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<v Speaker 1>You wouldn't believe it. The after Dark feed has returned.

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<v Speaker 1>Still in the darkness, it lives, It lives in the

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<v Speaker 1>dark and in this case, the fog. Because this is

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<v Speaker 1>a very special episode we are talking this is okay,

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<v Speaker 1>I need to get this out that you might know

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<v Speaker 1>this from the title, but I need to make it clear.

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<v Speaker 1>This is a spoiler cast about Silent Hill f Meaning

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<v Speaker 1>if you do not want to be spoiled on things,

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<v Speaker 1>go elsewhere, turn this off, turn this off, come back,

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<v Speaker 1>and then find your way through the fog once you

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<v Speaker 1>complete the lost and Fog difficulty on combat and puzzle

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<v Speaker 1>in Silent Hill f and then you'll.

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<v Speaker 2>Know what Bill I feel like.

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<v Speaker 3>It's also important to like preface this with even if

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<v Speaker 3>you have.

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<v Speaker 2>Rolled credits once, be ready.

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<v Speaker 3>We are going to talk about stuff that happens in

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<v Speaker 3>New Game Plus because it's substantially different. So if you

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<v Speaker 3>do want to have that experience preserved, also, maybe come

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<v Speaker 3>back and listen after you played a couple of times.

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<v Speaker 1>An apt piece of input from Jessica Cogswell, who's joining

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<v Speaker 1>us on the special podcast, who is also the reviewer

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<v Speaker 1>of Solent f Hello.

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<v Speaker 2>Jessica, Hi, I'm so happy to be here.

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<v Speaker 1>I'm also joined right next to me to with a

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<v Speaker 1>Lucy James.

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<v Speaker 4>Hello, Hello, should say it like that?

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<v Speaker 1>Yeah? Uh And yes Toess's point, just because you roll

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<v Speaker 1>credits on Salent Hill f does not mean you have

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<v Speaker 1>completed the story. H And trust me, I have been

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<v Speaker 1>people have seen me in the office, and I'm sure

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<v Speaker 1>Jessica has felt this too. Even from Afar, I have

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<v Speaker 1>been a bottled up piece of anxiety and energy and

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<v Speaker 1>wanting to talk about this game, but also not wanting

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<v Speaker 1>to talk about it, and like I am, so this

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<v Speaker 1>is gonna be one of the most cathartic days of

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<v Speaker 1>my life. Oh to be able to talk about this game,

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<v Speaker 1>but also specifically here Jessica talk about it because her

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<v Speaker 1>and I have been been We've been chatting.

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<v Speaker 4>Oh you've had black threads.

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<v Speaker 2>Oh yeah, I have to say.

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<v Speaker 3>So one thing that I love I mean, I love

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<v Speaker 3>many things about you, Kurt, but one thing I really

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<v Speaker 3>love about you is in this I guess to be

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<v Speaker 3>transparent with Like, so I saw I saw some games

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<v Speaker 3>recently at a showcase, and I went to Kurt and

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<v Speaker 3>I was like, I had okay time, but nothing really

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<v Speaker 3>blew me away, And Kurt was just like welcome to

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<v Speaker 3>kind of my experience in the industry. I have similar

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<v Speaker 3>feelings where like I like a lot of stuff, but

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<v Speaker 3>it takes something that's like really special to kind of

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<v Speaker 3>stand out for me. And it's been so cool playing

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<v Speaker 3>this game and talking to Kurt about it because I

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<v Speaker 3>can tell that it's something special to.

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<v Speaker 2>You, because you've been like so a buzz.

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<v Speaker 3>About it and just like talking talking like theories and like, oh,

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<v Speaker 3>I got to show you this clip. I got it,

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<v Speaker 3>and it's it's been so lovely to see you kind.

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<v Speaker 1>Of light up about it, actually see me enthusiastic about

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<v Speaker 1>something for.

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<v Speaker 4>Once, to see enthusiastic about a game that's not but

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<v Speaker 4>I hid an object puzzle kind of well, it kind.

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<v Speaker 1>Of is, I can kind of is.

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<v Speaker 3>But I appreciate it though, Like it feels like whenever

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<v Speaker 3>you do like something, it's very authentic and so I

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<v Speaker 3>appreciate that.

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<v Speaker 1>Yeah, well trust me, I uh, I appreciate that because

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<v Speaker 1>I think it's okay. In our in our neck of

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<v Speaker 1>the woods, we see a lot of things, and we

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<v Speaker 1>see a lot of games, and there's there can be

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<v Speaker 1>a I don't know, I don't know if I want

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<v Speaker 1>to call it expectation, but like, it can be hard

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<v Speaker 1>when you like, you see so many games and it's

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<v Speaker 1>when for me it's like, I don't know. In my nature,

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<v Speaker 1>I'm a very opinionated person for better or for word,

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<v Speaker 1>and uh that means when something comes along that I like,

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<v Speaker 1>I most cases absolutely love it. So when this game,

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<v Speaker 1>every year there's at least one game, and this year

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<v Speaker 1>for me it's Sound Hill af where I was like,

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<v Speaker 1>but we'll get into it. I want to frame this

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<v Speaker 1>podcast really quick before we get into the think of

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<v Speaker 1>it because the three of us have I think, come

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<v Speaker 1>from interesting perspectives on this specifically yes, because one I

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<v Speaker 1>am not traditionally a Silent Hill fan. Two, this is

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<v Speaker 1>Lucy James's first Silent Hill game, yes, and then Jess

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<v Speaker 1>is an og Silent Hill fan.

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<v Speaker 3>So it's so as I was just talking to somebody

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<v Speaker 3>about this today and I want to be upfront because

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<v Speaker 3>I don't want someone to call me out and be like,

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<v Speaker 3>wait a second. I love Silent Hill. I am a

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<v Speaker 3>baby about horror aams, but I love horror like I

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<v Speaker 3>love to read horror books. I love horror movies. I

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<v Speaker 3>love the genre. I think it's so interesting and I

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<v Speaker 3>love horror games too, but I've always been a baby

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<v Speaker 3>about playing them. So a lot of my experience with

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<v Speaker 3>like Silent Hill or even like Resident Evil comes from

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<v Speaker 3>a lot of like watching entire let's plays or.

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<v Speaker 2>Whatever, and also like walk like in video essays and

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<v Speaker 2>stuff like that. So I am like that kind of nerd.

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<v Speaker 2>So this is other than two. This is the first

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<v Speaker 2>one I played entirely, but I've watched all of them.

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<v Speaker 4>If what makes people.

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<v Speaker 1>Feel better, I mean, I don't know. It's uh. The

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<v Speaker 1>one thing I'll say is I don't think any of

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<v Speaker 1>the soilnd Hole games are fun to play.

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<v Speaker 4>I can only go from.

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<v Speaker 3>This one, but I mean that f is probably, from

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<v Speaker 3>what I've seen, at least like the most fun, and

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<v Speaker 3>even then, like I don't know, I feel like combat

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<v Speaker 3>is not the focus of that game and fun gameplay,

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<v Speaker 3>So it's kind of a weird gauge.

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<v Speaker 1>I think it certainly gets more fun, Yes it does,

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<v Speaker 1>and we'll get into that in.

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<v Speaker 4>Which we will get into. But in terms of I

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<v Speaker 4>think I approach the gameplay of this in a very

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<v Speaker 4>particular way. I think I must be really annoying to

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<v Speaker 4>watch play games, and I used to stream, so I

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<v Speaker 4>guess people could tell me this. I check every single corner, particularly,

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<v Speaker 4>I am obsessive, and so my first play through of

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<v Speaker 4>Sulent Hill F I was, you know, friends of mine

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<v Speaker 4>are kind of dropping in and out and watching me,

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<v Speaker 4>and I was like, I'm so sorry. Is this even

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<v Speaker 4>fun for you? Because I approach it with methodicalness and

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<v Speaker 4>a meticulousness where it's sort of as if I'm setting

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<v Speaker 4>pacing for myself by deliberately slowing myself down to check

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<v Speaker 4>every single nook and cranny. And I think Silent Hill

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<v Speaker 4>F in particular certainly rewards you with that, with the

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<v Speaker 4>notes and even just incidental things in we'll get to that.

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<v Speaker 4>I think, you know, deliberately slowing it down rather than

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<v Speaker 4>you know, if I play an action game, I'll just

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<v Speaker 4>you know, combat, run to the next bit, combat next, next.

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<v Speaker 1>Do you have the do you have the you have

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<v Speaker 1>the thing that I do where when a cut scene ends,

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<v Speaker 1>I always immediately turn around. So in a game, whenever

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<v Speaker 1>I play a game and the cut scene ends and

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<v Speaker 1>your characters facing the direction you're supposed to go, it

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<v Speaker 1>is my impulse to immediately turn around and see and

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<v Speaker 1>to see.

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<v Speaker 3>I've never thought about it, but yes, I do always

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<v Speaker 3>do that. I feel like I was just like turn

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<v Speaker 3>to the side because I'm like, okay, there's not like

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<v Speaker 3>a path over this way or whatever. There's not like

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<v Speaker 3>an item now behind me, and so like never thought

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<v Speaker 3>about it, But yeah, I.

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<v Speaker 1>Think that's I do that instinctually.

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<v Speaker 4>I would do it if there's a game where I'm

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<v Speaker 4>specifically collecting things, because there's always gonna be something behind you,

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<v Speaker 4>just as there will always be something, you know, if

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<v Speaker 4>I go down this this little path or behind this

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<v Speaker 4>wultifool's going to be something.

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<v Speaker 1>There's always something behind the waterfowl. All right, Jess, you

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<v Speaker 1>reviewed it, you gave it.

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<v Speaker 3>A I gave it a nine. I think it's and

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<v Speaker 3>it's one of those things too where I gave it

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<v Speaker 3>a nine because it's not like a perfect game, you

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<v Speaker 3>know what I mean. Like I like, you can read

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<v Speaker 3>my review and you can kind of see the feedback

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<v Speaker 3>that I gave it there at the same time when

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<v Speaker 3>I put it, so I'm like a nerd. I think, okay, Lucy,

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<v Speaker 3>Lucy will relate to this. I use notion a lot.

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<v Speaker 2>Yeah, And I have like my own.

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<v Speaker 3>Spreadsheet on there where I track all the games that

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<v Speaker 3>I've played, and like I put my personal notes in

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<v Speaker 3>like my personal review. In my personal Notion review, I

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<v Speaker 3>give it a five out of five because I do

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<v Speaker 3>think so I don't know. So there's the game spot

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<v Speaker 3>review and there's the official unofficial Jessica Cogswell Notion review,

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<v Speaker 3>which is a five out of five that.

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<v Speaker 2>Only I can see.

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<v Speaker 3>But I think that it's fantastic, And the biggest thing

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<v Speaker 3>to me is it's story and its themes and the

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<v Speaker 3>way that it handles what it's handling. Without delving too

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<v Speaker 3>much into it right here, because I'm sure we're going

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<v Speaker 3>to talk at length about it, I think it does

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<v Speaker 3>it in a very masterful way, in a way that

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<v Speaker 3>really resonated with me and felt very cathartic by the

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<v Speaker 3>time that I kind of finished.

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<v Speaker 1>Things on a Bashit is the way I would put it, like,

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<v Speaker 1>I don't know. It's like there's there's plenty of media

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<v Speaker 1>and horror movies and things that have tackled similar topics,

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<v Speaker 1>but I don't. I can't. It's so hard for me

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<v Speaker 1>to specifically touch on a piece of art or media

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<v Speaker 1>that touches on all the things this game touches on,

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<v Speaker 1>whether it's like femininity, the rights of a person, in

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<v Speaker 1>the sixties in nineteen sixty Japan, on top of like

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<v Speaker 1>interpersonal relationships, interpersonal dilemmas with people in your relationships, and

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<v Speaker 1>then on top of that medication and like like how

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<v Speaker 1>those things are like blanket problems, and on top of that,

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<v Speaker 1>it's also just like intense body horror.

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<v Speaker 4>And the one thing that I think is perhaps a

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<v Speaker 4>parallel that I kept coming back to would.

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<v Speaker 1>Be carry m mm hmm, but that's a good one.

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<v Speaker 4>Yeah, but instead of I suppose medication would be the

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<v Speaker 4>use of religion. Yeah, and yeah, I was. I think

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<v Speaker 4>the thing that got me about Silent Hill f is

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<v Speaker 4>immediately when I started playing, I just kind of not

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<v Speaker 4>that I didn't trust everything, but I over analyzed every

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<v Speaker 4>single interaction I thought there was. For a while, I

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<v Speaker 4>thought there was like a different kinds of abuse happening

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<v Speaker 4>with the sister or with Hinnoco or with the father,

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<v Speaker 4>And it was just because there are so many ways

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<v Speaker 4>you can interpret so much of it. And that's obviously

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<v Speaker 4>just on the first play through, and then things get

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<v Speaker 4>recontextualized as you replay it and experience new parts of

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<v Speaker 4>the story. But it was I was very surprised, but

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<v Speaker 4>also at the same time just really it, like just said,

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<v Speaker 4>it was very cathartic.

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<v Speaker 3>It's so I'm actually curious. I have a question for

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<v Speaker 3>both of you. Did you think that the twist was

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<v Speaker 3>something entirely different? Because I was convinced through my first

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<v Speaker 3>playthrough until I rolled credits and got like the police

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<v Speaker 3>scene afterwards, I was convinced it was like a totally

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<v Speaker 3>different thing.

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<v Speaker 4>My theory for the for the majority of me playing

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<v Speaker 4>it was I believed she had some kind of dissociative

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<v Speaker 4>personality that she had manifested as a result of abuse,

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<v Speaker 4>and that personality became the protector role, and that's where

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<v Speaker 4>like she lost part of herself and put on the

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<v Speaker 4>mask and she had like the different abilities and the

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<v Speaker 4>powers in the arm, and so that was what I

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<v Speaker 4>kept thinking in my brain.

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<v Speaker 1>And then yeah, which is not entirely Yeah, wrong to

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<v Speaker 1>answer your question, Jess, I feel too. I felt like

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<v Speaker 1>I was. I was. I'm so used to playing sound

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<v Speaker 1>hell games and knowing what they end up being that

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<v Speaker 1>I was very deliberately just trying to I always try

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<v Speaker 1>to experience things in the moment as they are happening.

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<v Speaker 1>In any moment, I try, like I start to think,

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<v Speaker 1>like maybe assume one thing. I just have to be like, well,

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<v Speaker 1>maybe we'll find out, maybe we won't do so I

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<v Speaker 1>always try to absorb it and just wait to the end.

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<v Speaker 1>But as as in my nature, I was absorbing. I

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<v Speaker 1>was looking at every single character, enemy design type and

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<v Speaker 1>be like this, I know how Silent Hill works, I

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<v Speaker 1>know how they conceptualize these things. I know how they

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<v Speaker 1>think about their monsters, and I know how it's all

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<v Speaker 1>supposed to tie into something. So if anything, I was

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<v Speaker 1>less analytical about her interactions and more staring at the

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<v Speaker 1>monsters themselves, being like, what are you representing? What are

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<v Speaker 1>you trying to be?

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<v Speaker 3>Well?

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<v Speaker 4>Gee, I wonder what the pregnant bellies wanted.

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<v Speaker 1>I was attached to the back of a man. So

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<v Speaker 1>one question a half for you, jess Or at least

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<v Speaker 1>it's something I want to absolutely praise you for for

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<v Speaker 1>being not only just an incredible writer, but an incredible

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<v Speaker 1>The ability to talk about a piece of media so

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<v Speaker 1>eloquently is you did that entire review without even remotely

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<v Speaker 1>spoiling anything. And I want to one applaud you because

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<v Speaker 1>five half of that game. I don't know why you

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<v Speaker 1>didn't talk about, but I think it is a testament

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<v Speaker 1>to be able to talk about a piece of media

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<v Speaker 1>without having to specifically point and get nitty gritty about something.

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<v Speaker 1>So I want to get your perspective on writing this

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<v Speaker 1>review without talking about anything that happens past a certain

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<v Speaker 1>point in Shoe's house.

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<v Speaker 3>Gosh, I'm trying to think of how I ended up

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<v Speaker 3>doing this review.

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<v Speaker 2>I feel like I.

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<v Speaker 3>Know some people and I think it depends on the game,

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<v Speaker 3>but this game is very much a atmosphere, vibe, story

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<v Speaker 3>driven game. So for me, it's not like I'm sitting

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<v Speaker 3>there really collecting notes. I know some people are like

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<v Speaker 3>religious note takers, and it's so weird because that seems

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<v Speaker 3>very contrary to like my entire personality. But I wasn't

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<v Speaker 3>really taking notes. I just wanted to like experience it

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<v Speaker 3>and get lost in the fog. And when I went

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<v Speaker 3>to write it, I think that it was just really

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<v Speaker 3>important to because, like I said, I kind of had

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<v Speaker 3>a whole different theory about what was going on, and

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<v Speaker 3>then I got to the end, and in some ways

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<v Speaker 3>it's more straightforward than I thought, but at the same time,

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<v Speaker 3>it's very ambiguous. And I played the second time before

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<v Speaker 3>I started writing my review, and I got to the

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<v Speaker 3>end of that, and it kind of made me tear

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<v Speaker 3>up a little bit, and I just really wanted to

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<v Speaker 3>preserve that same sensation for people who would play it.

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<v Speaker 3>And so I don't know, So I guess that's like

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<v Speaker 3>the biggest thing is it's just kind of comes out

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<v Speaker 3>of place of like trying to be compassionate and understand that,

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<v Speaker 3>like I need to kind of avoid that to talk

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<v Speaker 3>about it. And I think that sometimes my reviews or

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00:14:35.960 --> 00:14:38.200
<v Speaker 3>even just like my writing can be kind of flowery.

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<v Speaker 3>But at the same time, when it comes to a

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<v Speaker 3>game that is like Silent Hill, where it is, like

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00:14:43.039 --> 00:14:46.960
<v Speaker 3>I said, very atmospheric, I think that by digging into

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<v Speaker 3>that and conveying that that is what it's trying to do,

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<v Speaker 3>it gives people a pretty solid understanding of the game.

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<v Speaker 3>So leaning into that was kind of the key, and

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<v Speaker 3>just making sure that I spent my time to kind

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00:14:58.679 --> 00:15:02.320
<v Speaker 3>of create a little piece of this world because I

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<v Speaker 3>think it's a really special one.

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<v Speaker 1>I didn't ask you this, so I want to take

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<v Speaker 1>it back. What was your take on that first play through?

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<v Speaker 1>What did you think was happening by the end that

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<v Speaker 1>I came.

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<v Speaker 3>Well, it's so funny, Okay, So what I thought was happening,

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<v Speaker 3>and sorry, this is kind of dark, but I think

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00:15:17.320 --> 00:15:20.320
<v Speaker 3>it is one of the trigger warnings. I thought that

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00:15:20.440 --> 00:15:23.679
<v Speaker 3>Quinoko maybe committed suicide, and I thought that she was

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<v Speaker 3>kind of in like have you ever seen the movie

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<v Speaker 3>Wrist Cutters. It was like some indie movie that came

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00:15:28.120 --> 00:15:30.600
<v Speaker 3>on twenty something years ago. I thought it was kind

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00:15:30.600 --> 00:15:33.399
<v Speaker 3>of like in a weird limbo place like that, and

305
00:15:33.440 --> 00:15:35.120
<v Speaker 3>that's what she was going through. And I kind of like,

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00:15:35.159 --> 00:15:37.559
<v Speaker 3>once it started with the Hinko is Dead stuff with Rinko,

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00:15:38.080 --> 00:15:41.120
<v Speaker 3>I was like, maybe that's what's going on. Maybe there

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00:15:41.200 --> 00:15:43.000
<v Speaker 3>was just like all of this pressure and she feels

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<v Speaker 3>abandoned by her sister. She has these problems at home,

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<v Speaker 3>like maybe this happened, and she's kind of like deciding,

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<v Speaker 3>not deciding, but like going through the motions of like

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<v Speaker 3>do I want to live and what kind of life

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<v Speaker 3>do I want to live and all of the things

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00:15:56.639 --> 00:15:58.759
<v Speaker 3>that adolescents kind of do go through at that time.

