Speaker 1: This is Auson Wells speaking from London. The Black Museum.
Speaker 1: Here in a grihamstone structure on the Thames which houses
Speaker 1: Scotland Yard, is a warehouse of homicide, a warehouse where
Speaker 1: everyday objects, a piece of wash, line of medicine, bottle
Speaker 1: and electric light bulb.
Speaker 2: All all are touched by murder.
Speaker 1: Here's a telegram that's a familiar object. Usually it's his
Speaker 1: happy birthday, or congratulations on your wedding, or will arrive
Speaker 1: ten o'clock train. This telegram was an urgent request to die.
Speaker 3: Take this telegram, miss please.
Speaker 4: Yes, sir, Daily Star come up once four point thirty
Speaker 4: train Waterloop, Ballmouth Central.
Speaker 3: We'll meet.
Speaker 5: Sorry sir, what.
Speaker 3: Is this car?
Speaker 2: Car?
Speaker 3: We'll meet today?
Speaker 1: This telegram can be seen in the Black Museum.
Speaker 6: From the annals of the Criminal Investigation Department of the
Speaker 6: London Police. We bring you the dramatic stories of the
Speaker 6: crimes recorded by the objects in Scotland Yards Gallery of Death,
Speaker 6: the Black Museum.
Speaker 1: Here we are the Black Museum, Scotland Yards, Mausoleum of murder. Hallies,
Speaker 1: death arranged on shows and cabinets, ranked along the floor
Speaker 1: and on the tables. Death in many disguises this oil lamp.
Speaker 1: This one was found in Thyme. There were others before
Speaker 1: it in other places. Part of a baited trap. A
Speaker 1: house cat leaped knocking over the lamp. Flames flared arson
Speaker 1: and somebody dies, and such a fire arson becomes the murderer.
Speaker 1: There's a bit of ribbon from a Christmas package, shining
Speaker 1: tinseled ribbon. A gift unwrapped in pleasant anticipation was death
Speaker 1: Ah a telegram.
Speaker 7: There we are.
Speaker 1: It's a slip of yellow paper with familiar type pasted
Speaker 1: and stripes across its face, urgent summons. One day, this
Speaker 1: wire rested in a closed handbag on a woman's lap.
Speaker 7: She was riding on a train.
Speaker 1: Response to the wire, men sharing the seat with her smile,
Speaker 1: started a conversation.
Speaker 3: You going all the way to Bournemouth.
Speaker 8: No, I'm getting off at Bascom. This train do stop
Speaker 8: at Boscom, doesn't he?
Speaker 3: Well, I believe it.
Speaker 9: I'm going through to Bournemouth themselves, So I didn't pay
Speaker 9: particular attention your holidays.
Speaker 3: Well you know why.
Speaker 9: I'm taking a day off to see some friends and
Speaker 9: I'm going back to Southampton to.
Speaker 10: Catch a ship for her business triph.
Speaker 8: It that's been nice to have a life like that.
Speaker 8: Mine's very dull.
Speaker 9: Oh well then might I get is that like some
Speaker 9: of the ladies, I know, you'll find your gaiety in
Speaker 9: your heads?
Speaker 5: No, mane, it's tovagant. I've always liked your pretty hair.
Speaker 1: Just chr chats on a train speeding southward from London.
Speaker 1: The gentleman contributed no information about his business. The lady
Speaker 1: didn't give her name. She did have a volunteer.
Speaker 8: I'm going down to Bascom to cook for some people.
Speaker 8: That's what I do cook.
Speaker 2: And the time passed.
Speaker 1: Others entered the compartment of the train at various stops
Speaker 1: and left a little later.
Speaker 2: But that was all. And as the train slowed from Bascom.
Speaker 9: Here let meet me shirt that back looks heavy, parget
Speaker 9: down for you.
Speaker 8: Oh please don't travel, sir, It is no trouble at all.
Speaker 3: Here we are.
Speaker 2: Come.
Speaker 3: Well, it's been pleasant chatting with you all.
Speaker 7: Good luck at the new.
Speaker 8: Job, and thank you sir, and good luck on your trip.
Speaker 3: Thank you, miss big Gardens, you the new cook for
Speaker 3: vegans and wooden neras yes, in this way please missus.
Speaker 3: Egan told me to watch for you. I'm their chauffeur.
