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<v Speaker 1>Weary.

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<v Speaker 2>Wait, welcome back, midnight viewers.

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<v Speaker 3>Well, okay, listen. If you're listening on the Patreon channel,

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<v Speaker 3>first of all, thank you for your continued patronage, and

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<v Speaker 3>you're listening to Cable Box Theater. If this is the

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<v Speaker 3>regular feed and you're listening to this for free, this

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<v Speaker 3>is a show called HP Hates Me. We're tonight we're

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<v Speaker 3>looking at a program now from the Cable Box Theater

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<v Speaker 3>point of view. We like to take shows that were

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<v Speaker 3>theatrical shows that were filmed and then presented on cable

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<v Speaker 3>and this fits the bill. It was recorded. It is

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<v Speaker 3>a live theatrical performance that aired on HBO on August

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<v Speaker 3>the ninth, nineteen eighty six. Tonight, we are looking at

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<v Speaker 3>Billy Crystal Don't Get Me Started, also known as the

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<v Speaker 3>Billy Crystal Special. I don't know.

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<v Speaker 4>I don't know if there's enough here.

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<v Speaker 3>For a show. Are you kidding me?

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<v Speaker 1>We got tons of footage. We got tons of footage here.

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<v Speaker 4>Yeah, madam, people aren't even gonna know what this show's about.

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<v Speaker 5>Laura, will you explain it to than We explained that

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<v Speaker 5>you were going to do a special. You rented a

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<v Speaker 5>big house, you had all the cast members come over

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<v Speaker 5>there I went and documented the whole thing with my

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<v Speaker 5>documentary film crew. I mean, you just explain that to him.

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<v Speaker 3>I don't know what it's beautiful.

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<v Speaker 5>We'll get to see these characters in a deeper light

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<v Speaker 5>and with with with more nuance and more depth. I mean,

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<v Speaker 5>it's it's a chance to really get the I mean,

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<v Speaker 5>I think we only scratched.

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<v Speaker 3>The surface of the first time.

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<v Speaker 6>It sounds like a cheap way to make money.

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<v Speaker 3>Well it is that too, wouldee.

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<v Speaker 6>It's different to.

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<v Speaker 4>Me, and rather, it's not the money that I'm interested in.

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<v Speaker 4>It's it's it's the.

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<v Speaker 3>Art, ye say. Well, that's where we differ.

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<v Speaker 5>I think money is part of the art. It's the

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<v Speaker 5>art of making money. See, the thing is, we got

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<v Speaker 5>all this footage. It's already shot. All we have is

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<v Speaker 5>the course of the editing. Right, that's no big deal.

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<v Speaker 5>We make a cable deal with HBO.

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<v Speaker 6>There you go.

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<v Speaker 4>Well, let's take a look at what you got.

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<v Speaker 3>This is directed by Billy Crystal and Paul Flaherty, written

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<v Speaker 3>by Dick Blasucci, Billy Crystal, Paul Flaherty, and uncredited work

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<v Speaker 3>by Rob Ryan or Stone, Billy Crystal, mainly Rob Reiner

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<v Speaker 3>as Marty de Berghie his second appearance as Marty de Berghie.

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<v Speaker 3>Is this the second official appearance? Do you think I.

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<v Speaker 6>Think it was? I think this is. I mean I

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<v Speaker 6>mentioned to you I saw this before I saw Spinal Tap,

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<v Speaker 6>so going back, I was like, wow, this is like

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<v Speaker 6>the lost link between Tap and Billy Crystal's SNL sojourn.

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<v Speaker 6>So yeah, this was anyway, short story long this, I

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<v Speaker 6>believe this was the only the second time we see

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<v Speaker 6>Marty de Burgie.

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<v Speaker 3>Speaking of Spinal Tap, Also starring Christopher Guest, Eugene the Levy,

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<v Speaker 3>Theodor Gottlieb. That's brother Theodor for those of you who

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<v Speaker 3>don't know. In fact, if you don't know Brother Theodor,

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<v Speaker 3>what are you doing here? Also with Mark Shaman as

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<v Speaker 3>a piano player and Billy Crystal and Billy Crystal and

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<v Speaker 3>Billy Crystal because he plays multiple roles HB. The question remains,

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<v Speaker 3>why do you hate me?

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<v Speaker 6>Don't get me started now this. I don't remember how

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<v Speaker 6>I came across this recently. Maybe you can refresh my memory.

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<v Speaker 6>We were communicating back and forth and I don't know

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<v Speaker 6>how the subject came up. Maybe I just went down

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<v Speaker 6>a YouTube rabbit hole. But at any rate, I I

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<v Speaker 6>back then this would have been eighty six, so I

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<v Speaker 6>was we were thirteen years older thereabouts, and the VCR

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<v Speaker 6>for us was everything. I would tape everything on the VCR, movies,

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<v Speaker 6>TV specials, you name it, and I remember videotaping this

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<v Speaker 6>and rewatching it. But I had mentioned to you that

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<v Speaker 6>watching this and this is available free on YouTube. By

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<v Speaker 6>the way, there was no real effort expended to find this.

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<v Speaker 3>That is a hallmark of cable box theater. Everything we

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<v Speaker 3>review can easily be seen, so don't pretend you can't

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<v Speaker 3>go watch this.

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<v Speaker 6>Yeah, they're very little effort expended. But the thing that

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<v Speaker 6>I quoted to you, that I messaged you, I said,

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<v Speaker 6>watching this all these years later is I felt like

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<v Speaker 6>somebody who had amnesia and they suddenly remembered everything, like

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<v Speaker 6>they got their memory back, because things, line, readings, shots,

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<v Speaker 6>scenes all came rushing back to me. These are things

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<v Speaker 6>that I haven't thought about in forty years. Almost eighty

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<v Speaker 6>six were coming up on forty years. So it was

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<v Speaker 6>a remarkable experience, to be sure. But to try to

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<v Speaker 6>answer your question, of course, I don't hate you, but

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<v Speaker 6>I had to spread the gospel of this because the

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<v Speaker 6>fact that we're on the precipice of a new Spinal

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<v Speaker 6>Tap sequel. It seemed very current and appropriate to delve

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<v Speaker 6>into this lost piece of the mythology where you have

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<v Speaker 6>Marty de Berghie, who of course was the fictional director

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<v Speaker 6>of Spinal Tap. So I was just delighted by the

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<v Speaker 6>fact that he's in this and it's shot in a

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<v Speaker 6>mockumentary format. Although I'm not sure how much of it

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<v Speaker 6>was actually improvised. I suspect most of it was written,

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<v Speaker 6>but I just I was charmed by it and I

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<v Speaker 6>wanted to see what you thought, So that was the

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<v Speaker 6>genesis of this.

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<v Speaker 3>I think the improvisational parts that made it to the

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<v Speaker 3>screen are the only funny parts of this special. Here's

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<v Speaker 3>what I'll say, Okay, round about nineteen eighty six, Billy Crystal.

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<v Speaker 3>In fact, everyone here, basically, in one way or another,

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<v Speaker 3>seemed to have had a resurgence thanks to their appearances

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<v Speaker 3>on Saturday Night Live. Christopher Guest and Billy Crystal were

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<v Speaker 3>both cast members on Basically it seems like they finished

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<v Speaker 3>their season on Saturday Night Live and then made this.

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<v Speaker 3>I don't know if that's the time works out there,

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<v Speaker 3>but anyway, so I watched every one of Billy Crystal's specials.

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<v Speaker 3>I remember the one previous to this one a whole

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<v Speaker 3>lot better than this one actually, which is a much

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<v Speaker 3>more straightforward, hour long one man show. This is not

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<v Speaker 3>that this is part of a Broadway part of a

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<v Speaker 3>one man's show, and then a bunch of filler to

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<v Speaker 3>fill out the hour. Basically, he was a.

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<v Speaker 6>Weird hybrid for sure, and I for me I at

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<v Speaker 6>the time, I remember I had Billy Crystal. He had

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<v Speaker 6>a comedy album called Billy Crystal Marvelus, and that featured

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<v Speaker 6>the song you Look Marvelous, which I think Paul Schaeffer

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<v Speaker 6>was involved in. I think he might have performed and produced.

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<v Speaker 6>But nevertheless, I was very aware of his stand up.

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<v Speaker 6>I mean I saw him on SNL and I knew

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<v Speaker 6>him from Soap. He was in Soap when I was

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<v Speaker 6>a little kid. But he certainly was on the rise,

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<v Speaker 6>and I think the Marvelous album was a precursor to that. Shortly,

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<v Speaker 6>I think I'm trying to think when it probably came

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<v Speaker 6>out in eighty six, actually that's probably about the time

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<v Speaker 6>it came out. But then all of a sudden he

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<v Speaker 6>got on a roll. He was in Running Scared, that

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<v Speaker 6>movie with Gregory Hines from the Train.

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<v Speaker 3>We should review this on We could potentially call this

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<v Speaker 3>show Crystal Clear, Crystal Fest, no Crystal.

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<v Speaker 6>It really this kind of presaged a real I don't

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<v Speaker 6>want to call it a renaissance because but it was

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<v Speaker 6>because he had been doing this for so long and

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<v Speaker 6>yet here he was having this sort of second act

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<v Speaker 6>as a comic actor, dramatic actor in some cases, and

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<v Speaker 6>a director. So it was like the second coming of

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<v Speaker 6>Billy Crystal, if you will. And this really was the flashpoint,

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<v Speaker 6>if you will, this these specials, but this one in particular,

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<v Speaker 6>I thought of that way Billy with the crystal plumage,

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<v Speaker 6>always going back to.

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<v Speaker 3>Argente.

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<v Speaker 6>That's it, Argento. I was gonna I was going to

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<v Speaker 6>talk about.

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<v Speaker 3>Nevermind, Harlan Ellison. I love Harlan Ellison.

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<v Speaker 6>Harlan Ellison, That's what I was going to say.

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<v Speaker 3>That's a weird one to go to anyway. Weird, right.

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<v Speaker 3>So the conceit here is that, just like Spinal Tap,

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<v Speaker 3>the conceit in Spinal Tap is that filmmaker Marty de

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<v Speaker 3>Bergie has heard that Spinal Tap are going back on

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<v Speaker 3>tour after an absence of some time, and now he

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<v Speaker 3>wants to document that and now he's gotten away from

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<v Speaker 3>documentaries and an attempt to make I wish I knew

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<v Speaker 3>what that? Do you know the title of the movie

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<v Speaker 3>he made? Like in between he says it at the

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<v Speaker 3>beginning of this.

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<v Speaker 6>Attack of the Busty Women or something. It's implied that

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<v Speaker 6>it's like something softcore.

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<v Speaker 5>Perhaps I said to myself, Marty, it's time to move

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<v Speaker 5>out of that documentary bag and stretch yourself, get into

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<v Speaker 5>feature films.

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<v Speaker 6>And I've done that. I just finished my.

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<v Speaker 5>First feature, The Attack of the Full Figured Gals, which

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<v Speaker 5>I understand the studio is holding for Academy consideration.

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<v Speaker 6>So the documentary world was behind me.

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<v Speaker 3>And so now he hears that Billy Crystal is going

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<v Speaker 3>to be doing this live special and wants to He's

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<v Speaker 3>gotten the documentary bug. He's going to film the lead

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<v Speaker 3>up to the special, and in that vein, I guess

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<v Speaker 3>I'm doing the plot here hps is where it's okay.

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<v Speaker 3>So Billy Crystal has gotten this rehearsal mansion basically where

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<v Speaker 3>he's gathered together this group of performers and hangers on,

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<v Speaker 3>and well it starts at a party and then they

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<v Speaker 3>show everyone away who isn't inv special but give us

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<v Speaker 3>some of give us some of our guests, would you.

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<v Speaker 6>So the guests are Eugene Levey plays a producer. His

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<v Speaker 6>name is Morty Arnold, and it's just an excuse for

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<v Speaker 6>him to do his oily New York stick. He doesn't

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<v Speaker 6>Eugene Levey doesn't have a ton to do. But he's

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<v Speaker 6>fine Eugene Levy. But the people that come to attend this,

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<v Speaker 6>and these are all people that are supposed to help

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<v Speaker 6>him write this and perform this special. So first of all,

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<v Speaker 6>I guess in order of stardom, it's Billy Crystal doing

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<v Speaker 6>Sammy Davis Junior. We'll get to the problematic bit there,

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<v Speaker 6>and it is a problem.

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<v Speaker 3>There's no, it's not the only one, not the only one.

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<v Speaker 3>Can you dig it?

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<v Speaker 6>I know that you can not by a long shot.

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<v Speaker 6>So there's Sammy brother Theodore, as you mentioned, brother Theodor

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<v Speaker 6>playing himself. We'll talk about him. Chip dement to Bella,

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<v Speaker 6>which is Clair. It's Corky Saint Claire A Jason I.

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<v Speaker 6>This might actually be the same choreographer from the Synchronized

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<v Speaker 6>Swimming definitely is. They never say his name.

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<v Speaker 3>And then let's say you were to point at each other,

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<v Speaker 3>you're doing the same thing, aren't you.

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<v Speaker 6>No, you're not angry at him. No, you're just pointing

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<v Speaker 6>at him, right, Hey you, I know you. I know you.

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<v Speaker 6>But it's basically the same. Hey you, I know you.

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<v Speaker 6>That's him. He's gonna be the choreographer. He's he works

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<v Speaker 6>with Sammy in this Buddy Young Junior, which is another

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<v Speaker 6>of Billy Crystal's characters. This might even be the first

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<v Speaker 6>appearance of Buddy Young Junior. He's essentially he's an old

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<v Speaker 6>borsch belt comic.

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<v Speaker 3>And mister Saturday Night. It's this weird obsession of his

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<v Speaker 3>with the Boris Beelt comedians and paying tribute to. Billy

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<v Speaker 3>Crystal is always paying tribute to everything of his fucking childhood,

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<v Speaker 3>and this Buddy Young character, this bane of our existence,

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<v Speaker 3>this unfunny bor spelt like like sub Don Rickles like

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<v Speaker 3>he's like an insult comic kind of Yeah he is.

