1 00:00:00,720 --> 00:00:03,120 Speaker 1: W m n H will rip the normals. 2 00:00:05,240 --> 00:00:06,559 Speaker 2: We're back from the brain. 3 00:00:47,719 --> 00:00:52,840 Speaker 3: Welcome everybody. We have entered our number three numerow trace 4 00:00:52,920 --> 00:00:56,799 of Matt Connorton Unleashed and we are live from the 5 00:00:56,840 --> 00:00:59,679 studios of w m n H ninety five point three 6 00:00:59,759 --> 00:01:03,359 f Inglorious Manchester, New Hampshire. Of course, you can stream 7 00:01:03,359 --> 00:01:06,599 the show anywhere. Go to Matt connorton dot com slash 8 00:01:06,799 --> 00:01:10,200 live for all of your live streaming options, social media links, 9 00:01:10,239 --> 00:01:15,319 contact info, show archives, etc. Etc. Today is Saturday, January seventeen, 10 00:01:15,959 --> 00:01:21,439 two thousand and twenty six. Hey, by the way, I 11 00:01:21,480 --> 00:01:25,239 did put this up on YouTube on the IBM Nation 12 00:01:25,319 --> 00:01:30,840 YouTube channel, but myself and Eric Pilcher. Of course, Eric 13 00:01:30,879 --> 00:01:33,200 and I host a podcast on the weekends. We'll be 14 00:01:33,200 --> 00:01:37,760 doing another one Sunday night, of course, Tough Bumps, and 15 00:01:37,959 --> 00:01:41,239 Eric has contributed many times to this program with his 16 00:01:41,319 --> 00:01:43,359 classic film reviews, which we'll be coming back at some 17 00:01:43,359 --> 00:01:45,480 point in the future. But Eric and I were actually 18 00:01:45,719 --> 00:01:50,000 mentioned on a very popular podcast called Nobody Likes Onions 19 00:01:50,480 --> 00:01:54,280 hosted by Patrick Melton. And I've been a fan of 20 00:01:54,519 --> 00:01:57,560 Patrick Melton and his podcast for a long time, so 21 00:01:57,879 --> 00:01:59,640 it was kind of cool to see that on YouTube 22 00:02:00,120 --> 00:02:03,920 he had mentioned US, and but I did clip the 23 00:02:03,920 --> 00:02:06,239 the specific part where he talks about Eric Pilter and 24 00:02:06,280 --> 00:02:08,319 I and I did put it up on the IPM 25 00:02:08,400 --> 00:02:11,159 Nation YouTube channel. So I think the title of the 26 00:02:11,199 --> 00:02:14,400 video is Matt Connerton and Eric Pilcher mentioned by Patrick 27 00:02:14,439 --> 00:02:17,360 Milton on Nobody Likes Onions. So if you find the clip, 28 00:02:17,439 --> 00:02:21,240 you know, I'm not going to get into why he 29 00:02:21,360 --> 00:02:24,199 was talking about us. I will leave that to you 30 00:02:24,319 --> 00:02:26,840 to find the clip and watch it. But all will 31 00:02:26,879 --> 00:02:31,879 be evident and apparent. When you watch the full clip, 32 00:02:31,879 --> 00:02:34,240 you'll get the context of it. But anyway, that was 33 00:02:34,319 --> 00:02:36,599 kind of fun. I thought i'd mentioned that. But Tough 34 00:02:36,639 --> 00:02:41,000 Bumps will be on of course tomorrow night, Sunday night, 35 00:02:41,080 --> 00:02:43,520 as we usually do, usually around seven six or seven 36 00:02:43,599 --> 00:02:46,520 pm Eastern. The time is not you know, when you're 37 00:02:46,560 --> 00:02:48,759 when you're doing a streaming show. I mean, obviously a 38 00:02:48,840 --> 00:02:51,199 radio show has to be at a set time every 39 00:02:51,199 --> 00:02:53,800 week or every day, whatever it is, right, you know, 40 00:02:54,479 --> 00:02:57,360 when you do a live radio show with podcasts and streaming, 41 00:02:57,400 --> 00:02:59,400 you can kind of do it however you want. You 42 00:02:59,439 --> 00:03:02,080 know a lot of successful streamers in this day and 43 00:03:02,120 --> 00:03:06,479 age use the it's on when it's on schedule where basically, 44 00:03:06,919 --> 00:03:09,319 you know, you subscribe to the podcast and then you 45 00:03:09,319 --> 00:03:11,280 know if they're going If they're going live, you get 46 00:03:11,280 --> 00:03:14,319 a notification through social media because you've subscribed to it 47 00:03:14,360 --> 00:03:15,800 that oh they're live, and then you go and you 48 00:03:15,840 --> 00:03:17,719 watch it live or listen to it live, or you 49 00:03:17,800 --> 00:03:19,919 just get it later. I mean, I know with Tough Bumps, 50 00:03:19,919 --> 00:03:22,240 a lot of our listeners just get the show later 51 00:03:22,319 --> 00:03:24,599 because we don't really announce because we're never really sure 52 00:03:24,639 --> 00:03:26,840 exactly what time we're going to be on. But anyway, 53 00:03:26,840 --> 00:03:28,520 but we will be on at some point tomorrow night. 54 00:03:28,840 --> 00:03:32,719 Tough Bumps streams on YouTube and Facebook and Twitch and 55 00:03:33,280 --> 00:03:36,800 even LinkedIn believe it or not. But yeah, we're in 56 00:03:36,879 --> 00:03:38,960 various places, and then of course it goes out on 57 00:03:39,000 --> 00:03:43,599 all the podcast platforms. So please subscribe, like and subscribe 58 00:03:43,599 --> 00:03:48,000 if you check out the show on YouTube. Anyway, I 59 00:03:48,039 --> 00:03:49,719 wanted to mention that quickly. But the other thing I 60 00:03:49,719 --> 00:03:51,960 wanted to mention is so tonight, and I refer to 61 00:03:52,000 --> 00:03:54,400 this early in the show today. But for those of 62 00:03:54,400 --> 00:03:57,840 you listening live on Saturday, January seventeenth, tonight, there is 63 00:03:57,879 --> 00:04:01,360 a show at Jewel Jewel Music Venue at sixty one 64 00:04:01,400 --> 00:04:03,719 Canal Street right across the street actually from where we 65 00:04:03,759 --> 00:04:09,199 are here at WM ANDH. Tonight it is Pulsifier. They've 66 00:04:09,240 --> 00:04:12,000 been on the show with us and they are playing 67 00:04:12,000 --> 00:04:14,520 a show tonight. Let's see. They are going to be 68 00:04:14,560 --> 00:04:17,920 there with Ashes of the Priest, which is a Lamb 69 00:04:17,920 --> 00:04:21,720 of God a tribute band, and a Sun and Steel 70 00:04:21,800 --> 00:04:25,439 which is an Iron Maiden tribute band. Also bug bag 71 00:04:25,519 --> 00:04:27,800 Lady almost said bug Lady. Bag Lady is going to 72 00:04:27,800 --> 00:04:32,160 be there. But this is Pulsifier's last show in the 73 00:04:32,240 --> 00:04:34,959 area before they go out on their big national tour. 74 00:04:35,199 --> 00:04:38,879 They're going back out on tour. They're based in Portland, Maine, 75 00:04:38,879 --> 00:04:41,600 I believe, but they're going to be here tonight in Manchester. 76 00:04:41,639 --> 00:04:43,160 They invited Jenny and I to go to the show, 77 00:04:43,279 --> 00:04:46,519 so we will be there. Pulsifier great band. I'm actually 78 00:04:46,519 --> 00:04:47,920 going to play one of their tracks in a moment 79 00:04:47,959 --> 00:04:49,639 that we featured the last time they were on the 80 00:04:49,639 --> 00:04:51,879 show with us. But so that is going to be tonight, 81 00:04:51,920 --> 00:04:53,399 so Jenny and I will be there, So come down 82 00:04:53,439 --> 00:04:56,959 and say hello. Show starts at eight pm at Jewel 83 00:04:57,079 --> 00:05:00,000 It is twenty one plus Jewel Music Venue, sixty one 84 00:05:00,040 --> 00:05:02,959 Canal Street right here in Manchester. That will be happening 85 00:05:03,160 --> 00:05:05,439 this evening. I'm sure the roads will be fine. It's 86 00:05:05,439 --> 00:05:08,480 been snowing here, but it's been a light snow. For 87 00:05:08,519 --> 00:05:11,120 those of you watching early, we put on the wad shot. 88 00:05:11,160 --> 00:05:13,959 If you happen to be watching the video of the show, 89 00:05:14,079 --> 00:05:16,800 you can see on the big screen behind me. Roads 90 00:05:16,800 --> 00:05:19,279 are fine. It's still snowing, but it's it's light. It's 91 00:05:19,319 --> 00:05:21,639 not a big deal. It's not adding up to anything. 92 00:05:21,759 --> 00:05:23,879 So so far this winter, I feel like we've only 93 00:05:23,879 --> 00:05:28,879 had one real major snowstorm, but which is not unusual. 94 00:05:29,120 --> 00:05:30,959 Winter's here. You know, I grew up in New Hampshire. 95 00:05:30,959 --> 00:05:33,360 Winter's here definitely easier than when I was a kid, 96 00:05:33,439 --> 00:05:35,399 that's for sure. We had a lot less snow than 97 00:05:35,399 --> 00:05:38,920 we did when I was growing up. But let's do this. 98 00:05:39,040 --> 00:05:43,759 I want to play a track from Pulsifier, my personal favorite. 99 00:05:43,800 --> 00:05:45,959 So I'll be a little bit selfish here, but this 100 00:05:46,000 --> 00:05:48,399 is this is a song called Venomous Thing. Sounds really 101 00:05:48,399 --> 00:05:51,439 good live. I'm sure they'll play it live tonight at Jewel. 102 00:05:51,639 --> 00:05:53,600 But this is such a great track. Then when we 103 00:05:53,639 --> 00:05:55,399 come back from this, we got a little music news 104 00:05:55,399 --> 00:05:58,319 to cover. So some interesting things that have happened recently 105 00:05:58,360 --> 00:06:00,120 in the music industry. But here it is, this is 106 00:06:00,000 --> 00:06:15,199 this venomous thing and the band is Pulsifier. 