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<v Speaker 3>I feel like, or at least.

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<v Speaker 1>What you thought, Yeah, you thought, it's not doing that.

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<v Speaker 2>It's it's not that uh, it's not actually that dark,

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00:16:07.759 --> 00:16:08.519
<v Speaker 2>which is you know.

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<v Speaker 1>Yeah. I also I also did have a similar suspicion.

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<v Speaker 1>But again, I try to keep my theories at bay

321
00:16:16.279 --> 00:16:17.960
<v Speaker 1>to just kind of take it as is, but that

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00:16:18.039 --> 00:16:21.159
<v Speaker 1>was definitely one of those like, oh, maybe this happened,

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00:16:21.360 --> 00:16:25.960
<v Speaker 1>or oh maybe she was killed by her father, or

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00:16:26.039 --> 00:16:28.919
<v Speaker 1>like oh like throwing the knife.

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<v Speaker 3>Yes, yeah, And for a second I thought that maybe

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00:16:33.480 --> 00:16:36.080
<v Speaker 3>she killed her father, Like when that scene was happening,

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00:16:36.120 --> 00:16:38.000
<v Speaker 3>I'm like, maybe she picked it up and like, and

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00:16:38.039 --> 00:16:39.840
<v Speaker 3>I think that that's kind of a testament to the

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00:16:39.840 --> 00:16:44.600
<v Speaker 3>fact that, like the I don't think that the game

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00:16:44.720 --> 00:16:47.519
<v Speaker 3>misleads you at all, Like it doesn't intentionally try to,

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00:16:47.720 --> 00:16:50.440
<v Speaker 3>like it's it's definitely ambiguous at times, but it's not

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00:16:50.559 --> 00:16:53.679
<v Speaker 3>like trying to make you second guess or it's not

333
00:16:53.720 --> 00:16:55.279
<v Speaker 3>trying to lead you down a path and then it's like, oh,

334
00:16:55.639 --> 00:16:57.960
<v Speaker 3>just kidding, you know, it's not I don't know, it's

335
00:16:57.960 --> 00:17:02.120
<v Speaker 3>not unfair in that regard or tricksy. But at the

336
00:17:02.120 --> 00:17:05.720
<v Speaker 3>same time, I feel like there's a lot of interpretations

337
00:17:05.759 --> 00:17:07.960
<v Speaker 3>and it did it actually genuinely surprise me at times.

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<v Speaker 1>I want to talk about the so you brought up

339
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<v Speaker 1>the carry thing, which I think is like rock solid comparison,

340
00:17:18.119 --> 00:17:23.759
<v Speaker 1>and it's I obviously there this game is doing like

341
00:17:24.079 --> 00:17:25.759
<v Speaker 1>when this game is first being previeuw by you, just

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<v Speaker 1>I couldn't help it be like, all right, it's a

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<v Speaker 1>game about being a woman, a sixteen year old woman

344
00:17:31.720 --> 00:17:35.039
<v Speaker 1>from what we understood originally being written by a guy

345
00:17:35.960 --> 00:17:38.000
<v Speaker 1>not and like it just was I wasn't not as

346
00:17:38.079 --> 00:17:39.720
<v Speaker 1>familiar with his other work and it's just one of

347
00:17:39.759 --> 00:17:41.319
<v Speaker 1>those things where was like, well, we've had a lot

348
00:17:41.319 --> 00:17:44.440
<v Speaker 1>of media written by both men and women about being

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<v Speaker 1>a woman, both bad cases, both good cases. And the

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00:17:48.880 --> 00:17:51.240
<v Speaker 1>thing is for me is like playing this game, I

351
00:17:51.480 --> 00:17:55.559
<v Speaker 1>still had a lot like I really this game affected

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00:17:55.559 --> 00:17:58.000
<v Speaker 1>me deeply at times, like very specific scenes. There's stuff

353
00:17:58.000 --> 00:18:01.240
<v Speaker 1>in the opening that game specific the very open cut

354
00:18:01.279 --> 00:18:03.799
<v Speaker 1>scene when she's playing with the doll. Having watched that

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<v Speaker 1>scene multiple times every time I watch it, even though

356
00:18:06.119 --> 00:18:08.480
<v Speaker 1>it doesn't like the context of it doesn't really change

357
00:18:08.480 --> 00:18:10.599
<v Speaker 1>all that much, but just absorbing it over and over

358
00:18:10.599 --> 00:18:13.799
<v Speaker 1>and over again for all the playthroughs it did, it

359
00:18:13.920 --> 00:18:16.640
<v Speaker 1>hits hard for me. I it was like there's like

360
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<v Speaker 1>just heving this person be like I can't play with

361
00:18:18.400 --> 00:18:20.359
<v Speaker 1>the boys, so therefore I'm not allowed to play with

362
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<v Speaker 1>anyone until her sister's like, do you want to play

363
00:18:22.000 --> 00:18:25.400
<v Speaker 1>with her with me, and like the excitement that that

364
00:18:25.519 --> 00:18:27.480
<v Speaker 1>like that she feels as a darb, like really and

365
00:18:27.519 --> 00:18:29.680
<v Speaker 1>then's a hard cut and this playing faced woman is

366
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<v Speaker 1>just like it is brutal. Anyways, it's quick tangent about that, well,

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<v Speaker 1>go ahead, something that.

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<v Speaker 3>I really love because I want to and I wanted

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<v Speaker 3>to talk to you about it because you know, there's

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<v Speaker 3>not enough male representation in games. But but something that

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<v Speaker 3>I loved about the game is that in like the

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<v Speaker 3>second and third playthrough, we also kind of it's it's like,

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<v Speaker 3>I think it's very very very fair to say this

374
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<v Speaker 3>is a very feminist game, but at the same time

375
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<v Speaker 3>it does touch on something that's part of feminism, but

376
00:19:01.039 --> 00:19:03.960
<v Speaker 3>it's also just kind of the the roles that men

377
00:19:04.079 --> 00:19:11.119
<v Speaker 3>are meant to have and.

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<v Speaker 2>And and kind of like the.

379
00:19:12.160 --> 00:19:13.839
<v Speaker 3>I don't know, just like that the lack of emotion

380
00:19:13.920 --> 00:19:16.000
<v Speaker 3>you can have, and and something that I really love

381
00:19:16.119 --> 00:19:19.960
<v Speaker 3>too with Fox Mask or why can I not remember

382
00:19:20.000 --> 00:19:20.920
<v Speaker 3>his actual name right now?

383
00:19:20.960 --> 00:19:25.480
<v Speaker 2>Codro, I can't remember the boy?

384
00:19:25.680 --> 00:19:30.039
<v Speaker 3>Yeah, yeah, but Fox Mask in like the third ending

385
00:19:30.160 --> 00:19:33.920
<v Speaker 3>that I saw, it's the one where essentially it's like

386
00:19:34.000 --> 00:19:37.279
<v Speaker 3>this this figure maybe his dad's kind of what interpret

387
00:19:37.319 --> 00:19:41.440
<v Speaker 3>it as or just like familiar figure basically starts to

388
00:19:41.440 --> 00:19:46.240
<v Speaker 3>give him shit for like you tried to woo this girl,

389
00:19:47.200 --> 00:19:50.720
<v Speaker 3>you know, by basically treating her like a person, and

390
00:19:50.759 --> 00:19:51.640
<v Speaker 3>like that's not.

391
00:19:51.640 --> 00:19:52.279
<v Speaker 2>The way to go.

392
00:19:52.519 --> 00:19:54.880
<v Speaker 3>You should just claim it, like that's the way that

393
00:19:54.960 --> 00:19:55.680
<v Speaker 3>this is done.

394
00:19:55.880 --> 00:19:57.160
<v Speaker 2>And you know, like you.

395
00:19:57.200 --> 00:20:00.599
<v Speaker 3>Are kind of lesser of a man for for like

396
00:20:00.920 --> 00:20:03.759
<v Speaker 3>being passive in this when really you should just like

397
00:20:04.000 --> 00:20:07.480
<v Speaker 3>go for it and make her, you know. And I

398
00:20:07.519 --> 00:20:10.960
<v Speaker 3>think that that was I didn't expect it to kind

399
00:20:11.000 --> 00:20:13.519
<v Speaker 3>of go into that side of like toxic masculinity, and

400
00:20:13.759 --> 00:20:16.519
<v Speaker 3>I'm really happy that it did. And I don't know, Kurt,

401
00:20:16.519 --> 00:20:18.119
<v Speaker 3>how was it for you to kind of did you

402
00:20:18.160 --> 00:20:19.920
<v Speaker 3>like trust me?

403
00:20:20.279 --> 00:20:22.480
<v Speaker 1>I mean, this thing was beating a drum that I

404
00:20:22.519 --> 00:20:24.920
<v Speaker 1>was listening through the entire time, and when that scene happened.

405
00:20:25.079 --> 00:20:31.279
<v Speaker 1>I don't have I don't come from a generationally traditional background,

406
00:20:31.440 --> 00:20:33.240
<v Speaker 1>like I don't come from a family who has put

407
00:20:34.400 --> 00:20:38.759
<v Speaker 1>expectations on me to do something that is not my choice.

408
00:20:39.200 --> 00:20:41.079
<v Speaker 1>So watching that scene, it's like I had to be

409
00:20:41.200 --> 00:20:45.400
<v Speaker 1>sympathetic to a man, this Fox Mass character who probably

410
00:20:45.400 --> 00:20:48.559
<v Speaker 1>felt an overwhelming amount of pressure to have to do

411
00:20:48.640 --> 00:20:51.119
<v Speaker 1>this because that is what is expected of him, just

412
00:20:51.200 --> 00:20:53.119
<v Speaker 1>as it is for a woman to have to marry,

413
00:20:53.319 --> 00:20:56.400
<v Speaker 1>like for Hanako to be forced to marry this man

414
00:20:56.440 --> 00:21:00.640
<v Speaker 1>because of a mistake and a problem that her father did.

415
00:21:01.240 --> 00:21:03.519
<v Speaker 1>So I mean for me, it was like, I was

416
00:21:03.599 --> 00:21:07.039
<v Speaker 1>like all aboard from the very beginning with Hanako being

417
00:21:07.079 --> 00:21:08.759
<v Speaker 1>a person who's going to make her own choices, even

418
00:21:08.759 --> 00:21:12.039
<v Speaker 1>if those choices are bad or it don't make sense,

419
00:21:12.160 --> 00:21:13.920
<v Speaker 1>because you know, this is a point that the writer

420
00:21:14.039 --> 00:21:16.279
<v Speaker 1>made where it's like, I'm going to make this character,

421
00:21:17.039 --> 00:21:21.160
<v Speaker 1>this female character, make her own choices, whether they're good

422
00:21:21.240 --> 00:21:23.000
<v Speaker 1>or bad. She's making her own choices, and that was

423
00:21:23.039 --> 00:21:25.440
<v Speaker 1>the only point to make. So for me, it was like, hell, yeah,

424
00:21:25.880 --> 00:21:27.559
<v Speaker 1>the one here, go for it.

425
00:21:28.039 --> 00:21:30.839
<v Speaker 4>I didn't have any that I do, but the.

426
00:21:30.759 --> 00:21:33.279
<v Speaker 1>One the before we move over to the lucy thread,

427
00:21:33.279 --> 00:21:34.759
<v Speaker 1>the one thing I want to talk about in terms

428
00:21:34.799 --> 00:21:38.680
<v Speaker 1>of toxic masculine or the thing you kind of started

429
00:21:38.680 --> 00:21:42.680
<v Speaker 1>to talk about, Jess, was the expectation that men should

430
00:21:42.720 --> 00:21:48.920
<v Speaker 1>solve problems, and I think she creating a medication to

431
00:21:49.160 --> 00:21:54.160
<v Speaker 1>help Hanukko with her issues is in ways reflective as

432
00:21:54.160 --> 00:21:56.279
<v Speaker 1>somebody just being like I care about you, I'm a dude,

433
00:21:56.359 --> 00:21:58.480
<v Speaker 1>I'm going to fix that problem. For you, and in

434
00:21:58.559 --> 00:22:03.839
<v Speaker 1>doing so he actually created mostly created a huge problem.

435
00:22:04.160 --> 00:22:06.119
<v Speaker 1>So I think even then it's like, maybe that's a

436
00:22:06.160 --> 00:22:08.400
<v Speaker 1>more subtle, more nuanced thing. But for me, when you

437
00:22:08.440 --> 00:22:12.119
<v Speaker 1>talk about the expectation that a man is supposed to

438
00:22:12.119 --> 00:22:14.799
<v Speaker 1>have in a situation, what I get is the stereotype

439
00:22:14.839 --> 00:22:16.599
<v Speaker 1>of being like, oh, you can't reach that. I got

440
00:22:16.599 --> 00:22:19.279
<v Speaker 1>that for you. Oh yeah, no, don't worry. It's the

441
00:22:19.400 --> 00:22:22.200
<v Speaker 1>it's the angel cliche of the of the girlfriend or

442
00:22:22.240 --> 00:22:25.440
<v Speaker 1>wife being like complaining about work and then the husband

443
00:22:25.480 --> 00:22:28.400
<v Speaker 1>is like, will you do this? Will you do that?

444
00:22:28.519 --> 00:22:30.559
<v Speaker 1>Trying to find solutions for them rather than just simply

445
00:22:30.559 --> 00:22:33.720
<v Speaker 1>being like that sucks. I'm sorry that happened.

446
00:22:34.119 --> 00:22:36.359
<v Speaker 2>So well, it's kind of and I'm so sorry, Lucie.

447
00:22:36.359 --> 00:22:37.720
<v Speaker 2>I know you want to say it, but just to

448
00:22:37.799 --> 00:22:38.640
<v Speaker 2>piggyback off of.

449
00:22:38.599 --> 00:22:41.559
<v Speaker 3>This idea really quick, it's kind of interesting and something

450
00:22:41.559 --> 00:22:43.160
<v Speaker 3>I didn't think of a ton as far as she

451
00:22:43.400 --> 00:22:46.000
<v Speaker 3>like forcing himself to be in like that helper role

452
00:22:46.519 --> 00:22:48.319
<v Speaker 3>and thinking that he's doing the right thing when he's

453
00:22:48.319 --> 00:22:52.279
<v Speaker 3>making things worse, because it's like the reason that he

454
00:22:52.319 --> 00:22:54.799
<v Speaker 3>gives her this medicine is because of tension. Hitts right,

455
00:22:54.880 --> 00:23:00.160
<v Speaker 3>and like the real he's solving the symptom, right, but

456
00:23:00.240 --> 00:23:04.519
<v Speaker 3>not the actual cause, and he's not like investing in,

457
00:23:04.640 --> 00:23:07.039
<v Speaker 3>you know, like what's going on.

458
00:23:07.039 --> 00:23:07.480
<v Speaker 2>In your life?

459
00:23:07.480 --> 00:23:10.319
<v Speaker 4>Like he also comments on it. He even says like

460
00:23:10.519 --> 00:23:13.880
<v Speaker 4>you always keep things buttoned up, you that's your problem.

461
00:23:13.680 --> 00:23:16.480
<v Speaker 2>Partner, or like yeah, And so he's aware.

462
00:23:16.079 --> 00:23:19.319
<v Speaker 4>Of it, but not to the state where he really

463
00:23:19.359 --> 00:23:21.000
<v Speaker 4>digs in to find out what's up with her.

464
00:23:21.440 --> 00:23:24.119
<v Speaker 3>Yes, and so it's like there's there's that aspect of it.

465
00:23:24.400 --> 00:23:28.039
<v Speaker 3>And then on top of that, it's like when when

466
00:23:28.039 --> 00:23:30.119
<v Speaker 3>you finish the second playthrough, or at least that's when

467
00:23:30.119 --> 00:23:32.880
<v Speaker 3>I think what Fox wedding, And that's when Shoe is

468
00:23:32.960 --> 00:23:35.240
<v Speaker 3>kind of melded into like the bad guy at the

469
00:23:35.319 --> 00:23:35.839
<v Speaker 3>end there.

470
00:23:35.799 --> 00:23:36.519
<v Speaker 2>The final boss.

471
00:23:37.240 --> 00:23:40.079
<v Speaker 3>But one of the things that you know Shoe is

472
00:23:40.119 --> 00:23:44.720
<v Speaker 3>talking about is just kind of feeling like or I

473
00:23:44.720 --> 00:23:46.599
<v Speaker 3>guess I guess Hinko is more saying it to him,

474
00:23:47.000 --> 00:23:49.599
<v Speaker 3>is you kind of always saw me as a boy.

475
00:23:49.720 --> 00:23:52.480
<v Speaker 3>And in some respects I liked that because I never

476
00:23:52.559 --> 00:23:55.960
<v Speaker 3>felt like super feminine and I felt very shoe box

477
00:23:56.039 --> 00:23:58.160
<v Speaker 3>into that role that was designed for me. But at

478
00:23:58.200 --> 00:24:00.839
<v Speaker 3>the same time, like I she even says like I

479
00:24:00.839 --> 00:24:02.400
<v Speaker 3>don't hate the fact that I was born a girl,

480
00:24:02.440 --> 00:24:04.440
<v Speaker 3>like and I relate to that because I remember feeling

481
00:24:04.480 --> 00:24:06.359
<v Speaker 3>like that when I was younger too. It's like, I

482
00:24:06.359 --> 00:24:07.720
<v Speaker 3>don't hate the fact that I was born a girl

483
00:24:07.720 --> 00:24:10.200
<v Speaker 3>at all, Like I don't have that dysmorphia, Like it

484
00:24:10.200 --> 00:24:14.000
<v Speaker 3>feels right, But at the same time, growing.

485
00:24:13.720 --> 00:24:16.240
<v Speaker 2>Up can really be hard when like.

486
00:24:16.720 --> 00:24:18.880
<v Speaker 3>Society treats you like shit because you are a one

487
00:24:19.599 --> 00:24:21.960
<v Speaker 3>and so like her kind of going on this feel

488
00:24:22.000 --> 00:24:23.559
<v Speaker 3>of me like, I don't mind that, but at the

489
00:24:23.599 --> 00:24:27.039
<v Speaker 3>same time, you know, like I want to have that

490
00:24:27.039 --> 00:24:30.079
<v Speaker 3>freedom and this you only saw one side of it,

491
00:24:30.160 --> 00:24:32.480
<v Speaker 3>and so in a similar way, you were also restricting

492
00:24:32.519 --> 00:24:34.880
<v Speaker 3>my freedom. You made me feel like I couldn't be feminine,

493
00:24:35.039 --> 00:24:37.920
<v Speaker 3>like you never really saw me as like a potential

494
00:24:38.000 --> 00:24:40.920
<v Speaker 3>romantic partner. Even if you did maybe have feelings, you

495
00:24:41.039 --> 00:24:45.599
<v Speaker 3>never acted on that or made me feel seen. And

496
00:24:45.680 --> 00:24:48.160
<v Speaker 3>it's once again, it's kind of like Shoe thinking, I'm

497
00:24:48.200 --> 00:24:50.279
<v Speaker 3>doing the right thing. I view her this way, this

498
00:24:50.359 --> 00:24:52.440
<v Speaker 3>is what she wants, this is who she is. I

499
00:24:52.480 --> 00:24:55.759
<v Speaker 3>know her best, But at the same time, like he's

500
00:24:55.839 --> 00:24:58.440
<v Speaker 3>he's not really seeing her, he doesn't he's not really

501
00:24:58.480 --> 00:24:59.759
<v Speaker 3>doing the best thing for her.

