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Speaker 1: W m n H rips the.

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Speaker 2: This is Eleanor Langthorne from Vices Inc. And you're listening

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to Matt Connerton Unleashed on ninety five point three w

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m n H.

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Speaker 3: A dream, it's a dream true. It's a dream. It's

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a dream come true.

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Speaker 4: It's it's a dream true.

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Speaker 5: It's a dream.

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Speaker 6: True.

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Speaker 7: It's like a dream come true.

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Speaker 8: It's that lived in a movie.

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Speaker 9: It's just me, you like the way that it should be.

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Speaker 4: All that's ship we've been through.

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Speaker 10: It's so fairly hard.

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Speaker 11: It's just me and you, don't you know, don't you know?

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Speaker 8: Don't you know?

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Speaker 10: No, I am no more crying on your dollar dollar.

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Speaker 12: Just pron to see a smile on your face for dollars.

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And I know sometimes it bes like the sky is faller,

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no matter.

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Speaker 8: What we've been.

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Speaker 12: No, it's just man, and it's a dream called true.

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Speaker 3: A dream is a dream come true. It's a dreams

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a dream true.

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Speaker 4: It's a dream. It is a dream of true.

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Speaker 13: It's like a dream come true.

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Speaker 8: It's like a living.

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Speaker 14: It's just.

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Speaker 8: Not the way that it shout be. I'll denis sleep been.

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Speaker 13: It's so far behind no matter boll we've been through,

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don't you know, don't you know?

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Speaker 8: Don't you know?

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Speaker 3: It's as.

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Speaker 5: I press serious raise.

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Speaker 4: And another sometimes make fell at the.

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Speaker 5: Skies ball No no, no, the women to a pa

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to be treated the trade. Yeah. Also don't oh oh

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wow wow wow wow, oh wow wow wow.

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Speaker 4: It's agree in screen, it's a dream. It's a dream.

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Speaker 15: In p.

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Speaker 4: It's a dream. It's agree. It's agree. It's a Durnan.

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Po'm sure it's agree. It's agree. It's agree. It's agree.

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Speaker 16: Prue, Oh, that is so cool.

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Speaker 6: Dream come true. That is Cosmic Blossom.

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Speaker 17: They're here with us in studio and they are going

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to play a few songs in just a couple of minutes,

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and then we're going to talk a bit and they've

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got a brand new single that we will also play

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at the end of the segment.

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Speaker 6: But welcome everybody. Here we go.

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Speaker 17: This is Matt Connorton Unleashed and we are live from

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the studios of wm NH ninety five point three FM

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and Glorious Manchester, New Hampshire. Of course, you can also

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stream the show from anywhere. Go to Matt connorton dot com,

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slash live and you can also message us right through

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that page as well. Today as Saturday, March fifteen, twenty twelve.

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Also someone else's with.

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Speaker 18: Us, jus, good morning.

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Speaker 17: Sometimes Jenny is here of course at the news table,

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and we want to make sure that we talk about

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and you know we'll we'll revisit it later in the show.

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Speaker 6: But today's a very big day for you. Yes, got

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a big event tonight.

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Speaker 19: Today's to day is the Uncensored Underground Art Experience, taking

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place from sixty to eight pm at the twenty Garden

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Walks location here in the city of Manchester. A showcase

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of political, provocative and other anti sensorship art not safe

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for work and not suitable for all audiences.

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Speaker 18: Come on down and check it out.

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Speaker 19: Hazel of Grindock will have work on display as Porsha Jones.

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Speaker 18: You can check out some of my pieces from my

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insurance collections.

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Speaker 19: We all know what started that, and if you don't,

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you can check out doncoffee dot com to find out

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E N N C.

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Speaker 18: O F F E I dot com.

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Speaker 6: Very good.

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Speaker 17: Yeah, so that is tonight and we will be there

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of course, So come check it out and come say

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hello to Jenny and I. Yes, absolutely so, we've got

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Now let me get those mics up here. We've got

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cosmic blossom here with us live in studio, very very

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excited about this. Now because we are already live, we're

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gonna kinda kind of do a little bit of a

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live sound check here. Uh, can can you can you

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all just play a little bit of something. This is

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something that maybe you're not gonna play the entirety of,

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but just so I can make sure these levels are

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good and uh, and.

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Speaker 6: We can hear everybody okay, and that is.

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Speaker 20: Okay?

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Speaker 6: Yeah, And y'all go ahead god and sing whoever singing to.

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Speaker 8: Walking?

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Speaker 6: There we go.

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Speaker 21: You see, all life sucks, but you can still have fun.

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And now I've got folks going around the event.

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Speaker 7: Comment y, I don't you don't know who works.

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Speaker 21: You gotta explain something now I'm understand.

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Speaker 4: Well, all my precious time has got to.

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Speaker 11: Go back to the man's.

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Speaker 17: Say sorry, yeah, sing sing a little more. I'm having

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trouble with that Mike's space.

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Speaker 6: Just there we go. That's the enjoy.

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Speaker 16: Playing and une implied.

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Speaker 6: Oh Ryan, can you can you have those drums a

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little more? Please? Okay?

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Speaker 17: Yeah, that's good, okay. And then Gary, can you play

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a little police There we go? Okay, had a little

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bit of a buzz but not not too bad.

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Speaker 6: And then uh Meg, can you sing something?

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Speaker 22: Please?

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Speaker 8: Got confidence?

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Speaker 6: Okay?

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Speaker 17: All right, I just want to make sure I had

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you in the mix there, all right, Cosmic Blossom is

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here with us, and if you all want to play,

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you're gonna do what three songs I think and then

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uh and then we'll uh we'll talk after so uh yeah,

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just go for it whenever you're ready. Cosmic Blossom Live

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on Matt Connorton unleashed.

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Speaker 21: I'm gonna spend my dad, he's a walking and then

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the sun. You see how that sucks, but you could

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still have fun. I've got folks coming around and they

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been calling me out jerky. Clearly, I don't feel like

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it's doing no work. You gotta spend something to me now,

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I just can see you understand. Well, all my precious

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Tombe has got to go back.

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Speaker 7: To the man.

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Speaker 23: I might have found myself just.

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Speaker 7: To let little simple joy lord h heading high.

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Speaker 8: Paying to its being nine.

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Speaker 7: Damn boy, oh boy, take your time ship.

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Speaker 23: There ain't no needs you, ruse.

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Speaker 24: No, take your time, shy, there ain't no needs you,

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rusy very.

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Speaker 25: I'm going and spend my night like ye fool.

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Speaker 23: Yeah, I sure do love to leave you.

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Speaker 11: I'm thinking about.

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Speaker 23: I'm gonna find out what sweet simple.

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Speaker 7: Dude, it's all I care about is all in the blood.

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Speaker 25: No, no, my little soul, it ain't you understand.

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Speaker 7: No, sh no, if I don't get the noise and

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watch you walk the dancer, the.

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Speaker 25: Strong Bird got your bills, so lid fipy.

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Speaker 26: Tea boy and no no, honestly sad and Hide plays

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it was being I them.

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Speaker 23: Oh boy, thank your God, they know me care Bach

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Mount Gun.

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Speaker 17: Cosmic Blossom is here with us in studio, sounding great

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if you are just joining us and uh yeah, just

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just fantastic. Yeah, let's keep going. I love hearing you

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all play. Oh all right, Cosmic Blossom live in studio.

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Speaker 26: Senna Dropper the Water, Santa whispers a wind, It's how

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Nange Spain music in the everything, Senate Dancer.

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Speaker 8: The Spear, It's some the betut each time.