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<v Speaker 6>But I heard you say, mister Saturday Night. Do you

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<v Speaker 6>mean the Oscar nominated picture Mister Saturday Night Father Malone? Yeah,

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<v Speaker 6>because David Paymer was nominated as Best Supporting Actor for

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<v Speaker 6>I'm as surprised as anybody to remember that because it

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<v Speaker 6>wasn't a very well received movie he directed, He wrote

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<v Speaker 6>and directed and started it. It was his passion project.

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<v Speaker 6>But this might very well be, like I said, the

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<v Speaker 6>first appearance of Buddy Young Junior, he might have been

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<v Speaker 6>on SNL as one of his characters.

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<v Speaker 3>Probably he probably showed up on some special he did

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<v Speaker 3>in the early seventies or something to late seventies or

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<v Speaker 3>something like this.

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<v Speaker 6>Yeah, it's probably. That's probably the most fully formed of

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<v Speaker 6>the characters that we see involved in this sort of

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<v Speaker 6>I don't know this mansion that they're workshopping all of

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<v Speaker 6>this material on, but those are the people that have

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<v Speaker 6>been gathered to work on this special. Now, I want

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<v Speaker 6>to talk a little bit before we get into the

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<v Speaker 6>actual like nuts and bolts of it. You would you

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<v Speaker 6>talked a little bit about Brother Theodore.

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<v Speaker 3>Yes, fascinating.

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<v Speaker 6>I admit I knew and still don't know much about

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<v Speaker 6>Brother Theodore. My memory of him at the time was

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<v Speaker 6>he was a recurring guest. He was a frequent guest

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<v Speaker 6>on The David Letterman, which I was watching religiously around

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<v Speaker 6>this time. But much like Harvey Peacarr, who I had

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<v Speaker 6>no idea who he actually was, I only knew him

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<v Speaker 6>as this, you know, grumpy, angry guy that would be

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<v Speaker 6>on Letterman every once in a while. Brother Theodore was

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<v Speaker 6>basically in the same vein he was this. I saw

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<v Speaker 6>him as this sort of Germanic, angry street preacher esque

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<v Speaker 6>guy that would just basically shout at Dave and just

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<v Speaker 6>be generally truculent and unhappy. You seem to know more

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<v Speaker 6>about the actual Brother Theodore and his stick. Can you

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<v Speaker 6>elaborate on who he was and what he represented? No,

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<v Speaker 6>for sure, you were gonna say, well, he was a

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<v Speaker 6>performance comic from blah blah blah.

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<v Speaker 3>Here's what I know about Brother Theodore. Here's what I

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<v Speaker 3>knew about Brother Theodore. By the time this special rolled around,

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<v Speaker 3>I recognized his voice instantly because I was a fan

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<v Speaker 3>of those Pobbit and Return of the King animations, the

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<v Speaker 3>rankin and bass covers of the adaptations of the Token.

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<v Speaker 3>Thinks he was Gollum in those.

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<v Speaker 6>Good God really, Oh yeah, it is tricksy.

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<v Speaker 1>It says he doesn't know the way out, but it

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<v Speaker 1>knows the way, my precious, it must no that way out.

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<v Speaker 3>And you know, it's a great voice as Gollum. It's oh,

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<v Speaker 3>it's so wonderful. So I knew him from that, and

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<v Speaker 3>I knew him from the Letterman appearances, and that's on.

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<v Speaker 3>Then eventually, when I think of brother Theodore, now I

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<v Speaker 3>think of the verbs because he's one of the Klopex.

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<v Speaker 6>Right, but that all stemmed from him his odd ball

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<v Speaker 6>appearances on Letterman more than right.

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<v Speaker 3>So where did he come from? I have no idea,

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<v Speaker 3>and I do not intend to know.

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<v Speaker 6>It's better him being a mystery, isn't it a little

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<v Speaker 6>bit I time to think of it.

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<v Speaker 3>Now, He's one of the few mysteries left in my life,

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<v Speaker 3>I think, so I intend to keep him that way.

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<v Speaker 6>Oh one guest I neglected to mention because he never

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<v Speaker 6>actually makes it to this gathering. It's Fernando. I talked

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<v Speaker 6>about the marvelous album Billy Crystal's biggest recurring character on SNL,

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<v Speaker 6>I think we can all agree was Fernando's Hideaway, which

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<v Speaker 6>was a he was doing Fernando Lamas basically, I think,

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<v Speaker 6>without actually calling him Lamas, he was you know, Spanish

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<v Speaker 6>sort of bone Latin lover.

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<v Speaker 3>Yeah, I like, but an aged one. He's got silver

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<v Speaker 3>hair and he's basically talking about the past. Now everything

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<v Speaker 3>is crazy, go nuts more doing.

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<v Speaker 4>I'm in the desert near a town called rizom speed.

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<v Speaker 3>Yeah.

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<v Speaker 4>I spent last night with the last remaining members of

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<v Speaker 4>the Great Peace March. We had the Hobo Steward.

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<v Speaker 6>It was pretty nice.

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<v Speaker 4>I'll tell you that right now. Listen more. I don't

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<v Speaker 4>think I can get there tomorrow. Even if I could,

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<v Speaker 4>my agent and his infinite lack of wisdom and hide

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<v Speaker 4>had booked me to do the Hands across America too.

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<v Speaker 4>I got to be in Missouri holding hands with Peter

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<v Speaker 4>Lupez from the Mission Impossible and Rodney Allen Rippey, who

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<v Speaker 4>got so big people are going to think it's going

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<v Speaker 4>Mitchell or something.

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<v Speaker 6>Yeah, And he would always there was his catch for.

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<v Speaker 3>So it's better to look good than to feel good.

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<v Speaker 6>Than to feel good. And he periodically during this mockumentary

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<v Speaker 6>part of the special, he will he's he gets lost

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<v Speaker 6>driving to this mansion and he'll call and say, Dolling,

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<v Speaker 6>I don't know where I am, and he'll you know,

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<v Speaker 6>it'll be a little bit of a comedy.

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<v Speaker 3>With the tribe. They want to use the payphone.

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<v Speaker 6>So so he is yet another character that Billy Crystal

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<v Speaker 6>is doing. So they all gather and it's I think

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<v Speaker 6>you're right. The stuff that you can tell is improvised.

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<v Speaker 6>There is some stuff I know. When Rob Marty de

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<v Speaker 6>Berghi is interviewing Buddy Young Jr. I am positive that

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<v Speaker 6>he's actually delivering this comedy in the moment, because Rob,

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<v Speaker 6>I keep saying, Rob Brander de Berghie's reaction is so genuine.

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<v Speaker 6>He's actually laughing, real laughter, reacting really amused. He's acting

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<v Speaker 6>very amusedly to his antics.

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<v Speaker 4>See, this is what we're talking off the top of

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<v Speaker 4>my head. What's left of it that decided to recede

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<v Speaker 4>around nineteen I'll tell you that suddenly wake up on

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<v Speaker 4>my fod my neck. Are the same guy? It took

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<v Speaker 4>me four hours to wash my face. I said, what

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<v Speaker 4>the hell is this? I look doesn't ask what eyes?

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<v Speaker 1>Hey?

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<v Speaker 4>Oh the hell no that I gotta ask what eyes?

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<v Speaker 4>I look like Daddy Wallbucks. I don't know whether to

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<v Speaker 4>wash my head, A'll wipe it.

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<v Speaker 1>It's nuts.

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<v Speaker 4>Getting old is awful. I got a prostatect the size

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<v Speaker 4>of a void basketball. Now I just sit around. It

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<v Speaker 4>takes me an now what a pipe like a guy's studs?

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<v Speaker 3>It's awful.

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<v Speaker 4>This is what your kids at home have to look forward.

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<v Speaker 6>To, so that at least I know it is genuine

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<v Speaker 6>so clearly is also a fan of that type of

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<v Speaker 6>Boris Belt comedity.

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<v Speaker 3>He remembers them fondly, probably from his childhood, so he

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<v Speaker 3>thinks that's hilarious. I'm glad somebody found that character, Fronnie. Yeah,

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<v Speaker 3>but I agree with you. It's clear that he that's

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<v Speaker 3>Rob Ryaner like genuinely enjoying himself and he's.

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<v Speaker 6>Laughing like it's not just a fake haha. He's really

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<v Speaker 6>having a ball watching Billy do his thing. But one

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<v Speaker 6>thing leads to another. I'm just gonna give you the

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<v Speaker 6>nutshell and then we'll delve into the actual like nuts

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<v Speaker 6>and bolts of what was so off about this thing.

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<v Speaker 6>Eventually things fall apart. Buddy Young Junior's mother in law dies,

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<v Speaker 6>so he has to leave this enclave. Then Chip Dementabella

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<v Speaker 6>is working with Brother Theodore and Sammy and he's given them.

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<v Speaker 6>They're doing Who's On First? They're doing their version of

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<v Speaker 6>Who's On First, and Brother Theodore gets so upset by

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<v Speaker 6>the madness of it all that he hits Sammy in

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<v Speaker 6>the head with a baseball bat, which prompts Sammy to leave.

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<v Speaker 6>Then Brother Theodore leaves, Then Chip and the producer Fellow

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<v Speaker 6>leave everyone leaves except for Billy Crystal, who decides that well,

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<v Speaker 6>I guess now I have to do the special all

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<v Speaker 6>by myself. And then we cue wait the actual stand

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<v Speaker 6>ups part.

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<v Speaker 3>I don't I can call in one friend, right, this

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<v Speaker 3>superstar will come and save the day. Who should I call?

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<v Speaker 6>Who does he call?

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<v Speaker 5>He?

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<v Speaker 6>Fernando shows up.

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<v Speaker 3>He calls what be Goldberg?

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<v Speaker 6>Oh? Oh, I'm sorry. You're right. I blocked that part out.

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<v Speaker 6>That's the other trouble I could I forgot that's the premise.

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<v Speaker 6>He goes, all, I'll call all in a favor. But

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<v Speaker 6>what but Whoopee has to drop out at the last

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<v Speaker 6>minute because.

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<v Speaker 3>Yeah, because brother Theodore also hits her in the head. Hey,

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<v Speaker 3>who's playing with Goldberg? Who's playing whoopi Goldberg?

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<v Speaker 6>Here it's Billy Crystal. All right, you know what we

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<v Speaker 6>can't we can't. Let's talk about the real you know,

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<v Speaker 6>the discomfort of watching this in twenty twenty five. Now,

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<v Speaker 6>I was uncomfortable watching it then, I if I'm being honest,

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<v Speaker 6>it was a different time. It because he was doing

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<v Speaker 6>Sammy all the time on SNL and no one had

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<v Speaker 6>a problem with it.

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<v Speaker 3>The thing really, because here's the thing, Billy Crystal is

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<v Speaker 3>never punching down. He's never punching anywhere. He's trying to

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<v Speaker 3>do the most accurate recreations of these people that he can't.

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<v Speaker 3>He is an impressionist in the truest sense of the word.

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<v Speaker 3>If he's going to do Howard Cosell, then he wants

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<v Speaker 3>prosthetics to make him look like Howard Cosell. If he's

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<v Speaker 3>doing I don't know, jumpin Jack Flash, he wants to

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<v Speaker 3>look like jumping Jack Flash. So he's just in the

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<v Speaker 3>I don't know. There's no way to defend it. It

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<v Speaker 3>sounds like I'm defending blackface here, but I'm absolutely not

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<v Speaker 3>it other than to say that everyone knew at that

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<v Speaker 3>time that Billy Crystal was coming from a place of

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<v Speaker 3>a deep love with his impression of Sammy Davis Junior.

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<v Speaker 3>There is nothing but admiration and genuine affection from Billy

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<v Speaker 3>Crystal to that man. And I know they interacted with

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<v Speaker 3>one another, and I'm sure Sammy Davis probably you know,

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<v Speaker 3>had some comment or another, But the fact is he's

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<v Speaker 3>not coming from a place of anything other than affection.

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<v Speaker 3>And nevertheless, it was fucking how horrifying then and it's

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<v Speaker 3>even worse now.

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<v Speaker 6>It's really bad to agree. Like, I'm not impugning Billy

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<v Speaker 6>Crystal's motives for doing this. I think it is truth

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<v Speaker 6>be told, putting aside the blackface part of it, which

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<v Speaker 6>is impossible to do, I realize that. But taken as

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<v Speaker 6>a as simply as an impression, it is a solid

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<v Speaker 6>impression of Sammy Davis Junior.

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<v Speaker 3>At least, it is an incredible a little impression of

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<v Speaker 3>Sammy Davis Jacks.

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<v Speaker 4>Hi, I'm Sammy, I'm a feodore for you. I've heard

399
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<v Speaker 4>so much about you. We're gonna be doing a lot

400
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<v Speaker 4>of stuff together. It's gonna be fun. It can hardly wait.

401
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<v Speaker 3>Ouch.

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<v Speaker 6>He gets the mannerisms right, he gets the cadence right.

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<v Speaker 6>He could even do a little bit of a soft

404
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<v Speaker 6>shoe and kind of do his thing. All of this, however,

405
00:22:22.519 --> 00:22:26.519
<v Speaker 6>pales in comparison to the fact that it's a you know,

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<v Speaker 6>it's Billy Crystal in blackface doing Sammy Davis Jutor and

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<v Speaker 6>that's not right. Bottom line is it's not right. It

408
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<v Speaker 6>wasn't right then, even though it was accepted, But thankfully

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<v Speaker 6>it is not. Only is it no more right now,

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<v Speaker 6>but it's not accepted. So you will never see him

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<v Speaker 6>doing Sammy ever again, which is I'm sure he would agree,

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<v Speaker 6>is for the best. Also problematic is his impression of Whoopee,

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<v Speaker 6>which made no sense to me because.

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<v Speaker 3>Why didn't he just call whoopi Goldberg's pay what they

415
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<v Speaker 3>doing like fucking relief?

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<v Speaker 6>Comic relief. That didn't make sense to me because she

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<v Speaker 6>Whoopy and quotes only appears briefly to relate this story

418
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<v Speaker 6>about how brother theater or hit her in the head

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<v Speaker 6>with a baseball bat. So I don't know why he

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00:23:13.799 --> 00:23:16.440
<v Speaker 6>couldn't have just had her come in and do five

421
00:23:16.640 --> 00:23:21.000
<v Speaker 6>minutes and just say, okay, do your special now. That's because,

422
00:23:21.119 --> 00:23:23.759
<v Speaker 6>to truth be told, his impression of Whoopye wasn't all

423
00:23:23.799 --> 00:23:24.279
<v Speaker 6>that great.

