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Speaker 1: I'm gonna go ahead and bring the MIC's up for

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these guys. We have jam tomorrow in studio with us.

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Welcome gentlemen, Thank you, Mike and Gary. Why don't you

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guys introduce yourselves for the uninitiated, and then one of

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you can introduce this fine gentleman who is not on

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a mic.

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Speaker 2: I'll all start. My name is Gary Smith. I play

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eh string guitar mostly for these guys.

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Speaker 1: Which which I love to watch you do. By the way,

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it's fascinating to me.

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Speaker 2: Yeah, it's you don't see a lot of them, no, no,

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but yeah, yeah. And then I've been I've known m

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HP for whoever six years at least like that.

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Speaker 3: I'm MHP.

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Speaker 4: Thank you for having us, Matt, always good to be here,

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always good to see you, and of course joining us

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here standing up on beautiful six string acoustic is Mark Vadney.

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Speaker 3: Actually there's a mic right there you can.

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Speaker 1: Yeah, he just wanted to He doesn't want to lawyer

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say anything.

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Speaker 5: It's all about today.

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Speaker 3: There you go, There you go.

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Speaker 1: I love that track Killing Time that we opened with.

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Speaker 3: Thank you. That's we had fun, right and that that's

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got some real sort of mythic themes. To it. My

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wife actually helped me write that.

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Speaker 4: One, but oh okay, I got allusions to like Old

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Testament and Greek myths and Roman myths, and it kind

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of ties it all together. Coin for the Ferryman, you know,

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for Kiroen crossing the river sticks into hades, and oh my,

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a ring for the sea from the story of the Minotaur,

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and it it kind of it brings. It brings a

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lot of I don't know, a lot of nerdy mythic

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concepts together, which is sort of what I like to

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do when I write.

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Speaker 1: Yes, yes, no, that's really good. You guys are gonna

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play a few songs live for us. We maybe we

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should just jump into the first one because I want

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to I want to make sure we have plenty of time,

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and I love to hear you guys play.

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Speaker 3: Cool all right.

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Speaker 4: I think we're gonna open with a song called Don't

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Ask Alice. I'm a big Lewis Carroll fan. In fact,

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the name of the band Jam Tomorrow comes from a

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reference from Through the Looking Glass, where the Red Queen

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and Alice are having tea and Alice asks if she

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can have some jam, and the Red Queen says, you

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can have jam yesterday. You can have jam tomorrow, but

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never jam today, and it kind of became a political

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play on unfulfilled political promises. It's also kind of a

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play on the Latin for to be I am, but

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also on the fact that when Mark and I started

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we had a hard time lining up days to practice.

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I was always like, oh, no, we can jam tomorrow,

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but we can't jam today. So it's a kind of multifaceted.

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But as I said, I'm a big Lewis Carroll fan.

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This is sort of if you took Alice in Wonderland

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and through the looking Glass and you put him in

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a blender with about a half a bottles single malt

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and poured it out into about a five minute song,

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this is what you'd get.

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Speaker 3: And this one's called don't ask Alice all right.

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Speaker 1: Jam tomorrow, Live in studio.

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Speaker 6: Fell down a hole.

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Speaker 5: And a somehow lost my kitten like a misplaced soul.

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These words were never written, landed underground with the fantasy

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of strangers, strangeness compound a rabid warning of danger. What

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does it hit mean? What does it really matter? At

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a tea party with the march Hare and the mad Hatter?

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What does it hit mean? As we slashed through the

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ocean of jeez? What does it hidn't matter? After all?

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Speaker 7: The easy in a game of cards.

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Speaker 5: And I somehow lost my ace, I let down my

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guard and now I've lost my place. Landed in court.

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Speaker 7: Against the Queen of Hearts.

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Speaker 5: I had to retort as she tore my world apart?

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What does it hit mean?

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Speaker 7: What does it really matter?

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Speaker 5: At a tea party with the march have the Mad Hatter?

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Speaker 7: What does he hit me? As I cut through the death.

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Speaker 5: Why does the hind feel the os stacked against my name?

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Running as fast as I can, running as fast as I.

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Speaker 8: Can on a checker board.

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Speaker 7: Upon who's lost her plan?

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Speaker 6: Life?

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Speaker 7: A night without a sword?

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Speaker 5: Working from I might to I can, landed on the square,

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just to run the red Queen's race, never getting there

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can be a daunting pace. What does it hit me?

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What does it really matter? At a tee party with

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the march hare and the mad Hatter? What does it

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hit me as I sweep the mere pieces the side?

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What does it hidden matter? The people on the.

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Speaker 4: The side, on the side, on the side on.

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Speaker 5: The other side.

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Speaker 6: At least try.

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Speaker 1: Very nice, very nice. If you are just joining us

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jam tomorrow is here with us live in studio?

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Speaker 3: Now?

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Speaker 7: Is that one? Is that one new?

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Speaker 3: No? We wrote that a couple couple of years ago,

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three years ago, probably. Oh okay. Oh, we've got about

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twenty five originals.

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Speaker 1: Oh wow, you've got a lot. So I didn't realize

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you had that many.

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Speaker 3: Yeah, we've only got a few recorded studio wise. We're

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working on that.

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Speaker 4: We actually just spent three days in the studio in

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the last month chipping away at that.

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Speaker 1: Okay, and where are you recording?

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Speaker 7: Uh?

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Speaker 3: Board House Studio? Is that right?

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Speaker 2: You have Board's House Production in uh in Brookline?

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Speaker 7: Uh?

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Speaker 2: Pete, the same guy who does Fox and Flamingos. Oh okay, yeah,

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like Roots of Creation some other some other different guys.

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Speaker 1: I was gonna say, yeah, that's very familiar. Yeah, yeah,

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very cool.

