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<v Speaker 1>Hello, and welcome to Castle of Horror, the show dedicated

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<v Speaker 1>to horror movies an awesomeness. This week we have a

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<v Speaker 1>look at the nineteen eighty nine horror film Howling five

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<v Speaker 1>The Rebirth. This is episode four hundred and fifty six.

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<v Speaker 1>Bear in mind if you haven't seen today's movie, we're

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<v Speaker 1>going to be talking about it from the perspective of

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<v Speaker 1>horror fans who have seen it, So warning spoilers ahead.

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<v Speaker 1>From Denver, Colorado, I'm your host, Jason Henderson, publisher at

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<v Speaker 1>Castlebridge Media, home of the Castle of Horror anthology. With

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<v Speaker 1>me from Austin is Tony Sabaggio, lead singer and bassist

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<v Speaker 1>of the band Deserts of Mars and lead guitarist of

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<v Speaker 1>the band Rise from Fire. Salo Tony Howdy Howdy, also

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<v Speaker 1>in Austin. Mister Drew Edwards is the writer creator of

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<v Speaker 1>the long running underground comic Halloween Man, which you can

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<v Speaker 1>find at Global Comics. He is a Best Writer Ringo nominee,

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<v Speaker 1>Austin Chronicle Best of Austin Award winner and a member

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<v Speaker 1>of the Pen America Fellowship.

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<v Speaker 2>Salo Drew, It's hard to play it is it is.

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<v Speaker 1>I feel for that girl, and finally, also in Denver

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<v Speaker 1>color commentary from the one and only Julia Guzman Guzman

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<v Speaker 1>Immigration of Denvers.

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<v Speaker 3>Hello, no, this can't be happening.

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<v Speaker 1>Speaking of Julia was a talking head recently on Telemundo,

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<v Speaker 1>which was so neat? How cool is that our TV?

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<v Speaker 1>And there's Julia on Telemundo answering questions in Spanish? No less,

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<v Speaker 1>So she's a talking head in Spanish. I felt, yeah,

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<v Speaker 1>well sure, but I'm just saying, just to get the

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<v Speaker 1>complete picture of it. There was your lovely face and

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<v Speaker 1>your your You've got the firm brand behind you, and

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<v Speaker 1>you're rattling off Spanish language stuff, answering questions from the anchor.

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<v Speaker 1>It was so awesome, It was it was. It was

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<v Speaker 1>really cool anyway.

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<v Speaker 2>So what you're saying is not a bimbo? Very smart.

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<v Speaker 1>She was. If she were a character in this movie,

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<v Speaker 1>she would be the professor, the professor woman who So

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<v Speaker 1>okay Howling five Rebirth This is a nineteen eighty nine

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<v Speaker 1>movie that I cannot believe. I did not see this

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<v Speaker 1>movie directed by Neil Sunstrom from a screenplay by Freddie

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<v Speaker 1>Rowe and Clive Turner, and it was filmed in Budapest.

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<v Speaker 1>Even though looking at it and looking at the hotel,

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<v Speaker 1>I really thought that it might have been filmed on

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<v Speaker 1>some of the same locations as Transylvania six five thousand. No,

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<v Speaker 1>it was filmed in Budapest. This is the fifth Howling movie.

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<v Speaker 1>I don't know what that means, Drew. You will probably

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<v Speaker 1>have to explain the Howling series continuity to us, or

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<v Speaker 1>maybe it's just eight standalone films. Who knows. But before

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<v Speaker 1>we get into that, because Howling continuity, that context I

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<v Speaker 1>will want from you, Drew. But to start, you got it.

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<v Speaker 1>Let's get our opening thoughts. We'll go Tony Julia Drew,

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<v Speaker 1>and I'll go so Tony Howling five Rebirth. I don't

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<v Speaker 1>know if you've ever seen this before, but what are

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<v Speaker 1>your opening thoughts? Have not?

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<v Speaker 2>I think maybe I stopped at Howling three. It's possible

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<v Speaker 2>maybe I saw four, but I kind of I don't know.

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<v Speaker 2>It felt like diminishing returns in some ways. And I'm

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<v Speaker 2>not disparaging. I love good cheese, you know, and I

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<v Speaker 2>love good b movies, and everybody's doing the best they can,

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<v Speaker 2>so you know it just it didn't grab me to

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<v Speaker 2>get to five, I think, and I think I wanted to,

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<v Speaker 2>like this more than I did, because I think it's

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<v Speaker 2>got a lot of really interesting things that it's trying

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<v Speaker 2>to do and I think they made some cool choices

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<v Speaker 2>here and there. But it didn't grab me as much

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<v Speaker 2>as I might have wanted to. I don't know. It's

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<v Speaker 2>it's fun to discuss, but as far as rewatchability, I

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<v Speaker 2>know this is gonna be in my top But I did.

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<v Speaker 4>I did.

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<v Speaker 2>I mean, I do like I like the setup, and

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<v Speaker 2>I think the characters that they bring together are interesting

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<v Speaker 2>and it's a neat it's kind of a neat premise too,

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<v Speaker 2>And I totally understand why Drew brought it to us, uh,

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<v Speaker 2>you know, follow up our last movie, because the Werewolf

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<v Speaker 2>mystery part of it. I mean, it's a perfect double

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<v Speaker 2>feature for that part, right, Like, I couldn't ask for

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<v Speaker 2>much more than than Werewolf Mystery double feature. Like this

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<v Speaker 2>totally makes sense, but it's not. It's definitely not my

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<v Speaker 2>favorite Werewolf movie.

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<v Speaker 1>Wonderful, Thank you very much, Julia. Did you have a

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<v Speaker 1>good time with this?

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<v Speaker 3>Oh? Yeah, this movie is fun. It's not good, but

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<v Speaker 3>it is fun. I agree with Tony, there's a lot

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<v Speaker 3>of potential that was kind of lost. I feel like

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<v Speaker 3>there were some storyline stuff that I was like, wait,

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<v Speaker 3>what what's happening with the with the family and why

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<v Speaker 3>do they all have the mark? And so so what

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<v Speaker 3>like what's gonna happen with you know? There was like

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<v Speaker 3>a lot of things where you're just kind of going, wait,

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<v Speaker 3>how did that baby get saved? And why did they

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<v Speaker 3>all kill themselves? There's a lot of stuff like that

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<v Speaker 3>where you're but then you're like, you know what, repeat yourself.

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<v Speaker 3>It's just a dumb movie. I should really just relax.

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<v Speaker 3>It's yeah, it's not h it's not the you know,

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<v Speaker 3>most intellectual, but it is very very I had a

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<v Speaker 3>good time. It was entertaining.

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<v Speaker 1>It's fantastic, Thank you very much, Drew. I don't have

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<v Speaker 1>any opening opening thoughts. I'd rather just start with your

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<v Speaker 1>opening thought and then why don't you segue into explaining

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<v Speaker 1>the howling howling verse? If there is, and so so

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<v Speaker 1>give it to us, and also, you know, yeah, why

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<v Speaker 1>you chose this film, et cetera.

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<v Speaker 4>Well as far as the why you know Tony hit

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<v Speaker 4>the nail on the head, it pairs very well with

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<v Speaker 4>the bet must die because it's it's another who instead

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<v Speaker 4>of who done it? It's it's who the werewolf. And

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<v Speaker 4>so you know, I anytime I watch The Beasts Must Die,

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<v Speaker 4>I I inevitably go around and I watch this one.

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<v Speaker 4>This is kind I actually probably have seen this movie

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<v Speaker 4>more than The beet Smuts Must Die. It's kind of

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<v Speaker 4>a comfort food movie for me, which isn't to say

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<v Speaker 4>that I think it's amazing or anything. I don't. You know,

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<v Speaker 4>like there's some definitely some flat acting in it, and

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<v Speaker 4>you know, it's it's got a certain late eighties cheesiness

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<v Speaker 4>to it. And I understand when you know, people's mile

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<v Speaker 4>edge may vary. You know, I like that kind of vibe,

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<v Speaker 4>but you know it might not. But I like that

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<v Speaker 4>it is essentially, you know, an old dark house movie

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<v Speaker 4>but with a wolf. You know. I like the Eastern

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<v Speaker 4>European setting. You know, it gives it a certain atmosphere

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<v Speaker 4>that I think is cool. And you know it it's

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<v Speaker 4>it is, you know, a fun kind of spam and

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<v Speaker 4>collect you know, spam in a can, collection of characters

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<v Speaker 4>that are you know, international in nature, which makes it

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<v Speaker 4>makes it even a little bit more interesting. But yeah,

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<v Speaker 4>I don't know, I just think this is a fun movie.

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<v Speaker 4>As far as the Howling franchise go, goes it's one

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<v Speaker 4>of the better sequels, which isn't saying a whole lot,

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<v Speaker 4>but the kind of dive into your question really right, Yeah,

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<v Speaker 4>which we did the Bonified Classic. Yeah, and and that

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<v Speaker 4>is a great movie and I don't think anybody too

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<v Speaker 4>many people would argue against that. But the sequels really,

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<v Speaker 4>only the second one even attempts to be a true see,

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<v Speaker 4>like the sense of continuity is pretty loose. They're mostly

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<v Speaker 4>unrelated werewolf movies. And in fact, you know, when I

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<v Speaker 4>watched this with Jamie earlier today, she was like, well,

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<v Speaker 4>I haven't seen any any but the first two Howlings

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<v Speaker 4>do I need to have seen Howling three? And I

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<v Speaker 4>was like, no, no, you don't need you know, Heling three,

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<v Speaker 4>Heling four, Heling Fight. You know, like they're they're like that,

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<v Speaker 4>I said, one of them, you know, the third ones

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<v Speaker 4>in Australia, the second ones or the fourth ones kind

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<v Speaker 4>of a remake of the first one. And this one

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<v Speaker 4>is you know, weird late eighties gothic murder mystery thing.

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<v Speaker 4>And then then the next one you have a freak

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<v Speaker 4>show where where wolf fight's a vampire. And then actually

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<v Speaker 4>the Howling New Moon Rising does attempt continuity because it

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<v Speaker 4>is a clip show movie. So yeah, and that one's

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<v Speaker 4>probably the worst one. That or Howling Reborn, which was

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<v Speaker 4>their attempt to cash in on the popularity of Twilight.

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<v Speaker 4>So the less said about that the better. But you know,

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<v Speaker 4>I have a soft spot for this franchise. Really the

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<v Speaker 4>only the first one is a particularly good movie. But

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<v Speaker 4>there's a certain batshit craziness about a lot of the

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<v Speaker 4>sequels that I find entertaining, even if they're not great movies,

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<v Speaker 4>you know, and you know, it's it's a franchise that's

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<v Speaker 4>about were wolves, and I like watching werewolf movies.

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<v Speaker 5>So yeah, but information, I think, I think the idea,

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<v Speaker 5>I mean, I like the idea though, yes, it's nice

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<v Speaker 5>if sequels have continuity, but I like the idea that

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<v Speaker 5>they decided to just use it as a framing like, Hey,

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<v Speaker 5>you guys want to watch a werewolf movie, You're gonna

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<v Speaker 5>get one.

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<v Speaker 2>You're in a Howling movie, You're gonna get a werewolf movie.

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<v Speaker 2>And you know there's something cool about that, right, Like yeah,

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<v Speaker 2>like here you go, you're gonna get here's a werewolf movie.

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<v Speaker 2>You got you want to wear wolf movie this weekend? Well,

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<v Speaker 2>here's the hell and that's great, I think, I mean,

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<v Speaker 2>I don't know, in theory at least, that's pretty awesome.

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<v Speaker 4>So what sort of like what they tried to do

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<v Speaker 4>with with Halloween, you know, right, but yeah, but they

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<v Speaker 4>actually exactly but they actually did it. And you know,

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<v Speaker 4>I Poween Halloween, Yeah.

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<v Speaker 3>Polloween because it's like Halloween.

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<v Speaker 2>I mean, and I will say that the overall quality

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<v Speaker 2>of Howling movies. You know, there's other franchise like you

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<v Speaker 2>get like which Wichboard and that there's like a kabillion

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<v Speaker 2>of them and they're they vary wildly. So you know,

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<v Speaker 2>there's something I don't think you need to defend your

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<v Speaker 2>love of, you know, this of this being a comfort film,

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<v Speaker 2>because I think it's for that. It's actually you know,

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<v Speaker 2>pretty good.

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<v Speaker 4>Well, and I you know, it's it's the simplicity of

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<v Speaker 4>the setup is why it's comforting. It's very it's so funny. Yeah,

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<v Speaker 4>it's very watchable, you know, it really is. It's a

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<v Speaker 4>it's a breeze.

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<v Speaker 3>So I was laughing from the pretty much, not the beginning,

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<v Speaker 3>because the beginning's terrible, I mean, like so sad. But

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<v Speaker 3>but after that, after the the five hundred years ago,

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<v Speaker 3>people commit suicide and leave a maybe alive that when

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<v Speaker 3>we meet the lack of a better term, the bimbo character,

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<v Speaker 3>I'm not a bimbo character, the bimbo by night and

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<v Speaker 3>the and the tennis player guy, and he's like, I'm

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<v Speaker 3>a tennis player and she's like, oh, it's nice to

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<v Speaker 3>have a hobby there.

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<v Speaker 2>Actually, you know, there's a lot of that. There's a

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<v Speaker 2>lot of yeah, that's actually a really I you know,

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<v Speaker 2>it ebbs and flows, but that scene is actually written

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<v Speaker 2>really well. Good character like character introduction. Yeah, character introduction.

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<v Speaker 1>That was great.

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<v Speaker 2>I I hands down, that's probably that's probably one of

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<v Speaker 2>the best scenes in the movie. Interesting enough, because when

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<v Speaker 2>you get to characters interacting, they actually do a pretty

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<v Speaker 2>good job.

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<v Speaker 1>I agree about that. And you know, she actually has

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<v Speaker 1>some good interactions also because she also meets with the

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<v Speaker 1>she meets the the older quote unquote, although I think

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<v Speaker 1>the actors.