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Speaker 11: Each Magic Dance them playing side of music on music to.

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Speaker 27: Sing.

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Speaker 23: How it moves me when I hear the money birds

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saying sorry honey song the guy of the way.

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Speaker 5: Sell them when we that you're failings the way that

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you play.

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Speaker 21: The signing the song heates a colt bone that takes

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me ooy seeing a car of the trump.

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Speaker 4: It's sending the fuck up the string.

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Speaker 9: It's myriads of colors. Sound of music as in everything.

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Speaker 8: How we see.

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Speaker 11: Each other.

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Speaker 23: Through the window of r.

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Speaker 9: It's how the soul makes dance, our heard of musical.

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Speaker 25: We are all music and sooo.

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Speaker 13: Are going how and moves me when I hear.

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Speaker 8: The heir between.

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Speaker 26: Supre beauty and a melody comfort that it blames.

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Speaker 25: Selling the way that you listen, see.

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Speaker 7: The way that you move rhythmsire me me if you're

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so sublime and I'm lost.

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Speaker 20: With the.

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Speaker 6: Cat hm just incredible.

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Speaker 17: Cosmic Blossom is here with us live in studio and

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uh sounding amazing. They're gonna play one more for us

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and then we're gonna play the brand new single, the

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studio track halfway there, and then we're gonna talk with

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Cosmic Blossom a bit. So this is a great way

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to start the Saturday morning. Thank you for joining us

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and Cosmic Blossom. They got one more to play live

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in studio here.

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Speaker 6: On Matt Connorton Unleashed.

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Speaker 8: She got confident, she goes die, The girl's killing it,

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that goes wild. She ain't got no care in the world.

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Speaker 22: Danny Show dinner is fine, he's actless night your he

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went fine. She ain't gone no time foot the ways

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when she cross, nor mine everything she rise right, he

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don't pick up stun be fine.

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Speaker 8: You got compidn she got died girls killing it. That

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goes why she ain't got.

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Speaker 5: No care kill the old Danny Show Dinner's fine.

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Speaker 8: Deep last him tonight, you'll fill your hand.

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Speaker 4: You're bad.

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Speaker 8: You gonna come o my way round there? No mind

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isn't every day she ride it? He got fat?

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Speaker 4: Up your fine?

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Speaker 22: And I work so dimpt I deserve this, And little

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batter of people say no, no, I'm gonna keep ul

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him with purpose.

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Speaker 8: Do you hate her?

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Speaker 25: Get up my way now?

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Speaker 8: And I work so tamn hot. I deserve this and

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he don't matter what people say. I'm gonna keep umbling

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him with herbs all you had to get up a

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wacky it's I'm feeling myself today.

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Speaker 6: Seas in a lay.

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Speaker 8: Every day she rides, don't you'll be fine? Fine? And

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I w was so dim I I deserve this.

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Speaker 22: And it don't matter our people saying no, no, I'm

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gonna keep umbom in with purpose. Oh you hater, kad

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on my way now, I we're so did I deserve it?

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And it don't matter our people say no, No, I'm

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gonna keep fumbling with purpose. Occ hater kid out my

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weight Now, Ain't nobody gonna brington got coppet this, you

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got coppy. Ain't nobody gonna bring up Nobody gonna bring

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her downs? He's down to down to down to down

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to down to down. Ain't nobody's gonna bring up down.

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Speaker 11: He don't know, and nobody gonna bring it to.

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Speaker 8: Nobody.

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Speaker 22: Ain't gonna bring up down down to down that down

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stamp down.

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Speaker 5: To it that down, down that down.

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Speaker 4: Nobody thumping.

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Speaker 8: Nobody she guts, don't bring a downty telling me downd

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it down to down me down to down.

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Speaker 4: Ain't nobody don't.

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Speaker 8: Anyway?

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Speaker 4: Ain't nobody?

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Speaker 6: Oh my god, that was so cool. That was awesome.

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Great job.

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Speaker 17: Cosmic Blossom live in studio with us, and we're gonna

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go ahead and play this brand new studio track. This

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is called Halfway There, and then we're gonna talk with

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Cosmic Blossoms. So there is plenty more to come. Don't

240
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go anywhere, whoop there there will be I just gotta

241
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make sure this track is ready. Let me try that again.

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Here we go halfway there.

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Speaker 21: I'm not gonna play the game back and forth and

244
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praise them.

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Speaker 25: Play alright.

246
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Speaker 21: You know that you're staying well, we're loving. I'm not

247
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living now. I know everything ill work itself out. I'm

248
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being good to me.

249
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Speaker 14: Is all that you gotta do. The details you the

250
00:26:10,559 --> 00:26:14,279
captain swin. I know where to place my best b

251
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after jail.

252
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Speaker 8: Keep me coming through.

253
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Speaker 11: I don't go hung up on my heavery word.

254
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Speaker 8: I need you, lie.

255
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Speaker 4: I'm free as er. I'm feeling me when you're feeling you.

256
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Speaker 7: Don't choose you ever read.

257
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Speaker 5: Shie no matter what come, rad comes, shine, ride or

258
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die from your curse.

259
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Speaker 7: Getting moon until Alaska is good night.

260
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Speaker 5: Never mate you by sir see ride, I mean I'll

261
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remind you why you're min guarantee and.

262
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Speaker 25: The water letter.

263
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Speaker 8: You gotta give me.

264
00:27:20,440 --> 00:27:22,319
Speaker 13: Coming home at the end of your day.

265
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Speaker 8: You painted it with such beautiful shape. I wish and

266
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I could be in that painting. You know sometimes you'll

267
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see me rolling my eyes. Don't underestimate yourself.

268
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Speaker 25: You're the fries.

269
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Speaker 8: I keep you on to myself.

270
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Speaker 4: If I could juice thinking back to the man I

271
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had seen.

272
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Speaker 8: I see something of the.

273
00:28:00,400 --> 00:28:07,559
Speaker 4: Jump Me Up Full Day and we knew.

274
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Speaker 5: That sig in Fine Love the first and the copy

275
00:28:12,960 --> 00:28:20,480
through the last of win Ready Conjump to Find and

276
00:28:20,720 --> 00:28:21,720
take Coming.

277
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Speaker 4: But your Wanda made it long and you be bad

278
00:28:30,000 --> 00:28:33,440
and Klana be you gotta beat.

279
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Speaker 8: Me hal bad.

280
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Speaker 5: Bad, Kolana be, you gotta beat me hal bad, make

281
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messy libry Shi, non't matter what, don't rain, no shot,

282
00:29:42,359 --> 00:29:45,200
Ride will die from the fast get.

283
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Speaker 13: Gone until Alaska's good night.

284
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Speaker 5: You're crazy, You're faster Fries Ride. I mean mon mon

285
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wi my.

286
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Speaker 4: B you gotta beat.

287
00:30:34,640 --> 00:30:34,720
Speaker 28: Well.

288
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Speaker 6: I like the ending on that too. That is so cool.

289
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Speaker 17: Hey, everybody, if you're just joining us, we have Cosmic

290
00:30:39,480 --> 00:30:42,160
Blossom here with us alive in studio. They displayed a

291
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few tracks and we opened the show, uh with a

292
00:30:45,279 --> 00:30:47,599
new song too. But that is the newest right, that

293
00:30:47,759 --> 00:30:51,440
is halfway there from Cosmic Blossom. And of course, uh,

294
00:30:51,880 --> 00:30:53,319
Gary is here, Gary Smith?

295
00:30:53,359 --> 00:30:55,799
Speaker 6: Who is in Gary? How many bands are you have now?

