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<v Speaker 1>Hi, Welcome. This is doctor John de Martini. This is

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<v Speaker 1>one of the most amazing and inspiring shows that you

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<v Speaker 1>can listen into. If you want to be on the

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<v Speaker 1>edge of your seeds, if you want to open up

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<v Speaker 1>your heart, if you want to expand your mind, and

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<v Speaker 1>you want to meet incredible people, stay tuned because you're

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<v Speaker 1>just about to experience a transformative radio show that will

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<v Speaker 1>change your life. And you're listening to The Doctor Pat

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<v Speaker 1>Show is coming up right next.

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<v Speaker 2>Welcome to the Doctor Pat Show Talk Radio to thrive

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<v Speaker 2>by powerful, inspiring and coming to you live, bringing you

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<v Speaker 2>stories of people like you and me busting through and

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<v Speaker 2>living life full out. Get ready to dare to wonder

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<v Speaker 2>what your life would be like if you knew you

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<v Speaker 2>could not fail.

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<v Speaker 3>Okay, everyone, you know I do these interviews, and y'all

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<v Speaker 3>know me. I've been doing it for a long time.

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<v Speaker 3>We're coming up on our ten thousand interview. But every

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<v Speaker 3>once in a while, I come across somebody Doctor Shuey

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<v Speaker 3>today is one of them. But I come across somebody

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<v Speaker 3>who is onto something. And what I mean by that.

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<v Speaker 3>It could be a book, it could be art, it

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<v Speaker 3>could be music. Today it's a movement and That's what

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<v Speaker 3>I want to talk about. For those of you out there,

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<v Speaker 3>if you don't know who, doctor Kevin Shoey is, Board

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<v Speaker 3>certified cancer specialists. He's been in private practice, still practicing,

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<v Speaker 3>still saving lives, still helping people for over thirty five years.

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<v Speaker 3>But now and then he got the creative bug, and

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<v Speaker 3>that creative bug turned into a creative bug, turned into

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<v Speaker 3>what we like to look at as the Bad Love Gang. Today,

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<v Speaker 3>we're going to walk you through what the latest is

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<v Speaker 3>coming out of this creative genius.

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<v Speaker 4>But even more importantly, what the heck.

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<v Speaker 3>Or people saying bad Loves strikes, and that is It's

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<v Speaker 3>won six prestigious awards, it has won more accolades. It

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<v Speaker 3>is the most incredible movement when you talk about screenplays

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<v Speaker 3>and scripts and so all of us are like, let's

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<v Speaker 3>get it out there. But more importantly, are you ready

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<v Speaker 3>to take a journey? Are you ready to look at

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<v Speaker 3>what it's like to move ahead in time? Are you

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<v Speaker 3>ready to do that but then also go back in time?

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<v Speaker 3>Doctor shewe It's so great to have you here today.

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<v Speaker 3>Boy have you been busy?

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<v Speaker 5>Yeah, doctor pat, it's so good to be back with you.

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<v Speaker 5>I think it's probably been more than a year or

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<v Speaker 5>so since we visited the last time, and you know,

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<v Speaker 5>to my recollection, I think this is the first time

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<v Speaker 5>we've actually visited face to face. I think we've really

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<v Speaker 5>like done audio interviews. So it's so good to just

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<v Speaker 5>be sitting here kind of in the office your living

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<v Speaker 5>room with you right now.

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<v Speaker 4>I love it.

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<v Speaker 3>You know, I grew up and my childhood wasn't the

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<v Speaker 3>greatest and so my escape were escape things. So had

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<v Speaker 3>this been a book when I was growing up, I

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<v Speaker 3>would have been the first one to get it. Had

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<v Speaker 3>there been an introduction to what we're calling right now

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<v Speaker 3>is you know, many people may not know this the

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<v Speaker 3>Bad Love Gang and the series of books and screenplays

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<v Speaker 3>and other things you've done, I would be one of

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<v Speaker 3>the first people standing out there in lighte because this

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<v Speaker 3>was my way of taking a trip to the world

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<v Speaker 3>of possibilities. Now carry that forward. Hence that's the network

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<v Speaker 3>I created. But for you, this is such a beautiful

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<v Speaker 3>journey of courage and understanding and so much more. And

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<v Speaker 3>I want to ask you since the last time we've talked,

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<v Speaker 3>what has changed for you? And how has this version

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<v Speaker 3>what we're talking about today, right we're talking for those

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<v Speaker 3>Bad Love Strikes.

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<v Speaker 4>How has this changed you?

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<v Speaker 5>Well, I think it's really giving me a lot of

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<v Speaker 5>optimism for the future, because you know, I've I've spent

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<v Speaker 5>I'm starting my fortieth year as a cancer doctor July first,

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<v Speaker 5>even though I look so young.

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<v Speaker 4>Yeah, yeah, you and me both right, don't we look good?

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<v Speaker 5>And so you know, I started writing the book series

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<v Speaker 5>in twenty nineteen and then so I wrote the first

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<v Speaker 5>four books, working on book five now, starting with Badlove Strikes,

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<v Speaker 5>which is really We've come. You know, you and I

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<v Speaker 5>talked about how we come full circle?

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<v Speaker 4>Doctor show.

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<v Speaker 3>We look you talked about full circle. Let's talk about

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<v Speaker 3>it because you were talking about the screenplays and I

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<v Speaker 3>didn't even begin to touch on the accolades around this.

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<v Speaker 3>I mean, you've got to be like giddy inside. But

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<v Speaker 3>what is that like for you? I mean I ask

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<v Speaker 3>you the question, what has changed? And how is this

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<v Speaker 3>experience changed for you?