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<v Speaker 4>Are they about the same age.

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<v Speaker 1>At the same age. But in the dialogue she keeps

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<v Speaker 1>saying things like I grew up watching you. You were

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<v Speaker 1>so wonderful. I can learn so much.

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<v Speaker 3>Used to be so beautiful.

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<v Speaker 1>But the thing is the character is such a dimwit

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<v Speaker 1>that you don't get the impression she's actually intending to

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<v Speaker 1>be insulting. Insulting.

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<v Speaker 4>She's well and and and layers upon layers. Maybe she

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<v Speaker 4>isn't a dim with yeah, because she like she says

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<v Speaker 4>the she says the line early on in the movie

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<v Speaker 4>that oh, it's hard to play a bimbo because she's

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<v Speaker 4>an actress, and she keeps getting played, you know, the

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<v Speaker 4>jobs playing bimbos because she appears to be a bimbo.

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<v Speaker 4>And then what we later find out is she's the

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<v Speaker 4>fucking warbol.

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<v Speaker 1>Yeah, that's true.

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<v Speaker 3>And the look she gives at the very end is

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<v Speaker 3>like fully like, oh, you guys thought I was a nitty,

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<v Speaker 3>but I am actually not at all.

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<v Speaker 1>I actually, so what is her?

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<v Speaker 3>What is that character's name? Mary Lou Mary Lulu okay

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<v Speaker 3>so Mary Lou so so Anne. I was born in

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<v Speaker 3>nineteen fifty seven, Mary Steven and Elizabeth Shay was born

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<v Speaker 3>in when let's see, isn't that gonna tell me when

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<v Speaker 3>she was born? That would be satif. Yeah, they're not

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<v Speaker 3>giving us an age on on the IMDb, but anyway,

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<v Speaker 3>I'll keep looking.

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<v Speaker 4>She she looks the be around the same age.

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<v Speaker 1>Yeah, they're not, they're not separated by much. The but

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<v Speaker 1>I just wanted to say. I love and Tony always

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<v Speaker 1>makes fun of me because the stuff that I enjoy

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<v Speaker 1>is so predictable. I love the look of this movie.

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<v Speaker 1>I love it like there's there's just something about it.

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<v Speaker 1>It is so like this. Although the styles of the

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<v Speaker 1>movie are like embedded like deeply in the eighties, you know,

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<v Speaker 1>with the big belts and the big shoulders and all

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<v Speaker 1>that stuff, but the look of it, the film and

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<v Speaker 1>everything and what the inside of this looks like, it

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<v Speaker 1>feels very very nineties to me, you know. And I

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<v Speaker 1>I really loved this. I mean it's a.

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<v Speaker 4>Great time capsule of what what a B movie looked

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<v Speaker 4>like at this point.

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<v Speaker 1>In time in nineteen eighty nine, right around there. Yes,

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<v Speaker 1>you know, because it's you know, it's on film, so

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<v Speaker 1>it looks nice, you know, but it was apparently a

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<v Speaker 1>directed video film at the time. I'm shocked that I

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<v Speaker 1>didn't see it, you know.

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<v Speaker 2>And both the the you know, quote unquote older actress

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<v Speaker 2>and the guy plays Richard like they're they're all of

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<v Speaker 2>all the styles. Actually, all of the styles are firmly

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<v Speaker 2>of this era, like the haircuts that look like it

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<v Speaker 2>is definitely time capsule. I mean, it's done in ninety

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<v Speaker 2>but it fulfills that like we're still in the eighties

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<v Speaker 2>when we're filming it, like very like it, and so

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<v Speaker 2>none of the styles have moved on. We haven't reached

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<v Speaker 2>that tipping point where now we're into a nineties fashion, right, it's.

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<v Speaker 4>Like free, it's it's it's like that look that's like

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<v Speaker 4>in between hair metal and grunge, you.

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<v Speaker 2>Know, it's exactly. It's exactly like.

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<v Speaker 4>We haven't we haven't figured out what the nineties are

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<v Speaker 4>going to be. In the eighties are in the midst

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<v Speaker 4>of you know, in a way, you know, tying this

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<v Speaker 4>back into the original Howling, like you know, the original

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<v Speaker 4>Howling has that same sort of transitional feel to it

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<v Speaker 4>because it's early early eighties and you know, so it

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<v Speaker 4>still has that that feel of the seventies to it,

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<v Speaker 4>and this is late eighties, and so it's like the

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<v Speaker 4>eighties becoming the nineties, but we don't know what the

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<v Speaker 4>nineties are yet.

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<v Speaker 1>It's I it definitely felt like a time capsule to me.

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<v Speaker 1>So that was that's I think if you're the listener,

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<v Speaker 1>I mean, I cannot imagine for all the world that

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<v Speaker 1>you listened to this conversation without actually having seen Howling five.

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<v Speaker 1>But if you haven't, you like to listen to these beforehand,

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<v Speaker 1>you know, to give you then definitely put this movie on.

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<v Speaker 1>I mean, you can do other stuff, you know, like

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<v Speaker 1>mag nachos or whatever it is one does with one's time,

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<v Speaker 1>but this.

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<v Speaker 4>Is a great movie to eat.

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<v Speaker 1>My point is you don't have to like stare at

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<v Speaker 1>the film, but definitely put it up there as some

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<v Speaker 1>because well, it just looks great.

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<v Speaker 2>It's the guy plays like the Duke character, and William

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<v Speaker 2>Shockley plays Richard would definitely like could easily shift into

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<v Speaker 2>like a Bloodstone movie or or what's the other one

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<v Speaker 2>with Gillian Stands, Oh, Warlock, Warlock movie like that. You know,

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<v Speaker 2>they're all all these characters could easily like you could

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<v Speaker 2>do a hammer thing where they flow into two full

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00:16:47.679 --> 00:16:51.240
<v Speaker 2>moon movies like it all. It all feels like that

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<v Speaker 2>the other things of the best ways though, you know,

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<v Speaker 2>in my opinion.

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<v Speaker 4>But the other thing that's kind of cool about it is,

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<v Speaker 4>even though it is this time capsule thing, because the

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<v Speaker 4>bulk of the action is contained to this castle, it's

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<v Speaker 4>also kind of timeless. Like you know, like this this story,

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<v Speaker 4>you could take the same script and you know, the

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<v Speaker 4>only thing you would really maybe have to add is

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<v Speaker 4>is cell phones if you wanted to. But you could

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<v Speaker 4>pretty much do the same script now and have pretty

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00:17:26.880 --> 00:17:29.920
<v Speaker 4>much the same story, which is interesting to me.

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<v Speaker 1>No, you're exactly well. And in a sense, this is

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<v Speaker 1>yet another you said old dark house. It's thinking house

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<v Speaker 1>on hunted Hills. Since they've all been gathered together for

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<v Speaker 1>a reason, because because they're all connected, the and and

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<v Speaker 1>by the way, I'm gonna say this and I when

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<v Speaker 1>I ask a question of everybody, So the concept is

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<v Speaker 1>everybody here has been invited to come and check out

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<v Speaker 1>this castle that has been reopened. This is kind of

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00:17:56.559 --> 00:18:00.279
<v Speaker 1>a publicity press opening of a castle that is been

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<v Speaker 1>closed after mysterious violent offenses happened hundreds of years ago.

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<v Speaker 1>Castle has been reopened, five hundred years ago. Castle has

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<v Speaker 1>been reopened. And it turns out that not only is

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<v Speaker 1>there a werewolf among them who is killing people. And

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<v Speaker 1>I want to get into some of the cool werewolf effects,

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00:18:22.359 --> 00:18:26.839
<v Speaker 1>but everybody is connected because they all bear this this

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<v Speaker 1>sort of birthmark that that connects them to the curse

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<v Speaker 1>of this werewolf.

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<v Speaker 4>But well, they're all descendants of the baby that survived

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<v Speaker 4>this This family basically kill everybody in this family decided

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<v Speaker 4>to commit a mass suicide and this were wolf bloodline,

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<v Speaker 4>and they one baby was left alive.

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<v Speaker 1>So my my only question is why is Mary Lou?

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<v Speaker 1>You know spoilers by the way, Mary Lou? But why uh?

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<v Speaker 1>Why is she killing all of the others? Like why

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00:19:04.240 --> 00:19:05.880
<v Speaker 1>like why is.

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00:19:05.799 --> 00:19:07.839
<v Speaker 4>She the one that inherited the curse?

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00:19:07.880 --> 00:19:10.440
<v Speaker 3>I guess, like why is she from nobody else's? So

335
00:19:10.880 --> 00:19:14.000
<v Speaker 3>how comes she? There's just the one? There's so many questions.

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00:19:14.000 --> 00:19:16.720
<v Speaker 3>It's not just a question any questions.

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00:19:16.920 --> 00:19:19.640
<v Speaker 1>I feel like it loses I feel like it kind

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00:19:19.680 --> 00:19:22.920
<v Speaker 1>of drops the whole question in fact of of the

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00:19:23.559 --> 00:19:26.279
<v Speaker 1>tattoo and sticks with the who's the werewolf thing?

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<v Speaker 4>Yeah, I mean, isn't it?

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00:19:27.640 --> 00:19:29.960
<v Speaker 2>Isn't it kind of the same as I mean Drew

342
00:19:30.000 --> 00:19:32.160
<v Speaker 2>brought it to us because of you know, the beast

343
00:19:32.240 --> 00:19:34.880
<v Speaker 2>must thigh? But isn't the Hey, if we get everybody here,

344
00:19:34.920 --> 00:19:37.000
<v Speaker 2>we can figure out who's the wealth and in this

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<v Speaker 2>I mean.

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<v Speaker 4>I guess generally the thought the count who organized all

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00:19:43.079 --> 00:19:47.279
<v Speaker 4>of this that seems to be thought process is that

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<v Speaker 4>I don't know.

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<v Speaker 2>Maybe, I mean, yes, it's not like like Julia, You're

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00:19:52.440 --> 00:19:57.079
<v Speaker 2>not wrong, but I was under the impression that once

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<v Speaker 2>we once, once we get the twist, we're kind of again,

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00:19:59.599 --> 00:20:01.200
<v Speaker 2>we're kind of ahead of that, but like once we

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<v Speaker 2>get the twist of like by the way, you're all

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<v Speaker 2>you all could be cursed. One or one or all

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<v Speaker 2>of us could be were wolves. But the intent is

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<v Speaker 2>to end it here, right, Like I've collected everybody who

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00:20:12.440 --> 00:20:15.039
<v Speaker 2>has that mark, and I want to end it now.

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<v Speaker 3>And what though, see, the thing is what I don't

359
00:20:17.200 --> 00:20:21.200
<v Speaker 3>understand and maybe I'm forgetting something. Five hundred years ago,

360
00:20:21.200 --> 00:20:23.799
<v Speaker 3>a bunch of people killed themselves. They left a baby alive,

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00:20:23.839 --> 00:20:26.559
<v Speaker 3>and as the guy was dying, he's like, oh no,

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00:20:26.640 --> 00:20:30.079
<v Speaker 3>we've all died in vain, meaning I guess shit, we

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00:20:30.119 --> 00:20:33.160
<v Speaker 3>forgot to kill the baby. And so the family curse

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00:20:33.240 --> 00:20:36.599
<v Speaker 3>is going to continue? Sure right, yeah, okay, So now

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00:20:36.799 --> 00:20:39.839
<v Speaker 3>five hundre years later, we've got this count who goes, hey, everybody,

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00:20:39.920 --> 00:20:41.799
<v Speaker 3>come check out this awesome castle that we opened up

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00:20:41.799 --> 00:20:44.359
<v Speaker 3>after five hundre years. But what I mean, who has

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<v Speaker 3>been getting Did I miss something or did I forget

369
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<v Speaker 3>something where some were wolf has been killing people? Like

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<v Speaker 3>I don't remember that being a story.

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<v Speaker 2>Well, I mean they don't.

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<v Speaker 4>They talk a lot about were wolves and how like

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<v Speaker 4>they still blame were wolves for the death's deaths in

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00:21:04.799 --> 00:21:08.359
<v Speaker 4>the area, and that kind.

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<v Speaker 3>Of why was she that this girl has not been

376
00:21:11.200 --> 00:21:16.720
<v Speaker 3>there as as I can tell you Americans, why would they? Why? Why? Why? Why?

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<v Speaker 4>Mouldey, Well, the count is trying. The Count is trying

378
00:21:21.880 --> 00:21:25.039
<v Speaker 4>to wipe out the bloodline. He's trying to finish the

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00:21:25.160 --> 00:21:27.519
<v Speaker 4>job that they did back and started back in the

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<v Speaker 4>Middle Ages.

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<v Speaker 3>I would have just loved to have a line of

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00:21:30.759 --> 00:21:35.799
<v Speaker 3>dialogue about something with were wolves that you could later

383
00:21:35.839 --> 00:21:39.319
<v Speaker 3>find out she was there for some reason, like, man.

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00:21:39.160 --> 00:21:41.119
<v Speaker 2>That that was a weird thing in New York that

385
00:21:41.240 --> 00:21:43.920
<v Speaker 2>happened that seemed to be like a were wolf. Don't

386
00:21:43.960 --> 00:21:45.319
<v Speaker 2>need to I mean there's.

387
00:21:45.039 --> 00:21:48.880
<v Speaker 4>Even there's even the animal that they hit and they

388
00:21:48.960 --> 00:21:52.119
<v Speaker 4>dropped that and that exactly.

389
00:21:51.799 --> 00:21:54.680
<v Speaker 3>Run over something. I know, it's well, it's not a

390
00:21:54.720 --> 00:21:55.680
<v Speaker 3>great movie.

391
00:21:55.440 --> 00:21:58.759
<v Speaker 4>But it's not. It's not it's not I'm not I'm

392
00:21:58.759 --> 00:22:03.160
<v Speaker 4>not trying to defend it more more than than it is.

