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<v Speaker 1>Ah, don't touch that dial. Listen to.

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<v Speaker 2>May Yes Fork, It's another half hour fun with Blondie

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<v Speaker 2>and Dagwood, with Arthur Lake as Dagwood and Rutherford as

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<v Speaker 2>Blondie and Hanley Stafford as mister Dethers Blondie and Dagwood

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<v Speaker 2>in just a minute. But first, a word from the

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<v Speaker 2>Ford Dealers of America again. For nineteen fifty Ford has

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<v Speaker 2>won the Fashion Academy Gold Medal award as Fashion Car

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<v Speaker 2>of the Year. Listen to what mister George I. Hutchings,

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<v Speaker 2>a fireman from Des Moines, Iowa, one of the more

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<v Speaker 2>than two hundred thirty thousand Happy owners, said about his

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<v Speaker 2>fifty Ford. I was surprised the low priced cars could

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<v Speaker 2>have the room and beauty inside that my fifty Ford has.

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<v Speaker 2>I was expecting that only the most expensive cars would

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<v Speaker 2>have that much space and would look as rich. With

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<v Speaker 2>the style on the inside equal to that on the outside.

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<v Speaker 2>I can see now why my friends told me to

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<v Speaker 2>get a new Ford. Smooth power and pep. That V

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<v Speaker 2>eight engine and the comfort of driving my fifty Ford

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<v Speaker 2>makes me the proudest car owner in town. Comments like

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<v Speaker 2>that are heard every day by Ford dealers, But we

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<v Speaker 2>want you to prove for yourself that the new nineteen

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<v Speaker 2>fifty Ford is the one truly fine car in its field.

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<v Speaker 2>The classified phone directory will give you the name of

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<v Speaker 2>your nearest Ford dealer, or perhaps you know him personally.

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<v Speaker 2>Call him tomorrow and ask for a test drive in

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<v Speaker 2>the new nineteen fifty Ford.

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<v Speaker 1>Feel its comfort, Hear the purr of its.

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<v Speaker 2>Mighty V eight or ninety five horse power six see

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<v Speaker 2>its many big car features. Yes, see, hear and feel

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<v Speaker 2>the difference yourself. Test drive the new nineteen fifty Ford tomorrow.

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<v Speaker 2>And now for our weekly visit with your neighbors, the

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<v Speaker 2>Bumpsteads of Shaney Lane Avenue. Well, it's about six o'clock

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<v Speaker 2>in the evening in the Bumpstead household.

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<v Speaker 1>Dagwood has just come home from the office, taking as usual,

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<v Speaker 1>Die for the couch. Panda's lying.

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<v Speaker 2>They're all unraveled as Blondie tells him what happened during

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<v Speaker 2>the day.

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<v Speaker 3>And then at four o'clock, Alexander's school teacher, Miskeller be called, yeah,

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<v Speaker 3>and she said she was keeping Alexander after school and

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<v Speaker 3>said that she was keeping how did you know?

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<v Speaker 4>Well, last night Alexander got me there teaching.

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<v Speaker 5>My good old one two punch.

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<v Speaker 3>You're encouraging him to fight, dag, would all shame on you?

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<v Speaker 4>Oh no, I not, But I bet he's passing out

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<v Speaker 4>of few black eyes that he.

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<v Speaker 5>Owes to a few of his friends on his way home.

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<v Speaker 5>M hmm, I wish I was young again. Boy, would

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<v Speaker 5>I get in the trouble?

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<v Speaker 3>Neil, I don't think he's been fighting.

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<v Speaker 5>He's a bumpstead and I'll bet he's been fighting.

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<v Speaker 6>What do you bet?

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<v Speaker 5>I bet?

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<v Speaker 4>Okay, if he hasn't been fighting, I'll do the dishes tonight.

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<v Speaker 6>Now, if he husband fighting, you've.

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<v Speaker 4>Got to take care of the funny how he's a

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<v Speaker 4>bet mm and not in foods going down to look

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<v Speaker 4>at it at five in the morning.

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<v Speaker 6>Well that's a hard bargain. But okay, am.

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<v Speaker 4>I going to enjoy kicking you out of bed at

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<v Speaker 4>five o'clock in the morning.

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<v Speaker 6>Oh boy, I'll see who it is, dear.

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<v Speaker 5>I'll just curl up here on the couch and rest

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<v Speaker 5>my eyes.

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<v Speaker 6>Why hello, miss Llerby, Well come right.

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<v Speaker 5>In, missus bumbs did thank you?

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<v Speaker 4>My?

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<v Speaker 5>This room is so homey.

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<v Speaker 7>There this beautiful curtains, the lovely furniture, the rugs, then.

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<v Speaker 6>This cute dog.

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<v Speaker 5>Sleeping on the couch.

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<v Speaker 6>I get your hands off.

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<v Speaker 8>Man, it's not a dog, it's a man.

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<v Speaker 6>Yes, miss Ellerby, as this is my husband.

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<v Speaker 5>Hell do you do? Mister Bumstead? Hello, you know, lying

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<v Speaker 5>there with your.

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<v Speaker 7>Tense suit on, looking at me with those big brown eyes.

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<v Speaker 5>I was sure you were a great day.

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<v Speaker 6>I just couldn't help scratching.

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<v Speaker 7>Your stop that I beg your pardon, mister Bumstead.

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<v Speaker 6>There's just such a resemblance, Miss Ellerby.

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<v Speaker 3>You usually come to see us when something's wrong with

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<v Speaker 3>Alexander's schoolwork.

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<v Speaker 6>I hope it's not that tonight.

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<v Speaker 5>Missus Bumstead.

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<v Speaker 6>Ooh comes through, I said, ooh, come through.

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<v Speaker 5>That's French for heck No.

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<v Speaker 7>I wondered if Alexander's tools about his desire to be

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<v Speaker 7>an actor.

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<v Speaker 5>Oh yes, you see at school we're having.

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<v Speaker 7>A little genetic offering.

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<v Speaker 6>Oh how wonderful.

