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<v Speaker 1>Hello, this is the hard rd light. I'm Mary, y'all

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<v Speaker 1>give 'em a conservative respective about the world around me.

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<v Speaker 1>Feedback IS's important. Feel free to reach out to me.

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<v Speaker 1>Two ways to do this. Email of course is always

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<v Speaker 1>appreciated and getting me their response to that, but comments

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<v Speaker 1>on YouTube is highly appreciate it. And then also the

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<v Speaker 1>last as a companionship to what I talk about. On Fridays,

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<v Speaker 1>I posted a uh short little video.

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<v Speaker 2>About what are my.

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<v Speaker 1>Commentary my thoughts on animation and the state of animation today?

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<v Speaker 2>And this got a quiz on there.

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<v Speaker 1>So if you like things like that, you know gonna

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<v Speaker 1>check that out and I'll link also link it and

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<v Speaker 1>so y'all can check that out and give me thoughts

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<v Speaker 1>cause I greatly appreciate what you y'all think, and.

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<v Speaker 2>All the comments.

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<v Speaker 1>Really help with the development and the growth of this

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<v Speaker 1>cha well, this podcast. I like to consider it as

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<v Speaker 1>a radio show, but it really helps everything. Okay, so

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<v Speaker 1>what are my faultso helps you know? You have a

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<v Speaker 1>friend coworker, what have you loved one and you think that, hey,

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<v Speaker 1>this is their cup of tea, go and share it

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<v Speaker 1>with them, le tell 'em about it. The allry like, Okay,

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<v Speaker 1>so on to the topic of choice. Now, I'm gonna

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<v Speaker 1>get my thoughts about the aspects of the first comic

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<v Speaker 1>book that is well established that you know, it's interesting

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<v Speaker 1>with this one. I'm not gonna go into two depth

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<v Speaker 1>in its intro about it. You know, that's what the

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<v Speaker 1>show is for, of about the variations of how comic

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<v Speaker 1>books are.

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<v Speaker 2>Considered.

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<v Speaker 1>It'str actually with this particularly the first you know, comic book.

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<v Speaker 1>And then on Wednesday, I'm gonna give more commentary on

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<v Speaker 1>my thoughts on comic books.

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<v Speaker 2>And I touched on this.

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<v Speaker 1>Some time back, and I'm just gonna reiterate it because

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<v Speaker 1>I think comic books is in itself very fascinating and

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<v Speaker 1>it's placed in American culture. And then abron with that said,

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<v Speaker 1>let's jump right into the pages of it. Okay, so

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<v Speaker 1>let's jump right into the aspects of it.

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<v Speaker 2>Nah.

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<v Speaker 1>I Initially when I was talking about French literature a

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<v Speaker 1>right th this came into my path about the aspects

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<v Speaker 1>of of UH.

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<v Speaker 2>This particular where though.

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<v Speaker 1>It's really considered internationally one of the first comic books.

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<v Speaker 1>And then we r reiterate the focus into American comic books,

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<v Speaker 1>cause UH, American comic books and UH America in general

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<v Speaker 1>really crafted comic books and made it well into its

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<v Speaker 1>outside of manga.

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<v Speaker 2>With that, alright, so let's jump right to it.

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<v Speaker 1>So, mister Obadiah oh old book is uh the adventures

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<v Speaker 1>uh of mister I Obadiah. Old Book is loosely based

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<v Speaker 1>upon uh the uh history d masher forget forgive me

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<v Speaker 1>with the notifications going on in the background, mister, I'll

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<v Speaker 1>forgive me for the French here. Uh, I'll do my

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<v Speaker 1>very best with pronunciation of this.

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<v Speaker 2>Uh.

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<v Speaker 1>V are bulls of Bulls in eighteen thirty seven by

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<v Speaker 1>Randolph Telfer. Now this went through a lot of different

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<v Speaker 1>variations of altering and everything else with it, and it's

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<v Speaker 1>considered the consistency is that it's the first comic book

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<v Speaker 1>in the way in which the alliteration though, the drawings

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<v Speaker 1>are and the panels and then it has, you know,

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<v Speaker 1>something something you would say to the con the consistencies

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<v Speaker 1>and the consensus of thought bubbles, you know, which you

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<v Speaker 1>would typically see in the comic book when when they're

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<v Speaker 1>conversing with each other.

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<v Speaker 2>But what what.

