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<v Speaker 1>Do you see this behind me? You know this isn't

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<v Speaker 1>a virtual background. By the way, I've actually had a

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<v Speaker 1>billboard sized poster review put up on a roundabout in Croydon.

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<v Speaker 1>This is it and that can make my finger disappear.

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<v Speaker 1>Like the way it just frames the bald head. Well done.

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<v Speaker 1>It gives me a little white outline of the bald head,

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<v Speaker 1>didn't it does?

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<v Speaker 2>Yeah? Actually?

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<v Speaker 1>Oh yeah, good in it?

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<v Speaker 2>That is good.

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<v Speaker 1>Yeah, let's do it. Podcast number one of the week

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<v Speaker 1>Jamie Murray announced his retirement. What happened in your doubles?

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<v Speaker 1>Your first point is just unbelievable, and I've got a

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<v Speaker 1>feeder of forehand. But it's an office worker special and

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<v Speaker 1>I want to do that is to almost highlight the

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<v Speaker 1>fact that you never had a job, so just to

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<v Speaker 1>see how you would feel if you were an office

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<v Speaker 1>worker like the millions of automated drones out there, just

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<v Speaker 1>like I was for about ten years. So anyway, Marcus willis,

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<v Speaker 1>how are you mate?

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<v Speaker 2>I'm not too bad, thank you.

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<v Speaker 1>I'm in Rome now or when in Rome?

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<v Speaker 2>When in Rome? Yeah, I haven't done that yet. I've

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<v Speaker 2>been biting my lip. It's very difficult trying to the original.

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<v Speaker 1>Yeah, well, when in Rome you do have to act

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<v Speaker 1>like do you remember that from Anchorman? Yeah, where he

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<v Speaker 1>just goes when in room.

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<v Speaker 2>I love that film so good.

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<v Speaker 1>Jesus Christ. There's a mate of mine who watched it

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<v Speaker 1>and then just straight back to the beginning watched it

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<v Speaker 1>all again.

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<v Speaker 2>Yes, it's up there for me.

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<v Speaker 1>Yeah. We spent ages just just quoted it and stuff like. Yeah.

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<v Speaker 1>I still think of it all the time.

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<v Speaker 3>Yeah, Rich Mahogany, Yeah, you know what, you know, the

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<v Speaker 3>scripting thing takes as well.

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<v Speaker 1>Oh yeah, man, how do they keep it?

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<v Speaker 2>Huh huh. So doesn't feel like a sorry right anyway? Tennis?

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<v Speaker 1>Yeah, you know that the bit that gets just just

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<v Speaker 1>quickly before before we move on to the laborious task

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<v Speaker 1>of tennis, the bit that gets me in that the

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<v Speaker 1>script you know when he goes, I'm Rom Burgundy. Well,

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<v Speaker 1>I used to produce the Alan Brazil Breakfast Show on

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<v Speaker 1>Talk Sport and then was let's just say a late

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<v Speaker 1>night guy and he would get in the theme music could

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<v Speaker 1>be playing at six oh two after the news or something,

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<v Speaker 1>and he would get into the office then and you'd

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<v Speaker 1>just pass him the script and he was a really

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<v Speaker 1>good script reader. He still is I'm talking about him

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<v Speaker 1>past tense. He's still there. He's still doing it. He's

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<v Speaker 1>an excellent script reader. Whatever you give him straight on

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<v Speaker 1>and he comes straight in and do the manning Welcome

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<v Speaker 1>to the Alan Brail boom and he's in. But every

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<v Speaker 1>bit of punctuation capsule letters he would read out okay.

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<v Speaker 1>And one morning we had Big Sam Allardyce on okay

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<v Speaker 1>and someone had forgotten to write Sam. So Alan Brazil

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<v Speaker 1>doesn't know what he's reading out. He just reads and he's.

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<v Speaker 4>Like, right coming up Big Alla Dace, or been a

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<v Speaker 4>while since we've heard from Big Ala days and Big

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<v Speaker 4>Ala days on the shore the small.

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<v Speaker 1>Yeah, and so you know that. I'm Ron bog always

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<v Speaker 1>always takes me back to anything you gave our you

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<v Speaker 1>had to read about ten times over. Something seismic has

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<v Speaker 1>happened in British tennis this week. And it's seismic because

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<v Speaker 1>it's like two decades worth in that we're not going

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<v Speaker 1>to have a Murray involved at the top end of

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<v Speaker 1>British tennis. Jamie Murray's announced his retirement. Did it take

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<v Speaker 1>you by surprise?

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<v Speaker 2>No, No, it didn't take me by surprise. No one

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<v Speaker 2>ever saw him hitting over the off season. I think

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<v Speaker 2>he was out in South America. He was running a lot,

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<v Speaker 2>doing a lot of gym, but he wasn't doing is

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<v Speaker 2>is tennise. He wasn't at the NTC. He wasn't pairing

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<v Speaker 2>up with people. His ranking it gone kind of below

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<v Speaker 2>mine either, So so yeah, I wasn't. I wasn't surprised

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<v Speaker 2>entirely at all. Actually, but it's sad, right because even

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<v Speaker 2>when I was a junior, I think Jamie was playing dubs.

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<v Speaker 2>I mean he was, because when I was on the

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<v Speaker 2>when I was Davis Cup water Boy, he was. He

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<v Speaker 2>was playing doubles there with Ross Hutchins and he was

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<v Speaker 2>playing singles. So he was already then when I was, well,

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<v Speaker 2>this is twenty years ago, it was already a top

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<v Speaker 2>dogs fair then, so this is yeah, it's strange, but

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<v Speaker 2>it's you know, I'm pretty sure he's sure about it.