393
00:22:03.440 --> 00:22:05.160
<v Speaker 1>You know, like once again, why I say it's a

394
00:22:05.240 --> 00:22:09.960
<v Speaker 1>nacho movie. You know, it's it's it's cheese.

395
00:22:10.720 --> 00:22:14.799
<v Speaker 4>But you know, because you know, there is a lot

396
00:22:14.799 --> 00:22:18.359
<v Speaker 4>of stuff that happens that just is is dropped. But

397
00:22:19.119 --> 00:22:23.200
<v Speaker 4>the the sinse I get, at least as far the

398
00:22:23.240 --> 00:22:26.880
<v Speaker 4>way that this were Wolf curse works is maybe it's

399
00:22:26.960 --> 00:22:31.319
<v Speaker 4>like a buffy situation, like maybe it's like one were

400
00:22:31.359 --> 00:22:36.319
<v Speaker 4>wolf per generation. But you know, yeah, you're right, absolutely

401
00:22:36.359 --> 00:22:38.359
<v Speaker 4>there should have been a line in there to maybe

402
00:22:38.759 --> 00:22:42.599
<v Speaker 4>clarify it. But I mean this movie is much more

403
00:22:42.640 --> 00:22:48.519
<v Speaker 4>interested in exploring this castle and secret tunnels and people

404
00:22:48.599 --> 00:22:54.119
<v Speaker 4>walking around with candles and that stuff is kind of

405
00:22:54.160 --> 00:22:56.279
<v Speaker 4>what makes me forgive it.

406
00:22:57.519 --> 00:22:59.240
<v Speaker 2>That's fair, that's fair.

407
00:23:00.079 --> 00:23:02.279
<v Speaker 3>Agree with that. Yeah, that once you get into that

408
00:23:02.319 --> 00:23:05.000
<v Speaker 3>where they're just all all these people are around and

409
00:23:05.440 --> 00:23:07.920
<v Speaker 3>somebody and they immediately start dying. We got this movie

410
00:23:07.960 --> 00:23:09.599
<v Speaker 3>wastes no time killing people off.

411
00:23:10.480 --> 00:23:12.319
<v Speaker 4>There's a lot of people they have to kill.

412
00:23:12.599 --> 00:23:15.400
<v Speaker 3>Yeah, Jason's like this is a huge cast and like

413
00:23:15.440 --> 00:23:16.960
<v Speaker 3>they got to kill a lot of they gotta have

414
00:23:17.000 --> 00:23:17.920
<v Speaker 3>a lot of people to kill.

415
00:23:18.599 --> 00:23:20.960
<v Speaker 4>The little it down to two.

416
00:23:21.279 --> 00:23:24.640
<v Speaker 1>Yeah, that's that's totally true. I love it.

417
00:23:24.720 --> 00:23:28.960
<v Speaker 2>That's the sneak there, like it can sneak like no problem,

418
00:23:29.079 --> 00:23:32.799
<v Speaker 2>like nobody's business and where people and.

419
00:23:32.759 --> 00:23:35.400
<v Speaker 3>Like yeah, like the count, the count says or the

420
00:23:35.400 --> 00:23:39.000
<v Speaker 3>press whoever was says that the that it has to

421
00:23:39.039 --> 00:23:40.759
<v Speaker 3>be the most Yeah, the count. I guess that has

422
00:23:40.799 --> 00:23:43.759
<v Speaker 3>to be the most innocent person. And so he immediately

423
00:23:43.799 --> 00:23:46.839
<v Speaker 3>decides that it's this guy instead of her, because I

424
00:23:46.839 --> 00:23:49.440
<v Speaker 3>guess you can't imagine it's her. Uh and it is

425
00:23:49.480 --> 00:23:53.279
<v Speaker 3>because she does, do you know, make the the the

426
00:23:53.319 --> 00:23:58.400
<v Speaker 3>blonde the blonde thing work for her? Nobody figures it out.

427
00:23:58.839 --> 00:24:01.880
<v Speaker 2>Now that she mentioned, I wonder if he's more like, well,

428
00:24:01.960 --> 00:24:06.839
<v Speaker 2>surely you're you're a virgin loser in his mind. I

429
00:24:06.839 --> 00:24:09.279
<v Speaker 2>think that you can't possibly be because she's a bimbo.

430
00:24:09.720 --> 00:24:11.559
<v Speaker 1>I think I think that's the idea.

431
00:24:12.000 --> 00:24:14.720
<v Speaker 2>Oh my god, that's a terrible wow.

432
00:24:14.920 --> 00:24:18.319
<v Speaker 1>What a new stupid detailed sweater wearing loser.

433
00:24:18.640 --> 00:24:20.240
<v Speaker 2>What a what a dig?

434
00:24:20.480 --> 00:24:27.200
<v Speaker 6>And you can't possibly she's not that innocent, you sir, However,

435
00:24:29.759 --> 00:24:32.160
<v Speaker 6>I don't know that's quite the assumption.

436
00:24:32.279 --> 00:24:33.680
<v Speaker 2>And dig there.

437
00:24:33.759 --> 00:24:36.680
<v Speaker 1>I love all of these Europeans, by the way. I mean,

438
00:24:36.799 --> 00:24:39.880
<v Speaker 1>these guys all look like like they're they're, you know,

439
00:24:40.480 --> 00:24:42.960
<v Speaker 1>the bad guys in die Hard, and with their with

440
00:24:43.039 --> 00:24:47.039
<v Speaker 1>their their their wang chung hair and there and there

441
00:24:47.119 --> 00:24:48.400
<v Speaker 1>dotted ties and everything.

442
00:24:48.440 --> 00:24:50.559
<v Speaker 3>The worst, the worst actor is the best hair. I

443
00:24:50.599 --> 00:24:51.200
<v Speaker 3>loved his hair.

444
00:24:51.240 --> 00:24:53.759
<v Speaker 2>I was like, my god, that's really yes, well he's

445
00:24:54.079 --> 00:24:56.839
<v Speaker 2>you gotta be talking about Richard right like, but he's

446
00:24:56.880 --> 00:25:00.920
<v Speaker 2>a regular like event up on uh doctor Quinn Medicine

447
00:25:00.920 --> 00:25:03.440
<v Speaker 2>woman like a long time yeah, like one hundred and

448
00:25:03.440 --> 00:25:06.720
<v Speaker 2>twenty episodes. I was looking no kidding, Wow, Yeah, he

449
00:25:06.839 --> 00:25:11.000
<v Speaker 2>was a regular. He's also a musician and from Texas Tech.

450
00:25:11.079 --> 00:25:14.160
<v Speaker 4>No less, it could just be that he he did

451
00:25:14.200 --> 00:25:18.759
<v Speaker 4>not believe in, uh, what was happening in this.

452
00:25:19.440 --> 00:25:23.559
<v Speaker 2>It's possible also, you know, I'll be fair that they're

453
00:25:23.640 --> 00:25:25.559
<v Speaker 2>you know, we've seen a lot of when you watch

454
00:25:25.599 --> 00:25:28.480
<v Speaker 2>somebody who's really good in a movie where they're not

455
00:25:28.599 --> 00:25:31.759
<v Speaker 2>as good and then you gotta go, I think that

456
00:25:31.839 --> 00:25:36.480
<v Speaker 2>director may not be an actor's director or a character director,

457
00:25:36.599 --> 00:25:40.240
<v Speaker 2>and that's okay, it can work. But him and this,

458
00:25:40.720 --> 00:25:44.599
<v Speaker 2>it's it's it's pretty, it's rough, it's it's a tough

459
00:25:44.680 --> 00:25:49.400
<v Speaker 2>watch sometimes, and I because it's not. It's not you know,

460
00:25:49.599 --> 00:25:51.680
<v Speaker 2>regardless of what people think, it's not an easy job.

461
00:25:51.920 --> 00:25:54.759
<v Speaker 2>And every every set is different. And I really don't

462
00:25:54.880 --> 00:25:58.960
<v Speaker 2>like like cooking fun of people, but man it he

463
00:25:59.000 --> 00:26:01.759
<v Speaker 2>has some tough where you're like, I don't know if

464
00:26:01.799 --> 00:26:05.119
<v Speaker 2>that's the motion for that, but okay, what I am.

465
00:26:05.279 --> 00:26:08.440
<v Speaker 4>I am not as willing to give him a pass

466
00:26:08.599 --> 00:26:13.200
<v Speaker 4>because the woman that's playing the doctor, who has a

467
00:26:13.240 --> 00:26:15.319
<v Speaker 4>lot of scenes with him, she's.

468
00:26:16.079 --> 00:26:20.240
<v Speaker 2>Yeah, I'm with you, I'm okay, I got Yeah, that's fair.

469
00:26:20.319 --> 00:26:23.440
<v Speaker 4>You know, like she's she's taking the material and she's

470
00:26:23.480 --> 00:26:27.240
<v Speaker 4>doing her her her best with it. So like he

471
00:26:27.359 --> 00:26:31.400
<v Speaker 4>phoned it in and you know, whatever.

472
00:26:31.240 --> 00:26:33.160
<v Speaker 3>You have believed in the material.

473
00:26:33.480 --> 00:26:34.359
<v Speaker 4>I'm sure he did.

474
00:26:34.880 --> 00:26:38.880
<v Speaker 3>And there's that movie The Avengers from before, you know,

475
00:26:38.920 --> 00:26:43.880
<v Speaker 3>before Marvel Avengers with Uma Thurman and Ray Fine, and

476
00:26:43.920 --> 00:26:45.720
<v Speaker 3>if I just saw them in that movie, I would

477
00:26:45.720 --> 00:26:47.480
<v Speaker 3>think they were terrible actors. And they're some of the

478
00:26:47.480 --> 00:26:51.480
<v Speaker 3>best actress we have. So you can definitely have those

479
00:26:51.559 --> 00:26:54.759
<v Speaker 3>movies where you're just like, no, I'm not, I'm not well.

480
00:26:54.920 --> 00:26:55.160
<v Speaker 1>You know.

481
00:26:56.319 --> 00:26:58.319
<v Speaker 2>This is also early on in his career too, because

482
00:26:59.160 --> 00:27:02.799
<v Speaker 2>role is creepy in Rebocop. So you know, do what

483
00:27:02.839 --> 00:27:06.920
<v Speaker 2>you gotta do, man, make it work. Eventually he gets eventually,

484
00:27:06.920 --> 00:27:08.680
<v Speaker 2>he gets into all kinds of stuff.

485
00:27:08.920 --> 00:27:13.440
<v Speaker 4>So the best actor in the movie for me is

486
00:27:13.440 --> 00:27:17.079
<v Speaker 4>is Phil Davis, the guy playing the count, because he

487
00:27:17.240 --> 00:27:20.839
<v Speaker 4>seems to know exactly what kind of movie I'm with

488
00:27:20.960 --> 00:27:25.160
<v Speaker 4>you he's he's got is the he is the right

489
00:27:25.279 --> 00:27:30.160
<v Speaker 4>kind of over the top like he he's like walking around.

490
00:27:30.400 --> 00:27:34.440
<v Speaker 4>He lets his his his trench coat do some of

491
00:27:34.480 --> 00:27:35.680
<v Speaker 4>his acting for him.

492
00:27:35.960 --> 00:27:38.599
<v Speaker 3>You know, I love all the women. All the women

493
00:27:38.599 --> 00:27:38.960
<v Speaker 3>are great.

494
00:27:39.119 --> 00:27:41.039
<v Speaker 4>The women all do really good work.

495
00:27:41.559 --> 00:27:42.519
<v Speaker 2>Totally there.

496
00:27:42.599 --> 00:27:47.720
<v Speaker 4>Yeah, but I think the best of them probably is

497
00:27:47.720 --> 00:27:54.160
<v Speaker 4>the woman playing the older quote unquote older actress. You know,

498
00:27:54.559 --> 00:27:58.079
<v Speaker 4>she looks like she might be at most thirty, well.

499
00:27:58.720 --> 00:28:01.559
<v Speaker 3>In nineteen fifty seven, So what would be the math there?

500
00:28:01.640 --> 00:28:04.559
<v Speaker 3>Thirty two? No, yeah, yeah, thirty two, because it's that

501
00:28:04.640 --> 00:28:07.039
<v Speaker 3>nineteen eighty nine. Yeah, she's thirty two. She's definitely not

502
00:28:07.119 --> 00:28:11.519
<v Speaker 3>older quote unquote Yeah, yeah, older than the girl maybe,

503
00:28:11.559 --> 00:28:12.279
<v Speaker 3>but not by much.

504
00:28:12.519 --> 00:28:15.119
<v Speaker 4>I mean you can kind of buy that there is

505
00:28:15.160 --> 00:28:18.400
<v Speaker 4>an age difference just in the way that they play.

506
00:28:18.119 --> 00:28:20.599
<v Speaker 1>It, because right exactly, and.

507
00:28:20.519 --> 00:28:24.680
<v Speaker 4>That's yeah, they you know, like the one girl is

508
00:28:24.720 --> 00:28:27.440
<v Speaker 4>so wide eyed and naive and the other girl seems

509
00:28:27.680 --> 00:28:32.000
<v Speaker 4>the other woman seems so much more worldly. But you

510
00:28:32.039 --> 00:28:36.359
<v Speaker 4>know it's it's uh, it's they don't really look that

511
00:28:36.519 --> 00:28:41.119
<v Speaker 4>different in age. The other thing I think, well, while

512
00:28:41.119 --> 00:28:46.000
<v Speaker 4>we're talking about the cast, that is interesting here the

513
00:28:46.079 --> 00:28:52.079
<v Speaker 4>Australian guy, Clive Turner, you know, is is actually heavily

514
00:28:52.359 --> 00:28:58.559
<v Speaker 4>involved with the Howling franchise. He is one of the writers.

