Speaker 1: I'm gonna go ahead and bring the MIC's up for
these guys. We have jam tomorrow in studio with us.
Welcome gentlemen, Thank you, Mike and Gary. Why don't you
guys introduce yourselves for the uninitiated, and then one of
you can introduce this fine gentleman who is not on
a mic.
Speaker 2: I'll all start. My name is Gary Smith. I play
eh string guitar mostly for these guys.
Speaker 1: Which which I love to watch you do. By the way,
it's fascinating to me.
Speaker 2: Yeah, it's you don't see a lot of them, no, no,
but yeah, yeah. And then I've been I've known m
HP for whoever six years at least like that.
Speaker 3: I'm MHP.
Speaker 4: Thank you for having us, Matt, always good to be here,
always good to see you, and of course joining us
here standing up on beautiful six string acoustic is Mark Vadney.
Speaker 3: Actually there's a mic right there you can.
Speaker 1: Yeah, he just wanted to He doesn't want to lawyer
say anything.
Speaker 5: It's all about today.
Speaker 3: There you go, There you go.
Speaker 1: I love that track Killing Time that we opened with.
Speaker 3: Thank you. That's we had fun, right and that that's
got some real sort of mythic themes. To it. My
wife actually helped me write that.
Speaker 4: One, but oh okay, I got allusions to like Old
Testament and Greek myths and Roman myths, and it kind
of ties it all together. Coin for the Ferryman, you know,
for Kiroen crossing the river sticks into hades, and oh my,
a ring for the sea from the story of the Minotaur,
and it it kind of it brings. It brings a
lot of I don't know, a lot of nerdy mythic
concepts together, which is sort of what I like to
do when I write.
Speaker 1: Yes, yes, no, that's really good. You guys are gonna
play a few songs live for us. We maybe we
should just jump into the first one because I want
to I want to make sure we have plenty of time,
and I love to hear you guys play.
Speaker 3: Cool all right.
Speaker 4: I think we're gonna open with a song called Don't
Ask Alice. I'm a big Lewis Carroll fan. In fact,
the name of the band Jam Tomorrow comes from a
reference from Through the Looking Glass, where the Red Queen
and Alice are having tea and Alice asks if she
can have some jam, and the Red Queen says, you
can have jam yesterday. You can have jam tomorrow, but
never jam today, and it kind of became a political
play on unfulfilled political promises. It's also kind of a
play on the Latin for to be I am, but
also on the fact that when Mark and I started
we had a hard time lining up days to practice.
I was always like, oh, no, we can jam tomorrow,
but we can't jam today. So it's a kind of multifaceted.
But as I said, I'm a big Lewis Carroll fan.
This is sort of if you took Alice in Wonderland
and through the looking Glass and you put him in
a blender with about a half a bottles single malt
and poured it out into about a five minute song,
this is what you'd get.
Speaker 3: And this one's called don't ask Alice all right.
Speaker 1: Jam tomorrow, Live in studio.
Speaker 6: Fell down a hole.
Speaker 5: And a somehow lost my kitten like a misplaced soul.
These words were never written, landed underground with the fantasy
of strangers, strangeness compound a rabid warning of danger. What
does it hit mean? What does it really matter? At
a tea party with the march Hare and the mad Hatter?
What does it hit mean? As we slashed through the
ocean of jeez? What does it hidn't matter? After all?
Speaker 7: The easy in a game of cards.
Speaker 5: And I somehow lost my ace, I let down my
guard and now I've lost my place. Landed in court.
Speaker 7: Against the Queen of Hearts.
Speaker 5: I had to retort as she tore my world apart?
What does it hit mean?
Speaker 7: What does it really matter?
Speaker 5: At a tea party with the march have the Mad Hatter?
Speaker 7: What does he hit me? As I cut through the death.
Speaker 5: Why does the hind feel the os stacked against my name?
Running as fast as I can, running as fast as I.
Speaker 8: Can on a checker board.
Speaker 7: Upon who's lost her plan?
Speaker 6: Life?
Speaker 7: A night without a sword?
Speaker 5: Working from I might to I can, landed on the square,
just to run the red Queen's race, never getting there
can be a daunting pace. What does it hit me?
What does it really matter? At a tee party with
the march hare and the mad Hatter? What does it
hit me as I sweep the mere pieces the side?
What does it hidden matter? The people on the.