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<v Speaker 4>Yeah. If this offering is like the last dramatic offering

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<v Speaker 4>had would be smart to refuse.

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<v Speaker 1>It, Missus Bumstead.

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<v Speaker 7>Alexander has a brilliant talent. I don't think i'm overestimating

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<v Speaker 7>his acting ability when I say he'll captivate his audience and.

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<v Speaker 5>Lay him in the aisles.

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<v Speaker 3>That's nice, Alexander an actor.

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<v Speaker 6>You really? I think he has talent. I definitely feel

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<v Speaker 6>the kid has a lot on the ball.

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<v Speaker 5>Hey, but what do you teach miss Alerby? English?

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<v Speaker 7>Of course and the drama? Yes, you can't tell, you know,

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<v Speaker 7>Alexander might grow up to be another Clark Gable? Who

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<v Speaker 7>are Van Johnson A Montgomery Clift?

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<v Speaker 1>Oh? I mustn't do this to myself.

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<v Speaker 4>And I don't know about this miss Alby.

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<v Speaker 7>Oh, mister Bumstead, it's a very interesting posession.

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<v Speaker 6>The good actress make as much as two or three.

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<v Speaker 7>Thousand a week and that ain't Hey.

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<v Speaker 5>Did you say ankle? Oh?

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<v Speaker 7>I'm sorry, I just slipped out.

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<v Speaker 6>What would the school board say if they knew you?

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<v Speaker 5>Mister Bumstead?

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<v Speaker 7>I hope, I hope you'll keep my little grammatical slip

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<v Speaker 7>strictly entre now Athrey new that's.

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<v Speaker 5>French for under your hat.

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<v Speaker 7>Sure, now you will discourage Alexander in his acting aspirations.

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<v Speaker 6>Will you?

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<v Speaker 9>Oh?

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<v Speaker 3>No, we won't say anything for a while, at.

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<v Speaker 8>Least will thank you?

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<v Speaker 6>No?

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<v Speaker 7>I really must be running along and thank you again

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<v Speaker 7>so much.

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<v Speaker 3>Well, I'm glad you dropped in, Miss lerb.

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<v Speaker 4>Yeah, Ford coupead.

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<v Speaker 7>I still say you'd make a wonderful, great day.

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<v Speaker 4>Had a fine English teacher.

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<v Speaker 3>Now there there, dear, I don't think you look like

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<v Speaker 3>a great day, only a little bit around your muddle.

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<v Speaker 6>I mean you're a grandie.

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<v Speaker 3>I'm just joking, dear. I think I just heard the

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<v Speaker 3>back door. That must be Alexander.

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<v Speaker 5>Is that you Alexander?

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<v Speaker 6>Yes, Alexander, what.

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<v Speaker 5>Have you been down?

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<v Speaker 9>Oh?

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<v Speaker 10>Good evening, Peter, Ah, good evening, Peter. I'm so sorry

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<v Speaker 10>I was delayed. Has a splendid evening this evening. And

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<v Speaker 10>that's pap What kind of talk is that, Alexander?

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<v Speaker 6>Is that you always has been?

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<v Speaker 11>Look?

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<v Speaker 4>Look Alexander, look, let let's forget all that stuff.

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<v Speaker 5>But look have you been fighting today?

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<v Speaker 6>I perish the thought ridiculous.

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<v Speaker 5>To answer yes or no? That's all?

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<v Speaker 9>Yes, no, Peter? And what is it?

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<v Speaker 6>Peter business? What is now? Don't you know?

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<v Speaker 1>Oh?

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<v Speaker 6>Chap, that's British for Latin for my old man?

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<v Speaker 5>What goes on here?

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<v Speaker 3>Wait a minute, dag Woods, I know it's what miss

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<v Speaker 3>Ellerby said.

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<v Speaker 6>You mean that I look like a great Dane. Alexander

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<v Speaker 6>might be a great actor. He's being an actor. Yeah,

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<v Speaker 6>that's what it is. Only I get it now. Well, Alexander.

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<v Speaker 6>You just don't talk like yourself, and you don't.

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<v Speaker 5>Act like a real Bumstead either.

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<v Speaker 10>I dared if I have a shell again, I'm thinking

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<v Speaker 10>of changing my name, Yes, Peter, and.

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<v Speaker 5>Don't call me Peter. I'll call you a potato.

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<v Speaker 10>Eh, very well, sir, What do you mean you're thinking

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<v Speaker 10>of changing your name?

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<v Speaker 2>Well?

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<v Speaker 10>Major, I think what's your father said about?

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<v Speaker 6>Peter goes double for mater?

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<v Speaker 9>Now?

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<v Speaker 6>What's wrong with your name?

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<v Speaker 5>Please?

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<v Speaker 6>Well it doesn't have any dignity.

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<v Speaker 10>What's the matter with Bumstead, Bomstead, Bomstead, Boomstead.

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<v Speaker 6>It sounds like a man falling down the stairs. And

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<v Speaker 6>what name were you thinking of?

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<v Speaker 9>Well?

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<v Speaker 10>How about Alexander Barrymore. Of course it would only be

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<v Speaker 10>my stage name, our stage. My name would be Alexander Gable.

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<v Speaker 6>Slucky.

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<v Speaker 10>My girl's name is Sylvia.

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<v Speaker 6>He dad would he does want to be an actor?

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<v Speaker 4>No, no, no, no, not that.

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<v Speaker 10>Yes, I can't decide whether to be an actor and

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<v Speaker 10>be famous or be a ham and make money. What

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<v Speaker 10>a decision to be or not to be? That is

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<v Speaker 10>the question. A Hamlet, you know? Yeah, I know, I know.

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<v Speaker 5>I played Hamlet once myself.

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<v Speaker 4>I walked on this stage and tights and the audience laughed.

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<v Speaker 5>And then I've bent over in a slip.

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<v Speaker 4>Then I read my line party in such sweet sorrow,

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<v Speaker 4>and my pants came down with the curtains.

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<v Speaker 3>Dad would now tell us all about this, Alexander.