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<v Speaker 2>I was out in Umag when he when he pulled out,

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<v Speaker 2>like I went for dinner with him the night before

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<v Speaker 2>and he then you know, I had to pull out

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<v Speaker 2>with ill developed pneumonia, like really seriously ill. And then

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<v Speaker 2>and then I think he from what he said, he

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<v Speaker 2>never picked up he didn't pick up the racket against

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<v Speaker 2>to go training, and just I guess felt that that

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<v Speaker 2>was it. But it must be tough, right because he's

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<v Speaker 2>been he's been at the top level so long. He

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<v Speaker 2>said he was getting anxiety by the server, wasn't enjoying

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<v Speaker 2>it turning up the tournaments. And I guess when you

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<v Speaker 2>have that for a prolonged period of time, that's and

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<v Speaker 2>you don't feel like you want to keep going. I

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<v Speaker 2>guess I guess that's it.

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<v Speaker 1>Well, there's there's he's doing loads of loads of media,

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<v Speaker 1>and he's a really good talker, isn't He's a you know,

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<v Speaker 1>he's a great broadcaster. So I'm sure that we're not

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<v Speaker 1>going to see the end of and and and he's

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<v Speaker 1>there to kind of endlessly talk about the Grand Slams

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<v Speaker 1>and everything else. What was he like as a person

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<v Speaker 1>compared to Andy, who always comes across as pretty serious,

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<v Speaker 1>pretty introverted.

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<v Speaker 2>Yeah, of course he's got he's got good sense of humor.

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<v Speaker 2>I don't know overly well, but we throw a few

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<v Speaker 2>office quotes that other sometimes mainly me to him, and

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<v Speaker 2>and he's you know, my knows my coach Adam very

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<v Speaker 2>well as well. So yeah, we have a we have

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<v Speaker 2>a good laugh. But no, I'm not. I've probably got

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<v Speaker 2>to know him more in the last couple of years

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<v Speaker 2>than I ever did. What was he great at his

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<v Speaker 2>net game? Anything around the net just was insane. I

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<v Speaker 2>played him last year in Eastbourne and he's right, he

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<v Speaker 2>wasn't serving particularly well, but anything around the net it

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<v Speaker 2>was gone quick, gone covered a lot. That was his thing.

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<v Speaker 2>If if you could stop him coming into the net,

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<v Speaker 2>then you've got a chance. But but yeah, I don't

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<v Speaker 2>think he missed a volley the whole match. But but

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<v Speaker 2>more than that, you you.

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<v Speaker 1>Leave it more than that the net as well.

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<v Speaker 2>Yeah, but didn't But yeah, you love him and get

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<v Speaker 2>back to that as well. He just had this massive

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<v Speaker 2>reach and good read of what you were doing with

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<v Speaker 2>the return and just I mean one of those people

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<v Speaker 2>you kind of you're hitting the ball and you can

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<v Speaker 2>see them ever were and it's very hard to then

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<v Speaker 2>focus focus on the shot. But yeah, if you I

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<v Speaker 2>think the tactic, well, if you keep him away from

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<v Speaker 2>a net, you have a chance. But yeah, he was.

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<v Speaker 2>He was phenomenal with his with his foot I did

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<v Speaker 2>I did. I did a session with him before I

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<v Speaker 2>went out to Uma, and it was all about the legs,

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<v Speaker 2>all about putting this leg and position and moving from

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<v Speaker 2>there and how you plant your footwork basically. But he

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<v Speaker 2>made you know when someone's really good at something and

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<v Speaker 2>they talk about it like it's going to be easy,

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<v Speaker 2>and you just do this Smithy. Smithy did that and

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<v Speaker 2>fourhand returns to me once. He was just just do that,

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<v Speaker 2>just just hit it. Yeah, but he was. He was

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<v Speaker 2>so good at it. But yeah, I'm still trying to

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<v Speaker 2>implement some of the stuff we did in those couple

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<v Speaker 2>of days. But yeah, it was.

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<v Speaker 1>Got one like that. I went to a Boris Becker

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<v Speaker 1>masterclass once paid a fortune is. This would have been

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<v Speaker 1>about a year after he retired, and it was sponsored

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<v Speaker 1>by some champagne company or something like that, and he

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<v Speaker 1>Becker was talking about getting a head on grass and

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<v Speaker 1>it was so matter of fact. He was like, okay,

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<v Speaker 1>so what do you go.

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<v Speaker 4>You've got to hit one hundred and twenty odd wide

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<v Speaker 4>and then get into the service box that first volley.

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<v Speaker 1>And he had a British player at the time down

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<v Speaker 1>the other end. I'm thinking maybe an Arvin Palmer time

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<v Speaker 1>and Becker hit like a one twenty and was two

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<v Speaker 1>steps into the service box, angle volley away and he

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<v Speaker 1>did it with like a battery pack, and Mike here

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<v Speaker 1>was talking through it. You know.

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<v Speaker 4>So if the press is on, you've got to hit

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<v Speaker 4>the one twenty odd way and then get into the

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<v Speaker 4>service Buket.

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<v Speaker 1>And so I just wrote down on a notepad because

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<v Speaker 1>I thought I'll bring a notepad, you know, make sure

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<v Speaker 1>that I get some of this gold. I just wrote down,

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<v Speaker 1>be better and that was that. So yeah, working on

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<v Speaker 1>it still. I'm on the I'm on the practic coarter laugh.