Speaker 4: The side, on the side, on the side on.
Speaker 5: The other side.
Speaker 6: At least try.
Speaker 1: Very nice, very nice. If you are just joining us
jam tomorrow is here with us live in studio?
Speaker 3: Now?
Speaker 7: Is that one? Is that one new?
Speaker 3: No? We wrote that a couple couple of years ago,
three years ago, probably. Oh okay. Oh, we've got about
twenty five originals.
Speaker 1: Oh wow, you've got a lot. So I didn't realize
you had that many.
Speaker 3: Yeah, we've only got a few recorded studio wise. We're
working on that.
Speaker 4: We actually just spent three days in the studio in
the last month chipping away at that.
Speaker 1: Okay, and where are you recording?
Speaker 7: Uh?
Speaker 3: Board House Studio? Is that right?
Speaker 2: You have Board's House Production in uh in Brookline?
Speaker 7: Uh?
Speaker 2: Pete, the same guy who does Fox and Flamingos. Oh okay, yeah,
like Roots of Creation some other some other different guys.
Speaker 1: I was gonna say, yeah, that's very familiar. Yeah, yeah,
very cool.
Speaker 6: How many songs?
Speaker 1: How many songs have you recorded at this point? You've
got twenty five originals? How many songs have you.
Speaker 3: In various stages?
Speaker 4: I think Gary and I have one that we wrote
sort of independent of Mark. After Gary had a car accident.
We spent some time when he was laid up with
some hardware and some traction. I wrote a couple of songs.
We recorded one of them, and then we've got we
actually recorded Sign of the Times, which we did chemical
distance and actually traces all the way back to my
early hip hop project, Liderman's Load. And then we recorded that.
That'll be the third time I've recorded that in the studio.
And then we've got five originals that are unique to
this project.
Speaker 1: I'm particularly yeah, I'm particularly curious. Here a Sign of
the Times. When it's ready, that'll be that'll be very interesting. Yeah,
we've got Jam Tomorrow's here with us in studio, played
some songs. Plus we opened with a new studio track
too killing time and uh, do you guys want to
go and play another one?
Speaker 3: I'm sure what do you want?
Speaker 7: Always?
Speaker 4: Yeah, we got plenty. This next one's called Life with
the Side of Death. This one's a this goes back
to kind of the beginning of our project as well. Okay,
this is uh, this is about three friends of mine.
Speaker 1: All right, Jam Tomorrow live in studio.
Speaker 5: Well JC, he has restaurant on Elm Streets. You built
it at twenty four with about thirty two seats. Yeah,
the drinks sad, the dishes were perfect, but the world
got in the way.
Speaker 7: When it was too late.
Speaker 8: To rehearse it.
Speaker 7: You could hear that beautiful man.
Speaker 9: Say, I'll take life with the sight of that.
Speaker 5: A smile, but I'm crying. One needs my brother as
the context all I try to remember everything.
Speaker 10: I'll take life with the side of day. Now, mister Dave,
he had, he.
Speaker 5: Had a stone factory, stone factory. He built a land
out of locks, but he never found the key.
Speaker 9: Gather rocks and receipts were her fence.
Speaker 5: But the past got in the way when there was
no one left to endorse him.
Speaker 7: You knew there was.
Speaker 5: No negs to play, but you could hear him saying,
I'll take life.
Speaker 7: With the side a side about of dime heats my
breath as cold takes home, and not try.
Speaker 5: To remember anything, not taking.
Speaker 7: The life with that of the.
Speaker 5: And ace he he helped Cord on the street, heat
of the King, giving smiles to the little people.
Speaker 11: Candy hunching over everything, Dazle music, gaslition work perfect.
Speaker 5: But reality it got in the way. And as the
vinyl flipped over, I could hear, my dear friends.
Speaker 9: I'll take life with the sight of death. The music
is playing, but I'm cont As the cold takes home,
I try to remember just one day, y'all.
Speaker 7: Take life with the sight of.
Speaker 12: Ya.
Speaker 11: See you don't see.
Speaker 9: Life with the sad.
Speaker 1: Wow, Jim Tomorrow is here with us live in studio.
You guys sound amazing. Thank you, Absolutely fantastic. I could
listen to you guys all day. I don't I don't
remember you planned that one before. I don't think I've
heard that one.
Speaker 3: No, No, I'm trying to.