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Speaker 6: How many songs?

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Speaker 1: How many songs have you recorded at this point? You've

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got twenty five originals? How many songs have you.

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Speaker 3: In various stages?

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Speaker 4: I think Gary and I have one that we wrote

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sort of independent of Mark. After Gary had a car accident.

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We spent some time when he was laid up with

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some hardware and some traction. I wrote a couple of songs.

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We recorded one of them, and then we've got we

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actually recorded Sign of the Times, which we did chemical

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distance and actually traces all the way back to my

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early hip hop project, Liderman's Load. And then we recorded that.

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That'll be the third time I've recorded that in the studio.

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And then we've got five originals that are unique to

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this project.

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Speaker 1: I'm particularly yeah, I'm particularly curious. Here a Sign of

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the Times. When it's ready, that'll be that'll be very interesting. Yeah,

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we've got Jam Tomorrow's here with us in studio, played

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some songs. Plus we opened with a new studio track

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too killing time and uh, do you guys want to

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go and play another one?

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Speaker 3: I'm sure what do you want?

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Speaker 7: Always?

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Speaker 4: Yeah, we got plenty. This next one's called Life with

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the Side of Death. This one's a this goes back

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to kind of the beginning of our project as well. Okay,

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this is uh, this is about three friends of mine.

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Speaker 1: All right, Jam Tomorrow live in studio.

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Speaker 5: Well JC, he has restaurant on Elm Streets. You built

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it at twenty four with about thirty two seats. Yeah,

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the drinks sad, the dishes were perfect, but the world

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got in the way.

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Speaker 7: When it was too late.

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Speaker 8: To rehearse it.

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Speaker 7: You could hear that beautiful man.

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Speaker 9: Say, I'll take life with the sight of that.

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Speaker 5: A smile, but I'm crying. One needs my brother as

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the context all I try to remember everything.

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Speaker 10: I'll take life with the side of day. Now, mister Dave,

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he had, he.

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Speaker 5: Had a stone factory, stone factory. He built a land

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out of locks, but he never found the key.

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Speaker 9: Gather rocks and receipts were her fence.

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Speaker 5: But the past got in the way when there was

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no one left to endorse him.

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Speaker 7: You knew there was.

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Speaker 5: No negs to play, but you could hear him saying,

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I'll take life.

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Speaker 7: With the side a side about of dime heats my

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breath as cold takes home, and not try.

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Speaker 5: To remember anything, not taking.

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Speaker 7: The life with that of the.

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Speaker 5: And ace he he helped Cord on the street, heat

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of the King, giving smiles to the little people.

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Speaker 11: Candy hunching over everything, Dazle music, gaslition work perfect.

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Speaker 5: But reality it got in the way. And as the

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vinyl flipped over, I could hear, my dear friends.

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Speaker 9: I'll take life with the sight of death. The music

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is playing, but I'm cont As the cold takes home,

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I try to remember just one day, y'all.

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Speaker 7: Take life with the sight of.

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Speaker 12: Ya.

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Speaker 11: See you don't see.

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Speaker 9: Life with the sad.

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Speaker 1: Wow, Jim Tomorrow is here with us live in studio.

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You guys sound amazing. Thank you, Absolutely fantastic. I could

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listen to you guys all day. I don't I don't

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remember you planned that one before. I don't think I've

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heard that one.

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Speaker 3: No, No, I'm trying to.

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Speaker 4: We try to switch it up every time we come

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in and bring a different studio tracks and play different

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stuff live.

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Speaker 3: Yeah, this is my new favorite. Well, thank you.

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Speaker 1: Yeah, that's a great, great song.

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Speaker 4: We haven't played that in a little while. And those

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are actually each of those are stories about people that

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I know. Yeah, I'm not going to tell you who

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they are, but they're uh, they're all represented, right, Yes.

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Speaker 1: Very good, very good, Now for.

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Speaker 3: The whole wide world?

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Speaker 1: Is that the name of the track?

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Speaker 8: Yeah?

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Speaker 1: Did you guys want to play that one liv? Or

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are we going to play the studio track?

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Speaker 4: Why don't you play the studio track? I'm pretty happy

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with how it came out. There's a marked an amazing

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job tracking harmonies on that. It probably took us three

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hours to double track the harmonies on that because I

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kind of wandered timing wise. Yeah, I sort of took

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some theater prerogative on that little jazzy backstory on that

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is my wife's cousin, Rachel Corey, went to do some

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piece work in Palestine twenty two years ago. She was

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like twenty or twenty one years old, and she end

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up losing her life in an altercation just trying to

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help some people protect the water well and protect their home.

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It's a sad story. There's a lot of sides to

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every story. I'm not trying to take a side on

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this story, but that's sort of the background for this story.

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Speaker 1: Yeah, I remember you guys played this. I think the

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first time you were on the show as a band,

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you guys played this and really really great tracks.

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Speaker 3: So thank you.

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Speaker 4: Most of the chorus and some of the lyrics actually

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come from her journals. She was an amazing journalist. She

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I remember as she was out there, we were getting

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journal entries from her email almost every day to sort

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of follow her progress. And after her passing, Alan Rickman

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Snape actually took her journals and turned them into a play,

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and that play actually played on Broadway. And then oh

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kind of Got Got Kicked off a Broadway and we

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saw it in Boston, and we saw it in Long Island.

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Speaker 3: And it's an amazing play. It's a woman play.

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Speaker 4: She's just on stage, just essentially sharing her journal with

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the audience over the course of almost two hours.

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Speaker 3: Wow.

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Speaker 4: Very moving story. If you've got some time to look

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up Rachel Corey.

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Speaker 3: It's not a.