107 00:06:57,639 --> 00:06:59,000 Speaker 1: Clungs with a head. 108 00:07:01,439 --> 00:07:06,759 Speaker 4: He much cool, shadows, cool did yesterday. 109 00:07:09,480 --> 00:07:15,720 Speaker 1: Dancing with move and you can't be saved from. 110 00:07:17,480 --> 00:07:18,360 Speaker 5: Said arts. 111 00:07:18,600 --> 00:07:22,720 Speaker 2: Really when you came up to. 112 00:07:24,319 --> 00:07:35,040 Speaker 6: You say, can you'll find been all little spir Chevy star. 113 00:07:36,759 --> 00:07:39,000 Speaker 7: Somewhere the. 114 00:07:40,759 --> 00:07:46,800 Speaker 5: Hart me look at Jewelren been all. 115 00:07:46,199 --> 00:07:54,720 Speaker 1: Girl spir come back to pray? So why let you fa. 116 00:07:58,040 --> 00:08:00,120 Speaker 8: And don't be placed in it? 117 00:08:01,800 --> 00:08:08,000 Speaker 5: You don't want to go uted by face and. 118 00:08:09,959 --> 00:08:11,480 Speaker 1: I don't want to know. 119 00:08:13,839 --> 00:08:16,480 Speaker 5: You gonna missed poison. 120 00:08:18,199 --> 00:08:18,240 Speaker 4: You. 121 00:08:18,560 --> 00:08:23,800 Speaker 7: Kurt say, I'm getting my. 122 00:08:23,519 --> 00:08:26,480 Speaker 5: Bloxary now it's just summer. 123 00:08:28,680 --> 00:08:48,559 Speaker 1: Try Sam Chevy the god what okay? 124 00:08:48,960 --> 00:08:56,679 Speaker 5: Don't come about okay? 125 00:08:57,000 --> 00:09:01,320 Speaker 1: So what can't you. 126 00:09:02,879 --> 00:09:04,480 Speaker 7: Vic don't try say. 127 00:09:06,840 --> 00:09:16,039 Speaker 5: Nating control, shooting your veno like shots of control. 128 00:09:18,879 --> 00:09:19,840 Speaker 2: Hold don't me. 129 00:09:22,960 --> 00:09:24,639 Speaker 1: Try not to try? 130 00:09:26,639 --> 00:09:29,919 Speaker 5: Could stop hold me under choice? 131 00:09:31,039 --> 00:09:31,919 Speaker 1: Mostpirable? 132 00:09:32,080 --> 00:09:43,720 Speaker 5: Dan sat offers. 133 00:09:42,120 --> 00:09:53,879 Speaker 1: Show it was gone from okay again, Jo. 134 00:09:58,000 --> 00:09:58,559 Speaker 7: Come back? 135 00:10:00,039 --> 00:11:19,320 Speaker 5: Don't want you again? Not says j J. 136 00:11:26,600 --> 00:11:43,080 Speaker 7: Had stop cook ber what b J down to? 137 00:11:47,200 --> 00:11:55,240 Speaker 8: What fraid to that down? What fraid that down? W 138 00:11:55,559 --> 00:11:57,440 brad to that down? 139 00:12:17,200 --> 00:12:21,120 Speaker 3: That is venomous thing. The band is Pulsifier and they 140 00:12:21,399 --> 00:12:27,559 are playing tonight, January seventeen at Jewel Music Venue, right 141 00:12:27,559 --> 00:12:29,120 across the street from where we are here at the 142 00:12:29,200 --> 00:12:32,120 radio station. Jewel is at sixty one Canal Street, and 143 00:12:32,200 --> 00:12:34,600 they are going to be performing tonight and come see 144 00:12:34,639 --> 00:12:35,919 Jenny and I were going to be there for that, 145 00:12:36,320 --> 00:12:38,320 So really looking forward to that. It's such a great band, 146 00:12:38,720 --> 00:12:41,840 and I wanted to, you know, I did mention some 147 00:12:41,960 --> 00:12:44,840 music news and it's funny. I had forgotten about this 148 00:12:44,960 --> 00:12:46,919 something that happened recently, a couple weeks ago, and then 149 00:12:46,919 --> 00:12:48,759 we have a couple things that are a little more recent. 150 00:12:49,240 --> 00:12:52,320 But in case you missed this story, this is kind 151 00:12:52,320 --> 00:12:55,159 of fun. This happened closer to the beginning of the month. 152 00:12:55,240 --> 00:12:57,120 But what reminded me of it is one of the 153 00:12:57,159 --> 00:13:00,320 bands playing tonight with Pulsifier, a Jewel happens be a 154 00:13:00,480 --> 00:13:04,039 Lamb of God tribute band, and Lamb of God was 155 00:13:04,080 --> 00:13:06,120 in the news recently for kind of a silly reason. 156 00:13:06,200 --> 00:13:09,679 But here's what happened. So this is from Billboard dot Com. 157 00:13:10,159 --> 00:13:15,559 Stub Hub apologizes after mistakenly listing Lamb of God as 158 00:13:15,799 --> 00:13:19,759 Christian concert The metal bands frontman joked about the mistake 159 00:13:19,840 --> 00:13:21,720 on his social media So if you miss this, here's 160 00:13:21,759 --> 00:13:25,159 what happened. So heavy metal fans in South Carolina were 161 00:13:25,159 --> 00:13:28,759 disappointed to discover that the Lamb of God concert they 162 00:13:28,879 --> 00:13:33,240 expected was actually a performance about the birth of Jesus Christ, 163 00:13:33,519 --> 00:13:36,919 you know, because it was Christmas time. Ticket reseller stub 164 00:13:37,000 --> 00:13:42,440 hub apologized on Monday, December twenty second after accidentally listing 165 00:13:42,679 --> 00:13:47,080 the Virginia based rock band instead of Christian musician Andrew 166 00:13:47,159 --> 00:13:51,720 Peterson's Behold the Lamb of God, a concert featuring music 167 00:13:51,720 --> 00:13:55,000 about the stories of Christ, held at the Spartanburg Memorial 168 00:13:55,080 --> 00:13:59,639 Auditorium on December twentieth. So, just to be clear, Just 169 00:14:00,240 --> 00:14:03,519 to be clear, So it was not that this production 170 00:14:03,879 --> 00:14:07,879 was also called Lamb of God. The name of the production. 171 00:14:08,080 --> 00:14:13,200 The full name of the production was Andrew Peterson's Behold 172 00:14:13,559 --> 00:14:17,679 the Lamb of God, not simply Lamb of God. But 173 00:14:17,879 --> 00:14:21,639 stub Hub put it on their website as simply Lamb 174 00:14:21,759 --> 00:14:27,480 of God, so they were clearly derelict in this. It 175 00:14:27,559 --> 00:14:30,159 says here again. This is from Billboard dot Com. In 176 00:14:30,200 --> 00:14:33,519 the days leading up to Peterson's show, the stub Hub 177 00:14:33,559 --> 00:14:38,200 listing featured a photo of Lamb of God frontman Randy 178 00:14:38,320 --> 00:14:42,919 Blythe and listed the concert as a top trending event 179 00:14:43,559 --> 00:14:48,840 at the Spartanburg Memorial Auditorium, according to CBS affiliate WSPA 180 00:14:49,080 --> 00:14:53,919 in Spartanburg. Yeah, so, not only did they screw up. 181 00:14:54,000 --> 00:14:55,840 I don't know if this is an AI think maybe 182 00:14:55,840 --> 00:14:59,720 they let AI do their listings. I don't know. But 183 00:15:00,279 --> 00:15:03,080 not only did they list it as simply Lamb of God, 184 00:15:03,120 --> 00:15:04,960 but they actually put a picture of the lead singer 185 00:15:05,000 --> 00:15:09,720 of Lamb of God. So, you know, anyone who bought 186 00:15:09,759 --> 00:15:14,080 tickets to this, you know, it's not it's certainly not 187 00:15:14,240 --> 00:15:17,840 on them. It's not you know, sometimes consumers don't pay 188 00:15:17,840 --> 00:15:21,519 attention to what they're buying, certainly, but that's not the 189 00:15:21,639 --> 00:15:22,080 case here. 190 00:15:22,440 --> 00:15:22,799 Speaker 9: This was. 191 00:15:23,320 --> 00:15:26,440 Speaker 3: This could not have been more misleading, I say misleading. 192 00:15:26,519 --> 00:15:28,480 I don't think it was intentional. I don't think stub 193 00:15:28,559 --> 00:15:32,799 Hub was trying to intentionally bilk anyone out of their 194 00:15:32,879 --> 00:15:36,559 ticket money by selling them a show that was not 195 00:15:36,759 --> 00:15:39,200 what they not as advertised. I don't think that was 196 00:15:39,320 --> 00:15:41,879 what was going on here, because I mean, even if 197 00:15:41,919 --> 00:15:44,840 that was something nefarious that someone was doing, it would 198 00:15:44,840 --> 00:15:46,759 have you know, they would have to have they would 199 00:15:46,799 --> 00:15:47,960 have to have known it was gonna blow up in 200 00:15:47,960 --> 00:15:53,200 their faces pretty quick. So just very very sloppy, it 201 00:15:53,279 --> 00:15:56,759 says here. After realizing the error, StubHub apologized for the 202 00:15:56,799 --> 00:16:00,279 confusion and offered refunds for anyone who purchased to to 203 00:16:00,360 --> 00:16:05,639 the show. A stub Hub spokesperson said, quote, we acknowledge 204 00:16:05,759 --> 00:16:09,600 the listing for the December twentieth event at Spartanburg Memorial 205 00:16:09,679 --> 00:16:14,240 Auditorium was misleading and apologized for the confusion this caused. 206 00:16:14,639 --> 00:16:16,960 Ahead of the show, We updated the event page and 207 00:16:17,039 --> 00:16:20,159 reached out to customers to clarify the event details. Anyone 208 00:16:20,200 --> 00:16:22,679 who purchased tickets under the impression this was a different 209 00:16:22,720 --> 00:16:27,200 performance is encouraged to contact us. We'll honor a refund 210 00:16:27,440 --> 00:16:34,799 under our fan protect guarantee. Unquote. I was their their statement. 