296
00:30:56,599 --> 00:30:57,680
Can you even put a number on there?

297
00:30:57,759 --> 00:30:59,759
Speaker 29: Yeah, I mean I'm probably in like six or seven?

298
00:31:00,359 --> 00:31:00,920
Speaker 6: Oh? Is that all?

299
00:31:01,119 --> 00:31:01,319
Speaker 23: Yeah?

300
00:31:03,480 --> 00:31:03,720
Speaker 29: Probably?

301
00:31:04,000 --> 00:31:04,400
Speaker 30: You do a lot.

302
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Speaker 17: You do a lot of stuff, But I always say,

303
00:31:06,920 --> 00:31:08,440
you're one of the You're one of the most talented

304
00:31:08,519 --> 00:31:11,359
and busiest musicians I know in the area.

305
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Speaker 6: So we also have so we'll we'll go around here.

306
00:31:16,160 --> 00:31:19,920
Speaker 17: So we have Ryan here on drums and sounding great

307
00:31:20,599 --> 00:31:23,000
your first time on the show, so appreciate having here,

308
00:31:23,759 --> 00:31:26,279
and uh and Meg of course I love the vocal

309
00:31:26,359 --> 00:31:28,039
on that last song that y'all played.

310
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Speaker 6: That was really cool. And you're in Dog a Dog

311
00:31:30,880 --> 00:31:33,160
as well. Yeah, we'll be on at eleven. Yeah, yeah,

312
00:31:33,279 --> 00:31:35,519
so that's that's gonna be awesome. Yeah. When you walked in,

313
00:31:35,640 --> 00:31:37,200
I was like, oh, wait, she's on the other band,

314
00:31:39,599 --> 00:31:42,759
and uh, let's see and we have Nick. Welcome's up, guys,

315
00:31:42,920 --> 00:31:46,079
and uh you now let me ask you this.

316
00:31:46,240 --> 00:31:49,640
Speaker 17: So are the four of you like because we in fact,

317
00:31:49,640 --> 00:31:51,440
I asked before the show, do I introduce you as

318
00:31:51,480 --> 00:31:54,720
Cosmic Blossom or Cosmic Blossom Collective because it seems like

319
00:31:54,799 --> 00:31:58,000
there's like, is there a core band and then sort

320
00:31:58,039 --> 00:32:01,079
of ancillary people who are the collective?

321
00:32:01,240 --> 00:32:03,319
Speaker 6: Or how does how how is this all working?

322
00:32:03,640 --> 00:32:06,079
Speaker 31: Sure, So there's there's like I would say, probably like

323
00:32:06,119 --> 00:32:08,359
eight of us that are like the core group members. Okay,

324
00:32:08,400 --> 00:32:10,160
you know, we kind of split that up into like

325
00:32:10,599 --> 00:32:13,680
two little subgroups that like write songs like on their own,

326
00:32:13,759 --> 00:32:15,519
and then we kind of bring it to the larger group.

327
00:32:15,680 --> 00:32:17,359
Oh and then we have other musicians that are in

328
00:32:17,400 --> 00:32:18,759
the scene that kind of join on, you know, like

329
00:32:18,799 --> 00:32:20,640
horn players and stuff like that whenever we have like

330
00:32:20,680 --> 00:32:22,799
bigger gigs. But yeah, for the most part, we kind

331
00:32:22,799 --> 00:32:25,240
of stick to the core group of like eight of us.

332
00:32:25,400 --> 00:32:28,039
Speaker 6: Yeah, gotcha, gotcha. Wow.

333
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Speaker 17: So so that that core configuration of eight, So what

334
00:32:31,640 --> 00:32:33,920
do you have covered in terms of instruments or is

335
00:32:33,920 --> 00:32:37,160
it a lot of singers or how does how does?

336
00:32:37,519 --> 00:32:39,160
Like I guess what I'm really asking is who are

337
00:32:39,200 --> 00:32:40,480
the other four of the eight?

338
00:32:40,680 --> 00:32:42,960
Speaker 31: Sure? Yeah, absolutely, I would say the other four. Well,

339
00:32:42,960 --> 00:32:44,480
we have brad to Palm on guitar. You couldn't be

340
00:32:44,480 --> 00:32:46,480
here today, but he's the guy that I started this

341
00:32:46,599 --> 00:32:49,960
with lead guitar. We have Jimmy on keys, he's fantastic,

342
00:32:50,119 --> 00:32:54,079
Chuck on bass, we love Chuck and Anthony on drums,

343
00:32:54,119 --> 00:32:55,599
he's the other drummer that we have. I'd say that.

344
00:32:55,720 --> 00:32:58,000
And then we have singers on top of that too,

345
00:32:58,079 --> 00:33:00,319
you know, Amanda Vantayne, Sarah Bird, she's also when dog

346
00:33:00,400 --> 00:33:02,119
Eate Dogs, She'll be here a little bit later, okay,

347
00:33:02,200 --> 00:33:04,160
and you know, just too many people to name off

348
00:33:04,359 --> 00:33:05,440
off the rip out the rest of that.

349
00:33:05,680 --> 00:33:06,799
Speaker 6: Yeah, is it?

350
00:33:07,200 --> 00:33:09,279
Speaker 17: Is it challenging to manage all that in terms of

351
00:33:09,319 --> 00:33:13,160
playing live shows and figuring out who's available for what

352
00:33:13,440 --> 00:33:15,599
or or maybe it's maybe it makes it easier in

353
00:33:15,680 --> 00:33:17,920
some ways because you can kind of change up the

354
00:33:17,960 --> 00:33:21,680
configuration of the songs on the fly depending on who's there.

355
00:33:21,839 --> 00:33:24,240
Speaker 6: I mean, what is that like what is that dynamic?

356
00:33:24,400 --> 00:33:25,480
Speaker 29: Like, well, that's one of it.

357
00:33:25,519 --> 00:33:27,839
Speaker 32: And definitely with like like there's a where or you

358
00:33:27,839 --> 00:33:29,680
guys are playing on March twenty first, I already had

359
00:33:29,720 --> 00:33:32,079
a gig. But you know, it's it's simple enough where

360
00:33:32,200 --> 00:33:34,400
we have like two drummers too, bassis and we're all

361
00:33:34,440 --> 00:33:37,200
cross trained, so we can kind of, yeah, if one

362
00:33:37,279 --> 00:33:38,799
of us can make it, we can still kind of

363
00:33:38,880 --> 00:33:40,119
make make the gigs work.

364
00:33:40,279 --> 00:33:43,119
Speaker 29: Yeah, which is nice. But again, we tend to play

365
00:33:43,200 --> 00:33:44,960
like bigger, bigger shows.

366
00:33:44,960 --> 00:33:46,559
Speaker 32: We're not doing a lot of smaller stuff, so it's

367
00:33:46,599 --> 00:33:49,400
usually make it worth it, I would say, are the shows.

368
00:33:49,319 --> 00:33:51,119
Speaker 6: Yeah, yeah, no, that makes sense.