Speaker 4: We try to switch it up every time we come
in and bring a different studio tracks and play different
stuff live.
Speaker 3: Yeah, this is my new favorite. Well, thank you.
Speaker 1: Yeah, that's a great, great song.
Speaker 4: We haven't played that in a little while. And those
are actually each of those are stories about people that
I know. Yeah, I'm not going to tell you who
they are, but they're uh, they're all represented, right, Yes.
Speaker 1: Very good, very good, Now for.
Speaker 3: The whole wide world?
Speaker 1: Is that the name of the track?
Speaker 8: Yeah?
Speaker 1: Did you guys want to play that one liv? Or
are we going to play the studio track?
Speaker 4: Why don't you play the studio track? I'm pretty happy
with how it came out. There's a marked an amazing
job tracking harmonies on that. It probably took us three
hours to double track the harmonies on that because I
kind of wandered timing wise. Yeah, I sort of took
some theater prerogative on that little jazzy backstory on that
is my wife's cousin, Rachel Corey, went to do some
piece work in Palestine twenty two years ago. She was
like twenty or twenty one years old, and she end
up losing her life in an altercation just trying to
help some people protect the water well and protect their home.
It's a sad story. There's a lot of sides to
every story. I'm not trying to take a side on
this story, but that's sort of the background for this story.
Speaker 1: Yeah, I remember you guys played this. I think the
first time you were on the show as a band,
you guys played this and really really great tracks.
Speaker 3: So thank you.
Speaker 4: Most of the chorus and some of the lyrics actually
come from her journals. She was an amazing journalist. She
I remember as she was out there, we were getting
journal entries from her email almost every day to sort
of follow her progress. And after her passing, Alan Rickman
Snape actually took her journals and turned them into a play,
and that play actually played on Broadway. And then oh
kind of Got Got Kicked off a Broadway and we
saw it in Boston, and we saw it in Long Island.
Speaker 3: And it's an amazing play. It's a woman play.
Speaker 4: She's just on stage, just essentially sharing her journal with
the audience over the course of almost two hours.
Speaker 3: Wow.
Speaker 4: Very moving story. If you've got some time to look
up Rachel Corey.
Speaker 3: It's not a.
Speaker 4: Happy tale, but it's a it's a powerful it's a
powerful thing. It's important, indeed, And so this is sort
of my take. I dug into her journals really deep,
and I sang it first person, trying to really be
representative the first story.
Speaker 1: Yeah, all right, so we'll give this a spin. This
is really really good. This is whole wide world, and
the band is jam Tomorrow.
Speaker 12: A child of the puge.
Speaker 5: It sound a dove in the town parade, raised by
caring parents, aware of the world they made. Dad went
to v Now you can't come back the same.
Speaker 12: I grew up with.
Speaker 7: Sad, si comb and burning flaking.
Speaker 5: Let me stand alone at the edge of the ear
and look at it. Honestly, maybe my worst swirls around me.
Speaker 7: But one thing is stationary.
Speaker 12: Year.
Speaker 5: If the words I use buzz away from my left meaninglessly.
Let them hang in the air for a while, look
at them monestly.
Speaker 13: My name is Rachel, trying to.
Speaker 5: Bridge the distance between the moon and the star. I
flew across the world to Rafa, and it seemed so far.
Sometimes you work for the world, sometimes for yourself. Sometimes
you can't see word is hiding on the highest shelf.
Let me stand alone at the edge of the earth
and looked at it honestly. Maybe my world swirls around me,
but one thing is stationary.
Speaker 12: If the words I use buzz away.
Speaker 7: From my legs, meaning with the.
Speaker 5: Then hang in the air for a while, look at
the monist thee.
Speaker 13: My name is Rachel.
Speaker 5: Houses demolish dads who oranges on in a machine gun
fire at sunset, more to blast at John.
Speaker 7: Who are they? Why are they here?
Speaker 12: They asked me, hiding now bad.
Speaker 5: We came from America to stop these attacks. Let me
stand alone at the edge of the earth and look
at it honestly. Maybe in my world swirls around me,
but one thing is stationary. If the words I use
buzz away from my lefts meaninglesslye let them hang in
the air for a while, and look at them honestly.
My name is Rachel, greeting people hoppyby beloved, showing love,
thinking back when I was a child, creating as it does.
We have to protect the one. The wells need one
to survive. Building towards this moment, I have never felt
so live. Let me stand alone at the end, jum
here and look at it, honest steed. Maybe my world
swells around me, but one thing is stationary.