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Speaker 4: Happy tale, but it's a it's a powerful it's a

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powerful thing. It's important, indeed, And so this is sort

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of my take. I dug into her journals really deep,

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and I sang it first person, trying to really be

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representative the first story.

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Speaker 1: Yeah, all right, so we'll give this a spin. This

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is really really good. This is whole wide world, and

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the band is jam Tomorrow.

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Speaker 12: A child of the puge.

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Speaker 5: It sound a dove in the town parade, raised by

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caring parents, aware of the world they made. Dad went

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to v Now you can't come back the same.

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Speaker 12: I grew up with.

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Speaker 7: Sad, si comb and burning flaking.

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Speaker 5: Let me stand alone at the edge of the ear

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and look at it. Honestly, maybe my worst swirls around me.

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Speaker 7: But one thing is stationary.

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Speaker 12: Year.

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Speaker 5: If the words I use buzz away from my left meaninglessly.

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Let them hang in the air for a while, look

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at them monestly.

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Speaker 13: My name is Rachel, trying to.

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Speaker 5: Bridge the distance between the moon and the star. I

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flew across the world to Rafa, and it seemed so far.

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Sometimes you work for the world, sometimes for yourself. Sometimes

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you can't see word is hiding on the highest shelf.

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Let me stand alone at the edge of the earth

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and looked at it honestly. Maybe my world swirls around me,

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but one thing is stationary.

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Speaker 12: If the words I use buzz away.

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Speaker 7: From my legs, meaning with the.

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Speaker 5: Then hang in the air for a while, look at

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the monist thee.

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Speaker 13: My name is Rachel.

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Speaker 5: Houses demolish dads who oranges on in a machine gun

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fire at sunset, more to blast at John.

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Speaker 7: Who are they? Why are they here?

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Speaker 12: They asked me, hiding now bad.

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Speaker 5: We came from America to stop these attacks. Let me

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stand alone at the edge of the earth and look

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at it honestly. Maybe in my world swirls around me,

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but one thing is stationary. If the words I use

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buzz away from my lefts meaninglesslye let them hang in

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the air for a while, and look at them honestly.

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My name is Rachel, greeting people hoppyby beloved, showing love,

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thinking back when I was a child, creating as it does.

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We have to protect the one. The wells need one

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to survive. Building towards this moment, I have never felt

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so live. Let me stand alone at the end, jum

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here and look at it, honest steed. Maybe my world

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swells around me, but one thing is stationary.

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Speaker 7: In the world.

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Speaker 5: I use us away from my els meaningless sleeve. Let

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them paying in the air for a while and look

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at them honested. My name is Rachel. My name is Rachel.

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My name is Rachel. Un name is a Rachel m.

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Speaker 1: I just wanted to let that ring out at the end.

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That is powerful, That is whole wide world. The band

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is Jam Tomorrow, and Jam Tomorrow is here with us

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live in studio. By the way, in the chat room,

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I think, uh, Auto, our friend Auto Kinsel, whom the

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chemical distance that is in the chat room. It's actually

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the dust profit official account that's in there. But he says,

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but I assume it's Auto. He says, I don't know

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how you can sing sitting down. I could never do it. Yeah,

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that's interesting. Is that does that come easy to you

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sitting down whilst.

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Speaker 4: Singing, or I've got huge theater lungs, so i can

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hold a note and hit it harder when I'm standing up,

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but I can I can sing, okay.

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Speaker 1: So yeah, yeah, you seem pretty comfortable with it, and

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he appreciated the m D reference. Spelfy from of Course,

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Terminus and the Midnight Creatives Collective is in the chat room.

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She mentions they've got a big show tonight, Vigil, Swarm

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of Eyes, Tech Slave and Dead Harrison tonight at Terminus

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in Nashua. Great great venue.

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Speaker 6: Woo woo woo.

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Speaker 1: Our friend Miriam vanishes in the chat room. She says,

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I'm listening in the car and had to pull into

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a parking lot to say something. I know this story,

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and though I didn't see the play, I remembered when

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it was on Broadway. People were critical of Alan Rickman,

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but he saw a story that needed to be told.

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Speaker 4: Indeed, there's there's a lot of baggage there, sort of entrenched. Yeah, yeah, yeah,

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I won't even dive down that rabbit hole, but there was.

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Speaker 3: It was very controversial.

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Speaker 1: Yeah, no doubt, no doubt. Well that Miriam also Hans

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Smith of Course from the band Sepsis is in the

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chat room and says, hey Metal Matt, Hello, of course.

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Uh got Swarmy Fest coming up November two now at

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Taffada in Lowell.

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Speaker 5: Yes, I am looking forward.

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Speaker 1: Looking forward to that absolutely absolutely. Well, do you guys

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want to you want to play another live one for us?

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Speaker 6: Yeah?

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Speaker 3: Absolutely.

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Speaker 4: You said some very kind words about this song on

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social media recently. Gary shared it with me because I've

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been banned. Yes, I've been deemed a menace to society,

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violation of community standards?

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Speaker 1: Is this, by the way, what I believe the young

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people refer to as a perma band.

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Speaker 3: Oh yeah, it's deleted.

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Speaker 6: I'm gone.

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Speaker 5: Wow.

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Speaker 4: I've been in jail many times before, but i'd always

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broken out.

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Speaker 6: Wow.

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Speaker 3: And yeah, you've been naughty. I guess I gave the

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zucker butt hurt.

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Speaker 6: I guess.

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Speaker 3: So think that's a copyrighted phrase, by the way.

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Speaker 1: Yes, yes, trademark that you just all have to do

351
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is to say TM after it.

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Speaker 4: Marco Registrata for those in the new Yeah, you might

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be onto something.

