00:12:15,080 Speaker 2: They dubbed in the clean words yes step for Jackie Gleeson. 230 00:12:15,639 --> 00:12:19,600 Actor Henry Cordon, who voiced Fred Flintstone, was used to 231 00:12:19,639 --> 00:12:24,440 replace a lot of Sheriff Justice's dialogue, right, which is 232 00:12:24,480 --> 00:12:28,519 funny because Fred Flintstone is basically a complete copy of 233 00:12:28,879 --> 00:12:30,480 Ralph Crampton from The Honeymooners. 234 00:12:30,840 --> 00:12:31,039 Speaker 1: Right. 235 00:12:31,159 --> 00:12:34,480 Speaker 2: Yeah, But that's why when you're watching the clean version 236 00:12:34,519 --> 00:12:36,759 of Smoking the Bandit, you're like, is that Jackie Gleeson? 237 00:12:36,840 --> 00:12:40,240 Is that Fred Flintstone? I'm not exactly sure. Okay, here's 238 00:12:40,519 --> 00:12:42,279 I just have to get these lines out. These are 239 00:12:42,360 --> 00:12:44,960 some of the funniest lines of Smoking the Bandit All. Right, 240 00:12:44,960 --> 00:12:48,519 When Jackie Gleeson says, what we're dealing with here is 241 00:12:48,559 --> 00:12:51,519 a complete lack of respect for the law. 242 00:12:52,399 --> 00:12:57,879 Speaker 1: They no way that you came from my lords, we 243 00:12:58,039 --> 00:13:02,840 get back home. Punch Yo, Ma, punch Jr. Mama right 244 00:13:03,039 --> 00:13:11,360 in the mouth. But I'm in a hot speed for soup. 245 00:13:11,960 --> 00:13:15,159 Don't you hear good? I hear perfectly. The fact that 246 00:13:15,240 --> 00:13:17,480 you are a sheriff is not germane to the situation. 247 00:13:18,919 --> 00:13:21,039 German's got nothing to do with it. 248 00:13:21,519 --> 00:13:22,120 Speaker 3: What do you say? 249 00:13:23,759 --> 00:13:28,080 Speaker 2: God, We could go all day all this stuff, But 250 00:13:28,440 --> 00:13:30,519 I like when Bandit says he's going to drop off 251 00:13:30,519 --> 00:13:32,879 the little dolly at the choke and puke. So when 252 00:13:32,879 --> 00:13:35,639 we go on ski trips, whenever we're ready to stop, 253 00:13:35,679 --> 00:13:37,879 everybody says, okay, it's time to stop the choking puke. 254 00:13:39,080 --> 00:13:41,080 Let's talk a little bit about the reception of these movies. 255 00:13:41,120 --> 00:13:44,159 So we talked that Smoking the Man a huge success 256 00:13:44,200 --> 00:13:47,080 in the United States, right, humongous success. 257 00:13:46,879 --> 00:13:49,000 Speaker 1: Right, But on its opening night it was not like 258 00:13:49,159 --> 00:13:53,440 they The first screening that they did, they did in 259 00:13:53,519 --> 00:13:57,639 New York City, and the audience didn't like it, and 260 00:13:57,720 --> 00:14:00,960 the studio suddenly got very concerned and they said, listen, 261 00:14:01,480 --> 00:14:04,279 this is not our crowd. Let us let's take it 262 00:14:04,320 --> 00:14:06,879 down south and see how the folks react down there. 263 00:14:06,879 --> 00:14:09,519 And then, of course, once they did that. It was like, oh, yeah, 264 00:14:09,600 --> 00:14:13,759 we found our demographic down here. The folks up in 265 00:14:13,799 --> 00:14:15,559 New England don't get this kind of humor like we do. 266 00:14:15,720 --> 00:14:18,600 Speaker 2: Cannonball Run was a huge success as well, not quite 267 00:14:18,600 --> 00:14:22,120 as big as Smoking the Bandit, but sixth highest moneymaker 268 00:14:22,519 --> 00:14:23,600 in nineteen eighty one. 269 00:14:23,600 --> 00:14:26,320 Speaker 1: Which is not bad given that you've got Superman two 270 00:14:26,759 --> 00:14:30,480 and All Star Lost Arc coming out within that same 271 00:14:30,679 --> 00:14:31,600 short time period. 