424
00:23:24.839 --> 00:23:29.200
<v Speaker 3>I didn't think, but it's terrible. It's it's her character

425
00:23:29.319 --> 00:23:32.640
<v Speaker 3>from her show, like it's not Whoopy Goldberg, like we

426
00:23:32.720 --> 00:23:35.200
<v Speaker 3>all know even then, we knew what she talked like,

427
00:23:35.240 --> 00:23:38.680
<v Speaker 3>spoke like this is that sort of bubbleheaded serve she does.

428
00:23:38.920 --> 00:23:42.039
<v Speaker 6>Well, he does the serve, okay, you know he does

429
00:23:42.079 --> 00:23:44.880
<v Speaker 6>a little bit of that with her. It's I was

430
00:23:45.559 --> 00:23:48.839
<v Speaker 6>very uncomfortable with this as a child, as a thirteen

431
00:23:48.880 --> 00:23:51.720
<v Speaker 6>year old who didn't know any better. I wasn't troubled

432
00:23:51.720 --> 00:23:54.160
<v Speaker 6>by it. Back then it was a different time. You

433
00:23:54.240 --> 00:23:57.759
<v Speaker 6>can be fucking sure. I was very This was the

434
00:23:57.880 --> 00:24:00.000
<v Speaker 6>biggest problem I had with this, and how could I

435
00:24:00.160 --> 00:24:04.279
<v Speaker 6>not because this is not acceptable anymore. But again, it's

436
00:24:04.319 --> 00:24:07.079
<v Speaker 6>nineteen eighty six. We're falling all over ourselves to make

437
00:24:07.119 --> 00:24:10.200
<v Speaker 6>this excuse, but we can't make any more excuses for this.

438
00:24:10.279 --> 00:24:14.079
<v Speaker 6>It is what it is. So having said all of that,

439
00:24:14.519 --> 00:24:16.400
<v Speaker 6>let's move off of that a little bit. We'll talk

440
00:24:16.440 --> 00:24:18.799
<v Speaker 6>a little bit and actually, truthfully though, if we're talking

441
00:24:18.839 --> 00:24:21.599
<v Speaker 6>about problematic impressions, I have to say, Father Balloona, I've

442
00:24:21.640 --> 00:24:24.880
<v Speaker 6>been thinking about this a lot lately because I rewatched

443
00:24:24.920 --> 00:24:30.319
<v Speaker 6>all of Christopher Guest's mockumentaries in preparation for the Spinal

444
00:24:30.319 --> 00:24:33.319
<v Speaker 6>Tap sequel coming out, and I have to say, almost

445
00:24:33.400 --> 00:24:36.640
<v Speaker 6>equally problematic, maybe more so in the eyes of some

446
00:24:36.680 --> 00:24:43.079
<v Speaker 6>people maybe watching this is his gay impression of his

447
00:24:43.240 --> 00:24:46.200
<v Speaker 6>take on the character of Chip Dementabella, which is a choreographer.

448
00:24:46.559 --> 00:24:51.319
<v Speaker 6>But it's stereotypically gay in the worst sense, of somebody

449
00:24:51.319 --> 00:24:56.400
<v Speaker 6>who's just lisping and doing this, you know thing. I

450
00:24:56.440 --> 00:24:59.559
<v Speaker 6>have to say, I was as troubled by that now

451
00:24:59.640 --> 00:25:01.680
<v Speaker 6>I think, and it's something I hadn't occurred to me

452
00:25:01.839 --> 00:25:05.880
<v Speaker 6>thinking about Waiting for Guffman Quirky, which is the same character.

453
00:25:06.000 --> 00:25:09.240
<v Speaker 6>Let's be honest, it's a little troubling now thinking back,

454
00:25:09.279 --> 00:25:11.319
<v Speaker 6>and because that's one of my favorite movies, is Waiting

455
00:25:11.359 --> 00:25:14.160
<v Speaker 6>for Gufman, but trying to reconcile that. Now, did you

456
00:25:14.880 --> 00:25:17.480
<v Speaker 6>have any thought towards that yourself.

457
00:25:18.000 --> 00:25:21.640
<v Speaker 3>I've thought that in the past, certainly, but this time

458
00:25:22.559 --> 00:25:27.759
<v Speaker 3>the glowing sun that was Sammy Davis Junior Billy Crystal

459
00:25:27.839 --> 00:25:30.920
<v Speaker 3>in blackface blotted out my vision for anything else that

460
00:25:31.000 --> 00:25:33.720
<v Speaker 3>was going on here, and then certainly followed up by

461
00:25:33.799 --> 00:25:38.559
<v Speaker 3>the sorbet that was the wax figure nightmare that was

462
00:25:38.599 --> 00:25:42.319
<v Speaker 3>supposed to be Whoope Goldberg? Am I letting him off

463
00:25:42.319 --> 00:25:46.839
<v Speaker 3>to hook my comparison, maybe, but it's easier to take

464
00:25:47.400 --> 00:25:48.839
<v Speaker 3>than the full on makeup.

465
00:25:49.359 --> 00:25:52.160
<v Speaker 6>It was the only funny part. Well, I think one

466
00:25:52.160 --> 00:25:55.000
<v Speaker 6>of the funniest parts for me actually involves both of them,

467
00:25:55.039 --> 00:25:59.319
<v Speaker 6>because through the course of this mockumentary sequence, He's trying

468
00:25:59.359 --> 00:26:03.440
<v Speaker 6>to marsh Sammy to do these routines, and Sammy's eventually

469
00:26:03.480 --> 00:26:05.119
<v Speaker 6>just like I'm tired, my hip hearts, I can't do

470
00:26:05.160 --> 00:26:07.680
<v Speaker 6>this anymore. I don't know why I'd found this funny.

471
00:26:07.680 --> 00:26:08.960
<v Speaker 6>Then I found it funny now.

472
00:26:08.880 --> 00:26:14.079
<v Speaker 3>Is said the Samy sensing routine sap dance routine sam.

473
00:26:14.200 --> 00:26:16.319
<v Speaker 6>So Sammy says, I wait, I got it. I'm gonna

474
00:26:16.440 --> 00:26:18.680
<v Speaker 6>I figured it out this I can rest and still

475
00:26:18.680 --> 00:26:21.240
<v Speaker 6>do the tap dancing. So he gets a hard candy

476
00:26:21.279 --> 00:26:24.359
<v Speaker 6>or a lozenge from Chip and he puts it into

477
00:26:24.359 --> 00:26:26.759
<v Speaker 6>his mouth, and he has Mark Shaman do the little

478
00:26:26.880 --> 00:26:29.759
<v Speaker 6>you know, the bouncy dance, the piano stuff, and when

479
00:26:29.799 --> 00:26:32.680
<v Speaker 6>he gets to the part where the tap dancing takes place,

480
00:26:32.960 --> 00:26:35.200
<v Speaker 6>he puts a microphone up to his mouth with the

481
00:26:35.319 --> 00:26:39.480
<v Speaker 6>hard candy or lozenge and he rends it is deep,

482
00:26:39.680 --> 00:26:43.359
<v Speaker 6>so it makes it sound like someone tap dancing. And

483
00:26:43.440 --> 00:26:45.599
<v Speaker 6>Chip loves it so much that he puts one in

484
00:26:45.680 --> 00:26:47.200
<v Speaker 6>his mouth and he says, can we do a duet?

485
00:26:47.240 --> 00:26:49.079
<v Speaker 6>And they do this little I don't know, I just.

486
00:27:03.720 --> 00:27:04.359
<v Speaker 2>I like that.

487
00:27:08.400 --> 00:27:09.960
<v Speaker 5>I like that a lot. Can I do it with you?

488
00:27:10.759 --> 00:27:15.559
<v Speaker 6>It was so weird and so I've forgotten totally about

489
00:27:15.559 --> 00:27:19.319
<v Speaker 6>it that I, despite myself, I thought it was pretty funny.

490
00:27:19.359 --> 00:27:23.319
<v Speaker 6>Because you can see on Christopher Guest's face this might

491
00:27:23.319 --> 00:27:26.039
<v Speaker 6>be one of those improvised moments because there's a smile

492
00:27:26.200 --> 00:27:29.960
<v Speaker 6>that comes up on Christopher Guest's face where he seems

493
00:27:30.079 --> 00:27:35.000
<v Speaker 6>genuinely having fun with this ridiculous sequence of them rattling

494
00:27:35.039 --> 00:27:38.440
<v Speaker 6>a hard candy in their mouth to imitate tap dancing.

495
00:27:39.160 --> 00:27:41.880
<v Speaker 6>It's ridiculous, but I thought it was pretty funny. I

496
00:27:41.880 --> 00:27:43.400
<v Speaker 6>don't know why. Silly.

497
00:27:43.440 --> 00:27:46.880
<v Speaker 3>Yeah. The only laughs in the first portion of the special,

498
00:27:47.119 --> 00:27:50.440
<v Speaker 3>the documentary part of the special, the mockumentary, the yach

499
00:27:50.759 --> 00:27:55.119
<v Speaker 3>youumentary part of the special, our Christopher Guest and Rob

500
00:27:55.200 --> 00:27:59.160
<v Speaker 3>Reiner for me, Christopher Guests when we get his initial

501
00:27:59.319 --> 00:28:05.279
<v Speaker 3>idea for Carl boreography is his gawky frame just bouncing

502
00:28:05.279 --> 00:28:08.799
<v Speaker 3>all over that room is ridiculous. I could not stop

503
00:28:08.920 --> 00:28:11.160
<v Speaker 3>laughing during that scene. The other thing that made me

504
00:28:11.240 --> 00:28:14.519
<v Speaker 3>laugh out loud is Marty de Bergie, in his opening

505
00:28:14.720 --> 00:28:17.200
<v Speaker 3>has blocked the scene but not realized that the camera

506
00:28:17.279 --> 00:28:18.799
<v Speaker 3>is basically going to go all the way to the wall,

507
00:28:18.960 --> 00:28:22.160
<v Speaker 3>which he walks into. But it's so masterfully shot because

508
00:28:22.200 --> 00:28:24.559
<v Speaker 3>we've stopped just before the wall so he can deliver

509
00:28:24.599 --> 00:28:27.160
<v Speaker 3>part of his speech. So it's him starting to move

510
00:28:27.160 --> 00:28:29.279
<v Speaker 3>on and walking into it and then recovering and then

511
00:28:29.319 --> 00:28:31.480
<v Speaker 3>going the other way. That made me howl.

512
00:28:32.440 --> 00:28:35.680
<v Speaker 6>It's a wonderful callback too to the opening of this

513
00:28:35.799 --> 00:28:39.200
<v Speaker 6>is Spinal Tap, where he's doing his introduction and if

514
00:28:39.200 --> 00:28:42.519
<v Speaker 6>you listen to the commentary by guest mckien and Shearer,

515
00:28:43.039 --> 00:28:47.000
<v Speaker 6>he's walking past every piece of film equipment known to man,

516
00:28:47.119 --> 00:28:49.759
<v Speaker 6>and the funny joke is will none of this is

517
00:28:49.759 --> 00:28:52.640
<v Speaker 6>going to be used for this shoe String documentary. But

518
00:28:52.640 --> 00:28:55.839
<v Speaker 6>he's walking by all these fancy kleag lights and cameras

519
00:28:55.880 --> 00:28:58.680
<v Speaker 6>and stuff. And I thought, I agree, that was a

520
00:28:58.680 --> 00:29:01.519
<v Speaker 6>pretty funny little bit, and also to tie it back

521
00:29:01.559 --> 00:29:05.519
<v Speaker 6>into Tap, I thought was pretty cool too. But Brother

522
00:29:05.599 --> 00:29:08.440
<v Speaker 6>Theodore is funny too that the who's on first bit,

523
00:29:08.519 --> 00:29:11.359
<v Speaker 6>that the argument they get into because Sammy is just

524
00:29:11.440 --> 00:29:15.279
<v Speaker 6>trying to be the consummate performer, but Theodore is getting

525
00:29:15.799 --> 00:29:19.920
<v Speaker 6>legitimately angry and he's shouting, and Chip is left to

526
00:29:19.960 --> 00:29:22.839
<v Speaker 6>try to be the peacemaker between Sammy Davis Junior and

527
00:29:22.880 --> 00:29:26.440
<v Speaker 6>Brother Theodore. I thought that was somewhat amusing. One of

528
00:29:26.480 --> 00:29:29.519
<v Speaker 6>the best things about Spinal Tap being an improvised movie

529
00:29:29.799 --> 00:29:32.400
<v Speaker 6>is despite the fact that they're coming up with this

530
00:29:32.519 --> 00:29:35.839
<v Speaker 6>on the fly, they wrote down and they had blocked

531
00:29:35.839 --> 00:29:38.599
<v Speaker 6>out where what the scene was going to start with

532
00:29:38.839 --> 00:29:40.400
<v Speaker 6>and where they had to get to and the rest

533
00:29:40.519 --> 00:29:41.599
<v Speaker 6>was up to the actors to.

534
00:29:41.599 --> 00:29:42.079
<v Speaker 3>Come up with.

535
00:29:42.640 --> 00:29:45.960
<v Speaker 6>I get the sense here there's no real plot to

536
00:29:46.039 --> 00:29:49.319
<v Speaker 6>speak of. They get to this enclave, they try to

537
00:29:49.400 --> 00:29:52.799
<v Speaker 6>work out the material, things didn't work out, and Billy

538
00:29:52.839 --> 00:29:55.720
<v Speaker 6>Crystial is abandoned. Basically, it's not a lot of story.

539
00:29:56.000 --> 00:29:58.960
<v Speaker 6>But then again, we're only talking about thirty minutes worth

540
00:29:59.000 --> 00:30:03.319
<v Speaker 6>of material. Ultimately, because this is an hour long special,

541
00:30:03.799 --> 00:30:07.160
<v Speaker 6>almost half exactly is devoted to this mockumentary, and then

542
00:30:07.160 --> 00:30:09.799
<v Speaker 6>the other half is the stand up bit that takes

543
00:30:09.839 --> 00:30:11.759
<v Speaker 6>place at Hofstra University.