369
00:33:51,200 --> 00:33:53,720
Speaker 31: Yeah, with with smaller gigs and stuff, we'll usually stick

370
00:33:53,759 --> 00:33:55,079
to like a smaller group of us, you know, what

371
00:33:55,119 --> 00:33:56,960
I mean, Like, if we're just playing like a club

372
00:33:57,039 --> 00:33:59,000
downtown like say Lowell or something like that, you know

373
00:33:59,240 --> 00:34:01,039
we'll have probably just like the eight of us covered

374
00:34:01,079 --> 00:34:03,359
that we're playing like a bigger festival over the summer,

375
00:34:03,440 --> 00:34:06,039
we'll probably have we'll break out all the stops for that,

376
00:34:06,119 --> 00:34:08,639
so we'll have all what fifteen of us on stage

377
00:34:08,719 --> 00:34:10,599
or something like that. Yeah, at one time, and you know,

378
00:34:10,679 --> 00:34:12,559
people kind of jump in and out per song. It's

379
00:34:12,599 --> 00:34:14,719
not everybody's on the stage all at once. Everybody kind

380
00:34:14,719 --> 00:34:16,320
of just floats in and out as the songs kind

381
00:34:16,320 --> 00:34:19,400
of come okay. And yeah, like Gary said, having two

382
00:34:19,480 --> 00:34:21,480
of everything is really helpful. So if one person can't

383
00:34:21,519 --> 00:34:24,119
make it, someone can cover the entire base for one show.

384
00:34:24,239 --> 00:34:26,119
Speaker 6: That it's like a Noah's Ark thing. You got two

385
00:34:26,239 --> 00:34:26,599
of Uh.

386
00:34:28,559 --> 00:34:29,599
Speaker 31: I didn't look at it like that before.

387
00:34:30,599 --> 00:34:32,639
Speaker 6: Yeah, No, that makes sense. So that that's so that's

388
00:34:32,639 --> 00:34:34,400
smart to do it that way. That totally makes sense.

389
00:34:34,440 --> 00:34:34,840
Speaker 33: I like it.

390
00:34:34,960 --> 00:34:35,400
Speaker 29: I like it.

391
00:34:36,679 --> 00:34:38,960
Speaker 17: What is so do you know what, like, what is

392
00:34:39,039 --> 00:34:40,960
the maximum number of people you've had on stage at

393
00:34:40,960 --> 00:34:42,519
once for a Cosmic Blossom set.

394
00:34:43,920 --> 00:34:44,800
Speaker 31: We have on for worm Town?

395
00:34:44,920 --> 00:34:45,119
Speaker 29: Yeah?

396
00:34:45,199 --> 00:34:47,599
Speaker 32: Once that was probably like with the horn players and stuff.

397
00:34:47,639 --> 00:34:51,239
That's probably like twelve or thirteen out Wow, yeah.

398
00:34:51,119 --> 00:34:52,599
Speaker 31: Thirteen of us probably on it once.

399
00:34:52,719 --> 00:34:55,679
Speaker 6: Yeah, and what's the minimum, like, what is the small.

400
00:34:55,920 --> 00:34:57,719
Speaker 31: The smallest we had was four. Yeah, and it's it's

401
00:34:57,760 --> 00:35:00,280
cool because we'll start with four, like for our last

402
00:35:00,440 --> 00:35:02,920
festival we played at Wormtown, we start with four, and

403
00:35:03,000 --> 00:35:04,840
then we add one person, and then we add another

404
00:35:04,880 --> 00:35:06,599
person and its just like grows to like the end

405
00:35:06,639 --> 00:35:08,480
of the show, all thirteen of us are on stage,

406
00:35:08,480 --> 00:35:09,039
all at once, so.

407
00:35:09,360 --> 00:35:10,159
Speaker 6: So it blossoms.

408
00:35:10,280 --> 00:35:15,400
Speaker 31: Yeah, yeah, this guy's good your marketing, I got all.

409
00:35:15,800 --> 00:35:18,440
I want to be part of this. You want to

410
00:35:18,480 --> 00:35:18,800
join us?

411
00:35:18,840 --> 00:35:19,000
Speaker 2: Dude?

412
00:35:19,000 --> 00:35:20,039
Speaker 29: You guys remember sixteen?

413
00:35:20,159 --> 00:35:25,199
Speaker 6: Yeah you know it's up. Yeah, Oh that's no. That's

414
00:35:25,280 --> 00:35:25,639
cool though.

415
00:35:26,000 --> 00:35:28,679
Speaker 17: Now now when you so, how does that affect how

416
00:35:28,719 --> 00:35:32,440
you approach recording? Because you've got like we featured, uh

417
00:35:32,800 --> 00:35:34,480
that great studio track we opened with and we just

418
00:35:34,519 --> 00:35:35,320
played halfway there?

419
00:35:36,039 --> 00:35:38,159
Speaker 6: How do how does that get figured out? Who's going to?

420
00:35:38,360 --> 00:35:40,599
Speaker 17: Uh? I mean, do you try to get all fifteen

421
00:35:40,639 --> 00:35:43,239
people on a track or probably not, I wouldn't think.

422
00:35:43,159 --> 00:35:44,800
Speaker 32: But yeah, I mean we uh we again try and

423
00:35:44,880 --> 00:35:47,159
kind of get a scratch track, you know, we use

424
00:35:47,239 --> 00:35:50,679
the well recently started using Pete, who I've used all

425
00:35:50,840 --> 00:35:53,039
for my Procrest Maintenance and Fox and flamingcos. So, like

426
00:35:53,119 --> 00:35:54,840
we kind of just lay the scratch track down with

427
00:35:55,400 --> 00:35:57,679
the four or five of us, and then the girls

428
00:35:57,719 --> 00:36:00,639
will come add the vocals after the fact and we.

429
00:36:00,719 --> 00:36:01,880
Speaker 29: Try and get as many people on it.

430
00:36:02,000 --> 00:36:06,320
Speaker 32: Obviously sometimes it doesn't always work out, but yeah, I mean, ultimately,

431
00:36:06,400 --> 00:36:08,599
you know, everyone, like I said, everyone can play everything,

432
00:36:08,679 --> 00:36:12,679
so that's half the battle. But yeah, recording wise, we

433
00:36:13,480 --> 00:36:15,639
it's pretty efficient. Like last song, we pretty much had

434
00:36:15,679 --> 00:36:17,400
it done in two days over the course of a week.

435
00:36:17,400 --> 00:36:21,599
We're recording again on March twenty eighth, recording our next song.

436
00:36:21,800 --> 00:36:24,199
Speaker 31: Excellent, first one we play it here, take your time, Yeah.

437
00:36:24,079 --> 00:36:25,639
Speaker 32: To take your time, the one that we played solo,

438
00:36:25,920 --> 00:36:27,599
the first one, the acoustic one, So that's going to

439
00:36:27,599 --> 00:36:29,679
be recorded, uh, excellent down to Pete.

440
00:36:29,719 --> 00:36:32,320
Speaker 29: So that yeah, and then we're working on a bunch

441
00:36:32,360 --> 00:36:33,000
of other stuff too.

442
00:36:33,519 --> 00:36:35,679
Speaker 6: Is there a studio recording of the last one that

443
00:36:35,719 --> 00:36:37,880
you played that you sang on Meg not yet? No,

444
00:36:38,199 --> 00:36:40,159
I love that song, Oh right, thank you, thank you.

445
00:36:40,360 --> 00:36:43,440
Speaker 8: Yeah, we do. Me and Amanda Vanteene do that one together.

446
00:36:43,599 --> 00:36:47,599
Usually kind of like a girl power song kind of stuff.

447
00:36:48,000 --> 00:36:49,679
Speaker 18: But yeah, we're hoping on recording that soon.

448
00:36:49,800 --> 00:36:50,960
Speaker 6: Too cool. Cool.

449
00:36:51,159 --> 00:36:53,960
Speaker 17: Yeah, No, that's that's really good. So there Now is

450
00:36:54,000 --> 00:36:56,599
there an album or is there just singles for Cosmic

451
00:36:56,639 --> 00:36:57,360
Blossom up to now?