515
00:28:58.640 --> 00:29:03.839
<v Speaker 4>He also shows up in a bit part in in

516
00:29:04.680 --> 00:29:11.400
<v Speaker 4>the previous movie. He screen wrote the two sequels after this,

517
00:29:12.039 --> 00:29:16.359
<v Speaker 4>and he was one of the caterers on Howling three

518
00:29:16.400 --> 00:29:21.039
<v Speaker 4>of the Marsuper marsupials. So he has a long, long

519
00:29:21.160 --> 00:29:25.839
<v Speaker 4>history with this franchise. And when when they do Howling

520
00:29:26.880 --> 00:29:30.079
<v Speaker 4>New Moon's New Moon Rising and they attempt to sort

521
00:29:30.119 --> 00:29:34.680
<v Speaker 4>of graft everything in to give the series more continuity,

522
00:29:35.079 --> 00:29:37.799
<v Speaker 4>this is the guy that they use. They use that

523
00:29:38.000 --> 00:29:41.920
<v Speaker 4>rationale of this Australian guy as their through line. So

524
00:29:42.039 --> 00:29:45.359
<v Speaker 4>that's kind of funny bit of trivia there.

525
00:29:45.920 --> 00:29:48.440
<v Speaker 2>I did want to bring up though, that uh you know,

526
00:29:48.559 --> 00:29:52.200
<v Speaker 2>our quote unquote older actress also uh you know, a

527
00:29:52.480 --> 00:29:55.519
<v Speaker 2>known for being an actress of beauty, but also she

528
00:29:55.759 --> 00:29:59.519
<v Speaker 2>was in Bond movies. She was in Octopussy and of

529
00:29:59.559 --> 00:30:03.440
<v Speaker 2>You Two Kill So and highly highly regarded by Roger

530
00:30:03.519 --> 00:30:06.960
<v Speaker 2>Moore if you read if you read Wikipedia, he's you know,

531
00:30:07.119 --> 00:30:09.799
<v Speaker 2>says Roger Moore things. But yes, it was kind of

532
00:30:09.839 --> 00:30:12.480
<v Speaker 2>a perfect you know, it's kind of a perfect fit. Like, hey,

533
00:30:13.039 --> 00:30:15.400
<v Speaker 2>I am this beautiful actress, let me play a beautiful

534
00:30:15.400 --> 00:30:17.319
<v Speaker 2>actress in this like that's that's cool.

535
00:30:17.440 --> 00:30:20.200
<v Speaker 1>She absolutely does look like a like a Bond girl?

536
00:30:21.279 --> 00:30:23.480
<v Speaker 1>Are there? Before we get to the ending, which I

537
00:30:23.519 --> 00:30:27.039
<v Speaker 1>regard as rather abrupt because I feel like it's just

538
00:30:27.079 --> 00:30:31.119
<v Speaker 1>sort of suddenly suddenly done. There's a couple of things

539
00:30:31.119 --> 00:30:33.480
<v Speaker 1>that I wanted to bring to mind. First of all,

540
00:30:33.599 --> 00:30:36.759
<v Speaker 1>I kind of love even though all of these characters

541
00:30:36.759 --> 00:30:40.359
<v Speaker 1>have just met one another, the movie sort of pretends

542
00:30:40.359 --> 00:30:43.240
<v Speaker 1>that they've all become fast friends, so that the so

543
00:30:43.640 --> 00:30:46.440
<v Speaker 1>that you know, the ladies are hanging out in their

544
00:30:46.480 --> 00:30:50.000
<v Speaker 1>bedroom gossiping about all the guys as though they know

545
00:30:50.079 --> 00:30:52.880
<v Speaker 1>all these men and have had time to like draw

546
00:30:52.920 --> 00:30:57.960
<v Speaker 1>opinions about this. Yeah, I thought was wonderfully charming. You know, well,

547
00:30:57.960 --> 00:30:59.640
<v Speaker 1>I mean, I don't know, Julia, you can tell me.

548
00:30:59.680 --> 00:31:03.240
<v Speaker 3>Maybe no, they know, they did. They seem to have

549
00:31:03.240 --> 00:31:05.079
<v Speaker 3>have history with all these people, and I don't know

550
00:31:05.079 --> 00:31:07.079
<v Speaker 3>how they could, but I think.

551
00:31:06.880 --> 00:31:09.200
<v Speaker 1>They're just supposed to have just met them and formed

552
00:31:09.480 --> 00:31:13.880
<v Speaker 1>opinions about about all these dudes. And I thought that

553
00:31:13.960 --> 00:31:18.160
<v Speaker 1>was great. Uh, what about the kills? Anything interesting that

554
00:31:18.160 --> 00:31:22.640
<v Speaker 1>that that might be? It might be worth making note of.

555
00:31:22.839 --> 00:31:25.160
<v Speaker 1>I have one that I want to throw out, I said,

556
00:31:25.480 --> 00:31:27.559
<v Speaker 1>I said, the wolf was like, rambo, I know it's

557
00:31:27.559 --> 00:31:29.319
<v Speaker 1>a she, so I try to remember to use the

558
00:31:29.680 --> 00:31:33.440
<v Speaker 1>right proneons. But she. There's one point where one of

559
00:31:33.440 --> 00:31:36.880
<v Speaker 1>the characters is outside in the snow and the werewolf

560
00:31:37.160 --> 00:31:40.759
<v Speaker 1>leaps from under the snow from the wall in the snow,

561
00:31:41.519 --> 00:31:44.200
<v Speaker 1>like out of nowhere to kill this guy.

562
00:31:44.559 --> 00:31:46.599
<v Speaker 3>And it was just like I really thought there might

563
00:31:46.640 --> 00:31:49.119
<v Speaker 3>be too because the wolf gets around a lot.

564
00:31:49.279 --> 00:31:52.279
<v Speaker 2>Yes, yeah, well also again, like I said, the one

565
00:31:52.279 --> 00:31:55.759
<v Speaker 2>thing that it's the movie so whatever, but it sneaks

566
00:31:55.839 --> 00:31:59.000
<v Speaker 2>up on people. It's because they also have this effect

567
00:31:59.079 --> 00:32:01.759
<v Speaker 2>of it breathing and stuff, which seems like they're like

568
00:32:02.079 --> 00:32:04.480
<v Speaker 2>normally you might use that to build some tension where

569
00:32:04.480 --> 00:32:06.799
<v Speaker 2>everybody's like, oh I hear breathing, where's it coming from?

570
00:32:06.839 --> 00:32:09.519
<v Speaker 2>But usually it's just like it starts and then it

571
00:32:09.599 --> 00:32:12.440
<v Speaker 2>jumps out of shadows snow. I do like that snow

572
00:32:12.519 --> 00:32:16.000
<v Speaker 2>kill though, I'm with you, And it slashes everybody's throats.

573
00:32:16.039 --> 00:32:20.200
<v Speaker 2>It doesn't, yes, mall them in like rip them to shreds.

574
00:32:20.400 --> 00:32:24.079
<v Speaker 2>Possibly budget, but you know that's interesting.

575
00:32:23.799 --> 00:32:27.599
<v Speaker 4>I think I I you know, having watched this movie

576
00:32:27.839 --> 00:32:31.960
<v Speaker 4>probably too many times, I have always thought that maybe

577
00:32:32.039 --> 00:32:35.440
<v Speaker 4>what she was planning on doing is killing all these people,

578
00:32:35.599 --> 00:32:38.039
<v Speaker 4>and then once you know, now that she snowed in,

579
00:32:38.240 --> 00:32:41.039
<v Speaker 4>she can just kind of eat them at her leisure,

580
00:32:41.279 --> 00:32:43.640
<v Speaker 4>you know, like she's got like a big store of

581
00:32:43.920 --> 00:32:46.319
<v Speaker 4>food to hang out in this castle during the winter.

582
00:32:46.559 --> 00:32:50.640
<v Speaker 2>I mean, but their whole, I mean, there isn't their

583
00:32:50.680 --> 00:32:52.839
<v Speaker 2>whole their whole premise is like, hey, she doesn't seem

584
00:32:52.839 --> 00:32:55.240
<v Speaker 2>to kill for food, or it doesn't seem to kill

585
00:32:55.240 --> 00:32:57.640
<v Speaker 2>for food. It's like doing this against them, you know, Like,

586
00:32:57.839 --> 00:32:58.400
<v Speaker 2>I don't know.

587
00:32:58.400 --> 00:33:01.000
<v Speaker 3>How does she get cleaned up so quickly? Like she's

588
00:33:01.039 --> 00:33:03.400
<v Speaker 3>never covered in blood, she always has her same clothes.

589
00:33:03.680 --> 00:33:06.359
<v Speaker 1>That's a really good question. I don't have it. I

590
00:33:06.359 --> 00:33:07.160
<v Speaker 1>don't have an answer for.

591
00:33:07.319 --> 00:33:10.960
<v Speaker 4>Obviously, obviously she's a strip tease artist, so.

592
00:33:10.839 --> 00:33:13.960
<v Speaker 3>She's maybe has one of those like magic outfits that

593
00:33:14.000 --> 00:33:15.599
<v Speaker 3>you could just like like a book row type of

594
00:33:15.640 --> 00:33:17.839
<v Speaker 3>outfit that she can take off and put on quick.

595
00:33:18.039 --> 00:33:23.119
<v Speaker 1>Very very possible since she's an expert actress, you know, yeah, yeah,

596
00:33:23.240 --> 00:33:26.160
<v Speaker 1>that artist. Yeah.

597
00:33:26.240 --> 00:33:31.359
<v Speaker 4>That being said, I do think the way the werewolf

598
00:33:31.720 --> 00:33:35.079
<v Speaker 4>is done in this movie for a low budget movie

599
00:33:35.319 --> 00:33:40.759
<v Speaker 4>is kind of cool because they they only show it enough,

600
00:33:41.079 --> 00:33:43.440
<v Speaker 4>you know, and they show it enough for you to

601
00:33:43.480 --> 00:33:47.720
<v Speaker 4>get a sense of scale. They they obscure a lot

602
00:33:47.720 --> 00:33:51.359
<v Speaker 4>of times when it is on screen, it's obscure through things,

603
00:33:51.400 --> 00:33:56.559
<v Speaker 4>so you know, it makes the suit fairly effective. And

604
00:33:56.920 --> 00:34:01.000
<v Speaker 4>there is some stuff they do with camera that I

605
00:34:01.039 --> 00:34:03.799
<v Speaker 4>think is interesting too, because there's, you know, the one

606
00:34:03.839 --> 00:34:07.759
<v Speaker 4>thing that all of the other Howling movies have is

607
00:34:07.920 --> 00:34:13.199
<v Speaker 4>a transformation scene. This movie doesn't have that that's on camera.

608
00:34:13.320 --> 00:34:17.280
<v Speaker 4>It's an implied one. And there's one in particular that

609
00:34:17.760 --> 00:34:22.960
<v Speaker 4>I I that I love. There is the journalist character

610
00:34:23.119 --> 00:34:27.320
<v Speaker 4>who is actually initially initially seems like she's going to

611
00:34:27.400 --> 00:34:32.280
<v Speaker 4>be the main character of the movie, is as yeah, yeah,

612
00:34:32.400 --> 00:34:36.079
<v Speaker 4>I I I kind of love it. But there's the

613
00:34:36.119 --> 00:34:43.000
<v Speaker 4>scene where presumably Mary Lou walks into her room and

614
00:34:43.079 --> 00:34:47.440
<v Speaker 4>she starts talking to her, and they slowly start raising

615
00:34:47.559 --> 00:34:51.920
<v Speaker 4>the camera up to because it's a POV shot over

616
00:34:52.119 --> 00:34:57.519
<v Speaker 4>of whoever is the werewolf, and they slowly start raising

617
00:34:57.559 --> 00:35:02.280
<v Speaker 4>it up to imply that the person who's POV you're

618
00:35:02.320 --> 00:35:06.199
<v Speaker 4>seeing it from is changing height, you know, like she's

619
00:35:06.239 --> 00:35:09.519
<v Speaker 4>going you know, she's going over yeah, yeah, yeah, she's

620
00:35:09.559 --> 00:35:13.840
<v Speaker 4>going from this this you know, diminutive woman to a

621
00:35:13.920 --> 00:35:17.760
<v Speaker 4>seven foot tall werewolf. And that's cool. Like that's cool

622
00:35:17.760 --> 00:35:22.079
<v Speaker 4>low budget movie making, you know. Like, so for this

623
00:35:22.280 --> 00:35:26.360
<v Speaker 4>movie's faults, there is some cool stuff in here, and

624
00:35:26.400 --> 00:35:29.800
<v Speaker 4>that is one of them. Like I really really like

625
00:35:30.480 --> 00:35:34.400
<v Speaker 4>that bit, you know. I think it's incredibly clever, an

626
00:35:34.440 --> 00:35:40.159
<v Speaker 4>incredibly clever way to imply a change in size when

627
00:35:40.199 --> 00:35:43.039
<v Speaker 4>they probably didn't have the budget to actually show it

628
00:35:43.079 --> 00:35:46.639
<v Speaker 4>on screen. And I like that kind of thing. I

629
00:35:46.800 --> 00:35:50.800
<v Speaker 4>like seeing movies that work within you know, what they're

630
00:35:50.840 --> 00:35:54.840
<v Speaker 4>able to do, instead of you know, maybe you know,

631
00:35:56.280 --> 00:35:59.239
<v Speaker 4>you know, overreach and and come up with something that's

632
00:35:59.320 --> 00:36:02.519
<v Speaker 4>kind of corny. Look like this movie never it never

633
00:36:03.360 --> 00:36:07.880
<v Speaker 4>gets too ambitious, you know, like it always kind of

634
00:36:08.119 --> 00:36:11.559
<v Speaker 4>keeps within what is working for it, which is one

635
00:36:11.599 --> 00:36:14.119
<v Speaker 4>of the reasons why it's again very watchable.

636
00:36:14.280 --> 00:36:17.039
<v Speaker 2>Yeah, I'm with you, and it's again why I was

637
00:36:17.079 --> 00:36:20.519
<v Speaker 2>a little sad that I didn't perhaps enjoy it more.