Speaker 7: In the world.
Speaker 5: I use us away from my els meaningless sleeve. Let
them paying in the air for a while and look
at them honested. My name is Rachel. My name is Rachel.
My name is Rachel. Un name is a Rachel m.
Speaker 1: I just wanted to let that ring out at the end.
That is powerful, That is whole wide world. The band
is Jam Tomorrow, and Jam Tomorrow is here with us
live in studio. By the way, in the chat room,
I think, uh, Auto, our friend Auto Kinsel, whom the
chemical distance that is in the chat room. It's actually
the dust profit official account that's in there. But he says,
but I assume it's Auto. He says, I don't know
how you can sing sitting down. I could never do it. Yeah,
that's interesting. Is that does that come easy to you
sitting down whilst.
Speaker 4: Singing, or I've got huge theater lungs, so i can
hold a note and hit it harder when I'm standing up,
but I can I can sing, okay.
Speaker 1: So yeah, yeah, you seem pretty comfortable with it, and
he appreciated the m D reference. Spelfy from of Course,
Terminus and the Midnight Creatives Collective is in the chat room.
She mentions they've got a big show tonight, Vigil, Swarm
of Eyes, Tech Slave and Dead Harrison tonight at Terminus
in Nashua. Great great venue.
Speaker 6: Woo woo woo.
Speaker 1: Our friend Miriam vanishes in the chat room. She says,
I'm listening in the car and had to pull into
a parking lot to say something. I know this story,
and though I didn't see the play, I remembered when
it was on Broadway. People were critical of Alan Rickman,
but he saw a story that needed to be told.
Speaker 4: Indeed, there's there's a lot of baggage there, sort of entrenched. Yeah, yeah, yeah,
I won't even dive down that rabbit hole, but there was.
Speaker 3: It was very controversial.
Speaker 1: Yeah, no doubt, no doubt. Well that Miriam also Hans
Smith of Course from the band Sepsis is in the
chat room and says, hey Metal Matt, Hello, of course.
Uh got Swarmy Fest coming up November two now at
Taffada in Lowell.
Speaker 5: Yes, I am looking forward.
Speaker 1: Looking forward to that absolutely absolutely. Well, do you guys
want to you want to play another live one for us?
Speaker 6: Yeah?
Speaker 3: Absolutely.
Speaker 4: You said some very kind words about this song on
social media recently. Gary shared it with me because I've
been banned. Yes, I've been deemed a menace to society,
violation of community standards?
Speaker 1: Is this, by the way, what I believe the young
people refer to as a perma band.
Speaker 3: Oh yeah, it's deleted.
Speaker 6: I'm gone.
Speaker 5: Wow.
Speaker 4: I've been in jail many times before, but i'd always
broken out.
Speaker 6: Wow.
Speaker 3: And yeah, you've been naughty. I guess I gave the
zucker butt hurt.
Speaker 6: I guess.
Speaker 3: So think that's a copyrighted phrase, by the way.
Speaker 1: Yes, yes, trademark that you just all have to do
is to say TM after it.
Speaker 4: Marco Registrata for those in the new Yeah, you might
be onto something.
Speaker 5: You might be able to sell that on a tech Yeah.
Speaker 1: All right, so you guys are gonna play Falling into Place?
Speaker 5: We are?
Speaker 8: Yeah?
Speaker 3: This is actually the first song that we wrote.
Speaker 4: Mark and I actually wrote this together, which is really
odd for me because I'm really selfish with my creative space. Generally,
our process is that we'll be jamming at my house.
We usually rehearse at my house, and I'll go to
grab some beers or something and just put my phone
on the table and leave it on record, and these
guys Gary and Mark will just make some amazing music
happen while I'm gone, and I'll sort of listen from
the wing and wait until they're done and come back
in and be like, Okay, that's our next song. And
then we work on how we structure verse, chorus, bridge,
all that kind of stuff, and then I'll sort of
take it off to my lair all by myself, usually
with a cigar on the porch, after it's dark and
the neighborhood's quiet, and I'll put some lyrics to it,
because that's really where my best headspace is.
Speaker 3: But we actually wrote this together.
Speaker 4: This was a COVID song, but I feel like it
it sort of is appropriate for any kind of trying time,
which seems like because the only kind of time that
we have any all.