211 00:16:39,600 --> 00:16:46,159 It is interesting to me, there's no maybe I'm nitpicking, 212 00:16:46,360 --> 00:16:48,679 but I always wonder about this kind of thing. It's 213 00:16:48,759 --> 00:16:54,399 it's always interesting how things are worded. I'm always curious 214 00:16:54,399 --> 00:16:59,120 about this because you know, I'm sure that whatever statement 215 00:17:00,200 --> 00:17:03,799 stub Hub has to put out publicly in a situation 216 00:17:03,960 --> 00:17:06,839 like this, it probably has to go through the legal team, 217 00:17:07,200 --> 00:17:11,599 the legal team or whoever represents StubHub legally probably has 218 00:17:11,680 --> 00:17:16,359 to approve it, sign off on it. There's no apology 219 00:17:16,440 --> 00:17:20,400 in here, and again maybe I'm nitpicking, but there is 220 00:17:20,480 --> 00:17:24,319 no apology. You know, there's not even a simple we 221 00:17:24,519 --> 00:17:31,480 regret the error or we apologize for any confusion. There's nothing. 222 00:17:32,480 --> 00:17:35,599 There's an acknowledgement, but that's not the same thing as 223 00:17:36,160 --> 00:17:40,400 an apology. You know, someone can acknowledge they've done something wrong, 224 00:17:41,599 --> 00:17:43,839 you know, Oh, I realized that wasn't the right thing 225 00:17:43,920 --> 00:17:47,359 to do. And then the words that you might expect 226 00:17:47,400 --> 00:17:50,000 to follow that are I'm sorry. I realized that wasn't 227 00:17:50,039 --> 00:17:53,039 the right thing to do. I'm sorry. That's how normal 228 00:17:53,119 --> 00:17:55,640 people talk. But this is written in a way that 229 00:17:55,720 --> 00:17:58,960 there's no I'm sorry, there's no apology. It's just we acknowledge. 230 00:17:59,240 --> 00:18:04,359 We acknowledge the listing was misleading. They don't even say 231 00:18:04,400 --> 00:18:08,440 it was incorrect, because it was it was advertising a 232 00:18:08,519 --> 00:18:12,480 completely different show. It says was misleading. Oh, you know what, 233 00:18:13,240 --> 00:18:15,880 I'm sorry. It does say apologize and apologize for the 234 00:18:15,960 --> 00:18:19,440 confusion this caused. Okay, but notice they don't say we 235 00:18:19,519 --> 00:18:23,880 apologize for our mistake. They say we apologize for the 236 00:18:24,039 --> 00:18:31,920 confusion this caused and Again, maybe I'm nitpicking, but you know, 237 00:18:32,000 --> 00:18:34,759 I'm sure a lawyer had to approve that and and 238 00:18:35,000 --> 00:18:39,960 probably said, don't don't say we're sorry for our mistake, 239 00:18:40,319 --> 00:18:43,599 just say we're we're sorry for any confusion. Kind of 240 00:18:43,680 --> 00:18:45,039 like you know what that reminds me of. It's like 241 00:18:45,079 --> 00:18:49,359 when somebody says, like like say, somebody does something bad 242 00:18:49,440 --> 00:18:52,160 to you, say, somebody says something rude to you, right, 243 00:18:53,200 --> 00:18:58,279 and then they apologize. But instead of saying I'm sorry 244 00:18:58,279 --> 00:19:00,279 about what I said or I apologize I was rude 245 00:19:00,279 --> 00:19:04,079 to you, they say I'm sorry if you were bothered 246 00:19:04,119 --> 00:19:07,359 by what I said, or I'm sorry if I offended you. 247 00:19:07,680 --> 00:19:07,799 Speaker 2: Right. 248 00:19:07,920 --> 00:19:09,359 Speaker 3: It's sort of a way of it's sort of like 249 00:19:09,400 --> 00:19:11,279 a sorry, not sorry. It's a way of saying i'm 250 00:19:11,400 --> 00:19:16,720 sorry if because because it's it's you know, it's a 251 00:19:16,799 --> 00:19:21,079 way of putting the blame on you, right. And I 252 00:19:21,160 --> 00:19:23,240 don't know if when people do that, if they even 253 00:19:23,440 --> 00:19:26,359 necessarily realize consciously in the moment that they're doing that. 254 00:19:26,720 --> 00:19:29,960 It might be a subconscious thing. But when someone does 255 00:19:30,039 --> 00:19:33,200 that when they say i'm sorry if or I'm sorry 256 00:19:33,599 --> 00:19:37,599 you were offended by my words, what they're really doing Again, 257 00:19:37,680 --> 00:19:39,720 they might not even mean to do it. It might 258 00:19:39,759 --> 00:19:41,920 be a subconscious thing, but what they're really doing is 259 00:19:41,960 --> 00:19:44,799 they're putting the blame on you. It's your fault that 260 00:19:44,920 --> 00:19:48,160 you were offended, right, I'm sorry you took that the 261 00:19:48,240 --> 00:19:48,759 wrong way. 262 00:19:49,960 --> 00:19:50,119 Speaker 5: You know. 263 00:19:50,200 --> 00:19:52,759 Speaker 3: It's sort of a way of apologizing, but not really. 264 00:19:53,240 --> 00:19:55,440 And I feel like a statement like this is, well, 265 00:19:55,559 --> 00:19:58,920 we're sorry if if, if there was any confusion, No, 266 00:19:59,799 --> 00:20:02,480 you you should be sorry that you listed the wrong show, 267 00:20:03,279 --> 00:20:06,359 you listed completely the wrong show. You should say we're 268 00:20:06,440 --> 00:20:10,119 sorry we made a mistake. No harm in that. But again, 269 00:20:10,200 --> 00:20:14,319 a lawyer might look at that and say, don't acknowledge. 270 00:20:14,319 --> 00:20:17,680 It's like when you get into a car accident, you're 271 00:20:17,839 --> 00:20:21,240 never no matter how much it might be your fault. 272 00:20:21,359 --> 00:20:26,039 What does what would the insurance company always say, don't acknowledge? Well, 273 00:20:26,039 --> 00:20:27,799 I don't know if the insurance company says it, but 274 00:20:28,279 --> 00:20:30,920 not literally. I don't think insurance companies actually say that. 275 00:20:31,039 --> 00:20:35,039 They probably can't say it legally directly. But but what 276 00:20:35,119 --> 00:20:38,599 does everyone always say, never admit fault, Never admit fault, 277 00:20:38,680 --> 00:20:42,680 Let the insurance company handle it. You never say I'm sorry, 278 00:20:43,000 --> 00:20:44,880 you know, I'm sorry I ran that red light and 279 00:20:44,960 --> 00:20:48,480 t boned you. And wrecked your car and your passenger 280 00:20:48,559 --> 00:20:50,519 is on their way to the emergency room. You know 281 00:20:50,680 --> 00:20:54,000 you don't say that, right, right, They never say that. 282 00:20:54,240 --> 00:20:57,279 You never admit fault, not and I'm sorry nothing, You 283 00:20:57,480 --> 00:21:00,839 just you know, oops. But you let the insurance company 284 00:21:00,920 --> 00:21:02,960 handle it because you don't want to be uh, you 285 00:21:03,000 --> 00:21:05,240 don't want to put yourself in a bad position. I 286 00:21:05,359 --> 00:21:08,559 feel like this is kind of that. I also think 287 00:21:08,559 --> 00:21:12,480 it's interesting that in the statement it says anyone who 288 00:21:12,519 --> 00:21:15,319 purchased tickets under the impression this was a different performance 289 00:21:15,960 --> 00:21:20,480 is encouraged to contact us. That is weak. No, you 290 00:21:20,559 --> 00:21:24,240 should not encourage them to contact you. You should be 291 00:21:24,359 --> 00:21:27,000 sending an email to every single person who purchased a 292 00:21:27,039 --> 00:21:32,160 ticket to this event and say, if if you purchase 293 00:21:32,200 --> 00:21:34,400 these tickets in error, we would like to refund you. 294 00:21:35,039 --> 00:21:37,119 You should be you know, it's your fault, stub Hub. 295 00:21:37,200 --> 00:21:40,599 You should the honest should be on you contact each 296 00:21:42,440 --> 00:21:46,880 each individual who made a purchase and say, uh, we'd 297 00:21:46,960 --> 00:21:49,720 like to offer you a refund if this was the 298 00:21:49,799 --> 00:21:53,799 wrong event. You should take the initiative. In my opinion, 299 00:21:54,880 --> 00:21:56,920 so let's see. 300 00:21:57,119 --> 00:21:57,240 Speaker 6: Oh. 301 00:21:57,319 --> 00:21:59,440 Speaker 3: It also says here in the article lamb of God's 302 00:21:59,680 --> 00:22:02,680 block again the lead singer from Randy Blath from Lamb 303 00:22:02,720 --> 00:22:05,279 of God, took notice of the mistake and joked about 304 00:22:05,319 --> 00:22:09,680 it on his Instagram story, reposting news reports about the 305 00:22:09,720 --> 00:22:12,759 mix up. Oopsie the Rocker wrote over one story while 306 00:22:12,839 --> 00:22:18,000 commenting Merry Christmas, Spartanburg on another and I was reading 307 00:22:18,079 --> 00:22:20,519 something too about I guess he said in another interview 308 00:22:20,599 --> 00:22:23,720 that this is not the first time and probably won't 309 00:22:23,720 --> 00:22:25,880 be the last time something like this has happened. But 310 00:22:27,440 --> 00:22:32,200 there you go. But for anyone who purchased take us 311 00:22:32,240 --> 00:22:35,079 to that show, I hope you took advantage of getting 312 00:22:35,119 --> 00:22:40,720 a refund from StubHub, who you know so graciously offered 313 00:22:40,759 --> 00:22:45,680 you a refund if there was any confusion. Anyway, this 314 00:22:45,799 --> 00:22:48,079 is more stuff we can talk about in the music industry. 