502
00:25:00.279 --> 00:25:03.759
<v Speaker 4>Yeah, well I was going to bring up the themes

503
00:25:03.799 --> 00:25:08.039
<v Speaker 4>of growing up in particular as a woman. Not to

504
00:25:08.119 --> 00:25:09.480
<v Speaker 4>dwell on this too much, but I think there's an

505
00:25:09.519 --> 00:25:14.640
<v Speaker 4>obvious theme of menstruation in the game. Like I even

506
00:25:14.680 --> 00:25:17.200
<v Speaker 4>at the end if we listen to the song with

507
00:25:17.279 --> 00:25:20.440
<v Speaker 4>the translated lyrics and stuff, and that clearly mentions like

508
00:25:20.960 --> 00:25:23.759
<v Speaker 4>getting a period. I couldn't help but think that, like

509
00:25:23.920 --> 00:25:28.799
<v Speaker 4>the red chasing you as you are that age, like

510
00:25:28.839 --> 00:25:31.000
<v Speaker 4>when she's what like fifteen sixteen, and you are at

511
00:25:31.039 --> 00:25:33.400
<v Speaker 4>the age where you stop being seen as a little

512
00:25:33.440 --> 00:25:36.599
<v Speaker 4>girl and you become you start being seen as a woman.

513
00:25:36.880 --> 00:25:38.480
<v Speaker 4>And there are also other bits where it's you know,

514
00:25:40.079 --> 00:25:44.599
<v Speaker 4>these references to Hinako dying in the rice field, like

515
00:25:44.640 --> 00:25:47.519
<v Speaker 4>she drowned and stuff. I took that as, oh, that's

516
00:25:47.559 --> 00:25:50.160
<v Speaker 4>the death of her as a child, like because she

517
00:25:50.240 --> 00:25:52.000
<v Speaker 4>even mentioned she was like this is the last time

518
00:25:52.119 --> 00:25:54.839
<v Speaker 4>I cried, And that's a death of part of her childhood.

519
00:25:54.880 --> 00:25:57.160
<v Speaker 4>And I see Silent Hell f as a lot of

520
00:25:57.319 --> 00:26:02.920
<v Speaker 4>deaths of her childhood. And the fact that the fog

521
00:26:03.160 --> 00:26:10.920
<v Speaker 4>the flowers in bloom being read covering up the torsos

522
00:26:10.920 --> 00:26:15.119
<v Speaker 4>of the monsters who are other women. And then yeah,

523
00:26:15.119 --> 00:26:16.880
<v Speaker 4>when you get to the stage where it is the

524
00:26:16.920 --> 00:26:22.160
<v Speaker 4>pregnancy bellies on a monster that's spitting out more and

525
00:26:22.240 --> 00:26:24.880
<v Speaker 4>more enemies for you. It's just like, oh god, that

526
00:26:24.960 --> 00:26:26.839
<v Speaker 4>was so on the nose, and it's like part of

527
00:26:26.880 --> 00:26:28.960
<v Speaker 4>when I was growing up at least, and I was

528
00:26:29.039 --> 00:26:32.240
<v Speaker 4>at this point in an all girls' school where you

529
00:26:32.240 --> 00:26:34.079
<v Speaker 4>couldn't wait to start a period because it meant that

530
00:26:34.119 --> 00:26:35.680
<v Speaker 4>you were finally growing up and stuff. And I think

531
00:26:35.720 --> 00:26:40.200
<v Speaker 4>you lose what makes I don't know, like in kind

532
00:26:40.200 --> 00:26:42.440
<v Speaker 4>of like looking ahead so so much. You kind of

533
00:26:42.480 --> 00:26:44.319
<v Speaker 4>realize that you're leaving your childhood and all of the

534
00:26:44.319 --> 00:26:47.759
<v Speaker 4>great stuff that happened there behind, and what you are

535
00:26:47.799 --> 00:26:49.960
<v Speaker 4>going into instead is you are moving away from that

536
00:26:50.039 --> 00:26:53.200
<v Speaker 4>life of comfort of being taken care of by your parents,

537
00:26:53.279 --> 00:26:57.480
<v Speaker 4>your extended family or even your friend's school, like you're

538
00:26:57.519 --> 00:27:02.160
<v Speaker 4>always looked after by adults. And then I think when

539
00:27:02.200 --> 00:27:05.000
<v Speaker 4>you're a woman, at least in my school as we

540
00:27:05.000 --> 00:27:06.680
<v Speaker 4>were growing up, it was like you hit that line

541
00:27:06.680 --> 00:27:08.839
<v Speaker 4>in the sand and you're like, oh, you're an adult now,

542
00:27:09.599 --> 00:27:13.400
<v Speaker 4>and it is a very jarring thing that is so scary.

543
00:27:13.440 --> 00:27:15.119
<v Speaker 4>And then yeah, you start thinking about boys, You start

544
00:27:15.160 --> 00:27:18.400
<v Speaker 4>thinking about dating and married and university and growing up

545
00:27:18.400 --> 00:27:21.319
<v Speaker 4>and stuff. And it just feels like you have fifteen

546
00:27:21.440 --> 00:27:24.759
<v Speaker 4>years of being an actual child and then overnight you

547
00:27:24.839 --> 00:27:27.880
<v Speaker 4>have to become an adult with all of the expectations

548
00:27:27.920 --> 00:27:29.799
<v Speaker 4>that come with that. And so for me, when I

549
00:27:29.880 --> 00:27:32.680
<v Speaker 4>was playing, I was just like, oh god, I don't

550
00:27:32.680 --> 00:27:34.200
<v Speaker 4>want to think about being fifteen again.

551
00:27:35.160 --> 00:27:37.039
<v Speaker 3>No. I am so glad that you said that, and

552
00:27:37.079 --> 00:27:39.000
<v Speaker 3>I'm so glad that you were very unafraid to like

553
00:27:39.079 --> 00:27:42.359
<v Speaker 3>broach menstruation and like, because like I completely agree with you.

554
00:27:42.400 --> 00:27:44.960
<v Speaker 3>I think it's very like baked into the whole game,

555
00:27:45.440 --> 00:27:47.480
<v Speaker 3>and like that's part of it. I mentioned like in

556
00:27:47.519 --> 00:27:49.680
<v Speaker 3>the second play through I tear it up and it

557
00:27:49.720 --> 00:27:50.400
<v Speaker 3>was like it.

558
00:27:50.319 --> 00:27:50.960
<v Speaker 2>Was because of that.

559
00:27:51.000 --> 00:27:53.640
<v Speaker 3>It reminds me of like the really depressing quote where

560
00:27:53.680 --> 00:27:55.640
<v Speaker 3>it's like one time was like the last time you

561
00:27:55.720 --> 00:27:57.599
<v Speaker 3>played with your friends at the end of the street,

562
00:27:57.680 --> 00:27:59.400
<v Speaker 3>and like one time was the last time your parents

563
00:27:59.480 --> 00:28:02.000
<v Speaker 3>picked you up and like said good night, And it's

564
00:28:02.039 --> 00:28:04.960
<v Speaker 3>like all of those moments where you don't realize necessarily

565
00:28:05.920 --> 00:28:08.200
<v Speaker 3>at the time that like this is the end of

566
00:28:08.319 --> 00:28:10.440
<v Speaker 3>like that chapter of your life, but then you look

567
00:28:10.480 --> 00:28:12.880
<v Speaker 3>back on it and you're like, oh my gosh, Like

568
00:28:12.960 --> 00:28:16.920
<v Speaker 3>I don't like when I get sick like maybe maybe

569
00:28:16.960 --> 00:28:18.240
<v Speaker 3>like my my husband will take care of me a

570
00:28:18.279 --> 00:28:20.359
<v Speaker 3>little bit, right or like you know, friends or something

571
00:28:20.440 --> 00:28:23.440
<v Speaker 3>like that. But it's not the same as for sure

572
00:28:23.519 --> 00:28:25.319
<v Speaker 3>having you know, like like what, I have a kid now,

573
00:28:25.400 --> 00:28:26.880
<v Speaker 3>when he gets sick, I'm taking care of him. It

574
00:28:26.880 --> 00:28:28.880
<v Speaker 3>doesn't matter if I get sick because like I have

575
00:28:28.920 --> 00:28:31.680
<v Speaker 3>to also take care of him. You don't get babied

576
00:28:31.720 --> 00:28:34.640
<v Speaker 3>in that same way. And you know, there's also just

577
00:28:34.680 --> 00:28:38.119
<v Speaker 3>like the issue of like just feeling very sexualized, like

578
00:28:38.160 --> 00:28:39.960
<v Speaker 3>the second you hit that age.

579
00:28:40.400 --> 00:28:42.480
<v Speaker 2>You know, it's just you know, I.

580
00:28:42.400 --> 00:28:47.039
<v Speaker 3>Think that they say, like the average girl won't girl

581
00:28:47.759 --> 00:28:49.559
<v Speaker 3>You'd think you'd hope it was a woman, but the

582
00:28:49.599 --> 00:28:52.480
<v Speaker 3>average girl experiences like the most amount of cat calling

583
00:28:52.480 --> 00:28:54.279
<v Speaker 3>and harassment at like twelve years old.

584
00:28:54.119 --> 00:28:57.680
<v Speaker 2>Or thirteen years old, you know, like don't I don't know,

585
00:28:57.680 --> 00:28:58.440
<v Speaker 2>don't quote me on that.

586
00:28:58.440 --> 00:29:01.079
<v Speaker 3>That's a statistic that I've seen. Who knows like where

587
00:29:01.079 --> 00:29:03.200
<v Speaker 3>it's from, but like that, I've seen it repeatedly. I've

588
00:29:03.240 --> 00:29:04.920
<v Speaker 3>seen it a few times that a lot of girls.

589
00:29:04.920 --> 00:29:06.960
<v Speaker 3>It's like the age of like twelve thirteen is when

590
00:29:07.000 --> 00:29:10.519
<v Speaker 3>you experience the most And I mean, first of all,

591
00:29:10.519 --> 00:29:11.920
<v Speaker 3>it's just so disturbing, but.

592
00:29:12.079 --> 00:29:13.079
<v Speaker 2>Also it's like.

593
00:29:14.559 --> 00:29:18.920
<v Speaker 3>We're forced, I think, probably more so than men right

594
00:29:18.960 --> 00:29:20.759
<v Speaker 3>to like just grow up a bit quicker. We always

595
00:29:20.759 --> 00:29:24.359
<v Speaker 3>have to be kind of mature for our age, and

596
00:29:24.720 --> 00:29:28.119
<v Speaker 3>it's hard to especially when you do reach that point

597
00:29:28.200 --> 00:29:30.920
<v Speaker 3>where it flips, because you're told the first you know,

598
00:29:31.160 --> 00:29:34.240
<v Speaker 3>twelve years of your life, like you know, be bold

599
00:29:34.319 --> 00:29:36.759
<v Speaker 3>and be curious and and I.

600
00:29:36.720 --> 00:29:37.200
<v Speaker 2>Think that.

601
00:29:38.720 --> 00:29:44.200
<v Speaker 3>Your your hobbies and your athleticism and just like like

602
00:29:44.319 --> 00:29:47.359
<v Speaker 3>mental traits are praised more and encouraged more. And then

603
00:29:47.359 --> 00:29:49.119
<v Speaker 3>you hit that switch and a lot of it turns

604
00:29:49.160 --> 00:29:52.119
<v Speaker 3>into well, like how are you dressing? Like?

605
00:29:52.160 --> 00:29:52.880
<v Speaker 2>What's your hair?

606
00:29:53.079 --> 00:29:53.200
<v Speaker 3>Like?

607
00:29:53.400 --> 00:29:54.519
<v Speaker 2>What are are you?

608
00:29:54.599 --> 00:29:54.680
<v Speaker 1>Like?

609
00:29:54.720 --> 00:29:55.759
<v Speaker 2>What is your body like?

610
00:29:55.839 --> 00:30:00.000
<v Speaker 3>It turns a lot more into your physical appearance being

611
00:30:00.119 --> 00:30:04.039
<v Speaker 3>valued more so than anything mentally, and it kind of,

612
00:30:04.079 --> 00:30:07.039
<v Speaker 3>I think flips back a bit, but especially when you

613
00:30:07.119 --> 00:30:12.119
<v Speaker 3>hit adolescents and that happens, it's just it really does

614
00:30:12.200 --> 00:30:14.559
<v Speaker 3>feel like this death of yourself. And I think that's

615
00:30:14.559 --> 00:30:18.039
<v Speaker 3>what Silent Hill does. And it's fucking wild that like

616
00:30:18.119 --> 00:30:23.119
<v Speaker 3>a fifty year old man nailed it a good job.

617
00:30:23.400 --> 00:30:26.720
<v Speaker 3>I mean joke, like, sorry, I feel like I'm tanded,

618
00:30:26.759 --> 00:30:28.160
<v Speaker 3>but like I joke with my friend, she's like a

619
00:30:28.240 --> 00:30:31.200
<v Speaker 3>huge horror movie fan, and she loves Robert Eggers. He's

620
00:30:31.240 --> 00:30:33.240
<v Speaker 3>the guy who does like the Witch and knows Faratu,

621
00:30:33.640 --> 00:30:35.759
<v Speaker 3>and like I've seen those movies with her, and each

622
00:30:35.799 --> 00:30:38.440
<v Speaker 3>time I love those movies too, and each time we leave,

623
00:30:38.640 --> 00:30:40.599
<v Speaker 3>you know, she's just like it's fucked up that that

624
00:30:40.640 --> 00:30:43.359
<v Speaker 3>guy gets women so well, like that he manages to

625
00:30:43.400 --> 00:30:48.119
<v Speaker 3>create these like very cathartic like little bit women's rage,

626
00:30:48.119 --> 00:30:49.839
<v Speaker 3>but like like allowing women to be kind of more

627
00:30:49.880 --> 00:30:54.200
<v Speaker 3>messy and like really in touch with their emotions and

628
00:30:54.480 --> 00:30:56.799
<v Speaker 3>just do things and be kind of powerful and weird

629
00:30:56.839 --> 00:30:59.400
<v Speaker 3>and dark. And like that's how this game made me feel.

630
00:30:59.440 --> 00:31:01.400
<v Speaker 3>I was like, how is this guy just like get it?

631
00:31:01.839 --> 00:31:04.400
<v Speaker 4>Yeah, well to the point that you mentioned there where

632
00:31:04.400 --> 00:31:07.160
<v Speaker 4>it's like you are not yourself and you are kind

633
00:31:07.160 --> 00:31:08.960
<v Speaker 4>of like it's all about what you have to offer.

634
00:31:09.759 --> 00:31:11.519
<v Speaker 4>I think that's a really good seguae to talk about

635
00:31:11.519 --> 00:31:19.039
<v Speaker 4>the friend group in particular jealousy, because yeah, you, I

636
00:31:19.079 --> 00:31:22.000
<v Speaker 4>guess like you kind of become a threat to everyone

637
00:31:22.000 --> 00:31:24.440
<v Speaker 4>else as you grow up and there are and like

638
00:31:25.279 --> 00:31:27.920
<v Speaker 4>when I remember growing up as a teenage girl being

639
00:31:28.039 --> 00:31:32.160
<v Speaker 4>in an all girls like class, I was very lucky

640
00:31:32.200 --> 00:31:36.160
<v Speaker 4>to have very deep friendships that I formed there. But

641
00:31:37.000 --> 00:31:40.640
<v Speaker 4>the way that girls talk about each other can be

642
00:31:41.279 --> 00:31:42.799
<v Speaker 4>so so intense.

643
00:31:43.559 --> 00:31:47.400
<v Speaker 1>And this game does. The one thing that, again is

644
00:31:47.480 --> 00:31:50.480
<v Speaker 1>context that sometimes I don't always have or didn't have

645
00:31:50.480 --> 00:31:52.920
<v Speaker 1>as a teenager. My time as a teenager, I feel

646
00:31:52.920 --> 00:31:56.160
<v Speaker 1>like it's probably different. I was like, really quick, I

647
00:31:56.200 --> 00:31:59.480
<v Speaker 1>just want to say I don't like coming of age

648
00:31:59.519 --> 00:32:02.519
<v Speaker 1>stories because I never have ever fit in with a

649
00:32:02.559 --> 00:32:04.839
<v Speaker 1>coming of age story. I just have never related to.

650
00:32:04.880 --> 00:32:06.720
<v Speaker 1>Like That's why I've alway struggle with persona games. I

651
00:32:06.839 --> 00:32:09.759
<v Speaker 1>just in most cases I do not relate to these teenagers.

652
00:32:10.039 --> 00:32:13.960
<v Speaker 1>But this game, this representation of a teenager, felt way

653
00:32:13.960 --> 00:32:16.480
<v Speaker 1>more grounded and way more something I could reflect on

654
00:32:16.559 --> 00:32:18.519
<v Speaker 1>than any other piece of media that I could watch

655
00:32:18.599 --> 00:32:21.880
<v Speaker 1>in the in the teenage realm but I wanted. But

656
00:32:21.960 --> 00:32:23.720
<v Speaker 1>with that context, the one thing that kind of like

657
00:32:24.240 --> 00:32:27.680
<v Speaker 1>smacked me upside the face of it was when you're

658
00:32:27.680 --> 00:32:31.279
<v Speaker 1>in the school and you're finding the notes, Yes, and

659
00:32:31.319 --> 00:32:34.759
<v Speaker 1>it's like the sort of establishment that this is. This

660
00:32:34.839 --> 00:32:36.720
<v Speaker 1>is how girls talk about each other, This is how

661
00:32:36.799 --> 00:32:41.000
<v Speaker 1>girls expressed, you know, we're able to they did. They

662
00:32:41.039 --> 00:32:43.119
<v Speaker 1>weren't physical, they weren't like trying to like beat each

663
00:32:43.119 --> 00:32:44.720
<v Speaker 1>other up or I'm not sure if some were, but

664
00:32:45.039 --> 00:32:49.039
<v Speaker 1>I'm like the idea of how men broach jealousy with

665
00:32:49.039 --> 00:32:51.160
<v Speaker 1>one another versus how women do it, which in this

666
00:32:51.240 --> 00:32:55.359
<v Speaker 1>case is very passive, aggressive, very maniacal to leave these

667
00:32:55.400 --> 00:32:57.519
<v Speaker 1>little folded up notes and then you find them you

668
00:32:57.599 --> 00:32:57.920
<v Speaker 1>just have.