272 00:14:31,639 --> 00:14:36,000 Speaker 2: Seriously, Cannibal Run was produced by Golden Harvest, which is 273 00:14:36,000 --> 00:14:38,919 a famous Hong Kong movie studio. Yeah, they made the 274 00:14:38,960 --> 00:14:42,799 movie Enter the Dragon, and that's really how Jackie Chen and. 275 00:14:42,720 --> 00:14:46,000 Speaker 1: Michael Hoi get involved. Yeah, this was the first movie. 276 00:14:46,039 --> 00:14:49,039 This was the first English speaking movie that Jackie Chan 277 00:14:49,200 --> 00:14:51,519 was in, and he was brilliant. He gets to show 278 00:14:51,559 --> 00:14:55,759 off his karate and stuff. But interestingly, like they're supposed 279 00:14:55,759 --> 00:14:58,320 to be from Japan, even though they're from China, both 280 00:14:58,320 --> 00:14:59,480 of these guys. 281 00:14:59,279 --> 00:15:01,480 Speaker 2: Right, he knew who we forgot to mention, and I 282 00:15:02,000 --> 00:15:05,799 would kick myself. We forgot the two Lambow girls who 283 00:15:06,080 --> 00:15:06,480 managed to. 284 00:15:06,639 --> 00:15:08,840 Speaker 1: What I was just about to say, Yes, we can't 285 00:15:08,840 --> 00:15:11,279 forget her because I was thinking, oh, we're stilling Smoky 286 00:15:11,279 --> 00:15:13,879 in the Bandit. But yeah, our throwback to Superman. 287 00:15:14,200 --> 00:15:18,320 Speaker 2: Okay, Miss Testmucker is the female highway. 288 00:15:17,960 --> 00:15:24,039 Speaker 1: Patrolman wearing an Oklahoma Highway patrol uniform better than any 289 00:15:24,240 --> 00:15:27,840 Oklahoma Highway patrolman has ever worn that uniform before. I 290 00:15:27,879 --> 00:15:31,679 gotta say, well, hello, hot pants, I don't suppose you 291 00:15:31,759 --> 00:15:34,279 have a driver's license tuck down in there somewhere. 292 00:15:34,320 --> 00:15:44,600 Speaker 2: Do you the same cleavage that shut down the US military? 293 00:15:45,799 --> 00:15:47,639 We love Valerie Perine. 294 00:15:47,480 --> 00:15:49,559 Speaker 1: Put evidence in the car. 295 00:15:50,360 --> 00:15:52,000 Speaker 2: You did that on purpose? 296 00:15:55,759 --> 00:16:03,360 Speaker 1: You'll ask him less. Okay, So when mel Tillis and 297 00:16:03,440 --> 00:16:06,480 Terry Bradshaw are driving the car at the beginning of 298 00:16:06,480 --> 00:16:08,519 the movie, do you know what it says on the 299 00:16:08,519 --> 00:16:11,919 front on the hood of the car? Right? And so 300 00:16:12,639 --> 00:16:14,919 then what happens to the hood of the car is 301 00:16:14,960 --> 00:16:17,639 that it flips up. They're talking about not being able 302 00:16:17,679 --> 00:16:21,080 to see which then they drive this car into this 303 00:16:21,240 --> 00:16:25,200 pool area and drive the car into the pool and 304 00:16:25,360 --> 00:16:27,639 all of these girls that are standing around at the 305 00:16:27,679 --> 00:16:30,919 pool are actually the Hawaiian Tropic girls. 306 00:16:31,559 --> 00:16:33,720 Speaker 2: More reason to hang out with hel Neaedam. 307 00:16:35,399 --> 00:16:38,879 Speaker 1: Right. Yeah, Hal said that the crew felt really nice 308 00:16:38,919 --> 00:16:41,879 whenever they got to get together in the evenings at 309 00:16:41,879 --> 00:16:45,200 the bar. At that hotel, and all of the Hawaiian 310 00:16:45,240 --> 00:16:50,360 tropic girls were there having beers with all of the crew. Okay, 311 00:16:50,480 --> 00:16:55,679 we have not talked at all about Jack Eelum. I 312 00:16:55,720 --> 00:16:57,879 gotta think about this carefully before I just come out 313 00:16:57,919 --> 00:17:00,399 there bold and brassy and say he's the need's part 314 00:17:00,399 --> 00:17:02,320 of this movie. But if he's not the funniest part 315 00:17:02,320 --> 00:17:05,319 of this movie, he's pretty dang close. I'm honored, sir, 316 00:17:06,119 --> 00:17:09,400 I'm doctor Nicholas Health. 