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Speaker 5: You might be able to sell that on a tech Yeah.

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Speaker 1: All right, so you guys are gonna play Falling into Place?

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Speaker 5: We are?

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Speaker 8: Yeah?

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Speaker 3: This is actually the first song that we wrote.

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Speaker 4: Mark and I actually wrote this together, which is really

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odd for me because I'm really selfish with my creative space. Generally,

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our process is that we'll be jamming at my house.

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We usually rehearse at my house, and I'll go to

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grab some beers or something and just put my phone

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on the table and leave it on record, and these

365
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guys Gary and Mark will just make some amazing music

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happen while I'm gone, and I'll sort of listen from

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the wing and wait until they're done and come back

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in and be like, Okay, that's our next song. And

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then we work on how we structure verse, chorus, bridge,

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all that kind of stuff, and then I'll sort of

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take it off to my lair all by myself, usually

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with a cigar on the porch, after it's dark and

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the neighborhood's quiet, and I'll put some lyrics to it,

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because that's really where my best headspace is.

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Speaker 3: But we actually wrote this together.

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Speaker 4: This was a COVID song, but I feel like it

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it sort of is appropriate for any kind of trying time,

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which seems like because the only kind of time that

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we have any all.

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Speaker 1: Right, I love this is falling into place. Jam Tomorrow

381
00:27:05,720 --> 00:27:06,640
live in studio?

382
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Speaker 7: Right?

383
00:27:11,079 --> 00:27:12,319
Speaker 3: Did all those mics up here?

384
00:27:12,359 --> 00:27:18,680
Speaker 6: All right? That's weird.

385
00:27:18,920 --> 00:27:24,480
Speaker 1: Something's no I got everybody else. I can't hear you either.

386
00:27:24,759 --> 00:27:30,480
Oh wait a minute, there we go sports giving me

387
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a little bit of trouble.

388
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Speaker 6: But I think we're.

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Speaker 7: Okay, amazing, mister Smith. And I feel like things are

390
00:28:20,759 --> 00:28:25,160
falling against place, and I feel.

391
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Speaker 5: Like against the end of the Red Queen's Race, and

392
00:28:30,720 --> 00:28:37,559
a feeling like a star are gonna change because I

393
00:28:38,000 --> 00:28:42,519
feel like this was allga red.

394
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Speaker 7: As we move.

395
00:28:46,279 --> 00:28:55,599
Speaker 5: From hugs and hatchhase, we must remember how our souls ay,

396
00:28:59,240 --> 00:29:07,279
as we move from confidant to confident, we must remember

397
00:29:07,519 --> 00:29:15,279
how our souls pay. But I feel like things are

398
00:29:15,559 --> 00:29:22,559
falling against split and I like against the end of

399
00:29:22,599 --> 00:29:29,480
the Red Quee Race, and a feeling like stars are

400
00:29:29,559 --> 00:29:34,799
gonna change because I feel like this was all just

401
00:29:36,559 --> 00:29:47,680
reading and people take too much pride in the way

402
00:29:47,799 --> 00:29:57,680
they picked their sides split up into them at us.

403
00:30:00,880 --> 00:30:08,720
Speaker 7: Besides seating on bars on the bus. But A feel

404
00:30:08,759 --> 00:30:15,680
like things are falling in its place, and I like

405
00:30:15,839 --> 00:30:17,559
it's the end of the Red.

406
00:30:17,440 --> 00:30:24,279
Speaker 5: Queen's Races, and to feel like the stars are gonna

407
00:30:24,400 --> 00:30:29,839
change because I feel like this was Alga.

408
00:30:30,920 --> 00:30:38,680
Speaker 7: Reay.

409
00:30:54,200 --> 00:31:02,599
Speaker 5: As our lives get more separated, well we wish they weren't.

410
00:31:02,799 --> 00:31:10,160
Speaker 7: So as things get more.

411
00:31:09,960 --> 00:31:19,119
Speaker 5: Complicated, well we wish we could just know, just know,

412
00:31:21,759 --> 00:31:24,960
But feel like things are falling in.

413
00:31:25,319 --> 00:31:27,799
Speaker 7: Place and I'm.

414
00:31:29,759 --> 00:31:34,079
Speaker 5: Like it's the n Another Red Queen's Reggie and a

415
00:31:34,240 --> 00:31:41,680
feel like the stars are gonna change because I feel

416
00:31:41,920 --> 00:31:43,240
like this was all.

417
00:31:43,279 --> 00:31:45,920
Speaker 7: Just preer ring.

418
00:31:47,079 --> 00:31:53,000
Speaker 5: Then a feel like things are falling itast place and

419
00:31:56,359 --> 00:32:00,599
like against the m another Red Queen's Rage and a

420
00:32:00,640 --> 00:32:07,200
feel like the star like the stars gonna jay because I.

421
00:32:07,599 --> 00:32:15,200
Speaker 7: Feel like this with Onge Preer range it up like

422
00:32:15,359 --> 00:32:16,680
this with long.

423
00:32:18,160 --> 00:32:44,480
Speaker 1: Preer just amazing and encore Well done, guys, well done.

424
00:32:44,759 --> 00:32:46,960
If you are just joining us, we have jam tomorrow

425
00:32:47,279 --> 00:32:51,680
here with us alive in studio. Uh Mark, Gary and MHP.

426
00:32:51,880 --> 00:32:52,720
Is that what you're going by?

427
00:32:52,720 --> 00:32:53,079
Speaker 7: It sure?