452
00:36:57,400 --> 00:36:59,480
Speaker 31: I don't so right now, we just have I think

453
00:36:59,559 --> 00:37:02,000
what eight and that was over the course of like,

454
00:37:02,679 --> 00:37:05,039
you know, this has progressed in a crazy way that

455
00:37:05,119 --> 00:37:07,519
we've had even other members that have you know, like

456
00:37:07,679 --> 00:37:09,760
come and gone, and so we over the course of

457
00:37:09,840 --> 00:37:11,440
the last you know, two or three years, we've probably

458
00:37:11,440 --> 00:37:14,519
put out about eight singles. We're gearing up now to

459
00:37:14,960 --> 00:37:18,119
get like a full length album, probably about like fourteen songs.

460
00:37:18,320 --> 00:37:20,920
Oh on, one big album, and we hope to get

461
00:37:20,960 --> 00:37:22,559
that like pressed on the vinyl and stuff by the

462
00:37:22,639 --> 00:37:24,519
end of the summer. That's kind of nice. We're in

463
00:37:24,599 --> 00:37:27,360
the process of getting everything recorded and polished up now

464
00:37:27,440 --> 00:37:27,599
for that.

465
00:37:27,840 --> 00:37:28,559
Speaker 6: Oh very cool.

466
00:37:28,719 --> 00:37:31,639
Speaker 17: Yeah, that'll be good. It's cool that you're gonna do vinyl.

467
00:37:31,760 --> 00:37:33,679
A lot of people are doing vinyl now, that's awesome.

468
00:37:33,719 --> 00:37:33,920
Speaker 6: Yeah.

469
00:37:34,000 --> 00:37:36,480
Speaker 31: He just pressed vinyl for his Percussive Maintenance album.

470
00:37:36,639 --> 00:37:37,000
Speaker 8: Oh you did?

471
00:37:37,239 --> 00:37:39,199
Speaker 31: Yeah, okay, one of those too cool?

472
00:37:39,480 --> 00:37:40,159
Speaker 6: Outstanding.

473
00:37:40,320 --> 00:37:42,440
Speaker 17: Well, I don't know, if you all notice and Gary,

474
00:37:42,480 --> 00:37:44,320
you've obviously been here before, but not I'm been here

475
00:37:44,320 --> 00:37:44,880
in a little while.

476
00:37:45,039 --> 00:37:48,840
Speaker 31: We have a record player now, yeah, absolutely spend your

477
00:37:48,920 --> 00:37:49,320
vinyl on that.

478
00:37:49,440 --> 00:37:50,199
Speaker 29: Yeah, right, Yeah.

479
00:37:50,239 --> 00:37:52,840
Speaker 17: One of the guys, this belongs to Ryan Sherman, the erminator.

480
00:37:52,880 --> 00:37:54,320
He does a show here, a music show.

481
00:37:54,599 --> 00:37:56,320
Speaker 6: But he brought this in. I know that guy, you

482
00:37:56,400 --> 00:37:56,679
know him.

483
00:37:56,760 --> 00:37:59,280
Speaker 17: Yeah, he brought this in and he said anybody can

484
00:37:59,400 --> 00:38:01,800
use it, so we can. We can always plug it

485
00:38:01,840 --> 00:38:05,320
in and spend something on there. Sick my theory about

486
00:38:05,599 --> 00:38:08,320
you know, people who buy vinyl at this point, you know,

487
00:38:08,400 --> 00:38:10,800
unless they're they're buying you know, used vinyl, you know,

488
00:38:11,079 --> 00:38:13,199
like classic rock stuff. But I think when people buy

489
00:38:13,239 --> 00:38:15,119
brand new vinyl, most of the time they probably never

490
00:38:15,159 --> 00:38:16,960
even open it, or if they do open it, they

491
00:38:17,000 --> 00:38:17,480
never play it.

492
00:38:17,599 --> 00:38:19,280
Speaker 6: Because it's just something that's cool to have.

493
00:38:19,480 --> 00:38:21,559
Speaker 31: It's a collective piece. Yeah, absolutely, Yeah, It's not the

494
00:38:21,639 --> 00:38:23,320
only way that we listen to music to anymore. So

495
00:38:23,480 --> 00:38:25,159
that's more of a it's more of a novelty to

496
00:38:25,239 --> 00:38:25,679
have for sure.

497
00:38:25,760 --> 00:38:27,440
Speaker 6: Yeah, it's cool to have it. You know, you can

498
00:38:27,599 --> 00:38:29,039
mount it on the wall, do whatever with it.

499
00:38:29,159 --> 00:38:31,639
Speaker 17: But but yeah, but we do have the capability to

500
00:38:31,679 --> 00:38:34,119
play vinyl, and we also have a we actually have

501
00:38:34,159 --> 00:38:35,880
a CD player here too. I don't even have a

502
00:38:35,960 --> 00:38:38,360
CD player at home anymore, but we do have a

503
00:38:38,440 --> 00:38:40,519
CD player here. I think I think Rob as a

504
00:38:40,559 --> 00:38:42,079
Veto from Granted State of Mind is the only one

505
00:38:42,119 --> 00:38:43,920
who actually uses it, but we do have one here,

506
00:38:44,000 --> 00:38:46,719
so we have that capability as well. But it's nice

507
00:38:46,719 --> 00:38:48,119
to live in a digital age.

508
00:38:48,239 --> 00:38:50,280
Speaker 6: But no, that's cool. You're in a new vinyl that's awesome.

509
00:38:50,400 --> 00:38:52,719
Speaker 31: Yeah, yeah, very nice to have for the summer. Absolutely.

510
00:38:52,920 --> 00:38:55,599
Speaker 17: How long has Cosmic Blossom existed. It's been a number

511
00:38:55,599 --> 00:38:57,440
of years, right, but it sounds like it's changed a lot.

512
00:38:57,519 --> 00:38:58,880
It's it's morphed and grown.

513
00:38:58,719 --> 00:39:00,679
Speaker 31: And absolutely yeah, I would say that me and Brad

514
00:39:00,760 --> 00:39:04,039
started this in twenty twenty when everything kind of shut down.

515
00:39:04,119 --> 00:39:05,719
We kind of just met up with our buddy Brian

516
00:39:05,800 --> 00:39:08,199
Lambers a lot. He's a core member of this took.

517
00:39:08,760 --> 00:39:10,960
He helps us a lot with our production and stuff.

518
00:39:11,000 --> 00:39:13,280
He's awesome. So we just met up with him and

519
00:39:13,440 --> 00:39:15,440
just like us three just started writing the original songs

520
00:39:15,480 --> 00:39:18,639
that we had for this. Later on we picked up

521
00:39:19,519 --> 00:39:22,559
drums and bass with Axel and Alfredo. Yeah, and then

522
00:39:22,760 --> 00:39:24,679
right after that we picked up Amanda Vantayne as like

523
00:39:24,760 --> 00:39:27,320
our lead singer, and then like just from there once

524
00:39:27,400 --> 00:39:29,920
that happened, like people started joining left and right, and okay,

525
00:39:29,960 --> 00:39:31,320
it just became what it became after that.

526
00:39:31,480 --> 00:39:31,639
Speaker 28: Yeah.