317 00:17:09,640 --> 00:17:11,960 Speaker 2: I think he's the funniest part of this movie. Yes, 318 00:17:12,160 --> 00:17:14,119 he's the funniest character in this movie. 319 00:17:14,279 --> 00:17:16,319 Speaker 1: So he had been. He had been kind of the 320 00:17:16,359 --> 00:17:19,960 bad guy and a bunch of the old westerns, and 321 00:17:19,960 --> 00:17:22,039 and how Needham had gotten to know him through those 322 00:17:22,440 --> 00:17:26,279 movies as well. Hal Needham and John Wayne were best 323 00:17:26,279 --> 00:17:29,640 of friends, and so he met Jack elom through that process. 324 00:17:29,759 --> 00:17:32,880 By the way, how Needham at some point in one 325 00:17:32,920 --> 00:17:36,200 of John Wayne's movies was telling the director, he's not 326 00:17:36,240 --> 00:17:38,960 throwing his punch right, which I can't even imagine saying 327 00:17:39,079 --> 00:17:43,039 about John Wayne. I'm gonna correct his punch. But it 328 00:17:43,079 --> 00:17:45,720 was not. It was not about what the punch was. 329 00:17:45,759 --> 00:17:48,359 It was about how he was throwing it. With relationship 330 00:17:48,400 --> 00:17:51,720 to how the camera was because you could tell the 331 00:17:51,759 --> 00:17:53,839 way he was doing it that it wasn't a real punch. 332 00:17:54,160 --> 00:17:57,279 And so how Needam, despite the directors telling him not to, 333 00:17:57,839 --> 00:18:00,279 went to John Wayne and said, you're not on your 334 00:18:00,319 --> 00:18:04,000 punch right, and then proceeded to show him how to 335 00:18:04,000 --> 00:18:07,359 do it. And then apparently how Needham had gotten his 336 00:18:07,559 --> 00:18:11,039 kind of party ideas from John Wayne, because John Wayne 337 00:18:11,079 --> 00:18:13,480 would always have these big parties in the evenings with 338 00:18:13,519 --> 00:18:15,759 all of the people from the movie. And when he 339 00:18:15,799 --> 00:18:18,720 went to John Wayne's party that night, John Wayne came 340 00:18:18,799 --> 00:18:20,599 up to him and had had I had a few 341 00:18:20,680 --> 00:18:23,359 drinks and puts him in a bit of a headlock 342 00:18:23,599 --> 00:18:26,079 and then starts giving him a scobnob and he's like, 343 00:18:26,599 --> 00:18:30,039 don't you ever embarrass me in front of my crew 344 00:18:30,160 --> 00:18:33,599 like that again. And how Needham's not a super big 345 00:18:33,640 --> 00:18:36,960 guy and John Wayne was, and how Nea was like, yes, sir, 346 00:18:37,079 --> 00:18:39,400 never again. And from he said, from that moment on, 347 00:18:39,960 --> 00:18:42,119 they were the best of friends for the remainder of 348 00:18:42,160 --> 00:18:44,480 both of their careers. That's cool, Okay. 349 00:18:44,519 --> 00:18:50,759 Speaker 2: So Jack Elin plays doctor Nicholas then Helse Nicholas van 350 00:18:50,880 --> 00:18:57,799 Helsing right, director prosor of proctology at the Nashville of faith, 351 00:18:57,839 --> 00:19:01,440 healings goal. I can't. I cannot do him in justice. 352 00:19:01,480 --> 00:19:03,759 But for whatever reason, he has one eyeball that looks 353 00:19:03,799 --> 00:19:06,160 one way and one all it looks another way. And 354 00:19:06,200 --> 00:19:10,799 he is the funniest, scariest, weirdest looking doctor. 