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<v Speaker 2>And then pumping before.

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<v Speaker 1>But that's when when Becker's working with Djokovic. I think

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<v Speaker 1>they must talk a language that only they know.

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<v Speaker 2>Yeah, they must say we're all absolutely terrible.

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<v Speaker 1>Yeah, or just confused.

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<v Speaker 2>Yeah yeah, yeah, it might be confused. It might be confusion,

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<v Speaker 2>just confused by us. Just do that?

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<v Speaker 1>Would would Jamie Murray make a good coach?

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<v Speaker 2>I think so? I think it'd be very good. Yeah,

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<v Speaker 2>I'm not sure how much I want to do it though.

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<v Speaker 1>Yeah. It was the traveling, isn't it. But you know,

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<v Speaker 1>he's He's a product of Louis Kaye in so many ways,

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<v Speaker 1>isn't he He absorbs he is he did absorb Louie's

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<v Speaker 1>information so well, and Louis is not getting younger, and

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<v Speaker 1>I wonder if there's a role for Jamie in terms

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<v Speaker 1>of doubles players and keeping up the uh, you know,

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<v Speaker 1>the role of form that we've had are.

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<v Speaker 2>Going to be a gap for that and he'll know

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<v Speaker 2>the system well. But yeah, I mean I suppose.

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<v Speaker 1>Yeah.

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<v Speaker 2>The problem is he's probably got so many options. I

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<v Speaker 2>don't even know if.

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<v Speaker 1>We go back through British tennis and we go overall

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<v Speaker 1>with Virginia Wade and Andy Murray, Tim Hemman Fred Perry,

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<v Speaker 1>even right, where does Jamie Murray sit in the best

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<v Speaker 1>we've ever had?

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<v Speaker 2>I mean, I don't know the exactly. I know he

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<v Speaker 2>was world number one. I know we've had a few

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<v Speaker 2>other world number ones. It might not be a numbers

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<v Speaker 2>the best doubles career you've had, but in terms of

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<v Speaker 2>longevity and kind of what he's achieved Olympian and it's

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<v Speaker 2>pretty pretty tough too. I mean, how many years was

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<v Speaker 2>he top ten, top twenty in the world. It's phenomenal really.

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<v Speaker 1>Onto real tennis because after the break, we want to

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<v Speaker 1>know what's happened in your doubles last week and the

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<v Speaker 1>video that you sent me of possibly the only point

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<v Speaker 1>last week that gets the two hundred and fifty pounds

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<v Speaker 1>from you've been framed. Welcome back to what you're talking about.

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<v Speaker 1>Willis he is in Rome? When in Rome and I'm

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<v Speaker 1>near Croydon, we've all got a dream what this time

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<v Speaker 1>of year? Well, I'm thinking about lots of people want

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<v Speaker 1>a villa in Croydon this time of year. But look,

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<v Speaker 1>there's only one way to tell. It's a It's a

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<v Speaker 1>public vote, isn't it. I think it's something that we've

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<v Speaker 1>got to put up. Let's talk before we talk about

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<v Speaker 1>why you're in Rome and things. Let's talk about last week.

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<v Speaker 1>We spoke on the previous part about coming off the

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<v Speaker 1>back of some difficult form, some training block. First of all,

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<v Speaker 1>you spoke about the fix to your volleys. Is it

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<v Speaker 1>completely fixed? And will nothing go wrong? Now?

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<v Speaker 2>Yeah? That's it forever Now I never have to work

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<v Speaker 2>on it again. So that's good. No, Yeah, so much better,

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<v Speaker 2>so much better. Yeah, in a better headspace with it

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<v Speaker 2>all as well. So I've got a plan. I'm practicing

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<v Speaker 2>and working on things, and yeah, i feel like I'm improving,

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<v Speaker 2>which is which is great. If I feel like I'm improving,

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<v Speaker 2>then I must be.

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<v Speaker 1>So who are you partnering and you in Kitty an American,

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<v Speaker 1>a younger American.

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<v Speaker 2>Right American, Yeah, early twenties, you know, good college player,

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<v Speaker 2>and he's already nearly top hundred. So he's doing well.

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<v Speaker 1>Yeah, so I saw that. It's a pretty pretty big rise.

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<v Speaker 1>But he's kind of just bypassed the singles, isn't he

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<v Speaker 1>He's gone straight in for the dubs. He's he a

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<v Speaker 1>double specialist. So like for for me, I told you,

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<v Speaker 1>I tried to. I tried to watch the match. I

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<v Speaker 1>couldn't get the stream. And for those who don't know him,

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<v Speaker 1>what's he like? But I'm imagining like a six five,

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<v Speaker 1>big server, good volleyer type.

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<v Speaker 2>Yeah, he's a good all around tennis player. Actually, got

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<v Speaker 2>lots of power, goes after returns. He's got some good

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<v Speaker 2>feel as well that will come up with these lobs

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<v Speaker 2>that you don't think are wrong. He sees the court

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<v Speaker 2>pretty well. He's just he's just got a lot of weapons. Yeah,

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<v Speaker 2>And as you say, he's a.

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<v Speaker 1>Big guy, so and plane outside.

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<v Speaker 2>He's playing outside. I'm playing juice.

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<v Speaker 1>Yeah, just talk talk us through the first point of

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<v Speaker 1>a match last week that you sent me.