669
00:32:57.920 --> 00:33:01.079
<v Speaker 4>To assume, well, yeah, and so so in my second

670
00:33:01.079 --> 00:33:04.200
<v Speaker 4>play through, when I'm going through in the kind of

671
00:33:04.200 --> 00:33:06.160
<v Speaker 4>other world where it's like you'd have one piece of

672
00:33:06.160 --> 00:33:07.799
<v Speaker 4>the diary and then you'd flick the switch and there

673
00:33:07.839 --> 00:33:10.920
<v Speaker 4>would be the other real thoughts of the diary, and

674
00:33:10.960 --> 00:33:15.680
<v Speaker 4>they would just be so violent and like everything was

675
00:33:15.720 --> 00:33:18.039
<v Speaker 4>just brewing under the surface, and they would just be

676
00:33:18.200 --> 00:33:19.880
<v Speaker 4>so so horrible in the way that we talk about

677
00:33:19.880 --> 00:33:22.400
<v Speaker 4>each other, and especially in Oh, She's always so perfect,

678
00:33:22.480 --> 00:33:25.079
<v Speaker 4>she always looks she always is so good looking, and

679
00:33:25.200 --> 00:33:27.880
<v Speaker 4>she's a cockroach, like all this kind of stuff, because yeah,

680
00:33:27.880 --> 00:33:31.880
<v Speaker 4>you're right, that's typically how girls would argue and fight

681
00:33:32.839 --> 00:33:35.799
<v Speaker 4>when I was growing up. Like you would not get physical.

682
00:33:36.440 --> 00:33:41.240
<v Speaker 4>You would just hear a rumor, or you would have

683
00:33:41.359 --> 00:33:44.279
<v Speaker 4>someone call you something or hear that you'd been called something.

684
00:33:45.200 --> 00:33:48.240
<v Speaker 4>And yeah, when it comes to and I was gonna say,

685
00:33:48.440 --> 00:33:51.920
<v Speaker 4>Rinco pushing her down the stairs, or if she did

686
00:33:52.000 --> 00:33:53.960
<v Speaker 4>push down the stairs. I feel like Kinnoko is such

687
00:33:53.960 --> 00:33:58.839
<v Speaker 4>an unreliable narrator, particularly on that second play through the

688
00:33:59.039 --> 00:34:02.960
<v Speaker 4>face that rink how has after that, and just the

689
00:34:02.960 --> 00:34:06.039
<v Speaker 4>way she says you felt on the stairs clumsy. You know,

690
00:34:06.160 --> 00:34:10.199
<v Speaker 4>it's like that's such a absolutely nailed it, nailed it.

691
00:34:10.239 --> 00:34:11.679
<v Speaker 4>I feel like I've known that girl.

692
00:34:12.800 --> 00:34:15.400
<v Speaker 3>Oh I was gonna say, like the subtlety is so

693
00:34:16.159 --> 00:34:18.880
<v Speaker 3>spot on, because like that's the thing, is like, and

694
00:34:18.960 --> 00:34:20.639
<v Speaker 3>it really does fuck with your brain, like when you're

695
00:34:20.679 --> 00:34:22.880
<v Speaker 3>that age too, because you just kind of like that.

696
00:34:22.920 --> 00:34:24.880
<v Speaker 3>I think that's when you start to get that complex

697
00:34:24.920 --> 00:34:26.119
<v Speaker 3>of does this person really like me?

698
00:34:26.239 --> 00:34:28.159
<v Speaker 2>Or do they not? With your friends, you know.

699
00:34:28.360 --> 00:34:32.440
<v Speaker 3>And I hate to kind of be like it's so

700
00:34:32.559 --> 00:34:35.119
<v Speaker 3>funny because at first, when I first started playing the game,

701
00:34:35.159 --> 00:34:37.159
<v Speaker 3>for the first little bit, I was like, oh, is

702
00:34:37.159 --> 00:34:39.119
<v Speaker 3>he Necho gonna be like one of those characters Like

703
00:34:39.159 --> 00:34:42.000
<v Speaker 3>I just like guy friends because they're less drama because

704
00:34:42.039 --> 00:34:43.880
<v Speaker 3>I always I hate I hate girls like that.

705
00:34:43.960 --> 00:34:46.920
<v Speaker 2>I hate girls like that so much, you know.

706
00:34:47.119 --> 00:34:50.199
<v Speaker 3>I But it is interesting though, because like when I

707
00:34:50.239 --> 00:34:53.239
<v Speaker 3>grew up, I feel like now I have mostly women

708
00:34:53.280 --> 00:34:54.960
<v Speaker 3>friends and you know, some guy friends, but it's like

709
00:34:55.440 --> 00:34:58.480
<v Speaker 3>growing up, I think I definitely did probably have more

710
00:34:58.519 --> 00:35:01.639
<v Speaker 3>guy friends, and I went through the experience of like

711
00:35:02.000 --> 00:35:05.000
<v Speaker 3>it not being really a big deal, you know, And

712
00:35:05.000 --> 00:35:06.480
<v Speaker 3>of course like there was some that I had like

713
00:35:06.519 --> 00:35:08.480
<v Speaker 3>crushes on or whatever, but it's like it wasn't really

714
00:35:08.519 --> 00:35:12.119
<v Speaker 3>a big deal until adolescence.

715
00:35:12.440 --> 00:35:14.760
<v Speaker 2>And I remember having a friend.

716
00:35:14.519 --> 00:35:17.719
<v Speaker 3>Who like basically was rinko who didn't really like that

717
00:35:17.800 --> 00:35:20.840
<v Speaker 3>I talked to like this this guy friend of mine

718
00:35:20.840 --> 00:35:24.239
<v Speaker 3>as much as I did, and who was very interested

719
00:35:24.280 --> 00:35:27.920
<v Speaker 3>in him and would just like make the kind of

720
00:35:27.960 --> 00:35:30.360
<v Speaker 3>comments of like, well, like I guess it's fine because

721
00:35:30.400 --> 00:35:32.719
<v Speaker 3>like he doesn't really see you in that way, you know,

722
00:35:32.800 --> 00:35:35.400
<v Speaker 3>Like I know for a fact that like you know,

723
00:35:35.679 --> 00:35:38.079
<v Speaker 3>like you guys are really really close, but it's like

724
00:35:38.360 --> 00:35:40.400
<v Speaker 3>probably like a brother sister type thing, like doesn't see

725
00:35:40.440 --> 00:35:41.039
<v Speaker 3>you in that way.

726
00:35:41.199 --> 00:35:42.760
<v Speaker 2>It doesn't couldn't see you in that.

727
00:35:42.719 --> 00:35:46.719
<v Speaker 3>Way, or you know, well, you're just like very tomboyish.

728
00:35:46.760 --> 00:35:48.960
<v Speaker 3>He's somebody that they can like play video games with

729
00:35:49.039 --> 00:35:51.599
<v Speaker 3>because and like they feel relaxed with you because like

730
00:35:52.199 --> 00:35:52.760
<v Speaker 3>you're not.

731
00:35:54.199 --> 00:35:56.039
<v Speaker 2>You're not like that, you know what I mean.

732
00:35:56.119 --> 00:35:58.000
<v Speaker 3>And so it's like I dealt with kind of like

733
00:35:58.679 --> 00:36:02.679
<v Speaker 3>my own situation and where you kind of feel like

734
00:36:03.000 --> 00:36:08.639
<v Speaker 3>a bit ostracized because you aren't just one of the

735
00:36:08.679 --> 00:36:11.920
<v Speaker 3>guys you never will be. But at the same time,

736
00:36:12.960 --> 00:36:15.760
<v Speaker 3>like I don't know, you don't have that sense of community,

737
00:36:15.880 --> 00:36:18.840
<v Speaker 3>and it starts to like I said, starts to mess

738
00:36:18.880 --> 00:36:21.480
<v Speaker 3>with your brain, and so like it's cool that in

739
00:36:21.519 --> 00:36:24.760
<v Speaker 3>this psychological horror game it addresses the fact that that

740
00:36:24.800 --> 00:36:27.679
<v Speaker 3>shit messes with your brain and gives you a complex

741
00:36:27.719 --> 00:36:28.599
<v Speaker 3>and makes you so.

742
00:36:29.280 --> 00:36:33.519
<v Speaker 2>Unsure of like how do I presume? I don't know?

743
00:36:34.079 --> 00:36:36.599
<v Speaker 3>And I guess that's like, well, that's one big thing, right,

744
00:36:36.679 --> 00:36:39.199
<v Speaker 3>It's like this whole element of choice. Just I was

745
00:36:39.199 --> 00:36:41.199
<v Speaker 3>talking to a friend about this game and I joked,

746
00:36:41.239 --> 00:36:43.679
<v Speaker 3>I'm like, it's it's kind of like the video game

747
00:36:43.840 --> 00:36:48.039
<v Speaker 3>version of like Sylvia Plath's like fin tree thing, right.

748
00:36:47.880 --> 00:36:49.280
<v Speaker 2>Like there's so many options.

749
00:36:49.320 --> 00:36:52.199
<v Speaker 3>And I did a thing where even before I got

750
00:36:52.199 --> 00:36:54.480
<v Speaker 3>married or before I had a kid, like you do

751
00:36:54.559 --> 00:36:57.119
<v Speaker 3>the spiral of like am I doing this because I

752
00:36:57.159 --> 00:36:59.159
<v Speaker 3>want to? Or because it's like the next step and

753
00:36:59.199 --> 00:37:01.719
<v Speaker 3>what society deems is like the good thing to do?

754
00:37:02.199 --> 00:37:04.599
<v Speaker 3>Am I do? I? Am I sure that I want

755
00:37:04.599 --> 00:37:07.360
<v Speaker 3>to do this. I envision myself like in one life

756
00:37:07.639 --> 00:37:10.760
<v Speaker 3>getting away and like living in a city and being

757
00:37:11.320 --> 00:37:13.559
<v Speaker 3>you know, and having that whole life, and there's one

758
00:37:13.599 --> 00:37:16.239
<v Speaker 3>that's over here, and I feel like that's part of

759
00:37:16.280 --> 00:37:19.639
<v Speaker 3>what Hinico is going through is it's like I don't

760
00:37:19.679 --> 00:37:21.559
<v Speaker 3>want to get married. I don't want to lose this innocence,

761
00:37:21.599 --> 00:37:23.320
<v Speaker 3>but at the same time, I do kind of want

762
00:37:23.360 --> 00:37:25.599
<v Speaker 3>to get married. I do kind of want that companionship,

763
00:37:25.840 --> 00:37:27.960
<v Speaker 3>like that sounds kind of nice, and I could love somebody,

764
00:37:28.000 --> 00:37:30.440
<v Speaker 3>But at the same time, what if I'm being brainwashed

765
00:37:30.440 --> 00:37:32.400
<v Speaker 3>into just thinking that I need to love somebody and

766
00:37:32.400 --> 00:37:35.360
<v Speaker 3>that I want this And it's like that spiral that

767
00:37:35.400 --> 00:37:38.559
<v Speaker 3>we all, I think, go through and it's depicted so well.

768
00:37:38.800 --> 00:37:43.320
<v Speaker 1>Well, that's why I think it is so important how

769
00:37:43.400 --> 00:37:47.119
<v Speaker 1>this game has handled multiple playthroughs and multiple endings, because

770
00:37:47.159 --> 00:37:49.360
<v Speaker 1>I think that's exactly what it touches on, is that

771
00:37:49.400 --> 00:37:51.400
<v Speaker 1>you don't get the full story from the first play through,

772
00:37:51.440 --> 00:37:53.239
<v Speaker 1>but you also don't entirely know what's going on in

773
00:37:53.239 --> 00:37:56.119
<v Speaker 1>her head. You don't even really know like like the

774
00:37:56.199 --> 00:38:01.039
<v Speaker 1>extent of her battles with herself until you're three playthroughs,

775
00:38:01.239 --> 00:38:03.599
<v Speaker 1>and you really don't get like the full grasp of

776
00:38:03.639 --> 00:38:06.800
<v Speaker 1>every single problem she's facing and even having a solution

777
00:38:06.880 --> 00:38:10.280
<v Speaker 1>to those problems. It's very messy, but in like the

778
00:38:10.280 --> 00:38:12.840
<v Speaker 1>way that it feels like it should be the way that, Yeah,

779
00:38:13.079 --> 00:38:15.000
<v Speaker 1>like being part of yourself.

780
00:38:14.800 --> 00:38:18.719
<v Speaker 4>Is a traitor? Yeah, are you a traitor because you

781
00:38:18.800 --> 00:38:21.679
<v Speaker 4>are leaving your friends behind? Like you are killing your

782
00:38:21.719 --> 00:38:23.719
<v Speaker 4>friends to move on that?

783
00:38:23.920 --> 00:38:24.119
<v Speaker 1>Yeah?

784
00:38:24.119 --> 00:38:26.559
<v Speaker 4>Are you a traitor because you're leaving your childhood behind,

785
00:38:26.559 --> 00:38:28.719
<v Speaker 4>your family behind? Are you a traitor because you are

786
00:38:28.719 --> 00:38:30.800
<v Speaker 4>not doing what you believe you should do? You are

787
00:38:31.159 --> 00:38:33.199
<v Speaker 4>like bowing down to what other people think should do.

788
00:38:33.239 --> 00:38:35.280
<v Speaker 4>And so I Yeah, the traitor thing was the thing

789
00:38:35.320 --> 00:38:36.800
<v Speaker 4>that always like stuck out with me, and every time

790
00:38:36.840 --> 00:38:38.920
<v Speaker 4>I heard it it kind of took on a different meaning.

791
00:38:53.239 --> 00:38:55.800
<v Speaker 1>I've been trying. I wanted to talk about this, but

792
00:38:55.800 --> 00:38:57.639
<v Speaker 1>we keep getting off topic. But I think this is

793
00:38:57.679 --> 00:38:59.760
<v Speaker 1>the time to do it, and I do want We've

794
00:38:59.800 --> 00:39:03.280
<v Speaker 1>talked a lot about the like the ideas in which

795
00:39:03.280 --> 00:39:05.320
<v Speaker 1>you should be or how you should be viewed, and

796
00:39:05.360 --> 00:39:08.199
<v Speaker 1>obviously there's there's a lot of metaphor and everything, even

797
00:39:08.239 --> 00:39:09.599
<v Speaker 1>like all the way down to the menstrual thing is

798
00:39:09.639 --> 00:39:11.280
<v Speaker 1>like I didn't even think about the flowers. It was

799
00:39:11.280 --> 00:39:15.559
<v Speaker 1>when you said I was like, oh, duh. Clearly I

800
00:39:15.559 --> 00:39:19.559
<v Speaker 1>have never had a period, but I, uh, the It's

801
00:39:19.719 --> 00:39:22.760
<v Speaker 1>the one thing I really wanted to get both your

802
00:39:22.760 --> 00:39:26.599
<v Speaker 1>takes on was the use of medication, Like the idea

803
00:39:26.679 --> 00:39:29.480
<v Speaker 1>of like you, this thing is just given to the

804
00:39:29.519 --> 00:39:33.880
<v Speaker 1>player during the first playthrough, and it is so normalized. Yeah,

805
00:39:33.920 --> 00:39:36.760
<v Speaker 1>as just an item you take. You just that's what

806
00:39:36.840 --> 00:39:38.760
<v Speaker 1>you're giving. This is your health. This helps your health,

807
00:39:38.760 --> 00:39:41.079
<v Speaker 1>this helps you, it's your sanity, and that's it. And

808
00:39:41.440 --> 00:39:43.440
<v Speaker 1>as a player, you're just like like any other game,

809
00:39:43.519 --> 00:39:43.880
<v Speaker 1>you're just.

810
00:39:43.840 --> 00:39:45.519
<v Speaker 4>Oh, that's just the healing, healing.

811
00:39:45.320 --> 00:39:47.559
<v Speaker 1>Item you're you're gathering up. You're not really even thinking

812
00:39:47.639 --> 00:39:50.000
<v Speaker 1>about it until the very end of the game when

813
00:39:50.039 --> 00:39:56.360
<v Speaker 1>that item is completely recontextualized. Uh. And then poor Lucy play.

814
00:39:55.079 --> 00:39:59.280
<v Speaker 4>I'm an idiot and I've did my second play through and.

815
00:39:59.199 --> 00:39:59.840
<v Speaker 2>I'm taking him.

816
00:40:01.880 --> 00:40:05.519
<v Speaker 1>But I did kind of the I messaged just this,

817
00:40:06.559 --> 00:40:10.159
<v Speaker 1>but at first I was kind of like, to be

818
00:40:10.199 --> 00:40:13.400
<v Speaker 1>completely transparent, I don't take medication for I take medication

819
00:40:13.440 --> 00:40:15.320
<v Speaker 1>for other health reasons, but not for psychological or any

820
00:40:15.440 --> 00:40:18.199
<v Speaker 1>chemical kind of imbalanced reasons like that. So it was

821
00:40:18.360 --> 00:40:21.440
<v Speaker 1>hard for me to be like, is this a topic

822
00:40:21.519 --> 00:40:25.039
<v Speaker 1>that people will be okay with? Because I know everyone

823
00:40:25.079 --> 00:40:28.320
<v Speaker 1>has their own kind of viewpoint on this, and this

824
00:40:28.400 --> 00:40:32.079
<v Speaker 1>game at first made me sort of feel like her

825
00:40:32.159 --> 00:40:36.480
<v Speaker 1>problems are just being masked or solved quote unquote by

826
00:40:36.519 --> 00:40:39.000
<v Speaker 1>taking medication. But it wasn't until I really like thought

827
00:40:39.000 --> 00:40:40.519
<v Speaker 1>about I was like, no, no, no, no no. The point

828
00:40:40.639 --> 00:40:44.920
<v Speaker 1>I eventually took away is it's the it's the religious

829
00:40:44.920 --> 00:40:47.800
<v Speaker 1>thing you brought up with Carrie, where it's just you

830
00:40:47.880 --> 00:40:50.760
<v Speaker 1>are taking it's it's it's as if it can just

831
00:40:50.880 --> 00:40:55.440
<v Speaker 1>solve nineteen sixties Japan problems. Just take this medication. Just pray,

832
00:40:55.639 --> 00:40:58.239
<v Speaker 1>just pray, just pray, and it'll all be better. It'll

833
00:40:58.239 --> 00:41:00.239
<v Speaker 1>all be better. But anyways, I just want to to

834
00:41:00.239 --> 00:41:01.719
<v Speaker 1>open that up, and because always thought that was a

835
00:41:01.880 --> 00:41:04.480
<v Speaker 1>very intense topic that I don't know if I've seen

836
00:41:04.559 --> 00:41:09.519
<v Speaker 1>breached as eloquently or as maybe even controversially as Salen

837
00:41:09.559 --> 00:41:11.519
<v Speaker 1>hill f kind of does in that first playthrough.

838
00:41:12.280 --> 00:41:14.800
<v Speaker 3>Yeah, I think it's it's interesting and it's something that

839
00:41:14.840 --> 00:41:17.639
<v Speaker 3>gave me pause just because like I did take medication.

840
00:41:18.559 --> 00:41:22.039
<v Speaker 2>You know, I've I've been taking it for years and

841
00:41:22.119 --> 00:41:23.519
<v Speaker 2>years and years and years, and.

842
00:41:23.480 --> 00:41:25.800
<v Speaker 3>It helps me a lot, you know, Like, of course

843
00:41:25.840 --> 00:41:29.280
<v Speaker 3>you go through stuff that doesn't work, but you know,

844
00:41:29.320 --> 00:41:31.039
<v Speaker 3>you get to the end and like it helps me

845
00:41:31.119 --> 00:41:33.320
<v Speaker 3>a lot, and I love the fact that I found

846
00:41:33.360 --> 00:41:37.840
<v Speaker 3>something that works. But at the same time, I also

847
00:41:37.920 --> 00:41:41.320
<v Speaker 3>am like a like I definitely believe in the fact

848
00:41:41.360 --> 00:41:46.039
<v Speaker 3>that like medicine is yeah, you know what they say,

849
00:41:46.039 --> 00:41:47.320
<v Speaker 3>like why if you want to lose weight or if

850
00:41:47.400 --> 00:41:49.239
<v Speaker 3>you want to maintain or whatever. It's like diet is

851
00:41:49.280 --> 00:41:52.679
<v Speaker 3>eighty percent and exercises twenty percent. And I do think

852
00:41:52.760 --> 00:41:55.639
<v Speaker 3>that like like medication and therapy work the same way.