315 00:22:48,119 --> 00:22:52,160 There's a very very interesting story regarding AI. But let's 316 00:22:52,160 --> 00:22:55,160 play another track again. We're playing some Pulsifier in this 317 00:22:55,319 --> 00:22:58,839 hour because if you are listening live on Saturday, Pulsifier 318 00:22:59,039 --> 00:23:03,039 is playing tonight at Jewel Show starts at eight pm. 319 00:23:03,480 --> 00:23:05,519 Come see us. Jenny and I will be there. We're 320 00:23:05,519 --> 00:23:07,440 gonna play another track from Pulsifier right now though. This 321 00:23:07,559 --> 00:23:12,160 is called Scars, another great song and uh Pulsifier, great 322 00:23:12,200 --> 00:23:14,960 band from Maine. They will be there tonight at Jewel 323 00:23:15,079 --> 00:23:17,960 before they embark on their big tour. So if you 324 00:23:18,160 --> 00:23:20,319 are local to this area, this will be your last 325 00:23:20,359 --> 00:23:23,119 opportunity to see the band for a while because they're 326 00:23:23,119 --> 00:23:25,480 gonna be out on a big national tour. So very 327 00:23:25,559 --> 00:23:27,359 very happy for them, very excited. But here it is 328 00:23:27,559 --> 00:23:30,720 from Pulsifier. This is called scars Heaven. 329 00:23:30,839 --> 00:23:35,799 Speaker 10: No, that's gonna set you, Holland you was never good enough. 330 00:23:36,599 --> 00:23:40,039 Thus my sense give that it all to what do 331 00:23:40,079 --> 00:23:40,599 on action? 332 00:23:41,000 --> 00:23:43,279 Speaker 3: So mad a put me. 333 00:23:45,400 --> 00:23:46,960 Speaker 2: Still, tut me out. 334 00:23:47,359 --> 00:23:50,720 Speaker 7: Matter how is that look? 335 00:23:52,440 --> 00:23:54,759 Speaker 1: Come out with someone he loves me? 336 00:24:00,519 --> 00:24:07,559 Speaker 5: Leave you'll No, No, this is about character and me 337 00:24:08,160 --> 00:24:12,880 because we are to take evoution of reality. 338 00:24:14,119 --> 00:24:18,119 Speaker 1: Russ I never gone a walk. 339 00:24:18,480 --> 00:24:36,359 Speaker 10: Next checks for anyone. Check is closed, Helius time leaves. 340 00:24:36,720 --> 00:24:39,240 Speaker 7: Day's lef further that he is gone. 341 00:24:39,880 --> 00:24:43,960 Speaker 5: If we not know, I wouldn't Dave waste a second glance, 342 00:24:44,279 --> 00:24:48,880 reaching a better place, second chat and somehow complete land. 343 00:24:49,559 --> 00:24:53,799 Speaker 10: Most days I don't even think of you foking prisons 344 00:24:53,920 --> 00:24:56,599 the food you used to be, Scott's. 345 00:24:56,240 --> 00:24:58,279 Speaker 7: Remaining ter lean mind me. 346 00:25:00,440 --> 00:25:12,359 Speaker 5: How your father you're know o catching me? Because where 347 00:25:12,359 --> 00:25:12,960 You're done. 348 00:25:14,599 --> 00:25:23,240 Speaker 1: Take about of reality? A cone shas. 349 00:25:35,279 --> 00:25:41,640 Speaker 10: You're spider, tried to side till the two webb. 350 00:25:44,519 --> 00:25:45,960 Speaker 1: Not a thread. 351 00:25:47,480 --> 00:25:50,400 Speaker 2: Read me this sword forged thrill? 352 00:25:50,480 --> 00:25:54,359 Speaker 1: Who I'm fast here stuck in your own. 353 00:25:57,400 --> 00:26:00,319 Speaker 4: Cylone of mysery. 354 00:26:01,880 --> 00:26:02,799 Speaker 7: Or you love? 355 00:26:05,839 --> 00:26:07,440 Speaker 2: We give only pity. 356 00:26:09,680 --> 00:26:11,599 Speaker 1: He can't dose the fla. 357 00:26:14,799 --> 00:26:15,319 Speaker 2: Despot? 358 00:26:17,079 --> 00:26:26,440 Speaker 1: What you don't do hers you start to cry? Dun, 359 00:26:27,759 --> 00:26:42,039 what's not chockney? Pickup bad Pisa with glass call eating of. 360 00:26:56,759 --> 00:27:00,960 Speaker 2: Strong So. 361 00:27:03,960 --> 00:27:21,759 Speaker 11: Scott stompt Scott, it's a. 362 00:27:25,279 --> 00:27:36,119 Speaker 1: High ba you go somewhere, King. 363 00:27:37,960 --> 00:27:47,599 Speaker 7: Jo, change about version of reality. I'm giving going on connection, 364 00:27:49,960 --> 00:27:51,319 no high. 365 00:27:53,960 --> 00:28:01,240 Speaker 1: Highway. You no more controlling me. 366 00:28:02,480 --> 00:28:06,880 Speaker 5: We are don't control the take abouts of reality? 367 00:28:08,000 --> 00:28:15,680 Speaker 10: A connect shows for any one. 368 00:28:22,880 --> 00:28:26,240 Speaker 2: Strong a word brock can. 369 00:28:33,119 --> 00:28:34,519 Speaker 1: Scarce repaired? 370 00:28:34,960 --> 00:28:47,160 Speaker 2: God strong web block can. 371 00:28:54,000 --> 00:28:55,319 Speaker 1: Scarce repaired? 372 00:29:00,880 --> 00:29:05,200 Speaker 3: That is scars. The band is Pulsifier, and Pulsifier will 373 00:29:05,279 --> 00:29:09,720 be tonight at Jewel If you are listening live on Saturday. 374 00:29:09,799 --> 00:29:13,559 It is January seventeen, twenty twenty six. Pulsifier performing tonight 375 00:29:13,640 --> 00:29:16,240 at Jewel Music Venue, sixty nine Canal Street, right across 376 00:29:16,240 --> 00:29:19,039 the street from where were here at at the radio station. Actually, 377 00:29:19,640 --> 00:29:21,880 let's see they've also got Ashes of the Priest, which 378 00:29:21,960 --> 00:29:25,000 is a Lamb of God tribute band, and Son and Steel, 379 00:29:25,079 --> 00:29:29,400 an Iron Maiden tribute. Also bag Lady is performing, and 380 00:29:30,079 --> 00:29:33,319 this will be Pulsifier's last local show in the area 381 00:29:33,680 --> 00:29:35,680 before they go out on their big national tour. So 382 00:29:35,720 --> 00:29:38,599 if you want to see them, if you're around Manchester, 383 00:29:38,720 --> 00:29:40,519 New Hampshire, or even if you're a little ways out 384 00:29:40,559 --> 00:29:42,240 but you want to make the drive, you should. They're 385 00:29:42,279 --> 00:29:44,440 a great band. Jenny and I have seen them live 386 00:29:44,519 --> 00:29:46,759 before and we're really looking forward tonight. Come down, say 387 00:29:46,799 --> 00:29:48,720 hello to Jenny and I too. We'll be there. So 388 00:29:49,039 --> 00:29:53,240 Pulsifier tonight at Jewel Doors at eight pm and twenty 389 00:29:53,279 --> 00:29:58,519 one plus and that is this evening. So really that's 390 00:29:58,559 --> 00:30:01,680 why we're playing some Pulsifi in this hour here on 391 00:30:01,839 --> 00:30:05,920 Matt Conderton Unleashed got about. We're about halfway through our 392 00:30:06,039 --> 00:30:08,359 number three New Marrow trace of the show today. I 393 00:30:08,480 --> 00:30:12,240 did as promise. I wanted to talk about some news. 394 00:30:12,279 --> 00:30:14,319 You know, we mentioned band Camp on the show earlier. 395 00:30:14,680 --> 00:30:16,400 Band Camp two things that come up a lot on 396 00:30:16,440 --> 00:30:19,160 the show. Band Camp the website of course bandcamp dot 397 00:30:19,240 --> 00:30:23,279 com and AI and how AI is affecting how music 398 00:30:23,440 --> 00:30:27,960 is made generated consumed in the music industry, and band 399 00:30:28,039 --> 00:30:32,359 Camp has now banned AI generated music. They have made 400 00:30:32,400 --> 00:30:35,920 it official, saying that they want musicians to keep making music. 401 00:30:36,079 --> 00:30:38,519 And you know, we've got kind of a point counterpoint 402 00:30:38,599 --> 00:30:41,119 on this to look at. But first, this is from 403 00:30:41,240 --> 00:30:44,880 Music Businessworldwide dot com And this just happened, by the way, 404 00:30:44,920 --> 00:30:48,000 They just announced this ban a couple days ago. According 405 00:30:48,119 --> 00:30:51,839 to this website direct tofan platform, band Camp said it 406 00:30:51,920 --> 00:30:56,279 will ban artificial intelligence generated music and audio from its platform, 407 00:30:56,599 --> 00:31:00,799 including any use of AI tools to I personate other 408 00:31:01,039 --> 00:31:04,319 artists or styles. The company made the announcement in a 409 00:31:04,359 --> 00:31:07,200 post on Wednesday, January fourteenth. So this just happened. Like 410 00:31:07,240 --> 00:31:12,359 I said a few days ago. Quote, something that always 411 00:31:12,640 --> 00:31:15,400 strikes us as we put together a round up like 412 00:31:15,519 --> 00:31:19,359 this is the sheer quantity of human creativity and passion 413 00:31:19,640 --> 00:31:22,720 that artists express on band Camp every single day. The 414 00:31:22,799 --> 00:31:25,079 fact that band camp is home to such a vibrant 415 00:31:25,079 --> 00:31:28,000 community of real people making incredible music is something we 416 00:31:28,079 --> 00:31:32,519 want to protect and maintain unquote. And by the way, 417 00:31:32,559 --> 00:31:35,079 and this came up during our conversation with Adam Steglitch 418 00:31:35,119 --> 00:31:39,319 have ever felt in the second hour, I think what 419 00:31:39,440 --> 00:31:41,799 we talked