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<v Speaker 1>Is very interesting is the subject matter and which uh

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<v Speaker 1>they Obadiah Uh Obadiah Oh book is our following it

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<v Speaker 1>goes along the aspects of UH. First, it's centers around

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<v Speaker 1>a a g a man who is r uh very

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<v Speaker 1>much going through in a turmo to the point it

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<v Speaker 1>goes into very uh graphic an and well, you know,

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<v Speaker 1>to each his own with that, but it goes into

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<v Speaker 1>very sensitive and that I can be a whole thing

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<v Speaker 1>with uh depending on with uh the aspects of how

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<v Speaker 1>that is seen and presented. But the subject matter is

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<v Speaker 1>not is is not cute. It's it's it is graphic

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<v Speaker 1>and graphic in the sense of it. It goes into

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<v Speaker 1>the depths of the aspects of you know, which I

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<v Speaker 1>don't understand why you can't have conversations on YouTube, adult

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<v Speaker 1>conversations when that's so you don't when it's uh, my

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<v Speaker 1>my my market, my channel is for adults. When you know,

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<v Speaker 1>I happen to have some you know, I have frien

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<v Speaker 1>family friendly content for the most part, most part this

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<v Speaker 1>is centered around adults. But anyway, you know, with the

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<v Speaker 1>aspects of anyone's life. Unfortunately by yourself, your y if y'all,

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<v Speaker 1>y'all get the point of what I'm saying.

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<v Speaker 2>So and it's.

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<v Speaker 1>And the way in which that is centering around is

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<v Speaker 1>uh from what I understand.

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<v Speaker 2>Uh.

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<v Speaker 1>Now, at this time period we're going to through through

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<v Speaker 1>the transitions of the aspects of naturalism with a literary

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<v Speaker 1>concept of that and romanticism, uh, with the literary concepts

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<v Speaker 1>of that.

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<v Speaker 2>Now, why am I bringing up these subject matters here? Now?

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<v Speaker 1>These two subject matters center around the house of French

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<v Speaker 1>literature specifically, you know, when we get to naturalism, but

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<v Speaker 1>you know a little bit with romanticism and the aspects

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<v Speaker 1>of UH of that and everything else. Of saying once

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<v Speaker 1>not that this is what I'm I'm I'm I'm picking

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<v Speaker 1>up from that in interpretation of this comic book.

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<v Speaker 2>It's okay, uh, okay, let me get back to this.

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<v Speaker 2>It's a.

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<v Speaker 1>Another interpretation and the myths in which this mentality of

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<v Speaker 1>no matter what you do, no matter how the prizes

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<v Speaker 1>that accolates you have you, something is still against you.

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<v Speaker 2>Right, And I think that this.

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<v Speaker 1>Particular a UH in the means in which is represented

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<v Speaker 1>is UH an ensemble to that piece of you know

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<v Speaker 1>what was reitererated again with uh literary philosophies of naturalism

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<v Speaker 1>and UH the French sort of uh aspects of this

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<v Speaker 1>UH bleak disdain sort of mentality of the ways in

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<v Speaker 1>which they saw the moralities and n and the.

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<v Speaker 2>Movements of modern life, you know. And so.

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<v Speaker 1>It's really interesting when you turn and you look and

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<v Speaker 1>you think about the concepts of comic books and it's

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<v Speaker 1>disposition alright, So the concept of interpersonal relationships and when

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<v Speaker 1>this is the archetype and the UH as I was

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<v Speaker 1>saying about the I'm gonna go back the Obadiah obuk, right,

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<v Speaker 1>it's a also goes.

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<v Speaker 2>In the aspects of what would you do in order

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<v Speaker 2>to know.

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<v Speaker 1>Reierate your situations of what you're dealing with, cause it

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<v Speaker 1>are not on top of love and love loves to

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<v Speaker 1>go in the aspects of you know, often oneself goes

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<v Speaker 1>in into the UH list of talking about robbery, imprisonment,

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<v Speaker 1>a missing person, and and then the aspects of monks,

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<v Speaker 1>you know, the aspects of pastoral libbing and all of

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<v Speaker 1>these things. Now, these concepts also in itself, UH the

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<v Speaker 1>foundations in which to a variation a lot of different

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<v Speaker 1>coming but s CENTERI itself around the aspects talking about robbery, right,

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<v Speaker 1>robbery and crime and ced ands. You know, we got

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<v Speaker 1>the Dick Tracy's of UH comic books. You got all Man,

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<v Speaker 1>you could say, Batman in itself. You know that a

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<v Speaker 1>lot of that uh pyramids in Bo Batman with the

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<v Speaker 1>de depending on you how you look at it, has

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<v Speaker 1>to do with crime and thiefery and all these kind

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<v Speaker 1>of things. And the aspects are spiritual.

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<v Speaker 2>With the the month.

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<v Speaker 1>That uh month and uh being disillusion with uh speciality

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<v Speaker 1>and you know, having that interlaced in this.