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<v Speaker 10>Now, it's really nothing except that you're looking at the

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<v Speaker 10>star of the school play. Miss I would be an

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<v Speaker 10>either side that I was the most talented actor in

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<v Speaker 10>our school. And about my fighting part. Oh yes, yes,

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<v Speaker 10>I won't be in any more fights. I wouldn't dare

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<v Speaker 10>take a chance of maring my classic features.

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<v Speaker 4>You may not be an actor, but you're already a ham.

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<v Speaker 6>More like his father. Every day. Well, I've got to

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<v Speaker 6>get upstairs for a moment.

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<v Speaker 11>Now.

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<v Speaker 10>I wish to see if I can put a little

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<v Speaker 10>romantic wave into my hair and tell me when dinners

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<v Speaker 10>our son and actor.

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<v Speaker 6>My you'd think he was a star already. I've never

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<v Speaker 6>seen him put on such airs.

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<v Speaker 3>And if it turns out to be good in the play,

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<v Speaker 3>he probably won't even speak to you.

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<v Speaker 5>I imagine, Alexander Barrymore will.

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<v Speaker 6>We'll just have to see what happens.

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<v Speaker 3>But don't you forget now Tonight you wash the dinner

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<v Speaker 3>dishes and be sure you don't break any What are

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<v Speaker 3>you going to do, blondie?

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<v Speaker 6>I want to do what you usually do?

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<v Speaker 1>Oh you do?

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<v Speaker 5>Huh? Well let's see. Well, I sit in a big

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<v Speaker 5>chair with my paper and get real comfortable and.

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<v Speaker 4>Loosen my suspenders and there you can do the best

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<v Speaker 4>you can.

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<v Speaker 9>Oh, this is wonderful.

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<v Speaker 6>With Dag we're doing the dishes.

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<v Speaker 3>If I can make some more beds like that, life

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<v Speaker 3>is going to be very simple. Life will be simple,

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<v Speaker 3>but we'll be eating off paper plates.

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<v Speaker 6>Dag would see what you made me do, now, Dagwood,

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<v Speaker 6>that was your fault.

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<v Speaker 5>No, it wasn't.

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<v Speaker 4>You shouldn't buy such slippery sofa thinks they're leaning out

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<v Speaker 4>of my hands all by themselves.

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<v Speaker 6>Well what did you break?

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<v Speaker 5>Brother?

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<v Speaker 6>You know that gravy boat? Yeah?

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<v Speaker 5>Well, no whom wholl.

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<v Speaker 4>Ever sail in it again? He has a complete shipwreck

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<v Speaker 4>and nail.

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<v Speaker 6>That's too bad.

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<v Speaker 3>Yeah, you know, dear, you look very cute in that

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<v Speaker 3>little apron of mine with the pink ruffle.

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<v Speaker 5>I not stopping.

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<v Speaker 6>Ooh me, I powder your little nose. You cut that out,

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00:12:19.519 --> 00:12:20.519
<v Speaker 6>and my rose.

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00:12:20.360 --> 00:12:21.320
<v Speaker 5>Needs powdering out.

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<v Speaker 6>Powdering myself in the powder room.

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<v Speaker 3>Oh no, no, I'd like to see you wear that

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<v Speaker 3>apron every night when you wash the dishes. Oh, hey, Pa, Hey, Mom,

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00:12:32.039 --> 00:12:33.519
<v Speaker 3>I mean oh father.

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<v Speaker 6>Oh, mother, dear?

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00:12:34.320 --> 00:12:35.320
<v Speaker 5>Yeah, yeah, why is.

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00:12:35.279 --> 00:12:40.639
<v Speaker 3>It I've been thinking about Holy smoke Pops wearing an apron. Yeah,

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00:12:41.120 --> 00:12:43.799
<v Speaker 3>he's doing the dishes. Ge, pap you look just like

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00:12:43.840 --> 00:12:44.360
<v Speaker 3>a girl.

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<v Speaker 4>Yeah, I thought it was a great Dane.

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<v Speaker 10>Well, I just wanted to tell you that I decided

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<v Speaker 10>not to change my name to Barrymore.

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<v Speaker 6>Well, that's good.

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<v Speaker 10>How does this sound, Alexander? Boy?

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<v Speaker 6>Huh, but Jane, you must come with me, do see

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00:13:03.440 --> 00:13:13.159
<v Speaker 6>guzba why? Indeed, we will begetsy wood and zeecauzbomb.

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<v Speaker 9>By.

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<v Speaker 4>I'm going upstairs and get after your studies, Alexander. And

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00:13:22.759 --> 00:13:25.480
<v Speaker 4>that doesn't include making faces at yourself in the mirror either.

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<v Speaker 4>Very well, father dear, and don't call me father dear,

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<v Speaker 4>call me pop dear.

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<v Speaker 6>Whatever you say, sir. Oh by the way, Mom, Yes, Alexander.

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<v Speaker 10>Tomorrow morning, I think i'll have breakfast in bed, tea

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00:13:38.279 --> 00:13:39.519
<v Speaker 10>bags and primpets please.

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<v Speaker 6>Yeah.

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00:13:42.639 --> 00:14:05.399
<v Speaker 4>Well, good night, handbone, Oh boys, midnight, I'll try my

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00:14:05.480 --> 00:14:06.960
<v Speaker 4>new character out of Mom and Pop.

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00:14:07.399 --> 00:14:09.480
<v Speaker 6>I'll talk in this waste basket so it'll make my

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00:14:09.559 --> 00:14:11.240
<v Speaker 6>voice on hollow and Bruse.

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<v Speaker 5>Boy.

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00:14:14.720 --> 00:14:17.720
<v Speaker 6>They both sound asleep down the foot of the bedroom.

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<v Speaker 6>They can't see me the ghost. What did you say, Blondie?

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00:14:36.919 --> 00:14:37.480
<v Speaker 5>What what that?

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<v Speaker 1>Okay?

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<v Speaker 6>What was what?

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00:14:40.240 --> 00:14:41.240
<v Speaker 5>I heard? Something awful?