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<v Speaker 5>Yeah? So, I mean who would think that, you know,

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<v Speaker 5>this cancer doctor of forty years would write these four books,

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<v Speaker 5>working on book five and then decide to write screenplays

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<v Speaker 5>for the first two and then all of a sudden,

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<v Speaker 5>I mean, the books they won, they won good awards,

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<v Speaker 5>but the screenplays have just been on fire internationally. They've

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<v Speaker 5>won everywhere across the globe, and so what does that

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<v Speaker 5>feel like? I guess I would say it feels very surreal.

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<v Speaker 5>And it also gives me motivation to actually want to

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<v Speaker 5>get these on the big screen and you know, either

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<v Speaker 5>Netflix or our Amazon or you know a TV they've won.

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<v Speaker 5>They've won Pilot series awards, TV series awards, all kinds

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<v Speaker 5>of movie and script awards for concept and best sci fi.

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<v Speaker 5>And so yeah, it's changed me because you know, I'm

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<v Speaker 5>motivated now to actually get this out there and exciting.

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<v Speaker 5>So you know, I just recently sent this letter to

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<v Speaker 5>Ron Howard with the screenplay and book at Imagine Entertainment,

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<v Speaker 5>And you know, I just my my favorite movie of

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<v Speaker 5>all time is Apollo thirteen, and I just think Ron

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<v Speaker 5>and his company, Imagine Entertainment, they'd be a perfect fit.

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<v Speaker 5>There are a lot of other perfect fits out there,

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<v Speaker 5>but this just was a couple of weeks ago, so

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<v Speaker 5>waiting hoping to hear back.

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<v Speaker 4>Yeah.

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<v Speaker 3>The other one is Fielberg, because you know, I'm watching

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<v Speaker 3>the directions over it is going now in some of

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<v Speaker 3>his latest bodies of work.

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<v Speaker 5>H Yeah, disclosure disclosure days coming out my mind this

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<v Speaker 5>weekend or next week. I mean, can you believe it? Yeah,

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<v Speaker 5>I mean this is about this is about time travel

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<v Speaker 5>and interstellar travel and and of course you know, as

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<v Speaker 5>the book series goes on a little while ago, you

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<v Speaker 5>and I talked about Blue Nova one. Yeah, and so

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<v Speaker 5>they're aliens and but you have to get into the

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<v Speaker 5>series to get to that point. But so, yeah, this

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<v Speaker 5>would be perfect for him. I think about this disclosure

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<v Speaker 5>day coming out, and I mean, how can we live

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<v Speaker 5>in this created universe? Although I just I think that

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<v Speaker 5>there's more to it.

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<v Speaker 3>I totally agree with you, and you know, I almost think, okay,

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<v Speaker 3>so this is why you do what you do because

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<v Speaker 3>I have this thought. I have this theory when I

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<v Speaker 3>was a very young kid because I never understood religion,

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<v Speaker 3>but I did understand, you know, the basis of God

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<v Speaker 3>and higher power, even as at a young age. But

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<v Speaker 3>one of the things that I realized was, you know,

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<v Speaker 3>if we are in such a vast field of energy

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<v Speaker 3>and universe. And you know, doctor gen Houston just passed away,

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<v Speaker 3>and she was so brilliant at this, especially with her

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<v Speaker 3>book Jump Time. But what you've captured is not just

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<v Speaker 3>a book that shows us history. And we'll talk about

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<v Speaker 3>Roosevelt in a minute. But what you do is you

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<v Speaker 3>bring themes that are so relevant to the world we

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<v Speaker 3>live in today. Isn't that part of the impact and

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<v Speaker 3>the excitement.

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<v Speaker 5>Absolutely. I you know, as you get into Bad Love Strikes,

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<v Speaker 5>it's almost as if Roosevelt and Einstein are there with you,

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<v Speaker 5>because the theme is that Roosevelt, and this is so true,

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<v Speaker 5>doctor pat he was afraid that Hitler and the Nazis

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<v Speaker 5>would get the atomic bomb first. And Einstein was even

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<v Speaker 5>socially friendly with Roosevelt, and he warned it, We've got

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<v Speaker 5>to be the first to get the bomb, because otherwise

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<v Speaker 5>it would be untenable if they got it first. And

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<v Speaker 5>so Roosevelt launches the Manhattan Project in June of forty two.

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<v Speaker 5>And here's Bad Love Strikes in October of forty two,

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<v Speaker 5>with Roosevelt and Einstein meeting at the White House saying,

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<v Speaker 5>you know, Roosevelt is saying, you know, Albert, we need

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<v Speaker 5>a backup plant to the Manhattan Project. And so I'm

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<v Speaker 5>commissioning you to build a usable time travel machine called

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<v Speaker 5>the White Hole Project, and we're going to build it

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<v Speaker 5>right next to the K twenty five plant in Oakridge,

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<v Speaker 5>Tennessee where we're processing platonium and no one will know

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<v Speaker 5>it's being done. We'll just seal it off if we're

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<v Speaker 5>the first to get the bomb. But if if we

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<v Speaker 5>lose the race, we're going to use that time for

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<v Speaker 5>avel machine.

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<v Speaker 3>Yeah.

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<v Speaker 4>I love that.

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<v Speaker 3>You know, the other person you may want to get

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<v Speaker 3>a hold of his Brad Pitt. His company is Planned B.

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<v Speaker 3>And you know, part of this, though, is I think

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<v Speaker 3>we're a little naive.

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<v Speaker 4>Let me ask you this.

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<v Speaker 3>I've always thought about this, and I think part of

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<v Speaker 3>my naive thinking was things were so linearly planned. Now

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<v Speaker 3>I got over that at about age eleven, where the

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<v Speaker 3>linear things didn't make sense because every comic but I

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<v Speaker 3>read everything had to backup plan had to plan a

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<v Speaker 3>Plan B. Alternates, let's just call them alternates. So why

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<v Speaker 3>not this?