544
00:30:12.079 --> 00:30:14.240
<v Speaker 3>Ooh, I'll say it's a little more than half takes

545
00:30:14.279 --> 00:30:18.119
<v Speaker 3>place at the mansion, at the rehearsal mansion. Incidentally, that

546
00:30:18.200 --> 00:30:19.279
<v Speaker 3>was Billy Crystal's house.

547
00:30:20.079 --> 00:30:24.440
<v Speaker 6>Really, Yeah, I did not know that. It's amazing. It's

548
00:30:24.480 --> 00:30:25.720
<v Speaker 6>a palatial estate.

549
00:30:26.039 --> 00:30:27.960
<v Speaker 3>Yeah. You saved on a bit of the budget of

550
00:30:27.960 --> 00:30:30.000
<v Speaker 3>the production budget here by just filming at this house.

551
00:30:30.480 --> 00:30:31.319
<v Speaker 6>That's impressive.

552
00:30:31.559 --> 00:30:33.279
<v Speaker 3>I'd also like to point out I mentioned them at

553
00:30:33.319 --> 00:30:36.519
<v Speaker 3>the beginning, written by Dick Blasucci and Paul Flaherty in

554
00:30:36.519 --> 00:30:39.240
<v Speaker 3>addition to Billy Crystal and Rob Ryner, Dick Blasucci and

555
00:30:39.240 --> 00:30:43.519
<v Speaker 3>Paul Flherty are fucking SCTV giants. They've wrote like thirty

556
00:30:43.559 --> 00:30:46.880
<v Speaker 3>nine episodes of that fucking show. And Paul Flaherty is

557
00:30:46.960 --> 00:30:50.440
<v Speaker 3>Joe Flaherty's brother. Obviously, that was my assumption to you,

558
00:30:51.440 --> 00:30:56.200
<v Speaker 3>and those guys worked on fucking everything. Dick Blasucci in particular,

559
00:30:56.279 --> 00:30:58.359
<v Speaker 3>seems to have written at least an episode of everything,

560
00:30:58.720 --> 00:31:03.599
<v Speaker 3>Simpson's Fucking the Larry Sanders Show, Martin's Short special, just

561
00:31:03.680 --> 00:31:06.079
<v Speaker 3>on and on. These are like, you know, those are

562
00:31:06.079 --> 00:31:09.440
<v Speaker 3>the guys and anyway, I was just about to sell.

563
00:31:10.799 --> 00:31:14.799
<v Speaker 6>No, no, look it's there are scattered bits of amusement

564
00:31:14.880 --> 00:31:17.240
<v Speaker 6>to be had through this if you can wade through

565
00:31:17.960 --> 00:31:21.599
<v Speaker 6>the troubling aspects, the dated, troubling aspects of so much

566
00:31:21.640 --> 00:31:24.680
<v Speaker 6>of the production and so forth. It's a little meandering,

567
00:31:24.799 --> 00:31:28.640
<v Speaker 6>but I was charmed by it in some sense. Certainly

568
00:31:28.799 --> 00:31:31.640
<v Speaker 6>I preferred it to the back half of this special,

569
00:31:31.680 --> 00:31:33.640
<v Speaker 6>which was missing what's.

570
00:31:33.480 --> 00:31:35.119
<v Speaker 3>That Martin short?

571
00:31:35.319 --> 00:31:37.200
<v Speaker 6>See, I thought you were going to say, Catherine O'Hara,

572
00:31:37.240 --> 00:31:37.720
<v Speaker 6>and I was going to.

573
00:31:37.759 --> 00:31:40.920
<v Speaker 3>Agree with you there too, well either one, yeah, well

574
00:31:42.000 --> 00:31:46.599
<v Speaker 3>there you go and it. I know.

575
00:31:47.000 --> 00:31:49.440
<v Speaker 6>The odd thing was the brother Theodore thing I thought

576
00:31:49.480 --> 00:31:52.279
<v Speaker 6>came out of nowhere, like I was questioning why he

577
00:31:52.319 --> 00:31:56.039
<v Speaker 6>was there, But then I later learned that he had

578
00:31:56.079 --> 00:31:59.319
<v Speaker 6>a television show Billy Crystal did in the early eighties,

579
00:31:59.759 --> 00:32:03.000
<v Speaker 6>and apparently Brother Theodore was involved in that, so it

580
00:32:03.119 --> 00:32:06.400
<v Speaker 6>wasn't just a head scratcher of like, how did Billy

581
00:32:06.400 --> 00:32:10.000
<v Speaker 6>Crystal and Brother Theodore get connected? I guess they had

582
00:32:10.119 --> 00:32:14.000
<v Speaker 6>some connections to this other television show. But it also

583
00:32:14.119 --> 00:32:18.519
<v Speaker 6>must be it has to be mentioned that we're making

584
00:32:18.519 --> 00:32:21.400
<v Speaker 6>it sound like this was Billy Crystal's second act in

585
00:32:21.440 --> 00:32:24.279
<v Speaker 6>his career, and that's true. But also bear in mind

586
00:32:24.279 --> 00:32:26.440
<v Speaker 6>this was eighty six, so he would have been thirty

587
00:32:26.519 --> 00:32:29.400
<v Speaker 6>nine years old, so it's not as if he was

588
00:32:29.440 --> 00:32:32.799
<v Speaker 6>this over the hill comic actor who needed a break.

589
00:32:32.839 --> 00:32:36.640
<v Speaker 6>I mean, he was in the literal prime of his career.

590
00:32:36.839 --> 00:32:38.480
<v Speaker 6>It only seemed like he had been around for a

591
00:32:38.519 --> 00:32:42.039
<v Speaker 6>long time because he had been doing stuff like Soap,

592
00:32:42.119 --> 00:32:44.759
<v Speaker 6>like I said, which was a groundbreaking character for its time,

593
00:32:45.640 --> 00:32:48.200
<v Speaker 6>and of course SNL. He was on there for a season, right.

594
00:32:48.480 --> 00:32:51.079
<v Speaker 3>Yeah, like I said, like the year before here he

595
00:32:51.160 --> 00:32:54.240
<v Speaker 3>was everywhere. We always knew about Billy Crystal, and but

596
00:32:54.839 --> 00:32:57.519
<v Speaker 3>this was when this is the time period where he

597
00:32:57.759 --> 00:33:00.480
<v Speaker 3>took off. This is right around City Slicker. This is

598
00:33:00.519 --> 00:33:03.359
<v Speaker 3>right around you know, all the comic relief stuff. This

599
00:33:03.440 --> 00:33:06.599
<v Speaker 3>is Billy Crystal's everywhere all the time, and this is

600
00:33:06.680 --> 00:33:08.880
<v Speaker 3>on the heels of you owned the album that you

601
00:33:09.000 --> 00:33:12.720
<v Speaker 3>look marvelous album. That fucking video was playing on MTV

602
00:33:12.839 --> 00:33:15.960
<v Speaker 3>fucking non stop. We couldn't get away from Fernando. He

603
00:33:16.039 --> 00:33:18.400
<v Speaker 3>was involved with the WrestleMania there for a while.

604
00:33:20.119 --> 00:33:23.680
<v Speaker 6>But that was that was mister T and Hulk Cogan.

605
00:33:23.680 --> 00:33:26.640
<v Speaker 6>We're on SNL the weekend of the first WrestleMania, right,

606
00:33:26.920 --> 00:33:28.440
<v Speaker 6>was it the very was it the first of the third?

607
00:33:28.480 --> 00:33:29.000
<v Speaker 6>I don't remember.

608
00:33:28.960 --> 00:33:30.440
<v Speaker 3>It was first WrestleMania.

609
00:33:30.839 --> 00:33:34.319
<v Speaker 6>Okay, it was the first and other things go bomb

610
00:33:34.319 --> 00:33:37.519
<v Speaker 6>bit bomb bumpany bumpany bumpy. We all remember that. Because

611
00:33:37.519 --> 00:33:40.799
<v Speaker 6>Hogan couldn't hold it together. He was just he was

612
00:33:41.039 --> 00:33:42.799
<v Speaker 6>breaking on SNL.

613
00:33:42.440 --> 00:33:46.599
<v Speaker 3>There r I P right, Well, yes, I guess we

614
00:33:46.640 --> 00:33:51.519
<v Speaker 3>could rest anyway. Yeah, just rest so long.

615
00:33:51.400 --> 00:33:54.960
<v Speaker 6>Hul Cogan bye. But but yeah, so it was he was.

616
00:33:55.640 --> 00:33:58.160
<v Speaker 6>If he wasn't already a household names, he was knocking

617
00:33:58.319 --> 00:34:01.799
<v Speaker 6>on the door of being a house namey. When Harry

618
00:34:01.799 --> 00:34:05.400
<v Speaker 6>met Sally, which was probably the movie of you know,

619
00:34:05.599 --> 00:34:08.000
<v Speaker 6>one of the big milestones of his career that was

620
00:34:08.519 --> 00:34:12.679
<v Speaker 6>only three years away, so it's pretty you know, it's

621
00:34:12.719 --> 00:34:15.679
<v Speaker 6>hard not to. I mean, he's such a household name now,

622
00:34:15.760 --> 00:34:18.519
<v Speaker 6>but that was really his star was on the rise,

623
00:34:18.559 --> 00:34:21.159
<v Speaker 6>so it's cool. And like you said, he'd already been

624
00:34:21.159 --> 00:34:25.800
<v Speaker 6>a veteran of these HBO specials, so this was not

625
00:34:25.840 --> 00:34:28.719
<v Speaker 6>a huge deal for him necessarily. But let's talk a

626
00:34:28.760 --> 00:34:31.320
<v Speaker 6>little bit about And when I say a little, I

627
00:34:31.360 --> 00:34:33.360
<v Speaker 6>mean a very little, because there's not much to talk

628
00:34:33.400 --> 00:34:36.000
<v Speaker 6>about in the back half of this special, where he's

629
00:34:36.039 --> 00:34:38.480
<v Speaker 6>doing a stand up routine, that's all it really is.

630
00:34:38.559 --> 00:34:42.360
<v Speaker 6>Right he comes out, it's a solo spot at Hofstra.

631
00:34:42.840 --> 00:34:46.119
<v Speaker 6>He talks often about how this is his homecoming. He's

632
00:34:46.119 --> 00:34:48.480
<v Speaker 6>from Long Island originally, so.

633
00:34:49.079 --> 00:34:50.920
<v Speaker 3>Wait he Bhilly Crystal is from New York.

634
00:34:52.239 --> 00:34:54.400
<v Speaker 6>Hard to believe. I believe he's a Yankees fan. Don't

635
00:34:54.440 --> 00:34:57.119
<v Speaker 6>quote what, but I think he is. And first I've

636
00:34:57.159 --> 00:34:59.719
<v Speaker 6>heard not only that he might be Jewish and he

637
00:34:59.800 --> 00:35:01.480
<v Speaker 6>might have a big family.

638
00:35:01.559 --> 00:35:04.039
<v Speaker 3>The same that. I'm so glad we're doing this because

639
00:35:04.039 --> 00:35:05.320
<v Speaker 3>I didn't know any of this about him.

640
00:35:05.760 --> 00:35:08.840
<v Speaker 6>So his I feel like I know more about his

641
00:35:08.880 --> 00:35:11.480
<v Speaker 6>stand up routine than I actually do because that's the

642
00:35:11.559 --> 00:35:15.760
<v Speaker 6>record that we keep talking about was mostly his recording

643
00:35:15.760 --> 00:35:17.920
<v Speaker 6>of his stand up bit, and this a lot of

644
00:35:17.960 --> 00:35:22.239
<v Speaker 6>the elements here come from that tried and true set

645
00:35:22.320 --> 00:35:24.679
<v Speaker 6>that he had developed or what have you. But of

646
00:35:24.760 --> 00:35:28.480
<v Speaker 6>all that, there's really there's really three things to call out.

647
00:35:29.039 --> 00:35:31.960
<v Speaker 6>Correct me if I'm wrong on this spot alone. So one,

648
00:35:32.480 --> 00:35:34.960
<v Speaker 6>the one routine that he does a lot. He did

649
00:35:34.960 --> 00:35:40.000
<v Speaker 6>a lot was his impression of his uncle doing a

650
00:35:40.039 --> 00:35:43.559
<v Speaker 6>home movie in his backyard during a cookout, which is

651
00:35:44.480 --> 00:35:47.199
<v Speaker 6>truth to be told for a few minutes anyway, it's

652
00:35:47.199 --> 00:35:50.519
<v Speaker 6>actually a pretty effective silent it's all silent because it's

653
00:35:50.719 --> 00:35:52.760
<v Speaker 6>supposed to have been done with like a little handheld

654
00:35:53.320 --> 00:35:56.440
<v Speaker 6>eight millimeter camera, so it's.

655
00:35:56.039 --> 00:35:58.599
<v Speaker 3>They didn't all the lights. It's a spotlight on him,

656
00:35:59.079 --> 00:36:03.519
<v Speaker 3>and he's moving in a sort of herky jerky sixteen

657
00:36:03.599 --> 00:36:05.920
<v Speaker 3>millimeter film manner, and it is.

658
00:36:06.480 --> 00:36:08.559
<v Speaker 6>As if it's as if it's been under cranked. So

659
00:36:08.599 --> 00:36:11.320
<v Speaker 6>he's moving a little too fast for the actual like

660
00:36:11.400 --> 00:36:13.800
<v Speaker 6>real you know how he would move in real life

661
00:36:13.840 --> 00:36:14.719
<v Speaker 6>and try to go ahead.

662
00:36:14.840 --> 00:36:18.119
<v Speaker 3>Oh, and it's him doing a barbecue, so's he's flipping burgers.

663
00:36:18.159 --> 00:36:21.119
<v Speaker 3>He does everything that everyone does in a home movie.

664
00:36:21.440 --> 00:36:25.360
<v Speaker 3>Wave pretend that they're singing look at the burgers, pretend like,

665
00:36:25.559 --> 00:36:28.119
<v Speaker 3>oh yum yum here, you know that rubbing the belly

666
00:36:28.239 --> 00:36:30.519
<v Speaker 3>like well, calling friends over that kind of a thing.

667
00:36:30.639 --> 00:36:33.679
<v Speaker 3>And you're right. It's very funny for one minute, but it.