Speaker 3: I have the car. It's a fair way out, you see.
Speaker 8: Oh, yes, the telegram said the car would meet me.
Speaker 8: Is it nice working?
Speaker 1: Please? She put her luggage in the back of the
Speaker 1: big limousine, stepped into the front seat next to the chauffeur.
Speaker 1: The train out of the Bascom station just as the car.
Speaker 2: Moved away along the road.
Speaker 1: Apparently it was a fair ways out, as the chauffeur
Speaker 1: put it. The road wounds through the countryside. The land
Speaker 1: seemed to grow more and more bleak. As they rolled along.
Speaker 1: The sun dropped all of the horizon. The young woman
Speaker 1: began to feel a little edgy.
Speaker 5: Is it much further? Seems to be getting dark.
Speaker 3: It not only seems to be getting dark, my girl,
Speaker 3: it is getting dark.
Speaker 5: You never told me if it's nice working out here, you.
Speaker 3: Won't have any trouble. If you're nice, that is, if
Speaker 3: I'm nice. Got the masters and mistresses ears? What I
Speaker 3: say usually goes. Anyone who's not nice to me goes.
Speaker 5: I don't understand.
Speaker 3: You've worked before, haven't you well?
Speaker 5: Yes, of course, have the very best of references.
Speaker 3: In most places, it's the butler, isn't it out here?
Speaker 3: It's me.
Speaker 5: I don't understand.
Speaker 4: Why have you left the road, because my girl, I
Speaker 4: took you out this way for reasons of my own.
Speaker 5: Now now I came out here for a job as cook.
Speaker 3: I get that.
Speaker 5: Come here. I know you can't God not to me.
Speaker 3: It's someone else, no one else, it's you, understand Now'll
Speaker 3: be good, be quiet.
Speaker 2: That was all till the next morning.
Speaker 1: Farmer cutting across the empty fields found that they were
Speaker 1: not quite as empty as he supposed.
Speaker 3: Here here, what's this youth like? Miss she? She's dead? Ah?
Speaker 3: This be for the police.
Speaker 1: The farmer made it as fast as he could the
Speaker 1: nearest telephone, and within an hour the police had arrived.
Speaker 10: They will not I suppose you repeat your starliarship.
Speaker 5: You're inspector gardener.
Speaker 3: Ah, well they told.
Speaker 10: You go ahead.
Speaker 11: Well I was cutting across the field. They save a
Speaker 11: few steps, and I come on her line like that.
Speaker 3: I went for help. That's soul, sir.
Speaker 10: You didn't touch anything, You didn't mess up the ground.
Speaker 7: No, no, sir, nothing like that.
Speaker 10: All right, give the constable your name and address. We'll
Speaker 10: call you for an egypt Yes, sir, thank you, sir.
Speaker 3: What do you make up a martin?
Speaker 7: One of those things?
Speaker 12: Inspector murder by person unknown after a bit of a.
Speaker 10: Struggle, it looks like yes, ground's pretty well trembled.
Speaker 3: Any idea of the time of death.
Speaker 12: Medical examiner can't see it, Sir. My guess is sometime
Speaker 12: after seven o'clock last night. The rain stopped around six thirty.
Speaker 12: She is not even damp, sir.
Speaker 10: Very good, I judge from the tire texts. We'll get
Speaker 10: to make up tires in the size of the cars.
Speaker 10: You know, Yes, sir, you have her handbag, yes, right here,
Speaker 10: so hm, Yes, we had an identity card, Ida Matthews, Stretham, London.
Speaker 7: We can check that quickly enough.
Speaker 10: Well, it's a telegram Daily Star come at once four
Speaker 10: point thirty train Waterloo Bomber Central car will meet Joy
Speaker 10: Expence's paid Egan, woodmere.
Speaker 7: House, Boscombe.
Speaker 10: Yes, I've seen this sort of thing before. What are
Speaker 10: the odds, Martin? There is no woodmere House nor any
Speaker 10: Egan hereabouts.
Speaker 1: The odds were high. The inspector was right, no woodmere
Speaker 1: House and no Eagon. But the telegram is a lead,
Speaker 1: and importantly for a thread to start on. Not very
Speaker 1: many post offices in Bascom, and you send telegrams from
Speaker 1: post offices Neihland.
Speaker 2: Detective Martin had an assignment.