about with Adam. It was either with Adam 420 00:31:41,880 --> 00:31:43,559 or with Grimrock. No, I think it was with Adam. 421 00:31:44,079 --> 00:31:45,839 We were talking about how band camp. One of the 422 00:31:45,880 --> 00:31:48,279 reasons that I'm such a proponent of it is if 423 00:31:48,359 --> 00:31:51,000 you get your music files from band Camp, You're getting 424 00:31:51,039 --> 00:31:53,480 a high quality music file, much higher quality than say 425 00:31:53,480 --> 00:31:55,920 if you're just streaming it on YouTube or something like that. 426 00:31:56,160 --> 00:31:58,480 So just something to be aware of too. Band Camp 427 00:31:58,559 --> 00:32:01,240 is really good that way. It says here again. According 428 00:32:01,240 --> 00:32:03,400 to this article, band Camp said music and audio that 429 00:32:03,480 --> 00:32:07,559 has created quote wholly or in substantial part by AI 430 00:32:08,000 --> 00:32:11,160 unquote will no longer be allowed on the platform. The 431 00:32:11,240 --> 00:32:15,240 company will also enforce existing policies against any use of 432 00:32:15,359 --> 00:32:20,480 AI tools to copy other artists or styles. The company said, quote, 433 00:32:20,519 --> 00:32:23,039 we want musicians to keep making music and for fans 434 00:32:23,119 --> 00:32:26,000 have confidence that the music they find on band Camp 435 00:32:26,200 --> 00:32:31,319 was created by humans unquote. Uh, this has come up 436 00:32:31,359 --> 00:32:33,319 several times, like I said, over the past couple of years. 437 00:32:33,319 --> 00:32:34,720 You know, Jenny and I talk about this all the 438 00:32:34,799 --> 00:32:37,039 time on the show, the effect of AI in the 439 00:32:37,119 --> 00:32:39,240 music industry and in the creation of music. And there 440 00:32:39,279 --> 00:32:43,200 are some tools like pseudo dot com which we've experimented 441 00:32:43,279 --> 00:32:45,759 with Live on the show that they can make some 442 00:32:46,000 --> 00:32:49,079 really realistic sounding, you know, music that sounds like it 443 00:32:49,160 --> 00:32:55,119 was made by humans, entirely by humans. One thing that look, 444 00:32:55,319 --> 00:33:00,680 it's any platform has the right, whether it's band, whether 445 00:33:00,720 --> 00:33:03,920 it's YouTube, whomever. As frustrating as it can be at times, 446 00:33:04,039 --> 00:33:07,640 any platform has a right to police and control what 447 00:33:07,799 --> 00:33:11,160 the content is, in this case music, when we talk 448 00:33:11,200 --> 00:33:13,480 about band Camp, what the content is it is being 449 00:33:13,599 --> 00:33:21,160 uploaded to their platform. However, I really worry with policies 450 00:33:21,359 --> 00:33:26,240 like this that because it's going to happen, it's inevitable. 451 00:33:26,240 --> 00:33:29,000 I guess it's an extent it's impossible to prevent this. 452 00:33:29,359 --> 00:33:32,160 So it comes down to an extent to which it 453 00:33:32,279 --> 00:33:35,799 ends up happening. Artists are going to get caught in 454 00:33:35,880 --> 00:33:39,240 the net. And I don't mean net as an internet, 455 00:33:39,359 --> 00:33:43,000 I mean net as in like a fishing net. Artists 456 00:33:43,039 --> 00:33:46,720 are going to get caught in the net where whatever 457 00:33:47,039 --> 00:33:52,480 software band Camp is using to detect AI generated music, 458 00:33:52,839 --> 00:33:56,480 there are going to be artists who are flagged by 459 00:33:56,640 --> 00:34:00,799 band Camp as being AI generated, who in fact are 460 00:34:01,160 --> 00:34:06,599 not AI generated. It's going to happen. It's unavoidable. Okay, 461 00:34:07,000 --> 00:34:11,519 So I'm not saying that because that's going to happen, 462 00:34:13,280 --> 00:34:15,639 that band camp should not do this. I'm not saying that, 463 00:34:15,760 --> 00:34:18,239 but what I am expressing is a concern that what 464 00:34:18,400 --> 00:34:23,159 if it happens a lot. Because anybody who's ever created 465 00:34:23,519 --> 00:34:27,320 anything that you've then put on the Internet for mass consumption, 466 00:34:27,719 --> 00:34:31,400 whether it's music, whether it's a podcast, doing a radio 467 00:34:31,519 --> 00:34:34,239 show that you know, in addition to being live on 468 00:34:34,440 --> 00:34:39,440 FM radio also streams online. Anybody who's ever created anything 469 00:34:39,559 --> 00:34:44,679 knows that sometimes you can get flagged, you can get tagged, 470 00:34:44,760 --> 00:34:50,440 you can get dinged for something by these platforms that 471 00:34:50,719 --> 00:34:55,679 is in fact, uh not correct, and you're getting blamed 472 00:34:55,719 --> 00:34:58,559 for something that you didn't necessarily do. 473 00:34:59,039 --> 00:34:59,199 Speaker 2: You know. 474 00:34:59,400 --> 00:35:01,920 Speaker 3: Look, I've I've been on YouTube for a very long time. 475 00:35:04,480 --> 00:35:06,960 You know, it hasn't happened in a long time, but 476 00:35:07,119 --> 00:35:10,960 I have in the past, more so when I was 477 00:35:11,000 --> 00:35:13,599 doing a lot more political content, I would get I 478 00:35:13,599 --> 00:35:16,119 would get dinged by YouTube for things. So you can't 479 00:35:16,119 --> 00:35:18,599 say this, you can't talk about that. You've got to 480 00:35:18,599 --> 00:35:24,800 strike on your account now because you said this, you 481 00:35:24,920 --> 00:35:27,760 repeated this, and this is not accurate. You can't do that, 482 00:35:28,480 --> 00:35:33,760 you know, and most of the time, not to sound 483 00:35:33,840 --> 00:35:37,000 like I'm shirking responsibility. But most of the time it's like, 484 00:35:37,159 --> 00:35:39,920 wait a minute, that's not what I said. They're flagging 485 00:35:40,039 --> 00:35:43,599 me for I was quoting something somebody else said that 486 00:35:43,800 --> 00:35:48,079 wasn't my opinion. Why are they Why am I being 487 00:35:48,159 --> 00:35:51,360 penalized for repeating what somebody else said and making it clear? 488 00:35:51,920 --> 00:35:54,039 But see, you know what happens is right there is 489 00:35:54,119 --> 00:35:59,760 these the bots. They it's all it's AI. See, that's 490 00:35:59,760 --> 00:36:02,480 the thing. They use AI to detect AI. That's what 491 00:36:02,599 --> 00:36:04,840 band camp is going to be doing here. They're going 492 00:36:04,880 --> 00:36:07,400 to use AI to detect when there's. 493 00:36:07,199 --> 00:36:09,320 Speaker 2: AI and AI. 494 00:36:09,719 --> 00:36:12,199 Speaker 3: The AI that they're using to detect whether or not 495 00:36:12,320 --> 00:36:14,360 they there's AI is not going to get it right 496 00:36:14,440 --> 00:36:20,920 every time, especially when because this is a little broad 497 00:36:22,000 --> 00:36:28,559 when they say band camp, okay, band Camp said music 498 00:36:28,639 --> 00:36:32,159 and audio that is created holly or in substantial part 499 00:36:32,360 --> 00:36:39,880 by AI. Listen, any any recording studio you know that 500 00:36:40,159 --> 00:36:45,440 that is modern is probably you know, probably has software 501 00:36:45,480 --> 00:36:49,039 in their computers in that recording studio that use AI 502 00:36:49,320 --> 00:36:52,760 to fix things, to tweak things. I mean, it's so 503 00:36:53,440 --> 00:36:58,039 ingrained in everything, and it really has been with us 504 00:36:58,199 --> 00:37:00,679 for you know, some people act like, oh, it's this 505 00:37:00,800 --> 00:37:03,360 new thing it's not. It's just becoming a lot more 506 00:37:03,440 --> 00:37:06,960 prevalent with access to tools like chat ebt and things 507 00:37:07,039 --> 00:37:10,239 like this. But AI, there's always been an element of AI, 508 00:37:12,039 --> 00:37:14,880 not always literally, but for a very long time in 509 00:37:15,000 --> 00:37:18,519 everything we do. I mean, look, even twenty years ago, 510 00:37:19,679 --> 00:37:25,880 you could go online, for example, and you could interact 511 00:37:26,000 --> 00:37:31,440 with chatbots. Maybe there's a particular service that you are 512 00:37:31,519 --> 00:37:33,840 having a problem with. Maybe you made a purchase through 513 00:37:33,880 --> 00:37:37,360 a website, for example, and your item never arrived or 514 00:37:37,400 --> 00:37:40,800 there's something wrong with it. So you go to the 515 00:37:40,880 --> 00:37:43,719 website and you try to contact someone to get some 516 00:37:43,880 --> 00:37:47,880 help with your purchase, and you end up talking to 517 00:37:48,000 --> 00:37:53,519 someone through a chat box. Right, You're talking to someone, 518 00:37:53,639 --> 00:37:56,440 but the person you're talking to doesn't seem to be 519 00:37:56,480 --> 00:37:58,599 able to help you very much, or they seem to 520 00:37:58,679 --> 00:38:02,000 be really easily confused by what you're trying to communicate 521 00:38:02,039 --> 00:38:02,280 to them. 522 00:38:02,679 --> 00:38:02,880 Speaker 7: Why. 523 00:38:03,280 --> 00:38:06,320 Speaker 3: Because it's not an actual person, it's a chatbot. It's 524 00:38:06,360 --> 00:38:09,000 a bot. It's AI that's been with us for a 525 00:38:09,119 --> 00:38:17,239 very long time. So it's not new, it's much more prevalent, 526 00:38:18,000 --> 00:38:20,719 especially over the last couple of years. It's much more 527 00:38:20,760 --> 00:38:22,960 prevalent than it was and will continue to be it 528 00:38:23,000 --> 00:38:29,079 seems to be accelerating and unavoidable, but it's not perfect, 529 00:38:30,559 --> 00:38:35,880 and it makes mistakes. It's almost makes it kind of 530 00:38:35,960 --> 00:38:40,039 human in that sense. Right now, as it becomes more sophisticated, 531 00:38:40,079 --> 00:38:42,039 I presume it will make fewer and fewer mistakes, but 532 00:38:42,079 --> 00:38:45,239 it still makes mistakes. So in other words, again, I 533 00:38:45,320 --> 00:38:47,000 say all that to say, people are gonna get caught 534 00:38:47,039 --> 00:38:49,360 up in this net. When I see these platforms saying well, 535 00:38:49,400 --> 00:38:52,199 we're going to ban any use of AI in anything 536 00:38:52,239 --> 00:38:55,039 that is uploaded to our platform, It's like, but how 537 00:38:55,079 --> 00:38:58,840 are you going to accurately detect it? And I know 538 00:38:59,039 --> 00:39:01,159 some will say, no, there's nothing to worry about here. 539 00:39:01,400 --> 00:39:03,519 You'd be surprised. I've had people tell me that, Matt, 540 00:39:03,559 --> 00:39:07,719 you'd be very surprised at how accurate AI can detect 541 00:39:07,760 --> 00:39:10,960 when there's AI being used. I'm a little bit skeptical, 542 00:39:11,960 --> 00:39:15,320 because again, I'm someone who has seen what happens when 543 00:39:17,119 --> 00:39:22,119 AI tells me, for example, that I've done something wrong 544 00:39:22,199 --> 00:39:24,719 on YouTube, when I didn't even do the thing that 545 00:39:24,960 --> 00:39:27,760 I'm being accused of by this bot, and good luck 546 00:39:27,800 --> 00:39:31,039 trying to talk to a real person, you know. Don't 547 00:39:31,079 --> 00:39:33,519 get me wrong, There's been a couple instances where I've 548 00:39:33,599 --> 00:39:37,719 appealed strikes on my channel and one. But I've also 549 00:39:37,880 --> 00:39:40,119 lost some too that I shouldn't have lost. But again, 550 00:39:40,559 --> 00:39:43,639 it's it is AI. It's not a human being I'm 551 00:39:43,679 --> 00:39:49,280 talking to. So so that's my concern about this. 552 00:39:49,519 --> 00:39:49,760 Speaker 2: Again. 553 00:39:49,920 --> 00:39:52,239 Speaker 3: Ultimately, they can do whatever they want. It's their platform, 554 00:39:52,320 --> 00:39:54,320 but I worry about people getting caught up in the 555 00:39:54,360 --> 00:39:57,599 net who shouldn't be. It also says here again continuing 556 00:39:57,719 --> 00:39:59,960 with this article, this is from Music Businessworldwide dot com. 557 00:40:00,199 --> 00:40:02,760 It says band Camp said the new policy was driven 558 00:40:02,840 --> 00:40:06,519 by quote the sheer quantity of human creativity and passion 559 00:40:06,559 --> 00:40:10,000 that artists express on band Camp every single day unquote. 560 00:40:10,719 --> 00:40:14,159 Users will be able to report suspected AI generated content 561 00:40:14,280 --> 00:40:17,599 through band Camp's reporting tools. The company says it reserves 562 00:40:17,639 --> 00:40:20,440 the right to remove music based on suspicion of AI generation. 563 00:40:20,920 --> 00:40:23,119 The company said it will update the policy as AI 564 00:40:23,239 --> 00:40:26,880 technology continues to develop. The announcement comes over four months 565 00:40:27,000 --> 00:40:30,239 since band Camp launched a new thirteen dollars a month 566 00:40:30,400 --> 00:40:35,079 subscription service that is human curated. The service gives users 567 00:40:35,159 --> 00:40:40,760 access to monthly recorded selections, listening parties, recommendations, and exclusive 568 00:40:40,920 --> 00:40:47,480 artists content. Band Camp general manager Dan Melnick at the 569 00:40:47,559 --> 00:40:51,039 time said, quote, Instead of algorithms, fans get human curated 570 00:40:51,119 --> 00:40:54,039 picks from some of the best DJs and journalists in 571 00:40:54,119 --> 00:40:58,760 their respective areas. Exclusive interviews with artists and community listening parties, 572 00:40:59,039 --> 00:41:02,440 vibrant music scenes made up of DJ's, journalists, fans and artists, 573 00:41:02,480 --> 00:41:07,400 and band camp clubs reflect that as always, artists are 574 00:41:07,440 --> 00:41:11,119 paid fairly and sit at the heart of the experience. 575 00:41:11,320 --> 00:41:13,039 Unquote all right, well, I like that. 576 00:41:13,360 --> 00:41:13,760 Speaker 9: I like that. 577 00:41:14,880 --> 00:41:17,679 Speaker 3: Founded in two thousand and eight, band camp launched as 578 00:41:17,719 --> 00:41:21,000 a direct to consumer alternative to record labels for artists. 579 00:41:21,440 --> 00:41:24,159 It has since expanded its services to include features such 580 00:41:24,159 --> 00:41:28,599 as ticket live streaming, and vinyl pressing. Artists like Peter 581 00:41:28,639 --> 00:41:32,800 Gabriel and b York have placed their catalogs on the platform. 582 00:41:33,960 --> 00:41:35,239 All Right, I don't want to get into the whole 583 00:41:35,320 --> 00:41:40,280 history of band camp, but uh okay, and then it 584 00:41:40,280 --> 00:41:42,559 gets into some more details about band Camp. Oh of 585 00:41:42,679 --> 00:41:45,239 skipping down though, because Spotify is mentioned here, and I 586 00:41:45,320 --> 00:41:47,199 remember we talked about this on the show too, and 587 00:41:47,320 --> 00:41:50,280 I expressed the same concern when talking about Spotify removing 588 00:41:50,320 --> 00:41:52,840 AI generated music. Some artists are going to get caught 589 00:41:52,880 --> 00:41:55,719 in the net it says here. Spotify in September said 590 00:41:55,760 --> 00:42:01,440 it removed more than seventy five million spammy tracks from 591 00:42:01,480 --> 00:42:04,480 its platform over the past year. Amid the explosion of 592 00:42:04,639 --> 00:42:08,320 generative AI tools, the streaming giant rolled out new policies 593 00:42:08,400 --> 00:42:12,280 for managing AI generated content on its service to address that. 594 00:42:13,519 --> 00:42:17,360 In November, French streaming platform Deezer said it receives over 595 00:42:17,599 --> 00:42:22,840 fifty thousand fully AI generated tracks daily, or thirty four 596 00:42:22,960 --> 00:42:26,079 percent of all tracks uploaded to its platform each day. 597 00:42:26,239 --> 00:42:31,760 Oh my god, that's nuts. That is wild. Now, so 598 00:42:33,000 --> 00:42:39,039 that's band Camp's position. Now someone has offered a I 599 00:42:39,079 --> 00:42:40,960 don't know if rebuke is quite the right word, but 600 00:42:41,440 --> 00:42:45,239 there's an artist because you would think, you would think 601 00:42:45,760 --> 00:42:48,559 recording artists would be in favor of what band camp 602 00:42:48,679 --> 00:42:52,719 is doing, and probably most are. But Holly Herndon says 603 00:42:52,800 --> 00:42:57,039 band Camp's AI ban is misguided. This comes from stereogum 604 00:42:57,119 --> 00:43:02,079 dot com. This went up just yesterday. Earlier this week, 605 00:43:02,199 --> 00:43:06,079 band Camp issued a blanket ban on generative AI and 606 00:43:06,239 --> 00:43:09,840 deep fake impersonations. The new measure makes band Camp an 607 00:43:09,880 --> 00:43:13,119 exception on the streaming landscape, where AI music is becoming 608 00:43:13,159 --> 00:43:16,119 more and more inescapable. Most of The reactions to this 609 00:43:16,239 --> 00:43:19,519 band camp announcement were positive, but one artist who's not 610 00:43:19,760 --> 00:43:25,039 applauding it is Holly Herndon, an experimental artist who has 611 00:43:25,199 --> 00:43:28,239 long messed around with what she sees as the artistic 612 00:43:28,400 --> 00:43:33,159 possibilities of AI technology. Holly Herndon has a PhD from 613 00:43:33,239 --> 00:43:37,800 Stanford's Center for Computer Research in Music and Acoustics, and 614 00:43:37,880 --> 00:43:40,760 she has made her most recent album, twenty nineteen's Proto 615 00:43:41,360 --> 00:43:45,599 with Spawn and AI Baby, curated by Herndon and her 616 00:43:45,679 --> 00:43:51,480 partner Matt Dryhurst. A few years ago, Herndon and Dryhurst 617 00:43:54,039 --> 00:43:58,840 launched Spawning, a tool that allows artists to choose whether 618 00:43:58,960 --> 00:44:01,159 or not their work will be used to train AI, 619 00:44:01,840 --> 00:44:07,559 and that work earned them Austria's first Digital Human Rights Award. Interesting. 