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00:14:41.720 --> 00:14:47.600
<v Speaker 3>It was probably a mouse, It sounded more like a moose.

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00:14:48.399 --> 00:14:51.720
<v Speaker 6>You probably woke yourself up with your own story. And

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00:14:51.799 --> 00:14:54.600
<v Speaker 6>when I don't snore that loud, yes you do.

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00:14:54.840 --> 00:14:56.799
<v Speaker 3>I've had to tell our neighbors that you're testing a

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<v Speaker 3>foghorn for pointing a goose.

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<v Speaker 6>You're dreaming, dear, If I'm dreaming, and.

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<v Speaker 5>As sure as they're gruesome.

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00:15:06.679 --> 00:15:09.039
<v Speaker 6>Dreaming, I would what was that?

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00:15:09.279 --> 00:15:11.120
<v Speaker 5>When I happen to ask you first? I did?

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00:15:11.200 --> 00:15:11.360
<v Speaker 9>All.

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<v Speaker 5>All I know is that I'm scared, silly.

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00:15:14.360 --> 00:15:17.840
<v Speaker 6>Turn on the light. I'd rather not, but somebody, but

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00:15:18.039 --> 00:15:19.000
<v Speaker 6>something is in the room.

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00:15:19.039 --> 00:15:21.360
<v Speaker 4>That's why I don't want to turn on the light.

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<v Speaker 5>I'd rather not see it.

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00:15:23.679 --> 00:15:27.519
<v Speaker 6>I'm going to turn on the light, Dago, Do you

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<v Speaker 6>see anything? What do you see anything?

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00:15:33.279 --> 00:15:35.360
<v Speaker 5>Oh, Kenna? I back my head under the covers.

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00:15:36.399 --> 00:15:39.799
<v Speaker 6>Well I don't see anybody. I guess it must be

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00:15:39.919 --> 00:15:43.200
<v Speaker 6>just our imagination. Well, I'll turn the light off and

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00:15:43.480 --> 00:15:47.440
<v Speaker 6>let's get back to sleep. You can on escape your

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<v Speaker 6>doom column.

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00:16:01.039 --> 00:16:04.120
<v Speaker 10>Get down on your knees and say your pajamas.

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00:16:04.679 --> 00:16:06.039
<v Speaker 6>I mean, say your prayers.

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00:16:06.240 --> 00:16:14.679
<v Speaker 3>Alexander Panta, No, I'm Alexander Kila.

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00:16:15.279 --> 00:16:20.360
<v Speaker 6>Wear that light switch. Well, how'd you likedact to the acting? Oh, Dagwood.

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00:16:20.480 --> 00:16:22.759
<v Speaker 3>I want you to take Alexander into his room and

305
00:16:22.759 --> 00:16:24.600
<v Speaker 3>give him dagwood.

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00:16:25.440 --> 00:16:29.320
<v Speaker 6>Dagwood, Alexander, Look what you've done to your father.

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00:16:29.480 --> 00:16:30.440
<v Speaker 9>He's fainted.

308
00:16:31.000 --> 00:16:32.080
<v Speaker 6>Get some waters.

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00:16:32.399 --> 00:16:36.240
<v Speaker 3>Gosh when a tribute to my acting ability, I laid

310
00:16:36.279 --> 00:16:37.120
<v Speaker 3>them in the aisle.

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<v Speaker 2>We continue our siyan.

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<v Speaker 1>That's the moment.

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<v Speaker 2>The first Care's an message from the four Dealers of America.

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<v Speaker 2>More than two hundred and thirty thousand happy owners agree

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00:16:53.279 --> 00:16:56.720
<v Speaker 2>it makes sense to drive the nineteen fifty Ford before

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00:16:56.759 --> 00:17:00.240
<v Speaker 2>you buy any car at any price. And your little

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00:17:00.240 --> 00:17:02.879
<v Speaker 2>Ford dealer invites you to test drive this great new

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00:17:02.919 --> 00:17:05.880
<v Speaker 2>car in your own way. Yes, get behind the wheel

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<v Speaker 2>of the new Ford, which, again for fifty has won

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00:17:08.640 --> 00:17:12.400
<v Speaker 2>the Fashion Academy Award as America's Fashion Car of the Year.

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00:17:13.000 --> 00:17:14.599
<v Speaker 1>Touch the starter and thrill.

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00:17:14.400 --> 00:17:17.119
<v Speaker 2>To the instant response of the mighty Ford engine that

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00:17:17.279 --> 00:17:20.960
<v Speaker 2>whispers power. Now take this fifty Ford out into traffic

324
00:17:21.240 --> 00:17:24.559
<v Speaker 2>and notice how completely easy it is to handle. Then

325
00:17:24.640 --> 00:17:27.279
<v Speaker 2>to the open road and feel a big car stability,

326
00:17:27.599 --> 00:17:31.920
<v Speaker 2>the solid comfort of Ford's famous midship ride, then glide

327
00:17:31.960 --> 00:17:35.480
<v Speaker 2>to a smooth even stop with Ford's king sized brakes.

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00:17:36.119 --> 00:17:39.160
<v Speaker 2>You'll agree that in every way here is the one

329
00:17:39.240 --> 00:17:42.640
<v Speaker 2>truly fine car in its field. So call your nearest

330
00:17:42.640 --> 00:17:45.759
<v Speaker 2>Ford dealer tomorrow. He'll be delighted to arrange a test

331
00:17:45.839 --> 00:17:48.440
<v Speaker 2>drive in the new one hundred horse power V eight

332
00:17:48.880 --> 00:17:52.319
<v Speaker 2>or its companion in quality, the ninety five horse power six.

333
00:17:52.960 --> 00:17:56.599
<v Speaker 2>See hear and feel the difference by test driving the

334
00:17:56.680 --> 00:18:03.880
<v Speaker 2>new nineteen fifty Ford. Well, after what happened last night,

335
00:18:03.960 --> 00:18:06.000
<v Speaker 2>Dagwood didn't get back to sleep for a while, and

336
00:18:06.119 --> 00:18:07.599
<v Speaker 2>consequently he overslept.