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<v Speaker 5>Yeah, absolutely, it fits in with you that even you know,

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<v Speaker 5>modern times, you cannot just it's a Yogi bearra funny saying.

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<v Speaker 5>He says, when I come to a fork in the road,

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<v Speaker 5>I take it, And so you have to have that's true.

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<v Speaker 5>You have to have an alternate plan. And this really

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<v Speaker 5>makes sense. And you know, Einstein really proved with the

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<v Speaker 5>theory of relativity that time travel is possible. And you know,

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<v Speaker 5>with all that we're learning with quantum mechanics and artificial intelligence,

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<v Speaker 5>it's just not a stretch to believe that time travel

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<v Speaker 5>is possible.

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<v Speaker 3>Yeah, you know, I have to say, James Cameron invented AI.

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<v Speaker 3>Do you know how I know that the Terminator movies? Now,

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<v Speaker 3>why do I say, well, come on, because think about

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<v Speaker 3>the imagination of this guy. I think it was James Cameron.

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<v Speaker 3>I can't tell if it was you know Ridley's guy

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<v Speaker 3>whoever it was, right, had a sense of time, had

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<v Speaker 3>a sense of AI how a sense of time travel,

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<v Speaker 3>and we bought it hook line and sinker.

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<v Speaker 4>What year was that sixty nine? I don't even know.

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<v Speaker 3>I don't even know what year that came out, but

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<v Speaker 3>we bought it as if.

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<v Speaker 4>It was okay.

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<v Speaker 3>And so now here we are, how much has the

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<v Speaker 3>population changed to be able to say, of course time

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<v Speaker 3>travel of courts plan b.

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<v Speaker 5>Yeah, and you know something else, because you're talking about

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<v Speaker 5>you know, James Cameron and The Terminator and all that,

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<v Speaker 5>You know, a lot those movies were that they they

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<v Speaker 5>had real people, and so right now in Hollywood you

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<v Speaker 5>have all these like you know, Greek tragedy type things

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<v Speaker 5>going on in all these fictional you know characters. Bad

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<v Speaker 5>Love Strikes is about a group of American teenagers that

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<v Speaker 5>are growing up in nineteen seventy four and discover a

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<v Speaker 5>World War two time travel machine. I mean it's like

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<v Speaker 5>Goodies meets Raiders of the Lost Dark or whatever. I mean.

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<v Speaker 5>These are real, flesh and blood people with a whole

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<v Speaker 5>host of different personalities, and you know, they butt heads,

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<v Speaker 5>but they come together, and I think we need to

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<v Speaker 5>get back to that.

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<v Speaker 3>Yeah.

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<v Speaker 5>I mean, you know, you know, you any friend of

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<v Speaker 5>yours or audience, they would be able to latch on

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<v Speaker 5>to a character in the Bad Love series and say

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<v Speaker 5>that's me. You know, I could see myself in that

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<v Speaker 5>situation I did.

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<v Speaker 4>That was my sense of it, because let's talk about it.

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<v Speaker 3>These characters are based on real characters, right right.

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<v Speaker 4>You're in it.

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<v Speaker 5>Nine of them are based on Yeah, I'm Bubble.

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<v Speaker 3>But oh my gosh, that's you know my nickname. I

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<v Speaker 3>was a chubby kid. You were bubble, but I was

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<v Speaker 3>called puff. You know, I'm like, Okay, seriously, couldn't you

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<v Speaker 3>come up with a better name? But you know, part

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<v Speaker 3>of this, I agree with what you've done so beautifully though,

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<v Speaker 3>is you've touched on history and made it reality moments

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<v Speaker 3>that are occurring today. Now is it explicit? Some of

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<v Speaker 3>it is, but it's more than that. It's watching initiative,

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<v Speaker 3>it's watching Courage, it's watching innovation. Right, all of this though,

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<v Speaker 3>and may I add what did you say? Goonies something else?

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<v Speaker 3>So now I want to add stranger Things because it's

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<v Speaker 3>got elements of all of that to me. Am I

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<v Speaker 3>on track with that or not?

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<v Speaker 5>Yeah, you're right on. I have patients that read my books,

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<v Speaker 5>doctor pat They come in and they have me sign

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<v Speaker 5>their books, and I can't tell you how many times

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<v Speaker 5>they've said, oh, this reminds me of Stranger Things, or

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<v Speaker 5>I showed this to my son or daughter and they

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<v Speaker 5>read it and they're like, oh, this is like Stranger Things.

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<v Speaker 3>So sure, yeah, yeah, I mean, you know, we have

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<v Speaker 3>toyed with the idea of creativity, innovative mind mindset being

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<v Speaker 3>outside of reality. And what I'm finding, especially doing what

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<v Speaker 3>I do now, you know, twenty three years, coming up

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<v Speaker 3>on ten thousand interviews, what I'm finding is we have

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<v Speaker 3>too many categories that are separating things and forgetting that

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<v Speaker 3>what if this were all one that we get and

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<v Speaker 3>what I mean by that is, look at you. You know,

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<v Speaker 3>you're like me. We're probably in our little school books

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<v Speaker 3>the least likely people to be talking about i mean,

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<v Speaker 3>talking about time travel and this. But we are and

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<v Speaker 3>I want to ask you this. You're excited about this.

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<v Speaker 3>There are things happening. The question I want to ask

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<v Speaker 3>you is what of the book, the characters, the screenplay

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<v Speaker 3>Because screenplays are very different than books. People don't know that.

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<v Speaker 3>But what is it about creating the screenplay that gave

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<v Speaker 3>you more insight into these characters?