355 00:19:11,200 --> 00:19:16,039 Speaker 1: He sees Fara faucet for the first time. Oh my god, 356 00:19:17,640 --> 00:19:26,680 the work specimen. Are we ready to go to Final Judgment? 357 00:19:26,880 --> 00:19:29,720 I'm ready for Final Judgment? Okay, all right, we cannot 358 00:19:29,759 --> 00:19:32,279 do these movies to justice. We will sit here and 359 00:19:32,359 --> 00:19:35,319 laugh at funny things for the remainder of the night 360 00:19:35,359 --> 00:19:38,640 if we keep going on. So let's go. Let's talk 361 00:19:38,680 --> 00:19:43,039 about Final Judgment. Got two brilliant movies here, but which 362 00:19:43,200 --> 00:19:44,599 one of them is the best? 363 00:19:44,839 --> 00:19:48,079 Speaker 2: You go first, Okay, let me just talk about what 364 00:19:48,160 --> 00:19:50,640 these movies mean to me. Both of these movies are 365 00:19:50,680 --> 00:19:54,279 an absolute home run. I can put either one on 366 00:19:54,559 --> 00:19:58,680 at any given time and laugh the entire way through. 367 00:19:58,880 --> 00:20:04,240 I love them both, But for me, I have more 368 00:20:04,400 --> 00:20:09,319 fun when I watch Cannonball Run, which will be blasphemous 369 00:20:09,440 --> 00:20:12,200 for most of my friends because they know me as 370 00:20:12,200 --> 00:20:15,079 a smoking the bandit guy. All right, So I feel 371 00:20:15,079 --> 00:20:18,319 like I need to defend my choice here a little bit. Right, 372 00:20:18,839 --> 00:20:21,839 the whole world loves Smoking the Bandit better than Cannonball Run. 373 00:20:21,880 --> 00:20:24,160 Even though I think most people love both of these movies, 374 00:20:24,559 --> 00:20:28,720 it's just a given that Smoking the Bandit is more liked. Okay, 375 00:20:29,200 --> 00:20:33,160 So here are my three reasons why Cannonball Run is better. 376 00:20:33,359 --> 00:20:38,039 Number one, star power. You've got Burt Reynolds, Dom de Luiz, 377 00:20:38,319 --> 00:20:43,799 Dean Martin, Sammy Davis, Roger Moore, Peter Fonda, Jackie Chan, 378 00:20:44,200 --> 00:20:49,480 Jimmy the Greek, Farah Fawcett. The list continues, this cast. 379 00:20:49,519 --> 00:20:59,119 Speaker 1: You had me at Jimmy the Greek. Okay, Greek. I 380 00:20:59,160 --> 00:21:01,160 can't believe one of these does not. 381 00:21:01,279 --> 00:21:12,839 Speaker 2: Look all right. Number two reason. Number two reason, and 382 00:21:12,880 --> 00:21:14,799 I'm gonna try and say this without trying to sound 383 00:21:14,799 --> 00:21:17,880 like a pig, all right, the number two reason that 384 00:21:18,000 --> 00:21:20,599 Cannibal Run is better than Smoking the Bandit. 385 00:21:20,640 --> 00:21:22,119 Speaker 1: There's no way you can say the rest of what 386 00:21:22,160 --> 00:21:24,519 you're about to say without sounding like a pig. There's 387 00:21:24,559 --> 00:21:28,319 no way, obviously, say Sally Field. 388 00:21:28,240 --> 00:21:32,640 Speaker 2: Sally Field versus literally. The field of women in Canniball 389 00:21:32,720 --> 00:21:37,319 Run is a mismatch of epic proportions. Here you have 390 00:21:37,799 --> 00:21:40,759 the Bond Girls, which every time we see Roger Moore's 391 00:21:40,799 --> 00:21:43,039 with a different girl, including at the very end when 392 00:21:43,039 --> 00:21:45,839 he actually picks up one of the motorcycle biking girls. 393 00:21:46,000 --> 00:21:49,319 You have the Lambeau girls once again, notice the continuity 394 00:21:49,319 --> 00:21:50,880 airs with their zippers, and then. 395 00:21:50,759 --> 00:21:52,680 Speaker 1: You'll think you're right, I'm gonna keep on checking that. 396 00:21:54,680 --> 00:21:58,720 Speaker 2: And then you have Farah freaking Faucet, who at the 397 00:21:58,799 --> 00:22:01,680 time in nineteen eighty one. 398 00:22:00,799 --> 00:22:03,200 Speaker 1: I don't know that she's ever not hot honestly, well, 399 00:22:03,440 --> 00:22:06,319 I mean yeah, even into old age, she was still smoking. 