638
00:36:20.960 --> 00:36:22.800
<v Speaker 2>That doesn't mean if I watched it again, I might

639
00:36:22.880 --> 00:36:24.880
<v Speaker 2>kind of get a little bit more into it because

640
00:36:24.920 --> 00:36:28.000
<v Speaker 2>it's kind of get into the vibe. But because they

641
00:36:28.039 --> 00:36:30.079
<v Speaker 2>do a lot of stuff like that scene, you're right,

642
00:36:30.320 --> 00:36:34.480
<v Speaker 2>And I was also struck by the way that they

643
00:36:34.639 --> 00:36:37.599
<v Speaker 2>reveal like they're really smart about the way they handle

644
00:36:37.760 --> 00:36:40.280
<v Speaker 2>the werewolf and you know when you see things in

645
00:36:40.400 --> 00:36:43.679
<v Speaker 2>the parts where they're they're in blackness and they kind of,

646
00:36:43.760 --> 00:36:46.119
<v Speaker 2>you know, shift, it comes out of the darkness and

647
00:36:46.159 --> 00:36:49.079
<v Speaker 2>that stuff, and like all those all those kills are

648
00:36:49.119 --> 00:36:52.760
<v Speaker 2>actually really cool and they do a really good job.

649
00:36:52.880 --> 00:36:56.440
<v Speaker 2>I think that my main faults are kind of the

650
00:36:56.519 --> 00:36:59.039
<v Speaker 2>cyclical nature, like we go back to the cave and

651
00:36:59.119 --> 00:37:00.760
<v Speaker 2>we go out and then we come back, and it

652
00:37:00.840 --> 00:37:03.039
<v Speaker 2>felt it felt like we were kind of treading on

653
00:37:03.079 --> 00:37:05.920
<v Speaker 2>the same stuff the way that and the way people

654
00:37:05.960 --> 00:37:08.480
<v Speaker 2>discover some of the bodies, Like you see that same

655
00:37:08.599 --> 00:37:12.360
<v Speaker 2>kind of shocking, like it recurred. It's recurring enough you

656
00:37:12.360 --> 00:37:14.559
<v Speaker 2>can only do that so many times before it kind

657
00:37:14.559 --> 00:37:17.480
<v Speaker 2>of loses some of the impact.

658
00:37:18.000 --> 00:37:21.760
<v Speaker 3>I like that that the people are going off just

659
00:37:21.840 --> 00:37:25.480
<v Speaker 3>shooting their guns wherever, and they accidentally kill one like

660
00:37:25.519 --> 00:37:27.320
<v Speaker 3>each other. I mean, like somebody kills.

661
00:37:27.239 --> 00:37:31.119
<v Speaker 1>Oh yeah, yeah. I mean it's like, you know, it's super.

662
00:37:30.920 --> 00:37:33.920
<v Speaker 3>Responsible because it's like, exactly, if you're just shooting wherever,

663
00:37:34.199 --> 00:37:37.079
<v Speaker 3>you're gonna kill your more of your own people.

664
00:37:37.800 --> 00:37:41.840
<v Speaker 4>Although it does beg the question that if the Count

665
00:37:42.000 --> 00:37:47.079
<v Speaker 4>is part of the secret werewolf hunting society, why were

666
00:37:47.079 --> 00:37:51.239
<v Speaker 4>they not better prepared and have more. It's like him

667
00:37:51.400 --> 00:37:54.320
<v Speaker 4>a butler and a maid, and they think that there

668
00:37:54.559 --> 00:37:58.159
<v Speaker 4>is going to be a werewolf in this castle. Like,

669
00:37:58.199 --> 00:38:01.840
<v Speaker 4>why did instead of having an old guy and a maid,

670
00:38:02.079 --> 00:38:06.280
<v Speaker 4>why not have like commandos pretending to be you know,

671
00:38:06.440 --> 00:38:10.000
<v Speaker 4>staff that are like armed to the teeth with silver bullets, just.

672
00:38:09.960 --> 00:38:13.760
<v Speaker 2>Saying gues that those are his trusted people. Also, maybe

673
00:38:13.880 --> 00:38:16.480
<v Speaker 2>since he account maybe Hubris, he was trying to I mean,

674
00:38:16.519 --> 00:38:18.719
<v Speaker 2>he was trying to keep it, you know. The other

675
00:38:18.760 --> 00:38:21.599
<v Speaker 2>part is it's implied he's trying to keep it contained.

676
00:38:21.840 --> 00:38:25.400
<v Speaker 2>So bring this commandos into it might break that containment,

677
00:38:25.559 --> 00:38:27.000
<v Speaker 2>if you will, like the main.

678
00:38:27.599 --> 00:38:31.920
<v Speaker 4>I like, but yeah, I like your idea that it's

679
00:38:32.079 --> 00:38:36.039
<v Speaker 4>it's it's the the the arrogance of the aristocracy. I'm

680
00:38:36.039 --> 00:38:37.039
<v Speaker 4>going to just go with that.

681
00:38:37.199 --> 00:38:38.599
<v Speaker 2>It kind of feels that, I mean, it kind of

682
00:38:38.599 --> 00:38:40.800
<v Speaker 2>feels that way. And also like those are two people

683
00:38:40.800 --> 00:38:43.320
<v Speaker 2>who have been there forever. So he like his whole

684
00:38:43.480 --> 00:38:46.159
<v Speaker 2>his whole thing is to bring this bloodline together, and

685
00:38:46.199 --> 00:38:49.559
<v Speaker 2>so you want as few people as possible. Uh And

686
00:38:49.559 --> 00:38:52.119
<v Speaker 2>and I think, you know, bringing the commando thing would

687
00:38:52.159 --> 00:38:54.480
<v Speaker 2>be a not something like I could take care of

688
00:38:54.519 --> 00:38:58.079
<v Speaker 2>this for I am the aristocracy and then by that's

689
00:38:58.119 --> 00:39:01.639
<v Speaker 2>another factor that you have to deal with and explain

690
00:39:02.000 --> 00:39:05.639
<v Speaker 2>eventually possibly if your intent is to kill everyone else,

691
00:39:06.559 --> 00:39:09.679
<v Speaker 2>like like maybe maybe you can't like, hey, I want

692
00:39:09.679 --> 00:39:12.119
<v Speaker 2>you to be bodyguards. Hey, I'll say, but can you

693
00:39:12.239 --> 00:39:13.280
<v Speaker 2>kill everybody but me?

694
00:39:13.400 --> 00:39:14.360
<v Speaker 1>And then maybe kill.

695
00:39:14.199 --> 00:39:16.400
<v Speaker 2>Me because I'm the last of the blood lines? I mean,

696
00:39:16.679 --> 00:39:18.960
<v Speaker 2>because if he really wants to get rid of the bloodline,

697
00:39:18.960 --> 00:39:22.559
<v Speaker 2>he has to be assured that and kill himself, right,

698
00:39:22.639 --> 00:39:26.000
<v Speaker 2>Like that's a possibility. So that's that's my no prize

699
00:39:26.079 --> 00:39:29.320
<v Speaker 2>version of this. Anyway, I can go with all that.

700
00:39:30.000 --> 00:39:32.039
<v Speaker 1>I actually like that a lot because it's like the

701
00:39:32.559 --> 00:39:40.599
<v Speaker 1>terminator chip. There's one more chip, cry all right, I do,

702
00:39:40.840 --> 00:39:44.559
<v Speaker 1>so we should we should wrap up the The ending

703
00:39:44.679 --> 00:39:47.559
<v Speaker 1>reveal is only because there's only two people left and

704
00:39:48.119 --> 00:39:50.559
<v Speaker 1>we find out we find out who it is. But

705
00:39:50.599 --> 00:39:53.519
<v Speaker 1>it feels like so tony. I was trying to figure

706
00:39:53.519 --> 00:39:55.239
<v Speaker 1>out why it felt so abrupt, and I think the

707
00:39:55.280 --> 00:39:58.400
<v Speaker 1>reason is because of that visually, I mean also in

708
00:39:58.400 --> 00:40:01.400
<v Speaker 1>the story, but visually it feels like we're just treading

709
00:40:01.480 --> 00:40:03.719
<v Speaker 1>the same ground and then it comes to an end. Yeah,

710
00:40:04.119 --> 00:40:07.039
<v Speaker 1>I mean, well, if you're taking one of these these

711
00:40:07.440 --> 00:40:11.039
<v Speaker 1>practical sets, like the like the tunnel set or whatever

712
00:40:11.079 --> 00:40:14.280
<v Speaker 1>it is, and held it for the last half hour.

713
00:40:14.920 --> 00:40:18.159
<v Speaker 1>Then you would feel physically like you'd moved into a

714
00:40:18.199 --> 00:40:19.719
<v Speaker 1>new section of the movie.

715
00:40:20.920 --> 00:40:23.719
<v Speaker 2>In a more actiony movie, they would have had you

716
00:40:23.840 --> 00:40:26.440
<v Speaker 2>running through the tunnels from the Werewolf for the last

717
00:40:26.480 --> 00:40:29.199
<v Speaker 2>for the third act, right right, everybody's trying to escape

718
00:40:29.239 --> 00:40:34.360
<v Speaker 2>for some reason with a plan, probably.

719
00:40:32.639 --> 00:40:33.960
<v Speaker 1>Something new that you're trying to do.

720
00:40:34.360 --> 00:40:36.800
<v Speaker 2>But here we go, We go into the tunnels, and

721
00:40:36.960 --> 00:40:39.920
<v Speaker 2>kills happen, they come back. And also, since since they

722
00:40:39.960 --> 00:40:42.599
<v Speaker 2>are trying to be smart about it, we get a

723
00:40:42.599 --> 00:40:46.400
<v Speaker 2>lot of offscreen kills and then people stumbling over bodies, yeah,

724
00:40:46.440 --> 00:40:48.880
<v Speaker 2>and accidentally, and then we have an accidental shooting, but

725
00:40:48.920 --> 00:40:54.719
<v Speaker 2>then we also have an accidental spear stabbing. Yeah, And

726
00:40:54.800 --> 00:40:58.079
<v Speaker 2>so you're that's I think at the reason, it feels

727
00:40:58.119 --> 00:41:01.239
<v Speaker 2>like the ramp up, we just kind of people get

728
00:41:01.320 --> 00:41:03.400
<v Speaker 2>rid of people, and then we kind of just keep

729
00:41:03.400 --> 00:41:07.519
<v Speaker 2>coming across the bodies. And it's to me, it was harder.

730
00:41:07.639 --> 00:41:12.280
<v Speaker 2>It felt like there wasn't as much established stakes, you know. Yeah,

731
00:41:12.480 --> 00:41:15.079
<v Speaker 2>like it like people just kind of get lopped off

732
00:41:15.119 --> 00:41:17.199
<v Speaker 2>and we have to and it feels like, well we

733
00:41:17.280 --> 00:41:19.119
<v Speaker 2>have to because we have to end up with two people.

734
00:41:19.239 --> 00:41:21.119
<v Speaker 2>You know, there's oh there's a body down there. Oh

735
00:41:21.119 --> 00:41:23.280
<v Speaker 2>I stumbled across, and we're back to the you know,

736
00:41:23.320 --> 00:41:25.639
<v Speaker 2>and even like we're the ending, does it is it?

737
00:41:25.719 --> 00:41:29.039
<v Speaker 2>I remember correctly, is the ending in the catacombs or not?

738
00:41:29.280 --> 00:41:32.320
<v Speaker 4>No, it's in like uh like they have Yeah, that's

739
00:41:32.360 --> 00:41:32.760
<v Speaker 4>what I thought.

740
00:41:32.840 --> 00:41:34.960
<v Speaker 2>So like again, we go to the catacombs and then

741
00:41:34.960 --> 00:41:35.480
<v Speaker 2>we're back and.

742
00:41:35.519 --> 00:41:37.880
<v Speaker 4>No, it's not in the catacombs. It's in a it's

743
00:41:37.920 --> 00:41:38.920
<v Speaker 4>like on a balcony.

744
00:41:39.079 --> 00:41:41.320
<v Speaker 2>No, I That's what I'm saying. Like the back and

745
00:41:41.400 --> 00:41:44.039
<v Speaker 2>forth and the kind of the way the way that

746
00:41:44.079 --> 00:41:47.800
<v Speaker 2>it plays out feels it's neat that they're willing to

747
00:41:47.880 --> 00:41:51.639
<v Speaker 2>tread places. But we watched as a whole. It feels

748
00:41:51.719 --> 00:41:55.760
<v Speaker 2>more scattershot to me personally than than I would have expected.

749
00:41:56.000 --> 00:41:57.880
<v Speaker 2>And that's not to say that, you know, you have

750
00:41:57.960 --> 00:42:00.320
<v Speaker 2>to you have to have this third act kind of

751
00:42:00.440 --> 00:42:04.880
<v Speaker 2>you know, traditional narrative by any stretch like that's that's

752
00:42:04.880 --> 00:42:06.480
<v Speaker 2>definitely that gets boring as well.

753
00:42:06.920 --> 00:42:07.119
<v Speaker 4>Well.

754
00:42:07.559 --> 00:42:09.599
<v Speaker 2>Just the way it goes back and forth. I'm kind

755
00:42:09.599 --> 00:42:11.920
<v Speaker 2>of it just some of the steaks didn't feel as

756
00:42:12.000 --> 00:42:14.039
<v Speaker 2>high to me, and I wanted I wanted to, like

757
00:42:14.119 --> 00:42:17.119
<v Speaker 2>this so much more like because there's so many like

758
00:42:17.320 --> 00:42:18.639
<v Speaker 2>really interesting bits.

759
00:42:18.920 --> 00:42:22.760
<v Speaker 4>The low stakesness and abruptness of the ending to me

760
00:42:23.480 --> 00:42:27.360
<v Speaker 4>kind of feel in line with this sort of old

761
00:42:27.559 --> 00:42:29.800
<v Speaker 4>fashioned nature of the script.