Speaker 12: I'm sorry to bother you, but this wire filed at
Speaker 12: this office.
Speaker 2: Not at that office.
Speaker 1: No, no, at the next one, but the one after that.
Speaker 5: Yes, that's one of ours.
Speaker 7: May I see the original of the wire? Please?
Speaker 5: Well, now I don't know hit.
Speaker 7: Scop and my credentials.
Speaker 5: Ah, well, that makes it properly.
Speaker 1: And since it was proper and Detective Martin returned to
Speaker 1: his superior.
Speaker 2: With the original of the wire.
Speaker 12: Did you ever see such atrocious handwriting, Inspector.
Speaker 10: I can't I ever have party, can't spell either? No
Speaker 10: E in Bournemouth and expenses with a C in place
Speaker 10: of an S. Interesting Martin, it will be a long job.
Speaker 10: Check through central post office and guard the Bournemouth area yourself,
Speaker 10: get the originals of every wire over the past six
Speaker 10: months that have had bad handwriting and worse spelling. It's
Speaker 10: a long job.
Speaker 1: Patience and routine the two great strengths of the forces
Speaker 1: of law and order, and they pay off. Sometimes it
Speaker 1: takes months, sometimes only weeks. This time it was two weeks.
Speaker 1: A triumphant detective, I'd returned to Inspector Gardner.
Speaker 12: We've got two more wiles and good work Martin. Here, sir,
Speaker 12: notice this first one to the Dandre woman, no e
Speaker 12: in Bournemouth, see an expense and a new era. Two
Speaker 12: f's in if at this one to the domestic agency.
Speaker 12: Someone wanted a young pleasant nurse without an a in
Speaker 12: pleasant And again the e is missing in Bournemouth.
Speaker 10: Her writing's identical, no question about it.
Speaker 7: Put some calls to Martin.
Speaker 10: I wonder if the Dandre woman or the young pleasant
Speaker 10: nurse ever came down this way.
Speaker 2: That track was an easy one, not trouble at all.
Speaker 7: The Dandre woman came down, no car. She went back
Speaker 7: a lucky lady.
Speaker 3: That one.
Speaker 1: Apparently Priment agency was a bit more careful.
Speaker 12: The agency wrote to the return address for more information.
Speaker 12: Name and address were fictitious, of course, of course.
Speaker 10: All right, Martin, back to the bascom post dropice jog
Speaker 10: A few memories, will you?
Speaker 7: I see, Miss, you filed this wire.
Speaker 4: I did we get a lot of business through you
Speaker 4: are with that awful handwriting.
Speaker 12: Do you remember anything about the person who gave it
Speaker 12: to you?
Speaker 4: Well, it was a man, I know that that's something
Speaker 4: there was that.
Speaker 5: Let me think now now it's all black.
Speaker 12: I don't try to hard, Miss, It'll come back to
Speaker 12: you here. Let me read you the wire Daily Star
Speaker 12: come at once four thirty train Waterloo, Bournemouth Central and
Speaker 12: something here I can't quite make out.
Speaker 5: That's it car, car, we'll meet.
Speaker 4: I asked him the same question. He repeated the words
Speaker 4: like that car, car will meet. I'd know his voice anywhere.
Speaker 4: Why it was that kind of voice? Smooth, too soft?
Speaker 4: Since she was out for me?
Speaker 7: Do you remember the man at all?
Speaker 2: No, sir, you know how it is.
Speaker 4: Don't look at all the people who come in here.
Speaker 4: But I think I'm not positive, but I think you
Speaker 4: are on the chauffeur's.
Speaker 1: Uniform, patience and routine were bringing results from nothing except
Speaker 1: Ida Matthew's body. They built their evidence to a man
Speaker 1: in a chauffeur's uniform who couldn't spell, and from the
Speaker 1: tire tracks they knew the make of tires and the
Speaker 1: length and widths and therefore the make of the car.
Speaker 1: Within hours now every chauffeur in the vicinity who drove
Speaker 1: a live sedan of a certain make had been called
Speaker 1: into the police station.
Speaker 9: Now do you Aleventhop was in London? So with my
Speaker 9: money we lost a boy in the war. Inspector and
Speaker 9: the whole family always gets together an armist this night
Speaker 9: for that reason.
Speaker 2: So.
Speaker 11: No remember the eleventh Inspectator. I was off that night.