527
00:39:31,760 --> 00:39:33,719
Speaker 31: Yeah, it kind of grew naturally too. It's not like,

528
00:39:33,960 --> 00:39:35,599
you know, we really actually planned for that. We kind

529
00:39:35,599 --> 00:39:37,159
of planned on being a band at first, and then

530
00:39:37,400 --> 00:39:39,079
just so many people just ended up coming through that

531
00:39:39,079 --> 00:39:40,360
were like, all right, let's see if we can make

532
00:39:40,400 --> 00:39:42,880
that like a trend. And yeah, it's been a lot,

533
00:39:42,920 --> 00:39:44,519
but it's been working for us. It's been really cool.

534
00:39:45,039 --> 00:39:47,519
Speaker 17: Was there any was there any kind of resistance to

535
00:39:47,599 --> 00:39:49,559
that initially within the band? Like do we want to

536
00:39:49,639 --> 00:39:52,119
just let people sort of join or did you just

537
00:39:52,480 --> 00:39:54,159
did you just go with it instinctively? Like no, this

538
00:39:54,280 --> 00:39:56,119
is cool just if people want to become a part.

539
00:39:55,960 --> 00:39:58,000
Speaker 31: Of it, honestly, And I'm so proud of this. Everybody

540
00:39:58,000 --> 00:40:01,079
who's joined this has been so like okay with making

541
00:40:01,079 --> 00:40:02,880
sure that everybody has their time in the spotlight. You know,

542
00:40:02,920 --> 00:40:05,519
we're really good about sharing it and making it as

543
00:40:05,599 --> 00:40:07,760
much of a collaboration as possible.

544
00:40:07,880 --> 00:40:10,559
Speaker 6: That's really cool. Yeah, I admire that a lot that's

545
00:40:10,679 --> 00:40:13,960
that's excellent, that's excellent. And then what do you have

546
00:40:14,039 --> 00:40:15,599
coming up? Do you have any shows this weekend that

547
00:40:15,599 --> 00:40:16,920
you're playing or what's what's kind of.

548
00:40:16,920 --> 00:40:19,880
Speaker 32: Next for a Cosmic Nicker You're playing a Henniker Brewery

549
00:40:19,960 --> 00:40:25,239
March twenty first, Yeah, and then uh, we just when

550
00:40:25,320 --> 00:40:29,039
we were playing Warping Weft, Yeah with Fox and excellent

551
00:40:29,079 --> 00:40:29,639
low Yeah.

552
00:40:29,719 --> 00:40:34,199
Speaker 29: On April tenth, uh and then Grange Creek.

553
00:40:34,320 --> 00:40:34,519
Speaker 33: Yeah.

554
00:40:34,519 --> 00:40:36,280
Speaker 31: I'd say our biggest show that we're excited for is

555
00:40:36,320 --> 00:40:38,679
we're playing the Capital Center for the Arts the Bank

556
00:40:38,679 --> 00:40:40,199
in New Hampshire stage up Conquered.

557
00:40:40,400 --> 00:40:45,960
Speaker 6: Were you're doing that? Kevin Haran Yeah, Kevin Hornan, Yeah, yeah,

558
00:40:46,559 --> 00:40:47,960
he's been on the show. Yeah, Yeah, it's great.

559
00:40:48,559 --> 00:40:49,800
Speaker 29: We're playing bass in his band.

560
00:40:49,880 --> 00:40:55,960
Speaker 32: So I brought I brought Cosmic Well, of course you are, ye,

561
00:40:56,880 --> 00:40:58,679
but yeah, that's that should be as that would be

562
00:40:58,719 --> 00:40:59,920
a really cool Yeah.

563
00:41:00,119 --> 00:41:01,840
Speaker 6: Is that throughout NH Music Collective?

564
00:41:02,079 --> 00:41:02,119
Speaker 15: No?

565
00:41:02,440 --> 00:41:06,719
Speaker 6: No, no, no, oh cool, very nice, very nice? Yeah.

566
00:41:08,280 --> 00:41:10,719
How many like how many songs does Cosmic Blossom have

567
00:41:10,800 --> 00:41:11,320
at this point?

568
00:41:11,559 --> 00:41:14,840
Speaker 17: That because obviously you know, you've got songs that everybody,

569
00:41:15,039 --> 00:41:17,119
like everybody who's a part of it knows right, So

570
00:41:18,159 --> 00:41:19,920
does that you have a lot?

571
00:41:20,039 --> 00:41:21,960
Speaker 31: Yeah, Oh my gosh. Yeah, So we probably have about

572
00:41:22,400 --> 00:41:24,880
like ten that we've like retired, is what we call it,

573
00:41:25,639 --> 00:41:28,159
ones we don't really play anymore. Okay, we have probably

574
00:41:28,280 --> 00:41:30,800
like eight right now that are in our like what

575
00:41:30,920 --> 00:41:33,239
we call our set, which we'll bring to anywhere, and

576
00:41:33,280 --> 00:41:35,480
then we're we've got probably about four more that we're writing,

577
00:41:35,880 --> 00:41:39,000
and then maybe even like two or three acoustic songs

578
00:41:39,039 --> 00:41:40,480
on top of that, So we have we have a lot.

579
00:41:40,559 --> 00:41:43,840
We've got about twenty twenty or twenty five oh that

580
00:41:43,880 --> 00:41:45,519
we've that we've got floating around.

581
00:41:45,559 --> 00:41:47,480
Speaker 6: Oh that's great. Yeah, with that many, is it hard

582
00:41:47,519 --> 00:41:48,159
to write us out list?

583
00:41:48,199 --> 00:41:49,880
Speaker 17: If you're in a situation where like say you've got

584
00:41:49,880 --> 00:41:52,559
an hour of time to fill, obviously you can't play

585
00:41:52,599 --> 00:41:52,920
all of those.

586
00:41:53,079 --> 00:41:53,400
Speaker 31: Yeah, it was.

587
00:41:53,400 --> 00:41:55,119
Speaker 6: It difficult to decide with that much material.

588
00:41:55,280 --> 00:41:57,440
Speaker 31: Honestly, the biggest part of it is like who's there?

589
00:41:57,599 --> 00:42:00,280
You know, oh that makes there and who knows so,

590
00:42:00,480 --> 00:42:02,199
and then I may kind of create a set list

591
00:42:02,239 --> 00:42:05,079
based upon who shows up. We've spent a lot of

592
00:42:05,119 --> 00:42:07,079
time making sure that everybody knows a little bit of everything,

593
00:42:07,280 --> 00:42:08,840
but still it kind of we kind of run into

594
00:42:08,880 --> 00:42:11,159
that sometimes, so we gear our sets on on who's

595
00:42:11,159 --> 00:42:12,840
there and who's ready to show up that day.

596
00:42:12,920 --> 00:42:14,280
Speaker 6: Ye, that makes sense. That makes sense.

597
00:42:16,119 --> 00:42:18,239
Speaker 17: So now where where should people go online to keep

598
00:42:18,280 --> 00:42:21,159
up with everything that Cosmic Blossom is doing and the

599
00:42:21,239 --> 00:42:23,119
music that you have out and and I assume this

600
00:42:23,199 --> 00:42:25,199
is all on Spotify everything that Yeah released so far,

601
00:42:25,480 --> 00:42:28,719
including including I know this is pot off the press halfway.

602
00:42:28,360 --> 00:42:29,599
Speaker 6: There is that on Spotify as well?

603
00:42:29,719 --> 00:42:31,360
Speaker 31: Oh yeah, yeah, absolutely, yeah, I went up a few

604
00:42:31,360 --> 00:42:33,920
weeks ago. That's on all major streaming platforms. We're on

605
00:42:34,000 --> 00:42:35,360
all all the singles that we have are on all

606
00:42:35,400 --> 00:42:39,159
major streaming platforms. You can go to our website Cosmic Block,

607
00:42:39,199 --> 00:42:42,239
the Cosmic Blossom Collective dot com. You can find us

608
00:42:42,280 --> 00:42:45,199
on Facebook, Instagram, all that reach us to reach out

609
00:42:45,239 --> 00:42:47,639
to us there and we'll we'll talk to you that way.