Speaker 1: Right, I love this is falling into place. Jam Tomorrow
live in studio?
Speaker 7: Right?
Speaker 3: Did all those mics up here?
Speaker 6: All right? That's weird.
Speaker 1: Something's no I got everybody else. I can't hear you either.
Oh wait a minute, there we go sports giving me
a little bit of trouble.
Speaker 6: But I think we're.
Speaker 7: Okay, amazing, mister Smith. And I feel like things are
falling against place, and I feel.
Speaker 5: Like against the end of the Red Queen's Race, and
a feeling like a star are gonna change because I
feel like this was allga red.
Speaker 7: As we move.
Speaker 5: From hugs and hatchhase, we must remember how our souls ay,
as we move from confidant to confident, we must remember
how our souls pay. But I feel like things are
falling against split and I like against the end of
the Red Quee Race, and a feeling like stars are
gonna change because I feel like this was all just
reading and people take too much pride in the way
they picked their sides split up into them at us.
Speaker 7: Besides seating on bars on the bus. But A feel
like things are falling in its place, and I like
it's the end of the Red.
Speaker 5: Queen's Races, and to feel like the stars are gonna
change because I feel like this was Alga.
Speaker 7: Reay.
Speaker 5: As our lives get more separated, well we wish they weren't.
Speaker 7: So as things get more.
Speaker 5: Complicated, well we wish we could just know, just know,
But feel like things are falling in.
Speaker 7: Place and I'm.
Speaker 5: Like it's the n Another Red Queen's Reggie and a
feel like the stars are gonna change because I feel
like this was all.
Speaker 7: Just preer ring.
Speaker 5: Then a feel like things are falling itast place and
like against the m another Red Queen's Rage and a
feel like the star like the stars gonna jay because I.
Speaker 7: Feel like this with Onge Preer range it up like
this with long.
Speaker 1: Preer just amazing and encore Well done, guys, well done.
If you are just joining us, we have jam tomorrow
here with us alive in studio. Uh Mark, Gary and MHP.
Is that what you're going by?
Speaker 7: It sure?
Speaker 4: Is that your like official Like I didn't call myself that,
but multiple circles of friends and acquaintances and business folks
started calling me that because it's easier than saying Michael
Helpley Piers just ah right right yes, And I'm not
gonna lie. I've kind of created a brand, and that
was a beautiful way to sort of accentuate it. So
whatever my agenda is, whether it's music or work or
philanthropy or whatever it's, it's kind of it's like, oh,
there's only one MHP like that, you're not going to
confuse me with somebody how that you would anyway, because
thankfully there's not two of me, because we would probably
hate each other.
Speaker 8: Right right?
Speaker 3: Do you know me? Did you wanna?
Speaker 1: Were we gonna how many live were we going to do? Do
you want to do one more?
Speaker 6: Sure?
Speaker 3: We got time for one more? Can we throw out
a couple of shout outs?
Speaker 8: Oh?
Speaker 1: Absolutely, go for it.
Speaker 6: Yeah, I'll do it.
Speaker 1: Oh yeah please.
Speaker 6: Yeah.
Speaker 2: I'm actually playing tonight with two of my bands, who
I don't know, I know, I don't know. Is Bob Dwyer.
Speaker 3: Do you know Bob Dyer?
Speaker 1: He's been on the show with uh what uh what
the stink?
Speaker 2: He was with them back in the day.
Speaker 1: I don't know, but I know he's been on the
show with another band. I can't remember who now, but yeah, but.
Speaker 2: We're opening for my other band Fox and Flamingos Tonai
this show excellent. Yeah, me and him and our drummer
from Cosmic Blossom play together. Oh, very good, and I
am playing a Candy Road tomorrow if you want to
catch some solo stuff from two to.
Speaker 1: Five outstanding, very good, very good. Yeah, you got a
busy weekend, yeah, which is a good that's a good thing.
Speaker 6: Yeah.
Speaker 3: Yeah.
Speaker 4: We don't have any gigs as jam tomorrow coming up
until November and then we got a really busy week
eleven nineteen, we're playing at the Shaskiine from eight to eleven.
That's a Tuesday, and that Friday, eleven twenty two, we're
playing at Strange Brew also from eight to eleven, and
then eleven thirty, which is the Saturday after Thanksgiving, we're
playing at Pembroke City Limits, which if you haven't been there,
rob azeveda amazing spot, so focused on the music, very cool.