Speaker 11: I didn't have the car. Now the young Master was
Speaker 11: permitted to drivers himself that night. Seeing as I was
Speaker 11: having my regular.
Speaker 13: Night off, I picked up the old man, mister Dutton,
Speaker 13: and he's a regular train, drove him home, put the
Speaker 13: car away and.
Speaker 2: Locked it up.
Speaker 10: Did you have your own keid of garage?
Speaker 13: No, sir, I always turned it into the big house
Speaker 13: after I put the car away. That's what I did
Speaker 13: that night, sir. And after that mature, I went into
Speaker 13: Bournemouth on the bus, had a button, went.
Speaker 2: To the cinema.
Speaker 10: You should remember all that very well. It was over
Speaker 10: a month ago. The case we're investigating happened.
Speaker 3: I've got a great memory.
Speaker 10: Well how is it unspelling? I wouldn't know. I never
Speaker 10: tested it. Let's test it right now. Take this pad
Speaker 10: and pencil and write the words I asked you. I
Speaker 10: know you were smart and we shouldn't have let the
Speaker 10: newspapers publish those wires. Not one of these cheps spills
Speaker 10: those words wrong, and their handwriting doesn't match.
Speaker 7: Nothing.
Speaker 12: As it's too bad Inspector to draw a blank when
Speaker 12: it looks so.
Speaker 7: Good for a bit.
Speaker 10: That's about it, Martin. For once we've drawn a blank completely.
Speaker 2: But that was not to be the end.
Speaker 1: Fate was to play a hand, and one of the
Speaker 1: strongest cards in that hand turned out to be the telegram. Yes,
Speaker 1: this same telegram that can be seen today in the
Speaker 1: Black Museum.
Speaker 14: Arson Wells will be back with you in just a moment,
Speaker 14: And now we continue with the Black Museum, starring Awesome Wells.
Speaker 1: They'd drawn a blank, but carefully built up points which
Speaker 1: should have led to a vicious killer lead nowhere. The
Speaker 1: full and tragic story of Idam Matthews seemed headed directly
Speaker 1: for the unsolved file at Scotland yarnd.
Speaker 7: How do account for what happened next?
Speaker 1: Chance, stupidity, the intelligence to capitalize on a tiny fact.
Speaker 7: It really doesn't matter.
Speaker 1: What does matter is that one morning at the post
Speaker 1: office in Bascon.
Speaker 3: How many steps for this package? Miss?
Speaker 5: I just put it on the scale.
Speaker 3: I take care now it's mark French. I don't even
Speaker 3: see that.
Speaker 7: I see it.
Speaker 4: It'll be one and three, right you are, Thank you?
Speaker 4: Miss Jimmy Quick Please, where's he going? Good fellow in
Speaker 4: the show for suit? Where's he going get to the window.
Speaker 4: I can't leave the cage quick.
Speaker 10: Yeah, he's getting a little a car grace there, get
Speaker 10: the number whatever for.
Speaker 7: Wait l K nine O five four twenty four.
Speaker 5: Ex husband knows you elimen he a'm ridiculous.
Speaker 4: That's the man who sent the telegram, the one the
Speaker 4: coppers was so interesting. I know his voice anywhere? Yeah,
Speaker 4: you take over. I'm going to telephone that nast detective.
Speaker 2: A chance, a coincidence.
Speaker 1: The young man might have taken that package, the girl
Speaker 1: might have forgotten the voice. Neither of these things happened,
Speaker 1: and a new lead was developed for the yard.
Speaker 12: Mitchell drives that car Inspector John Mitchell, owner is done.
Speaker 10: We had Mitchell in his writing, doesn't mentionine his spelling's fine.
Speaker 7: Well, the girl swears he's the man Martin.
Speaker 10: Can you picture a British jury hanging a man because
Speaker 10: a girl remembered his voice? No such things are.
Speaker 1: But the points were added to the Ida Matthews file
Speaker 1: and held waiting their use. Patience and more patience and
Speaker 1: more results.
Speaker 10: Depect the gardeners beging this is Sidney Harris.
Speaker 9: I'm told her that I want to give my information
Speaker 9: to you. It's on the Matthews case.
Speaker 3: You see, I rode down to Bosco on the.
Speaker 2: Train with her.
Speaker 1: Sydney Harris received a warm welcome at Scotland.