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<v Speaker 2>Those concepts are.

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<v Speaker 1>Very prevalent in a lot of American modern comic books.

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<v Speaker 1>And then specifically when we get into manga and the

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<v Speaker 1>aspects of Western f I mean Eastern philosophy, right in

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<v Speaker 1>some Western but s specifically mainly Eastern philosophy, okay, and

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<v Speaker 1>then pastoral living alright, So presoral living, you know, that's

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<v Speaker 1>reminant a lot about the aspects of.

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<v Speaker 2>Being one with the concept of nature, like uh what

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<v Speaker 2>d what what are we? How?

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<v Speaker 1>Uh what are we looking at in front of us?

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<v Speaker 1>And how we living? What is our disposition in nature?

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<v Speaker 1>Because most of the time, you know, when uh, these

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<v Speaker 1>things are presented, when it we we see it from

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<v Speaker 1>a artistic point of view.

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<v Speaker 2>You know, where it be literature, where it be.

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<v Speaker 1>A different form of the arts, or where it be

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<v Speaker 1>uh with and paintings or drawings or in movies, depending

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<v Speaker 1>on the what what the person who is creating is

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<v Speaker 1>where they wanna uh take this artistically. Most of the

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<v Speaker 1>time the concept is centered around the aspects of.

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<v Speaker 2>What kind of feelings.

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<v Speaker 1>Do I have about nature? And what does that mean

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<v Speaker 1>to me, whether it be good or bad? M where

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<v Speaker 1>there be romanticized in the aspects of longing and belonging

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<v Speaker 1>nostalgia because u uh a lot of time lu most

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<v Speaker 1>of that w uh with romanticism. Now I'm really merely

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<v Speaker 1>seeing it from my point of view in the aspects

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<v Speaker 1>of the literary style and the concepts of it that

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<v Speaker 1>had to do with the belonging of something, of where

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<v Speaker 1>where it should be, and that y that's where you're

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<v Speaker 1>getting into the territory of uh nossagia here.

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<v Speaker 2>However, the first.

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<v Speaker 1>Comic book, as the consensus is in America, it's not Trace,

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<v Speaker 1>the one single author author, so it is uh actually

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<v Speaker 1>entitled The Fortunes of Fernand Flipper, and it's an episodic

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<v Speaker 1>tell of birth, employments, romance, fortune and death, as they

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<v Speaker 1>say in UH Death of a Salesman well particularly, and

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<v Speaker 1>this is an asinuation of that you know that that

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<v Speaker 1>old adage of you know you can depend on things

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<v Speaker 1>in life, and those those are one of 'em. Uh

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<v Speaker 1>with the aspects of you know, birth, education, employment, romance

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<v Speaker 1>and fortune and then and then in death and also

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<v Speaker 1>the aspects of it being rambling. You know, it's very

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<v Speaker 1>interesting because you know when you ramble, well pretty much

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<v Speaker 1>it's somebody that's just very incoherent in the way in

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<v Speaker 1>which they're uh expressing something, and that to me innates

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<v Speaker 1>the aspects of uh what uh soliloquies, right, And then

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<v Speaker 1>you know, Shakespeare in itself, uh he he his work

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<v Speaker 1>was a want to uh pinpoint these things out the

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<v Speaker 1>you know people you know, having these thoughts and and

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<v Speaker 1>speaking out loud, right, And then that's very interesting, uh

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<v Speaker 1>for the po uh experience that it's rambling, uh, for

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<v Speaker 1>the point of the aspects of having uh soliloquy to

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<v Speaker 1>to me, that's how I interpreted that, you know, like

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<v Speaker 1>if if that's my point of view of it, and

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<v Speaker 1>that's setting up the the the process of reiterating, you know,

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<v Speaker 1>like a taking what was already said with the aspect

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<v Speaker 1>oh done with the Obadiah Old book and just you know,

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<v Speaker 1>giving uh a different spin on it, you know, which

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<v Speaker 1>is a lot a lot of things that are really

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<v Speaker 1>popular do that. Even the Bible, you know, uh, there

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<v Speaker 1>there is uh notations of uh things being reiterated and

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<v Speaker 1>just regurgits, hired it, and it's being discounted because it's

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<v Speaker 1>something that happened after the fact and not being a

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<v Speaker 1>part of the Bible, because it's not actually proven that this,

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<v Speaker 1>you know, when you look back at it, that it

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<v Speaker 1>was actually in the time of Jesus and and then

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<v Speaker 1>at the time of the Old Testament and something way

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<v Speaker 1>by way after you know, so so forth, and that

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<v Speaker 1>could be a ye. And it's just interesting how you know,

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<v Speaker 1>something that is so profound and so upl lifting or

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<v Speaker 1>or something that is so meaningful that has has been

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<v Speaker 1>accounted for, and then you know, people having an admar

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<v Speaker 1>you know. And I think that's what was going on

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<v Speaker 1>with the aspects of the uh fortunist uh of Frina Clipper,

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<v Speaker 1>that you know, get e seeing something that's already been

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<v Speaker 1>done and and reinterpreting that like this. This is this

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<v Speaker 1>concept of reinterpreting something that has a profound effect on culture.