You feel like you're playing in a big living room.
It's kind of like that, like that Daryl Hall, like
the Oh Live at Daryl's South. Yeah, it kind of
it's kind of has that sort of feel to it. Yeah,
there's always a maybe when they have their open mics.
It's like the caliber of musicians we're playing in a
spot you may have never heard of town you probably
couldn't find on the map.
Speaker 3: Is just unbelievable. So we're really looking forward to that.
Speaker 4: My family's coming up, All my mom's siblings are coming
out for Thanksgiving and they're gonna I'll be able to
catch that show, so that'll be a good time. And
then I want to give a shout out to my man,
Jim Belile, So if you've ever seen any of our flyers,
that all the artwork on our flyers are all his paintings,
and he's been generous enough to let us use his
artwork and not have to pay for it, which is
a beautiful thing. We really appreciate it. So if you
dig any of the art you've ever seen in any
of our flyers, go to www.
Speaker 3: Dot Belile Art.
Speaker 4: That's E L L I S L E A r
T dot com and he's got both paintings and prints
available for sale.
Speaker 3: Support a local artist. It's really what makes your community matter.
Speaker 1: Very nice, very nice. Oh, by the way, too, because
you mentioned him and Gary, you had played at Pembroke
City Limits recently too, Right.
Speaker 2: I do a pretty much biweekly solo jazz thing, and
then I do a Gary's musical gathering wherever. He Oh yeah,
one Thursday month, I invite a bunch of my musicians
friends to come and too long set sit in jam.
It's like kind of a you know, I'm in a
few bands at this point, probably like six different bands. Yeah, yeah,
I have different people can come in and it's it's
always been good. There's been just such a crazy caliber
of musicians like Jordan Quinn shows off, like all these
like just crazy musicians, Sarah Bird and like all these
great great people show up and do some jazz stuff
and then people sit in with my jazz.
Speaker 3: It's great.
Speaker 7: Yeah.
Speaker 2: I love Rob's pace.
Speaker 1: I live in oh perfect. Yeah, it doesn't get much better, Rob,
Rob has a great show. You you've probably been on it, right.
Speaker 2: Yeah, I was on it a couple of months ago.
Speaker 1: Ran a state of mind.
Speaker 2: Yeah, I'll be back with you in two weeks, I
think too.
Speaker 1: That's right, yes, yes, very good. Well, before we run
out of time, let's let's go ahead and uh, I'm
dying here.
Speaker 4: One more, all right, This is this one's a little
bit different. This one's the story about Alistair Crowley. Uh,
not a very nice man, but a very interesting dude.
Fascinating life I've read a bunch of his biographies, read
a bunch of his works. AZZI did song about him,
but I felt like it really didn't tell much of
a tale.
Speaker 3: True.
Speaker 4: So this one is pretty much a story of his
life up to about age twenty seven. And it's it's
seven versus long, because that's why I had to cut
it off at age twenty seven. But this sort of
leads up to the big formative moment of his life
in nineteen oh seven. Okay, so this one's called Babes
in the Abyss. All right, jam bro Telemites out there, all.
Speaker 3: Right, very good.
Speaker 5: Just the boy with the bad will rich parents didn't understand.
Had to get my bad bilt by speeling blood upon.
Speaker 7: The land, unbeloved by the brethren.
Speaker 5: A beast on mommy's cheet follow the reverence with a.
Speaker 7: Hand that had to beat. We are but twell, wreshel
Babes in the Abyss.
Speaker 5: We sell of sears coming until they can't be mad.
Speaker 7: We are but tell a long wreshels bebes in the Abyss.
Speaker 5: We sell them see us coming to it can't be mess.
Just a man with the mission.
Speaker 7: To bring the truth to light.
Speaker 5: A twenty four maid decision to search throughout the night.
The dawn was golden, but I rushed too far, too fast.
The orders boned my borders, my future, and my paths.
Speaker 7: We are but twelve song the threshold maps in the Abyss.
Speaker 5: We set up seals, counting until that can't be messed.
We are but twelve song the threshold bames. In the Abyss,
we set up sewants, counting until it can't be messed.
Just the spirit on seventh, in search of some PUNTI
been months since surreal bath, in need of.
Speaker 7: A Truio game, three years with the master.