Speaker 10: Sit down, mister Harris, thank you. If I may ask,
Speaker 10: what took this a lot? I was out of the country, Inspector.
Speaker 10: I returned just yesterday.
Speaker 9: Go on, mister Harris, will you see my business takes
Speaker 9: me abroad quite a bit. I had the opportunity to
Speaker 9: spend a night with some friends of mine in Bournemouth
Speaker 9: before I sailed the next day. That's how it happened
Speaker 9: that I was on the train. The Matthews woman was
Speaker 9: in my compartment. We talked a bitter I commented on
Speaker 9: our Harold, just passing the time. I'd never have thought
Speaker 9: of it again, I suppose if my ship had sailed
Speaker 9: on time, but it didn't. The steward brought aboard some
Speaker 9: late papers which came out while we werestled in Southampton.
Speaker 9: I saw them after we've been at sea for a
Speaker 9: few hours. There was this woman's picture and the story
Speaker 9: I understand. And now, mister Harris, what information do you
Speaker 9: have which may.
Speaker 3: Be of help to us?
Speaker 9: The luggage rack on the car, Inspector.
Speaker 3: It was a large gray sedan.
Speaker 7: How did you happen to notice it?
Speaker 9: I watched across to the station platform. I saw a
Speaker 9: man meet in a sofa's uniform. I wanted to enter
Speaker 9: this car. Now it happens, Inspector, that I design auto bodies.
Speaker 9: The Luggies wrec attracted my attention. It doesn't belong to
Speaker 9: that make of car. It's been specially fitted.
Speaker 10: You're a very observed man, mister Harris, for which our
Speaker 10: deepest appreciation. At one point, mister Harris, among these ladies'
Speaker 10: hats on the desk, which one would you say was
Speaker 10: miss Matthews or this one' sir, that, mister Harris, is
Speaker 10: the hat we found beside Ida Matthew's body.
Speaker 1: At last someone to establish that Ida Matthews had been
Speaker 1: mat bess chauffeur at the buscon station.
Speaker 2: Which chauffeur.
Speaker 9: Yes, that's the car, the gray one, LK nine oh
Speaker 9: five to four.
Speaker 7: That's the Luggies wreck. I was talking about.
Speaker 2: But the handwriting and the spelling.
Speaker 10: Ask the licensed Bureau for Mitchell's application for the driver's license.
Speaker 10: I want to see the handwriting on it.
Speaker 1: Within a day, the application lay on the inspector's desk.
Speaker 1: Decided with the originals of the wires with the misspelled words.
Speaker 12: Well, Martin, not much doubt about it, as there inspector.
Speaker 10: The experts will testify for us, Martin. But I'm satisfied.
Speaker 10: Get your hat. We're going to pick up Mitchell. Well Martin,
Speaker 10: what kept jump?
Speaker 12: I saw his room, Sir, and spoke with mister Dutton.
Speaker 12: Mitchell must have got the wind up. He's gone. But
Speaker 12: I found this in his room, the key duplicate key
Speaker 12: to the garage. Mitchell had access to the car Edit II.
Speaker 12: He wanted to use it, and mister Dutton tells me
Speaker 12: he was on the verge of calling us, but I
Speaker 12: walked in. Mitchell is paying the expenses of his little
Speaker 12: trip with forged checks.
Speaker 3: That does it, Martin.
Speaker 10: Let's get back to the office.
Speaker 2: Now.
Speaker 1: The fast interlocking network of police authorities and police communications
Speaker 1: went into action all across and up and down England.
Speaker 2: The teletypes carried the message.
Speaker 15: Bornmous to all stations General alarm for one John Mitchell,
Speaker 15: age about forty two five feet eight inches tall, weightd
Speaker 15: about one hundred and sixty five pounds, hair, brown eyes,
Speaker 15: blue distinctive suppose, low pitched voice, wanted for forgery and murder.
Speaker 1: The word was out somewhere in England. A policeman would
Speaker 1: recognize John Mitchell. And the policeman did.
Speaker 10: Inspect your gardener speaking this is super.
Speaker 7: Didn't con and ready, inspector.
Speaker 10: We have this John Mitchell for you picked him up
Speaker 10: when he tried to get a drop to gearage.
Speaker 7: He has a mechanic.