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<v Speaker 2>Yeah, second round, sorry, caught finals, I forgot God I've

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<v Speaker 2>had quite a good return. The guy said, volley, and

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<v Speaker 2>he's hit a half volley down the line and Ben's

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<v Speaker 2>kind of come across. So I look for the middle

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<v Speaker 2>slash into set, and I'm kind of hitting the return

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<v Speaker 2>and coming forward, and as I've seen the borco passed him,

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<v Speaker 2>I've tried to change direction. And then what appeared to

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<v Speaker 2>happen was, you know, there was something wrong with a

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<v Speaker 2>clay court. Someone must have put you know, washing up

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<v Speaker 2>liquid down it before, and I ended up kind of

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<v Speaker 2>eating clay but trying to rescue it two or three times.

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<v Speaker 2>First I had to go to my taut first point

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<v Speaker 2>in the match for the first time in history because

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<v Speaker 2>because yeah, I lost my footing. So we can we

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<v Speaker 2>can put the video up, can't we?

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<v Speaker 1>Oh, We've got to put it up. It's brilliant. I

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<v Speaker 1>really really enjoyed it. I think laughing a bit at

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<v Speaker 1>your misfortune is something that I'm really enjoying more and more.

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<v Speaker 2>That's good. But it's I know, it's funny because if

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<v Speaker 2>I imagined that I was someone else, I'd find it

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<v Speaker 2>really really funny. Sometimes you've got to take yourself out

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<v Speaker 2>of yourself and laugh at someone else. Yeah, Yeah, so yeah,

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<v Speaker 2>that was interesting. Then we went then we went fall

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<v Speaker 2>off down pretty quickly after that three juice points went

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<v Speaker 2>fall off down, so excuse it was good clay all

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<v Speaker 2>over my forehead and nipple and I was fall left down.

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<v Speaker 1>I do love when you're on the floor that the

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<v Speaker 1>umpire says, you're right, Yeah, you're okay.

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<v Speaker 2>Yeah, madam great, Yeah, you don't worry. You just stay

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<v Speaker 2>comfy and that chair. I'm good, but don't worry. Yeah,

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<v Speaker 2>it's it's just I hit quite a good return. I

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<v Speaker 2>was like, oh, it's a shame part of me. It's

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<v Speaker 2>like I were fifteen left down. That's not And then

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<v Speaker 2>and then the next next point I hit, but luckily

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<v Speaker 2>they didn't go to my forehand. But I couldn't grip

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<v Speaker 2>the racket because there was clai all over my grip

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<v Speaker 2>as well. So then I went to like wash everything down,

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<v Speaker 2>put water on my grip, came out, got broken the

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<v Speaker 2>juice or sorry Ben did. And then yeah, I said,

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<v Speaker 2>we were at four left down.

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<v Speaker 1>So this is your second round match, wasn't it?

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<v Speaker 2>Quarter finals?

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<v Speaker 1>Quarter of course? Yes, So we start in the round

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<v Speaker 1>of sixteen and then you in your in your first

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<v Speaker 1>round round of sixteen, yeah, it's quite it was important

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<v Speaker 1>for you to get the win, there wasn't it Just

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<v Speaker 1>surely mentally that is playing on your mind.

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<v Speaker 2>Yeah, but yeah, I suppose I lost three three matches

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<v Speaker 2>in a row, two match Tierekser one atp two fifty.

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<v Speaker 2>But it's it's the way I lost the two fifty.

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<v Speaker 2>I didn't like. I felt like I was overthinking. I

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<v Speaker 2>wasn't sure on stuff. And I can't be on the

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<v Speaker 2>tennis court if I'm not sure on what where I'm

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<v Speaker 2>going and thinking about which leg goes where, and you know, so,

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<v Speaker 2>so it was important. I took that time out and

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<v Speaker 2>trained and had a couple of days at home and

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<v Speaker 2>just when I worked hard, because yeah, you come out

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<v Speaker 2>to Portugal. I came out, I flew to Sunday morning,

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<v Speaker 2>I got up at three in the morning. I did

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<v Speaker 2>a session on Sunday and extra session that you know,

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<v Speaker 2>I normally probably wouldn't do. And yeah, we were five

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<v Speaker 2>three down and one seven five in the first set

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<v Speaker 2>there as well, but quite unlucky to be five three down. Yeah,

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<v Speaker 2>it was an important win, important win, but yeah, these

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<v Speaker 2>are especially last week. It's a one two five, It's

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<v Speaker 2>it's not an easy tournament. You're playing good clay players,

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<v Speaker 2>so you know, I had to be open minded in

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<v Speaker 2>the fact that every time I stepped on courter might

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<v Speaker 2>not win. Yeah, and it's just trying to play as

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<v Speaker 2>well as I can and I think, you know, I

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<v Speaker 2>can get into that mindset, then good things happen. Just

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<v Speaker 2>go and play. So yeah, we did well. We did well.

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<v Speaker 2>We won some important points. It was our first match

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<v Speaker 2>as a pair together and and yeah, came up with

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00:19:12.920 --> 00:19:15.480
<v Speaker 2>some clutch stuff actually, but there's still there's still room

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<v Speaker 2>for improvement provement, which is which.

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<v Speaker 1>Is good with the coach as well, isn't he So

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<v Speaker 1>you are you working more as in a team almost?