610
00:42:47,719 --> 00:42:47,920
Speaker 6: Yeah.

611
00:42:47,960 --> 00:42:51,440
Speaker 17: Yeah, outstanding And who is so other than other than

612
00:42:51,519 --> 00:42:54,000
Gary is and of course Meg you have Dog a

613
00:42:54,159 --> 00:42:56,920
Dog and Ryan do you have other projects that you

614
00:42:57,000 --> 00:42:57,559
play in as well?

615
00:42:57,679 --> 00:42:58,199
Speaker 6: Or well?

616
00:42:58,400 --> 00:43:00,559
Speaker 29: Idly enough, I'm in another project carry.

617
00:43:02,639 --> 00:43:03,599
Speaker 6: I found that shocking.

618
00:43:04,440 --> 00:43:08,960
Speaker 29: I know, it's like ye met him and Bob Dwire

619
00:43:09,039 --> 00:43:13,519
are RGB trio. Yeah, you know Bob's been on the show. Yeah, yeah,

620
00:43:13,519 --> 00:43:15,400
you know, and you guys from you guys have known.

621
00:43:16,280 --> 00:43:19,360
Speaker 17: Yeah yeah, actually now to mention it, yeah yeah yeah,

622
00:43:19,800 --> 00:43:24,079
what was so that's RBG Trio is RGB RGB trip. Sorry,

623
00:43:24,119 --> 00:43:27,599
I think I'm suffering from adult on set to sle Okay,

624
00:43:28,039 --> 00:43:30,280
very cool? And then uh and what about you Nick?

625
00:43:30,320 --> 00:43:32,119
Speaker 31: You might do you have other stuff that you've got

626
00:43:32,199 --> 00:43:34,639
going to my original band that I formed with Brad

627
00:43:35,039 --> 00:43:37,960
the the Core group. There we are in a band

628
00:43:38,000 --> 00:43:39,639
called earth Mark, and we're more of like a progressive

629
00:43:39,719 --> 00:43:41,199
rock kind of group. And yeah, we've been around for

630
00:43:41,239 --> 00:43:44,039
a little while. Okay, okay, god, we've been playing around

631
00:43:44,079 --> 00:43:44,960
for like twelve years now.

632
00:43:45,880 --> 00:43:49,079
Speaker 6: Earthmark is a very prog rock name. Yeah.

633
00:43:49,119 --> 00:43:50,840
Speaker 31: Actually I didn't even know how we came up with that.

634
00:43:50,960 --> 00:43:51,320
It's cool.

635
00:43:51,360 --> 00:43:53,639
Speaker 6: Well I like it. I like it a lot. Yeah, yeah,

636
00:43:53,960 --> 00:43:58,360
that's that's very cool. Well, we got a We're approaching

637
00:43:58,400 --> 00:43:59,960
the top of the hour, so we should be get

638
00:44:00,079 --> 00:44:01,960
to wrap up. But thank you all for joining us.

639
00:44:02,000 --> 00:44:03,760
This has been amazing. Thank you so much.

640
00:44:04,360 --> 00:44:06,519
Speaker 17: Love hearing you play live. We'll do it again, and

641
00:44:06,599 --> 00:44:08,079
you know, and anything new of course that you've got

642
00:44:08,119 --> 00:44:11,000
coming out as far as studio tracks. We will always uh,

643
00:44:11,400 --> 00:44:13,719
we'll always give them a spin here. I think I

644
00:44:13,840 --> 00:44:15,719
know we opened the show with it, but I love

645
00:44:15,760 --> 00:44:18,519
it so much, I think we should also end uh

646
00:44:18,599 --> 00:44:20,960
the segment with we should give this another spin?

647
00:44:21,239 --> 00:44:24,000
Speaker 6: Uh dream come true. I really love this song a lot.

648
00:44:24,239 --> 00:44:24,679
Speaker 31: Thanks man.

649
00:44:24,880 --> 00:44:25,039
Speaker 20: Yeah.

650
00:44:25,159 --> 00:44:25,320
Speaker 2: Who.

651
00:44:25,679 --> 00:44:28,760
Speaker 17: By the way, so these these songs like who are

652
00:44:28,840 --> 00:44:30,400
the kind of the primary songwriters?

653
00:44:30,519 --> 00:44:31,719
Speaker 6: Or is it Nick?

654
00:44:31,840 --> 00:44:31,880
Speaker 19: Is?

655
00:44:32,159 --> 00:44:32,320
Speaker 12: Nick?

656
00:44:32,920 --> 00:44:35,199
Speaker 32: He's an amazing song right, Like, we'll just start jamming.

657
00:44:35,239 --> 00:44:37,119
He'll come up with words off the top of his head,

658
00:44:37,199 --> 00:44:39,280
like melodies, like he like improvises songs.

659
00:44:39,440 --> 00:44:41,840
Speaker 29: It's crazy. Really, I've never seen anyone do it. It's

660
00:44:42,079 --> 00:44:43,199
thanks crazy yeah.

661
00:44:43,400 --> 00:44:47,039
Speaker 6: Yeah, no, great great stuff. Everything, everything you've got going

662
00:44:47,159 --> 00:44:47,440
is great.

663
00:44:47,480 --> 00:44:47,920
Speaker 31: So thank you.

664
00:44:48,159 --> 00:44:49,239
Speaker 6: We'll give this another spin.

665
00:44:49,320 --> 00:44:51,400
Speaker 17: Then we're going to show some love to our amazing sponsors.

666
00:44:51,440 --> 00:44:54,400
And then if you are listening live on Saturday, coming

667
00:44:54,480 --> 00:44:57,039
up next in our number two new Marrow dose, we

668
00:44:57,079 --> 00:44:59,960
have the pop farmers here with us because Saint Patrick

669
00:45:00,079 --> 00:45:02,760
Day is coming right, it is soon, right, I should

670
00:45:02,760 --> 00:45:04,239
know this. I'm irish, but I don't dream, so it

671
00:45:04,320 --> 00:45:09,599
doesn't matter. Shout out the absolutely absolutely all right, here

672
00:45:09,679 --> 00:45:11,719
we go. This is once again this is really good.

673
00:45:11,760 --> 00:45:14,800
This is a dream come true by Cosmic Blossom.

674
00:45:15,480 --> 00:45:15,760
Speaker 12: M h.

675
00:45:32,400 --> 00:45:47,199
Speaker 4: It's a dream true, dream dream come true. It's a

676
00:45:47,320 --> 00:45:56,159
dream true, dream true.

677
00:45:57,599 --> 00:45:59,360
Speaker 8: It's like a dream come true.

678
00:46:01,239 --> 00:46:06,320
Speaker 4: It's like living in a movie. It's just me, you.

679
00:46:08,840 --> 00:46:10,519
Speaker 8: Like the way that it should be.

680
00:46:12,159 --> 00:46:13,800
Speaker 25: All that's ship we have been through.

681
00:46:15,679 --> 00:46:17,400
Speaker 10: It's so fairly hard.

682
00:46:19,360 --> 00:46:20,800
Speaker 23: It's just me and you.

683
00:46:21,360 --> 00:46:24,159
Speaker 8: Don't you know, don't you know? Don't you ad?