668
00:36:33.679 --> 00:36:36.920
<v Speaker 6>Goes on for like six or seven minutes because the

669
00:36:37.000 --> 00:36:39.360
<v Speaker 6>uncle gets hit in the head with a ball. Then

670
00:36:39.400 --> 00:36:42.119
<v Speaker 6>he starts yelling at whoever threw the ball, and then

671
00:36:42.239 --> 00:36:44.760
<v Speaker 6>he's picking fights and this all goes on.

672
00:36:44.880 --> 00:36:46.440
<v Speaker 3>He's like playing food at people.

673
00:36:47.559 --> 00:36:50.840
<v Speaker 6>This could have been two minutes that would have killed

674
00:36:51.360 --> 00:36:52.960
<v Speaker 6>like it would have just been in and out, and

675
00:36:53.039 --> 00:36:55.239
<v Speaker 6>it would have been a really good bit. As it is,

676
00:36:55.320 --> 00:36:58.400
<v Speaker 6>it goes on far too long, probably twice as long

677
00:36:58.440 --> 00:37:01.719
<v Speaker 6>as it should. So that's one second. The next section

678
00:37:02.199 --> 00:37:05.440
<v Speaker 6>is Fernando, who has been you know, who knows where

679
00:37:05.440 --> 00:37:08.079
<v Speaker 6>he's been. He never made it to the estate, shows

680
00:37:08.159 --> 00:37:11.840
<v Speaker 6>up at the show, and the weird thing is Billy

681
00:37:12.199 --> 00:37:14.639
<v Speaker 6>waves from the stage and says, hey, look who's here,

682
00:37:15.119 --> 00:37:18.039
<v Speaker 6>and then Fernando comes from the back of the auditorium

683
00:37:18.519 --> 00:37:23.119
<v Speaker 6>and proceeds to do crowd work. But it's this odd

684
00:37:23.199 --> 00:37:28.719
<v Speaker 6>conceit that they're two separate people, and I'm wondering it

685
00:37:28.800 --> 00:37:30.559
<v Speaker 6>just seems odd to me, Like, I wonder how they

686
00:37:30.599 --> 00:37:32.599
<v Speaker 6>sold that to the audience that are there.

687
00:37:33.239 --> 00:37:35.079
<v Speaker 3>It was Billy Crystal went to the front, went to

688
00:37:35.119 --> 00:37:37.400
<v Speaker 3>the front of the stage, and there's in an adorable

689
00:37:37.440 --> 00:37:39.320
<v Speaker 3>way when now we're going to do some movie magic

690
00:37:39.360 --> 00:37:41.320
<v Speaker 3>here where they're gonna film me here and then they're

691
00:37:41.360 --> 00:37:43.719
<v Speaker 3>gonna I'm gonna come in at Fernando's gonna be here soon.

692
00:37:43.840 --> 00:37:47.119
<v Speaker 3>Everybody yes, and then we're gonna film that. So play

693
00:37:47.159 --> 00:37:48.679
<v Speaker 3>along that I'm talking to Fernando.

694
00:37:49.519 --> 00:37:51.679
<v Speaker 6>Sure, And like I said, all he all that amounts

695
00:37:51.679 --> 00:37:54.280
<v Speaker 6>to is about five minutes worth of crowd work. He

696
00:37:54.360 --> 00:37:57.119
<v Speaker 6>pulls people up from the audience, how are you dolling?

697
00:37:57.159 --> 00:37:59.719
<v Speaker 6>What's your name? And then it has to be said,

698
00:37:59.800 --> 00:38:02.199
<v Speaker 6>like I know, it's not laugh out loud funny, and

699
00:38:02.239 --> 00:38:08.639
<v Speaker 6>it's severely indebted to borsch Belt comedy, but he Billy

700
00:38:08.679 --> 00:38:13.840
<v Speaker 6>Crystal is very comfortable doing improvised comedy, was in a

701
00:38:13.880 --> 00:38:16.800
<v Speaker 6>crowd situation because he doesn't know who these people are,

702
00:38:16.840 --> 00:38:19.760
<v Speaker 6>and he actually is very comfortable and he's funny. So

703
00:38:19.840 --> 00:38:21.880
<v Speaker 6>I was actually somewhat impressed by that, even if it

704
00:38:21.920 --> 00:38:23.400
<v Speaker 6>wasn't the best set in the.

705
00:38:23.400 --> 00:38:26.840
<v Speaker 3>World to watch as an audience member of this particular

706
00:38:26.920 --> 00:38:29.880
<v Speaker 3>special I will agree that he is best when he's

707
00:38:29.880 --> 00:38:31.920
<v Speaker 3>doing that, and I wish he would just have done.

708
00:38:31.719 --> 00:38:35.360
<v Speaker 6>That he just a Fernando thing, or him going out

709
00:38:35.400 --> 00:38:36.119
<v Speaker 6>and talking.

710
00:38:35.840 --> 00:38:39.320
<v Speaker 3>To people, Fernando thing and talking to people just to improve.

711
00:38:39.599 --> 00:38:42.880
<v Speaker 3>If this had been a half hour of Fernando Lamas

712
00:38:43.239 --> 00:38:46.679
<v Speaker 3>or Fernando's Hideaway, I would have been okay with that.

713
00:38:47.039 --> 00:38:49.159
<v Speaker 3>He could have brought on some guests, he could have

714
00:38:49.320 --> 00:38:51.519
<v Speaker 3>worked the audience, he could have had like some sort

715
00:38:51.559 --> 00:38:53.159
<v Speaker 3>of like made it like a talk show, like a

716
00:38:53.239 --> 00:38:55.880
<v Speaker 3>Letterman show for half an hour. It would have been

717
00:38:55.920 --> 00:38:57.360
<v Speaker 3>great because.

718
00:38:57.079 --> 00:38:58.360
<v Speaker 6>It would have been good. It would have been.

719
00:38:58.280 --> 00:39:00.119
<v Speaker 3>Good everything else. Anyway, we're gonna say.

720
00:39:01.000 --> 00:39:02.599
<v Speaker 6>What I was going to say, was it occurred to

721
00:39:02.639 --> 00:39:04.400
<v Speaker 6>me as I was watching this. We talked a lot

722
00:39:04.440 --> 00:39:08.519
<v Speaker 6>about the blackface element of him doing Sammy and doing Whoopee.

723
00:39:08.920 --> 00:39:10.960
<v Speaker 6>But let me ask you a question. I struggled with

724
00:39:10.960 --> 00:39:15.719
<v Speaker 6>this a little bit. Is Fernando just blackface, but you know,

725
00:39:15.880 --> 00:39:19.519
<v Speaker 6>essentially Spanish blackface? Is it a similar thing because he's

726
00:39:19.559 --> 00:39:23.360
<v Speaker 6>not Spanish, He's not a Latin gentleman. Could you levy

727
00:39:23.440 --> 00:39:26.679
<v Speaker 6>the same criticism for him doing Fernando that we did

728
00:39:26.840 --> 00:39:27.480
<v Speaker 6>him doing.

729
00:39:27.320 --> 00:39:30.920
<v Speaker 3>Sammy Well, you know that you can give a lot

730
00:39:30.960 --> 00:39:33.920
<v Speaker 3>to somebody if they don't do the brown face aspect

731
00:39:34.039 --> 00:39:36.159
<v Speaker 3>of it. You know, Darryl Hammond ended up getting away

732
00:39:36.320 --> 00:39:39.679
<v Speaker 3>doing Jesse Jackson with no makeup on, you know, like

733
00:39:39.760 --> 00:39:42.599
<v Speaker 3>he's because the impression was solid enough. And I think

734
00:39:43.000 --> 00:39:45.519
<v Speaker 3>that's the same thing here. But at the same time, yeah,

735
00:39:45.599 --> 00:39:48.000
<v Speaker 3>now I was thinking the same thing as he was

736
00:39:48.039 --> 00:39:51.599
<v Speaker 3>doing the crowd work while because we were inundated with

737
00:39:51.679 --> 00:39:54.280
<v Speaker 3>blackface for the first half hour of this fucking thing

738
00:39:54.559 --> 00:39:57.039
<v Speaker 3>that I had to like question all of his impressions.

739
00:39:57.400 --> 00:40:01.000
<v Speaker 3>It's interesting, is he in the last portion of this

740
00:40:01.320 --> 00:40:04.239
<v Speaker 3>like being offensive to dim witted Brooklyn Knights?

741
00:40:04.559 --> 00:40:09.480
<v Speaker 6>Yeah, I just it's for just a silly nothing special

742
00:40:09.519 --> 00:40:12.960
<v Speaker 6>from nineteen eighty six. These questions occurred to me that

743
00:40:13.000 --> 00:40:15.920
<v Speaker 6>I hadn't really thought of in the past. Like I said,

744
00:40:16.000 --> 00:40:20.039
<v Speaker 6>I hadn't thought of this special in decades. But I

745
00:40:20.039 --> 00:40:21.840
<v Speaker 6>don't know, I just had to confront the fact, like

746
00:40:21.920 --> 00:40:24.920
<v Speaker 6>I think Fernando is funny, but does that what does

747
00:40:24.920 --> 00:40:28.480
<v Speaker 6>that say about me? Does that mean that he's essentially

748
00:40:28.480 --> 00:40:31.440
<v Speaker 6>doing blackface? And I'm amused by that. It set me

749
00:40:31.519 --> 00:40:35.960
<v Speaker 6>down some odd sort of you know areas in my

750
00:40:36.079 --> 00:40:38.400
<v Speaker 6>mind that I haven't. To be honest, I haven't totally

751
00:40:38.440 --> 00:40:41.719
<v Speaker 6>worked that out. It's at least worthy of discussion in

752
00:40:41.719 --> 00:40:43.639
<v Speaker 6>my opinion. I don't know that I have an answer

753
00:40:43.639 --> 00:40:47.039
<v Speaker 6>for that, or why maybe Fernando is good but Sammy

754
00:40:47.079 --> 00:40:48.840
<v Speaker 6>and Whoopee are bad in this case.

755
00:40:49.559 --> 00:40:50.000
<v Speaker 3>I don't know.

756
00:40:50.079 --> 00:40:52.239
<v Speaker 6>Maybe that says more about us than it says about him.

757
00:40:52.239 --> 00:40:54.199
<v Speaker 6>I'm not sure, Father Malone, I know this is a lot.

758
00:40:54.239 --> 00:40:56.920
<v Speaker 6>This is heavy when we're just talking about this stand

759
00:40:57.000 --> 00:40:59.880
<v Speaker 6>up special, but it's I think it's worth discussing well.

760
00:41:00.000 --> 00:41:02.559
<v Speaker 3>And the thing is is the joke with Fernando that

761
00:41:02.880 --> 00:41:07.760
<v Speaker 3>he speaks in this sort of stereotypical manner, this sort

762
00:41:07.760 --> 00:41:10.719
<v Speaker 3>of are we making fun of his vocal patterns here?

763
00:41:11.000 --> 00:41:13.840
<v Speaker 3>Or are the vocal pattern I don't know. It's hard

764
00:41:13.880 --> 00:41:18.960
<v Speaker 3>to subscribe. The thing is, as I said about the

765
00:41:19.000 --> 00:41:21.719
<v Speaker 3>Sammy Davis impression, you never get a feel that he's

766
00:41:21.760 --> 00:41:24.440
<v Speaker 3>punching down at all, that he's punching at all. He's

767
00:41:24.480 --> 00:41:26.880
<v Speaker 3>just trying to do the best impression he can. So

768
00:41:27.559 --> 00:41:30.400
<v Speaker 3>is this just a really great Fernando Lamas impression?

769
00:41:30.960 --> 00:41:32.599
<v Speaker 6>I don't know much of I mean, I know a

770
00:41:32.639 --> 00:41:35.599
<v Speaker 6>little bit about Fernando Lamas. I think he put out

771
00:41:35.599 --> 00:41:38.239
<v Speaker 6>one of those co star records that was a big

772
00:41:38.280 --> 00:41:40.119
<v Speaker 6>deal in the fifties. Have you ever come across these

773
00:41:40.119 --> 00:41:43.840
<v Speaker 6>fatherle a side note? They were Vincent Price did one.

774
00:41:43.880 --> 00:41:46.599
<v Speaker 6>I think a few actors did. It was essentially the

775
00:41:46.679 --> 00:41:50.039
<v Speaker 6>actor in question in this case, Fernando Lamas would do

776
00:41:50.159 --> 00:41:53.559
<v Speaker 6>a bit of dialogue on a record album, but it

777
00:41:53.639 --> 00:41:56.159
<v Speaker 6>was between two people, and the person he was delivering

778
00:41:56.159 --> 00:42:00.280
<v Speaker 6>the lines to would be left blank, meaning that if

779
00:42:00.280 --> 00:42:03.880
<v Speaker 6>you're listening to this album, you could act with Fernando Lamas,

780
00:42:03.960 --> 00:42:06.000
<v Speaker 6>or you could act with Vincent Price, or you could

781
00:42:06.039 --> 00:42:09.480
<v Speaker 6>act with whoever. It was essentially like, you know, you'd

782
00:42:09.480 --> 00:42:12.239
<v Speaker 6>fill in the empty parts of the dialogue. You know,

783
00:42:12.280 --> 00:42:15.119
<v Speaker 6>it was actually funny thing. I would say, my memory

784
00:42:15.199 --> 00:42:19.320
<v Speaker 6>serves it. It wasn't so much an exacting impression of

785
00:42:19.360 --> 00:42:25.800
<v Speaker 6>Fernando Lamas as it is a caricature of his smooth

786
00:42:26.440 --> 00:42:30.519
<v Speaker 6>Latin sort of banter. You know, I don't know.

787
00:42:30.559 --> 00:42:34.239
<v Speaker 3>I'm so overwhelmed with the stereotypes and the sort of

788
00:42:34.840 --> 00:42:38.800
<v Speaker 3>lack of grace when it comes to the impressions here

789
00:42:38.840 --> 00:42:42.559
<v Speaker 3>that once again, like the Christopher dest One, offensive my

790
00:42:42.639 --> 00:42:45.159
<v Speaker 3>comparison is offensive in general. I don't know. I can't

791
00:42:45.159 --> 00:42:45.840
<v Speaker 3>tell anymore.