762
00:42:30.239 --> 00:42:33.119
<v Speaker 2>Like that's fair. Yeah, I am.

763
00:42:33.239 --> 00:42:35.880
<v Speaker 4>Like it's like once they reveal who the were wolf

764
00:42:35.960 --> 00:42:40.119
<v Speaker 4>actually is, the movie's over, you know, and sure, yeah,

765
00:42:40.679 --> 00:42:44.880
<v Speaker 4>you know that's that's and I'm okay with it.

766
00:42:45.000 --> 00:42:48.119
<v Speaker 2>I'm fine with that. It's just the lead up to

767
00:42:48.239 --> 00:42:51.519
<v Speaker 2>it just kind of it just sort of happens. But again,

768
00:42:51.800 --> 00:42:55.079
<v Speaker 2>we you know, we watch a lot of b movies,

769
00:42:55.119 --> 00:42:58.079
<v Speaker 2>a lot of European movies that have similar like and

770
00:42:58.079 --> 00:43:01.320
<v Speaker 2>and some and some of those French films we watched,

771
00:43:01.400 --> 00:43:04.599
<v Speaker 2>like there's almost it's just very dream like the whole

772
00:43:04.639 --> 00:43:06.960
<v Speaker 2>way through. So well, yeah, I don't think we should

773
00:43:06.960 --> 00:43:09.639
<v Speaker 2>behold and be beholden to this, like I said, the

774
00:43:09.639 --> 00:43:12.119
<v Speaker 2>traditional third act that has action and stuff.

775
00:43:11.880 --> 00:43:15.400
<v Speaker 1>Like this, but that genre rollan picture that we watched.

776
00:43:15.599 --> 00:43:18.280
<v Speaker 1>I love it from beginning to end, but I cannot

777
00:43:18.960 --> 00:43:23.079
<v Speaker 1>I cannot describe to what happens in it, like and.

778
00:43:23.000 --> 00:43:25.639
<v Speaker 2>That happened that like again, we you know, there's there's

779
00:43:25.960 --> 00:43:28.280
<v Speaker 2>tons of there's there's tons of ways to do this,

780
00:43:28.360 --> 00:43:31.480
<v Speaker 2>and I'm not saying that it's necessarily bad, and I

781
00:43:32.320 --> 00:43:35.480
<v Speaker 2>agree with you, Drew, there's a there's a certain I

782
00:43:35.480 --> 00:43:38.760
<v Speaker 2>think they were going for a certain way that a

783
00:43:38.760 --> 00:43:41.679
<v Speaker 2>lot of mystery movies and horror movies, like there's an

784
00:43:41.800 --> 00:43:44.639
<v Speaker 2>old schooled kind of nature to it and old that

785
00:43:44.639 --> 00:43:46.599
<v Speaker 2>that it is in line with. And I think that

786
00:43:46.599 --> 00:43:48.960
<v Speaker 2>that is definitely where they're going. I think you nailed it.

787
00:43:49.039 --> 00:43:53.199
<v Speaker 1>Yeah, uh, all right, let's get our final thoughts.

788
00:43:53.400 --> 00:43:56.639
<v Speaker 2>Oh, by the way, I like we said the actress

789
00:43:56.639 --> 00:43:58.679
<v Speaker 2>who's playing you know, kind of a bimbo and like,

790
00:43:58.760 --> 00:44:02.760
<v Speaker 2>oh like the you know, she really does shine when

791
00:44:02.760 --> 00:44:04.840
<v Speaker 2>they tell her like I want you to give us

792
00:44:04.920 --> 00:44:06.159
<v Speaker 2>your best evil look?

793
00:44:06.360 --> 00:44:07.719
<v Speaker 1>Yes, no, shoot, like.

794
00:44:07.920 --> 00:44:10.920
<v Speaker 2>They like nails it, perfect way to go. All the

795
00:44:10.920 --> 00:44:14.280
<v Speaker 2>women are totally solid in this movie. Like that, you know,

796
00:44:14.360 --> 00:44:19.519
<v Speaker 2>that's a good that's a good closing look like it's effected. Works.

797
00:44:19.880 --> 00:44:21.239
<v Speaker 3>It was Michael Jackson.

798
00:44:22.079 --> 00:44:25.119
<v Speaker 2>Oh yeah, yeah, yeah, yeah that works. Yeah yeah, absolutely,

799
00:44:25.239 --> 00:44:28.639
<v Speaker 2>but uh, you know, wrapping it up that way, everybody

800
00:44:28.719 --> 00:44:31.559
<v Speaker 2>everybody was on on point on that totally.

801
00:44:31.840 --> 00:44:35.199
<v Speaker 1>Okay, Tony, you're actually the first final thoughts. So if

802
00:44:35.199 --> 00:44:36.840
<v Speaker 1>you have anything to add to that to go for

803
00:44:36.920 --> 00:44:38.840
<v Speaker 1>it and come around again for endorsements.

804
00:44:39.079 --> 00:44:42.840
<v Speaker 2>I liked that we watched this. I hadn't seen it

805
00:44:42.920 --> 00:44:45.280
<v Speaker 2>just because it you know, it's hard to tell that

806
00:44:45.360 --> 00:44:47.800
<v Speaker 2>era was Also, there were so many sequels coming out,

807
00:44:48.039 --> 00:44:51.079
<v Speaker 2>and there's so much you know, do you watch again,

808
00:44:51.239 --> 00:44:53.760
<v Speaker 2>like any any number of like Full Moon was cranking

809
00:44:53.800 --> 00:44:57.360
<v Speaker 2>out sequel after sequel of varying degrees of quality. Uh,

810
00:44:57.559 --> 00:45:00.920
<v Speaker 2>you know, crossovers, and so by the time, like I said,

811
00:45:00.960 --> 00:45:03.320
<v Speaker 2>I may have seen four, I was like, I don't know,

812
00:45:03.719 --> 00:45:06.280
<v Speaker 2>and so and you know, but if you have that,

813
00:45:06.280 --> 00:45:08.039
<v Speaker 2>that goes to show if you have that attitude, you

814
00:45:08.079 --> 00:45:10.960
<v Speaker 2>may miss a jim because every director is bringing every

815
00:45:11.039 --> 00:45:15.119
<v Speaker 2>act director in cast is bringing something new. So maybe

816
00:45:15.239 --> 00:45:19.000
<v Speaker 2>maybe I'm wrong in that thinking. Sometimes I still wanted

817
00:45:19.000 --> 00:45:21.239
<v Speaker 2>to like it more than I actually did. But it

818
00:45:21.360 --> 00:45:26.239
<v Speaker 2>is a perfect follow up to uh Beast Musty. You know,

819
00:45:26.400 --> 00:45:30.039
<v Speaker 2>more monster you know, more monster movies. I mean, you

820
00:45:30.079 --> 00:45:31.840
<v Speaker 2>could do you could do the same, You could do

821
00:45:31.880 --> 00:45:34.079
<v Speaker 2>a similar thing if you wanted to, were like, who

822
00:45:34.119 --> 00:45:37.119
<v Speaker 2>created the Frankenstein monster in this castle? And is it

823
00:45:37.239 --> 00:45:39.920
<v Speaker 2>sneaking around and clump and you know, choking people out,

824
00:45:39.960 --> 00:45:42.119
<v Speaker 2>and like you could you could do something like that,

825
00:45:42.360 --> 00:45:44.239
<v Speaker 2>like who is the one who brought it to life?

826
00:45:44.239 --> 00:45:46.360
<v Speaker 2>And why if you want you could do you can

827
00:45:46.400 --> 00:45:48.679
<v Speaker 2>do it? And who's the vampire, who's the you know,

828
00:45:49.000 --> 00:45:51.159
<v Speaker 2>perhaps maybe not who's the gill man because that's gonna

829
00:45:51.159 --> 00:45:53.719
<v Speaker 2>seem pretty obvious. But if you made it, you know,

830
00:45:53.760 --> 00:45:57.400
<v Speaker 2>when they touch water mermaid kind of thing, so, uh,

831
00:45:57.480 --> 00:46:00.159
<v Speaker 2>you know, monsters and and mystery, there's a lot of

832
00:46:00.239 --> 00:46:04.239
<v Speaker 2>room for that, So I do dig on that. Yeah,

833
00:46:04.440 --> 00:46:07.639
<v Speaker 2>I'm glad, I'm glad we watched it overall.

834
00:46:07.719 --> 00:46:11.119
<v Speaker 1>Yeah, it's cool, wonderful, Thank you very much, Julia, what

835
00:46:11.159 --> 00:46:11.519
<v Speaker 1>about you?

836
00:46:11.639 --> 00:46:15.199
<v Speaker 3>Yeah? Same. I think it's the perfect double feature with

837
00:46:15.360 --> 00:46:20.159
<v Speaker 3>the beastmas Eye and you know, it's just super entertaining. Actually,

838
00:46:20.159 --> 00:46:21.719
<v Speaker 3>I think it's more memorable than a lot of the

839
00:46:21.920 --> 00:46:24.199
<v Speaker 3>better quote unquote movies that we've seen. I think there's

840
00:46:24.239 --> 00:46:27.039
<v Speaker 3>a lot of really memorable parts to it. And like

841
00:46:27.039 --> 00:46:30.039
<v Speaker 3>I said, I think the performances, especially of the women,

842
00:46:30.320 --> 00:46:34.760
<v Speaker 3>a few of the men were super solid, especially our

843
00:46:34.880 --> 00:46:38.880
<v Speaker 3>our werewolf Bimbo. I hate to keep calling her that,

844
00:46:38.960 --> 00:46:42.360
<v Speaker 3>but it's it is what she kind of introduced herself as,

845
00:46:42.599 --> 00:46:45.599
<v Speaker 3>Like I keep getting catt and bimbos are in.

846
00:46:45.880 --> 00:46:47.079
<v Speaker 4>Didn't you didn't you?

847
00:46:47.400 --> 00:46:48.360
<v Speaker 1>Didn't you hear?

848
00:46:48.639 --> 00:46:51.800
<v Speaker 3>So you know, but yeah, I enjoyed it. So I

849
00:46:51.840 --> 00:46:54.639
<v Speaker 3>also I am glad that was our movie of the week.

850
00:46:55.119 --> 00:46:57.199
<v Speaker 1>Wonderful. Thank you, Drew, what about you?

851
00:46:57.320 --> 00:46:59.599
<v Speaker 4>I do think that this is ahead in Jim do.

852
00:46:59.679 --> 00:47:05.000
<v Speaker 4>I I don't think it's a perfect movie or amazing filmmaking,

853
00:47:05.159 --> 00:47:09.519
<v Speaker 4>but I think it's it. It hits above its weight

854
00:47:09.639 --> 00:47:15.079
<v Speaker 4>class and it's incredibly entertaining, which is again it's it's

855
00:47:15.199 --> 00:47:19.320
<v Speaker 4>usually especially around winter time, it's usually a movie I

856
00:47:20.000 --> 00:47:23.880
<v Speaker 4>throw on and it's just and and for my part,

857
00:47:23.920 --> 00:47:26.760
<v Speaker 4>I watched this movie twice this week and I was

858
00:47:26.920 --> 00:47:31.519
<v Speaker 4>thoroughly engrossed both times because I just I don't know,

859
00:47:31.599 --> 00:47:35.320
<v Speaker 4>I find it to be a fine movie. And you know,

860
00:47:35.440 --> 00:47:40.239
<v Speaker 4>thank you for indulging me on watching this incredibly silly

861
00:47:40.239 --> 00:47:45.840
<v Speaker 4>werewolf movie, because this was this was a balm for

862
00:47:46.000 --> 00:47:51.320
<v Speaker 4>my soul tonight because I needed this. So I really

863
00:47:51.360 --> 00:47:57.000
<v Speaker 4>appreciate everybody taking their time to talk about the the

864
00:47:57.280 --> 00:47:58.719
<v Speaker 4>fifth Howling.

865
00:47:58.480 --> 00:47:59.440
<v Speaker 1>Movie with me.

866
00:48:00.559 --> 00:48:03.079
<v Speaker 2>You know, I like your I like your Winter. It's

867
00:48:03.119 --> 00:48:06.159
<v Speaker 2>got lots of fireplaces and snow, so that's right, Yeah,

868
00:48:06.360 --> 00:48:10.119
<v Speaker 2>totally makes sense. Like I'm like, oh, yeah, there you go,

869
00:48:10.639 --> 00:48:14.880
<v Speaker 2>that's that. That works that works. Well, I that solidifies it.

870
00:48:14.920 --> 00:48:19.639
<v Speaker 1>Man, wonderful, thank you, thank you, Drew, really neat experience.

871
00:48:19.960 --> 00:48:22.199
<v Speaker 1>I'm so glad we watched this. I it was a

872
00:48:22.199 --> 00:48:25.159
<v Speaker 1>directive video film, so even in nineteen eighty nine, it's

873
00:48:25.159 --> 00:48:27.000
<v Speaker 1>not like this would have been playing at the at

874
00:48:27.039 --> 00:48:30.480
<v Speaker 1>the AMC or anything. But I wish I could have

875
00:48:30.519 --> 00:48:33.760
<v Speaker 1>seen this on a big screen, not because it's just amazing,

876
00:48:33.800 --> 00:48:36.239
<v Speaker 1>but because I would love to just sort of luxuriate

877
00:48:36.360 --> 00:48:39.760
<v Speaker 1>in the in in in the color and the flickering

878
00:48:39.760 --> 00:48:41.840
<v Speaker 1>torches and all. This is an ideal kind of movie

879
00:48:41.880 --> 00:48:45.320
<v Speaker 1>to watch, to watch in a darkened movie theater and

880
00:48:45.400 --> 00:48:48.880
<v Speaker 1>so you know, but but really great on the TV

881
00:48:48.960 --> 00:48:49.880
<v Speaker 1>screens that we have now.