428
00:32:53,359 --> 00:32:56,079
Speaker 4: Is that your like official Like I didn't call myself that,

429
00:32:56,119 --> 00:32:59,799
but multiple circles of friends and acquaintances and business folks

430
00:33:00,079 --> 00:33:02,519
started calling me that because it's easier than saying Michael

431
00:33:02,519 --> 00:33:08,000
Helpley Piers just ah right right yes, And I'm not

432
00:33:08,039 --> 00:33:11,319
gonna lie. I've kind of created a brand, and that

433
00:33:11,480 --> 00:33:13,680
was a beautiful way to sort of accentuate it. So

434
00:33:13,839 --> 00:33:16,559
whatever my agenda is, whether it's music or work or

435
00:33:17,039 --> 00:33:19,759
philanthropy or whatever it's, it's kind of it's like, oh,

436
00:33:19,759 --> 00:33:21,440
there's only one MHP like that, you're not going to

437
00:33:21,480 --> 00:33:23,759
confuse me with somebody how that you would anyway, because

438
00:33:23,759 --> 00:33:25,480
thankfully there's not two of me, because we would probably

439
00:33:25,480 --> 00:33:26,000
hate each other.

440
00:33:26,119 --> 00:33:26,640
Speaker 8: Right right?

441
00:33:29,039 --> 00:33:30,519
Speaker 3: Do you know me? Did you wanna?

442
00:33:31,279 --> 00:33:33,240
Speaker 1: Were we gonna how many live were we going to do? Do

443
00:33:33,200 --> 00:33:34,039
you want to do one more?

444
00:33:34,160 --> 00:33:34,400
Speaker 6: Sure?

445
00:33:34,440 --> 00:33:36,160
Speaker 3: We got time for one more? Can we throw out

446
00:33:36,160 --> 00:33:37,000
a couple of shout outs?

447
00:33:37,000 --> 00:33:37,119
Speaker 8: Oh?

448
00:33:37,160 --> 00:33:38,079
Speaker 1: Absolutely, go for it.

449
00:33:38,160 --> 00:33:38,839
Speaker 6: Yeah, I'll do it.

450
00:33:40,240 --> 00:33:40,880
Speaker 1: Oh yeah please.

451
00:33:40,960 --> 00:33:41,240
Speaker 6: Yeah.

452
00:33:41,359 --> 00:33:44,799
Speaker 2: I'm actually playing tonight with two of my bands, who

453
00:33:45,160 --> 00:33:47,000
I don't know, I know, I don't know. Is Bob Dwyer.

454
00:33:47,200 --> 00:33:48,039
Speaker 3: Do you know Bob Dyer?

455
00:33:48,640 --> 00:33:51,480
Speaker 1: He's been on the show with uh what uh what

456
00:33:51,839 --> 00:33:52,279
the stink?

457
00:33:52,599 --> 00:33:53,799
Speaker 2: He was with them back in the day.

458
00:33:53,839 --> 00:33:55,599
Speaker 1: I don't know, but I know he's been on the

459
00:33:55,599 --> 00:33:57,960
show with another band. I can't remember who now, but yeah, but.

460
00:33:58,359 --> 00:34:00,799
Speaker 2: We're opening for my other band Fox and Flamingos Tonai

461
00:34:00,839 --> 00:34:04,119
this show excellent. Yeah, me and him and our drummer

462
00:34:04,160 --> 00:34:06,640
from Cosmic Blossom play together. Oh, very good, and I

463
00:34:06,640 --> 00:34:08,239
am playing a Candy Road tomorrow if you want to

464
00:34:08,239 --> 00:34:09,840
catch some solo stuff from two to.

465
00:34:09,840 --> 00:34:13,039
Speaker 1: Five outstanding, very good, very good. Yeah, you got a

466
00:34:13,039 --> 00:34:16,320
busy weekend, yeah, which is a good that's a good thing.

467
00:34:16,400 --> 00:34:16,639
Speaker 6: Yeah.

468
00:34:16,719 --> 00:34:17,000
Speaker 3: Yeah.

469
00:34:17,239 --> 00:34:19,159
Speaker 4: We don't have any gigs as jam tomorrow coming up

470
00:34:19,199 --> 00:34:21,199
until November and then we got a really busy week

471
00:34:21,559 --> 00:34:25,000
eleven nineteen, we're playing at the Shaskiine from eight to eleven.

472
00:34:25,199 --> 00:34:29,000
That's a Tuesday, and that Friday, eleven twenty two, we're

473
00:34:29,000 --> 00:34:32,280
playing at Strange Brew also from eight to eleven, and

474
00:34:32,320 --> 00:34:35,840
then eleven thirty, which is the Saturday after Thanksgiving, we're

475
00:34:35,840 --> 00:34:38,400
playing at Pembroke City Limits, which if you haven't been there,

476
00:34:38,760 --> 00:34:43,239
rob azeveda amazing spot, so focused on the music, very cool.

477
00:34:43,360 --> 00:34:44,960
You feel like you're playing in a big living room.

478
00:34:45,000 --> 00:34:48,880
It's kind of like that, like that Daryl Hall, like

479
00:34:49,039 --> 00:34:51,199
the Oh Live at Daryl's South. Yeah, it kind of

480
00:34:51,239 --> 00:34:53,719
it's kind of has that sort of feel to it. Yeah,

481
00:34:53,760 --> 00:34:55,519
there's always a maybe when they have their open mics.

482
00:34:55,519 --> 00:34:58,719
It's like the caliber of musicians we're playing in a

483
00:34:58,760 --> 00:35:00,639
spot you may have never heard of town you probably

484
00:35:00,679 --> 00:35:01,679
couldn't find on the map.

485
00:35:02,000 --> 00:35:05,320
Speaker 3: Is just unbelievable. So we're really looking forward to that.