337
00:18:07.599 --> 00:18:10.519
<v Speaker 1>This morning, he's a little late and he's had to

338
00:18:10.599 --> 00:18:12.359
<v Speaker 1>whizz out the door to top speed.

339
00:18:12.599 --> 00:18:13.400
<v Speaker 6>Goodbye, Gaggin.

340
00:18:13.720 --> 00:18:21.759
<v Speaker 5>Come, well, it's almost nine o'clock and he's not here

341
00:18:21.839 --> 00:18:39.079
<v Speaker 5>yet this morning he's gonna be late for sure. One two, three, four, five, six, seven, eight, nine.

342
00:18:40.400 --> 00:18:43.920
<v Speaker 5>Well there's eight, but where's nine? Come on your truck

343
00:18:43.960 --> 00:18:48.640
<v Speaker 5>a clock start nine, or I'll take your pardon, give

344
00:18:48.640 --> 00:18:59.480
<v Speaker 5>you the works. I made it the bombs, tay. Why

345
00:18:59.559 --> 00:19:01.400
<v Speaker 5>is it that clock always waits for you.

346
00:19:01.680 --> 00:19:03.200
<v Speaker 6>Oh, that's very semplement, you did it.

347
00:19:03.279 --> 00:19:07.799
<v Speaker 4>I run very fast, and according to Einstein, time approaches

348
00:19:07.880 --> 00:19:11.319
<v Speaker 4>zero when the velocity of a mass approaches the speed

349
00:19:11.319 --> 00:19:11.559
<v Speaker 4>of light.

350
00:19:12.079 --> 00:19:13.359
<v Speaker 5>Well, you're a mass.

351
00:19:13.079 --> 00:19:19.119
<v Speaker 4>All right, mister did Oh, Yes, Blondie wanted me to

352
00:19:19.759 --> 00:19:21.680
<v Speaker 4>discuss a little something with you this morning.

353
00:19:21.720 --> 00:19:24.799
<v Speaker 5>My answer is no. If it's about a raise, no, no, no,

354
00:19:24.839 --> 00:19:26.759
<v Speaker 5>it isn't about a raise. Oh well in that case,

355
00:19:26.839 --> 00:19:29.759
<v Speaker 5>it just to sit down and rest your brain? Is

356
00:19:31.079 --> 00:19:35.160
<v Speaker 5>now I have a problem. Well what's unusual about that?

357
00:19:36.000 --> 00:19:38.400
<v Speaker 5>I got a problem too. I've been married to it

358
00:19:38.440 --> 00:19:39.480
<v Speaker 5>for twenty four years.

359
00:19:40.400 --> 00:19:42.400
<v Speaker 4>No, no, this is about Alexander.

360
00:19:43.240 --> 00:19:46.200
<v Speaker 5>You know he wants to be an actor. You know

361
00:19:46.480 --> 00:19:49.119
<v Speaker 5>I was an actor when I was a boy. Yeah,

362
00:19:49.279 --> 00:19:52.559
<v Speaker 5>the romantic time. Of course. Women used to swoon when

363
00:19:52.559 --> 00:19:54.000
<v Speaker 5>I quiver my nostrils.

364
00:19:54.039 --> 00:19:58.799
<v Speaker 4>Yeah, imagine that, mister Didners.

365
00:19:58.839 --> 00:20:00.000
<v Speaker 6>Did you know Shakespeare?

366
00:20:00.079 --> 00:20:00.200
<v Speaker 2>Why?

367
00:20:00.519 --> 00:20:06.640
<v Speaker 5>Certainly? Out out brief candle lives but a walking shadow,

368
00:20:07.079 --> 00:20:11.559
<v Speaker 5>a poor player that ruts and frets his hour upon

369
00:20:11.599 --> 00:20:16.880
<v Speaker 5>the stage and then is heard. No more. Ah, do

370
00:20:17.000 --> 00:20:18.000
<v Speaker 5>I know Shakespeare?

371
00:20:19.119 --> 00:20:19.319
<v Speaker 11>Yeah?

372
00:20:19.559 --> 00:20:20.759
<v Speaker 6>But I meant did you.

373
00:20:20.720 --> 00:20:25.279
<v Speaker 5>Know him personally? Bomb said? Shakespeare had died in sixteen sixteen.

374
00:20:25.400 --> 00:20:27.640
<v Speaker 4>Oh, excuse me, that's before your time.

375
00:20:27.680 --> 00:20:35.000
<v Speaker 5>I guess. Yeah, I was very small. Yeah, yeah, yes, sir,

376
00:20:35.079 --> 00:20:37.759
<v Speaker 5>I was a wonderful actor. But it wasn't easy for me.

377
00:20:37.839 --> 00:20:40.240
<v Speaker 4>Yeah, it sounds like it wasn't easy for the audience either,

378
00:20:41.440 --> 00:20:42.000
<v Speaker 4>liter did it.

379
00:20:42.319 --> 00:20:45.599
<v Speaker 5>What was your most difficult role? Trying to make ten

380
00:20:45.720 --> 00:20:53.519
<v Speaker 5>the hard way? You mean acting?

381
00:20:53.880 --> 00:20:54.759
<v Speaker 6>Yeah?

382
00:20:54.799 --> 00:21:00.319
<v Speaker 5>Oh, well get this, ah, darling, come with me to

383
00:21:00.400 --> 00:21:01.039
<v Speaker 5>the Cosmo.

384
00:21:03.599 --> 00:21:07.519
<v Speaker 4>You love me so keys, mister Dinnis, I didn't know

385
00:21:07.559 --> 00:21:10.319
<v Speaker 4>you cared?

386
00:21:10.960 --> 00:21:13.000
<v Speaker 5>Who did that? Sound like it sounded a little bit

387
00:21:13.039 --> 00:21:15.599
<v Speaker 5>like Alexander? Then?