Speaker 5: In the blink of mathred I on the last the
past was waiting on the mountain side. We are but
twelve of the threshold babes. In the Abyss, we sell
off Sewarts, coming until he can't be mad. We are
but twelve son thresholds babes in the bits. We sell
on Sewards, coming until.
Speaker 7: He can't be mad.
Speaker 5: Just a mate with the posse, spreading the work of law,
damages by proxy.
Speaker 7: Don't even drop my job.
Speaker 5: Somehow, my abby, weeve my book misunderston the house of
masonry as flable lessor.
Speaker 7: We are but twel sol threshold beats.
Speaker 5: In these b we sellom see wants coming until the
cant me man.
Speaker 7: We are but twelve of the threshold beats.
Speaker 5: In the bit we sell them see what's coming till
the can mean man, just the soul in the desert.
Things did not go to plan.
Speaker 7: I brought you in my circle. Let you try to
rule this man. We foched in the bar as.
Speaker 9: The gods played in the store.
Speaker 7: You brought me then I ever met me. We are
but tween long threshold babes. In these bits we set
up see what's coming dealing get me mad?
Speaker 8: We are but.
Speaker 9: Twell on the threshold baits.
Speaker 5: In the ben we sell up see us coming and
see get mean me.
Speaker 1: That's pretty epic. That's great. Well, I love that. I
love that Jam Tomorrow live in studio.
Speaker 3: Guys.
Speaker 1: We're just about out of time in the segment. But
uh you guys, you sound amazing. I always love hearing
you play. Always great to have you here. And where
should people go online? Where's the best place to go
online to keep up with everything Jam Tomorrow is doing?
Speaker 4: So you go to Jam Tomorrow dash the band on
Facebook so you don't confuse it with Jam Tomorrow. The
Lunchbox or Jim Tomorrow the Flamethrower. The kids love that one. Yes,
Gary's got some sites that you can check out too.
Speaker 2: My own website, gsmithmusic dot com that'll list all my shows,
but it'll have a Jam Tomorrow section in there. It'll
list our shows in there specifically too, okay, and you'll
be able to get some media from that.
Speaker 3: G Smith Music excellent.
Speaker 4: And we're on all the standard streaming platforms where kids
go to get their music. We've got two cuts out
there right now, and we've got another five that will
be dropping over the course of the not too distant future.
Speaker 3: And we play local a lot.
Speaker 4: The three venues that I listed out Strange Brew, Pembroke
City Limits and the Shaski and are probably our three
most frequent haunts, so look for us there as well.
Speaker 1: Excellent, excellent, guys, Thank you so much. We'll actually close
out the segment with another studio track that an older
one that you had sent me, A Beautiful Loser, another
great song, great song, but guys, I appreciate you very much.
Thank you again, and we'll do this again so because
you guys are always making more music.
Speaker 3: So yeah, Na, Matt, thanks for having us.
Speaker 1: I really appreciate PM, absolutely absolutely, It's a beautiful loser.
Jam tomorrow.
Speaker 5: A big hold in the fabric of space and time,
like I needed a dollar.
Speaker 12: And I had a time.
Speaker 5: A ben to both ends of the Mississippi, from the
Minnesota Highlands to the New Orleans Ocean. She grips me,
And I don't know what happened to me.
Speaker 7: Tweam feeling life, living.
Speaker 5: Free, jeep walking towards where I think I might be.
God is alive and magic is afoot. Some things just
won't stay aware that but reinvention, tainted by previous intention
won't say us from those things just can't mention.
Speaker 13: And I don't know what.
Speaker 7: Happened to me. Dream feeling alive and live and free, keep.
Speaker 5: Walking towards where I think I might be. Yeah to
the bridge.
Speaker 7: And I don't know what happened to me?
Speaker 5: Dream feeling life, living free, keep walking towards where I
think I might be. Every time we pull back the curtain,
we find another curtain. But my mind is we re
and my back is hurting. The only thing I've ever
known for the hurcheon is behind every curtain, there's another
curtain and another curtain, And I don't know.
Speaker 7: What happened to me? Dream feeling life and live and free.
Speaker 5: Keep walking to hoods where I think I might be, And.
Speaker 13: I don't know what happened to me.
Speaker 5: Dream feeling life and live and free, Keep walking towards
where I think I might be. And let I don't
know what happened to me, tream feeling live and live
and free, Keep walking towards where I think I might be,
Where I think I might be,