486
00:35:05,400 --> 00:35:08,239
Speaker 4: My family's coming up, All my mom's siblings are coming

487
00:35:08,239 --> 00:35:09,639
out for Thanksgiving and they're gonna I'll be able to

488
00:35:09,679 --> 00:35:12,000
catch that show, so that'll be a good time. And

489
00:35:12,000 --> 00:35:13,719
then I want to give a shout out to my man,

490
00:35:13,800 --> 00:35:16,079
Jim Belile, So if you've ever seen any of our flyers,

491
00:35:16,440 --> 00:35:19,039
that all the artwork on our flyers are all his paintings,

492
00:35:19,079 --> 00:35:21,119
and he's been generous enough to let us use his

493
00:35:21,320 --> 00:35:24,480
artwork and not have to pay for it, which is

494
00:35:24,480 --> 00:35:26,599
a beautiful thing. We really appreciate it. So if you

495
00:35:26,599 --> 00:35:28,159
dig any of the art you've ever seen in any

496
00:35:28,199 --> 00:35:29,880
of our flyers, go to www.

497
00:35:30,000 --> 00:35:31,280
Speaker 3: Dot Belile Art.

498
00:35:31,280 --> 00:35:34,119
Speaker 4: That's E L L I S L E A r

499
00:35:34,239 --> 00:35:37,199
T dot com and he's got both paintings and prints

500
00:35:37,199 --> 00:35:38,159
available for sale.

501
00:35:38,320 --> 00:35:42,760
Speaker 3: Support a local artist. It's really what makes your community matter.

502
00:35:43,119 --> 00:35:45,519
Speaker 1: Very nice, very nice. Oh, by the way, too, because

503
00:35:45,519 --> 00:35:48,559
you mentioned him and Gary, you had played at Pembroke

504
00:35:48,559 --> 00:35:49,679
City Limits recently too, Right.

505
00:35:50,800 --> 00:35:54,199
Speaker 2: I do a pretty much biweekly solo jazz thing, and

506
00:35:54,199 --> 00:35:57,199
then I do a Gary's musical gathering wherever. He Oh yeah,

507
00:35:57,280 --> 00:35:59,960
one Thursday month, I invite a bunch of my musicians

508
00:36:00,039 --> 00:36:02,800
friends to come and too long set sit in jam.

509
00:36:02,920 --> 00:36:05,559
It's like kind of a you know, I'm in a

510
00:36:05,559 --> 00:36:08,280
few bands at this point, probably like six different bands. Yeah, yeah,

511
00:36:08,320 --> 00:36:10,599
I have different people can come in and it's it's

512
00:36:10,599 --> 00:36:13,599
always been good. There's been just such a crazy caliber

513
00:36:13,639 --> 00:36:16,760
of musicians like Jordan Quinn shows off, like all these

514
00:36:16,840 --> 00:36:19,960
like just crazy musicians, Sarah Bird and like all these

515
00:36:20,199 --> 00:36:23,320
great great people show up and do some jazz stuff

516
00:36:23,320 --> 00:36:24,679
and then people sit in with my jazz.

517
00:36:24,800 --> 00:36:25,159
Speaker 3: It's great.

518
00:36:25,199 --> 00:36:25,360
Speaker 7: Yeah.

519
00:36:25,440 --> 00:36:26,159
Speaker 2: I love Rob's pace.

520
00:36:26,199 --> 00:36:29,440
Speaker 1: I live in oh perfect. Yeah, it doesn't get much better, Rob,

521
00:36:29,599 --> 00:36:32,000
Rob has a great show. You you've probably been on it, right.

522
00:36:31,960 --> 00:36:33,800
Speaker 2: Yeah, I was on it a couple of months ago.

523
00:36:34,039 --> 00:36:34,920
Speaker 1: Ran a state of mind.

524
00:36:35,000 --> 00:36:37,920
Speaker 2: Yeah, I'll be back with you in two weeks, I

525
00:36:37,960 --> 00:36:38,320
think too.

526
00:36:38,360 --> 00:36:41,639
Speaker 1: That's right, yes, yes, very good. Well, before we run

527
00:36:41,639 --> 00:36:44,119
out of time, let's let's go ahead and uh, I'm

528
00:36:44,159 --> 00:36:44,599
dying here.

529
00:36:44,599 --> 00:36:46,559
Speaker 4: One more, all right, This is this one's a little

530
00:36:46,559 --> 00:36:51,239
bit different. This one's the story about Alistair Crowley. Uh,

531
00:36:51,320 --> 00:36:54,079
not a very nice man, but a very interesting dude.

532
00:36:54,119 --> 00:36:57,440
Fascinating life I've read a bunch of his biographies, read

533
00:36:57,440 --> 00:37:00,679
a bunch of his works. AZZI did song about him,

534
00:37:00,679 --> 00:37:02,280
but I felt like it really didn't tell much of

535
00:37:02,280 --> 00:37:02,840
a tale.

536
00:37:03,000 --> 00:37:03,239
Speaker 3: True.

537
00:37:03,280 --> 00:37:08,159
Speaker 4: So this one is pretty much a story of his

538
00:37:08,239 --> 00:37:11,480
life up to about age twenty seven. And it's it's

539
00:37:11,519 --> 00:37:13,679
seven versus long, because that's why I had to cut

540
00:37:13,679 --> 00:37:15,440
it off at age twenty seven. But this sort of

541
00:37:15,519 --> 00:37:18,320
leads up to the big formative moment of his life

542
00:37:18,320 --> 00:37:21,199
in nineteen oh seven. Okay, so this one's called Babes

543
00:37:21,199 --> 00:37:24,440
in the Abyss. All right, jam bro Telemites out there, all.

544
00:37:24,400 --> 00:37:25,000
Speaker 3: Right, very good.

545
00:37:55,000 --> 00:38:00,800
Speaker 5: Just the boy with the bad will rich parents didn't understand.