684
00:46:30,280 --> 00:46:34,960
Speaker 10: No, I am no more crying to me a dollar dollar,

685
00:46:37,800 --> 00:46:38,719
just pron.

686
00:46:38,559 --> 00:46:41,599
Speaker 4: To see a smile on your face for dollars.

687
00:46:44,880 --> 00:46:49,719
Speaker 12: And I know sometimes it bess like the sky is falling,

688
00:46:52,079 --> 00:46:52,880
no matter.

689
00:46:52,800 --> 00:46:56,280
Speaker 13: What we've been No, it's just man, and it's a

690
00:46:56,440 --> 00:46:57,960
dream called true.

691
00:47:04,280 --> 00:47:07,199
Speaker 4: Is a dream is a dream, a dream is a

692
00:47:07,320 --> 00:47:08,880
dream come true.

693
00:47:11,400 --> 00:47:21,280
Speaker 3: It's a dream, is a dream true? It's a dream.

694
00:47:21,400 --> 00:47:23,400
Speaker 4: It is a dream true.

695
00:47:24,880 --> 00:47:26,719
Speaker 13: It's like a dream come true.

696
00:47:28,440 --> 00:47:37,119
Speaker 8: It's like a it's joking, not the way that it

697
00:47:37,280 --> 00:47:41,239
should be. Allthisly been true.

698
00:47:43,000 --> 00:47:48,199
Speaker 13: It's so far behind, no matter what we've been through,

699
00:47:48,639 --> 00:47:50,079
don't you know, don't you know?

700
00:47:50,599 --> 00:47:51,679
Speaker 8: Don't you know? It's a.

701
00:47:57,639 --> 00:48:12,800
Speaker 4: Ah, No, I am not. That's serious brass. And then

702
00:48:13,039 --> 00:48:19,800
as tisn't make feel at the skies fall no pun

703
00:48:19,880 --> 00:48:24,119
of the women was just paid to the change.

704
00:49:45,559 --> 00:49:52,079
Speaker 8: But yeah, o.

705
00:50:00,960 --> 00:50:20,159
Speaker 5: Oh wow wow wow wow, oh wow wow wow.

706
00:50:40,480 --> 00:50:44,840
Speaker 4: It's a dreading. Its dream. It's a dream. It's a dreaming. Come,

707
00:50:48,519 --> 00:50:52,360
it's a dream. It's a drea. It's agree, it's a dreaming.

708
00:50:52,519 --> 00:50:59,840
P sure, it's a dream. It's are it's agree, it's a.

709
00:51:29,320 --> 00:51:34,440
Speaker 5: Yeah yeah.

710
00:51:36,840 --> 00:51:36,960
Speaker 18: Yo.

711
00:51:37,480 --> 00:51:40,880
Speaker 34: It's a show down, kind of tending the booth, feasting

712
00:51:40,960 --> 00:51:42,159
on the beef, spitting.

713
00:51:41,920 --> 00:51:44,800
Speaker 25: Nothing but the truth, unleashed like a lion raiding.

714
00:51:44,639 --> 00:51:48,239
Speaker 34: Your wavesy prows, Hammer fell flat, couldn't take the grouse.

715
00:51:48,400 --> 00:51:52,039
Speaker 20: Mac Conna send Victor ree sight, Mike gon fire brock

716
00:51:52,159 --> 00:51:55,840
casting all night, unleashed like a t shark with the nests,

717
00:51:56,199 --> 00:51:57,239
hammer couldn't.

718
00:51:56,960 --> 00:52:01,920
Speaker 34: Touch Conasons the best MC hammer, but not with the flare.

719
00:52:02,039 --> 00:52:04,639
Speaker 4: Connorton dropped bars, left him in despair.

720
00:52:04,800 --> 00:52:09,039
Speaker 34: Radio Kingpin the dials don't lie, beat too fresh made

721
00:52:09,079 --> 00:52:12,119
the hammer cry unleash that could win through the air

722
00:52:12,239 --> 00:52:15,360
waves with the men, the win that the people craved

723
00:52:15,599 --> 00:52:19,159
from the headphones down into the streets. A legend on

724
00:52:19,239 --> 00:52:22,480
the mic, claiming the beats Matt Connington.

725
00:52:22,320 --> 00:52:26,519
Speaker 20: To reincite Mike go on fire Broadcasting all night unleashed

726
00:52:26,599 --> 00:52:29,880
like a tiger sharp with the nets hammer couldn't touch

727
00:52:30,000 --> 00:52:33,599
Connor Tin's the best came for the clash, but it

728
00:52:33,880 --> 00:52:37,639
ended a route. Matt Connorton unleashed without a doubt took

729
00:52:37,679 --> 00:52:41,559
the crown. No gimmicks just skill hammer's out of tricks.

730
00:52:41,840 --> 00:52:42,840
Connor Ten's chill.

731
00:53:21,119 --> 00:53:25,760
Speaker 6: Yeah, yeah, that.

732
00:53:26,559 --> 00:53:29,280
Speaker 34: Comment tane for the class, but it ended a route

733
00:53:29,679 --> 00:53:32,679
that kind of tint unleased without a doubt to the crown,

734
00:53:33,360 --> 00:53:37,400
No gimmicks, just skill hammers out of tricks. Contertense chill.

735
00:53:48,079 --> 00:54:23,119
Speaker 35: Sure, yeah, it came for the clash, but it didn't

736
00:54:23,159 --> 00:54:26,400
did about Matt kind of said, at least without.

737
00:54:26,119 --> 00:54:27,239
Speaker 3: A doubt the crown.

738
00:54:27,920 --> 00:54:29,480
Speaker 31: No gimmicks, just skill.

739
00:54:29,599 --> 00:54:30,679
Speaker 25: Ham is that of tricks?

740
00:54:31,000 --> 00:54:31,840
Speaker 31: Kind of sense.

741
00:54:31,719 --> 00:54:49,679
Speaker 33: Chilly Eddy here, buddy one, Emelia Dell.

742
00:54:57,159 --> 00:55:01,239
Speaker 28: Came for the clash, but it didn't about Mat Contitson,

743
00:55:01,519 --> 00:55:05,599
un least without intew so the Crown no gimmicks, just

744
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skill hammersuded tricks Conitshill.

745
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Speaker 27: Night to Light with DJ bidis right here on WMNH Manchester.

786
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Speaker 4: You want to know why because Saturdays and Sunday nights

787
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midnight to four am.

788
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Speaker 1: This hour on WMNH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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795
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Speaker 30: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP the sonic heart

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beats of Manchester. The transcending through the ether a ninety

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five point three megahertz frequency modulation. Our transmissions m ANDA

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from the ZF of one thousand Elm Streets insur into

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the hearts of our creative realm at one nineteen Canal Street,

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where innovation and sound columns. They're the impromoter of Manchester

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Public Television Service in the venerable city of Manchester, New Hampshire, USA.

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Enrich your auditory journey with the depth of our license

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to wesnond SSPT your missives. Do w m n H

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ninety five three at gmail dot com, or to reverse

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the virtual corridors of w m n hradio dot org.

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Engage with our sonic vibrations by communing with us through

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the digital channel.

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Speaker 4: Our radio beconds, eager to.

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Speaker 30: Enthrall you with its mesmerizing kiddence and develop you with

811
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a symphony of foundless auditories.

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Speaker 25: One dude, w m n H rip the novels.

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Speaker 2: This is Eleanor Langthorne from Vices Inc. And you're listening

814
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to Matt Connorton Unleashed on ninety five point three.

815
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Speaker 36: W m n H.

816
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Speaker 31: You're listening to wmn H