882
00:48:49.960 --> 00:48:54.159
<v Speaker 2>So another that's another. If I had scree McDuck money,

883
00:48:54.280 --> 00:48:57.119
<v Speaker 2>like just make a theater and you just show everything,

884
00:48:57.239 --> 00:49:00.320
<v Speaker 2>like just you know, at that point, do you work much?

885
00:49:02.360 --> 00:49:04.519
<v Speaker 2>I mean, I'm we might have shown this, but yes,

886
00:49:04.559 --> 00:49:06.360
<v Speaker 2>but but as a as a you have to get

887
00:49:06.880 --> 00:49:08.559
<v Speaker 2>rights and stuff like that, you have to pay people.

888
00:49:08.599 --> 00:49:11.960
<v Speaker 2>But imagine imagine a theater as if it was your

889
00:49:11.960 --> 00:49:16.079
<v Speaker 2>own personal plex uh store, like plex account and you

890
00:49:16.239 --> 00:49:19.280
<v Speaker 2>just go all right, anybody shows up, like you might

891
00:49:19.360 --> 00:49:23.119
<v Speaker 2>catch Howling five you might catch picture of Little China,

892
00:49:23.480 --> 00:49:25.639
<v Speaker 2>you might catch a kunk Fu movie, you might catch

893
00:49:25.639 --> 00:49:29.119
<v Speaker 2>a thriller or a documentary, and you just that would

894
00:49:29.119 --> 00:49:31.519
<v Speaker 2>be one of the goals. And this is probably also

895
00:49:31.519 --> 00:49:35.119
<v Speaker 2>why I'm not a billionaire. It's because I would be ridiculous,

896
00:49:35.320 --> 00:49:38.880
<v Speaker 2>like how much does that cost? Who cares? That's the

897
00:49:38.960 --> 00:49:41.199
<v Speaker 2>kind of stuff I would do, if you could imagine.

898
00:49:41.920 --> 00:49:45.639
<v Speaker 3>But most of the billionaires we have are about that responsible,

899
00:49:45.639 --> 00:49:46.239
<v Speaker 3>if not less.

900
00:49:47.239 --> 00:49:49.639
<v Speaker 2>Well, yeah, but I think this is a net benefit

901
00:49:49.760 --> 00:49:53.440
<v Speaker 2>for weirdo.

902
00:49:54.119 --> 00:49:58.760
<v Speaker 1>Better go ahead. Yeah, you don't have to be Batman.

903
00:49:58.800 --> 00:50:02.239
<v Speaker 2>You can just have theater like you know, the random

904
00:50:02.400 --> 00:50:05.599
<v Speaker 2>random o theater and people come in and this.

905
00:50:08.280 --> 00:50:11.360
<v Speaker 1>This film is a little too new and and and

906
00:50:11.760 --> 00:50:15.519
<v Speaker 1>easily traceable. But I've always kind of wanted to have

907
00:50:15.800 --> 00:50:19.400
<v Speaker 1>a cafe with large screens on the walls that did

908
00:50:19.440 --> 00:50:22.320
<v Speaker 1>nothing but show public domain horror all the time, Like.

909
00:50:22.320 --> 00:50:24.880
<v Speaker 3>That was as always he has been talking about that

910
00:50:24.920 --> 00:50:26.400
<v Speaker 3>for thirty five years.

911
00:50:26.599 --> 00:50:27.559
<v Speaker 1>Yes, it's true.

912
00:50:27.679 --> 00:50:30.159
<v Speaker 2>I think I think we merged these things with our

913
00:50:30.159 --> 00:50:35.639
<v Speaker 2>screen and the cafe in the front. Is that yeah, yeah.

914
00:50:35.960 --> 00:50:39.239
<v Speaker 1>Any time that, Yeah, Devil's Wedding Night could just be

915
00:50:39.320 --> 00:50:42.840
<v Speaker 1>playing on the wall, you know, like, yeah, absolutely.

916
00:50:43.400 --> 00:50:45.800
<v Speaker 2>Sounds like a great name for a cafe that does this.

917
00:50:45.920 --> 00:50:48.000
<v Speaker 1>Man, You're right, Holy mackerel.

918
00:50:49.199 --> 00:50:51.199
<v Speaker 2>You bring that up and I'm like, that's the name

919
00:50:51.280 --> 00:50:52.000
<v Speaker 2>of the thing.

920
00:50:54.440 --> 00:50:56.440
<v Speaker 3>My cockrel. I love that word. That's hilarious.

921
00:50:56.840 --> 00:51:00.000
<v Speaker 2>That's a good word too. We're discovering a lot of things.

922
00:51:00.159 --> 00:51:03.079
<v Speaker 1>It sounds like a very curious Irish name, like Internet,

923
00:51:03.199 --> 00:51:05.960
<v Speaker 1>like an play Mary Catherine mcacrel.

924
00:51:08.719 --> 00:51:09.039
<v Speaker 3>Happens.

925
00:51:09.639 --> 00:51:13.280
<v Speaker 2>It happens to be a secret fish woman.

926
00:51:15.840 --> 00:51:19.760
<v Speaker 1>All right. Endorsements. This is where we tell the world

927
00:51:19.960 --> 00:51:23.840
<v Speaker 1>what we've been watching or listening to. And it is

928
00:51:24.000 --> 00:51:28.320
<v Speaker 1>that they partaken. I are good friends at the Monster

929
00:51:28.400 --> 00:51:32.960
<v Speaker 1>movie Happy Hour. Uh stipulate that it must be genre related,

930
00:51:33.400 --> 00:51:37.800
<v Speaker 1>but we have never had such discipline, So you can

931
00:51:37.960 --> 00:51:42.840
<v Speaker 1>it can be about whatever you like. So Tony, starting

932
00:51:42.880 --> 00:51:44.599
<v Speaker 1>with you, what do you have for us this week?

933
00:51:44.880 --> 00:51:49.199
<v Speaker 2>I did go to two concerts this week. It was

934
00:51:49.239 --> 00:51:52.559
<v Speaker 2>sought by Southwest and sadly, you know, what started as

935
00:51:52.599 --> 00:51:56.119
<v Speaker 2>a music festival is no longer strictly a music festival,

936
00:51:56.159 --> 00:52:00.199
<v Speaker 2>and for better or worse, so all the off off

937
00:52:00.239 --> 00:52:03.559
<v Speaker 2>by Southwest things have been better. So I went to

938
00:52:03.679 --> 00:52:07.239
<v Speaker 2>an all day one called Stoner jam My producer on

939
00:52:07.239 --> 00:52:09.960
<v Speaker 2>our Last Visits of Mars album. Actually, the last three

940
00:52:10.000 --> 00:52:12.920
<v Speaker 2>albums I worked on, Ryse from Fire and Returned from

941
00:52:12.960 --> 00:52:15.239
<v Speaker 2>the Void and the newest Dead Planet Exodus were done

942
00:52:15.239 --> 00:52:17.480
<v Speaker 2>by Jeff Henson. He has a new band called We've

943
00:52:17.480 --> 00:52:20.440
<v Speaker 2>Become Monsters. It was his debut of that band, and

944
00:52:20.440 --> 00:52:23.599
<v Speaker 2>that was really cool. It was an all day. There

945
00:52:23.599 --> 00:52:27.079
<v Speaker 2>were so many good bands, Weird bluemout of Italy. I

946
00:52:27.119 --> 00:52:30.880
<v Speaker 2>talked about talk to them about Italy. I mean there

947
00:52:30.880 --> 00:52:33.079
<v Speaker 2>were so many there's there's tons of bands.

948
00:52:32.800 --> 00:52:33.480
<v Speaker 1>There that day.

949
00:52:34.599 --> 00:52:37.440
<v Speaker 2>But that was really cool. And then there's a new

950
00:52:37.480 --> 00:52:41.000
<v Speaker 2>bar here in town called the Crowbar Co run by

951
00:52:41.360 --> 00:52:45.519
<v Speaker 2>the lead Aaron. It wasn't another there was a Crowbar

952
00:52:45.559 --> 00:52:48.880
<v Speaker 2>that burned down, which is unfortunate. But Erin has since

953
00:52:49.159 --> 00:52:51.480
<v Speaker 2>Aaron a Scorpion Child, which I think I had talked

954
00:52:51.480 --> 00:52:55.000
<v Speaker 2>about Scorpion Child's new album had and they debuted the

955
00:52:55.039 --> 00:52:59.400
<v Speaker 2>album this past week, and Boy talked like see them

956
00:52:59.440 --> 00:53:01.400
<v Speaker 2>live on the like if you get a chance. Like

957
00:53:01.519 --> 00:53:04.760
<v Speaker 2>Scorpion Child made a you know, pretty big splash in

958
00:53:04.960 --> 00:53:07.320
<v Speaker 2>at least our genre at the time, and like pretty

959
00:53:07.360 --> 00:53:09.679
<v Speaker 2>you know, did a bunch of stuff in Europe and

960
00:53:09.840 --> 00:53:14.320
<v Speaker 2>all over. But Boy did they have a full sound,

961
00:53:14.440 --> 00:53:18.320
<v Speaker 2>so I'm gonna get endorse the Scorpion Child album. I've

962
00:53:18.320 --> 00:53:22.599
<v Speaker 2>also been really enjoying the new kineky Man Muscleman season two.

963
00:53:22.920 --> 00:53:26.440
<v Speaker 2>As far as Animal and Daredevil. The new Daredevil series

964
00:53:26.519 --> 00:53:30.960
<v Speaker 2>is really just I just caught a chunk of episode four,

965
00:53:31.159 --> 00:53:33.960
<v Speaker 2>and there's some really great stuff going on. I've been

966
00:53:34.239 --> 00:53:40.400
<v Speaker 2>really happy with that. Oh. On a strange nostalgia trip,

967
00:53:40.519 --> 00:53:43.880
<v Speaker 2>I watched a movie I hadn't seen in forever, The

968
00:53:43.920 --> 00:53:47.880
<v Speaker 2>Park Is Mine, which was on Cable a decent amount

969
00:53:48.079 --> 00:53:52.559
<v Speaker 2>and while not a perfect movie, was a pretty amazing

970
00:53:52.679 --> 00:53:58.159
<v Speaker 2>Another time capsule movie is I It's eighty six. Tommy

971
00:53:58.239 --> 00:54:02.400
<v Speaker 2>Lee Jones takes over Central Park. It's eighty five eighty six,

972
00:54:03.199 --> 00:54:05.559
<v Speaker 2>you know, And I was just thinking about the number.

973
00:54:05.639 --> 00:54:08.039
<v Speaker 2>I think we talked about it a bunch, the number

974
00:54:08.079 --> 00:54:12.760
<v Speaker 2>of vets coming back from Vietnam and then sometimes you know,

975
00:54:13.000 --> 00:54:16.599
<v Speaker 2>Korea depending on how old they are, but Vietnam definitely,

976
00:54:17.199 --> 00:54:19.519
<v Speaker 2>and kind of the treatment of vets and and all

977
00:54:19.599 --> 00:54:22.880
<v Speaker 2>this stuff. I had this, like, you know what, I

978
00:54:22.920 --> 00:54:26.079
<v Speaker 2>haven't seen The Park is Mine forever, and it's an

979
00:54:26.159 --> 00:54:29.199
<v Speaker 2>interesting it's it's kind of it's it's a pretty interesting movie.

980
00:54:29.239 --> 00:54:32.920
<v Speaker 2>There's a you know, pretty pretty awesome cast and not

981
00:54:33.039 --> 00:54:35.400
<v Speaker 2>a perfect movie. That would be one that would make

982
00:54:35.480 --> 00:54:38.239
<v Speaker 2>a really good remake. But if you haven't seen a while,

983
00:54:38.639 --> 00:54:40.320
<v Speaker 2>I think I caught it. I think I caught it

984
00:54:40.360 --> 00:54:42.760
<v Speaker 2>on an Amazon I can't remember, but I just had.

985
00:54:42.800 --> 00:54:44.679
<v Speaker 2>I just remembered it be on a cable off and

986
00:54:44.719 --> 00:54:46.639
<v Speaker 2>on and was like, you know what, I'm gonna watch

987
00:54:46.760 --> 00:54:49.039
<v Speaker 2>this movie I haven't seen a while. The whole idea

988
00:54:49.119 --> 00:54:52.039
<v Speaker 2>is Tommy the Jenes takes over Central Park to raise

989
00:54:52.079 --> 00:54:56.280
<v Speaker 2>the awareness of how the veterans are treated cool, which is,

990
00:54:56.679 --> 00:54:59.760
<v Speaker 2>you know, not that's not definitely not great. He you know,

991
00:55:00.039 --> 00:55:02.440
<v Speaker 2>he has a friend, he's a vet. He's like, hey, man,

992
00:55:02.559 --> 00:55:05.719
<v Speaker 2>do this for me, take over Central Park. And of

993
00:55:05.760 --> 00:55:08.280
<v Speaker 2>course a bunch of people think that that's probably not

994
00:55:08.280 --> 00:55:12.280
<v Speaker 2>like it's it's it's worth it's worth checking I I

995
00:55:12.320 --> 00:55:14.960
<v Speaker 2>think it's worth checking out, even though it's it's definitely

996
00:55:15.000 --> 00:55:17.039
<v Speaker 2>not you know, Whatt's and all kind of movie.

997
00:55:17.280 --> 00:55:17.360
<v Speaker 4>No.

998
00:55:17.559 --> 00:55:21.599
<v Speaker 1>I love anything that is severely dated that is about

999
00:55:21.679 --> 00:55:24.599
<v Speaker 1>the time, you know, people say, oh that movies, I

1000
00:55:24.639 --> 00:55:27.320
<v Speaker 1>want more dated. I want movies that are like marked

1001
00:55:27.360 --> 00:55:29.719
<v Speaker 1>by the time they're in so that you can point

1002
00:55:29.719 --> 00:55:32.800
<v Speaker 1>at it, so it's palpable. So that sounds great choice.