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<v Speaker 2>Yeah, we have been this this the last few days

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<v Speaker 2>and since I started Portugal with we're there's a lot

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<v Speaker 2>of chot about how we can be efficient as a

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00:19:32.079 --> 00:19:35.720
<v Speaker 2>as a pair rather than working on individual shots as such,

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<v Speaker 2>sort of coming up with formations in plays rather than

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<v Speaker 2>you know, you've got to hit a load of four

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<v Speaker 2>hands and backhands and and and served. So it's it's

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00:19:47.799 --> 00:19:50.519
<v Speaker 2>you know, he's good Macaca work with the Brians, won

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00:19:50.640 --> 00:19:53.440
<v Speaker 2>sixteen slams of the Brians or something, so he knows

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<v Speaker 2>what he's doing so that that's been really beneficial. And

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<v Speaker 2>yesterday with a fitness trainer, so still here to tell

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<v Speaker 2>the tale. Today some clay court sprints and you've got

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<v Speaker 2>twenty seconds off in between each one. You do six sets.

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<v Speaker 1>Sounds fun?

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<v Speaker 2>Not good? No, it wasn't fun. It wasn't fun. My

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<v Speaker 2>heart rate went to one eight six, Okay.

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<v Speaker 1>So yeah that's about your peak, isn't it. That's just

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<v Speaker 1>slightly over.

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<v Speaker 2>What one of one above what my maction one above.

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<v Speaker 1>Your defe levels? Yeah? Good?

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<v Speaker 2>Yeah, so that was good, a classic classic Friday practice. Yeah.

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<v Speaker 1>So in the second round you said, like the first

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<v Speaker 1>set is suddenly you're you're facing a bit of a

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<v Speaker 1>mountain to climb for love. But it was it was tight, right.

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<v Speaker 2>It was tight. Yeah, sorry, it's just got some Greek

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00:20:51.960 --> 00:20:58.480
<v Speaker 2>yogurt there. Yeah, it was tight. We lost well, so

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<v Speaker 2>we lost three and four for all, but four to

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<v Speaker 2>two first set. We had a break point. I made

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<v Speaker 2>the return, opened up the angle, hit the angle, sent

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<v Speaker 2>them the wrong way, hit the tape and bounce bounce

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<v Speaker 2>the wrong way. So that would have been four to

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<v Speaker 2>three on serve back into the match. Yeah, disappointing, And

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<v Speaker 2>then we had break point to break back at five

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<v Speaker 2>to three as well, So it was just you know,

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<v Speaker 2>we got broken twice from thirty love up, once from

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<v Speaker 2>forty fifteen, once from thirty love, and it was just

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<v Speaker 2>kind of like ah, and second set, I'd say we

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<v Speaker 2>missed a lot of makeable balls by an inch or so,

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<v Speaker 2>Like I've put the chip lap over their head and

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<v Speaker 2>it landed an inch wide and you're like, you think

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<v Speaker 2>it's going in and it's not.

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<v Speaker 1>Tennis. Tennis is rubbish, isn't it.

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<v Speaker 2>Yeah, no, it can be. It was. It was. It

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<v Speaker 2>was frustrating because you know, I felt like we were

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<v Speaker 2>we were, yeah, a couple of inches off, playing very

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<v Speaker 2>very well, and we know this pair of this pair

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<v Speaker 2>are good. They won this ornament in the end as well,

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<v Speaker 2>so they're a good pair. They you know, wan some

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<v Speaker 2>big matches this year already made Semis of a two

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<v Speaker 2>fifty beat hair Bear and Thompson at Aussie Open that

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<v Speaker 2>they're good. But yeah, in that match, there were more

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<v Speaker 2>chances could have played a little better.

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<v Speaker 1>Well, all of this baton ball stuff has prohibited you

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<v Speaker 1>having an actual job and coming up after the break.

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<v Speaker 1>It's a Federer forehand special of office working.

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<v Speaker 2>Let me just get my pen hold on. So I

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<v Speaker 2>need need a laptop, I need a stylus, Yeah, I do.

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<v Speaker 1>Welcome back to the what You're talking about Willis podcast

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<v Speaker 1>and act three. Here we go now Federer forehand. The

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<v Speaker 1>nation is gripped by this because obviously ten years ago

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<v Speaker 1>this year you played Roger Fedderer on Center Court, and

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<v Speaker 1>you know all about how beautiful Roger Fedder's forehand is.

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<v Speaker 1>By the way, on that coming up very soon on

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<v Speaker 1>the word You're talking about Willis podcast, we're actually going

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<v Speaker 1>to be revisiting the run of Wimwood and twenty sixteen,

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<v Speaker 1>ten years on. We're going to delve into Marcus's vast

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<v Speaker 1>NASA like computer of a brain and get everything over

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<v Speaker 1>a three or four parts special, and we're also going

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<v Speaker 1>to talk to some people who were there watching and

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<v Speaker 1>really lift the lid and get in behind the curtain

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<v Speaker 1>of that run. But before that, you know exactly how

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<v Speaker 1>beautiful Roger Fedder's forehand is. And so far, we've had

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<v Speaker 1>federalforehand specials on school. Yeah, we've had a Federal fourhands

399
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<v Speaker 1>special on.

400
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<v Speaker 2>Films.

401
00:24:14.279 --> 00:24:21.440
<v Speaker 1>I feel I feel there's more but an office workers special.

402
00:24:23.640 --> 00:24:25.440
<v Speaker 1>So have you ever worked in an office?

403
00:24:26.880 --> 00:24:30.720
<v Speaker 2>No, I've heard you. I've been friends of people that do,

404
00:24:30.839 --> 00:24:36.279
<v Speaker 2>so I've heard a lot of the Lincoln. I can't

405
00:24:36.319 --> 00:24:38.759
<v Speaker 2>say I'm like gagging to be one one though.