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<v Speaker 5>Well, because you have to you have to literally bring

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<v Speaker 5>those characters to life on the big screen, and so

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<v Speaker 5>you're you're setting the tone of the atmosphere and the environment.

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<v Speaker 5>I mean, it's it makes it, It makes it more real.

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<v Speaker 5>I mean that's that's the probably the best answer to

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<v Speaker 5>the question is this, you know, And that's why I

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<v Speaker 5>was saying, you know, these these uh, you know, comic

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<v Speaker 5>book characters are superheroes. We've got a world full of

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<v Speaker 5>superheroes right now. These are flesh and blood people and

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<v Speaker 5>so they're reacting to these circumstances. And you know Vedoma Lover,

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<v Speaker 5>she's one of the She's the gypsy in Bad strikes,

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<v Speaker 5>you know, and and so you're you would you probably

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<v Speaker 5>love this because she's the one that kind of sees

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<v Speaker 5>the future as a love part of the person. And

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<v Speaker 5>so you know, they're they're in the middle of the

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<v Speaker 5>rescue in the field and the bad Love Gang or

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<v Speaker 5>getting the kind of helping out all the prisoners into

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<v Speaker 5>the be seventeen and Vedoma. As she's going through the door,

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<v Speaker 5>she pinches Bubble but you know, on the cheek and

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<v Speaker 5>she says, I like you future boy.

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<v Speaker 3>Yeah, see, those are perfect.

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<v Speaker 4>You know.

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<v Speaker 3>I was sitting here and I was thinking, what does

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<v Speaker 3>this remind me of? And what I love about this?

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<v Speaker 3>And there was once upon a time there was a.

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<v Speaker 4>Really short lived series.

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<v Speaker 3>I wish they'd bring it back, and it was called Serenity,

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<v Speaker 3>and Morain and Bachern was in it. I mean, it's

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<v Speaker 3>just early you know, great acting, great concepts, but also

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<v Speaker 3>dynamics of human nature. And that too is part of

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<v Speaker 3>the book, that too, is it You're bringing in a

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<v Speaker 3>dynamic of human nature. And let's start with how you

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<v Speaker 3>brought facts into fantasy by the work you did to

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<v Speaker 3>research Roosevelt. Come on, now, that's just not made up Roosevelt.

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<v Speaker 3>You did your job on that.

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<v Speaker 5>Oh yeah, because all the dates, even the time of

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<v Speaker 5>day or the meeting times, I did research into when

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<v Speaker 5>they actually happened. And so it my sister Kathy, who

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<v Speaker 5>I dedicated the book to. By the way, she's now

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<v Speaker 5>in her eighth year after being treated for stage three

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<v Speaker 5>triple negative breast cancer and so we're so thankful for that.

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<v Speaker 5>But so she was an English teacher, and she was

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<v Speaker 5>the first one I dedicated Bad Love Strikes to her.

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<v Speaker 5>But I sent her that book, and you know, so

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<v Speaker 5>I'm writing it and she's reading it, and she calls

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<v Speaker 5>me and she goes, you know, Kevin, you need to

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<v Speaker 5>keep going with this because I think you're onto something.

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<v Speaker 5>She says, I keep reading this and I can't figure

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<v Speaker 5>out which part is fact and which part is fiction.

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<v Speaker 5>And so coming from an English teacher, I was like, Okay,

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<v Speaker 5>I'm on to something here.

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<v Speaker 3>You know, yeah, yeah, you know, it's so difficult for

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<v Speaker 3>English teachers to transcend the written word and indulge in

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<v Speaker 3>conceptual because they're so used to is it being written right?

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<v Speaker 4>Is it the right grammar?

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<v Speaker 3>You know?

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<v Speaker 4>Right? But that is saying something.

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<v Speaker 3>You know. Part of that is the momentum that I

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<v Speaker 3>find the momentum and part of the momentum, even though

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<v Speaker 3>the stage is futuristic and yet not, even though it's

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<v Speaker 3>real characters and yet the world of possibilities, there is

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<v Speaker 3>a momentum that builds up like maybe more than maybe

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<v Speaker 3>more like an inner excitement, if you know what I mean.

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<v Speaker 3>That touches a part of me when I read them,

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<v Speaker 3>That touch is a part of me as if I've

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<v Speaker 3>already been there? Is that even making sense? And I

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<v Speaker 3>wonder if, in writing this, how these downloads of creativity

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<v Speaker 3>came to you?

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<v Speaker 5>Well, it's almost it's almost a spiritual question, because.

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<v Speaker 3>Yes it is, it's an Einstein question. You can't solve

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<v Speaker 3>the problem at.

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<v Speaker 5>The level it was great, Well, it is because as

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<v Speaker 5>I I mean, yeah, I wrote Bad Love Strikes in

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<v Speaker 5>ninety days. That's to be to be your first novel

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<v Speaker 5>and to write it in ninety days and then have

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<v Speaker 5>accepted for publication six weeks later. That's just crazy. I mean,

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<v Speaker 5>it's it's it's like a spiritual journey. And I think

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<v Speaker 5>for me, it really I felt like I was there.

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<v Speaker 5>And I've had people that that I've interviewed with and

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<v Speaker 5>who have read it and such that that that kind

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<v Speaker 5>of questioned me, like, you know, were you really there?

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<v Speaker 5>You know, were you did? You really go to Chelmouth?

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<v Speaker 5>And I really did go to the Little White House

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<v Speaker 5>in Warm Springs, Georgia when I was doing all my

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<v Speaker 5>research on Roosevelt. So I stood in his bedroom at

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<v Speaker 5>the Little White House in Warm Springs and imagined the

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<v Speaker 5>Bad Love Gang being there with him, you know.