388
00:21:16.119 --> 00:21:18.599
<v Speaker 4>Look, please, couldn't you just come over home with me

389
00:21:18.640 --> 00:21:20.960
<v Speaker 4>tonight and give Alexander a little fatherly advice?

390
00:21:21.279 --> 00:21:22.240
<v Speaker 5>What's wrong with you?

391
00:21:22.400 --> 00:21:24.759
<v Speaker 4>Well, you know how kids are. They don't pay any

392
00:21:24.759 --> 00:21:26.480
<v Speaker 4>attention to what your parents.

393
00:21:26.160 --> 00:21:27.960
<v Speaker 6>Tell them, but they'll listen to.

394
00:21:27.920 --> 00:21:29.720
<v Speaker 5>The first trip that comes along.

395
00:21:29.960 --> 00:21:34.279
<v Speaker 6>I mean, the first go No, no, the.

396
00:21:33.799 --> 00:21:37.119
<v Speaker 5>Well, please never mind the apologies.

397
00:21:37.359 --> 00:21:40.599
<v Speaker 4>Well, anyway, you could tell him about the disadvantages of

398
00:21:40.720 --> 00:21:43.759
<v Speaker 4>being an actor, couldn't you disadvantages?

399
00:21:43.880 --> 00:21:47.200
<v Speaker 5>Yeah, well, actors make a lot of money and have

400
00:21:47.279 --> 00:21:49.720
<v Speaker 5>to make love to beautiful women and have big homes

401
00:21:50.119 --> 00:21:53.759
<v Speaker 5>the swimming pools, have to make love to beautiful women,

402
00:21:53.880 --> 00:21:56.880
<v Speaker 5>and what all the disadvantages.

403
00:21:58.200 --> 00:22:00.680
<v Speaker 4>Please, mister Dinnis, you will talk to Alexi tonight, now,

404
00:22:00.720 --> 00:22:01.079
<v Speaker 4>won't you?

405
00:22:01.720 --> 00:22:02.759
<v Speaker 5>What are you having for dinner?

406
00:22:03.359 --> 00:22:05.599
<v Speaker 4>Roast prime ribs of beef with mashed potatoes and gravy.

407
00:22:05.680 --> 00:22:06.400
<v Speaker 5>I'd be delighted.

408
00:22:19.279 --> 00:22:23.480
<v Speaker 6>Hello, dear Helen.

409
00:22:26.200 --> 00:22:30.279
<v Speaker 5>Well, so this is the best pocket James Mason.

410
00:22:31.000 --> 00:22:33.920
<v Speaker 6>Mister Diders, I'd like to have a little talk with you.

411
00:22:33.920 --> 00:22:35.839
<v Speaker 5>You might at least wait until I asked you first.

412
00:22:36.160 --> 00:22:42.200
<v Speaker 3>Well, we'll be out in the kitchen and come on day, Alexander.

413
00:22:42.279 --> 00:22:43.640
<v Speaker 5>I understand that that's what.

414
00:22:43.559 --> 00:22:46.400
<v Speaker 6>I wanted to talk to you about. Mister DIDs. You're

415
00:22:46.440 --> 00:22:47.680
<v Speaker 6>a man of the world, aren't you.

416
00:22:48.519 --> 00:22:51.279
<v Speaker 5>Well, I've been around if that's what you mean.

417
00:22:51.559 --> 00:22:53.960
<v Speaker 6>Can you catch you on? You see?

418
00:22:54.200 --> 00:22:56.559
<v Speaker 10>As an actor, I may have to play that. I'm

419
00:22:56.599 --> 00:22:59.519
<v Speaker 10>sort of Devil may Care type, you know, a world

420
00:22:59.559 --> 00:23:00.200
<v Speaker 10>with the girl.

421
00:23:00.640 --> 00:23:02.079
<v Speaker 6>I thought you might be able to give me a

422
00:23:02.119 --> 00:23:02.839
<v Speaker 6>few pointers.

423
00:23:03.680 --> 00:23:06.119
<v Speaker 5>Alexander, you come to the right man.

424
00:23:08.759 --> 00:23:09.799
<v Speaker 6>What's the first approach?

425
00:23:09.920 --> 00:23:18.039
<v Speaker 5>Jac Well, first you JC, I mean, mister Dinners, that's better. Well, First,

426
00:23:18.079 --> 00:23:21.000
<v Speaker 5>you're flat of the girl. If she's beautiful, tell her

427
00:23:21.079 --> 00:23:24.359
<v Speaker 5>she's the most beautiful thing you ever saw. Tell her

428
00:23:24.400 --> 00:23:28.039
<v Speaker 5>that compared to her, Ava Gardner looks like gravel Gerdy.

429
00:23:29.640 --> 00:23:31.400
<v Speaker 6>Well what do you do about homely girls?

430
00:23:31.480 --> 00:23:32.400
<v Speaker 5>You avoid them?

431
00:23:34.400 --> 00:23:35.000
<v Speaker 6>Is that all?

432
00:23:35.400 --> 00:23:37.960
<v Speaker 5>Is that all? I could go on on the subject

433
00:23:37.960 --> 00:23:39.920
<v Speaker 5>from women for three or four hours?

434
00:23:40.160 --> 00:23:41.839
<v Speaker 1>Well, go on, go on.

435
00:23:42.160 --> 00:23:45.319
<v Speaker 5>Well suppose you have a pretty secretary and then she

436
00:23:45.440 --> 00:23:47.559
<v Speaker 5>is taking dictations.

437
00:24:00.440 --> 00:24:01.839
<v Speaker 6>Well you two the three talking?

438
00:24:01.920 --> 00:24:05.920
<v Speaker 4>Yeah, yeah, mister Dinners. Did you give Alexander some fatherly advice?

439
00:24:07.079 --> 00:24:07.200
<v Speaker 9>Uh?

440
00:24:07.839 --> 00:24:11.480
<v Speaker 5>Hold on, well well yes, yes, let's just call it advice.

441
00:24:11.680 --> 00:24:14.759
<v Speaker 6>Yeah, come in, where's Alexander?