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<v Speaker 1>It it's you know, really nothing new. But getting back

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<v Speaker 1>to the point here, I just think it was simply rambling,

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<v Speaker 1>you know, for the sake of you know, setting it

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<v Speaker 1>up for a means to have thought bubbles or you know,

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<v Speaker 1>something like a soliloquy like this is uh expected for

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<v Speaker 1>people to kind of understand or are you n It's

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<v Speaker 1>one of those things to understand the audience too, in uh,

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<v Speaker 1>the context and time, in the circumstance. Maybe the person

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<v Speaker 1>who uh was originally wrote wrote this or made this.

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<v Speaker 1>That's what they were an intending. Uh, that was something

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<v Speaker 1>that was already applied, you know, depending on the historical

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<v Speaker 1>context in the eye that you know, to look at

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<v Speaker 1>it like that, this was laying down the front the

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<v Speaker 1>foundation of having a soliloquies there they're the this is

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<v Speaker 1>just long, long soliloquy and that's why it's rambling like that,

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<v Speaker 1>and then leading down the road of you know, comic

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<v Speaker 1>books really taking shape and taking form into its own

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<v Speaker 1>and then having a c consensus Okay, well let's take

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<v Speaker 1>it to another level, you know, and having the placement

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<v Speaker 1>in which doop bubbles are very you know, prevalent and

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<v Speaker 1>precise and concise in these comics. And it's also interesting

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<v Speaker 1>too how things develop and become its own when I

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<v Speaker 1>when uh people think after the fact or uh they

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<v Speaker 1>say well, what's the next thing that we can do

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<v Speaker 1>to uh carry this medium on? Because you know, we

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<v Speaker 1>see that it's gaining a lot of traction, So what's next?

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<v Speaker 1>And I that's to me is what is very interesting

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<v Speaker 1>about the aspects of comic books. It's it's it's for

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<v Speaker 1>the most part, it's it's been center around the aspects

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<v Speaker 1>of what's next or what can we do? How can

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<v Speaker 1>we reienterate a subject matter and take it to the

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<v Speaker 1>next level. Dead Pool is a really good example of this. Okay,

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<v Speaker 1>that's countless others and I'll get into that on Wednesday

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<v Speaker 1>more specifically, but to uh raining and wrap up here

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<v Speaker 1>and you know, get to the focal point here that

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<v Speaker 1>Pool in itself. You know, you have this character that

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<v Speaker 1>really breaks down w the expectations of what.

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<v Speaker 2>Are a superhero.

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<v Speaker 1>You know, for the most part, it's supposed to be

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<v Speaker 1>because you know, it was established a superhero does this?

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<v Speaker 2>A superhero looks like this? And there you go.

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<v Speaker 1>Now that you know, before deal Pool came out, there

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<v Speaker 1>was you know, alterations, uh tweaking and you know, you

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<v Speaker 1>get like the anti hero, you get you know, uh,

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<v Speaker 1>the the concept of.

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<v Speaker 2>Justice and protection and.

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<v Speaker 1>It's gray and and everything else, so you know when

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<v Speaker 1>you think about Batman in the subject matter and other

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<v Speaker 1>other other concepts.

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<v Speaker 2>But uh, when the.

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<v Speaker 1>Coming but what that pulling itself came out, it was

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<v Speaker 1>very interesting because that coming move was not only wittedly

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<v Speaker 1>m making fun of uh pop culture, it would e

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<v Speaker 1>that if that pulling itself would break down the concept

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<v Speaker 1>of the four fourth wall, the fourth wall you know,

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<v Speaker 1>for itself, it's uh something that that was very disturbing

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<v Speaker 1>to break down. You know when it was fir well,

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<v Speaker 1>initially when it was first done, I I W I

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<v Speaker 1>would say it was probably Nah, I'm just merely going

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<v Speaker 1>on from what I understand, and y'all I uh movie

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<v Speaker 1>buffs or uh fe uh the uh TV buffs what

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<v Speaker 1>have you? You y'all can correct me and fill me

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<v Speaker 1>in on it by emailing me or getting making comments,

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<v Speaker 1>you know, with this episode. So there was one Hitchcock

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<v Speaker 1>film where this was done to.