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<v Speaker 3>And so yeah, yeah, what I love about it. I mean,

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<v Speaker 3>these characters take road trips. I love road trips, right,

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<v Speaker 3>But they take these road trips and they stayed famous places.

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<v Speaker 3>And you have done the same, you know, in your

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<v Speaker 3>research and your exploration. And that's what I love about it,

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<v Speaker 3>because you know, while you are the author of pen

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<v Speaker 3>in Hand, there's also an energy that gets that happens.

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<v Speaker 3>There's something that happens between a person's innovation and the

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<v Speaker 3>thing they're creating. It's almost like an exponential movement. You know,

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<v Speaker 3>once you're aligned with something, it takes on a life

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<v Speaker 3>of its own. And yet I can see that because

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<v Speaker 3>these this characters are traveling as if they are you,

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<v Speaker 3>and traveling is if they're not you. Do you understand what.

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<v Speaker 4>I'm trying to say?

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<v Speaker 3>But part of that is important, and so you know,

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<v Speaker 3>I love that we're talking about this because it's your

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<v Speaker 3>life experience, your experience working with cancer patients, your experience

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<v Speaker 3>of hope, and what you do as a doctor. I mean,

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<v Speaker 3>we cannot leave that out of the conversation today. When

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<v Speaker 3>you choose the life path that you have chosen, as

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<v Speaker 3>you said to me, Yeah, when you choose the life

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<v Speaker 3>path that you have chosen, like you said to me,

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<v Speaker 3>you were working with amazing patients.

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<v Speaker 5>Today, right, Yeah, that's right.

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<v Speaker 3>I can't help but imagine how they help sculpt part

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<v Speaker 3>of what you're drawn to write about.

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<v Speaker 5>I've learned more from my patients over these forty years

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<v Speaker 5>than any other life experience. I mean, these are I

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<v Speaker 5>happen to be a cancer specialist, and so you know,

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<v Speaker 5>we're doing a lot better at curing cancer nowadays. But

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<v Speaker 5>even if you have a very curable cancer, once the

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<v Speaker 5>doctor says you have cancer, you think that death is

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<v Speaker 5>knocked on your door. And so it really changes. It

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<v Speaker 5>changed the dynamics. It's not like you have a runny nose.

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<v Speaker 5>I mean, you know, are a well baby. It's just different.

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<v Speaker 5>And so because then you start thinking about, well, what

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<v Speaker 5>is really important in life? And so it's been a

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<v Speaker 5>total blessing to me pat to work with all of

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<v Speaker 5>these people, and it's just I think that, you know,

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<v Speaker 5>I think God's getting me ready now for retirement into

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<v Speaker 5>move in a new direction and to share all these

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<v Speaker 5>things that I've learned all these years from working with

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<v Speaker 5>all these patients. I mean. And so the book is

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<v Speaker 5>about hope. You hit the nail on the head, and

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<v Speaker 5>that is what I'm all about. As a cancer doctor.

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<v Speaker 5>If you have bad news, I'll tell you, Okay, your

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<v Speaker 5>cancer has spread to your lung. But then in the

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<v Speaker 5>next sentence, I'll say, but this is what we're going

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<v Speaker 5>to do about it. And so that's what hope is.

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<v Speaker 5>You know. Hope is not you know, being pollyannish about

401
00:25:07.319 --> 00:25:12.000
<v Speaker 5>your situation. Hope is facing the truth and then moving forward.

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<v Speaker 3>And yeah, last night Mark and I Mark Anthony and

403
00:25:16.920 --> 00:25:19.319
<v Speaker 3>I do a show every Thursday. We've been doing it

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<v Speaker 3>for a bunch of years now. It's very popular. It's

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<v Speaker 3>called The Psychic and the Doc, and I'm the doc.

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<v Speaker 3>He Mark talks to people that have have moved moved on.

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<v Speaker 3>And yesterday's show episode title was called The Audacity to

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<v Speaker 3>Hope because it was on my radar. It really was

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<v Speaker 3>based on something I was watching on television. I didn't

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<v Speaker 3>appreciate the ending. But I want to bring this factor

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<v Speaker 3>in because you and I are so much alike. We

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<v Speaker 3>have this tenacity, if I might, to really talk about

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<v Speaker 3>serious subjects, serious artifacts, but we do it in a

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<v Speaker 3>way that allows for optimism and possibility, like my unstuckable brand, right,

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<v Speaker 3>I mean, I'm building it out right now.

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<v Speaker 4>So but I'm me.

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<v Speaker 3>I have humor with it. I mean, I really do.

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<v Speaker 3>But we're going to talk about serious things. You have

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<v Speaker 3>done the same in all the books, and I want

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<v Speaker 3>to ask you that had to be a conscious intention

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<v Speaker 3>to set that tone that way. I'm sorry, that had

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<v Speaker 3>to be a conscious intention to set the tone for

423
00:26:37.240 --> 00:26:40.599
<v Speaker 3>these books in that way. It's almost like we're juxtaposing

424
00:26:42.079 --> 00:26:46.359
<v Speaker 3>horrific things, right, yeah, but showing the flip side of

425
00:26:46.359 --> 00:26:47.000
<v Speaker 3>the same coin.

426
00:26:47.559 --> 00:26:53.000
<v Speaker 5>Yeah. And so I mean, my world is the world

427
00:26:53.039 --> 00:26:56.319
<v Speaker 5>of oncology or cancer. But you know, book one byad

428
00:26:56.400 --> 00:26:59.359
<v Speaker 5>Love strikes we're talking about here's a group of teenagers

429
00:26:59.359 --> 00:27:02.599
<v Speaker 5>from the seventh He's actually deciding to go back to

430
00:27:02.640 --> 00:27:06.599
<v Speaker 5>the Holocaust and try to make a difference. And so

431
00:27:07.240 --> 00:27:12.960
<v Speaker 5>think about those two things. I mean, that's and to

432
00:27:13.079 --> 00:27:17.640
<v Speaker 5>do it in a way that gives you're recognizing the

433
00:27:18.759 --> 00:27:24.359
<v Speaker 5>horrifics of what has happened, but you're also injecting hope

434
00:27:24.799 --> 00:27:30.279
<v Speaker 5>and how to deal with the horrifying situation in a

435
00:27:30.319 --> 00:27:34.359
<v Speaker 5>way that creates hope. I mean, and that's really live.