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<v Speaker 1>No, And what I want here really is feel free

407
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<v Speaker 1>to ask a question because you might not know. And

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00:24:47.039 --> 00:24:49.119
<v Speaker 1>I worked in an office for a decade, but you

409
00:24:49.759 --> 00:24:52.079
<v Speaker 1>might not know, so feel free. Nothing's too big and

410
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<v Speaker 1>dumb here, never is. The way this game works is

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<v Speaker 1>I'm going to call out something for an office work,

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<v Speaker 1>a special and you have to say if it is

413
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<v Speaker 1>better or more beautiful than Roger Federer's forehand or not.

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<v Speaker 1>And it's tense, which is why we're playing this question

415
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<v Speaker 1>number one reading an email where somebody has accidentally hit

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<v Speaker 1>the reply all button.

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<v Speaker 2>Oh that's a strong start, Dave. And it's great No,

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00:25:36.519 --> 00:25:43.039
<v Speaker 2>because there's office stuff. Yeah, okay, we're not meant to

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<v Speaker 2>say this. It's quite boring anyway.

420
00:25:47.279 --> 00:25:50.599
<v Speaker 1>Yeah, but sometimes I mean, like there is ones where

421
00:25:50.599 --> 00:25:52.720
<v Speaker 1>they'll say, you know, like Nancy is going to be

422
00:25:52.799 --> 00:25:57.680
<v Speaker 1>let the accounts department, and someone accidentally replies to it

423
00:25:57.720 --> 00:26:01.279
<v Speaker 1>all with thank god and the buzz.

424
00:26:02.400 --> 00:26:04.319
<v Speaker 2>Thank god I didn't like her anyway. Okay, Well, in

425
00:26:04.359 --> 00:26:07.720
<v Speaker 2>that content, then in that context and it's it's probably yes,

426
00:26:07.759 --> 00:26:10.279
<v Speaker 2>but I think on the average of on the average

427
00:26:10.279 --> 00:26:11.400
<v Speaker 2>of emails, it's probably a no.

428
00:26:11.599 --> 00:26:15.119
<v Speaker 1>It's a no, right, okay, So okay, fine, a team

429
00:26:15.240 --> 00:26:17.039
<v Speaker 1>building day out.

430
00:26:17.599 --> 00:26:19.240
<v Speaker 2>I'm just thinking about the office now.

431
00:26:28.200 --> 00:26:35.480
<v Speaker 1>No. Still no passive aggressive signs in the kitchen, please

432
00:26:35.599 --> 00:26:36.480
<v Speaker 1>wash up these plates?

433
00:26:36.480 --> 00:26:38.640
<v Speaker 2>Oh yeah, I love this kitchen.

434
00:26:38.759 --> 00:26:40.920
<v Speaker 1>Is not your kitchen. Not touch mine.

435
00:26:42.279 --> 00:26:43.160
<v Speaker 4>This is my milk.

436
00:26:44.279 --> 00:26:46.000
<v Speaker 1>I am lactose indolerant.

437
00:26:46.240 --> 00:26:51.759
<v Speaker 2>Yeah, exactly. No. If I have to think about it's

438
00:26:51.759 --> 00:26:54.359
<v Speaker 2>a no, isn't it. I've never had a yes. I

439
00:26:54.400 --> 00:26:55.720
<v Speaker 2>don't think I'm fed's one.

440
00:26:57.519 --> 00:27:05.279
<v Speaker 1>Okay. Finding a way to write best of luck in

441
00:27:05.359 --> 00:27:08.279
<v Speaker 1>a leaving card when you're the sixteenth person to receive it,

442
00:27:11.279 --> 00:27:12.640
<v Speaker 1>you any questions on that one?

443
00:27:14.039 --> 00:27:17.640
<v Speaker 2>Yeah, so who's leaving?

444
00:27:19.599 --> 00:27:24.160
<v Speaker 1>Well, so what happens is endlessly it's someone's birthday, wedding,

445
00:27:24.799 --> 00:27:28.319
<v Speaker 1>leaving do endless and there's some do gooder who walks

446
00:27:28.319 --> 00:27:31.480
<v Speaker 1>around the office with a giant envelope doing the collection.

447
00:27:32.319 --> 00:27:36.319
<v Speaker 1>And you get the card, so you put whatever in.

448
00:27:37.519 --> 00:27:39.880
<v Speaker 1>I think it's a minimum of paper money now because

449
00:27:39.880 --> 00:27:43.559
<v Speaker 1>of inflation, and then you get the card and you

450
00:27:43.599 --> 00:27:47.440
<v Speaker 1>don't really know Darren that well, and everyone before you

451
00:27:47.559 --> 00:27:49.839
<v Speaker 1>is just written best of luck, Darren.

452
00:27:49.599 --> 00:27:52.240
<v Speaker 2>And good luck with this some what's next?

453
00:27:52.759 --> 00:27:55.880
<v Speaker 1>Right, And you've got to find you can't just write, oh,

454
00:27:55.920 --> 00:28:00.319
<v Speaker 1>good the best of luck because it's been done. You've

455
00:28:00.319 --> 00:28:01.880
<v Speaker 1>got to find another way to do it.

456
00:28:02.440 --> 00:28:04.680
<v Speaker 2>And yeah, it's really uncomfortable though.