546
00:38:01,960 --> 00:38:07,559
Had to get my bad bilt by speeling blood upon.

547
00:38:07,440 --> 00:38:10,639
Speaker 7: The land, unbeloved by the brethren.

548
00:38:12,400 --> 00:38:19,000
Speaker 5: A beast on mommy's cheet follow the reverence with a.

549
00:38:19,280 --> 00:38:26,639
Speaker 7: Hand that had to beat. We are but twell, wreshel

550
00:38:27,760 --> 00:38:30,679
Babes in the Abyss.

551
00:38:30,159 --> 00:38:34,960
Speaker 5: We sell of sears coming until they can't be mad.

552
00:38:37,079 --> 00:38:44,559
Speaker 7: We are but tell a long wreshels bebes in the Abyss.

553
00:38:44,000 --> 00:38:48,840
Speaker 5: We sell them see us coming to it can't be mess.

554
00:38:50,880 --> 00:38:52,840
Just a man with the mission.

555
00:38:54,440 --> 00:38:56,639
Speaker 7: To bring the truth to light.

556
00:38:57,760 --> 00:39:02,920
Speaker 5: A twenty four maid decision to search throughout the night.

557
00:39:05,119 --> 00:39:11,400
The dawn was golden, but I rushed too far, too fast.

558
00:39:12,119 --> 00:39:17,039
The orders boned my borders, my future, and my paths.

559
00:39:19,000 --> 00:39:25,559
Speaker 7: We are but twelve song the threshold maps in the Abyss.

560
00:39:25,880 --> 00:39:31,079
Speaker 5: We set up seals, counting until that can't be messed.

561
00:39:32,840 --> 00:39:38,800
We are but twelve song the threshold bames. In the Abyss,

562
00:39:39,760 --> 00:39:44,639
we set up sewants, counting until it can't be messed.

563
00:39:46,519 --> 00:39:52,000
Just the spirit on seventh, in search of some PUNTI

564
00:39:53,400 --> 00:39:56,880
been months since surreal bath, in need of.

565
00:39:56,760 --> 00:40:02,320
Speaker 7: A Truio game, three years with the master.

566
00:40:03,639 --> 00:40:08,480
Speaker 5: In the blink of mathred I on the last the

567
00:40:08,639 --> 00:40:14,880
past was waiting on the mountain side. We are but

568
00:40:15,239 --> 00:40:21,639
twelve of the threshold babes. In the Abyss, we sell

569
00:40:21,800 --> 00:40:28,400
off Sewarts, coming until he can't be mad. We are

570
00:40:28,599 --> 00:40:35,400
but twelve son thresholds babes in the bits. We sell

571
00:40:35,599 --> 00:40:38,360
on Sewards, coming until.

572
00:40:38,159 --> 00:40:39,639
Speaker 7: He can't be mad.

573
00:40:41,719 --> 00:40:47,599
Speaker 5: Just a mate with the posse, spreading the work of law,

574
00:40:48,639 --> 00:40:50,960
damages by proxy.

575
00:40:51,679 --> 00:40:53,639
Speaker 7: Don't even drop my job.

576
00:40:55,760 --> 00:41:03,639
Speaker 5: Somehow, my abby, weeve my book misunderston the house of

577
00:41:03,960 --> 00:41:07,599
masonry as flable lessor.

578
00:41:09,760 --> 00:41:14,760
Speaker 7: We are but twel sol threshold beats.

579
00:41:14,880 --> 00:41:20,199
Speaker 5: In these b we sellom see wants coming until the

580
00:41:20,440 --> 00:41:21,480
cant me man.

581
00:41:23,599 --> 00:41:28,519
Speaker 7: We are but twelve of the threshold beats.

582
00:41:28,679 --> 00:41:33,719
Speaker 5: In the bit we sell them see what's coming till

583
00:41:33,920 --> 00:41:38,920
the can mean man, just the soul in the desert.

584
00:41:40,920 --> 00:41:43,119
Things did not go to plan.

585
00:41:44,239 --> 00:41:48,000
Speaker 7: I brought you in my circle. Let you try to

586
00:41:48,199 --> 00:41:54,280
rule this man. We foched in the bar as.

587
00:41:54,159 --> 00:41:56,800
Speaker 9: The gods played in the store.

588
00:41:58,599 --> 00:42:06,000
Speaker 7: You brought me then I ever met me. We are

589
00:42:06,159 --> 00:42:13,159
but tween long threshold babes. In these bits we set

590
00:42:13,320 --> 00:42:17,320
up see what's coming dealing get me mad?

591
00:42:19,440 --> 00:42:20,159
Speaker 8: We are but.

592
00:42:20,480 --> 00:42:24,440
Speaker 9: Twell on the threshold baits.

593
00:42:24,440 --> 00:42:29,039
Speaker 5: In the ben we sell up see us coming and

594
00:42:29,239 --> 00:42:30,840
see get mean me.

595
00:42:37,159 --> 00:42:40,159
Speaker 1: That's pretty epic. That's great. Well, I love that. I

596
00:42:40,199 --> 00:42:42,719
love that Jam Tomorrow live in studio.

597
00:42:42,960 --> 00:42:43,280
Speaker 3: Guys.

598
00:42:43,280 --> 00:42:45,760
Speaker 1: We're just about out of time in the segment. But

599
00:42:46,000 --> 00:42:48,440
uh you guys, you sound amazing. I always love hearing

600
00:42:48,480 --> 00:42:51,599
you play. Always great to have you here. And where

601
00:42:51,599 --> 00:42:53,199
should people go online? Where's the best place to go

602
00:42:53,199 --> 00:42:55,159
online to keep up with everything Jam Tomorrow is doing?