Speaker 1: John Mitchell was brought back to Vuscan. But the job
Speaker 1: wasn't done even yet. After all, when the charge is murdered,
Speaker 1: the plea of not guilty is mandatory. There must be
Speaker 1: a trial and there must be attorneys for the defensive
Speaker 1: man is to be presumed innocent and to prove and guilty. Therefore,
Speaker 1: the case had to be air tight, foolproof. No loopholes
Speaker 1: were a smart defense.
Speaker 10: Guns now get missed. When you walk into this room,
Speaker 10: there'll be a dozen men there where their backs turned
Speaker 10: towards you. You're walking backwards yourself, so there'll be no
Speaker 10: chance of your seeing even the becks of their.
Speaker 4: Heads sort of blind peltasts.
Speaker 10: Yes, without benefit of blindfold. You ready now as ready
Speaker 10: as our lepathy. Let's go who here? These may have
Speaker 10: been briefed Martin.
Speaker 12: Yes, sir, they know what to do. They're to read
Speaker 12: the words on the cards. I've good, very well, you
Speaker 12: can begin, all right.
Speaker 16: You car car will meet, next car, car will meet,
Speaker 16: next car, car will meet, next peers.
Speaker 12: Car, car will meet, and the next car car will meet.
Speaker 5: That's him, that's the voice.
Speaker 2: I know it.
Speaker 5: Anyway.
Speaker 1: They were ready now, they felt to give the Crown
Speaker 1: its chance to avenge the untimely and brutal death of
Speaker 1: one of its subjects. The prosecutor was confident. The defense
Speaker 1: was bold. Time and again, despite the experts, despite the
Speaker 1: weight of evidence, the defense managed to throw what seemed
Speaker 1: a reasonable doubt on the guilt of John Mitchell. A
Speaker 1: climactic moment came when Mitchell himself was on the witness stand.
Speaker 1: The prosecutor faced the prisoner.
Speaker 3: Mister Mitchell, we're about to go back to school. We
Speaker 3: shall have a spelling lesson. I'm ready ask the way
Speaker 3: will you spell? If I if? If we shall be
Speaker 3: more difficult, if we go along, will be.
Speaker 7: Good enough to spell expense.
Speaker 3: Ax p e n Is he very good? Mister Mitchell?
Speaker 14: Who learned your lesson?
Speaker 10: Well?
Speaker 3: And then please spell Bournemouth bo you r in em
Speaker 3: o uta?
Speaker 11: Well, well fine, just fine, and pleasant, mister Mitchell, how
Speaker 11: do you spell pleasant?
Speaker 3: P L S E N T. I see pleasant, just
Speaker 3: like a present. That's right, But it isn't right, mister Mitchell.
Speaker 11: Pleasant is spelt with an A, but you didn't spell
Speaker 11: it with an a today, Nor did you spell it
Speaker 11: with an a when you wrote the telegram asking for
Speaker 11: a pleasant young nurse.
Speaker 3: And what was your plan, mister Mitchell? Did you want
Speaker 3: to murder a nurse the way you murdered?
Speaker 6: I don't mat views.
Speaker 1: Perhaps in that terrible moment, as he stood in the
Speaker 1: dark at the Old Bailey, the mind of John Mitchell
Speaker 1: may have turned to that other moment, when all unsuspecting
Speaker 1: he wrote out that fateful telegram, the self same telegram
Speaker 1: that can be seen to day in the Black Museum.
Speaker 1: It might be said that John Mitchell was hanged by
Speaker 1: a missing letter A in the word pleasant.
Speaker 2: Be that as it may.
Speaker 1: Circumstances caught up with this gentleman one morning at eight o'clock,
Speaker 1: and he passed from this world because of a set
Speaker 1: of coincidences which fitted together in the minds of alert
Speaker 1: detectives in Scotland yard. If Mitchell had known how to
Speaker 1: spell correctly, if Harris had not been a keen eyed
Speaker 1: designer of automobiles, if Harris had not taken a trip
Speaker 1: when he did, if Marge, the post office clerk, had
Speaker 1: not been struck by Mitchell's voice.
Speaker 2: But it's no matter now.
Speaker 1: Now the telegram was to be found in its customary
Speaker 1: place in Scotland Yard, in the Black Museum. And now
Speaker 1: until we meet next time in the same place, I
Speaker 1: tell you another story about the Black Museum.
Speaker 2: I remain as always, will be game for yours. M hmmm,