457
00:28:04.759 --> 00:28:09.759
<v Speaker 1>Yeah. I used to go for it's been fantastic wherever

458
00:28:09.839 --> 00:28:12.400
<v Speaker 1>it is. But it's one of those things that in

459
00:28:12.480 --> 00:28:17.440
<v Speaker 1>offices you overuse those superlatives like fantastic because when someone goes, oh,

460
00:28:17.440 --> 00:28:19.880
<v Speaker 1>I just send you that email, you get yeah, great, brilliant.

461
00:28:20.200 --> 00:28:23.160
<v Speaker 1>All right, that's awesome, and it's not it. Let's be honest.

462
00:28:23.440 --> 00:28:27.680
<v Speaker 1>So finding a way to write best of luck in a.

463
00:28:27.759 --> 00:28:31.720
<v Speaker 2>Card, No, that's great. That sounds horrible.

464
00:28:31.799 --> 00:28:33.519
<v Speaker 1>As I was reading it out, I thought, of course

465
00:28:33.559 --> 00:28:39.279
<v Speaker 1>that's a no. No telling someone there's zoo their mic

466
00:28:39.440 --> 00:28:44.519
<v Speaker 1>is off on zoom. Oh that has to be said

467
00:28:45.240 --> 00:28:54.079
<v Speaker 1>forty times a day, your mic. I'll put it in

468
00:28:54.079 --> 00:28:56.000
<v Speaker 1>the chat. I'll put it in the chat. We can't hear.

469
00:28:57.240 --> 00:29:00.200
<v Speaker 1>I can't hear Alan, Alan, I think you might so,

470
00:29:00.519 --> 00:29:04.039
<v Speaker 1>and then and then halfway through you get on, now

471
00:29:04.240 --> 00:29:07.319
<v Speaker 1>is it on? Hello? Is it on? Yeah? That's right,

472
00:29:07.359 --> 00:29:08.279
<v Speaker 1>we can hear you now Alan.

473
00:29:09.759 --> 00:29:12.720
<v Speaker 2>Yeah that's great. Now Alan's got nothing good to say anyway,

474
00:29:12.799 --> 00:29:12.920
<v Speaker 2>is he?

475
00:29:13.880 --> 00:29:17.920
<v Speaker 1>No, of course not, no, no, no, no, no, okay, I've

476
00:29:17.960 --> 00:29:24.599
<v Speaker 1>got the flip. Someone accidentally leaving their mic on Oh yes, yes, yes, yes, yes, yes,

477
00:29:24.839 --> 00:29:25.759
<v Speaker 1>it is better.

478
00:29:25.799 --> 00:29:30.000
<v Speaker 2>Because I was thinking this the other day, like if

479
00:29:30.039 --> 00:29:32.240
<v Speaker 2>someone leaves you, if you get a voicemail from someone,

480
00:29:32.319 --> 00:29:36.160
<v Speaker 2>it's like five minutes long, and within five seconds, you know,

481
00:29:36.720 --> 00:29:37.400
<v Speaker 2>there was a bum d.

482
00:29:37.799 --> 00:29:39.240
<v Speaker 1>Yeah yeah, how long?

483
00:29:39.319 --> 00:29:40.680
<v Speaker 2>How long? How long are you listening?

484
00:29:40.960 --> 00:29:43.119
<v Speaker 1>Oh you did that to me the other day. You

485
00:29:43.200 --> 00:29:47.480
<v Speaker 1>did that? Yeah, yeah, oh brilliant. Yeah, I got off

486
00:29:47.799 --> 00:29:49.640
<v Speaker 1>I was I was coaching, I've got off court, and

487
00:29:50.240 --> 00:29:54.680
<v Speaker 1>you left me about well I listened for like thirty

488
00:29:54.720 --> 00:29:58.400
<v Speaker 1>seconds and it was all just rustling, so oh nice.

489
00:29:58.599 --> 00:30:00.000
<v Speaker 2>Yeah that's about Yeah.

490
00:30:00.319 --> 00:30:04.440
<v Speaker 1>I think you're just around like confectionery wrapping or something.

491
00:30:04.720 --> 00:30:10.960
<v Speaker 2>Oh yeah yeah yeah, Chris, Chris, I yeah, so I

492
00:30:11.000 --> 00:30:12.880
<v Speaker 2>find that really fun. I find it really hard not

493
00:30:13.039 --> 00:30:16.119
<v Speaker 2>to listen to the whole thing stuff not me, yeah,

494
00:30:16.160 --> 00:30:19.000
<v Speaker 2>because if they really fun?

495
00:30:19.000 --> 00:30:24.079
<v Speaker 1>And of course, okay, so someone leaving their mic on accidentally, Yeah, yes, better,

496
00:30:24.160 --> 00:30:28.119
<v Speaker 1>isn't It's better than Roger Freedder's forehand that's so weird. Yeah,

497
00:30:28.799 --> 00:30:33.039
<v Speaker 1>getting to turn on the out of office reply just

498
00:30:33.200 --> 00:30:36.759
<v Speaker 1>before you leave. So you're going to go on holiday

499
00:30:36.920 --> 00:30:39.319
<v Speaker 1>and you get to do the I'm sorry I might't

500
00:30:39.359 --> 00:30:44.240
<v Speaker 1>be here, Please speak to Tony or Shirley in my absence.

501
00:30:44.240 --> 00:30:46.720
<v Speaker 2>But then they do reply anyway.

502
00:30:46.440 --> 00:30:49.480
<v Speaker 1>Don't they They could, but you don't care.