620 00:44:07,719 --> 00:44:10,519 I didn't know that was a thing. On Wednesday, in 621 00:44:10,559 --> 00:44:16,159 response to band Camp's new policy, Herndon tweeted this, putting 622 00:44:16,239 --> 00:44:19,760 the ban in band camp it is a wicked problem. 623 00:44:19,880 --> 00:44:22,599 So I understand what they are trying to do. I'm 624 00:44:22,639 --> 00:44:26,480 sure the human moderators won't be banning artists exploring AI. Rather, 625 00:44:26,599 --> 00:44:30,400 I hope will just be looking to filter out sound spam. 626 00:44:31,039 --> 00:44:37,239 The gray area will only get larger m HM after 627 00:44:37,320 --> 00:44:41,000 a negative response to that tweet. Herndon elaborated with a 628 00:44:41,159 --> 00:44:45,800 thread and she said this, I understand why band camp 629 00:44:45,920 --> 00:44:49,679 is taking this measure, but it's a tourniquet. The human 630 00:44:49,840 --> 00:44:53,239 AI binary is not going to hold and will become 631 00:44:53,280 --> 00:44:57,000 a matter of superficial optics. I already have more authorship 632 00:44:57,039 --> 00:44:59,800 in my models than most pop stars do in their songs. 633 00:45:00,400 --> 00:45:03,800 People will already be using models to generate songs they 634 00:45:03,920 --> 00:45:08,599 then put a human filter on. Artists will integrate generated 635 00:45:08,639 --> 00:45:11,559 passages into works they orchestrate, and will soon train their 636 00:45:11,639 --> 00:45:15,599 own models. Another protection might be to flag accounts that 637 00:45:15,719 --> 00:45:20,119 posts on an inhuman amount of content, but that too 638 00:45:20,599 --> 00:45:24,960 may seem retrograde. We live with infinite media now. I 639 00:45:25,119 --> 00:45:28,320 encourage platforms to be more curated, but enforcing a hard 640 00:45:28,840 --> 00:45:32,559 human AI binary is not the right way to address 641 00:45:32,599 --> 00:45:35,559 this long term. If an expert uses AI to help 642 00:45:35,599 --> 00:45:38,400 them write an article they otherwise would not have the 643 00:45:38,559 --> 00:45:41,480 time to complete, it will not be of less substance 644 00:45:42,000 --> 00:45:45,519 than a non expert with time on their hands writing 645 00:45:45,639 --> 00:45:49,760 something by hand. A practice or reputation of thought and 646 00:45:49,880 --> 00:45:53,480 work developed over time is the best filter. The contemporary 647 00:45:53,559 --> 00:45:56,159 demand for twenty four to seven content from people is 648 00:45:56,719 --> 00:46:07,000 the problem. So that's that's basically her argument. So she's concerned. 649 00:46:07,840 --> 00:46:09,760 She has some of the same concerns I do. I 650 00:46:09,840 --> 00:46:11,320 mean from a little bit of a you know, from 651 00:46:11,320 --> 00:46:12,199 a different perspective. 652 00:46:12,320 --> 00:46:13,199 Speaker 6: But but. 653 00:46:15,400 --> 00:46:18,400 Speaker 3: Yeah, you know, I think the tooth based is probably 654 00:46:18,760 --> 00:46:21,960 pretty far out of the tube at this point. As 655 00:46:22,039 --> 00:46:26,840 I like to say, Now, there's another element to this though, 656 00:46:27,920 --> 00:46:29,559 and this is this is the part that people don't 657 00:46:29,599 --> 00:46:31,920 talk about very much. But this came up on the 658 00:46:31,960 --> 00:46:37,719 show not long ago. These streaming platforms because of the 659 00:46:37,920 --> 00:46:41,920 rise of AI generated music and and how easy it 660 00:46:42,000 --> 00:46:43,760 is to make it, and and it is a form 661 00:46:43,840 --> 00:46:45,840 of spam. I think Holly Herndon referred to it as 662 00:46:45,920 --> 00:46:48,480 sound spam when you just if you just make a 663 00:46:48,599 --> 00:46:50,719 whole bunch of AI tracks and just upload them all 664 00:46:50,719 --> 00:46:53,800 at once to Spotify and bandcamp, YouTube and wherever else. 665 00:46:55,719 --> 00:46:58,599 It does cause a problem, uh, in terms of storage, 666 00:46:59,320 --> 00:47:01,760 because you know, we like to think of you know, 667 00:47:01,880 --> 00:47:07,039 it's just data. It's not it's not something you know 668 00:47:07,159 --> 00:47:09,239 that you can touch or feel or it's or hold. 669 00:47:09,320 --> 00:47:12,480 It's it's data. Is there. Therefore, there's just a it 670 00:47:12,559 --> 00:47:14,880 doesn't take up any actual room anywhere. You just have 671 00:47:15,039 --> 00:47:17,920 this infinite amount of storage space to put data. But 672 00:47:18,039 --> 00:47:18,840 that's not true. 673 00:47:19,679 --> 00:47:20,400 Speaker 2: You have to. 674 00:47:22,000 --> 00:47:24,639 Speaker 3: You do have to create the physical mechanisms with which 675 00:47:24,719 --> 00:47:26,800 to store that data, and you do have to make 676 00:47:26,880 --> 00:47:28,840 more of those if you were in more data you 677 00:47:28,960 --> 00:47:32,079 have to store. So if you think about this, I 678 00:47:32,159 --> 00:47:36,599 don't know the numbers offhand how many different song files 679 00:47:36,679 --> 00:47:39,960 are on band Camp and Spotify, and obviously it's in 680 00:47:40,039 --> 00:47:43,480 the millions, perhaps in the billions, I don't know. But 681 00:47:44,800 --> 00:47:48,960 if if that's all been ratcheted up exponentially because of 682 00:47:49,119 --> 00:47:52,559 the rise and the ease with which you can create 683 00:47:52,760 --> 00:47:55,920 AI generated music, then that's a problem. So of course 684 00:47:55,960 --> 00:47:58,079 they have to find ways to filter this stuff out. 685 00:47:59,480 --> 00:48:02,159 And then I find this, Uh, this is on Music 686 00:48:02,199 --> 00:48:05,360 Business Worldwide dot com and this just went up a 687 00:48:05,400 --> 00:48:09,840 couple of days ago. Music streaming. Music streaming platforms now 688 00:48:10,000 --> 00:48:15,119 host a quarter of a billion tracks. Where does it end? 689 00:48:16,679 --> 00:48:20,039 And uh, this is uh, this is short, but it 690 00:48:20,239 --> 00:48:23,440 just kind of gives us an idea of the scope 691 00:48:23,519 --> 00:48:28,199 of the concern here. So it says here there were 692 00:48:28,280 --> 00:48:31,960 two hundred and fifty three million music tracks sitting on 693 00:48:32,079 --> 00:48:35,760 audio streaming services at the close of twenty twenty five yep, 694 00:48:36,320 --> 00:48:40,480 over a quarter of a million. According to new data 695 00:48:41,280 --> 00:48:45,639 from Luminant's new annual report, that was that was up 696 00:48:45,800 --> 00:48:51,239 only thirty seven point nine million tracks, an average of 697 00:48:51,480 --> 00:48:57,719 one hundred and six thousand uploads per day. Most of 698 00:48:57,800 --> 00:49:02,119 this music was far from popular. Almost half of the 699 00:49:02,159 --> 00:49:06,440 two hundred and fifty three million files hosted by audio 700 00:49:06,519 --> 00:49:11,119 platforms received fewer than ten streams last year. Almost three 701 00:49:11,280 --> 00:49:14,360 quarters of it received fewer than one hundred annual streams, 702 00:49:14,719 --> 00:49:17,519 and nearly nine tenths of it received fewer than one 703 00:49:17,639 --> 00:49:21,199 thousand annual streams. We're obviously a long long way from 704 00:49:21,239 --> 00:49:24,239 Apple's promise to deliver one thousand songs in your pocket 705 00:49:24,360 --> 00:49:29,599 with the iPod ay. Yes, as AI generated music proliferates, 706 00:49:30,159 --> 00:49:32,519 are we now just a few short years from the 707 00:49:32,760 --> 00:49:37,559 likes of Spotify hosting quote one billion songs in your pocket? 708 00:49:38,880 --> 00:49:42,000 And wouldn't such a title wave of content inevitably swamp 709 00:49:42,079 --> 00:49:46,079 digital services while hurting artists, songwriters and the perceived value 710 00:49:46,119 --> 00:49:48,960 of music amongst consumers. This is all, These are all 711 00:49:49,039 --> 00:49:52,440 legitimate concerns. In my opinion, I don't know what the 712 00:49:52,480 --> 00:49:54,679 answer is. By the way, off, I'm not here to 713 00:49:54,760 --> 00:49:56,960 offer solutions because I have no idea what the answer 714 00:49:57,039 --> 00:50:01,480 is to this, but these are legitimate concerts. A Universal 715 00:50:01,559 --> 00:50:06,039 Music Group CEO and chairman, Sir Lucian Grange certainly thinks so, 716 00:50:06,880 --> 00:50:10,079 and he's keen to stop it from happening. Last week, 717 00:50:10,400 --> 00:50:14,920 Grange delivered a stark warning about AI generated content overwhelming 718 00:50:14,960 --> 00:50:18,199 streaming platforms. In his twenty twenty six New Year's Address, 719 00:50:18,920 --> 00:50:22,719 he wrote, quote, validating business models that failed to respect 720 00:50:22,840 --> 00:50:26,679 artists work and creativity and promote the exponential growth of 721 00:50:26,760 --> 00:50:31,280 AI slop on streaming platforms is a grave disservice to artists, 722 00:50:31,679 --> 