853
00:41:55.679 --> 00:41:58.079
<v Speaker 3>It's like medication is maybe the twenty percent of that

854
00:41:58.280 --> 00:41:59.880
<v Speaker 3>or maybe maybe it's more in that case, like a

855
00:42:00.079 --> 00:42:04.400
<v Speaker 3>thirty percent, But like all of the medication in the

856
00:42:04.400 --> 00:42:07.280
<v Speaker 3>world won't help you if like you don't have a

857
00:42:07.280 --> 00:42:10.000
<v Speaker 3>stable life at home, if you if you don't have

858
00:42:10.280 --> 00:42:12.480
<v Speaker 3>food or like the resources that you need, if you

859
00:42:12.480 --> 00:42:15.320
<v Speaker 3>don't have shelter, if you don't have anyone that you

860
00:42:15.360 --> 00:42:18.519
<v Speaker 3>can talk to, if you don't have like a stable

861
00:42:18.559 --> 00:42:19.920
<v Speaker 3>life at school, you know what I mean, Like, if

862
00:42:19.920 --> 00:42:22.800
<v Speaker 3>you don't have stability and protection and feel safe in

863
00:42:22.840 --> 00:42:27.440
<v Speaker 3>your own life, that's not gonna help you, you know.

864
00:42:27.639 --> 00:42:31.000
<v Speaker 3>And it's maybe to the slightest degree, right, but at

865
00:42:31.039 --> 00:42:32.599
<v Speaker 3>the end of the day, you're still going to have

866
00:42:32.639 --> 00:42:33.320
<v Speaker 3>those issues.

867
00:42:33.440 --> 00:42:35.719
<v Speaker 1>Ultimately, it's not going to solve societal problems.

868
00:42:36.079 --> 00:42:38.280
<v Speaker 3>Yeah, and especially like in the case of this right,

869
00:42:38.360 --> 00:42:41.119
<v Speaker 3>like it's not going to solve the patriarchy, Like you know,

870
00:42:41.440 --> 00:42:46.519
<v Speaker 3>it's not and you know, back in the nineteen sixties,

871
00:42:46.559 --> 00:42:49.639
<v Speaker 3>and like I'm I don't I don't know Japan's history,

872
00:42:49.719 --> 00:42:51.440
<v Speaker 3>Like I can't say this for sure, but it's like,

873
00:42:51.480 --> 00:42:55.239
<v Speaker 3>at least in US history at that point in the US,

874
00:42:55.480 --> 00:42:59.320
<v Speaker 3>they weren't even running medical trials for medicine on women

875
00:42:59.440 --> 00:43:01.480
<v Speaker 3>or people of color. It was strictly like white men

876
00:43:01.519 --> 00:43:03.960
<v Speaker 3>who were included in these trials. And it kind of

877
00:43:04.039 --> 00:43:06.159
<v Speaker 3>also like adds a little bit to the shoe thing

878
00:43:06.159 --> 00:43:10.159
<v Speaker 3>where it's like he doesn't really understand what he's messing

879
00:43:10.199 --> 00:43:11.760
<v Speaker 3>with when he just makes this for her to like

880
00:43:11.800 --> 00:43:12.880
<v Speaker 3>be like here, feel better.

881
00:43:14.760 --> 00:43:18.440
<v Speaker 2>And you know, it's I think.

882
00:43:18.480 --> 00:43:20.719
<v Speaker 3>Like I said, it ties in into not really understanding

883
00:43:20.719 --> 00:43:23.920
<v Speaker 3>the medicine and not really understanding women and not necessarily

884
00:43:24.000 --> 00:43:29.119
<v Speaker 3>caring to and that being the larger issue, and it

885
00:43:29.159 --> 00:43:31.599
<v Speaker 3>approaches it and it's it's kind of like a dangerous

886
00:43:31.639 --> 00:43:33.480
<v Speaker 3>thing to approach a little bit, you know, And.

887
00:43:33.679 --> 00:43:35.960
<v Speaker 1>I mean even even even even trying to bring it up.

888
00:43:36.000 --> 00:43:38.320
<v Speaker 1>I want to be like very sensitive of it because yeah,

889
00:43:38.440 --> 00:43:40.719
<v Speaker 1>just seeing those like I don't know how I'm interpreting

890
00:43:40.719 --> 00:43:42.920
<v Speaker 1>this right now, Like I'm not really sure what this game.

891
00:43:43.599 --> 00:43:45.840
<v Speaker 1>On a first play through, I was not entirely sure

892
00:43:45.840 --> 00:43:47.719
<v Speaker 1>where the game was trying to tell me. And that's

893
00:43:47.760 --> 00:43:49.320
<v Speaker 1>not that's not a criticism of the game. It was

894
00:43:49.360 --> 00:43:51.239
<v Speaker 1>just me being like, this just feels like something I

895
00:43:51.320 --> 00:43:54.239
<v Speaker 1>may not be equipped to really be able to talk about,

896
00:43:54.920 --> 00:43:57.960
<v Speaker 1>which is why I was like, hey, just did you

897
00:43:58.119 --> 00:44:00.639
<v Speaker 1>feel about that? I'm kind of just to gauge and

898
00:44:00.719 --> 00:44:03.239
<v Speaker 1>see maybe help me out a bit.

899
00:44:03.480 --> 00:44:07.559
<v Speaker 4>So yeah, I mean because is it is it a

900
00:44:07.599 --> 00:44:11.760
<v Speaker 4>commentary on antidepressants and ant anxiety or is it a

901
00:44:11.800 --> 00:44:15.039
<v Speaker 4>commentary on masking everything else with other kinds of other

902
00:44:15.119 --> 00:44:17.800
<v Speaker 4>kind of substance abuse, you know. And then you have

903
00:44:17.840 --> 00:44:21.320
<v Speaker 4>the one situation, which in first play through is when

904
00:44:21.320 --> 00:44:24.239
<v Speaker 4>she just takes a bunch and then.

905
00:44:24.800 --> 00:44:25.559
<v Speaker 1>Beats the boss.

906
00:44:26.159 --> 00:44:30.920
<v Speaker 4>Beats the boss, goes to a wedding and kills everyone

907
00:44:31.000 --> 00:44:32.719
<v Speaker 4>and kills everyone there.

908
00:44:32.920 --> 00:44:36.559
<v Speaker 3>And it's interesting too because throughout the game, like one

909
00:44:36.559 --> 00:44:39.159
<v Speaker 3>of the first like optional areas that you can go

910
00:44:39.199 --> 00:44:41.599
<v Speaker 3>to when the map opens up a teeny bit and

911
00:44:41.639 --> 00:44:44.519
<v Speaker 3>like I don't like the second chapter I guess loosely,

912
00:44:44.679 --> 00:44:49.000
<v Speaker 3>or third it's before you go to Rinko's house, and

913
00:44:49.039 --> 00:44:51.199
<v Speaker 3>so like the corn fields are open or I guess

914
00:44:51.199 --> 00:44:51.880
<v Speaker 3>the rice patties.

915
00:44:51.880 --> 00:44:52.280
<v Speaker 2>I'm not sure.

916
00:44:52.280 --> 00:44:54.480
<v Speaker 3>I don't remember what they are. But the fields are open,

917
00:44:54.519 --> 00:44:57.239
<v Speaker 3>and you can go to that doctor's house, and.

918
00:44:57.880 --> 00:45:01.239
<v Speaker 1>That house is a lot feel like I have not

919
00:45:01.519 --> 00:45:04.920
<v Speaker 1>entirely unpacked what the hell is happening in that scene?

920
00:45:05.079 --> 00:45:06.440
<v Speaker 1>But I'm sorry, Jess, I won't interrupt.

921
00:45:06.719 --> 00:45:08.920
<v Speaker 3>No, no, no, you're totally right, though, I still don't

922
00:45:09.000 --> 00:45:09.960
<v Speaker 3>understand the eyeballs.

923
00:45:11.079 --> 00:45:12.599
<v Speaker 4>It's the eyeballs. Did I get this?

924
00:45:12.880 --> 00:45:13.239
<v Speaker 1>Did you not?

925
00:45:13.400 --> 00:45:15.400
<v Speaker 4>Did you go to the doctor's house, Yeah, right next

926
00:45:15.440 --> 00:45:18.000
<v Speaker 4>to the rice field before I went to uh Ko's.

927
00:45:18.920 --> 00:45:21.000
<v Speaker 1>Did you open the little box inside of his office?

928
00:45:21.840 --> 00:45:25.760
<v Speaker 4>No, no, because when I went it was locked, so

929
00:45:25.800 --> 00:45:26.719
<v Speaker 4>you could still open it.

930
00:45:27.159 --> 00:45:29.440
<v Speaker 1>There's a box you can open. There's a key in

931
00:45:29.480 --> 00:45:29.920
<v Speaker 1>that house.

932
00:45:30.119 --> 00:45:31.159
<v Speaker 4>Oh okay, I missed that.

933
00:45:31.320 --> 00:45:33.039
<v Speaker 1>Yeah, see I like that. I like that you saw.

934
00:45:33.079 --> 00:45:35.280
<v Speaker 1>But anyways, when you when you unlock it, yeah, it's

935
00:45:35.320 --> 00:45:37.400
<v Speaker 1>just like a medical's box and the very top of

936
00:45:37.440 --> 00:45:40.920
<v Speaker 1>it is just filled with human eyeballs. Yeah, and then

937
00:45:40.960 --> 00:45:44.639
<v Speaker 1>of course upstairs is the woman, whereas the mannequin body

938
00:45:44.960 --> 00:45:47.880
<v Speaker 1>that's just kind of chilling in this room. And it's

939
00:45:47.960 --> 00:45:54.760
<v Speaker 1>just like there's a lot there's like four narratives I

940
00:45:54.760 --> 00:45:56.960
<v Speaker 1>feel like that are happening alongside this game. There's like

941
00:45:57.000 --> 00:46:00.760
<v Speaker 1>the doctor's house. There's also the shack in the woods.

942
00:46:00.760 --> 00:46:01.559
<v Speaker 1>Did you find that.

943
00:46:01.559 --> 00:46:04.119
<v Speaker 4>Jess oh, the sanctuary.

944
00:46:03.719 --> 00:46:05.280
<v Speaker 1>Well with all the with all the dead bodies.

945
00:46:06.000 --> 00:46:08.440
<v Speaker 4>So in the second place I found the note where

946
00:46:08.440 --> 00:46:10.360
<v Speaker 4>it was like I need yes.

947
00:46:10.480 --> 00:46:14.639
<v Speaker 1>Yeah, So there's all these other like five different narratives

948
00:46:14.639 --> 00:46:18.039
<v Speaker 1>that are happening alongside of where you're like what is this?

949
00:46:18.159 --> 00:46:18.320
<v Speaker 3>Is it?

950
00:46:18.800 --> 00:46:22.800
<v Speaker 4>This town is vice principle just like Godden Yep, he

951
00:46:22.960 --> 00:46:23.800
<v Speaker 4>just likes gardening.

952
00:46:23.800 --> 00:46:26.360
<v Speaker 1>And that's of course where you lost keys. Yeah where was.

953
00:46:26.599 --> 00:46:28.440
<v Speaker 3>Yeah, because I didn't even think about because I was

954
00:46:28.440 --> 00:46:30.079
<v Speaker 3>going to say, like there's this back and forth with

955
00:46:30.119 --> 00:46:32.119
<v Speaker 3>like the doctors and some of the journals you find,

956
00:46:32.159 --> 00:46:33.960
<v Speaker 3>and then people who live in the town who are

957
00:46:34.000 --> 00:46:37.400
<v Speaker 3>like very big on natural medicine, like Shoes family, they

958
00:46:37.480 --> 00:46:39.400
<v Speaker 3>run the apothecary, and so like.

959
00:46:39.719 --> 00:46:41.559
<v Speaker 2>There's an interesting.

960
00:46:42.599 --> 00:46:47.079
<v Speaker 3>Conversation about like kind of the meeting and this is

961
00:46:47.119 --> 00:46:50.440
<v Speaker 3>something whenever I interviewed the creators like a couple of

962
00:46:50.480 --> 00:46:52.800
<v Speaker 3>months ago, they said they chose the nineteen sixties because,

963
00:46:52.800 --> 00:46:53.840
<v Speaker 3>at least in Japan, it.

964
00:46:53.800 --> 00:46:55.639
<v Speaker 2>Felt like the era that.

965
00:46:57.239 --> 00:47:00.920
<v Speaker 3>Was closest to like the Japan of the of the past,

966
00:47:00.960 --> 00:47:02.920
<v Speaker 3>where it was like there was more focus on tradition

967
00:47:03.079 --> 00:47:08.920
<v Speaker 3>and mythology and and religion and tradition. And now Japan,

968
00:47:08.960 --> 00:47:11.239
<v Speaker 3>of course like still has that, but it's there's it's

969
00:47:11.280 --> 00:47:14.800
<v Speaker 3>a lot more modern, and it's a lot more scientific,

970
00:47:14.880 --> 00:47:16.760
<v Speaker 3>and I think that that was like where they wanted

971
00:47:16.760 --> 00:47:19.079
<v Speaker 3>to explore, is like the meeting point of like the

972
00:47:19.119 --> 00:47:21.960
<v Speaker 3>traditional and like the new and scientific, and you can

973
00:47:22.039 --> 00:47:25.360
<v Speaker 3>kind of see that it's not like the predominant conversation,

974
00:47:25.840 --> 00:47:27.920
<v Speaker 3>but similar to how like Kinko is going through this

975
00:47:28.039 --> 00:47:31.920
<v Speaker 3>like awkward age transformation, like kind of the country is too,

976
00:47:32.400 --> 00:47:34.960
<v Speaker 3>and like that's reflected even in like what the women

977
00:47:35.119 --> 00:47:35.800
<v Speaker 3>character wants.

978
00:47:36.880 --> 00:47:39.119
<v Speaker 4>Oh, I mean, even the fact that the shrines are

979
00:47:39.159 --> 00:47:43.039
<v Speaker 4>falling into disrepair and people are ignoring them. But then

980
00:47:43.079 --> 00:47:45.480
<v Speaker 4>you have this shiny candy store in the middle of

981
00:47:45.519 --> 00:47:48.199
<v Speaker 4>town that felt so at odds with everything else that

982
00:47:48.320 --> 00:47:51.039
<v Speaker 4>was so traditional. As you're walking around and then there

983
00:47:51.039 --> 00:47:53.960
<v Speaker 4>are these bright colors that just looked so out of place.

984
00:47:54.239 --> 00:47:57.159
<v Speaker 1>All the shrines are just smashed into small little corners

985
00:47:57.199 --> 00:48:01.280
<v Speaker 1>and like little alleyways, and all that the the I

986
00:48:01.320 --> 00:48:02.760
<v Speaker 1>want to go. I want to move a little bit

987
00:48:02.760 --> 00:48:09.239
<v Speaker 1>into the actual endings or ending, should we say. I'm

988
00:48:09.280 --> 00:48:11.440
<v Speaker 1>going to do my best to try not spoiler spoil

989
00:48:11.559 --> 00:48:14.360
<v Speaker 1>other Silent Hell games for you, Lucy by saying this.

990
00:48:14.280 --> 00:48:15.920
<v Speaker 4>Thank you, because I really do you want to play too.

991
00:48:16.159 --> 00:48:20.119
<v Speaker 1>But I said this the jests and basically if you

992
00:48:20.199 --> 00:48:22.400
<v Speaker 1>were if you're at all familiar with the sound Hill games,

993
00:48:22.639 --> 00:48:26.360
<v Speaker 1>they all have like a ton of endings, right, and

994
00:48:26.400 --> 00:48:31.800
<v Speaker 1>in most cases the first ending is never really the thing,

995
00:48:33.599 --> 00:48:37.079
<v Speaker 1>but most you can basically get down to the bottom

996
00:48:37.199 --> 00:48:39.639
<v Speaker 1>of what happened in those games. There is always there's

997
00:48:39.719 --> 00:48:42.519
<v Speaker 1>usually always like this thing happened in Silent Hill too,

998
00:48:42.559 --> 00:48:46.559
<v Speaker 1>and I know it happened because of this ending. This

999
00:48:46.639 --> 00:48:49.639
<v Speaker 1>is the first sound Hill game where I'm not actually

1000
00:48:49.639 --> 00:48:54.519
<v Speaker 1>convinced the game had an ending at all, because every

1001
00:48:54.679 --> 00:48:59.280
<v Speaker 1>ending feels like its own scenario that could have happened.

1002
00:48:59.480 --> 00:49:01.679
<v Speaker 1>That could be the case, but none of them are

1003
00:49:01.679 --> 00:49:05.920
<v Speaker 1>definitive tree it's the victory, and of course the final

1004
00:49:06.039 --> 00:49:10.679
<v Speaker 1>ending does feel like the good ending, but even then

1005
00:49:11.039 --> 00:49:14.519
<v Speaker 1>it still feels like a fairy tale wonderland. Yeah, So

1006
00:49:14.719 --> 00:49:18.880
<v Speaker 1>basically to explain, I'm sure, so ending one ending one

1007
00:49:19.679 --> 00:49:21.360
<v Speaker 1>she you tell me what she did.

1008
00:49:22.760 --> 00:49:26.840
<v Speaker 4>Becomes the wolf girl fox is.

1009
00:49:26.960 --> 00:49:28.960
<v Speaker 1>So the ending of the first one is she killed

1010
00:49:29.000 --> 00:49:29.719
<v Speaker 1>people at her wedding.

1011
00:49:29.760 --> 00:49:31.719
<v Speaker 4>She kills people at her wedding, she like takes a

1012
00:49:31.760 --> 00:49:32.840
<v Speaker 4>bunch of those drugs, and.

1013
00:49:32.800 --> 00:49:34.880
<v Speaker 1>Then it establishes she's not sixteen at all.

1014
00:49:35.039 --> 00:49:40.039
<v Speaker 4>Yeah, she's actually twenty and it's her wedding and she.

1015
00:49:40.039 --> 00:49:40.719
<v Speaker 1>Killed them with a knife.

1016
00:49:40.760 --> 00:49:43.000
<v Speaker 4>Kills them with a knife. And then so that's like

1017
00:49:43.119 --> 00:49:47.159
<v Speaker 4>recontentionalizing the you know, her father attacks her with the knife.

1018
00:49:47.199 --> 00:49:48.000
<v Speaker 4>Did that actually happen?

1019
00:49:49.880 --> 00:49:52.039
<v Speaker 3>And it's like the world that she's in, it's almost

1020
00:49:52.119 --> 00:49:54.880
<v Speaker 3>kind of like she's just imagining it, Like it's just psychosis.

1021
00:49:54.920 --> 00:49:56.960
<v Speaker 3>So it's not like there's any sort of flashback type thing.

1022
00:49:57.000 --> 00:50:01.480
<v Speaker 3>It's like literally she's inhabiting this world. But like and

1023
00:50:01.760 --> 00:50:03.599
<v Speaker 3>at towards the end, it's like you start hearing like

1024
00:50:03.639 --> 00:50:04.920
<v Speaker 3>people being like, wholl what's wrong with you?

1025
00:50:04.920 --> 00:50:05.400
<v Speaker 2>What's wrong with you?