400 00:22:06,440 --> 00:22:09,160 Speaker 2: And number three, the number three reason why Canniball Run 401 00:22:09,279 --> 00:22:12,119 is a more enjoyable movie than Smoking the Bandit, even 402 00:22:12,160 --> 00:22:13,960 though it's just a little bit, because I love Smoking 403 00:22:14,000 --> 00:22:19,319 the Bandit tooth. It's the blue breel at the very end. 404 00:22:19,680 --> 00:22:24,839 The bumpers are fantastic. They are absolutely the funniest part 405 00:22:24,839 --> 00:22:26,720 of that entire movie, and it puts it over the 406 00:22:26,759 --> 00:22:27,119 top for me. 407 00:22:27,279 --> 00:22:28,160 Speaker 1: I love that part. 408 00:22:28,200 --> 00:22:29,680 Speaker 2: I can watch it over and over and over. 409 00:22:29,880 --> 00:22:32,279 Speaker 1: I would say, of your bullet points, that's the strongest 410 00:22:32,279 --> 00:22:35,680 one for sure. The blooper reel is the funniest part 411 00:22:35,680 --> 00:22:38,319 of the movie and potentially the thing that would push 412 00:22:38,319 --> 00:22:40,000 it over Smoking in the Bandit. 413 00:22:40,119 --> 00:22:42,720 Speaker 2: Thank you, And if I had time, I would take 414 00:22:42,759 --> 00:22:46,640 these rosary bleeds and shove them over your nose. Bleeds, 415 00:22:47,079 --> 00:22:53,759 those bleeds, those bleeds, right. I love the Blooper reel. 416 00:22:53,839 --> 00:22:57,359 Speaker 1: It is awesome. That scene they're actually shooting at four 417 00:22:57,359 --> 00:23:01,119 o'clock in the morning, it is, and they're all just 418 00:23:01,400 --> 00:23:06,599 sleep deprived and they can't stop laughing, and Burt Reynolds 419 00:23:06,640 --> 00:23:09,759 is actually hitting don belawise, which is why you see 420 00:23:09,799 --> 00:23:17,079 the genuine fearation, Oh please, don't please. 421 00:23:20,240 --> 00:23:20,680 Speaker 2: Hair out. 422 00:23:20,799 --> 00:23:24,559 Speaker 1: Yeah. 423 00:23:24,720 --> 00:23:27,519 Speaker 2: I love Smoking the Band, Smoking the ban It slows 424 00:23:27,599 --> 00:23:29,559 down a little bit in the middle for me, with 425 00:23:29,599 --> 00:23:32,119 the love story, they take kind of a break from 426 00:23:32,200 --> 00:23:36,079 the full on, full throttle fun fest. I love them both, 427 00:23:36,160 --> 00:23:39,119 but for me, Canniball Run is more fun. 428 00:23:39,440 --> 00:23:41,400 Speaker 1: You bet a duck or you're gonna be talking at 429 00:23:41,440 --> 00:23:54,880 your Okay, listen, these these movies defy the logic because 430 00:23:55,240 --> 00:24:01,160 there's virtually no plot. You got, especially with Smoking the Band, 431 00:24:01,240 --> 00:24:04,880 that you got a director that comes on just you know, hey, 432 00:24:04,920 --> 00:24:07,119 I've been I've been the stuntman in a bunch of 433 00:24:07,160 --> 00:24:09,559 movies and maybe Second Unit here and there, so I'm 434 00:24:09,559 --> 00:24:11,720 gonna be able to make this movie. And they end 435 00:24:11,799 --> 00:24:14,799 up being Burt Reynolds, who is the biggest star of 436 00:24:14,799 --> 00:24:18,799 the time, his biggest movies and what have you got? 437 00:24:18,960 --> 00:24:22,359 What I mean simply in both movies you have got 438 00:24:23,160 --> 00:24:30,119 fast cars yep, hot women yep, cool guys yep, and 439 00:24:30,200 --> 00:24:38,440 a