442
00:24:14.799 --> 00:24:17.599
<v Speaker 5>Now? Oh he's just calling up little skirts a girl

443
00:24:17.680 --> 00:24:18.119
<v Speaker 5>he knows.

444
00:24:18.880 --> 00:24:21.799
<v Speaker 6>Can I talk to Sylvia and missus Gibson? Thank you?

445
00:24:21.839 --> 00:24:23.640
<v Speaker 6>Did you talk about wanting to be an actor?

446
00:24:23.839 --> 00:24:26.920
<v Speaker 5>Well? You see? I Well go ahead, what were you

447
00:24:26.960 --> 00:24:27.480
<v Speaker 5>talking about?

448
00:24:27.799 --> 00:24:32.319
<v Speaker 6>Sylvia? Hello, Sylvia, this is Alexander. How are you you?

449
00:24:32.519 --> 00:24:39.440
<v Speaker 10>Gordeous huck a plunder, gorgeous hunk of plunder?

450
00:24:39.519 --> 00:24:41.319
<v Speaker 5>But what kind of talk is that? Well? I better

451
00:24:41.319 --> 00:24:42.319
<v Speaker 5>be running along now.

452
00:24:43.200 --> 00:24:44.240
<v Speaker 6>Well certainly you are.

453
00:24:44.839 --> 00:24:47.359
<v Speaker 10>Why Sylvia you may give a gun and look like

454
00:24:47.440 --> 00:24:50.960
<v Speaker 10>gravel gerty boy, mister Dinners, she have eaaten it up.

455
00:24:51.599 --> 00:24:53.039
<v Speaker 5>Well I better be running along now.

456
00:24:54.119 --> 00:24:56.680
<v Speaker 6>Wiss and luscious If you're a good girl. I'm gonna

457
00:24:56.720 --> 00:24:58.799
<v Speaker 6>give you a break. Why don't you carry my books

458
00:24:58.839 --> 00:24:59.319
<v Speaker 6>to schooner?

459
00:24:59.359 --> 00:24:59.599
<v Speaker 5>Maw?

460
00:25:01.240 --> 00:25:04.000
<v Speaker 6>You heard me wait outside? So I wanna have to

461
00:25:04.039 --> 00:25:08.799
<v Speaker 6>ring a bell sing? We wanna finish coat. You'll do

462
00:25:08.920 --> 00:25:09.559
<v Speaker 6>you good.

463
00:25:11.000 --> 00:25:23.440
<v Speaker 8>Song, baby, see fellas mister, what kind.

464
00:25:23.319 --> 00:25:25.079
<v Speaker 5>Of fatherly advice was that?

465
00:25:34.359 --> 00:25:36.799
<v Speaker 4>Well, I guess Alexander ought to be back home from

466
00:25:36.839 --> 00:25:37.640
<v Speaker 4>school in a minute.

467
00:25:37.680 --> 00:25:38.559
<v Speaker 6>Now, huh dag what.

468
00:25:38.720 --> 00:25:42.319
<v Speaker 3>I don't mind Alexander becoming an actor later, but first

469
00:25:42.359 --> 00:25:44.599
<v Speaker 3>you got to live like a normal growing boy.

470
00:25:44.880 --> 00:25:47.160
<v Speaker 6>We just got to get this stage struck business out

471
00:25:47.200 --> 00:25:47.599
<v Speaker 6>of his head.

472
00:25:47.680 --> 00:25:48.880
<v Speaker 5>It's almost impossible.

473
00:25:48.920 --> 00:25:53.640
<v Speaker 3>Now wait a minute, I think.

474
00:25:53.400 --> 00:25:57.759
<v Speaker 6>I've got a dago, Ronnie. We'll do a little acting ourselves.

475
00:25:58.000 --> 00:25:59.000
<v Speaker 5>What do you mean, Blondie.

476
00:25:59.119 --> 00:26:01.839
<v Speaker 3>Well, when he comes home, you can play a hard

477
00:26:01.839 --> 00:26:05.440
<v Speaker 3>boiled character, like like Humphrey Bogard rather than lad or

478
00:26:05.440 --> 00:26:08.839
<v Speaker 3>Bird Lancaskay. I like that, and I'll be a hard

479
00:26:08.880 --> 00:26:11.359
<v Speaker 3>boiled wife. We'll show him how much fun it is

480
00:26:11.400 --> 00:26:13.519
<v Speaker 3>to have someone acting different parts at.

481
00:26:13.400 --> 00:26:14.200
<v Speaker 9>Home as well.

482
00:26:14.200 --> 00:26:15.000
<v Speaker 5>Can you do it here?

483
00:26:15.400 --> 00:26:18.279
<v Speaker 3>Well? I can try, because I'm afraid it's gonna be

484
00:26:18.319 --> 00:26:22.119
<v Speaker 3>a traumatic experience for him, But it's all for the best.

485
00:26:22.759 --> 00:26:25.599
<v Speaker 6>Mother dear, oh father, wait, let him come in here

486
00:26:25.680 --> 00:26:26.920
<v Speaker 6>and then we'll let him have it.

487
00:26:27.440 --> 00:26:30.119
<v Speaker 4>Oh, there you are, dad, would yeah it, don't call

488
00:26:30.200 --> 00:26:32.759
<v Speaker 4>me dad wood she If you call me that again,

489
00:26:32.799 --> 00:26:35.119
<v Speaker 4>it's gonna be just too bad for your shorty.

490
00:26:35.759 --> 00:26:38.640
<v Speaker 6>He what's the matter with father and mother? Howd I

491
00:26:38.720 --> 00:26:40.119
<v Speaker 6>know what the matter with your old man?

492
00:26:40.599 --> 00:26:40.720
<v Speaker 3>Now?

493
00:26:40.799 --> 00:26:42.519
<v Speaker 6>Look here, Alexander. We don't like the way you talk.

494
00:26:42.599 --> 00:26:44.440
<v Speaker 6>See you sound like a sissy.

495
00:26:44.559 --> 00:26:47.920
<v Speaker 10>See who doesn't like the way I talk?