1026
00:50:05.440 --> 00:50:08.719
<v Speaker 3>Is you're like running through the town because it's kind

1027
00:50:08.760 --> 00:50:11.039
<v Speaker 3>of breaking, And then yeah, you see police lights. You

1028
00:50:11.039 --> 00:50:12.920
<v Speaker 3>hear that a woman was getting married today and it's

1029
00:50:13.000 --> 00:50:14.760
<v Speaker 3>just like mass murdering her friends and family.

1030
00:50:14.840 --> 00:50:17.199
<v Speaker 1>Yeah, she's she's trapped in this version of herself, which

1031
00:50:17.239 --> 00:50:18.760
<v Speaker 1>is probably what you were referring to earlier, like the

1032
00:50:18.800 --> 00:50:22.000
<v Speaker 1>last point in which she was before turning into adulthood.

1033
00:50:22.039 --> 00:50:24.199
<v Speaker 1>So she's trapped in the sixteen year old body and

1034
00:50:24.239 --> 00:50:25.800
<v Speaker 1>then she kills all friends.

1035
00:50:26.440 --> 00:50:28.119
<v Speaker 3>Well, it just kind of shows you too, Like it

1036
00:50:28.159 --> 00:50:30.440
<v Speaker 3>ties into that medicine thing we talked about right where

1037
00:50:30.440 --> 00:50:32.559
<v Speaker 3>it's like, this is the Hinoko who was just like

1038
00:50:32.679 --> 00:50:35.760
<v Speaker 3>abusing medication for years and years and years and was

1039
00:50:36.079 --> 00:50:39.840
<v Speaker 3>getting married despite not wanting to, and was following all

1040
00:50:39.840 --> 00:50:42.679
<v Speaker 3>of these rules despite not wanting to, had completely lost

1041
00:50:42.679 --> 00:50:45.920
<v Speaker 3>her freedom and like just snapped, you know, like she

1042
00:50:46.079 --> 00:50:48.760
<v Speaker 3>finally just like lost it because she repressed so much

1043
00:50:48.760 --> 00:50:52.159
<v Speaker 3>of herself that she just didn't feel like she just

1044
00:50:52.199 --> 00:50:54.400
<v Speaker 3>associated and just kind of it's kind of Lucy kind

1045
00:50:54.440 --> 00:50:56.280
<v Speaker 3>of almost nailed it when she said what she thought

1046
00:50:56.320 --> 00:51:00.480
<v Speaker 3>was going on, Like basically like she was putting up

1047
00:51:00.480 --> 00:51:02.760
<v Speaker 3>with so much for so long until she just couldn't

1048
00:51:02.800 --> 00:51:04.519
<v Speaker 3>and she had to invent you know.

1049
00:51:04.480 --> 00:51:07.440
<v Speaker 2>Some other person, some other reality.

1050
00:51:07.079 --> 00:51:09.639
<v Speaker 1>To make and then we had the second or at

1051
00:51:09.679 --> 00:51:12.360
<v Speaker 1>least the second ending. You can unlock them in two

1052
00:51:12.360 --> 00:51:16.119
<v Speaker 1>different orders. For this one, I'll do the Fox's wedding,

1053
00:51:16.119 --> 00:51:18.519
<v Speaker 1>which is the one I got, which I think is

1054
00:51:18.519 --> 00:51:21.320
<v Speaker 1>the third ending. I got the second ending you got Jess,

1055
00:51:22.320 --> 00:51:24.199
<v Speaker 1>And in order to do this, you don't take red capsules.

1056
00:51:24.239 --> 00:51:24.880
<v Speaker 4>Don't take them.

1057
00:51:27.079 --> 00:51:31.280
<v Speaker 1>So in the Fox's Wedding, I would say, this is

1058
00:51:31.320 --> 00:51:36.559
<v Speaker 1>where she still kind of Shoe steps in with the

1059
00:51:36.599 --> 00:51:39.159
<v Speaker 1>baseball bet yes, and it's like you're marrying the wrong

1060
00:51:39.239 --> 00:51:42.440
<v Speaker 1>guy for the wrong reasons. But in this ending, she

1061
00:51:42.679 --> 00:51:45.880
<v Speaker 1>kind of seems acceptant of her fate, which is why

1062
00:51:45.920 --> 00:51:48.719
<v Speaker 1>she's like the full Fox basically like Fox arm Fox

1063
00:51:48.760 --> 00:51:53.679
<v Speaker 1>mask and defends Fox mask Man and then fights Shoe,

1064
00:51:53.760 --> 00:51:59.719
<v Speaker 1>which I think is an amazing fight. So and at

1065
00:51:59.719 --> 00:52:02.800
<v Speaker 1>the end of that they have their fist bump moment.

1066
00:52:03.159 --> 00:52:05.639
<v Speaker 4>They when talk about her and she even.

1067
00:52:05.519 --> 00:52:06.719
<v Speaker 1>Said trade her off.

1068
00:52:06.800 --> 00:52:09.880
<v Speaker 4>Yeah, they she she was like, look, I know her,

1069
00:52:10.199 --> 00:52:11.480
<v Speaker 4>you know I won't es best for her if you

1070
00:52:11.559 --> 00:52:14.239
<v Speaker 4>hurt her. I'll do this with this Fox Basket is like, no,

1071
00:52:14.440 --> 00:52:17.360
<v Speaker 4>don't you know I've fought for her love and I'm

1072
00:52:17.400 --> 00:52:19.679
<v Speaker 4>gonna make it whatever. And they're having this little bro moment,

1073
00:52:19.880 --> 00:52:23.960
<v Speaker 4>and she's standing behind both of them, crucially not at

1074
00:52:23.960 --> 00:52:26.840
<v Speaker 4>the same level. She she says, don't treat me like

1075
00:52:26.840 --> 00:52:27.320
<v Speaker 4>an object.

1076
00:52:27.920 --> 00:52:32.079
<v Speaker 1>They basically ignore and they're ignoring it. And so yeah,

1077
00:52:32.239 --> 00:52:34.360
<v Speaker 1>and then that ends with the great face her face

1078
00:52:34.559 --> 00:52:36.559
<v Speaker 1>is cut off and it's like, I don't want to

1079
00:52:36.559 --> 00:52:39.320
<v Speaker 1>be like my mother, and then the thing is like, amazing.

1080
00:52:39.480 --> 00:52:41.840
<v Speaker 1>So that's the other ending. That's the one you that's

1081
00:52:41.840 --> 00:52:44.400
<v Speaker 1>the second one you got, right, yeah.

1082
00:52:43.719 --> 00:52:45.599
<v Speaker 3>Yeah, that's the second one I got. And it's like

1083
00:52:45.679 --> 00:52:47.840
<v Speaker 3>at the first it's so funny because like that one

1084
00:52:47.960 --> 00:52:50.880
<v Speaker 3>ends kind of in a nice way, and then like

1085
00:52:51.039 --> 00:52:52.760
<v Speaker 3>the rest of the credits roll and then you get

1086
00:52:52.760 --> 00:52:54.920
<v Speaker 3>that scene and at first I was like, oh shit,

1087
00:52:55.119 --> 00:52:57.199
<v Speaker 3>Like I feel like I feel bad now because that

1088
00:52:57.239 --> 00:52:58.280
<v Speaker 3>wasn't that wasn't good.

1089
00:52:58.639 --> 00:52:59.599
<v Speaker 4>But it's the same.

1090
00:53:01.039 --> 00:53:05.000
<v Speaker 3>As someone who has had a very complicated relationship with

1091
00:53:05.199 --> 00:53:08.079
<v Speaker 3>her mother and who took all of those fears and

1092
00:53:08.159 --> 00:53:11.800
<v Speaker 3>a lot of baggage into her relationships and to even

1093
00:53:11.840 --> 00:53:15.199
<v Speaker 3>like being a mom and stuff. I'm like, I kind

1094
00:53:15.199 --> 00:53:18.599
<v Speaker 3>of don't hate it because realistically, like that fear is

1095
00:53:18.880 --> 00:53:21.400
<v Speaker 3>always kind of there, and it's like you can kind

1096
00:53:21.400 --> 00:53:23.599
<v Speaker 3>of neatly wrap the experience in a bow and say,

1097
00:53:23.639 --> 00:53:26.639
<v Speaker 3>like she's happy it all worked out, but like that

1098
00:53:26.679 --> 00:53:29.119
<v Speaker 3>stuff sticks with you, like she probably does have that

1099
00:53:29.159 --> 00:53:30.800
<v Speaker 3>fear and we will have that fear for the rest of

1100
00:53:30.800 --> 00:53:32.800
<v Speaker 3>her life, you know, like she had a mom who

1101
00:53:32.840 --> 00:53:34.960
<v Speaker 3>didn't stick up to her and like kind of failed

1102
00:53:34.960 --> 00:53:36.920
<v Speaker 3>her as a parent, and a dad was abusive and

1103
00:53:36.960 --> 00:53:37.679
<v Speaker 3>an alcoholic.

1104
00:53:38.920 --> 00:53:43.320
<v Speaker 1>And then uh, we have a third ending where she

1105
00:53:43.519 --> 00:53:47.039
<v Speaker 1>fights the fox and runs away with shoe, which has

1106
00:53:47.079 --> 00:53:51.079
<v Speaker 1>the weirdest post credit scene, which was where it has

1107
00:53:51.119 --> 00:53:53.519
<v Speaker 1>a radio message that like people are being.

1108
00:53:53.639 --> 00:53:56.280
<v Speaker 4>Oh evacuated because of a poison gases.

1109
00:53:56.480 --> 00:53:59.599
<v Speaker 1>Yeah, which I was informed is apparently a theme that

1110
00:53:59.719 --> 00:54:03.519
<v Speaker 1>Right has in his other games because of the history

1111
00:54:03.599 --> 00:54:07.639
<v Speaker 1>Japan has had with chemical spills and like things that

1112
00:54:07.760 --> 00:54:12.519
<v Speaker 1>have been caused basically by the government poisoning water and

1113
00:54:12.559 --> 00:54:15.360
<v Speaker 1>doing nothing about it. So that has like the weirdest like.

1114
00:54:15.519 --> 00:54:17.360
<v Speaker 4>They get away, but then there's this other thing about

1115
00:54:17.360 --> 00:54:20.800
<v Speaker 4>that dream induced by poison gas.

1116
00:54:20.920 --> 00:54:23.400
<v Speaker 1>Yeah, that also is a great I also love the

1117
00:54:23.440 --> 00:54:26.039
<v Speaker 1>part in that ending when she was like you look

1118
00:54:26.119 --> 00:54:28.599
<v Speaker 1>ridiculous in that and she's like, well you like like

1119
00:54:28.599 --> 00:54:30.199
<v Speaker 1>look at you, You're wearing a tie. But of course

1120
00:54:30.199 --> 00:54:34.519
<v Speaker 1>they're just sixteen year olds in the vision. So and

1121
00:54:34.559 --> 00:54:37.599
<v Speaker 1>then again is that the real one? Is that what happened?

1122
00:54:37.880 --> 00:54:38.719
<v Speaker 4>Or is it number four?

1123
00:54:39.760 --> 00:54:40.519
<v Speaker 2>I think like that.

1124
00:54:41.760 --> 00:54:43.920
<v Speaker 3>I say that ending I think is like the most grounded,

1125
00:54:44.000 --> 00:54:45.840
<v Speaker 3>But I think that the fourth ending is my favorite.

1126
00:54:45.960 --> 00:54:47.639
<v Speaker 1>Well that's the thing. I thought the shoe one was

1127
00:54:47.679 --> 00:54:50.000
<v Speaker 1>the fairy tale ending, and then the fourth one happened.

1128
00:54:50.000 --> 00:54:53.599
<v Speaker 1>I was like, I don't fucking know, because in that ending,

1129
00:54:54.480 --> 00:54:55.840
<v Speaker 1>everyone kind of gets what they want.

1130
00:54:56.119 --> 00:54:58.239
<v Speaker 4>Like she, I mean, no one's in the town.

1131
00:54:58.079 --> 00:55:02.480
<v Speaker 1>And she's just with herself, still in her sixteen year

1132
00:55:02.480 --> 00:55:04.119
<v Speaker 1>old self, but with her other self.

1133
00:55:04.639 --> 00:55:08.760
<v Speaker 4>She's accepting, you know, her childhood, the fact that she's

1134
00:55:08.800 --> 00:55:11.519
<v Speaker 4>becoming an adult and she doesn't have to deal with

1135
00:55:11.599 --> 00:55:14.199
<v Speaker 4>anyone else's shit, and no one else is in that

1136
00:55:14.519 --> 00:55:15.199
<v Speaker 4>down It's.

1137
00:55:15.079 --> 00:55:17.599
<v Speaker 1>Like maybe we'll maybe one day we'll we'll get back

1138
00:55:17.599 --> 00:55:20.000
<v Speaker 1>together and make her own choice to get married. Do

1139
00:55:20.000 --> 00:55:22.719
<v Speaker 1>wudn't believe it. I was having candy with kids, I

1140
00:55:22.760 --> 00:55:26.280
<v Speaker 1>was experiencing childhood, and it was one of those things

1141
00:55:26.320 --> 00:55:28.840
<v Speaker 1>where I was like, this is the good ending. But

1142
00:55:28.960 --> 00:55:32.000
<v Speaker 1>then I kind of I don't know what the fuck

1143
00:55:32.119 --> 00:55:36.119
<v Speaker 1>happened or what really happened, which is great, which is

1144
00:55:36.159 --> 00:55:39.599
<v Speaker 1>exactly what I want. So, yeah, I'm gonna put it

1145
00:55:39.599 --> 00:55:42.199
<v Speaker 1>to you, jess what do you think happened?

1146
00:55:43.599 --> 00:55:44.519
<v Speaker 2>What do I think? See?

1147
00:55:44.519 --> 00:55:47.159
<v Speaker 3>I think that the point though, is that any one

1148
00:55:47.199 --> 00:55:52.239
<v Speaker 3>of them could, you know, And it's like, ultimately we're

1149
00:55:52.239 --> 00:55:55.400
<v Speaker 3>making these choices as players, and obviously like Hinoko is

1150
00:55:55.599 --> 00:55:57.760
<v Speaker 3>not a real person, right, But I think that at

1151
00:55:57.800 --> 00:56:00.480
<v Speaker 3>the same time, like there's almost kind of like this

1152
00:56:01.519 --> 00:56:04.360
<v Speaker 3>maybe meta narrative there of like well, like these are

1153
00:56:04.360 --> 00:56:06.159
<v Speaker 3>all the things that could happen, and maybe there's like

1154
00:56:06.199 --> 00:56:09.119
<v Speaker 3>a million other things that could happen too, and ultimately,

1155
00:56:09.280 --> 00:56:11.400
<v Speaker 3>like she's gonna write her own fate, you know, and

1156
00:56:11.440 --> 00:56:14.159
<v Speaker 3>it's just kind of like a glimpse at these possibilities.

1157
00:56:15.519 --> 00:56:15.800
<v Speaker 1>Yeah.

1158
00:56:15.880 --> 00:56:20.000
<v Speaker 4>I like that is because they're also they're all kind

1159
00:56:20.000 --> 00:56:22.280
<v Speaker 4>of a little messy in their own way. There is

1160
00:56:22.360 --> 00:56:25.719
<v Speaker 4>no perfect good outcome, and I think that is very

1161
00:56:26.639 --> 00:56:28.519
<v Speaker 4>true to life, like you never are going to get

1162
00:56:28.559 --> 00:56:33.599
<v Speaker 4>everything that you want. So I like Jessic's interpretation where

1163
00:56:33.639 --> 00:56:34.239
<v Speaker 4>these are just.

1164
00:56:35.280 --> 00:56:37.639
<v Speaker 1>Could have Yes, Yeah, that's how I took it. It

1165
00:56:37.679 --> 00:56:40.719
<v Speaker 1>was just the interpretation of what could happen to in

1166
00:56:40.760 --> 00:56:44.400
<v Speaker 1>any one case scenario of a person. Just it's the

1167
00:56:44.440 --> 00:56:45.960
<v Speaker 1>thing that I think this makes this game so good,

1168
00:56:45.960 --> 00:56:47.800
<v Speaker 1>even more so than other Soundhill games, is that it

1169
00:56:47.880 --> 00:56:50.440
<v Speaker 1>is a just sort of like it's not like it's

1170
00:56:50.440 --> 00:56:54.320
<v Speaker 1>a psychological horror where this you can explain things and

1171
00:56:54.360 --> 00:56:56.760
<v Speaker 1>there's deep lore and explanations for X, Y, and Z.

1172
00:56:56.840 --> 00:56:58.639
<v Speaker 1>Although they did connect this game to the other games,

1173
00:56:58.679 --> 00:57:01.840
<v Speaker 1>which I'm a little whatever about because I'm not a

1174
00:57:01.880 --> 00:57:07.320
<v Speaker 1>lower person. But it is the case in which it's

1175
00:57:07.360 --> 00:57:10.719
<v Speaker 1>not really anything happened. It's just like, this is the

1176
00:57:10.800 --> 00:57:13.280
<v Speaker 1>horror kind of spiral in which a person can go

1177
00:57:13.360 --> 00:57:17.599
<v Speaker 1>through when grappling with versions of themselves, expectations upon themselves,

1178
00:57:17.679 --> 00:57:21.320
<v Speaker 1>expectations of others, and what that means, how it affects

1179
00:57:21.400 --> 00:57:22.960
<v Speaker 1>you in your life and stuff like that.

1180
00:57:23.079 --> 00:57:26.000
<v Speaker 4>So, oh, you know what we didn't talk about what

1181
00:57:26.320 --> 00:57:27.480
<v Speaker 4>the other missing girl.

1182
00:57:28.000 --> 00:57:30.800
<v Speaker 1>Oh that I kind of was referring to that with

1183
00:57:30.800 --> 00:57:32.000
<v Speaker 1>the four other plot lines.

1184
00:57:32.159 --> 00:57:34.360
<v Speaker 4>Yeah, yeah, because that was one that I was like

1185
00:57:34.400 --> 00:57:36.280
<v Speaker 4>every time I found a note about her or the

1186
00:57:36.360 --> 00:57:38.119
<v Speaker 4>ripped thing on the noticeboard.

1187
00:57:38.960 --> 00:57:42.519
<v Speaker 1>That is one that I'm looking forward to the Internet solving. Right,

1188
00:57:42.880 --> 00:57:43.400
<v Speaker 1>There's a.

1189
00:57:43.320 --> 00:57:45.119
<v Speaker 3>Few things that are like that, where like, even when

1190
00:57:45.119 --> 00:57:47.400
<v Speaker 3>I was playing it, and I was like very intentionally

1191
00:57:47.480 --> 00:57:50.239
<v Speaker 3>like trying to like dig in, right, So I'm doing

1192
00:57:50.320 --> 00:57:52.679
<v Speaker 3>this review and I even wrote and I kind of

1193
00:57:52.719 --> 00:57:54.159
<v Speaker 3>agree with you, Kurt, like I wasn't.

1194
00:57:54.480 --> 00:57:55.199
<v Speaker 2>I wasn't one of those.

1195
00:57:55.079 --> 00:57:56.480
<v Speaker 3>People was like, how are they going to tie it

1196
00:57:56.480 --> 00:57:58.320
<v Speaker 3>to the other games? This isn't a real Silent Hill

1197
00:57:58.320 --> 00:58:01.039
<v Speaker 3>because I think that that's silly.

1198
00:58:01.079 --> 00:58:03.079
<v Speaker 2>But I'm glad that they did it in such a subtle way.

1199
00:58:03.480 --> 00:58:05.880
<v Speaker 1>Yeah, they did it subtle enough where it's like that's what.