436
00:27:34.920 --> 00:27:38.720
<v Speaker 5>I mean, let's face it. You know. You know I

437
00:27:38.759 --> 00:27:41.519
<v Speaker 5>know this from just my morning with the group of

438
00:27:41.599 --> 00:27:45.000
<v Speaker 5>patients I saw this morning. I mean, you walk in

439
00:27:45.079 --> 00:27:47.119
<v Speaker 5>one room, you give good news, and you walk in

440
00:27:47.160 --> 00:27:49.400
<v Speaker 5>the next room and you give not so good news.

441
00:27:50.000 --> 00:27:53.519
<v Speaker 5>But this is life. This is what we have to

442
00:27:53.599 --> 00:27:55.240
<v Speaker 5>work with day in and day out.

443
00:27:55.920 --> 00:27:58.119
<v Speaker 3>You know, I've thought about this because you know the

444
00:27:58.960 --> 00:28:02.279
<v Speaker 3>question I asked you myself, if I had the ability

445
00:28:02.319 --> 00:28:05.839
<v Speaker 3>to be the gang, part of the gang, what would

446
00:28:05.839 --> 00:28:08.240
<v Speaker 3>I go back to try to help with Now I

447
00:28:08.240 --> 00:28:10.839
<v Speaker 3>don't have an answer because I'm still thinking about that,

448
00:28:11.400 --> 00:28:14.400
<v Speaker 3>because clearly the Holocaust is one of them, and there

449
00:28:14.400 --> 00:28:17.440
<v Speaker 3>are so many others in history. But I really have

450
00:28:17.559 --> 00:28:20.799
<v Speaker 3>given that some thought, and I also have given that

451
00:28:20.839 --> 00:28:24.440
<v Speaker 3>some thought in the modern times in the past two decades,

452
00:28:25.039 --> 00:28:29.079
<v Speaker 3>and I came up with one thing I would go back.

453
00:28:29.279 --> 00:28:33.160
<v Speaker 3>If I was smart enough to understand the money markets,

454
00:28:33.359 --> 00:28:36.079
<v Speaker 3>I would have gone back to two thousand and eight,

455
00:28:36.240 --> 00:28:40.720
<v Speaker 3>nine and ten, and I would have looked, I would

456
00:28:40.720 --> 00:28:42.599
<v Speaker 3>have I would have tried to be part of a

457
00:28:43.279 --> 00:28:47.960
<v Speaker 3>let's call them, let's go on the Bad Love Bad

458
00:28:48.359 --> 00:28:52.119
<v Speaker 3>Money Gang, Bad Love Money Gang, because I thought about that,

459
00:28:52.240 --> 00:28:54.759
<v Speaker 3>the devastation of it. And somebody asked me, why do

460
00:28:54.880 --> 00:28:56.920
<v Speaker 3>I keep talking about that point in time. I said,

461
00:28:56.960 --> 00:29:00.000
<v Speaker 3>because we went through it and then we forgot about it,

462
00:29:00.880 --> 00:29:04.960
<v Speaker 3>and I thought so many people were affected by it,

463
00:29:05.839 --> 00:29:09.960
<v Speaker 3>But then there was COVID, So here I am. I'm

464
00:29:10.000 --> 00:29:12.319
<v Speaker 3>hard to know what I'd go back to do, and

465
00:29:12.359 --> 00:29:14.960
<v Speaker 3>I think sometimes I think too small on that level.

466
00:29:14.960 --> 00:29:18.359
<v Speaker 3>And here's my next question for you, what is your

467
00:29:18.440 --> 00:29:22.200
<v Speaker 3>next great vision from this moment now for the next year.

468
00:29:24.039 --> 00:29:29.759
<v Speaker 5>Well, I'm actually working on expanding the series. So I'm

469
00:29:29.799 --> 00:29:36.480
<v Speaker 5>writing Bad Luck Rising now, and Bad Luve Rising opens

470
00:29:36.720 --> 00:29:43.920
<v Speaker 5>with John F. Kennedy at the in New York, and

471
00:29:44.000 --> 00:29:47.559
<v Speaker 5>you know, they're having a party for him to raise money.

472
00:29:47.960 --> 00:29:51.200
<v Speaker 5>And this is when birthday party. This is when Marilyn

473
00:29:51.240 --> 00:29:58.839
<v Speaker 5>Monroe comes out and sings Happy Birthdays. Yeah, And so

474
00:29:59.799 --> 00:30:03.319
<v Speaker 5>the the book will focus a lot on you know,

475
00:30:03.400 --> 00:30:07.680
<v Speaker 5>how I've had Truman, I've had Roosevelt, I've had president

476
00:30:07.759 --> 00:30:12.000
<v Speaker 5>for I'm going to take Kennedy and I'm going to

477
00:30:12.079 --> 00:30:15.960
<v Speaker 5>bring him into the Bad Love universe because I love

478
00:30:16.079 --> 00:30:21.960
<v Speaker 5>JFK Me, I love all the stuff about the Kennedy family.