603
00:42:55,360 --> 00:42:57,800
Speaker 4: So you go to Jam Tomorrow dash the band on

604
00:42:58,199 --> 00:43:00,159
Facebook so you don't confuse it with Jam Tomorrow. The

605
00:43:00,239 --> 00:43:04,000
Lunchbox or Jim Tomorrow the Flamethrower. The kids love that one. Yes,

606
00:43:04,800 --> 00:43:06,920
Gary's got some sites that you can check out too.

607
00:43:06,960 --> 00:43:11,039
Speaker 2: My own website, gsmithmusic dot com that'll list all my shows,

608
00:43:11,039 --> 00:43:13,480
but it'll have a Jam Tomorrow section in there. It'll

609
00:43:13,519 --> 00:43:16,639
list our shows in there specifically too, okay, and you'll

610
00:43:16,679 --> 00:43:17,880
be able to get some media from that.

611
00:43:18,320 --> 00:43:20,360
Speaker 3: G Smith Music excellent.

612
00:43:19,960 --> 00:43:23,239
Speaker 4: And we're on all the standard streaming platforms where kids

613
00:43:23,280 --> 00:43:25,039
go to get their music. We've got two cuts out

614
00:43:25,079 --> 00:43:27,320
there right now, and we've got another five that will

615
00:43:27,360 --> 00:43:30,000
be dropping over the course of the not too distant future.

616
00:43:31,119 --> 00:43:32,440
Speaker 3: And we play local a lot.

617
00:43:33,119 --> 00:43:36,880
Speaker 4: The three venues that I listed out Strange Brew, Pembroke

618
00:43:36,960 --> 00:43:39,119
City Limits and the Shaski and are probably our three

619
00:43:39,119 --> 00:43:42,320
most frequent haunts, so look for us there as well.

620
00:43:42,519 --> 00:43:45,960
Speaker 1: Excellent, excellent, guys, Thank you so much. We'll actually close

621
00:43:46,000 --> 00:43:48,960
out the segment with another studio track that an older

622
00:43:48,960 --> 00:43:50,800
one that you had sent me, A Beautiful Loser, another

623
00:43:50,800 --> 00:43:54,519
great song, great song, but guys, I appreciate you very much.

624
00:43:54,599 --> 00:43:57,199
Thank you again, and we'll do this again so because

625
00:43:57,239 --> 00:43:58,840
you guys are always making more music.

626
00:43:58,920 --> 00:44:01,199
Speaker 3: So yeah, Na, Matt, thanks for having us.

627
00:44:01,239 --> 00:44:05,079
Speaker 1: I really appreciate PM, absolutely absolutely, It's a beautiful loser.

628
00:44:05,199 --> 00:44:06,360
Jam tomorrow.

629
00:44:25,480 --> 00:44:29,280
Speaker 5: A big hold in the fabric of space and time,

630
00:44:29,719 --> 00:44:32,039
like I needed a dollar.

631
00:44:31,800 --> 00:44:33,840
Speaker 12: And I had a time.

632
00:44:35,159 --> 00:44:39,519
Speaker 5: A ben to both ends of the Mississippi, from the

633
00:44:39,559 --> 00:44:43,079
Minnesota Highlands to the New Orleans Ocean. She grips me,

634
00:44:44,840 --> 00:44:48,000
And I don't know what happened to me.

635
00:44:49,559 --> 00:44:53,000
Speaker 7: Tweam feeling life, living.

636
00:44:52,800 --> 00:44:57,840
Speaker 5: Free, jeep walking towards where I think I might be.

637
00:45:04,000 --> 00:45:09,920
God is alive and magic is afoot. Some things just

638
00:45:10,119 --> 00:45:17,119
won't stay aware that but reinvention, tainted by previous intention

639
00:45:17,760 --> 00:45:20,679
won't say us from those things just can't mention.

640
00:45:23,239 --> 00:45:25,000
Speaker 13: And I don't know what.

641
00:45:25,440 --> 00:45:33,320
Speaker 7: Happened to me. Dream feeling alive and live and free, keep.

642
00:45:33,159 --> 00:45:39,280
Speaker 5: Walking towards where I think I might be. Yeah to

643
00:45:39,360 --> 00:46:20,800
the bridge.

644
00:46:01,639 --> 00:46:04,840
Speaker 7: And I don't know what happened to me?

645
00:46:06,360 --> 00:46:13,280
Speaker 5: Dream feeling life, living free, keep walking towards where I

646
00:46:13,559 --> 00:46:22,599
think I might be. Every time we pull back the curtain,

647
00:46:22,719 --> 00:46:26,440
we find another curtain. But my mind is we re

648
00:46:27,079 --> 00:46:32,239
and my back is hurting. The only thing I've ever

649
00:46:32,480 --> 00:46:36,480
known for the hurcheon is behind every curtain, there's another

650
00:46:36,559 --> 00:46:41,199
curtain and another curtain, And I don't know.

651
00:46:41,679 --> 00:46:48,519
Speaker 7: What happened to me? Dream feeling life and live and free.

652
00:46:49,679 --> 00:46:59,440
Speaker 5: Keep walking to hoods where I think I might be, And.

653
00:46:59,599 --> 00:47:02,440
Speaker 13: I don't know what happened to me.

654
00:47:04,000 --> 00:47:10,320
Speaker 5: Dream feeling life and live and free, Keep walking towards

655
00:47:10,400 --> 00:47:19,239
where I think I might be. And let I don't

656
00:47:19,320 --> 00:47:25,960
know what happened to me, tream feeling live and live

657
00:47:26,119 --> 00:47:31,239
and free, Keep walking towards where I think I might be,

658
00:47:31,400 --> 00:47:34,239
Where I think I might be,