496
00:26:48.079 --> 00:26:49.119
<v Speaker 6>Me? And bummy here?

497
00:26:53.359 --> 00:26:54.480
<v Speaker 3>Yeah?

498
00:26:54.680 --> 00:26:58.880
<v Speaker 4>Yeah, none of that pennyways talk or we'll fan your

499
00:26:59.000 --> 00:27:00.880
<v Speaker 4>pants for the base all back seat?

500
00:27:01.720 --> 00:27:05.200
<v Speaker 6>Holy smoke? Hey, what's the matter? What's wrong? And it's

501
00:27:05.200 --> 00:27:06.839
<v Speaker 6>gonna be just too bad for you if you threw

502
00:27:06.880 --> 00:27:09.319
<v Speaker 6>your coat on the floor in the hallway? Hey, come on,

503
00:27:09.440 --> 00:27:11.359
<v Speaker 6>let's go take again? And kiddy did a bummy?

504
00:27:11.559 --> 00:27:16.000
<v Speaker 4>Okay, baby, I brought.

505
00:27:15.720 --> 00:27:19.799
<v Speaker 6>Someone home with me? Yea, who's this budget theme?

506
00:27:19.880 --> 00:27:20.119
<v Speaker 5>Here?

507
00:27:20.319 --> 00:27:23.559
<v Speaker 6>How are you a purebl un.

508
00:27:24.839 --> 00:27:25.000
<v Speaker 11>Get?

509
00:27:27.960 --> 00:27:30.079
<v Speaker 6>Holy smoke? That was miss Albie?

510
00:27:30.519 --> 00:27:30.799
<v Speaker 4>Oh my?

511
00:27:31.119 --> 00:27:31.680
<v Speaker 5>What did I say?

512
00:27:31.720 --> 00:27:31.799
<v Speaker 2>Bro?

513
00:27:31.960 --> 00:27:32.079
<v Speaker 5>Oh?

514
00:27:32.160 --> 00:27:32.359
<v Speaker 2>Dad?

515
00:27:32.559 --> 00:27:35.039
<v Speaker 6>Was she scared her out of the house? Will she

516
00:27:35.200 --> 00:27:35.640
<v Speaker 6>think of it?

517
00:27:35.799 --> 00:27:36.000
<v Speaker 9>Now?

518
00:27:36.279 --> 00:27:38.720
<v Speaker 10>I don't know what to think of you myself. I

519
00:27:38.839 --> 00:27:40.640
<v Speaker 10>just came home to tell you that I decided to

520
00:27:40.680 --> 00:27:41.359
<v Speaker 10>give up at you.

521
00:27:42.400 --> 00:27:43.960
<v Speaker 5>Well, why didn't you tell her that before?

522
00:27:44.119 --> 00:27:47.079
<v Speaker 10>Well, you see, they're starting a special gym course in judo,

523
00:27:47.480 --> 00:27:49.079
<v Speaker 10>and I can't act in the play and take the

524
00:27:49.160 --> 00:27:50.119
<v Speaker 10>judicle stuff too.

525
00:27:51.039 --> 00:27:54.799
<v Speaker 6>That's the relief. Alexander certainly is more.

526
00:27:54.799 --> 00:27:57.160
<v Speaker 4>Like that, son. I. You know, I like to have

527
00:27:57.279 --> 00:27:59.839
<v Speaker 4>you learning a few self defense track things.

528
00:28:00.000 --> 00:28:02.000
<v Speaker 6>What sort of tricks that they're teaching you, dear, Well,

529
00:28:02.039 --> 00:28:02.640
<v Speaker 6>here's one.

530
00:28:02.559 --> 00:28:07.079
<v Speaker 10>Mom, I slip behind, pop like this, rouch down, grab

531
00:28:07.160 --> 00:28:19.160
<v Speaker 10>us coattails and call right there.

532
00:28:10.480 --> 00:28:20.720
<v Speaker 11>Work than the four dealers of America.

533
00:28:20.920 --> 00:28:23.079
<v Speaker 2>If it's a new truck you're looking for, your Ford

534
00:28:23.079 --> 00:28:25.920
<v Speaker 2>dealer has big news for you. Ford truck prices have

535
00:28:26.079 --> 00:28:29.599
<v Speaker 2>just been reduced. That's right, price reductions up to eighty dollars.

536
00:28:30.000 --> 00:28:33.480
<v Speaker 2>These reductions are made possible by engineering advances and improved

537
00:28:33.519 --> 00:28:34.480
<v Speaker 2>production methods.

538
00:28:34.839 --> 00:28:36.160
<v Speaker 1>Ford trucks if these new.

539
00:28:36.039 --> 00:28:39.480
<v Speaker 2>Reduced prices have all the extra value features that made

540
00:28:39.519 --> 00:28:43.759
<v Speaker 2>Ford America's number one truck value the industry's only choice

541
00:28:43.799 --> 00:28:46.960
<v Speaker 2>of B eight or six, the million dollar cab bonus

542
00:28:46.960 --> 00:28:50.720
<v Speaker 2>built construction twenty one smart advancements that give you more

543
00:28:50.759 --> 00:28:54.279
<v Speaker 2>performance at less cost. Stop in at your Ford dealers today,

544
00:28:54.559 --> 00:28:56.559
<v Speaker 2>see Ford trucks for fifty at.

545
00:28:56.440 --> 00:28:57.720
<v Speaker 1>The new reduced prices.

546
00:28:58.039 --> 00:29:02.119
<v Speaker 2>Remember Ford trucks cost less because Ford trucks last longer.

547
00:29:02.519 --> 00:29:07.839
<v Speaker 2>Latest available registrations prove it. Listen to Blondie next week

548
00:29:07.880 --> 00:29:09.480
<v Speaker 2>over many of these same ABC stations.

549
00:29:09.519 --> 00:29:12.400
<v Speaker 4>Yeah, well, a little late tonight, folks, So good night everybody.

550
00:29:14.759 --> 00:29:17.200
<v Speaker 5>Let's baby say the American Broadcasting comedy