479
00:30:22.279 --> 00:30:25.319
<v Speaker 5>And of course they had their skeletons in the closet

480
00:30:25.480 --> 00:30:30.559
<v Speaker 5>like you know all the politicians do. And so yeah,

481
00:30:30.640 --> 00:30:33.279
<v Speaker 5>that's the that's the immediate future.

482
00:30:34.119 --> 00:30:36.759
<v Speaker 4>Yeah, last question.

483
00:30:37.000 --> 00:30:39.359
<v Speaker 3>I know this is a short interview, but first of all,

484
00:30:39.480 --> 00:30:41.759
<v Speaker 3>let's give people some information. First of all, how do

485
00:30:41.799 --> 00:30:43.799
<v Speaker 3>people find out about the books? How do they get

486
00:30:43.799 --> 00:30:46.200
<v Speaker 3>the books? And how do they stay with you along

487
00:30:46.279 --> 00:30:47.000
<v Speaker 3>this journey.

488
00:30:47.799 --> 00:30:50.359
<v Speaker 5>Yeah, so there's really two good ways to do it.

489
00:30:50.559 --> 00:30:54.000
<v Speaker 5>The first is I have for the books. I have

490
00:30:54.039 --> 00:31:00.599
<v Speaker 5>a website. It's www dot Kevinshoey dot com and so

491
00:31:00.720 --> 00:31:03.960
<v Speaker 5>it's my name K E v I N. S ch

492
00:31:04.039 --> 00:31:09.079
<v Speaker 5>Ewe dot com. And then I'm on Instagram. I'm very active.

493
00:31:10.440 --> 00:31:13.440
<v Speaker 5>I think I'm a little north of one hundred thousand

494
00:31:13.599 --> 00:31:18.200
<v Speaker 5>followers now on Instagram and and so it's at real

495
00:31:18.319 --> 00:31:22.839
<v Speaker 5>Kevin Shoey on Instagram. Also, I do a little bit

496
00:31:23.039 --> 00:31:27.519
<v Speaker 5>on Twitter now or I guess it's called x Y. Yeah,

497
00:31:28.000 --> 00:31:31.640
<v Speaker 5>and I have an Instagram account. I haven't been too

498
00:31:31.720 --> 00:31:34.759
<v Speaker 5>active on Instagram, but I do have that, but mainly

499
00:31:34.920 --> 00:31:38.559
<v Speaker 5>the website and Instagram. Those are really the two best

500
00:31:38.599 --> 00:31:39.720
<v Speaker 5>ways to follow me.

501
00:31:40.319 --> 00:31:43.359
<v Speaker 3>All right, So I have got this last, really last question.

502
00:31:43.440 --> 00:31:44.279
<v Speaker 3>I know, I'll let you go.

503
00:31:46.640 --> 00:31:50.519
<v Speaker 4>Where's the screenplay going to end up? Now? How do

504
00:31:50.559 --> 00:31:51.759
<v Speaker 4>you see that unfolding?

505
00:31:52.519 --> 00:31:57.079
<v Speaker 5>Yeah? So you know, I've I've talked to an agency

506
00:31:57.160 --> 00:32:00.359
<v Speaker 5>in New York and I've sent I'm starting to send

507
00:32:00.359 --> 00:32:05.960
<v Speaker 5>more letters out and so I need you, doctor Pat,

508
00:32:06.119 --> 00:32:08.640
<v Speaker 5>I need you and your audience. I need for this

509
00:32:08.759 --> 00:32:12.799
<v Speaker 5>to reach the right person, if it's Steelberg or James Cameron,

510
00:32:13.319 --> 00:32:17.200
<v Speaker 5>you know, I need it to end up in the

511
00:32:17.279 --> 00:32:21.640
<v Speaker 5>right hands with someone who will be as enthusiastic about

512
00:32:21.680 --> 00:32:24.880
<v Speaker 5>it as you and I are and work to put

513
00:32:24.920 --> 00:32:28.039
<v Speaker 5>this out for the world to see. That's what we need.

514
00:32:28.359 --> 00:32:30.759
<v Speaker 3>Well, we're definitely on your team to make that happen,

515
00:32:31.079 --> 00:32:33.160
<v Speaker 3>and this interview is a great way to do that

516
00:32:34.920 --> 00:32:40.119
<v Speaker 3>for several reasons. One, you're introducing this at the perfect time.

517
00:32:41.920 --> 00:32:45.279
<v Speaker 3>You and I talked about the Spielberg movie coming out, right,

518
00:32:45.400 --> 00:32:48.839
<v Speaker 3>I think it's today. It is perfect, Emily Blunt the

519
00:32:48.839 --> 00:32:53.720
<v Speaker 3>whole thing. So that's a conversation in that movie that piggybacks,

520
00:32:53.759 --> 00:32:58.920
<v Speaker 3>how ready people are, and how beautiful our imagination is

521
00:32:59.400 --> 00:33:03.839
<v Speaker 3>to move forward futuristically while we revisit the past.

522
00:33:04.880 --> 00:33:06.319
<v Speaker 5>Yeah, exactly.

523
00:33:06.839 --> 00:33:09.359
<v Speaker 3>And I got to tell you I heard Schwartzenegger is

524
00:33:09.400 --> 00:33:11.640
<v Speaker 3>thinking about another Terminator movie.

525
00:33:12.240 --> 00:33:15.079
<v Speaker 4>How that will unfold? I have no idea.

526
00:33:15.920 --> 00:33:21.160
<v Speaker 3>But for you, you've taken real characters, You've taken real experiences,

527
00:33:21.359 --> 00:33:22.440
<v Speaker 3>real emotions.

528
00:33:22.440 --> 00:33:22.680
<v Speaker 4>See.