792
00:42:46.360 --> 00:42:50.079
<v Speaker 6>It's like, it's a weird conversation to be having with

793
00:42:50.119 --> 00:42:55.119
<v Speaker 6>yourself about a forty year old HBO comedy special, which at.

794
00:42:55.079 --> 00:42:59.519
<v Speaker 3>The time Billy Crystals Don't Get Me Started, has gotten

795
00:42:59.559 --> 00:43:02.000
<v Speaker 3>me start. Now my brain can't shut off.

796
00:43:02.679 --> 00:43:05.920
<v Speaker 6>So let's well, we're not going to solve the issue here,

797
00:43:06.360 --> 00:43:08.480
<v Speaker 6>you know, we'll leave it to the listener to make

798
00:43:08.480 --> 00:43:11.119
<v Speaker 6>your own judgments. I think we are as confused about

799
00:43:11.119 --> 00:43:14.800
<v Speaker 6>the situation as anybody. So if you have any comments,

800
00:43:14.960 --> 00:43:17.840
<v Speaker 6>or if you have any insight, drop fathom along the line,

801
00:43:17.920 --> 00:43:20.719
<v Speaker 6>let them, you know, let him know. We'll revisit this maybe,

802
00:43:21.039 --> 00:43:24.760
<v Speaker 6>So that would be that's the second point. Good segue.

803
00:43:24.840 --> 00:43:27.039
<v Speaker 6>The third portion of the stand up routine that he

804
00:43:27.079 --> 00:43:30.760
<v Speaker 6>does in Hofstra is and I've seen him do variations

805
00:43:30.760 --> 00:43:34.480
<v Speaker 6>of this, not necessarily always this character, but it's it's

806
00:43:34.519 --> 00:43:38.000
<v Speaker 6>a monologue that he does where he sets a scene

807
00:43:38.239 --> 00:43:42.440
<v Speaker 6>and it's a character that there's some poignant aspects to it.

808
00:43:42.440 --> 00:43:44.679
<v Speaker 6>It's funny, it's supposed to be a slice of life,

809
00:43:45.480 --> 00:43:49.119
<v Speaker 6>but exaggerated a little bit. In this case, he talks

810
00:43:49.159 --> 00:43:53.480
<v Speaker 6>about his twentieth high school reunion, and this is supposed

811
00:43:53.519 --> 00:43:57.639
<v Speaker 6>to be this sort of dim witted brooklynite who is

812
00:43:58.239 --> 00:44:02.159
<v Speaker 6>you know, been through some things, carrying on a conversation

813
00:44:02.239 --> 00:44:05.239
<v Speaker 6>with himself as he attends this high school reunion, and

814
00:44:05.280 --> 00:44:08.800
<v Speaker 6>he it was so weird. You know, he's talks a

815
00:44:08.840 --> 00:44:11.760
<v Speaker 6>little bit like like John Travolta, I guess of the time.

816
00:44:12.159 --> 00:44:17.679
<v Speaker 6>But yeah, so it's essentially in this case, it's an

817
00:44:17.719 --> 00:44:22.599
<v Speaker 6>Italian caricature. If my god, Billy, he can't get away

818
00:44:22.599 --> 00:44:26.280
<v Speaker 6>from it. And but the through this monologue you learn

819
00:44:26.400 --> 00:44:29.480
<v Speaker 6>that this this sort of hapless but you know, kind

820
00:44:29.519 --> 00:44:33.760
<v Speaker 6>hearted New York kid went off to Vietnam and he

821
00:44:33.880 --> 00:44:37.159
<v Speaker 6>saw some things and he came back. But he's actually

822
00:44:37.199 --> 00:44:41.159
<v Speaker 6>really happy to be at the at this reunion, and

823
00:44:41.320 --> 00:44:44.360
<v Speaker 6>he meets up with the girl that he dated in

824
00:44:44.440 --> 00:44:46.960
<v Speaker 6>high school and they share a lovely dance together. And

825
00:44:47.519 --> 00:44:50.920
<v Speaker 6>see that's it. But it's you know, it's a stock

826
00:44:51.039 --> 00:44:54.320
<v Speaker 6>character that he's done a lot. Oh it's such a

827
00:44:54.519 --> 00:44:56.760
<v Speaker 6>so weirdol. He does a lot of laughing as he's

828
00:44:56.760 --> 00:44:59.239
<v Speaker 6>doing it. He's I've seen him do a similar thing

829
00:44:59.239 --> 00:45:03.400
<v Speaker 6>where again this is shading into not shading. It actually

830
00:45:03.519 --> 00:45:07.920
<v Speaker 6>is pretty offensive. Nowadays. He does a thing where he's

831
00:45:08.199 --> 00:45:13.000
<v Speaker 6>he plays an old jazz musician from the forties and

832
00:45:13.039 --> 00:45:16.760
<v Speaker 6>fifties who is taking like I guess he's supposed to

833
00:45:16.840 --> 00:45:20.880
<v Speaker 6>be talking to young Billy Crystal as a child, and

834
00:45:20.960 --> 00:45:23.880
<v Speaker 6>you know, hey, the catchphrase was can you dig that?

835
00:45:24.519 --> 00:45:28.039
<v Speaker 6>I knew that you could. And there's no getting around

836
00:45:28.079 --> 00:45:32.599
<v Speaker 6>the fact that he's doing an aged African American type

837
00:45:32.599 --> 00:45:35.519
<v Speaker 6>of accent. I'm sorry, Father Ballone. I thought we're gonna

838
00:45:35.519 --> 00:45:40.280
<v Speaker 6>get away from this, but this for some reason. But anyway,

839
00:45:40.320 --> 00:45:43.639
<v Speaker 6>that's he's done these sort of slice of life monologues

840
00:45:44.159 --> 00:45:45.119
<v Speaker 6>in other sets.

841
00:45:45.880 --> 00:45:49.159
<v Speaker 3>He certainly has. He is an anomaly of a performer,

842
00:45:49.239 --> 00:45:52.599
<v Speaker 3>isn't He's half one man show, half stand up, half

843
00:45:52.599 --> 00:45:53.519
<v Speaker 3>Schmaltz machine.

844
00:45:55.039 --> 00:45:56.679
<v Speaker 6>Let me ask you this, Let's get away from this

845
00:45:56.800 --> 00:45:58.840
<v Speaker 6>just for a minute. And I'm just I'm curious. We

846
00:45:58.920 --> 00:46:02.000
<v Speaker 6>talked a lot about his his catalog of work. Let

847
00:46:02.079 --> 00:46:07.000
<v Speaker 6>me ask you, what's your favorite Billy Crystal performance. Let's

848
00:46:07.039 --> 00:46:09.320
<v Speaker 6>say movie, what's your favorite Billy Crystal movie?

849
00:46:09.639 --> 00:46:12.480
<v Speaker 3>What's the one with Alan King? Uh? Oh?

850
00:46:12.719 --> 00:46:14.079
<v Speaker 6>Is that Memories of Me?

851
00:46:14.760 --> 00:46:15.559
<v Speaker 3>Is that what it's called?

852
00:46:16.199 --> 00:46:16.400
<v Speaker 4>Yeah?

853
00:46:17.039 --> 00:46:19.519
<v Speaker 6>It was. It was directed by Henry Winkler. Did you

854
00:46:19.599 --> 00:46:23.840
<v Speaker 6>know that I did know that Joebeth Williams was in it. Yeah,

855
00:46:24.280 --> 00:46:26.480
<v Speaker 6>that's the one. Does he have Alzheimer's or something?

856
00:46:26.559 --> 00:46:29.039
<v Speaker 3>I'm kidding, by the way, it is all the Schmalts.

857
00:46:29.119 --> 00:46:31.639
<v Speaker 3>That is Billy Crystal. Now, do not see that movie.

858
00:46:31.719 --> 00:46:34.239
<v Speaker 3>Don't not, even as a joke. Do not go watch

859
00:46:34.519 --> 00:46:37.400
<v Speaker 3>Memories of Me. That's like watching what was it called like,

860
00:46:38.239 --> 00:46:41.239
<v Speaker 3>not nothing but Trouble? That's the right, fucking.

861
00:46:41.320 --> 00:46:42.960
<v Speaker 6>The one with Jackie Gleeson.

862
00:46:43.119 --> 00:46:44.280
<v Speaker 3>Yes, yes, what is that called?

863
00:46:44.639 --> 00:46:45.519
<v Speaker 6>Nothing in Common?

864
00:46:45.760 --> 00:46:48.719
<v Speaker 3>Nothing in Common with Tom Hanks? Oh my god, same

865
00:46:48.800 --> 00:46:53.960
<v Speaker 3>exact movie, Just awful schmaltzethon just baby boomers trying to

866
00:46:54.079 --> 00:46:55.599
<v Speaker 3>figure out their parents.

867
00:46:55.880 --> 00:46:58.840
<v Speaker 6>Do you remember what band did the song the theme

868
00:46:58.920 --> 00:47:00.000
<v Speaker 6>song to Nothing in Common?

869
00:47:00.800 --> 00:47:03.199
<v Speaker 3>Ooh no, I didn't. Let me guess.

870
00:47:04.519 --> 00:47:06.519
<v Speaker 6>I'm not looking anything up. I know this off top

871
00:47:06.519 --> 00:47:06.960
<v Speaker 6>of my head.

872
00:47:07.119 --> 00:47:10.639
<v Speaker 3>Let me I want to say someone like like like

873
00:47:10.840 --> 00:47:12.519
<v Speaker 3>like the Dream Syndicate or something.

874
00:47:12.639 --> 00:47:15.760
<v Speaker 6>You're sniffing around the right places, father alone, believe.

875
00:47:15.519 --> 00:47:19.440
<v Speaker 3>It or not? Is it the Thompson Twins.

876
00:47:20.320 --> 00:47:22.519
<v Speaker 6>That was the actual name of the song. Was it was?

877
00:47:22.559 --> 00:47:25.639
<v Speaker 6>We Got Nothing in Common inso Much to Lose?

878
00:47:26.280 --> 00:47:29.440
<v Speaker 3>Yes, I am so excited that you said that Dream

879
00:47:29.480 --> 00:47:32.320
<v Speaker 3>Syndicate was in the neighborhood, and the only band that

880
00:47:32.320 --> 00:47:34.559
<v Speaker 3>came to mind in the neighborhoods Tops and Twins.

881
00:47:35.079 --> 00:47:38.159
<v Speaker 6>You were definitely, like I said, you were sniffing around

882
00:47:38.360 --> 00:47:41.400
<v Speaker 6>the right area there. I thought you were gonna get you.

883
00:47:41.559 --> 00:47:44.320
<v Speaker 6>I thought you were gonna go with Howard Jones after that,

884
00:47:44.440 --> 00:47:47.039
<v Speaker 6>because he's adjacent to the Dream Syndicate. But you went,

885
00:47:47.400 --> 00:47:48.920
<v Speaker 6>you got there, That's the important thing.

886
00:47:49.119 --> 00:47:51.559
<v Speaker 3>My my other guests would have been Stephen Bishop because

887
00:47:51.559 --> 00:47:53.280
<v Speaker 3>this is right in his wheelhouse.

888
00:47:53.960 --> 00:47:55.119
<v Speaker 6>Oh do you remember that?

889
00:47:55.440 --> 00:47:58.320
<v Speaker 3>Yes, exactly, And that's probably what I'm thinking of. Yeah,

890
00:47:57.760 --> 00:47:59.840
<v Speaker 3>that's someone like here or whatever it is.

891
00:48:00.679 --> 00:48:02.880
<v Speaker 6>Someone's telling something's telling me it might be you.

892
00:48:03.239 --> 00:48:09.239
<v Speaker 3>Something's telling me it might be you, creaky right strike.

893
00:48:12.239 --> 00:48:14.079
<v Speaker 6>So look anyway, you're not gonna get away from this.

894
00:48:14.119 --> 00:48:16.119
<v Speaker 6>What's your favorite Billy Crystal movie?

895
00:48:16.280 --> 00:48:18.000
<v Speaker 3>All right? Now? You're gonna force me to look at

896
00:48:18.000 --> 00:48:19.039
<v Speaker 3>Billy Crystal movies?

897
00:48:19.599 --> 00:48:22.039
<v Speaker 6>Gross, you don't have the top of your head.

898
00:48:22.719 --> 00:48:24.159
<v Speaker 3>I don't have one off the top of my head.

899
00:48:24.199 --> 00:48:28.320
<v Speaker 3>I like Billy Crystal overall. But like, something's telling me

900
00:48:28.599 --> 00:48:33.480
<v Speaker 3>it might be you. Oh, I know, easily my life

901
00:48:33.880 --> 00:48:39.760
<v Speaker 3>easily Okay, two things, hb Yeah. Number one these aren't movies.

902
00:48:39.800 --> 00:48:41.159
<v Speaker 3>Can I do TV things?

903
00:48:41.400 --> 00:48:41.639
<v Speaker 6>Yeah?

904
00:48:41.760 --> 00:48:42.039
<v Speaker 1>Sure?

905
00:48:42.159 --> 00:48:45.960
<v Speaker 3>Okay. First of all, from nineteen eighty one, Midnight Viewing

906
00:48:46.320 --> 00:48:49.320
<v Speaker 3>is mainly a horror anthology podcast. There's a television series

907
00:48:49.320 --> 00:48:53.199
<v Speaker 3>called dark Room, which is a one series television show

908
00:48:53.320 --> 00:48:57.079
<v Speaker 3>hosted by James Coburn, and it was a horror anthology

909
00:48:57.440 --> 00:49:01.679
<v Speaker 3>and Billy Crystal starred in. So his character was named Patty,

910
00:49:02.559 --> 00:49:05.679
<v Speaker 3>which means what he was in Irish face. Come on, Billy,

911
00:49:06.400 --> 00:49:09.519
<v Speaker 3>leave some for the rest of us, where he finds

912
00:49:10.360 --> 00:49:13.719
<v Speaker 3>a makeup hit that belonged to like a Lon Cheney

913
00:49:13.800 --> 00:49:16.920
<v Speaker 3>type that when he puts the makeup on for the

914
00:49:16.960 --> 00:49:20.239
<v Speaker 3>particular character, he becomes that character. So like, there's this

915
00:49:20.320 --> 00:49:22.920
<v Speaker 3>bruiser character, so he becomes this giant guy who like

916
00:49:23.119 --> 00:49:25.280
<v Speaker 3>you know, beats up the bullies that have been harassing

917
00:49:25.320 --> 00:49:26.639
<v Speaker 3>him and stuff, and it goes on and on. It's

918
00:49:27.000 --> 00:49:30.320
<v Speaker 3>that's one of my favorites. The second one, weirdly has

919
00:49:30.400 --> 00:49:34.480
<v Speaker 3>a connection to James Coburn in My favorite Billy Crystal

920
00:49:34.559 --> 00:49:36.719
<v Speaker 3>movie is Monsters Incorporated.