1200
00:58:06.679 --> 00:58:08.639
<v Speaker 3>Yeah, it's like a very cause basically, I mean like

1201
00:58:08.639 --> 00:58:10.920
<v Speaker 3>the way that it's really really tied together is like

1202
00:58:10.960 --> 00:58:13.079
<v Speaker 3>the same type of flower that's used in the other

1203
00:58:13.119 --> 00:58:18.159
<v Speaker 3>Silent Hill games that has psychotic properties is the same

1204
00:58:18.199 --> 00:58:19.920
<v Speaker 3>flower that's growing your shoes house that.

1205
00:58:19.880 --> 00:58:21.199
<v Speaker 2>He uses to make her medicine.

1206
00:58:21.519 --> 00:58:24.599
<v Speaker 3>So like there's that tie of of like there being used,

1207
00:58:26.079 --> 00:58:28.920
<v Speaker 3>but I don't know, there's there's like just so many

1208
00:58:28.920 --> 00:58:32.360
<v Speaker 3>things where I'm like, I think I've grasped this. I

1209
00:58:32.400 --> 00:58:35.880
<v Speaker 3>think that I know what's going on, but even like

1210
00:58:35.920 --> 00:58:38.199
<v Speaker 3>the stuff with the doctor and just like I'm not

1211
00:58:38.400 --> 00:58:42.119
<v Speaker 3>entirely sure what the takeaway is here, like what the

1212
00:58:42.519 --> 00:58:45.599
<v Speaker 3>main story is, and so I am very interested to

1213
00:58:45.639 --> 00:58:47.719
<v Speaker 3>see what the internet kind of deduces.

1214
00:58:47.320 --> 00:58:49.119
<v Speaker 1>Yeah, I mean that that's kind of what I figured.

1215
00:58:49.199 --> 00:58:51.480
<v Speaker 1>The post credits scene where they were talking about the

1216
00:58:51.519 --> 00:58:54.159
<v Speaker 1>poison gas was alluring to that. It's like this town

1217
00:58:54.440 --> 00:58:55.320
<v Speaker 1>just has problems.

1218
00:58:55.679 --> 00:58:59.760
<v Speaker 4>Yeah, like type thing, but it was just stuff.

1219
00:59:00.159 --> 00:59:07.679
<v Speaker 1>Yeah, stuff is going on. The one kind of major

1220
00:59:07.719 --> 00:59:09.800
<v Speaker 1>thing I want to end this, or at least kind

1221
00:59:09.800 --> 00:59:13.559
<v Speaker 1>of move towards, is I'm just glad to play a

1222
00:59:13.599 --> 00:59:18.440
<v Speaker 1>new sound Hill game that focuses on Silent Hill being

1223
00:59:18.440 --> 00:59:22.159
<v Speaker 1>a state of mind rather than a place with a

1224
00:59:22.280 --> 00:59:24.880
<v Speaker 1>history and a thing, and the fact that like this

1225
00:59:24.920 --> 00:59:29.400
<v Speaker 1>is It's why I think I controversially think sold Hill

1226
00:59:29.440 --> 00:59:31.440
<v Speaker 1>four is one of the better sound Hill games, but

1227
00:59:31.559 --> 00:59:34.400
<v Speaker 1>that's because it removes It's like there's still references to

1228
00:59:34.480 --> 00:59:39.440
<v Speaker 1>Silent Hill, but that game focuses on this man being

1229
00:59:39.480 --> 00:59:42.760
<v Speaker 1>trapped in a place that clearly is not real or

1230
00:59:42.800 --> 00:59:45.199
<v Speaker 1>a place that is deeper in meaning and doesn't actually

1231
00:59:45.199 --> 00:59:47.360
<v Speaker 1>connect to some lore. And why I've never really been

1232
00:59:47.360 --> 00:59:49.719
<v Speaker 1>a fan of one or three. I know you don't

1233
00:59:49.719 --> 00:59:52.320
<v Speaker 1>know anything about this, but is because they tried to.

1234
00:59:52.719 --> 00:59:55.159
<v Speaker 1>There's like cults and witches and all of these things.

1235
00:59:55.199 --> 00:59:56.760
<v Speaker 1>And I've always thought sold Hill two is one of

1236
00:59:56.760 --> 01:00:00.840
<v Speaker 1>the better ones because it's like it really is. Just man,

1237
01:00:03.559 --> 01:00:08.119
<v Speaker 1>that's it. So I I just think it's so cool

1238
01:00:08.159 --> 01:00:11.119
<v Speaker 1>that and brave in a way that Konami's like, all right,

1239
01:00:11.119 --> 01:00:12.880
<v Speaker 1>we're on the tail end of the Silent Hill two

1240
01:00:12.880 --> 01:00:16.599
<v Speaker 1>remake being a success, being well received after what felt

1241
01:00:16.599 --> 01:00:18.960
<v Speaker 1>like was an impossible feat, and now they have a

1242
01:00:19.000 --> 01:00:21.519
<v Speaker 1>game that is completely They chose to be like, we're

1243
01:00:21.519 --> 01:00:22.840
<v Speaker 1>not going to remake another one, We're going to make

1244
01:00:22.880 --> 01:00:25.519
<v Speaker 1>a new one, and they knocked it out of the park.

1245
01:00:26.840 --> 01:00:32.599
<v Speaker 1>Neo Birds and yeah, this game. That's the one thing

1246
01:00:32.599 --> 01:00:35.480
<v Speaker 1>that I'm interested in you, Lucy, because this is your

1247
01:00:35.480 --> 01:00:37.800
<v Speaker 1>first Soundhill game, and I do not know how you're

1248
01:00:37.840 --> 01:00:42.119
<v Speaker 1>gonna fare going into other ones because they're so darkly different.

1249
01:00:42.559 --> 01:00:44.880
<v Speaker 4>That's the thing that I'm excited about. I want to

1250
01:00:45.159 --> 01:00:47.239
<v Speaker 4>experience Silent Hill too. I think that will be my

1251
01:00:47.679 --> 01:00:52.159
<v Speaker 4>next one. I love horror, and yeah, for some reason,

1252
01:00:52.199 --> 01:00:54.400
<v Speaker 4>Silent Hill has always been a spot that I've just

1253
01:00:54.440 --> 01:00:55.760
<v Speaker 4>never explored.

1254
01:00:57.159 --> 01:01:00.599
<v Speaker 1>Everyone stereotype me. Yeah, everyone, I just thought I was

1255
01:01:00.599 --> 01:01:01.360
<v Speaker 1>a Soulent Hill person.

1256
01:01:01.400 --> 01:01:02.199
<v Speaker 4>I thought you were.

1257
01:01:03.360 --> 01:01:10.320
<v Speaker 1>Yeah, well you guess what You're all wrong? Yeah, yeah, yeah,

1258
01:01:10.440 --> 01:01:10.840
<v Speaker 1>Like I.

1259
01:01:10.719 --> 01:01:12.360
<v Speaker 2>Literally remember when I saw two.

1260
01:01:12.519 --> 01:01:14.719
<v Speaker 3>I did like the preview event for that, and I

1261
01:01:14.760 --> 01:01:16.639
<v Speaker 3>don't know if I like wrote it my preview and

1262
01:01:16.679 --> 01:01:18.480
<v Speaker 3>I sent it your way or something Kurt, and I

1263
01:01:18.519 --> 01:01:20.079
<v Speaker 3>was just like, what do you think is like a

1264
01:01:20.079 --> 01:01:24.000
<v Speaker 3>big silent Hill fan and You're like, well, I was.

1265
01:01:23.920 --> 01:01:26.679
<v Speaker 1>Like, buckle up, No, I think it was. It was

1266
01:01:26.679 --> 01:01:30.159
<v Speaker 1>actually during the sound Hill to Remake review process, MARKT.

1267
01:01:30.159 --> 01:01:32.599
<v Speaker 1>Delaney reviewed it, but I was handling the video coverage,

1268
01:01:32.639 --> 01:01:34.000
<v Speaker 1>and again it was one of those things where no

1269
01:01:34.000 --> 01:01:35.960
<v Speaker 1>one everyone just kind of looked at me, and I

1270
01:01:36.000 --> 01:01:39.679
<v Speaker 1>was like, it's fine, I'm okay with it. Because I

1271
01:01:39.719 --> 01:01:42.760
<v Speaker 1>often say resident or I'm sorry, I often say Survival

1272
01:01:42.760 --> 01:01:45.079
<v Speaker 1>Horror is my beat, Like that is the thing that

1273
01:01:45.159 --> 01:01:48.719
<v Speaker 1>like I'm comfortable being like having a touching point for

1274
01:01:49.039 --> 01:01:52.079
<v Speaker 1>what I know a lot about. So it's fine, it's fine.

1275
01:01:52.239 --> 01:01:55.000
<v Speaker 1>But I do remember messaging Jess because I think Jesse

1276
01:01:55.119 --> 01:01:56.800
<v Speaker 1>were just like, well, how do you think? Like how

1277
01:01:56.920 --> 01:01:58.480
<v Speaker 1>is it? Like I hear it's really good, and I

1278
01:01:58.519 --> 01:02:00.840
<v Speaker 1>was like that's when I was like, well, if this

1279
01:02:01.000 --> 01:02:03.840
<v Speaker 1>means anything as someone who is not a fan of

1280
01:02:03.880 --> 01:02:06.119
<v Speaker 1>this original game, who has a lot of problems with it,

1281
01:02:06.679 --> 01:02:10.800
<v Speaker 1>this is fucking awesome. I was like, this is great.

1282
01:02:12.000 --> 01:02:14.119
<v Speaker 1>And the thing that the sc that Sunhill f does.

1283
01:02:14.800 --> 01:02:18.360
<v Speaker 1>That I think makes the franchise work for me today

1284
01:02:19.960 --> 01:02:24.840
<v Speaker 1>is that you technology today allows subtlety to breathe, like

1285
01:02:25.039 --> 01:02:29.920
<v Speaker 1>actual face animations, actual acting, and the way people can

1286
01:02:29.960 --> 01:02:31.920
<v Speaker 1>say something cryptic that doesn't make any sense but you

1287
01:02:31.920 --> 01:02:33.960
<v Speaker 1>can read you can pick up on so much more

1288
01:02:34.039 --> 01:02:37.760
<v Speaker 1>nuanced because of the technology, because of graphics and the

1289
01:02:39.639 --> 01:02:41.519
<v Speaker 1>Oh my god, there's a scene with Sho, like right

1290
01:02:41.559 --> 01:02:43.559
<v Speaker 1>when you meet him for the first time, where he

1291
01:02:43.760 --> 01:02:45.880
<v Speaker 1>gives you the red thing and like he does a

1292
01:02:45.920 --> 01:02:48.760
<v Speaker 1>little like shrug and his eyes twitch a certain way,

1293
01:02:48.800 --> 01:02:51.719
<v Speaker 1>and it felt like something. It felt so much more

1294
01:02:51.760 --> 01:02:53.320
<v Speaker 1>than a sentence he could have said, And I was like,

1295
01:02:53.320 --> 01:02:55.840
<v Speaker 1>oh my god. And Silent Heal two remake is all that.

1296
01:02:56.000 --> 01:02:59.599
<v Speaker 1>It's just movements and expressions on things that sentences that

1297
01:02:59.800 --> 01:03:02.079
<v Speaker 1>were bullshit lines to me in the first game have

1298
01:03:02.239 --> 01:03:05.360
<v Speaker 1>completely different meaning in this game to me because of

1299
01:03:05.400 --> 01:03:07.559
<v Speaker 1>the way the actors express it. And that's where I

1300
01:03:07.599 --> 01:03:09.320
<v Speaker 1>was like, Silent Hill is at its best right now.

1301
01:03:09.679 --> 01:03:11.480
<v Speaker 1>And I never thought I would say it's because of technology,

1302
01:03:12.000 --> 01:03:13.079
<v Speaker 1>but I really do think so I.

1303
01:03:13.039 --> 01:03:14.280
<v Speaker 2>Was about to say the same thing.

1304
01:03:14.320 --> 01:03:16.840
<v Speaker 3>I am totally not like, go oh, Like, the graphics

1305
01:03:16.880 --> 01:03:19.400
<v Speaker 3>are so good, it's so high fidelity. Like I'm not

1306
01:03:19.599 --> 01:03:23.079
<v Speaker 3>that kind of person ninety nine percent of the time,

1307
01:03:24.119 --> 01:03:26.039
<v Speaker 3>but it is like I've seen, like more and more

1308
01:03:26.840 --> 01:03:28.840
<v Speaker 3>a lot of people who, like we would traditionally call

1309
01:03:28.960 --> 01:03:31.559
<v Speaker 3>voice actors right in video games, being like I would

1310
01:03:31.599 --> 01:03:34.199
<v Speaker 3>prefer it if I was just called an actor, because

1311
01:03:34.280 --> 01:03:37.920
<v Speaker 3>more often than not, like these people are doing motion capture,

1312
01:03:37.960 --> 01:03:41.119
<v Speaker 3>like they're acting, like they're doing full blown acting alongside

1313
01:03:41.119 --> 01:03:42.679
<v Speaker 3>other people just for video games.

1314
01:03:42.719 --> 01:03:43.760
<v Speaker 2>And so I've been trying to make.

1315
01:03:43.679 --> 01:03:46.920
<v Speaker 3>Like a really conscious effort to like just say actors

1316
01:03:46.960 --> 01:03:49.519
<v Speaker 3>instead of you know, trying like just constantly going to

1317
01:03:49.599 --> 01:03:53.480
<v Speaker 3>vo or, you know, voice actor. And yeah, like in

1318
01:03:53.519 --> 01:03:56.960
<v Speaker 3>this game, especially like it and also Silent Hill too,

1319
01:03:58.599 --> 01:04:01.280
<v Speaker 3>it like the performance is really you make it. I

1320
01:04:01.320 --> 01:04:03.920
<v Speaker 3>played the I played Silent Hill f both in English

1321
01:04:03.920 --> 01:04:05.960
<v Speaker 3>and in Japanese. I did Japanese first and then I

1322
01:04:06.039 --> 01:04:09.119
<v Speaker 3>did English, and like, both are fantastic. I think I

1323
01:04:09.239 --> 01:04:12.199
<v Speaker 3>probably prefer the Japanese. I feel like it's just.

1324
01:04:12.159 --> 01:04:14.840
<v Speaker 1>If she doesn't get nominated, if she doesn't get nominated

1325
01:04:14.840 --> 01:04:18.719
<v Speaker 1>for something, I'm gonna fucking I'm gonna flip out incredible.

1326
01:04:19.000 --> 01:04:22.599
<v Speaker 1>She does like sex different roles basically and like different

1327
01:04:22.679 --> 01:04:25.280
<v Speaker 1>layers of those roles in different situations. Like you didn't

1328
01:04:25.280 --> 01:04:27.639
<v Speaker 1>see the there's we have to wrap this up, but

1329
01:04:27.639 --> 01:04:29.400
<v Speaker 1>there's scenes that she does with her parents that are, oh,

1330
01:04:30.239 --> 01:04:32.679
<v Speaker 1>she like, you see a totally different side of her

1331
01:04:32.719 --> 01:04:35.480
<v Speaker 1>acting chops because you don't see her react, you don't

1332
01:04:35.480 --> 01:04:38.239
<v Speaker 1>see her talk to her parents, actually really talk to

1333
01:04:38.280 --> 01:04:42.639
<v Speaker 1>her parents, and it gives a totally different context. She's phenomenal, phenomenally,

1334
01:04:42.800 --> 01:04:45.480
<v Speaker 1>she's so good. She's not just screaming the whole time,

1335
01:04:46.559 --> 01:04:49.039
<v Speaker 1>but she's screaming. But her screaming is great. The screaming

1336
01:04:49.079 --> 01:04:49.639
<v Speaker 1>she does is good.

1337
01:04:49.840 --> 01:04:53.119
<v Speaker 2>Yes, it's impressive, screaming my throat.

1338
01:04:53.519 --> 01:04:55.119
<v Speaker 4>Listen listening to her screaming.

1339
01:04:55.679 --> 01:04:59.239
<v Speaker 1>Anyways, we have we're gonna bring this tow clothes. I

1340
01:04:59.239 --> 01:05:02.159
<v Speaker 1>feel like we didn't even we talked about we didn't

1341
01:05:02.159 --> 01:05:08.320
<v Speaker 1>even talk about playing the game. But the fox are good. Yeah,

1342
01:05:08.760 --> 01:05:12.119
<v Speaker 1>that's that was God. That was the hardest part to

1343
01:05:12.199 --> 01:05:15.159
<v Speaker 1>keep secret is to be like, because when that fox

1344
01:05:15.239 --> 01:05:17.440
<v Speaker 1>arm showed up, not just the scene in which she

1345
01:05:17.519 --> 01:05:19.559
<v Speaker 1>gets it, but when it shows up, you start playing

1346
01:05:19.559 --> 01:05:21.239
<v Speaker 1>with it. I remember I stood up in my room

1347
01:05:21.280 --> 01:05:25.519
<v Speaker 1>being like, I don't fucking know what's happening. But this fucking.

1348
01:05:26.880 --> 01:05:32.599
<v Speaker 3>That series of events, it's so cool, like I I

1349
01:05:32.639 --> 01:05:34.079
<v Speaker 3>hate to be like the girl and it's so funny

1350
01:05:34.119 --> 01:05:37.039
<v Speaker 3>because like I remember somebody in Slack the second that

1351
01:05:37.119 --> 01:05:39.320
<v Speaker 3>yes RB rating went up for the game, they were

1352
01:05:39.360 --> 01:05:42.719
<v Speaker 3>just like ellameo, like what is happening? It's true because

1353
01:05:42.719 --> 01:05:46.159
<v Speaker 3>it literally says like woman burned alive in cage, like

1354
01:05:46.239 --> 01:05:55.960
<v Speaker 3>woman is branded cut off. It's it is just also good,

1355
01:05:56.000 --> 01:05:58.679
<v Speaker 3>like that whole like ritual sequence is so good. And

1356
01:05:58.719 --> 01:06:00.800
<v Speaker 3>then you get like the powers at the end, and

1357
01:06:00.840 --> 01:06:02.960
<v Speaker 3>it's so wild because it's like you spend so much

1358
01:06:03.000 --> 01:06:04.679
<v Speaker 3>of the game just feeling very weak and then you

1359
01:06:04.679 --> 01:06:06.920
<v Speaker 3>get to like the spirit world and you lose like

1360
01:06:06.960 --> 01:06:09.239
<v Speaker 3>the weapon durability aspect because you get like the little

1361
01:06:09.559 --> 01:06:12.960
<v Speaker 3>yea hell yeah so powerful and then you get that

1362
01:06:13.280 --> 01:06:16.480
<v Speaker 3>and you're just like, Okay, this place is this is

1363
01:06:16.519 --> 01:06:17.519
<v Speaker 3>my my place now?

1364
01:06:17.639 --> 01:06:20.920
<v Speaker 1>Yeah? The uh, the the one boss fight you two

1365
01:06:20.920 --> 01:06:24.440
<v Speaker 1>didn't get the fight, but I had my stand up

1366
01:06:24.480 --> 01:06:26.480
<v Speaker 1>and scream and freak out thing all over again. Was

1367
01:06:26.960 --> 01:06:29.639
<v Speaker 1>the final fourth boss fight where you the camera goes

1368
01:06:29.679 --> 01:06:33.960
<v Speaker 1>from that looks being fox arm and then the camera

1369
01:06:34.039 --> 01:06:36.360
<v Speaker 1>transitions into the water where you're just normal with your

1370
01:06:36.360 --> 01:06:39.039
<v Speaker 1>pipe and I was like, I stood up and I

1371
01:06:39.079 --> 01:06:43.440
<v Speaker 1>was like, I'm playing god. I was freaking out. I

1372
01:06:43.480 --> 01:06:46.239
<v Speaker 1>was having so good And the fact that you fight.