fight in there knock flat out then, and so 440 00:24:38,599 --> 00:24:43,680 it becomes the perfect movie for any Southern audience. I 441 00:24:43,720 --> 00:24:46,759 guess I don't. I mean it is. It is just 442 00:24:46,839 --> 00:24:49,960 flat out and brilliant. So I'm on the same boat 443 00:24:49,960 --> 00:24:52,079 with you. These are both movies that you can put 444 00:24:52,079 --> 00:24:56,640 on anytime and be happy. But I feel like that 445 00:24:56,720 --> 00:25:00,039 this is kind of the Jurassic Park Jaws scenario, so 446 00:25:00,400 --> 00:25:03,400 that you're picking Cannonball Run because instead of just one shark, 447 00:25:03,480 --> 00:25:09,000 you have like a hundred sharks or whatever. But Jackie 448 00:25:09,079 --> 00:25:14,039 Gleason is so freaking brilliant in this movie. And even 449 00:25:14,240 --> 00:25:18,279 though I can tell that most of the dialogue is improvised, 450 00:25:18,519 --> 00:25:20,200 and give me a minute, these beers are kicking in, 451 00:25:20,279 --> 00:25:21,720 I need to go take a ten one hundred. 452 00:25:24,480 --> 00:25:25,000 Speaker 2: Better than. 453 00:25:27,880 --> 00:25:31,000 Speaker 1: Even though you can tell that these things are improvd. 454 00:25:31,200 --> 00:25:35,079 The chemistry that's going on between Sally Field and Burt 455 00:25:35,119 --> 00:25:38,160 Reynolds is better than the fair face hat scene with 456 00:25:38,599 --> 00:25:43,079 Burt Reynolds, which seems kind of contrived and as funny 457 00:25:43,240 --> 00:25:47,759 as all of the parts are in Cannonball Run, none 458 00:25:47,799 --> 00:25:50,920 of them are as funny as half of the lines 459 00:25:51,319 --> 00:25:54,880 of Bufford, t Justice and Jackie Leson. So I gotta go. 460 00:25:55,079 --> 00:25:57,079 I gotta Smoke in the Band on this one. And 461 00:25:57,279 --> 00:25:59,759 just as a backup for that, I watched this with 462 00:25:59,799 --> 00:26:04,240 my kids, and the kids felt like Cannonball Run might 463 00:26:04,279 --> 00:26:06,680 be dragging a bit, and with Smoking in the bandit 464 00:26:07,039 --> 00:26:09,279 they were. They were fully invested for the whole time. 465 00:26:09,319 --> 00:26:11,759 So I think Smokey holds up a bit better than 466 00:26:11,759 --> 00:26:18,279 Cannonball does. Okay, that's fine politically, one of them really 467 00:26:18,279 --> 00:26:19,079 hold up politically. 468 00:26:19,119 --> 00:26:23,960 Speaker 2: But yeah, when my son my I have a sixteen 469 00:26:24,000 --> 00:26:25,720 year old, he walked through the room while I was 470 00:26:25,720 --> 00:26:28,519 watching these and he I was watching Smoking the Band 471 00:26:28,519 --> 00:26:30,680 at the time. He walked by and he said, this 472 00:26:30,759 --> 00:26:33,079 is such a freaking great movie. My sixteen year old 473 00:26:33,119 --> 00:26:33,400 said that. 474 00:26:33,559 --> 00:26:36,799 Speaker 1: Yeah. And you know it's interesting you We posted something 475 00:26:36,960 --> 00:26:39,920 on Facebook a little bit ago with like, how would 476 00:26:39,960 --> 00:26:46,400 you recast recast Cannonball Run? And the overwhelming response, I mean, 477 00:26:46,400 --> 00:26:47,880 we got a few folks who are like, oh, hey, 478 00:26:47,920 --> 00:26:50,880 i'd put you know, Seth Rogan in this part, or 479 00:26:51,039 --> 00:26:54,799 you know, Ryan Reynolds's part. But the overwhelming response was 480 00:26:55,319 --> 00:26:59,359 you cannot recast this movie, don't test, you cannot be 481 00:26:59,440 --> 00:27:02,559 made again, and it's already perfect, don't mess with it. 482 00:27:03,000 --> 00:27:05,319 And I mean, I think they're right. I think you 483 00:27:05,400 --> 00:27:09,319 can't redo this movie. You know how Needham passed away 484 00:27:09,559 --> 00:27:13,039 a few years ago. But even that, even in that 485 00:27:13,079 --> 00:27:15,920 commentary which I couldn't tell exactly when it was that 486 00:27:16,000 --> 00:27:20,400 they did it, but he was talking to Al Ruddy about, Hey, 487 00:27:20,480 --> 00:27:23,119 what do you think about doing another Cannonball run? And 488 00:27:23,200 --> 00:27:25,839 Ruddy's like, heck, yeah, I'd do it. Yeah. So, I 489 00:27:25,880 --> 00:27:29,240 mean almost all of those folks are gone at this point. Yeah, 490 00:27:29,319 --> 00:27:33,160 I mean Al Ruddy happens. I think he's ninety, He's 491 00:27:33,200 --> 00:27:35,839 really old. But how Needham's gone, Burn Rols has gone, 492 00:27:35,839 --> 00:27:38,839 Farah Facets has gone, Don Delawize is gone, Dean Martin's gone, 493 00:27:38,839 --> 00:27:41,839 Sammy Davis Junior is gone. Almost all of those guys 494 00:27:42,319 --> 00:27:45,880 is gone. Yeah, And so I'm falling in line with 495 00:27:45,920 --> 00:27:49,240 the folks who who are followers of us on Facebook 496 00:27:49,240 --> 00:27:52,119 and this movie just cannot be redone. It is in 497 00:27:52,160 --> 00:27:54,799 a glass capsule for the time that it was made 498 00:27:55,240 --> 00:27:56,839 and should probably remain there. 499 00:27:56,960 --> 00:28:02,400 Speaker 2: I mean, so much talent in the cab it's just unbelievable. 500 00:28:02,440 --> 00:28:04,880 I mean, a guy tenths down on the list and 501 00:28:04,960 --> 00:28:06,200 talent is Terry Bradshawn. 502 00:28:06,279 --> 00:28:09,759 Speaker 1: He won Super Bowls for the Steelers, you know so, 503 00:28:10,640 --> 00:28:13,079 and did a great job with this part too. Oh 504 00:28:13,119 --> 00:28:16,400 he's great, He's great. I'll probably get ripped up in 505 00:28:16,400 --> 00:28:16,720 this one. 506 00:28:16,759 --> 00:28:18,519 Speaker 2: I know that Smoking the band and has held a 507 00:28:18,559 --> 00:28:22,359 little bit higher in the public regard, But for me, 508 00:28:22,799 --> 00:28:25,359 Canniball Run is a movie that I would like to 509 00:28:25,400 --> 00:28:28,119 step through the TV screen and live in that world. 510 00:28:28,119 --> 00:28:32,960 You know, nothing but fun and partying and fast cars 511 00:28:32,960 --> 00:28:35,119 and jumps and girls and all that stuff. 512 00:28:35,279 --> 00:28:38,880 Speaker 1: Well, yeah, I can't falter from that. It does. Of 513 00:28:38,920 --> 00:28:40,960 the two movies, it does make me want to be 514 00:28:41,000 --> 00:28:44,160 a part of the fun more than Smokey does. It's 515 00:28:44,240 --> 00:28:46,519 just that Smoky gets me laughing out loud more often 516 00:28:46,559 --> 00:28:49,359 than Canniball does. All right, let us know what you think. 517 00:28:49,559 --> 00:28:51,880 Am I way off base like in Canniball Run? Maybe 518 00:28:51,880 --> 00:28:54,839 I am. I know Smoking Band is great, but tell 519 00:28:54,880 --> 00:28:56,519 us where you come down on this. Are you with 520 00:28:56,599 --> 00:28:57,400 d Are you with me? 521 00:28:57,480 --> 00:28:59,839 Speaker 2: Are we both crazy? Weigh in all right, that's going 522 00:28:59,920 --> 00:29:02,160 to close it out for the Smoking the Bandit Versus 523 00:29:02,160 --> 00:29:05,720 Cannonball run episodes. We'll see you next time. 524 00:29:06,039 --> 00:29:07,200 Speaker 1: We'll see you guys next week. 525 00:29:07,960 --> 00:29:11,480 Speaker 3: From Seeing to Shine In See