1003
00:55:32.840 --> 00:55:35.400
<v Speaker 2>Tommy Lee Jones, of course, you know great.

1004
00:55:35.320 --> 00:55:37.280
<v Speaker 1>Who was also in Rolling Thunder, which is about a

1005
00:55:37.360 --> 00:55:41.760
<v Speaker 1>very similar topic, Tommy Lee. We're talking about Tommy ly

1006
00:55:41.840 --> 00:55:45.559
<v Speaker 1>Jones as if those are the only but yeah, right, anyway, that.

1007
00:55:45.679 --> 00:55:48.920
<v Speaker 2>Was my you know, kind of random. That's my random assortment.

1008
00:55:49.000 --> 00:55:52.920
<v Speaker 2>I think fantastically. What do you have for us? And

1009
00:55:53.000 --> 00:55:55.800
<v Speaker 2>I know you watched an entire Netflix series last night?

1010
00:55:56.480 --> 00:55:59.320
<v Speaker 3>Yeah, I have my my two Netflix. Netflix is knocking

1011
00:55:59.360 --> 00:56:03.960
<v Speaker 3>out of the park this this month. Adolescence is not

1012
00:56:04.039 --> 00:56:06.719
<v Speaker 3>the one I watched last night, but it's many limited

1013
00:56:06.719 --> 00:56:11.199
<v Speaker 3>series Netflix has that is about a kid, a thirteen

1014
00:56:11.280 --> 00:56:14.760
<v Speaker 3>year old who's accused of murdering a classmate, and it

1015
00:56:15.079 --> 00:56:18.039
<v Speaker 3>follows the family and we's grand But what's amazing is

1016
00:56:18.440 --> 00:56:21.679
<v Speaker 3>it's super well acted. This kid is amazing and the

1017
00:56:21.760 --> 00:56:27.559
<v Speaker 3>parents everybody. But also each episode is shot sing in

1018
00:56:27.920 --> 00:56:30.920
<v Speaker 3>h what is it continuously like there's no cuts. They

1019
00:56:30.920 --> 00:56:33.039
<v Speaker 3>don't even have hidden cuts. They just do the whole

1020
00:56:33.079 --> 00:56:36.119
<v Speaker 3>episode with one and they then we've watched it behind

1021
00:56:36.119 --> 00:56:41.880
<v Speaker 3>the scenes thing on YouTube. It's amazing they do like

1022
00:56:41.920 --> 00:56:44.840
<v Speaker 3>they did each week they filmed one of the episodes

1023
00:56:44.880 --> 00:56:48.280
<v Speaker 3>and they shot it. They basically did two takes each

1024
00:56:48.360 --> 00:56:51.320
<v Speaker 3>day for five days, so it's like there's ten takes

1025
00:56:51.599 --> 00:56:53.679
<v Speaker 3>of this one hour episode. It's crazy. It's like basically

1026
00:56:53.719 --> 00:56:56.599
<v Speaker 3>it's like a play, except that it's it's not contained.

1027
00:56:56.639 --> 00:56:59.639
<v Speaker 3>It's all they're they're in the car, they're in different

1028
00:56:59.679 --> 00:57:02.800
<v Speaker 3>build things. They even at one point attached the camera

1029
00:57:03.039 --> 00:57:05.000
<v Speaker 3>to a drone so that they get a drone shot.

1030
00:57:05.039 --> 00:57:06.920
<v Speaker 3>But like they show on the Netflix, I mean on

1031
00:57:06.960 --> 00:57:09.840
<v Speaker 3>the YouTube thing when they attack, it's like, it's crazy,

1032
00:57:09.960 --> 00:57:12.480
<v Speaker 3>but that's not like you kind of at first are like,

1033
00:57:12.800 --> 00:57:14.639
<v Speaker 3>is this all one take? Like it's kind of but

1034
00:57:14.920 --> 00:57:17.840
<v Speaker 3>also the performances are amazing everything, so it's really really good.

1035
00:57:18.000 --> 00:57:20.440
<v Speaker 3>And then last night I took in the entire six

1036
00:57:20.519 --> 00:57:23.360
<v Speaker 3>episode yesterday, I should say it was kind of playing

1037
00:57:23.360 --> 00:57:27.639
<v Speaker 3>all day as I was working the entire six episodes

1038
00:57:27.679 --> 00:57:30.519
<v Speaker 3>of Zero Day during Robert de Niro, But it's it's

1039
00:57:30.599 --> 00:57:33.039
<v Speaker 3>quite a cast in that in that one, and that's

1040
00:57:33.199 --> 00:57:38.119
<v Speaker 3>really cool kind of thriller where he's the former president

1041
00:57:38.119 --> 00:57:41.960
<v Speaker 3>and then he's charged to become it becomes the the

1042
00:57:42.000 --> 00:57:45.320
<v Speaker 3>head of this commission to figure out what happened with

1043
00:57:45.400 --> 00:57:48.639
<v Speaker 3>this uh, this cyber attack. So anyway, it's really good

1044
00:57:48.679 --> 00:57:51.480
<v Speaker 3>to really thrilling. So yeah, both great too. I was

1045
00:57:51.519 --> 00:57:53.519
<v Speaker 3>like Netflix man knocking out of the Park.

1046
00:57:53.599 --> 00:57:56.159
<v Speaker 1>Oh that's cool, Thank you, Drew. Do you have any

1047
00:57:56.199 --> 00:57:59.000
<v Speaker 1>recommendations for us? Yeah?

1048
00:57:59.599 --> 00:58:03.920
<v Speaker 4>So well, I have had a lot of doses of

1049
00:58:04.039 --> 00:58:10.719
<v Speaker 4>high strangeness in my entertainment lately via the married couple

1050
00:58:10.960 --> 00:58:16.559
<v Speaker 4>of Greg and Dana Newkirk. Who are They are a

1051
00:58:16.679 --> 00:58:22.039
<v Speaker 4>charming married couple that also involves themselves in paranormal investigation.

1052
00:58:22.800 --> 00:58:26.800
<v Speaker 4>I first encountered them through their podcast that it was

1053
00:58:26.920 --> 00:58:30.760
<v Speaker 4>recommended to me on Spotify. It's called The Haunted Objects

1054
00:58:30.880 --> 00:58:35.679
<v Speaker 4>Plotted Cast, and it's exactly what it sounds like. They

1055
00:58:36.159 --> 00:58:44.280
<v Speaker 4>they analyze quite humorously the history of a alleged allegedly

1056
00:58:44.360 --> 00:58:50.960
<v Speaker 4>haunted object. And yeah, and the the subjects are as

1057
00:58:51.079 --> 00:58:56.679
<v Speaker 4>wide as the Bermuda Triangle to They actually just put

1058
00:58:56.719 --> 00:59:02.039
<v Speaker 4>out an episode on and God blinking and blinking on

1059
00:59:02.079 --> 00:59:06.599
<v Speaker 4>their name, The the the the couple that the the

1060
00:59:06.639 --> 00:59:10.400
<v Speaker 4>Conjuring movies. Oh yeah, what what is their name?

1061
00:59:10.800 --> 00:59:15.079
<v Speaker 1>Uh? I actually can't remember, but but I know I know.

1062
00:59:15.599 --> 00:59:20.360
<v Speaker 4>The Warrens. The Warrens. They did a whole episode The Warrens.

1063
00:59:20.400 --> 00:59:23.480
<v Speaker 4>They did a whole episode on the Warrens, which was

1064
00:59:23.519 --> 00:59:27.920
<v Speaker 4>really interesting. They also have two seasons of a TV

1065
00:59:28.000 --> 00:59:33.840
<v Speaker 4>show called Hellier, which is dealing with a particular uh

1066
00:59:34.039 --> 00:59:39.679
<v Speaker 4>I guess cryptozoology legend of the Kentucky Goblins, which is

1067
00:59:39.719 --> 00:59:43.320
<v Speaker 4>also really interesting. And I honestly, I just I find

1068
00:59:43.440 --> 00:59:47.679
<v Speaker 4>them as a couple fascinating how they've They've I really

1069
00:59:48.800 --> 00:59:55.239
<v Speaker 4>enjoy watching self actualized, self actualized people where you know,

1070
00:59:55.480 --> 00:59:58.719
<v Speaker 4>like the these these two have taken their interest and

1071
00:59:58.760 --> 01:00:00.840
<v Speaker 4>they've made their whole life about it.

1072
01:00:00.840 --> 01:00:02.239
<v Speaker 1>It's awesome, and.

1073
01:00:02.239 --> 01:00:05.119
<v Speaker 4>You know, they they found a way to make their

1074
01:00:05.159 --> 01:00:09.079
<v Speaker 4>career about it, and I so like, that's fascinating. But

1075
01:00:09.239 --> 01:00:14.400
<v Speaker 4>then and then in of themselves, they're very charming in

1076
01:00:14.480 --> 01:00:19.800
<v Speaker 4>the way that they approach the material because it's you know,

1077
01:00:19.880 --> 01:00:22.840
<v Speaker 4>a lot of I love watching stuff about the paranormal,

1078
01:00:22.920 --> 01:00:29.079
<v Speaker 4>but a lot of it is very extremely serious in tone,

1079
01:00:29.360 --> 01:00:33.880
<v Speaker 4>whereas they very clearly have a sense of humor, Like

1080
01:00:33.920 --> 01:00:38.800
<v Speaker 4>they're they're not completely you know, irreverent to the subject,

1081
01:00:39.079 --> 01:00:43.159
<v Speaker 4>but they do it with enough humor that it just

1082
01:00:43.320 --> 01:00:45.039
<v Speaker 4>makes it more relatable to me.

1083
01:00:45.480 --> 01:00:48.159
<v Speaker 1>I did watch bust Up. Other than that, I've been

1084
01:00:48.239 --> 01:00:51.719
<v Speaker 1>sort of heads down the Marilyn row movie Yes, which

1085
01:00:51.800 --> 01:00:54.840
<v Speaker 1>I which I loved, although somebody somebody asked me, I've

1086
01:00:54.840 --> 01:00:58.000
<v Speaker 1>never seen it. Should I see it? And I said, uh,

1087
01:00:58.199 --> 01:01:00.280
<v Speaker 1>you should see it as though you were watching it

1088
01:01:00.400 --> 01:01:05.559
<v Speaker 1>in a lecture hall. It's I said, you know, it's interesting,

1089
01:01:05.760 --> 01:01:10.599
<v Speaker 1>the performances are interesting, but it's uh, it's unforgivable, even

1090
01:01:10.679 --> 01:01:13.400
<v Speaker 1>in nineteen fifty six, like Consent is a foreign country

1091
01:01:13.440 --> 01:01:16.920
<v Speaker 1>to these people. There's no there's there's you know people

1092
01:01:16.960 --> 01:01:20.480
<v Speaker 1>who are always saying, hey, there's screening bus stop on TCM.

1093
01:01:20.880 --> 01:01:24.000
<v Speaker 1>Got to check that out. There's never any notion that

1094
01:01:24.360 --> 01:01:29.119
<v Speaker 1>Marilyn Monroe's character is treated like a woman with this

1095
01:01:29.159 --> 01:01:32.760
<v Speaker 1>guy sets out to kidnap her and is eventually rewarded

1096
01:01:32.760 --> 01:01:35.960
<v Speaker 1>for kidnapping her. There's a million ways around it that

1097
01:01:36.000 --> 01:01:37.719
<v Speaker 1>we could say, well, you know they grow blah blah

1098
01:01:37.760 --> 01:01:41.559
<v Speaker 1>blah blah blah. It's but it it's it's a very

1099
01:01:41.719 --> 01:01:44.639
<v Speaker 1>very old fashioned in all the wrong ways kind of movie,

1100
01:01:44.679 --> 01:01:48.199
<v Speaker 1>but good and you should see it. But it's it is.

1101
01:01:48.679 --> 01:01:52.039
<v Speaker 1>It is only understandable if you watch it as.

1102
01:01:52.440 --> 01:01:54.079
<v Speaker 4>As an artifact of its time.

1103
01:01:54.360 --> 01:01:58.320
<v Speaker 3>They keep we keep showing our kids stuff that we

1104
01:01:58.519 --> 01:02:02.599
<v Speaker 3>liked and realizing how terribly, how terribly it holds up.

1105
01:02:03.239 --> 01:02:05.639
<v Speaker 3>You know, you just think about like all these old tings,

1106
01:02:05.679 --> 01:02:07.599
<v Speaker 3>you like, I loved this movie, you know, I love

1107
01:02:07.719 --> 01:02:10.800
<v Speaker 3>I love sixteen Candles, I love Airplane or whatever, and

1108
01:02:10.840 --> 01:02:12.960
<v Speaker 3>then you're just like, oh our.

1109
01:02:12.880 --> 01:02:16.719
<v Speaker 2>Mom and dad okay, yeah, yeah, exactly is it that?

1110
01:02:17.119 --> 01:02:17.239
<v Speaker 1>Like?

1111
01:02:17.320 --> 01:02:26.760
<v Speaker 2>Oh now I see set Okay, yeah, now.

1112
01:02:24.880 --> 01:02:30.239
<v Speaker 3>I forgot how rape this was? Yikes? Yeah, wish so strange.

1113
01:02:30.880 --> 01:02:33.519
<v Speaker 1>Well, this has been a lot of fun, and I

1114
01:02:34.199 --> 01:02:37.280
<v Speaker 1>encourage the listeners to come to the Facebook page and

1115
01:02:37.320 --> 01:02:42.679
<v Speaker 1>engage in all of these conversations with us. It's it's

1116
01:02:43.320 --> 01:02:46.280
<v Speaker 1>and will definitely be back very soon with whatever the

1117
01:02:46.280 --> 01:02:49.599
<v Speaker 1>heck is next. I have. I have no idea, so

1118
01:02:49.840 --> 01:02:53.840
<v Speaker 1>thank you all. Thank you everybody, and uh and everybody

1119
01:02:53.960 --> 01:02:56.679
<v Speaker 1>be kind to one another, right Audios night