529
00:33:22.680 --> 00:33:25.400
<v Speaker 3>I want people to get this. This is not a

530
00:33:25.440 --> 00:33:30.319
<v Speaker 3>comic book. These are real people with real emotions, looking

531
00:33:30.359 --> 00:33:33.440
<v Speaker 3>at situations, looking at how to solve them for the

532
00:33:33.480 --> 00:33:36.640
<v Speaker 3>greater good of the world. And that's what these books are.

533
00:33:36.519 --> 00:33:37.119
<v Speaker 4>About for me.

534
00:33:38.559 --> 00:33:42.440
<v Speaker 5>Well, thank you for that, doctor Pat. I appreciate that. Awesome.

535
00:33:42.480 --> 00:33:45.640
<v Speaker 3>Well, thank you for what you're doing. I just love

536
00:33:46.319 --> 00:33:51.160
<v Speaker 3>I love talking about this. I know this will get

537
00:33:51.160 --> 00:33:54.319
<v Speaker 3>picked up as a movie. I know it because there's

538
00:33:54.440 --> 00:33:59.559
<v Speaker 3>so much here that excites me and others about hope.

539
00:34:00.440 --> 00:34:03.920
<v Speaker 3>It's like we said last night in the show, you

540
00:34:04.000 --> 00:34:06.960
<v Speaker 3>just can't have You just can't have hope. You have

541
00:34:07.079 --> 00:34:10.840
<v Speaker 3>to have the audacity to hope. That's what the characters

542
00:34:10.840 --> 00:34:12.039
<v Speaker 3>in your book have.

543
00:34:13.000 --> 00:34:13.559
<v Speaker 4>Thank you, Joe.

544
00:34:13.840 --> 00:34:16.719
<v Speaker 5>You know that you said we are alike. We should

545
00:34:16.719 --> 00:34:20.559
<v Speaker 5>just like move our heads together here because you know,

546
00:34:21.559 --> 00:34:24.440
<v Speaker 5>I believe it will happen as well. I am right

547
00:34:24.519 --> 00:34:25.880
<v Speaker 5>with you, it will happen.

548
00:34:26.199 --> 00:34:28.280
<v Speaker 4>Yeah. Yeah, I mean I know it. I can feel

549
00:34:28.280 --> 00:34:30.360
<v Speaker 4>it in my bones. Yeah.

550
00:34:30.440 --> 00:34:33.079
<v Speaker 3>I really can't Thank you, doctor Shuey. I'm going to

551
00:34:33.119 --> 00:34:35.360
<v Speaker 3>stay in touch with you. I know Linda's working with

552
00:34:35.400 --> 00:34:38.360
<v Speaker 3>your PR people who are doing a great job, but

553
00:34:38.440 --> 00:34:41.119
<v Speaker 3>I think we really need a way to support this

554
00:34:41.239 --> 00:34:43.920
<v Speaker 3>movement forward. So I'm going to be talking to them

555
00:34:43.960 --> 00:34:46.840
<v Speaker 3>about imagery we can put up our website, different things

556
00:34:46.880 --> 00:34:49.800
<v Speaker 3>we can use to really pull this into our social

557
00:34:49.880 --> 00:34:53.159
<v Speaker 3>media arena. Thank you for everything, and thank you for

558
00:34:53.239 --> 00:34:54.400
<v Speaker 3>exciting me today.

559
00:34:54.800 --> 00:34:55.760
<v Speaker 5>Yeah, thank you.

560
00:34:56.000 --> 00:34:56.599
<v Speaker 4>I love it.

561
00:34:58.440 --> 00:35:03.559
<v Speaker 5>I love your broadcast and it's so fun visiting with you.

562
00:35:04.159 --> 00:35:05.800
<v Speaker 5>Is when can we do it again?

563
00:35:06.400 --> 00:35:10.079
<v Speaker 3>I know that's what I'm thinking about. I really I've

564
00:35:10.119 --> 00:35:11.960
<v Speaker 3>started to think about that a little bit more, and

565
00:35:12.000 --> 00:35:14.199
<v Speaker 3>I'm gonna go downstairs and talk to Linda about it

566
00:35:14.639 --> 00:35:18.480
<v Speaker 3>because this is to create a movement like this, you

567
00:35:18.599 --> 00:35:22.320
<v Speaker 3>have to keep a conversation fresh. Yeah, and there are

568
00:35:22.360 --> 00:35:25.239
<v Speaker 3>ways to do that. You your team's doing a great job.

569
00:35:25.360 --> 00:35:28.159
<v Speaker 3>Thank you, doctor Shuey. Thank you so much for everything,

570
00:35:28.599 --> 00:35:31.719
<v Speaker 3>and by the way, thank you for doing what you're

571
00:35:31.760 --> 00:35:33.079
<v Speaker 3>doing to save lives.

572
00:35:33.440 --> 00:35:37.320
<v Speaker 5>Yeah, you're welcome. Thanks for acknowledging that. I really appreciate it.

573
00:35:37.519 --> 00:35:39.760
<v Speaker 5>Have a great day, doctor, I.

574
00:35:39.880 --> 00:35:44.400
<v Speaker 3>Will ping pong tonight. Thank you all for tuning us

575
00:35:44.440 --> 00:35:47.840
<v Speaker 3>and turning us on. As we've said, lots of information

576
00:35:48.239 --> 00:35:50.360
<v Speaker 3>you're going to see more coming from Ust. We're gonna

577
00:35:50.360 --> 00:35:53.760
<v Speaker 3>put some images you'll see they're coming throughout this video.

578
00:35:54.360 --> 00:36:01.239
<v Speaker 3>And please support this. Let's inspire, let's engage, and let's

579
00:36:01.320 --> 00:36:04.199
<v Speaker 3>have the audacity to hope, like doctor Shuey does.

580
00:36:04.239 --> 00:36:05.159
<v Speaker 4>Will see you next time.