921
00:49:37.159 --> 00:49:40.599
<v Speaker 6>And I was actually gonna go there as well. There's

922
00:49:40.599 --> 00:49:43.920
<v Speaker 6>a yeah, those are good choices. That's solid I would

923
00:49:43.960 --> 00:49:48.000
<v Speaker 6>say for me, I would say if we're talking television.

924
00:49:48.280 --> 00:49:50.320
<v Speaker 3>Maybe his what that thing back where it came from?

925
00:49:50.320 --> 00:49:50.440
<v Speaker 5>More?

926
00:49:50.519 --> 00:49:52.039
<v Speaker 3>So help me, so help me.

927
00:49:53.079 --> 00:49:55.159
<v Speaker 6>It's hard. I mean, Musters Inc. Is great, and I

928
00:49:55.199 --> 00:49:59.159
<v Speaker 6>think it's somewhat overshadowed by the sequel, which wasn't nearly

929
00:49:59.199 --> 00:49:59.639
<v Speaker 6>as good.

930
00:50:00.039 --> 00:50:02.079
<v Speaker 3>Disagree, disagree with you.

931
00:50:02.599 --> 00:50:05.079
<v Speaker 6>I think I thought the first one was I love

932
00:50:05.119 --> 00:50:05.679
<v Speaker 6>the first one.

933
00:50:05.760 --> 00:50:08.480
<v Speaker 3>The first one is magic. The second one is a

934
00:50:08.719 --> 00:50:13.199
<v Speaker 3>really good movie that that is not as interested in

935
00:50:13.280 --> 00:50:14.440
<v Speaker 3>tugging your heart strings.

936
00:50:15.440 --> 00:50:17.400
<v Speaker 6>It was fine, it was fine. I'm not going to

937
00:50:17.440 --> 00:50:19.519
<v Speaker 6>say it was the worst thing or the best thing.

938
00:50:19.639 --> 00:50:21.679
<v Speaker 3>But I have to ask you again, HB, for the

939
00:50:21.719 --> 00:50:23.480
<v Speaker 3>second time, why do you hit me?

940
00:50:24.760 --> 00:50:27.760
<v Speaker 6>I would say, for in terms of movies, I would

941
00:50:27.880 --> 00:50:30.599
<v Speaker 6>actually I think he's actually quite good and Running Scared.

942
00:50:30.639 --> 00:50:32.199
<v Speaker 6>I think it's a good movie. I think it's a

943
00:50:32.199 --> 00:50:34.840
<v Speaker 6>fun movie. I agree with it that isn't often thought

944
00:50:34.880 --> 00:50:37.400
<v Speaker 6>of at that time. Throw Mama from the Train. I

945
00:50:37.400 --> 00:50:41.039
<v Speaker 6>think he's fantastic. And then that's Danny DeVito's directorial debut.

946
00:50:41.079 --> 00:50:43.079
<v Speaker 6>If I'm not mistaken, that is a very good movie.

947
00:50:43.119 --> 00:50:43.960
<v Speaker 3>I agree with that too.

948
00:50:44.760 --> 00:50:47.920
<v Speaker 6>So those two are probably the ones that I would gravitate.

949
00:50:47.960 --> 00:50:51.920
<v Speaker 6>In addition to monstsinc of course, because it's great for

950
00:50:52.000 --> 00:50:53.920
<v Speaker 6>as far as TV, though, I think I don't know.

951
00:50:54.280 --> 00:50:58.519
<v Speaker 6>Maybe his appearance on the Love Boat is the Kissing Bandit.

952
00:50:58.559 --> 00:50:59.119
<v Speaker 6>Do you remember that?

953
00:50:59.400 --> 00:51:03.039
<v Speaker 3>He too? Remember that? You're right about this sort of amnesia,

954
00:51:03.239 --> 00:51:05.960
<v Speaker 3>you know, like, yeah, it just comes back how much

955
00:51:06.000 --> 00:51:09.199
<v Speaker 3>Billy Crystal was in our consciousness. He was always around.

956
00:51:09.239 --> 00:51:11.719
<v Speaker 3>That's the thing, like you know that you can see

957
00:51:12.360 --> 00:51:15.480
<v Speaker 3>it isn't like he left. It wasn't like he had

958
00:51:15.519 --> 00:51:17.599
<v Speaker 3>a big thing and then fell off. It just seems

959
00:51:17.639 --> 00:51:19.639
<v Speaker 3>like his career only got bigger and bigger. It is

960
00:51:19.840 --> 00:51:21.920
<v Speaker 3>actually a remarkable career. I know, I'm making fun of

961
00:51:21.960 --> 00:51:24.239
<v Speaker 3>him for his schmaltziness and his sort of he like

962
00:51:24.320 --> 00:51:27.440
<v Speaker 3>the leans and look, the man has been mythologizing his

963
00:51:27.559 --> 00:51:31.159
<v Speaker 3>childhood every day, Like he spent as much time in

964
00:51:31.199 --> 00:51:35.599
<v Speaker 3>his in adulthood examining his childhood as he was a child,

965
00:51:35.800 --> 00:51:37.519
<v Speaker 3>you know what I mean, Like it's the same span

966
00:51:37.599 --> 00:51:41.239
<v Speaker 3>of time, probably more thinks about anyway. Yeah, having he

967
00:51:41.239 --> 00:51:44.599
<v Speaker 3>said all that, the fact is fucking started out with nothing.

968
00:51:44.760 --> 00:51:46.360
<v Speaker 3>It was a stand up and then he like got

969
00:51:46.360 --> 00:51:48.480
<v Speaker 3>his heart broken when he was cut off of Saturday

970
00:51:48.519 --> 00:51:51.480
<v Speaker 3>Night Live, which I now understand by the way, because

971
00:51:51.719 --> 00:51:53.400
<v Speaker 3>he was given seven minutes and if it was going

972
00:51:53.480 --> 00:51:57.159
<v Speaker 3>to be seven minutes of fucking home movies of fucking

973
00:51:57.599 --> 00:52:00.920
<v Speaker 3>and it wasn't. It was that horrible like Fari routine,

974
00:52:01.000 --> 00:52:03.079
<v Speaker 3>the potato chips oof.

975
00:52:03.719 --> 00:52:07.000
<v Speaker 6>Anyway, they portrayed it in the Saturday Night movie, the

976
00:52:07.039 --> 00:52:09.039
<v Speaker 6>one that came out last year, remember, and actually the

977
00:52:09.079 --> 00:52:10.400
<v Speaker 6>actor who played him was very good.

978
00:52:10.400 --> 00:52:13.639
<v Speaker 3>I thought, yeah, oh fantastic, and that routine could have

979
00:52:13.639 --> 00:52:15.519
<v Speaker 3>been done in two minutes, like he didn't need all

980
00:52:15.519 --> 00:52:17.119
<v Speaker 3>the setup, just get out there and fucking do it,

981
00:52:17.119 --> 00:52:20.320
<v Speaker 3>man like he should have done it. Anyway, from going

982
00:52:20.320 --> 00:52:23.559
<v Speaker 3>from that to fucking like when Harry met Sally like

983
00:52:23.559 --> 00:52:26.199
<v Speaker 3>he was he ruled the nineties with Robin Williams. They

984
00:52:26.199 --> 00:52:29.480
<v Speaker 3>seemed to be everywhere all the time. Yeah, that's true,

985
00:52:29.519 --> 00:52:32.599
<v Speaker 3>not to mention all of the Oscar like. His greatest

986
00:52:32.599 --> 00:52:36.239
<v Speaker 3>achievement might be hosting the Oscars. Honestly, he was.

987
00:52:36.679 --> 00:52:39.280
<v Speaker 6>I think we can all agree he was. I hate.

988
00:52:39.320 --> 00:52:41.000
<v Speaker 6>I don't want to use hyperbole and say he was

989
00:52:41.000 --> 00:52:42.039
<v Speaker 6>the best Oscar host.

990
00:52:42.039 --> 00:52:44.199
<v Speaker 3>He was the bestcer host. He's the best Oscar host,

991
00:52:44.199 --> 00:52:48.119
<v Speaker 3>There's no question about it. His shows were wildly entertaining.

992
00:52:48.320 --> 00:52:52.360
<v Speaker 6>They were entertaining, and it didn't feel like the next

993
00:52:52.440 --> 00:52:55.360
<v Speaker 6>day after the Oscars, all people want to do is

994
00:52:55.400 --> 00:52:58.039
<v Speaker 6>tear down the Oscar host for every little misstep, everything

995
00:52:58.079 --> 00:53:00.480
<v Speaker 6>they did that they didn't like. I don't remember that

996
00:53:00.480 --> 00:53:03.039
<v Speaker 6>ever really happening with Billy Crystal. I think everybody accepted

997
00:53:03.039 --> 00:53:05.760
<v Speaker 6>that he had it down to a science, and he was.

998
00:53:06.119 --> 00:53:08.480
<v Speaker 6>He ran that thing like a well oiled machine. So

999
00:53:08.760 --> 00:53:11.960
<v Speaker 6>I'm surprised you didn't mention Animal Olympics. He did voices

1000
00:53:11.960 --> 00:53:12.800
<v Speaker 6>for Animallympics.

1001
00:53:12.880 --> 00:53:15.840
<v Speaker 3>Oh my god, I know, and I named a voice thing.

1002
00:53:16.039 --> 00:53:19.440
<v Speaker 3>You're right, I take it back. Animallympics is clearly my

1003
00:53:19.599 --> 00:53:22.360
<v Speaker 3>favorite of HISI oh my god. And you know what

1004
00:53:22.440 --> 00:53:24.639
<v Speaker 3>he does Muhammad Ali in that, but he does it

1005
00:53:24.679 --> 00:53:28.400
<v Speaker 3>as a kangaroo, so who cares. He also did maybe

1006
00:53:28.599 --> 00:53:32.039
<v Speaker 3>had he done all of his characters here and as furries,

1007
00:53:32.480 --> 00:53:35.519
<v Speaker 3>then this could have been an acceptable television special.

1008
00:53:36.079 --> 00:53:37.880
<v Speaker 6>He did do a lot of Ali, didn't he. I

1009
00:53:37.920 --> 00:53:40.440
<v Speaker 6>remember him even like he would make appearances with Ali

1010
00:53:40.519 --> 00:53:43.480
<v Speaker 6>on Awards shows and do them and hold up his

1011
00:53:43.480 --> 00:53:46.559
<v Speaker 6>fist to Ali. I think Ali probably thought it was

1012
00:53:46.599 --> 00:53:50.000
<v Speaker 6>funny that this, you know, this little Jewish guy from

1013
00:53:50.000 --> 00:53:52.920
<v Speaker 6>New York was you know, doing an impression of him,

1014
00:53:52.920 --> 00:53:54.119
<v Speaker 6>and that was always sweet.

1015
00:53:54.599 --> 00:53:57.639
<v Speaker 3>Good impression too, Like make no mistake, Billy Crystal's impressions

1016
00:53:57.679 --> 00:54:01.159
<v Speaker 3>are fucking spot on. Yeah, when in some cases not

1017
00:54:01.199 --> 00:54:02.960
<v Speaker 3>in Whoopi Goldberg's case, I don't know what.

1018
00:54:02.960 --> 00:54:05.760
<v Speaker 6>That it's the worst. But he did a very good

1019
00:54:05.800 --> 00:54:09.000
<v Speaker 6>Howard Grosell, which probably most of the listeners to this

1020
00:54:09.440 --> 00:54:11.679
<v Speaker 6>podcast probab don't even know who Howard Cosell is at

1021
00:54:11.679 --> 00:54:12.320
<v Speaker 6>this point.

1022
00:54:12.119 --> 00:54:15.960
<v Speaker 3>Most likely not, but he was. He also, speaking of people,

1023
00:54:16.039 --> 00:54:19.280
<v Speaker 3>nobody remembers he did his impression here. He did it

1024
00:54:19.280 --> 00:54:21.840
<v Speaker 3>in his previous special too. His el Brenner is out

1025
00:54:21.880 --> 00:54:22.320
<v Speaker 3>of hand.

1026
00:54:22.960 --> 00:54:25.519
<v Speaker 6>His eul Brenner is actually very cool. He did that

1027
00:54:25.719 --> 00:54:28.239
<v Speaker 6>in the Novels album too, but here you can see

1028
00:54:28.320 --> 00:54:30.960
<v Speaker 6>him because part of the magic of that is watching

1029
00:54:31.000 --> 00:54:33.920
<v Speaker 6>him walk around. Is Euel Brenner. Anybody who has watched

1030
00:54:34.440 --> 00:54:38.480
<v Speaker 6>Brenner in the Ten Commandments, which is his the point

1031
00:54:38.519 --> 00:54:41.679
<v Speaker 6>of the joke is he has him down to it.

1032
00:54:41.800 --> 00:54:45.079
<v Speaker 6>He's flawless. His impression. Also, he does Edward G. Robinson

1033
00:54:45.559 --> 00:54:49.639
<v Speaker 6>in Oh Yeah, where as You're Moses now Shay, which

1034
00:54:49.840 --> 00:54:53.679
<v Speaker 6>is I cannot watch the Ten Commandments and see him

1035
00:54:53.719 --> 00:54:55.559
<v Speaker 6>up there and not think of Billy Crystal because he

1036
00:54:55.599 --> 00:54:59.400
<v Speaker 6>pointed out the ridiculousness. It's like John Wayne, you know,

1037
00:54:59.559 --> 00:55:02.079
<v Speaker 6>doing Genghis Khan. Right, it's one of the all time

1038
00:55:02.119 --> 00:55:06.079
<v Speaker 6>worst you know, matchup of an actor to a role basically.