1373
01:06:46.119 --> 01:06:48.199
<v Speaker 3>Her also, oh sorry, I feel like we could talk

1374
01:06:48.199 --> 01:06:49.760
<v Speaker 3>about this all the time. One other thing that I

1375
01:06:49.840 --> 01:06:52.800
<v Speaker 3>loved in the first ending when she starts to take

1376
01:06:52.800 --> 01:06:54.639
<v Speaker 3>the pills and then she's running out and the camera

1377
01:06:54.800 --> 01:06:55.320
<v Speaker 3>just zooms.

1378
01:06:55.400 --> 01:06:58.920
<v Speaker 1>Oh yeah, she gets smaller, but the pills are just

1379
01:06:58.920 --> 01:07:00.480
<v Speaker 1>getting larger and larger and larger.

1380
01:07:00.840 --> 01:07:02.480
<v Speaker 2>Like I love that disorienting shit.

1381
01:07:02.519 --> 01:07:04.039
<v Speaker 3>It reminds you of like in Metal Gear Solid two,

1382
01:07:04.119 --> 01:07:05.440
<v Speaker 3>right like towards the end, I feel like they do

1383
01:07:05.480 --> 01:07:07.480
<v Speaker 3>that too, where they just like pull out and it's

1384
01:07:07.519 --> 01:07:11.280
<v Speaker 3>just it's so weird how just like changing the camera

1385
01:07:11.599 --> 01:07:15.639
<v Speaker 3>that little bit completely alienates you and you feel like

1386
01:07:15.639 --> 01:07:18.079
<v Speaker 3>you're just so tense and I don't know, it's it

1387
01:07:18.159 --> 01:07:19.079
<v Speaker 3>was such a good touch.

1388
01:07:19.159 --> 01:07:20.159
<v Speaker 2>I loved that part.

1389
01:07:21.079 --> 01:07:22.599
<v Speaker 1>Yeah, I feel like I wanted to be able to

1390
01:07:22.679 --> 01:07:25.000
<v Speaker 1>use the spoiler cast to get into the nitty gritty

1391
01:07:25.000 --> 01:07:27.599
<v Speaker 1>of stuff that I just was like, Eire's just so

1392
01:07:27.719 --> 01:07:30.960
<v Speaker 1>much of it, so much of it, much, so much

1393
01:07:30.960 --> 01:07:32.360
<v Speaker 1>of it. But yeah, fox arm.

1394
01:07:32.639 --> 01:07:34.320
<v Speaker 4>Did you find her hand in a box?

1395
01:07:34.599 --> 01:07:37.679
<v Speaker 1>I did? I did find that and her face, Yeah,

1396
01:07:37.719 --> 01:07:43.320
<v Speaker 1>the face like when it cuts away and shows just

1397
01:07:43.360 --> 01:07:45.639
<v Speaker 1>the slab of her eye, like the part of her

1398
01:07:45.639 --> 01:07:51.199
<v Speaker 1>face just kind of laid down. I was like, oh hell, anyways.

1399
01:07:51.000 --> 01:07:55.599
<v Speaker 4>I didn't expect the ocami. I found a note where

1400
01:07:55.599 --> 01:07:57.800
<v Speaker 4>it's it's like, it's not a video call me, but

1401
01:07:57.840 --> 01:08:01.639
<v Speaker 4>it's like a Japanese myth, a legend where it's a

1402
01:08:01.760 --> 01:08:03.360
<v Speaker 4>Roachi with the heads.

1403
01:08:03.519 --> 01:08:06.159
<v Speaker 1>And I don't know if I even put the okami

1404
01:08:06.280 --> 01:08:06.760
<v Speaker 1>thing together.

1405
01:08:06.920 --> 01:08:10.840
<v Speaker 4>That is the plot of a comedy. It's funny. Roachi

1406
01:08:10.960 --> 01:08:14.599
<v Speaker 4>is the beast with a bunch of heads, and Susanna

1407
01:08:14.760 --> 01:08:16.600
<v Speaker 4>is the the guy.

1408
01:08:16.960 --> 01:08:17.279
<v Speaker 1>The guy.

1409
01:08:17.720 --> 01:08:19.920
<v Speaker 4>You're the wolf god, the wolf god.

1410
01:08:21.520 --> 01:08:23.680
<v Speaker 1>I seriously cold talk about this game all day. So anyways,

1411
01:08:23.720 --> 01:08:25.760
<v Speaker 1>this has been great for me because I have been

1412
01:08:26.760 --> 01:08:27.439
<v Speaker 1>bottled up.

1413
01:08:27.520 --> 01:08:29.479
<v Speaker 4>You've been like that meme of the guy with the

1414
01:08:29.840 --> 01:08:30.359
<v Speaker 4>vein on his.

1415
01:08:30.319 --> 01:08:33.279
<v Speaker 1>Oh my god, yeah no, that is like I it's

1416
01:08:33.319 --> 01:08:36.039
<v Speaker 1>been so painful, and I've been trying so hard. You've

1417
01:08:36.079 --> 01:08:39.000
<v Speaker 1>been very good to not say. Well, actually, my concern

1418
01:08:39.279 --> 01:08:41.439
<v Speaker 1>was just being excited. I was like felt like I

1419
01:08:41.479 --> 01:08:43.720
<v Speaker 1>was being too excited, but I was like it was

1420
01:08:43.760 --> 01:08:45.000
<v Speaker 1>just bottled up, Like.

1421
01:08:44.920 --> 01:08:49.920
<v Speaker 3>I just got jump, like it's like and it's nerve

1422
01:08:49.960 --> 01:08:52.079
<v Speaker 3>wracking to you. I feel like being like super super

1423
01:08:52.079 --> 01:08:54.000
<v Speaker 3>excited about a game, like before it's.

1424
01:08:53.800 --> 01:08:55.439
<v Speaker 1>Out, no one's playing it.

1425
01:08:55.880 --> 01:08:58.840
<v Speaker 3>Yeah, and then I always like and it really doesn't matter.

1426
01:08:59.000 --> 01:09:01.359
<v Speaker 3>Like I even told Kurt. Kurt was just like, just

1427
01:09:01.359 --> 01:09:04.000
<v Speaker 3>just like give it whatever review you think it deserves,

1428
01:09:04.000 --> 01:09:05.439
<v Speaker 3>like just write your thing. But I'm like, I always

1429
01:09:05.479 --> 01:09:06.840
<v Speaker 3>just get in my head because I'm like, what if

1430
01:09:06.880 --> 01:09:09.640
<v Speaker 3>I'm that person who like, this game is my ship.

1431
01:09:09.720 --> 01:09:12.159
<v Speaker 3>It is so good. I'm giving it a nine. It's fantastic,

1432
01:09:12.239 --> 01:09:15.000
<v Speaker 3>and everybody else comes out there's like sixes and gives

1433
01:09:15.560 --> 01:09:17.479
<v Speaker 3>it doesn't matter, Like I stick to my gun.

1434
01:09:17.640 --> 01:09:20.119
<v Speaker 1>That's why I was like, I was like, look, you

1435
01:09:20.119 --> 01:09:23.359
<v Speaker 1>you just need to write the text and like everyone

1436
01:09:23.359 --> 01:09:25.359
<v Speaker 1>else will decide on what the text reads if you

1437
01:09:25.479 --> 01:09:27.239
<v Speaker 1>think not that we gave it a ton, but just

1438
01:09:27.239 --> 01:09:29.199
<v Speaker 1>saying if you think a game is a ten and

1439
01:09:29.199 --> 01:09:31.359
<v Speaker 1>you feel like that's too much, trust me. I went

1440
01:09:31.399 --> 01:09:33.239
<v Speaker 1>through this. You've given a couple of tens. I've only

1441
01:09:33.239 --> 01:09:36.520
<v Speaker 1>given I give it one ten. Yeah, and I and

1442
01:09:36.560 --> 01:09:38.600
<v Speaker 1>I regret there's one game I regret not giving a

1443
01:09:38.640 --> 01:09:42.399
<v Speaker 1>ten that will not disclose here. Oh yes, but It's

1444
01:09:42.399 --> 01:09:45.159
<v Speaker 1>one of those things where you know, I it's just

1445
01:09:45.399 --> 01:09:47.920
<v Speaker 1>sometimes you just like you gotta put it on paper,

1446
01:09:48.000 --> 01:09:51.479
<v Speaker 1>and if that's how you feel, then then the text

1447
01:09:51.560 --> 01:09:56.359
<v Speaker 1>will speak for that thing. Silent just like in Silent Hell.

1448
01:09:56.520 --> 01:09:59.039
<v Speaker 2>Well, that's like we like there.

1449
01:09:59.079 --> 01:10:01.119
<v Speaker 3>I don't know, I feel like we claim over and

1450
01:10:01.159 --> 01:10:03.439
<v Speaker 3>over and over again that like there's no such thing

1451
01:10:03.479 --> 01:10:06.720
<v Speaker 3>as an objective review like to Chase that is just

1452
01:10:06.840 --> 01:10:08.720
<v Speaker 3>absolutely ridiculous. So you just kind of have to find

1453
01:10:08.760 --> 01:10:11.600
<v Speaker 3>people who like, maybe you like their reviews, they have

1454
01:10:11.640 --> 01:10:14.039
<v Speaker 3>an overlap in the games that they actually like with you,

1455
01:10:14.119 --> 01:10:16.159
<v Speaker 3>and just like stick with them. So ultimately, it's like

1456
01:10:16.479 --> 01:10:19.439
<v Speaker 3>this game worked for me. It worked so well. It

1457
01:10:19.560 --> 01:10:24.720
<v Speaker 3>hit so many themes and just had so much that

1458
01:10:25.640 --> 01:10:28.880
<v Speaker 3>resonated with me extremely deeply, and there's no world in

1459
01:10:28.880 --> 01:10:30.520
<v Speaker 3>which I would regret giving it a nine.

1460
01:10:30.600 --> 01:10:32.119
<v Speaker 2>Like I think it's so well done.

1461
01:10:32.279 --> 01:10:35.520
<v Speaker 1>Yeah, I actually think I'm actually surprised as not as more.

1462
01:10:37.920 --> 01:10:39.119
<v Speaker 4>Am I divisive?

1463
01:10:39.239 --> 01:10:41.079
<v Speaker 1>Yeah? I actually thought was more divisive. I was like

1464
01:10:41.119 --> 01:10:42.279
<v Speaker 1>there was a point where I was like, Silent Hole

1465
01:10:42.319 --> 01:10:44.079
<v Speaker 1>fans are going to be like, what the fuck is this?

1466
01:10:44.920 --> 01:10:45.239
<v Speaker 2>Yeah?

1467
01:10:45.279 --> 01:10:46.760
<v Speaker 4>The subrodditts on Lockdown a.

1468
01:10:46.760 --> 01:10:49.800
<v Speaker 1>Bit okay, well, in terms of ratings and scores, it

1469
01:10:50.000 --> 01:10:51.920
<v Speaker 1>was not as divisive as I thought it was going

1470
01:10:52.000 --> 01:10:53.479
<v Speaker 1>to be. So when I actually saw it come out

1471
01:10:53.560 --> 01:10:56.119
<v Speaker 1>like consistently. I know there's a few reviews that leaked,

1472
01:10:56.520 --> 01:11:01.760
<v Speaker 1>a few reviews that went out early, and I know

1473
01:11:01.800 --> 01:11:04.079
<v Speaker 1>there's been some lower ones, but generally across the border

1474
01:11:04.119 --> 01:11:07.479
<v Speaker 1>is like, this is not as I didn't I was interested.

1475
01:11:07.520 --> 01:11:09.760
<v Speaker 1>People were going to be like, why did you call

1476
01:11:09.800 --> 01:11:10.720
<v Speaker 1>this a solid hill game?

1477
01:11:12.399 --> 01:11:14.039
<v Speaker 2>People are conversation.

1478
01:11:14.840 --> 01:11:17.439
<v Speaker 1>Well, thankfully, I'm not seeing it. I'm in my little

1479
01:11:17.439 --> 01:11:20.079
<v Speaker 1>world just enjoying things and it's great.

1480
01:11:20.920 --> 01:11:23.319
<v Speaker 3>I think it's not as intense as as it could be, though,

1481
01:11:23.399 --> 01:11:25.399
<v Speaker 3>Like there are a lot of people who jump to

1482
01:11:25.439 --> 01:11:27.760
<v Speaker 3>the same thing that I've been saying, where it's like,

1483
01:11:28.359 --> 01:11:31.279
<v Speaker 3>sure doesn't take place in Silent Hill, but you have this, this,

1484
01:11:31.279 --> 01:11:33.239
<v Speaker 3>this and this and this, and like that's more what

1485
01:11:33.359 --> 01:11:36.600
<v Speaker 3>Silent Hill is anyway, So I don't understand what the

1486
01:11:36.800 --> 01:11:37.760
<v Speaker 3>what the big deal is.

1487
01:11:38.640 --> 01:11:39.199
<v Speaker 2>So I don't know.

1488
01:11:39.279 --> 01:11:42.720
<v Speaker 3>I think that the majority of folks that I've seen

1489
01:11:43.079 --> 01:11:44.920
<v Speaker 3>are on board with it, but there is of course

1490
01:11:44.960 --> 01:11:45.840
<v Speaker 3>some people who.

1491
01:11:46.680 --> 01:11:50.479
<v Speaker 1>That's okay, that's okay, that's all right. People get mad

1492
01:11:50.479 --> 01:11:53.399
<v Speaker 1>at me because you know, I'm not a silent Hill fan,

1493
01:11:53.520 --> 01:12:00.560
<v Speaker 1>but now after this, I'm silent pilled, very good. Good

1494
01:12:02.800 --> 01:12:06.119
<v Speaker 1>at the very beginning of this podcast, and hell because

1495
01:12:06.119 --> 01:12:07.680
<v Speaker 1>I was going to tie it into the medication part

1496
01:12:07.680 --> 01:12:11.960
<v Speaker 1>of the GOT for the very end. Anyways, Jessica Cau's, well,

1497
01:12:11.920 --> 01:12:13.319
<v Speaker 1>it was so good having you here. He was so

1498
01:12:13.359 --> 01:12:15.520
<v Speaker 1>good being able to chat about this. I've been wanting

1499
01:12:15.720 --> 01:12:18.560
<v Speaker 1>I deliberately, I haven't really You've obviously picked up on

1500
01:12:18.560 --> 01:12:20.720
<v Speaker 1>my feelings, but I deliberately wasn't telling you how I

1501
01:12:20.720 --> 01:12:22.600
<v Speaker 1>felt about the game. I think you just read it.

1502
01:12:22.720 --> 01:12:24.199
<v Speaker 1>I think you just like I was, like, I was

1503
01:12:24.239 --> 01:12:24.680
<v Speaker 1>waiting for that.

1504
01:12:25.000 --> 01:12:27.439
<v Speaker 4>What's up with's face? Is he smiling?

1505
01:12:28.600 --> 01:12:31.359
<v Speaker 3>I think you're, like I said, your enthusiasm when you

1506
01:12:31.479 --> 01:12:35.079
<v Speaker 3>genuinely do like something comes through and so like, I

1507
01:12:35.119 --> 01:12:37.119
<v Speaker 3>was like, even if he's not saying it, I think

1508
01:12:37.159 --> 01:12:37.720
<v Speaker 3>he likes it.

1509
01:12:37.800 --> 01:12:40.439
<v Speaker 1>I just because I'm very respectful of people who review games,

1510
01:12:40.479 --> 01:12:44.079
<v Speaker 1>and I don't want to have them hear what I

1511
01:12:44.119 --> 01:12:46.520
<v Speaker 1>think about said thing. But I was definitely when you

1512
01:12:46.520 --> 01:12:50.439
<v Speaker 1>said this thing was fucking sick, I was like, fucking yes,

1513
01:12:50.600 --> 01:12:55.039
<v Speaker 1>it was okay, Jessica as well, thank you for being here.

1514
01:12:55.319 --> 01:12:58.279
<v Speaker 1>Lucy James. Yeah, the new the.

1515
01:12:58.239 --> 01:13:00.319
<v Speaker 4>New sound, the new Silent Hill, a fish, you're not

1516
01:13:00.399 --> 01:13:00.920
<v Speaker 4>on the block?

1517
01:13:01.079 --> 01:13:03.000
<v Speaker 1>Yeah, what does F stand for? Will end it? There?

1518
01:13:04.199 --> 01:13:04.640
<v Speaker 4>Forte?

1519
01:13:05.319 --> 01:13:06.960
<v Speaker 1>You've already basically.

1520
01:13:06.720 --> 01:13:09.840
<v Speaker 4>No, but I think because she finally becomes loud about

1521
01:13:09.880 --> 01:13:11.840
<v Speaker 4>things like.

1522
01:13:11.159 --> 01:13:14.680
<v Speaker 3>Literally, Lucy, Yes, that's it my exact thought. I was

1523
01:13:14.760 --> 01:13:15.520
<v Speaker 3>just telling my sister.

1524
01:13:15.600 --> 01:13:17.399
<v Speaker 2>She was like, so what is it? Did they even clarifying?

1525
01:13:17.479 --> 01:13:19.640
<v Speaker 3>Like, I think it's Forte because it is the Forte

1526
01:13:19.640 --> 01:13:23.920
<v Speaker 3>symbol and like it juxtaposes Silent Hill and it's all

1527
01:13:23.960 --> 01:13:26.479
<v Speaker 3>about gaining your voice. And I'm like, I think it's

1528
01:13:26.520 --> 01:13:27.319
<v Speaker 3>got to be Forte.

1529
01:13:27.720 --> 01:13:29.000
<v Speaker 4>Yeah, but I don't want to know.

1530
01:13:29.279 --> 01:13:31.239
<v Speaker 1>Yeah, I mean either that's the beauty of it. And

1531
01:13:31.479 --> 01:13:33.560
<v Speaker 1>I'm your host, who is very honored to be here.

1532
01:13:33.560 --> 01:13:37.199
<v Speaker 1>That's the first after Dark episode I've ever hosted. I know,

1533
01:13:37.319 --> 01:13:40.920
<v Speaker 1>isn't that wacky dacky? I know, skibbity bop show up up?

1534
01:13:41.079 --> 01:13:46.960
<v Speaker 1>Look at me growing up? F F four.

1535
01:13:49.119 --> 01:13:50.840
<v Speaker 2>Are you hurt?

1536
01:13:51.279 --> 01:13:53.640
<v Speaker 1>Oh yeah no, I've already chopped his face off and

1537
01:13:53.720 --> 01:13:57.039
<v Speaker 1>stepped on it, did you miss? Yeah? My fox mouth's

1538
01:13:57.119 --> 01:14:00.600
<v Speaker 1>right over there, bam there it is alright everyone, Thank

1539
01:14:00.600 --> 01:14:02.159
<v Speaker 1>you so much for listening. Thank you so much for

1540
01:14:02.239 --> 01:14:04.079
<v Speaker 1>being here. Thank you so much for listening all of

1541
01:14:04.199 --> 01:14:07.279
<v Speaker 1>us chit chat away. I'm gonna go continue screaming inside

1542
01:14:07.319 --> 01:14:09.199
<v Speaker 1>because I could probably keep talking about this game for

1543
01:14:09.239 --> 01:14:15.039
<v Speaker 1>a while. Okay, so long, folks. Bye b