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<v Speaker 2>Be very menacing.

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<v Speaker 1>Okay, and for those who know and for those who

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<v Speaker 1>don't know, yeah, I I'm tryna think about what it was.

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<v Speaker 1>But anyway, I'm just gonna set up set up the

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<v Speaker 1>the uh what the scene is? So initially it's a

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<v Speaker 1>scene where people are watching tennis, right, and you know,

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<v Speaker 1>everybody's moving their head back and forth, back and forth

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<v Speaker 1>cause they're watching a tennis match.

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<v Speaker 2>Okay, but.

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<v Speaker 1>There's one person in the crowd that's just looking straight

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<v Speaker 1>on at someone to antagonize them to know that there's

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<v Speaker 1>something amiss and there's something going to happen. That was,

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<v Speaker 1>from what I understand, was the first you know, interplay

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<v Speaker 1>of the aspects of breaking that down. And then you know,

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<v Speaker 1>the fourth wall became a thing where it was it's

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<v Speaker 1>comic relief, you know, w you know when you s

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<v Speaker 1>uh saw it and UH Ferris Builder's Day Off, it

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<v Speaker 1>was reenterating again in other films and then uh in television,

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<v Speaker 1>Uh Will Smith and UH A Fresh Prince of Bellat

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<v Speaker 1>he did it a lot, and.

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<v Speaker 2>In the UH show.

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<v Speaker 1>Now doing that in a comic book, that's all the thing,

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<v Speaker 1>because in a comic book, you know, you don't you

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<v Speaker 1>don't have something moving in order to you know, break

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<v Speaker 1>it up a little bit. It's just there in the

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<v Speaker 1>pages and you're like, oh wow, okay, and it it

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<v Speaker 1>j it it's it can be drawing, you know, if

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<v Speaker 1>you're not really but if that's not really something that's

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<v Speaker 1>interesting to you, but it was just another aspect of

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<v Speaker 1>how that's very interesting and that's that's uh very could

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<v Speaker 1>be very reassuring with the aspects of what comic books

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<v Speaker 1>can do because it's another platform that it's entertains the

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<v Speaker 1>aspects of thinking about what what can you do next?

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<v Speaker 1>With telling the story? Now, what can you do next?

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<v Speaker 1>With the aspects of art and and the disposition of

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<v Speaker 1>the UH popular culture of how people see themselves for

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<v Speaker 1>popular culture, or how people see themselves in any aspects

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<v Speaker 1>of modernity, UH, how people see themselves in the aspects

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<v Speaker 1>of nostalgia with nostalgia, how people feel about nostalgia, all

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<v Speaker 1>the aspects of how people think about UH violence, UH

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<v Speaker 1>justice and UH the concept of M sci UH science

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<v Speaker 1>and technology, the concept of UH superheroes and their placement

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<v Speaker 1>and comic books. When you know uh are you don't

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<v Speaker 1>we a you don't you take it into another level

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<v Speaker 1>with the aspects of something like au t uh tales

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<v Speaker 1>from a crypt and UH that concept the aspects of

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<v Speaker 1>the subject matter when it has to do with what

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<v Speaker 1>you do uh and uh reality of your situation is

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<v Speaker 1>a very spiritual thing. This can also be a very

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<v Speaker 1>UH Christian nonn connotation, but the aspects of this can

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<v Speaker 1>be like a interpretation of UH.

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<v Speaker 2>A lot of different religions of.

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<v Speaker 1>Y. You get your come up and s whether you

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<v Speaker 1>realize that or not, when you do misdeeds it it

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<v Speaker 1>eventually comes back to you of. But it's laid in

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<v Speaker 1>the concept of UH, of of horror and and UH

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<v Speaker 1>you know, monsters and ghoules, you know, reiterating that and

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<v Speaker 1>that's that's very interesting. So that my first thoughts about

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<v Speaker 1>the aspects of UH, the UH comic books and the

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<v Speaker 1>aspects of for UH the the first comic books, you know,

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<v Speaker 1>and then actually and then American This the American comic

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<v Speaker 1>book that is UH considered to be the first comic book.

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<v Speaker 1>So I would like to know what you all think.

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<v Speaker 1>Feel free to reach out to me and you know,

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<v Speaker 1>continuing the conversation you UH email is great and also

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<v Speaker 1>comments on YouTube's greatly appreciated. So this reaches the end

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<v Speaker 1>of the heart being like tune in, turn up, and

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<v Speaker 1>absolutely take care by bye for now.