1039
00:55:06.199 --> 00:55:09.079
<v Speaker 6>But but look, we've bagged on My point is we

1040
00:55:09.199 --> 00:55:13.400
<v Speaker 6>bagged on this special a lot. There's certain charming bits,

1041
00:55:13.880 --> 00:55:16.440
<v Speaker 6>but you know, I don't want to I don't want

1042
00:55:16.440 --> 00:55:18.800
<v Speaker 6>that to sell you the man's legacy. I mean, the

1043
00:55:18.840 --> 00:55:22.039
<v Speaker 6>guy has a body of work which is pretty pretty

1044
00:55:22.039 --> 00:55:24.119
<v Speaker 6>well peerless, you know, in terms of what he did,

1045
00:55:24.239 --> 00:55:25.360
<v Speaker 6>what he brought to the table.

1046
00:55:25.519 --> 00:55:27.119
<v Speaker 3>You know what my favorite impression is of his?

1047
00:55:27.719 --> 00:55:29.679
<v Speaker 6>Is it one we've already discussed or is it a

1048
00:55:29.719 --> 00:55:30.079
<v Speaker 6>new one?

1049
00:55:30.440 --> 00:55:33.199
<v Speaker 3>It's we haven't talked about it yet. Oh did to

1050
00:55:33.320 --> 00:55:37.039
<v Speaker 3>tell I'd love to hear this blue crayon? Have you

1051
00:55:37.079 --> 00:55:38.320
<v Speaker 3>ever seen him do a blue crayon?

1052
00:55:39.199 --> 00:55:41.960
<v Speaker 6>Maybe enlighten me, Maybe it'll come back like amnesia.

1053
00:55:42.039 --> 00:55:44.320
<v Speaker 3>He takes a winter cap, a blue winter cap, and

1054
00:55:44.360 --> 00:55:46.159
<v Speaker 3>he peeks it on top of his head, so he

1055
00:55:46.199 --> 00:55:50.119
<v Speaker 3>turns into a blue crayon and then he says, same

1056
00:55:50.199 --> 00:55:53.000
<v Speaker 3>blue crayon after a lot of sky, and then he

1057
00:55:53.119 --> 00:55:56.559
<v Speaker 3>smushes it down. On his head. Fucking genius.

1058
00:55:57.039 --> 00:55:59.519
<v Speaker 6>That is conceptual in a way that I didn't think

1059
00:55:59.559 --> 00:56:02.360
<v Speaker 6>he was cape. I don't think I've ever seen that.

1060
00:56:02.360 --> 00:56:05.199
<v Speaker 3>That's in the previous special, which by the way, is

1061
00:56:05.480 --> 00:56:09.800
<v Speaker 3>wall to wall these sort of character pieces. But somehow,

1062
00:56:10.719 --> 00:56:15.159
<v Speaker 3>all everything that Billy Crystal that I tend to feel

1063
00:56:15.280 --> 00:56:21.119
<v Speaker 3>is Maudlin in his work works in that special, like

1064
00:56:21.199 --> 00:56:24.320
<v Speaker 3>it's the perfect encapsulation of Billy Crystal and his memories

1065
00:56:24.360 --> 00:56:28.519
<v Speaker 3>of childhood and his impressions and everything, without any of

1066
00:56:28.559 --> 00:56:32.280
<v Speaker 3>the blackface. It's not present in that special, although he

1067
00:56:32.320 --> 00:56:35.719
<v Speaker 3>does dress as Adamant, and I think that might be

1068
00:56:36.159 --> 00:56:38.320
<v Speaker 3>that might be offensive to Adamant, but he's a kind

1069
00:56:38.320 --> 00:56:40.760
<v Speaker 3>of a dead ringer for Adamant so well.

1070
00:56:41.119 --> 00:56:43.440
<v Speaker 6>So the name of the special that you're talking about

1071
00:56:43.480 --> 00:56:46.760
<v Speaker 6>is called Billy Crystal a comics line which is supposed

1072
00:56:46.760 --> 00:56:50.079
<v Speaker 6>to be a takeoff of a chorus line, and I

1073
00:56:50.159 --> 00:56:53.639
<v Speaker 6>tried and I could not find any trace of it online.

1074
00:56:54.199 --> 00:56:57.480
<v Speaker 6>There is a brief chopped up clip where you can

1075
00:56:57.519 --> 00:56:59.760
<v Speaker 6>see him do a little bit of the Adamant stuff,

1076
00:56:59.760 --> 00:57:02.239
<v Speaker 6>and I agree with you. There's something about the shape

1077
00:57:02.239 --> 00:57:05.079
<v Speaker 6>of his face and the way his hairline is receding

1078
00:57:05.119 --> 00:57:08.800
<v Speaker 6>in a certain way that he is a dead ringer

1079
00:57:09.039 --> 00:57:11.639
<v Speaker 6>for Adam An. It was spooky because they made him

1080
00:57:11.719 --> 00:57:14.400
<v Speaker 6>up with the makeup on his cheekbones and stuff. He

1081
00:57:14.519 --> 00:57:18.880
<v Speaker 6>looks just like him. But my point is I really

1082
00:57:19.199 --> 00:57:23.000
<v Speaker 6>wanted to find this based on your recommendation. I thought

1083
00:57:23.000 --> 00:57:26.840
<v Speaker 6>this could be a good prisoner exchange of Billy Crystal specials.

1084
00:57:26.880 --> 00:57:29.239
<v Speaker 6>But I still I haven't given up, but I haven't

1085
00:57:29.239 --> 00:57:30.119
<v Speaker 6>found it yet.

1086
00:57:30.320 --> 00:57:33.400
<v Speaker 3>I also searched for it and yielded nothing. I think

1087
00:57:33.440 --> 00:57:35.960
<v Speaker 3>we can buy videotapes of it off of eBay, but

1088
00:57:36.360 --> 00:57:38.480
<v Speaker 3>I don't know that I'm going to do that just yet.

1089
00:57:38.559 --> 00:57:41.519
<v Speaker 3>So hopefully HBO, which owns all of these, would just

1090
00:57:41.559 --> 00:57:44.400
<v Speaker 3>fucking make it available. But it wasn't available there either.

1091
00:57:45.039 --> 00:57:48.360
<v Speaker 6>I'm not sure, especially if it's a package deal with

1092
00:57:48.440 --> 00:57:51.079
<v Speaker 6>Don't get he started. I'm not sure HBO would want

1093
00:57:51.440 --> 00:57:55.039
<v Speaker 6>him doing Sammy Davis Junior and Whoopee Goldberg to be

1094
00:57:55.159 --> 00:57:57.400
<v Speaker 6>brought back up in the public consciousness. So maybe that

1095
00:57:57.559 --> 00:57:59.760
<v Speaker 6>it may be a long time before we see that.

1096
00:58:00.559 --> 00:58:06.159
<v Speaker 3>You know, this special has adenda. There is the lost minutes.

1097
00:58:06.559 --> 00:58:11.159
<v Speaker 3>There is a full other half hour of wandering around

1098
00:58:11.199 --> 00:58:11.880
<v Speaker 3>that mansion.

1099
00:58:12.639 --> 00:58:16.960
<v Speaker 6>No kidding, you know, I came across that listing of

1100
00:58:17.000 --> 00:58:20.639
<v Speaker 6>the Lost Minutes, but I assumed because the copy on

1101
00:58:20.719 --> 00:58:23.519
<v Speaker 6>YouTube is a video cassette copy, it's a rip of

1102
00:58:23.519 --> 00:58:27.119
<v Speaker 6>a video cassette, so I assumed that it was just

1103
00:58:27.199 --> 00:58:31.239
<v Speaker 6>incorporated in the video cassette. But you're telling me there's

1104
00:58:31.920 --> 00:58:34.519
<v Speaker 6>some bonus footage that I've not been privy to yet.

1105
00:58:34.920 --> 00:58:37.960
<v Speaker 3>Have you seen it? I have not because I'm terrified

1106
00:58:38.000 --> 00:58:41.039
<v Speaker 3>to go further into this fucking nightmare. Is he going

1107
00:58:41.079 --> 00:58:43.000
<v Speaker 3>to show up and be to share him afoon all

1108
00:58:43.079 --> 00:58:43.960
<v Speaker 3>of a sudden.

1109
00:58:44.239 --> 00:58:49.480
<v Speaker 6>Wow, I that's pretty wild. I'll have to I will brave.

1110
00:58:49.360 --> 00:58:52.320
<v Speaker 3>The let me brother, I did this one. I'm not going.

1111
00:58:52.320 --> 00:58:53.199
<v Speaker 3>I'm not going again.

1112
00:58:53.880 --> 00:58:56.559
<v Speaker 6>I will try to check that out. But I'm intrigued because,

1113
00:58:57.360 --> 00:58:59.960
<v Speaker 6>let's be honest, like, the first half is so much

1114
00:59:00.199 --> 00:59:03.159
<v Speaker 6>more interesting than the second half. So if we can

1115
00:59:03.519 --> 00:59:08.239
<v Speaker 6>hopefully not get anything more offensive in this lost minutes piece,

1116
00:59:08.679 --> 00:59:10.800
<v Speaker 6>maybe it's worth it. I don't know. We'll check it out, though,

1117
00:59:10.840 --> 00:59:14.599
<v Speaker 6>good luck. I will look for it. But see, now,

1118
00:59:15.000 --> 00:59:18.239
<v Speaker 6>knowing that this is part of our series, within the

1119
00:59:18.280 --> 00:59:22.119
<v Speaker 6>series of you know, HP hates Me, I'm now wondering it.

1120
00:59:22.159 --> 00:59:24.400
<v Speaker 6>And now is there something in the offering on your

1121
00:59:24.559 --> 00:59:27.719
<v Speaker 6>end that you're going to make me watch. No, no,

1122
00:59:28.480 --> 00:59:29.440
<v Speaker 6>there has to be something.

1123
00:59:29.880 --> 00:59:33.599
<v Speaker 3>Nope, no, no, this is not a reciprocal thing. This

1124
00:59:33.639 --> 00:59:37.159
<v Speaker 3>is called HP hates me. You go to town, my friend,

1125
00:59:37.199 --> 00:59:41.599
<v Speaker 3>because I've opened this door stupidly. But after rich little

1126
00:59:41.599 --> 00:59:44.800
<v Speaker 3>I thought what other fiendish things could he have? And

1127
00:59:44.840 --> 00:59:46.840
<v Speaker 3>then out of the blue you said, let's do this,

1128
00:59:46.960 --> 00:59:50.360
<v Speaker 3>and so well you I've.

1129
00:59:50.199 --> 00:59:52.719
<v Speaker 6>Got, As mister T said, I got a lot of more.

1130
00:59:52.760 --> 00:59:54.920
<v Speaker 6>I got a lot of more. Fottom alone, I'll get there.

1131
00:59:55.360 --> 00:59:56.679
<v Speaker 3>Good luck to all of us.

1132
00:59:58.360 --> 01:00:00.920
<v Speaker 6>May God have percy on your soul, Father Malone.

1133
01:00:01.360 --> 01:00:03.960
<v Speaker 3>So thank you once again, midnight viewers for tuning into

1134
01:00:04.000 --> 01:00:07.360
<v Speaker 3>this crazy ass fucking show that we're doing. HP. Where

1135
01:00:07.400 --> 01:00:08.159
<v Speaker 3>can people find you?

1136
01:00:08.960 --> 01:00:09.320
<v Speaker 6>Ah?

1137
01:00:09.320 --> 01:00:09.559
<v Speaker 3>So?

1138
01:00:09.679 --> 01:00:13.039
<v Speaker 6>I co host the Night Mister Walters Taxi podcast with

1139
01:00:13.639 --> 01:00:16.840
<v Speaker 6>Father Malone, of course, and I'm an occasional guest on

1140
01:00:16.880 --> 01:00:20.840
<v Speaker 6>the Culture Cast with Chris Dashu. I also host the

1141
01:00:20.880 --> 01:00:24.679
<v Speaker 6>Noise Junkies music podcast, and I have a band campsite

1142
01:00:25.039 --> 01:00:29.480
<v Speaker 6>with my music. Anyone who hears any of the Actually

1143
01:00:29.679 --> 01:00:32.079
<v Speaker 6>I do some of the music around the weirding Way Network,

1144
01:00:32.360 --> 01:00:35.840
<v Speaker 6>some of the themes and things. That's me hpmusicplace dot

1145
01:00:35.880 --> 01:00:38.079
<v Speaker 6>bandcamp dot com. Go there if you want to hear

1146
01:00:38.119 --> 01:00:40.440
<v Speaker 6>any more of my musical noodlings.

1147
01:00:40.719 --> 01:00:42.920
<v Speaker 3>And as for me, you listening to the show. Midnight

1148
01:00:43.079 --> 01:00:45.599
<v Speaker 3>Viewing mentioned this on another episode, but I'm gonna mention

1149
01:00:45.679 --> 01:00:48.599
<v Speaker 3>it here too. It's well in advance. In the beginning

1150
01:00:48.599 --> 01:00:50.199
<v Speaker 3>of October fourth and fifth, you happen to be in

1151
01:00:50.199 --> 01:00:52.800
<v Speaker 3>the Las Vegas area, please stop my the Silverton Casino

1152
01:00:52.920 --> 01:00:56.719
<v Speaker 3>at the Nightmare in Vegas Convention, where HP and I

1153
01:00:56.800 --> 01:00:59.639
<v Speaker 3>will both be manning the Midnight Viewing booth. Baby, we're

1154
01:00:59.639 --> 01:01:01.760
<v Speaker 3>gonna be there for both days. We're gonna be broadcasting live,

1155
01:01:01.760 --> 01:01:04.280
<v Speaker 3>we're gonna have guests, we're gonna have fun. Stop in

1156
01:01:04.440 --> 01:01:07.880
<v Speaker 3>say hello until next time. Oh my god. Here, I'm

1157
01:01:07.920 --> 01:01:09.320
<v Speaker 3>gonna play some Billy Crystal for you.

1158
01:01:13.199 --> 01:01:15.320
<v Speaker 4>So this is your ten commandments. Please, I only do

1159
01:01:15.360 --> 01:01:15.679
<v Speaker 4>it once.

1160
01:01:16.239 --> 01:01:18.079
<v Speaker 3>Molds us on the you Doze thing they us my