503
00:30:49.559 --> 00:30:52.440
<v Speaker 2>They get out of office reply and then a minute

504
00:30:52.519 --> 00:30:53.000
<v Speaker 2>later they.

505
00:30:52.880 --> 00:30:55.640
<v Speaker 1>Go, Yeah, so getting to turn the out of office

506
00:30:55.640 --> 00:30:56.920
<v Speaker 1>reply on better or worse?

507
00:30:57.079 --> 00:31:00.559
<v Speaker 2>Must be I think that must be better. Yeah, because

508
00:31:00.559 --> 00:31:04.640
<v Speaker 2>I can't speak from my perspective here, but I'm guessing

509
00:31:04.720 --> 00:31:07.359
<v Speaker 2>someone that would feel that joy would think it's better

510
00:31:07.359 --> 00:31:08.519
<v Speaker 2>than Roger peedis for you.

511
00:31:08.680 --> 00:31:12.440
<v Speaker 1>Yeah. I would liken it to in the Flintstones when

512
00:31:12.720 --> 00:31:16.680
<v Speaker 1>Fred stops work and they pull the giant thing and

513
00:31:16.720 --> 00:31:20.039
<v Speaker 1>he slides down a dinosaur's back, screaming Yabba dabadoo. When

514
00:31:20.039 --> 00:31:23.119
<v Speaker 1>I was an office work, I used to love the

515
00:31:23.240 --> 00:31:26.480
<v Speaker 1>day before holiday, bang on five o'clock. Okay, I've got

516
00:31:26.519 --> 00:31:31.359
<v Speaker 1>one on similar vein having a meeting canceled which was

517
00:31:31.440 --> 00:31:34.799
<v Speaker 1>scheduled for quarter past four on a Friday afternoon.

518
00:31:35.480 --> 00:31:37.519
<v Speaker 2>Oh so, if you asked me ten years ago, I've

519
00:31:37.519 --> 00:31:41.039
<v Speaker 2>said yes. But nowadays it's up, don't go to the

520
00:31:41.079 --> 00:31:49.119
<v Speaker 2>pub anymore. Uh, let's say yes, because that's just the

521
00:31:49.200 --> 00:32:02.559
<v Speaker 2>best time something to get canceled. It. Am I getting

522
00:32:02.559 --> 00:32:04.640
<v Speaker 2>a bit leading with my yesters now though, because I

523
00:32:04.640 --> 00:32:08.599
<v Speaker 2>remember at the start. Now I've said yes once, I'm

524
00:32:08.640 --> 00:32:10.079
<v Speaker 2>just I'm just handing them out.

525
00:32:09.920 --> 00:32:14.680
<v Speaker 1>An't you You are the officionado, You're the one who

526
00:32:14.720 --> 00:32:15.799
<v Speaker 1>knows right, we can't go.

527
00:32:16.119 --> 00:32:19.720
<v Speaker 2>I feel like I've got a bit lax in. I

528
00:32:19.759 --> 00:32:23.200
<v Speaker 2>feel like it was I was like water tight, and

529
00:32:23.240 --> 00:32:27.440
<v Speaker 2>now I'm just letting stuff get away with sub parenting.

530
00:32:27.519 --> 00:32:30.200
<v Speaker 2>You can't. You got to keep the line the same.

531
00:32:30.240 --> 00:32:33.759
<v Speaker 2>You can't one day, one day change it, because now

532
00:32:33.799 --> 00:32:35.200
<v Speaker 2>it's gonna be now you're going to say, oh that

533
00:32:35.279 --> 00:32:37.960
<v Speaker 2>bottle of water. I go, yeah, yeah, great, better than Feeder.

534
00:32:41.000 --> 00:32:42.759
<v Speaker 2>I don't know, man, I feel like I need to

535
00:32:44.119 --> 00:32:50.079
<v Speaker 2>get back to the drawing board, have a meeting and yeah,

536
00:32:50.200 --> 00:32:54.799
<v Speaker 2>and actually work out Remember what we're dealing with here.

537
00:32:54.839 --> 00:32:57.920
<v Speaker 2>It's Feeder's forehand. It's not just something you can willy

538
00:32:58.039 --> 00:33:03.000
<v Speaker 2>nearly allow things to be better than certainly not emails.

539
00:33:03.839 --> 00:33:07.079
<v Speaker 1>No, no, well, I feel like there's been a lot

540
00:33:07.119 --> 00:33:11.559
<v Speaker 1>of soul search in there. And yeah, game, yeah, we're

541
00:33:11.599 --> 00:33:13.960
<v Speaker 1>gonna call it a day, and I think, you know,

542
00:33:14.000 --> 00:33:15.880
<v Speaker 1>we both both have to think about the journey we're

543
00:33:15.920 --> 00:33:16.200
<v Speaker 1>on now.

544
00:33:16.240 --> 00:33:19.400
<v Speaker 2>Really yeah, yeah, I'm just going to come back and

545
00:33:19.440 --> 00:33:20.720
<v Speaker 2>I promise I'll be better.

546
00:33:21.440 --> 00:33:24.079
<v Speaker 1>By At p. Seventy two, Marcus Willis.

547
00:33:24.279 --> 00:33:46.440
<v Speaker 5>Thank you, Victor of Baranco on troumble, Sergeant Meajor of

548
00:33:46.480 --> 00:33:51.079
<v Speaker 5>Craig Frederick and the trumpets and the composition the Army Blues.

549
00:34:05.799 --> 00:34:06.880
<v Speaker 4>What at that