00:50:34,880 songwriters and all of us who work in music. Unquote, 723 00:50:35,360 --> 00:50:39,960 this warning was not theoretical. Last year Spotify removed think 724 00:50:40,360 --> 00:50:44,800 think about these numbers. Last year, Spotify removed over seventy 725 00:50:45,000 --> 00:50:50,320 five million spammy tracks from its platform, while rival Deezer 726 00:50:50,960 --> 00:50:55,559 reported receiving fifty thousand fully AI generated tracks per day, 727 00:50:56,280 --> 00:51:03,440 accounting for thirty four percent of all daily uploads. So 728 00:51:03,599 --> 00:51:07,679 think about that. So, on any given day, Deezer, what's 729 00:51:07,760 --> 00:51:11,559 being uploaded? A third of it a third is AI 730 00:51:11,719 --> 00:51:16,440 generated tracks. Yet, despite this aggressive purgeing of content, the 731 00:51:16,480 --> 00:51:19,719 total amount of music and the global audio streaming ecosystem 732 00:51:19,800 --> 00:51:24,559 continued to soar in twenty twenty five. Discussion around tracks 733 00:51:24,639 --> 00:51:26,920 that attract fewer than one thousand streams per year is, 734 00:51:27,000 --> 00:51:31,960 of course particularly relevant. Here illuminates new numbers help illustrate why, 735 00:51:32,519 --> 00:51:37,159 with UMG's encouragement, audio streaming services move toward artist centric 736 00:51:37,239 --> 00:51:40,760 style payment models a couple of years ago, and why 737 00:51:40,920 --> 00:51:44,760 these models are now increasingly being stress tested by AI. 738 00:51:47,559 --> 00:51:50,559 In early twenty twenty four, Spotify introduced a threshold requiring 739 00:51:50,639 --> 00:51:53,199 tracks to attract at least one thousand plays in a 740 00:51:53,239 --> 00:51:56,800 twelve month period to qualify for royalty payouts, which a 741 00:51:56,840 --> 00:51:58,519 lot of people were mad about. They were critical of 742 00:51:58,760 --> 00:52:01,920 I get it though at the time Spotify said ninety 743 00:52:02,000 --> 00:52:04,239 nine point five percent of streams on its platform went 744 00:52:04,280 --> 00:52:08,360 to tracks exceeding the one thousand annual streams threshold. Under 745 00:52:08,400 --> 00:52:10,559 its new policy, it said each of those tracks would 746 00:52:10,559 --> 00:52:13,800 earn more, with payouts previously going to sub one thousand 747 00:52:13,840 --> 00:52:18,000 stream tracks redirected back into the royalty pool. Deezer's artist 748 00:52:18,039 --> 00:52:21,320 centric model, launched in partnership with you Universal and Warner, 749 00:52:21,440 --> 00:52:25,320 achieved a similar aim, providing a double boost in royalties 750 00:52:25,360 --> 00:52:27,440 to artists with a minimum of one thousand streams per 751 00:52:27,519 --> 00:52:32,960 month and five hundred unique listeners. This goes on. There's 752 00:52:32,960 --> 00:52:34,480 a lot of numbers here and we don't have time 753 00:52:34,519 --> 00:52:36,199 to get into all of it, but the article isn't 754 00:52:36,280 --> 00:52:37,719 that long, so if you want to check it out, 755 00:52:38,079 --> 00:52:40,960 music Businessworldwide dot com, which is a great website for 756 00:52:41,079 --> 00:52:44,639 music news if you're interested in the industry and so forth. 757 00:52:44,719 --> 00:52:48,320 But we are rapidly running out of time, so I 758 00:52:48,480 --> 00:52:52,679 think we will close with that. I'm gonna sneak in 759 00:52:52,800 --> 00:52:59,320 one more Pulsifier song though, let's see because so again 760 00:52:59,639 --> 00:53:02,440 tonight and if you are listening live on Saturday, Pulsifier 761 00:53:02,639 --> 00:53:06,199 will be at Music I'm sorry at Jewel Music Venue 762 00:53:06,239 --> 00:53:11,119 I believe is the official name tonight at eight pm. 763 00:53:11,239 --> 00:53:13,840 Show starts at eight pm. It is twenty one plus, 764 00:53:13,960 --> 00:53:16,039 but Jenny and I will be there for the show, 765 00:53:16,119 --> 00:53:18,559 so come see us. Really looking forward to that. Pulsifier 766 00:53:18,639 --> 00:53:21,119 such a great band, really great live. It will be 767 00:53:21,360 --> 00:53:23,519 our second time seeing them. And if you are in 768 00:53:23,519 --> 00:53:25,800 the Manchester, New Hampshire area and you do want to 769 00:53:25,840 --> 00:53:28,360 see Pulsifier, this will be the last opportunity to see 770 00:53:28,360 --> 00:53:30,599 them for a little while around here because they are 771 00:53:30,679 --> 00:53:35,960 going out on a big national tour, so not sure 772 00:53:36,960 --> 00:53:41,760 when exactly they're going to be back. But let's see, 773 00:53:41,760 --> 00:53:43,559 I was looking for a specific song here and I'm 774 00:53:43,559 --> 00:53:47,920 not finding it. Oh, here it is, I found it. Yeah, 775 00:53:47,960 --> 00:53:50,000 we'll play this track, war Cry. This is really good. 776 00:53:50,159 --> 00:53:51,719 This will be a good way to close the show today. 777 00:53:52,039 --> 00:53:54,320 Thank you everyone who joined us. Of course Adam Seglitch 778 00:53:54,400 --> 00:53:56,840 from ever Felt always enjoy speaking with him, And of 779 00:53:56,880 --> 00:53:58,840 course we talked to grim Rock in the first hour. 780 00:53:59,360 --> 00:54:02,440 And uh, if you miss any part of today's show 781 00:54:02,440 --> 00:54:04,119 and we'll be up in just a little bit at 782 00:54:04,280 --> 00:54:06,320 w m n H radio dot org and of course 783 00:54:06,360 --> 00:54:10,000 at my website Mattconnorton dot com. All right, that's gonna 784 00:54:10,000 --> 00:54:11,159 do it for us for now. Hope to see you 785 00:54:11,199 --> 00:54:14,000 a night at Jewel for Pulsifier. And we're gonna close 786 00:54:14,000 --> 00:54:16,280 out this week's show with this. This is called war Cry. 787 00:54:16,880 --> 00:54:18,559 Talk at you all a little bit later. Bye, everybody. 788 00:55:20,320 --> 00:55:23,760 Speaker 10: When they hear the crown, it has been decided. 789 00:55:24,119 --> 00:55:25,599 Speaker 6: I love the mind? 790 00:55:25,880 --> 00:55:26,880 Speaker 1: Who has wrong? 791 00:55:27,920 --> 00:55:30,039 Speaker 2: Was I one or lost? Before? 792 00:55:30,320 --> 00:55:34,159 Speaker 4: Even Funck moved with confidence till time. 793 00:55:35,119 --> 00:55:38,039 Speaker 10: Forward, without fear have to fall out. 794 00:55:38,159 --> 00:55:40,280 Speaker 1: Clear victory is so near. 795 00:55:40,480 --> 00:55:41,440 Speaker 4: Chance to break me. 796 00:55:42,599 --> 00:55:44,119 Speaker 2: I will not be changed. 797 00:55:44,400 --> 00:55:47,599 Speaker 4: High close minded things spirits wild and. 798 00:55:51,159 --> 00:55:55,599 Speaker 12: Had to un the stop, so I no longer say 799 00:55:56,400 --> 00:56:02,920 my shid all loud away A doors not follows me. 800 00:56:04,880 --> 00:56:12,119 Speaker 5: From careful ins fight ok to fil me when this 801 00:56:13,880 --> 00:56:17,079 long the hell name sittings back to me. 802 00:56:18,440 --> 00:56:19,320 Speaker 2: Well cry. 803 00:56:20,840 --> 00:56:26,280 Speaker 5: Little here your for cry, little hear your poor cry. 804 00:56:28,039 --> 00:56:30,000 Screamer your poor cry. 805 00:56:48,280 --> 00:56:51,960 Speaker 4: Carry out come qui as long as it takes to 806 00:56:52,280 --> 00:56:57,719 today true the dump men names not as sin has 807 00:56:57,800 --> 00:57:02,039 a new back then wiser each time I've baking again, 808 00:57:03,079 --> 00:57:08,559 I'm nursed me put away prepared, so campares through rumer 809 00:57:09,199 --> 00:57:14,320 where that's some difference because the fan should cry when 810 00:57:14,400 --> 00:57:14,920 you're here. 811 00:57:15,079 --> 00:57:20,920 Speaker 9: But that's when I turned by, had took son, so 812 00:57:21,920 --> 00:57:28,599 I know them sy my hid blind you away quit dall. 813 00:57:29,000 --> 00:57:34,519 Speaker 5: The next that follows me wo from cant the lance 814 00:57:34,639 --> 00:57:41,679 fight a cat she rid of me when there's bars 815 00:57:41,920 --> 00:57:45,199 warm bell pay cities after me. 816 00:57:54,519 --> 00:57:59,760 Speaker 10: This is a call to battle, give it all fired 817 00:58:00,119 --> 00:58:00,880 to survive. 818 00:58:02,039 --> 00:58:04,719 Speaker 2: Time has come to make joy. 819 00:58:05,880 --> 00:58:11,519 Speaker 4: How you live before you die, how you live before? 820 00:58:45,119 --> 00:58:53,199 Speaker 1: So I had to listop so got. 821 00:58:52,239 --> 00:58:59,079 Speaker 5: My shild longing away when dark and the side follows 822 00:58:59,440 --> 00:59:07,960 me two frontful means fighte PoCA to win. When this 823 00:59:08,800 --> 00:59:15,000 guy is one Their name is Cities after Me walka. 824 00:59:21,119 --> 00:59:21,519 Speaker 1: WLCA. 825 00:59:33,519 --> 00:59:38,199 Speaker 3: You are listening to Mattconnorton Unleashed on wm n H 826 00:59:38,360 --> 00:59:39,639 ninety five point three